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Presse et opéra aux XVIIIe et XIXe siècles | Médias 19
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block-core block-page-title-block"> <h1 class="page-title">Presse et opéra aux XVIII<sup>e</sup> et XIX<sup>e</sup> siècles </h1> </div><div id="block-medias19-content--2" class="block block-system block-system-main-block"> <article class="node node--type-publications node--promoted node--view-mode-full"> <div class="node__content"> <p class="sous-titre"> Sous la direction d'Olivier Bara, Christophe Cave et Marie-Ève Thérenty<br> <strong>Dossier publié en 2019</strong> </p> <div class="conteneur-banner"> <picture> <source srcset="/sites/medias19.org/files/styles/slideshow_xlarge/public/publications/presse-et-opera-aux-XVIIIsupesup-et-XIXsupesup-siecles.png?itok=ieJwo8mi 1x" media="(min-width: 1200px)" type="image/png" width="1920" height="500"/> <source srcset="/sites/medias19.org/files/styles/slideshow_medium/public/publications/presse-et-opera-aux-XVIIIsupesup-et-XIXsupesup-siecles.png?itok=TLdqCMWM 1x" media="(min-width: 420px)" type="image/png" width="720" height="460"/> <source srcset="/sites/medias19.org/files/styles/slideshow_small/public/publications/presse-et-opera-aux-XVIIIsupesup-et-XIXsupesup-siecles.png?itok=STQtyLZL 1x" type="image/png" width="420" height="420"/> <img loading="eager" src="/sites/medias19.org/files/styles/slideshow_xlarge/public/publications/presse-et-opera-aux-XVIIIsupesup-et-XIXsupesup-siecles.png?itok=ieJwo8mi" width="1920" height="500" alt="" /> </picture> </div> <div class="paragraph paragraph--type--section-de-publication paragraph--view-mode--default"> <div class="paragraph paragraph--type--"> <div class="conteneur-sous-element"> <p class="auteur"> Olivier Bara, Christophe Cave et Marie-Ève Thérenty</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/presse-et-opera-aux-xviiie-et-xixe-siecles-croisements-echanges-representations" class="sous-element--titre"> Presse et opéra aux XVIII<sup>e</sup> et XIX<sup>e</sup> siècles. Croisements, échanges, représentations </a> </div> </div> </div> <div class="titre-chapitre"> Nouveaux protocoles de la critique à Paris et en province </div> <div class="paragraph paragraph--type--section-de-publication paragraph--view-mode--default"> <div class="paragraph paragraph--type--"> <div class="conteneur-sous-element"> <p class="auteur"> Michael O’Dea</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/une-nouvelle-critique-dopera-le-mercure-de-france-sous-panckoucke" class="sous-element--titre"> Une nouvelle critique d’opéra ? Le <em>Mercure de France</em> sous Panckoucke </a> </div> <div class="conteneur-sous-element"> <p class="auteur"> Alban Ramaut</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/la-fabrique-de-1823-1830-ou-la-ur-critique-dhector-berlioz" class="sous-element--titre"> La fabrique de 1823-1830 ou la <em>ur</em>-critique d’Hector Berlioz </a> </div> <div class="conteneur-sous-element"> <p class="auteur"> Emmanuel Reibel</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/carrieres-entre-presse-et-opera-au-xixe-siecle-du-melange-des-genres-au-conflit-dinterets" class="sous-element--titre"> Carrières entre presse et opéra au XIX<sup>e</sup> siècle : du mélange des genres au conflit d’intérêts </a> </div> <div class="conteneur-sous-element"> <p class="auteur"> Guy Gosselin</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/enfin-nos-voeux-sont-exauces-de-linfluence-de-la-presse-dans-levolution-de-linstitution-theatrale-et-du-spectacle-lyrique-lille-entre-1838-et-1848" class="sous-element--titre"> « Enfin, nos vœux sont exaucés! ». De l’influence de la presse dans l’évolution de l’institution théâtrale et du spectacle lyrique à Lille entre 1838 et 1848 </a> </div> <div class="conteneur-sous-element"> <p class="auteur"> Benjamin Frouin et Patrick Taïeb</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/jean-baptiste-leon-dupin-critique-et-agent-dramatique" class="sous-element--titre"> Jean-Baptiste Léon Dupin, critique et agent dramatique </a> </div> </div> </div> <div class="titre-chapitre"> Le journal comme support éditorial </div> <div class="paragraph paragraph--type--section-de-publication paragraph--view-mode--default"> <div class="paragraph paragraph--type--"> <div class="conteneur-sous-element"> <p class="auteur"> Christine Koullapi</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/le-journal-comme-support-editorial-lexemple-des-extraits-doperas-de-gluck-paris-pendant-la-querelle-des-gluckistes-et-des-piccinnistes" class="sous-element--titre"> Le journal comme support éditorial : l’exemple des extraits d’opéras de Gluck à Paris pendant la querelle des gluckistes et des piccinnistes </a> </div> <div class="conteneur-sous-element"> <p class="auteur"> Joann Élart</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/chanter-periodique-ouvert-les-partitions-imprimees-dans-le-journal-de-paris-et-le-journal-de-normandie-la-fin-de-lancien-regime" class="sous-element--titre"> Chanter à "périodique ouvert". Les partitions imprimées dans le <em>Journal de Paris</em> et le <em>Journal de Normandie</em> à la fin de l’Ancien Régime </a> </div> <div class="conteneur-sous-element"> <p class="auteur"> Sabine Teulon