Analyzing the national identity's representation in Ana Mendieta's works by emphasizing the piece " Image from Yagul " from the Silueta series

<!DOCTYPE html> <html lang="en"> <head> <meta charset="utf-8" /> <title>Analyzing the national identity's representation in Ana Mendieta's works by emphasizing the piece " Image from Yagul " from the Silueta series</title>  <link rel="shortcut icon" type="image/ico" href="./data/ira/coversheet/favicon.ico" />  <meta name="viewport" content="width=device-width, maximum-scale=1, initial-scale=1, user-scalable=0" />   <meta name="keywords" content="Reflection approach,National Identity,Ana Mendieta,Silueta series" /> <meta name="description" content="Introduction:聽Ana Mendieta (1985-1948) is one of contemporary art history's most influential female artists. Her work encompasses land art, performance art, and body art. Ana Mendieta's art is dynamic and brings significant emotional reactions to the audience because of her unique and sophisticated strategies, such as working in open spaces and unusual places, and her interdisciplinary aspects. This study aims to analyze and examine national identity's representation in this artist's works, emphasizing the piece "Image from Yagul" from the Silueta series. "Image from Yagul, "created in 1973, is considered the first work in the Silueta series. Generally, this collection, created between 1973 and 1981, encompasses over 200 works and is considered this artist's most significant collection. The study's main question is what this artist's attitude and tendency toward the representation of national identity in her works are, specifically in the abovementioned work. The research method is descriptive-analytical, and the method of collecting library data is taking notes and reading images. In addition, the findings were analyzed qualitatively. According to the findings of the study, the piece "Image from Yagul" from the Silueta series represents Mendieta's cultural approaches, ideological principles, and national and sexual pride, clearly revealing to the society "where" and "who" she was. This piece of work, as well as representing the content of gender identity and the metaphor of returning to the earth as a goddess, womb, and mother, reflects different dimensions of national identities, including the historical, geographical, cultural, ethnic, religious, literary and mythological of Cuba.聽Theoretical background: Some topics can be mentioned as the current research's background. In terms of foreign studies, the following issues can be noted: (Pavleska, 2021); (Baker, 2016); (Aldegani, 2016); (Alvarado, 2015); (Finkelstein, 2012); (Best, 2007); (Blocker, 1999). Although among internal studies, no independent research has been conducted on Ana Mendieta, there are references to her in the following sources: (Najafi & Shirazi, 2019); (Najafi, 2017); (Arbabzadeh et al., 2017); (Nadaliyan, 2011). Considering the background, independent research on Analyzing the national identity's representation in Ana Mendieta's works by emphasizing the Silueta series and also independent research on the piece "Image from Yagul" from this collection has not been conducted, and the author has not seen any research on this topic.Purpose and question of the research: This study aims to analyze and examine how national identity is reflected in the works of the Cuban-American artist Ana Mendieta by emphasizing the piece "Image from Yagul" from the Silueta series. Moreover, this study intends to address the question of Ana Mendieta's attitude and tendency toward national identity reflection (representation) in her works, particularly the work mentioned in the Silueta series.Research Methodology: This article's research method is descriptive-analytical. The method of collecting library data is through taking notes and reading images. The data analysis method is contentive, qualitative, and based on a sociological approach to reflection (representation). The study samples are Ana Mendieta's works, a Cuban-American female artist, emphasizing the piece "Image from Yagul" from the Silueta series.Analysis and discussion:聽In the short years in which Ana Mendieta was artistically active, she created a unique collection in an uncommon language. When she left her family and country (Cuba) as a teenager, she faced discrimination and felt like an illegitimate person in a racist society in the United