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10.168Z"></path></g></svg></div><span class="font-sans-regular font-normal capitalize block">blog</span></div></div></div><div style="height:auto"><div class="ad-container" id="material_body_teads"></div></div><div class="mb-lg lg:mb-xl grid-in-headline"><h1 class="font-display-medium font-medium text-3xl sm:text-4xl leading-none max-w-col-3 print-max-w-full" itemProp="headline">Lake District project connects rural England to international art world</h1></div><div class="mb-xl md:mb-2xl grid-in-standfirst"><h2 class="font-sans-regular font-normal text-lg sm:text-xl leading-tighter tracking-wider max-w-col-3 print-max-w-full" itemProp="about">Grizedale Arts combines creativity and hospitality in reopening region’s oldest inn</h2></div><div class="leading-0 lg:max-w-col-1 mb-md grid-in-byline"><div class="font-sans-regular font-normal text-base leading-tight text-gray-800 max-w-col-2"><a class="font-sans-bold font-bold shadow-link transition-all duration-default hover:shadow-internalLink hover:text-red-900" href="/authors/louisa-buck">Louisa Buck</a></div></div><div class="leading-0 lg:max-w-col-1 mb-base grid-in-dateline"><div class="font-sans-regular font-normal text-base leading-tight inline-block">22 May 2024</div></div><div class="mb-2xl grid-in-toolbar border-t border-gray-300"><div class="min-w-col-1 max-w-col-3 pt-md flex items-center justify-between xs:justify-end lg:justify-between grid-in-toolbar print-hidden"><span class="font-sans-regular font-normal text-base sm:text-sm leading-tight ltr:mr-3xl rtl:ml-3xl">Share</span><div class="flex items-center"><div class="relative inline-block align-middle"><div class="text-gray-700 w-4 h-4 cursor-pointer transition-colors duration-default hover:text-red-900"><svg class="" height="100%" width="100%" fill="currentColor" preserveAspectRatio="xMinYMin meet" stroke="none" viewBox="0 0 16 16" x="0px" y="0px"><g><path d="M8 13C8.55228 13 9 12.5523 9 12C9 11.4477 8.55228 11 8 11C7.44772 11 7 11.4477 7 12C7 12.5523 7.44772 13 8 13Z"></path><path d="M8 9C8.55228 9 9 8.55228 9 8C9 7.44772 8.55228 7 8 7C7.44772 7 7 7.44772 7 8C7 8.55228 7.44772 9 8 9Z"></path><path d="M8 5.5C8.55228 5.5 9 5.05228 9 4.5C9 3.94772 8.55228 3.5 8 3.5C7.44772 3.5 7 3.94772 7 4.5C7 5.05228 7.44772 5.5 8 5.5Z"></path></g></svg></div></div></div></div></div><div class="grid-in-media mb-lg"><figure class="max-w-col-3 print-max-w-full"><img alt="The Farmer’s Arms inn was rescued by Grizedale Arts and now hosts arts events Photo: Grizedale" loading="lazy" width="600" height="799.3388429752066" decoding="async" data-nimg="1" class="max-w-col-3 print-max-w-full" style="color:transparent;height:auto;width:100%;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url("data:image/svg+xml;charset=utf-8,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 600 799.3388429752066'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'/%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'/%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'/%3E%3CfeComposite operator='out' in='s'/%3E%3CfeComposite in2='SourceGraphic'/%3E%3CfeGaussianBlur stdDeviation='20'/%3E%3C/filter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAAbABQDASIAAhEBAxEB/8QAGAAAAwEBAAAAAAAAAAAAAAAAAAUGBwH/xAAkEAACAgIBAwQDAAAAAAAAAAABAgMEABEFBhMhEiJBUQcjcf/EABcBAAMBAAAAAAAAAAAAAAAAAAIDBAH/xAAeEQABBAIDAQAAAAAAAAAAAAABAAIDERMxEjJB8P/aAAwDAQACEQMRAD8AsL3ESNVO44yoOz3R7cm7lar2u9BbSq8LsBJAfG/r+Y15Tq48rwc9CrJGW7fpeVhpt/eZ1VvS1o7HFRILLiZWLEgeMtbKZpMgsX9pRiDHHxK0Kny80dZFPI17BA8uyEHDJK70d1LaeOxSvxw15UDKh+MMEvkvaMRx1pKG4+SPqFv3GOpP4J+Bji705x9mSFuOuRi+RpoS3ubXyMUW5XabTMSN538fAP1vB6vOvURvCNeerMrnDidBUzcxzvGRxU2SQiJAqkrvxhmkyQRSEF0VjrXkYYowOvslZSv/2Q=='/%3E%3C/svg%3E")" srcSet="https://cdn.sanity.io/images/cxgd3urn/production/afc2e4376ae9e653d8aed24248f3a215c950406f-605x806.jpg?w=640&h=853&q=85&fit=crop&auto=format 1x, https://cdn.sanity.io/images/cxgd3urn/production/afc2e4376ae9e653d8aed24248f3a215c950406f-605x806.jpg?w=1200&h=1599&q=85&fit=crop&auto=format 2x" src="https://cdn.sanity.io/images/cxgd3urn/production/afc2e4376ae9e653d8aed24248f3a215c950406f-605x806.jpg?w=1200&h=1599&q=85&fit=crop&auto=format"/><figcaption class="mt-base max-w-col-2 print-max-w-full"><div class="font-sans-regular font-normal text-base sm:text-sm leading-tight text-gray-700"><p>The Farmer’s Arms inn was rescued by Grizedale Arts and now hosts arts events<br/><span class="text-gray-400 block">Photo: Grizedale</span></p></div></figcaption></figure></div><div class="grid-in-content lg:grid-in-series"><div style="height:auto"><div class="ad-container mb-xl" id="material_body_slot_1"></div></div><div><div class="w-full"><div class="mb-2xl" itemProp="articleBody"><p class="pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0" itemProp="text">To be both local and global, embedded in the surrounding community but also having a reach and impact worldwide, is an aspiration shared by most arts institutions. But few have achieved this aim as effectively or for as long as Grizedale Arts. For over two decades this remarkable organisation, based in the heart of the English Lake District, has extended its reach from agricultural and art projects in villages in Japan and China, to exploring notions of Romanticism at MoMA PS1 in New York, and installing a <em class="font-text-light-italic font-light italic">Colosseum of the Consumed</em> activity space at the Frieze art fair, staging a water festival on Lake Consiton and supplying a customised tea urn for Water Yeat Village Hall in Ulverston.</p><p class="pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0" itemProp="text">“Much of what we do has involved a discussion about how artists might work more usefully within a given social context,” says Adam Sutherland, Grizedale’s director. “Underpinning our programme is the philosophy that art and artists can effect change and benefit wider culture and society.”</p><p class="pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0" itemProp="text">Over the years this notion of the usefulness of art and an adoption of a clear-eyed and often critical engagement with the complexities of rural culture has manifested itself in multifarious, multistranded projects. Grizedale Arts started life in the late 1960s as The Grizedale Society, with a programme of site-specific forest sculpture and land art activity within the extensive woodlands of Grizedale Forest, run by the UK Forestry Commission. </p><p class="pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0" itemProp="text">But the appointment of Sutherland as director in 1999 was accompanied by a radical shift in priorities and approach which continues to this day. “I tried to dispense with what I perceived to be the lies perpetuated to promote a simplistic vision of rural life” he remembers.