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*/ top: 0px !important; /*left: 2%;*/ } /*put this back in css */ .contentwrapper{ _width:94%; _margin:0px 5% 0 5% ; margin: 12px 7% 0 7%; padding:0px ; z-index:1; /*display:flex; justify-content:space-between; */ } #wrap{background:transparent; margin:0 auto; padding:0; width:100%; color:#414141; padding:0} .l_sidebar{width:15%} .r_sidebar{ width:22%; _min-width:150px; min-width:160px; max-width:345px; float:left; background-color: white; /*background-color:#bdbec2; */ /*:transparent; */ font-size:1.3rem; _margin-top:0px; margin: 0px 0px 0px 2px; padding:0 0 0 10px; overflow:visible ; } .da-third-column{overflow:visible !important ;} .middle_sidebar{font-size: 1.4rem; _width:14%; width:17%; min-width:90px; max-width:180px; float:left; background:transparent; margin:.5% .5%; padding:0px .5% 0 1%; _border-right:1px dotted #d1ccbc; min-width:128px; } div.middle_sidebar{ border-left-style: dotted; border-left-width: 1px; border-left-color: #d1ccbc ;} .contentmiddle{ width:54% ; min-width:185px; float:left; margin-top:.4rem; font-size:16px; font-size:1.6rem; /* line-height:15px; line-height:150%; */ _margin-right:5px; _padding-right: 20px; _max-width: 700px; padding-right: 3%; } .contentmiddle h1, .contentmiddle h1 a { text-decoration: none; font-size: 2.4rem; font-weight: normal; color: #373731; /* near black */ line-height: 140%; } #headerW {height:100%; width: 100% !important; margin-left: auto; margin-right: auto; display:block;} .l_sidebar a:link,.l_sidebar a:visited, .middle_sidebar a:link, .middle_sidebar a:visited, .r_sidebar a:visited, .r_sidebar a:link{ /*color:#0183B2; old blue*/ color: #394244; font-size: 1.4rem; border-top: 1px solid lightgrey; /*word-spacing: -.3rem; */ } .new_subscription_block { font-family:"Muli", sans-serif ; background: #daf4fc; border-radius: 0rem; margin:4% 5% 4% 5%; padding: 5% 7% 5% 7%; line-height:150%; } .new_subscription_block p{ Font-Family:Lora; font-style:italic;} .new_subscription_block h3, h4 {font-family:"Muli", sans-serif; } .r_sub_con a:visited, .r_sub_con a:link, .new_subscription_block a:visited, .new_subscription_block a:link{ border-top: 0px ;} /* turn off links */ #clearfixheader { clear: both; width: 100%; height: 100%; margin-top: 0px; padding-top:0px; } .social_li ul li a:link, .social_li ul li a, .social_li a:link, .social_li li a, .social_li a { padding: .2rem .8rem !important /* this controls how tall & wide socialbuttons are ; remove !important when style.css is consolidated */ color:#1e3a4a } .social_li li{display:inline; margin-left:10px ;margin-left:1rem; margin-right:10px; margin-right:1rem;} .centerwrap ul {margin: 0px -1% 0px 0%} #navbar{ font-size: 1.6rem; _font-family: "Oswald", sans-serif !important; font-family:"Muli", sans-serif !important; font-weight: 400; _text-transform: uppercase; font-weight:bold; z-index:99; /*margin-top, margin-bottom: 0px !important; */ text-alignment:center; height:auto !important; text-align:justify; -ms-text-justify:distribute-all-lines; text-justify:distribute-all-lines; _letter-spacing:-.5px; color:#39AACF; margin-top: 0px; margin-left:0%; _margin-right:7% ; border-radius:0px; _background-color:rgba(118,154,172,.9); background-color:rgba(57, 170, 207, .85); min-width:245px; _width: 86%; width: 100%; } #navbar a{ _font-weight:bold; text-decoration:none; font-weight:bold; padding:0 12px; padding:0 1rem; padding-top: 2px; text-decoration:none; letter-spacing: .1px; color: white; _font-family: Helvetica; _font-family: "Oswald", sans-serif !important; font-family:"Muli", sans-serif font-weight: 600; font-size: 1.55rem; line-height: 2.2rem; padding-top: 3px; } .nav ul, .socmedia ul {text-align:center} /*#nav{list-style-type:none;} */ /* #nav li{display:inline;float:left;list-style-type:none} #nav .stretch { display: inline-block; width: 100%; *display: inline; zoom: 1 } */ /*icons by https://www.entypo.com/*/ .social_li ul li a:link, .social_li ul li a,.social a:link, .social_li li a, .social_li a { padding: 0 .8rem !important; /* this controls how tall & wide socialbuttons are ; remove !important when style.css is consolidated */ color: white; /*#1e3a4a */ } /* might work to space out items more nav li:before { margin-left: 3px} */ #search-old2{ display: inline-block!important; margin-right: 0px; margin-bottom: 8px; float: none!important; width: 115px!important; font-family: font-family:Georgia,"Times New Roman",Times,serif !important; background-color: #1497c2; text-align: left !important; font-weight: normal!important; } #search-old2 form{background:none!important; width:110px; height:100%; margin-top:2px !important; padding:0px} /* this indents widget */ .contentwrapper ul li li{ text-indent: -1.1rem; } .contentwrapper a, a:visited, a:hover{font-size: inherit; } /* 1.6rem; shouldnt this just inherit */ .middle_sidebar ul , .r_sidebar ul , .l_sidebar ul, .contentmiddle ul, .r_sidebar ul li { background:none; list-style-type:none; } /*shading boxes around ads + contact info*/ .r_sidebar .r_adbx_top, .r_sub_con,.r_about_ad{background: #f2f2f2; border-radius: 0rem; } /*#bdbec2 */ .r_adbx_top, .r_sub_con,.r_about_ad{text-align:left; padding: 10px 18px 10px 18px; margin:12px -4px 0px -4px;} .box { border: .2rem solid black; font-size: 4rem; border-radius:2px;} .lightbox {border: .1rem solid grey ;} _colorcontrast {background-color: rgb(224, 224, 224); margin: 0px; border-right: 9px solid rgb(224, 224, 224); border-left: 9px solid rgb(224, 224, 224); border-radius: 8px;} .tagline { text-align:left ; font-size:13px; font-size:1.3hw; line-height:100%; margin:0; margin-top: 6px; /* color:white !important; */ margin-left:6px; padding:2px; color:#4a7d96; font-family:Arial, Helvetica, sans-serif; } #tagline_container{ max-width:335px; width:100%; margin-top: 50px; margin-left: 21px; } _ad_logo_wrapper{margin-left:3.5%; margin-right:4.3%;} #ad_logo_wrapper{margin-left:7%; margin-right:4%; margin-top:3px;} #logocontainer{width:auto; float:left; margin-left:0px; margin-top: 0px; max-width:40%; } #big_logo { /* margin-left: 25%; max-width: 7%; transform: scale(8); float: left; width:100%; max-height: 10%; */ } #big_logo{ transform: scale(8); max-height:10%; max-width:325px; float: left !important; text-align: left; width: 100%; } #logo_container { width: 100%; float: left; z-index: -40; /* overflow: visible; */ max-width: 600px; max-height: 200px; min-width: 140px; margin-left: 20px; height: auto; min-height: 40px; margin-top: 0px; _background-image: url(/wp-content/themes/openculture_v3a/images/openculture_banner.png); background-size: contain; background-repeat: no-repeat; max-width:80vw;; /*css3 viewport setting */ } .left { /* border: 2px dashed #f0f; */ text-align:left; _min-height:40px; height:auto; _margin-top: 45px; margin-left: 0px; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-stacked-logo.svg") no-repeat; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-horizontal-logo.svg") no-repeat; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-stacked-logo-with-stacked-tagline.svg") no-repeat; _background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-horizontal-logo-with-tagline.svg") no-repeat; background-size: contain; max-width:600px; min-width:90px; overflow:hidden; _background-position-y:0px; _background-position-x:0px; background-position-x: center !important; background-position-y: center !important; z-index:200; } .right { float: right; _width: 740px; /*min-height: 25px;*/ margin-left: 2.5%; padding-left: 0px; margin-right: 20px ; padding-right:0px; /* border: 2px dashed #00f; */ position:relative; z-index:200; } .top{} .bottom{ background: url("https://www.openculture.com/wp-content/themes/openculture_v4a/images/open-culture-horizontal-logo.svg") no-repeat; _background-size: contain; background-size: revert-layer; min-height:80px; /* border: 2px dashed green; */ clear:both; padding-top:8px; _margin: 4px 10px 0 10px; _background-position-y: 0px; /* min-height: 65px; */ clear: both; background-position-x: center; background-position-y:center; padding-top: 0px; margin: 2px 1rem 0px 1rem; /* height: 90px; */ _min-height: 110px; } #footerW{ right: 0; left: 0; position: relative; padding: 0; overflow:hidden;} .clear {clear:both;} .logo_clickable { position:absolute; width:100%; height:100%; top:0; left: 0; z-index: 50; _position:absolute; /* fixes overlap error in IE7/8, make sure you have an empty gif */ _background-image: url('empty.gif'); } .socialblock li {top: 2px;} .social-mail a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/mail.svg) no-repeat;} .social-twitter a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/twitter.svg) no-repeat;} .social-facebook a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/facebook.svg) no-repeat;} .social-rss a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/rss.svg) no-repeat;} .social-search a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat;} .sb-icon-search {background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat;} .social-mail-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/mail-black.svg) no-repeat;} .social-twitter-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/twitter-black.svg) no-repeat} .social-facebook-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/facebook-black.svg) no-repeat} .social-rss-black a{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/rss-black.svg) no-repeat} .social-mail a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/mail-hover.svg) no-repeat;} .social-twitter a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/twitter-hover.svg) no-repeat;} .social-facebook a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/facebook-hover.svg) no-repeat;} .social-rss a:hover { background: url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/rss-hover.svg) no-repeat;} .social-search a:hover{background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass-hover.svg) no-repeat;} .sb-icon-search :hover {background:url(//www.openculture.com/wp-content/themes/openculture_v4a/icons/magnifying-glass.svg) no-repeat;} /* override images that we dont want to go to margin */ .contentmiddle img.noexpand, .contentmiddle p img.noexpand, .contentmiddle img[src$="feed-icon16x16139.png"],img[title|="noexpand"], .contentmiddle div.noexpand img, .contentmiddle div.noexpand p img , .begbox img, .ct_comment_info img, ct_this_is_spam img, ct_comment_info div{ width:initial !important; display: block !important; line-height: 100%; } .noexpand img {width:initial !important;} /*this seems to work more reliably than above */ .contentmiddle img.oneXone {width: 1px !important; height: 1px !important;} .contentmiddle img.noexpand.center{display:block !important; } #footer { color: white; width: 100%; /*margin:0 auto; */ margin-bottom:100px; padding:28px 0 0 0px; font-family:"Muli", sans-serif; font-weight:400; clear:both; display:inline-block; } .framearound_ad_in_post{margin: .6rem 0px 2.4rem 0px; height:auto;max-height:120px; width:100%;padding:0px; border: 2px solid #D3D3D3; border-radius:8px;min-height:3rem; } .advertisement_notice{text-align:center; font-family:Arial, Helvetica, sans-serif; font-variant:small caps; color: #0183b2;} .begbox{color:white;width:100%;display:inline-block; background: #36b0d8; margin-left: -4px; padding: 0; font-family: Lora, "Lora", Times, serif;font-style:normal} .begbox img { width:250px ; margin: 8px auto} .begbox p, .begbox div {margin: 1em 0px 0 12px} .da_bottom {line-height:10%} .no-framearound_ad_in_post {padding-bottom: 25px; padding-top:15px; width: 100%} img.no-framearound_ad_in_post {width:100%} .responsive_belowheadline_ad{ height: 100%; display:inline-block; width:98%; min-height:70px; max-height:200px; margin-right:4px; padding-bottom: 10px; } /*comment box */ div.cbInner {background: #eaebe8; border-radius:8px ;} div.cbInner h5 {color: #000;} .comments {color:#000:;} /*bullets*/ /*set chevrons on all widgets don't turn it on for ul li in sidebars*/ /*.contentwrapper ul li li, */ .r_sidebar a:link,.r_sidebar a:visited,.r_sidebar a:hover,.middle_sidebar a:link,.middle_sidebar a:visited,.middle_sidebar a:hover{ font-size: 1.4rem; line-height: inherit; } .contentmiddle a:link, .contentwrapper a {text-decoration:none; } .l_sidebar ul li a:hover, .middle_sidebar ul li a:hover, .r_sidebar ul li a:hover, .contentmiddle a:hover { text-decoration:underline} #footer ul li {line-height:130%; list-style:none;} #footer ul li a:link {color:white; font-size:1.6rem; text-decoration:none;} #footer ul li a:hover {text-decoration:underline;} .l_sidebar li a, .r_sidebar li a, .middle_sidebar li a{ /*display:block; */ /*OC-typography.png */ text-decoration:none; padding-left: 1em; /*font-style:italic;*/ font-family:"Muli", sans-serif; _font-style:bold; font-weight:400; color:#394244; } .widgettitle{ _border-top-width: 1px; _border-top-style: dotted; _border-top-color: gray; font-family:"Lora", sans-serif !important; font-weight: 600; _font-size: 1.6rem; line-height: 19px; font-weight: bold; padding: 3px ; margin: 8px 2px 2px 1px !important; /*color: #898477; */ letter-spacing: -.5px; } .widgetbox ul,.widget_categories ul, .widget_archive ul { border-bottom: 1px dotted #d1ccbc ; padding-bottom: 30px !important; display:block;} .widgetbox li a, .widget_categories li a, .widget_archive li a {display:block;} .recent_post{ border-bottom: 1px dotted #d1ccbc; padding: 0 0 30px 0px; margin-bottom: 30px; line-height:150%; overflow:hidden; } .noborder, .middle_sidebar.noborder:link, div.noborder a {border-top: 0px white !important;} .contentmiddle ul li a{} /*set chevrons on all widgets don't turn it on for ul li in sidebars* .contentwrapper ul li li,*/ .contentmiddle li, .r_sidebar li, .l_sidebar li, .middle_sidebar li { /* background:url(data:image/gif;base64,R0lGODlhBQAFALMJANTPvq2ok8rGs8C8qMXBrrKtmLeynufj0+Pezvby4wAAAAAAAAAAAAAAAAAAAAAAACH5BAEAAAkALAAAAAAFAAUAQAQQcByCkqQpCQPCKYiBfCESAQA7) no-repeat 0 10px; */ list-style-type:none; zoom:1; margin-left: .8em; zoom: 1; padding-left: .2em; margin-bottom: .3em; line-height:1.9rem; } .contentmiddle ul li li :before , .r_sidebar ul li li :before, .middle_sidebar ul li li :before, .l_sidebar ul li li :before { /*content: "\25B8"; */ float:left; padding-right:1rem; font-style:normal;} .contentmiddle ul li li li :before {content:none;} .contentmiddle ul li {list-style-type: none; padding-right:.8rem; padding-bottom: .4rem; font-style:normal;} /*set general padding for Ul lists */ .contentwrapper ul { margin: 0; padding: 0 0 10px 0; background:none; } .middle_sidebar ul , .r_sidebar ul , .l_sidebar ul, .contentmiddle ul { background:none; list-style-type:none; } /*titles in widgets*/ .widgettitle, ul.l_sidebar li h2, ul.r_sidebar li h2, ul.middle_sidebar li h2, .middle_sidebar li h2 { font-weight:normal; padding:3px; margin:2px 2px 2px 1px; _font-family:Arial,Helvetica,sans-serif; font-family:Lora; color:#fc621f letter-spacing:-.5px; list-style-type:none; background: none !important; font-size: 1.9rem; } .r_sidebar ul {margin-left:-.6rem;} .middle_sidebar ul{ margin-top:1.2rem; margin-left:-1.1rem;} .middle_sidebar ul li {background:none } .contentmiddle li {background: none no-repeat 0 10px; list-style-type:none; zoom:1; /*margin-left: .8rem; */ zoom: 1; padding-left: .2rem; margin-bottom: 0rem; } /* turn off bullets on headers */ .contentwrapper ul {background:none;} /*lists inside lists */ .contentmiddle ul li li {margin-bottom:0rem; margin-left:5rem; list-style-type: none; } .contentwrapper ul {content:"";} .contentmiddle ul li li:before, .contentmiddle ul li:before, .middle_sidebar ul li li :before, /*put right triangle before bullets */ .middle_sidebar ul li li, .r_sidebar ul li li, .l_sidebar ul li li {line-height:inherit;} // Variables @colorBase: #394244; .transition (@prop: all, @time: 1s, @ease: linear) { -webkit-transition: @prop @time @ease; -moz-transition: @prop @time @ease; -o-transition: @prop @time @ease; -ms-transition: @prop @time @ease; transition: @prop @time @ease; } .universal-inline-block { display: inline-block; zoom: 1; *display: inline; } /* horizontal buttons */ div .social-icons2 { text-align: center; font-family: "Open Sans"; font-weight: 300; font-size: 1.5em; color: @colorBase; _margin: -2% -8% -2% -14%; } .social-icons2 ul { margin: 0; _padding: 0; list-style-type: none; text-align: center; } .social-icons2 ul li { _padding: 0px 8px 0px 6px; display:inline-block; text-indent:0; margin: 0px -4px 0px -4px;} .social-icons2 ul li a { text-decoration: none; _padding: .1rem .8rem; color: #fff; } .social-icons2-altmargin ul li {padding: 0 20px;} .social-icons2 ul li a:hover{ color: #1497c2; } .margin_left_10 {margin-left:-10px;} .white_background {background-color:white;} .oc-center, .oc-center img { width:100% ; max-width:100% !important; margin:0 auto; display:block; text-align:center;} .oc-center-da, .oc-center-da img, .oc-center-da object, .oc-center-da img { max-width: 100% !important; width: 100% !important; margin:0 auto; display: block; text-align:center;} /*fix expanding captcha refresh */ #fscf_captcha_refresh1 {width: 24px;height: 24px;} .oc-video-container { position: relative; _padding-bottom: 63.25%; padding-bottom:54%; padding-top: 10px; height: 0; } a.mashicon-reddit{background-color: darkred;} /* allow for override of img resizer */ .contentmiddle div.oc-no-resize-center img{ width: inherit !important; margin 0 auto; float:left} /*#footer img{width:inherit!important ;} */ /*footer stuff */ #flexcanvas{ width: 100%; max-width:100%; _height: 600px !important; margin-left: 3px; } .rowParent, .columnParent{ display: -webkit-box; display: -ms-flexbox; display: -webkit-flex; display: flex; -webkit-box-direction: normal; -webkit-box-orient: horizontal; -webkit-flex-direction: row; -ms-flex-direction: row; flex-direction: row; -webkit-flex-wrap: nowrap; -ms-flex-wrap: nowrap; flex-wrap: nowrap; -webkit-box-pack: start; -webkit-justify-content: flex-start; -ms-flex-pack: start; justify-content: flex-start; -webkit-align-content: stretch; -ms-flex-line-pack: stretch; align-content: stretch; -webkit-box-align: stretch; -webkit-align-items: stretch; -ms-flex-align: stretch; align-items: stretch; } .columnParent{ -webkit-box-orient: vertical; -webkit-flex-direction: column; -ms-flex-direction: column; flex-direction: column; } .flexChild{ -webkit-box-flex: 1; -webkit-flex: 1; -ms-flex: 1; flex: 1; -webkit-align-self: auto; -ms-flex-item-align: auto; align-self: auto; margin:1px; font-size:1.3rem; /*border: 1px dotted #d1ccbc */ } .flexChild ul, .flexChild ul li {margin-left:-1.2rem;} .rowChild85696 {padding:1.8rem; margin-bottom:1.4rem} .rowChild9255 {margin:0px;} .minustopbottommargin20{margin-top:-20px !important; margin-bottom:-20px !important;} .minustopbottommargin40{margin-top:-40px !important; margin-bottom:-40px !important;} .minustopmargin20{margin-top:-20px !important;} .minustopmargin40{margin-top:-40px !important;} .curatedcategory ul li { text-decoration: none; list-style-type: none; padding: 0px; margin-left:1.0rem; line-height: 140%;} .curatedcategory ul {margin-left: 1.2rem;} .curatedcategory h2 {margin-left:1.0rem;} .curatedcategory h2 a {font-variant:small-caps;} .contentmiddle ol {list-style-type:decimal; font-size:inherit;} .contentmiddle ol li {list-style-type:decimal; font-size:inherit;line-spacing:120%;margin-bottom:.8rem;} input[type=search] { -moz-appearance:none; -webkit-appearance:none; } .sb-search { position: relative; color:#fff; border:none; width: 20px; width: 0%; min-width: 24px; min-height: 2.4rem; float: right; height:100%; overflow: hidden; -webkit-transition: width 0.3s; -moz-transition: width 0.3s; transition: width 0.6s; -webkit-backface-visibility: hidden; } .sb-search-input, input[type="search"] { position: absolute; top: -6px; right: 0px; border: none; outline: none; margin-right:24px; width: 100%; height: 88%; min-height:2.5rem; _margin: 8px 2px 8px 2px; z-index: 25; _padding: 4px 65px 4px 20px; font-family: inherit; font-size: 1.8rem; 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</script></div> </div> <div class="recent_post"> <h1 id="post-1118236" ><a href="https://www.openculture.com/2024/08/how-olivetti-designed-the-first-personal-computer-in-history-the-programma-101-1965.html" rel="bookmark" title="Permanent Link to How Olivetti Designed the First Personal Computer in History, the Programma 101 (1965)"> How Olivetti Designed the First Personal Computer in History, the Programma 101 (1965) </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/computer-science" rel="category tag">Computer Science</a>, <a href="https://www.openculture.com/category/history" rel="category tag">History</a>, <a href="https://www.openculture.com/category/technology" rel="category tag">Technology</a> </em> | August 7th, 2024 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script> <!-- New text links --> <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1118236" class="post-1118236 post type-post status-publish format-standard has-post-thumbnail hentry category-computer-science category-history category-technology"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/WnItIQSwfSw?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen loading="lazy"></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p>If you were to come across an <a href="https://en.wikipedia.org/wiki/Programma_101">Olivet­ti Pro­gram­ma 101,</a> you prob­a­bly would­n’t rec­og­nize it as a com­put­er. With its 36 keys and its paper-strip print­er, it might strike you as some kind of over­sized adding machine, albeit an unusu­al­ly hand­some one. But then, you’d expect that qual­i­ty from Olivet­ti, a com­pa­ny best remem­bered for its enor­mous­ly suc­cess­ful type­writ­ers that now occu­py prime space in muse­ums of twen­ti­eth-cen­tu­ry design. Among its less­er-known prod­ucts, at least out­side its native Italy, are its com­put­ers, a line that began with main­frames in the mid-nine­teen-fifties and end­ed with IBM PC clones in the nineties, reach­ing the height of its inno­va­tion with the Pro­gram­ma 101 in 1965.</p> <p>The Pro­gram­ma 101 is also known as the P101 or the Per­ot­ti­na, a name derived from that of its inven­tor, engi­neer <a href="https://en.wikipedia.org/wiki/Pier_Giorgio_Perotto">Pier Gior­gio Per­ot­to</a>. “I dreamed of a friend­ly machine to which you could del­e­gate all those menial tasks which are prone to errors,” he lat­er said, “a machine that could qui­et­ly learn and per­form tasks, that could store sim­ple data and instruc­tions, that could be used by any­one, that would be inex­pen­sive and the size of oth­er office prod­ucts which peo­ple used.”</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>To real­ize that vision required not just a tech­ni­cal effort but also an aes­thet­ic one, which fell to the young archi­tect and indus­tri­al design­er Mario Belli­ni, who had fol­lowed his col­league (and lat­er <a href="https://www.openculture.com/2016/10/memphis-group-the-bob-dylan-inspired-designers-of-david-bowies-favorite-furniture.html">Mem­phis Group</a> founder) Ettore Sottsass into con­sult­ing work for Olivet­ti.</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/vfMxcrN90PE?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen loading="lazy"></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p>All this work took place at a time of cri­sis for the com­pa­ny. Fol­low­ing the death of its head Adri­ano Olivet­ti in 1960, <a href="https://opinionateddesigner.com/2015/10/28/great-designers-remembered-pier-giorgio-perotto-and-the-first-pc/">writes Opin­ion­at­ed Design­er</a>, it “got into severe finan­cial dif­fi­cul­ties after buy­ing the giant US Under­wood com­pa­ny, and the elec­tron­ics divi­sion was sold off to Gen­er­al Elec­tric ear­ly in 1965.” Olivet­ti’s son Rober­to had already “giv­en the go-ahead in 1962 for the devel­op­ment of a small ‘desk-top’ com­put­er.” In order “to avoid their project being swal­lowed up by GE, Perotto’s team changed some of the spec­i­fi­ca­tions of the 101 to make it appear to be a ‘cal­cu­la­tor’ rather than a ‘com­put­er’ which meant the project could stay with Olivet­ti.” Yet on a tech­ni­cal lev­el, the Per­ot­ti­na remained very much a com­put­er indeed.</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/GLRMtMFWts4?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen loading="lazy"></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p>In addi­tion to sub­trac­tion, mul­ti­pli­ca­tion, and divi­sion, “it could also per­form log­i­cal oper­a­tions, con­di­tion­al and uncon­di­tion­al jumps, and print the data stored in a reg­is­ter, all through a cus­tom-made alphanu­mer­ic pro­gram­ming lan­guage,” <a href="https://www.inexhibit.com/case-studies/olivetti-programma-101-at-the-origins-of-the-personal-computer/">writes Ric­car­do Bian­chi­ni at Inex­hib­it</a>. In <a href="https://www.youtube.com/watch?v=GLRMtMFWts4&amp;amp;list=PLh6xCEXgYuPWXmdeRdDTZCz-WZXARmIAb&amp;amp;index=7">the video above</a>, enthu­si­ast Wladimir Zaniews­ki demon­strates its capa­bil­i­ties with a sim­ple alphanu­mer­ic lunar-lan­der game: a his­tor­i­cal­ly apt project, since NASA bought ten of them for use in plan­ning the Apol­lo 11 moon land­ing. Yet even more impor­tant was the device’s com­par­a­tive­ly down-to-earth achieve­ment of being, in Bian­chini’s words, “an unin­tim­i­dat­ing object every­one could use, even at home. In that sense, there is no doubt that the Olivet­ti Pro­gram­ma 101 tru­ly is the first per­son­al com­put­er in his­to­ry.”</p> <p><strong>Relat­ed con­tent:</strong></p> <p><a href="https://www.openculture.com/2012/11/watch_the_worlds_oldest_working_digital_computer_the_1951_harwell_dekatron_.html">Watch the World’s Old­est Work­ing Dig­i­tal Com­put­er — the 1951 Har­well Deka­tron — Get Fired Up Again</a></p> <p><a href="https://www.openculture.com/2020/09/discovered-the-user-manual-for-the-oldest-surviving-computer-in-the-world.html">Dis­cov­ered: The User Man­u­al for the Old­est Sur­viv­ing Com­put­er in the World</a></p> <p><a href="https://www.openculture.com/2014/04/how-british-codebreakers-built-the-first-electronic-computer.html">How British Code­break­ers Built the First Elec­tron­ic Com­put­er</a></p> <p><a href="https://www.openculture.com/2019/06/when-kraftwerk-issued-their-own-pocket-calculator-synthesizer.html">When Kraftwerk Issued Their Own Pock­et Cal­cu­la­tor Syn­the­siz­er — to Play Their Song “Pock­et Cal­cu­la­tor” (1981)</a></p> <p><a href="https://www.openculture.com/2020/02/how-france-invented-a-popular-profitable-internet-of-its-own-in-the-80s-the-rise-and-fall-of-minitel.html">How France Invent­ed a Pop­u­lar, Prof­itable Inter­net of Its Own in the 80s: The Rise and Fall of Mini­tel</a></p> <p><em>Based in Seoul,&nbsp;</em><em><a href="http://blog.colinmarshall.org/">Col­in</a></em><em><a href="http://blog.colinmarshall.org/">&nbsp;M</a></em><em><a href="http://blog.colinmarshall.org/">a</a></em><em><a href="http://blog.colinmarshall.org/">rshall</a>&nbsp;writes and broad­cas</em><em>ts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter</em>&nbsp;<a href="https://colinmarshall.substack.com/">Books on Cities</a><em>&nbsp;and the book&nbsp;</em>The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les.&nbsp;<em>Fol­low him on Twit­ter at&nbsp;<a href="https://twitter.com/#%21/colinmarshall">@colinm</a></em><em><a href="https://twitter.com/#%21/colinmarshall">a</a></em><em><a href="https://twitter.com/#%21/colinmarshall">rshall</a>&nbsp;or on&nbsp;<a href="https://www.facebook.com/colinmarshallessayist">Face­book</a>.</em></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/cjmarshall" title="Posts by Colin Marshall" rel="author">Colin Marshall</a> | <a href="https://www.openculture.com/2024/08/how-olivetti-designed-the-first-personal-computer-in-history-the-programma-101-1965.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2024/08/how-olivetti-designed-the-first-personal-computer-in-history-the-programma-101-1965.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2024/08/how-olivetti-designed-the-first-personal-computer-in-history-the-programma-101-1965.html#respond">None</a> ) | </p> <!-- Comments (0) </p>--> <!-- google_ad_section_end --> </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1111994" ><a href="https://www.openculture.com/2024/01/can-you-crack-the-uncrackable-code-in-kryptos-the-cias-work-of-public-art.html" rel="bookmark" title="Permanent Link to Can You Crack the Uncrackable Code in Kryptos, the CIA’s Work of Public Art?"> Can You Crack the Uncrackable Code in Kryptos, the CIA’s Work of Public Art? </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/art" rel="category tag">Art</a>, <a href="https://www.openculture.com/category/computer-science" rel="category tag">Computer Science</a>, <a href="https://www.openculture.com/category/design-2" rel="category tag">Design</a>, <a href="https://www.openculture.com/category/language" rel="category tag">Language</a> </em> | January 17th, 2024 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script> <!-- New text links --> <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1111994" class="post-1111994 post type-post status-publish format-standard has-post-thumbnail hentry category-art category-computer-science category-design-2 category-language"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/CwdUwevayRU?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p>It can be chal­leng­ing to parse the mean­ing of many non-nar­ra­tive art­works.</p> <p>Some­times the <a href="https://philamuseum.org/collection/object/51449">title</a> will offer a clue, or the <a href="https://www.openculture.com/2023/04/an-introduction-to-the-painting-that-changed-georgia-okeeffes-career-rams-head-white-hollyhock-hills.html">artist will shed some light</a> in an inter­view.</p> <p>Is it a <a href="https://www.artforum.com/features/abstract-expressionism-weapon-of-the-cold-war-214234/">com­ment</a> on the cul­tur­al, socio-eco­nom­ic or polit­i­cal con­text in which it was cre­at­ed?</p> <p>Or is <a href="https://www.moma.org/artists/4675" rel="nofollow">the act of cre­at­ing it</a> the artist’s most salient point?</p> <p>Are mul­ti­ple inter­pre­ta­tions pos­si­ble?</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>Artist <a href="https://jimsanborn.net/">Jim San­born</a>’s mas­sive sculp­ture <em><a href="https://jimsanborn.net/main.html#kryptos">Kryp­tos</a></em> may inspire var­i­ous reac­tions in its view­ers, but there’s def­i­nite­ly a sin­gle cor­rect inter­pre­ta­tion.</p> <p>But 78-year-old San­born isn’t say­ing what…</p> <p>He wants some­one else to iden­ti­fy it.</p> <p><em>Kryp­tos</em>’ main mys­tery — more like “a rid­dle wrapped in a mys­tery inside an enig­ma” <a href="https://www.loc.gov/item/2016683579/">to quote Win­ston Churchill</a> — was hand cut into an S‑shaped cop­per screen using jig­saws.</p> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1112042 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="980" height="736" data-src="https://cdn8.openculture.com/2024/01/16213702/kryptos.jpg" data-srcset="https://cdn8.openculture.com/2024/01/16213702/kryptos.jpg 980w, https://cdn8.openculture.com/2024/01/16213702/kryptos-360x270.jpg 360w, https://cdn8.openculture.com/2024/01/16213702/kryptos-240x180.jpg 240w, https://cdn8.openculture.com/2024/01/16213702/kryptos-768x577.jpg 768w" data-sizes="auto, (max-width: 980px) 100vw, 980px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1112042" src="https://cdn8.openculture.com/2024/01/16213702/kryptos.jpg" alt width="980" height="736" srcset="https://cdn8.openculture.com/2024/01/16213702/kryptos.jpg 980w, https://cdn8.openculture.com/2024/01/16213702/kryptos-360x270.jpg 360w, https://cdn8.openculture.com/2024/01/16213702/kryptos-240x180.jpg 240w, https://cdn8.openculture.com/2024/01/16213702/kryptos-768x577.jpg 768w" sizes="auto, (max-width: 980px) 100vw, 980px"></noscript></p> <p align="right"><small><em>Image cour­tesy of the CIA</em></small></p> <p>Pro­fes­sion­al crypt­an­a­lysts, hob­by­ists, and stu­dents have been attempt­ing to crack the code of its 865 let­ters and 4 ques­tion marks since 1990, when it was installed on the grounds of CIA head­quar­ters in&nbsp;Lan­g­ley, Vir­ginia.</p> <p>The hands-on part fell well with­in Sanborn’s purview. But a Mas­ters in sculp­ture from <a href="https://www.pratt.edu/">Pratt Insti­tute</a> does not auto­mat­i­cal­ly con­fer cryp­tog­ra­phy bonafides, so San­born enlist­ed <a href="https://www.thekryptosproject.com/toknow/people/scheidt.php" rel="nofollow">Edward Schei­dt</a>, the retired chair­man of the CIA’s Cryp­to­graph­ic Cen­ter, for a crash course in late 20th-cen­tu­ry cod­ing sys­tems.</p> <p>San­born sam­pled var­i­ous cod­ing meth­ods for the fin­ished piece, want­i­ng the act of deci­pher­ing to feel like “peel­ing lay­ers off an onion.”</p> <p>That onion has been par­tial­ly peeled for years.</p> <p><a href="https://archive.nytimes.com/www.nytimes.com/library/tech/99/06/biztech/articles/16code.html">Deci­pher­ing three of its four pan­els</a> is a pelt shared by com­put­er sci­en­tist and for­mer pres­i­dent of the&nbsp;<a href="https://www.cryptogram.org/">Amer­i­can Cryp­togram Asso­ci­a­tion</a>, <a href="https://www.thekryptosproject.com/toknow/people/gillogly.php" rel="nofollow">James Gillo­gly</a>, and CIA ana­lyst <a href="https://www.wired.com/2013/06/analyst-who-cracked-kryptos/">David Stein</a>.</p> <p>Gillo­gly arrived at his solu­tion in 1999, using a Pen­tium II.</p> <p>Stein reached the same con­clu­sion a year ear­li­er, after chip­ping away at it for some 400 hours with pen­cil and paper, though the CIA kept his achieve­ment on the down low until Gillo­gly went pub­lic with his.</p> <p>The fol­low­ing year the Nation­al Secu­ri­ty Agency claimed that four of their employ­ees, work­ing col­lab­o­ra­tive­ly, had reached an iden­ti­cal solu­tion in 1992, a fact cor­rob­o­rat­ed by doc­u­ments obtained through the&nbsp;<a href="https://www.foia.gov/">Free­dom of Infor­ma­tion Act</a>.</p> <p>(On a relat­ed note, I got <a href="https://www.instagram.com/p/CZU1LJ2O8VS/?img_index=5">Wor­dle in three</a> this morn­ing…)</p> <p>This still leaves the&nbsp;97-char­ac­ter phrase from the final pan­el up for grabs. Crack­ing it will be the penul­ti­mate step in solv­ing Kryp­tos’ puz­zle. As San­born <a href="https://www.npr.org/transcripts/801323608">told NPR</a> in 2020, “that phrase is in itself a rid­dle:”</p> <p style="padding-left: 40px;"><i>It’s mys­te­ri­ous. It’s going to lead to some­thing else. It’s not going to be fin­ished when it’s decod­ed.</i></p> <p>The pub­lic is wel­come to con­tin­ue mak­ing edu­cat­ed guess­es.</p> <p>San­born has leaked three clues over the years, all words that can be found in the final pas­sage of decrypt­ed text.</p> <p style="padding-left: 40px;"><span class="s12">BERLIN</span><span class="s1">, at posi­tions 64 — 69 (2010)</span></p> <p class="p6" style="padding-left: 40px;"><span class="s12">CLOCK</span><span class="s1">, at posi­tions 70 — 74 (2014)</span></p> <p class="p6" style="padding-left: 40px;"><span class="s12">NORTHEAST</span><span class="s1">, at posi­tion 26 — 34</span></p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/0Gf1CujEivg?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p>Have you solved it, yet?</p> <p>No?</p> <p>Don’t feel bad…</p> <p>San­born has been field­ing incor­rect answers dai­ly for decades, though a ris­ing tide of aggres­sive and racist mes­sages led him to <a href="https://jimsanborn.net/kryptos_fees.html">charge 50 bucks</a> per sub­mis­sion, to which he responds via e‑mail, with absolute­ly no hope of hints.</p> <p><em>Kryp­tos</em>’ most ded­i­cat­ed fans, like game devel­op­er /cryptologist <a href="https://elonka.com/autobiography.html">Elon­ka Dunin</a>, seen ply­ing San­born with copi­ous quan­ti­ties of sushi above in <em>Great Big Sto­ry’</em>s video, find val­ue in work­ing togeth­er and, some­times, in per­son.</p> <p>Their dream is that San­born might inad­ver­tent­ly let slip a valu­able tid­bit in their pres­ence, though that seems like a long shot.