States. Due to this issue, she had a complex conflict with the contents of racial and gender differences, which was reflected in his artworks. Mendieta's only remaining painting from her student days, the painting of a portrait of a brown-skinned woman, is a reflection of these cultural and racial conflicts oner. She also showed these feelings and inner manifestations after giving up painting, continuing her interdisciplinary art path, and creating significant pieces, including "Grass on the Woman" and "The Death of a Chicken," considered her first body art and her first performance art pieces, respectively. In the following, she made use of the body explicitly and implicitly as the center of identical aspects, including gender, race, and ethnicity, and along with her previous works, she represented her natural roots and her origin and homeland, Cuba, through the whole Silueta series. Along with representing the content of gender identity and the metaphor of returning to the earth as a goddess, womb, and mother, the Silueta series, which begins with the word "Image from Yagul, "reflects various aspects of the national identity of Cuba. In this work, Mendieta uses identical elements to revive her identity and roots while condemning exploitation and decentralization and rising to resistance and rebellion against foreigners' dominance." /> <meta name="title" content="Analyzing the national identity's representation in Ana Mendieta's works by emphasizing the piece " Image from Yagul " from the Silueta series" /> <meta name="googlebot" content="NOODP" /> <meta name="citation_title" content="Analyzing the national identity's representation in Ana Mendieta's works by emphasizing the piece " Image from Yagul " from the Silueta series" /> <meta name="citation_author" content="Zaryabi, Mohammad" /> <meta name="citation_author_institution" content="Ph.D. Student in Art Research, Faculty of Art, Shahed University, Tehran, Iran." /> <meta name="citation_abstract" content="Introduction:聽Ana Mendieta (1985-1948) is one of contemporary art history's most influential female artists. Her work encompasses land art, performance art, and body art. Ana Mendieta's art is dynamic and brings significant emotional reactions to the audience because of her unique and sophisticated strategies, such as working in open spaces and unusual places, and her interdisciplinary aspects. This study aims to analyze and examine national identity's representation in this artist's works, emphasizing the piece "Image from Yagul" from the Silueta series. "Image from Yagul, "created in 1973, is considered the first work in the Silueta series. Generally, this collection, created between 1973 and 1981, encompasses over 200 works and is considered this artist's most significant collection. The study's main question is what this artist's attitude and tendency toward the representation of national identity in her works are, specifically in the abovementioned work. The research method is descriptive-analytical, and the method of collecting library data is taking notes and reading images. In addition, the findings were analyzed qualitatively. According to the findings of the study, the piece "Image from Yagul" from the Silueta series represents Mendieta's cultural approaches, ideological principles, and national and sexual pride, clearly revealing to the society "where" and "who" she was. This piece of work, as well as representing the content of gender identity and the metaphor of returning to the earth as a goddess, womb, and mother, reflects different dimensions of national identities, including the historical, geographical, cultural, ethnic, religious, literary and mythological of Cuba.聽Theoretical background: Some topics can be mentioned as the current research's background. In terms of foreign studies, the following issues can be noted: (Pavleska, 2021); (Baker, 2016); (Aldegani, 2016); (Alvarado, 2015); (Finkelstein, 2012); (Best, 2007); (Blocker, 1999). Although among internal studies, no independent research has been conducted on Ana Mendieta, there are references to her in the following sources: (Najafi & Shirazi, 2019); (Najafi, 2017); (Arbabzadeh et al., 2017); (Nadaliyan, 2011). Considering the background, independent research on Analyzing the national identity's representation in Ana Mendieta's works by emphasizing the Silueta series and also independent research on the piece "Image from Yagul" from this collection has not been conducted, and the author has not seen any research on this topic.Purpose and question of the research: This study aims to analyze and examine how national identity is reflected in the works of the Cuban-American artist Ana Mendieta by emphasizing the piece "Image from Yagul" from the Silueta series. Moreover, this study intends to address the question of Ana Mendieta's attitude and tendency toward national identity reflection (representation) in her works, particularly the work mentioned in the Silueta series.Research Methodology: This article's research method is descriptive-analytical. The method of collecting library data is through taking notes and reading images. The data analysis method is contentive, qualitative, and based on a sociological approach to reflection (representation). The study samples are Ana Mendieta's works, a Cuban-American female artist, emphasizing the piece "Image from Yagul" from the Silueta series.Analysis and discussion:聽In the short years in which Ana Mendieta was artistically active, she created a unique collection in an uncommon language. When she left her family and country (Cuba) as a teenager, she faced discrimination and felt like an illegitimate person in a racist society in the United States. Due to this issue, she had a complex conflict with the contents of racial and gender differences, which was reflected in his artworks. Mendieta's only remaining painting from her student days, the painting of a portrait of a brown-skinned woman, is a reflection of these cultural and racial conflicts oner. She also showed these feelings and inner manifestations after giving up painting, continuing her interdisciplinary art path, and creating significant pieces, including "Grass on the Woman" and "The Death of a Chicken," considered her first body art and her first performance art pieces, respectively. In the following, she made use of the body explicitly and implicitly as the center of identical aspects, including gender, race, and ethnicity, and along with her previous works, she represented her natural roots and her origin and homeland, Cuba, through the whole Silueta series. Along with representing the content of gender identity and the metaphor of returning to the earth as a goddess, womb, and mother, the Silueta series, which begins with the word "Image from Yagul, "reflects various aspects of the national identity of Cuba. In this work, Mendieta uses identical elements to revive her identity and roots while condemning exploitation and decentralization and rising to resistance and rebellion against foreigners' dominance." /> <meta name="citation_id" content="7330" /> <meta name="citation_publication_date" content="2023/12/09" /> <meta name="citation_date" content="2023-12-09" /> <meta name="citation_journal_title" content="Interdisciplinary Researches of Art" /> <meta name="citation_issn" content="3060-7043" /> <meta name="citation_volume" content="1" /> <meta name="citation_issue" content="1" /> <meta name="citation_firstpage" content="21" /> <meta name="citation_lastpage" content="36" /> <meta name="citation_publisher" content="University of Guilan" /> <meta name="citation_doi" content="10.22124/ira.2023.24153.1003" /> <meta name="DC.Identifier" content="10.22124/ira.2023.24153.1003" /> <meta name="citation_abstract_html_url" content="https://ira.guilan.ac.ir/article_7330_en.html" /> <meta name="citation_pdf_url" content="https://ira.guilan.ac.ir/article_7330_4938be40a1caa28101e94e9394528caf.pdf" /> <meta name="DC.Title" content="Analyzing the national identity's representation in Ana Mendieta's works by emphasizing the piece " Image from Yagul " from the Silueta series" /> <meta name="DC.Source" content="Interdisciplinary Researches of Art" /> <meta name="DC.Date" content="09/12/2023" /> <meta name="DC.Date.issued" content="2023-12-09" /> <meta name="DC.Format" content="application/pdf" /> <meta name="DC.Contributor" content="Zaryabi, Mohammad" /> <meta name="og:title" content="Analyzing the national identity's representation in Ana Mendieta's works by emphasizing the piece " Image from Yagul " from the Silueta series" /> <meta name="og:description" content="Introduction:聽Ana Mendieta (1985-1948) is one of contemporary art history's most influential female artists. Her work encompasses land art, performance art, and body art. Ana Mendieta's art is dynamic