“We hoped that the new programme might be more honest and reflect some of the more interesting if less marketable aspects of the rural idyll.” Early less than idyllic artist projects included Calum Stirling’s <em class="font-text-light-italic font-light italic">Logo Wall</em> inserting adventure sport equipment branding into a drystone wall; and the erection of a giant billboard into the forest, which during its three year lifespan displayed projects by Bedwyr Williams, Graham Gussin and Adam Chodzko, before being offered to the villagers of Satterthwaite, who voted to destroy it by burning, in celebration of Queen Elizabeth II’s 2002 Golden Jubilee.</p><h4 class="font-text-narrow-medium font-medium text-lg leading-tighter tracking-wide mb-md">In Ruskin’s footsteps</h4><p class="pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0" itemProp="text">Other projects found Grizedale working more constructively with the local populations, harnessing art and community by staging regular country fairs and public events. For <em class="font-text-light-italic font-light italic">A Different Weekend</em>, held in the nearby town of Coniston in 2000, Mark Wallinger ran a face painting stall, Toby Zeigler won the Dressed Boat competition at the 2005 Coniston Water Festival, while Ray Davis of The Kinks oversaw the staging of his musical Child’s Play by Coniston school children. </p><p class="pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0" itemProp="text">The culmination of what Sutherland defines as this “reactive mode” where “we only responded to invitations from communities” was Grizedale’s refurbishment, between 2007-16 of the then-dilapidated Coniston Institute. This community run village hall had originally been rebuilt in the 19th century by the visionary Victorian polymath John Ruskin—whose views on the social benefit and utility of art are a major influence on Grizedale’s ethos. Along with extensive repairs and infrastructure improvements bringing the hall back to life involved the staging of numerous events and exhibitions by artists both local and international as well as installing a self-service library designed by Liam Gillick.</p><p class="pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0" itemProp="text">During this time Grizedale also shifted its operations to Lawson Park, a working farm dating back to the 14th century overlooking both Coniston Water and John Ruskin’s former estate of Brantwood. Painstakingly restored and also filled with Grizedale’s eclectic art collection, Lawson Park continues to host a multifaceted programme of projects and residencies from visiting artists and volunteers, which includes participating in farming, gardening and growing food in the surrounding grounds as well as making work. Activities have ranged from developing a House of Ferment devoted to means of preservation from Poland, China, Japan and Korea as well as the UK; to hosting visits from South London school children as well as from artists such as Tania Brugera ,who stayed at Lawson Park whilst researching her Museum of Useful Art.</p><p class="pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0" itemProp="text">In 2013 Grizedale and Tate co-commissioned <em class="font-text-light-italic font-light italic">Wantee </em>Laure Provost’s installation in Lawson Park gardens created in response to the Dadaist Kurt Schwitters who lived and died in the Lake district in the 1940s. Made with help of local Coniston craftspeople and pupils from the nearby John Ruskin School, Provost’s <em class="font-text-light-italic font-light italic">Wantee</em> resulted in her being nominated for—and winning—that year’s Turner Prize.</p><div class="relative mb-xl sm:max-w-col-1 sm:ltr:mr-gutter sm:rtl:ml-gutter lg:ltr:-ml-shift-col-1 lg:rtl:-mr-shift-col-1 xl:ltr:mr-gutter-xl xl:rtl:ml-gutter-xl xl:ltr:-ml-shift-col-1-xl xl:rtl:-mr-shift-col-1-xl sm:ltr:float-left sm:rtl:float-right sm:clear-both"><div class="w-14 mb-md"><svg class="fill-current text-red-900" preserveAspectRatio="xMinYMin meet" viewBox="0 0 34 24" x="0px" y="0px"><g><path d="M2 17.952C2 21.216 4.496 24 8.048 24C11.312 24 14.096 20.928 14.096 18.048C10.544 17.472 9.2 14.88 9.2 12.384C9.2 9.024 12.368 4.416 15.536 1.152L14.48 0C7.376 4.224 2 11.424 2 17.952ZM18.032 17.952C18.032 21.216 20.528 24 24.08 24C27.248 24 30.128 20.928 30.128 18.048C26.576 17.472 25.232 14.88 25.232 12.384C25.232 9.024 28.4 4.416 31.568 1.152L30.512 0C23.408 4.224 18.032 11.424 18.032 17.952Z"></path></g></svg></div><blockquote class="font-text-narrow-medium font-medium text-xl sm:text-lg leading-tight tracking-wide text-red-900 mb-md">Grizedale has been about exporting dynamic, energised culture, not sucking at the teat of mass tourism</blockquote></div><p class="pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0" itemProp="text">Running parallel to these local activities have been a range of international projects extending to and mixing up communities within and beyond the art world. William Pope L, Jeremy Deller, Alan Kane and Olivia Plender were among the artists investigating notions of romanticism in <em class="font-text-light-italic font-light italic">Romantic Detachment</em> at MoMA PSI in 2004, while <em class="font-text-light-italic font-light italic">Seven Samurai</em> involved a group of artists and gardeners travelling to the village of Toge in the Japan in 2006 to exchange skills and knowledge. A return visit by seven Toge farmers the following year resulted in the planting of rice paddies in Lawson farm. Happy Stacking in 2007 built up similar networks with the village of Nanling in Southern China while <em class="font-text-light-italic font-light italic">A Fair Land</em> (2016) introduced a utopian model village revolving around a courgette based economy into the central quad of IMMA in Dublin. </p><p class="pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0" itemProp="text">More ongoing exchanges are with rural communities in Puglia, Italy; Corscia and Mallorca as well as <em class="font-text-light-italic font-light italic">The Ten Year Dream of Kiwanosato</em> with the Southern Japanese village which from 2017 to the present involves reciprocal projects involving architecture, food and horticulture both there and in the UK. “Rural culture is an export, not a receiving house,” Sutherland says. “Right from the get-go, Grizedale has been about exporting dynamic, energised culture, not sucking at the teat of mass tourism.”