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She has twenty years of experience in international museums and cultural projects, including the development of exhibitions for culturally diverse audiences. Currently, she is a senior lecturer of heritage theory at the Reinwardt Academy (Amsterdam University of the Arts).<br /><br />Between 2001 and 2019 she was the curator of the Middle Eastern and North African collections at the Tropenmuseum (Amsterdam) and Museum Volkenkunde (Leiden). In this position, she was responsible for maintaining the permanent galleries of West Asia and North Africa, collection acquisitions, the development of international relations with researchers, students and professional bodies, and the supervision of interns and project assistants. Among the many exhibitions she (co-)curated are The Sixties: A worldwide happening (Tropenmuseum, 2015), Sacred Places (MAS, Antwerp 2014), Escher meets Islamic Art (Tropenmuseum, 2013), Palestina 1948 (Bibliotheca Alexandrina, Alexandria 2010 / Vlaardingen 2008 / Tropenmuseum 2008), and Urban Islam (Museum der Kulturen, Basel 2006 / Tropenmuseum 2003).<br /><br />She has lectured at universities in the Netherlands and elsewhere in Europe on topics as wide-ranging as arts, cultures, and histories of the Middle East, Islamic art, museum anthropology, museum representations and Orientalism. For University Gadjah Mada (Yogyakarta, Indonesia) she developed and taught a MA-level course on Curatorship. <br /><br />She is the author of 'Islam at the Tropenmuseum' (LM Publishers 2014) and 'Islam in beeld: kunst en cultuur van moslims wereldwijd' (SUN 2009) and co-editor of 'Islam and heritage in Europe' (Routledge 2021).<br /><br />Her PhD thesis examines the silences surrounding Indonesian Islam in museums in the Netherlands, through a study of the colonial framings and their durabilities to the present. A variety of archival sources is used to write detailed histories of Indonesian objects that are currently present in Dutch museums, following them during instances of collecting, classification, interpretation and public display. Through readings of the objects themselves as well as the study of their biographies, the study investigates the various meanings attached to the objects by their Indonesian makers and users and their re-appropriation in the hands of Dutch collectors and museum staff. The analysis focuses on the long-term effects in the present, in particular in relation to the decolonisation of museums.<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://minpaku.academia.edu/YurikoYamanaka"><img class="profile-avatar u-positionAbsolute" alt="Yuriko Yamanaka" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/4034801/1537681/1867428/s200_yuriko.yamanaka.jpg" /></a></div><div class="suggested-user-card__user-info"><a 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data-trace="false" data-dom-id="Pill-react-component-3257e5b8-9bc8-4fc1-b554-71bde5179173"></div> <div id="Pill-react-component-3257e5b8-9bc8-4fc1-b554-71bde5179173"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="1129535" href="https://www.academia.edu/Documents/in/Islam_in_Indonesia"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Islam in Indonesia"]}" data-trace="false" data-dom-id="Pill-react-component-6a7ecee4-a942-45d5-9e6c-66596bffd9dc"></div> <div id="Pill-react-component-6a7ecee4-a942-45d5-9e6c-66596bffd9dc"></div> </a></div></div><div class="external-links-container"><ul class="profile-links new-profile js-UserInfo-social"><li class="profile-profiles js-social-profiles-container"><i class="fa fa-spin fa-spinner"></i></li></ul></div></div></div><div class="right-panel-container"><div class="user-content-wrapper"><div class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="nav-container backbone-profile-documents-nav hidden-xs"><ul class="nav-tablist" role="tablist"><li class="nav-chip active" role="presentation"><a data-section-name="" data-toggle="tab" href="#all" role="tab">all</a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Books" data-toggle="tab" href="#books" role="tab" title="Books"><span>8</span> <span class="ds2-5-body-sm-bold">Books</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Articles" data-toggle="tab" href="#articles" role="tab" title="Articles"><span>6</span> <span class="ds2-5-body-sm-bold">Articles</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Chapters-in-Books" data-toggle="tab" href="#chaptersinbooks" role="tab" title="Chapters in Books"><span>8</span> <span class="ds2-5-body-sm-bold">Chapters in Books</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Reports" data-toggle="tab" href="#reports" role="tab" title="Reports"><span>13</span> <span class="ds2-5-body-sm-bold">Reports</span></a></li><li class="nav-chip more-tab" role="presentation"><a class="js-profile-documents-more-tab link-unstyled u-textTruncate" data-toggle="dropdown" role="tab">More  <i class="fa fa-chevron-down"></i></a><ul class="js-profile-documents-more-dropdown dropdown-menu dropdown-menu-right profile-documents-more-dropdown" role="menu"><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Opinierende-stukken" data-toggle="tab" href="#opinierendestukken" role="tab" style="border: none;"><span>4</span> Opinierende stukken</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Interviews" data-toggle="tab" href="#interviews" role="tab" style="border: none;"><span>1</span> Interviews</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Talks" data-toggle="tab" href="#talks" role="tab" style="border: none;"><span>2</span> Talks</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Papers" data-toggle="tab" href="#papers" role="tab" style="border: none;"><span>1</span> Papers</a></li></ul></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Books" id="Books"><h3 class="profile--tab_heading_container">Books by Mirjam Shatanawi</h3></div><div class="js-work-strip profile--work_container" data-work-id="112931647"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/112931647/Islam_and_Heritage_in_Europe_Pasts_Presents_and_Future_Possibilities"><img alt="Research paper thumbnail of Islam and Heritage in Europe. Pasts, Presents and Future Possibilities" class="work-thumbnail" src="https://attachments.academia-assets.com/110024728/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/112931647/Islam_and_Heritage_in_Europe_Pasts_Presents_and_Future_Possibilities">Islam and Heritage in Europe. Pasts, Presents and Future Possibilities</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Open Access version of this book, available at www.taylorfrancis.com, has been made available...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Open Access version of this book, available at <a href="http://www.taylorfrancis.com" rel="nofollow">www.taylorfrancis.com</a>, has been made available under a Creative Commons Attribution-ShareAlike 4.0 International.<br /><br />Islam and Heritage in Europe provides a critical investigation of the role of Islam in Europe’s heritage. Focusing on Islam, heritage and Europe, it seeks to productively trouble all of these terms and throw new light on the relationships between them in various urban, national and transnational contexts.<br /><br />Bringing together international scholars from a range of disciplines, this collection examines heritage-making and Islam in the context of current events in Europe, as well as analysing past developments and future possibilities. Presenting work based on ethnographic, historical and archival research, chapters are concerned with questions of diversity, mobility, decolonisation, translocality, restitution and belonging. By looking at diverse trajectories of people and things, this volume encompasses multiple perspectives on the relationship between Islam and heritage in Europe, including the ways in which it has played out and transformed against the backdrop of the ‘refugee crisis’ and other recent developments, such as debates on decolonising museums or the resurgence of nationalist sentiments.<br /><br />Islam and Heritage in Europe discusses specific articulations of belonging and non-belonging, and the ways in which they create new avenues for re-thinking Islam and heritage in Europe. 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=17214531]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":17214531,"title":"The Sixties: A worldwide happening","internal_url":"https://www.academia.edu/17214531/The_Sixties_A_worldwide_happening","owner_id":1129535,"coauthors_can_edit":true,"owner":{"id":1129535,"first_name":"Mirjam","middle_initials":null,"last_name":"Shatanawi","page_name":"MirjamShatanawi","domain_name":"reinwardt","created_at":"2012-01-16T22:02:32.380-08:00","display_name":"Mirjam Shatanawi","url":"https://reinwardt.academia.edu/MirjamShatanawi"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="9534293"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/9534293/Islam_at_the_Tropenmuseum"><img alt="Research paper thumbnail of Islam at the Tropenmuseum" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/9534293/Islam_at_the_Tropenmuseum">Islam at the Tropenmuseum</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This beautifully illustrated book presents for the first time the rich Islamic collections of the...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This beautifully illustrated book presents for the first time the rich Islamic collections of the Tropenmuseum in Amsterdam. Highlighting over a hundred artworks and everyday objects, the author demonstrates how Muslims, from the beginning of Islam to the present day, have expressed their faith in art  and culture. The book features a wide variety of artefacts from different regions of the world, from Southeast Asia of the Middle East, from West Africa to the Caribbean. Figurative paintings and prints, works of calligraphy and everyday objects embellished with religious motifs testify to the extraordinary richness and diversity of Islamic artistic expression.<br /><br />The Tropenmuseum Islamic collections are wide ranging including everyday household objects and popular art, colonial-period artefacts and contemporary art. The book presents the multiple histories of how these objects were collected and displayed, beginning in the 19th century with the founding of the Colonial Museum in Haarlem. It explores the changing ways in which the idea of Islam, as a religion, and as a set of practices, has been understood throughout time and how these changing ideas influenced the museum’s collections. The author’s detailed research is packaged in an accessible language to illuminate the history of this fascinating collection, providing a new and innovative framework for understanding Islamic collections as a whole. The book will be highly appealing to both the interested general reader and the specialist.<br /><br />This is the fifth volume of a series of ten books that discuss the collections of the Tropenmuseum and the histories and stories that accompany them.<br /><br />Mirjam Shatanawi is an expert on Islamic cultural history. She is curator of the Middle Eastern and North African collections at the National Museum of World Cultures, the Netherlands.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="9534293"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="9534293"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9534293; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=9534293]").text(description); 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No part of this book may be reproduced or transmitted in any form or by any ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">All rights reserved. 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window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1526871]").text(description); $(".js-view-count[data-work-id=1526871]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1526871; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1526871']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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Pasts, Presents and Future Possibilities" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/94166184/Islam_and_Heritage_in_Europe_Pasts_Presents_and_Future_Possibilities">Islam and Heritage in Europe. Pasts, Presents and Future Possibilities</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://hu-berlin.academia.edu/SharonMacdonald">Sharon Macdonald</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://reinwardt.academia.edu/MirjamShatanawi">Mirjam Shatanawi</a></span></div><div class="wp-workCard_item"><span>Islam and Heritage in Europe. Pasts, Presents and Future Possibilities</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Islam and Heritage in Europe provides a critical investigation of the role of Islam in Europe’s h...