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.navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Tobias Frere-Jones</div></th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:MK48955_BeyondTellerrand_Tobias_Frere-Jones.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/36/MK48955_BeyondTellerrand_Tobias_Frere-Jones.jpg/220px-MK48955_BeyondTellerrand_Tobias_Frere-Jones.jpg" decoding="async" width="220" height="330" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/36/MK48955_BeyondTellerrand_Tobias_Frere-Jones.jpg/330px-MK48955_BeyondTellerrand_Tobias_Frere-Jones.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/36/MK48955_BeyondTellerrand_Tobias_Frere-Jones.jpg/440px-MK48955_BeyondTellerrand_Tobias_Frere-Jones.jpg 2x" data-file-width="3483" data-file-height="5224" /></a></span><div class="infobox-caption">Frere-Jones in 2015</div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><div style="display:inline" class="nickname">Tobias Edgar Mallory Jones</div><br /><span style="display:none"> (<span class="bday">1970-08-28</span>) </span>August 28, 1970<span class="noprint ForceAgeToShow"> (age 54)</span><br /><div style="display:inline" class="birthplace"><a href="/wiki/New_York_City" title="New York City">New York City</a>, <a href="/wiki/New_York_(state)" title="New York (state)">New York</a>, US</div></td></tr><tr><th scope="row" class="infobox-label">Occupation</th><td class="infobox-data role"><a href="/wiki/Type_design" title="Type design">Type designer</a></td></tr><tr><th scope="row" class="infobox-label">Employers</th><td class="infobox-data org"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist"><ul><li><a href="/wiki/Font_Bureau" title="Font Bureau">Font Bureau</a></li><li><a href="/wiki/Hoefler_%26_Frere-Jones" class="mw-redirect" title="Hoefler & Frere-Jones">Hoefler & Frere-Jones</a></li><li>Frere-Jones Type</li></ul></div></td></tr><tr><th scope="row" class="infobox-label"><span style="white-space:nowrap;">Notable work</span></th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist dd:last-child::after,.mw-parser-output .hlist dt:last-child::after,.mw-parser-output .hlist li:last-child::after{content:none}.mw-parser-output .hlist dd dd:first-child::before,.mw-parser-output .hlist dd dt:first-child::before,.mw-parser-output .hlist dd li:first-child::before,.mw-parser-output .hlist dt dd:first-child::before,.mw-parser-output .hlist dt dt:first-child::before,.mw-parser-output .hlist dt li:first-child::before,.mw-parser-output .hlist li dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><div class="hlist"><ul><li><a href="/wiki/Gotham_(typeface)" title="Gotham (typeface)">Gotham</a></li><li><a href="/wiki/Archer_(typeface)" title="Archer (typeface)">Archer</a></li><li><a href="/wiki/Whitney_(typeface)" title="Whitney (typeface)">Whitney</a></li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Spouse</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1151524712">.mw-parser-output .marriage-line-margin2px{line-height:0;margin-bottom:-2px}.mw-parser-output .marriage-line-margin3px{line-height:0;margin-bottom:-3px}.mw-parser-output .marriage-display-ws{display:inline;white-space:nowrap}</style> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;">Christine Annabelle Bateup</div> <div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> 2006)<wbr /></div></td></tr></tbody></table> <p><b>Tobias Frere-Jones</b> (born <b>Tobias Edgar Mallory Jones</b>, August 28, 1970)<sup id="cite_ref-NYT_1-0" class="reference"><a href="#cite_note-NYT-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> is an American <a href="/wiki/Type_design" title="Type design">type designer</a> who works in New York City.<sup id="cite_ref-Macmillan2006_2-0" class="reference"><a href="#cite_note-Macmillan2006-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Do_You_See_What_I_See?_The_Illusion_of_Typeface_Mechanics_3-0" class="reference"><a href="#cite_note-Do_You_See_What_I_See?_The_Illusion_of_Typeface_Mechanics-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> He operates the company Frere-Jones Type and teaches typeface design at the <a href="/wiki/Yale_School_of_Art" title="Yale School of Art">Yale School of Art</a> MFA program. </p><p>Among his typefaces are <a href="/wiki/Gotham_(typeface)" title="Gotham (typeface)">Gotham</a> which was used by the <a href="/wiki/Barack_Obama_2008_presidential_campaign" title="Barack Obama 2008 presidential campaign">Obama 2008 presidential campaign</a>,<sup id="cite_ref-Butterick_2020_4-0" class="reference"><a href="#cite_note-Butterick_2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> and <a href="/wiki/Archer_(typeface)" title="Archer (typeface)">Archer</a> which has been used by <i><a href="/wiki/Martha_Stewart_Living" title="Martha Stewart Living">Martha Stewart Living</a></i> and <a href="/wiki/Wells_Fargo" title="Wells Fargo">Wells Fargo</a>.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Career">Career</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Tobias_Frere-Jones&action=edit&section=1" title="Edit section: Career"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Frere-Jones grew up in <a href="/wiki/Brooklyn" title="Brooklyn">Brooklyn</a> and became interested in letter design while attending <a href="/wiki/Saint_Ann%27s_School_(Brooklyn)" title="Saint Ann's School (Brooklyn)">Saint Ann's School</a>.