and brings significant emotional reactions to the audience because of her unique and sophisticated strategies, such as working in open spaces and unusual places, and her interdisciplinary aspects. This study aims to analyze and examine national identity's representation in this artist's works, emphasizing the piece "Image from Yagul" from the Silueta series. "Image from Yagul, "created in 1973, is considered the first work in the Silueta series. Generally, this collection, created between 1973 and 1981, encompasses over 200 works and is considered this artist's most significant collection. The study's main question is what this artist's attitude and tendency toward the representation of national identity in her works are, specifically in the abovementioned work. The research method is descriptive-analytical, and the method of collecting library data is taking notes and reading images. In addition, the findings were analyzed qualitatively. According to the findings of the study, the piece "Image from Yagul" from the Silueta series represents Mendieta's cultural approaches, ideological principles, and national and sexual pride, clearly revealing to the society "where" and "who" she was. This piece of work, as well as representing the content of gender identity and the metaphor of returning to the earth as a goddess, womb, and mother, reflects different dimensions of national identities, including the historical, geographical, cultural, ethnic, religious, literary and mythological of Cuba.聽Theoretical background: Some topics can be mentioned as the current research's background. In terms of foreign studies, the following issues can be noted: (Pavleska, 2021); (Baker, 2016); (Aldegani, 2016); (Alvarado, 2015); (Finkelstein, 2012); (Best, 2007); (Blocker, 1999). Although among internal studies, no independent research has been conducted on Ana Mendieta, there are references to her in the following sources: (Najafi & Shirazi, 2019); (Najafi, 2017); (Arbabzadeh et al., 2017); (Nadaliyan, 2011). Considering the background, independent research on Analyzing the national identity's representation in Ana Mendieta's works by emphasizing the Silueta series and also independent research on the piece "Image from Yagul" from this collection has not been conducted, and the author has not seen any research on this topic.Purpose and question of the research: This study aims to analyze and examine how national identity is reflected in the works of the Cuban-American artist Ana Mendieta by emphasizing the piece "Image from Yagul" from the Silueta series. Moreover, this study intends to address the question of Ana Mendieta's attitude and tendency toward national identity reflection (representation) in her works, particularly the work mentioned in the Silueta series.Research Methodology: This article's research method is descriptive-analytical. The method of collecting library data is through taking notes and reading images. The data analysis method is contentive, qualitative, and based on a sociological approach to reflection (representation). The study samples are Ana Mendieta's works, a Cuban-American female artist, emphasizing the piece "Image from Yagul" from the Silueta series.Analysis and discussion:聽In the short years in which Ana Mendieta was artistically active, she created a unique collection in an uncommon language. When she left her family and country (Cuba) as a teenager, she faced discrimination and felt like an illegitimate person in a racist society in the United States. Due to this issue, she had a complex conflict with the contents of racial and gender differences, which was reflected in his artworks. Mendieta's only remaining painting from her student days, the painting of a portrait of a brown-skinned woman, is a reflection of these cultural and racial conflicts oner. She also showed these feelings and inner manifestations after giving up painting, continuing her interdisciplinary art path, and creating significant pieces, including "Grass on the Woman" and "The Death of a Chicken," considered her first body art and her first performance art pieces, respectively. In the following, she made use of the body explicitly and implicitly as the center of identical aspects, including gender, race, and ethnicity, and along with her previous works, she represented her natural roots and her origin and homeland, Cuba, through the whole Silueta series. Along