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(PDF) Georges Brasseur: un pintor belga en Colombia | Anne Marie Van Broeck - Academia.edu

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Este asunto pertenece a una preocupación que se ha hecho presente recientemente en la historiografía de la educación en Colombia: saber hasta dónde las prácticas pedagógicas de este período fueron resultado de la recepción de corrientes de pensamiento extranjeras que habrían llegado a nuestro territorio por efecto de la literatura que intelectuales y políticos conocían y divulgaban, por efecto de los viajes que realizaban, o por efecto de la presencia de pedagogos, académicos y políticos que habían llegado al país por diversas circunstancias. 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Barroco vivo, Barroco continuo. Sevilla-Bogotá: Universidad Pablo de Olavide-Universidad Nacional de Colombia, 2019, pp. 330-347., 2019</p><p class="ds-related-work--abstract ds2-5-body-sm">Además de ser un destacado escultor y arquitecto de retablos, el sevillano Pedro Duque Cornejo (1678-1757) se dedicó ocasionalmente a la pintura, policromando sus propias esculturas e incluso pintando al óleo sobre lienzo y tabla. En este trabajo elaboramos una primera aproximación a esta faceta olvidada del artista a partir de un detenido análisis de las fuentes escritas y de la identificación y hallazgo de nuevas pinturas. = DUQUE CORNEJO, PAINTER: In addition to being a prominent sculptor and altarpiece-maker, the Sevillian artist Pedro Duque Cornejo (1678-1757) occasionally painted his polychrome sculptures and even painted in oil on canvas and wood. In this paper we make a first approach to this forgotten side of the artist&#39;s production, tracing his role as painter in the written sources and studying some new identified paintings.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Duque Cornejo, pintor&quot;,&quot;attachmentId&quot;:60045988,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/36919200/Duque_Cornejo_pintor&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/36919200/Duque_Cornejo_pintor"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="28305668" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/28305668/J%C3%A9r%C3%B4me_du_Quesnoy_el_Mozo_un_escultor_bruselense_en_la_Espana_de_Felipe_IV_In_Goya_Revista_de_arte_no_355_2016_pp_112_121">Jérôme du Quesnoy el Mozo, ? un escultor bruselense en la Espana de Felipe IV?, In Goya. Revista de arte, no. 355, 2016, pp. 112-121.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1208895" href="https://kikirpa.academia.edu/G%C3%A9raldinePatigny">Géraldine Patigny</a></div><p class="ds-related-work--abstract ds2-5-body-sm">After a first training in his father&#39;s workshop, Jérôme du Quesnoy the Younger (1602-1654), Brussels sculptor, joins his brother François du Quesnoy, in Rome (1626-1627). He subsequently returns to Brussels where he becomes sculptor and architect at the court of Leopold Wilhelm (1651). Nothing is known about his activity between the end of the 1620s and 1641. Several sources mention a journey to Spain. Some of them state more precisely that the artist was called to Madrid by Philip IV (1605-1665). We are here presenting a series of hypotheses based on a network of relations between Rome, Madrid and Brussels linked to the monarchy.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Jérôme du Quesnoy el Mozo, ? un escultor bruselense en la Espana de Felipe IV?, In Goya. Revista de arte, no. 355, 2016, pp. 112-121.&quot;,&quot;attachmentId&quot;:48637436,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/28305668/J%C3%A9r%C3%B4me_du_Quesnoy_el_Mozo_un_escultor_bruselense_en_la_Espana_de_Felipe_IV_In_Goya_Revista_de_arte_no_355_2016_pp_112_121&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/28305668/J%C3%A9r%C3%B4me_du_Quesnoy_el_Mozo_un_escultor_bruselense_en_la_Espana_de_Felipe_IV_In_Goya_Revista_de_arte_no_355_2016_pp_112_121"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="38245517" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/38245517/El_pintor_Lluis_Graner_en_Am%C3%A9rica_Gloria_y_decadencia_1910_1928_pdf">El pintor Lluis Graner en América. Gloria y decadencia (1910-1928)..pdf</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="3751459" href="https://independent.academia.edu/FernandoAlcolea">Fernando Alcolea Albero</a></div><p class="ds-related-work--metadata ds2-5-body-xs">El pintor Lluis Graner en América. Gloria y decadencia (1910-1928), 2014</p><p class="ds-related-work--abstract ds2-5-body-sm">The eighteen years of the American stage of Lluís Graner Arrufí (1863-1929) have almost always been full of doubts and documentary lagoons in the painter&#39;s biographies and they limited to affirm in the space of a couple of lines about the economic woes suffered by the artist, and on the other hand ignoring his various achievements . In this first approach, we will try to find out the chronological journey of his trips to different countries and also the scope of their success and their subsequent decline on the American lands. Also we will discover other aspects less known as their love affairs with Catherine Morrissey model that came to have two children. Los dieciocho años de la etapa americana de Luis o Lluis Graner Arrufí (1863-1929) casi siempre han estado sembrados en las biografías sobre el pintor de dudas y lagunas documentales que se limitaban a afirmar en el espacio de un par de líneas sobre los infortunios económicos sufridos por el artista, obviando por otro lado sus distintos logros conseguidos. En esta primera aproximación intentaremos averiguar el recorrido cronológico de sus viajes por los distintos países y también los alcances de su éxito y su posterior declive por las tierras americanas. También descubriremos otras facetas menos conocidas como sus amoríos con su modelo Catherine Morrissey con la que llegó a tener dos hijos.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;El pintor Lluis Graner en América. Gloria y decadencia (1910-1928)..pdf&quot;,&quot;attachmentId&quot;:58287483,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/38245517/El_pintor_Lluis_Graner_en_Am%C3%A9rica_Gloria_y_decadencia_1910_1928_pdf&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/38245517/El_pintor_Lluis_Graner_en_Am%C3%A9rica_Gloria_y_decadencia_1910_1928_pdf"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="34783702" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/34783702/Tejido_de_punto_una_l%C3%ACnea_de_dibujo_entre_Colombia_y_Francia_">Tejido de punto (una lìnea de dibujo entre Colombia y Francia)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="3222253" href="https://independent.academia.edu/SolGiraldo">Sol Giraldo</a></div><p class="ds-related-work--abstract ds2-5-body-sm">En 2017, se celebra el año Colombia-Francia con múltiples intercambios culturales. En este contexto se hace este ejercicio curatorial entre los dibujantes de aquí y de allá, un tejido realizado por la punta de un lápiz a través del océano y las fronteras. Tomamos como uno de los hilos de la trama a algunos de los mejores dibujos que han participado en Drawing Now, el proverbial festival realizado desde hace más de una década en París y los tejimos con algunos hilos locales, dibujos de artistas colombianos, entre los que se dan nudos y desanudamientos, encuentros y desencuentros</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Tejido de punto (una lìnea de dibujo entre Colombia y Francia)&quot;,&quot;attachmentId&quot;:54642662,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/34783702/Tejido_de_punto_una_l%C3%ACnea_de_dibujo_entre_Colombia_y_Francia_&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/34783702/Tejido_de_punto_una_l%C3%ACnea_de_dibujo_entre_Colombia_y_Francia_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;continue-reading-button--sticky-ctas&quot;,&quot;attachmentId&quot;:51406741,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;workUrl&quot;:null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;download-pdf-button--sticky-ctas&quot;,&quot;attachmentId&quot;:51406741,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;workUrl&quot;:null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_51406741" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. 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