CINXE.COM

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All stories feature links to publicly accessible research on <a href="https://jstor.org" target="_blank" rel="noopener">JSTOR</a>.</p> </div> </header> </div> </div> </div> <div class="grid-container"> <div class="main-grid grid-x grid-margin-x"> <main class="main-content cell medium-12 large-8" id="main"> <div class="grid-margin-x grid-x"> <div class="cell large-6 medium-12 small-12"> <div class="article-tease"> <div class="article-tease__featured-image"> <a href="https://daily.jstor.org/reasons-for-re-enacting-at-the-renaissance-faire/"> <img width="600" height="400" src="https://daily.jstor.org/wp-content/uploads/2024/11/reasons_for_reenacting_at_the_renaissance_fair_1050x700-600x400.jpg" class=" wp-post-image" alt="Bay Area Renaissance Festival in Tampa Florida, 2011" decoding="async" fetchpriority="high" /> </a> </div> <h3><a href="https://daily.jstor.org/reasons-for-re-enacting-at-the-renaissance-faire/">Reasons for Re-Enacting at the Renaissance Faire</a></h3> <div class="subtitle">Why do we love donning period costumes and re-enacting our history through mock battles, pioneer villages, and Renaissance Faires?</div></div> </div> <div class="cell large-6 medium-12 small-12"> <div class="article-tease"> <div class="article-tease__featured-image"> <a href="https://daily.jstor.org/memphis-the-roots-of-rock-in-the-land-of-the-mississippians/"> <img width="600" height="400" src="https://daily.jstor.org/wp-content/uploads/2024/10/memphis_the_roots_of_rock_in_the_land_of_the_mississippians_1050x700-600x400.jpg" class=" wp-post-image" alt="Beale Street, Memphis" decoding="async" /> </a> </div> <h3><a href="https://daily.jstor.org/memphis-the-roots-of-rock-in-the-land-of-the-mississippians/">Memphis: The Roots of Rock in the Land of the Mississippians</a></h3> <div class="subtitle">Rising on the lands of an ancient agricultural system, Memphis has a long history of negotiating social conflict and change while singing the blues. </div></div> </div> <div class="cell large-6 medium-12 small-12"> <div class="article-tease"> <div class="article-tease__featured-image"> <a href="https://daily.jstor.org/carry-on-karaoke/"> <img width="600" height="400" src="https://daily.jstor.org/wp-content/uploads/2024/10/carry_on_karaoke_1050x700-600x400.jpg" class=" wp-post-image" alt="ACM Lifting Lives Music Camper sings to and with Recording Artist Wynonna Judd as part of ACM Lifting Lives Music Camp Karaoke with WYNONNA JUDD at Winner's Bar on June 28, 2011 in Nashville, Tennessee." decoding="async" /> </a> </div> <h3><a href="https://daily.jstor.org/carry-on-karaoke/">Carry On, Karaoke</a></h3> <div class="subtitle">Karaoke became a global phenomenon after its invention in the 1970s, the wide embrace of it exemplifying transnational flows and hybridization.</div></div> </div> <div class="cell large-6 medium-12 small-12"> <div class="article-tease"> <div class="article-tease__featured-image"> <a href="https://daily.jstor.org/how-pentecostalism-shaped-rock-n-roll/"> <img width="600" height="400" src="https://daily.jstor.org/wp-content/uploads/2024/09/how_pentecostalism_shaped_rock_and_roll_1050x700-600x400.jpg" class=" wp-post-image" alt="Elvis Presley singing on stage with Bill Block, circa 1950s." decoding="async" loading="lazy" /> </a> </div> <h3><a href="https://daily.jstor.org/how-pentecostalism-shaped-rock-n-roll/">How Pentecostalism Shaped Rock ’n’ Roll</a></h3> <div class="subtitle"> Early rock and roll performers, including Little Richard and Elvis, were influenced by the sounds and tropes of Pentecostal worship services.</div></div> </div> <div class="cell large-6 medium-12 small-12"> <div class="article-tease"> <div class="article-tease__featured-image"> <a href="https://daily.jstor.org/like-its-a-history-of-air-guitar-dudes/"> <img width="600" height="400" src="https://daily.jstor.org/wp-content/uploads/2024/09/like_its_a_history_of_air_guitar_dudes_1050x700-600x400.jpg" class=" wp-post-image" alt="Derek not so Smalls performs during the 2008 Cuervo Black US Air Guitar Championships at The Regency Grand Ballroom in San Francisco, California" decoding="async" loading="lazy" /> </a> </div> <h3><a href="https://daily.jstor.org/like-its-a-history-of-air-guitar-dudes/">Like, It’s a History of Air Guitar, Dudes!