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Annie Hall - Wikipedia

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vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Soundtrack"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>Soundtrack</span> </div> </a> <ul id="toc-Soundtrack-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Release" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Release"> <div class="vector-toc-text"> <span class="vector-toc-numb">6</span> <span>Release</span> </div> </a> <ul id="toc-Release-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Reception" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Reception"> <div class="vector-toc-text"> <span class="vector-toc-numb">7</span> <span>Reception</span> </div> </a> <button aria-controls="toc-Reception-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Reception subsection</span> </button> <ul id="toc-Reception-sublist" class="vector-toc-list"> <li id="toc-Critical_response" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Critical_response"> <div class="vector-toc-text"> <span class="vector-toc-numb">7.1</span> <span>Critical response</span> </div> </a> <ul id="toc-Critical_response-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Critical_analysis" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Critical_analysis"> <div class="vector-toc-text"> <span class="vector-toc-numb">7.2</span> <span>Critical analysis</span> </div> </a> <ul id="toc-Critical_analysis-sublist" class="vector-toc-list"> <li id="toc-Love_and_sexuality" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Love_and_sexuality"> <div class="vector-toc-text"> <span class="vector-toc-numb">7.2.1</span> <span>Love and sexuality</span> </div> </a> <ul id="toc-Love_and_sexuality-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Jewish_identity" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Jewish_identity"> <div class="vector-toc-text"> <span class="vector-toc-numb">7.2.2</span> <span>Jewish identity</span> </div> </a> <ul id="toc-Jewish_identity-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Woody_Allen_persona" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Woody_Allen_persona"> <div class="vector-toc-text"> <span class="vector-toc-numb">7.2.3</span> <span>Woody Allen persona</span> </div> </a> <ul id="toc-Woody_Allen_persona-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Location" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Location"> <div class="vector-toc-text"> <span class="vector-toc-numb">7.2.4</span> <span>Location</span> </div> </a> <ul id="toc-Location-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Psychoanalysis_and_modernism" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Psychoanalysis_and_modernism"> <div class="vector-toc-text"> <span class="vector-toc-numb">7.2.5</span> <span>Psychoanalysis and modernism</span> </div> </a> <ul id="toc-Psychoanalysis_and_modernism-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> </ul> </li> <li id="toc-Accolades" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Accolades"> <div class="vector-toc-text"> <span class="vector-toc-numb">8</span> <span>Accolades</span> </div> </a> <button aria-controls="toc-Accolades-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Accolades subsection</span> </button> <ul id="toc-Accolades-sublist" class="vector-toc-list"> <li id="toc-American_Film_Institute_recognition" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#American_Film_Institute_recognition"> <div class="vector-toc-text"> <span class="vector-toc-numb">8.1</span> <span>American Film Institute recognition</span> </div> </a> <ul id="toc-American_Film_Institute_recognition-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Legacy_and_influence" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Legacy_and_influence"> <div class="vector-toc-text"> <span class="vector-toc-numb">8.2</span> <span>Legacy and influence</span> </div> </a> <ul id="toc-Legacy_and_influence-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-See_also" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#See_also"> <div class="vector-toc-text"> <span class="vector-toc-numb">9</span> <span>See also</span> </div> </a> <ul id="toc-See_also-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Note" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Note"> <div class="vector-toc-text"> <span class="vector-toc-numb">10</span> <span>Note</span> </div> </a> <ul id="toc-Note-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">11</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Bibliography" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Bibliography"> <div class="vector-toc-text"> <span class="vector-toc-numb">12</span> <span>Bibliography</span> </div> </a> <ul id="toc-Bibliography-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> <span class="vector-toc-numb">13</span> <span>External links</span> </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" title="Table of Contents" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" ><span class="vector-icon mw-ui-icon-listBullet mw-ui-icon-wikimedia-listBullet"></span> <span class="vector-dropdown-label-text">Toggle the table of contents</span> </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading"><i>Annie Hall</i></h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. Available in 55 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-55" aria-hidden="true" ><span class="vector-icon mw-ui-icon-language-progressive mw-ui-icon-wikimedia-language-progressive"></span> <span class="vector-dropdown-label-text">55 languages</span> </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D8%A2%D9%86%D9%8A_%D9%87%D8%A7%D9%84_(%D9%81%D9%8A%D9%84%D9%85)" title="آني هال (فيلم) – Arabic" lang="ar" hreflang="ar" data-title="آني هال (فيلم)" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target"><span>العربية</span></a></li><li class="interlanguage-link interwiki-an mw-list-item"><a href="https://an.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Aragonese" lang="an" hreflang="an" data-title="Annie Hall" data-language-autonym="Aragonés" data-language-local-name="Aragonese" class="interlanguage-link-target"><span>Aragonés</span></a></li><li class="interlanguage-link interwiki-ast mw-list-item"><a href="https://ast.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Asturian" lang="ast" hreflang="ast" data-title="Annie Hall" data-language-autonym="Asturianu" data-language-local-name="Asturian" class="interlanguage-link-target"><span>Asturianu</span></a></li><li class="interlanguage-link interwiki-azb mw-list-item"><a href="https://azb.wikipedia.org/wiki/%D8%A2%D9%86%DB%8C_%D9%87%D8%A7%D9%84" title="آنی هال – South Azerbaijani" lang="azb" hreflang="azb" data-title="آنی هال" data-language-autonym="تۆرکجه" data-language-local-name="South Azerbaijani" class="interlanguage-link-target"><span>تۆرکجه</span></a></li><li class="interlanguage-link interwiki-bn mw-list-item"><a href="https://bn.wikipedia.org/wiki/%E0%A6%85%E0%A7%8D%E0%A6%AF%E0%A6%BE%E0%A6%A8%E0%A6%BF_%E0%A6%B9%E0%A6%B2" title="অ্যানি হল – Bangla" lang="bn" hreflang="bn" data-title="অ্যানি হল" data-language-autonym="বাংলা" data-language-local-name="Bangla" class="interlanguage-link-target"><span>বাংলা</span></a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/%D0%90%D0%BD%D0%B8_%D0%A5%D0%BE%D0%BB" title="Ани Хол – Bulgarian" lang="bg" hreflang="bg" data-title="Ани Хол" data-language-autonym="Български" data-language-local-name="Bulgarian" class="interlanguage-link-target"><span>Български</span></a></li><li class="interlanguage-link interwiki-bs mw-list-item"><a href="https://bs.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Bosnian" lang="bs" hreflang="bs" data-title="Annie Hall" data-language-autonym="Bosanski" data-language-local-name="Bosnian" class="interlanguage-link-target"><span>Bosanski</span></a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Catalan" lang="ca" hreflang="ca" data-title="Annie Hall" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target"><span>Català</span></a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Annie_Hallov%C3%A1" title="Annie Hallová – Czech" lang="cs" hreflang="cs" data-title="Annie Hallová" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target"><span>Čeština</span></a></li><li class="interlanguage-link interwiki-cy mw-list-item"><a href="https://cy.