<sup id="cite_ref-Consuegra2011_6-0" class="reference"><a href="#cite_note-Consuegra2011-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Adobe_Typekit_YouTube_7-0" class="reference"><a href="#cite_note-Adobe_Typekit_YouTube-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-U&lc_1987_8-0" class="reference"><a href="#cite_note-U&lc_1987-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> He is a son of Robin Carpenter Jones, who wrote for advertising agencies, and his British wife, the former Elizabeth Frere, daughter of <a href="/wiki/Alexander_Stuart_Frere" title="Alexander Stuart Frere">Alexander Stuart Frere</a>.<sup id="cite_ref-nytimes_A._S._Frere_obituary_9-0" class="reference"><a href="#cite_note-nytimes_A._S._Frere_obituary-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-nytimes_RC_Jones_obituary_10-0" class="reference"><a href="#cite_note-nytimes_RC_Jones_obituary-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> His brother is music critic <a href="/wiki/Sasha_Frere-Jones" title="Sasha Frere-Jones">Sasha Frere-Jones</a> and his great-grandfather was writer <a href="/wiki/Edgar_Wallace" title="Edgar Wallace">Edgar Wallace</a>.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Drawn_out_from_Memory_12-0" class="reference"><a href="#cite_note-Drawn_out_from_Memory-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> </p><p>After receiving a BFA in 1992 from <a href="/wiki/Rhode_Island_School_of_Design" title="Rhode Island School of Design">Rhode Island School of Design</a>, Frere-Jones joined <a href="/wiki/Font_Bureau" title="Font Bureau">Font Bureau</a> in <a href="/wiki/Boston" title="Boston">Boston</a>, becoming Senior Designer.<sup id="cite_ref-Consuegra2011_6-1" class="reference"><a href="#cite_note-Consuegra2011-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-1995_Lupton_13-0" class="reference"><a href="#cite_note-1995_Lupton-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> He created a number of the typefaces that are Font Bureau's best known, among them <a href="/wiki/Interstate_(typeface)" title="Interstate (typeface)">Interstate</a>.<sup id="cite_ref-Berlow_Font_Bureau_14-0" class="reference"><a href="#cite_note-Berlow_Font_Bureau-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Typotheque_Siegel_15-0" class="reference"><a href="#cite_note-Typotheque_Siegel-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> He joined the Yale School of Art faculty in 1996, and teaches type design there alongside <a href="/wiki/Matthew_Carter" title="Matthew Carter">Matthew Carter</a> and Nina Stössinger.<sup id="cite_ref-Consuegra2011_6-2" class="reference"><a href="#cite_note-Consuegra2011-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-AIGA_Yale_16-0" class="reference"><a href="#cite_note-AIGA_Yale-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> </p><p>In 1999, he left Font Bureau to return to New York, where he began working with the company of <a href="/wiki/Jonathan_Hoefler" title="Jonathan Hoefler">Jonathan Hoefler</a>, renamed <a href="/wiki/Hoefler_%26_Frere-Jones" class="mw-redirect" title="Hoefler & Frere-Jones">Hoefler & Frere-Jones</a> in 2005.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> While working together, the two collaborated on projects for <i><a href="/wiki/The_Wall_Street_Journal" title="The Wall Street Journal">The Wall Street Journal</a></i>, <i><a href="/wiki/Martha_Stewart_Living" title="Martha Stewart Living">Martha Stewart Living</a></i>, <a href="/wiki/Nike,_Inc." title="Nike, Inc.">Nike</a>, <a href="/wiki/Pentagram_(design_studio)" class="mw-redirect" title="Pentagram (design studio)">Pentagram</a>, <i><a href="/wiki/GQ" title="GQ">GQ</a></i>, <i><a href="/wiki/Esquire_(magazine)" title="Esquire (magazine)">Esquire</a></i>, <i>The New Times</i>, <i><a href="/wiki/Business_2.0" title="Business 2.0">Business 2.0</a></i>, and <i><a href="/wiki/The_New_York_Times_Magazine" title="The New York Times Magazine">The New York Times Magazine</a></i>. In 2014 Frere-Jones ended his work with Hoefler and filed a lawsuit against him which was resolved in an out-of-court settlement later that year.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-verge_19-0" class="reference"><a href="#cite_note-verge-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Fagone_Type_House_Divided_20-0" class="reference"><a href="#cite_note-Fagone_Type_House_Divided-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Businessweek_21-0" class="reference"><a href="#cite_note-Businessweek-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> He then established his own company, Frere-Jones Type, which released its first retail family, Mallory, in 2015.<sup id="cite_ref-Creative_Review_2015_22-0" class="reference"><a href="#cite_note-Creative_Review_2015-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Quartz_Mallory_23-0" class="reference"><a href="#cite_note-Quartz_Mallory-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Brownlee_Mallory_24-0" class="reference"><a href="#cite_note-Brownlee_Mallory-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Drawn_out_from_Memory_12-1" class="reference"><a href="#cite_note-Drawn_out_from_Memory-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> </p><p>In 2006, Frere-Jones received the <a href="/wiki/Gerrit_Noordzij_Prize" title="Gerrit Noordzij Prize">Gerrit Noordzij Prize</a>, an award given by the <a href="/wiki/Royal_Academy_of_Art_(The_Hague)" class="mw-redirect" title="Royal Academy of Art (The Hague)">Royal Academy of Art</a> (The Hague) to honor innovations in type design. In 2013 he received the <a href="/wiki/AIGA" class="mw-redirect" title="AIGA">AIGA</a> Medal and won the <a href="/wiki/National_Design_Award" class="mw-redirect" title="National Design Award">National Design Award</a> for Communication Design from the <a href="/wiki/Cooper_Hewitt,_Smithsonian_Design_Museum" title="Cooper Hewitt, Smithsonian Design Museum">Cooper Hewitt, Smithsonian Design Museum</a> in 2019.