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class="vector-toc-numb">2</span> <span>Principles and practice</span> </div> </a> <button aria-controls="toc-Principles_and_practice-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Principles and practice subsection</span> </button> <ul id="toc-Principles_and_practice-sublist" class="vector-toc-list"> <li id="toc-Examples_of_postcritical_readings" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Examples_of_postcritical_readings"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.1</span> <span>Examples of postcritical readings</span> </div> </a> <ul id="toc-Examples_of_postcritical_readings-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Practitioners" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Practitioners"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Practitioners</span> </div> </a> <ul id="toc-Practitioners-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Opposition_to_postcritique" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Opposition_to_postcritique"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>Opposition to postcritique</span> </div> </a> <ul id="toc-Opposition_to_postcritique-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Relevance_to_other_disciplines" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Relevance_to_other_disciplines"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>Relevance to other disciplines</span> </div> </a> <ul id="toc-Relevance_to_other_disciplines-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-See_also" 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id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Methods beyond critique, critical theory, and ideological criticism</div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">For the philosophical concept coined by Michael Polanyi, see <a href="/wiki/Post-critical" title="Post-critical">Post-critical</a>.</div> <style data-mw-deduplicate="TemplateStyles:r1251242444">.mw-parser-output .ambox{border:1px solid #a2a9b1;border-left:10px solid #36c;background-color:#fbfbfb;box-sizing:border-box}.mw-parser-output .ambox+link+.ambox,.mw-parser-output .ambox+link+style+.ambox,.mw-parser-output .ambox+link+link+.ambox,.mw-parser-output .ambox+.mw-empty-elt+link+.ambox,.mw-parser-output .ambox+.mw-empty-elt+link+style+.ambox,.mw-parser-output .ambox+.mw-empty-elt+link+link+.ambox{margin-top:-1px}html body.mediawiki .mw-parser-output .ambox.mbox-small-left{margin:4px 1em 4px 0;overflow:hidden;width:238px;border-collapse:collapse;font-size:88%;line-height:1.25em}.mw-parser-output .ambox-speedy{border-left:10px solid #b32424;background-color:#fee7e6}.mw-parser-output .ambox-delete{border-left:10px solid #b32424}.mw-parser-output .ambox-content{border-left:10px solid #f28500}.mw-parser-output .ambox-style{border-left:10px solid #fc3}.mw-parser-output .ambox-move{border-left:10px solid #9932cc}.mw-parser-output .ambox-protection{border-left:10px solid #a2a9b1}.mw-parser-output .ambox .mbox-text{border:none;padding:0.25em 0.5em;width:100%}.mw-parser-output .ambox .mbox-image{border:none;padding:2px 0 2px 0.5em;text-align:center}.mw-parser-output .ambox .mbox-imageright{border:none;padding:2px 0.5em 2px 0;text-align:center}.mw-parser-output .ambox .mbox-empty-cell{border:none;padding:0;width:1px}.mw-parser-output .ambox .mbox-image-div{width:52px}@media(min-width:720px){.mw-parser-output .ambox{margin:0 10%}}@media print{body.ns-0 .mw-parser-output .ambox{display:none!important}}</style><table class="box-Research_paper plainlinks metadata ambox ambox-style ambox-essay-like" role="presentation"><tbody><tr><td class="mbox-image"><div class="mbox-image-div"><span typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/f/f2/Edit-clear.svg/40px-Edit-clear.svg.png" decoding="async" width="40" height="40" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/f/f2/Edit-clear.svg/60px-Edit-clear.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/f/f2/Edit-clear.svg/80px-Edit-clear.svg.png 2x" data-file-width="48" data-file-height="48" /></span></span></div></td><td class="mbox-text"><div class="mbox-text-span">This article <b>is written like a <a href="/wiki/Wikipedia:What_Wikipedia_is_not#Wikipedia_is_not_a_manual,_guidebook,_textbook,_or_scientific_journal" title="Wikipedia:What Wikipedia is not">research paper or scientific journal</a></b>.<span class="hide-when-compact"> Please <a class="external text" href="https://en.wikipedia.org/w/index.php?title=Postcritique&action=edit">help improve the article</a> by rewriting it in <a href="/wiki/Wikipedia:Encyclopedic_style" class="mw-redirect" title="Wikipedia:Encyclopedic style">encyclopedic style</a> and simplify <a href="/wiki/Wikipedia:Make_technical_articles_understandable" title="Wikipedia:Make technical articles understandable">overly technical phrases</a>.</span> <span class="date-container"><i>(<span class="date">October 2019</span>)</i></span><span class="hide-when-compact"><i> (<small><a href="/wiki/Help:Maintenance_template_removal" title="Help:Maintenance template removal">Learn how and when to remove this message</a></small>)</i></span></div></td></tr></tbody></table> <p>In <a href="/wiki/Literary_criticism" title="Literary criticism">literary criticism</a> and <a href="/wiki/Cultural_studies" title="Cultural studies">cultural studies</a>, <b>postcritique</b> is the attempt to find new forms of reading and interpretation that go beyond the methods of <a href="/wiki/Critique" title="Critique">critique</a>, <a href="/wiki/Critical_theory" title="Critical theory">critical theory</a>, and <a href="/wiki/Ideological_criticism" title="Ideological criticism">ideological criticism</a>.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> Such methods have been characterized as a "<a href="/wiki/Hermeneutics_of_suspicion" title="Hermeneutics of suspicion">hermeneutics of suspicion</a>" by <a href="/wiki/Paul_Ric%C5%93ur" title="Paul Ricœur">Paul Ricœur</a> and as a "paranoid" or suspicious style of reading by <a href="/wiki/Eve_Kosofsky_Sedgwick" title="Eve Kosofsky Sedgwick">Eve Kosofsky Sedgwick</a>. Proponents of postcritique argue that the interpretive practices associated with these ways of reading are now unlikely to yield useful or even interesting results. As <a href="/wiki/Rita_Felski" title="Rita Felski">Rita Felski</a> and Elizabeth S. Anker put it in the introduction to <i>Critique and Postcritique</i>, "the intellectual or political payoff of interrogating, demystifying, and defamiliarizing is no longer quite so self-evident."<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> A postcritical reading of a literary text might instead emphasize emotion or <a href="/wiki/Affect_(psychology)" title="Affect (psychology)">affect</a>, or describe various other <a href="/wiki/Phenomenology_(philosophy)" title="Phenomenology (philosophy)">phenomenological</a> or <a href="/wiki/Aesthetics" title="Aesthetics">aesthetic</a> dimensions of the reader's experience. At other times, it might focus on issues of <a href="/wiki/Reception_theory" title="Reception theory">reception</a>, explore philosophical insights gleaned via the process of reading, pose <a href="/wiki/Formalism_(literature)" title="Formalism (literature)">formalist</a> questions of the text, or seek to resolve a "sense of confusion."<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p><p>Importantly, postcritique is not a straightforward repudiation of critique, but instead seeks to supplement it with new interpretative practices. It views critique as being valuable in certain situations, but inadequate in others. As Felski claims in <i>The Uses of Literature</i>, critical and postcritical readings can and should coexist. "In the long run," she argues, "we should all heed Ricœur’s advice to combine a willingness to suspect with an eagerness to listen; there is no reason why our readings cannot blend analysis and attachment, criticism and love."<sup id="cite_ref-:1_4-0" class="reference"><a href="#cite_note-:1-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> Felski is careful to point out, in her later study <i>The Limits of Critique</i>, that her argument "is not conceived as a polemic against critique."<sup id="cite_ref-:5_5-0" class="reference"><a href="#cite_note-:5-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> In a similar spirit, Christopher Castiglia claims that critique can be salvaged if scholars renounce "critiquiness," which he associates with smug knowingness and thoroughgoing <a href="/wiki/Skepticism" title="Skepticism">skepticism</a>.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> </p><p>Postcritical approaches to texts are often experimental, concerned with discovering new styles, postures, and stances of reading, as well as "testing out new possibilities and intellectual alternatives" to the standard operations of critique.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> According to Matthew Mullins, postcritique has important implications for understanding the broader role and purpose of the <a href="/wiki/Humanities" title="Humanities">humanities</a>. He claims that it offers practitioners both "positive language and methods from which to make a case for why the humanities matter at a moment when higher education faces threats from forces such a privatization and utilitarianism."