</p><p class="pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0" itemProp="text">Now all these various strands have found a coalescence in Grizedale’s latest and most ambitious venture. The Farmers Arms is reputedly the oldest inn in the Lake District and having lain empty for many years was purchased by Grizedale in the middle of the pandemic, with the help of investors from both near and far. It opened in 2012 and in addition to serving locally sourced drinks and food—much of which is grown in the pub’s six acre grounds—there are Wednesday Soup Talks, musical gatherings and a range of workshops where pottery, craft and woodworking classes take place. </p><p class="pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0" itemProp="text">“Our vision is to create a hybrid of hospitality and creative endeavour” says Sutherland, who has recently been doing stints in the kitchen between chefs. In true Grizedale—and Ruskinian—spirit, education remains at the core. And also internationalism. A recent educational exchange with architect Takeshi Hayatsu has led to the construction of a traditional working Japanese-style Cold Store built with locally-sourced materials which has just been awarded the 2024 AJ Small Projects Award.</p><h4 class="font-text-narrow-medium font-medium text-lg leading-tighter tracking-wide mb-md">New kind of network</h4><p class="pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0" itemProp="text">The Farmersand Lawson Park already welcome visitors but now they are offering an opportunity for greater access to these extraordinary creative crucibles. Grizedale is ushering in a new phase of engagement with the launch of The Grizedale Arts Club which aims to safeguard its future and offer a wider involvement in its extensive activities. Just as Grizedale Arts originally described itself “as new kind of art institution, one that works beyond the established structures of the contemporary art world,” so the Grizedale Arts Club bills itself “a new kind of network” where for a modest annual fee—and discounted for those living in Cumbria—members can participate more fully in its projects, whether in the form of exclusive access to discounted accommodation at The Farmers and Lawson Park or taking part in its many workshops and events at home or elsewhere. “My idea for Grizedale arts is that it is an ever changing organisation,” says Sutherland.</p><p class="pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0" itemProp="text">“We are using art in everyday life and encouraging people to think creatively about their condition, their situation, and to connect with like-minded organisations and people all over the world”. Whether rural or urban, art world or beyond this is a powerful network and replenishing network to tap into.</p><p class="pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0" itemProp="text"><em class="font-text-light-italic font-light italic">• www.grizedaleartsclub.org</em></p></div><div style="height:auto"><div class="ad-container mb-xl" id="material_body_slot_2"></div></div><div class="w-full max-w-col-3 pt-base flex flex-wrap border-t border-b border-gray-300 print-max-w-full"><a class="font-sans-regular font-normal text-base sm:text-sm leading-none tracking-wide text-red-900 px-md sm:px-base py-xs mb-base ltr:mr-sm rtl:ml-sm whitespace-no-wrap bg-gray-50 transition-colors hover:bg-gray-100 duration-default" href="/keywords/the-insiders">The Insiders</a><a class="font-sans-regular font-normal text-base sm:text-sm leading-none tracking-wide text-red-900 px-md sm:px-base py-xs mb-base ltr:mr-sm rtl:ml-sm whitespace-no-wrap bg-gray-50 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world","url":"https://www.theartnewspaper.com/2024/05/22/lake-district-project-connects-rural-england-to-international-art-world","thumbnailUrl":"https://cdn.sanity.io/images/cxgd3urn/production/afc2e4376ae9e653d8aed24248f3a215c950406f-605x806.jpg?rect=0,222,605,363&w=1200&h=720&q=85&fit=crop&auto=format","image":"https://cdn.sanity.io/images/cxgd3urn/production/afc2e4376ae9e653d8aed24248f3a215c950406f-605x806.jpg?rect=0,222,605,363&w=1200&h=720&q=85&fit=crop&auto=format","datePublished":"2024-05-22T10:42:44.019Z","creator":[{"@type":"Person","name":"Louisa Buck","url":"https://www.theartnewspaper.com/authors/louisa-buck"}],"author":[{"@type":"Person","name":"Louisa Buck","url":"https://www.theartnewspaper.com/authors/louisa-buck"}],"articleSection":"blog","keywords":["The Insiders","Grizedale","Lake District"]}</script></div><div class="print-hidden"><div style="height:auto"><div class="ad-container" id="bottom"></div></div><footer class="text-red-900 w-full mt-5xl bg-gray-50"><div 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But few have achieved this aim as effectively or for as long as Grizedale Arts. For over two decades this remarkable organisation, based in the heart of the English Lake District, has extended its reach from agricultural and art projects in villages in Japan and China, to exploring notions of Romanticism at MoMA PS1 in New York, and installing a \",\"_key\":\"e9adb3247b920\"},{\"_type\":\"span\",\"marks\":[\"em\"],\"text\":\"Colosseum of the Consumed\",\"_key\":\"b1736c80609a1\"},{\"marks\":[],\"text\":\" activity space at the Frieze art fair, staging a water festival on Lake Consiton and supplying a customised tea urn for Water Yeat Village Hall in Ulverston.\",\"_key\":\"b1736c80609a2\",\"_type\":\"span\"}],\"_type\":\"block\",\"style\":\"normal\",\"_key\":\"294ee28ed82b\"},{\"_type\":\"block\",\"style\":\"normal\",\"_key\":\"e7fab9be6f70\",\"markDefs\":[],\"children\":[{\"_type\":\"span\",\"marks\":[],\"text\":\"“Much of what we do has involved a discussion about how artists might work more usefully within a given social context,” says Adam Sutherland, Grizedale’s director. “Underpinning our programme is the philosophy that art and artists can effect change and benefit wider culture and society.”\",\"_key\":\"4c780b6b556c0\"}]},{\"markDefs\":[],\"children\":[{\"_type\":\"span\",\"marks\":[],\"text\":\"Over the years this notion of the usefulness of art and an adoption of a clear-eyed and often critical engagement with the complexities of rural culture has manifested itself in multifarious, multistranded projects. Grizedale Arts started life in the late 1960s as The Grizedale Society, with a programme of site-specific forest sculpture and land art activity within the extensive woodlands of Grizedale Forest, run by the UK Forestry Commission. \",\"_key\":\"d7dbb8c55d450\"}],\"_type\":\"block\",\"style\":\"normal\",\"_key\":\"07f3069d8c98\"},{\"markDefs\":[],\"children\":[{\"_type\":\"span\",\"marks\":[],\"text\":\"But the appointment of Sutherland as director in 1999 was accompanied by a radical shift in priorities and approach which continues to this day. “I tried to dispense with what I perceived to be the lies perpetuated to promote a simplistic vision of rural life” he remembers.