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<p>Collection</p> <h3>Was hei脽t: Foucault historisieren?</h3> </figcaption> </li> </ul> </div> </div> </section> </div> <div class="homepage-element-wrapper homepage-element-about"> <section class="dark-primary-bg"> <div class="row" id="about_journal"> <div class="large-12 columns"> <h2>About this Journal</h2> <p><p><span style="font-size: 25px !important; font-weight: bold;">GENEALOGY+CRITIQUE (G+C)</span> is a peer-reviewed, open-access journal <a href="/site/about/" target="_self">focusing</a> on genealogical research and a broad conception of critical theory. Combining historical and systematic forms of inquiry, it fosters critical analyses of the present written in plain English, German, or French. The interdisciplinary journal also aims at confronting historical-genealogical and critical theory approaches with concepts and methods in more recent fields of knowledge such as media studies, digital humanities, design research, or science and technology studies.</p> <p>The journal's publisher, the <a href="https://www.openlibhums.org/" target="_blank">Open Library of Humanities</a> (OLH), is a not-for-profit organization financed by an international consortium of academic institutions. Due to its noncommercial orientation, the OLH does not charge any author fees. All articles published in G+C are <a href="/site/journal-policies/" target="_self">peer-reviewed</a>, available open access under the Creative Commons license <a href="https://creativecommons.org/licenses/by/4.0/" target="_blank">CC聽BY聽4.0</a>, indexed in the <a href="https://doaj.org/toc/2755-0923" target="_blank">Directory of Open Access Journals</a> (among other databases), and archived for the long term in HTML, PDF, and XML. For details on the submission process, please check the <a href="/submissions/" target="_self">applicable guidelines</a>. On average, one third of the submitted articles are accepted for publication (usually after several revisions).</p> <p>The journal is published as a continuous volume and issue throughout the year. <a href="/articles/" target="_self">Articles</a> go online as soon as they are ready to avoid unnecessary delays in making knowledge publicly available. <a href="/collections/" target="_self">Special Collections</a> are published as part of the normal <a href="/issues/" target="_self">volumes</a>, but also on separate web pages. G+C is edited by Simon Ganahl, Pascal Delhom, Maurice Erb, Stephanie Marx, Sergej Seitz, and Anna Wieder, who are supported by an <a href="/editorialteam/" target="_self">Advisory Board</a> of highly renowned scholars. For news related to the activities of the journal, please visit the <a href="https://blog.genealogy-critique.net/" target="_blank">G+C Blog</a> or subscribe to our <a href="https://www.genealogy-critique.net/rss" target="_self">RSS feed</a>.</p></p> </div> </div> </section> </div> <div class="homepage-element-wrapper homepage-element-featured-articles"> <section> <div class="row column text-center"> <h2 class="title">Featured Articles</h2> </div> <div class="row" data-equalizer data-equalize-on="medium"> <div class="large-4 columns" > <div class="box" data-equalizer-watch> <a href="https://www.genealogy-critique.net/article/id/18388/" class="box-link"></a> <img src="/article/id/18388/file/178381/" alt="" class="feature-article-image"> <div class="content"> <p>Clarissa Breu</p> <p><strong>Touching the Divine: Intra-action in the Gospel of Luke</strong></p> </div> </div> </div> <div class="large-4 columns" > <div class="box" data-equalizer-watch> <a href="https://www.genealogy-critique.net/article/id/18246/" class="box-link"></a> <img src="/article/id/18246/file/174509/" alt="" class="feature-article-image"> <div class="content"> <p>Jaimey Fisher</p> <p><strong>"I won't bite": Generative AI, Robotics, and the Ethics of Loss in <em>Black Mirror</em> 201 "Be Right Back"</strong></p> </div> </div> </div> <div class="large-4 columns" > <div class="box" data-equalizer-watch> <a href="https://www.genealogy-critique.net/article/id/11086/" class="box-link"></a> <img src="/article/id/11086/file/162238/" alt="" class="feature-article-image"> <div class="content"> <p>Ivana Perica</p> <p><strong>Competitive Words: Identity Counts in Large Amounts</strong></p> </div> </div> </div> </div> <div class="row" data-equalizer data-equalize-on="medium"> <div class="large-4 columns" > <div class="box" data-equalizer-watch> <a href="https://www.genealogy-critique.net/article/id/10739/" class="box-link"></a> <img src="/article/id/10739/file/145850/" alt="" class="feature-article-image"> <div class="content"> <p>Anna Hofman</p> <p><strong>Keeping Memory Alive: Jewish Identity, Lyric Address, and Third Generation Poetics</strong></p> </div> </div> </div> <div class="large-4 columns" > <div class="box" data-equalizer-watch> <a href="https://www.genealogy-critique.net/article/id/10406/" class="box-link"></a> <img src="/article/id/10406/file/142094/" alt="" class="feature-article-image"> <div class="content"> <p>Gerhard Thonhauser</p> <p><strong>Phenomenological Reduction and Radical Situatedness: Merleau-Ponty and the Method of Critical Phenomenology</strong></p> </div> </div> </div> <div class="large-4 columns" > <div class="box" data-equalizer-watch> <a href="https://www.genealogy-critique.net/article/id/10915/" class="box-link"></a> <img src="/article/id/10915/file/145133/" alt="" class="feature-article-image"> <div class="content"> <p>Sandra Folie</p> <p><strong>Mutoni im Un/Happyland: Die B眉rde wei脽er Retter*innen in Tete Loepers Roman <em>Barfu脽 in Deutschland</em></strong></p> </div> </div> </div> </div> <div class="row" data-equalizer data-equalize-on="medium"> <div class="large-4 columns" > <div class="box" data-equalizer-watch> <a href="https://www.genealogy-critique.net/article/id/7075/" class="box-link"></a> <img src="/article/id/7075/file/108157/" alt="" class="feature-article-image"> <div class="content"> <p>Linda M. G. 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