with representing the content of gender identity and the metaphor of returning to the earth as a goddess, womb, and mother, the Silueta series, which begins with the word "Image from Yagul, "reflects various aspects of the national identity of Cuba. In this work, Mendieta uses identical elements to revive her identity and roots while condemning exploitation and decentralization and rising to resistance and rebellion against foreigners' dominance." /> <meta name="og:url" content="https://ira.guilan.ac.ir/article_7330_en.html" />  <link href="./themes/base/front/assets/css/social-icon-font.css" rel="stylesheet" type="text/css" />  <link href="./themes/base/front/assets/plugins/bootstrap/css/bootstrap.min.css?v=0.02" rel="stylesheet" type="text/css" /> <link href="./themes/old/front/assets/css/header.css?v=0.05" rel="stylesheet" type="text/css" /> <link href="./themes/old/front/assets/css/footer.css" rel="stylesheet" type="text/css" /> <link href="./inc/css/essentials.css?v=0.2" rel="stylesheet" type="text/css" /> <link href="./inc/css/cookieconsent.min.css" rel="stylesheet" type="text/css" /> <link href="./inc/css/print.css" rel="stylesheet" type="text/css" media="print"/>  <link 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class="article_title bold"> <a href="./article_7330_4938be40a1caa28101e94e9394528caf.pdf?lang=en" target="_blank">Analyzing the national identity's representation in Ana Mendieta's works by emphasizing the piece " Image from Yagul " from the Silueta series</a></span></h1> <div> <div class="margin-bottom-3"> </div> <p class="margin-bottom-3">Document Type : Original Article</p> <p class="padding-0" style="margin:12px -2px 0 -2px"><strong>Author</strong></p> <ul class="list-inline list-inline-seprator margin-bottom-6 ltr"> <li class="padding-3"> <a href="./?_action=article&au=58353&_au=Mohammad++Zaryabi&lang=en">Mohammad Zaryabi</a> <sup><a href="mailto:zaryabi@shahed.ac.ir" data-toggle="tooltip" data-placement="bottom" title="Email to Corresponding Author"><i class="fa fa-envelope-o" ></i></a></sup> <sup class="ltr"><a class=" text-green" href="https://www.orcid.org/0000-0003-3697-7035" data-toggle="tooltip" data-placement="bottom" data-html="true" title="ORCID: 0000-0003-3697-7035" target="_blank"><i class="ai ai-orcid size-13" ></i></a></sup> </li> </ul> <p class="margin-bottom-3 ltr" id="aff1"> Ph.D. Student in Art Research, Faculty of Art, Shahed University, Tehran, Iran. </p> <div class="margin-bottom-3 ltr" id="ar_doi" title="DOI"><i class="ai ai-doi size-25 text-orange"></i> <span dir="ltr">10.22124/ira.2023.24153.1003</span></div> <p style="margin:12px -2px 0 -2px"><strong>Abstract</strong></p> <div class="padding_abstract justify ltr"><strong>Introduction:</strong> Ana Mendieta (1985-1948) is one of contemporary art history's most influential female artists. Her work encompasses land art, performance art, and body art. Ana Mendieta's art is dynamic and brings significant emotional reactions to the audience because of her unique and sophisticated strategies, such as working in open spaces and unusual places, and her interdisciplinary aspects. This study aims to analyze and examine national identity's representation in this artist's works, emphasizing the piece "Image from Yagul" from the Silueta series. "Image from Yagul, "created in 1973, is considered the first work in the Silueta series. Generally, this collection, created between 1973 and 1981, encompasses over 200 works and is considered this artist's most significant collection. The study's main question is what this artist's attitude and tendency toward the representation of national identity in her works are, specifically in the abovementioned work. The research method is descriptive-analytical, and the method of collecting library data is taking notes and reading images. In addition, the findings were analyzed qualitatively. According to the findings of the study, the piece "Image from Yagul" from the Silueta series represents Mendieta's cultural approaches, ideological principles, and national and sexual pride, clearly revealing to the society "where" and "who" she was. This piece of work, as well as representing the content of gender identity and the metaphor of returning to the earth as a goddess, womb, and mother, reflects different dimensions of national identities, including the historical, geographical, cultural, ethnic, religious, literary