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Writing | History, Styles, Types, Importance, & Facts | Britannica
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toc-drawer sub-toc-drawer"><ul class="list-unstyled" data-level="h2"><li data-target="#ref53659"><a class="w-100 link-gray-900" href="/topic/writing/Sumerian-writing">Sumerian writing</a></li></ul><ul class="list-unstyled" data-level="h2"><li data-target="#ref53660"><a class="w-100 link-gray-900" href="/topic/writing/Alphabetic-systems">Alphabetic systems</a></li></ul><ul class="list-unstyled" data-level="h2"><li data-target="#ref53661"><a class="w-100 link-gray-900" href="/topic/writing/Chinese-writing-and-its-derivatives">Chinese writing and its derivatives</a><ul class="list-unstyled" data-level="h3"><li data-target="#ref272420"><a class="w-100 link-gray-900" href="/topic/writing/Chinese-writing-and-its-derivatives#ref272420">Chinese writing</a></li></ul><ul class="list-unstyled" data-level="h3"><li data-target="#ref53662"><a class="w-100 link-gray-900" href="/topic/writing/Chinese-writing-and-its-derivatives#ref53662">Japanese writing</a></li></ul><ul class="list-unstyled" data-level="h3"><li data-target="#ref53663"><a class="w-100 link-gray-900" href="/topic/writing/Chinese-writing-and-its-derivatives#ref53663">Korean writing</a></li></ul></li></ul></div></li><li data-target="#ref53664"><div class="d-flex align-items-center"><button class="h1-link-drawer-button btn btn-xs btn-circle d-flex rounded" type="button" aria-label="Toggle Heading"><em class="material-icons font-18" data-icon="keyboard_arrow_right"></em></button><a class="w-100 link-gray-900" href="/topic/writing/Literacy-the-uses-of-writing">Literacy: the uses of writing</a></div><div class="ml-40 toc-drawer sub-toc-drawer"><ul class="list-unstyled" data-level="h2"><li data-target="#ref53665"><a class="w-100 link-gray-900" href="/topic/writing/Literacy-the-uses-of-writing#ref53665">The rise of literacy</a></li></ul><ul class="list-unstyled" data-level="h2"><li data-target="#ref53666"><a class="w-100 link-gray-900" href="/topic/writing/Literacy-and-schooling">Literacy and schooling</a></li></ul></div></li></ul> <a class="toc-extra-link link-gray-900" href="https://www.britannica.com/topic/writing/additional-info">References & Edit History</a> <a class="toc-extra-link link-gray-900" href="/facts/writing">Related Topics</a> </div> <div class="tlr-media-slider pb-10 mb-30"> <a class="section-header link-gray-900 font-serif font-14 font-weight-bold mb-10 mx-10" href="https://www.britannica.com/topic/writing/images-videos">Images & Videos</a> <div class="slider js-slider position-relative d-inline-flex align-items-center mw-100 "> <div class="slider-container js-slider-container overflow-hidden d-flex overflow-hidden text-nowrap ml-15"> <a href="/video/brain-language/194149" data-href="/media/1/649670/194149" class="media-overlay-link d-inline-block mr-5"> <div class="position-relative --aspect-ratio: 16/9"> <img loading="lazy" src="https://cdn.britannica.com/64/180164-138-AE845BB7/brain-language.jpg?w=400&h=225&c=crop" alt="How does the human brain process 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They write new content and verify and edit content received from contributors.</div> </a> <div data-popper-arrow></div> </div> <span class="btn btn-link editor-link p-0 qa-byline-link font-12 "> The Editors of Encyclopaedia Britannica</span></div> <div class="last-updated font-12 font-serif"> <span class="text-gray-700"> Last Updated: <time datetime="2024-11-15T00:00:00CST" >Nov 15, 2024</time> •</span> <a class="byline-edit-history" href="https://www.britannica.com/topic/writing/additional-info#history" rel="nofollow">Article History</a> </div></div> </div> <button class="d-flex d-lg-none btn btn-outline-blue border rounded-sm shadow-sm mobile-toc-button gtm-mobile-toc-inline-button d-none d-sm-block js-sections-inline-button module-spacing btn d-lg-none"> <em class="material-icons mr-5 ml-n10 my-n5 md-icon" data-icon="toc"></em> Table of Contents </button> <div class="d-flex d-sm-none flex-row"> <button class="d-flex d-lg-none btn btn-outline-blue border rounded-sm shadow-sm mobile-toc-button gtm-mobile-toc-inline-button js-sections-inline-button module-spacing"> <em class="material-icons mr-5 ml-n10 my-n5 md-icon" data-icon="toc"></em> Table of Contents </button> <button class="ai-ask-button btn border-2 ai-ask-button btn border-2 module-spacing btn-sm js-inline-ai-ask-button btn-outline-red-400 border-red-400 p-10 ml-5"> Ask the Chatbot a Question </button> </div> <div class="js-qf-module qf-module px-40 px-sm-20 py-15 mx-auto module-spacing font-14 bg-gray-50 rounded"> <div class="facts-list mt-10"> <div class=""> <div class="js-fact mb-10 line-clamp clamp-3"> <dl> <dt>Key People: </dt> <dd><a href="/biography/Franz-Liszt" topicid="343394">Franz Liszt</a></dd> <dd><a href="/biography/Felix-Mendelssohn" topicid="374785">Felix Mendelssohn</a></dd> <dd><a href="/biography/Sidney-Poitier" topicid="466599">Sidney Poitier</a></dd> <dd><a href="/biography/Arthur-Ransome" topicid="491274">Arthur Ransome</a></dd> <dd><a href="/biography/Mari-Evans" topicid="196944">Mari Evans</a></dd> </dl> <button class="js-more-btn d-none btn btn-unstyled font-12 bg-gray-50" aria-label="Toggle more/less fact data"> <em class="js-content link-blue">(Show more)</em> </button> </div> </div> <div class=""> <div class="js-fact mb-10 line-clamp clamp-3"> <dl> <dt>Related Topics: </dt> <dd><a href="/topic/handwriting" topicid="254254">handwriting</a></dd> <dd><a href="/topic/mass-communication" topicid="2220027">mass communication</a></dd> <dd><a href="/topic/orthography" topicid="433491">orthography</a></dd> <dd><a href="/topic/technical-writing" topicid="585394">technical writing</a></dd> <dd><a href="/topic/writing-system" topicid="649693">writing system</a></dd> </dl> <button class="js-more-btn d-none btn btn-unstyled font-12 bg-gray-50" aria-label="Toggle more/less fact data"> <em class="js-content link-blue">(Show more)</em> </button> </div> <div class="text-center"> <a class="btn btn-sm btn-link p-0" href="/facts/writing"> See all related content </a> </div> </div> </div> </div><script type="application/ld+json"> { "@context": "https://schema.org", "@type": "FAQPage", "mainEntity": [ { "@type" : "Question", "name" : "<div>What is writing?