<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="History">History</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Postcritique&action=edit&section=1" title="Edit section: History"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Felski named <a href="/wiki/Michael_Polanyi#Influence_and_legacy" title="Michael Polanyi">Michael Polanyi</a> as an important precursor to the project of postcritique.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> Polanyi had discussed the '<a href="/wiki/Post-critical" title="Post-critical">Post-critical</a>'. </p><p>According to the French philosopher Paul Ricœur, the style of thinking associated with critique began with the work of <a href="/wiki/Karl_Marx" title="Karl Marx">Karl Marx</a>, <a href="/wiki/Friedrich_Nietzsche" title="Friedrich Nietzsche">Friedrich Nietzsche</a>, and <a href="/wiki/Sigmund_Freud" title="Sigmund Freud">Sigmund Freud</a>.<sup id="cite_ref-:8_10-0" class="reference"><a href="#cite_note-:8-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> Though radically diverse in their interpretations of <a href="/wiki/Western_culture" title="Western culture">Western culture</a>, these three "masters of suspicion"<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> argued for a totalizing, systematic theory that probed below the surface of culture to locate deeper structural truths. For Marx, <a href="/wiki/Economics" title="Economics">economic relations</a> shaped all aspects of social life. For Nietzsche, received <a href="/wiki/Morality" title="Morality">morality</a> and commonplace beliefs were deeply suspect, and required rigorous interrogation. And for Freud, the <a href="/wiki/Unconscious_mind" title="Unconscious mind">unconscious</a> mind shaped thought and behaviour in profound ways. Rita Felski notes that for Ricœur, these thinkers are "the creators of a new art of interpreting."<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> Ricœur's characterization of "the hermeneutics of suspicion" occupies a central position within the field of postcritique. </p><p>Eve Kosofky Sedgwick built on Ricœur's theory to develop her ideas around "paranoid reading" and "reparative reading."<sup id="cite_ref-:6_13-0" class="reference"><a href="#cite_note-:6-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> Sedgwick called on critics to abandon the "dramas of exposure" that so often motivate textual interpretation, and instead emphasize the various beneficial roles that texts can play within particular readers' lives.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> Rita Felski has argued that Sedgwick's account of reparative reading calls for "a stance that looks to a work of art for solace and replenishment rather than viewing it as something to be interrogated and indicted."<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> </p><p><a href="/wiki/Bruno_Latour" title="Bruno Latour">Bruno Latour</a>, in his influential article “Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern" argues that critique is no longer able to offer politically progressive readings of texts, since its methods have been coopted by right-wing interests. He claims that the rise of <a href="/wiki/Conspiracy_theory" title="Conspiracy theory">conspiracy theories</a> and conspiratorial thinking means that the dominant mode of enquiry entailed within the "hermeneutics of suspicion" can no longer be relied on to dismantle power structures.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> Felski builds on such ideas to expose the many limitations associated with critique. In developing the set of ideas that comprise postcritique, Rita Felski has said that she has been "deeply influenced by the work of Bruno Latour."<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> </p><p>The work of all three thinkers has been crucial to the development of postcritique. </p> <div class="mw-heading mw-heading2"><h2 id="Principles_and_practice">Principles and practice</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Postcritique&action=edit&section=2" title="Edit section: Principles and practice"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>At its heart, postcritique seeks to find ways of reading that offer alternatives to critique. It is motivated by the search for more sophisticated accounts of how specific readers engage with specific texts. As Felski claims in <i>The Uses of Literature</i>, "[w]e are sorely in need of richer and deeper accounts of how selves interact with texts."<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> The practitioners of this project define critique in broad terms. Felski, for instance, views critique as comprising "symptomatic reading, ideology critique, Foucauldian historicism," as well as "various techniques of scanning texts for signs of transgression or resistance.”<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> In response, she offers various other frameworks for reading, including those centered on recognition, enchantment, shock, and knowledge.<sup id="cite_ref-:1_4-1" class="reference"><a href="#cite_note-:1-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> In so doing, she mounts an argument for "the value of literature" that seeks to avoid "falling into truisms and platitudes, sentimentality and <i>Schwärmerei.</i>"<sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> </p><p>Similarly, Timothy Bewes has articulated a postcritical mode of reading that stands in opposition to <a href="/wiki/Judith_Fetterley" title="Judith Fetterley">Judith Fetterley</a>'s influential theory of <a href="/wiki/Resistant_reading" title="Resistant reading">resistant reading</a>. Bewes instead uses the work of <a href="/wiki/Louis_Althusser" title="Louis Althusser">Louis Althusser</a>, <a href="/wiki/Walter_Benjamin" title="Walter Benjamin">Walter Benjamin</a>, <a href="/wiki/Alain_Badiou" title="Alain Badiou">Alain Badiou</a>, Paul Ricœur, and <a href="/wiki/Gilles_Deleuze" title="Gilles Deleuze">Gilles Deleuze</a> to suggest that "under current historical conditions the most pressing injunction is not to read 'against the grain' but to read with it."<sup id="cite_ref-bewes_21-0" class="reference"><a href="#cite_note-bewes-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> This congruent reading stance, according to Bewes, offers many new interpretive possibilities. </p><p>Using the philosophy of <a href="/wiki/Ludwig_Wittgenstein" title="Ludwig Wittgenstein">Ludwig Wittgenstein</a>, <a href="/wiki/Toril_Moi" title="Toril Moi">Toril Moi</a> argues that it is possible to overcome the traps of critique by understanding that "there is no need to think of texts and language as hiding something."<sup id="cite_ref-:0_22-0" class="reference"><a href="#cite_note-:0-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> She argues that "claims about hiddenness and depth in literary criticism are empty" and instead encourages literary critics to write about an "encounter with the literary text" that is based on a "willingness to look and see, to pay maximal attention to the words on the page."<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> </p><p>Davide Panagia has argued that postcritical methods are a means of recapturing the pleasures of textual criticism and interpretation. He suggests that realising the truth of Felski's claim that "aesthetic works have nothing to hide and that there is no ghost in the machine" will allow the field of literary studies to "reacquire the pleasures of criticism."<sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Examples_of_postcritical_readings">Examples of postcritical readings</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Postcritique&action=edit&section=3" title="Edit section: Examples of postcritical readings"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Postcritical readings can focus on a diverse range of textual qualities, and reveal various forms of knowledge. Tobias Skiveren, for instance, has argued that <a href="/wiki/Ta-Nehisi_Coates" title="Ta-Nehisi Coates">Ta-Nehisi Coates</a>’s <i><a href="/wiki/Between_the_World_and_Me" title="Between the World and Me">Between the World and Me</a></i> (2015) can be read as an instance of literature serving as a "useful technology for – using Bruno Latour's phrase – 'learning to be affected' by the lives of others."<sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> Rita Felski, in <i>The Uses of Literature</i>, reads <a href="/wiki/Manuel_Puig" title="Manuel Puig">Manuel Puig</a>’s <i><a href="/wiki/Kiss_of_the_Spider_Woman_(novel)" title="Kiss of the Spider Woman (novel)">Kiss of the Spider Woman</a></i> as "an exercise in aesthetic re-education,"<sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> and C. Namwali Serpell has outlined a phenomenological, postcritical reading of <a href="/wiki/Jim_Thompson_(writer)" title="Jim Thompson (writer)">Jim Thompson</a>’s <i><a href="/wiki/The_Killer_Inside_Me" title="The Killer Inside Me">The Killer Inside Me</a></i> (1952) that exposes the limitations of purely ideological interpretations of the novel.<sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> Likewise, Katrin Röder has experimented with postcritical forms of interpretation in an analysis of <a href="/wiki/T._S._Eliot" title="T. S. Eliot">T.S. Eliot</a>'s <i><a href="/wiki/Four_Quartets" title="Four Quartets">Four Quartets</a></i>.<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Practitioners">Practitioners</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Postcritique&action=edit&section=4" title="Edit section: Practitioners"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Contemporary literary critics associated with postcritique include Toril Moi, Rita Felski, Elizabeth S. Anker, Matthew Mullins, Christopher Castiglia, <a href="/wiki/Russ_Castronovo" title="Russ Castronovo">Russ Castronovo</a>, <a href="/wiki/Simon_During" title="Simon During">Simon During</a>, Jennifer Fleissner, Eric Hayot, Heather K. Love, John Michael, Ellen Rooney, C. Namwali Serpell, <a href="/wiki/Sharon_Marcus" title="Sharon Marcus">Sharon Marcus</a>, Tobias Skiveren, Colin Davis, Deidre Lynch, Timothy Bewes, John Schad, and Stephen Best. </p><p>There are also a range of earlier critics who have been labelled as important precursors to this mode of literary criticism. Felski lists Ludwig Wittgenstein, <a href="/wiki/Stanley_Cavell" title="Stanley Cavell">Stanley Cavell</a>, Eve Kosofsky Sedgwick, <a href="/wiki/Michael_Polanyi" title="Michael Polanyi">Michael Polanyi</a>, Paul Ricœur, Bruno Latour and <a href="/wiki/Jacques_Ranci%C3%A8re" title="Jacques Rancière">Jacques Rancière</a> as proto-postcritical figures.<sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> Other important literary and intellectual antecedents include <a href="/wiki/C._S._Lewis" title="C. S. Lewis">C.S. Lewis</a>, <a href="/wiki/George_Steiner" title="George Steiner">George Steiner</a>, <a href="/wiki/Pierre_Bayard" title="Pierre Bayard">Pierre Bayard</a>, <a href="/wiki/Susan_Sontag" title="Susan Sontag">Susan Sontag</a>,<sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Manny_Farber" title="Manny Farber">Manny Farber</a>,<sup id="cite_ref-:2_31-0" class="reference"><a href="#cite_note-:2-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> Louis Althusser,<sup id="cite_ref-bewes_21-1" class="reference"><a href="#cite_note-bewes-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> Walter Benjamin,<sup id="cite_ref-bewes_21-2" class="reference"><a href="#cite_note-bewes-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> Alain Badiou,<sup id="cite_ref-bewes_21-3" class="reference"><a href="#cite_note-bewes-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> Gilles Deleuze,<sup id="cite_ref-bewes_21-4" class="reference"><a href="#cite_note-bewes-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> <a href="/wiki/F._R._Leavis" title="F. R. Leavis">F.R. Leavis</a>, <a href="/wiki/John_Bayley_(writer)" title="John Bayley (writer)">John Bayley</a>,<sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> <a href="/wiki/John_Guillory" title="John Guillory">John Guillory</a>,<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Michel_Foucault" title="Michel Foucault">Michel Foucault</a>,<sup id="cite_ref-About_Post-Critique_34-0" class="reference"><a href="#cite_note-About_Post-Critique-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Theodor_W._Adorno" title="Theodor W. Adorno">Theodore Adorno</a>,<sup id="cite_ref-About_Post-Critique_34-1" class="reference"><a href="#cite_note-About_Post-Critique-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Michel_Serres" title="Michel Serres">Michel Serres</a>,<sup id="cite_ref-About_Post-Critique_34-2" class="reference"><a href="#cite_note-About_Post-Critique-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Carlos_Castaneda" title="Carlos Castaneda">Carlos Castaneda</a>,<sup id="cite_ref-About_Post-Critique_34-3" class="reference"><a href="#cite_note-About_Post-Critique-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> and <a href="/wiki/Steven_Connor" title="Steven Connor">Steven Connor</a>. </p> <div class="mw-heading mw-heading2"><h2 id="Opposition_to_postcritique">Opposition to postcritique</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Postcritique&action=edit&section=5" title="Edit section: Opposition to postcritique"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The claims and reading practices associated with postcritique have been criticized by a number of scholars. The literary critic Bruce Robbins has taken issue with many aspects of postcritique. He argues that the guiding assumptions of critics working in this field are characterized by "shameless caricature."<sup id="cite_ref-fashion_35-0" class="reference"><a href="#cite_note-fashion-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> In a response to <i>The Limits of Critique</i> published in <a href="/wiki/PMLA_(journal)" class="mw-redirect" title="PMLA (journal)">PMLA</a> in 2017, he took issue with the way that Felski's book is overwhelmingly concerned with "faultfinding" in the field of literary criticism.<sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> Elsewhere, he claims that "critique is a creature of its fantasies," which can only be sustained by mischaracterizing a range of earlier movements in literary criticism, and by presenting various <a href="/wiki/Straw_man" title="Straw man">straw-man arguments</a>. "In what real landscape does this monster of pure negativity lurk?" Robbins asks. "Are there really teachers of literature out there who do nothing all day but interrogate, demystify, and unmask?"<sup id="cite_ref-fashion_35-1" class="reference"><a href="#cite_note-fashion-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> Robbins also finds "a <a href="/wiki/Passive-aggressive_behavior" title="Passive-aggressive behavior">passive aggressive</a> tone" in the work of many postcritical scholars, along with an "extreme self-satisfaction with their beliefs, attachments, and feelings (which can't be disputed) and with the comfortable perch in the world where divine providence has seen fit to place them."<sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> </p><p>Robbins has also claimed that postcritical practices invariably embrace political <a href="/wiki/Quietism_(philosophy)" title="Quietism (philosophy)">quietism</a>. He suggests that "the post-critiquers have dislodged and disrespected the experience of African Americans, for whom paranoia is a perfectly acceptable language for the experience of systemic racial injustice. As it is for the experience of other marginalized communities, including queers, women, immigrants, and a range of racial minorities."<sup id="cite_ref-:3_38-0" class="reference"><a href="#cite_note-:3-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> </p><p>Likewise, <a href="/wiki/Merve_Emre" title="Merve Emre">Merve Emre</a> has claimed that Rita Felski and other scholars associated with postcritique overstate the dangers and limitations of paranoid reading, based on a misunderstanding of Sedgwick's argument.<sup id="cite_ref-:4_39-0" class="reference"><a href="#cite_note-:4-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> She argues that critique remains a legitimate style of reading, with the ability to inspire social action, calling for "a different idea of paranoid reading [...] that emphasize[s] its performative ability to convert suspicious aesthetic detachment into social action."<sup id="cite_ref-:4_39-1" class="reference"><a href="#cite_note-:4-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> </p><p>Several critics have also been suspicious of Felski's use of <a href="/wiki/Actor%E2%80%93network_theory" title="Actor–network theory">Actor-network theory</a> (or ANT), which she adopts from the work of <a href="/wiki/Bruno_Latour" title="Bruno Latour">Bruno Latour</a>. Ross Poncock considers this position needlessly reactionary,<sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> while Erin Schreiner has wondered about its compatibility with the new reading practices of postcritique.<sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> Similarly, Dan Weiskopf suggests that Latour's model is not "much of an advance" on critique, and points out that it is "a little hard to square this slightly wonky scientism with her call for a renaissance of humanistic values in criticism."<sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> For Weiskopf, Actor-network theory is an example of the kind of theoretical framework that "run[s] counter to the impulse that drives criticism in the first place, which is to record the private, idiosyncratic act of figuring out for oneself what one thinks and feels about an artwork."<sup id="cite_ref-43" class="reference"><a href="#cite_note-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> </p><p>Eric Hayot points out that some postcritical readings have implicitly called for “a new messiah who will reconstitute the very structures of faith and belief that the death of Theory destroyed in the first place.”