“We hoped that the new programme might be more honest and reflect some of the more interesting if less marketable aspects of the rural idyll.” Early less than idyllic artist projects included Calum Stirling’s \",\"_key\":\"8055aa31ee92\"},{\"_type\":\"span\",\"marks\":[\"em\"],\"text\":\"Logo Wall\",\"_key\":\"df5f2f053606\"},{\"_type\":\"span\",\"marks\":[],\"text\":\" inserting adventure sport equipment branding into a drystone wall; and the erection of a giant billboard into the forest, which during its three year lifespan displayed projects by Bedwyr Williams, Graham Gussin and Adam Chodzko, before being offered to the villagers of Satterthwaite, who voted to destroy it by burning, in celebration of Queen Elizabeth II’s 2002 Golden Jubilee.\",\"_key\":\"c57fe2ef02e0\"}],\"_type\":\"block\",\"style\":\"normal\",\"_key\":\"6434b58a902c\"},{\"markDefs\":[],\"children\":[{\"text\":\"In Ruskin’s footsteps\",\"_key\":\"f08a45a528aa0\",\"_type\":\"span\",\"marks\":[]}],\"_type\":\"block\",\"style\":\"h4\",\"_key\":\"3c5eaf959da2\"},{\"_key\":\"4e7739a96669\",\"markDefs\":[],\"children\":[{\"_type\":\"span\",\"marks\":[],\"text\":\"Other projects found Grizedale working more constructively with the local populations, harnessing art and community by staging regular country fairs and public events. For \",\"_key\":\"79d529550c3d0\"},{\"marks\":[\"em\"],\"text\":\"A Different Weekend\",\"_key\":\"b1a11d56b3be\",\"_type\":\"span\"},{\"marks\":[],\"text\":\", held in the nearby town of Coniston in 2000, Mark Wallinger ran a face painting stall, Toby Zeigler won the Dressed Boat competition at the 2005 Coniston Water Festival, while Ray Davis of The Kinks oversaw the staging of his musical Child’s Play by Coniston school children. \",\"_key\":\"1bde45cd0f09\",\"_type\":\"span\"}],\"_type\":\"block\",\"style\":\"normal\"},{\"style\":\"normal\",\"_key\":\"17f58c8b6cdc\",\"markDefs\":[],\"children\":[{\"text\":\"The culmination of what Sutherland defines as this “reactive mode” where “we only responded to invitations from communities” was Grizedale’s refurbishment, between 2007-16 of the then-dilapidated Coniston Institute. This community run village hall had originally been rebuilt in the 19th century by the visionary Victorian polymath John Ruskin—whose views on the social benefit and utility of art are a major influence on Grizedale’s ethos. Along with extensive repairs and infrastructure improvements bringing the hall back to life involved the staging of numerous events and exhibitions by artists both local and international as well as installing a self-service library designed by Liam Gillick.\",\"_key\":\"965ac78290eb\",\"_type\":\"span\",\"marks\":[]}],\"_type\":\"block\"},{\"_type\":\"block\",\"style\":\"normal\",\"_key\":\"06c488bea151\",\"markDefs\":[],\"children\":[{\"_type\":\"span\",\"marks\":[],\"text\":\"During this time Grizedale also shifted its operations to Lawson Park, a working farm dating back to the 14th century overlooking both Coniston Water and John Ruskin’s former estate of Brantwood. Painstakingly restored and also filled with Grizedale’s eclectic art collection, Lawson Park continues to host a multifaceted programme of projects and residencies from visiting artists and volunteers, which includes participating in farming, gardening and growing food in the surrounding grounds as well as making work. Activities have ranged from developing a House of Ferment devoted to means of preservation from Poland, China, Japan and Korea as well as the UK; to hosting visits from South London school children as well as from artists such as Tania Brugera ,who stayed at Lawson Park whilst researching her Museum of Useful Art.\",\"_key\":\"c880146683d90\"}]},{\"markDefs\":[],\"children\":[{\"text\":\"In 2013 Grizedale and Tate co-commissioned \",\"_key\":\"0d532395b758\",\"_type\":\"span\",\"marks\":[]},{\"_type\":\"span\",\"marks\":[\"em\"],\"text\":\"Wantee \",\"_key\":\"f85e62a667ee\"},{\"_type\":\"span\",\"marks\":[],\"text\":\"Laure Provost’s installation in Lawson Park gardens created in response to the Dadaist Kurt Schwitters who lived and died in the Lake district in the 1940s. Made with help of local Coniston craftspeople and pupils from the nearby John Ruskin School, Provost’s \",\"_key\":\"1267ce0390be\"},{\"marks\":[\"em\"],\"text\":\"Wantee\",\"_key\":\"7ed65d5ce49d\",\"_type\":\"span\"},{\"text\":\" resulted in her being nominated for—and winning—that year’s Turner Prize.\",\"_key\":\"883a19a7c8dc\",\"_type\":\"span\",\"marks\":[]}],\"_type\":\"block\",\"style\":\"normal\",\"_key\":\"f1f2712a4ab3\"},{\"_type\":\"block\",\"style\":\"blockquote\",\"_key\":\"f7a6979492f8\",\"markDefs\":[],\"children\":[{\"_type\":\"span\",\"marks\":[],\"text\":\"Grizedale has been about exporting dynamic, energised culture, not sucking at the teat of mass tourism\",\"_key\":\"01c68314bb00\"}]},{\"_key\":\"b6de67f7aa44\",\"markDefs\":[],\"children\":[{\"_type\":\"span\",\"marks\":[],\"text\":\"Running parallel to these local activities have been a range of international projects extending to and mixing up communities within and beyond the art world. William Pope L, Jeremy Deller, Alan Kane and Olivia Plender were among the artists investigating notions of romanticism in \",\"_key\":\"08827bbc8785\"},{\"marks\":[\"em\"],\"text\":\"Romantic Detachment\",\"_key\":\"b63ac28b921b1\",\"_type\":\"span\"},{\"marks\":[],\"text\":\" at MoMA PSI in 2004, while \",\"_key\":\"b63ac28b921b2\",\"_type\":\"span\"},{\"_type\":\"span\",\"marks\":[\"em\"],\"text\":\"Seven Samurai\",\"_key\":\"b63ac28b921b3\"},{\"_type\":\"span\",\"marks\":[],\"text\":\" involved a group of artists and gardeners travelling to the village of Toge in the Japan in 2006 to exchange skills and knowledge. A return visit by seven Toge farmers the following year resulted in the planting of rice paddies in Lawson farm. Happy Stacking in 2007 built up similar networks with the village of Nanling in Southern China while \",\"_key\":\"b63ac28b921b4\"},{\"text\":\"A Fair Land\",\"_key\":\"563345af4e6a\",\"_type\":\"span\",\"marks\":[\"em\"]},{\"text\":\" (2016) introduced a utopian model village revolving around a courgette based economy into the central quad of IMMA in Dublin. \",\"_key\":\"e3fab1c47e25\",\"_type\":\"span\",\"marks\":[]}],\"_type\":\"block\",\"style\":\"normal\"},{\"children\":[{\"text\":\"More ongoing exchanges are with rural communities in Puglia, Italy; Corscia and Mallorca as well as \",\"_key\":\"80c95334ac19\",\"_type\":\"span\",\"marks\":[]},{\"marks\":[\"em\"],\"text\":\"The Ten Year Dream of Kiwanosato\",\"_key\":\"3f08c6fec9e0\",\"_type\":\"span\"},{\"_type\":\"span\",\"marks\":[],\"text\":\" with the Southern Japanese village which from 2017 to the present involves reciprocal projects involving architecture, food and horticulture both there and in the UK. “Rural culture is an export, not a receiving house,” Sutherland says. “Right from the get-go, Grizedale has been about exporting dynamic, energised culture, not sucking at the teat of mass tourism.”