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Kenneth Anger - Wikipedia
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class="vector-toc-list"> <li id="toc-1927–1936:_Early_life" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1927–1936:_Early_life"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.1</span> <span>1927–1936: Early life</span> </div> </a> <ul id="toc-1927–1936:_Early_life-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1937–1946:_First_films" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1937–1946:_First_films"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.2</span> <span>1937–1946: First films</span> </div> </a> <ul id="toc-1937–1946:_First_films-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1947–1949:_Fireworks_and_early_career" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1947–1949:_Fireworks_and_early_career"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.3</span> <span>1947–1949: <i>Fireworks</i> and early career</span> </div> </a> <ul id="toc-1947–1949:_Fireworks_and_early_career-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1950–1953:_France,_Rabbit's_Moon_and_Eaux_d'Artifice" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1950–1953:_France,_Rabbit's_Moon_and_Eaux_d'Artifice"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.4</span> <span>1950–1953: France, <i>Rabbit's Moon</i> and <i>Eaux d'Artifice</i></span> </div> </a> <ul id="toc-1950–1953:_France,_Rabbit's_Moon_and_Eaux_d'Artifice-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1953–1960:_Inauguration_of_the_Pleasure_Dome_and_Hollywood_Babylon" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1953–1960:_Inauguration_of_the_Pleasure_Dome_and_Hollywood_Babylon"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.5</span> <span>1953–1960: <i>Inauguration of the Pleasure Dome</i> and <i>Hollywood Babylon</i></span> </div> </a> <ul id="toc-1953–1960:_Inauguration_of_the_Pleasure_Dome_and_Hollywood_Babylon-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1961–1965:_Scorpio_Rising_and_Kustom_Kar_Kommandos" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1961–1965:_Scorpio_Rising_and_Kustom_Kar_Kommandos"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.6</span> <span>1961–1965: <i>Scorpio Rising</i> and <i>Kustom Kar Kommandos</i></span> </div> </a> <ul id="toc-1961–1965:_Scorpio_Rising_and_Kustom_Kar_Kommandos-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1966–1969:_The_hippie_movement_and_Invocation_of_My_Demon_Brother" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1966–1969:_The_hippie_movement_and_Invocation_of_My_Demon_Brother"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.7</span> <span>1966–1969: The hippie movement and <i>Invocation of My Demon Brother</i></span> </div> </a> <ul id="toc-1966–1969:_The_hippie_movement_and_Invocation_of_My_Demon_Brother-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1970–1981:_Lucifer_Rising" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1970–1981:_Lucifer_Rising"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.8</span> <span>1970–1981: <i>Lucifer Rising</i></span> </div> </a> <ul id="toc-1970–1981:_Lucifer_Rising-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1982–1999:_Retirement" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1982–1999:_Retirement"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.9</span> <span>1982–1999: Retirement</span> </div> </a> <ul id="toc-1982–1999:_Retirement-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-2000–2023:_Return_to_filmmaking_and_final_years" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#2000–2023:_Return_to_filmmaking_and_final_years"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.10</span> <span>2000–2023: Return to filmmaking and final years</span> </div> </a> <ul id="toc-2000–2023:_Return_to_filmmaking_and_final_years-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Themes" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Themes"> <div class="vector-toc-text"> <span class="vector-toc-numb">2</span> <span>Themes</span> </div> </a> <ul id="toc-Themes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Awards" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Awards"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Awards</span> </div> </a> <ul id="toc-Awards-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Personality_and_beliefs" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Personality_and_beliefs"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>Personality and beliefs</span> </div> </a> <ul id="toc-Personality_and_beliefs-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Filmography" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Filmography"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>Filmography</span> </div> </a> <ul id="toc-Filmography-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Books" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Books"> <div class="vector-toc-text"> <span class="vector-toc-numb">6</span> <span>Books</span> </div> </a> <ul id="toc-Books-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-See_also" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#See_also"> <div class="vector-toc-text"> <span class="vector-toc-numb">7</span> <span>See also</span> </div> </a> <ul id="toc-See_also-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">8</span> <span>References</span> </div> </a> <button aria-controls="toc-References-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle References subsection</span> </button> <ul id="toc-References-sublist" class="vector-toc-list"> <li id="toc-Notes" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Notes"> <div class="vector-toc-text"> <span class="vector-toc-numb">8.1</span> <span>Notes</span> </div> </a> <ul id="toc-Notes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Citations" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Citations"> <div class="vector-toc-text"> <span class="vector-toc-numb">8.2</span> <span>Citations</span> </div> </a> <ul id="toc-Citations-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Works_cited" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Works_cited"> <div class="vector-toc-text"> <span class="vector-toc-numb">8.3</span> <span>Works cited</span> </div> </a> <ul id="toc-Works_cited-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Further_reading" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Further_reading"> <div class="vector-toc-text"> <span class="vector-toc-numb">9</span> <span>Further reading</span> </div> </a> <ul id="toc-Further_reading-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> <span class="vector-toc-numb">10</span> <span>External links</span> </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label 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Available in 26 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-26" aria-hidden="true" ><span class="vector-icon mw-ui-icon-language-progressive mw-ui-icon-wikimedia-language-progressive"></span> <span class="vector-dropdown-label-text">26 languages</span> </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D9%83%D9%8A%D9%86%D9%8A%D8%AB_%D8%A3%D9%86%D8%AC%D8%B1" title="كينيث أنجر – Arabic" lang="ar" hreflang="ar" data-title="كينيث أنجر" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target"><span>العربية</span></a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Kenneth_Anger" title="Kenneth Anger – Czech" lang="cs" hreflang="cs" data-title="Kenneth Anger" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target"><span>Čeština</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Kenneth_Anger" title="Kenneth Anger – German" lang="de" hreflang="de" data-title="Kenneth Anger" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Kenneth_Anger" title="Kenneth Anger – Spanish" lang="es" hreflang="es" data-title="Kenneth Anger" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Kenneth_Anger" title="Kenneth Anger – Esperanto" lang="eo" hreflang="eo" data-title="Kenneth Anger" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target"><span>Esperanto</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%DA%A9%D9%86%D8%AA_%D8%A7%D9%86%DA%AF%D8%B1" title="کنت انگر – Persian" lang="fa" hreflang="fa" data-title="کنت انگر" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-fr badge-Q17437798 badge-goodarticle mw-list-item" title="good article badge"><a href="https://fr.wikipedia.org/wiki/Kenneth_Anger" title="Kenneth Anger – French" lang="fr" hreflang="fr" data-title="Kenneth Anger" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Kenneth_Anger" title="Kenneth Anger – Galician" lang="gl" hreflang="gl" data-title="Kenneth Anger" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target"><span>Galego</span></a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EC%BC%80%EB%84%A4%EC%8A%A4_%EC%95%B5%EA%B1%B0" title="케네스 앵거 – Korean" lang="ko" hreflang="ko" data-title="케네스 앵거" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target"><span>한국어</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Kenneth_Anger" title="Kenneth Anger – Italian" lang="it" hreflang="it" data-title="Kenneth Anger" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%A7%D7%A0%D7%AA_%D7%90%D7%A0%D7%92%D7%A8" title="קנת אנגר – Hebrew" lang="he" hreflang="he" data-title="קנת אנגר" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target"><span>עברית</span></a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/Kenneth_Anger" title="Kenneth Anger – Hungarian" lang="hu" hreflang="hu" data-title="Kenneth Anger" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target"><span>Magyar</span></a></li><li class="interlanguage-link interwiki-mg mw-list-item"><a href="https://mg.wikipedia.org/wiki/Kenneth_Anger" title="Kenneth Anger – Malagasy" lang="mg" hreflang="mg" data-title="Kenneth Anger" data-language-autonym="Malagasy" data-language-local-name="Malagasy" class="interlanguage-link-target"><span>Malagasy</span></a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D9%83%D9%8A%D9%86%D9%8A%D8%AB_%D8%A7%D9%86%D8%AC%D8%B1" title="كينيث انجر – Egyptian Arabic" lang="arz" hreflang="arz" data-title="كينيث انجر" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target"><span>مصرى</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%82%B1%E3%83%8D%E3%82%B9%E3%83%BB%E3%82%A2%E3%83%B3%E3%82%AC%E3%83%BC" title="ケネス・アンガー – Japanese" lang="ja" hreflang="ja" data-title="ケネス・アンガー" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Kenneth_Anger" title="Kenneth Anger – Polish" lang="pl" hreflang="pl" data-title="Kenneth Anger" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Kenneth_Anger" title="Kenneth Anger – Portuguese" lang="pt" hreflang="pt" data-title="Kenneth Anger" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target"><span>Português</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%AD%D0%BD%D0%B3%D0%B5%D1%80,_%D0%9A%D0%B5%D0%BD%D0%BD%D0%B5%D1%82" title="Энгер, Кеннет – Russian" lang="ru" hreflang="ru" data-title="Энгер, Кеннет" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Kenneth_Anger" title="Kenneth Anger – Simple English" lang="en-simple" hreflang="en-simple" data-title="Kenneth Anger" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target"><span>Simple English</span></a></li><li class="interlanguage-link interwiki-ckb mw-list-item"><a href="https://ckb.wikipedia.org/wiki/%DA%A9%DB%8C%D9%86%DB%8E%D8%AA_%D8%A6%D8%A7%D9%86%DA%AF%DB%95%D8%B1" title="کینێت ئانگەر – Central Kurdish" lang="ckb" hreflang="ckb" data-title="کینێت ئانگەر" data-language-autonym="کوردی" data-language-local-name="Central Kurdish" class="interlanguage-link-target"><span>کوردی</span></a></li><li class="interlanguage-link interwiki-sh mw-list-item"><a href="https://sh.wikipedia.org/wiki/Kenneth_Anger" title="Kenneth Anger – Serbo-Croatian" lang="sh" hreflang="sh" data-title="Kenneth Anger" data-language-autonym="Srpskohrvatski / српскохрватски" data-language-local-name="Serbo-Croatian" class="interlanguage-link-target"><span>Srpskohrvatski / српскохрватски</span></a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/Kenneth_Anger" title="Kenneth Anger – Finnish" lang="fi" hreflang="fi" data-title="Kenneth Anger" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target"><span>Suomi</span></a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Kenneth_Anger" title="Kenneth Anger – Swedish" lang="sv" hreflang="sv" data-title="Kenneth Anger" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target"><span>Svenska</span></a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/Kenneth_Anger" title="Kenneth Anger – Turkish" lang="tr" hreflang="tr" data-title="Kenneth Anger" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target"><span>Türkçe</span></a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%9A%D0%B5%D0%BD%D0%BD%D0%B5%D1%82_%D0%95%D0%BD%D0%B3%D0%B5%D1%80" title="Кеннет Енгер – Ukrainian" lang="uk" hreflang="uk" data-title="Кеннет Енгер" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target"><span>Українська</span></a></li><li class="interlanguage-link interwiki-zh mw-list-item"><a href="https://zh.wikipedia.org/wiki/%E8%82%AF%E5%B0%BC%E6%80%9D%C2%B7%E5%AE%89%E6%A0%BC" title="肯尼思·安格 – Chinese" lang="zh" hreflang="zh" data-title="肯尼思·安格" data-language-autonym="中文" data-language-local-name="Chinese" class="interlanguage-link-target"><span>中文</span></a></li> </ul> <div class="after-portlet after-portlet-lang"><span class="wb-langlinks-edit wb-langlinks-link"><a href="https://www.wikidata.org/wiki/Special:EntityPage/Q505580#sitelinks-wikipedia" title="Edit interlanguage links" class="wbc-editpage">Edit links</a></span></div> </div> </div> </div> </header> <div class="vector-page-toolbar"> 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.infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Kenneth Anger</div></th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Kenneth_Anger_FFFM_1.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/72/Kenneth_Anger_FFFM_1.jpg/220px-Kenneth_Anger_FFFM_1.jpg" decoding="async" width="220" height="132" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/72/Kenneth_Anger_FFFM_1.jpg/330px-Kenneth_Anger_FFFM_1.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/72/Kenneth_Anger_FFFM_1.jpg/440px-Kenneth_Anger_FFFM_1.jpg 2x" data-file-width="1523" data-file-height="917" /></a></span><div class="infobox-caption">Anger in 2019</div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><div style="display:inline" class="nickname">Kenneth Wilbur Anglemyer</div><br /><span style="display:none">(<span class="bday">1927-02-03</span>)</span>February 3, 1927<br /><div style="display:inline" class="birthplace"><a href="/wiki/Santa_Monica,_California" title="Santa Monica, California">Santa Monica, California</a>, U.S.</div></td></tr><tr><th scope="row" class="infobox-label">Died</th><td class="infobox-data">May 11, 2023<span style="display:none">(2023-05-11)</span> (aged 96)<br /><div style="display:inline" class="deathplace"><a href="/wiki/Yucca_Valley,_California" title="Yucca Valley, California">Yucca Valley, California</a>, U.S.</div></td></tr><tr><th scope="row" class="infobox-label">Occupations</th><td class="infobox-data role"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist 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.sidebar:not(.notheme) .sidebar-title-with-pretitle{background:transparent!important}html.skin-theme-clientpref-os .mw-parser-output .sidebar:not(.notheme) .sidebar-title-with-pretitle a{color:var(--color-progressive)!important}}@media print{body.ns-0 .mw-parser-output .sidebar{display:none!important}}</style><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1246091330"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1246091330"><table class="sidebar sidebar-collapse nomobile nowraplinks" style="width:22em;border-width:3px; border-color:#9999CC #BEBEED #BEBEED #9999CC; padding:0; border-spacing:0;"><tbody><tr><td class="sidebar-pretitle">Part of <a href="/wiki/Category:Thelema" title="Category:Thelema">a series</a> on</td></tr><tr><th class="sidebar-title-with-pretitle" style="font-size:170%;"><a href="/wiki/Thelema" title="Thelema">Thelema</a></th></tr><tr><td class="sidebar-image"><span typeof="mw:File"><a 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0.2em 0.3em;"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="background:#ccccff;padding:0;color:#333399;;color: var(--color-base)"><div class="sidebar-list-title-c">Holy Books and Stele</div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><i><a href="/wiki/The_Book_of_the_Law" title="The Book of the Law">The Book of the Law</a></i></li> <li><i><a href="/wiki/The_Holy_Books_of_Thelema" title="The Holy Books of Thelema">The Holy Books of Thelema</a></i></li> <li><a href="/wiki/Stele_of_Ankh-ef-en-Khonsu" title="Stele of Ankh-ef-en-Khonsu">The Stele of Revealing</a></li></ul></div></div></td> </tr><tr><td class="sidebar-content-with-subgroup hlist" style="padding:0.2em 0.2em 0.3em;"> <div class="sidebar-list mw-collapsible"><div class="sidebar-list-title" style="background:#ccccff;padding:0;color:#333399;;color: var(--color-base)"><div class="sidebar-list-title-c">Key figures</div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Ankh-ef-en-Khonsu_i" title="Ankh-ef-en-Khonsu i">Ankh-af-na-Khonsu</a></li> <li><a href="/wiki/Fran%C3%A7ois_Rabelais" title="François Rabelais">François Rabelais</a><br /></li> <li><a href="/wiki/Aleister_Crowley" title="Aleister Crowley">Aleister Crowley</a></li> <li><a href="/wiki/Victor_Neuburg_(poet)" title="Victor Neuburg (poet)">Victor Neuburg</a></li> <li><a href="/wiki/Charles_Stansfeld_Jones" title="Charles Stansfeld Jones">Charles Stansfeld Jones</a></li> <li><a href="/wiki/Jack_Parsons" title="Jack Parsons">Jack Parsons</a></li> <li><a href="/wiki/Wilfred_Talbot_Smith" title="Wilfred Talbot Smith">Wilfred Talbot Smith</a></li> <li><a href="/wiki/Jane_Wolfe" title="Jane Wolfe">Jane Wolfe</a></li> <li><a href="/wiki/Karl_Germer" title="Karl Germer">Karl Germer</a></li> <li><a href="/wiki/J._F._C._Fuller" title="J. F. C. Fuller">J. F. C. Fuller</a></li> <li><a href="/wiki/Grady_Louis_McMurtry" title="Grady Louis McMurtry">Grady McMurtry</a></li> <li><a href="/wiki/Marcelo_Ramos_Motta" title="Marcelo Ramos Motta">Marcelo Ramos Motta</a></li> <li><a href="/wiki/Marjorie_Cameron" title="Marjorie Cameron">Marjorie Cameron</a></li> <li><a href="/wiki/Sara_Northrup_Hollister" title="Sara Northrup Hollister">Sara Northrup</a></li> <li><a href="/wiki/Helen_Parsons_Smith" title="Helen Parsons Smith">Helen Parsons Smith</a></li> <li><a href="/wiki/Phyllis_Seckler" title="Phyllis Seckler">Phyllis Seckler</a></li> <li><a href="/wiki/Christopher_Hyatt" title="Christopher Hyatt">Christopher Hyatt</a></li> <li><a href="/wiki/Kenneth_Grant" title="Kenneth Grant">Kenneth Grant</a></li> <li><a href="/wiki/Ceremonial_magic#James_Lees" title="Ceremonial magic">James Lees</a></li> <li><a href="/wiki/Nema_Andahadna" title="Nema Andahadna">Nema Andahadna</a></li> <li><a href="/wiki/James_Wasserman" title="James Wasserman">James Wasserman</a></li> <li><a class="mw-selflink selflink">Kenneth Anger</a></li></ul> <table class="sidebar-subgroup"><tbody><tr><th class="sidebar-heading"> The Scarlet Women</th></tr><tr><td class="sidebar-content"> <ul><li><a href="/wiki/Rose_Kelly" class="mw-redirect" title="Rose Kelly">Rose Edith Crowley</a></li> <li><a href="/w/index.php?title=Mary_d%27Este_Sturges&action=edit&redlink=1" class="new" title="Mary d'Este Sturges (page does not exist)">Mary d'Este Sturges</a></li> <li><a href="/wiki/Jeanne_Robert_Foster" title="Jeanne Robert Foster">Jeanne Robert Foster</a></li> <li><a href="/w/index.php?title=Roddie_Minor&action=edit&redlink=1" class="new" title="Roddie Minor (page does not exist)">Roddie Minor</a></li> <li><a href="/w/index.php?title=Marie_Rohling&action=edit&redlink=1" class="new" title="Marie Rohling (page does not exist)">Marie Rohling</a></li> <li><a href="/wiki/Leah_Hirsig" title="Leah Hirsig">Leah Hirsig</a></li> <li><a href="/wiki/Leila_Waddell" title="Leila Waddell">Leila Waddell</a></li></ul></td> </tr></tbody></table></div></div></td> </tr><tr><td class="sidebar-content hlist" style="padding:0.2em 0.2em 0.3em;"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="background:#ccccff;padding:0;color:#333399;;color: var(--color-base)"><div class="sidebar-list-title-c">Core concepts</div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/One_Star_in_Sight" title="One Star in Sight">One Star in Sight</a><br /></li> <li><a href="/wiki/Great_Work_(Thelema)" title="Great Work (Thelema)">Great Work</a></li> <li><a href="/wiki/True_Will" title="True Will">True Will</a><br /></li> <li><a href="/wiki/Abyss_(Thelema)" title="Abyss (Thelema)">The Abyss</a><br /></li> <li><a href="/wiki/Ceremonial_magic" title="Ceremonial magic">Magick</a></li> <li><a href="/wiki/Hermetic_Qabalah" title="Hermetic Qabalah">Qabalah</a><br /></li> <li><a href="/wiki/Guardian_angel#Thelema" title="Guardian angel">Holy Guardian Angel</a><br /></li> <li><a href="/wiki/Thoth_Tarot" title="Thoth Tarot">Thoth Tarot</a></li> <li><a href="/wiki/R%C4%81ja_yoga" title="Rāja yoga">Yoga</a><br /></li> <li><a href="/wiki/Liber_XV,_The_Gnostic_Mass" title="Liber XV, The Gnostic Mass">Gnostic Mass</a><br /></li> <li><a href="/wiki/Aeon_of_Horus" title="Aeon of Horus">The Aeon</a></li></ul></div></div></td> </tr><tr><td class="sidebar-content hlist" style="padding:0.2em 0.2em 0.3em;"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="background:#ccccff;padding:0;color:#333399;;color: var(--color-base)"><div class="sidebar-list-title-c">Methods</div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Abrahadabra" title="Abrahadabra">Abrahadabra</a><br /></li> <li><a href="/wiki/Night_of_Pan" title="Night of Pan">Night of Pan</a></li> <li><a href="/wiki/Liber_Resh_vel_Helios" title="Liber Resh vel Helios">Liber Resh</a><br /></li> <li><a href="/wiki/Crossing_the_Abyss" class="mw-redirect" title="Crossing the Abyss">Crossing the Abyss</a><br /></li> <li><a href="/wiki/Banishing" title="Banishing">Banishing</a></li> <li><a href="/wiki/Invocation" title="Invocation">Invocation</a><br /></li> <li><a href="/wiki/Bornless_Ritual" title="Bornless Ritual">Bornless Ritual</a><br /></li> <li><a href="/wiki/English_Qaballa" title="English Qaballa">Qaballa</a></li> <li><a href="/wiki/Sex_magic" title="Sex magic">Sex magic</a><br /></li> <li><a href="/wiki/Body_of_light" title="Body of light">Body of light</a><br /></li> <li><a href="/wiki/Tree_of_life_(Kabbalah)" title="Tree of life (Kabbalah)">Tree of life</a><br /></li></ul></div></div></td> </tr><tr><td class="sidebar-content hlist" style="padding:0.2em 0.2em 0.3em;"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="background:#ccccff;padding:0;color:#333399;;color: var(--color-base)"><div class="sidebar-list-title-c"><a href="/wiki/Category:Thelemic_texts" title="Category:Thelemic texts">Thelemic texts</a></div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Aleister_Crowley_bibliography" title="Aleister Crowley bibliography">Aleister Crowley bibliography</a></li> <li><a href="/wiki/Kenneth_Grant_bibliography" class="mw-redirect" title="Kenneth Grant bibliography">Kenneth Grant bibliography</a></li> <li><a href="/wiki/Marcelo_Motta_bibliography" class="mw-redirect" title="Marcelo Motta bibliography">Marcelo Motta bibliography</a></li></ul></div></div></td> </tr><tr><td class="sidebar-content hlist" style="padding:0.2em 0.2em 0.3em;"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="background:#ccccff;padding:0;color:#333399;;color: var(--color-base)"><div class="sidebar-list-title-c">Organizations</div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><div style="display:inline-block; padding:0.2em 0.4em; line-height:1.2em;"><a href="/wiki/A%E2%88%B4A%E2%88%B4" title="A∴A∴">A∴A∴</a></div></li> <li><div style="display:inline-block; padding:0.2em 