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Europe film reviews | Screen Daily

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'' : decodeURIComponent(results[1].replace(/\+/g, ' ')); } // Extract UTM parameters from URL var utmSource = getUrlParameter('utm_source'); var utmMedium = getUrlParameter('utm_medium'); var utmCampaign = getUrlParameter('utm_campaign'); var showwallpaper; if(document.querySelector('meta[name="showwallpaper"]')) { showwallpaper = document.querySelector('meta[name="showwallpaper"]').content; } googletag.cmd.push(function() { // Define a size mapping object. The first parameter to addSize is // a viewport size, while the second is a list of allowed ad sizes. var mapping = googletag.sizeMapping(). // 320, 0 addSize([320, 0], [[300, 50],[300,75],[320,50], [300, 50]]). // 480, 0 addSize([480, 0], [300, 75]). // 768, 0 addSize([768, 0], [300, 250]). // 1024, 0 addSize([1024, 0], [300, 350]).build(); var mapMPUA = googletag.sizeMapping(). // 320, 0 addSize([320, 0], [300,250]). // 768, 0 addSize([768, 0], [300, 250]). // 1024, 0 addSize([1024, 0], [[300, 250]]).build(); //addSize([1024, 0], [[300, 250],[300,50]]).build(); var mapMPU = googletag.sizeMapping(). // 320, 0 addSize([320, 0], [[300, 600], [300,250]]). // 768, 0 addSize([768, 0], [[300, 600], [300, 250]]). // 1024, 0 addSize([1024, 0], [[300, 250],[300,600]]).build(); //addSize([1024, 0], [[300, 250],[300,50]]).build(); var mapMPUSmall = googletag.sizeMapping(). // 320, 0 addSize([320, 0], [300,250]). // 768, 0 addSize([768, 0], [300, 250]). // 1024, 0 addSize([1024, 0], [300, 250]).build(); //addSize([1024, 0], [[300, 250],[300,50]]).build(); var mapLB = googletag.sizeMapping(). // 320, 0 addSize([320, 0], [300,50]). //// 601, 0 addSize([601, 0], [[468,60]]). // 768, 0 addSize([768, 0], [[468,60],[728,90]]). // 1024, 0 addSize([1024, 0], [[468, 60],[728,90]]).build(); var mapSectionDivide = googletag.sizeMapping(). // 320, 0 addSize([320, 0], [300, 75]). //// 601, 0 addSize([601, 0], [300, 75]). // 768, 0 addSize([768, 0], [[728, 90],[970, 250],[970, 90]]). // 1024, 0 addSize([1024, 0], [[728, 90],[970, 250],[970, 90]]).build(); var mapLBUnderNav = googletag.sizeMapping(). addSize([0, 0], []). // 320, 0 addSize([320, 0], [[300,75],[320,50],[320,100]]). // 1024, 0 addSize([1050, 0], [[1024, 250], [970,250], [728, 90]]).build(); var mapWallpaper = googletag.sizeMapping(). addSize([0, 0], []). // 1220, 0 addSize([1220, 0], [1,1]).build(); var mapSkinLeft = googletag.sizeMapping(). addSize([0, 0], []). // 1220, 0 addSize([1220, 0], [500,1000]).build(); googletag.defineSlot('/21612928716/Screen/AdvertA', [300, 250], 'div-gpt-AdvertA').defineSizeMapping(mapMPU).addService(googletag.pubads()); googletag.defineSlot('/21612928716/Screen/AdvertB', [300, 250], 'div-gpt-AdvertB').defineSizeMapping(mapMPU).addService(googletag.pubads()); googletag.defineSlot('/21612928716/Screen/AdvertC', [300, 250], 'div-gpt-AdvertC').defineSizeMapping(mapMPU).addService(googletag.pubads()); googletag.defineSlot('/21612928716/Screen/AdvertD', [300, 250], 'div-gpt-AdvertD').defineSizeMapping(mapMPU).addService(googletag.pubads()); googletag.defineSlot('/21612928716/Screen/AdvertE', [300, 250], 'div-gpt-AdvertE').defineSizeMapping(mapMPU).addService(googletag.pubads()); googletag.defineSlot('/21612928716/Screen/AdvertF', [300, 250], 'div-gpt-AdvertF').defineSizeMapping(mapMPU).addService(googletag.pubads()); googletag.defineSlot('/21612928716/Screen/mpu-extra', [300, 250], 'div-gpt-ad-mpu-extra').defineSizeMapping(mapMPU).addService(googletag.pubads()); googletag.defineSlot('/21612928716/Screen/mpu-extra-two', [300, 250], 'div-gpt-ad-mpu-extra-two').defineSizeMapping(mapMPU).addService(googletag.pubads()); // googletag.defineSlot('/21612928716/Screen/AdvertMastLB', [[728, 90], [300, 75]], 'div-gpt-AdvertMastLB').defineSizeMapping(mapLB).addService(googletag.pubads()); googletag.defineSlot('/21612928716/Screen/AdvertAttach', [300, 250], 