<\/div><em><\/em>", "acceptedAnswer" : { "@type" : "Answer", "text" : "Writing may be defined as any conventional system of marks or signs that represents the utterances of a language. Writing renders language visible. Whereas speech is ephemeral, writing is concrete and, by comparison, permanent. Both speaking and writing depend upon the underlying structures of language." } } , { "@type" : "Question", "name" : "<div>Where does writing come from?<\/div><em><\/em>", "acceptedAnswer" : { "@type" : "Answer", "text" : "While spoken or signed language is a fairly universal human competence that is commonly acquired by human beings without systematic instruction, writing is a technology of relatively recent history that must be taught to each generation of children." } } , { "@type" : "Question", "name" : "<div>Where did writing first develop? <\/div><em><\/em>", "acceptedAnswer" : { "@type" : "Answer", "text" : "Of the three writing systems that were formed independently in China, Mesoamerica, and Mesopotamia (present-day Iraq), the Mesopotamian system was the earliest. 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About 3000 BCE, writing began to imitate spoken language and extended outside of accounting." } } ] } </script> <div class="top-questions qa-accordion d-flex flex-column module-spacing"><div class="font-weight-bold font-14 mb-5"> Top Questions </div><div id="intent-accordion" class="md-intent-accordion"><div class="top-question bg-gray-50 rounded" data-value="1"><h3 class="accordion--question font-14 font-weight-normal cursor-pointer rounded"><div class="pe-none d-flex justify-content-between align-items-center"><div>What is writing?</div><em class="material-icons" data-icon="expand_more"></em></div></h3><div class="accordion--answer hidden p-15 pt-5 font-16 mb-5"><div class="accordion--answer-copy"><p>Writing may be defined as any conventional system of marks or signs that represents the utterances of a language. Writing renders language visible. Whereas speech is ephemeral, writing is concrete and, by comparison, permanent. Both speaking and writing depend upon the underlying structures of language.</p></div></div></div><div class="top-question bg-gray-50 rounded" data-value="2"><h3 class="accordion--question font-14 font-weight-normal cursor-pointer rounded"><div class="pe-none d-flex justify-content-between align-items-center"><div>Where does writing come from?</div><em class="material-icons" data-icon="expand_more"></em></div></h3><div class="accordion--answer hidden p-15 pt-5 font-16 mb-5"><div class="accordion--answer-copy"><p>While spoken or signed language is a fairly universal human competence that is commonly acquired by human beings without systematic instruction, writing is a technology of relatively recent history that must be taught to each generation of children.</p></div></div></div><div class="top-question bg-gray-50 rounded" data-value="3"><h3 class="accordion--question font-14 font-weight-normal cursor-pointer rounded"><div class="pe-none d-flex justify-content-between align-items-center"><div>Where did writing first develop? </div><em class="material-icons" data-icon="expand_more"></em></div></h3><div class="accordion--answer hidden p-15 pt-5 font-16 mb-5"><div class="accordion--answer-copy"><p>Of the three writing systems that were formed independently in China, Mesoamerica, and Mesopotamia (present-day Iraq), the Mesopotamian system was the earliest. Evidence of Sumerian script, which in its later stages was known as cuneiform, can be traced back to 8000 BCE, but scholars find more explicit evidence of its use after 3200 BCE.</p></div></div></div><div class="top-question bg-gray-50 rounded" data-value="4"><h3 class="accordion--question font-14 font-weight-normal cursor-pointer rounded"><div class="pe-none d-flex justify-content-between align-items-center"><div>Why was writing invented?</div><em class="material-icons" data-icon="expand_more"></em></div></h3><div class="accordion--answer hidden p-15 pt-5 font-16 mb-5"><div class="accordion--answer-copy"><p>The earliest writing system comes from Mesopotamia (present-day Iraq), where, according to archaeologist Denise Schmandt-Besserat, shaped clay tokens were used for accounting purposes (between 8000 and 3500 BCE). These tokens later became two-dimensional pictographic signs still used primarily for accounting (about 3500–3000 BCE). About 3000 BCE, writing began to imitate spoken language and extended outside of accounting.</p></div></div></div><button class="show-more-button js-toggle-top-questions btn btn-unstyled font-14 d-flex pr-10 rounded-sm"><em class="material-icons" data-icon="expand_more"></em></button></div></div><div class="bg-gray-50 p-15 rounded module-spacing recent-news d-flex flex-column float-false"> <div> <h2 class="font-weight-bold font-14 m-0 d-inline"> News <span class="text-gray-600">•</span> </h2> <div class="recent-news-item first-recent-news-item d-inline"> <a class="font-14 gtm-ap-news-link" href="https://www.telegraph.co.uk/news/2024/11/12/evidence-human-writing-1000-years-earlier-summeria/" rel="nofollow">Evidence of human writing 1,000 years earlier than previously thought</a> <span class="font-14 text-gray-600"> <span>•</span> Nov. 12, 2024, 8:25 AM ET (The Telegraph) </span> </div> </div> <div class="rest-of-recent-news-items"> <button class="js-toggle-recent-news d-flex btn btn-unstyled font-14 pr-10 rounded-sm mt-10" aria-label="Toggle additional news items"> Show less <em class="material-icons" data-icon="expand_less"></em> </button> </div> </div><!