</p> <p>The artist claims to have got­ten very skilled at main­tain­ing a pok­er face.</p> <p>(Wait, does that sug­gest his inter­locu­tors have been get­ting warmer?)</p> <p>Dunin has relin­quished all fan­tasies of solv­ing Kryp­tos solo, and now works to help some­one — any­one — solve it.</p> <p>(Please, Lord, don’t let it be <a href="https://www.reddit.com/r/Cipher/comments/137c02x/i_think_i_got_chatgpt_to_solve_kryptos/">chat­G­PT</a>…)</p> <p>San­ford has put a con­tin­gency plan in place in case no one ever man­ages to get to the bot­tom of the Kryp­tos (ancient&nbsp;<a href="https://en.wikipedia.org/wiki/Ancient_Greek">Greek</a>&nbsp;for “hid­den”) conun­drum.</p> <p>He, or rep­re­sen­ta­tives of his estate, will auc­tion off the solu­tion. He is con­tent with let­ting the win­ning bid­der decide whether or not to share what’s been revealed to them.</p> <p>“I do real­ize that the val­ue of Kryp­tos is unknown and that per­haps this con­cept will bear lit­tle fruit,” he told <a href="https://www.nytimes.com/interactive/2020/01/29/climate/kryptos-sculpture-final-clue.html">the <em>New York Times</em></a>, though if one takes the mass­es of peo­ple des­per­ate to learn the solu­tion and fac­tors in Sanford’s inten­tion to donate all pro­ceeds to cli­mate research, it may well bear quite a healthy amount of fruit.</p> <p>Join Elon­ka Dunin’s online com­mu­ni­ty of Kryp­tos enthu­si­asts <a href="https://kryptos.groups.io/g/main">here</a>.</p> <p>To give you a taste of what you’re in for, here are the first two pan­els, fol­lowed by their solu­tions, with the artist’s inten­tion­al mis­spellings intact.</p> <p class="p6" style="padding-left: 40px;"><span class="s1"><br> 1.<br> <b>Encrypt­ed Text</b><br> EMUFPHZLRFAXYUSDJKZLDKRNSHGNFIVJ<br> YQTQUXQBQVYUVLLTREVJYQTMKYRDMFD</span></p> <p class="p6" style="padding-left: 40px;"><span class="s1"><b>Decrypt­ed Text</b><br> Between sub­tle shad­ing and the absence of light lies the nuance of iqlu­sion.</span></p> <p class="p6"><span class="s1">2.</span></p> <p class="p6" style="padding-left: 80px;"><span class="s1"><b>Encrypt­ed Text</b><br> VFPJUDEEHZWETZYVGWHKKQETGFQJNCE<br> GGWHKK?DQMCPFQZDQMMIAGPFXHQRLG<br> TIMVMZJANQLVKQEDAGDVFRPJUNGEUNA<br> QZGZLECGYUXUEENJTBJLBQCRTBJDFHRR<br> YIZETKZEMVDUFKSJHKFWHKUWQLSZFTI<br> HHDDDUVH?DWKBFUFPWNTDFIYCUQZERE<br> EVLDKFEZMOQQJLTTUGSYQPFEUNLAVIDX<br> FLGGTEZ?FKZBSFDQVGOGIPUFXHHDRKF<br> FHQNTGPUAECNUVPDJMQCLQUMUNEDFQ<br> ELZZVRRGKFFVOEEXBDMVPNFQXEZLGRE<br> DNQFMPNZGLFLPMRJQYALMGNUVPDXVKP<br> DQUMEBEDMHDAFMJGZNUPLGEWJLLAETG</span></p> <p class="p6" style="padding-left: 80px;"><span class="s1"><b>Decrypt­ed Text</b><br> It was total­ly invis­i­ble Hows that pos­si­ble? They used the Earths mag­net­ic field X<br> The infor­ma­tion was gath­ered and trans­mit­ted under­gru­und to an unknown loca­tion X<br> Does Lan­g­ley know about this? They should Its buried out there some­where X<br> Who knows the exact loca­tion? Only WW This was his last mes­sage X<br> Thir­ty eight degrees fifty sev­en min­utes six point five sec­onds north<br> Sev­en­ty sev­en degrees eight min­utes forty four sec­onds west ID by rows</span></p> <p>View step by step solu­tions for the first three of Kryp­tos’ encrypt­ed pan­els <a href="https://www.instructables.com/member/starlifter/">here</a>.</p> <p><strong>Relat­ed Con­tent&nbsp;</strong></p> <p><a title="Permanent Link to The Enigma Machine: How Alan Turing Helped Break the Unbreakable Nazi Code" href="https://www.openculture.com/2013/01/the_enigma_machine_how_alan_turing_helped_break_the_unbreakable_nazi_code_.html" rel="bookmark">The Enig­ma Machine: How Alan Tur­ing Helped Break the Unbreak­able Nazi Code</a></p> <p><a title="Permanent Link to Artificial Intelligence May Have Cracked the Code of the Voynich Manuscript: Has Modern Technology Finally Solved a Medieval Mystery?" href="https://www.openculture.com/2018/01/artificial-intelligence-may-have-cracked-the-code-of-the-voynich-manuscript.html" rel="bookmark">Arti­fi­cial Intel­li­gence May Have Cracked the Code of the Voyn­ich Man­u­script: Has Mod­ern Tech­nol­o­gy Final­ly Solved a Medieval Mys­tery?</a></p> <p><a title="Permanent Link to The Code of Charles Dickens’ Shorthand Has Been Cracked by Computer Programmers, Solving a 160-Year-Old Mystery" href="https://www.openculture.com/2022/02/the-code-of-charles-dickens-shorthand-has-been-cracked-by-computer-programmers-solving-a-160-year-old-mystery.html" rel="bookmark">The Code of Charles Dick­ens’ Short­hand Has Been Cracked by Com­put­er Pro­gram­mers, Solv­ing a 160-Year-Old Mys­tery</a></p> <p class="p8"><span class="s13"><i>–&nbsp;</i><a href="http://ayunhalliday.com/"><span class="s5"><i>Ayun Hal­l­i­day</i></span></a><i>&nbsp;is the Chief Pri­ma­tol­o­gist of&nbsp;</i><a href="http://ayunhalliday.com/the-east-village-inky/" rel="nofollow"><span class="s5"><i>the East Vil­lage Inky</i></span></a><i>&nbsp;zine and author, most recent­ly, of&nbsp;</i><a href="https://www.amazon.com/Creative-Not-Famous-Potato-Manifesto/dp/1648410596/"><span class="s5"><i>Cre­ative, Not Famous: The Small Pota­to Man­i­festo</i></span></a><i>&nbsp;and&nbsp;</i><a href="https://ayunhalliday.com/small-potato-manifesto/creative-not-famous-activity-book/" rel="nofollow"><span class="s5"><i>Cre­ative, Not Famous Activ­i­ty Book</i></span></a><i>. Fol­low her&nbsp;</i><a href="https://www.instagram.com/ayun_halliday/"><span class="s5"><i>@AyunHalliday</i></span></a><i>.</i></span></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/ayunh" title="Posts by Ayun Halliday" rel="author">Ayun Halliday</a> | <a href="https://www.openculture.com/2024/01/can-you-crack-the-uncrackable-code-in-kryptos-the-cias-work-of-public-art.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2024/01/can-you-crack-the-uncrackable-code-in-kryptos-the-cias-work-of-public-art.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2024/01/can-you-crack-the-uncrackable-code-in-kryptos-the-cias-work-of-public-art.html#respond">None</a> ) | </p> <!-- Comments (0) </p>--> <!-- google_ad_section_end --> </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1111401" ><a href="https://www.openculture.com/2023/12/the-oldest-voices-that-we-can-still-hear-hear-audio-recordings-of-ghostly-voices-from-the-19th-century.html" rel="bookmark" title="Permanent Link to The Oldest Voices That We Can Still Hear: Hear Audio Recordings of Ghostly Voices from the 1800s"> The Oldest Voices That We Can Still Hear: Hear Audio Recordings of Ghostly Voices from the 1800s </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/computer-science" rel="category tag">Computer Science</a>, <a href="https://www.openculture.com/category/history" rel="category tag">History</a>, <a href="https://www.openculture.com/category/life" rel="category tag">Life</a>, <a href="https://www.openculture.com/category/technology" rel="category tag">Technology</a> </em> | December 8th, 2023 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script> <!-- New text links --> <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1111401" class="post-1111401 post type-post status-publish format-standard has-post-thumbnail hentry category-computer-science category-history category-life category-technology"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/iEDvozbyUMQ?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p>What his­to­ry nerd doesn’t thrill to Thomas Edi­son speak­ing to us from beyond the grave in a <a href="https://en.wikipedia.org/wiki/File:Thomas_Edison_Mary_had_lamb.ogg">50th anniver­sary repeat</a> of his ground­break­ing <a href="https://americanhistory.si.edu/press/fact-sheets/early-sound-recording-collection-and-sound-recovery-project#:~:text=In%201877,%20Thomas%20Edison%20invented,fleece%20was%20white%20as%20snow.">1877 spo­ken word record­ing of </a>(those hop­ing for lofti­er stuff should dial it down now) <a href="https://americanhistory.si.edu/press/fact-sheets/early-sound-recording-collection-and-sound-recovery-project#:~:text=In%201877,%20Thomas%20Edison%20invented,fleece%20was%20white%20as%20snow.">Mary Had a Lit­tle Lamb?</a></p> <p>The orig­i­nal rep­re­sents the first time a record­ed human voice was suc­cess­ful­ly cap­tured and played back. We live in hope that the frag­ile <a href="https://www.youtube.com/watch?v=KRnTFiXkNFw&amp;ab_channel=NationalMuseumofAmericanHistory">tin­foil shee</a>t on which it was record­ed will turn up in someone’s attic some­day.</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>Appar­ent­ly Edi­son got it in the can on the first take. The great inven­tor <a href="https://publicdomainreview.org/collection/edison-reading-mary-had-a-little-lamb-1927/">lat­er rem­i­nisced</a> that he “was nev­er so tak­en aback” in his life as when he first heard his own voice, issu­ing forth from the phono­graph into which he’d so recent­ly shout­ed the famous nurs­ery rhyme:</p> <blockquote><p>Every­body was aston­ished. I was always afraid of things that worked the first time.</p></blockquote> <p>His achieve­ment was a game chang­er, obvi­ous­ly, but it was­n’t the first time human speech was suc­cess­ful­ly record­ed, as <a href="https://www.youtube.com/@kingsandthings">Kings and Things</a> clar­i­fies in the above video.</p> <p>That hon­or goes to&nbsp;<a href="https://firstsounds.org/research/scott.php">Édouard-Léon Scott de Mar­t­inville</a>, whose <a href="https://en.wikipedia.org/wiki/Phonautograph">pho­nau­to­graph</a>, patent­ed in 1857, tran­scribed vocal sounds as wave forms etched onto lamp­black-coat­ed paper, wood, or glass.</p> <p>Edison’s plans for his inven­tion hinged on its abil­i­ty to repro­duce sound in ways that would be famil­iar and of ser­vice to the lis­ten­ing pub­lic. A sam­pling:</p> <ul> <li class="p4"><span class="s1">A music play­er<span class="Apple-converted-space">&nbsp;</span></span></li> <li class="p4"><span class="s1">A device for cre­at­ing audio­books for blind peo­ple</span></li> <li class="p4"><span class="s1">A lin­guis­tic tool</span></li> <li class="p4"><span class="s1">An aca­d­e­m­ic resource of archived lec­tures</span></li> <li class="p4"><span class="s1">A record of tele­phone con­ver­sa­tions</span></li> <li class="p4"><span class="s1">A means of cap­tur­ing pre­cious fam­i­ly mem­o­ries.<span class="Apple-converted-space">&nbsp;</span></span></li> </ul> <p>Léon Scot­t’s vision for his pho­nau­to­graph reflects his pre­oc­cu­pa­tion with&nbsp;the <a href="https://musictech.com/guides/essential-guide/the-science-of-sound/">sci­ence of sound</a>.</p> <p>A pro­fes­sion­al type­set­ter, with an inter­est in short­hand, he con­ceived of the pho­nau­to­graph as an arti­fi­cial ear capa­ble of repro­duc­ing every hic­cup and quirk of pro­nun­ci­a­tion far more faith­ful­ly than a stenog­ra­ph­er ever could. It was, in the words of audio his­to­ri­an <a href="https://www.phonozoic.net/">Patrick Feast­er</a>,&nbsp; the “ulti­mate speech-to-text machine.”</p> <p>As he <a href="https://www.npr.org/2008/04/04/89380697/1860-phonautograph-is-earliest-known-recording">told NPR’s Talk of the Nation</a>, Léon Scott was dri­ven to “get sounds down on paper where he could look at them and study them:”</p> <p class="p4" style="padding-left: 40px;"><em><span class="s1">…in terms of what we’re talk­ing about here visu­al­ly, any­body who’s ever used audio edit­ing soft­ware should have a pret­ty good idea of what we’re talk­ing about here, that kind of wavy line that you see on your screen that some­how cor­re­sponds to a sound file that you’re work­ing with…He was hop­ing peo­ple would learn to read those squig­gles and not just get the words out of them.</span></em></p> <p>Although Léon Scott man­aged to sell a few pho­nau­to­graphs to sci­en­tif­ic lab­o­ra­to­ries, the gen­er­al pub­lic took lit­tle note of his inven­tion. He was pained by the glob­al acclaim that greet­ed Edison’s phono­graph 21 years lat­er, fear­ing that his own name would be lost to his­to­ry.</p> <p>His fear was not unfound­ed, though as Conan O’Brien, of all peo­ple, mused, “even­tu­al­ly, <a href="https://www.nps.gov/places/thomas-and-mina-edison-s-graves.htm">all our graves</a> go unat­tend­ed.”</p> <p>But Léon Scott got a sec­ond act, as did sev­er­al uniden­ti­fied long-dead humans whose voic­es he had record­ed, when Dr. Feast­er and his <a href="https://firstsounds.org/sounds/approach.php">First Sounds col­league David Gio­van­non</a>i con­vert­ed some pho­nau­to­grams to playable dig­i­tal audio files using <a href="https://irene.lbl.gov/">non-con­tact opti­cal-scan­ning tech­nol­o­gy</a> from the <a href="https://www.lbl.gov/">Lawrence Berke­ley Nation­al Lab­o­ra­to­ry</a>.</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/HKPPcbcY0Kw?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p class="p4">Dr. Feast­er describes the eerie expe­ri­ence of lis­ten­ing to the cleaned-up spo­ken word tracks after a long night of tweak­ing file speeds, using Léon Scot­t’s pho­nau­to­grams of tun­ing forks as his guide:<span class="s2"><br> </span></p> <p class="p4" style="padding-left: 40px;"><span class="s1"><i>I’m a sound record­ing his­to­ri­an, so hear­ing a voice from 100 years ago is no real sur­prise for me. But sit­ting there, I was just kind of stunned to be think­ing, now I’m sud­den­ly at last lis­ten­ing to a per­for­mance of vocal music made in France before the Amer­i­can Civ­il War. That was just a stun­ning thing, feel­ing like a ghost is try­ing to sing to me through that sta­t­ic.</i></span></p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/ZES2gD95Qsg?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p>Scan­ning tech­nol­o­gy also allowed his­to­ri­ans to cre­ate playable dig­i­tal files of frag­ile foil record­ings made on Edi­son devices, like the <a href="https://www.npr.org/2021/03/29/982184846/historic-st-louis-tinfoil-added-to-national-recording-registry">St. Louis Tin­foil </a>, made by writer and ear­ly adopter Thomas Mason in the sum­mer of 1878, as a way of show­ing off his new-fan­gled phono­graph, pur­chased for the whop­ping sum of $95.</p> <p>The <a href="https://www.iasa-web.org/sites/default/files/IASA_journal32_part13.pdf">British Library’s Tin­foil Record­ing</a> is thought to be the ear­li­est in exis­tence. It fea­tures an as-yet uniden­ti­fied woman, who may or may not be quot­ing from <a href="https://en.wikipedia.org/wiki/Harriet_Martineau">social the­o­rist Har­ri­et Mar­tineau</a>… this gar­bled ghost is excep­tion­al­ly dif­fi­cult to pin down.</p> <p>Far eas­i­er to deci­pher are the 1889 record­ings of <a href="https://en.wikipedia.org/wiki/Helmuth_von_Moltke_the_Elder">Pruss­ian Field Mar­shall Hel­muth Von Multke</a>, who was born in 1800, the last year of the 18th cen­tu­ry, mak­ing his the ear­li­est-born record­ed voice in audio his­to­ry.</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/1BBkFacaBHY?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p>The nona­ge­nar­i­an recites from Ham­let and Faust, and con­grat­u­lates Edi­son on his aston­ish­ing inven­tion:</p> <p class="p7" style="padding-left: 40px;"><span class="s1"><i>This phono­graph makes it pos­si­ble for a man who has already long rest­ed in the grave once again to raise his voice and greet the present.</i></span></p> <p><strong>Relat­ed Con­tent</strong></p> <p><a href="https://www.openculture.com/2015/11/download-10000-of-the-first-recordings-of-music-ever-made-courtesy-of-the-ucsb-cylinder-audio-archive.html">Down­load 10,000 of the First Record­ings of Music Ever Made, Cour­tesy of the UCSB Cylin­der Audio Archive</a></p> <p><a href="https://www.openculture.com/2012/02/suzanne_vega_the_mother_of_the_mp3_records_toms_diner_with_the_edison_cylinder.html">Suzanne Vega, “The Moth­er of the MP3,” Records “Tom’s Din­er” with the Edi­son Cylin­der</a></p> <p><a href="https://www.openculture.com/2013/06/beer_bottle_as_edison_cylinder_.html">A Beer Bot­tle Gets Turned Into a 19th Cen­tu­ry Edi­son Cylin­der and Plays Fine Music</a></p> <p><a href="https://www.openculture.com/2022/01/400000-sound-recordings-made-before-1923-have-entered-the-public-domain.html">400,000+ Sound Record­ings Made Before 1923 Have Entered the Pub­lic Domain</a></p> <p><a href="https://www.openculture.com/2017/08/the-web-site-centuries-of-sound-is-making-a-mixtape-for-every-year-of-recorded-sound-from-1860-to-present.html">The Web Site “Cen­turies of Sound” is Mak­ing a Mix­tape for Every Year of Record­ed Sound from 1860 to Present</a></p> <p><a href="https://www.openculture.com/2023/01/stream-385000-vintage-78-rpm-records-at-the-internet-archive.html">Stream 385,000 Vin­tage 78 RPM Records at the Inter­net Archive: Louis Arm­strong, Glenn Miller, Bil­lie Hol­i­day &amp; More</a></p> <p class="p9"><span class="s6"><i>–&nbsp;</i><a href="http://ayunhalliday.com/"><span class="s7"><i>Ayun Hal­l­i­day</i></span></a><i>&nbsp;is the Chief Pri­ma­tol­o­gist of&nbsp;</i><a href="http://ayunhalliday.com/the-east-village-inky/" rel="nofollow"><span class="s7"><i>the East Vil­lage Inky</i></span></a><i>&nbsp;zine and author, most recent­ly, of&nbsp;</i><a href="https://www.amazon.com/Creative-Not-Famous-Potato-Manifesto/dp/1648410596/"><span class="s7"><i>Cre­ative, Not Famous: The Small Pota­to Man­i­festo</i></span></a><i>&nbsp;and&nbsp;</i><a href="https://ayunhalliday.com/small-potato-manifesto/creative-not-famous-activity-book/" rel="nofollow"><span class="s7"><i>Cre­ative, Not Famous Activ­i­ty Book</i></span></a><i>. Fol­low her&nbsp;</i><a href="https://www.instagram.com/ayun_halliday/"><span class="s7"><i>@AyunHalliday</i></span></a><i>.</i></span></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/ayunh" title="Posts by Ayun Halliday" rel="author">Ayun Halliday</a> | <a href="https://www.openculture.com/2023/12/the-oldest-voices-that-we-can-still-hear-hear-audio-recordings-of-ghostly-voices-from-the-19th-century.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2023/12/the-oldest-voices-that-we-can-still-hear-hear-audio-recordings-of-ghostly-voices-from-the-19th-century.