<sup id="cite_ref-44" class="reference"><a href="#cite_note-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> Elsewhere, Hayot has noted that the most strident advocates of postcritique tend to be middle-aged, tenured university professors, which he argues is a problem for the development of this reading practice. He warns that "[s]cholars who find themselves, in midlife, disappointed by the empty promises of the methods and ideas that so inspired them as young people ought to be profoundly suspicious of themselves. They ought to ask whether it is possible that their own psycho-biological position is governing their sense of the history of ideas, or of the political world more generally."<sup id="cite_ref-45" class="reference"><a href="#cite_note-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> </p><p>Finally, since critique is often synonymous with critical theory, many scholars have warned against a too-hasty retreat from various theoretical frameworks designed for the analysis of literature and culture. </p> <div class="mw-heading mw-heading2"><h2 id="Relevance_to_other_disciplines">Relevance to other disciplines</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Postcritique&action=edit&section=6" title="Edit section: Relevance to other disciplines"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Matthew Mullins has claimed that postcritique has important implications for understanding the continual importance and relevance of the <a href="/wiki/Humanities" title="Humanities">humanities</a>.<sup id="cite_ref-Mullins_46-0" class="reference"><a href="#cite_note-Mullins-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> He argues that it provides both "positive language and methods from which to make a case for why the humanities matter," implying that its methods might be adopted by scholars in many adjacent disciplines.<sup id="cite_ref-Mullins_46-1" class="reference"><a href="#cite_note-Mullins-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> Together with its adoption in literary studies and cultural theory, postcritical practices have also been taken up by other Humanities scholars. Erin Schreiner, for instance, has considered how scholars writing on the <a href="/wiki/History_of_ideas" class="mw-redirect" title="History of ideas">history of ideas</a> might "learn from, and contribute to, this nascent movement towards a 'post-critical' sensibility," and proposes ways in which "the topics historians of ideas pursue can become more aligned with the concerns of post-critical theorists."<sup id="cite_ref-47" class="reference"><a href="#cite_note-47"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup> Similarly, Kathryn Fleishman has explored the relevance of postcritical ideas for an understanding of contemporary <a href="/wiki/Politics_of_the_United_States" title="Politics of the United States">US politics</a>, arguing that "postcritique is uniquely positioned to help us read and resist in our current political milieu,"<sup id="cite_ref-48" class="reference"><a href="#cite_note-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> while Maite Marciano has proposed the relevance of postcritique to the field of <a href="/wiki/American_studies" title="American studies">American Studies</a>.<sup id="cite_ref-49" class="reference"><a href="#cite_note-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> Similarly, Ismail Muhammad has considered some of the applications that postcritical practices might have within the field of the <a href="/wiki/Visual_arts" title="Visual arts">visual arts</a>, particularly <a href="/wiki/Art_criticism" title="Art criticism">art criticism</a>.<sup id="cite_ref-50" class="reference"><a href="#cite_note-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> Ulf Schulenberg, in his book <i>Marxism, Pragmatism, and Postmetaphysics</i>, explores what postcritique might have to offer the fields of <a href="/wiki/Philosophy" title="Philosophy">philosophy</a> and <a href="/wiki/Political_philosophy" title="Political philosophy">political philosophy</a>.<sup id="cite_ref-51" class="reference"><a href="#cite_note-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> </p><p>Postcritique has also influenced the field of <a href="/wiki/International_relations" title="International relations">International Relations</a>. <a href="/wiki/Jonathan_Luke_Austin" title="Jonathan Luke Austin">Jonathan Luke Austin</a> leads a project titled "Post-Critical IR" at the <a href="/wiki/Graduate_Institute_of_International_and_Development_Studies" title="Graduate Institute of International and Development Studies">Graduate Institute of International and Development Studies</a>, Geneva. This project seeks to repurpose the tools of postcritical reading to address what it takes to be key failures within the field of <a href="/wiki/International_relations_theory" title="International relations theory">IR theory</a>, including the charge that IR is "contributing to today’s post-truth era and its panoply of socio-political abuses."<sup id="cite_ref-52" class="reference"><a href="#cite_note-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> Austin's work here has been specifically focused around developing conceptualisations of critical companionship,<sup id="cite_ref-53" class="reference"><a href="#cite_note-53"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup> exploring the nature of critical rhetorical styles in world politics,<sup id="cite_ref-54" class="reference"><a href="#cite_note-54"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup> the relevance of material-technological praxis to critical change-making,<sup id="cite_ref-55" class="reference"><a href="#cite_note-55"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup> and beyond. The introduction of post-critique to IR has - most prominently - provoked a field wide rethinking of the status of critical interventions more broadly in the field. </p><p>Postcritical reading approaches have also been adopted by scholars working in the fields of <a href="/wiki/Sociology" title="Sociology">sociology</a>,<sup id="cite_ref-56" class="reference"><a href="#cite_note-56"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Social_justice" title="Social justice">social justice</a>,<sup id="cite_ref-57" class="reference"><a href="#cite_note-57"><span class="cite-bracket">[</span>57<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Social_science" title="Social science">Social science</a>,<sup id="cite_ref-58" class="reference"><a href="#cite_note-58"><span class="cite-bracket">[</span>58<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Critical_race_theory" title="Critical race theory">critical race studies</a>,<sup id="cite_ref-59" class="reference"><a href="#cite_note-59"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup> and <a href="/wiki/Religious_studies" title="Religious studies">religious studies</a>.<sup id="cite_ref-60" class="reference"><a href="#cite_note-60"><span class="cite-bracket">[</span>60<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Postcritique&action=edit&section=7" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i><a href="/wiki/Explication_de_Texte" title="Explication de Texte">Explication de Texte</a></i></li> <li><a href="/wiki/Reading_(process)" class="mw-redirect" title="Reading (process)">Reading (process)</a></li> <li><a href="/wiki/Post-critical" title="Post-critical">Post-critical</a></li> <li><a href="/wiki/Slow_reading" title="Slow reading">Slow reading</a></li> <li><a href="/wiki/Close_reading" title="Close reading">Close reading</a></li> <li><a href="/wiki/Poetics_(Aristotle)" title="Poetics (Aristotle)">Poetics (Aristotle)</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Postcritique&action=edit&section=8" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFSkiveren2022" class="citation journal cs1">Skiveren, Tobias (2022). <a rel="nofollow" class="external text" href="https://muse.jhu.edu/article/856391">"Postcritique and the Problem of the Lay Reader"</a>. <i>New Literary History</i>. <b>53</b> (1): 161–180. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1353%2Fnlh.2022.0006">10.1353/nlh.2022.0006</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a> <a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:249419866">249419866</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=New+Literary+History&rft.atitle=Postcritique+and+the+Problem+of+the+Lay+Reader&rft.volume=53&rft.issue=1&rft.pages=161-180&rft.date=2022&rft_id=info%3Adoi%2F10.1353%2Fnlh.2022.0006&rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A249419866%23id-name%3DS2CID&rft.aulast=Skiveren&rft.aufirst=Tobias&rft_id=https%3A%2F%2Fmuse.jhu.edu%2Farticle%2F856391&rfr_id=info%3Asid%2Fen.wikipedia.org%3APostcritique" class="Z3988"></span></span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnker_&_Felski2017" class="citation book cs1">Anker & Felski (2017). "Introduction". In Anker & Felski (ed.). <i>Critique and Postcritique</i>. Durham: Duke University Press. p. 1. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8223-7304-9" title="Special:BookSources/978-0-8223-7304-9"><bdi>978-0-8223-7304-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Introduction&rft.btitle=Critique+and+Postcritique&rft.place=Durham&rft.pages=1&rft.pub=Duke+University+Press&rft.date=2017&rft.isbn=978-0-8223-7304-9&rft.au=Anker+%26+Felski&rfr_id=info%3Asid%2Fen.wikipedia.org%3APostcritique" class="Z3988"></span></span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMoi2017" class="citation book cs1">Moi, Toril (2017). <i>Revolution of the Ordinary</i>. Chicago: University of Chicago Press. p. 180. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780226464442" title="Special:BookSources/9780226464442"><bdi>9780226464442</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Revolution+of+the+Ordinary&rft.place=Chicago&rft.pages=180&rft.pub=University+of+Chicago+Press&rft.date=2017&rft.isbn=9780226464442&rft.aulast=Moi&rft.aufirst=Toril&rfr_id=info%3Asid%2Fen.wikipedia.org%3APostcritique" class="Z3988"></span></span> </li> <li id="cite_note-:1-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-:1_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:1_4-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFelski2008" class="citation book cs1">Felski, Rita (2008-05-16). <span class="id-lock-limited" title="Free access subject to limited trial, subscription normally required"><a rel="nofollow" class="external text" href="https://archive.org/details/usesliterature00fels"><i>Uses of Literature</i></a></span>. Oxford, UK: Blackwell Publishing Ltd. pp. <a rel="nofollow" class="external text" href="https://archive.org/details/usesliterature00fels/page/n28">22</a>. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1002%2F9781444302790">10.1002/9781444302790</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781444302790" title="Special:BookSources/9781444302790"><bdi>9781444302790</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Uses+of+Literature&rft.place=Oxford%2C+UK&rft.pages=22&rft.pub=Blackwell+Publishing+Ltd.&rft.date=2008-05-16&rft_id=info%3Adoi%2F10.1002%2F9781444302790&rft.isbn=9781444302790&rft.aulast=Felski&rft.aufirst=Rita&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fusesliterature00fels&rfr_id=info%3Asid%2Fen.wikipedia.org%3APostcritique" class="Z3988"></span></span> </li> <li id="cite_note-:5-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-:5_5-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFelski2015" class="citation book cs1">Felski, Rita (2015). <i>The Limits of Critique</i>. 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"Critiquiness". <i>English Language Notes</i>. <b>51</b> (2): 79–85. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1215%2F00138282-51.2.79">10.1215/00138282-51.2.79</a>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0013-8282">0013-8282</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=English+Language+Notes&rft.atitle=Critiquiness&rft.volume=51&rft.issue=2&rft.pages=79-85&rft.date=2013-09-01&rft_id=info%3Adoi%2F10.1215%2F00138282-51.2.79&rft.issn=0013-8282&rft.aulast=Castiglia&rft.aufirst=Christopher&rfr_id=info%3Asid%2Fen.wikipedia.org%3APostcritique" class="Z3988"></span></span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnker,_Elizabeth_S._and_Felski,_Rita2017" class="citation book cs1">Anker, Elizabeth S. and Felski, Rita (2017). 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Chicago: University of Chicago Press. p. 150. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0226294032" title="Special:BookSources/978-0226294032"><bdi>978-0226294032</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Limits+of+Critique&rft.place=Chicago&rft.pages=150&rft.pub=University+of+Chicago+Press&rft.date=2015&rft.isbn=978-0226294032&rft.aulast=Felski&rft.aufirst=Rita&rfr_id=info%3Asid%2Fen.wikipedia.org%3APostcritique" class="Z3988"></span></span> </li> <li id="cite_note-:8-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-:8_10-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRicoeur1970" class="citation book cs1">Ricoeur, Paul (1970). <span class="id-lock-limited" title="Free access subject to limited trial, subscription normally required"><a rel="nofollow" class="external text" href="https://archive.org/details/freudphilosophye00rico_826"><i>Freud and Philosophy</i></a></span>. Translated by Savage. New Haven: Yale University Press. pp. <a rel="nofollow" class="external text" href="https://archive.org/details/freudphilosophye00rico_826/page/n43">33</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0300021895" title="Special:BookSources/0300021895"><bdi>0300021895</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Freud+and+Philosophy&rft.place=New+Haven&rft.pages=33&rft.pub=Yale+University+Press&rft.date=1970&rft.isbn=0300021895&rft.aulast=Ricoeur&rft.aufirst=Paul&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Ffreudphilosophye00rico_826&rfr_id=info%3Asid%2Fen.wikipedia.org%3APostcritique" class="Z3988"></span></span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRicoeur1970" class="citation book cs1">Ricoeur, Paul (1970). <span class="id-lock-limited" title="Free access subject to limited trial, subscription normally required"><a rel="nofollow" class="external text" href="https://archive.org/details/freudphilosophye00rico_826"><i>Freud and Philosophy</i></a></span>. Yale University Press. pp. <a rel="nofollow" class="external text" href="https://archive.org/details/freudphilosophye00rico_826/page/n45">35</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0300021895" title="Special:BookSources/0300021895"><bdi>0300021895</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Freud+and+Philosophy&rft.pages=35&rft.pub=Yale+University+Press&rft.date=1970&rft.isbn=0300021895&rft.aulast=Ricoeur&rft.aufirst=Paul&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Ffreudphilosophye00rico_826&rfr_id=info%3Asid%2Fen.wikipedia.org%3APostcritique" class="Z3988"></span></span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFelski2015" class="citation book cs1">Felski, Rita (2015). <i>The Limits of Critique</i>. 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Durham: Duke University Press. p. 128. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8223-3015-8" title="Special:BookSources/978-0-8223-3015-8"><bdi>978-0-8223-3015-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Paranoid+Reading+and+Reparative+Reading%2C+or%2C+You%E2%80%99re+So+Paranoid%2C+You+Probably+Think+This+Essay+Is+about+You&rft.btitle=Touching+Feeling%3A+Affect%2C+Pedagogy%2C+Performativity&rft.place=Durham&rft.pages=128&rft.pub=Duke+University+Press&rft.date=2003&rft.isbn=978-0-8223-3015-8&rft.aulast=Sedgwick&rft.aufirst=Eve+Kosofsky&rfr_id=info%3Asid%2Fen.wikipedia.org%3APostcritique" class="Z3988"></span></span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSedgwick" class="citation book cs1">Sedgwick. <i>Paranoid Reading and Reparative Reading</i>. p. 8.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Paranoid+Reading+and+Reparative+Reading&rft.pages=8&rft.au=Sedgwick&rfr_id=info%3Asid%2Fen.wikipedia.org%3APostcritique" class="Z3988"></span></span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFelski2015" class="citation book cs1">Felski, Rita (2015). <i>The Limits of Critique</i>. p. 151.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Limits+of+Critique&rft.pages=151&rft.date=2015&rft.aulast=Felski&rft.aufirst=Rita&rfr_id=info%3Asid%2Fen.wikipedia.org%3APostcritique" class="Z3988"></span></span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLatour2004" class="citation journal cs1">Latour, Bruno (2004). <a rel="nofollow" class="external text" href="http://www.bruno-latour.fr/node/165.html">"Why Has Critique Run Out of Steam? From Matters of Fact to Matters of Concern"</a>. <i>Critical Inquiry</i>. <b>30</b> (2): 225–48. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1086%2F421123">10.1086/421123</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a> <a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:159523434">159523434</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Critical+Inquiry&rft.atitle=Why+Has+Critique+Run+Out+of+Steam%3F+From+Matters+of+Fact+to+Matters+of+Concern&rft.volume=30&rft.issue=2&rft.pages=225-48&rft.date=2004&rft_id=info%3Adoi%2F10.1086%2F421123&rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A159523434%23id-name%3DS2CID&rft.aulast=Latour&rft.aufirst=Bruno&rft_id=http%3A%2F%2Fwww.bruno-latour.fr%2Fnode%2F165.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APostcritique" class="Z3988"></span></span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFelski2015" class="citation book cs1">Felski, Rita (2015). <i>The Limits of Critique</i>. p. 196.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Limits+of+Critique&rft.pages=196&rft.date=2015&rft.aulast=Felski&rft.aufirst=Rita&rfr_id=info%3Asid%2Fen.wikipedia.org%3APostcritique" class="Z3988"></span></span> </li> <li id="cite_note-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-18">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFelski" class="citation book cs1">Felski, Rita. <i>The Uses of Literature</i>. p. 11.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Uses+of+Literature&rft.pages=11&rft.aulast=Felski&rft.aufirst=Rita&rfr_id=info%3Asid%2Fen.wikipedia.org%3APostcritique" class="Z3988"></span></span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFelski" class="citation book cs1">Felski. <i>The Limits of Critique</i>. p. 3.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Limits+of+Critique&rft.pages=3&rft.au=Felski&rfr_id=info%3Asid%2Fen.wikipedia.org%3APostcritique" class="Z3988"></span></span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-20">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFelski" class="citation book cs1">Felski. <i>The Uses of Literature</i>. p. 22.