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Welsh" lang="cy" hreflang="cy" data-title="Annie Hall" data-language-autonym="Cymraeg" data-language-local-name="Welsh" class="interlanguage-link-target"><span>Cymraeg</span></a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Mig_og_Annie" title="Mig og Annie – Danish" lang="da" hreflang="da" data-title="Mig og Annie" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target"><span>Dansk</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Der_Stadtneurotiker" title="Der Stadtneurotiker – German" lang="de" hreflang="de" data-title="Der Stadtneurotiker" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/%CE%9F_%CE%BD%CE%B5%CF%85%CF%81%CE%B9%CE%BA%CF%8C%CF%82_%CE%B5%CF%81%CE%B1%CF%83%CF%84%CE%AE%CF%82" title="Ο νευρικός εραστής – Greek" lang="el" hreflang="el" data-title="Ο νευρικός εραστής" data-language-autonym="Ελληνικά" data-language-local-name="Greek" class="interlanguage-link-target"><span>Ελληνικά</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Spanish" lang="es" hreflang="es" data-title="Annie Hall" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Esperanto" lang="eo" hreflang="eo" data-title="Annie Hall" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target"><span>Esperanto</span></a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Basque" lang="eu" hreflang="eu" data-title="Annie Hall" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target"><span>Euskara</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D8%A2%D9%86%DB%8C_%D9%87%D8%A7%D9%84" title="آنی هال – Persian" lang="fa" hreflang="fa" data-title="آنی هال" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – French" lang="fr" hreflang="fr" data-title="Annie Hall" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Galician" lang="gl" hreflang="gl" data-title="Annie Hall" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target"><span>Galego</span></a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EC%95%A0%EB%8B%88_%ED%99%80" title="애니 홀 – Korean" lang="ko" hreflang="ko" data-title="애니 홀" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target"><span>한국어</span></a></li><li class="interlanguage-link interwiki-hy mw-list-item"><a href="https://hy.wikipedia.org/wiki/%D4%B7%D5%B6%D5%B6%D5%AB_%D5%80%D5%B8%D5%AC%D5%AC" title="Էննի Հոլլ – Armenian" lang="hy" hreflang="hy" data-title="Էննի Հոլլ" data-language-autonym="Հայերեն" data-language-local-name="Armenian" class="interlanguage-link-target"><span>Հայերեն</span></a></li><li class="interlanguage-link interwiki-hr mw-list-item"><a href="https://hr.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Croatian" lang="hr" hreflang="hr" data-title="Annie Hall" data-language-autonym="Hrvatski" data-language-local-name="Croatian" class="interlanguage-link-target"><span>Hrvatski</span></a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Indonesian" lang="id" hreflang="id" data-title="Annie Hall" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target"><span>Bahasa Indonesia</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Io_e_Annie" title="Io e Annie – Italian" lang="it" hreflang="it" data-title="Io e Annie" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%94%D7%A8%D7%95%D7%9E%D7%9F_%D7%A9%D7%9C%D7%99_%D7%A2%D7%9D_%D7%90%D7%A0%D7%A0%D7%99" title="הרומן שלי עם אנני – Hebrew" lang="he" hreflang="he" data-title="הרומן שלי עם אנני" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target"><span>עברית</span></a></li><li class="interlanguage-link interwiki-ka mw-list-item"><a href="https://ka.wikipedia.org/wiki/%E1%83%94%E1%83%9C%E1%83%98_%E1%83%B0%E1%83%9D%E1%83%9A%E1%83%98" title="ენი ჰოლი – Georgian" lang="ka" hreflang="ka" data-title="ენი ჰოლი" data-language-autonym="ქართული" data-language-local-name="Georgian" class="interlanguage-link-target"><span>ქართული</span></a></li><li class="interlanguage-link interwiki-la mw-list-item"><a href="https://la.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Latin" lang="la" hreflang="la" data-title="Annie Hall" data-language-autonym="Latina" data-language-local-name="Latin" class="interlanguage-link-target"><span>Latina</span></a></li><li class="interlanguage-link interwiki-lv mw-list-item"><a href="https://lv.wikipedia.org/wiki/Enija_Hola" title="Enija Hola – Latvian" lang="lv" hreflang="lv" data-title="Enija Hola" data-language-autonym="Latviešu" data-language-local-name="Latvian" class="interlanguage-link-target"><span>Latviešu</span></a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Hungarian" lang="hu" hreflang="hu" data-title="Annie Hall" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target"><span>Magyar</span></a></li><li class="interlanguage-link interwiki-mk mw-list-item"><a href="https://mk.wikipedia.org/wiki/%D0%95%D0%BD%D0%B8_%D0%A5%D0%BE%D0%BB" title="Ени Хол – Macedonian" lang="mk" hreflang="mk" data-title="Ени Хол" data-language-autonym="Македонски" data-language-local-name="Macedonian" class="interlanguage-link-target"><span>Македонски</span></a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D8%A7%D9%86%D9%89_%D9%87%D9%88%D9%84_(%D9%81%D9%8A%D9%84%D9%85)" title="انى هول (فيلم) – Egyptian Arabic" lang="arz" hreflang="arz" data-title="انى هول (فيلم)" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target"><span>مصرى</span></a></li><li class="interlanguage-link interwiki-ms mw-list-item"><a href="https://ms.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Malay" lang="ms" hreflang="ms" data-title="Annie Hall" data-language-autonym="Bahasa Melayu" data-language-local-name="Malay" class="interlanguage-link-target"><span>Bahasa Melayu</span></a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Dutch" lang="nl" hreflang="nl" data-title="Annie Hall" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target"><span>Nederlands</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%82%A2%E3%83%8B%E3%83%BC%E3%83%BB%E3%83%9B%E3%83%BC%E3%83%AB" title="アニー・ホール – Japanese" lang="ja" hreflang="ja" data-title="アニー・ホール" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Annie_og_jeg" title="Annie og jeg – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Annie og jeg" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target"><span>Norsk bokmål</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Polish" lang="pl" hreflang="pl" data-title="Annie Hall" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Portuguese" lang="pt" hreflang="pt" data-title="Annie Hall" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target"><span>Português</span></a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Romanian" lang="ro" hreflang="ro" data-title="Annie Hall" data-language-autonym="Română" data-language-local-name="Romanian" class="interlanguage-link-target"><span>Română</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%AD%D0%BD%D0%BD%D0%B8_%D0%A5%D0%BE%D0%BB%D0%BB" title="Энни Холл – Russian" lang="ru" hreflang="ru" data-title="Энни Холл" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-sco mw-list-item"><a href="https://sco.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Scots" lang="sco" hreflang="sco" data-title="Annie Hall" data-language-autonym="Scots" data-language-local-name="Scots" class="interlanguage-link-target"><span>Scots</span></a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Simple English" lang="en-simple" hreflang="en-simple" data-title="Annie Hall" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target"><span>Simple English</span></a></li><li class="interlanguage-link interwiki-sl mw-list-item"><a href="https://sl.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Slovenian" lang="sl" hreflang="sl" data-title="Annie Hall" data-language-autonym="Slovenščina" data-language-local-name="Slovenian" class="interlanguage-link-target"><span>Slovenščina</span></a></li><li class="interlanguage-link interwiki-ckb mw-list-item"><a href="https://ckb.wikipedia.org/wiki/%D8%A6%D8%A7%D9%86%DB%8C_%DA%BE%D8%A7%D9%84" title="ئانی ھال – Central Kurdish" lang="ckb" hreflang="ckb" data-title="ئانی ھال" data-language-autonym="کوردی" data-language-local-name="Central Kurdish" class="interlanguage-link-target"><span>کوردی</span></a></li><li class="interlanguage-link interwiki-sr mw-list-item"><a href="https://sr.wikipedia.org/wiki/%D0%95%D0%BD%D0%B8_%D0%A5%D0%BE%D0%BB" title="Ени Хол – Serbian" lang="sr" hreflang="sr" data-title="Ени Хол" data-language-autonym="Српски / srpski" data-language-local-name="Serbian" class="interlanguage-link-target"><span>Српски / srpski</span></a></li><li class="interlanguage-link interwiki-sh mw-list-item"><a href="https://sh.