\",\"_key\":\"a923d4f748f1\"}],\"_type\":\"block\",\"style\":\"normal\",\"_key\":\"9a3d4d716f91\",\"markDefs\":[]},{\"markDefs\":[],\"children\":[{\"_key\":\"0c35bd63f2350\",\"_type\":\"span\",\"marks\":[],\"text\":\"Now all these various strands have found a coalescence in Grizedale’s latest and most ambitious venture. The Farmers Arms is reputedly the oldest inn in the Lake District and having lain empty for many years was purchased by Grizedale in the middle of the pandemic, with the help of investors from both near and far. It opened in 2012 and in addition to serving locally sourced drinks and food—much of which is grown in the pub’s six acre grounds—there are Wednesday Soup Talks, musical gatherings and a range of workshops where pottery, craft and woodworking classes take place. \"}],\"_type\":\"block\",\"style\":\"normal\",\"_key\":\"36db561ab47e\"},{\"markDefs\":[],\"children\":[{\"_type\":\"span\",\"marks\":[],\"text\":\"“Our vision is to create a hybrid of hospitality and creative endeavour” says Sutherland, who has recently been doing stints in the kitchen between chefs. In true Grizedale—and Ruskinian—spirit, education remains at the core. And also internationalism. A recent educational exchange with architect Takeshi Hayatsu has led to the construction of a traditional working Japanese-style Cold Store built with locally-sourced materials which has just been awarded the 2024 AJ Small Projects Award.\",\"_key\":\"8b02fced7b62\"}],\"_type\":\"block\",\"style\":\"normal\",\"_key\":\"2cec79e97fdf\"},{\"markDefs\":[],\"children\":[{\"_key\":\"f6a41b23ed9f\",\"_type\":\"span\",\"marks\":[],\"text\":\"New kind of network\"}],\"_type\":\"block\",\"style\":\"h4\",\"_key\":\"8de6d9c8e9f0\"},{\"_type\":\"block\",\"style\":\"normal\",\"_key\":\"1229a241cb23\",\"markDefs\":[],\"children\":[{\"_type\":\"span\",\"marks\":[],\"text\":\"The Farmersand Lawson Park already welcome visitors but now they are offering an opportunity for greater access to these extraordinary creative crucibles. Grizedale is ushering in a new phase of engagement with the launch of The Grizedale Arts Club which aims to safeguard its future and offer a wider involvement in its extensive activities. Just as Grizedale Arts originally described itself “as new kind of art institution, one that works beyond the established structures of the contemporary art world,” so the Grizedale Arts Club bills itself “a new kind of network” where for a modest annual fee—and discounted for those living in Cumbria—members can participate more fully in its projects, whether in the form of exclusive access to discounted accommodation at The Farmers and Lawson Park or taking part in its many workshops and events at home or elsewhere. “My idea for Grizedale arts is that it is an ever changing organisation,” says Sutherland.\",\"_key\":\"c0f106d336730\"}]},{\"_type\":\"block\",\"style\":\"normal\",\"_key\":\"c600525200d0\",\"markDefs\":[],\"children\":[{\"text\":\"“We are using art in everyday life and encouraging people to think creatively about their condition, their situation, and to connect with like-minded organisations and people all over the world”. 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local and global, embedded in the surrounding community but also having a reach and impact worldwide, is an aspiration shared by most arts institutions. But few have achieved this aim as effectively or for as long as Grizedale Arts. For over two decades this remarkable organisation, based in the heart of the English Lake District, has extended its reach from agricultural and art projects in villages in Japan and China, to exploring notions of Romanticism at MoMA PS1 in New York, and installing a \",[\"$\",\"em\",\"b1736c80609a1\",{\"children\":[\"Colosseum of the Consumed\"],\"className\":\"font-text-light-italic font-light italic\"}],\" activity space at the Frieze art fair, staging a water festival on Lake Consiton and supplying a customised tea urn for Water Yeat Village Hall in Ulverston.\"],\"className\":\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\",\"itemProp\":\"text\"}],[\"$\",\"p\",\"e7fab9be6f70\",{\"children\":[\"“Much of what we do has involved a discussion about how artists might work more usefully within a given social context,” says Adam Sutherland, Grizedale’s director. “Underpinning our programme is the philosophy that art and artists can effect change and benefit wider culture and society.”\"],\"className\":\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\",\"itemProp\":\"text\"}],[\"$\",\"p\",\"07f3069d8c98\",{\"children\":[\"Over the years this notion of the usefulness of art and an adoption of a clear-eyed and often critical engagement with the complexities of rural culture has manifested itself in multifarious, multistranded projects. Grizedale Arts started life in the late 1960s as The Grizedale Society, with a programme of site-specific forest sculpture and land art activity within the extensive woodlands of Grizedale Forest, run by the UK Forestry Commission. \"],\"className\":\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\",\"itemProp\":\"text\"}],[\"$\",\"p\",\"6434b58a902c\",{\"children\":[\"But the appointment of Sutherland as director in 1999 was accompanied by a radical shift in priorities and approach which continues to this day. “I tried to dispense with what I perceived to be the lies perpetuated to promote a simplistic vision of rural life” he remembers.“We hoped that the new programme might be more honest and reflect some of the more interesting if less marketable aspects of the rural idyll.” Early less than idyllic artist projects included Calum Stirling’s \",[\"$\",\"em\",\"df5f2f053606\",{\"children\":[\"Logo Wall\"],\"className\":\"font-text-light-italic font-light italic\"}],\" inserting adventure sport equipment branding into a drystone wall; and the erection of a giant billboard into the forest, which during its three year lifespan displayed projects by Bedwyr Williams, Graham Gussin and Adam Chodzko, before being offered to the villagers of Satterthwaite, who voted to destroy it by burning, in celebration of Queen Elizabeth II’s 2002 Golden Jubilee.