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2023/12/the-oldest-voices-that-we-can-still-hear-hear-audio-recordings-of-ghostly-voices-from-the-19th-century.html#comments">1</a> ) | </p> <!-- Comments (1) </p>--> <!-- google_ad_section_end --> </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1110023" ><a href="https://www.openculture.com/2023/09/what-happens-when-someone-crochets-stuffed-animals-using-instructions-from-chatgpt.html" rel="bookmark" title="Permanent Link to What Happens When Someone Crochets Stuffed Animals Using Instructions from ChatGPT"> What Happens When Someone Crochets Stuffed Animals Using Instructions from ChatGPT </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/art" rel="category tag">Art</a>, <a href="https://www.openculture.com/category/computer-science" rel="category tag">Computer Science</a>, <a href="https://www.openculture.com/category/data" rel="category tag">Data</a>, <a href="https://www.openculture.com/category/technology" rel="category tag">Technology</a> </em> | September 5th, 2023 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script> <!-- New text links --> <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1110023" class="post-1110023 post type-post status-publish format-standard has-post-thumbnail hentry category-art category-computer-science category-data category-technology"> <p class="p1"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1110071 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="1200" height="900" data-src="https://cdn8.openculture.com/2023/08/04212634/ai-crochet.webp" data-srcset="https://cdn8.openculture.com/2023/08/04212634/ai-crochet.webp 1200w, https://cdn8.openculture.com/2023/08/04212634/ai-crochet-360x270.webp 360w, https://cdn8.openculture.com/2023/08/04212634/ai-crochet-1024x768.webp 1024w, https://cdn8.openculture.com/2023/08/04212634/ai-crochet-240x180.webp 240w, https://cdn8.openculture.com/2023/08/04212634/ai-crochet-768x576.webp 768w" data-sizes="auto, (max-width: 1200px) 100vw, 1200px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1110071" src="https://cdn8.openculture.com/2023/08/04212634/ai-crochet.webp" alt width="1200" height="900" srcset="https://cdn8.openculture.com/2023/08/04212634/ai-crochet.webp 1200w, https://cdn8.openculture.com/2023/08/04212634/ai-crochet-360x270.webp 360w, https://cdn8.openculture.com/2023/08/04212634/ai-crochet-1024x768.webp 1024w, https://cdn8.openculture.com/2023/08/04212634/ai-crochet-240x180.webp 240w, https://cdn8.openculture.com/2023/08/04212634/ai-crochet-768x576.webp 768w" sizes="auto, (max-width: 1200px) 100vw, 1200px"></noscript></p> <p><a href="https://www.attackbearpress.com/attackbears#/attack-bear-alexandra-woolner">Alex Wool­ner</a> knows how to put a degree in Eng­lish to good use.</p> <p>Past projects include a <a href="https://www.instagram.com/wheresthe1key/">fem­i­nist type­writer blog</a>, retro­fitting stick­er <a href="https://www.attackbearpress.com/pvm">vend­ing machines to dis­pense poet­ry</a>, and a free res­i­den­cy pro­gram for emerg­ing artists at a <a href="https://youtu.be/5DEZSB0q7bI?si=GasX4nRf4Q0CQubN">mul­ti­dis­ci­pli­nary stu­dio</a> she co-found­ed with play­wright and painter <a href="https://www.attackbearpress.com/attackbears#/attack-bear-jason-montgomery">Jason Mont­gomery</a> in East­hamp­ton, Mass­a­chu­setts.</p> <p>More recent­ly, the poet and inter­na­tion­al edu­ca­tor has com­bined her inter­est in&nbsp;<a href="https://en.wikipedia.org/wiki/Amigurumi">amigu­ru­mi </a>cro­cheted ani­mals and <a href="https://chat.openai.com/auth/login" rel="nofollow">Chat­G­PT</a>, the open source AI chat­bot.</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>Hav­ing cro­cheted an <em>amigu­ru­mi</em> <a href="https://en.wikipedia.org/wiki/Narwhal">nar­whal</a> for a nephew ear­li­er this year, she hopped on Chat­G­PT and asked it to cre­ate “a cro­chet pat­tern for a nar­whal stuffed ani­mal using worsted weight yarn.”</p> <p>The result might have dis­cour­aged anoth­er quer­ent, but Wool­ner got out her cro­chet hook and sal­lied forth, fol­low­ing Chat­G­PTs instruc­tions to the let­ter, despite a num­ber of red flags indi­cat­ing that the chatbot’s grasp of nar­whal anato­my was high­ly unre­li­able.</p> <p>Its igno­rance is part of its DNA. As a large lan­guage mod­el, Chat­G­PT is capa­ble of pro­duc­ing pre­dic­tive text based on vast amounts of data in its mem­o­ry bank. But it can’t see images.</p> <p>As <a href="https://www.wired.co.uk/profile/amit-katwala">Amit Kat­wala</a>&nbsp;writes in <em><a href="http://www.apple.com">Wired</a></em>:</p> <p class="p3" style="padding-left: 40px;"><span class="s1"><i>It has no idea what a cat looks like or even what cro­chet is. It sim­ply con­nects words that fre­quent­ly appear togeth­er in its train­ing data. The result is super­fi­cial­ly plau­si­ble pas­sages of text that often fall apart when exposed to the scruti­ny of an expert—what’s been called “flu­ent bull­shit.”</i></span></p> <p>It’s also not too hot at math, a skill set knit­ters and cro­cheters bring to bear read­ing pat­terns, which traf­fic in num­bers of rows and stitch­es, indi­cat­ed by abbre­vi­a­tions that real­ly flum­mox a chat­bot.</p> <p>An exam­ple of begin­ner-lev­el instruc­tions from a <a href="https://www.elisascrochet.com/post/finley-the-shark-free-crochet-pattern">free down­load­able pat­tern</a> for a cute amigu­ru­mi shark:</p> <p class="p3" style="padding-left: 40px;"><span class="s1">DORSAL FIN (gray yarn)</span></p> <p class="p3" style="padding-left: 40px;"><span class="s1"><b>Rnd 1: </b>in a mr work 3 sc, 2 hdc, 1 sc (6)</span></p> <p class="p3" style="padding-left: 40px;"><span class="s1"><b>Rnd 2: </b>3 sc, 1 hdc inc, 1 hdc, 1 sc (7)</span></p> <p class="p3" style="padding-left: 40px;"><span class="s1"><b>Rnd 3: </b>3 sc, 2 hdc, 1 hdc inc, 1 sc (8)</span></p> <p class="p3" style="padding-left: 40px;"><span class="s1"><b>Rnd 4: </b>3 sc, 1 hdc inc, 3 hdc, 1 sc inc (10)</span></p> <p class="p3" style="padding-left: 40px;"><span class="s1"><b>Rnd 5: </b>3 sc, 1 hdc, 1 hdc inc, 3 hdc, 1 sc, 1 sc inc (12)</span></p> <p class="p3" style="padding-left: 40px;"><span class="s1"><b>Rnd 6:</b> 3 sc, 6 hdc, 3 sc (12)</span></p> <p class="p3" style="padding-left: 40px;"><span class="s1"><b>Rnd 7:</b> sc even (12); F/O and leave a long strand of yarn to sew the dor­sal fin between rnds # 18–23. Do not stuff the fin.</span></p> <p>Pity poor Chat­G­PT, though, like Wool­ner, it tried.</p> <p>Their col­lab­o­ra­tion became a cause célèbre when Wool­ner debuted the “AI gen­er­at­ed nar­whal cro­chet mon­stros­i­ty” <a href="https://www.tiktok.com/@generatedcrochet/video/7187594267328646443">on Tik­Tok</a>, apt­ly com­par­ing the large tusk Chat­G­PT had her posi­tion atop its head to a chef’s toque.</p> <p>Is that the best AI can do?</p> <p>A recent <a href="https://www.thisamericanlife.org/803/greetings-people-of-earth/act-one-6"><em>This Amer­i­can Life </em>episode</a> details how <a href="https://scholar.google.com/citations?user=V2Y1L4sAAAAJ&amp;hl=en">Sebastien Bubeck</a>, a machine learn­ing researcher at Microsoft, com­mand­ed anoth­er large lan­guage mod­el, <a href="https://openai.com/research/gpt-4" rel="nofollow">GPT‑4</a>, to cre­ate code that <a href="https://www.overleaf.com/learn/latex/LaTeX_Graphics_using_TikZ:_A_Tutorial_for_Beginners_(Part_1)%E2%80%94Basic_Drawing#:~:text=TikZ%20is%20a%20LaTeX%20package,do%20using%20the%20tikz%20package.">TikZ</a>, a vec­tor graph­ics pro­duc­er, could use to “draw” a uni­corn.</p> <p class="p9">This col­lab­o­ra­tive exper­i­ment was per­haps more empir­i­cal­ly suc­cess­ful than the Chat­G­PT amigu­ru­mi pat­terns Wool­ner duti­ful­ly ren­dered in yarn and fiber­fill. <em>This Amer­i­can Life</em>’s David Kesten­baum was suf­fi­cient­ly awed by the result­ing image to haz­ard a guess that “when peo­ple even­tu­al­ly write the his­to­ry of this crazy moment we are in, they may include this uni­corn.”<i></i></p> <p class="p9" style="padding-left: 40px;"><span class="s1"><i>It’s not good, but it’s a fuck­ing uni­corn. The body is just an oval. It’s got four stu­pid rec­tan­gles for legs. But there are lit­tle squares for hooves. There’s a mane, an oval for the head. And on top of the head, a tiny yel­low tri­an­gle, the horn. This is insane to say, but I felt like I was see­ing inside its head. Like it had pieced togeth­er some idea of what a uni­corn looked like and this was it.</i></span></p> <p class="p9">Let’s not poo poo the mer­its of Woolner’s ongo­ing explo­rations though. As one com­menter observed, it seems she’s “found a way to instan­ti­ate the weird messed up arti­facts of <a href="https://www.openculture.com/2022/06/discover-dall-e-the-artificial-intelligence-artist-that-turns-your-search-terms-into-surreal-artwork.html">AI gen­er­at­ed images</a> in the phys­i­cal uni­verse.”</p> <p>To which Wool­ner respond­ed that she “will either be spared or be one of the first to per­ish when AI takes over gov­er­nance of us meat sacks.”</p> <p class="p9"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1110073 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="1000" height="752" data-src="https://cdn8.openculture.com/2023/08/04212905/crochetai2.webp" data-srcset="https://cdn8.openculture.com/2023/08/04212905/crochetai2.webp 1000w, https://cdn8.openculture.com/2023/08/04212905/crochetai2-360x271.webp 360w, https://cdn8.openculture.com/2023/08/04212905/crochetai2-240x180.webp 240w, https://cdn8.openculture.com/2023/08/04212905/crochetai2-768x578.webp 768w" data-sizes="auto, (max-width: 1000px) 100vw, 1000px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1110073" src="https://cdn8.openculture.com/2023/08/04212905/crochetai2.webp" alt width="1000" height="752" srcset="https://cdn8.openculture.com/2023/08/04212905/crochetai2.webp 1000w, https://cdn8.openculture.com/2023/08/04212905/crochetai2-360x271.webp 360w, https://cdn8.openculture.com/2023/08/04212905/crochetai2-240x180.webp 240w, https://cdn8.openculture.com/2023/08/04212905/crochetai2-768x578.webp 768w" sizes="auto, (max-width: 1000px) 100vw, 1000px"></noscript></p> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1110074 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="1500" height="1125" data-src="https://cdn8.openculture.com/2023/08/04212950/Norma2.jpg" data-srcset="https://cdn8.openculture.com/2023/08/04212950/Norma2.jpg 1500w, https://cdn8.openculture.com/2023/08/04212950/Norma2-360x270.jpg 360w, https://cdn8.openculture.com/2023/08/04212950/Norma2-1024x768.jpg 1024w, https://cdn8.openculture.com/2023/08/04212950/Norma2-240x180.jpg 240w, https://cdn8.openculture.com/2023/08/04212950/Norma2-768x576.jpg 768w" data-sizes="auto, (max-width: 1500px) 100vw, 1500px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1110074" src="https://cdn8.openculture.com/2023/08/04212950/Norma2.jpg" alt width="1500" height="1125" srcset="https://cdn8.openculture.com/2023/08/04212950/Norma2.jpg 1500w, https://cdn8.openculture.com/2023/08/04212950/Norma2-360x270.jpg 360w, https://cdn8.openculture.com/2023/08/04212950/Norma2-1024x768.jpg 1024w, https://cdn8.openculture.com/2023/08/04212950/Norma2-240x180.jpg 240w, https://cdn8.openculture.com/2023/08/04212950/Norma2-768x576.jpg 768w" sizes="auto, (max-width: 1500px) 100vw, 1500px"></noscript></p> <p class="p9">&nbsp;<img loading="lazy" decoding="async" class="alignnone size-full wp-image-1110075 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="507" height="702" data-src="https://cdn8.openculture.com/2023/08/04213111/skein-green.png" data-srcset="https://cdn8.openculture.com/2023/08/04213111/skein-green.png 507w, https://cdn8.openculture.com/2023/08/04213111/skein-green-260x360.png 260w, https://cdn8.openculture.com/2023/08/04213111/skein-green-173x240.png 173w" data-sizes="auto, (max-width: 507px) 100vw, 507px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1110075" src="https://cdn8.openculture.com/2023/08/04213111/skein-green.png" alt width="507" height="702" srcset="https://cdn8.openculture.com/2023/08/04213111/skein-green.png 507w, https://cdn8.openculture.com/2023/08/04213111/skein-green-260x360.png 260w, https://cdn8.openculture.com/2023/08/04213111/skein-green-173x240.png 173w" sizes="auto, (max-width: 507px) 100vw, 507px"></noscript></p> <p>In the mean­time, she’s con­tin­u­ing to har­ness Chat­G­PT to birth more mon­strous amigu­ru­mi. Ger­ald the Narwhal’s has been joined by <a href="https://www.tiktok.com/@generatedcrochet/video/7190892507884981547">a cat</a>, an <a href="https://www.tiktok.com/@generatedcrochet/video/7200233237053164846">otter</a>, <a href="https://www.tiktok.com/@generatedcrochet/video/7187943701698710827">Nor­ma the Nor­mal Fish</a>, XL the Newt, and <a href="https://www.tiktok.com/@generatedcrochet/video/7254199611328384298">Skein Green</a>, a pel­i­can bear­ing get well wish­es for author and sci­ence vlog­ger <a href="https://hankgreen.com/about/">Hank Green</a>.</p> <p>When retired math­e­mati­cian <a href="https://pi.math.cornell.edu/~dtaimina/">Daina Taim­i­na</a>, author of <a href="https://amzn.to/3PnFY2u"><em>Cro­chet­ing Adven­tures with Hyper­bol­ic Planes</em></a>, told <a href="https://www.thedailybeast.com/how-crochet-tiktokers-uncovered-chatgpts-kryptonite">the <em>Dai­ly Beast</em></a> that Ger­ald would have resem­bled a nar­whal more close­ly had Wool­ner sup­plied Chat­G­PT with more specifics, Wool­ner agreed to give it anoth­er go.</p> <p>Two weeks lat­er, the <em>Dai­ly Beast</em> pro­nounced <a href="https://www.tiktok.com/@generatedcrochet/video/7201953242173984043">this attempt, nick­named Ger­ard</a>, “even less nar­whal-look­ing than the first. Its body was a mas­sive stuffed tri­an­gle, and its tusk looked like a gum­drop at one end.”</p> <p class="p9"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1110076 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="1035" height="1380" data-src="https://cdn8.openculture.com/2023/08/04213147/IMG_0795_yz162d.jpeg" data-srcset="https://cdn8.openculture.com/2023/08/04213147/IMG_0795_yz162d.jpeg 1035w, https://cdn8.openculture.com/2023/08/04213147/IMG_0795_yz162d-270x360.jpeg 270w, https://cdn8.openculture.com/2023/08/04213147/IMG_0795_yz162d-768x1024.jpeg 768w, https://cdn8.openculture.com/2023/08/04213147/IMG_0795_yz162d-180x240.jpeg 180w" data-sizes="auto, (max-width: 1035px) 100vw, 1035px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1110076" src="https://cdn8.openculture.com/2023/08/04213147/IMG_0795_yz162d.jpeg" alt width="1035" height="1380" srcset="https://cdn8.openculture.com/2023/08/04213147/IMG_0795_yz162d.jpeg 1035w, https://cdn8.openculture.com/2023/08/04213147/IMG_0795_yz162d-270x360.jpeg 270w, https://cdn8.openculture.com/2023/08/04213147/IMG_0795_yz162d-768x1024.jpeg 768w, https://cdn8.openculture.com/2023/08/04213147/IMG_0795_yz162d-180x240.jpeg 180w" sizes="auto, (max-width: 1035px) 100vw, 1035px"></noscript></p> <p class="p11"><span class="s1">Wool­ner dubbed Ger­ard pos­si­bly the most frus­trat­ing AI-gen­er­at­ed <i>amigu­ru­mi </i>of her acquain­tance, owing to an onslaught of speci­fici­ty on ChatCPT’s part. It over­loaded her with instruc­tions for every indi­vid­ual stitch, some­times call­ing for more stitch­es in a row than exist­ed in the entire pat­tern, then dipped out with­out telling her how to com­plete the body and tail.</span></p> <p class="p11"><span class="s1">As sil­ly as it all may seem, Wool­ner believes her Chat­G­PT <i>amigu­ru­mi </i>col­labs<i> </i>are a healthy mod­el for artists using AI tech­nol­o­gy:</span></p> <p class="p12" style="padding-left: 40px;"><span class="s1"><i>I think if there are ways for peo­ple in the arts to con­tin­ue to cre­ate, but also approach AI as a tool and as a poten­tial col­lab­o­ra­tor, that is real­ly inter­est­ing. Because then we can start to branch out into com­plete­ly dif­fer­ent, new art forms and cre­ative expressions—things that we couldn’t nec­es­sar­i­ly do before or didn’t have the spark or the idea to do can be explored.<span class="Apple-converted-space">&nbsp;</span></i></span></p> <p>If you, like Hank Green, have fall­en for one of Woolner’s unholy cre­ations, down­load­able pat­terns are avail­able <a href="https://www.attackbearpress.com/attackbearstore?category=Generated+Crochet">here</a> for $2 a pop.</p> <p>Those seek­ing alter­na­tives to fiber­fill are advised to stuff their amigu­ru­mi with “aban­doned hopes and dreams” or “all those free tee shirts you get from giv­ing blood and run­ning road races or what­ev­er you do for fun”.</p> <p><strong>Relat­ed Con­tent&nbsp;</strong></p> <p><a title="Permanent Link to An Artist Crochets a Life-Size, Anatomically-Correct Skeleton, Complete with Organs" href="https://www.openculture.com/2019/08/artist-crochets-a-life-size-anatomically-correct-skeleton.html" rel="bookmark">An Artist Cro­chets a Life-Size, Anatom­i­cal­ly-Cor­rect Skele­ton, Com­plete with Organs</a></p> <p><a title="Permanent Link to A Biostatistician Uses Crochet to Visualize the Frightening Infection Rates of the Coronavirus" href="https://www.openculture.com/2020/12/a-biostatistician-uses-crochet-to-visualize-the-frightening-infection-rates-of-the-coronavirus.html" rel="bookmark">A Bio­sta­tis­ti­cian Uses Cro­chet to Visu­al­ize the Fright­en­ing Infec­tion Rates of the Coro­n­avirus</a></p> <p><a title="Permanent Link to Make an Adorable Crocheted Freddie Mercury; Download a Free Crochet Pattern Online" href="https://www.openculture.com/2019/09/make-an-adorable-crocheted-freddie-mercury.html" rel="bookmark">Make an Adorable Cro­cheted Fred­die Mer­cury; Down­load a Free Cro­chet Pat­tern Online</a></p> <p class="p15"><span class="s8"><i>–&nbsp;</i><a href="http://ayunhalliday.com/"><span class="s9"><i>Ayun Hal­l­i­day</i></span></a><i>&nbsp;is the Chief Pri­ma­tol­o­gist of&nbsp;</i><a href="http://ayunhalliday.com/the-east-village-inky/" rel="nofollow"><span class="s9"><i>the East Vil­lage Inky</i></span></a><i>&nbsp;zine and author, most recent­ly, of&nbsp;</i><a href="https://www.amazon.com/Creative-Not-Famous-Potato-Manifesto/dp/1648410596/"><span class="s9"><i>Cre­ative, Not Famous: The Small Pota­to Man­i­festo</i></span></a><i>&nbsp;and&nbsp;</i><a href="https://ayunhalliday.com/small-potato-manifesto/creative-not-famous-activity-book/" rel="nofollow"><span class="s9"><i>Cre­ative, Not Famous Activ­i­ty Book</i></span></a><i>. Fol­low her&nbsp;</i><a href="https://www.instagram.com/ayun_halliday/"><span class="s9"><i>@AyunHalliday</i></span></a><i>.