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Serbo-Croatian" lang="sh" hreflang="sh" data-title="Annie Hall" data-language-autonym="Srpskohrvatski / српскохрватски" data-language-local-name="Serbo-Croatian" class="interlanguage-link-target"><span>Srpskohrvatski / српскохрватски</span></a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Finnish" lang="fi" hreflang="fi" data-title="Annie Hall" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target"><span>Suomi</span></a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Swedish" lang="sv" hreflang="sv" data-title="Annie Hall" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target"><span>Svenska</span></a></li><li class="interlanguage-link interwiki-ta mw-list-item"><a href="https://ta.wikipedia.org/wiki/%E0%AE%85%E0%AE%A3%E0%AF%8D%E0%AE%A3%E0%AF%80_%E0%AE%B9%E0%AE%BE%E0%AE%B2%E0%AF%8D" title="அண்ணீ ஹால் – Tamil" lang="ta" hreflang="ta" data-title="அண்ணீ ஹால்" data-language-autonym="தமிழ்" data-language-local-name="Tamil" class="interlanguage-link-target"><span>தமிழ்</span></a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Turkish" lang="tr" hreflang="tr" data-title="Annie Hall" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target"><span>Türkçe</span></a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%95%D0%BD%D0%BD%D1%96_%D0%93%D0%BE%D0%BB%D0%BB" title="Енні Голл – Ukrainian" lang="uk" hreflang="uk" data-title="Енні Голл" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target"><span>Українська</span></a></li><li class="interlanguage-link interwiki-ur mw-list-item"><a href="https://ur.wikipedia.org/wiki/%D8%A7%DB%8C%D9%86%DB%8C_%DB%81%D8%A7%D9%84" title="اینی ہال – Urdu" lang="ur" hreflang="ur" data-title="اینی ہال" data-language-autonym="اردو" data-language-local-name="Urdu" class="interlanguage-link-target"><span>اردو</span></a></li><li class="interlanguage-link interwiki-vi mw-list-item"><a href="https://vi.wikipedia.org/wiki/Annie_Hall" title="Annie Hall – Vietnamese" lang="vi" hreflang="vi" data-title="Annie Hall" data-language-autonym="Tiếng Việt" data-language-local-name="Vietnamese" class="interlanguage-link-target"><span>Tiếng Việt</span></a></li><li class="interlanguage-link interwiki-wuu mw-list-item"><a href="https://wuu.wikipedia.org/wiki/%E5%AE%89%E5%A6%AE%C2%B7%E9%9C%8D%E5%B0%94" title="安妮·霍尔 – Wu" lang="wuu" hreflang="wuu" data-title="安妮·霍尔" data-language-autonym="吴语" data-language-local-name="Wu" class="interlanguage-link-target"><span>吴语</span></a></li><li class="interlanguage-link interwiki-zh-yue mw-list-item"><a href="https://zh-yue.wikipedia.org/wiki/%E5%AE%89%E5%A6%AE%E8%8D%B7%E7%88%BE" title="安妮荷爾 – Cantonese" lang="yue" hreflang="yue" data-title="安妮荷爾" data-language-autonym="粵語" data-language-local-name="Cantonese" class="interlanguage-link-target"><span>粵語</span></a></li><li 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<div class="mw-indicators"> <div id="mw-indicator-good-star" class="mw-indicator"><div class="mw-parser-output"><span typeof="mw:File"><a href="/wiki/Wikipedia:Good_articles*" title="This is a good article. 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Click here for more information." src="//upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/19px-Symbol_support_vote.svg.png" decoding="async" width="19" height="20" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/29px-Symbol_support_vote.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/39px-Symbol_support_vote.svg.png 2x" data-file-width="180" data-file-height="185" /></a></span></div></div> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">1977 film by Woody Allen</div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">For the High Sheriff of Derbyshire, see <a href="/wiki/Annie_Hall_(high_sheriff)" title="Annie Hall (high sheriff)">Annie Hall (high sheriff)</a>.</div> <p class="mw-empty-elt"> </p> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vevent"><tbody><tr><th colspan="2" class="infobox-above summary" style="font-size: 125%; font-style: italic;">Annie Hall</th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Anniehallposter.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/e/e6/Anniehallposter.jpg/250px-Anniehallposter.jpg" decoding="async" width="220" height="340" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/e/e6/Anniehallposter.jpg 1.5x" data-file-width="254" data-file-height="392" /></a></span><div class="infobox-caption">Theatrical release poster</div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Directed by</th><td class="infobox-data"><a href="/wiki/Woody_Allen" title="Woody Allen">Woody Allen</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Written by</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist"> <ul><li>Woody Allen</li> <li><a href="/wiki/Marshall_Brickman" title="Marshall Brickman">Marshall Brickman</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Produced by</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409" /><div class="plainlist"> <ul><li><a href="/wiki/Charles_H._Joffe" title="Charles H. Joffe">Charles H. Joffe</a></li> <li><a href="/wiki/Jack_Rollins_(producer)" title="Jack Rollins (producer)">Jack Rollins</a> (uncredited)</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Starring</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409" /><div class="plainlist"> <ul><li>Woody Allen</li> <li><a href="/wiki/Diane_Keaton" title="Diane Keaton">Diane Keaton</a></li> <li><a href="/wiki/Tony_Roberts_(actor)" title="Tony Roberts (actor)">Tony Roberts</a></li> <li><a href="/wiki/Carol_Kane" title="Carol Kane">Carol Kane</a></li> <li><a href="/wiki/Paul_Simon" title="Paul Simon">Paul Simon</a></li> <li><a href="/wiki/Janet_Margolin" title="Janet Margolin">Janet Margolin</a></li> <li><a href="/wiki/Shelley_Duvall" title="Shelley Duvall">Shelley Duvall</a></li> <li><a href="/wiki/Christopher_Walken" title="Christopher Walken">Christopher Walken</a></li> <li><a href="/wiki/Colleen_Dewhurst" title="Colleen Dewhurst">Colleen Dewhurst</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Cinematography</th><td class="infobox-data"><a href="/wiki/Gordon_Willis" title="Gordon Willis">Gordon Willis</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Edited by</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409" /><div class="plainlist"> <ul><li><a href="/wiki/Ralph_Rosenblum" title="Ralph Rosenblum">Ralph Rosenblum</a></li> <li><a href="/wiki/Wendy_Greene_Bricmont" title="Wendy Greene Bricmont">Wendy Greene Bricmont</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Music by</th><td class="infobox-data"><i><a class="mw-selflink-fragment" href="#Soundtrack">See soundtrack</a></i></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;">Production<br />company</div></th><td class="infobox-data"><div style="vertical-align: middle;"><a href="/wiki/A_Jack_Rollins_and_Charles_H._Joffe_Production" class="mw-redirect" title="A Jack Rollins and Charles H. Joffe Production">A Jack Rollins and Charles H. Joffe Production</a></div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Distributed by</th><td class="infobox-data"><a href="/wiki/United_Artists" title="United Artists">United Artists</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0; white-space: normal;">Release dates</div></th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409" /><div class="plainlist film-date"> <ul><li>March&#160;27,&#160;1977<span style="display: none;">&#160;(<span class="bday dtstart published updated itvstart">1977-03-27</span>)</span>&#32;(<a href="/wiki/Los_Angeles_Film_Festival" class="mw-redirect" title="Los Angeles Film Festival">Los Angeles Film Festival</a>)</li> <li>April&#160;20,&#160;1977<span style="display: none;">&#160;(<span class="bday dtstart published updated itvstart">1977-4-20</span>)</span>&#32;(United States)</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0; white-space: normal;">Running time</div></th><td class="infobox-data">93 minutes</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Country</th><td class="infobox-data">United States</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Language</th><td class="infobox-data">English<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Budget</th><td class="infobox-data">$4 million</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Box office</th><td class="infobox-data">$44 million</td></tr></tbody></table> <p><i><b>Annie Hall</b></i> is a 1977 American <a href="/wiki/Satire_(film_and_television)" title="Satire (film and television)">satirical</a> <a href="/wiki/Romance_film" title="Romance film">romantic</a> <a href="/wiki/Comedy-drama" class="mw-redirect" title="Comedy-drama">comedy-drama</a> film directed by <a href="/wiki/Woody_Allen" title="Woody Allen">Woody Allen</a> from a screenplay written by Allen and <a href="/wiki/Marshall_Brickman" title="Marshall Brickman">Marshall Brickman</a>, and produced by Allen's manager, <a href="/wiki/Charles_H._Joffe" title="Charles H. Joffe">Charles H. Joffe</a>. The film stars Allen as Alvy Singer, who tries to figure out the reasons for the failure of his relationship with the eponymous female lead, played by <a href="/wiki/Diane_Keaton" title="Diane Keaton">Diane Keaton</a> in a role written specifically for her. </p><p>Principal photography for the film began on May 19, 1976, on the <a href="/wiki/South_Fork_(Long_Island)" title="South Fork (Long Island)">South Fork</a> of <a href="/wiki/Long_Island" title="Long Island">Long Island</a>, and continued periodically for the next ten months. Allen has described the result, which marked his first collaboration with cinematographer <a href="/wiki/Gordon_Willis" title="Gordon Willis">Gordon Willis</a>, as "a major turning point",<sup id="cite_ref-Björkman75_2-0" class="reference"><a href="#cite_note-Björkman75-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> in that, unlike the farces and comedies that were his work to that point, it introduced a new level of seriousness. Academics have noted the contrast in the settings of <a href="/wiki/New_York_City" title="New York City">New York City</a> and <a href="/wiki/Los_Angeles" title="Los Angeles">Los Angeles</a>, the stereotype of gender differences in sexuality, the presentation of <a href="/wiki/Jewish_identity" title="Jewish identity">Jewish identity</a>, and the elements of <a href="/wiki/Psychoanalysis" title="Psychoanalysis">psychoanalysis</a> and <a href="/wiki/Modernism" title="Modernism">modernism</a>. </p><p><i>Annie Hall</i> was screened at the <a