'div-gpt-AdvertAttach').defineSizeMapping(mapMPU).addService(googletag.pubads()); googletag.defineSlot('/21612928716/Screen/SmallMPU', [300, 250], 'div-gpt-SmallMPU').defineSizeMapping(mapMPUSmall).addService(googletag.pubads()); googletag.defineSlot('/21612928716/Screen/LargeMPU', [[300, 600],[300, 250]], 'div-gpt-LargeMPU').defineSizeMapping(mapMPU).addService(googletag.pubads()); googletag.defineSlot('/21612928716/Screen/billboard', [[1024, 250],[970, 250],[728, 90],[300, 75]], 'div-gpt-billboard').setTargeting('allow_expandable', 'true').defineSizeMapping(mapLBUnderNav).addService(googletag.pubads()); googletag.defineSlot('/21612928716/Screen/SectionDivide', [[970, 250],[970, 90]], 'div-gpt-sectiondivide-one').defineSizeMapping(mapSectionDivide).addService(googletag.pubads()); googletag.defineSlot('/21612928716/Screen/SectionDivide', [[970, 250],[970, 90]], 'div-gpt-sectiondivide-two').defineSizeMapping(mapSectionDivide).addService(googletag.pubads()); googletag.defineSlot('/21612928716/Screen/btm-bb', [970, 250], 'div-gpt-ad-bottom-billboard').defineSizeMapping(mapLBUnderNav).addService(googletag.pubads()); // googletag.defineSlot('/21612928716/Screen/skin-left', [[970, 250],[970, 90]], 'div-gpt-ad-skin-left').defineSizeMapping(mapSkinLeft).addService(googletag.pubads()); googletag.defineOutOfPageSlot('/21612928716/Screen/Overlay', 'div-gpt-overlay').addService(googletag.pubads()); var wallpaperSlot = googletag.defineOutOfPageSlot('/21612928716/Screen/Wallpaper', 'div-gpt-wallpaper') .addService(googletag.pubads()).setTargeting('url', document.location.pathname); googletag.pubads().addEventListener("slotRenderEnded", function(a){ a.slot.getSlotElementId()!=wallpaperSlot.getSlotElementId()||a.isEmpty||(document.querySelector(".wallpaper-ad[data-site-width-1024]")&&(document.body.className+=" site-width-1024"),"true"===showwallpaper&&(document.body.className+=" wallpaper-applied")); $(window).trigger('wallpaper:advert') }); googletag.pubads().collapseEmptyDivs(true); /* googletag.pubads().enableLazyLoad({ fetchMarginPercent: 5, renderMarginPercent: 5, mobileScaling: 0.0 }); */ googletag.pubads().setTargeting('loggedin', getDataLayerVal('LoggedIn')); googletag.pubads().setTargeting('visitortype', getDataLayerVal('RegLevel')); googletag.pubads().setTargeting('navcode', getDataLayerVal('NavCode')); googletag.pubads().setTargeting('storycode', getDataLayerVal('StoryID')); googletag.pubads().setTargeting('storylayout', getDataLayerVal('StoryLayout')); googletag.pubads().setTargeting('storycat', getDataLayerVal('StoryCategories')); googletag.pubads().setTargeting('categories2', categories2); googletag.pubads().setTargeting('visitor2', visitor2); googletag.pubads().setTargeting('utm_source', utmSource); googletag.pubads().setTargeting('utm_medium', utmMedium); googletag.pubads().setTargeting('utm_campaign', utmCampaign); googletag.enableServices(); }); window.addEventListener('message', receiveMessage, false); 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/21612928716/Screen/billboard --> <div class="mob-ad-75 tab-ad-250 dt-ad-250"> <div id='div-gpt-billboard'> <script> googletag.cmd.push(function() { googletag.display('div-gpt-billboard'); }); </script> </div> </div> </div> <div id="wrapper_sleeve" role="main" data-menu-open-pushed> <div class="container"> <div class="inner-sleeve"> <div id="section_intro" class="spin-header left"><div class="spin-header-wrapper"><div class="spin-header-content"><h1>Europe reviews</h1></div></div></div> <div id="top" class="area"> </div> </div> </div> <div id="columns" class="container"> <div id="colwrapper" class="inner-sleeve"> <div id="colmain"> <div id="content"> <div id="content_sleeve"> <div id="main" class="area"> <div class="grid"> <div class="oneColumn"> <div class="columnContainer"> <div class="column columnOne"> <div id="latest_45505" class="spinBlock colour1 hasmorelink hastitle"><div class="sleeve"><div class="sectionhead"><h2>Latest</h2></div><div class="spinLayout thumb onecol left item-first"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/the-safe-house-review-cluttered-1960s-paris-set-chamber-piece/5202190.article" class="image"><img alt="The Safe House by Lionel Baier_Credit Véronique Kolber" class="lazyloaded" loading="eager" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/1/6/0/1444160_thesafehousebylionelbaier_creditveroniquekolber_659951.