<sup id="cite_ref-CH_Design_Award_25-0" class="reference"><a href="#cite_note-CH_Design_Award-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-2013_AIGA_Medal_26-0" class="reference"><a href="#cite_note-2013_AIGA_Medal-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> </p><p>Frere-Jones married Christine Annabelle Bateup in 2006.<sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Typeface_design">Typeface design</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Tobias_Frere-Jones&action=edit&section=2" title="Edit section: Typeface design"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Final_pre-election_visit_by_Barack_Obama_to_Iowa._(2989469431).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/25/Final_pre-election_visit_by_Barack_Obama_to_Iowa._%282989469431%29.jpg/220px-Final_pre-election_visit_by_Barack_Obama_to_Iowa._%282989469431%29.jpg" decoding="async" width="220" height="207" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/25/Final_pre-election_visit_by_Barack_Obama_to_Iowa._%282989469431%29.jpg/330px-Final_pre-election_visit_by_Barack_Obama_to_Iowa._%282989469431%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/2/25/Final_pre-election_visit_by_Barack_Obama_to_Iowa._%282989469431%29.jpg 2x" data-file-width="360" data-file-height="339" /></a><figcaption>Frere-Jones' typeface Gotham became well known for use by the <a href="/wiki/Barack_Obama_2008_presidential_campaign" title="Barack Obama 2008 presidential campaign">Obama 2008 presidential campaign</a>.<sup id="cite_ref-Butterick_2020_4-1" class="reference"><a href="#cite_note-Butterick_2020-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Hawley_28-0" class="reference"><a href="#cite_note-Hawley-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup></figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:FrereJones_typesample.svg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/09/FrereJones_typesample.svg/220px-FrereJones_typesample.svg.png" decoding="async" width="220" height="260" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/09/FrereJones_typesample.svg/330px-FrereJones_typesample.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/09/FrereJones_typesample.svg/440px-FrereJones_typesample.svg.png 2x" data-file-width="396" data-file-height="468" /></a><figcaption>Several of Frere-Jones' best-known typefaces were designed for <i><a href="/wiki/Martha_Stewart_Living" title="Martha Stewart Living">Martha Stewart Living</a></i>.</figcaption></figure> <p>Several of Frere-Jones' designs in the 1990s, notably Reactor, were highly expressive in the "<a href="/wiki/Grunge_typography" class="mw-redirect" title="Grunge typography">grunge typography</a>" style of the period; some were created for <a href="/wiki/Neville_Brody" title="Neville Brody">Neville Brody</a>.<sup id="cite_ref-Retina_Typekit_blog_29-0" class="reference"><a href="#cite_note-Retina_Typekit_blog-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Cooper_Hewitt_SOTP_30-0" class="reference"><a href="#cite_note-Cooper_Hewitt_SOTP-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> However, he commented in a 1994 article that "grunge has firmly dated itself and many are already tired of it."<sup id="cite_ref-Towards_the_Cause_of_Grunge_31-0" class="reference"><a href="#cite_note-Towards_the_Cause_of_Grunge-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> A 2012 review by Christopher Hamamoto described Frere-Jones' later work as generally based on "formality and practicality",<sup id="cite_ref-Fuse_1-20_Hamamoto_review_32-0" class="reference"><a href="#cite_note-Fuse_1-20_Hamamoto_review-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> and a <i><a href="/wiki/Businessweek" class="mw-redirect" title="Businessweek">Businessweek</a></i> article commented that Frere-Jones' later type design generally preferred "a cleaner style based on historic typefaces".<sup id="cite_ref-Businessweek_21-1" class="reference"><a href="#cite_note-Businessweek-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> Frere-Jones' popular font family <a href="/wiki/Gotham_(typeface)" title="Gotham (typeface)">Gotham</a> was based on lettering on New York public buildings, and his later sans-serif family Mallory was intended to be conceptually "autobiographical", referring to his British family and intended to amalgamate characteristics of British and American typography.