href="/wiki/Los_Angeles_Film_Festival" class="mw-redirect" title="Los Angeles Film Festival">Los Angeles Film Festival</a> on March 27, 1977, before its official release in the United States on April 20, 1977. The film received widespread critical acclaim, and was nominated for the <a href="/wiki/Big_Five_Academy_Awards" class="mw-redirect" title="Big Five Academy Awards">Big Five Academy Awards</a>, winning four: the <a href="/wiki/Academy_Award_for_Best_Picture" title="Academy Award for Best Picture">Academy Award for Best Picture</a>, two for Allen (<a href="/wiki/Academy_Award_for_Best_Director" title="Academy Award for Best Director">Best Director</a> and, with Brickman, <a href="/wiki/Best_Original_Screenplay" class="mw-redirect" title="Best Original Screenplay">Best Original Screenplay</a>), and <a href="/wiki/Academy_Award_for_Best_Actress" title="Academy Award for Best Actress">Best Actress</a> for Keaton. The film additionally won four <a href="/wiki/BAFTA_Awards" class="mw-redirect" title="BAFTA Awards">BAFTA Awards</a>, including <a href="/wiki/BAFTA_Award_for_Best_Film" title="BAFTA Award for Best Film">Best Film</a>, <a href="/wiki/BAFTA_Award_for_Best_Direction" title="BAFTA Award for Best Direction">Best Direction</a> (for Allen), <a href="/wiki/BAFTA_Award_for_Best_Screenplay" title="BAFTA Award for Best Screenplay">Best Screenplay</a> (for both Allen and Brickman) and <a href="/wiki/BAFTA_Award_for_Best_Actress_in_a_Leading_Role" title="BAFTA Award for Best Actress in a Leading Role">Best Actress in a Leading Role</a> (for Keaton), in addition to the <a href="/wiki/Golden_Globe_Award_for_Best_Actress_%E2%80%93_Motion_Picture_Comedy_or_Musical" class="mw-redirect" title="Golden Globe Award for Best Actress – Motion Picture Comedy or Musical">Golden Globe Award for Best Actress – Motion Picture Comedy or Musical</a> (for Keaton). The film's box office receipts in the United States and Canada of $38,251,425 are fourth-best of Allen's works when not adjusted for inflation. </p><p>Regarded among <a href="/wiki/List_of_films_voted_the_best" title="List of films voted the best">the greatest films ever made</a>, it ranks 31st on <a href="/wiki/American_Film_Institute" title="American Film Institute">AFI</a>'s list of <a href="/wiki/AFI%27s_100_Years..._100_Movies" class="mw-redirect" title="AFI&#39;s 100 Years... 100 Movies">the 100 greatest films in American cinema</a>, 4th on their list of <a href="/wiki/AFI%27s_100_Years..._100_Laughs" class="mw-redirect" title="AFI&#39;s 100 Years... 100 Laughs">the greatest comedy films</a> and 28th on Bravo's "100 Funniest Movies". Film critic <a href="/wiki/Roger_Ebert" title="Roger Ebert">Roger Ebert</a> called it "just about everyone's favorite Woody Allen movie".<sup id="cite_ref-ebert_3-0" class="reference"><a href="#cite_note-ebert-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> The film's screenplay was also named the funniest ever written by the <a href="/wiki/Writers_Guild_of_America" title="Writers Guild of America">Writers Guild of America</a> in its list of the "101 Funniest Screenplays".<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> In 1992, the <a href="/wiki/Library_of_Congress" title="Library of Congress">Library of Congress</a> selected the film for preservation in the United States <a href="/wiki/National_Film_Registry" title="National Film Registry">National Film Registry</a> as being "culturally, historically or aesthetically significant".<sup id="cite_ref-:0_5-0" class="reference"><a href="#cite_note-:0-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> It is also regarded by critics as a landmark "transitional" film in Allen's career, moving his work from more "accessible"<sup id="cite_ref-:1_6-0" class="reference"><a href="#cite_note-:1-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> and surreal parody towards more "naturalistic" comic filmmaking.<sup id="cite_ref-:1_6-1" class="reference"><a href="#cite_note-:1-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Plot">Plot</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=1" title="Edit section: Plot"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Comedian Alvy Singer is trying to understand why his relationship with Annie Hall ended a year earlier. Growing up in <a href="/wiki/Brooklyn" title="Brooklyn">Brooklyn</a>, he vexed his mother with impossible questions about the emptiness of existence, and was precocious about his innocent sexual curiosity, suddenly kissing a classmate at six years old and not understanding why she was not keen to reciprocate. </p><p>Annie and Alvy, waiting in a movie theater line to see <i><a href="/wiki/The_Sorrow_and_the_Pity" title="The Sorrow and the Pity">The Sorrow and the Pity</a></i>, overhear another man deriding the work of <a href="/wiki/Federico_Fellini" title="Federico Fellini">Federico Fellini</a> and referencing <a href="/wiki/Marshall_McLuhan" title="Marshall McLuhan">Marshall McLuhan</a>. Alvy imagines McLuhan himself stepping in at his invitation to criticize the man's comprehension of his work. That night, Annie shows no interest in sex with Alvy. Instead, they discuss his first wife, whom he devalued because of her interest in him. His second marriage was to a New York writer who did not share his enthusiasm for sports and was unable to reach orgasm. </p><p>With Annie, it is different. The two of them have fun cooking a meal of boiled lobster together. He teases her about the unusual men in her past. They had met playing <a href="/wiki/Tennis_doubles" class="mw-redirect" title="Tennis doubles">tennis doubles</a> with friends. Following the game, awkward small talk leads her to offer him a ride uptown, and then a glass of wine on her balcony. There, what seemed a mild exchange of trivial personal data is revealed in "mental subtitles" as an escalating flirtation. Their first date follows Annie's singing audition for a nightclub ("<a href="/wiki/It_Had_to_Be_You_(song)" title="It Had to Be You (song)">It Had to Be You</a>"). After having sex that night, Alvy is "a wreck", while Annie relaxes with a <a href="/wiki/Cannabis_(drug)" title="Cannabis (drug)">joint</a>. </p><p>Soon, Annie admits she loves Alvy, while he buys her books on death and says that his feelings for her are more than just love. When Annie moves in with him, things become very tense. Eventually, Alvy finds her arm-in-arm with one of her adult-education professors, and the two begin to argue about whether this is the "flexibility" they had discussed. They eventually break up, and he searches for the truth of relationships, asking strangers on the street about the nature of love, questioning his formative years, and imagining a cartoon version of himself arguing with a cartoon Annie portrayed as the <a href="/wiki/Evil_Queen" title="Evil Queen">Evil Queen</a> in <i><a href="/wiki/Snow_White_and_the_Seven_Dwarfs_(1937_film)" title="Snow White and the Seven Dwarfs (1937 film)">Snow White</a></i>. </p><p>Alvy attempts a return to dating, but the effort is marred by <a href="/wiki/Neuroticism" title="Neuroticism">neurosis</a> and an underwhelming sexual encounter that is interrupted when Annie calls in the middle of the night, urging him to come over immediately to kill a spider in her bathroom. A reconciliation follows, coupled with a vow to stay together, come what may. However, their separate discussions with their therapists make it evident there is an unspoken and unbridgeable divide. When Alvy accepts an offer to present an award on television, they travel to Los Angeles with Alvy's friend Rob. However, on the return trip, they agree that their relationship is not working. After losing Annie to her record producer Tony Lacey, Alvy unsuccessfully tries to rekindle the flame with a marriage proposal. Back in New York, he stages a play of their relationship, but he changes the ending: now she accepts. </p><p>The last meeting between Annie and Alvy takes place on <a href="/wiki/Manhattan" title="Manhattan">Manhattan</a>'s <a href="/wiki/Upper_West_Side" title="Upper West Side">Upper West Side</a> after they have both moved on to someone new. Alvy's voice returns with the summation that though relationships are irrational, crazy, and absurd, we just need to have them. Annie sings "<a href="/wiki/Seems_Like_Old_Times_(song)" title="Seems Like Old Times (song)">Seems Like Old Times</a>". </p> <div class="mw-heading mw-heading2"><h2 id="Cast">Cast</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=2" title="Edit section: Cast"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:TrumanCapote1959.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b0/TrumanCapote1959.jpg/250px-TrumanCapote1959.jpg" decoding="async" width="170" height="196" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b0/TrumanCapote1959.jpg/330px-TrumanCapote1959.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b0/TrumanCapote1959.jpg/500px-TrumanCapote1959.jpg 2x" data-file-width="2962" data-file-height="3416" /></a><figcaption><a href="/wiki/Truman_Capote" title="Truman Capote">Truman Capote</a>, pictured here in 1959, had a cameo role in the film.