The Quantum Theory of Music and Human Languages

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Human Languages</h5> <div class="card-body"> <p class="card-text"><strong>Authors:</strong> <a href="https://publications.waset.org/abstracts/search?q=Mballa%20Abanda%20Luc%20Aurelien%20Serge">Mballa Abanda Luc Aurelien Serge</a>, <a href="https://publications.waset.org/abstracts/search?q=Henda%20Gnakate%20Biba"> Henda Gnakate Biba</a>, <a href="https://publications.waset.org/abstracts/search?q=Kuate%20Guemo%20Romaric"> Kuate Guemo Romaric</a>, <a href="https://publications.waset.org/abstracts/search?q=Akono%20Rufine%20Nicole"> Akono Rufine Nicole</a>, <a href="https://publications.waset.org/abstracts/search?q=Zabotom%20Yaya%20Fadel%20Biba"> Zabotom Yaya Fadel Biba</a>, <a href="https://publications.waset.org/abstracts/search?q=Petfiang%20Sidonie"> Petfiang Sidonie</a>, <a href="https://publications.waset.org/abstracts/search?q=Bella%20Suzane%20Jenifer"> Bella Suzane Jenifer</a> </p> <p class="card-text"><strong>Abstract:</strong></p> The main hypotheses proposed around the definition of the syllable and of music, of the common origin of music and language, should lead the reader to reflect on the cross-cutting questions raised by the debate on the notion of universals in linguistics and musicology. These are objects of controversy, and there lies its interest: the debate raises questions that are at the heart of theories on language. It is an inventive, original, and innovative research thesis. A contribution to the theoretical, musicological, ethno musicological, and linguistic conceptualization of languages, giving rise to the practice of interlocution between the social and cognitive sciences, the activities of artistic creation, and the question of modeling in the human sciences: mathematics, computer science, translation automation, and artificial intelligence. When you apply this theory to any text of a folksong of a world-tone language, you do not only piece together the exact melody, rhythm, and harmonies of that song as if you knew it in advance but also the exact speaking of this language. The author believes that the issue of the disappearance of tonal languages and their preservation has been structurally resolved, as well as one of the greatest cultural equations related to the composition and creation of tonal, polytonal, and random music. The experimentation confirming the theorization, I designed a semi-digital, semi-analog application that translates the tonal languages of Africa (about 2,100 languages) into blues, jazz, world music, polyphonic music, tonal and anatonal music, and deterministic and random music). To test this application, I use music reading and writing software that allows me to collect the data extracted from my mother tongue, which is already modeled in the musical staves saved in the ethnographic (semiotic) dictionary for automatic translation ( volume 2 of the book). The translation is done (from writing to writing, from writing to speech, and from writing to music). Mode of operation: you type a text on your computer, a structured song (chorus-verse), and you command the machine a melody of blues, jazz, and world music or variety, etc. The software runs, giving you the option to choose harmonies, and then you select your melody. <iframe src="https://publications.waset.org/abstracts/162307.pdf" style="width:100%; height:400px;" frameborder="0"></iframe> <p class="card-text"><strong>Keywords:</strong> <a href="https://publications.waset.org/abstracts/search?q=language" title="language">language</a>, <a href="https://publications.waset.org/abstracts/search?q=music" title=" music"> music</a>, <a href="https://publications.waset.org/abstracts/search?q=sciences" title=" sciences"> sciences</a>, <a href="https://publications.waset.org/abstracts/search?q=quantum%20entenglement" title=" quantum entenglement"> quantum entenglement</a> </p> <a href="https://publications.waset.org/abstracts/162307/the-quantum-theory-of-music-and-human-languages" class="btn 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The Quantum Theory of Music and Human Languages