and mythological of Cuba. <br /><strong>Theoretical background</strong>: Some topics can be mentioned as the current research's background. In terms of foreign studies, the following issues can be noted: (Pavleska, 2021); (Baker, 2016); (Aldegani, 2016); (Alvarado, 2015); (Finkelstein, 2012); (Best, 2007); (Blocker, 1999). Although among internal studies, no independent research has been conducted on Ana Mendieta, there are references to her in the following sources: (Najafi & Shirazi, 2019); (Najafi, 2017); (Arbabzadeh et al., 2017); (Nadaliyan, 2011). Considering the background, independent research on Analyzing the national identity's representation in Ana Mendieta's works by emphasizing the Silueta series and also independent research on the piece "Image from Yagul" from this collection has not been conducted, and the author has not seen any research on this topic.<br /><strong>Purpose and question of the research</strong>: This study aims to analyze and examine how national identity is reflected in the works of the Cuban-American artist Ana Mendieta by emphasizing the piece "Image from Yagul" from the Silueta series. Moreover, this study intends to address the question of Ana Mendieta's attitude and tendency toward national identity reflection (representation) in her works, particularly the work mentioned in the Silueta series.<br /><strong>Research Methodology</strong>: This article's research method is descriptive-analytical. The method of collecting library data is through taking notes and reading images. The data analysis method is contentive, qualitative, and based on a sociological approach to reflection (representation). The study samples are Ana Mendieta's works, a Cuban-American female artist, emphasizing the piece "Image from Yagul" from the Silueta series.<br /><strong>Analysis and discussion:</strong> In the short years in which Ana Mendieta was artistically active, she created a unique collection in an uncommon language. When she left her family and country (Cuba) as a teenager, she faced discrimination and felt like an illegitimate person in a racist society in the United States. Due to this issue, she had a complex conflict with the contents of racial and gender differences, which was reflected in his artworks. Mendieta's only remaining painting from her student days, the painting of a portrait of a brown-skinned woman, is a reflection of these cultural and racial conflicts oner. She also showed these feelings and inner manifestations after giving up painting, continuing her interdisciplinary art path, and creating significant pieces, including "Grass on the Woman" and "The Death of a Chicken," considered her first body art and her first performance art pieces, respectively. In the following, she made use of the body explicitly and implicitly as the center of identical aspects, including gender, race, and ethnicity, and along with her previous works, she represented her natural roots and her origin and homeland, Cuba, through the whole Silueta series. Along with representing the content of gender identity and the metaphor of returning to the earth as a goddess, womb, and mother, the Silueta series, which begins with the word "Image from Yagul, "reflects various aspects of the national identity of Cuba. In this work, Mendieta uses identical elements to revive her identity and roots while condemning exploitation and decentralization and rising to resistance and rebellion against foreigners' dominance.</div> <p class="padding-0" style="margin:12px -2px 0 -2px"><strong>Keywords</strong></p> <ul class="block list-inline list-inline-seprator margin-bottom-6 ltr"> <li class="padding-3"> <a class="tag_a" href="./?_action=article&kw=32750&_kw=Reflection+approach&lang=en" >Reflection approach</a> </li> <li class="padding-3"> <a class="tag_a" href="./?_action=article&kw=8851&_kw=national+identity&lang=en" >national identity</a> </li> <li class="padding-3"> <a class="tag_a" href="./?_action=article&kw=32751&_kw=Ana+Mendieta&lang=en" >Ana Mendieta</a> </li> <li class="padding-3"> <a class="tag_a" href="./?_action=article&kw=32752&_kw=Silueta+series&lang=en" >Silueta series</a> </li> </ul> <p class="padding-0" style="margin:12px -2px 0 -2px"><strong>Main Subjects</strong></p> <ul class="block list-inline list-inline-seprator margin-bottom-6"> <li class="padding-3"> <a href="./?