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Islam and Heritage in Europe provides a critical investigation of the role of Islam in Europe’s heritage. Focusing on Islam, heritage and Europe, it seeks to productively trouble all of these terms and throw new light on the relationships between them in various urban, national and transnational contexts.<br /><br />Bringing together international scholars from a range of disciplines, this collection examines heritage-making and Islam in the context of current events in Europe, as well as analysing past developments and future possibilities. Presenting work based on ethnographic, historical and archival research, chapters are concerned with questions of diversity, mobility, decolonisation, translocality, restitution and belonging. By looking at diverse trajectories of people and things, this volume encompasses multiple perspectives on the relationship between Islam and heritage in Europe, including the ways in which it has played out and transformed against the backdrop of the ‘refugee crisis’ and other recent developments, such as debates on decolonising museums or the resurgence of nationalist sentiments.<br /><br />Islam and Heritage in Europe discusses specific articulations of belonging and non-belonging, and the ways in which they create new avenues for re-thinking Islam and heritage in Europe. This ensures that the book will be of interest to academics, researchers and postgraduate students engaged in the study of heritage, museums, Islam, Europe, anthropology, archaeology and art history.<br /><br />The Open Access version of this book, available at <a href="http://www.taylorfrancis.com" rel="nofollow">www.taylorfrancis.com</a>, has been made available under a Creative Commons Attribution-ShareAlike 4.0 International (see also <a href="https://creativecommons.org/licenses/by-sa/4.0/" rel="nofollow">https://creativecommons.org/licenses/by-sa/4.0/</a>).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94166184"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94166184"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94166184; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94166184]").text(description); $(".js-view-count[data-work-id=94166184]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94166184; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94166184']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=94166184]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94166184,"title":"Islam and Heritage in Europe. Pasts, Presents and Future Possibilities","internal_url":"https://www.academia.edu/94166184/Islam_and_Heritage_in_Europe_Pasts_Presents_and_Future_Possibilities","owner_id":62105655,"coauthors_can_edit":true,"owner":{"id":62105655,"first_name":"Sharon","middle_initials":null,"last_name":"Macdonald","page_name":"SharonMacdonald","domain_name":"hu-berlin","created_at":"2017-03-26T11:13:24.552-07:00","display_name":"Sharon Macdonald","url":"https://hu-berlin.academia.edu/SharonMacdonald"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Articles" id="Articles"><h3 class="profile--tab_heading_container">Articles by Mirjam Shatanawi</h3></div><div class="js-work-strip profile--work_container" data-work-id="112870136"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/112870136/By_Force_of_Arms_Collecting_During_the_Aceh_War"><img alt="Research paper thumbnail of By Force of Arms: Collecting During the Aceh War" class="work-thumbnail" src="https://attachments.academia-assets.com/109970696/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/112870136/By_Force_of_Arms_Collecting_During_the_Aceh_War">By Force of Arms: Collecting During the Aceh War</a></div><div class="wp-workCard_item"><span>IIAS Newsletter</span><span>, 2022</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="48dbebe399cff461c3ec31cf18686306" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109970696,"asset_id":112870136,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109970696/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112870136"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112870136"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112870136; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=112870136]").text(description); $(".js-view-count[data-work-id=112870136]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 112870136; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='112870136']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "48dbebe399cff461c3ec31cf18686306" } } $('.js-work-strip[data-work-id=112870136]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":112870136,"title":"By Force of Arms: Collecting During the Aceh War","internal_url":"https://www.academia.edu/112870136/By_Force_of_Arms_Collecting_During_the_Aceh_War","owner_id":1129535,"coauthors_can_edit":true,"owner":{"id":1129535,"first_name":"Mirjam","middle_initials":null,"last_name":"Shatanawi","page_name":"MirjamShatanawi","domain_name":"reinwardt","created_at":"2012-01-16T22:02:32.380-08:00","display_name":"Mirjam Shatanawi","url":"https://reinwardt.academia.edu/MirjamShatanawi"},"attachments":[{"id":109970696,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109970696/thumbnails/1.jpg","file_name":"IIAS_NL92_FULL_36_37.pdf","download_url":"https://www.academia.edu/attachments/109970696/download_file","bulk_download_file_name":"By_Force_of_Arms_Collecting_During_the_A.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109970696/IIAS_NL92_FULL_36_37-libre.pdf?1704297446=\u0026response-content-disposition=attachment%3B+filename%3DBy_Force_of_Arms_Collecting_During_the_A.pdf\u0026Expires=1740502536\u0026Signature=bUojAh6sxdXE~USsI1VL0xWnpvnoCqvkwRvLLEhBMX7RuD0urN-TcckLtXDzwzLdAmUuRC1RQ6eX3Tkx259ckUPtX66sPuFb6-QcHBpY1jtklMT~1KhpDLtWRxXdL9cxbpDBYCHbYtbyB-jn7MaTC04KbovdWHhbDGpIoPfup~nBblahMuIwN1-KznKD0c-W7viy8yDTgiHgmiq-8Zn0fKNeMFKuO0C86HbK69SjcyPWrrJClLVd0F2eyQF5rH8998RdfDfNLwCR22EPpubWSquTpWeec4Fr8QUqwd4~9n5Sh9cPeFcSzRvpzNvjhp7D8~tsepA2iUUKc4CeAdTHrA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="41666474"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/41666474/Islam_and_European_museums_A_Babylonian_confusion_of_tongues"><img alt="Research paper thumbnail of Islam and European museums: A Babylonian confusion of tongues" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/41666474/Islam_and_European_museums_A_Babylonian_confusion_of_tongues">Islam and European museums: A Babylonian confusion of tongues</a></div><div class="wp-workCard_item"><span>Material Religion</span><span>, 2019</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41666474"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41666474"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41666474; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41666474]").text(description); $(".js-view-count[data-work-id=41666474]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41666474; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41666474']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=41666474]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41666474,"title":"Islam and European museums: A Babylonian confusion of tongues","internal_url":"https://www.academia.edu/41666474/Islam_and_European_museums_A_Babylonian_confusion_of_tongues","owner_id":1129535,"coauthors_can_edit":true,"owner":{"id":1129535,"first_name":"Mirjam","middle_initials":null,"last_name":"Shatanawi","page_name":"MirjamShatanawi","domain_name":"reinwardt","created_at":"2012-01-16T22:02:32.380-08:00","display_name":"Mirjam Shatanawi","url":"https://reinwardt.academia.edu/MirjamShatanawi"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1224614"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1224614/Engaging_Islam_Working_with_Muslim_Communities_in_a_Multicultural_Society"><img alt="Research paper thumbnail of Engaging Islam: Working with Muslim Communities in a Multicultural Society" class="work-thumbnail" src="https://attachments.academia-assets.com/57258411/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1224614/Engaging_Islam_Working_with_Muslim_Communities_in_a_Multicultural_Society">Engaging Islam: Working with Muslim Communities in a Multicultural Society</a></div><div class="wp-workCard_item"><span>Curator: The Museum Journal</span><span>, Jan 1, 2012</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Abstract Recent global political events have pushed Islam to the center stage in European and Am...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Abstract Recent global political events have pushed Islam to the center stage in European and American museums. Since 9/11 there has been a substantial increase in exhibitions featuring Islamic art, the Muslim world, and the Middle East (Flood 2007; Winegar 2008; Ryan 2009; Shatanawi 2012). For museums in Western Europe, the presentation of Islam-related topics is closely related to the domestic issues of migration and multiculturalism. The new millennium has seen a vigorous debate about multiculturalism in Western Europe; several European leaders have declared multiculturalism a failed policy. This paper presents a case study, based in Amsterdam’s Tropenmuseum (one of Europe’s best-known ethnographic museums), that investigates the complex relationships between audiences and communities in the context of the public debate on Islam. It critically discusses the relevance of a community-based approach for museums that intend to reflect the cultural diversity of European societies.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5a7f17039660e0293e6a099301f1e555" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57258411,"asset_id":1224614,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57258411/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1224614"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1224614"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1224614; 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It is a reflection of a w...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This series is the result of two years of thought, research and travel. 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In addition, the making of the exhibition concurred with a heightening of the tensions surrounding Islam and Muslim cultures in Dutch society, which put considerable pressure on our project. We were faced with how to present a new perspective on Muslim religious life when public opinion and common knowledge of Islam were quite limitedly and negatively defined. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Chapters in Books" id="Chapters in Books"><h3 class="profile--tab_heading_container">Chapters in Books by Mirjam Shatanawi</h3></div><div class="js-work-strip profile--work_container" data-work-id="112869826"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/112869826/On_the_In_Betweenness_of_the_paintings_of_Jean_Baptiste_Vanmour_1671_1737_at_the_Rijksmuseum"><img alt="Research paper thumbnail of On the In-Betweenness of the paintings of Jean Baptiste Vanmour (1671-1737) at the Rijksmuseum" class="work-thumbnail" src="https://attachments.academia-assets.com/109976094/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/112869826/On_the_In_Betweenness_of_the_paintings_of_Jean_Baptiste_Vanmour_1671_1737_at_the_Rijksmuseum">On the In-Betweenness of the paintings of Jean Baptiste Vanmour (1671-1737) at the Rijksmuseum</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">in: Museums, Transculturality and the Nation-State: Case Studies from a Global Context, eds. Susa...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">in: Museums, Transculturality and the Nation-State: Case Studies from a Global Context, eds. Susanne Leeb and Nina Samuel. Bielefeld: Transcript (2022), pp. 99-134</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a2f7837f7209b8acd722811624c1df87" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109976094,"asset_id":112869826,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109976094/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112869826"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112869826"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112869826; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=112869826]").text(description); $(".js-view-count[data-work-id=112869826]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 112869826; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='112869826']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="49360089"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/49360089/Museum_narratives_of_Islam_between_art_archaeology_and_ethnology"><img alt="Research paper thumbnail of Museum narratives of Islam between art, archaeology and ethnology" class="work-thumbnail" src="https://attachments.academia-assets.com/67736270/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49360089/Museum_narratives_of_Islam_between_art_archaeology_and_ethnology">Museum narratives of Islam between art, archaeology and ethnology</a></div><div class="wp-workCard_item"><span>Islam and Heritage in Europe: Pasts, Presents and Future Possibilities</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The arrangement of collections of Middle Eastern art and culture, or broader, of the Islamic worl...