<sup id="cite_ref-helvetica-film_33-0" class="reference"><a href="#cite_note-helvetica-film-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-morning-news_34-0" class="reference"><a href="#cite_note-morning-news-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Shaw2017_35-0" class="reference"><a href="#cite_note-Shaw2017-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Quartz_Mallory_23-1" class="reference"><a href="#cite_note-Quartz_Mallory-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Brownlee_Mallory_24-1" class="reference"><a href="#cite_note-Brownlee_Mallory-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Berlow_Font_Bureau_14-1" class="reference"><a href="#cite_note-Berlow_Font_Bureau-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p><p> In a podcast interview, Frere-Jones described his order of work:</p><blockquote><p>I think of a typeface's design as being less about the specific letters. It doesn't begin with thinking that the bowl on the lower-case 'g' ought to look like this, or the tail on the 'q' ought to do this…it's more about the theme that runs through all these shapes, the kind of strategy that helps them work with one another…I think secondly, for a typeface designer the alphabet is not a linear sequence…it's a bunch of, almost like little tribes of, like-minded things...the first three letters that we often draw are the capital 'H', as a representative from the camp of square things, the capital 'O', as obviously something round, and then the capital 'D', as something that's a kind of hybrid form. And just in those three letters there are all kinds of decisions to make about how heavy things are, how much contrast they have and the difference between heavy and light within a single shape, how wide they are. If there are serifs in there, what kind of shape and length that they have, and also how much space is allotted to each side of these shapes. Because that's a really critical part of making a typeface work, is not just drawing the shapes but drawing and designing the space in between the shapes, and also inside them.<br /><br />So it's not uncommon to spend the whole day or several days on just these first three letters and to come back to these first three letters and try something differently and see what the implications are. That would often be followed by a corresponding trio of letters in the lower-case…'n', 'o' and 'p', the same idea of something square, something round, something mixed. And after those three get coordinated with each other, it's then time to get the caps to work in some consistent way with the lower-case…and then from there I build out the character sets on the lines of these initial camps of square and round and diagonal…I try to get onscreen as soon as possible because so much of the strategy and so much of the success of the design is in how successfully these shapes can combine with one another, and if they're digital I can rearrange these shapes in any order.<sup id="cite_ref-Design_Details_36-0" class="reference"><a href="#cite_note-Design_Details-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Type365_37-0" class="reference"><a href="#cite_note-Type365-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>Many of Frere-Jones' typefaces are extremely large families designed for professional users, for instance Mallory which as of 2019 had 110 styles.<sup id="cite_ref-Mallory_FJT_38-0" class="reference"><a href="#cite_note-Mallory_FJT-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> Organisations that commissioned work from Frere-Jones have included <i><a href="/wiki/GQ" title="GQ">GQ</a></i> magazine, the <a href="/wiki/Whitney_Museum" title="Whitney Museum">Whitney Museum</a>,<sup id="cite_ref-morning-news_34-1" class="reference"><a href="#cite_note-morning-news-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> <i><a href="/wiki/The_Wall_Street_Journal" title="The Wall Street Journal">The Wall Street Journal</a></i>,<sup id="cite_ref-Brownlee_Retina_39-0" class="reference"><a href="#cite_note-Brownlee_Retina-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> <i><a href="/wiki/Martha_Stewart_Living" title="Martha Stewart Living">Martha Stewart Living</a></i><sup id="cite_ref-McNaughton_Martha_Stewart_40-0" class="reference"><a href="#cite_note-McNaughton_Martha_Stewart-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> and the <a href="/wiki/Essex_Market" title="Essex Market">Essex Market</a>.<sup id="cite_ref-Stössinger_Essex_Market_41-0" class="reference"><a href="#cite_note-Stössinger_Essex_Market-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-AIGA_Triad_NC_42-0" class="reference"><a href="#cite_note-AIGA_Triad_NC-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> In 2014 German type designer <a href="/wiki/Erik_Spiekermann" title="Erik Spiekermann">Erik Spiekermann</a>, who published Frere-Jones' first typeface, described him as "one of the two or three best type designers in the world".<sup id="cite_ref-Fagone_Type_House_Divided_20-1" class="reference"><a href="#cite_note-Fagone_Type_House_Divided-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Twemlow_43-0" class="reference"><a href="#cite_note-Twemlow-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-1995_Lupton_13-1" class="reference"><a href="#cite_note-1995_Lupton-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Typefaces">Typefaces</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Tobias_Frere-Jones&action=edit&section=3" title="Edit section: Typefaces"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/List_of_typefaces_designed_by_Tobias_Frere-Jones" title="List of typefaces designed by Tobias Frere-Jones">List of typefaces designed by Tobias Frere-Jones</a></div> <p>Tobias Frere-Jones' typefaces include: </p> <style data-mw-deduplicate="TemplateStyles:r1184024115">.mw-parser-output .div-col{margin-top:0.3em;column-width:30em}.mw-parser-output .div-col-small{font-size:90%}.mw-parser-output .div-col-rules{column-rule:1px solid #aaa}.mw-parser-output .div-col