0.4em; line-height:1.2em;"><a href="/wiki/Ceremonial_magic#James_Lees" title="Ceremonial magic">O∴A∴A∴</a></div></li> <li><div style="display:inline-block; padding:0.2em 0.4em; line-height:1.2em;"><a href="/wiki/Ecclesia_Gnostica_Catholica" title="Ecclesia Gnostica Catholica">Ecclesia Gnostica Catholica (EGC)</a></div></li> <li><div style="display:inline-block; padding:0.2em 0.4em; line-height:1.2em;"><a href="/wiki/Ordo_Templi_Orientis" title="Ordo Templi Orientis">Ordo Templi Orientis (OTO)</a></div></li> <li><div style="display:inline-block; padding:0.2em 0.4em; line-height:1.2em;"><a href="/wiki/Society_Ordo_Templi_Orientis" class="mw-redirect" title="Society Ordo Templi Orientis">Society Ordo Templi Orientis (SOTO)</a></div></li> <li><div style="display:inline-block; padding:0.2em 0.4em; line-height:1.2em;"><a href="/wiki/Thelemic_Order_of_the_Golden_Dawn" class="mw-redirect" title="Thelemic Order of the Golden Dawn">Thelemic Order of the Golden Dawn</a></div></li> <li><a href="/wiki/Typhonian_Order" title="Typhonian Order">Typhonian Order (TOTO)</a></li></ul></div></div></td> </tr><tr><td class="sidebar-content hlist" style="padding:0.2em 0.2em 0.3em;"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="background:#ccccff;padding:0;color:#333399;;color: var(--color-base)"><div class="sidebar-list-title-c">Deities</div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Nuit" title="Nuit">Nuit</a></li> <li><a href="/wiki/Hadit" title="Hadit">Hadit</a></li> <li><a href="/wiki/Heru-ra-ha" title="Heru-ra-ha">Heru-ra-ha</a><br /></li> <li><a href="/wiki/Aiwass" title="Aiwass">Aiwass</a></li> <li><a href="/wiki/Therion_(Thelema)" title="Therion (Thelema)">Therion</a></li> <li><a href="/wiki/Babalon" title="Babalon">Babalon</a><br /></li> <li><a href="/wiki/Baphomet" title="Baphomet">Baphomet</a></li> <li><a href="/wiki/Chaos_(cosmogony)#Greco-Roman_tradition" title="Chaos (cosmogony)">Chaos</a></li> <li><a href="/wiki/Maat" title="Maat">Ma'at</a></li></ul></div></div></td> </tr><tr><td class="sidebar-content hlist" style="padding:0.2em 0.2em 0.3em;"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="background:#ccccff;padding:0;color:#333399;;color: var(--color-base)"><div class="sidebar-list-title-c">Places</div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Boleskine_House" title="Boleskine House">Boleskine House</a><br /></li> <li><a href="/wiki/Abbey_of_Thelema" title="Abbey of Thelema">Abbey of Thelema</a></li> <li><a href="/wiki/Agape_Lodge" title="Agape Lodge">Agape Lodge</a></li></ul></div></div></td> </tr><tr><td class="sidebar-content hlist" style="padding:0.2em 0.2em 0.3em;"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="background:#ccccff;padding:0;color:#333399;;color: var(--color-base)"><div class="sidebar-list-title-c">Related topics</div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Holy_anointing_oil" title="Holy anointing oil">Abramelin oil</a></li> <li><a href="/wiki/Cake_of_Light" title="Cake of Light">Cake of Light</a></li> <li><a href="/wiki/Choronzon" title="Choronzon">Choronzon</a></li> <li><a href="/wiki/Eroto-comatose_lucidity" title="Eroto-comatose lucidity">Eroto-comatose lucidity</a></li> <li><a href="/wiki/Sorcery_(goetia)" title="Sorcery (goetia)">Goetia</a></li> <li><a href="/wiki/Magical_formula" title="Magical formula">Magical formulae</a></li> <li><a href="/wiki/Number_of_the_beast" title="Number of the beast">Number of the beast</a></li> <li><a href="/wiki/Obeah_and_wanga" class="mw-redirect" title="Obeah and wanga">Obeah and wanga</a></li> <li><a href="/wiki/Qlippoth" title="Qlippoth">Qlippoth</a></li> <li><a href="/wiki/Table_of_magical_correspondences" title="Table of magical correspondences">Table of magical correspondences</a><br /></li> <li><a href="/wiki/The_Beast_(Revelation)" title="The Beast (Revelation)">The Beast</a> and <a href="/wiki/Whore_of_Babylon" title="Whore of Babylon">Whore of Babylon</a></li> <li><a href="/wiki/Worship_of_heavenly_bodies" title="Worship of heavenly bodies">Worship of heavenly bodies</a></li></ul></div></div></td> </tr><tr><td class="sidebar-navbar" style="padding:0 0.4em;"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1239400231">.mw-parser-output .navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output .navbar-boxtext{word-spacing:0}.mw-parser-output .navbar ul{display:inline-block;white-space:nowrap;line-height:inherit}.mw-parser-output .navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini abbr{font-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit}.mw-parser-output .navbar-ct-full{font-size:114%;margin:0 7em}.mw-parser-output .navbar-ct-mini{font-size:114%;margin:0 4em}html.skin-theme-clientpref-night .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Thelema" title="Template:Thelema"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Thelema" title="Template talk:Thelema"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Thelema" title="Special:EditPage/Template:Thelema"><abbr title="Edit this template">e</abbr></a></li></ul></div></td></tr></tbody></table> <p><b>Kenneth Anger</b> (born <b>Kenneth Wilbur Anglemyer</b>, February 3, 1927 – May 11, 2023) was an American <a href="/wiki/Underground_film" title="Underground film">underground</a> <a href="/wiki/Experimental_film" title="Experimental film">experimental filmmaker</a>, actor, and writer. Working exclusively in short films, he produced almost 40 works beginning in 1937, nine of which have been grouped together as the "Magick Lantern Cycle".<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> Anger's films variously merge <a href="/wiki/Surrealism" title="Surrealism">surrealism</a> with <a href="/wiki/Homoeroticism" title="Homoeroticism">homoeroticism</a> and the <a href="/wiki/Occult" title="Occult">occult</a>, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle".<sup id="cite_ref-Kinsey_2-0" class="reference"><a href="#cite_note-Kinsey-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> He has been called "one of America's first openly gay filmmakers",<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> with several films released before <a href="/wiki/LGBT_rights_in_the_United_States" class="mw-redirect" title="LGBT rights in the United States">homosexuality was legalized in the U.S.</a> Anger also explored <a href="/wiki/Occult" title="Occult">occult</a> themes in many of his films; he was fascinated by the English occultist <a href="/wiki/Aleister_Crowley" title="Aleister Crowley">Aleister Crowley</a> and an adherent of <a href="/wiki/Thelema" title="Thelema">Thelema</a>, the religion Crowley founded. </p><p>Anger was born into a middle-class <a href="/wiki/Presbyterian" class="mw-redirect" title="Presbyterian">Presbyterian</a> family in <a href="/wiki/Santa_Monica,_California" title="Santa Monica, California">Santa Monica, California</a>. He began making short films when he was 14 years old, although his first film to gain any recognition was the homoerotic <i><a href="/wiki/Fireworks_(1947_film)" title="Fireworks (1947 film)">Fireworks</a></i> (1947). The work's controversial nature led to his trial on obscenity charges, but he was acquitted. A friendship and working relationship subsequently began with pioneering <a href="/wiki/Sexologist" class="mw-redirect" title="Sexologist">sexologist</a> <a href="/wiki/Alfred_Kinsey" title="Alfred Kinsey">Alfred Kinsey</a>. Moving to Europe, Anger produced a number of shorts inspired by the <a href="/wiki/Avant-garde" title="Avant-garde">avant-garde</a> scene there, such as <i><a href="/wiki/Eaux_d%27Artifice" title="Eaux d'Artifice">Eaux d'Artifice</a></i> (1953) and <i><a href="/wiki/Rabbit%27s_Moon" title="Rabbit's Moon">Rabbit's Moon</a></i> (1971). </p><p>Returning to the U.S. in the early 1950s, Anger began work on several new projects, including the films <i><a href="/wiki/Inauguration_of_the_Pleasure_Dome" title="Inauguration of the Pleasure Dome">Inauguration of the Pleasure Dome</a></i> (1954), <i><a href="/wiki/Scorpio_Rising_(film)" title="Scorpio Rising (film)">Scorpio Rising</a></i> (1964), <i><a href="/wiki/Kustom_Kar_Kommandos" title="Kustom Kar Kommandos">Kustom Kar Kommandos</a></i> (1965), and the gossip book <i><a href="/wiki/Hollywood_Babylon" title="Hollywood Babylon">Hollywood Babylon</a></i> (1965). The latter became infamous for various dubious and sensationalist claims, many of which were disproved, though some remain <a href="/wiki/Urban_legend" title="Urban legend">urban legends</a>.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> Getting to know several notable <a href="/wiki/Countercultural" class="mw-redirect" title="Countercultural">countercultural</a> figures of the time, Anger involved them in his subsequent Thelema-themed works, <i><a href="/wiki/Invocation_of_My_Demon_Brother" title="Invocation of My Demon Brother">Invocation of My Demon Brother</a></i> (1969) and <i><a href="/wiki/Lucifer_Rising_(film)" title="Lucifer Rising (film)">Lucifer Rising</a></i> (1972). After failing to produce a sequel to <i>Lucifer Rising</i>, which he attempted through the mid-1980s, Anger retired from filmmaking, instead focusing on <i>Hollywood Babylon II</i> (1984). In the 2000s he returned to filmmaking, producing shorts for various film festivals and events. </p><p>Anger described filmmakers such as <a href="/wiki/Auguste_and_Louis_Lumi%C3%A8re" title="Auguste and Louis Lumière">Auguste and Louis Lumière</a>, <a href="/wiki/Georges_M%C3%A9li%C3%A8s" title="Georges Méliès">Georges Méliès</a>, and <a href="/wiki/Maya_Deren" title="Maya Deren">Maya Deren</a> as influences,<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> and has been cited as an important influence on directors like <a href="/wiki/Martin_Scorsese" title="Martin Scorsese">Martin Scorsese</a>,<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> <a href="/wiki/David_Lynch" title="David Lynch">David Lynch</a>,<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> and <a href="/wiki/John_Waters" title="John Waters">John Waters</a>.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> <i><a href="/wiki/Kinsey_Institute" title="Kinsey Institute">Kinsey Today</a></i> argued that Anger had "a profound impact on the work of many other filmmakers and artists, as well as on music video as an emergent art form using dream sequence, dance, fantasy, and narrative."<sup id="cite_ref-Kinsey_2-1" class="reference"><a href="#cite_note-Kinsey-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Biography">Biography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=1" title="Edit section: Biography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="1927–1936:_Early_life"><span id="1927.E2.80.931936:_Early_life"></span>1927–1936: Early life</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=2" title="Edit section: 1927–1936: Early life"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Kenneth Anger was born as Kenneth Wilbur Anglemyer on February 3, 1927, in <a href="/wiki/Santa_Monica" class="mw-redirect" title="Santa Monica">Santa Monica</a>, California. His family was <a href="/wiki/Presbyterian" class="mw-redirect" title="Presbyterian">Presbyterian</a>, but he became more interested in the <a href="/wiki/Occult" title="Occult">occult</a>.<sup id="cite_ref-esquire.com_9-0" class="reference"><a href="#cite_note-esquire.com-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> His father, Wilbur Anglemyer, was of <a href="/wiki/German_American" class="mw-redirect" title="German American">German</a> ancestry and was born in <a href="/wiki/Troy,_Ohio" title="Troy, Ohio">Troy</a>, Ohio, while his disabled mother, Lillian Coler (the older of the pair), had <a href="/wiki/English_American" class="mw-redirect" title="English American">English</a> ancestry. Anger's parents met at <a href="/wiki/Ohio_State_University" title="Ohio State University">Ohio State University</a> and after marrying had their first child, Jean Anglemyer, in 1918, followed by a second, Robert "Bob" Anglemyer, in 1921. That year they moved to Santa Monica to be near Lillian's mother, Bertha Coler, who had recently moved there. There Wilbur got a job as an electrical engineer at <a href="/wiki/Douglas_Aircraft" class="mw-redirect" title="Douglas Aircraft">Douglas Aircraft</a>, earning enough money that they could live comfortably as a middle-class family.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> </p><p>Kenneth Anger, their third and final child, was born in 1927. Growing up, he did not get along with his parents or siblings. His brother Bob later claimed that as the youngest child, Kenneth had been spoiled by his mother and grandmother and became somewhat "bratty". His grandmother Bertha was a strong influence on the young Kenneth and supported the family financially during the <a href="/wiki/Great_Depression" title="Great Depression">Great Depression</a>. It was she who first took Kenneth to the cinema, to see a <a href="/wiki/Double_bill" class="mw-redirect" title="Double bill">double bill</a> of <i><a href="/wiki/The_Singing_Fool" title="The Singing Fool">The Singing Fool</a></i> and <i><a href="/wiki/Thunder_Over_Mexico" class="mw-redirect" title="Thunder Over Mexico">Thunder Over Mexico</a>.</i> Bertha encouraged his artistic interests and later moved into a house in <a href="/wiki/Hollywood,_Los_Angeles" title="Hollywood, Los Angeles">Hollywood</a> with another woman, Miss Diggy, who also encouraged Kenneth.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> He developed an early interest in film and enjoyed reading the movie tie-in <a href="/wiki/Big_Little_Book_series" title="Big Little Book series">Big Little books</a>. Kenneth later said, "I was a child prodigy who never got smarter."<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> He remembered attending the Santa Monica Cotillion, where he met <a href="/wiki/Shirley_Temple" title="Shirley Temple">Shirley Temple</a>, with whom he once danced.<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> </p><p>Anger claimed in <i>Hollywood Babylon II</i> that he played the Changeling Prince in the 1935 <a href="/wiki/Warner_Brothers" class="mw-redirect" title="Warner Brothers">Warner Brothers</a> film <i><a href="/wiki/A_Midsummer_Night%27s_Dream_(1935_film)" title="A Midsummer Night's Dream (1935 film)">A Midsummer Night's Dream</a></i>, but the character was played by a girl named Sheila Brown.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> Anger's unofficial biographer, Bill Landis, remarked in 1995 that the Changeling Prince was definitely "Anger as a child; visually, he's immediately recognizable".<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1937–1946:_First_films"><span id="1937.E2.80.931946:_First_films"></span>1937–1946: First films</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=3" title="Edit section: 1937–1946: First films"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Anger's first film was created in 1937, when he was ten years old. The short, <i>Ferdinand the Bull</i>, was shot on the remains of <a href="/wiki/16_mm_film" title="16 mm film">16 mm film</a> that had been left unused after the Anglemyers had made <a href="/wiki/Home_movie" title="Home movie">home movies</a> with it on a family vacation to <a href="/wiki/Yosemite_National_Park" title="Yosemite National Park">Yosemite National Park</a>. In <i>Ferdinand the Bull</i>, which has never been made publicly available, Kenneth dressed as a <a href="/wiki/Matador" class="mw-redirect" title="Matador">matador</a>, wearing a cape, while two of his friends from the <a href="/wiki/Boy_Scouts_of_America" title="Boy Scouts of America">Boy Scouts</a> played the bull.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> His second work, created when he was 14, was <i>Who Has Been Rocking My Dreamboat</i> (1941),<sup id="cite_ref-Landis,_1995:14_17-0" class="reference"><a href="#cite_note-Landis,_1995:14-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> which Anger has often called his first proper film. It was made from footage of children playing during the summer, accompanied with popular songs by bands including the <a href="/wiki/Ink_Spots" class="mw-redirect" title="Ink Spots">Ink Spots</a>. The next year, he produced another amateur film, <i>Prisoner of Mars</i>, which was heavily influenced by <i><a href="/wiki/Flash_Gordon" title="Flash Gordon">Flash Gordon</a></i>. In this science fiction-inspired feature, in which he played the protagonist, Anger added elements taken from the <a href="/wiki/Greek_mythological" class="mw-redirect" title="Greek mythological">Greek mythological</a> myth of the <a href="/wiki/Minotaur" title="Minotaur">Minotaur</a> and constructed a small <a href="/wiki/Volcano" title="Volcano">volcano</a> in his back yard as a homemade <a href="/wiki/Special_effect" title="Special effect">special effect</a>.<sup id="cite_ref-Landis,_1995:14_17-1" class="reference"><a href="#cite_note-Landis,_1995:14-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> Many of these early films are considered <a href="/wiki/Lost_film" title="Lost film">lost</a>, with Anger burning much of his previous work in 1967.<sup id="cite_ref-Lachman,_Gary_Page_11_18-0" class="reference"><a href="#cite_note-Lachman,_Gary_Page_11-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> </p> <style data-mw-deduplicate="TemplateStyles:r1224211176">.mw-parser-output .quotebox{background-color:#F9F9F9;border:1px solid #aaa;box-sizing:border-box;padding:10px;font-size:88%;max-width:100%}.mw-parser-output .quotebox.floatleft{margin:.5em 1.4em .8em 0}.mw-parser-output .quotebox.floatright{margin:.5em 0 .8em 1.4em}.mw-parser-output .quotebox.centered{overflow:hidden;position:relative;margin:.5em auto .8em auto}.mw-parser-output .quotebox.floatleft span,.mw-parser-output .quotebox.floatright span{font-style:inherit}.mw-parser-output .quotebox>blockquote{margin:0;padding:0;border-left:0;font-family:inherit;font-size:inherit}.mw-parser-output .quotebox-title{text-align:center;font-size:110%;font-weight:bold}.mw-parser-output .quotebox-quote>:first-child{margin-top:0}.mw-parser-output .quotebox-quote:last-child>:last-child{margin-bottom:0}.mw-parser-output .quotebox-quote.quoted:before{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" “ ";vertical-align:-45%;line-height:0}.mw-parser-output .quotebox-quote.quoted:after{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" ” ";line-height:0}.mw-parser-output .quotebox .left-aligned{text-align:left}.mw-parser-output .quotebox .right-aligned{text-align:right}.mw-parser-output .quotebox .center-aligned{text-align:center}.mw-parser-output .quotebox .quote-title,.mw-parser-output .quotebox .quotebox-quote{display:block}.mw-parser-output .quotebox cite{display:block;font-style:normal}@media screen and (max-width:640px){.mw-parser-output .quotebox{width:100%!important;margin:0 0 .8em!important;float:none!important}}</style><div class="quotebox pullquote floatleft" style="width:246px; ;"> <blockquote class="quotebox-quote left-aligned" style=""> <p>I've always considered movies evil; the day that cinema was invented was a black day for mankind. </p> </blockquote> <div style="padding-bottom: 0;"><cite class="left-aligned" style="">—Kenneth Anger<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup></cite></div> </div> <p>In 1944, the Anglemyers moved to Hollywood to move in with family, and Kenneth began attending <a href="/wiki/Beverly_Hills_High_School" title="Beverly Hills High School">Beverly Hills High School</a>. It was here that he met Maxine Peterson, who had once been the stand-in for <a href="/wiki/Shirley_Temple" title="Shirley Temple">Shirley Temple</a>, and he asked her – alongside another classmate and an older woman – to appear in his next film project, which was ultimately titled <i>Escape Episode</i>. Revolving partially around the occult, the picture was filmed in a "spooky old castle" in Hollywood and was subsequently screened at the <a href="/wiki/Coronet_Theatre_(Los_Angeles)" title="Coronet Theatre (Los Angeles)">Coronet Theatre</a> in Los Angeles.<sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (May 2023)">citation needed</span></a></i>]</sup> Around this time, Anger also began attending screenings of <a href="/wiki/Silent_film" title="Silent film">silent films</a> at Clara Grossman's art gallery, through which he met a fellow filmmaker, <a href="/wiki/Curtis_Harrington" title="Curtis Harrington">Curtis Harrington</a>, with whom he formed Creative Film Associates (CFA).<sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> Harrington is said to have introduced Anger to the work of English occultist <a href="/wiki/Aleister_Crowley" title="Aleister Crowley">Aleister Crowley</a>.<sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> Crowley's philosophy of <a href="/wiki/Thelema" title="Thelema">Thelema</a> exerted a profound influence on Anger's career. CFA was founded to distribute <a href="/wiki/Experimental_film" title="Experimental film">experimental</a> or "<a href="/wiki/Underground_films" class="mw-redirect" title="Underground films">underground</a>" films, such as those of <a href="/wiki/Maya_Deren" title="Maya Deren">Maya Deren</a> and <a href="/wiki/John_Whitney_(animator)" title="John Whitney (animator)">John</a> and <a href="/wiki/James_Whitney_(filmmaker)" title="James Whitney (filmmaker)">James Whitney</a>, as well as Anger's and Harrington's.<sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> </p><p>Anger's interest in the occult deepened in high school. He first indirectly encountered the subject through reading <a href="/wiki/L._Frank_Baum" title="L. Frank Baum">L. Frank Baum</a>'s <i><a href="/wiki/The_Wonderful_Wizard_of_Oz" title="The Wonderful Wizard of Oz">Oz</a></i> books as a child, with their accompanying <a href="/wiki/Rosicrucian" class="mw-redirect" title="Rosicrucian">Rosicrucian</a> philosophies. He was also interested in the works of the French <a href="/wiki/Ceremonial_magic" title="Ceremonial magic">ceremonial magician</a> <a href="/wiki/Eliphas_Levi" class="mw-redirect" title="Eliphas Levi">Eliphas Levi</a>, as well as <a href="/wiki/Sir_James_Frazer" class="mw-redirect" title="Sir James Frazer">Sir James Frazer</a>'s <i><a href="/wiki/The_Golden_Bough" title="The Golden Bough">The Golden Bough</a></i>,<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> although his favorite writings were Crowley's; he eventually converted to Thelema, the religion Crowley founded.<sup id="cite_ref-Hunter,_Jack_Page_48_24-0" class="reference"><a href="#cite_note-Hunter,_Jack_Page_48-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1947–1949:_Fireworks_and_early_career"><span id="1947.E2.80.931949:_Fireworks_and_early_career"></span>1947–1949: <i>Fireworks</i> and early career</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=4" title="Edit section: 1947–1949: Fireworks and early career"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Anger discovered his homosexuality at a time when <a href="/wiki/LGBT_rights_in_the_United_States" class="mw-redirect" title="LGBT rights in the United States">homosexual acts were illegal in the United States</a>, and he began associating with the underground gay scene. At some point in the mid-1940s, he was arrested by police in a "homosexual <a href="/wiki/Entrapment" title="Entrapment">entrapment</a>", after which he decided to move out of his parents' home, gaining his own apartment largely financed by his grandmother,<sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> and abandoning the name Anglemyer in favor of Anger.<sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> He started attending the <a href="/wiki/University_of_Southern_California" title="University of Southern California">University of Southern California</a> (USC), where he studied cinema, and also began experimenting with the use of mind-altering drugs like <a href="/wiki/Cannabis_(drug)" title="Cannabis (drug)">cannabis</a> and <a href="/wiki/Peyote" title="Peyote">peyote</a>.<sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> It was then that he decided to produce a film that would deal with his sexuality, just as other gay avant-garde filmmakers like <a href="/wiki/Willard_Maas" title="Willard Maas">Willard Maas</a> were doing in that decade. The result was the short film <i><a href="/wiki/Fireworks_(1947_film)" title="Fireworks (1947 film)">Fireworks</a></i>, which was created in 1947 and exhibited publicly in 1948.<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> </p><p>Upon <i>Fireworks</i>'s release, Anger was arrested on <a href="/wiki/Obscenity" title="Obscenity">obscenity</a> charges.<sup id="cite_ref-guardian.co.uk_29-0" class="reference"><a href="#cite_note-guardian.co.uk-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> He was acquitted after the case went to the <a href="/wiki/Supreme_Court_of_California" title="Supreme Court of California">Supreme Court of California</a>, which deemed the film art, not pornography.<sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> Twenty years old when he made <i>Fireworks</i>, Anger claimed to have been 17, presumably to present himself as more of an <i>enfant terrible</i>.<sup id="cite_ref-Lachman,_Gary_Page_10_31-0" class="reference"><a href="#cite_note-Lachman,_Gary_Page_10-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> A <a href="/wiki/Homoerotic" class="mw-redirect" title="Homoerotic">homoerotic</a> work lasting only 14 minutes, the film revolves around a young man (played by Anger) associating with various navy sailors, who eventually turn on him, stripping him naked, beating him to death, and ripping open his chest to find a compass inside. Several fireworks then explode, accompanied by a burning <a href="/wiki/Christmas_tree" title="Christmas tree">Christmas tree</a>. The final shot shows the young man lying in bed next to another shirtless man. Of this film, Anger said in 1966: "This flick is all I have to say about being 17, the <a href="/wiki/United_States_Navy" title="United States Navy">United States Navy</a>, American Christmas and the <a href="/wiki/Fourth_of_July" class="mw-redirect" title="Fourth of July">fourth of July</a>."<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> He continuously altered and adapted the film until 1980. It was distributed on <a href="/wiki/VHS" title="VHS">VHS</a> in 1986.<sup id="cite_ref-34" class="reference"><a href="#cite_note-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> </p><p>One of the first people to buy a copy of <i>Fireworks</i> was the <a href="/wiki/Sexologist" class="mw-redirect" title="Sexologist">sexologist</a> <a href="/wiki/Alfred_Kinsey" title="Alfred Kinsey">Alfred Kinsey</a> of the <a href="/wiki/Kinsey_Institute" title="Kinsey Institute">Institute for Sex Research</a>. He and Anger struck up a friendship that lasted until Kinsey's death, during which time Anger aided Kinsey in his research. According to Anger's unofficial biographer Bill Landis, Kinsey became a "father figure" whom Anger "could both interact with and emulate."<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> In 1949, Anger began work on the film <i>Puce Women</i>, which unlike <i>Fireworks</i> was filmed in color. It starred Yvonne Marquis as a glamorous woman going about her daily life; Anger later said: "<i>Puce Women</i> was my love affair with Hollywood ... with all the great goddesses of the silent screen. They were to be filmed in their homes; I was, in effect, filming ghosts."<sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> Due to lack of funding, only one scene was ever produced, eventually released under the title <i><a href="/wiki/Puce_Moment" title="Puce Moment">Puce Moment</a></i>. That same year, Anger directed <i>The Love That Whirls</i>, a film based on <a href="/wiki/Aztec" class="mw-redirect" title="Aztec">Aztec</a> human sacrifice; because of the nudity it contained, it was destroyed by technicians at the film lab who deemed it obscene.<sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1950–1953:_France,_Rabbit's_Moon_and_Eaux_d'Artifice"><span id="1950.E2.80.931953:_France.2C_Rabbit.27s_Moon_and_Eaux_d.27Artifice"></span>1950–1953: France, <i>Rabbit's Moon</i> and <i>Eaux d'Artifice</i></h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=5" title="Edit section: 1950–1953: France, Rabbit's Moon and Eaux d'Artifice"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 1950, Anger moved to Paris, <a href="/wiki/French_Fourth_Republic" title="French Fourth Republic">France</a>, where he initially stayed with friends of his who had been forced to leave Hollywood after being <a href="/wiki/Hollywood_blacklist" title="Hollywood blacklist">blacklisted</a> for having formerly belonged to trade union organizations.<sup id="cite_ref-getrusso.com_38-0" class="reference"><a href="#cite_note-getrusso.com-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> He later said he traveled to Paris after receiving a letter from the French director <a href="/wiki/Jean_Cocteau" title="Jean Cocteau">Jean Cocteau</a> in which he told Anger of his admiration for <i>Fireworks</i> (shown in 1949 at Festival du Film Maudit in <a href="/wiki/Biarritz" title="Biarritz">Biarritz</a>). Upon Anger's arrival, the two became friends, with Cocteau giving him his permission to make a movie of his ballet <i>The Young Man and Death</i>, although at the time the project had no financial backers.<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> In Paris, Anger continued producing short films; in 1950 he started filming <i><a href="/wiki/Rabbit%27s_Moon" title="Rabbit's Moon">Rabbit's Moon</a></i> (also known as <i>La lune des lapins</i>), about a clown who stares up at the Moon, where a rabbit lives, as in <a href="/wiki/Japanese_mythology" title="Japanese mythology">Japanese mythology</a>. Anger produced 20 minutes of footage at the Films du Pantheon Studio before he was rushed out of the building, leaving the film uncompleted. He stored the footage in the disorganized archives of the Cinémathèque Française and retrieved it in 1970, when he finally finished and released the film.<sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> Cinémathèque Française head <a href="/wiki/Henri_Langlois" title="Henri Langlois">Henri Langlois</a> gave Anger prints of <a href="/wiki/Sergei_Eisenstein" title="Sergei Eisenstein">Sergei Eisenstein</a>'s <i><a href="/wiki/%C2%A1Que_viva_M%C3%A9xico!_(unfinished_film)" title="¡Que viva México! (unfinished film)">Que Viva Mexico!</a></i>, which he attempted to put into Eisenstein's original order.<sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatleft" style="width:246px; ;"> <blockquote class="quotebox-quote left-aligned" style=""> <p>[D'Este was] a sexual <a href="/wiki/Pervert" class="mw-redirect" title="Pervert">pervert</a>. There are very few things I call sexual perversion, but he liked to fuck goats, and that is technically a perversion. </p> </blockquote> <div style="padding-bottom: 0;"><cite class="left-aligned" style="">—Kenneth Anger<sup id="cite_ref-Landis,_1995,_p._63_43-0" class="reference"><a href="#cite_note-Landis,_1995,_p._63-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup></cite></div> </div> <p>In 1953, Anger traveled to <a href="/wiki/Rome,_Italy" class="mw-redirect" title="Rome, Italy">Rome, Italy</a>, where he planned to make a film about the 16th-century occultist <a href="/wiki/Ippolito_II_d%27Este" title="Ippolito II d'Este">Cardinal d'Este</a>. To do so, he began filming at the garden of the <a href="/wiki/Villa_d%27Este" title="Villa d'Este">Villa d'Este</a> in <a href="/wiki/Tivoli,_Italy" class="mw-redirect" title="Tivoli, Italy">Tivoli</a>, in which a lady in 18th-century dress walked through the gardens, which featured many waterfalls (an allusion to the fact that d'Este allegedly sexually enjoyed <a href="/wiki/Urination" title="Urination">urination</a>),<sup id="cite_ref-Landis,_1995,_p._63_43-1" class="reference"><a href="#cite_note-Landis,_1995,_p._63-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> accompanied by the music of <a href="/wiki/Vivaldi" class="mw-redirect" title="Vivaldi">Vivaldi</a>.<sup id="cite_ref-44" class="reference"><a href="#cite_note-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> This was supposed to be only the first of four scenes, but the others were not made; the resulting one-scene film was titled <i><a href="/wiki/Eaux_d%27artifice" class="mw-redirect" title="Eaux d'artifice">Eaux d'artifice</a></i>. Landis remarked, "It's one of Anger's most tranquil works; his editing makes it soft, lush, and inviting. <i>Eaux d'Artifice</i> remains a secretive romp through a private garden, all for the masked figure's and the viewer-voyeur's pleasure."<sup id="cite_ref-45" class="reference"><a href="#cite_note-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1953–1960:_Inauguration_of_the_Pleasure_Dome_and_Hollywood_Babylon"><span id="1953.E2.80.931960:_Inauguration_of_the_Pleasure_Dome_and_Hollywood_Babylon"></span>1953–1960: <i>Inauguration of the Pleasure Dome</i> and <i>Hollywood Babylon</i></h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=6" title="Edit section: 1953–1960: Inauguration of the Pleasure Dome and Hollywood Babylon"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 1953, soon after the production of <i>Eaux d'Artifice</i>, Anger's mother died, and he temporarily returned to the U.S. to assist with the distribution of her estate. During this return, he began to once more immerse himself in California's artistic scene, befriending the filmmaker <a href="/wiki/Stan_Brakhage" title="Stan Brakhage">Stan Brakhage</a>, who had been inspired by <i>Fireworks</i>. The two collaborated on a film, but it was confiscated at the film lab for obscenity and presumably destroyed.<sup id="cite_ref-46" class="reference"><a href="#cite_note-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> Around this time, two of Anger's friends, the couple <a href="/wiki/Renate_Druks" title="Renate Druks">Renate Druks</a> and <a href="/w/index.php?title=Paul_Mathison&action=edit&redlink=1" class="new" title="Paul Mathison (page does not exist)">Paul Mathison</a>, held a party with the theme "Come As Your Madness"; Anger attended dressed in <a href="/wiki/Drag_(entertainment)" title="Drag (entertainment)">drag</a> as the ancient Greek goddess <a href="/wiki/Hekate" class="mw-redirect" title="Hekate">Hekate</a>. The party and its many costumes inspired Anger, who produced a painting of it, and asked several of those who attended to appear in a new film he was creating, <i><a href="/wiki/Inauguration_of_the_Pleasure_Dome" title="Inauguration of the Pleasure Dome">Inauguration of the Pleasure Dome</a></i>.<sup id="cite_ref-47" class="reference"><a href="#cite_note-47"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup> <i>Inauguration</i>, which was created in 1954, is a 38-minute <a href="/wiki/Surrealist" class="mw-redirect" title="Surrealist">surrealist</a> work featuring many Crowleyan and Thelemite themes, with many of the various characters personifying various <a href="/wiki/Pagan" class="mw-redirect" title="Pagan">pagan</a> gods such as <a href="/wiki/Isis" title="Isis">Isis</a>, <a href="/wiki/Osiris" title="Osiris">Osiris</a>, and <a href="/wiki/Pan_(god)" title="Pan (god)">Pan</a>. One of the actresses in the film was <a href="/wiki/Marjorie_Cameron" title="Marjorie Cameron">Marjorie Cameron</a>, the widow of <a href="/wiki/Jack_Parsons" title="Jack Parsons">Jack Parsons</a>, the influential American Thelemite who had died a few years earlier. Anger played Hekate.<sup id="cite_ref-48" class="reference"><a href="#cite_note-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> He subsequently exhibited the film at various European film festivals, winning the Prix du Ciné-Club Belge and the Prix de l'Age d'Or, as well as screening it in the form of a projected <a href="/wiki/Triptych" title="Triptych">triptych</a> at <a href="/wiki/Expo_58" title="Expo 58">Expo 58</a>, the <a href="/wiki/World_Fair" class="mw-redirect" title="World Fair">World Fair</a> held in <a href="/wiki/Brussels" title="Brussels">Brussels</a> in 1958.<sup id="cite_ref-49" class="reference"><a href="#cite_note-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> </p><p>In 1955, Anger and Kinsey traveled to the derelict <a href="/wiki/Abbey_of_Thelema" title="Abbey of Thelema">Abbey of Thelema</a> at <a href="/wiki/Cefal%C3%B9" title="Cefalù">Cefalù</a> in Sicily to film a short documentary, <i>Thelema Abbey</i>. Crowley had used the abbey for his <a href="/wiki/Intentional_community" title="Intentional community">commune</a> during the 1920s, and Anger restored many of the erotic wall paintings that were found there, as well as performing certain Crowleyan rituals at the site. The documentary was made for the British television series <i><a href="/wiki/Omnibus_(UK_TV_series)" class="mw-redirect" title="Omnibus (UK TV series)">Omnibus</a></i>, but was later lost.<sup id="cite_ref-Hunter,_Jack_Page_48_24-1" class="reference"><a href="#cite_note-Hunter,_Jack_Page_48-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-50" class="reference"><a href="#cite_note-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> The next year, after Kinsey's death, Anger decided to return to Paris; he was described at the time as being "extremely remote and lonely".<sup id="cite_ref-51" class="reference"><a href="#cite_note-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> </p><p>In desperate need of money, Anger and <a href="/wiki/Ghostwriter" title="Ghostwriter">ghostwriter</a> <a href="/wiki/Elliott_Stein" title="Elliott Stein">Elliott Stein</a> wrote a book, <i><a href="/wiki/Hollywood_Babylon" title="Hollywood Babylon">Hollywood Babylon</a></i>, in which he compiled gossip about celebrities, some of which he claimed (with no corroboration or citing of sources) he had been told, including that <a href="/wiki/Rudolph_Valentino" title="Rudolph Valentino">Rudolph Valentino</a> liked to play a sexually submissive role to dominant women; that <a href="/wiki/Walt_Disney" title="Walt Disney">Walt Disney</a> was addicted to <a href="/wiki/Opiate" title="Opiate">opiates</a> (reflected in the character of <a href="/wiki/Goofy" title="Goofy">Goofy</a>, who's perpetually stoned on cannabis); and the nature of the deaths of <a href="/wiki/Peg_Entwistle" title="Peg Entwistle">Peg Entwistle</a> and <a href="/wiki/Lupe_V%C3%A9lez" title="Lupe Vélez">Lupe Vélez</a>. The work was not published in the U.S. initially, and was first released by the French publisher <a href="/wiki/Jean-Jacques_Pauvert" title="Jean-Jacques Pauvert">Jean-Jacques Pauvert</a>.<sup id="cite_ref-52" class="reference"><a href="#cite_note-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> A pirated (and incomplete) version was printed in the U.S. in 1965, with the official American version not published until 1974. In response to a lawsuit <a href="/wiki/Gloria_Swanson" title="Gloria Swanson">Gloria Swanson</a> filed against Anger and his publishers, he sent her a foot-long, sugar-filled coffin with "Here lies Gloria" painted on the lid and lined with a paper printed with <a href="/wiki/Hebrew" class="mw-redirect" title="Hebrew">Hebrew</a> letters spelling "shalom". The coffin is preserved at the <a href="/wiki/Harry_Ransom_Center" title="Harry Ransom Center">University of Texas Harry Ransom Center</a> collection.<sup id="cite_ref-53" class="reference"><a href="#cite_note-53"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup> After obtaining some financial backing from the publication of <i>Hollywood Babylon</i>, his next film project was <i><a href="/wiki/The_Story_of_O" class="mw-redirect" title="The Story of O">The Story of O</a></i>; it was essentially a piece of erotica loosely based on the novel of the same name featuring a heterosexual couple engaged in <a href="/wiki/Sadomasochistic" class="mw-redirect" title="Sadomasochistic">sadomasochistic</a> sexual activities, although it refrained from showing any explicit sexual images.<sup id="cite_ref-54" class="reference"><a href="#cite_note-54"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1961–1965:_Scorpio_Rising_and_Kustom_Kar_Kommandos"><span id="1961.E2.80.931965:_Scorpio_Rising_and_Kustom_Kar_Kommandos"></span>1961–1965: <i>Scorpio Rising</i> and <i>Kustom Kar Kommandos</i></h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=7" title="Edit section: 1961–1965: Scorpio Rising and Kustom Kar Kommandos"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Kenneth_Anger_(Scorpio_Rising).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/4/45/Kenneth_Anger_%28Scorpio_Rising%29.jpg/220px-Kenneth_Anger_%28Scorpio_Rising%29.jpg" decoding="async" width="220" height="167" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/45/Kenneth_Anger_%28Scorpio_Rising%29.jpg/330px-Kenneth_Anger_%28Scorpio_Rising%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/45/Kenneth_Anger_%28Scorpio_Rising%29.jpg/440px-Kenneth_Anger_%28Scorpio_Rising%29.jpg 2x" data-file-width="774" data-file-height="588" /></a><figcaption>Anger with a motorcycle on the set of <i>Scorpio Rising</i></figcaption></figure> <p>In 1961, Anger once more returned to the U.S., where he lived for a time with Marjorie Cameron.<sup id="cite_ref-55" class="reference"><a href="#cite_note-55"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup> He began work on a new feature, <i><a href="/wiki/Scorpio_Rising_(film)" title="Scorpio Rising (film)">Scorpio Rising</a></i>, about the <a href="/wiki/Motorcycle" title="Motorcycle">biker</a> subculture. For this, he employed a biker named Richard McAuley, and filmed him and some of his friends messing around, adding to it scenes of McAuley, or "Scorpio" as he became known, desecrating a derelict church. Anger incorporated more controversial visuals into the piece, including <a href="/wiki/Nazi" class="mw-redirect" title="Nazi">Nazi</a> iconography, nudity, and clips of the life of <a href="/wiki/Jesus_Christ" class="mw-redirect" title="Jesus Christ">Jesus Christ</a> taken from the Family Films' <i>The Living Bible: Last Journey to Jerusalem</i>, images of Jesus which are intercut with those of Scorpio. The film has a soundtrack of popular 1960s songs, including "<a href="/wiki/Blue_Velvet_(song)" title="Blue Velvet (song)">Blue Velvet</a>" by <a href="/wiki/Bobby_Vinton" title="Bobby Vinton">Bobby Vinton</a>, "Torture" by <a href="/wiki/Kris_Jensen" title="Kris Jensen">Kris Jensen</a>, and "<a href="/wiki/I_Will_Follow_Him" title="I Will Follow Him">I Will Follow Him</a>" by <a href="/wiki/Little_Peggy_March" class="mw-redirect" title="Little Peggy March">Little Peggy March</a>.<sup id="cite_ref-56" class="reference"><a href="#cite_note-56"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup> Anger called the film "a death mirror held up to American culture ... <a href="/wiki/Thanatos" title="Thanatos">Thanatos</a> in chrome, black leather, and bursting jeans."<sup id="cite_ref-57" class="reference"><a href="#cite_note-57"><span class="cite-bracket">[</span>57<span class="cite-bracket">]</span></a></sup> It immediately became popular on the underground cinema scene but was soon brought to court on obscenity charges. The jury ruled in favor of the prosecutors and <i>Scorpio Rising</i> was banned; the ban was overturned on appeal to the <a href="/wiki/California_Supreme_Court" class="mw-redirect" title="California Supreme Court">California Supreme Court</a>.<sup id="cite_ref-58" class="reference"><a href="#cite_note-58"><span class="cite-bracket">[</span>58<span class="cite-bracket">]</span></a></sup> </p><p>Now living in San Francisco, Anger approached the <a href="/wiki/Ford_Foundation" title="Ford Foundation">Ford Foundation</a>, which had just started a program of grants to filmmakers. He showed the foundation his ideas for a new artistic short, <i><a href="/wiki/Kustom_Kar_Kommandos" title="Kustom Kar Kommandos">Kustom Kar Kommandos</a></i>, which they approved of, giving him a grant of $10,000.<sup id="cite_ref-59" class="reference"><a href="#cite_note-59"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup> Anger spent much of the money on living expenses and alterations to some of his films, so that by the time he actually created <i>Kustom Kar Kommandos</i>, it was only one scene long. The homoerotic film involved various shots of a young man polishing a drag strip racing car, accompanied by a pink background and <a href="/wiki/The_Paris_Sisters" title="The Paris Sisters">The Paris Sisters</a>' song "<a href="/wiki/Dream_Lover" title="Dream Lover">Dream Lover</a>". Soon after, Anger struck a deal that allowed <i>Hollywood Babylon</i> to be officially published for the first time in the U.S., where it proved a success, selling two million copies during the 1960s. Around the same time Anger also translated <a href="/wiki/Joseph-Marie_Lo_Duca" title="Joseph-Marie Lo Duca">Lo Duca</a>'s <i>History of Eroticism</i> into English for American publication.<sup id="cite_ref-60" class="reference"><a href="#cite_note-60"><span class="cite-bracket">[</span>60<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1966–1969:_The_hippie_movement_and_Invocation_of_My_Demon_Brother"><span id="1966.E2.80.931969:_The_hippie_movement_and_Invocation_of_My_Demon_Brother"></span>1966–1969: The hippie movement and <i>Invocation of My Demon Brother</i></h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=8" title="Edit section: 1966–1969: The hippie movement and Invocation of My Demon Brother"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The mid-1960s saw the emergence of the <a href="/wiki/Hippie" title="Hippie">hippie</a> scene and increasing use of the mind-altering drugs Anger had been using for many years. In particular, the <a href="/wiki/Hallucinogen" title="Hallucinogen">hallucinogen</a> <a href="/wiki/LSD" title="LSD">LSD</a>, at the time still legal in the U.S., was very popular, and in 1966 Anger released a version of <i>Inauguration of the Pleasure Dome</i> he called the "Sacred Mushroom Edition", which was screened to people while taking LSD, thereby heightening their sensory experience.<sup id="cite_ref-61" class="reference"><a href="#cite_note-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> By this time, Anger had become well known in the American underground scene, and several cinemas screened his better-known films all in one event.<sup id="cite_ref-62" class="reference"><a href="#cite_note-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup> With his growing fame, Anger began to react to publicity much as his idol Crowley had done, for instance calling himself "the most monstrous moviemaker in the underground", a pun on the fact that British tabloids had labeled Crowley "the wickedest man in the world" in the 1920s.<sup id="cite_ref-63" class="reference"><a href="#cite_note-63"><span class="cite-bracket">[</span>63<span class="cite-bracket">]</span></a></sup> </p><p>Anger's underground fame allowed him to increasingly associate with other celebrities, including <a href="/wiki/Anton_LaVey" title="Anton LaVey">Anton LaVey</a>, the founder of the <a href="/wiki/Church_of_Satan" title="Church of Satan">Church of Satan</a>, who named Anger godfather to his daughter <a href="/wiki/Zeena_Schreck" title="Zeena Schreck">Zeena Schreck</a>.<sup id="cite_ref-64" class="reference"><a href="#cite_note-64"><span class="cite-bracket">[</span>64<span class="cite-bracket">]</span></a></sup> Despite their differing philosophies, Anger and LaVey became good friends and remained so for many years. But Anger also resented some celebrities, such as <a href="/wiki/Andy_Warhol" title="Andy Warhol">Andy Warhol</a>, who at the time was achieving success not only in the art world but also in the underground film scene.