</figcaption></figure> <ul><li><a href="/wiki/Woody_Allen" title="Woody Allen">Woody Allen</a> as Alvy Singer</li> <li><a href="/wiki/Diane_Keaton" title="Diane Keaton">Diane Keaton</a> as Annie Hall</li> <li><a href="/wiki/Tony_Roberts_(actor)" title="Tony Roberts (actor)">Tony Roberts</a> as Rob</li> <li><a href="/wiki/Carol_Kane" title="Carol Kane">Carol Kane</a> as Allison Portchnik</li> <li><a href="/wiki/Paul_Simon" title="Paul Simon">Paul Simon</a> as Tony Lacey</li> <li><a href="/wiki/Shelley_Duvall" title="Shelley Duvall">Shelley Duvall</a> as Pam</li> <li><a href="/wiki/Janet_Margolin" title="Janet Margolin">Janet Margolin</a> as Robin</li> <li><a href="/wiki/Colleen_Dewhurst" title="Colleen Dewhurst">Colleen Dewhurst</a> as Mrs. Hall</li> <li><a href="/wiki/Christopher_Walken" title="Christopher Walken">Christopher Walken</a><sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">&#91;</span>a<span class="cite-bracket">&#93;</span></a></sup> as Duane Hall</li> <li><a href="/wiki/Donald_Symington" title="Donald Symington">Donald Symington</a> as Mr. Hall</li> <li><a href="/wiki/Mordecai_Lawner" title="Mordecai Lawner">Mordecai Lawner</a> as Alvy's father</li> <li>Joan Newman as Alvy's mother</li> <li><a href="/wiki/Marshall_McLuhan" title="Marshall McLuhan">Marshall McLuhan</a> as himself</li> <li><a href="/wiki/Tracey_Walter" title="Tracey Walter">Tracey Walter</a> as actor in Rob's TV show</li></ul> <p><a href="/wiki/Truman_Capote" title="Truman Capote">Truman Capote</a> has a cameo in the film. Alvy is making quips about people walking by. He says, "There's the winner of the Truman Capote look-alike contest" as Capote walks through the frame.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup> Several actors who later gained a higher profile had small parts in the film: <a href="/wiki/John_Glover_(actor)" title="John Glover (actor)">John Glover</a> as Annie's actor boyfriend, Jerry; <a href="/wiki/Jeff_Goldblum" title="Jeff Goldblum">Jeff Goldblum</a> as a man who "forgot [his] <a href="/wiki/Mantra" title="Mantra">mantra</a>" at Tony Lacey's Christmas party; <a href="/wiki/Beverly_D%27Angelo" title="Beverly D&#39;Angelo">Beverly D'Angelo</a> as an actress in Rob's TV show; Christopher Walken as Annie's brother, Duane; and <a href="/wiki/Sigourney_Weaver" title="Sigourney Weaver">Sigourney Weaver</a>, in her film debut, in the closing sequence as Alvy's date at the movie theater. <a href="/wiki/Shelley_Hack" title="Shelley Hack">Shelley Hack</a> has a brief role, and <a href="/wiki/Laurie_Bird" title="Laurie Bird">Laurie Bird</a> also appears, two years before her suicide. </p> <div class="mw-heading mw-heading2"><h2 id="Style_and_technique">Style and technique</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=3" title="Edit section: Style and technique"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Technically, the film marked an advance for the director. He selected <a href="/wiki/Gordon_Willis" title="Gordon Willis">Gordon Willis</a> as his <a href="/wiki/Cinematographer" title="Cinematographer">cinematographer</a>—for Allen "a very important teacher" and a "technical wizard," saying, "I really count <i>Annie Hall</i> as the first step toward maturity in some way in making films."<sup id="cite_ref-Björkman77_10-0" class="reference"><a href="#cite_note-Björkman77-10"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup> At the time, it was considered an "odd pairing" by many, Keaton among them. The director was known for his comedies and farces, while Willis was known as "the prince of darkness" for work on dramatic films like <i><a href="/wiki/The_Godfather" title="The Godfather">The Godfather</a></i>.<sup id="cite_ref-PBSdocumentary_11-0" class="reference"><a href="#cite_note-PBSdocumentary-11"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> Despite this, the two became friends during filming and continued the collaboration on several later films, including <i><a href="/wiki/Zelig" title="Zelig">Zelig</a></i>, which earned Willis his first Academy Award nomination for <a href="/wiki/Academy_Award_for_Best_Cinematography" title="Academy Award for Best Cinematography">Best Cinematography</a>.<sup id="cite_ref-PBSdocumentary_11-1" class="reference"><a href="#cite_note-PBSdocumentary-11"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> </p><p>Willis described the production for the film as "relatively easy."<sup id="cite_ref-PBSdocumentary_11-2" class="reference"><a href="#cite_note-PBSdocumentary-11"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> He shot in varying styles; "hot golden light for <a href="/wiki/California" title="California">California</a>, grey overcast for Manhattan and a forties Hollywood glossy for&#160;... dream sequences," most of which were cut.<sup id="cite_ref-baxter248_12-0" class="reference"><a href="#cite_note-baxter248-12"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup> It was his suggestion which led Allen to film the dual therapy scenes in one set divided by a wall instead of the usual <a href="/wiki/Split_screen_(filmmaking)" class="mw-redirect" title="Split screen (filmmaking)">split screen</a> method.<sup id="cite_ref-PBSdocumentary_11-3" class="reference"><a href="#cite_note-PBSdocumentary-11"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> He tried long takes, with some shots, unabridged, lasting an entire scene, which, for Ebert, add to the dramatic power of the film: "Few viewers probably notice how much of <i>Annie Hall</i> consists of people talking, simply talking. They walk and talk, sit and talk, go to shrinks, go to lunch, make love and talk, talk to the camera, or launch into inspired monologues like Annie's free-association as she describes her family to Alvy. This speech by Diane Keaton is as close to perfect as such a speech can likely be&#160;... all done in one take of brilliant brinksmanship." He cites a study that calculated the <a href="/wiki/Average_shot_length" class="mw-redirect" title="Average shot length">average shot length</a> of <i>Annie Hall</i> to be 14.5 seconds, while other films made in 1977 had an average shot length of 4–7 seconds.<sup id="cite_ref-ebert_3-1" class="reference"><a href="#cite_note-ebert-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Peter_Cowie" title="Peter Cowie">Peter Cowie</a> suggests that "Allen breaks up his extended shots with more orthodox cutting back and forth in conversation pieces so that the forward momentum of the film is sustained."<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup> Bernd Herzogenrath notes the innovation in the use of the split-screen during the dinner scene to powerfully exaggerate the contrast between the Jewish and the gentile family.<sup id="cite_ref-Herzogenrath_14-0" class="reference"><a href="#cite_note-Herzogenrath-14"><span class="cite-bracket">&#91;</span>13<span class="cite-bracket">&#93;</span></a></sup> </p><p>Although the film is not essentially experimental, at several points it undermines the narrative reality.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">&#91;</span>14<span class="cite-bracket">&#93;</span></a></sup> James Bernardoni notes Allen's way of opening the film by facing the camera, which immediately intrudes upon audience involvement in the film.<sup id="cite_ref-Bernardoni01_16-0" class="reference"><a href="#cite_note-Bernardoni01-16"><span class="cite-bracket">&#91;</span>15<span class="cite-bracket">&#93;</span></a></sup> In one scene, Allen's character, in line to see a movie with Annie, listens to a man behind him deliver misinformed pontifications on the significance of Fellini's and Marshall McLuhan's work. Allen pulls McLuhan himself from just off-camera to correct the man's errors personally.<sup id="cite_ref-ebert_3-2" class="reference"><a href="#cite_note-ebert-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> Later in the film, when we see Annie and Alvy in their first extended talk, "mental subtitles" convey to the audience the characters' nervous inner doubts.<sup id="cite_ref-ebert_3-3" class="reference"><a href="#cite_note-ebert-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> An animated scene—with artwork based on the <a href="/wiki/Comic_strip" title="Comic strip">comic strip</a> <i><a href="/wiki/Inside_Woody_Allen" title="Inside Woody Allen">Inside Woody Allen</a></i>—depicts Alvy and Annie in the guise of the Wicked Queen from <i><a href="/wiki/Snow_White_and_the_Seven_Dwarfs_(1937_film)" title="Snow White and the Seven Dwarfs (1937 film)">Snow White</a></i>.<sup id="cite_ref-ebert_3-4" class="reference"><a href="#cite_note-ebert-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> Although Allen uses each of these techniques only once, the "<a href="/wiki/Fourth_wall" title="Fourth wall">fourth wall</a>" is broken several other times when characters address the camera directly. In one, Alvy stops several passers-by to ask questions about love, and in another, he shrugs off writing a happy ending to his relationship with Annie in his autobiographical first play as forgivable "wish-fulfillment." Allen chose to have Alvy break the <a href="/wiki/Fourth_wall" title="Fourth wall">fourth wall</a>, he explained, "because I felt many of the people in the audience had the same feelings and the same problems. I wanted to talk to them directly and confront them."