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/1/6/0/1444160_thesafehousebylionelbaier_creditveroniquekolber_659951.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/1/6/0/1444160_thesafehousebylionelbaier_creditveroniquekolber_659951.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/the-safe-house-review-cluttered-1960s-paris-set-chamber-piece/5202190.article">‘The Safe House’ review: Cluttered 1960s Paris-set chamber piece</a></h2><p class="intro">Lionel Baier makes his first appearance in Berlin competition</p></div></div></div><div class="spinLayout thumb onecol right item-second"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/timestamp-review-doc-is-a-powerful-fractured-portrait-of-school-days-in-ukraine/5201800.article" class="image"><img alt="Timestamp" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/3/4/4/1443344_timestamp_129829.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/3/4/4/1443344_timestamp_129829.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/3/4/4/1443344_timestamp_129829.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/timestamp-review-doc-is-a-powerful-fractured-portrait-of-school-days-in-ukraine/5201800.article">‘Timestamp’ review: Doc is a powerful, fractured portrait of school days in Ukraine</a></h2><p class="intro">Kateryna Gornostai returns to Berlin with this Competition title</p></div></div></div><div class="spinLayout thumb onecol left item-third"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/kontinental-25-review-radu-jude-returns-after-winning-the-golden-bear/5202114.article" class="image"><img alt="Kontinental '25" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/0/0/4/1444004_kontinental25_942145_crop.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/0/0/4/1444004_kontinental25_942145_crop.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/0/0/4/1444004_kontinental25_942145_crop.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/kontinental-25-review-radu-jude-returns-after-winning-the-golden-bear/5202114.article">‘Kontinental ’25’ review: Radu Jude returns after winning the Golden Bear</a></h2><p class="intro">Berlin Competition title is a satirical state-of-the-world treatise</p></div></div></div><div class="spinLayout thumb onecol right item-fourth"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/dreams-sex-love-review-dag-johan-haugerud-concludes-his-trilogy-at-berlin/5202161.article" class="image"><img alt="Dreams (Sex Love)" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/1/1/6/1444116_dreamssexlove_639764.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/1/1/6/1444116_dreamssexlove_639764.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/1/1/6/1444116_dreamssexlove_639764.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/dreams-sex-love-review-dag-johan-haugerud-concludes-his-trilogy-at-berlin/5202161.article">‘Dreams (Sex Love)’ review: Dag Johan Haugerud concludes his trilogy at Berlin</a></h2><p class="intro">Sensitive coming-of-age story is a wisful end to the Norwegian auteur’s work</p></div></div></div><div class="spinLayout thumb onecol left"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/mothers-baby-review-postpartum-stress-under-the-lens-in-meticulous-berlin-title/5202153.article" class="image"><img alt="Mother's Baby" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/1/0/5/1444105_mothersbaby_227258.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/1/0/5/1444105_mothersbaby_227258.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/1/0/5/1444105_mothersbaby_227258.