</i></span></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/ayunh" title="Posts by Ayun Halliday" rel="author">Ayun Halliday</a> | <a href="https://www.openculture.com/2023/09/what-happens-when-someone-crochets-stuffed-animals-using-instructions-from-chatgpt.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2023/09/what-happens-when-someone-crochets-stuffed-animals-using-instructions-from-chatgpt.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2023/09/what-happens-when-someone-crochets-stuffed-animals-using-instructions-from-chatgpt.html#comments">1</a> ) | </p> <!-- Comments (1) </p>--> <!-- google_ad_section_end --> </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1109186" ><a href="https://www.openculture.com/2023/07/explore-the-largest-online-archive-exploring-the-genius-of-leonard-da-vinci.html" rel="bookmark" title="Permanent Link to Explore the Largest Online Archive Exploring the Genius of Leonard da Vinci"> Explore the Largest Online Archive Exploring the Genius of Leonard da Vinci </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/art" rel="category tag">Art</a>, <a href="https://www.openculture.com/category/computer-science" rel="category tag">Computer Science</a>, <a href="https://www.openculture.com/category/design-2" rel="category tag">Design</a>, <a href="https://www.openculture.com/category/science" rel="category tag">Science</a>, <a href="https://www.openculture.com/category/technology" rel="category tag">Technology</a> </em> | July 10th, 2023 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script> <!-- New text links --> <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1109186" class="post-1109186 post type-post status-publish format-standard has-post-thumbnail hentry category-art category-computer-science category-design-2 category-science category-technology"> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1109193 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="1578" height="2250" data-src="https://cdn8.openculture.com/2023/07/06195358/Leonardo_da_Vinci_-_RCIN_912604_The_fall_of_light_on_a_face_c.1488.jpg" data-srcset="https://cdn8.openculture.com/2023/07/06195358/Leonardo_da_Vinci_-_RCIN_912604_The_fall_of_light_on_a_face_c.1488.jpg 1578w, https://cdn8.openculture.com/2023/07/06195358/Leonardo_da_Vinci_-_RCIN_912604_The_fall_of_light_on_a_face_c.1488-252x360.jpg 252w, https://cdn8.openculture.com/2023/07/06195358/Leonardo_da_Vinci_-_RCIN_912604_The_fall_of_light_on_a_face_c.1488-718x1024.jpg 718w, https://cdn8.openculture.com/2023/07/06195358/Leonardo_da_Vinci_-_RCIN_912604_The_fall_of_light_on_a_face_c.1488-168x240.jpg 168w, https://cdn8.openculture.com/2023/07/06195358/Leonardo_da_Vinci_-_RCIN_912604_The_fall_of_light_on_a_face_c.1488-768x1095.jpg 768w, https://cdn8.openculture.com/2023/07/06195358/Leonardo_da_Vinci_-_RCIN_912604_The_fall_of_light_on_a_face_c.1488-1077x1536.jpg 1077w, https://cdn8.openculture.com/2023/07/06195358/Leonardo_da_Vinci_-_RCIN_912604_The_fall_of_light_on_a_face_c.1488-1436x2048.jpg 1436w" data-sizes="auto, (max-width: 1578px) 100vw, 1578px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1109193" src="https://cdn8.openculture.com/2023/07/06195358/Leonardo_da_Vinci_-_RCIN_912604_The_fall_of_light_on_a_face_c.1488.jpg" alt width="1578" height="2250" srcset="https://cdn8.openculture.com/2023/07/06195358/Leonardo_da_Vinci_-_RCIN_912604_The_fall_of_light_on_a_face_c.1488.jpg 1578w, https://cdn8.openculture.com/2023/07/06195358/Leonardo_da_Vinci_-_RCIN_912604_The_fall_of_light_on_a_face_c.1488-252x360.jpg 252w, https://cdn8.openculture.com/2023/07/06195358/Leonardo_da_Vinci_-_RCIN_912604_The_fall_of_light_on_a_face_c.1488-718x1024.jpg 718w, https://cdn8.openculture.com/2023/07/06195358/Leonardo_da_Vinci_-_RCIN_912604_The_fall_of_light_on_a_face_c.1488-168x240.jpg 168w, https://cdn8.openculture.com/2023/07/06195358/Leonardo_da_Vinci_-_RCIN_912604_The_fall_of_light_on_a_face_c.1488-768x1095.jpg 768w, https://cdn8.openculture.com/2023/07/06195358/Leonardo_da_Vinci_-_RCIN_912604_The_fall_of_light_on_a_face_c.1488-1077x1536.jpg 1077w, https://cdn8.openculture.com/2023/07/06195358/Leonardo_da_Vinci_-_RCIN_912604_The_fall_of_light_on_a_face_c.1488-1436x2048.jpg 1436w" sizes="auto, (max-width: 1578px) 100vw, 1578px"></noscript></p> <p>We dare not spec­u­late as to what <a href="https://www.mos.org/leonardo/biography">Leonar­do DaVin­ci</a> would make of arti­fi­cial intel­li­gence.</p> <p>We are, how­ev­er, fair­ly con­fi­dent that he would love the Inter­net.</p> <p>The Renais­sance-era genius applied his sophis­ti­cat­ed under­stand­ing of the human body and the nat­ur­al world to oth­er types of sys­tems, <a href="https://www.openculture.com/2021/04/the-ingenious-inventions-of-leonardo-da-vinci-recreated-with-3d-animation.html">includ­ing plans for civ­il engi­neer­ing projects, mil­i­tary pro­jec­tiles, and fly­ing machines</a>.</p> <p>Google Arts &amp; Culture’s new ini­tia­tive&nbsp;<strong><em><a href="https://artsandculture.google.com/experiment/TAEPZtXK2s139g">Inside a Genius Mind</a> </em></strong>offers an inter­ac­tive expe­ri­ence of the <a href="https://www.discoveringdavinci.com/codexes#:~:text=Used%20to%20be%2062%20sheets,of%20military%20and%20religious%20architecture.%22">codices</a> in which Da Vin­ci made his sketch­es, dia­grams, and notes.</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>It’s also a cura­to­r­i­al col­lab­o­ra­tion between a human — Oxford art his­to­ry pro­fes­sor <a href="https://martinjkemp.com/">Mar­tin Kemp&nbsp;</a> — and arti­fi­cial intel­li­gence.</p> <p>Pro­fes­sor Kemp, author of <em><a href="https://amzn.to/3JPm0u8">Liv­ing with Leonar­do: Fifty Years of San­i­ty and Insan­i­ty in the Art World and Beyond</a></em>, brings a life­time of rig­or­ous study and pas­sion for the sub­ject.</p> <p>His non-human coun­ter­part used machine learn­ing to delve into the note­books’ con­tents, inves­ti­gat­ing some 1040 pages from 6 vol­umes and “draw­ing the­mat­ic con­nec­tions across time and sub­ject mat­ter to reflect Leonardo’s spir­it of inter­dis­ci­pli­nary imag­i­na­tion, inno­va­tion and the pro­found uni­ty at the heart of his appar­ent­ly diverse pur­suits.”</p> <p>Upon <a href="https://artsandculture.google.com/experiment/TAEPZtXK2s139g">launch­ing the exper­i­ment</a>, you bush­whack your way through the indi­vid­ual codices by click­ing on the sketch­es float­ing toward you like ele­ments in a clas­sic space-themed video game, or choose to enjoy one of five curat­ed sto­ries.</p> <p class="p1"><span class="s4"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1109227 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="1210" height="561" data-src="https://cdn8.openculture.com/2023/07/09203148/curated-stores-Da-vinci.png" data-srcset="https://cdn8.openculture.com/2023/07/09203148/curated-stores-Da-vinci.png 1210w, https://cdn8.openculture.com/2023/07/09203148/curated-stores-Da-vinci-360x167.png 360w, https://cdn8.openculture.com/2023/07/09203148/curated-stores-Da-vinci-1024x475.png 1024w, https://cdn8.openculture.com/2023/07/09203148/curated-stores-Da-vinci-240x111.png 240w, https://cdn8.openculture.com/2023/07/09203148/curated-stores-Da-vinci-768x356.png 768w" data-sizes="auto, (max-width: 1210px) 100vw, 1210px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1109227" src="https://cdn8.openculture.com/2023/07/09203148/curated-stores-Da-vinci.png" alt width="1210" height="561" srcset="https://cdn8.openculture.com/2023/07/09203148/curated-stores-Da-vinci.png 1210w, https://cdn8.openculture.com/2023/07/09203148/curated-stores-Da-vinci-360x167.png 360w, https://cdn8.openculture.com/2023/07/09203148/curated-stores-Da-vinci-1024x475.png 1024w, https://cdn8.openculture.com/2023/07/09203148/curated-stores-Da-vinci-240x111.png 240w, https://cdn8.openculture.com/2023/07/09203148/curated-stores-Da-vinci-768x356.png 768w" sizes="auto, (max-width: 1210px) 100vw, 1210px"></noscript><br> </span>We went with <a href="https://artsandculture.google.com/experiment/TAEPZtXK2s139g">Earth as Body,</a> which gath­ers sev­en pages from the&nbsp;UK’s <a href="https://artsandculture.google.com/partner/the-royal-collection-london">Roy­al Col­lec­tion Trust</a>’s <a href="https://commons.wikimedia.org/wiki/Category:Codex_Windsor">Codex Wind­sor</a>, and one from the <a href="https://en.wikipedia.org/wiki/Codex_Leicester">Codex Leices­ter</a>, which inspired an ani­mat­ed mod­el that should sure­ly please its<a href="https://www.forbes.com/sites/michelatindera/2021/11/21/bill-gates-owns-one-of-leonardo-da-vincis-manuscripts-heres-how-much-its-worth/?sh=5ddd7b1640c7"> cur­rent own­er, Bill Gates.</a></p> <p>&nbsp;</p> <p><img decoding="async" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" loading="lazy" class="native-lazyload-js-fallback" data-src="https://upload.wikimedia.org/wikipedia/commons/3/3a/Leonardo_da_Vinci_-_RCIN_919015%2C_Recto_The_muscles_of_the_upper_spine.jpg"><noscript><img loading="lazy" decoding="async" src="https://upload.wikimedia.org/wikipedia/commons/3/3a/Leonardo_da_Vinci_-_RCIN_919015%2C_Recto_The_muscles_of_the_upper_spine.jpg"></noscript></p> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1109223 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="1280" height="871" data-src="https://cdn8.openculture.com/2023/07/09203125/Earthshine-1.jpeg" data-srcset="https://cdn8.openculture.com/2023/07/09203125/Earthshine-1.jpeg 1280w, https://cdn8.openculture.com/2023/07/09203125/Earthshine-1-360x245.jpeg 360w, https://cdn8.openculture.com/2023/07/09203125/Earthshine-1-1024x697.jpeg 1024w, https://cdn8.openculture.com/2023/07/09203125/Earthshine-1-240x163.jpeg 240w, https://cdn8.openculture.com/2023/07/09203125/Earthshine-1-768x523.jpeg 768w" data-sizes="auto, (max-width: 1280px) 100vw, 1280px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1109223" src="https://cdn8.openculture.com/2023/07/09203125/Earthshine-1.jpeg" alt width="1280" height="871" srcset="https://cdn8.openculture.com/2023/07/09203125/Earthshine-1.jpeg 1280w, https://cdn8.openculture.com/2023/07/09203125/Earthshine-1-360x245.jpeg 360w, https://cdn8.openculture.com/2023/07/09203125/Earthshine-1-1024x697.jpeg 1024w, https://cdn8.openculture.com/2023/07/09203125/Earthshine-1-240x163.jpeg 240w, https://cdn8.openculture.com/2023/07/09203125/Earthshine-1-768x523.jpeg 768w" sizes="auto, (max-width: 1280px) 100vw, 1280px"></noscript></p> <p>Using a dis­creet and some­what fid­dly nav­i­ga­tion bar on the left side of the screen, we toured Leonardo’s ren­der­ings of the flayed mus­cles of the upper spine, the ves­sels and nerves of the neck and liv­er, the <a href="https://g.co/arts/YAQCv9qxDgCWs1Nk8">Arno val­ley with the route of a pro­posed canal</a> that would run from Flo­rence to Pisa, a view of the Alps from Milan, the fall of light on a face, stud­ies of optics and men in action, and obser­va­tions of the moon and <a href="https://www.nasa.gov/vision/universe/watchtheskies/04oct_leonardo.html" rel="nofollow">earth­shine</a>.</p> <p>How are these things relat­ed?</p> <p>“Leonar­do believed that the human body rep­re­sent­ed the whole nat­ur­al world in minia­ture” and the selec­tions do offer food for thought that Leonardo’s pas­sion for the under­ly­ing laws of nature is the com­mon thread run­ning through his research and art.</p> <p>Each image is accom­pa­nied a but­ton invit­ing you to “explore” the work fur­ther. Click it for infor­ma­tion about dimen­sions, prove­nance, and media, as well as some tan­ta­liz­ing bio­graph­i­cal tid­bits, such as this, adapt­ed from&nbsp;the <a href="https://www.amazon.com/Leonardo-Vinci-Drawing-Martin-Clayton/dp/0847859401">cat­a­logue</a> for the 2019 exhib­it <em><a href="https://www.rct.uk/collection/themes/exhibitions/leonardo-da-vinci-a-life-in-drawing/the-queens-gallery-buckingham" rel="nofollow">Leonar­do da Vin­ci: A Life in Draw­ing</a>:</em></p> <p class="p4" style="padding-left: 40px;"><span class="s1"><i>Leonar­do had first stud­ied anato­my in the late 1480s. By the end of his life he claimed to have per­formed 30 human dis­sec­tions, intend­ing to pub­lish an illus­trat­ed trea­tise on the sub­ject, but this was nev­er com­plet­ed, and Leonardo’s work thus had no dis­cernible impact on the dis­ci­pline. His only doc­u­ment­ed dis­sec­tion was car­ried out in the win­ter of 1507–8, when he per­formed an autop­sy on an old man whose death he had wit­nessed in a hos­pi­tal in Flo­rence. The stud­ies on this page from Leonardo’s note­book are based on that dis­sec­tion: on the ver­so Leonar­do depicts the ves­sels of the liv­er; and in notes else­where in the note­book he gives the first known clin­i­cal descrip­tion of cir­rho­sis of the liv­er.</i></span></p> <p>Per­haps you’d like to cir­cum­vent the machine learn­ing and use your own genius mind to make&nbsp; con­nec­tions a la Da Vin­ci?</p> <p class="p4"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1109226 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="1220" height="670" data-src="https://cdn8.openculture.com/2023/07/09203145/AI-Tags-Da-Vinci.png" data-srcset="https://cdn8.openculture.com/2023/07/09203145/AI-Tags-Da-Vinci.png 1220w, https://cdn8.openculture.com/2023/07/09203145/AI-Tags-Da-Vinci-360x198.png 360w, https://cdn8.openculture.com/2023/07/09203145/AI-Tags-Da-Vinci-1024x562.png 1024w, https://cdn8.openculture.com/2023/07/09203145/AI-Tags-Da-Vinci-240x132.png 240w, https://cdn8.openculture.com/2023/07/09203145/AI-Tags-Da-Vinci-768x422.png 768w" data-sizes="auto, (max-width: 1220px) 100vw, 1220px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1109226" src="https://cdn8.openculture.com/2023/07/09203145/AI-Tags-Da-Vinci.png" alt width="1220" height="670" srcset="https://cdn8.openculture.com/2023/07/09203145/AI-Tags-Da-Vinci.png 1220w, https://cdn8.openculture.com/2023/07/09203145/AI-Tags-Da-Vinci-360x198.png 360w, https://cdn8.openculture.com/2023/07/09203145/AI-Tags-Da-Vinci-1024x562.png 1024w, https://cdn8.openculture.com/2023/07/09203145/AI-Tags-Da-Vinci-240x132.png 240w, https://cdn8.openculture.com/2023/07/09203145/AI-Tags-Da-Vinci-768x422.png 768w" sizes="auto, (max-width: 1220px) 100vw, 1220px"></noscript></p> <p class="p4"><span class="s4">Try mess­ing around with <a href="https://artsandculture.google.com/experiment/TAEPZtXK2s139g"><span class="s5">the AI tags.</span></a></span><span class="s1"> See what you can cob­ble togeth­er to forge a cohe­sive alliance between such ele­ments as wing, horse, map, musi­cal instru­ments, and spi­ral.</span></p> <p>Or cleanse your palate by putting a mash-up of two <a href="https://artsandculture.google.com/experiment/da-vinci-stickies/JQEdlc36huU-PA">codex sketch­es on a dig­i­tal sticky</a> with the help of Google AI, mind­ful that the mas­ter, who lived to the ripe old age of 67, was prob­a­bly a bit more inten­tion­al with his time…</p> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1109225 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="1024" height="1024" data-src="https://cdn8.openculture.com/2023/07/09203142/bow-flight-DAVINCI.png" data-srcset="https://cdn8.openculture.com/2023/07/09203142/bow-flight-DAVINCI.png 1024w, https://cdn8.openculture.com/2023/07/09203142/bow-flight-DAVINCI-360x360.png 360w, https://cdn8.openculture.com/2023/07/09203142/bow-flight-DAVINCI-240x240.png 240w, https://cdn8.openculture.com/2023/07/09203142/bow-flight-DAVINCI-768x768.png 768w" data-sizes="auto, (max-width: 1024px) 100vw, 1024px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1109225" src="https://cdn8.openculture.com/2023/07/09203142/bow-flight-DAVINCI.png" alt width="1024" height="1024" srcset="https://cdn8.openculture.com/2023/07/09203142/bow-flight-DAVINCI.png 1024w, https://cdn8.openculture.com/2023/07/09203142/bow-flight-DAVINCI-360x360.png 360w, https://cdn8.openculture.com/2023/07/09203142/bow-flight-DAVINCI-240x240.png 240w, https://cdn8.openculture.com/2023/07/09203142/bow-flight-DAVINCI-768x768.png 768w" sizes="auto, (max-width: 1024px) 100vw, 1024px"></noscript></p> <p>Begin your explo­rations of Google Arts &amp; Culture’s&nbsp;<strong><a href="https://artsandculture.google.com/experiment/TAEPZtXK2s139g"><em>Inside a Genius Mind</em> </a><a href="https://artsandculture.google.com/experiment/TAEPZtXK2s139g">here</a>.</strong></p> <p><strong>Relat­ed Con­tent&nbsp;</strong></p> <p><a title="Permanent Link to The Ingenious Inventions of Leonardo da Vinci Recreated with 3D Animation" href="https://www.openculture.com/2021/04/the-ingenious-inventions-of-leonardo-da-vinci-recreated-with-3d-animation.html" rel="bookmark">The Inge­nious Inven­tions of Leonar­do da Vin­ci Recre­at­ed with 3D Ani­ma­tion</a></p> <p><a title="Permanent Link to Leonardo Da Vinci’s To Do List (Circa 1490)" href="https://www.openculture.com/2018/07/leonardo-da-vincis-list-circa-1490.html" rel="bookmark">Leonar­do Da Vinci’s To Do List (Cir­ca 1490)</a></p> <p><a title="Permanent Link to A Complete Digitization of Leonardo Da Vinci’s <i>Codex Atlanticus</i>, the Largest Existing Collection of His Drawings &amp; Writings" href="https://www.openculture.com/2019/05/a-complete-digitization-of-leonardo-da-vincis-codex-atlanticus.html" rel="bookmark">A Com­plete Dig­i­ti­za­tion of Leonar­do Da Vinci’s&nbsp;Codex Atlanti­cus, the Largest Exist­ing Col­lec­tion of His Draw­ings &amp; Writ­ings</a></p> <p><a title="Permanent Link to How Leonardo da Vinci Made His Magnificent Drawings Using Only a Metal Stylus, Pen &amp; Ink, and Chalk" href="https://www.openculture.com/2021/03/how-leonardo-da-vinci-made-his-magnificent-drawings.html" rel="bookmark">How Leonar­do da Vin­ci Made His Mag­nif­i­cent Draw­ings Using Only a Met­al Sty­lus, Pen &amp; Ink, and Chalk</a></p> <p class="p9"><em><span class="s8">–&nbsp;<a href="http://ayunhalliday.com/"><span class="s9">Ayun Hal­l­i­day</span></a>&nbsp;is the Chief Pri­ma­tol­o­gist of&nbsp;<a href="http://ayunhalliday.com/the-east-village-inky/" rel="nofollow"><span class="s9">the East Vil­lage Inky</span></a>&nbsp;zine and author, most recent­ly, of&nbsp;<a href="https://www.amazon.com/Creative-Not-Famous-Potato-Manifesto/dp/1648410596/"><span class="s9">Cre­ative, Not Famous: The Small Pota­to Man­i­festo</span></a>&nbsp;and&nbsp;<a href="https://ayunhalliday.com/small-potato-manifesto/creative-not-famous-activity-book/" rel="nofollow"><span class="s9">Cre­ative, Not Famous Activ­i­ty Book</span></a>. Fol­low her&nbsp;<a href="https://www.instagram.com/ayun_halliday/"><span class="s9">@AyunHalliday</span></a>.