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The arrangement of collections of Middle Eastern art and culture, or broader, of the Islamic world, is a prime example of how colonial paradigms still live on in Europe's museums. The collections were formed in the nineteenth and early twentieth centuries, when archaeology, art history and anthropology became distinct scholarly fields. The process of dividing the Middle Eastern heritage that was present in European museums started in the mid-nineteenth century, in a period when multidisciplinary cabinets of curiosity transformed into public museums that were increasingly more specialised and separated by discipline. This chapter traces the genealogies of the arrangement of these collections, using the Netherlands as an example. My point of departure is the idea of different types of museums-the archaeological museum, ethnographic museum, art museum, and the so-called universal or encyclopaedic museum-as a discursive chain. Tony Bennett attributes the emergence of the public museum in the nineteenth century to the development of academic disciplines:</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4fed118acc7a775c99a02fc6103f6363" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67736270,"asset_id":49360089,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67736270/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49360089"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49360089"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49360089; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49360089]").text(description); $(".js-view-count[data-work-id=49360089]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49360089; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49360089']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4fed118acc7a775c99a02fc6103f6363" } } $('.js-work-strip[data-work-id=49360089]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49360089,"title":"Museum narratives of Islam between art, archaeology and ethnology","internal_url":"https://www.academia.edu/49360089/Museum_narratives_of_Islam_between_art_archaeology_and_ethnology","owner_id":1129535,"coauthors_can_edit":true,"owner":{"id":1129535,"first_name":"Mirjam","middle_initials":null,"last_name":"Shatanawi","page_name":"MirjamShatanawi","domain_name":"reinwardt","created_at":"2012-01-16T22:02:32.380-08:00","display_name":"Mirjam Shatanawi","url":"https://reinwardt.academia.edu/MirjamShatanawi"},"attachments":[{"id":67736270,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/67736270/thumbnails/1.jpg","file_name":"10.4324_9781003044789_12_chapterpdf.pdf","download_url":"https://www.academia.edu/attachments/67736270/download_file","bulk_download_file_name":"Museum_narratives_of_Islam_between_art_a.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/67736270/10.4324_9781003044789_12_chapterpdf-libre.pdf?1624613130=\u0026response-content-disposition=attachment%3B+filename%3DMuseum_narratives_of_Islam_between_art_a.pdf\u0026Expires=1740502536\u0026Signature=Vx4Hor3~CJMAFCKKtEWqh2GOFRxMEtLWx98PGnEG-LifSNDqLQqh5--4UyBjVzZs5oFpWMULqZwn4LxxNjWzsQLoxUHKHeB05gqEHTsOEncsJ6MBVb-9oAlGvW3k49eDkfJ7s47NBLawKe5FKFNKTiy2toHrVmOkBkAOz0tCLr5g~Hli4Mm5lmLbdidXoyBWIj~nGKI9ICDvCIrDpbwvBOpZy5teUmkoSrYllkbU4v2UZEidpB8rmk3rVShMXOLuiih5tH0~jLzMa7m2EeWIQGyxVFyDc303mZ5xIJBvyW3RYnapwzTOacOfbjwVISZZWxZDmlg9hmmPYQDHk4AGJA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="49360101"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/49360101/Heritage_Islam_Europe_Entanglements_and_directions_An_introduction"><img alt="Research paper thumbnail of Heritage, Islam, Europe: Entanglements and directions. An introduction" class="work-thumbnail" src="https://attachments.academia-assets.com/67736289/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49360101/Heritage_Islam_Europe_Entanglements_and_directions_An_introduction">Heritage, Islam, Europe: Entanglements and directions. An introduction</a></div><div class="wp-workCard_item"><span>Islam and Heritage in Europe: Pasts, Presents and Future Possibilities</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In looking at heritage, Islam and Europe, this volume seeks to productively trouble all of these ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In looking at heritage, Islam and Europe, this volume seeks to productively trouble all of these terms and throw new light on the relationships between them. In this way, it contributes fresh insights to existing debates in heritage and museum studies, and to the discussion of Islam in Europe. The position and role of Islam in Europe is contested-especially as it intersects with ideas of heritage. On the one hand, Islam is frequently depicted as not properly European, or as at odds with what are claimed to be European values or European heritage. On the other, however, are arguments that Islam has long been part of Europe and should, therefore, be seen as part of European heritage; or that the many and diverse heritages of those who currently live in Europe-whenever and from wherever they arrived-should today all be regarded as part of the continent's and its various national heritages.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9bc912f4ff9363e97144b6d9a97698b9" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67736289,"asset_id":49360101,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67736289/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49360101"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49360101"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49360101; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49360101]").text(description); $(".js-view-count[data-work-id=49360101]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49360101; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49360101']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9bc912f4ff9363e97144b6d9a97698b9" } } $('.js-work-strip[data-work-id=49360101]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49360101,"title":"Heritage, Islam, Europe: Entanglements and directions. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1224615"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1224615/Contemporary_Art_in_Ethnographic_Museums"><img alt="Research paper thumbnail of Contemporary Art in Ethnographic Museums" class="work-thumbnail" src="https://attachments.academia-assets.com/7628370/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1224615/Contemporary_Art_in_Ethnographic_Museums">Contemporary Art in Ethnographic Museums</a></div><div class="wp-workCard_item"><span>framerframed.nl</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In 1985 the Tropenmuseum in Amsterdam organized a symposium on a new and challenging theme, i.e. ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In 1985 the Tropenmuseum in Amsterdam organized a symposium on a new and challenging theme, i.e. contemporary art from what were at the time referred to as developing countries. Throughout the course of a long day, directors and curators of leading ethnographic and art museums in the Netherlands discussed the possibility of assembling a joint collection. The outcome was somewhat disappointing for the curators of the ethnographic Tropenmuseum; their presentations of current art production in Africa and Asia were met with skepticism and disdain. The representatives of the art museums concluded that the collecting of work from these regions ought to best be left to the ethnographic museums because such art did not fit the criteria employed in contemporary art discourse. As Jan Debbaut, director of the Van Abbemuseum was to put it, "It is a very specific discourse, which is self generating and embedded in a very specific Western tradition. Whatever is relevant within this discourse is exhibited in museums. It does not matter where art is made, but whether it is part of art discourse." Liesbeth Brandt Corstius, director of the Museum of Modern Art in Arnhem, replied: "Well, within the next fifty years I don't want to show this kind of art in my museum." 1 Perhaps encouraged by this response, the Tropenmuseum (along with other ethnographic museums in Europe and the United States) has since then taken its first steps along the path of exhibiting and collecting contemporary art. Yet, as past experience has shown, the connection between art and anthropology, which is inherent to the ethnographic approach is, per se, a difficult one. More recently, the globalization of the art world has exposed the growing divide between the discursive boundaries around which the ethnographic museum is built and the universalist claims of contemporary art. This discrepancy is one of the signs of the oft-cited crisis in which the ethnographic museum finds itself. In the post-colonial world the ethnographic museum faces a dilemma with respect to the kind of approach to adopt toward the presentation of the global and the local, the past and the present, knowing that such notions were considered irrelevant when the museum came into being.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="98f6fe99792c2f6719c8603790ece52d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":7628370,"asset_id":1224615,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/7628370/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1224615"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1224615"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1224615; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="94166491"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/94166491/Heritage_Islam_Europe_Entanglements_and_Directions_An_Introduction"><img alt="Research paper thumbnail of Heritage, Islam, Europe. Entanglements and Directions. An Introduction" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/94166491/Heritage_Islam_Europe_Entanglements_and_Directions_An_Introduction">Heritage, Islam, Europe. Entanglements and Directions. An Introduction</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://reinwardt.academia.edu/MirjamShatanawi">Mirjam Shatanawi</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://hu-berlin.academia.edu/SharonMacdonald">Sharon Macdonald</a></span></div><div class="wp-workCard_item"><span>Islam and Heritage in Europe. Pasts, Presents and Future Possibilities</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Heritage from the Muslim world has been entering European collections since the time of the Crusa...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Heritage from the Muslim world has been entering European collections since the time of the Crusades, accumulating over centuries in vast collections in museums, libraries and private homes across the continent. The longstanding presence of Islam in Southern and Eastern Europe gives an alternative potential for heritagisation than does the more recent presence in Western Europe. Islamic heritage has also played a part in building distinctive identities in the post-socialist and post-Balkan-War period. Islam in Europe is connected beyond the imagined geographical borders of Europe through multiple kinds of entanglements. Putting ‘heritage’ into Asad’s argument shows how the ideas of Europe with which he is concerned can be disseminated and naturalised. ‘European heritage’ turns Europe not just into an idea but also into a landscape filled with material and immaterial ‘evidence’ of an identity-relevant past. Open Access.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94166491"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94166491"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94166491; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94166491]").text(description); $(".js-view-count[data-work-id=94166491]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94166491; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94166491']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=94166491]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94166491,"title":"Heritage, Islam, Europe. 