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/mothers-baby-review-postpartum-stress-under-the-lens-in-meticulous-berlin-title/5202153.article">‘Mother’s Baby’ review: Postpartum stress under the lens in meticulous Berlin title</a></h2><p class="intro">Marie Leuenberger gives a terrific performance in a drama that leans into horror</p></div></div></div><div class="spinLayout thumb onecol right"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/two-times-joao-liberada-review-portuguese-lgbtq-title-is-a-niche-debut/5202146.article" class="image"><img alt="Two Times João Liberada" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/0/7/3/1444073_twotimesjooliberada_816851.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/0/7/3/1444073_twotimesjooliberada_816851.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/0/7/3/1444073_twotimesjooliberada_816851.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/two-times-joao-liberada-review-portuguese-lgbtq-title-is-a-niche-debut/5202146.article">‘Two Times João Liberada’ review: Portuguese LGBTQ+ title is a niche debut</a></h2><p class="intro">Paula Tomás Marques uses a fictional history to shed light on modern filmmaking conventions</p></div></div></div><div class="spinLayout thumb onecol left"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/late-shift-review-leonie-benesch-excels-as-a-swiss-nurse-under-pressure/5202073.article" class="image"><img alt="heldin_still_0939743_credit_ZodiacPictures" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/9/1/6/1443916_heldin_still_0939743_credit_zodiacpictures_910949.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/9/1/6/1443916_heldin_still_0939743_credit_zodiacpictures_910949.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/9/1/6/1443916_heldin_still_0939743_credit_zodiacpictures_910949.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/late-shift-review-leonie-benesch-excels-as-a-swiss-nurse-under-pressure/5202073.article">‘Late Shift’ review: Leonie Benesch excels as a Swiss nurse under pressure</a></h2><p class="intro">Petra Volpe’s tense hospital drama plays as a Berlin Special Gala</p></div></div></div><div class="spinLayout thumb onecol right"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/what-marielle-knows-review-stylish-sly-german-comedy-starring-julia-jentsch/5202127.article" class="image"><img alt="What Marielle Knows" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/0/2/8/1444028_whatmarielleknowscopy_698952.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/0/2/8/1444028_whatmarielleknowscopy_698952.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/0/2/8/1444028_whatmarielleknowscopy_698952.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/what-marielle-knows-review-stylish-sly-german-comedy-starring-julia-jentsch/5202127.article">‘What Marielle Knows’ review: Stylish, sly German comedy starring Julia Jentsch</a></h2><p class="intro">Sly laughs all round as a teenager gets the power to read her parents’ minds in Berlin Competition title</p></div></div></div><div class="spinLayout thumb onecol left"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/we-believe-you-review-tense-belgian-family-custody-drama-is-a-knockout/5201566.article" class="image"><img alt="We Believe You" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/6/8/3/1442683_webelieveyou_567427.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/6/8/3/1442683_webelieveyou_567427.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/6/8/3/1442683_webelieveyou_567427.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/we-believe-you-review-tense-belgian-family-custody-drama-is-a-knockout/5201566.article">’We Believe You’ review: Tense Belgian family custody drama is a knockout</a></h2><p class="intro">Miriam Akheddiou is at the heart of this debut by Charlotte Devillers and Arnaud Dufeys</p></div></div></div><div class="spinLayout thumb onecol right"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/hysteria-review-tense-german-satirical-thriller-eyes-breakout-status/5202102.article" class="image"><img alt="Hysteria" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/9/8/4/1443984_hysteria_358786.