</span></em></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/ayunh" title="Posts by Ayun Halliday" rel="author">Ayun Halliday</a> | <a href="https://www.openculture.com/2023/07/explore-the-largest-online-archive-exploring-the-genius-of-leonard-da-vinci.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2023/07/explore-the-largest-online-archive-exploring-the-genius-of-leonard-da-vinci.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2023/07/explore-the-largest-online-archive-exploring-the-genius-of-leonard-da-vinci.html#respond">None</a> ) | </p> <!-- Comments (0) </p>--> <!-- google_ad_section_end --> </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1106641" ><a href="https://www.openculture.com/2023/01/robots-are-carving-replicas-of-the-elgin-marbles.html" rel="bookmark" title="Permanent Link to Robots Are Carving Replicas of the Parthenon Marbles: Could They Help the Real Ancient Sculptures Return to Greece?"> Robots Are Carving Replicas of the Parthenon Marbles: Could They Help the Real Ancient Sculptures Return to Greece? </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/computer-science" rel="category tag">Computer Science</a>, <a href="https://www.openculture.com/category/design-2" rel="category tag">Design</a>, <a href="https://www.openculture.com/category/history" rel="category tag">History</a>, <a href="https://www.openculture.com/category/museums" rel="category tag">Museums</a>, <a href="https://www.openculture.com/category/technology" rel="category tag">Technology</a> </em> | January 24th, 2023 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script> <!-- New text links --> <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1106641" class="post-1106641 post type-post status-publish format-standard has-post-thumbnail hentry category-computer-science category-design-2 category-history category-museums category-technology"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/8AbR8js1YOQ?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p class="p1"><span class="s1">Art forgery is a stur­dy trope of <a href="https://www.imdb.com/list/ls042312230/"><span class="s2">film</span></a> and <a href="https://www.themodernnovel.org/my-lists/art-forgeries/"><span class="s2">fic­tion</span></a>. We’re all famil­iar with the spec­ta­cle of a rar­i­fied expert exam­in­ing a work, while a wealthy col­lec­tor anx­ious­ly wrings their hands near­by.</span></p> <p>As Mag­gie Cao observes in <a href="http://v">the <em>Guardian</em></a>:</p> <p class="p3" style="padding-left: 40px;"><span class="s1"><i>Forg­eries expose some of the art world’s most psy­cho­log­i­cal­ly com­plex fig­ures: the col­lec­tor and the coun­ter­feit­er. What com­pels the pro­to­typ­i­cal col­lec­tor to accu­mu­late objects of beau­ty is usu­al­ly a pecu­liar devo­tion to the pow­er of sin­gu­lar­i­ty. The col­lec­tor wor­ships art’s pow­er to move us, a pow­er we imag­ine emanates from unique objects. Mean­while, what moti­vates the coun­ter­feit­er is an undue con­fi­dence in the pos­si­bil­i­ties of repli­ca­tion. To deceive a view­er with a copy is to affirm that copy’s inter­change­abil­i­ty with the orig­i­nal.</i></span></p> <p>But what if art forgery can be used for good?</p> <p>That’s the hope of Roger Michel, founder of the <a href="http://digitalarchaeology.org.uk/people">Insti­tute for Dig­i­tal Archae­ol­o­gy,</a> who employs tech­no­log­i­cal advances to pre­serve cul­tur­al­ly sig­nif­i­cant objects and offer<a href="http://digitalarchaeology.org.uk/accessible-archaeology"> acces­si­ble tac­tile expe­ri­ences</a> to those with vision impair­ment.</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>Short­ly after ISIS destroyed <a href="https://en.wikipedia.org/wiki/Monumental_Arch_of_Palmyra">the Mon­u­men­tal Arch of Palymyra</a>, he har­nessed 3D tech­nol­o­gy to <a href="https://www.bbc.com/news/uk-36070721">recre­ate</a> the 1800-year old land­mark in two-thirds scale Egypt­ian mar­ble.</p> <p>The pub­lic was able to get up close and per­son­al with the mod­el in var­i­ous loca­tions around the world, includ­ing&nbsp;<a href="https://www.theverge.com/2016/9/19/12972504/palmyra-arch-of-triumph-isis-3d-replica-new-york-city">New York’s City Hall Park</a>, <a href="https://www.theflorentine.net/2017/03/22/arch-palmyra-installed-g7-off/" rel="nofollow">Florence’s Piaz­za del­la Sig­no­ria</a>, and <a href="https://www.bbc.com/news/uk-36070721">London’s Trafal­gar Square</a>, where <a href="https://www.nytimes.com/2016/04/24/opinion/sunday/roger-michel.html?_r=0">Michel enjoyed watch­ing</a> passers­by touch­ing and pho­tograph­ing the repli­ca Arch:</p> <p style="padding-left: 40px;"><i>There are guys in Carn­a­by Street suits mixed with young peo­ple in hip-hop clothes and Syr­i­ans in tra­di­tion­al dress. It’s the cross­roads of human­i­ty, and that was what Palym­ra was.</i></p> <p>Michel is also striv­ing to con­vince the British Muse­um that all will not be lost, should it choose to repa­tri­ate the 2,500-year-old <a href="https://www.nytimes.com/2023/01/17/arts/design/parthenon-sculptures-elgin-marbles-negotiations.html">Parthenon Mar­bles</a> to Greece, much as the <a href="https://www.si.edu/newsdesk/releases/smithsonian-returns-29-benin-bronzes-national-commission-museums-and-monuments">Smith­son­ian returned 29 Benin bronzes</a> tak­en dur­ing an 1897 British raid to the Nation­al Com­mis­sion for Muse­ums and Mon­u­ments in Nige­ria.</p> <p>Michel made his case with a <a href="http://digitalarchaeology.org.uk/elginmarbles">robot­i­cal­ly carved fac­sim­i­le</a> of the head of the <a href="https://www.britishmuseum.org/collection/object/G_1816-0610-98" rel="nofollow">Horse of Selene</a>, above, which is all the more remark­able when one learns that he was work­ing from pho­tos tak­en on an iPhone and iPad while vis­it­ing the gallery in which it is dis­played, after the muse­um refused his request&nbsp;for an offi­cial scan.</p> <p>The <a href="https://www.britishmuseum.org/collection/object/G_1816-0610-98" rel="nofollow">item descrip­tion</a> on the museum’s collection’s por­tal notes that the Horse of Selene was pur­chased from&nbsp;<a href="https://www.britishmuseum.org/collection/term/BIOG57526" rel="nofollow">Thomas Bruce, 7th Earl of Elgin</a>, who took pos­ses­sion of it while serv­ing as Britain’s ambas­sador to Ottoman Turkey from 1799–1803.</p> <p>(The descrip­tion neglects to men­tion that rather than allow him to adorn his home with this and oth­er ill-got­ten antiq­ui­ties, a par­lia­men­tary com­mit­tee ordered Lord Elgin to sell his vast col­lec­tion to the British gov­ern­ment for £35,000, which is how they wound up in the muse­um.)</p> <p>Orig­i­nal­ly a part of the Parthenon’s east ped­i­ment, the Horse of Selene is such a fan favorite that the muse­um shop sells an “exquis­ite” hand-cast <a href="https://www.britishmuseumshoponline.org/horse-of-selene-replica-british-museum-exclusive.html">resin repli­ca </a>for £1,650, promis­ing that it will make “a show-stop­ping point of focus in any home.”</p> <p>Perhaps…though we’re will­ing to bet it can’t match the verisimil­i­tude of the<a href="https://www.washingtonpost.com/world/2022/08/22/elgin-marbles-british-museum-greece/"> tiny chips and chis­el marks</a> painstak­ing­ly cap­tured by the robot carv­er, which took about about 8 days to cre­ate a rough mod­el once it received the scans, fol­lowed by some 3 weeks of refin­ing. The robot got an assist at the very end from human arti­sans, whose hand­i­work Michel calls “the cru­cial 3 to 5 per­cent.”</p> <p>Gia­co­mo Mas­sari, founder of <a href="https://www.robotor.it/a-robot-for-sculpture-made-by-sculptors/" rel="nofollow">Robot­or</a>, who part­nered with Michel on this recre­ation, vaunts the pre­ci­sion tech­nol­o­gy makes pos­si­ble:</p> <p style="padding-left: 40px;"><span class="s3"><i>You can rec­og­nize every scratch. You can see the flaws of the stone and you can see the chal­lenges our col­leagues from 2,000 years ago were fac­ing. It’s like going back in time — you can feel the strug­gles of the artist.</i><br> </span></p> <p>The muse­um brass appears unmoved by the prospect of swap­ping repli­cas, no mat­ter how excel­lent, for the <a href="https://www.britishmuseum.org/about-us/british-museum-story/contested-objects-collection/parthenon-sculptures" rel="nofollow">frieze pan­els, sculp­tures, archi­tec­tur­al frag­ments and oth­er trea­sures of antiq­ui­ty</a>&nbsp;Elgin shipped home from the Acrop­o­lis in the ear­ly 1800s, though <a href="https://www.nytimes.com/2023/01/17/arts/design/parthenon-sculptures-elgin-marbles-negotiations.html">the <em>New York Times</em>&nbsp;report­ed</a> last week that secret talks with Greece’s prime min­is­ter may indi­cate the two par­ties are edg­ing clos­er to res­o­lu­tion.</p> <p class="p5">This col­lec­tion has been a cul­tur­al hot pota­to since Lord Byron, tour­ing the Parthenon short­ly after Elgin made off with so many its trea­sures, denounced his avarice in a poem titled <a href="https://hellopoetry.com/poem/4299/the-curse-of-minerva/">The Curse of Min­er­va</a>:<br> <span class="s1"><i><br> Lo! here, despite of war and wast­ing fire,</i></span></p> <p class="p5" style="padding-left: 40px;"><span class="s1"><i>I saw suc­ces­sive Tyran­nies expire;</i></span></p> <p class="p5" style="padding-left: 40px;"><span class="s1"><i>‘Scaped from the rav­age of the Turk and Goth,</i></span></p> <p class="p5" style="padding-left: 40px;"><span class="s1"><i>Thy coun­try sends a spoil­er worse than both.</i></span></p> <p class="p5" style="padding-left: 40px;"><span class="s1"><i>Sur­vey this vacant, vio­lat­ed fane;</i></span></p> <p class="p5" style="padding-left: 40px;"><span class="s1"><i>Recount the relics torn that yet remain:</i></span></p> <p class="p5" style="padding-left: 40px;"><span class="s1"><i>‘These’ Cecrops placed, ‘this’ Per­i­cles adorned,</i></span></p> <p class="p5" style="padding-left: 40px;"><span class="s1"><i>‘That’ Adri­an reared when droop­ing Sci­ence mourned.</i></span></p> <p class="p5" style="padding-left: 40px;"><span class="s1"><i>What more I owe let Grat­i­tude attest—</i></span></p> <p class="p5" style="padding-left: 40px;"><span class="s1"><i>Know, Alar­ic and Elgin did the rest.</i></span></p> <p class="p5" style="padding-left: 40px;"><span class="s1"><i>That all may learn from whence the plun­der­er came,</i></span></p> <p class="p5" style="padding-left: 40px;"><span class="s1"><i>The insult­ed wall sus­tains his hat­ed name:</i></span></p> <p class="p5" style="padding-left: 40px;"><span class="s1"><i>For Elgin’s fame thus grate­ful Pal­las pleads,</i></span></p> <p class="p5" style="padding-left: 40px;"><span class="s1"><i>Below, his name—above, behold his deeds!</i></span></p> <p><a href="https://www.nytimes.com/2023/01/17/arts/design/parthenon-sculptures-elgin-marbles-negotiations.html"><em>The New York Times</em></a> quot­ed a mid­dle-aged Lon­don bus dri­ver who voiced the opin­ion, as did the vast major­i­ty of respon­dents to a <a href="https://yougov.co.uk/topics/travel/survey-results/daily/2021/11/23/9b053/2">British sur­vey</a>, that the Parthenon sculp­tures should be returned to their land of ori­gin, remark­ing, “It’s like the Crown Jew­els. If some­one took those, you’d want them back, wouldn’t you?”</p> <p>His argu­ment is a hard one to refute in an age when the inno­v­a­tive tech­ni­cal solu­tions pro­mot­ed by Michel and the Insti­tute for Dig­i­tal Archae­ol­o­gy cre­ate oppor­tu­ni­ties that Lord Elgin and muse­um vis­i­tors of yore could nev­er have envi­sioned.</p> <p>The pub­lic <a href="https://images.squarespace-cdn.com/content/v1/54d141f5e4b032ab36c35a29/ac5065ff-8d1f-4e5f-b2fc-246adddcb176/BE2055D9-9800-48ED-9E34-04F08AB0DB24.jpeg">invi­ta­tion to the Novem­ber 2022 unveil­ing</a> of the Selene Horse repli­ca stat­ed that “Britain’s stew­ard­ship of the Elgin mar­bles embod­ies a psy­cho­log­i­cal­ly com­plex sto­ry of obses­sion, pos­ses­sion, and assim­i­la­tion — so far with­out res­o­lu­tion”, ask­ing:<em><br> </em></p> <p style="padding-left: 40px;"><em>Might per­fect copies, ren­dered in sacred Pen­tel­ic mar­ble, sug­gest a pos­si­ble path for­ward?</em></p> <p>Read­ers, what say you?</p> <p><strong>Relat­ed Con­tent</strong></p> <p><a title="Permanent Link to John Oliver’s Show on World-Class Art Museums &amp; Their Looted Art: Watch It Free Online" href="https://www.openculture.com/2022/10/john-olivers-show-on-world-class-art-museums-their-looted-art-watch-it-free-online.html" rel="bookmark">John Oliver’s Show on World-Class Art Muse­ums &amp; Their Loot­ed Art: Watch It Free Online</a></p> <p><a title="Permanent Link to Take a Virtual Reality Tour of the World’s Stolen Art" href="https://www.openculture.com/2016/08/take-a-virtual-reality-tour-of-the-worlds-stolen-art.html" rel="bookmark">Take a Vir­tu­al Real­i­ty Tour of the World’s Stolen Art</a></p> <p><a title="Permanent Link to The British Museum Is Now Open To Everyone: Take a Virtual Tour and See 4,737 Artifacts, Including the Rosetta Stone" href="https://www.openculture.com/2015/12/the-british-museum-is-now-open-to-everyone-take-a-virtual-tour.html" rel="bookmark">The British Muse­um Is Now Open To Every­one: Take a Vir­tu­al Tour and See 4,737 Arti­facts, Includ­ing the Roset­ta Stone</a></p> <p class="p11"><span class="s7">- <a href="http://ayunhalliday.com/"><span class="s2"><i>Ayun Hal­l­i­day</i></span></a></span><span class="s8"><i>&nbsp;is the Chief Pri­ma­tol­o­gist of&nbsp;</i><a href="http://ayunhalliday.com/the-east-village-inky/" rel="nofollow"><span class="s9"><i>the East Vil­lage Inky</i></span></a><i>&nbsp;zine and author, most recent­ly, of&nbsp;</i><a href="https://www.amazon.com/Creative-Not-Famous-Potato-Manifesto/dp/1648410596/"><span class="s9"><i>Cre­ative, Not Famous: The Small Pota­to Man­i­festo</i></span></a><i> and </i><a href="https://ayunhalliday.com/small-potato-manifesto/creative-not-famous-activity-book/" rel="nofollow"><span class="s9"><i>Cre­ative, Not Famous Activ­i­ty Book</i></span></a><i>. Fol­low her&nbsp;</i><a href="https://www.instagram.com/ayun_halliday/"><span class="s9"><i>@AyunHalliday</i></span></a><i>.</i></span></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/ayunh" title="Posts by Ayun Halliday" rel="author">Ayun Halliday</a> | <a href="https://www.openculture.com/2023/01/robots-are-carving-replicas-of-the-elgin-marbles.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2023/01/robots-are-carving-replicas-of-the-elgin-marbles.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2023/01/robots-are-carving-replicas-of-the-elgin-marbles.html#comments">1</a> ) | </p> <!-- Comments (1) </p>--> <!-- google_ad_section_end --> </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1101950" ><a href="https://www.openculture.com/2022/06/discover-dall-e-the-artificial-intelligence-artist-that-turns-your-search-terms-into-surreal-artwork.html" rel="bookmark" title="Permanent Link to Discover DALL‑E, the Artificial Intelligence Artist That Lets You Create Surreal Artwork"> Discover DALL‑E, the Artificial Intelligence Artist That Lets You Create Surreal Artwork </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/art" rel="category tag">Art</a>, <a href="https://www.openculture.com/category/artificial-intelligence" rel="category tag">Artificial Intelligence</a>, <a href="https://www.openculture.com/category/computer-science" rel="category tag">Computer Science</a>, <a href="https://www.openculture.com/category/data" rel="category tag">Data</a>, <a href="https://www.openculture.com/category/technology" rel="category tag">Technology</a> </em> | June 17th, 2022 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script> <!-- New text links --> <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1101950" class="post-1101950 post type-post status-publish format-standard has-post-thumbnail hentry category-art category-artificial-intelligence category-computer-science category-data category-technology"> <p class="p1"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1101974 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="654" height="718" data-src="https://cdn8.openculture.com/2022/06/16211702/paris-on-the-moon.png" data-srcset="https://cdn8.openculture.com/2022/06/16211702/paris-on-the-moon.png 654w, https://cdn8.openculture.com/2022/06/16211702/paris-on-the-moon-328x360.png 328w, https://cdn8.openculture.com/2022/06/16211702/paris-on-the-moon-219x240.png 219w" data-sizes="auto, (max-width: 654px) 100vw, 654px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1101974" src="https://cdn8.openculture.com/2022/06/16211702/paris-on-the-moon.png" alt width="654" height="718" srcset="https://cdn8.openculture.com/2022/06/16211702/paris-on-the-moon.png 654w, https://cdn8.openculture.com/2022/06/16211702/paris-on-the-moon-328x360.png 328w, https://cdn8.openculture.com/2022/06/16211702/paris-on-the-moon-219x240.png 219w" sizes="auto, (max-width: 654px) 100vw, 654px"></noscript></p> <p><a href="https://openai.com/dall-e-2/#demos" rel="nofollow">DALL‑E</a>, an arti­fi­cial intel­li­gence sys­tem that gen­er­ates viable-look­ing art in a vari­ety of styles in response to user sup­plied text prompts, has been gar­ner­ing a lot of inter­est since it debuted this spring.