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Pasts, Presents and Future Possibilities" class="work-thumbnail" src="https://attachments.academia-assets.com/110024728/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/112931647/Islam_and_Heritage_in_Europe_Pasts_Presents_and_Future_Possibilities">Islam and Heritage in Europe. Pasts, Presents and Future Possibilities</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Open Access version of this book, available at www.taylorfrancis.com, has been made available...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Open Access version of this book, available at <a href="http://www.taylorfrancis.com" rel="nofollow">www.taylorfrancis.com</a>, has been made available under a Creative Commons Attribution-ShareAlike 4.0 International.<br /><br />Islam and Heritage in Europe provides a critical investigation of the role of Islam in Europe’s heritage. Focusing on Islam, heritage and Europe, it seeks to productively trouble all of these terms and throw new light on the relationships between them in various urban, national and transnational contexts.<br /><br />Bringing together international scholars from a range of disciplines, this collection examines heritage-making and Islam in the context of current events in Europe, as well as analysing past developments and future possibilities. Presenting work based on ethnographic, historical and archival research, chapters are concerned with questions of diversity, mobility, decolonisation, translocality, restitution and belonging. By looking at diverse trajectories of people and things, this volume encompasses multiple perspectives on the relationship between Islam and heritage in Europe, including the ways in which it has played out and transformed against the backdrop of the ‘refugee crisis’ and other recent developments, such as debates on decolonising museums or the resurgence of nationalist sentiments.<br /><br />Islam and Heritage in Europe discusses specific articulations of belonging and non-belonging, and the ways in which they create new avenues for re-thinking Islam and heritage in Europe. This ensures that the book will be of interest to academics, researchers and postgraduate students engaged in the study of heritage, museums, Islam, Europe, anthropology, archaeology and art history.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d223193c928c1c606bddf62ca2a8e30c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110024728,"asset_id":112931647,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110024728/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112931647"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112931647"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112931647; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=112931647]").text(description); $(".js-view-count[data-work-id=112931647]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 112931647; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='112931647']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d223193c928c1c606bddf62ca2a8e30c" } } $('.js-work-strip[data-work-id=112931647]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":112931647,"title":"Islam and Heritage in Europe. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="17214531"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/17214531/The_Sixties_A_worldwide_happening"><img alt="Research paper thumbnail of The Sixties: A worldwide happening" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/17214531/The_Sixties_A_worldwide_happening">The Sixties: A worldwide happening</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Catalogue of the exhibition The Sixties - A worldwide happening, edited with Wayne Modest.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="17214531"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="17214531"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 17214531; 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=17214531]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":17214531,"title":"The Sixties: A worldwide happening","internal_url":"https://www.academia.edu/17214531/The_Sixties_A_worldwide_happening","owner_id":1129535,"coauthors_can_edit":true,"owner":{"id":1129535,"first_name":"Mirjam","middle_initials":null,"last_name":"Shatanawi","page_name":"MirjamShatanawi","domain_name":"reinwardt","created_at":"2012-01-16T22:02:32.380-08:00","display_name":"Mirjam Shatanawi","url":"https://reinwardt.academia.edu/MirjamShatanawi"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="9534293"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/9534293/Islam_at_the_Tropenmuseum"><img alt="Research paper thumbnail of Islam at the Tropenmuseum" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/9534293/Islam_at_the_Tropenmuseum">Islam at the Tropenmuseum</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This beautifully illustrated book presents for the first time the rich Islamic collections of the...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This beautifully illustrated book presents for the first time the rich Islamic collections of the Tropenmuseum in Amsterdam. Highlighting over a hundred artworks and everyday objects, the author demonstrates how Muslims, from the beginning of Islam to the present day, have expressed their faith in art  and culture. The book features a wide variety of artefacts from different regions of the world, from Southeast Asia of the Middle East, from West Africa to the Caribbean. Figurative paintings and prints, works of calligraphy and everyday objects embellished with religious motifs testify to the extraordinary richness and diversity of Islamic artistic expression.<br /><br />The Tropenmuseum Islamic collections are wide ranging including everyday household objects and popular art, colonial-period artefacts and contemporary art. The book presents the multiple histories of how these objects were collected and displayed, beginning in the 19th century with the founding of the Colonial Museum in Haarlem. It explores the changing ways in which the idea of Islam, as a religion, and as a set of practices, has been understood throughout time and how these changing ideas influenced the museum’s collections. The author’s detailed research is packaged in an accessible language to illuminate the history of this fascinating collection, providing a new and innovative framework for understanding Islamic collections as a whole. The book will be highly appealing to both the interested general reader and the specialist.<br /><br />This is the fifth volume of a series of ten books that discuss the collections of the Tropenmuseum and the histories and stories that accompany them.<br /><br />Mirjam Shatanawi is an expert on Islamic cultural history. She is curator of the Middle Eastern and North African collections at the National Museum of World Cultures, the Netherlands.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="9534293"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="9534293"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9534293; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=9534293]").text(description); 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Pasts, Presents and Future Possibilities" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/94166184/Islam_and_Heritage_in_Europe_Pasts_Presents_and_Future_Possibilities">Islam and Heritage in Europe. Pasts, Presents and Future Possibilities</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://hu-berlin.academia.edu/SharonMacdonald">Sharon Macdonald</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://reinwardt.academia.edu/MirjamShatanawi">Mirjam Shatanawi</a></span></div><div class="wp-workCard_item"><span>Islam and Heritage in Europe. Pasts, Presents and Future Possibilities</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Islam and Heritage in Europe provides a critical investigation of the role of Islam in Europe’s h...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Islam and Heritage in Europe provides a critical investigation of the role of Islam in Europe’s heritage. Focusing on Islam, heritage and Europe, it seeks to productively trouble all of these terms and throw new light on the relationships between them in various urban, national and transnational contexts.<br /><br />Bringing together international scholars from a range of disciplines, this collection examines heritage-making and Islam in the context of current events in Europe, as well as analysing past developments and future possibilities. Presenting work based on ethnographic, historical and archival research, chapters are concerned with questions of diversity, mobility, decolonisation, translocality, restitution and belonging. By looking at diverse trajectories of people and things, this volume encompasses multiple perspectives on the relationship between Islam and heritage in Europe, including the ways in which it has played out and transformed against the backdrop of the ‘refugee crisis’ and other recent developments, such as debates on decolonising museums or the resurgence of nationalist sentiments.<br /><br />Islam and Heritage in Europe discusses specific articulations of belonging and non-belonging, and the ways in which they create new avenues for re-thinking Islam and heritage in Europe. This ensures that the book will be of interest to academics, researchers and postgraduate students engaged in the study of heritage, museums, Islam, Europe, anthropology, archaeology and art history.<br /><br />The Open Access version of this book, available at <a href="http://www.taylorfrancis.com" rel="nofollow">www.taylorfrancis.com</a>, has been made available under a Creative Commons Attribution-ShareAlike 4.0 International (see also <a href="https://creativecommons.org/licenses/by-sa/4.0/" rel="nofollow">https://creativecommons.org/licenses/by-sa/4.0/</a>).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94166184"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94166184"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94166184; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94166184]").text(description); $(".js-view-count[data-work-id=94166184]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94166184; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94166184']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=94166184]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94166184,"title":"Islam and Heritage in Europe. 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window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41666474]").text(description); $(".js-view-count[data-work-id=41666474]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41666474; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41666474']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=41666474]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41666474,"title":"Islam and European museums: A Babylonian confusion of tongues","internal_url":"https://www.academia.edu/41666474/Islam_and_European_museums_A_Babylonian_confusion_of_tongues","owner_id":1129535,"coauthors_can_edit":true,"owner":{"id":1129535,"first_name":"Mirjam","middle_initials":null,"last_name":"Shatanawi","page_name":"MirjamShatanawi","domain_name":"reinwardt","created_at":"2012-01-16T22:02:32.380-08:00","display_name":"Mirjam Shatanawi","url":"https://reinwardt.academia.edu/MirjamShatanawi"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1224614"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1224614/Engaging_Islam_Working_with_Muslim_Communities_in_a_Multicultural_Society"><img alt="Research paper thumbnail of Engaging Islam: Working with Muslim Communities in a Multicultural Society" class="work-thumbnail" src="https://attachments.academia-assets.com/57258411/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1224614/Engaging_Islam_Working_with_Muslim_Communities_in_a_Multicultural_Society">Engaging Islam: Working with Muslim Communities in a Multicultural Society</a></div><div class="wp-workCard_item"><span>Curator: The Museum Journal</span><span>, Jan 1, 2012</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Abstract Recent global political events have pushed Islam to the center stage in European and Am...