--[BEFORE-ARTICLE]--><span class="marker before-article"></span><section data-level="1" id="ref1"><!--[PREMOD1]--><span class="marker PREMOD1 mod-inline"></span><div class="assemblies"><div class="w-100"><figure class="md-assembly m-0 mb-md-0 card card-borderless print-false" data-assembly-id="194149" data-asm-type="video"><div class="md-assembly-wrapper card-media " data-type="video" video-id="180164"><a data-id="180164" class="gtm-assembly-link d-flex justify-content-center" style="--aspect-ratio: 16/9" href="/video/brain-language/-194149"><img src="https://cdn.britannica.com/64/180164-138-AE845BB7/brain-language.jpg?w=800&h=450&c=crop" alt="How does the human brain process language?" loading="lazy"><script type="application/json"> { "sources": [ { "file" : "//content.jwplatform.com/manifests/TKmdcqaN.m3u8" } ], "image": "https://cdn.britannica.com/64/180164-138-AE845BB7/brain-language.jpg" ,"tracks": [ { "file" : "//assets-jpcust.jwpsrv.com/tracks/uxXcVe9M", "label": "English" } ] ,"adfile": "//content.jwplatform.com/manifests/2jbPS4m7.m3u8" } </script><div class="btn btn-xl btn-white btn-circle position-absolute shadow" style="top: 50%; transform: translateY(-50%)"><em class="material-icons" data-icon="play_arrow"></em></div></a></div><figcaption class="card-body"><div class="md-assembly-caption text-muted font-14 font-serif line-clamp"><span><span class="md-assembly-title font-weight-bold mr-5 d-inline font-sans-serif md-video-caption" video-control="180164">How does the human brain process language?</span><span>Learn how the brain processes language.</span><button class="js-more-btn d-none btn btn-unstyled font-12 bg-white js-content" aria-label="Toggle more/less fact data"><span class="link-blue">(more)</span></button></span></div><a class="font-14 mt-10 d-inline-block" href="/topic/writing/images-videos">See all videos for this article</a></figcaption></figure></div></div><p class="topic-paragraph"><strong><span id="ref513112"></span>writing</strong>, form of human <span id="ref513113"></span><a href="https://www.britannica.com/topic/communication" class="md-crosslink " data-show-preview="true">communication</a> by means of a set of visible marks that are related, by convention, to some particular structural level of <a href="https://www.britannica.com/topic/language" class="md-crosslink " data-show-preview="true">language</a>.</p><!--[MOD1]--><span class="marker MOD1 mod-inline"></span><!--[PREMOD2]--><span class="marker PREMOD2 mod-inline"></span><p class="topic-paragraph">This definition highlights the fact that writing is in principle the representation of language rather than a direct representation of thought and the fact that spoken language has a number of levels of structure, including sentences, words, syllables, and <a class="md-dictionary-link md-dictionary-tt-off mw" data-term="phonemes" href="https://www.merriam-webster.com/dictionary/phonemes" data-type="MW">phonemes</a> (the smallest units of speech used to distinguish one word or morpheme from another), any one of which a writing system can “map onto” or represent. Indeed, the <a href="https://www.britannica.com/topic/history" class="md-crosslink autoxref " data-show-preview="true">history</a> of writing is in part a matter of the discovery and representation of these structural levels of spoken language in the attempt to construct an efficient, general, and economical writing system capable of serving a range of socially valuable functions. <a href="https://www.britannica.com/topic/literacy" class="md-crosslink " data-show-preview="true">Literacy</a> is a matter of competence with a writing system and with the specialized functions that written language serves in a particular society.</p><!--[MOD2]--><span class="marker MOD2 mod-inline"></span><!--[PREMOD3]--><span class="marker PREMOD3 mod-inline"></span><p class="topic-paragraph">For discussion of the study of writing as a tool of historical research, <em>see</em> <a href="https://www.britannica.com/topic/epigraphy" class="md-crosslink " data-show-preview="true">epigraphy</a> and <a href="https://www.britannica.com/topic/paleography" class="md-crosslink " data-show-preview="true">paleography</a>. For more on particular systems not treated below, <em>see</em> <a href="https://www.britannica.com/topic/hieroglyphic-writing" class="md-crosslink " data-show-preview="true">hieroglyphic writing</a> and <a href="https://www.britannica.com/topic/pictography" class="md-crosslink " data-show-preview="true">pictography</a>.</p><!--[MOD3]--><span class="marker MOD3 mod-inline"></span></section> <!--[H2]--><span class="marker h2"></span><section data-level="1" id="ref53655"><h2 class="h1">Writing as a system of signs</h2> <!