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Uses+of+Literature&rft.pages=22&rft.au=Felski&rfr_id=info%3Asid%2Fen.wikipedia.org%3APostcritique" class="Z3988"></span></span> </li> <li id="cite_note-bewes-21"><span class="mw-cite-backlink">^ <a href="#cite_ref-bewes_21-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-bewes_21-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-bewes_21-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-bewes_21-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-bewes_21-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBewes2010" class="citation journal cs1">Bewes, T. 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Retrieved <span class="nowrap">2019-04-25</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=ARCADE&rft.atitle=Race%2C+Thick+and+Thin&rft_id=https%3A%2F%2Farcade.stanford.edu%2Fcontent%2Frace-thick-and-thin&rfr_id=info%3Asid%2Fen.wikipedia.org%3APostcritique" class="Z3988"></span></span> </li> <li id="cite_note-60"><span class="mw-cite-backlink"><b><a href="#cite_ref-60">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://think.taylorandfrancis.com/literature-interpretation-theory-religion-postcritical/">"LIT: Literature Interpretation Theory: Special Issue on Religion, Criticism, and the Postcritical"</a>. <i>Campaign</i><span class="reference-accessdate">. Retrieved <span class="nowrap">2019-04-25</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Campaign&rft.atitle=LIT%3A+Literature+Interpretation+Theory%3A+Special+Issue+on+Religion%2C+Criticism%2C+and+the+Postcritical&rft_id=https%3A%2F%2Fthink.taylorandfrancis.com%2Fliterature-interpretation-theory-religion-postcritical%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APostcritique" class="Z3988"></span></span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="Further_reading">Further reading</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Postcritique&action=edit&section=9" title="Edit section: Further reading"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Books">Books</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Postcritique&action=edit&section=10" title="Edit section: Books"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Stephen Ahern (ed.), 2019. <i>Affect Theory and Literary Critical Practice</i>. London: Palgrave Macmillan.</li> <li>Elizabeth S. Anker and Rita Felski (eds.), 2017. <i>Critique and Postcritique.</i> Durham: Duke University Press.</li> <li>David Couzens Hoy, 2004. <i>Critical Resistance: From Poststructuralism to Post-Critique</i>. Cambridge, MA: MIT Press.</li> <li>Jeffrey R. Di Leo, 2014. <i>Criticism After Critique: Aesthetics, Literature and the Political</i>. New York: Palgrave Macmillan.</li> <li>Rita Felski, 2015. <i>The Limits of Critique</i>. Chicago: University of Chicago Press.</li> <li>Rita Felski, 2008. <i>The Uses of Literature</i>. Malden: Wiley-Blackwell.</li> <li>Antoine Hennion and Line Grenier, 2000. “Sociology of Art: New Stakes in a Post-Critical Time.” In <i>The International Handbook of Sociology</i>, ed. Stella R. Quah and Arnaud Sales. London: Sage.</li> <li>R. Jay Magill, 2007. <i>Chic Ironic Bitterness</i>. Ann Arbor: University of Michigan Press.</li> <li>Jason Maxwell. (2019). "Coda: English Studies and the Uncertain Future." In <i>The Two Cultures of English: Literature, Composition, and the Moment of Rhetoric</i> (pp. 193–202). New York: Fordham University.</li> <li>Toril Moi, 2017. <i>Revolution of the Ordinary: Literary Studies After Wittgenstein, Austin, and Cavell</i>. Chicago: The University of Chicago Press.</li> <li>Michael Polanyi, 1974. <i>Personal Knowledge: Towards a Post-Critical Philosophy</i>. Chicago: University of Chicago Press.</li> <li>Paul Ricoeur, 1970. "Freud and Philosophy." Translated by Denis Savage. New Haven, CT: Yale University Press.</li> <li>Alison Scott-Baumann, 2009. <i>Ricoeur and the Hermeneutics of Suspicion</i>. New York: Continuum.</li> <li>Michael Warner, 2004. "Uncritical Reading." In <i>Polemic: Critical Or Uncritical</i>, edited by Jane Gallop. London: Routledge, pp. 13–38.</li> <li>Janet Wolff, 2008. <i>The Aesthetics of Uncertainty</i>. New York: Columbia University Press.</li></ul> <div class="mw-heading mw-heading3"><h3 id="Articles">Articles</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Postcritique&action=edit&section=11" title="Edit section: Articles"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Elizabeth S. Anker, 2017. "Postcritique and Social Justice," <i>American Book Review</i>, Volume 38, Number 5, pp. 9–10.</li> <li>Elizabeth S. Anker, 2017. "Postcritical Reading, the Lyric, and Ali Smith's <i>How to be Both</i>," <i>Diacritics</i>, Johns Hopkins University Press, Volume 45, Number 4, pp. 16–42.</li> <li>Doug Battersby, 2018. "Extremely Slow and Incredibly Close: How to Read Modern American Novels," <i>Journal of Modern Literature</i>, Indiana University Press, Volume 42, Number 1, pp. 188–191.</li> <li>Sarah Beckwith, 2017. "Reading for our Lives," <i>PMLA,</i> Volume 132, Number 2, pp. 331–336.</li> <li>Stephen Best, 2017. "<i>La Foi Postcritique</i>, on Second Thought," <i>PMLA,</i> Volume 132, Number 2, pp. 337–343.</li> <li>Casper Bruun Jensen, 2014. “Experiments in Good Faith and Hopefulness: Toward a Postcritical Social Science,” <i>Common Knowledge</i> Volume 20, Number 2, pp. 337–362.</li> <li>Christopher Castiglia, 2013. "Critiquiness", <i>English Language Notes,</i> Volume 51, Number 2. pp.: 79–85.</li> <li>Christopher Castiglia, 2016. "Revolution Is a Fiction: The Way We Read (Early American Literature) Now," <i>Early American Literature</i>, The University of North Carolina Press, Volume 51, Number 2, pp. 397–418.</li> <li>Mariano Croce, 2017. "Postcritique: Nothing Beyond the Actor." <i>Iride, Filosofia e discussione pubblica</i>, Volume 2, Number 1, pp. 323–342.</li> <li>Rita Felski, 2017. "Postcritical Reading," <i>American Book Review</i>, Volume 38, Number 5, pp. 4–5.</li> <li>Bruno Latour, 2004. "Why Has Critique Run Out of Steam? From Matters of Fact to Matters of Concern". <i>Critical Inquiry</i>, Volume 30: 225–48.</li> <li>Michelle M. Lazar, 2009. "Entitled to consume: postfeminist femininity and a culture of post-critique," <i>Discourse & Communication</i>, Volume 3, Number 4, pp. 371–400.</li> <li>Melanie Micir and Aarthi Vadde, 2018. "Obliterature: Toward an Amateur Criticism," <i>Modernism/modernity</i>, Johns Hopkins University Press, Volume 25, Number 3, pp. 517–549.</li> <li>Matthew Mullins, 2017. "Introduction to Focus: Postcritique," <i>American Book Review</i>, Volume 38, Number 5, pp. 3–4.</li> <li>Matthew Mullins, 2018. "Postcritique," in <i>Bloomsbury Handbook to Literary and Cultural Theory</i>. Ed. Jeffrey Di Leo. Bloomsbury Academic.</li> <li>Matthew Mullins, 2017. "How Should We Read Now?" <i>symploke</i>, Volume 25, Numbers 1-2, pp. 485–491.</li> <li>Caitlin Smith Oyekole, 2018. "We Look Deep Down and Yet Believe," <i>Leviathan</i>, Johns Hopkins University Press, Volume 20, Number 1, pp. 111–114</li> <li>Bruce Robbins, 2017. "Not So Well Attached." <i>PMLA</i>, Volume 132, Number 2, pp. 371–376.</li> <li>Katrin Röder, 2014. "Reparative Reading, Post-structuralist Hermeneutics and T. S. Eliot’s Four Quartets." <i>Anglia</i>, Volume 132, Number 1, pp. 58–77.</li> <li>James Simpson, 2017. "Interrogation Over," <i>PMLA,</i> Volume 132, Number 2, pp. 377–383.</li></ul> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Postcritique&action=edit&section=12" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}</style><div class="side-box metadata side-box-right"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style> <div class="side-box-abovebelow"> <a href="/wiki/Wikipedia:The_Wikipedia_Library" title="Wikipedia:The Wikipedia Library">Library resources</a> about <br /> <b>Postcritique</b> <hr /></div> <div class="side-box-flex"> <div class="side-box-text plainlist"><ul><li><a class="external text" href="https://ftl.toolforge.org/cgi-bin/ftl?st=wp&su=Postcritique">Resources in your library</a></li> <li><a class="external text" href="https://ftl.toolforge.org/cgi-bin/ftl?st=wp&su=Postcritique&library=0CHOOSE0">Resources in other libraries</a></li> </ul></div></div> </div> <ul><li><a rel="nofollow" class="external text" href="http://post45.research.yale.edu/2019/01/the-statue-and-the-veil-postcritique-in-the-age-of-trump/">Kathryn Fleishman, "The Statue and the Veil: Postcritique in the Age of Trump". <i>Post45,</i> 2019<i>.</i></a></li> <li><a rel="nofollow" class="external text" href="https://lareviewofbooks.org/article/are-we-postcritical/#!">Matthew Mullins, "Are We Postcritical?" <i>Los Angeles Review of Books,</i> 2015<i>.</i></a></li> <li><a rel="nofollow" class="external text" href="https://criticalinquiry.uchicago.edu/davide_panagia_reviews_the_limits_of_critique/">Davide Panagia, Review of Rita Felski's <i>The Limits of Critique</i>. <i>Critical Inquiry,</i> 2018.</a></li> <li><a rel="nofollow" class="external text" href="https://lareviewofbooks.org/article/reading-bad/">Bruce Robbins, "Reading Bad." <i>Los Angeles Review of Books.</i> 2018.