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Abstract Recent global political events have pushed Islam to the center stage in European and American museums. Since 9/11 there has been a substantial increase in exhibitions featuring Islamic art, the Muslim world, and the Middle East (Flood 2007; Winegar 2008; Ryan 2009; Shatanawi 2012). For museums in Western Europe, the presentation of Islam-related topics is closely related to the domestic issues of migration and multiculturalism. The new millennium has seen a vigorous debate about multiculturalism in Western Europe; several European leaders have declared multiculturalism a failed policy. This paper presents a case study, based in Amsterdam’s Tropenmuseum (one of Europe’s best-known ethnographic museums), that investigates the complex relationships between audiences and communities in the context of the public debate on Islam. It critically discusses the relevance of a community-based approach for museums that intend to reflect the cultural diversity of European societies.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5a7f17039660e0293e6a099301f1e555" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57258411,"asset_id":1224614,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57258411/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1224614"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1224614"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1224614; 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It is a reflection of a w...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This series is the result of two years of thought, research and travel. It is a reflection of a world where the word 'terrorist' is thrown about thoughtlessly.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b6c0608eb7d7a31c519a439572bc4b09" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":7628369,"asset_id":1224612,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/7628369/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1224612"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1224612"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1224612; 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In addition, the making of the exhibition concurred with a heightening of the tensions surrounding Islam and Muslim cultures in Dutch society, which put considerable pressure on our project. We were faced with how to present a new perspective on Muslim religious life when public opinion and common knowledge of Islam were quite limitedly and negatively defined. Is it possible to make an exhibition that is neither pedantic nor apologetic?</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c8505bc92695aa937107e16029ea537d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":7628368,"asset_id":1224610,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/7628368/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1224610"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1224610"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1224610; 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Susa...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">in: Museums, Transculturality and the Nation-State: Case Studies from a Global Context, eds. Susanne Leeb and Nina Samuel. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="49360089"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/49360089/Museum_narratives_of_Islam_between_art_archaeology_and_ethnology"><img alt="Research paper thumbnail of Museum narratives of Islam between art, archaeology and ethnology" class="work-thumbnail" src="https://attachments.academia-assets.com/67736270/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49360089/Museum_narratives_of_Islam_between_art_archaeology_and_ethnology">Museum narratives of Islam between art, archaeology and ethnology</a></div><div class="wp-workCard_item"><span>Islam and Heritage in Europe: Pasts, Presents and Future Possibilities</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The arrangement of collections of Middle Eastern art and culture, or broader, of the Islamic worl...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The arrangement of collections of Middle Eastern art and culture, or broader, of the Islamic world, is a prime example of how colonial paradigms still live on in Europe's museums. The collections were formed in the nineteenth and early twentieth centuries, when archaeology, art history and anthropology became distinct scholarly fields. The process of dividing the Middle Eastern heritage that was present in European museums started in the mid-nineteenth century, in a period when multidisciplinary cabinets of curiosity transformed into public museums that were increasingly more specialised and separated by discipline. This chapter traces the genealogies of the arrangement of these collections, using the Netherlands as an example. My point of departure is the idea of different types of museums-the archaeological museum, ethnographic museum, art museum, and the so-called universal or encyclopaedic museum-as a discursive chain. Tony Bennett attributes the emergence of the public museum in the nineteenth century to the development of academic disciplines:</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4fed118acc7a775c99a02fc6103f6363" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67736270,"asset_id":49360089,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67736270/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49360089"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49360089"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49360089; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49360089]").text(description); $(".js-view-count[data-work-id=49360089]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49360089; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49360089']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4fed118acc7a775c99a02fc6103f6363" } } $('.js-work-strip[data-work-id=49360089]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49360089,"title":"Museum narratives of Islam between art, archaeology and ethnology","internal_url":"https://www.academia.edu/49360089/Museum_narratives_of_Islam_between_art_archaeology_and_ethnology","owner_id":1129535,"coauthors_can_edit":true,"owner":{"id":1129535,"first_name":"Mirjam","middle_initials":null,"last_name":"Shatanawi","page_name":"MirjamShatanawi","domain_name":"reinwardt","created_at":"2012-01-16T22:02:32.380-08:00","display_name":"Mirjam Shatanawi","url":"https://reinwardt.academia.edu/MirjamShatanawi"},"attachments":[{"id":67736270,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/67736270/thumbnails/1.jpg","file_name":"10.4324_9781003044789_12_chapterpdf.pdf","download_url":"https://www.academia.edu/attachments/67736270/download_file","bulk_download_file_name":"Museum_narratives_of_Islam_between_art_a.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/67736270/10.4324_9781003044789_12_chapterpdf-libre.pdf?1624613130=\u0026response-content-disposition=attachment%3B+filename%3DMuseum_narratives_of_Islam_between_art_a.pdf\u0026Expires=1740502536\u0026Signature=Vx4Hor3~CJMAFCKKtEWqh2GOFRxMEtLWx98PGnEG-LifSNDqLQqh5--4UyBjVzZs5oFpWMULqZwn4LxxNjWzsQLoxUHKHeB05gqEHTsOEncsJ6MBVb-9oAlGvW3k49eDkfJ7s47NBLawKe5FKFNKTiy2toHrVmOkBkAOz0tCLr5g~Hli4Mm5lmLbdidXoyBWIj~nGKI9ICDvCIrDpbwvBOpZy5teUmkoSrYllkbU4v2UZEidpB8rmk3rVShMXOLuiih5tH0~jLzMa7m2EeWIQGyxVFyDc303mZ5xIJBvyW3RYnapwzTOacOfbjwVISZZWxZDmlg9hmmPYQDHk4AGJA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="49360101"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/49360101/Heritage_Islam_Europe_Entanglements_and_directions_An_introduction"><img alt="Research paper thumbnail of Heritage, Islam, Europe: Entanglements and directions. An introduction" class="work-thumbnail" src="https://attachments.academia-assets.com/67736289/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49360101/Heritage_Islam_Europe_Entanglements_and_directions_An_introduction">Heritage, Islam, Europe: Entanglements and directions. An introduction</a></div><div class="wp-workCard_item"><span>Islam and Heritage in Europe: Pasts, Presents and Future Possibilities</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In looking at heritage, Islam and Europe, this volume seeks to productively trouble all of these ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In looking at heritage, Islam and Europe, this volume seeks to productively trouble all of these terms and throw new light on the relationships between them. In this way, it contributes fresh insights to existing debates in heritage and museum studies, and to the discussion of Islam in Europe. The position and role of Islam in Europe is contested-especially as it intersects with ideas of heritage. On the one hand, Islam is frequently depicted as not properly European, or as at odds with what are claimed to be European values or European heritage. On the other, however, are arguments that Islam has long been part of Europe and should, therefore, be seen as part of European heritage; or that the many and diverse heritages of those who currently live in Europe-whenever and from wherever they arrived-should today all be regarded as part of the continent's and its various national heritages.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9bc912f4ff9363e97144b6d9a97698b9" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67736289,"asset_id":49360101,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67736289/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49360101"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49360101"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49360101; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49360101]").text(description); $(".js-view-count[data-work-id=49360101]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49360101; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49360101']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9bc912f4ff9363e97144b6d9a97698b9" } } $('.js-work-strip[data-work-id=49360101]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49360101,"title":"Heritage, Islam, Europe: Entanglements and directions. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1224615"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1224615/Contemporary_Art_in_Ethnographic_Museums"><img alt="Research paper thumbnail of Contemporary Art in Ethnographic Museums" class="work-thumbnail" src="https://attachments.academia-assets.com/7628370/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1224615/Contemporary_Art_in_Ethnographic_Museums">Contemporary Art in Ethnographic Museums</a></div><div class="wp-workCard_item"><span>framerframed.nl</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In 1985 the Tropenmuseum in Amsterdam organized a symposium on a new and challenging theme, i.e. ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In 1985 the Tropenmuseum in Amsterdam organized a symposium on a new and challenging theme, i.e. contemporary art from what were at the time referred to as developing countries. Throughout the course of a long day, directors and curators of leading ethnographic and art museums in the Netherlands discussed the possibility of assembling a joint collection. The outcome was somewhat disappointing for the curators of the ethnographic Tropenmuseum; their presentations of current art production in Africa and Asia were met with skepticism and disdain. The representatives of the art museums concluded that the collecting of work from these regions ought to best be left to the ethnographic museums because such art did not fit the criteria employed in contemporary art discourse. As Jan Debbaut, director of the Van Abbemuseum was to put it, "It is a very specific discourse, which is self generating and embedded in a very specific Western tradition. Whatever is relevant within this discourse is exhibited in museums. It does not matter where art is made, but whether it is part of art discourse." Liesbeth Brandt Corstius, director of the Museum of Modern Art in Arnhem, replied: "Well, within the next fifty years I don't want to show this kind of art in my museum." 1 Perhaps encouraged by this response, the Tropenmuseum (along with other ethnographic museums in Europe and the United States) has since then taken its first steps along the path of exhibiting and collecting contemporary art. Yet, as past experience has shown, the connection between art and anthropology, which is inherent to the ethnographic approach is, per se, a difficult one. More recently, the globalization of the art world has exposed the growing divide between the discursive boundaries around which the ethnographic museum is built and the universalist claims of contemporary art. This discrepancy is one of the signs of the oft-cited crisis in which the ethnographic museum finds itself. In the post-colonial world the ethnographic museum faces a dilemma with respect to the kind of approach to adopt toward the presentation of the global and the local, the past and the present, knowing that such notions were considered irrelevant when the museum came into being.