--[PREMOD4]--><span class="marker PREMOD4 mod-inline"></span><p class="topic-paragraph">Languages are systems of symbols; writing is a system for symbolizing these symbols. A <span id="ref513114"></span><a href="https://www.britannica.com/topic/writing-system" class="md-crosslink ">writing system</a> may be defined as any conventional system of marks or signs that represents the utterances of a language. Writing renders language visible; while <span id="ref513115"></span><a href="https://www.britannica.com/topic/speech-language" class="md-crosslink " data-show-preview="true">speech</a> is <a class="md-dictionary-link md-dictionary-tt-off mw" data-term="ephemeral" href="https://www.merriam-webster.com/dictionary/ephemeral" data-type="MW">ephemeral</a>, writing is concrete and, by comparison, permanent. Both speaking and writing depend upon the underlying structures of language. Consequently, writing cannot ordinarily be read by someone not familiar with the linguistic structure underlying the oral form of the language. Yet writing is not merely the transcription of speech; writing frequently involves the use of special forms of language, such as those involved in literary and scientific works, that would not be produced orally. In any linguistic <a class="md-dictionary-link md-dictionary-tt-off mw" data-term="community" href="https://www.merriam-webster.com/dictionary/community" data-type="MW">community</a> the written language is a distinct and special dialect; usually there is more than one written <a href="https://www.britannica.com/topic/dialect" class="md-crosslink autoxref " data-show-preview="true">dialect</a>. Scholars account for these facts by suggesting that writing is related directly to language but not necessarily directly to speech. Consequently, spoken and written language may evolve somewhat distinctive forms and functions. These <a class="md-dictionary-link md-dictionary-tt-off mw" data-term="alternative" href="https://www.merriam-webster.com/dictionary/alternative" data-type="MW">alternative</a> relations may be depicted as follows:</p><!--[MOD4]--><span class="marker MOD4 mod-inline"></span><div class="md-drag md-table-wrapper"><table> <tbody> <tr> <td>writing</td> <td></td> <td></td> <td></td> <td></td> <td></td> <td></td> </tr> <tr> <td>↑</td> <td></td> <td></td> <td></td> <td></td> <td></td> <td></td> </tr> <tr> <td>speaking</td> <td></td> <td>writing</td> <td>←</td> <td>language</td> <td>→</td> <td>speaking</td> </tr> <tr> <td>↑</td> <td></td> <td></td> <td></td> <td></td> <td></td> <td></td> </tr> <tr> <td>language</td> <td></td> <td></td> <td></td> <td></td> <td></td> <td></td> </tr> </tbody> </table></div> <!--[PREMOD5]--><span class="marker PREMOD5 mod-inline"></span><p class="topic-paragraph">It is the fact that writing is an expression of language rather than simply a way of transcribing speech that gives to writing, and hence to written language and to literacy, its special properties. As long as writing was seen merely as transcription, as it was by such pioneering linguists as <a href="https://www.britannica.com/biography/Ferdinand-de-Saussure" class="md-crosslink " data-show-preview="true">Ferdinand de Saussure</a> and <a href="https://www.britannica.com/biography/Leonard-Bloomfield" class="md-crosslink " data-show-preview="true">Leonard Bloomfield</a> earlier in the 20th century, its <a class="md-dictionary-link md-dictionary-tt-off mw" data-term="conceptual" href="https://www.merriam-webster.com/dictionary/conceptual" data-type="MW">conceptual</a> significance was seriously underestimated. Once writing was seen as providing a new medium for linguistic expression, its distinctness from speech was more clearly grasped. Scholars such as Milman Parry, <a href="https://www.britannica.com/biography/Marshall-McLuhan" class="md-crosslink " data-show-preview="true">Marshall McLuhan</a>, Eric Havelock, Jack Goody, and Walter Ong were among the first to analyze the conceptual and social <a class="md-dictionary-link md-dictionary-tt-off mw" data-term="implications" href="https://www.merriam-webster.com/dictionary/implications" data-type="MW">implications</a> of using written as opposed to oral forms of communication.</p><a class="link-module shadow-sm d-block qa-quiz-module" href="/quiz/love-it-or-hate-it-vocabulary-quiz" data-link-module-iframe-link=""> <img loading="lazy" src="https://cdn.britannica.com/97/242697-131-C26D8D43/fiery-heart-concrete-wall-background.jpg" alt="Fiery heart or heart made of flames with a dark concrete wall background. (love, Valentine's Day)" class="rounded-sm mr-15" width="70" /> <div class="line-clamp clamp-5"> <div class="module-title bg-green">Britannica Quiz</div> <div class="font-weight-semi-bold mt-5">Love It or Hate It Vocabulary Quiz</div> </div> </a><!--[MOD5]--><span class="marker MOD5 mod-inline"></span> <!--[PREMOD6]--><span class="marker PREMOD6 mod-inline"></span><p class="topic-paragraph">Writing is merely one, <a class="md-dictionary-link md-dictionary-tt-off mw" data-term="albeit" href="https://www.merriam-webster.com/dictionary/albeit" data-type="MW">albeit</a> the most important, means of communicating by visible signs. Gestures—such as a raised hand for greeting or a wink for <a class="md-dictionary-link md-dictionary-tt-off mw" data-term="intimate" href="https://www.merriam-webster.com/dictionary/intimate" data-type="MW">intimate</a> agreement—are visible signs, but they are not writing in that they do not transcribe a linguistic form. Pictures, similarly, may represent events but do not represent language and hence are not a form of writing.</p><!--[MOD6]--><span class="marker MOD6 mod-inline"></span> <!