\"],\"className\":\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\",\"itemProp\":\"text\"}],[\"$\",\"h4\",\"3c5eaf959da2\",{\"children\":[\"In Ruskin’s footsteps\"],\"className\":\"font-text-narrow-medium font-medium text-lg leading-tighter tracking-wide mb-md\"}],[\"$\",\"p\",\"4e7739a96669\",{\"children\":[\"Other projects found Grizedale working more constructively with the local populations, harnessing art and community by staging regular country fairs and public events. For \",[\"$\",\"em\",\"b1a11d56b3be\",{\"children\":[\"A Different Weekend\"],\"className\":\"font-text-light-italic font-light italic\"}],\", held in the nearby town of Coniston in 2000, Mark Wallinger ran a face painting stall, Toby Zeigler won the Dressed Boat competition at the 2005 Coniston Water Festival, while Ray Davis of The Kinks oversaw the staging of his musical Child’s Play by Coniston school children. \"],\"className\":\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\",\"itemProp\":\"text\"}],[\"$\",\"p\",\"17f58c8b6cdc\",{\"children\":[\"The culmination of what Sutherland defines as this “reactive mode” where “we only responded to invitations from communities” was Grizedale’s refurbishment, between 2007-16 of the then-dilapidated Coniston Institute. This community run village hall had originally been rebuilt in the 19th century by the visionary Victorian polymath John Ruskin—whose views on the social benefit and utility of art are a major influence on Grizedale’s ethos. Along with extensive repairs and infrastructure improvements bringing the hall back to life involved the staging of numerous events and exhibitions by artists both local and international as well as installing a self-service library designed by Liam Gillick.\"],\"className\":\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\",\"itemProp\":\"text\"}],[\"$\",\"p\",\"06c488bea151\",{\"children\":[\"During this time Grizedale also shifted its operations to Lawson Park, a working farm dating back to the 14th century overlooking both Coniston Water and John Ruskin’s former estate of Brantwood. Painstakingly restored and also filled with Grizedale’s eclectic art collection, Lawson Park continues to host a multifaceted programme of projects and residencies from visiting artists and volunteers, which includes participating in farming, gardening and growing food in the surrounding grounds as well as making work. Activities have ranged from developing a House of Ferment devoted to means of preservation from Poland, China, Japan and Korea as well as the UK; to hosting visits from South London school children as well as from artists such as Tania Brugera ,who stayed at Lawson Park whilst researching her Museum of Useful Art.\"],\"className\":\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\",\"itemProp\":\"text\"}],[\"$\",\"p\",\"f1f2712a4ab3\",{\"children\":[\"In 2013 Grizedale and Tate co-commissioned \",[\"$\",\"em\",\"f85e62a667ee\",{\"children\":[\"Wantee \"],\"className\":\"font-text-light-italic font-light italic\"}],\"Laure Provost’s installation in Lawson Park gardens created in response to the Dadaist Kurt Schwitters who lived and died in the Lake district in the 1940s. Made with help of local Coniston craftspeople and pupils from the nearby John Ruskin School, Provost’s \",[\"$\",\"em\",\"7ed65d5ce49d\",{\"children\":[\"Wantee\"],\"className\":\"font-text-light-italic font-light italic\"}],\" resulted in her being nominated for—and winning—that year’s Turner Prize.\"],\"className\":\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\",\"itemProp\":\"text\"}],[\"$\",\"div\",\"f7a6979492f8\",{\"children\":[[\"$\",\"div\",null,{\"children\":[\"$\",\"svg\",null,{\"children\":[\"$\",\"g\",null,{\"children\":[\"$\",\"path\",null,{\"d\":\"M2 17.952C2 21.216 4.496 24 8.048 24C11.312 24 14.096 20.928 14.096 18.048C10.544 17.472 9.2 14.88 9.2 12.384C9.2 9.024 12.368 4.416 15.536 1.152L14.48 0C7.376 4.224 2 11.424 2 17.952ZM18.032 17.952C18.032 21.216 20.528 24 24.08 24C27.248 24 30.128 20.928 30.128 18.048C26.576 17.472 25.232 14.88 25.232 12.384C25.232 9.024 28.4 4.416 31.568 1.152L30.512 0C23.408 4.224 18.032 11.424 18.032 17.952Z\"}]}],\"className\":\"fill-current text-red-900\",\"preserveAspectRatio\":\"xMinYMin meet\",\"viewBox\":\"0 0 34 24\",\"x\":\"0px\",\"y\":\"0px\"}],\"className\":\"w-14 mb-md\"}],[\"$\",\"blockquote\",null,{\"children\":[\"Grizedale has been about exporting dynamic, energised culture, not sucking at the teat of mass tourism\"],\"className\":\"font-text-narrow-medium font-medium text-xl sm:text-lg leading-tight tracking-wide text-red-900 mb-md\"}]],\"className\":\"relative mb-xl sm:max-w-col-1 sm:ltr:mr-gutter sm:rtl:ml-gutter lg:ltr:-ml-shift-col-1 lg:rtl:-mr-shift-col-1 xl:ltr:mr-gutter-xl xl:rtl:ml-gutter-xl xl:ltr:-ml-shift-col-1-xl xl:rtl:-mr-shift-col-1-xl sm:ltr:float-left sm:rtl:float-right sm:clear-both\"}],[\"$\",\"p\",\"b6de67f7aa44\",{\"children\":[\"Running parallel to these local activities have been a range of international projects extending to and mixing up communities within and beyond the art world. William Pope L, Jeremy Deller, Alan Kane and Olivia Plender were among the artists investigating notions of romanticism in \",[\"$\",\"em\",\"b63ac28b921b1\",{\"children\":[\"Romantic Detachment\"],\"className\":\"font-text-light-italic font-light italic\"}],\" at MoMA PSI in 2004, while \",[\"$\",\"em\",\"b63ac28b921b3\",{\"children\":[\"Seven Samurai\"],\"className\":\"font-text-light-italic font-light italic\"}],\" involved a group of artists and gardeners travelling to the village of Toge in the Japan in 2006 to exchange skills and knowledge. A return visit by seven Toge farmers the following year resulted in the planting of rice paddies in Lawson farm. Happy Stacking in 2007 built up similar networks with the village of Nanling in Southern China while \",[\"$\",\"em\",\"563345af4e6a\",{\"children\":[\"A Fair Land\"],\"className\":\"font-text-light-italic font-light italic\"}],\" (2016) introduced a utopian model village revolving around a courgette based economy into the central quad of IMMA in Dublin. \"],\"className\":\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\",\"itemProp\":\"text\"}],[\"$\",\"p\",\"9a3d4d716f91\",{\"children\":[\"More ongoing exchanges are with rural communities in Puglia, Italy; Corscia and Mallorca as well as \",[\"$\",\"em\",\"3f08c6fec9e0\",{\"children\":[\"The Ten Year Dream of Kiwanosato\"],\"className\":\"font-text-light-italic font-light italic\"}],\" with the Southern Japanese village which from 2017 to the present involves reciprocal projects involving architecture, food and horticulture both there and in the UK. “Rural culture is an export, not a receiving house,” Sutherland says. “Right from the get-go, Grizedale has been about exporting dynamic, energised culture, not sucking at the teat of mass tourism.”