<sup id="cite_ref-Björkman77_10-1" class="reference"><a href="#cite_note-Björkman77-10"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Production">Production</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=4" title="Edit section: Production"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Writing">Writing</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=5" title="Edit section: Writing"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The idea for what became <i>Annie Hall</i> was developed as Allen walked around <a href="/wiki/New_York_City" title="New York City">New York City</a> with co-writer <a href="/wiki/Marshall_Brickman" title="Marshall Brickman">Marshall Brickman</a>. The pair discussed the project frequently, sometimes becoming frustrated and rejecting the idea. Allen wrote a first draft of a screenplay within a four-day period, sending it to Brickman to make alterations. According to Brickman, this draft centered on a man in his forties, someone whose life consisted "of several strands." One was a relationship with a young woman, another was a concern with the banality of the life that we all live, and a third an obsession with proving himself and testing himself to find out what kind of character he had. Allen himself turned forty in 1975, and Brickman suggests that "advancing age" and "worries about death" had influenced Allen's philosophical, personal approach to complement his "commercial side".<sup id="cite_ref-rose274_17-0" class="reference"><a href="#cite_note-rose274-17"><span class="cite-bracket">&#91;</span>16<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-baxter241_18-0" class="reference"><a href="#cite_note-baxter241-18"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup> Allen made the conscious decision to "sacrifice some of the laughs for a story about human beings".<sup id="cite_ref-PBSdocumentary_11-4" class="reference"><a href="#cite_note-PBSdocumentary-11"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> He recognized that for the first time he had the courage to abandon the safety of complete broad comedy and had the will to produce a film of deeper meaning which would be a nourishing experience for the audience.<sup id="cite_ref-Björkman75_2-1" class="reference"><a href="#cite_note-Björkman75-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> He was also influenced by Federico Fellini's comedy drama <i><a href="/wiki/8%C2%BD" title="8½">8½</a></i> (1963), created at a similar personal turning point, and similarly colored by each director's <a href="/wiki/Psychoanalysis" title="Psychoanalysis">psychoanalysis</a>.<sup id="cite_ref-baxter241_18-1" class="reference"><a href="#cite_note-baxter241-18"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup> </p><p>Brickman and Allen sent the screenplay back and forth until they were ready to ask <a href="/wiki/United_Artists" title="United Artists">United Artists</a> for $4&#160;million.<sup id="cite_ref-baxter241_18-2" class="reference"><a href="#cite_note-baxter241-18"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup> Many elements from the early drafts did not survive. It was originally a drama centered on a murder mystery with a comic and romantic subplot.<sup id="cite_ref-Lax283_19-0" class="reference"><a href="#cite_note-Lax283-19"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup> According to Allen, the murder occurred after a scene that remains in the film, the sequence in which Annie and Alvy miss the Ingmar Bergman film <i><a href="/wiki/Face_to_Face_(1976_film)" title="Face to Face (1976 film)">Face to Face</a></i> (1976).<sup id="cite_ref-Björkman79_20-0" class="reference"><a href="#cite_note-Björkman79-20"><span class="cite-bracket">&#91;</span>19<span class="cite-bracket">&#93;</span></a></sup> Although they decided to drop the murder plot, Allen and Brickman made a murder mystery many years later: <i><a href="/wiki/Manhattan_Murder_Mystery" title="Manhattan Murder Mystery">Manhattan Murder Mystery</a></i> (1993), also starring Diane Keaton.<sup id="cite_ref-FOOTNOTEMitchell2001123_21-0" class="reference"><a href="#cite_note-FOOTNOTEMitchell2001123-21"><span class="cite-bracket">&#91;</span>20<span class="cite-bracket">&#93;</span></a></sup> The draft that Allen presented to the film's editor, <a href="/wiki/Ralph_Rosenblum" title="Ralph Rosenblum">Ralph Rosenblum</a>, concluded with the words, "ending to be shot."<sup id="cite_ref-rose262_22-0" class="reference"><a href="#cite_note-rose262-22"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup> </p><p>Allen suggested <i><a href="/wiki/Anhedonia" title="Anhedonia">Anhedonia</a></i>, a term for the inability to experience pleasure, as a working title,<sup id="cite_ref-baxter245_23-0" class="reference"><a href="#cite_note-baxter245-23"><span class="cite-bracket">&#91;</span>22<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">&#91;</span>23<span class="cite-bracket">&#93;</span></a></sup> and Brickman suggested alternatives including <i>It Had to Be Jew</i>, <i>Rollercoaster Named Desire</i> and <i>Me and My Goy</i>.<sup id="cite_ref-rose289_25-0" class="reference"><a href="#cite_note-rose289-25"><span class="cite-bracket">&#91;</span>24<span class="cite-bracket">&#93;</span></a></sup> An advertising agency, hired by United Artists, embraced Allen's choice of an obscure word by suggesting the studio take out newspaper advertisements that looked like fake tabloid headlines such as "Anhedonia Strikes Cleveland!".<sup id="cite_ref-rose289_25-1" class="reference"><a href="#cite_note-rose289-25"><span class="cite-bracket">&#91;</span>24<span class="cite-bracket">&#93;</span></a></sup> However, Allen experimented with several titles over five test screenings, including <i>Anxiety</i> and <i>Annie and Alvy</i>, before settling on <i>Annie Hall</i>.<sup id="cite_ref-rose289_25-2" class="reference"><a href="#cite_note-rose289-25"><span class="cite-bracket">&#91;</span>24<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Casting">Casting</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=6" title="Edit section: Casting"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Several references in the film to Allen's own life have invited speculation that it is autobiographical. Both Alvy and Allen were comedians. His birthday appears on the blackboard in a school scene, and "Alvy" was one of Allen's childhood nicknames;<sup id="cite_ref-spignesi185_26-0" class="reference"><a href="#cite_note-spignesi185-26"><span class="cite-bracket">&#91;</span>25<span class="cite-bracket">&#93;</span></a></sup> certain features of his childhood are found in Alvy Singer's;<sup id="cite_ref-Björkman78_27-0" class="reference"><a href="#cite_note-Björkman78-27"><span class="cite-bracket">&#91;</span>26<span class="cite-bracket">&#93;</span></a></sup> Allen went to <a href="/wiki/New_York_University" title="New York University">New York University</a> and so did Alvy. Diane Keaton's real surname is "Hall" and "Annie" was her nickname, and she and Allen were once romantically involved.<sup id="cite_ref-Björkman83_28-0" class="reference"><a href="#cite_note-Björkman83-28"><span class="cite-bracket">&#91;</span>27<span class="cite-bracket">&#93;</span></a></sup> However, Allen is quick to dispel these suggestions. "The stuff that people insist is autobiographical is almost invariably not," Allen said. "It's so exaggerated that it's virtually meaningless to the people upon whom these little nuances are based. People got it into their heads that <i>Annie Hall</i> was autobiographical, and I couldn't convince them it wasn't".<sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">&#91;</span>28<span class="cite-bracket">&#93;</span></a></sup> Contrary to various interviewers and commentators, he says, Alvy is not the character that is closest to himself; he identified more with the mother (Eve, played by <a href="/wiki/Geraldine_Page" title="Geraldine Page">Geraldine Page</a>) in his next film, <i><a href="/wiki/Interiors" title="Interiors">Interiors</a></i>.<sup id="cite_ref-Björkman86_30-0" class="reference"><a href="#cite_note-Björkman86-30"><span class="cite-bracket">&#91;</span>29<span class="cite-bracket">&#93;</span></a></sup> Despite this, Keaton has stated that the relationship between Alvy and Annie was partly based on her relationship with the director.<sup id="cite_ref-keatonmemoir_31-0" class="reference"><a href="#cite_note-keatonmemoir-31"><span class="cite-bracket">&#91;</span>30<span class="cite-bracket">&#93;</span></a></sup> </p><p>The role of Annie Hall was written specifically for Keaton, who had worked with Allen on <i><a href="/wiki/Play_It_Again,_Sam_(film)" title="Play It Again, Sam (film)">Play It Again, Sam</a></i> (1972), <i><a href="/wiki/Sleeper_(1973_film)" title="Sleeper (1973 film)">Sleeper</a></i> (1973) and <i><a href="/wiki/Love_and_Death" title="Love and Death">Love and Death</a></i> (1975).