--[PREMOD7]--><span class="marker PREMOD7 mod-inline"></span><p class="topic-paragraph">But the boundary between pictures and writing becomes less clear when pictures are used conventionally to convey particular meanings. In order to distinguish pictures from pictorial signs, it is necessary to notice that language has two primary levels of structure, which the French linguist André Martinet referred to as the “double articulation” of language: the <span id="ref513116"></span><a href="https://www.britannica.com/topic/meaning" class="md-crosslink " data-show-preview="true">meaning</a> structures on one hand and the <span id="ref513117"></span><a href="https://www.britannica.com/science/sound-physics" class="md-crosslink " data-show-preview="true">sound</a> patterns on the other. Indeed, linguists define <span id="ref513118"></span><a href="https://www.britannica.com/topic/grammar" class="md-crosslink " data-show-preview="true">grammar</a> as a system for mapping—establishing a system of relations between—sound and meaning. These levels of structure admit of several subdivisions, any one of which may be captured in a writing system. The basic unit of the meaning system is called a <span id="ref513119"></span><a href="https://www.britannica.com/topic/morpheme" class="md-crosslink " data-show-preview="true">morpheme</a>; one or more morphemes make up a <span id="ref513120"></span><a href="https://www.britannica.com/topic/word" class="md-crosslink ">word</a>. Thus, the word <em>boys</em> is composed of two morphemes, <em>boy</em> and <a class="md-dictionary-link md-dictionary-tt-off eb" data-term="plurality" href="https://www.britannica.com/dictionary/plurality" data-type="EB">plurality</a>. Grammatically related words make up clauses that express larger units of meaning. Still-larger units make up such discourse structures as propositions and less well-defined units of meaning such as prayers, stories, and poems.</p><div class="module-spacing"> <DIV class="marketing-INLINE_SUBSCRIPTION marketing-content" data-marketing-id="INLINE_SUBSCRIPTION"><style> .student-promo-banner-wrapper { container-type: inline-size; margin-bottom: 15px; } @container (min-width: 475px) { .student-promo-banner { flex-direction: row; } .student-promo-banner-img-wrapper { margin-bottom: 0; margin-right: 10px; justify-content: flex-start; } .student-promo-banner-text-wrapper { text-align: left; margin-bottom: 0px; margin-left: 10px; } .student-promo-banner-button-wrapper { margin-right: 0; } }</style> <div class="student-promo-banner-wrapper"> <div class="student-promo-banner d-flex flex-column align-items-center bg-blue rounded p-20"> <div class="student-promo-banner-img-wrapper mb-20 mr-0 d-flex justify-content-center"> <img class="rounded" style="max-width: 100px; min-width: 80px" src="https://cdn.britannica.com/marketing/BlueThistle.webp" /> </div> <div class="student-promo-banner-text-wrapper ml-0 mb-10 text-center text-white"> <div class="h2 mb-10">Get Unlimited Access</div> <div class="h4 font-weight-semi-bold">Try Britannica Premium for free and discover more.</div> </div> <div class="student-promo-banner-button-wrapper d-flex justify-content-center align-items-center ml-auto mr-auto"> <a class="btn btn-m btn-orange" href="https://premium.britannica.com/premium-membership/?utm_source=premium&utm_medium=inline-cta&utm_campaign=black-friday-2024">Subscribe</a> </div> </div> </div> </DIV></div><!--[MOD7]--><span class="marker MOD7 mod-inline"></span> <!--[PREMOD8]--><span class="marker PREMOD8 mod-inline"></span><p class="topic-paragraph">The basic linguistic unit of the sound system is called a <span id="ref513121"></span><a href="https://www.britannica.com/topic/phoneme" class="md-crosslink " data-show-preview="true">phoneme</a>; it is a minimal, contrastive sound unit that distinguishes one utterance from another. Phonemes may be further analyzed in terms of a set of underlying distinctive features, features specifying the ways the sound is physically produced by passing breath through the throat and positioning the tongue and lips. Phonemes may be thought of as roughly equivalent to the sound segments known as <a class="md-dictionary-link md-dictionary-tt-off eb" data-term="consonants" href="https://www.britannica.com/dictionary/consonants" data-type="EB">consonants</a> and vowels, and combinations of these segments make up syllables.</p><!--[MOD8]--><span class="marker MOD8 mod-inline"></span> <!--[PREMOD9]--><span class="marker PREMOD9 mod-inline"></span><p class="topic-paragraph">Writing systems can serve to represent any of these levels of sound or any of the levels of meaning, and, indeed, examples of all of these levels of structure have been exploited by some writing system or other. Writing systems consequently fall into two large general classes: those that are based on some aspect of meaning structure, such as a word or a morpheme, and those that are based on some aspect of the sound system, such as the <a href="https://www.britannica.com/topic/syllable" class="md-crosslink autoxref " data-show-preview="true">syllable</a> or the <a class="md-dictionary-link md-dictionary-tt-off mw" data-term="phoneme" href="https://www.merriam-webster.com/dictionary/phoneme" data-type="MW">phoneme</a>.</p><!--[MOD9]--><span class="marker MOD9 mod-inline"></span> <!--[PREMOD10]--><span class="marker PREMOD10 mod-inline"></span><p class="topic-paragraph">The earlier failure to recognize these levels of structure in language led some scholars to believe that some writing systems, so-called <span id="ref513122"></span><a href="https://www.britannica.com/topic/ideogram" class="md-crosslink ">ideograms</a> and pictograms, had been invented to express thought directly, bypassing language altogether. The 17th-century German philosopher <span id="ref513123"></span><a href="https://www.britannica.com/biography/Gottfried-Wilhelm-Leibniz" class="md-crosslink " data-show-preview="true">Gottfried Leibniz</a> set out to invent the perfect writing system, which would reflect systems of thought directly and thereby be readable by all human beings regardless of their mother tongues. It is now known that such a scheme is impossible. Thought is too intimately related to language to be represented independently of it.</p><!--[MOD10]--><span class="marker MOD10 mod-inline"></span> <!