\"],\"className\":\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\",\"itemProp\":\"text\"}],[\"$\",\"p\",\"36db561ab47e\",{\"children\":[\"Now all these various strands have found a coalescence in Grizedale’s latest and most ambitious venture. The Farmers Arms is reputedly the oldest inn in the Lake District and having lain empty for many years was purchased by Grizedale in the middle of the pandemic, with the help of investors from both near and far. It opened in 2012 and in addition to serving locally sourced drinks and food—much of which is grown in the pub’s six acre grounds—there are Wednesday Soup Talks, musical gatherings and a range of workshops where pottery, craft and woodworking classes take place. \"],\"className\":\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\",\"itemProp\":\"text\"}],[\"$\",\"p\",\"2cec79e97fdf\",{\"children\":[\"“Our vision is to create a hybrid of hospitality and creative endeavour” says Sutherland, who has recently been doing stints in the kitchen between chefs. In true Grizedale—and Ruskinian—spirit, education remains at the core. And also internationalism. A recent educational exchange with architect Takeshi Hayatsu has led to the construction of a traditional working Japanese-style Cold Store built with locally-sourced materials which has just been awarded the 2024 AJ Small Projects Award.\"],\"className\":\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\",\"itemProp\":\"text\"}],[\"$\",\"h4\",\"8de6d9c8e9f0\",{\"children\":[\"New kind of network\"],\"className\":\"font-text-narrow-medium font-medium text-lg leading-tighter tracking-wide mb-md\"}],[\"$\",\"p\",\"1229a241cb23\",{\"children\":[\"The Farmersand Lawson Park already welcome visitors but now they are offering an opportunity for greater access to these extraordinary creative crucibles. Grizedale is ushering in a new phase of engagement with the launch of The Grizedale Arts Club which aims to safeguard its future and offer a wider involvement in its extensive activities. Just as Grizedale Arts originally described itself “as new kind of art institution, one that works beyond the established structures of the contemporary art world,” so the Grizedale Arts Club bills itself “a new kind of network” where for a modest annual fee—and discounted for those living in Cumbria—members can participate more fully in its projects, whether in the form of exclusive access to discounted accommodation at The Farmers and Lawson Park or taking part in its many workshops and events at home or elsewhere. “My idea for Grizedale arts is that it is an ever changing organisation,” says Sutherland.\"],\"className\":\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\",\"itemProp\":\"text\"}],[\"$\",\"p\",\"c600525200d0\",{\"children\":[\"“We are using art in everyday life and encouraging people to think creatively about their condition, their situation, and to connect with like-minded organisations and people all over the world”. 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srcSet="https://cdn.sanity.io/images/cxgd3urn/production/37e8487c2d7a43295a260787dea80279b5cb35f7-1600x1286.jpg?rect=224,297,1181,886&w=256&h=192&q=85&fit=crop&auto=format 1x, https://cdn.sanity.io/images/cxgd3urn/production/37e8487c2d7a43295a260787dea80279b5cb35f7-1600x1286.jpg?rect=224,297,1181,886&w=640&h=480&q=85&fit=crop&auto=format 2x" src="https://cdn.sanity.io/images/cxgd3urn/production/37e8487c2d7a43295a260787dea80279b5cb35f7-1600x1286.jpg?rect=224,297,1181,886&w=640&h=480&q=85&fit=crop&auto=format"/></div></a></div><div class="mb-sm col-span-2 col-start-1 row-start-2"><div class="text-red-900 font-sans-bold font-bold text-sm sm:text-xs leading-tighter tracking-wide select-none"><div class="empty:hidden"><span class="mr-xs"><a class="hover:underline" href="/keywords/exhibitions">Exhibitions</a></span><span class="w-2 mr-xs inline-block mb-[-3px]"><svg class="" height="100%" width="100%" fill="currentColor" preserveAspectRatio="xMinYMin meet" viewBox="0 0 8 12" x="0px" y="0px"><g><path d="M1 10.168H1.336L3.88 1H3.556L1 10.168Z"></path><path d="M4.71484 10.168H5.05084L7.59484 1H7.27084L4.71484 10.168Z"></path></g></svg></span><span class="font-sans-regular font-normal capitalize">preview</span></div></div></div><span class="inline-block mb-sm last:mb-0"><span class="font-sans-regular font-normal text-sm sm:text-xs leading-tight tracking-loose text-gray-700">24 January 2019</span></span><a class="block text-gray-800 hover:text-red-900 transition-colors duration-default cursor-pointer mb-md" href="/2019/01/24/bicentenary-events-aim-to-reignite-john-ruskins-radical-flame"><h4 class="w-full max-w-col-2-xl font-text-narrow-medium font-medium text-lg sm:text-base leading-tight tracking-loose">Bicentenary events aim to reignite John Ruskin’s radical flame</h4></a><div class="w-full max-w-col-2-xl last:mb-0 mb-sm"><div class="w-full max-w-col-2-xl empty:hidden last:mb-0 mb-xl"><p class="font-sans-regular font-normal text-base sm:text-sm leading-snug text-gray-700 w-full max-w-col-2-xl">The work of the influential—but now underappreciated—polymath, whose followers included Gandhi, is the subject of several shows this year</p></div><div class="leading-none mb-sm last:mb-0"><span class="text-gray-700 font-sans-regular font-normal text-sm sm:text-xs leading-tight whitespace-nowrap"><span class="whitespace-normal"><a class="font-sans-bold font-bold shadow-link transition-all duration-default hover:shadow-internalLink hover:text-red-900" href="/authors/jeremy-millar">Jeremy Millar</a></span></span></div></div></div><div class="relative w-full max-w-col-5 before:absolute before:top-0 before:left-0 before:w-full before:h-px mb-2xl flex flex-col sm:max-w-col-1"><div class="w-full mb-md"><a class="cursor-pointer" href="/2020/11/26/grizedale-launches-campaign-to-turn-historic-lake-district-pub-into-rural-arts-centre"><div class="overflow-hidden pointer-events-none"><img alt="" loading="lazy" width="208" height="156" decoding="async" data-nimg="1" class="transform-gpu transition-transform hover:scale-110 duration-1000 ease-out pointer-events-auto" style="color:transparent;height:auto;width:100%;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url("data:image/svg+xml;charset=utf-8,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 