</a></li> <li><a rel="nofollow" class="external text" href="http://u.arizona.edu/~selisker/post/felskicritique/">Scott Selisker, "Notes on Felski's <i>The Limits of Critique</i>." 2016</a>.</li> <li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=MwV-dIVNRKI">BYU College of Humanities interview with Rita Felski, 2017.</a></li> <li><a rel="nofollow" class="external text" href="http://www.makemag.com/review-the-limits-of-critique/">Kathryn Fleishman review of <i>The Limits of Critique</i> in <i>Make Literary Magazine</i>, 2016.</a></li> <li><a rel="nofollow" class="external text" href="https://jhiblog.org/2016/11/28/ideas-of-attachment-what-the-postcritical-turn-means-for-the-history-of-ideas/">Daniel London review of <i>The Limits of Critique</i> on <i>The blog of the Journal of the History of Ideas</i>, 2016.</a></li> <li><a rel="nofollow" class="external text" href="https://www.artsatl.org/tag/how-to-live-in-a-postcritical-world-review-of-rita-felski/">Dan Weiskopf review of <i>The Limits of Critique</i> on <i>Arts ATL</i>, 2016.</a></li> <li><a rel="nofollow" class="external text" href="https://podcasts.ox.ac.uk/people/rita-felski">Rita Felski, "Art and Attunement" podcast of lecture at Oxford University, 2017.</a></li> <li><a rel="nofollow" class="external text" href="https://arcade.stanford.edu/content/post-critical-reading-and-new-hegelianism">Matthew Flaherty, "Post-critical Reading and the New Hegelianism." <i>Arcade</i>, 2015.</a></li> <li><a rel="nofollow" class="external text" href="https://arcade.stanford.edu/content/dawn-be-alive-versions-%E2%80%9Cpostcritical%E2%80%9D-1999-2015">Nathan K. Hensley, "In this Dawn to be Alive: Versions of the 'Postcritical,' 1999, 2015." <i>Arcade</i>, 2015.</a></li> <li>L <a rel="nofollow" class="external text" href="https://thepointmag.com/2015/criticism/when-nothing-is-cool">isa Ruddick, "When Nothing is Cool." <i>The Point</i>, 2015.</a></li> <li><a rel="nofollow" class="external text" href="https://arcade.stanford.edu/content/critique-neo-kantianism-and-literary-study">Ross Knecht, "Critique, Neo-Kantianism, and Literary Study." <i>Arcade</i>, 2016.</a></li> <li><a rel="nofollow" class="external text" href="https://arcade.stanford.edu/content/we-have-never-been-critical">Dalgish Chew, "We Have Never Been Critical." <i>Arcade</i>, 2015.</a></li> <li><a rel="nofollow" class="external text" href="https://arcade.stanford.edu/content/suspicion-solidarity">Stephen Squibb, "From Suspicion to Solidarity?" <i>Arcade,</i> 2015.</a></li> <li><a rel="nofollow" class="external text" href="https://postcriticalir.wordpress.com/">Postcritical IR Research Project website.</a></li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist 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class="navbox-group" style="width:1%"><a href="/wiki/Literary_theory" title="Literary theory">Literary theory</a></th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Archetypal_literary_criticism" title="Archetypal literary criticism">Archetypal criticism</a></li> <li><a href="/wiki/Biographical_criticism" title="Biographical criticism">Biographical criticism</a></li> <li><a href="/wiki/Chicago_school_(literary_criticism)" title="Chicago school (literary criticism)">Chicago school</a></li> <li><a href="/wiki/Cultural_materialism_(cultural_studies)" title="Cultural materialism (cultural studies)">Cultural materialism</a></li> <li><a href="/wiki/Darwinian_literary_studies" title="Darwinian literary studies">Darwinian criticism</a></li> <li><a href="/wiki/Deconstruction" title="Deconstruction">Deconstruction</a></li> <li><a href="/wiki/Descriptive_poetics" title="Descriptive poetics">Descriptive poetics</a></li> <li><a href="/wiki/Ecocriticism" title="Ecocriticism">Ecocriticism</a></li> <li><a href="/wiki/Feminist_literary_criticism" title="Feminist literary criticism">Feminist criticism</a></li> <li><a href="/wiki/Formalism_(literature)" title="Formalism (literature)">Formalism</a></li> <li><a href="/wiki/Geocriticism" title="Geocriticism">Geocriticism</a></li> <li><a href="/wiki/Marxist_literary_criticism" title="Marxist literary criticism">Marxist criticism</a></li> <li><a href="/wiki/New_Criticism" title="New Criticism">New Criticism</a></li> <li><a href="/wiki/New_historicism" title="New historicism">New historicism</a></li> <li><a href="/wiki/Postcolonialism" title="Postcolonialism">Postcolonial criticism</a></li> <li><a class="mw-selflink selflink">Postcritique</a></li> <li><a href="/wiki/Psychoanalytic_literary_criticism" title="Psychoanalytic literary criticism">Psychoanalytic criticism</a></li> <li><a href="/wiki/Reader-response_criticism" title="Reader-response criticism">Reader-response criticism</a></li> <li><a href="/wiki/Russian_formalism" title="Russian formalism">Russian formalism</a></li> <li><a href="/wiki/Semiotic_literary_criticism" title="Semiotic literary criticism">Semiotic criticism</a></li> <li><a href="/wiki/Sociological_criticism" title="Sociological criticism">Sociological criticism</a></li> <li><a href="/wiki/Source_criticism" title="Source criticism">Source criticism</a></li> <li><a href="/wiki/Thing_theory" title="Thing theory">Thing theory</a></li></ul> </div></td><td class="noviewer navbox-image" rowspan="2" style="width:1px;padding:0 0 0 2px"><div><span typeof="mw:File"><a href="/wiki/File:Antique-books-woodward.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f2/Antique-books-woodward.jpg/70px-Antique-books-woodward.jpg" decoding="async" width="70" height="73" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f2/Antique-books-woodward.jpg/105px-Antique-books-woodward.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f2/Antique-books-woodward.jpg/140px-Antique-books-woodward.jpg 2x" data-file-width="981" data-file-height="1017" /></a></span></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Theorists and critics</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Plato" title="Plato">Plato</a></li> <li><a href="/wiki/Aristotle" title="Aristotle">Aristotle</a></li> <li><a href="/wiki/Horace" title="Horace">Horace</a></li> <li><a href="/wiki/Longinus_(literature)" class="mw-redirect" title="Longinus (literature)">Longinus</a></li> <li><a href="/wiki/Plotinus" title="Plotinus">Plotinus</a></li> <li><a href="/wiki/St._Augustine" class="mw-redirect" title="St. Augustine">St. Augustine</a></li> <li><a href="/wiki/Boethius" title="Boethius">Boethius</a></li> <li><a href="/wiki/Aquinas" class="mw-redirect" title="Aquinas">Aquinas</a></li> <li><a href="/wiki/Dante" class="mw-redirect" title="Dante">Dante</a></li> <li><a href="/wiki/Boccaccio" class="mw-redirect" title="Boccaccio">Boccaccio</a></li> <li><a href="/wiki/Christine_de_Pizan" title="Christine de Pizan">de Pizan</a></li> <li><a href="/wiki/Valmiki" title="Valmiki">Valmiki</a></li> <li><a href="/wiki/Lu_Ji_(Shiheng)" title="Lu Ji (Shiheng)">Lu Ji</a></li> <li><a href="/wiki/Philip_Sidney" title="Philip Sidney">Sidney</a></li> <li><a href="/wiki/Torquato_Tasso" title="Torquato Tasso">Tasso</a></li> <li><a href="/wiki/Francis_Bacon" title="Francis Bacon">Bacon</a></li> <li><a href="/wiki/Thomas_Hobbes" title="Thomas Hobbes">Hobbes</a></li> <li><a href="/wiki/Pierre_Corneille" title="Pierre Corneille">Corneille</a></li> <li><a href="/wiki/John_Dryden" title="John Dryden">Dryden</a></li> <li><a href="/wiki/Nicolas_Boileau-Despr%C3%A9aux" title="Nicolas Boileau-Despréaux">Boileau-Despréaux</a></li> <li><a href="/wiki/John_Locke" title="John Locke">Locke</a></li> <li><a href="/wiki/Alexander_Pope" title="Alexander Pope">Pope</a></li> <li><a href="/wiki/Joseph_Addison" title="Joseph Addison">Addison</a></li> <li><a href="/wiki/Giambattista_Vico" title="Giambattista Vico">Vico</a></li> <li><a href="/wiki/Edmund_Burke" title="Edmund Burke">Burke (Edmund)</a></li> <li><a href="/wiki/David_Hume" title="David Hume">Hume</a></li> <li><a href="/wiki/Samuel_Johnson" title="Samuel Johnson">Johnson</a></li> <li><a href="/wiki/Edward_Young" title="Edward Young">Young</a></li> <li><a href="/wiki/Gotthold_Ephraim_Lessing" title="Gotthold Ephraim Lessing">Lessing</a></li> <li><a href="/wiki/Joshua_Reynolds" title="Joshua Reynolds">Reynolds</a></li> <li><a href="/wiki/Denis_Diderot" title="Denis Diderot">Diderot</a></li> <li><a href="/wiki/Immanuel_Kant" title="Immanuel Kant">Kant</a></li> <li><a href="/wiki/Mary_Wollstonecraft" title="Mary Wollstonecraft">Wollstonecraft</a></li> <li><a href="/wiki/William_Blake" title="William Blake">Blake</a></li> <li><a href="/wiki/Friedrich_Schiller" title="Friedrich Schiller">Schiller</a></li> <li><a href="/wiki/Karl_Wilhelm_Friedrich_Schlegel" class="mw-redirect" title="Karl Wilhelm Friedrich Schlegel">Schlegel</a></li> <li><a href="/wiki/William_Wordsworth" title="William Wordsworth">Wordsworth</a></li> <li><a href="/wiki/Anne_Louise_Germaine_de_Sta%C3%ABl" class="mw-redirect" title="Anne Louise Germaine de Staël">de Staël</a></li> <li><a href="/wiki/Friedrich_Wilhelm_Joseph_Schelling" title="Friedrich Wilhelm Joseph Schelling">Schelling</a></li> <li><a href="/wiki/Samuel_Taylor_Coleridge" title="Samuel Taylor Coleridge">Coleridge</a></li> <li><a href="/wiki/Wilhelm_von_Humboldt" title="Wilhelm von Humboldt">von Humboldt</a></li> <li><a href="/wiki/John_Keats" title="John Keats">Keats</a></li> <li><a href="/wiki/Arthur_Schopenhauer" title="Arthur