--[PREMOD11]--><span class="marker PREMOD11 mod-inline"></span><p class="topic-paragraph">More recently there have been attempts to invent forms for communicating <a class="md-dictionary-link md-dictionary-tt-off eb" data-term="explicit" href="https://www.britannica.com/dictionary/explicit" data-type="EB">explicit</a> messages without assuming a knowledge of any particular language. Such messages are communicated by means of <span id="ref513124"></span><a href="https://www.britannica.com/topic/pictography" class="md-crosslink " data-show-preview="true">pictorial signs</a>. Thus, the skirted human figure painted on the door to a toilet, the human figure with an upraised hand on the <a href="https://www.britannica.com/technology/Pioneer-space-probes" class="md-crosslink " data-show-preview="true">Pioneer</a> spacecraft, the Amerindian drawing of a horse and rider upside down painted on a rock near a precipitous trail, and the visual patterns branded on range cattle are all attempts to use visual marks to communicate without making any appeal to the structure of any particular language.</p><!--[MOD11]--><span class="marker MOD11 mod-inline"></span> <!--[PREMOD12]--><span class="marker PREMOD12 mod-inline"></span><p class="topic-paragraph">However, such <span id="ref513125"></span><a href="https://www.britannica.com/topic/sign-communications" class="md-crosslink ">signs</a> function only because they represent a high level of linguistic structure and because they function to express one of a highly restricted range of meanings already known to the reader and not because they express ideas or thoughts directly. The sign on the toilet door is an <a class="md-dictionary-link md-dictionary-tt-off eb" data-term="elliptical" href="https://www.britannica.com/dictionary/elliptical" data-type="EB">elliptical</a> way of writing “women’s washroom,” just as the word “women” had been earlier. The plaque on the spacecraft can be read as a greeting only if the reader already knows how to express a human greeting symbolically. The inverted horse and rider expressed the message that horses and riders should avoid the trail. And the brand can be read as the name of the owner’s ranch.</p><!--[MOD12]--><span class="marker MOD12 mod-inline"></span> <!--[PREMOD13]--><span class="marker PREMOD13 mod-inline"></span><p class="topic-paragraph">Such signs therefore express meanings, not thoughts, and they do so by representing meaning structures larger than can be expressed by a single word. They do so by expressing these meanings elliptically. Such signs are readable because the reader has to consider only a restricted set of possible meanings. While such pictorial signs could not be turned into a general writing system, they can be extremely efficient in serving a restricted set of functions.</p><!--[MOD13]--><span class="marker MOD13 mod-inline"></span> <!--[PREMOD14]--><span class="marker PREMOD14 mod-inline"></span><p class="topic-paragraph">The differences between such pictorial signs and other forms of writing are sufficiently great for some scholars to maintain that they are not <a class="md-dictionary-link md-dictionary-tt-off mw" data-term="legitimate" href="https://www.merriam-webster.com/dictionary/legitimate" data-type="MW">legitimate</a> types of writing. These differences are that pictorial signs are “motivated”—that is, they visually suggest their meanings—and that they express whole propositions rather than single words. Other scholars would include such signs as a form of writing because they are a conventional means for expressing a particular linguistic meaning. However, scholars agree that such a collection of signs could express only an extremely limited set of meanings.</p><!--[MOD14]--><span class="marker MOD14 mod-inline"></span> <!--[PREMOD15]--><span class="marker PREMOD15 mod-inline"></span><div class="assemblies"><div class="w-100"><figure class="md-assembly m-0 mb-md-0 card card-borderless print-false" data-assembly-id="101351" data-asm-type="image"><div class="md-assembly-wrapper card-media " data-type="image"><a href="https://cdn.britannica.com/91/93591-050-B76C8C5A/dog-mosaic-Roman-threshold-house-Pompeii-Cave.jpg" class="gtm-assembly-link position-relative d-flex align-items-center justify-content-center media-overlay-link card-media" data-href="/media/1/649670/101351"><picture><source media="(min-width: 680px)" srcset="https://cdn.britannica.com/91/93591-050-B76C8C5A/dog-mosaic-Roman-threshold-house-Pompeii-Cave.jpg?w=300"><img src="https://cdn.britannica.com/91/93591-050-B76C8C5A/dog-mosaic-Roman-threshold-house-Pompeii-Cave.jpg?w=300" alt="Roman dog mosaic from the threshold of a house in Pompeii, “Cave canem” (“Beware of the dog”); National Archaeological Museum, Naples." data-width="1600" data-height="1202" loading="eager"></picture><button class="magnifying-glass btn btn-circle position-absolute shadow btn-white top-10 right-10" aria-label="Zoom in"><em class="material-icons link-blue" data-icon="zoom_in"></em></button></a></div><figcaption class="card-body"><div class="md-assembly-caption text-muted font-14 font-serif line-clamp"><span><a class="gtm-assembly-link md-assembly-title font-weight-bold d-inline font-sans-serif mr-5 media-overlay-link" href="https://cdn.britannica.com/91/93591-050-B76C8C5A/dog-mosaic-Roman-threshold-house-Pompeii-Cave.jpg" data-href="/media/1/649670/101351">Roman dog mosaic from the threshold of a house in Pompeii, “Cave canem” (“Beware of the dog”); National Archaeological Museum, Naples.