dl,.mw-parser-output .div-col ol,.mw-parser-output .div-col ul{margin-top:0}.mw-parser-output .div-col li,.mw-parser-output .div-col dd{page-break-inside:avoid;break-inside:avoid-column}</style><div class="div-col" style="column-width: 30em;"> <ul><li>Armada, 1987–94</li> <li>Dolores, 1990</li> <li><a href="/wiki/Hightower_Text" title="Hightower Text">Hightower Text</a></li> <li><a href="/wiki/Nobel_(typeface)" title="Nobel (typeface)">Nobel</a>, 1991–93</li> <li>Garage Gothic, 1992</li> <li>Cassandra, 1992</li> <li>Pythagoras, 1992</li> <li>Proxy, 1992</li> <li>Zoetrope, 1992</li> <li>Horizon, 1992</li> <li>Archipelago, 1992–98</li> <li>Vitriol, 1992–94</li> <li>Cafeteria, 1993</li> <li>Epitaph, 1993</li> <li>Nixie, 1993</li> <li>Reiner Script, 1993</li> <li>Stereo, 1993</li> <li>Chainletter, 1993–94</li> <li>Reactor, 1993–96</li> <li><a href="/wiki/Interstate_(typeface)" title="Interstate (typeface)">Interstate</a>, 1993–99</li> <li>Fibonacci, 1994</li> <li>Sum Of The Parts, 1994</li> <li>Rietveld, 1994</li> <li>Supermodel, 1994</li> <li>Niagara, 1994</li> <li>Asphalt, 1995</li> <li><a href="/wiki/Benton_Sans" title="Benton Sans">Benton Gothic</a>, 1995</li> <li>Citadel, 1995</li> <li>Microphone, 1995</li> <li>Pilsner, 1995</li> <li>Poynter Oldstyle, 1996–97</li> <li>Poynter Gothic, 1997</li> <li>Griffith Gothic, 1997–2000</li> <li><a href="/wiki/Whitney_(typeface)" title="Whitney (typeface)">Whitney</a>, 1996–2004</li> <li>Benton Modern (with <a href="/wiki/David_Berlow" class="mw-redirect" title="David Berlow">David Berlow</a>), 1997–2015</li> <li>Numbers (with <a href="/wiki/Jonathan_Hoefler" title="Jonathan Hoefler">Jonathan Hoefler</a>), 1997–2006</li> <li>Phemister, 1997</li> <li>Grand Central, 1998</li> <li>Welo Script, 1998</li> <li>Mercury Text (with <a href="/wiki/Jonathan_Hoefler" title="Jonathan Hoefler">Jonathan Hoefler</a>), 1999</li> <li>Vitesse (with <a href="/wiki/Jonathan_Hoefler" title="Jonathan Hoefler">Jonathan Hoefler</a>), 2000</li> <li>Landmark (with <a href="/wiki/Jonathan_Hoefler" title="Jonathan Hoefler">Jonathan Hoefler</a>), 2000–12</li> <li>Evolution (with <a href="/wiki/Jonathan_Hoefler" title="Jonathan Hoefler">Jonathan Hoefler</a>), 2000</li> <li><a href="/wiki/Retina_(typeface)" title="Retina (typeface)">Retina</a>, 2000–16</li> <li>Nitro, 2001</li> <li><a href="/wiki/Surveyor_(typeface)" title="Surveyor (typeface)">Surveyor</a>, 2001</li> <li><a href="/wiki/Archer_(typeface)" title="Archer (typeface)">Archer</a> (with <a href="/wiki/Jonathan_Hoefler" title="Jonathan Hoefler">Jonathan Hoefler</a>), 2001</li> <li><a href="/wiki/Gotham_(typeface)" title="Gotham (typeface)">Gotham</a>, 2000–09</li> <li>Idlewild, 2002–12</li> <li>Exchange, 2002–17</li> <li>Monarch, 2003</li> <li>Dulcet, 2003</li> <li>Tungsten, 2004–12</li> <li>Argosy, 2004</li> <li>Gotham Rounded, 2005</li> <li>Mallory, 2015</li> <li>Conductor (designed with <a href="/w/index.php?title=Nina_St%C3%B6ssinger&action=edit&redlink=1" class="new" title="Nina Stössinger (page does not exist)">Nina Stössinger</a>), 2018</li> <li>Empirica (designed with <a href="/w/index.php?title=Nina_St%C3%B6ssinger&action=edit&redlink=1" class="new" title="Nina Stössinger (page does not exist)">Nina Stössinger</a>), 1994–2018</li> <li>Seaford, 2019–21 (designed with <a href="/w/index.php?title=Nina_St%C3%B6ssinger&action=edit&redlink=1" class="new" title="Nina Stössinger (page does not exist)">Nina Stössinger</a> and Fred Shallcrass)</li> <li>Community Gothic (designed with Fred Shallcrass and <a href="/w/index.php?title=Nina_St%C3%B6ssinger&action=edit&redlink=1" class="new" title="Nina Stössinger (page does not exist)">Nina Stössinger</a>), 1997–2022</li> <li>Supermassive (designed with Fred Shallcrass, <a href="/w/index.php?title=Nina_St%C3%B6ssinger&action=edit&redlink=1" class="new" title="Nina Stössinger (page does not exist)">Nina Stössinger</a>, and Rosie Mai), 2019–2024</li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Tobias_Frere-Jones&action=edit&section=4" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-NYT-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-NYT_1-0">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFDunlap2004" class="citation news cs1">Dunlap, David W (October 19, 2004). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2004/10/19/nyregion/19profile.html">"2 Type Designers, Joining Forces and Faces"</a>. <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">2007-10-17</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=2+Type+Designers%2C+Joining+Forces+and+Faces&rft.date=2004-10-19&rft.aulast=Dunlap&rft.aufirst=David+W&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2004%2F10%2F19%2Fnyregion%2F19profile.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-Macmillan2006-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-Macmillan2006_2-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNeil_Macmillan2006" class="citation book cs1">Neil Macmillan (2006). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=jxV4qEolEo8C&pg=PP91"><i>An A-Z of Type Designers</i></a>. Yale University Press. pp. <span class="nowrap">85–</span>86. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-300-11151-7" title="Special:BookSources/0-300-11151-7"><bdi>0-300-11151-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=An+A-Z+of+Type+Designers&rft.pages=%3Cspan+class%3D%22nowrap%22%3E85-%3C%2Fspan%3E86&rft.pub=Yale+University+Press&rft.date=2006&rft.isbn=0-300-11151-7&rft.au=Neil+Macmillan&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DjxV4qEolEo8C%26pg%3DPP91&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-Do_You_See_What_I_See?