<sup id="cite_ref-keatonmemoir_31-1" class="reference"><a href="#cite_note-keatonmemoir-31"><span class="cite-bracket">&#91;</span>30<span class="cite-bracket">&#93;</span></a></sup> She considered the character an "affable version" of herself—both were "semi-articulate, dreamed of being a singer and suffered from insecurity"—and was surprised to win an Oscar for her performance.<sup id="cite_ref-keatonmemoir_31-2" class="reference"><a href="#cite_note-keatonmemoir-31"><span class="cite-bracket">&#91;</span>30<span class="cite-bracket">&#93;</span></a></sup> The film also marks the second film collaboration between Allen and Tony Roberts, their previous project being <i>Play It Again, Sam</i>.<sup id="cite_ref-PBSdocumentary_11-5" class="reference"><a href="#cite_note-PBSdocumentary-11"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> </p><p>Federico Fellini was Allen's first choice to appear in the cinema lobby scene because his films were under discussion,<sup id="cite_ref-Björkman79_20-1" class="reference"><a href="#cite_note-Björkman79-20"><span class="cite-bracket">&#91;</span>19<span class="cite-bracket">&#93;</span></a></sup> but Allen chose cultural academic Marshall McLuhan after both Fellini and <a href="/wiki/Luis_Bu%C3%B1uel" title="Luis Buñuel">Luis Buñuel</a> declined the cameo.<sup id="cite_ref-baxter249_32-0" class="reference"><a href="#cite_note-baxter249-32"><span class="cite-bracket">&#91;</span>31<span class="cite-bracket">&#93;</span></a></sup> Some cast members, biographer John Baxter claims, were aggrieved at Allen's treatment of them. The director "acted coldly" towards McLuhan, who had to return from Canada for reshooting, and <a href="/wiki/Mordecai_Lawner" title="Mordecai Lawner">Mordecai Lawner</a>, who played Alvy's father, claimed that Allen never spoke to him.<sup id="cite_ref-baxter249_32-1" class="reference"><a href="#cite_note-baxter249-32"><span class="cite-bracket">&#91;</span>31<span class="cite-bracket">&#93;</span></a></sup> However, during the production, Allen began a two-year relationship with <a href="/wiki/Stacey_Nelkin" title="Stacey Nelkin">Stacey Nelkin</a>, who appears in a single scene.<sup id="cite_ref-baxter249_32-2" class="reference"><a href="#cite_note-baxter249-32"><span class="cite-bracket">&#91;</span>31<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Filming,_editing_and_music"><span id="Filming.2C_editing_and_music"></span>Filming, editing and music</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=7" title="Edit section: Filming, editing and music"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:ThunderboltConeyIsland1995.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/5/59/ThunderboltConeyIsland1995.jpg/220px-ThunderboltConeyIsland1995.jpg" decoding="async" width="220" height="116" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/59/ThunderboltConeyIsland1995.jpg/330px-ThunderboltConeyIsland1995.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/59/ThunderboltConeyIsland1995.jpg/440px-ThunderboltConeyIsland1995.jpg 2x" data-file-width="974" data-file-height="513" /></a><figcaption><a href="/wiki/Woody_Allen" title="Woody Allen">Woody Allen</a> saw the <a href="/wiki/Thunderbolt_(1925_roller_coaster)" title="Thunderbolt (1925 roller coaster)">Coney Island Thunderbolt</a> when scouting locations and wrote it into the script as Alvy's childhood home.<sup id="cite_ref-spignesi185_26-1" class="reference"><a href="#cite_note-spignesi185-26"><span class="cite-bracket">&#91;</span>25<span class="cite-bracket">&#93;</span></a></sup></figcaption></figure> <p>Principal photography began on May 19, 1976, on the <a href="/wiki/South_Fork_(Long_Island)" title="South Fork (Long Island)">South Fork</a> of Long Island with the scene in which Alvy and Annie boil live lobsters; filming continued periodically for the next ten months,<sup id="cite_ref-baxter247_33-0" class="reference"><a href="#cite_note-baxter247-33"><span class="cite-bracket">&#91;</span>32<span class="cite-bracket">&#93;</span></a></sup> and deviated frequently from the screenplay. There was nothing written about Alvy's childhood home lying under a roller coaster, but when Allen was scouting locations in Brooklyn with Willis and art director Mel Bourne, he "saw this roller-coaster, and&#160;... saw the house under it. And I thought, we have to use this."<sup id="cite_ref-Björkman78_27-1" class="reference"><a href="#cite_note-Björkman78-27"><span class="cite-bracket">&#91;</span>26<span class="cite-bracket">&#93;</span></a></sup> Similarly, there is the incident where Alvy scatters a trove of cocaine with an accidental sneeze: although not in the script, the joke emerged from a rehearsal happenstance and stayed in the movie. In audience testing, this laugh was so sustained that a much longer pause had to be added so that the following dialogue was not lost.<sup id="cite_ref-34" class="reference"><a href="#cite_note-34"><span class="cite-bracket">&#91;</span>33<span class="cite-bracket">&#93;</span></a></sup> </p><p>Editor Ralph Rosenblum's first assembly of the film in 1976 left Brickman disappointed. "I felt that the film was running off in nine different directions," Brickman recalled.<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">&#91;</span>34<span class="cite-bracket">&#93;</span></a></sup> "It was like a first draft of a novel... from which two or three films could possibly be assembled."<sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">&#91;</span>35<span class="cite-bracket">&#93;</span></a></sup> Rosenblum characterized the first cut, at two hours and twenty minutes,<sup id="cite_ref-rose275_37-0" class="reference"><a href="#cite_note-rose275-37"><span class="cite-bracket">&#91;</span>36<span class="cite-bracket">&#93;</span></a></sup> as "the surrealistic and abstract adventures of a neurotic Jewish comedian who was reliving his highly flawed life and in the process satirizing much of our culture... a visual monologue, a more sophisticated and more philosophical version of <i><a href="/wiki/Take_the_Money_and_Run_(film)" title="Take the Money and Run (film)">Take the Money and Run</a></i>".<sup id="cite_ref-rose275_37-1" class="reference"><a href="#cite_note-rose275-37"><span class="cite-bracket">&#91;</span>36<span class="cite-bracket">&#93;</span></a></sup> Brickman found it "nondramatic and ultimately uninteresting, a kind of cerebral exercise."<sup id="cite_ref-rose281_38-0" class="reference"><a href="#cite_note-rose281-38"><span class="cite-bracket">&#91;</span>37<span class="cite-bracket">&#93;</span></a></sup> He suggested a more linear narrative.<sup id="cite_ref-rose283_39-0" class="reference"><a href="#cite_note-rose283-39"><span class="cite-bracket">&#91;</span>38<span class="cite-bracket">&#93;</span></a></sup> </p><p>The present-tense relationship between Alvy and Annie was not the narrative focus of this first cut, but Allen and Rosenblum recognized it as the dramatic spine, and began reworking the film "in the direction of that relationship."<sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">&#91;</span>39<span class="cite-bracket">&#93;</span></a></sup> Rosenblum recalled that Allen "had no hesitation about trimming away much of the first twenty minutes in order to establish Keaton more quickly."<sup id="cite_ref-rose281_38-1" class="reference"><a href="#cite_note-rose281-38"><span class="cite-bracket">&#91;</span>37<span class="cite-bracket">&#93;</span></a></sup> According to Allen, "I didn't sit down with Marshall Brickman and say, 'We're going to write a picture about a relationship.' I mean the whole concept of the picture changed as we were cutting it."<sup id="cite_ref-rose283_39-1" class="reference"><a href="#cite_note-rose283-39"><span class="cite-bracket">&#91;</span>38<span class="cite-bracket">&#93;</span></a></sup> </p><p>As the film was budgeted for two weeks of post-production photography,<sup id="cite_ref-rose262_22-1" class="reference"><a href="#cite_note-rose262-22"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup> late 1976 saw three separate shoots for the final segment, but only some of this material was used.<sup id="cite_ref-rose287_41-0" class="reference"><a href="#cite_note-rose287-41"><span class="cite-bracket">&#91;</span>40<span class="cite-bracket">&#93;</span></a></sup> The narration that ends the film, featuring the joke about 'we all need the eggs', was conceived and recorded only two hours before a test screening.<sup id="cite_ref-rose287_41-1" class="reference"><a href="#cite_note-rose287-41"><span class="cite-bracket">&#91;</span>40<span class="cite-bracket">&#93;</span></a></sup> </p><p>The credits call the film "A <a href="/wiki/Jack_Rollins_(producer)" title="Jack Rollins (producer)">Jack Rollins</a> and <a href="/wiki/Charles_H._Joffe" title="Charles H. Joffe">Charles H. Joffe</a> Production"; the two men were Allen's managers and received this same credit on his films from 1969 to 1993. However, for this film, Joffe took producer credit and therefore received the <a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> for <a href="/wiki/Academy_Award_for_Best_Picture" title="Academy Award for Best Picture">Best Picture</a>. The title sequence features a black background with white text in the <a href="/wiki/Windsor_(typeface)" title="Windsor (typeface)">Windsor Light Condensed</a> typeface, a design that Allen used on his subsequent films. <a href="/wiki/Stig_Bj%C3%B6rkman" title="Stig Björkman">Stig Björkman</a> sees some similarity to <a href="/wiki/Ingmar_Bergman" title="Ingmar Bergman">Ingmar Bergman</a>'s simple and consistent title design, although Allen says that his own choice is a cost-saving device.