<sup id="cite_ref-65" class="reference"><a href="#cite_note-65"><span class="cite-bracket">[</span>65<span class="cite-bracket">]</span></a></sup> In 1980, Anger threw paint on the front door of a house Warhol had recently moved out of.<sup id="cite_ref-66" class="reference"><a href="#cite_note-66"><span class="cite-bracket">[</span>66<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Westerfeld_House_(San_Francisco).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a9/Westerfeld_House_%28San_Francisco%29.jpg/220px-Westerfeld_House_%28San_Francisco%29.jpg" decoding="async" width="220" height="173" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a9/Westerfeld_House_%28San_Francisco%29.jpg/330px-Westerfeld_House_%28San_Francisco%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a9/Westerfeld_House_%28San_Francisco%29.jpg/440px-Westerfeld_House_%28San_Francisco%29.jpg 2x" data-file-width="4648" data-file-height="3654" /></a><figcaption>The ornate "Russian Embassy" house in San Francisco, where Anger lived in 1966 and 1967.</figcaption></figure> <p>In 1966, Anger moved into the ground floor of the <a href="/wiki/William_Westerfeld_House" title="William Westerfeld House">William Westerfeld House</a>, a large 19th-century <a href="/wiki/Victorian_house" title="Victorian house">Victorian house</a> in San Francisco also known as the "Russian Embassy".<sup id="cite_ref-67" class="reference"><a href="#cite_note-67"><span class="cite-bracket">[</span>67<span class="cite-bracket">]</span></a></sup> Around this time he began planning a new film, <i>Lucifer Rising</i>, echoing his Thelemite beliefs about the emerging <a href="/wiki/Aeon_of_Horus" title="Aeon of Horus">Aeon of Horus</a>. He tattooed Lucifer's name on his chest and began searching for a young man who could symbolically become Lucifer, "the Crowned and Conquering Child" of the new Aeon, for the film. While living at the Russian Embassy, he met and lived with various young men who could fill the role, eventually settling on <a href="/wiki/Bobby_Beausoleil" title="Bobby Beausoleil">Bobby Beausoleil</a>.<sup id="cite_ref-68" class="reference"><a href="#cite_note-68"><span class="cite-bracket">[</span>68<span class="cite-bracket">]</span></a></sup> Beausoleil founded a band, the Magic Powerhouse of Oz, to record the film's soundtrack.<sup id="cite_ref-69" class="reference"><a href="#cite_note-69"><span class="cite-bracket">[</span>69<span class="cite-bracket">]</span></a></sup> In 1967, Anger said the footage he had been filming for <i>Lucifer Rising</i> had been stolen, accusing Beausoleil, who denied it. Landis quotes Beausoleil as saying, "[W]hat had happened was that Kenneth had spent all the money that was invested in <i>Lucifer Rising</i>" and that he therefore invented the story to satisfy the film's creditors.<sup id="cite_ref-70" class="reference"><a href="#cite_note-70"><span class="cite-bracket">[</span>70<span class="cite-bracket">]</span></a></sup> Beausoleil and Anger fell out, with the former getting involved with <a href="/wiki/Charles_Manson" title="Charles Manson">Charles Manson</a> and the <a href="/wiki/Manson_Family" title="Manson Family">Manson Family</a>. Beausoleil later tortured and murdered <a href="/wiki/Gary_Hinman" class="mw-redirect" title="Gary Hinman">Gary Hinman</a> in a drug robbery gone wrong, for which he is serving a life sentence as of 2023.<sup id="cite_ref-71" class="reference"><a href="#cite_note-71"><span class="cite-bracket">[</span>71<span class="cite-bracket">]</span></a></sup> </p><p>In the October 26, 1967, issue of <i><a href="/wiki/The_Village_Voice" title="The Village Voice">The Village Voice</a></i>, Anger publicly reinvented himself by placing a full-page ad declaring, "In Memoriam. Kenneth Anger. Filmmaker 1947–1967". He soon publicly reappeared, this time to claim he had burned all of his early work.<sup id="cite_ref-72" class="reference"><a href="#cite_note-72"><span class="cite-bracket">[</span>72<span class="cite-bracket">]</span></a></sup> The next year he traveled to London, where he first met <a href="/wiki/John_Paul_Getty,_Jr." class="mw-redirect" title="John Paul Getty, Jr.">John Paul Getty, Jr.</a>, who became Anger's patron, and also met and befriended <a href="/wiki/Mick_Jagger" title="Mick Jagger">Mick Jagger</a> and <a href="/wiki/Keith_Richards" title="Keith Richards">Keith Richards</a>, members of <a href="/wiki/The_Rolling_Stones" title="The Rolling Stones">The Rolling Stones</a>,<sup id="cite_ref-73" class="reference"><a href="#cite_note-73"><span class="cite-bracket">[</span>73<span class="cite-bracket">]</span></a></sup> as well as actress/model <a href="/wiki/Anita_Pallenberg" title="Anita Pallenberg">Anita Pallenberg</a>.<sup id="cite_ref-74" class="reference"><a href="#cite_note-74"><span class="cite-bracket">[</span>74<span class="cite-bracket">]</span></a></sup> Anger decided to use much of the footage created for <i>Lucifer Rising</i> in a new film, <i><a href="/wiki/Invocation_of_My_Demon_Brother" title="Invocation of My Demon Brother">Invocation of My Demon Brother</a></i>, which starred Beausoleil, LaVey, Jagger, Richards, and Anger, the music for which was composed by Jagger. It was released in 1969 and explored many of the Thelemic themes Anger had originally intended for <i>Lucifer Rising</i>.<sup id="cite_ref-75" class="reference"><a href="#cite_note-75"><span class="cite-bracket">[</span>75<span class="cite-bracket">]</span></a></sup> Author <a href="/wiki/Gary_Lachman" title="Gary Lachman">Gary Lachman</a> believes the film "inaugurat[ed] the <a href="/wiki/Midnight_movie" title="Midnight movie">midnight movie</a> cult at the <a href="/wiki/Elgin_Theater" title="Elgin Theater">Elgin Theatre</a>."<sup id="cite_ref-76" class="reference"><a href="#cite_note-76"><span class="cite-bracket">[</span>76<span class="cite-bracket">]</span></a></sup> The story of the film, its making, and the people involved inspired <a href="/wiki/Zachary_Lazar" title="Zachary Lazar">Zachary Lazar</a>'s novel <i>Sway</i>.<sup id="cite_ref-77" class="reference"><a href="#cite_note-77"><span class="cite-bracket">[</span>77<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-78" class="reference"><a href="#cite_note-78"><span class="cite-bracket">[</span>78<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1970–1981:_Lucifer_Rising"><span id="1970.E2.80.931981:_Lucifer_Rising"></span>1970–1981: <i>Lucifer Rising</i></h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=9" title="Edit section: 1970–1981: Lucifer Rising"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Having used up much of the footage originally intended for <i>Lucifer Rising</i> in <i>Invocation of My Demon Brother</i>, Anger made a second attempt to complete <i>Lucifer Rising</i>. He persuaded the singer and actress <a href="/wiki/Marianne_Faithfull" title="Marianne Faithfull">Marianne Faithfull</a> to appear in the film, and unsuccessfully tried to convince Jagger to play <a href="/wiki/Lucifer" title="Lucifer">Lucifer</a>; instead he offered his brother Chris the part.<sup id="cite_ref-79" class="reference"><a href="#cite_note-79"><span class="cite-bracket">[</span>79<span class="cite-bracket">]</span></a></sup> Anger subsequently filmed eight minutes of film and showed it to the British <a href="/wiki/National_Film_Finance_Corporation" title="National Film Finance Corporation">National Film Finance Corporation</a>, which agreed to provide £15,000 for Anger to complete it – something that caused a level of outrage in the British press. With this money he could afford to fly the cast and crew to both <a href="/wiki/West_Germany" title="West Germany">West Germany</a> and Egypt for filming.<sup id="cite_ref-80" class="reference"><a href="#cite_note-80"><span class="cite-bracket">[</span>80<span class="cite-bracket">]</span></a></sup> </p><p>Anger befriended <a href="/wiki/Led_Zeppelin" title="Led Zeppelin">Led Zeppelin</a> guitarist <a href="/wiki/Jimmy_Page" title="Jimmy Page">Jimmy Page</a> around this time, the two sharing a great interest in Crowley. At Page's invitation, he traveled to Page's new home in <a href="/wiki/Scotland" title="Scotland">Scotland</a>, Crowley's former residence <a href="/wiki/Boleskine_House" title="Boleskine House">Boleskine House</a>, to help Page exorcise the building of what Page believed to be a headless man's ghost.<sup id="cite_ref-81" class="reference"><a href="#cite_note-81"><span class="cite-bracket">[</span>81<span class="cite-bracket">]</span></a></sup> Page agreed to produce the soundtrack for <i>Lucifer Rising</i>,<sup id="cite_ref-82" class="reference"><a href="#cite_note-82"><span class="cite-bracket">[</span>82<span class="cite-bracket">]</span></a></sup> and used the editing suite in his London home to shape the music.<sup id="cite_ref-GW2006_83-0" class="reference"><a href="#cite_note-GW2006-83"><span class="cite-bracket">[</span>83<span class="cite-bracket">]</span></a></sup> Anger later fell out with Page's partner, Charlotte, who kicked him out of the house. In retaliation he called a press conference in which he ridiculed Page and threatened to "throw a Kenneth Anger curse" on him.<sup id="cite_ref-84" class="reference"><a href="#cite_note-84"><span class="cite-bracket">[</span>84<span class="cite-bracket">]</span></a></sup> Page's music was dumped from the film and replaced in 1979 by music written and recorded by the imprisoned Beausoleil, with whom Anger had reconciled.<sup id="cite_ref-85" class="reference"><a href="#cite_note-85"><span class="cite-bracket">[</span>85<span class="cite-bracket">]</span></a></sup> </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatleft" style="width:246px; ;"> <blockquote class="quotebox-quote left-aligned" style=""> <p>[Lucifer is] a teenage rebel. Lucifer must be played by a teenage boy. It's type-casting. I'm a pagan and the film is a real invocation of Lucifer. I'm much realer than <a href="/wiki/Von_Stroheim" class="mw-redirect" title="Von Stroheim">von Stroheim</a>. The film contained real black magicians, a real ceremony, real altars, real human blood, and a real magic circle consecrated with blood and cum. </p> </blockquote> <div style="padding-bottom: 0;"><cite class="left-aligned" style="">—Kenneth Anger<sup id="cite_ref-Landis|1995|p=237_86-0" class="reference"><a href="#cite_note-Landis|1995|p=237-86"><span class="cite-bracket">[</span>86<span class="cite-bracket">]</span></a></sup></cite></div> </div> <p>Meanwhile, Anger, who had moved to a small apartment on <a href="/wiki/Manhattan" title="Manhattan">Manhattan</a>'s <a href="/wiki/Upper_East_Side" title="Upper East Side">Upper East Side</a>, took the footage he had filmed for <i>Rabbit's Moon</i> in the 1950s, finally released the film in 1972, and again in a shorter version in 1979. Around the same time he also added a new soundtrack to <i>Puce Moment</i> and rereleased it.<sup id="cite_ref-87" class="reference"><a href="#cite_note-87"><span class="cite-bracket">[</span>87<span class="cite-bracket">]</span></a></sup> Also around this time, the publisher Marvin Miller produced a low-budget documentary film based on <i>Hollywood Babylon</i> without Anger's permission, which upset Anger and led to a lawsuit.<sup id="cite_ref-88" class="reference"><a href="#cite_note-88"><span class="cite-bracket">[</span>88<span class="cite-bracket">]</span></a></sup> Anger also created a short film, <i>Senators in Bondage</i>, available only to private collectors and never made publicly available. He had plans to make a film about Aleister Crowley titled <i>The Wickedest Man in the World</i>, but this project never got off the ground.<sup id="cite_ref-89" class="reference"><a href="#cite_note-89"><span class="cite-bracket">[</span>89<span class="cite-bracket">]</span></a></sup> </p><p>In 1981, a decade after starting the project, Anger finally finished and released the 30-minute <i>Lucifer Rising</i>. Based upon the Thelemite concept that mankind had entered a new period known as the Aeon of Horus, <i>Lucifer Rising</i> was full of occult symbolism, starring Miriam Gibril as the <a href="/wiki/Ancient_Egypt" title="Ancient Egypt">ancient Egyptian</a> goddess <a href="/wiki/Isis" title="Isis">Isis</a>, <a href="/wiki/Donald_Cammell" title="Donald Cammell">Donald Cammell</a> as her consort <a href="/wiki/Osiris" title="Osiris">Osiris</a>, Faithfull as Jewish mythological figure <a href="/wiki/Lilith" title="Lilith">Lilith</a>, and Leslie Huggins as Lucifer. Anger once again appeared in the film, as the Magus, the same role he played in <i>Invocation of My Demon Brother</i>.<sup id="cite_ref-90" class="reference"><a href="#cite_note-90"><span class="cite-bracket">[</span>90<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1982–1999:_Retirement"><span id="1982.E2.80.931999:_Retirement"></span>1982–1999: Retirement</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=10" title="Edit section: 1982–1999: Retirement"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Soon after the release of <i>Lucifer Rising</i>, a <a href="/wiki/PBS" title="PBS">PBS</a> documentary about Anger and his films, <i>Kenneth Anger's Magick</i>, was made. It was directed by Kit Fitzgerald, who later recalled interviewing Anger in his <a href="/wiki/Manhattan" title="Manhattan">Manhattan</a> apartment on a very hot July evening, during which he revealed that he was so broke that he had been forced to sell his air conditioner.<sup id="cite_ref-91" class="reference"><a href="#cite_note-91"><span class="cite-bracket">[</span>91<span class="cite-bracket">]</span></a></sup> Anger himself considered producing other films that would continue on from <i>Lucifer Rising</i> in a series, and he began calling his finished film <i>Part I: Sign Language</i>, to be followed by two further parts.<sup id="cite_ref-Landis|1995|p=237_86-1" class="reference"><a href="#cite_note-Landis|1995|p=237-86"><span class="cite-bracket">[</span>86<span class="cite-bracket">]</span></a></sup> But those projects were never finished, and Anger did not produce any further films for nearly two decades. In need of money, he released <i>Hollywood Babylon II</i> in 1984, as well as continuing to screen his films at various festivals and universities and continuing to attempt to produce <i>Lucifer Rising II</i>; around this time he began wearing an eyepatch to these public events, likely due to having been beaten up and getting a bruised eye, a story he told in various interviews, although partly changing the assailant in various versions.<sup id="cite_ref-92" class="reference"><a href="#cite_note-92"><span class="cite-bracket">[</span>92<span class="cite-bracket">]</span></a></sup> </p><p>A notorious incident occurred when Anger was invited to appear on <a href="/wiki/Coca_Crystal" title="Coca Crystal">Coca Crystal</a>'s television show in 1984. Upon arriving at the studio he demanded that somebody pay for his taxi ride there, and when they refused, he attacked talent coordinator Maureen Ivice and tried to drag her into his taxi before she was rescued by other members of staff. Anger reportedly escaped the scene by flinging a $100 bill at the cab driver and screaming, "Get me out of here!"<sup id="cite_ref-93" class="reference"><a href="#cite_note-93"><span class="cite-bracket">[</span>93<span class="cite-bracket">]</span></a></sup> </p><p>In 1986, Anger sold the video rights to his films, which finally appeared on <a href="/wiki/VHS" title="VHS">VHS</a>, allowing them to have greater publicity. The next year, he attended the <a href="/wiki/Avignon_Film_Festival" title="Avignon Film Festival">Avignon Film Festival</a> in France, where his work was being celebrated in commemoration of the 40th anniversary of <i>Fireworks</i>. Soon thereafter, he appeared in <i>Kenneth Anger's Hollywood Babylon</i>, a <a href="/wiki/BBC" title="BBC">BBC</a> documentary directed by <a href="/wiki/Nigel_Finch" title="Nigel Finch">Nigel Finch</a> for the <i>Arena</i> series. In 1991, he moved to West Arenas Boulevard in <a href="/wiki/Palm_Springs,_California" title="Palm Springs, California">Palm Springs, California</a>, living in what was formerly the estate of his friend <a href="/wiki/Ruby_Keeler" title="Ruby Keeler">Ruby Keeler</a>, where the <a href="/wiki/British_Film_Institute" title="British Film Institute">British Film Institute</a> sent Rebecca Wood to assist him in writing a never-produced autobiography.<sup id="cite_ref-94" class="reference"><a href="#cite_note-94"><span class="cite-bracket">[</span>94<span class="cite-bracket">]</span></a></sup> Instead, in 1995, Bill Landis, who had been an associate of Anger's in the early 1980s, wrote an unofficial biography of him. Anger condemned Landis's book, calling Landis "an avowed enemy".<sup id="cite_ref-Landis|1995|p=xiii_95-0" class="reference"><a href="#cite_note-Landis|1995|p=xiii-95"><span class="cite-bracket">[</span>95<span class="cite-bracket">]</span></a></sup> </p><p>In 1993, Anger visited <a href="/wiki/Sydney" title="Sydney">Sydney</a> and lectured at a season of his films at the <a href="/wiki/Australian_Film_Institute" title="Australian Film Institute">Australian Film Institute</a> Cinema. In an interview given at the time to <i>Black and White</i> magazine,<sup id="cite_ref-96" class="reference"><a href="#cite_note-96"><span class="cite-bracket">[</span>96<span class="cite-bracket">]</span></a></sup> he said he was staying in <a href="/wiki/Kings_Cross,_New_South_Wales" title="Kings Cross, New South Wales">King's Cross</a> and putting the finishing touches on the final treatment of a feature film about Australian artist and occultist <a href="/wiki/Rosaleen_Norton" title="Rosaleen Norton">Rosaleen Norton</a>. This project was unrealized.<sup id="cite_ref-97" class="reference"><a href="#cite_note-97"><span class="cite-bracket">[</span>97<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="2000–2023:_Return_to_filmmaking_and_final_years"><span id="2000.E2.80.932023:_Return_to_filmmaking_and_final_years"></span>2000–2023: Return to filmmaking and final years</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=11" title="Edit section: 2000–2023: Return to filmmaking and final years"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure typeof="mw:File/Thumb"><a href="/wiki/File:Kenneth_Anger_Hand_Prints.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/33/Kenneth_Anger_Hand_Prints.jpg/150px-Kenneth_Anger_Hand_Prints.jpg" decoding="async" width="150" height="180" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/33/Kenneth_Anger_Hand_Prints.jpg/225px-Kenneth_Anger_Hand_Prints.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/33/Kenneth_Anger_Hand_Prints.jpg/300px-Kenneth_Anger_Hand_Prints.jpg 2x" data-file-width="1116" data-file-height="1340" /></a><figcaption>Signature and handprints of Kenneth Anger in front of the <a href="/wiki/Vista_Theatre_(Los_Angeles,_California)" class="mw-redirect" title="Vista Theatre (Los Angeles, California)">Vista Theatre</a>, Los Angeles</figcaption></figure> <p>In 2000, Anger began screening a new short film, the anti-smoking <i>Don't Smoke That Cigarette</i>, followed a year later by <i>The Man We Want to Hang</i>, which comprised images of Crowley's paintings that had been shown at a temporary exhibition in <a href="/wiki/Bloomsbury_Publishing" title="Bloomsbury Publishing">Bloomsbury</a>, London. In 2004, he began showing <i>Anger Sees Red</i>, a short surrealistic film starring himself, and the same year also began showing another work, <i>Patriotic Penis</i>.<sup id="cite_ref-98" class="reference"><a href="#cite_note-98"><span class="cite-bracket">[</span>98<span class="cite-bracket">]</span></a></sup> Anger soon followed this with a flurry of other shorts, including <i>Mouse Heaven</i>, which consisted of images of <a href="/wiki/Mickey_Mouse" title="Mickey Mouse">Mickey Mouse</a> memorabilia; <i>Ich Will!</i>; and <i>Uniform Attraction</i>, all of which he showed at various public appearances.<sup id="cite_ref-99" class="reference"><a href="#cite_note-99"><span class="cite-bracket">[</span>99<span class="cite-bracket">]</span></a></sup> Anger's final project was <i>Technicolor Skull</i>, with musician <a href="/wiki/Brian_Butler_(artist)" title="Brian Butler (artist)">Brian Butler</a>, described as a "magick ritual of light and sound in the context of a live performance", in which Anger plays the theremin and Butler plays the guitar and other electronic instruments amid a psychedelic backdrop of colors and skulls.<sup id="cite_ref-100" class="reference"><a href="#cite_note-100"><span class="cite-bracket">[</span>100<span class="cite-bracket">]</span></a></sup> </p><p>Anger made an appearance in <a href="/wiki/Nik_Sheehan" title="Nik Sheehan">Nik Sheehan</a>'s 2008 feature documentary about <a href="/wiki/Brion_Gysin" title="Brion Gysin">Brion Gysin</a> and the <a href="/wiki/Dreamachine" title="Dreamachine">Dreamachine</a>, <i>FLicKeR</i>.<sup id="cite_ref-101" class="reference"><a href="#cite_note-101"><span class="cite-bracket">[</span>101<span class="cite-bracket">]</span></a></sup> He also appeared alongside <a href="/wiki/Vincent_Gallo" title="Vincent Gallo">Vincent Gallo</a> in the 2009 short film <i>Night of Pan</i>, written and directed by Brian Butler.<sup id="cite_ref-102" class="reference"><a href="#cite_note-102"><span class="cite-bracket">[</span>102<span class="cite-bracket">]</span></a></sup> In 2009 his work was featured in a retrospective exhibition at the <a href="/wiki/MoMA_PS1" title="MoMA PS1">MoMA PS1</a> in New York City,<sup id="cite_ref-103" class="reference"><a href="#cite_note-103"><span class="cite-bracket">[</span>103<span class="cite-bracket">]</span></a></sup> and the next year a similar exhibition took place in London.<sup id="cite_ref-guardian.co.uk_29-1" class="reference"><a href="#cite_note-guardian.co.uk-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p><p>Anger finished writing <i>Hollywood Babylon III</i> but did not publish it, fearing severe legal repercussions if he did. Of this, he said: "The main reason I didn't bring it out was that I had a whole section on <a href="/wiki/Tom_Cruise" title="Tom Cruise">Tom Cruise</a> and the <a href="/wiki/Scientologists" class="mw-redirect" title="Scientologists">Scientologists</a>. I'm not a friend of the Scientologists."<sup id="cite_ref-guardian.co.uk_29-2" class="reference"><a href="#cite_note-guardian.co.uk-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> Despite withholding legal action against the highly critical 2015 film <a href="/wiki/Going_Clear_(film)" title="Going Clear (film)"><i>Going Clear</i></a>, the <a href="/wiki/Church_of_Scientology" title="Church of Scientology">Church of Scientology</a> is known to sue those making accusations against it. </p><p>In 2019, he became the subject of the documentary short <i>Cinemagician - Conversations with Kenneth Anger</i>, by Swedish author and filmmaker Carl Abrahamsson, which features some of his last recorded interviews.<sup id="cite_ref-104" class="reference"><a href="#cite_note-104"><span class="cite-bracket">[</span>104<span class="cite-bracket">]</span></a></sup> </p><p>Anger died at a care facility in <a href="/wiki/Yucca_Valley,_California" title="Yucca Valley, California">Yucca Valley, California</a>, on May 11, 2023, at the age of 96. The announcement of his death was delayed until May 24 while his estate was being settled.<sup id="cite_ref-105" class="reference"><a href="#cite_note-105"><span class="cite-bracket">[</span>105<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-106" class="reference"><a href="#cite_note-106"><span class="cite-bracket">[</span>106<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Themes">Themes</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=12" title="Edit section: Themes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Hollywood_Babylon_in_London.JPG" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/b/be/Hollywood_Babylon_in_London.JPG/220px-Hollywood_Babylon_in_London.JPG" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/b/be/Hollywood_Babylon_in_London.JPG/330px-Hollywood_Babylon_in_London.JPG 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/b/be/Hollywood_Babylon_in_London.JPG/440px-Hollywood_Babylon_in_London.JPG 2x" data-file-width="3072" data-file-height="2304" /></a><figcaption>The logo for an exhibition of Anger's work held in London, 2010.