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="98f6fe99792c2f6719c8603790ece52d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":7628370,"asset_id":1224615,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/7628370/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1224615"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1224615"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1224615; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="94166491"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/94166491/Heritage_Islam_Europe_Entanglements_and_Directions_An_Introduction"><img alt="Research paper thumbnail of Heritage, Islam, Europe. Entanglements and Directions. An Introduction" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/94166491/Heritage_Islam_Europe_Entanglements_and_Directions_An_Introduction">Heritage, Islam, Europe. Entanglements and Directions. An Introduction</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://reinwardt.academia.edu/MirjamShatanawi">Mirjam Shatanawi</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://hu-berlin.academia.edu/SharonMacdonald">Sharon Macdonald</a></span></div><div class="wp-workCard_item"><span>Islam and Heritage in Europe. Pasts, Presents and Future Possibilities</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Heritage from the Muslim world has been entering European collections since the time of the Crusa...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Heritage from the Muslim world has been entering European collections since the time of the Crusades, accumulating over centuries in vast collections in museums, libraries and private homes across the continent. The longstanding presence of Islam in Southern and Eastern Europe gives an alternative potential for heritagisation than does the more recent presence in Western Europe. Islamic heritage has also played a part in building distinctive identities in the post-socialist and post-Balkan-War period. Islam in Europe is connected beyond the imagined geographical borders of Europe through multiple kinds of entanglements. Putting ‘heritage’ into Asad’s argument shows how the ideas of Europe with which he is concerned can be disseminated and naturalised. ‘European heritage’ turns Europe not just into an idea but also into a landscape filled with material and immaterial ‘evidence’ of an identity-relevant past. Open Access.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94166491"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94166491"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94166491; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94166491]").text(description); $(".js-view-count[data-work-id=94166491]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94166491; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94166491']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=94166491]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94166491,"title":"Heritage, Islam, Europe. Entanglements and Directions. An Introduction","internal_url":"https://www.academia.edu/94166491/Heritage_Islam_Europe_Entanglements_and_Directions_An_Introduction","owner_id":62105655,"coauthors_can_edit":true,"owner":{"id":62105655,"first_name":"Sharon","middle_initials":null,"last_name":"Macdonald","page_name":"SharonMacdonald","domain_name":"hu-berlin","created_at":"2017-03-26T11:13:24.552-07:00","display_name":"Sharon Macdonald","url":"https://hu-berlin.academia.edu/SharonMacdonald"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="94166749"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/94166749/Reframing_Islam_Potentials_and_challenges_of_participatory_initiatives_in_museums_and_heritage"><img alt="Research paper thumbnail of Reframing Islam? Potentials and challenges of participatory initiatives in museums and heritage" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/94166749/Reframing_Islam_Potentials_and_challenges_of_participatory_initiatives_in_museums_and_heritage">Reframing Islam? Potentials and challenges of participatory initiatives in museums and heritage</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://hu-berlin.academia.edu/SharonMacdonald">Sharon Macdonald</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://reinwardt.academia.edu/MirjamShatanawi">Mirjam Shatanawi</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/RikkeGram">Rikke Gram</a></span></div><div class="wp-workCard_item"><span>Islam, Heritage and Europe. Pasts, Presents and Future Possibilities</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This chapter addresses the potentials and challenges of new participatory approaches in museums a...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This chapter addresses the potentials and challenges of new participatory approaches in museums and heritage as they relate to Islam and Muslims in Europe. To do so, it draws on notions of framing and examines a number of significant participatory initiatives. These are Urban Islam (opened 2003) at the Tropenmuseum, Amsterdam; TAMAM (launched 2016) at the Museum of Islamic Art, Berlin; Multaka (launched 2015) at the Museum of Islamic Art, the Bode Museum, the Museum for the Ancient Near-East, and the German Historical Museum, all Berlin; and the project KUNSTASYL, which included the exhibition daHEIM: Glances into Fugitive Lives (opened 2016) at the Museum of European Cultures, Berlin. The chapter examines various forms of framing – especially what it calls ‘focal framing’, ‘organisational framing’, and ‘participatory framing’ – including ‘top down’ framing, framing introduced by participants, and inadvertent or collateral framing. As the chapter shows, participatory initiatives face certain challenges, the acknowledgement of which can help in the development of future practice. Nevertheless, they are an important impetus for bringing new voices into the debate and thus contributing to reframing Islam in museums and heritage in Europe.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94166749"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94166749"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94166749; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94166749]").text(description); $(".js-view-count[data-work-id=94166749]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94166749; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94166749']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=94166749]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94166749,"title":"Reframing Islam? 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Internationale Perspektiven auf Museum, Islam und Inklusion, edited...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In: Experimentierfeld Museum. 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Link to publication in KNAW Research Portal...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">From the series of PPROCE provenance reports (2022).<br /><br />Link to publication in KNAW Research Portal citation for published version (APA) Shatanawi, M. (2022). Provenance report regarding Insigne van de nationalistische Siliwangi divisie (Emblem pin divisi Siliwangi). 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Pilot Project Provenance Research on Objects of the Co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">From the series of PPROCE reports (2022).<br /><br />Pilot Project Provenance Research on Objects of the Colonial Era, was a joint project of the National Museum of World Cultures, the Rijksmuseum Amsterdam and the Expertise Centre of the NIOD Institute for War, Holocaust, and Genocide Studies (ECR/NIOD), with the aim of developing a methodology for provenance research into collections with a colonial context.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3fa7ad1af4f16d560d0d7acc22311cf0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110031513,"asset_id":112940095,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110031513/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112940095"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112940095"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112940095; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="112939660"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/112939660/Provenance_report_regarding_Miniatuurkoran_in_messingen_foedraal_Miniature_Quran_in_brass_locket_Shatanawi_Mirjam"><img alt="Research paper thumbnail of Provenance report regarding Miniatuurkoran in messingen foedraal [Miniature Qur'an in brass locket] Shatanawi, Mirjam" class="work-thumbnail" src="https://attachments.academia-assets.com/110031175/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/112939660/Provenance_report_regarding_Miniatuurkoran_in_messingen_foedraal_Miniature_Quran_in_brass_locket_Shatanawi_Mirjam">Provenance report regarding Miniatuurkoran in messingen foedraal [Miniature Qur'an in brass locket] Shatanawi, Mirjam</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Link to publication in KNAW Research Portal citation for published version (APA) Shatanawi, M. (2...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Link to publication in KNAW Research Portal citation for published version (APA) Shatanawi, M. (2022). Provenance report regarding Miniatuurkoran in messingen foedraal [Miniature Qur'an in brass locket]. (PPROCE provenance reports; No. 33).<br /><br />From the series of PPROCE reports (2022).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="33adabcecf97b157af288fc57885171e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110031175,"asset_id":112939660,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110031175/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112939660"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112939660"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112939660; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=112939660]").text(description); $(".js-view-count[data-work-id=112939660]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 112939660; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='112939660']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "33adabcecf97b157af288fc57885171e" } } $('.js-work-strip[data-work-id=112939660]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":112939660,"title":"Provenance report regarding Miniatuurkoran in messingen foedraal [Miniature Qur'an in brass locket] Shatanawi, Mirjam","internal_url":"https://www.academia.edu/112939660/Provenance_report_regarding_Miniatuurkoran_in_messingen_foedraal_Miniature_Quran_in_brass_locket_Shatanawi_Mirjam","owner_id":1129535,"coauthors_can_edit":true,"owner":{"id":1129535,"first_name":"Mirjam","middle_initials":null,"last_name":"Shatanawi","page_name":"MirjamShatanawi","domain_name":"reinwardt","created_at":"2012-01-16T22:02:32.380-08:00","display_name":"Mirjam Shatanawi","url":"https://reinwardt.academia.edu/MirjamShatanawi"},"attachments":[{"id":110031175,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/110031175/thumbnails/1.jpg","file_name":"RAP_PPROCEprovenanceReport_33_Miniatuurkoran_TM_6441_1_v10_202203.pdf","download_url":"https://www.academia.edu/attachments/110031175/download_file","bulk_download_file_name":"Provenance_report_regarding_Miniatuurkor.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/110031175/RAP_PPROCEprovenanceReport_33_Miniatuurkoran_TM_6441_1_v10_202203-libre.pdf?1704384941=\u0026response-content-disposition=attachment%3B+filename%3DProvenance_report_regarding_Miniatuurkor.pdf\u0026Expires=1740502536\u0026Signature=LiKNkvpnhofQ6EacZwPtwhGcCKKD6H7s5BGo2lIPqxbWXUN3dJLbRbRKyPH-pkV-87SQ~HExnHtCvbJv-gPmcK2tx9vysdv4qrXxKUHBDb8cWi5MBXhQtp0rlxFXHMXxXLnOgdtTsu7lbSWtiv4G4N6qRE7xJcifGYNvAfe2EQLS~VxDBxYgj0MskVg9yHUnKrJDelS8~rtSXkzYbdGetlw3hsC-JSrmxKKABUfXtMuWucqdFWV2VInjuyrM9WwcYBweAEnNG8YmLI3N0OXf3iuOZVDItRwSSJFK4tnegeE4ZSYj8Rz7y6ApvPjaCS3-O4bY9PU2W5293t2ofUC8nA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="112939584"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/112939584/Provenance_report_regarding_Grafsteen_gravestone_Batu_Aceh"><img alt="Research paper thumbnail of Provenance report regarding Grafsteen [gravestone] -Batu Aceh" class="work-thumbnail" src="https://attachments.academia-assets.com/110031105/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/112939584/Provenance_report_regarding_Grafsteen_gravestone_Batu_Aceh">Provenance report regarding Grafsteen [gravestone] -Batu Aceh</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">From the series of PPROCE reports (2022). The research shows that this gravestone, along with se...