_The_Illusion_of_Typeface_Mechanics-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-Do_You_See_What_I_See?_The_Illusion_of_Typeface_Mechanics_3-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWhitman2015" class="citation web cs1">Whitman, Sarah (24 April 2015). <a rel="nofollow" class="external text" href="http://www.printmag.com/typography/do-you-see-what-i-see-the-illusion-of-typeface-mechanics/">"Do You See What I See? The Illusion of Typeface Mechanics"</a>. <i><a href="/wiki/Print_(magazine)" title="Print (magazine)">Print</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">22 June</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Print&rft.atitle=Do+You+See+What+I+See%3F+The+Illusion+of+Typeface+Mechanics&rft.date=2015-04-24&rft.aulast=Whitman&rft.aufirst=Sarah&rft_id=http%3A%2F%2Fwww.printmag.com%2Ftypography%2Fdo-you-see-what-i-see-the-illusion-of-typeface-mechanics%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-Butterick_2020-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-Butterick_2020_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Butterick_2020_4-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFButterick" class="citation web cs1"><a href="/wiki/Matthew_Butterick" title="Matthew Butterick">Butterick, Matthew</a>. <a rel="nofollow" class="external text" href="https://practicaltypography.com/typography-2020.html#the-democratic-field-as-of-july-2019">"Typography 2020: A Special Listicle for America"</a>. <i>Practical Typography</i><span class="reference-accessdate">. Retrieved <span class="nowrap">28 September</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Practical+Typography&rft.atitle=Typography+2020%3A+A+Special+Listicle+for+America&rft.aulast=Butterick&rft.aufirst=Matthew&rft_id=https%3A%2F%2Fpracticaltypography.com%2Ftypography-2020.html%23the-democratic-field-as-of-july-2019&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAdams" class="citation web cs1">Adams, Lauren. <a rel="nofollow" class="external text" href="http://www.aiga.org/is-archers-use-on-target/">"Is Archer's Use on Target?"</a>. AIGI.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Is+Archer%27s+Use+on+Target%3F&rft.pub=AIGI&rft.aulast=Adams&rft.aufirst=Lauren&rft_id=http%3A%2F%2Fwww.aiga.org%2Fis-archers-use-on-target%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-Consuegra2011-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-Consuegra2011_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Consuegra2011_6-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Consuegra2011_6-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFConsuegra2011" class="citation book cs1">Consuegra, David (10 October 2011). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=4nCCDwAAQBAJ&pg=PT393"><i>Classic Typefaces: American Type and Type Designers</i></a>. Allworth. pp. <span class="nowrap">393–</span>400. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-62153-582-9" title="Special:BookSources/978-1-62153-582-9"><bdi>978-1-62153-582-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Classic+Typefaces%3A+American+Type+and+Type+Designers&rft.pages=%3Cspan+class%3D%22nowrap%22%3E393-%3C%2Fspan%3E400&rft.pub=Allworth&rft.date=2011-10-10&rft.isbn=978-1-62153-582-9&rft.aulast=Consuegra&rft.aufirst=David&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D4nCCDwAAQBAJ%26pg%3DPT393&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-Adobe_Typekit_YouTube-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-Adobe_Typekit_YouTube_7-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=nkDTWQGfptA">"Typekit foundry partner Frere-Jones Type on designing type"</a>. <i>YouTube</i>. 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Adobe Systems<span class="reference-accessdate">. Retrieved <span class="nowrap">6 October</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Typekit+blog&rft.atitle=Retina+from+Frere-Jones+Type+available+to+host+on+Typekit&rft_id=https%3A%2F%2Fblog.typekit.com%2F2016%2F10%2F05%2Fretina-from-frere-jones-type-available-to-host-on-typekit%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-Cooper_Hewitt_SOTP-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-Cooper_Hewitt_SOTP_30-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://ndagallery.cooperhewitt.org/gallery/80276953/Sum-of-The-Parts">"Sum of The Parts"</a>. Cooper Hewitt. May 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">6 October</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Sum+of+The+Parts&rft.pub=Cooper+Hewitt&rft.date=2019-05&rft_id=http%3A%2F%2Fndagallery.cooperhewitt.org%2Fgallery%2F80276953%2FSum-of-The-Parts&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-Towards_the_Cause_of_Grunge-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-Towards_the_Cause_of_Grunge_31-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFrere-Jones1994" class="citation book cs1">Frere-Jones, Tobias (1994). <a rel="nofollow" class="external text" href="https://archive.org/details/lookingclosercri00bier/page/16">"Towards the Cause of Grunge"</a>. In <a href="/wiki/Michael_Bierut" title="Michael Bierut">Bierut, Michael</a> (ed.). <i>Looking Closer 2: critical writings on graphic design</i>. Allworth Press. pp. <a rel="nofollow" class="external