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Canastos de carrizo, una tradición que aún persiste en el occidente | MINISTERIO DE CULTURA

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class="container"> <div class="row"> <div id="page-content" class="col-sm-7 col-md-8"> <article id="post-48681" class="post-48681 post type-post status-publish format-standard has-post-thumbnail hentry category-direccion-nacional-de-casas-de-la-cultura-y-parques-culturales category-entrevistas-y-reportajes category-noticias category-pueblos-indigenas category-reportajes"> <div class="tags clearfix"> <a class="label " href="https://web.archive.org/web/20201124034922/http://www.cultura.gob.sv/category/direccion-nacional-de-casas-de-la-cultura-y-parques-culturales/" title="View all posts in Dirección Nacional de Casas de la Cultura y Parques Culturales" rel="category">Dirección Nacional de Casas de la Cultura y Parques Culturales</a><a class="label " href="https://web.archive.org/web/20201124034922/http://www.cultura.gob.sv/category/entrevistas-y-reportajes/" title="View all posts in Entrevistas y reportajes" rel="category">Entrevistas y reportajes</a><a class="label " href="https://web.archive.org/web/20201124034922/http://www.cultura.gob.sv/category/noticias/" title="View all posts in Noticias" rel="category">Noticias</a><a class="label " href="https://web.archive.org/web/20201124034922/http://www.cultura.gob.sv/category/direccion-nacional-de-casas-de-la-cultura-y-parques-culturales/pueblos-indigenas/" title="View all posts in Pueblos Indígenas" rel="category">Pueblos Indígenas</a><a class="label " href="https://web.archive.org/web/20201124034922/http://www.cultura.gob.sv/category/entrevistas-y-reportajes/reportajes/" title="View all posts in Reportajes" rel="category">Reportajes</a> </div> <h1 class="post-title title title-large entry-title">Canastos de carrizo, una tradición que aún persiste en el occidente</h1> <hr class="hr-thin-bottom"> <!-- Go to www.addthis.com/dashboard to customize your tools --> Compartir: <div class="addthis_sharing_toolbox"></div> <div class="post-thumbnail-wrapper"> <a class="swipebox" href="https://web.archive.org/web/20201124034922/http://www.cultura.gob.sv/wp-content/uploads/2020/03/Portada_01.jpg" title="Permalink to image of Canastos de carrizo, una tradición que aún persiste en el occidente" rel="bookmark"> <img width="844" height="390" src="https://web.archive.org/web/20201124034922im_/http://www.cultura.gob.sv/wp-content/uploads/2020/03/Portada_01.jpg" class="attachment-vw_large size-vw_large wp-post-image" alt="" srcset="https://web.archive.org/web/20201124034922im_/http://www.cultura.gob.sv/wp-content/uploads/2020/03/Portada_01.jpg 844w, https://web.archive.org/web/20201124034922im_/http://www.cultura.gob.sv/wp-content/uploads/2020/03/Portada_01-300x139.jpg 300w, https://web.archive.org/web/20201124034922im_/http://www.cultura.gob.sv/wp-content/uploads/2020/03/Portada_01-768x355.jpg 768w" sizes="(max-width: 844px) 100vw, 844px"/> </a> </div> <div class="post-content clearfix"> <div align="justify"><p>En el cantón Sábana Grande de Nahuizalco, Sonsonate, viven un aproximado de cinco mil personas, en su mayoría en condiciones de pobreza, pero a pesar de su situación luchan por salir adelante con un oficio que ha sido heredado por sus ancestros indígenas. </p> <p>Hablamos de la artesanía que hacen con el carrizo, una vara que alcanza una altura de tres metros, que tiene similitud con la caña de azúcar y la vara de castilla, solo que esta es robusta, dura y hueca.</p> <p>José Santos Graciano es residente de este cantón, quien pese a las condiciones de difícil acceso a la educación, salud y empleo, se dedica junto a un 5% de su comunidad a elaborar canastos de carrizo, productos que trenzan desde su niñez.</p> <p>Para llegar a su hogar —fabricado con lámina, varas de carrizo y un par de paredes de ladrillo—, se tiene que serpentear desde Nahuizalco un aproximado de siete kilómetros de calles polvorientas con muchas cuestas que rompen una finca de café.</p> <p>Llegando al casco urbano de Sábana Grande, en las cercanías de una casa comunal —casi en ruinas—, Santos se encuentra en la ladera, a tan solo 40 metros, un terreno que era cafetal y fue lotificado —peculiaridad que poseen las comunidades indígenas de occidente, que en su mayoría no poseen tierras o escrituras de sus viviendas—.</p> <p>“Nuestros antepasados siempre utilizaban los canastos de carrizo para transportar sus productos del cantón al pueblo, otros para las tortillas o guardar ropa. Algunos todavía lo hacen, otros ya no, porque los han sustituido por los de plástico”, dijo José, nacido en 1956, en el cantón El Carrizal, Nahuizalco.</p> <p>Este sesentón, descendiente de indígenas, se levanta por unos instantes para acomodar unos sacos y mazorca de maíz criollo (negrito y cariaco —amarillo con blanco—) que seca para la próxima temporada.