</a><button class="js-more-btn d-none btn btn-unstyled font-12 bg-white js-content" aria-label="Toggle more/less fact data"><span class="link-blue">(more)</span></button></span></div></figcaption></figure></div></div><p class="topic-paragraph">A similar case is the ancient mosaic found at the entrance of a house in <a href="https://www.britannica.com/place/Pompeii" class="md-crosslink " data-show-preview="true">Pompeii</a>, depicting a snarling dog on a chain and <a class="md-dictionary-link md-dictionary-tt-off eb" data-term="bearing" href="https://www.britannica.com/dictionary/bearing" data-type="EB">bearing</a> the inscription “Cave canem” (“Beware of the dog”). Even nonreaders could “read” the message; the picture is therefore a form of writing rather than of picture making. Such pictorial signs, including logotypes, trademarks, and brand names, are so common in modern urban societies that even very young children learn to read them. Such reading ability is described as “environmental” literacy, not associated with books and schooling.</p><!--[MOD15]--><span class="marker MOD15 mod-inline"></span> <!--[PREMOD16]--><span class="marker PREMOD16 mod-inline"></span><p class="topic-paragraph">Similarly, <span id="ref513126"></span><a href="https://www.britannica.com/science/number-system" class="md-crosslink ">number systems</a> have posed a problem for theorists because such symbols as the Arabic numerals <em>1</em>, <em>2</em>, <em>3</em>, etc., which are conventional across many languages, appear to express thought directly without any intermediary linguistic structure. However, it is more useful to think of these numerals as a particular <a class="md-dictionary-link md-dictionary-tt-off eb" data-term="orthography" href="https://www.britannica.com/dictionary/orthography" data-type="EB">orthography</a> for representing the meaning structure of these numbers rather than their sound structures. The advantages of this orthography are that the orthography permits the user to carry out mathematical operations, such as carrying, borrowing, and the like, and that the same orthography may be assigned different phonological equivalents in different languages using the same number system. Thus, the numeral <em>2</em> is named “two” in English, “deux” in French, “zwei” in German, and so on. Yet it represents not a thought but the word, a piece of language.</p><!--[MOD16]--><span class="marker MOD16 mod-inline"></span> <!--[PREMOD17]--><span class="marker PREMOD17 mod-inline"></span><p class="topic-paragraph">It is for these reasons that writing is said to be a system for transcribing language, not for representing thought directly. There are of course other systems for representing thought, including such activities as picture making, dance, and mime. These, however, are not representations of ordinary language; rather, they <a class="md-dictionary-link md-dictionary-tt-off mw" data-term="constitute" href="https://www.merriam-webster.com/dictionary/constitute" data-type="MW">constitute</a> what the American philosopher Nelson Goodman has called the “languages of art.” These “languages,” or <span id="ref513127"></span><a href="https://www.britannica.com/science/semiotics" class="md-crosslink " data-show-preview="true">semiotic</a> systems, are systems of signs that are used for expressive and representational purposes. Each of these semiotic systems may in turn be represented by a <span id="ref513128"></span><a href="https://www.britannica.com/topic/notation-writing" class="md-crosslink ">notational</a> system, a system for representing the semiotic system. Thus, writing can be defined formally as a notational system for representing some level or levels of linguistic form.</p><!--[MOD17]--><span class="marker MOD17 mod-inline"></span> <!--[PREMOD18]--><span class="marker PREMOD18 mod-inline"></span><p class="topic-paragraph">Writing is so <a class="md-dictionary-link md-dictionary-tt-off mw" data-term="pervasive" href="https://www.merriam-webster.com/dictionary/pervasive" data-type="MW">pervasive</a> in everyday life that many people take it to be synonymous with language, and this confusion affects their understanding of language. The word <em>word</em> denotes ambiguously both the <span id="ref513129"></span><a href="https://www.britannica.com/art/oral-literature" class="md-crosslink " data-show-preview="true">oral</a> form and the written form, and so people may confuse them. This occurs, for example, when people think that the sounds of language are made up of letters. Even <a href="https://www.britannica.com/biography/Aristotle" class="md-crosslink " data-show-preview="true">Aristotle</a> used the same word, <em>gramma</em>, to refer to the basic units of both speech and writing. Yet it is important to distinguish them. People may have <a class="md-dictionary-link md-dictionary-tt-off eb" data-term="competence" href="https://www.britannica.com/dictionary/competence" data-type="EB">competence</a> in a language and yet know nothing about its written form. Similarly, writing is so fundamental to a modern, literate society that its significance has often been overestimated. Since the 18th century it has been common to identify <span id="ref513130"></span><a href="https://www.britannica.com/topic/literacy" class="md-crosslink " data-show-preview="true">literacy</a> with civilization, indeed with all civil virtues. When European countries colonized other regions, they thought it as important to teach “savages” to read and write as to convert them to Christianity. Modern anthropology has helped to revise what now seems a quaint set of priorities by showing not only that there are no genuinely primitive languages but that differing languages mask no unbridgeable differences between human beings. All humans are rational, speak a language of enormous expressive power, and live in, maintain, and transmit to their young a complex social and <a class="md-dictionary-link md-dictionary-tt-off mw" data-term="moral" href="https://www.merriam-webster.com/dictionary/moral" data-type="MW">moral</a> order.