text" href="https://archive.org/details/lookingclosercri00bier/page/16">16-18</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781880559567" title="Special:BookSources/9781880559567"><bdi>9781880559567</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Towards+the+Cause+of+Grunge&rft.btitle=Looking+Closer+2%3A+critical+writings+on+graphic+design&rft.pages=16-18&rft.pub=Allworth+Press&rft.date=1994&rft.isbn=9781880559567&rft.aulast=Frere-Jones&rft.aufirst=Tobias&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Flookingclosercri00bier%2Fpage%2F16&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-Fuse_1-20_Hamamoto_review-32"><span class="mw-cite-backlink"><b><a href="#cite_ref-Fuse_1-20_Hamamoto_review_32-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHamamoto" class="citation web cs1">Hamamoto, Christopher. <a rel="nofollow" class="external text" href="https://typographica.org/typography-books/fuse-1-20/">"Fuse 1-20"</a>. <i>Typographica</i><span class="reference-accessdate">. Retrieved <span class="nowrap">5 October</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Typographica&rft.atitle=Fuse+1-20&rft.aulast=Hamamoto&rft.aufirst=Christopher&rft_id=https%3A%2F%2Ftypographica.org%2Ftypography-books%2Ffuse-1-20%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-helvetica-film-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-helvetica-film_33-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHustwit2008" class="citation web cs1">Hustwit, Gary (2 February 2008). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120905210829/http://www.helveticafilm.com/newblog/2008/02/19/a-font-we-can-believe-in/">"A Font You Can Believe In"</a>. HelveticaFilm.com. Archived from <a rel="nofollow" class="external text" href="http://www.helveticafilm.com/newblog/2008/02/19/a-font-we-can-believe-in/">the original</a> on 2012-09-05<span class="reference-accessdate">. Retrieved <span class="nowrap">2009-01-21</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=A+Font+You+Can+Believe+In&rft.pub=HelveticaFilm.com&rft.date=2008-02-02&rft.aulast=Hustwit&rft.aufirst=Gary&rft_id=http%3A%2F%2Fwww.helveticafilm.com%2Fnewblog%2F2008%2F02%2F19%2Fa-font-we-can-believe-in%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-morning-news-34"><span class="mw-cite-backlink">^ <a href="#cite_ref-morning-news_34-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-morning-news_34-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSiegel2002" class="citation web cs1">Siegel, Dimitri (8 August 2002). <a rel="nofollow" class="external text" href="http://www.themorningnews.org/archives/personalities/is_gotham_the_new_interstate.php">"Is Gotham the New Interstate?"</a>. <a href="/wiki/The_Morning_News_(online_magazine)" title="The Morning News (online magazine)">The Morning News</a><span class="reference-accessdate">. Retrieved <span class="nowrap">2009-01-21</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Is+Gotham+the+New+Interstate%3F&rft.pub=The+Morning+News&rft.date=2002-08-08&rft.aulast=Siegel&rft.aufirst=Dimitri&rft_id=http%3A%2F%2Fwww.themorningnews.org%2Farchives%2Fpersonalities%2Fis_gotham_the_new_interstate.php&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-Shaw2017-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-Shaw2017_35-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFShaw2017" class="citation book cs1"><a href="/wiki/Paul_Shaw_(design_historian)" title="Paul Shaw (design historian)">Shaw, Paul</a> (2017). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=n7e0DgAAQBAJ&pg=PA222"><i>Revival Type: Digital Typefaces Inspired by the Past</i></a>. Yale University Press. pp. <span class="nowrap">222–</span>3. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-300-21929-6" title="Special:BookSources/978-0-300-21929-6"><bdi>978-0-300-21929-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Revival+Type%3A+Digital+Typefaces+Inspired+by+the+Past&rft.pages=%3Cspan+class%3D%22nowrap%22%3E222-%3C%2Fspan%3E3&rft.pub=Yale+University+Press&rft.date=2017&rft.isbn=978-0-300-21929-6&rft.aulast=Shaw&rft.aufirst=Paul&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dn7e0DgAAQBAJ%26pg%3DPA222&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-Design_Details-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-Design_Details_36-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBockLovin" class="citation web cs1">Bock, Marshall; Lovin, Brian. <a rel="nofollow" class="external text" href="https://spec.fm/podcasts/design-details/21957">"Design Details Episode 85: Lettering Liaison"</a><span class="reference-accessdate">. Retrieved <span class="nowrap">6 October</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Design+Details+Episode+85%3A+Lettering+Liaison&rft.aulast=Bock&rft.aufirst=Marshall&rft.au=Lovin%2C+Brian&rft_id=https%3A%2F%2Fspec.fm%2Fpodcasts%2Fdesign-details%2F21957&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-Type365-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-Type365_37-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCzarnecki2016" class="citation web cs1">Czarnecki, Lucas (19 October 2016). <a rel="nofollow" class="external text" href="https://type365.com/blog/2016/10/19/design-angle-1-tobias-frere-jones/">"An Interview with Tobias Frere-Jones"</a>. <i>Type365</i><span class="reference-accessdate">. Retrieved <span class="nowrap">6 