_action=article&sb=94&_sb=Sociology+of+Art&lang=en" >Sociology of Art</a> </li> <li class="padding-3"> <a href="./?_action=article&sb=87&_sb=Interdisciplinary+Studies+of+Art&lang=en" >Interdisciplinary Studies of Art</a> </li> </ul> </div> <hr> <div class="page_break"></div> <div class="panel"> <div class="panel-heading card-header"> <h4 class="panel-title "> <a data-toggle="collapse" data-parent="#accordions" href="#collapsesRef"><i class="fa fa-plus"></i> References</a> </h4> </div> <div id="collapsesRef" class="panel-collapse collapse"> <div class="panel-body justify"> <div class="padding-3 margin-top-3 ltr justify">Abramovi膰, M. 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(In Persian) </div> <div class="padding-3 margin-top-3 ltr justify"> </div> </div> </div> </div> </div> </div>   <div class="col-lg-3 col-md-3 col-sm-4"> <div class="panel panel-default my_panel-default margin-bottom-10"> <div class="panel-body ar_info_pnl" id="ar_info_pnl_cover"> <div id="pnl_cover"> <div class="row" > <div class="col-xs-6 col-md-6 nomargin-bottom"> <a href="javascript:loadModal('Interdisciplinary Researches of Art', './data/ira/coversheet/891728720540.png')"> <img src="data/ira/coversheet/891728720540.png" alt="Interdisciplinary Researches of Art" style="width: 100%;"> </a> </div> <div class="col-xs-6 col-md-6 nomargin-bottom"> <h6><a href="./issue_1008_1009.html?lang=en">Volume 1, Issue 1 - Serial Number 1</a><br/>December 2023<div id="sp_ar_pages">Pages <span dir="ltr">21-36</span></div></h6> </div> </div> </div> </div> </div>  <div class="panel panel-default my_panel-default margin-bottom-10 panel-lists"> <div class="panel-heading"> <h3 class="panel-title"><a 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(2023). Analyzing the national identity's representation in Ana Mendieta's works by emphasizing the piece " Image from Yagul " from the Silueta series. <em>Interdisciplinary Researches of Art</em>, <em>1</em>(1), 21-36. doi: 10.22124/ira.2023.24153.1003</p> </div> </div> </div> </div> <div id="cite-mla" class="modal fade" tabindex="-1" role="dialog" aria-labelledby="myModalLabel" aria-hidden="true"> <div class="modal-dialog"> <div class="modal-content">  <div class="modal-header"> <button type="button" class="close" data-dismiss="modal" aria-label="Close"><span aria-hidden="true">×</span></button> <h4 class="modal-title" id="myModalLabel">MLA</h4> </div>  <div class="modal-body"> <p>Mohammad Zaryabi. "Analyzing the national identity's representation in Ana Mendieta's works by emphasizing the piece " Image from Yagul " from the Silueta series". <em>Interdisciplinary Researches of Art</em>, 1, 1, 2023, 21-36. doi: 10.22124/ira.2023.24153.1003</p> </div> </div> </div> </div> <div id="cite-harvard" class="modal fade" tabindex="-1" role="dialog" aria-labelledby="myModalLabel" aria-hidden="true"> <div class="modal-dialog"> <div class="modal-content">  <div class="modal-header"> <button type="button" class="close" data-dismiss="modal" aria-label="Close"><span aria-hidden="true">×</span></button> <h4 class="modal-title" id="myModalLabel">HARVARD</h4> </div>  <div class="modal-body"> <p>Zaryabi, M. (2023). 'Analyzing the national identity's representation in Ana Mendieta's works by emphasizing the piece " Image from Yagul " from the Silueta series', <em>Interdisciplinary Researches of Art</em>, 1(1), pp. 21-36. doi: 10.22124/ira.2023.24153.1003</p> </div> </div> </div> </div> <div id="cite-vancouver" class="modal fade" tabindex="-1" role="dialog" aria-labelledby="myModalLabel" aria-hidden="true"> <div class="modal-dialog"> <div class="modal-content">  <div class="modal-header"> <button type="button" class="close" data-dismiss="modal" aria-label="Close"><span aria-hidden="true">×</span></button> <h4 class="modal-title" id="myModalLabel">VANCOUVER</h4> </div>  <div class="modal-body"> <p>Zaryabi, M. Analyzing the national identity's representation in Ana Mendieta's works by emphasizing the piece " Image from Yagul " from the Silueta series. <em>Interdisciplinary Researches of Art</em>, 2023; 1(1): 21-36. doi: 10.22124/ira.2023.24153.1003</p> </div> </div> </div> </div> </div> </div>   <section class="alternate padding-xxs"> </section>   <div class="container"> <footer id="footer"> <div class="scrollup" id="scroll" href="#"><span></span></div> <div class="row"> <div class="col-md-2">  <h4 class="">Explore Journal</h4> <ul class="footer-links list-unstyled"> <li id="fli_home"><a