</p> <p>It has yet to be&nbsp;r<a href="https://labs.openai.com/waitlist" rel="nofollow">eleased to the gen­er­al pub­lic</a>, but while we’re wait­ing, you could have a go at&nbsp;<a href="https://huggingface.co/spaces/dalle-mini/dalle-mini">DALL‑E Mini</a>, an open source AI mod­el that gen­er­ates a grid of images inspired by any phrase you care to type into its search box.</p> <p class="p1">Co-cre­ator&nbsp;<a href="https://twitter.com/borisdayma" rel="nofollow">Boris Day­ma</a> explains <a href="https://wandb.ai/dalle-mini/dalle-mini/reports/DALL-E-mini-Generate-images-from-any-text-prompt--VmlldzoyMDE4NDAy">how DALL‑E Mini</a> learns by view­ing mil­lions of cap­tioned online images:<span class="s1"><br> </span></p> <p class="p1" style="padding-left: 40px;"><span class="s1"><i>Some of the con­cepts are learnt (sic) from mem­o­ry as it may have seen sim­i­lar images. How­ev­er, it can also learn how to cre­ate unique images that don’t exist such as “the Eif­fel tow­er is land­ing on the moon” by com­bin­ing mul­ti­ple con­cepts togeth­er.</i></span></p> <p class="p1" style="padding-left: 40px;"><span class="s1"><i>Sev­er­al mod­els are com­bined togeth­er to achieve these results:</i></span></p> <p style="padding-left: 40px;"><span class="s1"><i>• an image encoder that turns raw images into a sequence of num­bers with its asso­ci­at­ed decoder</i></span></p> <p style="padding-left: 40px;"><span class="s1"><i>• a mod­el that turns a text prompt into an encod­ed image</i></span></p> <p style="padding-left: 40px;"><span class="s1"><i>• a mod­el that judges the qual­i­ty of the images gen­er­at­ed for bet­ter fil­ter­ing</i><span class="Apple-converted-space">&nbsp;</span></span></p> <p class="p6"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1101975 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="576" height="693" data-src="https://cdn8.openculture.com/2022/06/16211705/tomato-soup-dall-e-mini.png" data-srcset="https://cdn8.openculture.com/2022/06/16211705/tomato-soup-dall-e-mini.png 576w, https://cdn8.openculture.com/2022/06/16211705/tomato-soup-dall-e-mini-299x360.png 299w, https://cdn8.openculture.com/2022/06/16211705/tomato-soup-dall-e-mini-199x240.png 199w" data-sizes="auto, (max-width: 576px) 100vw, 576px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1101975" src="https://cdn8.openculture.com/2022/06/16211705/tomato-soup-dall-e-mini.png" alt width="576" height="693" srcset="https://cdn8.openculture.com/2022/06/16211705/tomato-soup-dall-e-mini.png 576w, https://cdn8.openculture.com/2022/06/16211705/tomato-soup-dall-e-mini-299x360.png 299w, https://cdn8.openculture.com/2022/06/16211705/tomato-soup-dall-e-mini-199x240.png 199w" sizes="auto, (max-width: 576px) 100vw, 576px"></noscript></p> <p>My first attempt to gen­er­ate some art using DALL‑E mini failed to yield the hoped for weird­ness.&nbsp; I blame the bland­ness of my search term — “toma­to soup.”</p> <p>Per­haps I’d have bet­ter luck “<a href="https://www.warhol.org/andy-warhols-life/">Andy Warhol</a> eat­ing a bowl of toma­to soup as a child in Pitts­burgh.”</p> <p class="p6"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1101972 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="768" height="924" data-src="https://cdn8.openculture.com/2022/06/16211655/warhol-dallemini_2022-6-16_9-56-9.png" data-srcset="https://cdn8.openculture.com/2022/06/16211655/warhol-dallemini_2022-6-16_9-56-9.png 768w, https://cdn8.openculture.com/2022/06/16211655/warhol-dallemini_2022-6-16_9-56-9-299x360.png 299w, https://cdn8.openculture.com/2022/06/16211655/warhol-dallemini_2022-6-16_9-56-9-199x240.png 199w" data-sizes="auto, (max-width: 768px) 100vw, 768px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1101972" src="https://cdn8.openculture.com/2022/06/16211655/warhol-dallemini_2022-6-16_9-56-9.png" alt width="768" height="924" srcset="https://cdn8.openculture.com/2022/06/16211655/warhol-dallemini_2022-6-16_9-56-9.png 768w, https://cdn8.openculture.com/2022/06/16211655/warhol-dallemini_2022-6-16_9-56-9-299x360.png 299w, https://cdn8.openculture.com/2022/06/16211655/warhol-dallemini_2022-6-16_9-56-9-199x240.png 199w" sizes="auto, (max-width: 768px) 100vw, 768px"></noscript></p> <p>Ah, there we go!</p> <p>I was curi­ous to know how DALL‑E Mini would riff on its name­sake artist’s han­dle (an hon­or Dali shares with the tit­u­lar AI hero of Pixar’s 2018 ani­mat­ed fea­ture, <em><a href="https://www.imdb.com/title/tt0910970/">WALL‑E</a></em>.)</p> <p class="p9"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1101969 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="1384" height="1661" data-src="https://cdn8.openculture.com/2022/06/16211634/DALI.png" data-srcset="https://cdn8.openculture.com/2022/06/16211634/DALI.png 1384w, https://cdn8.openculture.com/2022/06/16211634/DALI-300x360.png 300w, https://cdn8.openculture.com/2022/06/16211634/DALI-853x1024.png 853w, https://cdn8.openculture.com/2022/06/16211634/DALI-200x240.png 200w, https://cdn8.openculture.com/2022/06/16211634/DALI-768x922.png 768w, https://cdn8.openculture.com/2022/06/16211634/DALI-1280x1536.png 1280w" data-sizes="auto, (max-width: 1384px) 100vw, 1384px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1101969" src="https://cdn8.openculture.com/2022/06/16211634/DALI.png" alt width="1384" height="1661" srcset="https://cdn8.openculture.com/2022/06/16211634/DALI.png 1384w, https://cdn8.openculture.com/2022/06/16211634/DALI-300x360.png 300w, https://cdn8.openculture.com/2022/06/16211634/DALI-853x1024.png 853w, https://cdn8.openculture.com/2022/06/16211634/DALI-200x240.png 200w, https://cdn8.openculture.com/2022/06/16211634/DALI-768x922.png 768w, https://cdn8.openculture.com/2022/06/16211634/DALI-1280x1536.png 1280w" sizes="auto, (max-width: 1384px) 100vw, 1384px"></noscript></p> <p class="p9"><span class="s1">Hmm… seems like we’re back­slid­ing a bit. </span></p> <p class="p9"><span class="s1">Let me try “Andy Warhol eat­ing a bowl of toma­to soup as a child in Pitts­burgh with Sal­vador Dali.”</span></p> <p class="p9"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1101971 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="768" height="924" data-src="https://cdn8.openculture.com/2022/06/16211652/dali-warhol-nightmare.png" data-srcset="https://cdn8.openculture.com/2022/06/16211652/dali-warhol-nightmare.png 768w, https://cdn8.openculture.com/2022/06/16211652/dali-warhol-nightmare-299x360.png 299w, https://cdn8.openculture.com/2022/06/16211652/dali-warhol-nightmare-199x240.png 199w" data-sizes="auto, (max-width: 768px) 100vw, 768px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1101971" src="https://cdn8.openculture.com/2022/06/16211652/dali-warhol-nightmare.png" alt width="768" height="924" srcset="https://cdn8.openculture.com/2022/06/16211652/dali-warhol-nightmare.png 768w, https://cdn8.openculture.com/2022/06/16211652/dali-warhol-nightmare-299x360.png 299w, https://cdn8.openculture.com/2022/06/16211652/dali-warhol-nightmare-199x240.png 199w" sizes="auto, (max-width: 768px) 100vw, 768px"></noscript></p> <p>Ye gods! That’s the stuff of night­mares, but it also strikes me as pret­ty legit mod­ern art. Love the spar­ing use of red. Well done, DALL‑E mini.</p> <p>At this point, van­i­ty got the bet­ter of me and I did the AI art-gen­er­at­ing equiv­a­lent of googling my own name, adding “in a tutu” because who among us hasn’t dreamed of being a bal­le­ri­na at some point?</p> <p class="p9"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1101970 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="768" height="924" data-src="https://cdn8.openculture.com/2022/06/16211649/tutu.png" data-srcset="https://cdn8.openculture.com/2022/06/16211649/tutu.png 768w, https://cdn8.openculture.com/2022/06/16211649/tutu-299x360.png 299w, https://cdn8.openculture.com/2022/06/16211649/tutu-199x240.png 199w" data-sizes="auto, (max-width: 768px) 100vw, 768px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1101970" src="https://cdn8.openculture.com/2022/06/16211649/tutu.png" alt width="768" height="924" srcset="https://cdn8.openculture.com/2022/06/16211649/tutu.png 768w, https://cdn8.openculture.com/2022/06/16211649/tutu-299x360.png 299w, https://cdn8.openculture.com/2022/06/16211649/tutu-199x240.png 199w" sizes="auto, (max-width: 768px) 100vw, 768px"></noscript></p> <p>Let that be a les­son to you, Pan­do­ra…</p> <p>Hope­ful­ly we’re all plan­ning to use this play­ful open AI tool for good, not evil.</p> <p><a href="https://hyperallergic.com/723877/new-ai-artist-who-can-draw-anything/">Hyperallergic’s Sarah Rose Sharp</a> raised some valid con­cerns in rela­tion to the orig­i­nal, more sophis­ti­cat­ed DALL‑E:</p> <p class="p13" style="padding-left: 40px;"><span class="s3"><i>I</i></span><span class="s1"><i>t’s all fun and games when you’re gen­er­at­ing “</i><a href="https://www.instagram.com/p/CcOpHmzP24A/"><span class="s5"><i>robot play­ing chess</i></span></a><i>” in the style of Matisse, but drop­ping machine-gen­er­at­ed imagery on a pub­lic that seems less capa­ble than ever of dis­tin­guish­ing fact from fic­tion feels like a dan­ger­ous trend.</i></span></p> <p class="p13" style="padding-left: 40px;"><span class="s1"><i>Addi­tion­al­ly, DALL‑E’s neur­al net­work can yield sex­ist and racist images, a&nbsp;</i><a href="https://time.com/5520558/artificial-intelligence-racial-gender-bias/"><span class="s5"><i>recur­ring issue with AI tech­nol­o­gy</i></span></a><i>. For instance,&nbsp;</i><a href="https://www.vice.com/en/article/wxdawn/the-ai-that-draws-what-you-type-is-very-racist-shocking-no-one"><span class="s5"><i>a reporter at Vice</i></span></a><i>&nbsp;found that prompts includ­ing search terms like “CEO” exclu­sive­ly gen­er­at­ed images of White men in busi­ness attire. The com­pa­ny&nbsp;</i><a href="https://github.com/openai/dalle-2-preview/blob/main/system-card.md"><span class="s5"><i>acknowl­edges</i></span></a><i>&nbsp;that DALL‑E “inher­its var­i­ous bias­es from its train­ing data, and its out­puts some­times rein­force soci­etal stereo­types.”</i></span></p> <p>Co-cre­ator Day­ma does not duck the trou­bling impli­ca­tions and bias­es his baby could unleash:</p> <p class="p13" style="padding-left: 40px;"><em><span class="s1">While the capa­bil­i­ties of image gen­er­a­tion mod­els are impres­sive, they may also rein­force or exac­er­bate soci­etal bias­es. While the extent and nature of the bias­es of the DALL·E mini mod­el have yet to be ful­ly doc­u­ment­ed, giv­en the fact that the mod­el was trained on unfil­tered data from the Inter­net, it may gen­er­ate images that con­tain stereo­types against minor­i­ty groups. Work to ana­lyze the nature and extent of these lim­i­ta­tions is ongo­ing, and will be doc­u­ment­ed in more detail in the&nbsp;<a href="https://huggingface.co/dalle-mini/dalle-mini"><span class="s9">DALL·E mini mod­el card</span></a>.</span></em></p> <p><em><a href="https://twitter.com/newyorkerhumor/status/1536504195594997760" rel="nofollow">The New York­er</a> </em>car­toon­ists <a href="https://twitter.com/EllisRosen" rel="nofollow">Ellis Rosen</a> and&nbsp;<a href="https://www.instagram.com/j.a.k._/?hl=en">Jason Adam Katzen­stein</a> con­jure anoth­er way in which DALL‑E mini could break with the social con­tract:</p> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1101973 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="607" height="573" data-src="https://cdn8.openculture.com/2022/06/16211659/new-yorker.png" data-srcset="https://cdn8.openculture.com/2022/06/16211659/new-yorker.png 607w, https://cdn8.openculture.com/2022/06/16211659/new-yorker-360x340.png 360w, https://cdn8.openculture.com/2022/06/16211659/new-yorker-240x227.png 240w" data-sizes="auto, (max-width: 607px) 100vw, 607px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1101973" src="https://cdn8.openculture.com/2022/06/16211659/new-yorker.png" alt width="607" height="573" srcset="https://cdn8.openculture.com/2022/06/16211659/new-yorker.png 607w, https://cdn8.openculture.com/2022/06/16211659/new-yorker-360x340.png 360w, https://cdn8.openculture.com/2022/06/16211659/new-yorker-240x227.png 240w" sizes="auto, (max-width: 607px) 100vw, 607px"></noscript></p> <p>And a Twit­ter user who goes by <a href="https://twitter.com/St_Rev/status/1535425070037966849" rel="nofollow">St. Rev. Dr. Rev</a> blows minds and opens mul­ti­ple cans of worms, using <a href="https://falseknees.com/158.html" rel="nofollow">pan­els</a> from car­toon­ist Joshua Bark­man’s beloved web­com­ic, <a href="https://www.webtoons.com/en/challenge/false-knees/list?title_no=79544">False Knees</a>:</p> <p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-1101976 native-lazyload-js-fallback" src="https://www.openculture.com/wp-content/plugins/native-lazyload/assets/images/placeholder.svg" alt width="613" height="616" data-src="https://cdn8.openculture.com/2022/06/16211708/st-rev.png" data-srcset="https://cdn8.openculture.com/2022/06/16211708/st-rev.png 613w, https://cdn8.openculture.com/2022/06/16211708/st-rev-358x360.png 358w, https://cdn8.openculture.com/2022/06/16211708/st-rev-240x240.png 240w" data-sizes="auto, (max-width: 613px) 100vw, 613px"><noscript><img loading="lazy" loading="lazy" decoding="async" class="alignnone size-full wp-image-1101976" src="https://cdn8.openculture.com/2022/06/16211708/st-rev.png" alt width="613" height="616" srcset="https://cdn8.openculture.com/2022/06/16211708/st-rev.png 613w, https://cdn8.openculture.com/2022/06/16211708/st-rev-358x360.png 358w, https://cdn8.openculture.com/2022/06/16211708/st-rev-240x240.png 240w" sizes="auto, (max-width: 613px) 100vw, 613px"></noscript></p> <p>Pro­ceed with cau­tion, and play around with <a href="https://huggingface.co/spaces/dalle-mini/dalle-mini">DALL‑E mini</a> <a href="https://huggingface.co/spaces/dalle-mini/dalle-mini">here</a>.</p> <p>Get on <a href="https://labs.openai.com/waitlist" rel="nofollow">the wait­list for orig­i­nal fla­vor DALL‑E access</a> <a href="https://labs.openai.com/waitlist" rel="nofollow">here</a>.</p> <p>&nbsp;</p> <p><strong>Relat­ed Con­tent</strong></p> <p><a title="Permanent Link to Artificial Intelligence Brings to Life Figures from 7 Famous Paintings: The <I>Mona Lisa</I>, <I>Birth of Venus</I> &amp; More" href="https://www.openculture.com/2020/06/artificial-intelligence-brings-to-life-figures-from-7-famous-paintings-the-mona-lisa-birth-of-venus-more.html" rel="bookmark">Arti­fi­cial Intel­li­gence Brings to Life Fig­ures from 7 Famous Paint­ings: The&nbsp;Mona Lisa,&nbsp;Birth of Venus&nbsp;&amp; More</a></p> <p><a title="Permanent Link to Google App Uses Machine Learning to Discover Your Pet’s Look Alike in 10,000 Classic Works of Art" href="https://www.openculture.com/2022/02/google-app-uses-machine-learning-to-discover-your-pets-look-alike-in-10000-classic-works-of-art.html" rel="bookmark">Google App Uses Machine Learn­ing to Dis­cov­er Your Pet’s Look Alike in 10,000 Clas­sic Works of Art</a></p> <p><a title="Permanent Link to Artificial Intelligence for Everyone: An Introductory Course from Andrew Ng, the Co-Founder of Coursera" href="https://www.openculture.com/2019/03/artificial-intelligence-for-everyone-an-introductory-course-from-andrew-ng-the-co-founder-of-coursera.html" rel="bookmark">Arti­fi­cial Intel­li­gence for Every­one: An Intro­duc­to­ry Course from Andrew Ng, the Co-Founder of Cours­era</a></p> <p class="p18"><span class="s11">- <a href="http://ayunhalliday.com/"><span class="s2"><i>Ayun Hal­l­i­day</i></span></a></span><span class="s12"><i>&nbsp;is the Chief Pri­ma­tol­o­gist of&nbsp;</i><a href="http://ayunhalliday.com/the-east-village-inky/" rel="nofollow"><span class="s13"><i>the East Vil­lage Inky</i></span></a><i>&nbsp;zine and author, most recent­ly, of&nbsp;</i><a href="https://www.amazon.com/Creative-Not-Famous-Potato-Manifesto/dp/1648410596/"><span class="s13"><i>Cre­ative, Not Famous: The Small Pota­to Man­i­festo</i></span></a><i>.&nbsp;&nbsp;Fol­low her&nbsp;</i><a href="https://www.instagram.com/ayun_halliday/"><span class="s13"><i>@AyunHalliday</i></span></a><i>.</i></span></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/ayunh" title="Posts by Ayun Halliday" rel="author">Ayun Halliday</a> | <a href="https://www.openculture.com/2022/06/discover-dall-e-the-artificial-intelligence-artist-that-turns-your-search-terms-into-surreal-artwork.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2022/06/discover-dall-e-the-artificial-intelligence-artist-that-turns-your-search-terms-into-surreal-artwork.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2022/06/discover-dall-e-the-artificial-intelligence-artist-that-turns-your-search-terms-into-surreal-artwork.html#respond">None</a> ) | </p> <!-- Comments (0) </p>--> <!-- google_ad_section_end --> </div> </div> </div> </div> <div class="recent_post"> <h1 id="post-1101678" ><a href="https://www.openculture.com/2022/06/dave-smith-rip-the-father-of-mid.html" rel="bookmark" title="Permanent Link to Remembering Dave Smith (RIP), the Father of MIDI &amp; the Creator of the 80s’ Most Beloved Synthesizer, the Prophet‑5"> Remembering Dave Smith (RIP), the Father of MIDI &amp; the Creator of the 80s’ Most Beloved Synthesizer, the Prophet‑5 </a></h1> <p class="byline">in <em class="postcategory"> <a href="https://www.openculture.com/category/computer-science" rel="category tag">Computer Science</a>, <a href="https://www.openculture.com/category/music" rel="category tag">Music</a>, <a href="https://www.openculture.com/category/technology" rel="category tag">Technology</a> </em> | June 8th, 2022 </p> <div id="framearound_ad_in_post" style="margin: 8px 0px 8px 0px;"> <script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script> <!