October</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Type365&rft.atitle=An+Interview+with+Tobias+Frere-Jones&rft.date=2016-10-19&rft.aulast=Czarnecki&rft.aufirst=Lucas&rft_id=https%3A%2F%2Ftype365.com%2Fblog%2F2016%2F10%2F19%2Fdesign-angle-1-tobias-frere-jones%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-Mallory_FJT-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-Mallory_FJT_38-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://frerejones.com/families/mallory">"Mallory"</a>. Frere-Jones Type<span class="reference-accessdate">. Retrieved <span class="nowrap">6 October</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Mallory&rft.pub=Frere-Jones+Type&rft_id=https%3A%2F%2Ffrerejones.com%2Ffamilies%2Fmallory&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-Brownlee_Retina-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-Brownlee_Retina_39-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrownlee" class="citation web cs1">Brownlee, John. <a rel="nofollow" class="external text" href="https://www.fastcompany.com/3063912/how-a-micro-font-designed-for-stock-indexes-became-a-classic">"How A Micro-Font Designed For Stock Indexes Became A Classic"</a>. <i>Fast Company</i><span class="reference-accessdate">. Retrieved <span class="nowrap">6 October</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Fast+Company&rft.atitle=How+A+Micro-Font+Designed+For+Stock+Indexes+Became+A+Classic&rft.aulast=Brownlee&rft.aufirst=John&rft_id=https%3A%2F%2Fwww.fastcompany.com%2F3063912%2Fhow-a-micro-font-designed-for-stock-indexes-became-a-classic&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-McNaughton_Martha_Stewart-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-McNaughton_Martha_Stewart_40-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcNaughton2010" class="citation journal cs1">McNaughton, Melaine (2010). <a rel="nofollow" class="external text" href="http://vc.bridgew.edu/br_rev/vol29/iss2/9">"Martha Stewart's Graphic Design for Living"</a>. <i>Bridgewater Review</i>. <b>29</b> (2): <span class="nowrap">19–</span>23.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Bridgewater+Review&rft.atitle=Martha+Stewart%27s+Graphic+Design+for+Living&rft.volume=29&rft.issue=2&rft.pages=%3Cspan+class%3D%22nowrap%22%3E19-%3C%2Fspan%3E23&rft.date=2010&rft.aulast=McNaughton&rft.aufirst=Melaine&rft_id=http%3A%2F%2Fvc.bridgew.edu%2Fbr_rev%2Fvol29%2Fiss2%2F9&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-Stössinger_Essex_Market-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-Stössinger_Essex_Market_41-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFStössinger" class="citation web cs1">Stössinger, Nina. <a rel="nofollow" class="external text" href="https://frerejones.com/blog/making-type-for-new-yorks-newest-most-historic-market">"Making Type for New York's Newest Most Historic Market"</a>. Frere-Jones Type<span class="reference-accessdate">. Retrieved <span class="nowrap">6 October</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Making+Type+for+New+York%27s+Newest+Most+Historic+Market&rft.pub=Frere-Jones+Type&rft.aulast=St%C3%B6ssinger&rft.aufirst=Nina&rft_id=https%3A%2F%2Ffrerejones.com%2Fblog%2Fmaking-type-for-new-yorks-newest-most-historic-market&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-AIGA_Triad_NC-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-AIGA_Triad_NC_42-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFrere-Jones" class="citation web cs1">Frere-Jones, Tobias. <a rel="nofollow" class="external text" href="https://triadnc.aiga.org/an-evening-with-tobias-frere-jones/">"An Evening with Tobias Frere-Jones"</a>. AIGA Triad NC<span class="reference-accessdate">. Retrieved <span class="nowrap">6 October</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=An+Evening+with+Tobias+Frere-Jones&rft.pub=AIGA+Triad+NC&rft.aulast=Frere-Jones&rft.aufirst=Tobias&rft_id=https%3A%2F%2Ftriadnc.aiga.org%2Fan-evening-with-tobias-frere-jones%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> <li id="cite_note-Twemlow-43"><span class="mw-cite-backlink"><b><a href="#cite_ref-Twemlow_43-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTwemlow" class="citation web cs1">Twemlow, Alice. <a rel="nofollow" class="external text" href="http://www.eyemagazine.com/feature/article/forensic-types">"Forensic types"</a>. <i>Eye</i><span class="reference-accessdate">. Retrieved <span class="nowrap">6 October</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Eye&rft.atitle=Forensic+types&rft.aulast=Twemlow&rft.aufirst=Alice&rft_id=http%3A%2F%2Fwww.eyemagazine.com%2Ffeature%2Farticle%2Fforensic-types&rfr_id=info%3Asid%2Fen.wikipedia.org%3ATobias+Frere-Jones" class="Z3988"></span></span> </li> </ol></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist reflist-columns references-column-width reflist-lower-alpha" style="column-width: 30em;"> </div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Tobias_Frere-Jones&action=edit&section=5" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><span class="official-website"><span class="url"><a rel="nofollow" class="external text" href="https://frerejones.com">Official website</a></span></span> <span class="mw-valign-text-top" typeof="mw:File/Frameless"><a href="https://www.wikidata.org/wiki/Q257862#P856" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></span></li> <li><a rel="nofollow" class="external text" href="https://x.com/frerejones">Tobias Frere-Jones</a> on <a href="/wiki/Twitter" 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