href="./?lang=en">Home</a></li> <li id="fli_about"><a href="./journal/about?lang=en">About Journal</a></li> <li id="fli_Edb"><a href="./journal/editorial.board?lang=en">Editorial Board</a></li> <li id="fli_submit"><a href="./author?lang=en">Submit Manuscript</a></li> <li id="fli_contactus"><a href="./journal/contact.us?lang=en">Contact Us</a></li> <li id="fli_glossary"><a href="./journal/glossary?lang=en">Glossary</a></li> <li id="fli_sitemap"><a href="./sitemap.xml?usr&lang=en">Sitemap</a></li> </ul>  </div> <div class="col-md-3">  <h4 class="">Latest News</h4> <ul class="footer-posts list-unstyled"> </ul>  </div> <div class="col-md-3">  <div></div>  </div> <div class="col-md-4">  <h4 class="">Newsletter Subscription</h4> <p>Subscribe to the journal newsletter and receive the latest news and updates</p> <form class="validate" action="" method="post" data-success="Subscription saved successfully." data-toastr-position="bottom-right"><input type="hidden" name="lang" value="en" /> <input type="hidden" name="_token" value="936ee873e83b690dcde6ffebc82b0f854f7e4c9c788a4bfc"/> <div class="input-group"> <span class="input-group-addon"><i class="fa fa-envelope"></i></span> <input type="email" id="email" name="email" required="required" class="form-control required sbs_email" placeholder="Enter your Email" oninvalid="this.setCustomValidity('Enter a valid email address.')" oninput="this.setCustomValidity('')"> <span class="input-group-btn"> <button class="btn btn-primary mybtn" type="submit">Subscribe</button> </span> </div> </form>   <div class="margin-top-20"> <a class="noborder" href="https://www.linkedin.com/in/journalofira/" target="_blank" class="social-icon social-icon-border social-facebook pull-left block" data-toggle="tooltip" data-placement="top" title="Linkedin"> <i class="fa fa-linkedin-square" aria-hidden="true"></i> </a> <a class="noborder" href="https://guilan.academia.edu/ira" target="_blank" class="social-icon social-icon-border social-facebook pull-left block" data-toggle="tooltip" data-placement="top" title="Academia"> <i class="ai ai-academia"></i> </a> <a class="noborder" href="./ju.rss?lang=en" class="social-icon social-icon-border social-rss pull-left block" data-toggle="tooltip" data-placement="top" title="Rss"><i class="fa fa-rss-square" aria-hidden="true"></i></a> </div> </div> </div> <div class="copyright" style="position: relative"> <ul class="nomargin list-inline mobile-block"> <li>© Journal Management System. <span id='sp_crt'>Powered by <a target='_blank' href='https://www.sinaweb.net/'>Sinaweb</a></span></li> </ul> </div> </footer> </div>  </div>   <a href="#" id="toTop_old"></a>  <div id="preloader"> <div class="inner"> <span class="loader"></span> </div> </div>  <script type="text/javascript">var plugin_path = './themes/base/front/assets/plugins/';</script> <script type="text/javascript" src="./themes/base/front/assets/js/scripts.js?v=0.08"></script>   <script type="text/javascript"> $('ul.nav li.dropdown').hover(function() { if (window.matchMedia('(max-width: 767px)').matches) return; $(this).find('.dropdown-menu').stop(true, true).delay(200).fadeIn(500); }, function() { if (window.matchMedia('(max-width: 767px)').matches) return; $(this).find('.dropdown-menu').stop(true, true).delay(200).fadeOut(500); }); var btn = $('#toTop_old'); $(window).scroll(function() { if ($(window).scrollTop() > 300) { btn.addClass('show'); } else { btn.removeClass('show'); } }); btn.on('click', function(e) { e.preventDefault(); $('html, body').animate({scrollTop:0}, '300'); }); window.cookieconsent.initialise({ "palette": { "popup": { "background": "#222" }, "button": { "background": "#f1d600" } }, "content": { "message": "This website uses cookies to ensure you get the best experience on our website.", "dismiss": "Got it!", "link": "" } }); </script> </body> </html><div id="actn_modal" class="modal fade" tabindex="-1"> <div id="" class="modal-dialog modal-dialog madal-aw"> <div class="modal-content"> <div class="modal-header"> <button type="button" class="close pull-right" data-dismiss="modal" aria-hidden="true" href="#lost">×</button> <h5 class="modal-title"></h5> </div> <div class="modal-body"></div> <div class="modal-footer"></div> </div> </div> </div>

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Analyzing the national identity's representation in Ana Mendieta's works by emphasizing the piece " Image from Yagul " from the Silueta series