</p><!--[MOD18]--><span class="marker MOD18 mod-inline"></span> <!--[PREMOD19]--><span class="marker PREMOD19 mod-inline"></span><p class="topic-paragraph">Scholars of <a href="https://www.britannica.com/art/literature" class="md-crosslink autoxref " data-show-preview="true">literature</a> have in the past half-century amassed compelling evidence to demonstrate that a complex social order and a rich verbal <a class="md-dictionary-link md-dictionary-tt-off mw" data-term="culture" href="https://www.merriam-webster.com/dictionary/culture" data-type="MW">culture</a> can exist in nonliterate societies. The American scholar <span id="ref513131"></span><a href="https://www.britannica.com/biography/Milman-Parry" class="md-crosslink ">Milman Parry</a>, writing in the 1920s, showed that the <span id="ref513132"></span><a href="https://www.britannica.com/art/Homeric-epics" class="md-crosslink ">Homeric epic</a> poems, long regarded as models of literary virtuosity, were in fact the product not of a literate but of an <a href="https://www.britannica.com/topic/oral-tradition" class="md-crosslink autoxref " data-show-preview="true">oral tradition</a>. These poems were produced by bards who could not write and were delivered in recitals to audiences who could not read. Writing made possible the recording of these poems, not their <a class="md-dictionary-link md-dictionary-tt-off mw" data-term="composition" href="https://www.merriam-webster.com/dictionary/composition" data-type="MW">composition</a>. The hard and fast dividing line that put civilization and literacy on one side and savagery and irrationality on the other has been abandoned. To be unlettered is no longer confused with being ignorant.</p><div class="one-good-fact-module"> </div><!--[MOD19]--><span class="marker MOD19 mod-inline"></span> <!--[PREMOD20]--><span class="marker PREMOD20 mod-inline"></span><p class="topic-paragraph">Similarly, it was once generally held that all writing systems represent some stage in a progression toward the ideal writing system, the <a href="https://www.britannica.com/topic/alphabet-writing" class="md-crosslink " data-show-preview="true">alphabet</a>. The accepted view today is that all writing systems represent relatively optimal solutions to a large and unique set of constraints, including the structure of the language represented, the functions that the system serves, and the balance of advantages to the reader as opposed to the writer. Consequently, while there are important differences between speaking and writing and between various forms of writing, these differences vary in importance and in effect from language to language and from society to society.</p><!--[MOD20]--><span class="marker MOD20 mod-inline"></span></section> <!--[END-OF-CONTENT]--><span class="marker end-of-content"></span><!--[AFTER-ARTICLE]--><span class="marker after-article"></span></div> <div id="chatbot-root"></div> </div> </div> </div> <div class="ai-dialog-placeholder"></div> </div> </div> <aside class="col-md-da-320"></aside> </div> </div> </div> </div> </article></div> </div></div> </div> </main> <div id="md-footer"></div> <noscript><iframe src="//www.googletagmanager.com/ns.html?id=GTM-5W6NC8" height="0" width="0" style="display:none;visibility:hidden"></iframe></noscript> <script type="text/javascript" id="_informizely_script_tag"> var IzWidget = IzWidget || {}; (function (d) { var scriptElement = d.createElement('script'); scriptElement.type = 'text/javascript'; scriptElement.async = true; scriptElement.src = "https://insitez.blob.core.windows.net/site/f780f33e-a610-4ac2-af81-3eb184037547.js"; var node = d.getElementById('_informizely_script_tag'); node.parentNode.insertBefore(scriptElement, node); } )(document); </script> <!-- Ortto ebmwprod capture code --> <script> window.ap3c = window.ap3c || {}; var ap3c = window.ap3c; ap3c.cmd = ap3c.cmd || []; ap3c.cmd.push(function() { ap3c.init('ZO4siT4cLwnykPnzZWJtd3Byb2Q', 'https://engage.email.britannica.com/'); ap3c.track({v: 0}); }); ap3c.activity = function(act) { ap3c.act = (ap3c.act || []); ap3c.act.push(act); }; var s, t; s = document.createElement('script'); s.type = 'text/javascript'; s.src = "https://engage.email.britannica.com/app.js"; t = document.getElementsByTagName('script')[0]; t.parentNode.insertBefore(s, t); </script> <script class="marketing-page-info" type="application/json"> {"pageType":"Topic","templateName":"DESKTOP","pageNumber":1,"pagesTotal":9,"pageId":649670,"pageLength":2213,"initialLoad":true,"lastPageOfScroll":false} </script> <script class="marketing-content-info" type="application/json"> [] </script> <script src="https://cdn.britannica.com/mendel-resources/3-130/js/libs/jquery-3.5.0.min.js?v=3.130.14"></script> <script type="text/javascript" data-type="Init Mendel Code Splitting"> (function() { $.ajax({ dataType: 'script', cache: true, url: 'https://cdn.britannica.com/mendel-resources/3-130/dist/topic-page.js?v=3.130.14' }); })(); </script> <script class="analytics-metadata" type="application/json"> {"leg":"A","adLeg":"A","userType":"ANONYMOUS","pageType":"Topic","pageSubtype":null,"articleTemplateType":"PAGINATED","gisted":false,"pageNumber":1,"hasSummarizeButton":false,"hasAskButton":false} </script> <script type="text/javascript"> EBStat={accountId:-1,hostnameOverride:'webstats.eb.com',domain:'www.britannica.com', json:''}; </script> <script type="text/javascript"> ( function() { $.ajax( { dataType: 'script', cache: true, url: '//www.britannica.com/webstats/mendelstats.js?v=1' } ) .done( function() { try {writeStat(null,EBStat);} catch(err){} } ); })(); </script> <div id="bc-fixed-dialogue"></div> </body> </html>