</p> <p>“También le hago a la tierra, arriendo un par de tareas para sacar nuestro sustento del año. Siempre guardo un poco de esta semilla criolla, solo esta cultivo porque es más resistente a las plagas y casi no gasto en químicos”, comenta este sabaneño.</p> <p>Al terminar de apilarla y colar la semilla criolla, se sienta en un banquillo a limpiar la vara —frente a la una pared hecha de vara de carrizo y a un costado de su esposa Nieves Hernández, una experta en trenzar canasto del pequeño— y&nbsp; a comentar un poco de la llegada al cantón y su oficio.</p> <p>“Vivo en Sábana Grande desde 1980. La guerra hizo que me desplazara con mi esposa Nieves y mis cinco hijos. Desde aquí hago canastos de varios tamaños, cestas y tumbillas de tres clases. Un oficio que heredé de mi papá y mi mamá”, relata José.</p> <p>Mientras se acomoda un cuero en la rodilla y extiende el machete, ambas herramientas para raspar la vara, él continúa: “Yo no cultivo el carrizo, lo compro por tarea —porción de tierra entre 450 a 700 metros cuadrados—. Si está bien cargada me piden 60 o 55 dólares y si está rala la logro en 50 dólares. De una tarea saco 20 docenas —240 canastos—, libre de la vara de cohete. La docena la vendo a cinco dólares aquí en mi comunidad,  no puedo ir más lejos porque no me tiene cuenta, porque tendría que pagar transporte, lo otro es mi edad”,  expone José.</p> <p>Según este sabaneño, por temporadas presta dinero, porque también hay que pagar mozos para cortar el carrizo, acarrearlo y limpiarlo, a quienes paga cinco dólares por media jornada —diaria— y si pasa del mediodía tiene que darles el almuerzo.</p> <p>“Esto no tiene cuenta. La gente ya no valora este producto, pero en mi casa somos seis adultos y cuatro niños, y con esto sobrevivimos; cuando no alcanza nos rebuscamos en otras cosas, yo voy a la finca a cortar caña y mis hijas van a pedir de lavar ajeno. Por lo menos, no falta para los frijoles y la arroba de maíz”, comenta José.</p> <p>Palabras que refuerza su esposa Nieves: “Todos hacemos canastos, mis hijos y nietos. Gracias a Dios, desde pequeños les he enseñado y los vendemos a una persona de la comunidad que los comercializa en Guatemala. Con esa venta compro frijoles, azúcar y un jabón, porque para carne no alcanza. Así la vamos pasando”.</p> <p>Nieves añadió: “Estamos regalando el precio, regalamos el valor, no nos tiene cuenta venderlo, pero como uno es de pocos recursos y para no perder el tiempo, trabajamos en estos canastos”.</p> <p>Ella tiene la misma edad que su esposo. Ambos confeccionan una docena de canastos al día —de ocho de la mañana a cuatro de la tarde—. Venden a cinco dólares la docena en su cantón y cuenta: “En el propio pueblo de Nahuizalco y Sonsonate me compran la docena en tres dólares, pierden valor”, es decir que los comerciantes compran a veinticinco centavos cada canasto.</p> <p>Nieves hizo una reflexión de su labor: “Aunque el plástico está desplazando al carrizo, seguiremos elaborando canastos con este material. Los mayores tenemos que enseñarles a los pequeños para que no se pierda. Cada quien piensa cómo sobrevivir, nosotros vivimos de esto, otros los venden, no hay razón para que digan que no hay trabajo”.</p> <p>Ambos sabaneños piden proyectos para su comunidad, para que no se pierda esta artesanía que aún persiste en las comunidades indígenas de Nahuizalco y que pueden ser desplazados con los productos confeccionados con fibra de plástico.</p> <figure class="wp-block-embed-flickr wp-block-embed is-type-rich is-provider-flickr"><div class="wp-block-embed__wrapper"> <a data-flickr-embed="true" href="https://web.archive.org/web/20201124034922/https://www.flickr.com/photos/culturasv/albums/72157713346868132" title="Vara de Carrizo by culturasv, on Flickr"><img src="https://web.archive.org/web/20201124034922im_/https://live.staticflickr.com/65535/49613943423_97e757bf49_b.jpg" width="1024" height="683" alt="Carrizo_03"></a><script async src="https://web.archive.org/web/20201124034922js_/https://embedr.flickr.com/assets/client-code.js" charset="utf-8"></script> </div></figure> </div> </article> <div class="post-nav section-container clearfix"> <a class="post-next" href="https://web.archive.org/web/20201124034922/http://www.cultura.gob.sv/la-oses-ofrecera-su-segundo-concierto-con-directores-asistentes-en-el-muna/"> <i class="icon-entypo-right-open-big"></i> <h3 class="title title-small"> <span class="super-title">Siguiente</span> La OSES ofrecerá su segundo concierto con directores asistentes en el MUNA </h3> </a> <a class="post-previous" href="https://web.archive.org/web/20201124034922/http://www.cultura.gob.sv/este-marzo-visita-la-exposicion-de-grabado-la-mujer-salvadorena/"> <i class="icon-entypo-left-open-big"></i> <h3 class="title title-small"> <span class="super-title">Anterior</span> Este marzo, visita la exposición de grabado “La mujer salvadoreña” </h3> </a> </div> <div class="post-related section-container clearfix"> <h2 class="section-title">RELACIONADOS</h2> <div class="row"> <div class="post-box-wrapper col-sm-6 col-md-4 "> 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