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">From the series of PPROCE reports (2022).<br /><br />The research shows that this gravestone, along with seven others, was found in Great Aceh in 1901 by Royal Netherlands East Indies Army (KNIL) officer George Nijpels (1859-1950), who removed it and shipped it to the Netherlands. Nijpels applied for permission to do this from the (military) authorities in charge. The collection took place at the request of the Royal Netherlands Military Academy (KMA). Research in the archive, which also included documents from Nijpels, showed that the gravestones came from Lhoknga (formerly Lho-Nga) and that they were removed in order to construct a racecourse. The inscriptions on the gravestone contain no historical information, such as the name of the deceased or date of death, meaning that it is impossible to trace which graves they came from. This applies to all of the eight gravestones taken by Nijpels. The precise location of the cemetery is also unknown.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="843c738ee850b527bb90db4d1cad3188" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110031105,"asset_id":112939584,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110031105/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112939584"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112939584"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112939584; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="112939306"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/112939306/Provenance_report_regarding_manuscript_Hikayat_Makkah_Madinah"><img alt="Research paper thumbnail of Provenance report regarding [manuscript] Hikayat Makkah Madinah" class="work-thumbnail" src="https://attachments.academia-assets.com/110030858/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/112939306/Provenance_report_regarding_manuscript_Hikayat_Makkah_Madinah">Provenance report regarding [manuscript] Hikayat Makkah Madinah</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">From the series of PPROCE reports (2022). Pilot Project Provenance Research on Objects of the Co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">From the series of PPROCE reports (2022).<br /><br />Pilot Project Provenance Research on Objects of the Colonial Era, was a joint project of the National Museum of World Cultures, the Rijksmuseum Amsterdam and the Expertise Centre of the NIOD Institute for War, Holocaust, and Genocide Studies (ECR/NIOD), with the aim of developing a methodology for provenance research into collections with a colonial context.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="dd6dbc5c4470321b9368e89c1690f0ba" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110030858,"asset_id":112939306,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110030858/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112939306"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112939306"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112939306; 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Pilot Project Provenance Research on Objects of the Co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">From the series of PPROCE reports (2022).<br /><br />Pilot Project Provenance Research on Objects of the Colonial Era, was a joint project of the National Museum of World Cultures, the Rijksmuseum Amsterdam and the Expertise Centre of the NIOD Institute for War, Holocaust, and Genocide Studies (ECR/NIOD), with the aim of developing a methodology for provenance research into collections with a colonial context.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e47245ba04e02543137a9636f8aa0bd8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110030804,"asset_id":112939266,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110030804/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112939266"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112939266"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112939266; 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Pilot Project Provenance Research on Objects of the Co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">From the series of PPROCE reports (2022).<br /><br />Pilot Project Provenance Research on Objects of the Colonial Era, was a joint project of the National Museum of World Cultures, the Rijksmuseum Amsterdam and the Expertise Centre of the NIOD Institute for War, Holocaust, and Genocide Studies (ECR/NIOD), with the aim of developing a methodology for provenance research into collections with a colonial context.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="099ff25c9ae78dfbdfb5c694ed9ce37c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110030703,"asset_id":112939169,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110030703/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112939169"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112939169"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112939169; 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Pilot Project Provenance Research on Objects of the Co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">From the series of PPROCE reports (2022).<br /><br />Pilot Project Provenance Research on Objects of the Colonial Era, was a joint project of the National Museum of World Cultures, the Rijksmuseum Amsterdam and the Expertise Centre of the NIOD Institute for War, Holocaust, and Genocide Studies (ECR/NIOD), with the aim of developing a methodology for provenance research into collections with a colonial context.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0819fff83c4e21de8bce70dd5f0af34e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110030669,"asset_id":112939128,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110030669/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112939128"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112939128"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112939128; 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Pilot Project Provenance Research on Objects of the Co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">From the series of PPROCE reports (2022).<br /><br />Pilot Project Provenance Research on Objects of the Colonial Era, was a joint project of the National Museum of World Cultures, the Rijksmuseum Amsterdam and the Expertise Centre of the NIOD Institute for War, Holocaust, and Genocide Studies (ECR/NIOD), with the aim of developing a methodology for provenance research into collections with a colonial context.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="180474b3fb079dc6f8ea6fa59c505b02" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110030540,"asset_id":112938977,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110030540/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112938977"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112938977"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112938977; 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Pilot Project Provenance Research on Objects of the C...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">From the series of PPROCE reports (2022). <br /><br />Pilot Project Provenance Research on Objects of the Colonial Era, was a joint project of the National Museum of World Cultures, the Rijksmuseum Amsterdam and the Expertise Centre of the NIOD Institute for War, Holocaust, and Genocide Studies (ECR/NIOD), with the aim of developing a methodology for provenance research into collections with a colonial context.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3f602788b315076e67db3327e7dadcc0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110025151,"asset_id":112932162,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110025151/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112932162"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112932162"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112932162; 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Pilot Project Provenance Research on Objects of the C...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">From the series of PPROCE reports (2022). <br /><br />Pilot Project Provenance Research on Objects of the Colonial Era, was a joint project of the National Museum of World Cultures, the Rijksmuseum Amsterdam and the Expertise Centre of the NIOD Institute for War, Holocaust, and Genocide Studies (ECR/NIOD), with the aim of developing a methodology for provenance research into collections with a colonial context.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="931f345808502f36bfa173979ea670c2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110025060,"asset_id":112932068,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110025060/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112932068"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112932068"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112932068; 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Pilot Project Provenance Research on Objects of the C...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">From the series of PPROCE reports (2022). <br /><br />Pilot Project Provenance Research on Objects of the Colonial Era, was a joint project of the National Museum of World Cultures, the Rijksmuseum Amsterdam and the Expertise Centre of the NIOD Institute for War, Holocaust, and Genocide Studies (ECR/NIOD), with the aim of developing a methodology for provenance research into collections with a colonial context.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b1b06b2e5bf512969c585a69ed3ea39b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110024897,"asset_id":112931913,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110024897/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112931913"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112931913"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112931913; 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Pilot Project Provenance Research on Objects of the...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">From the series of PPROCE reports (2022). <br /> <br />Pilot Project Provenance Research on Objects of the Colonial Era, was a joint project of the National Museum of World Cultures, the Rijksmuseum Amsterdam and the Expertise Centre of the NIOD Institute for War, Holocaust, and Genocide Studies (ECR/NIOD), with the aim of developing a methodology for provenance research into collections with a colonial context.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c04e71df46e8d4bf2e99df123fc06e50" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110023587,"asset_id":112930447,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110023587/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="112930447"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="112930447"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 112930447; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="6010017" id="opinierendestukken"><div class="js-work-strip profile--work_container" data-work-id="113230283"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/113230283/Dossier_Roofgoed_Onvrijwillig_bezitsverlies_Een_verschuiving_van_het_perspectief"><img alt="Research paper thumbnail of Dossier Roofgoed – Onvrijwillig bezitsverlies. Een verschuiving van het perspectief" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/113230283/Dossier_Roofgoed_Onvrijwillig_bezitsverlies_Een_verschuiving_van_het_perspectief">Dossier Roofgoed – Onvrijwillig bezitsverlies. Een verschuiving van het perspectief</a></div><div class="wp-workCard_item"><span>Historici.nl</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Het overheidsbeleid ten aanzien van de restitutie van koloniale collecties stelt dat wanneer er s...