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/9/8/4/1443984_hysteria_358786.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/9/8/4/1443984_hysteria_358786.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/hysteria-review-tense-german-satirical-thriller-eyes-breakout-status/5202102.article">‘Hysteria’ review: Tense German satirical thriller eyes breakout status</a></h2><p class="intro">Mehmet Akif Büyükatalay follows up his debut hit ‘Oray’</p></div></div></div><div class="spinLayout thumb onecol left"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/all-i-had-was-nothingness-review-a-powerful-shoah-through-the-eyes-of-its-maker/5202042.article" class="image"><img alt="All I Had Was Nothingness" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/8/4/7/1443847_allihadwasnothingness_674246.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/8/4/7/1443847_allihadwasnothingness_674246.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/8/4/7/1443847_allihadwasnothingness_674246.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/all-i-had-was-nothingness-review-a-powerful-shoah-through-the-eyes-of-its-maker/5202042.article">‘All I Had Was Nothingness’ review: A powerful ‘Shoah’ through the eyes of its maker</a></h2><p class="intro">40 years later, Guillame Ribot pairs unused footage with Claude Lanzmann’s words to show how the film was made</p></div></div></div><div class="spinLayout thumb onecol right"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/islands-review-sam-riley-stacy-martin-scorch-in-canary-islands-suspense/5202038.article" class="image"><img alt="Islands" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/8/4/0/1443840_islands_454198_crop.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/8/4/0/1443840_islands_454198_crop.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/8/4/0/1443840_islands_454198_crop.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/islands-review-sam-riley-stacy-martin-scorch-in-canary-islands-suspense/5202038.article">‘Islands’ review: Sam Riley, Stacy Martin scorch in Canary Islands suspense</a></h2><p class="intro">Fuerteventura-set noir is the latest from Germany’s Jan-Ole Gerster</p></div></div></div><div class="spinLayout thumb onecol left"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/reflection-in-a-dead-diamond-review-fast-and-frenetic-movie-geek-nostalgia/5202068.article" class="image"><img alt="Reflection In A Dead Diamond" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/8/9/3/1443893_reflectioninadeaddiamond_273697.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/8/9/3/1443893_reflectioninadeaddiamond_273697.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/8/9/3/1443893_reflectioninadeaddiamond_273697.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a href="https://www.screendaily.com/reviews/reflection-in-a-dead-diamond-review-fast-and-frenetic-movie-geek-nostalgia/5202068.article">‘Reflection In A Dead Diamond’ review: Fast and frenetic movie geek nostalgia</a></h2><p class="intro">Brussels-based Hélène Cattet and Bruno Forzani premiere their fourth film in Berlin competition</p></div></div></div><div class="spinLayout thumb onecol right"><div class="sleeve"><p class="picture"><a href="https://www.screendaily.com/reviews/how-to-be-normal-review-peppy-debut-from-austria-tackles-mental-illness/5202054.article" class="image"><img alt="How To Be Normal And The Oddness Of The Other World" class="lazyloaded" loading="lazy" sizes="(max-width: 1179px) 100px, 220px" src="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/8/5/6/1443856_howtobenormalandtheoddnessoftheotherworld_616957.jpg" srcset="https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/8/5/6/1443856_howtobenormalandtheoddnessoftheotherworld_616957.jpg 100w,https://d1nslcd7m2225b.cloudfront.net/Pictures/220x147/8/5/6/1443856_howtobenormalandtheoddnessoftheotherworld_616957.jpg 220w" width="100" height="67" /></a></p><div class="subSleeve"><h2><a 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