</a></h3> <div class="subtitle">With roots in the motions and biases of vaudeville, burlesque, mesmerism, and minstrelsy, “air playing” with imaginary instruments long predates rock music.</div></div> </div> <div class="cell large-6 medium-12 small-12"> <div class="article-tease"> <div class="article-tease__featured-image"> <a href="https://daily.jstor.org/the-bawdy-house-riots-of-1668/"> <img width="600" height="400" src="https://daily.jstor.org/wp-content/uploads/2024/08/the_bawdy_house_riots_of_1668_alt_1050x700-600x400.jpg" class=" 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the Police Athletic League youth center on West 79th Street in New York City, New York, circa 1955." decoding="async" loading="lazy" /> </a> </div> <h3><a href="https://daily.jstor.org/the-curious-history-of-competitive-eating/">The Curious History of Competitive Eating</a></h3> <div class="subtitle">The annals of competitive eating contests are full of more than just hot dogs.</div></div> </div> <div class="cell large-6 medium-12 small-12"> <div class="article-tease"> <div class="article-tease__featured-image"> <a href="https://daily.jstor.org/gonna-make-you-a-bangsawan-star/"> <img width="600" height="400" src="https://daily.jstor.org/wp-content/uploads/2024/08/gonna_make_you_a_bangsawan_star_1050x700-600x400.jpg" class=" wp-post-image" alt="Bangsawan, Malay opera Penang, circa 1895" decoding="async" loading="lazy" /> </a> </div> <h3><a href="https://daily.jstor.org/gonna-make-you-a-bangsawan-star/">Gonna Make You a (<i>Bangsawan</i>) Star</a></h3> <div class="subtitle">The 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class="article-tease__featured-image"> <a href="https://daily.jstor.org/in-the-mood-for-fake-music/"> <img width="600" height="400" src="https://daily.jstor.org/wp-content/uploads/2024/06/in_the_mood_for_fake_music_1050x700-600x400.jpg" class=" wp-post-image" alt="Man listening with headphones on a blue sine wave background" decoding="async" loading="lazy" /> </a> </div> <h3><a href="https://daily.jstor.org/in-the-mood-for-fake-music/">In the Mood for “Fake” Music?</a></h3> <div class="subtitle"> In 2017, it was reported that Spotify was promoting fake artists on its platform. But this type of approach to “content creation” wasn’t new.</div></div> </div> </div> <ul class='pagination text-center' role='navigation' aria-label='Pagination'> <li><span aria-current="page" class=" current">1</a></li> <li><a class="" href="https://daily.jstor.org/category/arts/performing-arts/page/2/">2</a></li> <li><a class="" href="https://daily.jstor.org/category/arts/performing-arts/page/3/">3</a></li> <li><a class="" href="https://daily.jstor.org/category/arts/performing-arts/page/4/">4</a></li> <li><a class="" href="https://daily.jstor.org/category/arts/performing-arts/page/5/">5</a></li> <li><a class="" href="https://daily.jstor.org/category/arts/performing-arts/page/6/">6</a></li> <li><span class='dots'>…</span></li> <li><a class="" href="https://daily.jstor.org/category/arts/performing-arts/page/24/">24</a></li> <li><a class="next" href="https://daily.jstor.org/category/arts/performing-arts/page/2/">»</a></li> </ul> </main> <aside class="sidebar cell medium-12 large-4 index-widgets"> <div id="daily_editors_picks_widget-2" class="widget daily_editors_picks_widget"> <div class="editors-picks"> <h4 class="bar">Editors' Picks</h4> <div> <div class="article-tease"> <div class="slug category"><a href="https://daily.jstor.org/category/science/">Science & Technology</a></div> <h3><a href="https://daily.jstor.org/can-we-build-a-better-facebook/">Can We Build a Better Facebook?</a></h3> <div class="subtitle">Is it time to turn our back on Facebook? 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