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Het overheidsbeleid ten aanzien van de restitutie van koloniale collecties stelt dat wanneer er sprake is van onvrijwillig bezitsverlies een voorwerp onverwijld teruggegeven zal worden. De notie van onvrijwillig bezitsverlies is echter een problematisch uitgangspunt in de omgang met koloniale collecties, met name omdat het een tweedeling impliceert tussen ‘goede’ en ‘slechte’ manieren van verwerving. Deze scheidslijn is met herkomstonderzoek echter niet of nauwelijks vast te stellen. Door de nadruk op hoe voorwerpen zijn verworven, verdwijnen andere belangrijke thema’s naar de achtergrond. <br /> <br /><a href="https://www.historici.nl/category/dossier-roofgoed/" rel="nofollow">https://www.historici.nl/category/dossier-roofgoed/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="113230283"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="113230283"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 113230283; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=113230283]").text(description); $(".js-view-count[data-work-id=113230283]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 113230283; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='113230283']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=113230283]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":113230283,"title":"Dossier Roofgoed – Onvrijwillig bezitsverlies. Een verschuiving van het perspectief","internal_url":"https://www.academia.edu/113230283/Dossier_Roofgoed_Onvrijwillig_bezitsverlies_Een_verschuiving_van_het_perspectief","owner_id":1129535,"coauthors_can_edit":true,"owner":{"id":1129535,"first_name":"Mirjam","middle_initials":null,"last_name":"Shatanawi","page_name":"MirjamShatanawi","domain_name":"reinwardt","created_at":"2012-01-16T22:02:32.380-08:00","display_name":"Mirjam Shatanawi","url":"https://reinwardt.academia.edu/MirjamShatanawi"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="29294387"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/29294387/Islamitische_kunst_is_heel_divers_waarom_een_museum_rond_een_achterhaald_stereotype_oprichten"><img alt="Research paper thumbnail of Islamitische kunst is heel divers: waarom een museum rond een achterhaald stereotype oprichten?" class="work-thumbnail" src="https://attachments.academia-assets.com/49736765/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/29294387/Islamitische_kunst_is_heel_divers_waarom_een_museum_rond_een_achterhaald_stereotype_oprichten">Islamitische kunst is heel divers: waarom een museum rond een achterhaald stereotype oprichten?</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Islamitische kunst is heel divers: waarom een museum rond een achterhaald stereotype oprichten?, ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Islamitische kunst is heel divers: waarom een museum rond een achterhaald stereotype oprichten?, NRC Handelsblad en NRC Next, 23 en 24 november 2009</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9d658f835bde5363feb7c315c50af7d6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":49736765,"asset_id":29294387,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/49736765/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="29294387"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="29294387"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 29294387; 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Over volkscultuur in Nederland, red. Hester Dibbits et al., Rotterdam: NA...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">in: Splitsen of knopen? Over volkscultuur in Nederland, red. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="8112158" id="interviews"><div class="js-work-strip profile--work_container" data-work-id="36176741"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/36176741/Beeldgeschiedenis_Mohammed_in_the_picture"><img alt="Research paper thumbnail of Beeldgeschiedenis: Mohammed in the picture" class="work-thumbnail" src="https://attachments.academia-assets.com/56076067/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36176741/Beeldgeschiedenis_Mohammed_in_the_picture">Beeldgeschiedenis: Mohammed in the picture</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Artikel van Wieteke van Zeil over portretten van de profeet Mohammed - De Volkskrant 7 maart 2015</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="398e576a08c94ab2c8d6c6e7cda4b1bf" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56076067,"asset_id":36176741,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56076067/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36176741"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36176741"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36176741; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="6037666" id="talks"><div class="js-work-strip profile--work_container" data-work-id="29410973"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/29410973/Omstreden_geschiedenis_Indonesische_islam_in_Nederlandse_musea"><img alt="Research paper thumbnail of Omstreden geschiedenis: Indonesische islam in Nederlandse musea" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/29410973/Omstreden_geschiedenis_Indonesische_islam_in_Nederlandse_musea">Omstreden geschiedenis: Indonesische islam in Nederlandse musea</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Bijdrage aan het symposium 'Omstreden geschiedenis'. Mirjam Shatanawi, conservator Midden-Oosten ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Bijdrage aan het symposium 'Omstreden geschiedenis'. Mirjam Shatanawi, conservator Midden-Oosten en Noord-Afrika van het Tropenmuseum beschrijft hoe het 19e eeuwse cultuurbegrip en de koloniale blik, de collectievorming van het Tropenmuseum heeft gevormd. Ze beschrijft hoe de Islam in Indonesie daarbij werd verontachtzaamd en hoe het museum momenteel met deze hiaten in de collectie omgaat.<br /><br />Framer Framed en het Indisch Herinneringscentrum organiseerden op 9 februari 2012 i.s.m. de Reinwardt Academie het symposium Omstreden geschiedenis over de (re)presentatie van de Nederlands-Indonesische geschiedenis in musea. Het symposium vindt plaats in de Kumpulan op Landgoed Bronbeek in Arnhem.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="29410973"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="29410973"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 29410973; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=29410973]").text(description); $(".js-view-count[data-work-id=29410973]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 29410973; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='29410973']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=29410973]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":29410973,"title":"Omstreden geschiedenis: Indonesische islam in Nederlandse musea","internal_url":"https://www.academia.edu/29410973/Omstreden_geschiedenis_Indonesische_islam_in_Nederlandse_musea","owner_id":1129535,"coauthors_can_edit":true,"owner":{"id":1129535,"first_name":"Mirjam","middle_initials":null,"last_name":"Shatanawi","page_name":"MirjamShatanawi","domain_name":"reinwardt","created_at":"2012-01-16T22:02:32.380-08:00","display_name":"Mirjam Shatanawi","url":"https://reinwardt.academia.edu/MirjamShatanawi"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="29410874"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/29410874/Indonesian_Islamic_Art_The_Historiography_of_a_Neglected_Heritage"><img alt="Research paper thumbnail of Indonesian Islamic Art: The Historiography of a Neglected Heritage" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/29410874/Indonesian_Islamic_Art_The_Historiography_of_a_Neglected_Heritage">Indonesian Islamic Art: The Historiography of a Neglected Heritage</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Presentation at Historians of Islamic Art Third Biennial Symposium: Looking Widely, Looking Close...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Presentation at Historians of Islamic Art Third Biennial Symposium: Looking Widely, Looking Closely. Metropolitan Museum, October 18–20, 2012. <br />Summary: a glimpse at the most commonly used survey books of Islamic art and architecture is revealing: none of them devote any attention to Indonesia, the world's largest Muslim country. Likewise, exhibitions of Islamic art in museums, with very few exceptions, stop at the borders of South Asia. The exclusion of Indonesia from the field of Islamic art can be traced back to the late 19th century when Western art historians and museums started to study the artefacts they collected from Muslim regions, and Islamic art as a field of enquiry emerged.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="29410874"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="29410874"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 29410874; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=29410874]").text(description); $(".js-view-count[data-work-id=29410874]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 29410874; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='29410874']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=29410874]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":29410874,"title":"Indonesian Islamic Art: The Historiography of a Neglected Heritage","internal_url":"https://www.academia.edu/29410874/Indonesian_Islamic_Art_The_Historiography_of_a_Neglected_Heritage","owner_id":1129535,"coauthors_can_edit":true,"owner":{"id":1129535,"first_name":"Mirjam","middle_initials":null,"last_name":"Shatanawi","page_name":"MirjamShatanawi","domain_name":"reinwardt","created_at":"2012-01-16T22:02:32.380-08:00","display_name":"Mirjam Shatanawi","url":"https://reinwardt.academia.edu/MirjamShatanawi"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="19248100" id="papers"><div class="js-work-strip profile--work_container" data-work-id="114949475"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/114949475/Reframing_Islam"><img alt="Research paper thumbnail of Reframing Islam?" class="work-thumbnail" src="https://attachments.academia-assets.com/111501262/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/114949475/Reframing_Islam">Reframing Islam?</a></div><div class="wp-workCard_item"><span>Islam and Heritage in Europe</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Over recent decades, the question of how to open up established heritage organisations-especially...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Over recent decades, the question of how to open up established heritage organisations-especially museums-to a greater range of contributing voices has resulted in numerous initiatives. Such initiatives aim in various ways to involve those who have previously been ignored or marginalised within existing representation, or who have only been the objects of representation by professional authorities, as participants in aspects of the work of organisations themselves. Often seen as a major shift in representational authority, reducing that of professional heritage staff in favour of according more to lay participants, this development has been variously hailed as 'widening participation', 'inclusion', 'engagement' or the 'democratisation' of museums and heritage. Such labels, however, cover a broad range of motives and aspirations, as well as practices and experiences. In this chapter, we consider some of these in relation to this book's theme of Islam and heritage in Europe. In examining the potentials and also challenges that may be involved in participatory heritage initiatives that relate-directly or indirectly-to Islam, we deploy the notion of 'framing'. This allows us to come into discussion with previous work on Islam and museums, which has often used it, albeit typically with little theoretical elaboration, to draw attention to the contexts or narratives within which Islam is presented, and thus to how Islam is, variously, defined. 1 To attend to framing is not only to look at what happens around an already known subject-in this case 'Islam'-but also to investigate how that very subject is constituted. Throughout this chapter, when we refer to 'Islam' our intention is to consider what is invoked in specific uses and contexts rather than to predetermine what is meant. The recent research project, Museological Framings of Islam by Klas Grinell and colleagues, uses 'framing' to refer to many ways in which knowledge or expectations are structured and thus 'shape the way in which humans enact or interpret their experiences' (Fillmore, 2008, p. 1, cited in Grinell, 2019, p. 2). 2 Our understanding in this chapter, which also considers 'framing' as 'ways of selectively carving up experience' (Butler, 2016, p. 35), is broadly similar, though we find Judith Butler's insistence that framing relates to what is even apprehended, not only to modes of interpretation, an important refinement (2016, p. 24). Regarding framing as concerning not only 'conceptual forms of knowledge' but also 'sensing and perceiving' (2016, p. 24), also means-to some extent contra Butler's own argument-that it need not necessarily</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6598e62dd612288b96fe65f1f5222486" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":111501262,"asset_id":114949475,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/111501262/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="114949475"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="114949475"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 114949475; 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