Lardic</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/lopera-de-salon-ou-un-salon-lopera-les-contributions-de-ferdinand-poise-au-magasin-des-demoiselles-1865-1880" class="sous-element--titre"> L’opéra de salon ou un salon à l’opéra : les contributions de Ferdinand Poise au <em>Magasin des demoiselles</em> (1865-1880) </a> </div> </div> </div> <div class="titre-chapitre"> Constructions médiatiques de l’événement lyrique </div> <div class="paragraph paragraph--type--section-de-publication paragraph--view-mode--default"> <div class="paragraph paragraph--type--"> <div class="conteneur-sous-element"> <p class="auteur"> Pierre Saby</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/lopera-de-paris-une-maison-inflammable-aspects-du-discours-de-presse-sur-les-incendies-de-1763-et-1781" class="sous-element--titre"> L’Opéra de Paris : une maison inflammable. Aspects du discours de presse sur les incendies de 1763 et 1781 </a> </div> <div class="conteneur-sous-element"> <p class="auteur"> Mariglen Sulejmani</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/evenements-lumineux-le-gaz-et-lelectricite-lopera-de-paris-selon-la-presse-daladin-au-prophete" class="sous-element--titre"> Événements lumineux : le gaz et l’électricité à l’Opéra de Paris selon la presse (d’<em>Aladin</em> au <em>Prophète</em>) </a> </div> <div class="conteneur-sous-element"> <p class="auteur"> Aurélie Barbuscia</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/tapage-mediatique-autour-de-lentree-de-rossini-paris-1823" class="sous-element--titre"> Tapage médiatique autour de l’entrée de Rossini à Paris (1823) </a> </div> <div class="conteneur-sous-element"> <p class="auteur"> Stella Rollet</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/un-compositeur-face-la-presse-parisienne-gaetano-donizetti" class="sous-element--titre"> Un compositeur face à la presse parisienne : Gaetano Donizetti </a> </div> </div> </div> <div class="titre-chapitre"> Enjeux socio-politiques de la critique d’opéra </div> <div class="paragraph paragraph--type--section-de-publication paragraph--view-mode--default"> <div class="paragraph paragraph--type--"> <div class="conteneur-sous-element"> <p class="auteur"> France Marchal-Ninosque</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/la-correspondance-litteraire-devant-la-reforme-gluckiste-lacademie-royale-de-musique-ou-les-impasses-dun-ut-musica-poesis-erit" class="sous-element--titre"> La <em>Correspondance littéraire</em> devant la réforme gluckiste à l’Académie royale de musique, ou les impasses d’un <em>ut musica poesis erit</em> </a> </div> <div class="conteneur-sous-element"> <p class="auteur"> Charlotta Wolff</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/opera-comique-presse-periodique-et-opinion-publique-1760-1791" class="sous-element--titre"> Opéra-comique, presse périodique et opinion publique, 1760-1791 </a> </div> <div class="conteneur-sous-element"> <p class="auteur"> William Weber</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/la-critique-patriotique-du-rossinisme-dans-les-journaux-quasi-liberaux-des-annees-1820" class="sous-element--titre"> La critique patriotique du rossinisme dans les journaux <em>quasi-libéraux</em> des années 1820 </a> </div> <div class="conteneur-sous-element"> <p class="auteur"> Isabelle Porto San Martin</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/le-discours-sur-lespagne-dans-la-presse-musicale-francaise-le-filtre-de-lopera-comique-1833-1843" class="sous-element--titre"> Le discours sur l'Espagne dans la presse musicale française : le filtre de l'opéra-comique (1833-1843) </a> </div> <div class="conteneur-sous-element"> <p class="auteur"> Mark Everist</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/gluck-la-politique-et-la-presse-du-second-empire" class="sous-element--titre"> Gluck, la politique et la presse du Second Empire </a> </div> </div> </div> <div class="titre-chapitre"> Fictions en miroirs </div> <div class="paragraph paragraph--type--section-de-publication paragraph--view-mode--default"> <div class="paragraph paragraph--type--"> <div class="conteneur-sous-element"> <p class="auteur"> Jean Rime</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/le-figaro-ci-le-figaro-la-un-exemple-de-migration-transmediatique-entre-theatre-opera-et-presse" class="sous-element--titre"> <em>Le Figaro</em>-ci, <em>Le Figaro</em>-là. Un exemple de migration transmédiatique entre théâtre, opéra et presse </a> </div> <div class="conteneur-sous-element"> <p class="auteur"> Priscila Renata Gimenez</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/lecriture-litteraire-des-feuilletons-musicaux-la-poetique-des-contournements-et-de-fictionnalisation-chez-theophile-gautier-et-hector-berlioz" class="sous-element--titre"> L’écriture littéraire des feuilletons musicaux : la poétique des contournements et de fictionnalisation chez Théophile Gautier et Hector Berlioz </a> </div> <div class="conteneur-sous-element"> <p class="auteur"> Marjolaine Forest</p> <a href="/publications/presse-et-opera-aux-xviiie-et-xixe-siecles/le-corps-du-castrat-dans-les-discours-mediatiques-et-les-nouvelles-musicales-publiees-en-revue-lepoque-romantique" class="sous-element--titre"> Le corps du castrat dans les discours médiatiques et les nouvelles musicales publiées en revue à l’époque romantique </a> </div> <div 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