208 156'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'/%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'/%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'/%3E%3CfeComposite operator='out' in='s'/%3E%3CfeComposite in2='SourceGraphic'/%3E%3CfeGaussianBlur stdDeviation='20'/%3E%3C/filter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image/jpeg;base64,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'/%3E%3C/svg%3E")" srcSet="https://cdn.sanity.io/images/cxgd3urn/production/110a9ad46bcef925af7bfb0126b372c47bc72e45-1096x625.jpg?rect=132,0,833,625&w=256&h=192&q=85&fit=crop&auto=format 1x, https://cdn.sanity.io/images/cxgd3urn/production/110a9ad46bcef925af7bfb0126b372c47bc72e45-1096x625.jpg?rect=132,0,833,625&w=640&h=480&q=85&fit=crop&auto=format 2x" src="https://cdn.sanity.io/images/cxgd3urn/production/110a9ad46bcef925af7bfb0126b372c47bc72e45-1096x625.jpg?rect=132,0,833,625&w=640&h=480&q=85&fit=crop&auto=format"/></div></a></div><div class="mb-sm col-span-2 col-start-1 row-start-2"><div class="text-red-900 font-sans-bold font-bold text-sm sm:text-xs leading-tighter tracking-wide select-none"><div class="empty:hidden"><span class="mr-xs"><a class="hover:underline" href="/keywords/the-buck-stopped-here">The Buck stopped here</a></span><span class="w-2 mr-xs inline-block mb-[-3px]"><svg class="" height="100%" width="100%" fill="currentColor" preserveAspectRatio="xMinYMin meet" viewBox="0 0 8 12" x="0px" y="0px"><g><path d="M1 10.168H1.336L3.88 1H3.556L1 10.168Z"></path><path d="M4.71484 10.168H5.05084L7.59484 1H7.27084L4.71484 10.168Z"></path></g></svg></span><span class="font-sans-regular font-normal capitalize">blog</span></div></div></div><span class="inline-block mb-sm last:mb-0"><span class="font-sans-regular font-normal text-sm sm:text-xs leading-tight tracking-loose text-gray-700">26 November 2020</span></span><a class="block text-gray-800 hover:text-red-900 transition-colors duration-default cursor-pointer mb-md" href="/2020/11/26/grizedale-launches-campaign-to-turn-historic-lake-district-pub-into-rural-arts-centre"><h4 class="w-full max-w-col-2-xl font-text-narrow-medium font-medium text-lg sm:text-base leading-tight tracking-loose">Grizedale launches campaign to turn historic Lake District pub into rural arts centre</h4></a><div class="w-full max-w-col-2-xl last:mb-0 mb-sm"><div class="w-full max-w-col-2-xl empty:hidden last:mb-0 mb-xl"></div><div class="leading-none mb-sm last:mb-0"><span class="text-gray-700 font-sans-regular font-normal text-sm sm:text-xs leading-tight whitespace-nowrap"><span class="whitespace-normal"><a class="font-sans-bold font-bold shadow-link transition-all duration-default hover:shadow-internalLink hover:text-red-900" href="/authors/louisa-buck">Louisa Buck</a></span></span></div></div></div><div class="relative w-full max-w-col-5 before:absolute before:top-0 before:left-0 before:w-full before:h-px mb-2xl flex flex-col sm:max-w-col-1"><div class="w-full mb-md"><a class="cursor-pointer" href="/2018/01/23/rural-rites-at-hauser-and-wirth-somerset-show"><div class="overflow-hidden pointer-events-none"><img alt="" loading="lazy" width="208" height="156" decoding="async" data-nimg="1" class="transform-gpu transition-transform hover:scale-110 duration-1000 ease-out pointer-events-auto" style="color:transparent;height:auto;width:100%;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url("data:image/svg+xml;charset=utf-8,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 208 156'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'/%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'/%3E%3CfeFlood x='0' y='0' width='100%25' 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https://cdn.sanity.io/images/cxgd3urn/production/824e8f265f43c1fc303e378164d4f5645dc86552-7360x4912.jpg?rect=409,3,6543,4907&w=640&h=480&q=85&fit=crop&auto=format 2x" src="https://cdn.sanity.io/images/cxgd3urn/production/824e8f265f43c1fc303e378164d4f5645dc86552-7360x4912.jpg?rect=409,3,6543,4907&w=640&h=480&q=85&fit=crop&auto=format"/></div></a></div><div class="mb-sm col-span-2 col-start-1 row-start-2"><div class="text-red-900 font-sans-bold font-bold text-sm sm:text-xs leading-tighter tracking-wide select-none"><div class="empty:hidden"><span class="mr-xs"><a class="hover:underline" href="/keywords/the-buck-stopped-here">The Buck stopped here</a></span><span class="w-2 mr-xs inline-block mb-[-3px]"><svg class="" height="100%" width="100%" fill="currentColor" preserveAspectRatio="xMinYMin meet" viewBox="0 0 8 12" x="0px" y="0px"><g><path d="M1 10.168H1.336L3.88 1H3.556L1 10.168Z"></path><path d="M4.71484 10.168H5.05084L7.59484 1H7.27084L4.71484 10.168Z"></path></g></svg></span><span class="font-sans-regular font-normal capitalize">blog</span></div></div></div><span class="inline-block mb-sm last:mb-0"><span class="font-sans-regular font-normal text-sm sm:text-xs leading-tight tracking-loose text-gray-700">23 January 2018</span></span><a class="block text-gray-800 hover:text-red-900 transition-colors duration-default cursor-pointer mb-md" href="/2018/01/23/rural-rites-at-hauser-and-wirth-somerset-show"><h4 class="w-full max-w-col-2-xl font-text-narrow-medium font-medium text-lg sm:text-base leading-tight tracking-loose">Rural rites at Hauser & Wirth Somerset show</h4></a><div class="w-full max-w-col-2-xl last:mb-0 mb-sm"><div class="w-full max-w-col-2-xl empty:hidden last:mb-0 mb-xl"></div><div class="leading-none mb-sm last:mb-0"><span class="text-gray-700 font-sans-regular font-normal text-sm sm:text-xs leading-tight whitespace-nowrap"><span class="whitespace-normal"><a class="font-sans-bold font-bold shadow-link transition-all duration-default hover:shadow-internalLink hover:text-red-900" href="/authors/louisa-buck">Louisa Buck</a></span></span></div></div></div></div><script>$RS=function(a,b){a=document.getElementById(a);b=document.getElementById(b);for(a.parentNode.removeChild(a);a.firstChild;)b.parentNode.insertBefore(a.firstChild,b);b.parentNode.removeChild(b)};$RS("S:1","P:1")</script><script>$RC=function(b,c,e){c=document.getElementById(c);c.parentNode.removeChild(c);var a=document.getElementById(b);if(a){b=a.previousSibling;if(e)b.data="$!",a.setAttribute("data-dgst",e);else{e=b.parentNode;a=b.nextSibling;var f=0;do{if(a&&8===a.nodeType){var d=a.data;if("/$"===d)if(0===f)break;else f--;else"$"!==d&&"$?"!==d&&"$!"!==d||f++}d=a.nextSibling;e.removeChild(a);a=d}while(a);for(;c.firstChild;)e.insertBefore(c.firstChild,a);b.data="$"}b._reactRetry&&b._reactRetry()}};$RC("B:0","S:0")</script></body></html>