</figcaption></figure> <p>Several recurring themes can be seen in Anger's cinematic work. One of the most notable is <a href="/wiki/Homoeroticism" title="Homoeroticism">homoeroticism</a>, first seen in <i>Fireworks</i> (1947), which was based on Anger's own homosexual awakening and featured various navy officers flexing their muscles and a white fluid (often thought to symbolize <a href="/wiki/Semen" title="Semen">semen</a>) pouring over the protagonist's body. There is similar homoerotic imagery in <i>Scorpio Rising</i> (1963), which stars a muscled, topless, leather-clad biker, and <i>Kustom Kar Kommandos</i> (1965), where a young man sensually polishes a car, with close-up shots of his tight-fitting jeans and crotch. Images of naked men also appear in <i>Invocation of My Demon Brother</i> (1969), where they are eventually filmed wrestling, and <i>Anger Sees Red</i> (2004), in which a muscled, topless man performs press-ups. </p><p>Another recurring theme in Anger's films is the occult, particularly the symbolism of his own esoteric religion, Thelema. This is visible in <i>Inauguration of the Pleasure Dome</i>, <i>Invocation of My Demon Brother</i>, and <i>Lucifer Rising</i>, all of which are based on the Thelemite concept of the Aeon of Horus and feature actors portraying pagan gods. Anger linked the creation of film to the occult, particularly the practice of <a href="/wiki/Ceremonial_magic" title="Ceremonial magic">ceremonial magic</a>, something of which Crowley had been a noted practitioner. Anger once said, "making a movie is casting a spell."<sup id="cite_ref-107" class="reference"><a href="#cite_note-107"><span class="cite-bracket">[</span>107<span class="cite-bracket">]</span></a></sup> </p><p>One of the central recurring images in Anger's work is flames and light; <i>Fireworks</i> has various examples, including a burning <a href="/wiki/Christmas_tree" title="Christmas tree">Christmas tree</a>. This relates to Lucifer, a deity to whom Anger devoted one of his films, whose name is <a href="/wiki/Latin" title="Latin">Latin</a> for "light bearer".<sup id="cite_ref-108" class="reference"><a href="#cite_note-108"><span class="cite-bracket">[</span>108<span class="cite-bracket">]</span></a></sup> </p><p>In many of his films, heavy use is made of music, both classical and pop, to accompany the visual imagery. In <i>Scorpio Rising</i> he makes use of the 1950s/1960s pop songs "Torture" by Kris Jensen, "I Will Follow Him" by Little Peggy March, and "Blue Velvet" by Bobby Vinton. He first used music to accompany visuals in the 1941 work <i>Who Has Been Rocking My Dreamboat?</i>, which uses tracks by the <a href="/wiki/Mills_Brothers" class="mw-redirect" title="Mills Brothers">Mills Brothers</a>.<sup id="cite_ref-getrusso.com_38-1" class="reference"><a href="#cite_note-getrusso.com-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> His use of popular music to accompany his films has been cited as a key influence on the development of music videos and <a href="/wiki/MTV" title="MTV">MTV</a>, although he stated his dislike for the music video industry. On one occasion the band <a href="/wiki/Combustible_Edison" title="Combustible Edison">Combustible Edison</a> asked Anger to direct a video to accompany its song "Bluebeard"; he declined, believing that while music could be used to accompany film, it was pointless to do it the other way around.<sup id="cite_ref-getrusso.com_38-2" class="reference"><a href="#cite_note-getrusso.com-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Awards">Awards</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=13" title="Edit section: Awards"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/Maya_Deren_Award" title="Maya Deren Award">Maya Deren Award</a>, 1996<sup id="cite_ref-miaminewtimes_109-0" class="reference"><a href="#cite_note-miaminewtimes-109"><span class="cite-bracket">[</span>109<span class="cite-bracket">]</span></a></sup></li> <li><a href="/wiki/Silver_Lake_Film_Festival" title="Silver Lake Film Festival">Silver Lake Film Festival</a> Spirit of Silver Lake Award (2000)<sup id="cite_ref-110" class="reference"><a href="#cite_note-110"><span class="cite-bracket">[</span>110<span class="cite-bracket">]</span></a></sup></li> <li><a href="/wiki/San_Francisco_International_Film_Festival" title="San Francisco International Film Festival">San Francisco International Film Festival</a> Golden Gate Persistence of Vision Award (2001)<sup id="cite_ref-111" class="reference"><a href="#cite_note-111"><span class="cite-bracket">[</span>111<span class="cite-bracket">]</span></a></sup></li> <li><a href="/wiki/Los_Angeles_Film_Critics_Association" title="Los Angeles Film Critics Association">Los Angeles Film Critics Association</a> Douglas Edwards Independent/Experimental Film/Video Award (2002), "for his body of work"; tied with <a href="/wiki/Michael_Snow" title="Michael Snow">Michael Snow</a>, for <i>*Corpus Callosum</i><sup id="cite_ref-112" class="reference"><a href="#cite_note-112"><span class="cite-bracket">[</span>112<span class="cite-bracket">]</span></a></sup></li> <li><a href="/wiki/Anthology_Film_Archives" title="Anthology Film Archives">Anthology Film Archives</a>, Life Achievement Award (2010)<sup id="cite_ref-113" class="reference"><a href="#cite_note-113"><span class="cite-bracket">[</span>113<span class="cite-bracket">]</span></a></sup></li></ul> <div class="mw-heading mw-heading2"><h2 id="Personality_and_beliefs">Personality and beliefs</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=14" title="Edit section: Personality and beliefs"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatright" style="width:246px; ;"> <blockquote class="quotebox-quote left-aligned" style=""> <p>If you are a member of the media, you belong to the public. You've made that <a href="/wiki/Faust_(opera)" title="Faust (opera)">Faustian</a> bargain with your public. Take me – all of me – I'm yours. </p> </blockquote> <div style="padding-bottom: 0;"><cite class="left-aligned" style="">—Kenneth Anger<sup id="cite_ref-114" class="reference"><a href="#cite_note-114"><span class="cite-bracket">[</span>114<span class="cite-bracket">]</span></a></sup></cite></div> </div> <p>Anger was known for his reclusive nature and had been called an "extremely private individual",<sup id="cite_ref-Landis|1995|p=xiii_95-1" class="reference"><a href="#cite_note-Landis|1995|p=xiii-95"><span class="cite-bracket">[</span>95<span class="cite-bracket">]</span></a></sup> although he gave various interviews over the years, including one with Rocco Castoro of <i><a href="/wiki/Vice_(magazine)" title="Vice (magazine)">Vice</a></i>.<sup id="cite_ref-115" class="reference"><a href="#cite_note-115"><span class="cite-bracket">[</span>115<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-116" class="reference"><a href="#cite_note-116"><span class="cite-bracket">[</span>116<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-117" class="reference"><a href="#cite_note-117"><span class="cite-bracket">[</span>note 1<span class="cite-bracket">]</span></a></sup> In such interviews, he refused to discuss his name change from Anglemyer to Anger, telling one interviewer: "You're being impertinent. It says 'Anger' on my passport. That's all you need to know. I would stay away from that subject if I were you."<sup id="cite_ref-Lachman,_Gary_Page_10_31-1" class="reference"><a href="#cite_note-Lachman,_Gary_Page_10-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> But in a 2010 interview, he said: "I just condensed my name. I knew it would be like a label, a logo. It's easy to remember."<sup id="cite_ref-guardian.co.uk_29-3" class="reference"><a href="#cite_note-guardian.co.uk-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p><p>Anger once joked that he was "somewhat to the right of the <a href="/wiki/KKK" class="mw-redirect" title="KKK">KKK</a>" in his views about black people,<sup id="cite_ref-Landis|1995|p=50_118-0" class="reference"><a href="#cite_note-Landis|1995|p=50-118"><span class="cite-bracket">[</span>117<span class="cite-bracket">]</span></a></sup> opening him up to criticism for racism, though some theorize it was a "Crowley-esque joke".<sup id="cite_ref-Landis|1995|p=50_118-1" class="reference"><a href="#cite_note-Landis|1995|p=50-118"><span class="cite-bracket">[</span>117<span class="cite-bracket">]</span></a></sup> He supported the <a href="/wiki/Tibetan_independence_movement" title="Tibetan independence movement">Tibetan independence movement</a>.<sup id="cite_ref-on_Crowley_119-0" class="reference"><a href="#cite_note-on_Crowley-119"><span class="cite-bracket">[</span>118<span class="cite-bracket">]</span></a></sup> </p><p>Anger was a Thelemite and belonged to the main Thelemic organization, <a href="/wiki/Ordo_Templi_Orientis" title="Ordo Templi Orientis">Ordo Templi Orientis</a>.<sup id="cite_ref-120" class="reference"><a href="#cite_note-120"><span class="cite-bracket">[</span>119<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-121" class="reference"><a href="#cite_note-121"><span class="cite-bracket">[</span>120<span class="cite-bracket">]</span></a></sup> He viewed many of the men he associated with as living embodiments of Lucifer, a symbol of the Aeon of Horus in Thelemic philosophy, and had his own name inked onto his chest with the Lucifer tattoo.<sup id="cite_ref-on_Crowley_119-1" class="reference"><a href="#cite_note-on_Crowley-119"><span class="cite-bracket">[</span>118<span class="cite-bracket">]</span></a></sup> Anger showed an interest in various other religious movements, particularly those that related in some way to occultism. For instance, he was a lifelong friend of Anton LaVey from before the founding of the Church of Satan in the 1960s, even living with him and his family during the 1990s.<sup id="cite_ref-122" class="reference"><a href="#cite_note-122"><span class="cite-bracket">[</span>121<span class="cite-bracket">]</span></a></sup> LaVey also appeared in Anger's <i>Invocation of My Demon Brother</i> as a devilish priest. Anger called himself a <a href="/wiki/Pagan" class="mw-redirect" title="Pagan">pagan</a> and did not consider himself a <a href="/wiki/Satanist" class="mw-redirect" title="Satanist">Satanist</a>.<sup id="cite_ref-guardian.co.uk_29-4" class="reference"><a href="#cite_note-guardian.co.uk-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> He has called <a href="/wiki/Wicca" title="Wicca">Wicca</a> a "lunar", feminine religion in contrast to Thelema's "solar" masculinity.<sup id="cite_ref-on_Crowley_119-2" class="reference"><a href="#cite_note-on_Crowley-119"><span class="cite-bracket">[</span>118<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Filmography">Filmography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=15" title="Edit section: Filmography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <table class="sortable wikitable" style="width=95%;"> <tbody><tr> <th width="55">Date </th> <th style="width:230px;">Title </th> <th width="80">Length </th> <th width="">Notes </th></tr> <tr valign="top"> <td style="text-align:center;">1937</td> <td><i>Ferdinand the Bull</i></td> <td></td> <td>Lost film </td></tr> <tr valign="top"> <td style="text-align:center;">1941–42</td> <td><i>Tinsel Tree</i></td> <td><span data-sort-value="0" style="display:none;"></span>3 mins.</td> <td>A silent black-and-white film that Anger personally hand tinted with gold-scarlet over the flames. It featured a <a href="/wiki/Christmas_tree" title="Christmas tree">Christmas tree</a> being dressed in decorations, before being shown stripped and bare and set on fire.<sup id="cite_ref-123" class="reference"><a href="#cite_note-123"><span class="cite-bracket">[</span>122<span class="cite-bracket">]</span></a></sup> </td></tr> <tr valign="top"> <td style="text-align:center;">1942</td> <td><i>Prisoner of Mars</i></td> <td>11 mins.</td> <td>A silent black-and-white film that mixes futuristic science fiction with the ancient Greek myth of the <a href="/wiki/Minotaur" title="Minotaur">Minotaur</a>. The plot revolves around a character, The Boy Elect from Earth, played by Anger himself, who is sent in a rocket to <a href="/wiki/Mars" title="Mars">Mars</a> where he finds himself in a <a href="/wiki/Labyrinth" title="Labyrinth">labyrinth</a> filled with the bones of other adolescents sent there in the past.<sup id="cite_ref-124" class="reference"><a href="#cite_note-124"><span class="cite-bracket">[</span>123<span class="cite-bracket">]</span></a></sup> </td></tr> <tr valign="top"> <td style="text-align:center;">1943</td> <td><span data-sort-value="Nest" style="display:none;"></span><i>The Nest</i></td> <td>20 mins.</td> <td>A silent black-and-white film in which a brother (played by Bob Jones) and sister (Jo Whittaker) are examining mirrors when a third figure (Dare Harris), causes them to act violently against one another, before a magical rite takes place in which the sister's binding spell is destroyed by the brother.<sup id="cite_ref-125" class="reference"><a href="#cite_note-125"><span class="cite-bracket">[</span>124<span class="cite-bracket">]</span></a></sup> </td></tr> <tr valign="top"> <td style="text-align:center;">1944</td> <td><i>Demigods (Escape Episode)</i></td> <td>35 mins.</td> <td>A silent black-and-white film based upon the ancient Greek myth of <a href="/wiki/Andromeda_(mythology)" title="Andromeda (mythology)">Andromeda</a>, in which a girl (Marilyn Granas) is imprisoned within a seaside crumbling <a href="/wiki/Neo-Gothic" class="mw-redirect" title="Neo-Gothic">Neo-Gothic</a> church guarded by a religious fanatic (Nora Watson), till she is saved by a boy representing <a href="/wiki/Perseus" title="Perseus">Perseus</a> (Bob Jones).<sup id="cite_ref-Hunter,_2002,_p.107_126-0" class="reference"><a href="#cite_note-Hunter,_2002,_p.107-126"><span class="cite-bracket">[</span>125<span class="cite-bracket">]</span></a></sup> </td></tr> <tr valign="top"> <td style="text-align:center;">1945</td> <td><i>Drastic Demise</i></td> <td><span data-sort-value="0" style="display:none;"></span>5 mins.</td> <td>A silent black-and-white work filmed by Anger in Hollywood on <a href="/wiki/V-J_Day" class="mw-redirect" title="V-J Day">V-J Day</a>. Consisting of footage of a celebratory crowd, it ends with an image of a nuclear <a href="/wiki/Mushroom_cloud" title="Mushroom cloud">mushroom cloud</a>.<sup id="cite_ref-Hunter,_2002,_p.107_126-1" class="reference"><a href="#cite_note-Hunter,_2002,_p.107-126"><span class="cite-bracket">[</span>125<span class="cite-bracket">]</span></a></sup> </td></tr> <tr valign="top"> <td style="text-align:center;">1946</td> <td><i>Escape Episode</i></td> <td>27 mins.</td> <td>A shortened version of <i>Demigods (Escape Episode)</i>, it features <a href="/wiki/Scriabin" class="mw-redirect" title="Scriabin">Scriabin</a>'s <i><a href="/wiki/The_Poem_of_Ecstasy" title="The Poem of Ecstasy">The Poem of Ecstasy</a></i> alongside the sounds of birds, wind and surf.<sup id="cite_ref-Hunter,_2002,_p.107_126-2" class="reference"><a href="#cite_note-Hunter,_2002,_p.107-126"><span class="cite-bracket">[</span>125<span class="cite-bracket">]</span></a></sup> </td></tr> <tr valign="top"> <td style="text-align:center;">1947</td> <td><i><a href="/wiki/Fireworks_(1947_film)" title="Fireworks (1947 film)">Fireworks</a></i></td> <td>15 mins.</td> <td>Filmed in black and white, it is a <a href="/wiki/Homoerotic" class="mw-redirect" title="Homoerotic">homoerotic</a> work seen through the eyes of the protagonist, played by Anger himself. </td></tr> <tr valign="top"> <td style="text-align:center;">1949</td> <td><i><a href="/wiki/Puce_Moment" title="Puce Moment">Puce Moment</a></i></td> <td><span data-sort-value="0" style="display:none;"></span>6 mins.</td> <td>Filmed in color, starring Yvonne Marquis as a celebrity in her home, and featuring music by Jonathan Halper, <i>Puce Moment</i> lasted only one scene and portrays her examining her dresses and perfume.<sup id="cite_ref-Hunter,_2002,_p.114_127-0" class="reference"><a href="#cite_note-Hunter,_2002,_p.114-127"><span class="cite-bracket">[</span>126<span class="cite-bracket">]</span></a></sup> </td></tr> <tr valign="top"> <td style="text-align:center;">1949</td> <td><span data-sort-value="Love That Whirls" style="display:none;"></span><i>The Love That Whirls</i></td> <td>unknown</td> <td>Influenced by <a href="/wiki/James_Frazer" class="mw-redirect" title="James Frazer">James Frazer</a>'s anthropological text <i><a href="/wiki/The_Golden_Bough" title="The Golden Bough">The Golden Bough</a></i>, it was set in the <a href="/wiki/Aztec" class="mw-redirect" title="Aztec">Aztec</a> civilisation, and featured a youth who was chosen to be king for a year before being ritually sacrificed. The film was subsequently destroyed at the Eastman-Kodak developing plant, who objected to its theme and nudity.<sup id="cite_ref-Hunter,_2002,_p.114_127-1" class="reference"><a href="#cite_note-Hunter,_2002,_p.114-127"><span class="cite-bracket">[</span>126<span class="cite-bracket">]</span></a></sup> </td></tr> <tr valign="top"> <td style="text-align:center;">1950</td> <td><i><a href="/wiki/Rabbit%27s_Moon" title="Rabbit's Moon">Rabbit's Moon</a></i></td> <td>16 mins (1971) <br /> 7 mins (1979)</td> <td>Filmed in 35 mm, it is set in a small wooded glade where a clown stares up at the moon, in which a rabbit lives. </td></tr> <tr valign="top"> <td style="text-align:center;">1951–52</td> <td><i>Les Chants de Maldoror</i></td> <td>unknown</td> <td>Based upon the 1868 novel by <a href="/wiki/Isidore_Ducasse" class="mw-redirect" title="Isidore Ducasse">Isidore Ducasse</a>, <i><a href="/wiki/Les_Chants_de_Maldoror" title="Les Chants de Maldoror">Les Chants de Maldoror</a></i>, only test shots were produced, in which he employed members of the Marquis de Cuevas ballet.<sup id="cite_ref-Hunter,_2002,_p.117_128-0" class="reference"><a href="#cite_note-Hunter,_2002,_p.117-128"><span class="cite-bracket">[</span>127<span class="cite-bracket">]</span></a></sup> </td></tr> <tr valign="top"> <td style="text-align:center;">1953</td> <td><i><a href="/wiki/Eaux_d%27Artifice" title="Eaux d'Artifice">Eaux d'Artifice</a></i></td> <td>12 mins.</td> <td>A short, monochromatic film appearing in dark blue, with only one moment of color – a woman opens a fan that glows in bright green. The woman appears in a gown stretching from neck to toe, wearing dark glasses and a feathered headdress. Water flows throughout, from fountains, and suggestively through the mouths and over the faces of statuary. Fluids sensually pulse and flow, reminiscent of sexual climax. In the end the woman steps from a door seemingly from the side of a fountain, and is herself transformed into water. The film is set to the music of <a href="/wiki/Vivaldi" class="mw-redirect" title="Vivaldi">Vivaldi</a>'s Winter Movement from <a href="/wiki/The_Four_Seasons_(Vivaldi)" title="The Four Seasons (Vivaldi)">the Four Seasons</a>. </td></tr> <tr valign="top"> <td style="text-align:center;">1953</td> <td><i>Le Jeune Homme et la Mort</i></td> <td>unknown</td> <td>Based upon the ballet by <a href="/wiki/Jean_Cocteau" title="Jean Cocteau">Jean Cocteau</a>, this silent black-and-white film starred Jean Babilee as a young man and Nathalie Philipart as Death. It was a 16 mm pilot designed to be used to raise funds to produce a 35 mm Technicolor version, but the funding for this never materialized.<sup id="cite_ref-129" class="reference"><a href="#cite_note-129"><span class="cite-bracket">[</span>128<span class="cite-bracket">]</span></a></sup> </td></tr> <tr valign="top"> <td style="text-align:center;">1954</td> <td><i><a href="/wiki/Inauguration_of_the_Pleasure_Dome" title="Inauguration of the Pleasure Dome">Inauguration of the Pleasure Dome</a></i></td> <td>38 mins.</td> <td> </td></tr> <tr valign="top"> <td style="text-align:center;">1955</td> <td><i>Thelema Abbey</i></td> <td>10 mins.</td> <td>A short, black-and-white documentary on <a href="/wiki/Aleister_Crowley" title="Aleister Crowley">Aleister Crowley</a>'s <a href="/wiki/Abbey_of_Thelema" title="Abbey of Thelema">Abbey of Thelema</a> in Sicily, which examined many of the exotic frescoes, a study in which Anger was assisted by sexologist <a href="/wiki/Alfred_Kinsey" title="Alfred Kinsey">Alfred Kinsey</a>.<sup id="cite_ref-Hunter,_2002,_p.117_128-1" class="reference"><a href="#cite_note-Hunter,_2002,_p.117-128"><span class="cite-bracket">[</span>127<span class="cite-bracket">]</span></a></sup> </td></tr> <tr valign="top"> <td style="text-align:center;">1961</td> <td><i>L'Histoire d'O</i></td> <td>20 mins.</td> <td>Based upon <a href="/wiki/Pauline_R%C3%A9age" class="mw-redirect" title="Pauline Réage">Pauline Réage</a>'s 1954 novel, <i><a href="/wiki/Story_of_O" title="Story of O">L'Histoire d'O</a></i>, it revolved around the <a href="/wiki/Sado-masochistic" class="mw-redirect" title="Sado-masochistic">sado-masochistic</a> sexual activities of a heterosexual couple. Anger would later relate that the money provided for the film had been a part of the ransom paid to the kidnappers of Eric Peugeot, heir to the <a href="/wiki/Peugeot" title="Peugeot">Peugeot</a> car company fortune.<sup id="cite_ref-130" class="reference"><a href="#cite_note-130"><span class="cite-bracket">[</span>129<span class="cite-bracket">]</span></a></sup> </td></tr> <tr valign="top"> <td style="text-align:center;">1963</td> <td><i><a href="/wiki/Scorpio_Rising_(film)" title="Scorpio Rising (film)">Scorpio Rising</a></i></td> <td>29 mins.</td> <td> </td></tr> <tr valign="top"> <td style="text-align:center;">1965</td> <td><i><a href="/wiki/Kustom_Kar_Kommandos" title="Kustom Kar Kommandos">Kustom Kar Kommandos</a></i></td> <td><span data-sort-value="0" style="display:none;"></span>3 mins.</td> <td>In color, set to the tones of "<a href="/wiki/Dream_Lover" title="Dream Lover">Dream Lover</a>" by <a href="/wiki/The_Paris_Sisters" title="The Paris Sisters">The Paris Sisters</a>, several handsome young men stand admiringly over the chassis of a souped-up <a href="/wiki/Hot_rod" title="Hot rod">hot rod</a>. A young man slowly works the chamois over the chrome and paint of the machine. The young man now smartly dressed in matching pastel blue gets behind the wheel and begins to work the controls. Finally the engine revs and the car rolls away.<sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (February 2011)">citation needed</span></a></i>]</sup> </td></tr> <tr valign="top"> <td style="text-align:center;">1969</td> <td><i><a href="/wiki/Invocation_of_My_Demon_Brother" title="Invocation of My Demon Brother">Invocation of My Demon Brother</a></i></td> <td>12 mins.