Schopenhauer">Schopenhauer</a></li> <li><a href="/wiki/Thomas_Love_Peacock" title="Thomas Love Peacock">Peacock</a></li> <li><a href="/wiki/Percy_Bysshe_Shelley" title="Percy Bysshe Shelley">Shelley</a></li> <li><a href="/wiki/Johann_Wolfgang_von_Goethe" title="Johann Wolfgang von Goethe">von Goethe</a></li> <li><a href="/wiki/Georg_Wilhelm_Friedrich_Hegel" title="Georg Wilhelm Friedrich Hegel">Hegel</a></li> <li><a href="/wiki/Giacomo_Leopardi" title="Giacomo Leopardi">Leopardi</a></li> <li><a href="/wiki/Francesco_De_Sanctis" class="mw-redirect" title="Francesco De Sanctis">De Sanctis</a></li> <li><a href="/wiki/Thomas_Carlyle" title="Thomas Carlyle">Carlyle</a></li> <li><a href="/wiki/John_Stuart_Mill" title="John Stuart Mill">Mill</a></li> <li><a href="/wiki/Ralph_Waldo_Emerson" title="Ralph Waldo Emerson">Emerson</a></li> <li><a href="/wiki/Charles_Augustin_Sainte-Beuve" title="Charles Augustin Sainte-Beuve">Sainte-Beuve</a></li> <li><a href="/wiki/James_Russell_Lowell" title="James Russell Lowell">Lowell</a></li> <li><a href="/wiki/Edgar_Allan_Poe" title="Edgar Allan Poe">Poe</a></li> <li><a href="/wiki/Matthew_Arnold" title="Matthew Arnold">Arnold</a></li> <li><a href="/wiki/Hippolyte_Taine" title="Hippolyte Taine">Taine</a></li> <li><a href="/wiki/Charles_Baudelaire" title="Charles Baudelaire">Baudelaire</a></li> <li><a href="/wiki/Karl_Marx" title="Karl Marx">Marx</a></li> <li><a href="/wiki/S%C3%B8ren_Kierkegaard" title="Søren Kierkegaard">Kierkegaard</a></li> <li><a href="/wiki/Friedrich_Nietzsche" title="Friedrich Nietzsche">Nietzsche</a></li> <li><a href="/wiki/Walter_Pater" title="Walter Pater">Pater</a></li> <li><a href="/wiki/%C3%89mile_Zola" title="Émile Zola">Zola</a></li> <li><a href="/wiki/Anatole_France" title="Anatole France">France</a></li> <li><a href="/wiki/Oscar_Wilde" title="Oscar Wilde">Wilde</a></li> <li><a href="/wiki/St%C3%A9phane_Mallarm%C3%A9" title="Stéphane Mallarmé">Mallarmé</a></li> <li><a href="/wiki/Leo_Tolstoy" title="Leo Tolstoy">Tolstoy</a></li> <li><a href="/wiki/Benedetto_Croce" title="Benedetto Croce">Croce</a></li> <li><a href="/wiki/Antonio_Gramsci" title="Antonio Gramsci">Gramsci</a></li> <li><a href="/wiki/Umberto_Eco" title="Umberto Eco">Eco</a></li> <li><a href="/wiki/Sigmund_Freud" title="Sigmund Freud">Freud</a></li> <li><a href="/wiki/Ferdinand_de_Saussure" title="Ferdinand de Saussure">de Saussure</a></li> <li><a href="/wiki/Claude_L%C3%A9vi-Strauss" title="Claude Lévi-Strauss">Lévi-Strauss</a></li> <li><a href="/wiki/T._E._Hulme" title="T. E. Hulme">Hulme</a></li> <li><a href="/wiki/Walter_Benjamin" title="Walter Benjamin">Benjamin</a></li> <li><a href="/wiki/Viktor_Shklovsky" title="Viktor Shklovsky">Shklovsky</a></li> <li><a href="/wiki/T._S._Eliot" title="T. S. Eliot">Eliot</a></li> <li><a href="/wiki/Carl_Jung" title="Carl Jung">Jung</a></li> <li><a href="/wiki/Leon_Trotsky" title="Leon Trotsky">Trotsky</a></li> <li><a href="/wiki/Virginia_Woolf" title="Virginia Woolf">Woolf</a></li> <li><a href="/wiki/I._A._Richards" title="I. A. Richards">Richards</a></li> <li><a href="/wiki/Mikhail_Bakhtin" title="Mikhail Bakhtin">Bakhtin</a></li> <li><a href="/wiki/Georges_Bataille" title="Georges Bataille">Bataille</a></li> <li><a href="/wiki/John_Crowe_Ransom" title="John Crowe Ransom">Ransom</a></li> <li><a href="/wiki/Jacques_Lacan" title="Jacques Lacan">Lacan</a></li> <li><a href="/wiki/Gy%C3%B6rgy_Luk%C3%A1cs" title="György Lukács">Lukács</a></li> <li><a href="/wiki/Paul_Val%C3%A9ry" title="Paul Valéry">Valéry</a></li> <li><a href="/wiki/Kenneth_Burke" title="Kenneth Burke">Burke (Kenneth)</a></li> <li><a href="/wiki/Ernst_Cassirer" title="Ernst Cassirer">Cassirer</a></li> <li><a href="/wiki/Cleanth_Brooks" title="Cleanth Brooks">Brooks</a></li> <li><a href="/wiki/Jan_Muka%C5%99ovsk%C3%BD" title="Jan Mukařovský">Mukařovský</a></li> <li><a href="/wiki/Jean-Paul_Sartre" title="Jean-Paul Sartre">Sartre</a></li> <li><a href="/wiki/Simone_de_Beauvoir" title="Simone de Beauvoir">de Beauvoir</a></li> <li><a href="/wiki/Theodor_Adorno" class="mw-redirect" title="Theodor Adorno">Adorno</a></li> <li><a href="/wiki/Roman_Jakobson" title="Roman Jakobson">Jakobson</a></li> <li><a href="/wiki/Northrop_Frye" title="Northrop Frye">Frye</a></li> <li><a href="/wiki/Gaston_Bachelard" title="Gaston Bachelard">Bachelard</a></li> <li><a href="/wiki/Ernst_Gombrich" title="Ernst Gombrich">Gombrich</a></li> <li><a href="/wiki/Martin_Heidegger" title="Martin Heidegger">Heidegger</a></li> <li><a href="/wiki/Noam_Chomsky" title="Noam Chomsky">Chomsky</a></li> <li><a href="/wiki/Jacques_Derrida" title="Jacques Derrida">Derrida</a></li> <li><a href="/wiki/Roland_Barthes" title="Roland Barthes">Barthes</a></li> <li><a href="/wiki/Michel_Foucault" title="Michel Foucault">Foucault</a></li> <li><a href="/wiki/Georges_Poulet" title="Georges Poulet">Poulet</a></li> <li><a href="/wiki/Raymond_Williams" title="Raymond Williams">Williams</a></li> <li><a href="/wiki/Lionel_Trilling" title="Lionel Trilling">Trilling</a></li> <li><a href="/wiki/Julia_Kristeva" title="Julia Kristeva">Kristeva</a></li> <li><a href="/wiki/Paul_de_Man" title="Paul de Man">de Man</a></li> <li><a href="/wiki/Harold_Bloom" title="Harold Bloom">Bloom</a></li> <li><a href="/wiki/Chinua_Achebe" title="Chinua Achebe">Achebe</a></li> <li><a href="/wiki/Edward_Said" title="Edward Said">Said</a></li> <li><a href="/wiki/Gilles_Deleuze" title="Gilles Deleuze">Deleuze</a></li> <li><a href="/wiki/F%C3%A9lix_Guattari" title="Félix Guattari">Guattari</a></li> <li><a href="/wiki/Ren%C3%A9_Girard" title="René Girard">Girard</a></li> <li><a href="/wiki/H%C3%A9l%C3%A8ne_Cixous" title="Hélène Cixous">Cixous</a></li> <li><a href="/wiki/Wolfgang_Iser" title="Wolfgang Iser">Iser</a></li> <li><a href="/wiki/Hayden_White" title="Hayden White">White</a></li> <li><a href="/wiki/Hans-Georg_Gadamer" title="Hans-Georg Gadamer">Gadamer</a></li> <li><a href="/wiki/Paul_Ricoeur" class="mw-redirect" title="Paul Ricoeur">Ricoeur</a></li> <li><a href="/wiki/M._H._Abrams" title="M. H. Abrams">Abrams</a></li> <li><a href="/wiki/Clifford_Geertz" title="Clifford Geertz">Geertz</a></li> <li><a href="/wiki/Filippo_Tommaso_Marinetti" title="Filippo Tommaso Marinetti">Marinetti</a></li> <li><a href="/wiki/Tristan_Tzara" title="Tristan Tzara">Tzara</a></li> <li><a href="/wiki/Andr%C3%A9_Breton" title="André Breton">Breton</a></li> <li><a href="/wiki/Mina_Loy" title="Mina Loy">Loy</a></li> <li><a href="/wiki/Oswald_de_Andrade" title="Oswald de Andrade">de Andrade</a></li> <li><a href="/wiki/Hu_Shih" title="Hu Shih">Hu</a></li> <li><a href="/wiki/Octavio_Paz" title="Octavio Paz">Paz</a></li></ul> </div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Postcritique&oldid=1193773707">https://en.wikipedia.org/w/index.php?title=Postcritique&oldid=1193773707</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Help:Category" title="Help:Category">Categories</a>: <ul><li><a href="/wiki/Category:Literary_criticism" title="Category:Literary criticism">Literary criticism</a></li><li><a href="/wiki/Category:Reading_(process)" title="Category:Reading (process)">Reading (process)</a></li><li><a href="/wiki/Category:Literary_theory" title="Category:Literary theory">Literary theory</a></li><li><a href="/wiki/Category:Hermeneutics" title="Category:Hermeneutics">Hermeneutics</a></li><li><a href="/wiki/Category:Critical_theory" title="Category:Critical theory">Critical theory</a></li><li><a href="/wiki/Category:Philosophy_of_literature" title="Category:Philosophy of literature">Philosophy of literature</a></li></ul></div><div id="mw-hidden-catlinks" class="mw-hidden-catlinks mw-hidden-cats-hidden">Hidden categories: <ul><li><a href="/wiki/Category:CS1_maint:_multiple_names:_authors_list" title="Category:CS1 maint: multiple names: authors list">CS1 maint: multiple names: authors list</a></li><li><a href="/wiki/Category:CS1:_long_volume_value" title="Category:CS1: long volume value">CS1: long volume value</a></li><li><a href="/wiki/Category:Articles_with_short_description" title="Category:Articles with short description">Articles with short description</a></li><li><a href="/wiki/Category:Short_description_matches_Wikidata" title="Category:Short description matches Wikidata">Short description matches Wikidata</a></li><li><a href="/wiki/Category:Wikipedia_articles_with_style_issues_from_October_2019" title="Category:Wikipedia articles with style issues from October 2019">Wikipedia articles with style issues from October 2019</a></li><li><a href="/wiki/Category:All_articles_with_style_issues" title="Category:All articles with style issues">All articles with style issues</a></li></ul></div></div> </div> </main> </div> <div class="mw-footer-container"> <footer id="footer" class="mw-footer" > <ul id="footer-info"> <li id="footer-info-lastmod"> This page was last edited on 5 January 2024, at 15:36<span class="anonymous-show"> (UTC)</span>.</li> <li id="footer-info-copyright">Text is available under the <a href="/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License" title="Wikipedia:Text of the Creative Commons Attribution-ShareAlike 4.0 International License">Creative Commons Attribution-ShareAlike 4.0 License</a>; additional terms may apply. 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