-- New text links --> <ins class="adsbygoogle" style="display: block;" data-ad-client="ca-pub-1184791463292965" data-ad-slot="4261585863" data-ad-format="link"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <div class="recent_post_text"> <div id="post-1101678" class="post-1101678 post type-post status-publish format-standard has-post-thumbnail hentry category-computer-science category-music category-technology"> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/ccenFp_3kq8?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p>Some founders rest on their lau­rels, build indus­tries around them­selves like a cocoon, and nev­er escape or out­grow the big achieve­ment that made their name. Some, like Dave Smith — the so-called “father of MIDI,” and one of the most inno­v­a­tive syn­the­siz­er pio­neers of the last sev­er­al decades – don’t stop cre­at­ing for long enough to col­lect dust. You may nev­er have heard of Smith, but you’ve heard his tech­nol­o­gy. Before pio­neer­ing <a href="https://blog.landr.com/what-is-midi/">MIDI</a> (Musi­cal Instru­ment Dig­i­tal Inter­face), the dig­i­tal stan­dard that allows hun­dreds of elec­tron­ic instru­ments to play nice­ly with each oth­er across com­put­er and soft­ware mak­ers, Smith found­ed Sequen­tial Cir­cuits and built one of the most revered syn­the­siz­ers ever made, the <a href="https://www.sequential.com/product/prophet-5/">Prophet‑5</a>, invent­ed in 1977 and essen­tial to the sound of the 1980s and beyond.</p> <p>Smith’s key­boards made appear­ances on stage, video, and albums through­out the decade. Duran Duran’s Nick Rhodes used the Prophet‑5 on the band’s first album and “vir­tu­al­ly every record I have made since then,” he said in a state­ment. “With­out Dav­e’s vision and inge­nu­ity,” Rhodes went on, “the sound of the 1980s would have been very dif­fer­ent, he tru­ly changed the son­ic sound­scape of a gen­er­a­tion.”</p> <div class="oc-center-da"> <div data-fuse="22871471544"></div> </div> <p>Sequen­tial synths appeared on albums by bands as dis­parate as The Cure and Daryl Hall &amp; John Oates, who demon­strate the dream-like, ethe­re­al capa­bil­i­ties of the Prophet‑5 — the first ful­ly pro­gram­ma­ble poly­phon­ic ana­log synth — in “I Can’t Go for That (No Can Do).” The Prophet‑5 also drove the sound of Radio­head­’s&nbsp;<em>Kid A,</em> and indie dance dar­lings Hot Chip wrote they would be “noth­ing with­out what [Smith] cre­at­ed.” Few vin­tage synths are as desir­able as the Prophet‑5.</p> <div class="oc-video-wrapper"> <div class="oc-video-container"> <span class="youtube"><iframe loading="lazy" title="YouTube video player" class="youtube-player" type="text/html" width="640" height="505" src="//www.youtube.com/embed/evSRLpcpo-4?wmode=transparent&amp;fs=1&amp;hl=en&amp;showsearch=0&amp;rel=0&amp;theme=dark" frameborder="0" allowfullscreen></iframe></span> </div> <p> <!-- /oc-video-embed --> </p></div> <p><!-- /oc-video-wrapper --></p> <p>The orig­i­nal Prophet is “not immune to the dark side of vin­tage synths,” writes <a href="https://www.vintagesynth.com/sci/p5.php">Vin­tage Synth Explor­er</a>, includ­ing prob­lems such as unsta­ble tun­ing and a lack of MIDI. Smith fixed that issue him­self with new iter­a­tions of the Prophet and oth­er synths fea­tur­ing his most famous post-Prophet‑5 tech­nol­o­gy. “Like so many bril­liant and cre­ative peo­ple,” the <a href="https://midi.org/midi-articles/sequential-circuits-founder-dave-smith-has-passed-away">MIDI Asso­ci­a­tion</a> writes, Smith “always focused on the future.” He was “not actu­al­ly a big fan of being called the ‘Father of MIDI.’&nbsp;” Many peo­ple con­tributed to the devel­op­ment of the tech­nol­o­gy, espe­cial­ly Roland founder <a href="https://www.nytimes.com/2017/04/03/arts/music/ikutaro-kakeshashi-roland-808-drum-machine-dead.html">Iku­taro Kake­hashi</a>, who won a tech­ni­cal Gram­my with Smith in 2013 for the pro­to­col that made its debut as a new stan­dard in 1983.</p> <p>Smith pre­ferred mak­ing hard­ware instru­ments and “almost begrudg­ing­ly accept­ed inter­views about his con­tri­bu­tions to MIDI.…. He was also not a big fan of orga­ni­za­tions, com­mit­tees and meet­ings.” He was a synth lover’s synth mak­er, a design­er and engi­neer with a “deep under­stand­ing of what musi­cians want­ed,” says Rhodes. Col­lab­o­ra­tions with Yama­ha and Korg pro­duced more soft­ware inno­va­tions in the 90s, but in the 2000s, Smith returned to Sequen­tial Cir­cuits and debuted the Prophet X, Prophet‑6, and OB‑6 with Tom Ober­heim. The two design­ers col­lab­o­rat­ed in 2021 on the Ober­heim OB-X8 and Smith intro­duced it just weeks before his death.</p> <p>He had trav­eled a long way from invent­ing the Prophet‑5 in 1977 and pre­sent­ing a paper in 1981 to the Audio Engi­neer­ing Soci­ety on what he then called a Uni­ver­sal Syn­the­siz­er Inter­face. Smith him­self nev­er seemed to stop and look back, but lovers of his famous instru­ments are hap­py we still can, and that elec­tron­ic instru­ments and com­put­ers can talk to each oth­er eas­i­ly thanks to MIDI. Few of those instru­ments sound as good as the orig­i­nal, how­ev­er. See a demon­stra­tion of the Prophet-5’s range of sounds in the video just above and hear more tracks that show off the synth <a href="https://insheepsclothinghifi.com/5-songs-featuring-prophet-5/">in the list</a> <a href="https://insheepsclothinghifi.com/5-songs-featuring-prophet-5/">here</a>.</p> <p><strong>Relat­ed Con­tent:</strong></p> <p><a href="https://www.openculture.com/2020/10/the-story-of-the-synthaxe-the-astonishing-1980s-guitar-synthesizer.html">The Sto­ry of the Syn­thAxe, the Aston­ish­ing 1980s Gui­tar Syn­the­siz­er: Only 100 Were Ever Made</a></p> <p><a href="https://www.openculture.com/2021/05/wendy-carlos-demonstrates-the-moog-synthesizer-on-the-bbc-1970.html">Wendy Car­los Demon­strates the Moog Syn­the­siz­er on the BBC (1970)</a></p> <p><a href="https://www.openculture.com/2014/05/thomas-dolby-explains-how-a-synthesizer-works.html">Thomas Dol­by Explains How a Syn­the­siz­er Works on a Jim Hen­son Kids Show (1989)</a></p> <p><em><a href="http://about.me/jonesjoshua">Josh Jones</a>&nbsp;is a writer and musi­cian based in Durham, NC. Fol­low him at&nbsp;<a href="https://twitter.com/jdmagness">@jdmagness</a></em></p> <div class="alignleft"> <p class="author"> by <a href="https://www.openculture.com/author/jdavidjones" title="Posts by Josh Jones" rel="author">Josh Jones</a> | <a href="https://www.openculture.com/2022/06/dave-smith-rip-the-father-of-mid.html" title="Permalink">Permalink</a> | <a href="https://www.openculture.com/2022/06/dave-smith-rip-the-father-of-mid.html#respond" title="Make a comment">Make a Comment</a> ( <a href="https://www.openculture.com/2022/06/dave-smith-rip-the-father-of-mid.html#respond">None</a> ) | </p> <!-- Comments (0) </p>--> <!-- google_ad_section_end --> </div> </div> </div> </div> <div class="cleared"></div> <a href="https://www.openculture.com/category/computer-science/page/2" >More in this category... &raquo;</a> </div> <!--contenttitle --> <div class="middle_sidebar"> <ul id="middle_sidebarwidgeted"> <li id="execphp-431254483" class="widget widget_execphp"><h2 class="widgettitle">Essentials</h2> <div class="execphpwidget"><div class="widgetbox"> <ul> <li><a href="https://www.openculture.com/freeonlinecourses">1,700 Free Online Courses</a></li> <li><a href="https://www.openculture.com/online-certificate-programs">200 Online Certificate Programs</a></li> <li><a href="https://www.openculture.com/online-degrees">100+ Online Degree & Mini-Degree Programs</a></li> <li><a href="https://www.openculture.com/freemoviesonline">1,150 Free Movies</a></li> <li><a href="https://www.openculture.com/freeaudiobooks">1,000 Free Audio Books</a></li> <li><a href="https://www.openculture.com/great-podcasts">150+ Best Podcasts</a></li> <li><a href="https://www.openculture.com/free_ebooks">800 Free eBooks</a></li> <li><a href="https://www.openculture.com/free_textbooks">200 Free Textbooks</a></li> <li><a href="https://www.openculture.com/freelanguagelessons">300 Free Language Lessons</a></li> <li><a href="https://www.openculture.com/business_free_courses">150 Free Business Courses</a></li> <li><a href="https://www.openculture.com/free_k-12_educational_resources">Free K-12 Education</a></li> <li><a href="https://www.openculture.com/dailyemail">Get Our Daily Email</a></li> </ul> </div></div> </li><li id="execphp-431254506" class="widget widget_execphp"><h2 class="widgettitle">Support Us</h2> <div class="execphpwidget"><div class="widgetbox noborder"> <br> We're hoping to rely on loyal readers, rather than erratic ads. 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Eliot Reads Waste Land</a></li> <li><a href="https://www.openculture.com/2013/05/hear_sylvia_plath_read_fifteen_poems_from_her_final_collection_ariel_in_1962_recording.html">Sylvia Plath - Ariel</a></li> <li><a href="https://www.openculture.com/2013/06/on_bloomsday_hear_james_joyce_read_from_his_epic_iulyssesi_1924.html">Joyce Reads Ulysses</a></li> <li><a href="https://www.openculture.com/2012/02/james_joyce_reads_anna_livia_plurabelle_from_ifinnegans_wakei.html">Joyce - Finnegans Wake</a></li> <li><a href="https://www.openculture.com/2013/01/watch_patti_smith_read_from_virginia_woolf_and_hear_the_only_surviving_recording_of_woolfs_voice.html">Patti Smith Reads Virginia Woolf</a></li> <li><a href="https://www.openculture.com/2013/03/listen_as_albert_einstein_reads_the_common_language_of_science_1941.html">Albert Einstein</a></li> <li><a href="https://www.openculture.com/2013/08/charles-bukowski-poem-read-by-bukowski-tom-waits-and-bono.html">Charles Bukowski</a></li> <li><a href="https://www.openculture.com/2013/07/bill-murray-reads-poetry-by-billy-collins-cole-porter-and-sarah-manguso.html">Bill Murray</a></li> <li><a href="https://www.openculture.com/2010/04/ernest_hemingway_reads_in_harrys_bar_in_venice.html">Hemingway</a></li> <li><a href="https://www.openculture.com/2012/09/f_scott_fitzgerald_reads_from_shakespeares_iothelloi_and_john_masefields_on_growing_old_c1940.html">Fitzgerald Reads Shakespeare</a></li> <li><a href="https://www.openculture.com/2010/04/william_faulkner_reads_from_as_i_lay_dying.html">William Faulkner</a></li> <li><a href="https://www.openculture.com/2012/05/rare_1959_audio_flannery_oconnor_reads_a_good_man_is_hard_to_find.html">Flannery O'Connor</a></li> <li><a href="https://www.openculture.com/2013/07/j-r-r-tolkien-reads-from-the-two-towers-the-second-book-of-the-lord-of-the-rings-trilogy.html">Tolkien - The Hobbit</a></li> <li><a href="https://www.openculture.com/2012/06/allen_ginsberg_reads_his_beat_classic_poem_howl.html">Allen Ginsberg - Howl</a></li> <li><a href="https://www.openculture.com/2012/06/rare_1930s_audio_wb_yeats_reads_four_of_his_poems.html">W.B Yeats</a></li> <li><a href="https://www.openculture.com/2012/10/ezra_pounds_fiery_1939_reading_of_his_early_poem_isestina_altafortei.html">Ezra Pound</a></li> <li><a href="https://www.openculture.com/2012/08/dylan_thomas_recites_do_not_go_gentle_into_that_good_night_and_other_poems.html">Dylan Thomas</a></li> <li><a href="https://www.openculture.com/2013/02/anne_sexton_confessional_poet_reads_wanting_to_die_in_ominous_1966_video.html">Anne Sexton</a></li> <li><a href="https://www.openculture.com/2014/06/john-cheever-reads-the-swimmer.html">John Cheever</a></li> <li><a href="https://www.openculture.com/2014/09/hear-david-foster-wallace-read-his-own-essays-and-short-fiction.html">David Foster Wallace</a></li> </ul> </div></div> </li><li id="execphp-431254484" class="widget widget_execphp"> <div class="execphpwidget"><div class="widgetbox"> <h2 class="widgettitle">Book Lists By</h2> <ul> <li><a href="https://www.openculture.com/2011/12/neil_degrasse_tyson_8_books_every_intelligent_person_should_read.html">Neil deGrasse Tyson</a></li> <li><a href="https://www.openculture.com/2013/05/ernest_hemingways_reading_list_for_a_young_writer_1934.html">Ernest Hemingway</a></li> <li><a href="https://www.openculture.com/2013/08/f-scott-fitzgerald-creates-a-list-of-22-essential-books-1936.html">F. Scott Fitzgerald</a></li> <li><a href="https://www.openculture.com/2013/05/allen_ginsbergs_celestial_homework_a_reading_list_for_his_class_literary_history_of_the_beats.html">Allen Ginsberg</a></li> <li><a href="https://www.openculture.com/2015/04/patti-smiths-list-of-favorite-books.html">Patti Smith</a></li> <li><a href="https://www.openculture.com/2015/08/brian-eno-book-lists.html">Brian Eno</a></li> <li><a href="https://www.openculture.com/2015/04/henry-miller-makes-a-list-of-the-100-books-that-influenced-me-most.html">Henry Miller</a></li> <li><a href="https://www.openculture.com/2012/09/christopher_hitchens_creates_a_reading_list_for_eight-year-old_girl.html">Christopher Hitchens</a></li> <li><a href="https://www.openculture.com/2013/11/joseph-brodskys-reading-list-for-having-an-intelligent-conversation.html">Joseph Brodsky</a></li> <li><a href="https://www.openculture.com/2013/02/wh_audens_1941_literature_syllabus_asks_students_to_read_32_great_works_covering_6000_pages_.html">W.H. Auden</a></li> <li><a href="https://www.openculture.com/2013/03/donald_barthelmes_syllabus_highlights_81_books_essential_for_a_literary_education_.html">Donald Barthelme</a></li> <li><a href="https://www.openculture.com/2012/07/carl_sagans_undergrad_reading_list_from_plato_and_shakespeare_to_huxley_and_gide.html">Carl Sagan</a></li> <li><a href="https://www.openculture.com/2013/10/david-bowies-list-of-top-100-books.html">David Bowie</a></li> <li><a href="https://www.openculture.com/2015/03/the-books-samuel-beckett-really-liked.html">Samuel Beckett</a></li> <li><a href="https://www.openculture.com/2014/09/art-garfunkel-lists-1195-books.html">Art Garfunkel</a></li> <li><a href="https://www.openculture.com/2014/10/the-430-books-in-marilyn-monroes-library.html">Marilyn Monroe</a></li> <li><a href="https://www.openculture.com/2015/03/jorge-luis-borges-personal-library.html">Jorge Luis Borges</a></li> <li><a href="https://www.openculture.com/2015/03/74-books-curated-by-female-creatives.html">Picks by Female Creatives</a></li> </ul> </div> </div> </li><li id="execphp-431254513" class="widget widget_execphp"> <div class="execphpwidget"></div> </li><li id="execphp-431254490" class="widget widget_execphp"> <div class="execphpwidget"><div class="widgetbox"> <h2 class="widgettitle">Syllabi</h2> <ul> <li><a href="https://www.openculture.com/2013/02/wh_audens_1941_literature_syllabus_asks_students_to_read_32_great_works_covering_6000_pages_.html">WH Auden</a></li> <li><a href="https://www.openculture.com/2013/02/david_foster_wallaces_1994_syllabus.html">David Foster Wallace</a></li> <li><a href="https://www.openculture.com/2013/03/donald_barthelmes_syllabus_highlights_81_books_essential_for_a_literary_education_.html">Donald Barthelme</a></li> <li><a href="https://www.openculture.com/2013/05/allen_ginsbergs_celestial_homework_a_reading_list_for_his_class_literary_history_of_the_beats.html">Allen Ginsberg</a></li> <li><a href="https://www.openculture.com/2013/08/zadie-smith-and-gary-shteyngarts-syllabi-from-columbia-university.html">Zadie Smith & Gary Shteyngart</a></li> <li><a href="https://www.openculture.com/2013/07/spike-lee-shares-his-nyu-teaching-list-of-87-essential-films-every-aspiring-director-should-see.html">Spike Lee</a></li> <li><a href="https://www.openculture.com/2014/11/lynda-barrys-wonderfully-illustrated-syllabus-homework-assignments-from-her-uw-madison-class-the-unthinkable-mind.html">Lynda Barry</a></li> <li><a href="https://www.openculture.com/2015/02/junot-diazs-syllabi-for-his-mit-writing-classes.html">Junot Diaz</a></li> </ul> </div></div> </li><li id="execphp-431254491" class="widget widget_execphp"> <div class="execphpwidget"><div class="widgetbox"> <h2 class="widgettitle">Favorite Movies</h2> <ul> <li><a href="https://www.openculture.com/2013/07/stanley-kubricks-list-of-top-ten-films.html">Kubrick</a></li> <li><a href="https://www.openculture.com/2015/01/akira-kurosawas-list-of-his-100-favorite-movies.html">Kurosawa's 100</a></li> <li><a href="https://www.openculture.com/2013/08/quentin-tarantino-lists-the-12-greatest-films-of-all-time.html">Tarantino</a></li> <li><a href="https://www.openculture.com/2013/07/martin-scorsese-reveals-his-10-favorite-movies.html">Scorsese</a></li> <li><a href="https://www.openculture.com/2014/08/andrei-tarkovsky-creates-a-list-of-his-10-favorite-films-1972.html">Tarkovsky</a></li> <li><a href="https://www.openculture.com/2013/09/david-lynch-on-his-favorite-directors-including-fellini-wilder-tati-and-hitchcock.html">David Lynch</a></li> <li><a href="https://www.openculture.com/2014/05/werner-herzog-picks-his-5-favorite-films.html">Werner Herzog</a></li> <li><a href="https://www.openculture.com/2013/08/woody-allen-lists-the-greatest-films-of-all-time.html">Woody Allen</a></li> <li><a href="https://www.openculture.com/2014/03/wes-andersons-favorite-films.html">Wes Anderson</a></li> <li><a href="https://www.openculture.com/2015/05/the-10-favorite-films-of-avant-garde-surrealist-filmmaker-luis-bunuel-including-his-own-collaboration-with-salvador-dali.html">Luis Buñuel</a></li> <li><a href="https://www.openculture.com/2014/07/roger-eberts-final-list-of-his-top-10-favorite-films-2012.html">Roger Ebert</a></li> <li><a href="https://www.openculture.com/2013/12/susan-sontags-50-favorite-films.html">Susan Sontag</a></li> <li><a href="https://www.openculture.com/2014/10/scorseses-list-of-39-essential-foreign-films.html">Scorsese Foreign Films</a></li> <li><a href="https://www.openculture.com/2014/10/44-essential-movies-for-the-student-of-philosophy.html">Philosophy Films</a></li> </ul> </div></div> </li><li id="archives-3" class="widget widget_archive"><h2 class="widgettitle">Archives</h2> <ul> <li><a href='https://www.openculture.com/2025/03'>March 2025</a></li> <li><a href='https://www.openculture.com/2025/02'>February 2025</a></li> <li><a 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