</td> <td>In color, with an <a href="/wiki/Electronic_music" title="Electronic music">electronic score</a> by <a href="/wiki/Rolling_Stones" class="mw-redirect" title="Rolling Stones">Rolling Stones</a> lead singer <a href="/wiki/Mick_Jagger" title="Mick Jagger">Mick Jagger</a>. The film features an array of <a href="/wiki/Occult" title="Occult">occult</a> symbols and activities, including a <a href="/wiki/Satanism" title="Satanism">Satanic</a> funeral for a cat. <i>Demon Brother</i> also includes <a href="/wiki/Anton_LaVey" title="Anton LaVey">Anton LaVey</a> as a priest, <a href="/wiki/Newsreel" title="Newsreel">newsreel</a> footage of the <a href="/wiki/Vietnam_War" title="Vietnam War">Vietnam War</a>, and clips of <a href="/wiki/The_Rolling_Stones" title="The Rolling Stones">The Rolling Stones</a>' July 1969 free concert in London's <a href="/wiki/Hyde_Park,_London" title="Hyde Park, London">Hyde Park</a>, their first public appearance after the death of <a href="/wiki/Brian_Jones" title="Brian Jones">Brian Jones</a> and their first performance with <a href="/wiki/Mick_Taylor" title="Mick Taylor">Mick Taylor</a>. Also shown in the concert footage are Jagger's then-girlfriend and pop singer <a href="/wiki/Marianne_Faithfull" title="Marianne Faithfull">Marianne Faithfull</a> and <a href="/wiki/Keith_Richards" title="Keith Richards">Keith Richards</a>' wife, actress <a href="/wiki/Anita_Pallenberg" title="Anita Pallenberg">Anita Pallenberg</a>. <i>Demon Brother</i> is mostly assembled from footage for Anger's original version of <a href="/wiki/Lucifer_Rising_(film)" title="Lucifer Rising (film)"><i>Lucifer Rising</i></a>, including scenes of future <a href="/wiki/Manson_Family" title="Manson Family">Manson Family</a> associate <a href="/wiki/Bobby_Beausoleil" title="Bobby Beausoleil">Bobby Beausoleil</a> in the titular role. </td></tr> <tr valign="top"> <td style="text-align:center;">1970–1980</td> <td><i><a href="/wiki/Lucifer_Rising_(film)" title="Lucifer Rising (film)">Lucifer Rising</a></i></td> <td>29 mins.</td> <td> </td></tr> <tr valign="top"> <td style="text-align:center;">1976</td> <td><i>Senators in Bondage</i></td> <td></td> <td>Announced, but never produced<sup id="cite_ref-The_Film_Journal_131-0" class="reference"><a href="#cite_note-The_Film_Journal-131"><span class="cite-bracket">[</span>130<span class="cite-bracket">]</span></a></sup> </td></tr> <tr valign="top"> <td style="text-align:center;">1977</td> <td><i>Matelots en Menottes</i></td> <td></td> <td>Announced, but never produced<sup id="cite_ref-The_Film_Journal_131-1" class="reference"><a href="#cite_note-The_Film_Journal-131"><span class="cite-bracket">[</span>130<span class="cite-bracket">]</span></a></sup> </td></tr> <tr valign="top"> <td style="text-align:center;">1979</td> <td><i>Denunciation of Stan Brakhage</i></td> <td><span data-sort-value="0" style="display:none;"></span>7 mins.</td> <td>Announced, but never produced<sup id="cite_ref-The_Film_Journal_131-2" class="reference"><a href="#cite_note-The_Film_Journal-131"><span class="cite-bracket">[</span>130<span class="cite-bracket">]</span></a></sup> </td></tr> <tr valign="top"> <td style="text-align:center;">2000</td> <td><i>Don't Smoke That Cigarette!</i></td> <td>45 mins.</td> <td> </td></tr> <tr valign="top"> <td style="text-align:center;">2000</td> <td><i>Hollywood Babylon</i></td> <td>4 mins.</td> <td>Co-directed with <a href="/w/index.php?title=Nico_B.&action=edit&redlink=1" class="new" title="Nico B. (page does not exist)">Nico B.</a> </td></tr> <tr valign="top"> <td style="text-align:center;">2002</td> <td><span data-sort-value="Man We Want to Hang" style="display:none;"></span><i>The Man We Want to Hang</i></td> <td>12 mins.</td> <td>Images of artworks by or related to Aleister Crowley with music by <a href="/wiki/Anatol_Liadov" class="mw-redirect" title="Anatol Liadov">Anatol Liadov</a> </td></tr> <tr valign="top"> <td style="text-align:center;">2004</td> <td><i>Anger Sees Red</i></td> <td><span data-sort-value="0" style="display:none;"></span>4 mins.</td> <td>Comprises footage of a muscled man, who identifies himself only as "Red", walking through a park and sunbathing, at which he is seen by Anger himself, who is also in the park, before subsequently returning home.<sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (February 2011)">citation needed</span></a></i>]</sup> </td></tr> <tr valign="top"> <td style="text-align:center;">2004</td> <td><i>Patriotic Penis</i></td> <td></td> <td> </td></tr> <tr valign="top"> <td style="text-align:center;">2005</td> <td><i>Mouse Heaven</i></td> <td>11 mins.</td> <td>A <a href="/wiki/Montage_(filmmaking)" title="Montage (filmmaking)">montage</a> of rare <a href="/wiki/Mickey_Mouse" title="Mickey Mouse">Mickey Mouse</a> memorabilia, accompanied by a soundtrack of pop songs.<sup id="cite_ref-132" class="reference"><a href="#cite_note-132"><span class="cite-bracket">[</span>131<span class="cite-bracket">]</span></a></sup> </td></tr> <tr valign="top"> <td style="text-align:center;">2007</td> <td><i>Elliott's Suicide</i></td> <td>15 mins.</td> <td> </td></tr> <tr valign="top"> <td style="text-align:center;">2007</td> <td><i>I'll Be Watching You</i></td> <td><span data-sort-value="0" style="display:none;"></span>5 mins.</td> <td> </td></tr> <tr valign="top"> <td style="text-align:center;">2007</td> <td><i>Green Hell</i></td> <td>4 mins.</td> <td> </td></tr> <tr valign="top"> <td style="text-align:center;">2007</td> <td><i>My Surfing Lucifer</i></td> <td><span data-sort-value="0" style="display:none;"></span>4 mins.</td> <td>Using <a href="/wiki/Found_footage_(film_technique)" title="Found footage (film technique)">found footage</a>, we are introduced to the short life of <a href="/wiki/Bunker_Spreckels" title="Bunker Spreckels">Bunker Spreckels</a>, <a href="/wiki/Clark_Gable" title="Clark Gable">Clark Gable</a>’s stepson and surfing legend.<sup id="cite_ref-133" class="reference"><a href="#cite_note-133"><span class="cite-bracket">[</span>132<span class="cite-bracket">]</span></a></sup> </td></tr> <tr valign="top"> <td style="text-align:center;">2008</td> <td><i>Foreplay</i></td> <td><span data-sort-value="0" style="display:none;"></span>7 mins.</td> <td> </td></tr> <tr valign="top"> <td style="text-align:center;">2008</td> <td><i>Ich Will!</i></td> <td>35 mins.</td> <td> </td></tr> <tr valign="top"> <td style="text-align:center;">2008</td> <td><i>Uniform Attraction</i></td> <td>21 mins.</td> <td> </td></tr> <tr valign="top"> <td style="text-align:center;">2009</td> <td><i>Brush of Baphomet</i></td> <td>1 min.</td> <td> </td></tr> <tr valign="top"> <td style="text-align:center;">2009</td> <td><i>Death</i></td> <td>42 secs.</td> <td>Part of the <i>42 One Dream Rush</i> project, commissioned by <a href="/wiki/Bacardi" title="Bacardi"> 42 Below Vodka</a>.<sup id="cite_ref-134" class="reference"><a href="#cite_note-134"><span class="cite-bracket">[</span>133<span class="cite-bracket">]</span></a></sup> </td></tr> <tr valign="top"> <td style="text-align:center;">2010</td> <td><i>Missoni</i></td> <td><span data-sort-value="0" style="display:none;"></span>2 mins. 32 secs.</td> <td> </td></tr> <tr valign="top"> <td style="text-align:center;">2013</td> <td><i>Airships</i></td> <td><span data-sort-value="0" style="display:none;"></span>9 mins.</td> <td> </td></tr></tbody></table> <div class="mw-heading mw-heading2"><h2 id="Books">Books</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=16" title="Edit section: Books"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <table class="wikitable"> <tbody><tr> <th>Year</th> <th>Title</th> <th>Other </th></tr> <tr> <td>1959</td> <td><i><a href="/wiki/Hollywood_Babylon" title="Hollywood Babylon">Hollywood Babylon</a></i></td> <td>Anger's most famous work. This book is about the sordid rumors he heard about Hollywood celebrities while living in Los Angeles. </td></tr> <tr> <td>1961</td> <td><i>A History of Eroticism</i></td> <td>An introduction to <a href="/wiki/Lo_Duca" title="Lo Duca">Lo Duca</a>'s book. </td></tr> <tr> <td>1970</td> <td><i>Atlantis: The Lost Continent</i></td> <td>An introduction to Aleister Crowley's book. </td></tr> <tr> <td>1984</td> <td><i>Hollywood Babylon II</i></td> <td>The sequel of <i>Hollywood Babylon</i>. Featuring scandals from after the first book was published. </td></tr> <tr> <td>2001</td> <td><i>Suicide in the Entertainment Industry</i></td> <td>With David K. Frasier. </td></tr> <tr> <td>20??</td> <td><i>Hollywood Babylon III</i></td> <td>Written and completed but never published.<sup id="cite_ref-guardian.co.uk_29-5" class="reference"><a href="#cite_note-guardian.co.uk-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> According to Anger, the book was finished by 2010 but its release was cancelled owing to accusations against actor <a href="/wiki/Tom_Cruise" title="Tom Cruise">Tom Cruise</a> and other practitioners of <a href="/wiki/Scientology" title="Scientology">Scientology</a><sup id="cite_ref-guardian.co.uk_29-6" class="reference"><a href="#cite_note-guardian.co.uk-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> and that because he criticized Scientology in that chapter, he faced a certain lengthy and costly lawsuit from its official organization, the <a href="/wiki/Church_of_Scientology" title="Church of Scientology">Church of Scientology</a>, which are <a href="/wiki/Scientology_and_law" title="Scientology and law">notoriously litigious</a>, if it was ever published. Another book, <i>Hollywood Babylon: It's Back!</i> written by Darwin Porter and Danforth Prince was published in 2008 and purported to be part III of the <i><a href="/wiki/Hollywood_Babylon" title="Hollywood Babylon">Hollywood Babylon</a></i> series. However, Anger had no involvement with it whatsoever. Indeed, Anger was so upset with this unauthorized work that he used his Thelema magick to curse Porter and Prince.<sup id="cite_ref-135" class="reference"><a href="#cite_note-135"><span class="cite-bracket">[</span>134<span class="cite-bracket">]</span></a></sup> </td></tr></tbody></table> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=17" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/List_of_Thelemites" title="List of Thelemites">List of Thelemites</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=18" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Notes">Notes</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=19" title="Edit section: Notes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-117"><span class="mw-cite-backlink"><b><a href="#cite_ref-117">^</a></b></span> <span class="reference-text">Anger actually turned 81 in 2008 but claimed to be younger, as he had repeatedly done throughout his life.</span> </li> </ol></div></div> <div class="mw-heading mw-heading3"><h3 id="Citations">Citations</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=20" title="Edit section: Citations"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><a href="#CITEREFHunter2002">Hunter 2002</a>, p. 108</span> </li> <li id="cite_note-Kinsey-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-Kinsey_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Kinsey_2-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="/wiki/The_Kinsey_Institute" class="mw-redirect" title="The Kinsey Institute">The Kinsey Institute</a>, <a rel="nofollow" class="external text" href="http://www.kinseyinstitute.org/publications/newsletterFall2004.htm#anger"><i>Spotlight on the Collections: Filmmaker Kenneth Anger</i></a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20060310172549/http://www.kinseyinstitute.org/publications/newsletterFall2004.htm">Archived</a> March 10, 2006, at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> 2004. Retrieved June 1, 2010.</span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFSvede2002" class="citation web cs1">Svede, Mark Allen (2002). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20060526232054/http://www.glbtq.com/arts/anger_k.html">"Anger, Kenneth"</a>. <i>glbtq</i>. Archived from <a rel="nofollow" class="external text" href="http://www.glbtq.com/arts/anger_k.html">the original</a> on May 26, 2006.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=glbtq&rft.atitle=Anger%2C+Kenneth&rft.date=2002&rft.aulast=Svede&rft.aufirst=Mark+Allen&rft_id=http%3A%2F%2Fwww.glbtq.com%2Farts%2Fanger_k.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRobey" class="citation news cs1">Robey, Tim. <a rel="nofollow" class="external text" href="https://www.telegraph.co.uk/films/0/girl-clara-bow-real-life-epitome-babylon-one-predatory-hollywoods/">"Was 'It girl' Clara Bow the real-life epitome of Babylon – or one of predatory Hollywood's earliest victims?"</a>. <i>The Telegraph</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 4,</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Telegraph&rft.atitle=Was+%27It+girl%27+Clara+Bow+the+real-life+epitome+of+Babylon+%E2%80%93+or+one+of+predatory+Hollywood%27s+earliest+victims%3F&rft.aulast=Robey&rft.aufirst=Tim&rft_id=https%3A%2F%2Fwww.telegraph.co.uk%2Ffilms%2F0%2Fgirl-clara-bow-real-life-epitome-babylon-one-predatory-hollywoods%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 24</span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLoBrutto2002" class="citation book cs1">LoBrutto, Vincent (2002). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/encyclopediaofam0000lobr/page/16"><i>The Encyclopedia of American Independent Filmmaking</i></a></span>. Connecticut: Greenwood. pp. <a rel="nofollow" class="external text" href="https://archive.org/details/encyclopediaofam0000lobr/page/16">16</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-313-30199-9" title="Special:BookSources/0-313-30199-9"><bdi>0-313-30199-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Encyclopedia+of+American+Independent+Filmmaking&rft.place=Connecticut&rft.pages=16&rft.pub=Greenwood&rft.date=2002&rft.isbn=0-313-30199-9&rft.aulast=LoBrutto&rft.aufirst=Vincent&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fencyclopediaofam0000lobr%2Fpage%2F16&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><a href="#CITEREFLachman">Lachman</a>, p. 19</span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 195</span> </li> <li id="cite_note-esquire.com-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-esquire.com_9-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.esquire.com/uk/culture/news/a5483/kenneth-anger/">"Kenneth Anger: Where the Bodies Are Buried"</a>. January 3, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Kenneth+Anger%3A+Where+the+Bodies+Are+Buried&rft.date=2014-01-03&rft_id=https%3A%2F%2Fwww.esquire.com%2Fuk%2Fculture%2Fnews%2Fa5483%2Fkenneth-anger%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 5</span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, pp. 6–8</span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text"><a href="#CITEREFHunter2002">Hunter 2002</a>, p. 105</span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, pp. 9–11</span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text">Vieira, Mark A., <i>Irving Thalberg: Boy Wonder to Producer Prince</i> (2010), p. 336</span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 12</span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, pp. 13–14</span> </li> <li id="cite_note-Landis,_1995:14-17"><span class="mw-cite-backlink">^ <a href="#cite_ref-Landis,_1995:14_17-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Landis,_1995:14_17-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 14</span> </li> <li id="cite_note-Lachman,_Gary_Page_11-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-Lachman,_Gary_Page_11_18-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLachman">Lachman</a>, p. 11</span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text"><a href="#CITEREFHunter2002">Hunter 2002</a>, p. 11</span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-20">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.rogerebert.com/tributes/the-fire-is-gone-kenneth-anger-1927-2023">"The Fire is Gone: Kenneth Anger (1927-2023) | Roger Ebert"</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Fire+is+Gone%3A+Kenneth+Anger+%281927-2023%29+%26%23124%3B+Roger+Ebert&rft_id=https%3A%2F%2Fwww.rogerebert.com%2Ftributes%2Fthe-fire-is-gone-kenneth-anger-1927-2023&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-21">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110823074742/http://nikolasschreck.eu/index.php?option=com_content&view=article&id=75%3Ausher&catid=36&Itemid=56">"Usher"</a>. Archived from <a rel="nofollow" class="external text" href="http://nikolasschreck.eu/index.php?option=com_content&view=article&id=75%3Ausher&catid=36&Itemid=56">the original</a> on August 23, 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">March 16,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Usher&rft_id=http%3A%2F%2Fnikolasschreck.eu%2Findex.php%3Foption%3Dcom_content%26view%3Darticle%26id%3D75%253Ausher%26catid%3D36%26Itemid%3D56&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-22">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, pp. 17–20</span> </li> <li id="cite_note-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-23">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, pp. 25–26</span> </li> <li id="cite_note-Hunter,_Jack_Page_48-24"><span class="mw-cite-backlink">^ <a href="#cite_ref-Hunter,_Jack_Page_48_24-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Hunter,_Jack_Page_48_24-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHunter2002">Hunter 2002</a>, p. 48</span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-25">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, pp. 37–38</span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-26">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 39</span> </li> <li id="cite_note-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-27">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 38</span> </li> <li id="cite_note-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-28">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.artforum.com/print/201701/ara-osterweil-on-kenneth-anger-s-fireworks-1947-65390">"Ara Osterweil on Kenneth Anger's Fireworks (1947)"</a>. January 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Ara+Osterweil+on+Kenneth+Anger%27s+Fireworks+%281947%29&rft.date=2017-01&rft_id=https%3A%2F%2Fwww.artforum.com%2Fprint%2F201701%2Fara-osterweil-on-kenneth-anger-s-fireworks-1947-65390&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-guardian.co.uk-29"><span class="mw-cite-backlink">^ <a href="#cite_ref-guardian.co.uk_29-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-guardian.co.uk_29-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-guardian.co.uk_29-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-guardian.co.uk_29-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-guardian.co.uk_29-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-guardian.co.uk_29-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-guardian.co.uk_29-6"><sup><i><b>g</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHattenstone2010" class="citation news cs1">Hattenstone, Simon (March 10, 2010). <a rel="nofollow" class="external text" href="https://www.theguardian.com/film/2010/mar/10/kenneth-anger-interview">"Kenneth Anger: 'No, I am not a Satanist'<span class="cs1-kern-right"></span>"</a>. <i>The Guardian</i>. London<span class="reference-accessdate">. Retrieved <span class="nowrap">May 7,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Guardian&rft.atitle=Kenneth+Anger%3A+%27No%2C+I+am+not+a+Satanist%27&rft.date=2010-03-10&rft.aulast=Hattenstone&rft.aufirst=Simon&rft_id=https%3A%2F%2Fwww.theguardian.com%2Ffilm%2F2010%2Fmar%2F10%2Fkenneth-anger-interview&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-30">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHobermanJonathan_Rosenbaum1983" class="citation book cs1">Hoberman, J.; Jonathan Rosenbaum (1983). <i>Midnight Movies</i>. 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British Film Institute, p. 25.</span> </li> <li id="cite_note-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-34">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 40</span> </li> <li id="cite_note-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-35">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, pp. 83–87</span> </li> <li id="cite_note-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-36">^</a></b></span> <span class="reference-text">'Film Credits – Magick Lantern Cycle' in <i>Anger: Magick Lantern Cycle</i> DVD booklet. British Film Institute, p. 26.</span> </li> <li id="cite_note-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-37">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, pp. 52–55</span> </li> <li id="cite_note-getrusso.com-38"><span class="mw-cite-backlink">^ <a href="#cite_ref-getrusso.com_38-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-getrusso.com_38-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-getrusso.com_38-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Russo, Carl (2000). <i><a rel="nofollow" class="external text" href="http://www.getrusso.com/#!kenneth-anger-interview/pafv9">Spotting UFOs with a Manson Killer: An Interview with Kenneth Anger</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160716144125/http://www.getrusso.com/#!kenneth-anger-interview/pafv9">Archived</a> July 16, 2016, at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></i>.</span> </li> <li id="cite_note-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-39">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 59</span> </li> <li id="cite_note-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-40">^</a></b></span> <span class="reference-text">'Film Credits – Magick Lantern Cycle' in <i>Anger: Magick Lantern Cycle</i> DVD booklet. British Film Institute, pp. 26–27.</span> </li> <li id="cite_note-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-41">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, pp. 59–60</span> </li> <li id="cite_note-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-42">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 61</span> </li> <li id="cite_note-Landis,_1995,_p._63-43"><span class="mw-cite-backlink">^ <a href="#cite_ref-Landis,_1995,_p._63_43-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Landis,_1995,_p._63_43-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 63</span> </li> <li id="cite_note-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-44">^</a></b></span> <span class="reference-text">'Film Credits – Magick Lantern Cycle' in <i>Anger: Magick Lantern Cycle</i> DVD booklet. British Film Institute, p. 27.</span> </li> <li id="cite_note-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-45">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 64</span> </li> <li id="cite_note-46"><span class="mw-cite-backlink"><b><a href="#cite_ref-46">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, pp. 66–67</span> </li> <li id="cite_note-47"><span class="mw-cite-backlink"><b><a href="#cite_ref-47">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, pp. 72–74</span> </li> <li id="cite_note-48"><span class="mw-cite-backlink"><b><a href="#cite_ref-48">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, pp. 72–81</span> </li> <li id="cite_note-49"><span class="mw-cite-backlink"><b><a href="#cite_ref-49">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 93</span> </li> <li id="cite_note-50"><span class="mw-cite-backlink"><b><a href="#cite_ref-50">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, pp. 88–90</span> </li> <li id="cite_note-51"><span class="mw-cite-backlink"><b><a href="#cite_ref-51">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 92</span> </li> <li id="cite_note-52"><span class="mw-cite-backlink"><b><a href="#cite_ref-52">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 94</span> </li> <li id="cite_note-53"><span class="mw-cite-backlink"><b><a href="#cite_ref-53">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVoskamp" class="citation web cs1">Voskamp, Apryl. <a rel="nofollow" class="external text" href="https://sites.utexas.edu/ransomcentermagazine/2015/04/28/here-lies-gloria/">"Here lies Gloria"</a>. 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Little, Brown. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-316-11309-0" title="Special:BookSources/978-0-316-11309-0"><bdi>978-0-316-11309-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Sway&rft.pub=Little%2C+Brown&rft.date=2008&rft.isbn=978-0-316-11309-0&rft.aulast=Lazar&rft.aufirst=Zachary&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fswaynovel00laza&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-79"><span class="mw-cite-backlink"><b><a href="#cite_ref-79">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, pp. 180–181</span> </li> <li id="cite_note-80"><span class="mw-cite-backlink"><b><a href="#cite_ref-80">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 182</span> </li> <li id="cite_note-81"><span class="mw-cite-backlink"><b><a href="#cite_ref-81">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, pp. 183–184</span> </li> <li id="cite_note-82"><span class="mw-cite-backlink"><b><a href="#cite_ref-82">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSalewicz1977" class="citation web cs1">Salewicz, Chris (1977). <a rel="nofollow" class="external text" href="http://www.rocksbackpages.com/article.html?ArticleID=4544">"Anger Rising: Jimmy Page and Kenneth's Lucifer"</a>. <i>NME</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=NME&rft.atitle=Anger+Rising%3A+Jimmy+Page+and+Kenneth%27s+Lucifer&rft.date=1977&rft.aulast=Salewicz&rft.aufirst=Chris&rft_id=http%3A%2F%2Fwww.rocksbackpages.com%2Farticle.html%3FArticleID%3D4544&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span> <span style="font-size:0.95em; font-size:95%; color: var( --color-subtle, #555 )">(<a href="/wiki/Wikipedia:Verifiability#Access_to_sources" title="Wikipedia:Verifiability">registration required</a>)</span></span> </li> <li id="cite_note-GW2006-83"><span class="mw-cite-backlink"><b><a href="#cite_ref-GW2006_83-0">^</a></b></span> <span class="reference-text"><i>The Story Behind The Lost Lucifer Rising Soundtrack</i>, <i><a href="/wiki/Guitar_World" title="Guitar World">Guitar World</a></i> magazine, October 2006.</span> </li> <li id="cite_note-84"><span class="mw-cite-backlink"><b><a href="#cite_ref-84">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, pp. 208–209</span> </li> <li id="cite_note-85"><span class="mw-cite-backlink"><b><a href="#cite_ref-85">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBeausoleil" class="citation web cs1">Beausoleil, Bobby. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20101206025102/http://www.beausoleil.net/wizard/chronicles/fallen_angel_blues.htm">"Fallen Angel Blues: The Story of <i>Lucifer Rising</i>"</a>. 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May 24, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Kenneth+Anger+%281927%E2%80%932023%29&rft.date=2023-05-24&rft_id=https%3A%2F%2Fwww.artforum.com%2Fnews%2Fkenneth-anger-1928-2023-90624&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-99"><span class="mw-cite-backlink"><b><a href="#cite_ref-99">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.artforum.com/film/melissa-gronlund-at-the-london-debut-of-kenneth-anger-s-ich-will-21417">"Boot Camp: Melissa Gronlund at the London debut of Kenneth Anger's <i>Ich Will!</i>"</a>. <i>Artforum</i>. November 11, 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">October 23,</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Artforum&rft.atitle=Boot+Camp%3A+Melissa+Gronlund+at+the+London+debut+of+Kenneth+Anger%27s+Ich+Will%21&rft.date=2008-11-11&rft_id=https%3A%2F%2Fwww.artforum.com%2Ffilm%2Fmelissa-gronlund-at-the-london-debut-of-kenneth-anger-s-ich-will-21417&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-100"><span class="mw-cite-backlink"><b><a href="#cite_ref-100">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.technicolorskull.com/">TechnicolorSkull.com</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20100125083821/http://www.technicolorskull.com/">Archived</a> January 25, 2010, at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> Retrieved through kennethanger.org, May 31, 2010.</span> </li> <li id="cite_note-101"><span class="mw-cite-backlink"><b><a href="#cite_ref-101">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.flickerflicker.com/flash/TheStory/TheStory.html">"FLicKeR :: A Film by Nik Sheehan"</a><span class="reference-accessdate">. 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February 22, 2009 – September 21, 2009.</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20100612120337/http://www.ps1.org/exhibitions/view/202">Archived</a> June 12, 2010, at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> Retrieved June 1, 2010.</span> </li> <li id="cite_note-104"><span class="mw-cite-backlink"><b><a href="#cite_ref-104">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://archive.org/details/CinemagicianConversationWithKennethAnger">"Cinemagician Conversations with Kenneth Anger"</a>. <i><a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a></i><span class="reference-accessdate">. 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Retrieved <span class="nowrap">May 24,</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Associated+Press+News&rft.atitle=Kenneth+Anger%2C+influential+avant-garde+filmmaker+and+author%2C+dies+at+96&rft.date=2023-05-24&rft.aulast=Italie&rft.aufirst=Hillel&rft_id=https%3A%2F%2Fapnews.com%2Farticle%2Fkenneth-anger-dead-f8879e16713d9908aaaa9a7f08fc8df2&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-106"><span class="mw-cite-backlink"><b><a href="#cite_ref-106">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLim2023" class="citation news cs1">Lim, Dennis (May 24, 2023). <span class="id-lock-limited" title="Free access subject to limited trial, subscription normally required"><a rel="nofollow" class="external text" href="https://www.nytimes.com/2023/05/24/movies/kenneth-anger-dead.html">"Kenneth Anger, 96, Dies; Experimental Filmmaker Left a Pop Culture Legacy"</a></span>. <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i><span class="reference-accessdate">. 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Retrieved <span class="nowrap">January 24,</span> 2018</span>. <q>The night before his dinner at the Foundlings, Anger received the Maya Deren award for independent film and video artists from the American Film Institute in New York "a Tiffany crystal star and $5000. ...</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Miami+New+Times&rft.atitle=Swelter&rft.date=1996-02-15&rft.aulast=Austin&rft.aufirst=Tom&rft_id=http%3A%2F%2Fwww.miaminewtimes.com%2Fnews%2Fswelter-6361761&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-110"><span class="mw-cite-backlink"><b><a href="#cite_ref-110">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRauzi2000" class="citation news cs1">Rauzi, Robin (September 14, 2000). <a rel="nofollow" class="external text" href="https://www.latimes.com/archives/la-xpm-2000-sep-14-ca-20683-story.html">"Itinerary: Silver Lake"</a>. <i><a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20151211033128/http://articles.latimes.com/2000/sep/14/entertainment/ca-20683">Archived</a> from the original on December 11, 2015<span class="reference-accessdate">. Retrieved <span class="nowrap">January 24,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft.atitle=Itinerary%3A+Silver+Lake&rft.date=2000-09-14&rft.aulast=Rauzi&rft.aufirst=Robin&rft_id=https%3A%2F%2Fwww.latimes.com%2Farchives%2Fla-xpm-2000-sep-14-ca-20683-story.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-111"><span class="mw-cite-backlink"><b><a href="#cite_ref-111">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRickman2001" class="citation news cs1">Rickman, Gregg (April 18, 2001). <a rel="nofollow" class="external text" href="https://archives.sfweekly.com/sanfrancisco/the-festival-of-highlights/Content?oid=2141458">"The Festival of Highlights"</a>. <i><a href="/wiki/SF_Weekly" title="SF Weekly">SF Weekly</a></i>. <a rel="nofollow" class="external text" href="https://archive.today/20180124190455/https://archives.sfweekly.com/sanfrancisco/the-festival-of-highlights/Content?oid=2141458">Archived</a> from the original on January 24, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">January 24,</span> 2018</span>. <q>Kenneth Anger -- who receives the Golden Gate Persistence of Vision Award on Sunday [April 22, 2001] ...</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=SF+Weekly&rft.atitle=The+Festival+of+Highlights&rft.date=2001-04-18&rft.aulast=Rickman&rft.aufirst=Gregg&rft_id=https%3A%2F%2Farchives.sfweekly.com%2Fsanfrancisco%2Fthe-festival-of-highlights%2FContent%3Foid%3D2141458&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-112"><span class="mw-cite-backlink"><b><a href="#cite_ref-112">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://archive.today/20120804062223/http://www.lafca.net/years/2002.html">"28th Annual Los Angeles Film Critics Association Awards"</a>. <a href="/wiki/Los_Angeles_Film_Critics_Association" title="Los Angeles Film Critics Association">Los Angeles Film Critics Association</a>. 2002. Archived from <a rel="nofollow" class="external text" href="http://www.lafca.net/years/2002.html">the original</a> on August 4, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">January 24,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=28th+Annual+Los+Angeles+Film+Critics+Association+Awards&rft.pub=Los+Angeles+Film+Critics+Association&rft.date=2002&rft_id=http%3A%2F%2Fwww.lafca.net%2Fyears%2F2002.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-113"><span class="mw-cite-backlink"><b><a href="#cite_ref-113">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://jonasmekas.com/diary/?p=453">Diary: Celebrating 40 Years of Anthology Film Archives!</a> | <a href="/wiki/Jonas_Mekas" title="Jonas Mekas">Jonas Mekas</a></span> </li> <li id="cite_note-114"><span class="mw-cite-backlink"><b><a href="#cite_ref-114">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 197</span> </li> <li id="cite_note-115"><span class="mw-cite-backlink"><b><a href="#cite_ref-115">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCastoro2012" class="citation magazine cs1">Castoro, Rocco (April 12, 2012). <a rel="nofollow" class="external text" href="https://www.vice.com/en/article/kwnz49/kenneth-anger">"The Sordid Secrets of Babylon: Kenneth Anger Knows Them All"</a>. <i><a href="/wiki/Vice_(magazine)" title="Vice (magazine)">Vice</a></i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Vice&rft.atitle=The+Sordid+Secrets+of+Babylon%3A+Kenneth+Anger+Knows+Them+All&rft.date=2012-04-12&rft.aulast=Castoro&rft.aufirst=Rocco&rft_id=https%3A%2F%2Fwww.vice.com%2Fen%2Farticle%2Fkwnz49%2Fkenneth-anger&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-116"><span class="mw-cite-backlink"><b><a href="#cite_ref-116">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJovanovic2012" class="citation news cs1">Jovanovic, Rozalia (April 17, 2012). <a rel="nofollow" class="external text" href="https://observer.com/2012/04/vice-interviews-kenneth-anger-asks-all-the-wrong-questions/">"<span class="cs1-kern-left"></span>'Vice' Interviews Kenneth Anger, Asks All the Wrong Questions"</a>. <i><a href="/wiki/The_Observer" title="The Observer">The Observer</a></i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Observer&rft.atitle=%27Vice%27+Interviews+Kenneth+Anger%2C+Asks+All+the+Wrong+Questions&rft.date=2012-04-17&rft.aulast=Jovanovic&rft.aufirst=Rozalia&rft_id=https%3A%2F%2Fobserver.com%2F2012%2F04%2Fvice-interviews-kenneth-anger-asks-all-the-wrong-questions%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-Landis|1995|p=50-118"><span class="mw-cite-backlink">^ <a href="#cite_ref-Landis|1995|p=50_118-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Landis|1995|p=50_118-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 50</span> </li> <li id="cite_note-on_Crowley-119"><span class="mw-cite-backlink">^ <a href="#cite_ref-on_Crowley_119-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-on_Crowley_119-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-on_Crowley_119-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Anger, Kenneth. <a href="/wiki/UCLA" class="mw-redirect" title="UCLA">UCLA</a>. YouTube. Uploaded April 10, 2009. <a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=hV89WCXgFhI"><span class="plainlinks"><i>Do What Thou Wilt: Kenneth Anger and Aleister Crowley and the Occult</i></span></a> on <a href="/wiki/YouTube_video_(identifier)" class="mw-redirect" title="YouTube video (identifier)">YouTube</a>.</span> </li> <li id="cite_note-120"><span class="mw-cite-backlink"><b><a href="#cite_ref-120">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnger2013" class="citation web cs1">Anger, Kenneth (July 22, 2013). <a rel="nofollow" class="external text" href="https://www.theguardian.com/film/2013/jul/22/how-we-made-lucifer-rising">"Keneth Anger: how I made Lucifer Rising"</a>. <i>The Guardian</i><span class="reference-accessdate">. Retrieved <span class="nowrap">February 13,</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Guardian&rft.atitle=Keneth+Anger%3A+how+I+made+Lucifer+Rising&rft.date=2013-07-22&rft.aulast=Anger&rft.aufirst=Kenneth&rft_id=https%3A%2F%2Fwww.theguardian.com%2Ffilm%2F2013%2Fjul%2F22%2Fhow-we-made-lucifer-rising&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-121"><span class="mw-cite-backlink"><b><a href="#cite_ref-121">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRepresa2014" class="citation web cs1">Represa, Marta (April 22, 2014). <a rel="nofollow" class="external text" href="https://www.anothermag.com/art-photography/3567/kenneth-anger-on-the-occult">"Kenneth Anger on the Occult"</a>. <i>anothermag.com</i><span class="reference-accessdate">. Retrieved <span class="nowrap">March 13,</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=anothermag.com&rft.atitle=Kenneth+Anger+on+the+Occult&rft.date=2014-04-22&rft.aulast=Represa&rft.aufirst=Marta&rft_id=https%3A%2F%2Fwww.anothermag.com%2Fart-photography%2F3567%2Fkenneth-anger-on-the-occult&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-122"><span class="mw-cite-backlink"><b><a href="#cite_ref-122">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFChristy" class="citation web cs1">Christy, Alexander Hallberg. <a rel="nofollow" class="external text" href="https://rockislit.simplecast.com/episodes/zachary-lazar-author-of-sway-_tUsXnKj?t=1h0m4s">"Episode 6: Interview with Zeena Schreck about her godfather Kenneth Anger"</a>. <i>Rock is Lit</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Rock+is+Lit&rft.atitle=Episode+6%3A+Interview+with+Zeena+Schreck+about+her+godfather+Kenneth+Anger&rft.aulast=Christy&rft.aufirst=Alexander+Hallberg&rft_id=https%3A%2F%2Frockislit.simplecast.com%2Fepisodes%2Fzachary-lazar-author-of-sway-_tUsXnKj%3Ft%3D1h0m4s&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-123"><span class="mw-cite-backlink"><b><a href="#cite_ref-123">^</a></b></span> <span class="reference-text"><a href="#CITEREFHunter2002">Hunter 2002</a>, pp. 105–106</span> </li> <li id="cite_note-124"><span class="mw-cite-backlink"><b><a href="#cite_ref-124">^</a></b></span> <span class="reference-text"><a href="#CITEREFHunter2002">Hunter 2002</a>, p. 106</span> </li> <li id="cite_note-125"><span class="mw-cite-backlink"><b><a href="#cite_ref-125">^</a></b></span> <span class="reference-text"><a href="#CITEREFHunter2002">Hunter 2002</a>, pp. 106–107</span> </li> <li id="cite_note-Hunter,_2002,_p.107-126"><span class="mw-cite-backlink">^ <a href="#cite_ref-Hunter,_2002,_p.107_126-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Hunter,_2002,_p.107_126-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Hunter,_2002,_p.107_126-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHunter2002">Hunter 2002</a>, p. 107</span> </li> <li id="cite_note-Hunter,_2002,_p.114-127"><span class="mw-cite-backlink">^ <a href="#cite_ref-Hunter,_2002,_p.114_127-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Hunter,_2002,_p.114_127-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHunter2002">Hunter 2002</a>, p. 114</span> </li> <li id="cite_note-Hunter,_2002,_p.117-128"><span class="mw-cite-backlink">^ <a href="#cite_ref-Hunter,_2002,_p.117_128-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Hunter,_2002,_p.117_128-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHunter2002">Hunter 2002</a>, p. 117</span> </li> <li id="cite_note-129"><span class="mw-cite-backlink"><b><a href="#cite_ref-129">^</a></b></span> <span class="reference-text"><a href="#CITEREFHunter2002">Hunter 2002</a>, pp. 116–117</span> </li> <li id="cite_note-130"><span class="mw-cite-backlink"><b><a href="#cite_ref-130">^</a></b></span> <span class="reference-text"><a href="#CITEREFHunter2002">Hunter 2002</a>, pp. 117–118</span> </li> <li id="cite_note-The_Film_Journal-131"><span class="mw-cite-backlink">^ <a href="#cite_ref-The_Film_Journal_131-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-The_Film_Journal_131-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-The_Film_Journal_131-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAllison" class="citation web cs1">Allison, Deborah. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20051120131847/http://www.thefilmjournal.com/issue12/anger.html">"Kenneth Anger"</a>. <i>The Film Journal</i> (review). Archived from the original on November 20, 2005.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Film+Journal&rft.atitle=Kenneth+Anger&rft.aulast=Allison&rft.aufirst=Deborah&rft_id=http%3A%2F%2Fwww.thefilmjournal.com%2Fissue12%2Fanger.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span><span class="cs1-maint citation-comment"><code class="cs1-code">{{<a href="/wiki/Template:Cite_web" title="Template:Cite web">cite web</a>}}</code>: CS1 maint: unfit URL (<a href="/wiki/Category:CS1_maint:_unfit_URL" title="Category:CS1 maint: unfit URL">link</a>)</span></span> </li> <li id="cite_note-132"><span class="mw-cite-backlink"><b><a href="#cite_ref-132">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://whitney.org/collection/works/27372">"Kenneth Anger - Mouse Heaven"</a>. <i>Whitney Museum of American Art</i>. November 11, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Whitney+Museum+of+American+Art&rft.atitle=Kenneth+Anger+-+Mouse+Heaven&rft.date=2024-11-11&rft_id=https%3A%2F%2Fwhitney.org%2Fcollection%2Fworks%2F27372&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-133"><span class="mw-cite-backlink"><b><a href="#cite_ref-133">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://mubi.com/en/gr/films/my-surfing-lucifer">"My Surfing Lucifer"</a>. <i>MUBI</i>. November 11, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=MUBI&rft.atitle=My+Surfing+Lucifer&rft.date=2024-11-11&rft_id=https%3A%2F%2Fmubi.com%2Fen%2Fgr%2Ffilms%2Fmy-surfing-lucifer&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-134"><span class="mw-cite-backlink"><b><a href="#cite_ref-134">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://mubi.com/en/gr/films/42-one-dream-rush">"42 One Dream Rush"</a>. <i>MUBI</i>. November 3, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=MUBI&rft.atitle=42+One+Dream+Rush&rft.date=2024-11-03&rft_id=https%3A%2F%2Fmubi.com%2Fen%2Fgr%2Ffilms%2F42-one-dream-rush&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> <li id="cite_note-135"><span class="mw-cite-backlink"><b><a href="#cite_ref-135">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://pagesix.com/2008/06/08/scandal-scribe-fears-a-curse/">"Scandal Scribe Fears a Curse"</a>. <i>Page Six</i>. June 8, 2008.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Page+Six&rft.atitle=Scandal+Scribe+Fears+a+Curse&rft.date=2008-06-08&rft_id=https%3A%2F%2Fpagesix.com%2F2008%2F06%2F08%2Fscandal-scribe-fears-a-curse%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></span> </li> </ol></div> <div class="mw-heading mw-heading3"><h3 id="Works_cited">Works cited</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=21" title="Edit section: Works cited"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin" style=""> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHunter2002" class="citation book cs1">Hunter, Jack, ed. (2002). <i>Moonchild. The Films of Kenneth Anger: Persistence of Vision Volume 1</i>. London: Creation Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84068-029-4" title="Special:BookSources/978-1-84068-029-4"><bdi>978-1-84068-029-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Moonchild.+The+Films+of+Kenneth+Anger%3A+Persistence+of+Vision+Volume+1&rft.place=London%3A+Creation+Books&rft.date=2002&rft.isbn=978-1-84068-029-4&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span><span class="cs1-maint citation-comment"><code class="cs1-code">{{<a href="/wiki/Template:Cite_book" title="Template:Cite book">cite book</a>}}</code>: CS1 maint: location missing publisher (<a href="/wiki/Category:CS1_maint:_location_missing_publisher" title="Category:CS1 maint: location missing publisher">link</a>)</span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLachman" class="citation book cs1"><a href="/wiki/Gary_Lachman" title="Gary Lachman">Lachman, Gary</a>. "Kenneth Anger: The Crowned and Conquered Child". <i>Anger: Magick Lantern Cycle</i> (DVD booklet). British Film Institute.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Kenneth+Anger%3A+The+Crowned+and+Conquered+Child&rft.btitle=Anger%3A+Magick+Lantern+Cycle&rft.pub=British+Film+Institute&rft.aulast=Lachman&rft.aufirst=Gary&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLandis1995" class="citation book cs1">Landis, Bill (1995). <i>Anger: The Unauthorized Biography of Kenneth Anger</i>. HarperCollins Publishers. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-06-016700-4" title="Special:BookSources/978-0-06-016700-4"><bdi>978-0-06-016700-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Anger%3A+The+Unauthorized+Biography+of+Kenneth+Anger&rft.pub=HarperCollins+Publishers&rft.date=1995&rft.isbn=978-0-06-016700-4&rft.aulast=Landis&rft.aufirst=Bill&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="Further_reading">Further reading</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=22" title="Edit section: Further reading"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239549316"><div class="refbegin" style=""> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">Braund, Simon (September 2008). "Kenneth Anger: The King of Babylon". <i>Empire</i>. pp. 86–92.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Empire&rft.atitle=Kenneth+Anger%3A+The+King+of+Babylon&rft.pages=86-92&rft.date=2008-09&rft.aulast=Braund&rft.aufirst=Simon&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">Brown, Mick (May 24, 2023). <a rel="nofollow" class="external text" href="https://www.esquire.com/uk/culture/news/a5483/kenneth-anger/">"The Extraordinary Life of Experimental Filmmaker Kenneth Anger"</a>. <i>Esquire</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Esquire&rft.atitle=The+Extraordinary+Life+of+Experimental+Filmmaker+Kenneth+Anger&rft.date=2023-05-24&rft.aulast=Brown&rft.aufirst=Mick&rft_id=https%3A%2F%2Fwww.esquire.com%2Fuk%2Fculture%2Fnews%2Fa5483%2Fkenneth-anger%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">Eaton, Thomas Dylan (2008). <a rel="nofollow" class="external text" href="https://www.e-periodica.ch/cntmng?pid=ptt-001:2008:0::924">"Cinema, Messianism and Crime"</a>. <i><a href="/wiki/Parkett" title="Parkett">Parkett</a></i>. Vol. 83. pp. 197–205. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.5169%2Fseals-680948">10.5169/seals-680948</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Parkett&rft.atitle=Cinema%2C+Messianism+and+Crime&rft.volume=83&rft.pages=197-205&rft.date=2008&rft_id=info%3Adoi%2F10.5169%2Fseals-680948&rft.aulast=Eaton&rft.aufirst=Thomas+Dylan&rft_id=https%3A%2F%2Fwww.e-periodica.ch%2Fcntmng%3Fpid%3Dptt-001%3A2008%3A0%3A%3A924&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">Eaton, Thomas Dylan (September 2008). <a rel="nofollow" class="external text" href="https://www.artforum.com/print/200807/1000-words-kenneth-anger-20919">"1000 Words: Kenneth Anger"</a>. <i><a href="/wiki/Artforum" title="Artforum">Artforum</a></i>. pp. 412–415.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Artforum&rft.atitle=1000+Words%3A+Kenneth+Anger&rft.pages=412-415&rft.date=2008-09&rft.aulast=Eaton&rft.aufirst=Thomas+Dylan&rft_id=https%3A%2F%2Fwww.artforum.com%2Fprint%2F200807%2F1000-words-kenneth-anger-20919&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1">Hutchinson, Alice L., ed. (2004). <i>Kenneth Anger</i>. Black Dog Publishing Ltd. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-904772-03-3" title="Special:BookSources/978-1-904772-03-3"><bdi>978-1-904772-03-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Kenneth+Anger&rft.pub=Black+Dog+Publishing+Ltd.&rft.date=2004&rft.isbn=978-1-904772-03-3&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1">Pilling, Jayne; O'Pray, Michael (1989). <i>Into the Pleasure Dome: The Films of Kenneth Anger</i>. London: BFI.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Into+the+Pleasure+Dome%3A+The+Films+of+Kenneth+Anger&rft.place=London&rft.pub=BFI&rft.date=1989&rft.aulast=Pilling&rft.aufirst=Jayne&rft.au=O%27Pray%2C+Michael&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1">Sanjiv, Bhattacharya (August 22, 2004). <a rel="nofollow" class="external text" href="http://observer.guardian.co.uk/magazine/story/0,11913,1287683,00.html">"Look Back at Anger"</a>. <i><a href="/wiki/The_Observer" title="The Observer">The Observer</a></i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Observer&rft.atitle=Look+Back+at+Anger&rft.date=2004-08-22&rft.aulast=Sanjiv&rft.aufirst=Bhattacharya&rft_id=http%3A%2F%2Fobserver.guardian.co.uk%2Fmagazine%2Fstory%2F0%2C11913%2C1287683%2C00.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1">Smith, Claiborne K. H. (November 17, 1997). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20050207012154/http://www.weeklywire.com/ww/11-17-97/austin_screens_feature2.html">"Kustom Film Kommando"</a>. <i><a href="/wiki/The_Austin_Chronicle" title="The Austin Chronicle">The Austin Chronicle</a></i>. Archived from <a rel="nofollow" class="external text" href="http://www.weeklywire.com/ww/11-17-97/austin_screens_feature2.html">the original</a> on February 7, 2005<span class="reference-accessdate">. Retrieved <span class="nowrap">June 21,</span> 2005</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Austin+Chronicle&rft.atitle=Kustom+Film+Kommando&rft.date=1997-11-17&rft.aulast=Smith&rft.aufirst=Claiborne+K.+H.&rft_id=http%3A%2F%2Fwww.weeklywire.com%2Fww%2F11-17-97%2Faustin_screens_feature2.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AKenneth+Anger" class="Z3988"></span></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Kenneth_Anger&action=edit&section=23" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><span class="official-website"><span class="url"><a rel="nofollow" class="external text" href="http://www.kennethanger.net/">Official website</a></span></span></li> <li><a rel="nofollow" class="external text" href="https://www.imdb.com/name/nm0001910/">Kenneth Anger</a> at <a href="/wiki/IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a></li></ul> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1236075235">.mw-parser-output .navbox{box-sizing:border-box;border:1px solid #a2a9b1;width:100%;clear:both;font-size:88%;text-align:center;padding:1px;margin:1em auto 0}.mw-parser-output .navbox .navbox{margin-top:0}.mw-parser-output .navbox+.navbox,.mw-parser-output .navbox+.navbox-styles+.navbox{margin-top:-1px}.mw-parser-output .navbox-inner,.mw-parser-output .navbox-subgroup{width:100%}.mw-parser-output .navbox-group,.mw-parser-output .navbox-title,.mw-parser-output .navbox-abovebelow{padding:0.25em 1em;line-height:1.5em;text-align:center}.mw-parser-output .navbox-group{white-space:nowrap;text-align:right}.mw-parser-output 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.navbox td.hlist dl,.mw-parser-output .navbox td.hlist ol,.mw-parser-output .navbox td.hlist ul{padding:0.125em 0}.mw-parser-output .navbox .navbar{display:block;font-size:100%}.mw-parser-output .navbox-title .navbar{float:left;text-align:left;margin-right:0.5em}body.skin--responsive .mw-parser-output .navbox-image img{max-width:none!important}@media print{body.ns-0 .mw-parser-output .navbox{display:none!important}}</style></div><div role="navigation" class="navbox" aria-labelledby="Kenneth_Anger" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Kenneth_Anger" title="Template:Kenneth Anger"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Kenneth_Anger" title="Template talk:Kenneth Anger"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Kenneth_Anger" title="Special:EditPage/Template:Kenneth Anger"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Kenneth_Anger" style="font-size:114%;margin:0 4em"><a class="mw-selflink selflink">Kenneth Anger</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Films directed</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Fireworks_(1947_film)" title="Fireworks (1947 film)">Fireworks</a></i></li> <li><i><a href="/wiki/Puce_Moment" title="Puce Moment">Puce Moment</a></i></li> <li><i><a href="/wiki/Eaux_d%27Artifice" title="Eaux d'Artifice">Eaux d'artifice</a></i></li> <li><i><a href="/wiki/Inauguration_of_the_Pleasure_Dome" title="Inauguration of the Pleasure Dome">Inauguration of the Pleasure Dome</a></i></li> <li><i><a href="/wiki/Scorpio_Rising_(film)" title="Scorpio Rising (film)">Scorpio Rising</a></i></li> <li><i><a href="/wiki/Kustom_Kar_Kommandos" title="Kustom Kar Kommandos">Kustom Kar Kommandos</a></i></li> <li><i><a href="/wiki/Invocation_of_My_Demon_Brother" title="Invocation of My Demon Brother">Invocation of My Demon Brother</a></i></li> <li><i><a href="/wiki/Lucifer_Rising_(film)" title="Lucifer Rising (film)">Lucifer Rising</a></i></li> <li><i><a href="/wiki/Rabbit%27s_Moon" title="Rabbit's Moon">Rabbit's Moon</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Books written</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Hollywood_Babylon" title="Hollywood Babylon">Hollywood Babylon</a></i></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Thelema" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Thelema_series" title="Template:Thelema series"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Thelema_series" title="Template talk:Thelema series"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Thelema_series" title="Special:EditPage/Template:Thelema series"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Thelema" style="font-size:114%;margin:0 4em"><a href="/wiki/Thelema" title="Thelema">Thelema</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Organizations</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/A%E2%88%B4A%E2%88%B4" title="A∴A∴">A∴A∴</a></li> <li><a href="/wiki/Ecclesia_Gnostica_Catholica" title="Ecclesia Gnostica Catholica">Ecclesia Gnostica Catholica</a></li> <li><a href="/wiki/Fraternitas_Saturni" title="Fraternitas Saturni">Fraternitas Saturni</a></li> <li><a href="/wiki/Ceremonial_magic#James_Lees" title="Ceremonial magic">O∴A∴A∴</a></li> <li><a href="/wiki/Open_Source_Order_of_the_Golden_Dawn" title="Open Source Order of the Golden Dawn">Open Source Order of the Golden Dawn</a></li> <li><a href="/wiki/Ordo_Templi_Orientis" title="Ordo Templi Orientis">Ordo Templi Orientis</a></li> <li><a href="/wiki/Society_Ordo_Templi_Orientis" class="mw-redirect" title="Society Ordo Templi Orientis">Society Ordo Templi Orientis</a></li> <li><a href="/wiki/Thelemic_Order_of_the_Golden_Dawn" class="mw-redirect" title="Thelemic Order of the Golden Dawn">Thelemic Order of the Golden Dawn</a></li> <li><a href="/wiki/Typhonian_Order" title="Typhonian Order">Typhonian Order</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Personalities</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/List_of_Thelemites" title="List of Thelemites">List of Thelemites</a></li> <li><a href="/wiki/Ankh-ef-en-Khonsu_i" title="Ankh-ef-en-Khonsu i">Ankh-af-na-khonsu</a></li> <li><a href="/wiki/Aleister_Crowley" title="Aleister Crowley">Aleister Crowley</a></li> <li><a class="mw-selflink selflink">Kenneth Anger</a></li> <li><a href="/wiki/Charles_Henry_Allan_Bennett" title="Charles Henry Allan Bennett">Allan Bennett</a></li> <li><a href="/wiki/William_Breeze" title="William Breeze">William Breeze</a></li> <li><a href="/wiki/Mary_Butts" title="Mary Butts">Mary Butts</a></li> <li><a href="/wiki/Marjorie_Cameron" title="Marjorie Cameron">Marjorie Cameron</a></li> <li><a href="/wiki/Lon_Milo_DuQuette" title="Lon Milo DuQuette">Lon Milo DuQuette</a></li> <li><a href="/wiki/Jeanne_Robert_Foster" title="Jeanne Robert Foster">Jeanne Robert Foster</a></li> <li><a href="/wiki/J._F._C._Fuller" title="J. F. C. Fuller">J. F. C. Fuller</a></li> <li><a href="/wiki/Karl_Germer" title="Karl Germer">Karl Germer</a></li> <li><a href="/wiki/Kenneth_Grant" title="Kenneth Grant">Kenneth Grant</a></li> <li><a href="/wiki/Lady_Frieda_Harris" title="Lady Frieda Harris">Lady Frieda Harris</a></li> <li><a href="/wiki/Leah_Hirsig" title="Leah Hirsig">Leah Hirsig</a></li> <li><a href="/wiki/Christopher_Hyatt" title="Christopher Hyatt">Christopher Hyatt</a></li> <li><a href="/wiki/Charles_Stansfeld_Jones" title="Charles Stansfeld Jones">Charles Stansfeld Jones</a></li> <li><a href="/wiki/George_Cecil_Jones" title="George Cecil Jones">George Cecil Jones</a></li> <li><a href="/wiki/Richard_Kaczynski" title="Richard Kaczynski">Richard Kaczynski</a></li> <li><a href="/wiki/Rose_Edith_Kelly" title="Rose Edith Kelly">Rose Edith Kelly</a></li> <li><a href="/wiki/Ceremonial_magic#James_Lees" title="Ceremonial magic">James Lees</a></li> <li><a href="/wiki/Grady_Louis_McMurtry" title="Grady Louis McMurtry">Grady Louis McMurtry</a></li> <li><a href="/wiki/Mogg_Morgan" class="mw-redirect" title="Mogg Morgan">Mogg Morgan</a></li> <li><a href="/wiki/Marcelo_Ramos_Motta" title="Marcelo Ramos Motta">Marcelo Ramos Motta</a></li> <li><a href="/wiki/Nema_Andahadna" title="Nema Andahadna">Nema Andahadna</a></li> <li><a href="/wiki/Victor_Neuburg_(poet)" title="Victor Neuburg (poet)">Victor Neuburg</a></li> <li><a href="/wiki/Sara_Northrup_Hollister" title="Sara Northrup Hollister">Sara Northrup</a></li> <li><a href="/wiki/Jack_Parsons" title="Jack Parsons">Jack Parsons</a></li> <li><a href="/wiki/Helen_Parsons_Smith" title="Helen Parsons Smith">Helen Parsons Smith</a></li> <li><a href="/wiki/Theodor_Reuss" title="Theodor Reuss">Theodor Reuss</a></li> <li><a href="/wiki/C._F._Russell" title="C. F. Russell">C. F. Russell</a></li> <li><a href="/wiki/Phyllis_Seckler" title="Phyllis Seckler">Phyllis Seckler</a></li> <li><a href="/wiki/Wilfred_Talbot_Smith" title="Wilfred Talbot Smith">Wilfred Talbot Smith</a></li> <li><a href="/wiki/Leila_Waddell" title="Leila Waddell">Leila Waddell</a></li> <li><a href="/wiki/James_Wasserman" title="James Wasserman">James Wasserman</a></li> <li><a href="/wiki/Sam_Webster_(writer)" title="Sam Webster (writer)">Sam Webster</a></li> <li><a href="/wiki/Jane_Wolfe" title="Jane Wolfe">Jane Wolfe</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Category:Thelemic_texts" title="Category:Thelemic texts">Thelemic texts</a></th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Aleister_Crowley_bibliography" title="Aleister Crowley bibliography">Aleister Crowley bibliography</a></li> <li><i><a href="/wiki/The_Book_of_Lies_(Crowley)" title="The Book of Lies (Crowley)">The Book of Lies</a></i></li> <li><a href="/wiki/The_Book_of_the_Law" title="The Book of the Law"><i>The Book of the Law</i> (<i>Liber AL vel Legis</i>)</a></li> <li><i><a href="/wiki/The_Book_of_Thoth" title="The Book of Thoth">The Book of Thoth</a></i></li> <li><i><a href="/wiki/Clouds_without_Water" title="Clouds without Water">Clouds without Water</a></i></li> <li><i><a href="/wiki/Collected_Works_of_Aleister_Crowley" title="Collected Works of Aleister Crowley">Collected Works</a></i></li> <li><i><a href="/wiki/The_Confessions_of_Aleister_Crowley" title="The Confessions of Aleister Crowley">Confessions</a></i></li> <li><i><a href="/wiki/The_Diary_of_a_Drug_Fiend" title="The Diary of a Drug Fiend">The Diary of a Drug Fiend</a></i></li> <li><i><a href="/wiki/Eight_Lectures_on_Yoga" title="Eight Lectures on Yoga">Eight Lectures on Yoga</a></i></li> <li><i><a href="/wiki/The_Equinox" title="The Equinox">The Equinox</a></i> <ul><li><i><a href="/wiki/The_Blue_Equinox" title="The Blue Equinox">The Blue Equinox</a></i></li> <li><i><a href="/wiki/The_Equinox_of_the_Gods" title="The Equinox of the Gods">The Equinox of the Gods</a></i></li></ul></li> <li><i><a href="/wiki/The_Holy_Books_of_Thelema" title="The Holy Books of Thelema">The Holy Books of Thelema</a></i></li> <li><i><a href="/wiki/Konx_Om_Pax" title="Konx Om Pax">Konx Om Pax</a></i></li> <li><i><a href="/wiki/The_Law_is_for_All" title="The Law is for All">The Law is for All</a></i></li> <li><i><a href="/wiki/777_and_Other_Qabalistic_Writings_of_Aleister_Crowley" title="777 and Other Qabalistic Writings of Aleister Crowley">Liber 777</a></i></li> <li><i><a href="/wiki/Liber_Aleph" class="mw-redirect" title="Liber Aleph">Liber Aleph</a></i></li> <li><i><a href="/wiki/Liber_OZ" title="Liber OZ">Liber OZ</a></i></li> <li><i><a href="/wiki/Liber_Resh" class="mw-redirect" title="Liber Resh">Liber Resh</a></i></li> <li><i><a href="/wiki/Liber_Trigrammaton" title="Liber Trigrammaton">Liber Trigrammaton</a></i></li> <li><i><a href="/wiki/Little_Essays_Toward_Truth" title="Little Essays Toward Truth">Little Essays Toward Truth</a></i></li> <li><i><a href="/wiki/Magick_(Book_4)" title="Magick (Book 4)">Magick (Book 4)</a></i></li> <li><i><a href="/wiki/Magick_Without_Tears" title="Magick Without Tears">Magick Without Tears</a></i></li> <li><i><a href="/wiki/Moonchild_(novel)" title="Moonchild (novel)">Moonchild</a></i></li> <li><i><a href="/wiki/One_Star_in_Sight" title="One Star in Sight">One Star in Sight</a></i></li> <li><i><a href="/wiki/The_Stratagem_and_other_Stories" title="The Stratagem and other Stories">The Stratagem and other Stories</a></i></li> <li><i><a href="/wiki/Thoth_Tarot" title="Thoth Tarot">Thoth Tarot</a></i></li> <li><i><a href="/wiki/The_Vision_and_the_Voice" title="The Vision and the Voice">The Vision and the Voice</a></i></li> <li><i><a href="/wiki/White_Stains" title="White Stains">White Stains</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Concepts and ideas</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Thelema#93" title="Thelema">93</a></li> <li><a href="/wiki/Abyss_(Thelema)" title="Abyss (Thelema)">Abyss</a></li> <li><a href="/wiki/Aeon_(Thelema)" title="Aeon (Thelema)">Aeon</a></li> <li><a href="/wiki/Agape" title="Agape">Agape</a></li> <li><a href="/wiki/Astral_projection" title="Astral projection">Astral projection</a></li> <li><a href="/wiki/Body_of_light" title="Body of light">Body of light</a></li> <li><a href="/wiki/English_Qaballa" title="English Qaballa">English Qaballa</a></li> <li><a href="/wiki/Great_Work_(Thelema)" title="Great Work (Thelema)">Great Work</a></li> <li><a href="/wiki/Hermetic_Qabalah" title="Hermetic Qabalah">Hermetic Qabalah</a></li> <li><a href="/wiki/Guardian_angel#Thelema" title="Guardian angel">Holy Guardian Angel</a></li> <li><a href="/wiki/Magical_formula" title="Magical formula">Magical formula</a></li> <li><a href="/wiki/Night_of_Pan" title="Night of Pan">Night of Pan</a></li> <li><a href="/wiki/Stele_of_Ankh-ef-en-Khonsu" title="Stele of Ankh-ef-en-Khonsu">Stele of Revealing</a></li> <li><a href="/wiki/Worship_of_heavenly_bodies" title="Worship of heavenly bodies">Stellar wisdom</a></li> <li><a href="/wiki/True_Will" title="True Will">True Will</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Magick</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Abrahadabra" title="Abrahadabra">Abrahadabra</a></li> <li><a href="/wiki/Ceremonial_magic" title="Ceremonial magic">Ceremonial magic</a></li> <li><a href="/wiki/Enochian_magic" title="Enochian magic">Enochian magic</a></li> <li><a href="/wiki/Eroto-comatose_lucidity" title="Eroto-comatose lucidity">Eroto-comatose lucidity</a></li> <li><a href="/wiki/Sorcery_(goetia)" title="Sorcery (goetia)">Goetia</a></li> <li><a href="/wiki/Obeah_and_wanga" class="mw-redirect" title="Obeah and wanga">Obeah and wanga</a></li> <li><a href="/wiki/Sex_magic" title="Sex magic">Sex magic</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Ceremony and ritual</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Liber_Resh_vel_Helios" title="Liber Resh vel Helios">Liber Resh</a></li> <li><a href="/wiki/Pentagram_ritual" class="mw-redirect" title="Pentagram ritual">Pentagram Ritual</a></li> <li><a href="/wiki/Bornless_Ritual" title="Bornless Ritual">Bornless Ritual</a></li> <li><a href="/wiki/Liber_XV,_The_Gnostic_Mass" title="Liber XV, The Gnostic Mass">Gnostic Mass</a></li> <li><a href="/wiki/Rites_of_Eleusis" title="Rites of Eleusis">Rites of Eleusis</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Godforms</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Nuit" title="Nuit">Nuit</a></li> <li><a href="/wiki/Hadit" title="Hadit">Hadit</a></li> <li><a href="/wiki/Heru-ra-ha" title="Heru-ra-ha">Heru-ra-ha</a></li> <li><a href="/wiki/Aiwass" title="Aiwass">Aiwass</a></li> <li><a href="/wiki/Therion_(Thelema)" title="Therion (Thelema)">Therion</a></li> <li><a href="/wiki/Babalon" title="Babalon">Babalon</a></li> <li><a href="/wiki/Chaos_(cosmogony)#Greco-Roman_tradition" title="Chaos (cosmogony)">Chaos</a></li> <li><a href="/wiki/Maat" title="Maat">Ma'at</a></li> <li><a href="/wiki/Harpocrates" title="Harpocrates">Harpocrates</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Symbolism</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Number_of_the_beast" title="Number of the beast">Number of the beast</a></li> <li><a href="/wiki/Pentagram" title="Pentagram">Pentagram</a></li> <li><a href="/wiki/Rose_Cross" title="Rose Cross">Rose Cross</a></li> <li><a href="/wiki/Tree_of_life_(Kabbalah)" title="Tree of life (Kabbalah)">Tree of Life</a></li> <li><a href="/wiki/Unicursal_hexagram" title="Unicursal hexagram">Unicursal hexagram</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related topics</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Abbey_of_Thelema" title="Abbey of Thelema">Abbey of Thelema</a></li> <li><a href="/wiki/Abramelin_oil" class="mw-redirect" title="Abramelin oil">Abramelin oil</a></li> <li><a href="/wiki/Agape_Lodge" title="Agape Lodge">Agape Lodge</a></li> <li><a href="/wiki/Boleskine_House" title="Boleskine House">Boleskine House</a></li> <li><a href="/wiki/The_Book_of_Abramelin" title="The Book of Abramelin">Book of Abramelin</a></li> <li><a href="/wiki/Cake_of_Light" title="Cake of Light">Cake of Light</a></li> <li><a href="/wiki/Choronzon" title="Choronzon">Choronzon</a></li> <li><a href="/wiki/Dianism" title="Dianism">Dianism</a></li> <li><a href="/wiki/Hermetic_Order_of_the_Golden_Dawn" title="Hermetic Order of the Golden Dawn">Hermetic Order of the Golden Dawn</a></li> <li><a href="/wiki/IPSOS" title="IPSOS">IPSOS</a></li> <li><a href="/wiki/Magical_alphabet" title="Magical alphabet">Magical alphabet</a></li> <li><a href="/wiki/Magical_organization" title="Magical organization">Magical organization</a></li> <li><a href="/wiki/Solar_deity" title="Solar deity">Solar deity</a></li> <li><a href="/wiki/Solar_Lodge" title="Solar Lodge">Solar Lodge</a></li> <li><a href="/wiki/The_Beast_(Revelation)" title="The Beast (Revelation)">The Beast</a></li> <li><a href="/wiki/Whore_of_Babylon" title="Whore of Babylon">Whore of Babylon</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"><style data-mw-deduplicate="TemplateStyles:r1038841319">.mw-parser-output .tooltip-dotted{border-bottom:1px dotted;cursor:help}</style></div><div role="navigation" class="navbox authority-control" aria-labelledby="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q505580#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q505580#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata" style="font-size:114%;margin:0 4em"><a href="/wiki/Help:Authority_control" title="Help:Authority control">Authority control databases</a> <span class="mw-valign-text-top noprint" typeof="mw:File/Frameless"><a href="https://www.wikidata.org/wiki/Q505580#identifiers" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, 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style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/119337126">Germany</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n81028467">United States</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb118888652">France</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb118888652">BnF data</a></span></li><li><span class="uid"><span class="rt-commentedText tooltip tooltip-dotted" title="Anger, Kenneth"><a rel="nofollow" class="external text" href="https://opac.sbn.it/nome/CFIV066033">Italy</a></span></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://nla.gov.au/anbd.aut-an35007075">Australia</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://aleph.nkp.cz/F/?func=find-c&local_base=aut&ccl_term=ica=xx0063570&CON_LNG=ENG">Czech Republic</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX1118711">Spain</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://id.bnportugal.gov.pt/aut/catbnp/1561523">Portugal</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://data.bibliotheken.nl/id/thes/p071729003">Netherlands</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://authority.bibsys.no/authority/rest/authorities/html/97018752">Norway</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://kopkatalogs.lv/F?func=direct&local_base=lnc10&doc_number=000287631&P_CON_LNG=ENG">Latvia</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://katalog.nsk.hr/F/?func=direct&doc_number=000357939&local_base=nsk10">Croatia</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://catalogue.nlg.gr/cgi-bin/koha/opac-authoritiesdetail.pl?authid=191554">Greece</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://dbn.bn.org.pl/descriptor-details/9811339098605606">Poland</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://olduli.nli.org.il/F/?func=find-b&local_base=NLX10&find_code=UID&request=987007273618105171">Israel</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://cantic.bnc.cat/registre/981058518988706706">Catalonia</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Academics</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://ci.nii.ac.jp/author/DA03349418?l=en">CiNii</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artists</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.getty.edu/vow/ULANFullDisplay?find=&role=&nation=&subjectid=500121005">ULAN</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://musicbrainz.org/artist/a4b69979-7728-41db-ade3-30e0ac3fa410">MusicBrainz</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://rkd.nl/en/explore/artists/331432">RKD Artists</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.moma.org/artists/49211">Museum of Modern Art</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">People</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://trove.nla.gov.au/people/787385">Trove</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.deutsche-biographie.de/pnd119337126.html?language=en">Deutsche Biographie</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.deutsche-digitale-bibliothek.de/person/gnd/119337126">DDB</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.idref.fr/026687100">IdRef</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://snaccooperative.org/ark:/99166/w6w21jdz">SNAC</a></span></li></ul></div></td></tr></tbody></table></div> <!-- NewPP limit report Parsed by mw‐web.eqiad.main‐864bbfd546‐8ld74 Cached time: 20241129193542 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 1.176 seconds Real time usage: 1.423 seconds Preprocessor visited node count: 8718/1000000 Post‐expand include size: 168713/2097152 bytes Template argument size: 6840/2097152 bytes Highest expansion depth: 20/100 Expensive parser function count: 4/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 251594/5000000 bytes Lua time usage: 0.644/10.000 seconds Lua memory usage: 11939531/52428800 bytes Number of Wikibase entities loaded: 1/400 --> <!-- Transclusion expansion time report 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