<sup id="cite_ref-Björkman76_42-0" class="reference"><a href="#cite_note-Björkman76-42"><span class="cite-bracket">&#91;</span>41<span class="cite-bracket">&#93;</span></a></sup> </p><p>Very little background music is heard in the film, a departure for Allen influenced by Ingmar Bergman.<sup id="cite_ref-Björkman76_42-1" class="reference"><a href="#cite_note-Björkman76-42"><span class="cite-bracket">&#91;</span>41<span class="cite-bracket">&#93;</span></a></sup> Diane Keaton performs twice in the jazz club: "It Had to be You" and "Seems Like Old Times" (the latter reprises in voiceover on the closing scene). The other exceptions include a boy's choir "Christmas Medley" played while the characters drive through Los Angeles, the Molto allegro from <a href="/wiki/Mozart" class="mw-redirect" title="Mozart">Mozart</a>'s <a href="/wiki/Jupiter_Symphony" class="mw-redirect" title="Jupiter Symphony">Jupiter Symphony</a> (heard as Annie and Alvy drive through the countryside), <a href="/wiki/Tommy_Dorsey" title="Tommy Dorsey">Tommy Dorsey</a>'s performance of "Sleepy Lagoon",<sup id="cite_ref-43" class="reference"><a href="#cite_note-43"><span class="cite-bracket">&#91;</span>42<span class="cite-bracket">&#93;</span></a></sup> and the anodyne cover of the <a href="/wiki/Savoy_Brown" title="Savoy Brown">Savoy Brown</a> song "A Hard Way to Go" playing at a party in the mansion of Paul Simon's character. </p> <div class="mw-heading mw-heading2"><h2 id="Soundtrack">Soundtrack</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=8" title="Edit section: Soundtrack"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>"<a href="/wiki/Seems_Like_Old_Times_(song)" title="Seems Like Old Times (song)">Seems Like Old Times</a>" (1945) - Music by <a href="/wiki/Carmen_Lombardo" title="Carmen Lombardo">Carmen Lombardo</a> - Lyrics by <a href="/wiki/John_Jacob_Loeb" title="John Jacob Loeb">John Jacob Loeb</a> - Sung by <a href="/wiki/Diane_Keaton" title="Diane Keaton">Diane Keaton</a> (uncredited) accompanied by <a href="/wiki/Artie_Butler" title="Artie Butler">Artie Butler</a> (uncredited)</li> <li>"<a href="/wiki/It_Had_to_Be_You_(song)" title="It Had to Be You (song)">It Had to Be You</a>" (1924) - Music by <a href="/wiki/Isham_Jones" title="Isham Jones">Isham Jones</a> - Lyrics by <a href="/wiki/Gus_Kahn" title="Gus Kahn">Gus Kahn</a> - Sung by Diane Keaton (uncredited) accompanied by Artie Butler (uncredited)</li> <li>"A Hard Way To Go" (1977) - Written and performed by <a href="/wiki/Tim_Weisberg" title="Tim Weisberg">Tim Weisberg</a></li> <li>"Christmas Medley" (Traditional Christmas songs: "<a href="/wiki/We_Wish_You_a_Merry_Christmas" title="We Wish You a Merry Christmas">We Wish You a Merry Christmas</a>" (uncredited), "<a href="/wiki/O_Tannenbaum" title="O Tannenbaum">O, Christmas Tree</a>" (uncredited) and "<i><a href="/wiki/God_Rest_You_Merry,_Gentlemen" class="mw-redirect" title="God Rest You Merry, Gentlemen">God Rest You Merry, Gentlemen</a></i>" (uncredited)) - Lyrics by <a href="/wiki/Ernst_Ansch%C3%BCtz" title="Ernst Anschütz">Ernst Anschütz</a> - Performed by the Do-Re-Mi Children's Chorus</li> <li>"<a href="/wiki/By_the_Sleepy_Lagoon" title="By the Sleepy Lagoon">Sleepy Lagoon</a>" (1930) - Composed by <a href="/wiki/Eric_Coates" title="Eric Coates">Eric Coates</a> - Performed by <a href="/wiki/Tommy_Dorsey" title="Tommy Dorsey">Tommy Dorsey</a></li> <li>"<a href="/wiki/Symphony_No._41_(Mozart)#IV._Molto_allegro" title="Symphony No. 41 (Mozart)">Symphony No. 41 in C Major, K. 551, Molto Allegro</a>" (1788) (uncredited) - Written by <a href="/wiki/Wolfgang_Amadeus_Mozart" title="Wolfgang Amadeus Mozart">Wolfgang Amadeus Mozart</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="Release">Release</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=9" title="Edit section: Release"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><i>Annie Hall</i> was shown at the <a href="/wiki/Los_Angeles_Film_Festival" class="mw-redirect" title="Los Angeles Film Festival">Los Angeles Film Festival</a> on March 27, 1977,<sup id="cite_ref-baxter245_23-1" class="reference"><a href="#cite_note-baxter245-23"><span class="cite-bracket">&#91;</span>22<span class="cite-bracket">&#93;</span></a></sup> before its official release in the United States on April 20, 1977.<sup id="cite_ref-boxoffice_44-0" class="reference"><a href="#cite_note-boxoffice-44"><span class="cite-bracket">&#91;</span>43<span class="cite-bracket">&#93;</span></a></sup> The film ultimately earned $38,251,425 ($198 million in 2024 dollars) in the United States and Canada against a $4-million budget, making it the 11th highest-grossing picture of 1977.<sup id="cite_ref-boxoffice_44-1" class="reference"><a href="#cite_note-boxoffice-44"><span class="cite-bracket">&#91;</span>43<span class="cite-bracket">&#93;</span></a></sup> On raw figures, it currently ranks as Allen's fourth-highest-grossing film in the United States, after <i>Manhattan</i>, <i>Hannah and Her Sisters</i> and <i><a href="/wiki/Midnight_in_Paris" title="Midnight in Paris">Midnight in Paris</a></i>; when adjusted for inflation, the gross figure makes it Allen's biggest box office hit.<sup id="cite_ref-rankings_45-0" class="reference"><a href="#cite_note-rankings-45"><span class="cite-bracket">&#91;</span>44<span class="cite-bracket">&#93;</span></a></sup> It played for over 100 consecutive weeks in London and grossed over $5.6 million in the United Kingdom.<sup id="cite_ref-46" class="reference"><a href="#cite_note-46"><span class="cite-bracket">&#91;</span>45<span class="cite-bracket">&#93;</span></a></sup> It was first released on <a href="/wiki/Blu-ray" title="Blu-ray">Blu-ray</a> on January 24, 2012, alongside Allen's film <i>Manhattan</i> (1979).<sup id="cite_ref-blurrayrelease_47-0" class="reference"><a href="#cite_note-blurrayrelease-47"><span class="cite-bracket">&#91;</span>46<span class="cite-bracket">&#93;</span></a></sup> Both releases include their original theatrical trailers.<sup id="cite_ref-blurrayrelease_47-1" class="reference"><a href="#cite_note-blurrayrelease-47"><span class="cite-bracket">&#91;</span>46<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Reception">Reception</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=10" title="Edit section: Reception"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Critical_response">Critical response</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=11" title="Edit section: Critical response"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Diane_Keaton_2012.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cd/Diane_Keaton_2012.jpg/250px-Diane_Keaton_2012.jpg" decoding="async" width="170" height="219" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cd/Diane_Keaton_2012.jpg/330px-Diane_Keaton_2012.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cd/Diane_Keaton_2012.jpg/500px-Diane_Keaton_2012.jpg 2x" data-file-width="822" data-file-height="1060" /></a><figcaption><a href="/wiki/Diane_Keaton" title="Diane Keaton">Diane Keaton</a> received widespread critical acclaim and numerous accolades for her performance, including the <a href="/wiki/Academy_Award_for_Best_Actress" title="Academy Award for Best Actress">Academy Award for Best Actress</a></figcaption></figure> <p><i>Annie Hall</i> met with widespread critical acclaim upon its release, with major praise directed towards the film's script and the performances of Allen and Keaton. </p><p><a href="/wiki/Tim_Radford" title="Tim Radford">Tim Radford</a> of <i><a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a></i> called the film "Allen's most closely focused and daring film to date".<sup id="cite_ref-gaurdian_48-0" class="reference"><a href="#cite_note-gaurdian-48"><span class="cite-bracket">&#91;</span>47<span class="cite-bracket">&#93;</span></a></sup> <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a>'</i> <a href="/wiki/Vincent_Canby" title="Vincent Canby">Vincent Canby</a> preferred <i>Annie Hall</i> to Allen's second directorial effort, <i><a href="/wiki/Take_the_Money_and_Run_(film)" title="Take the Money and Run (film)">Take the Money and Run</a></i>, since the former is more "humane" while the latter is more a "cartoon".<sup id="cite_ref-newyorktimes_49-0" class="reference"><a href="#cite_note-newyorktimes-49"><span class="cite-bracket">&#91;</span>48<span class="cite-bracket">&#93;</span></a></sup> Several critics have compared the film favorably to Bergman's <i><a href="/wiki/Scenes_from_a_Marriage" title="Scenes from a Marriage">Scenes from a Marriage</a></i> (1973),<sup id="cite_ref-newyorktimes_49-1" class="reference"><a href="#cite_note-newyorktimes-49"><span class="cite-bracket">&#91;</span>48<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-variety_50-0" class="reference"><a href="#cite_note-variety-50"><span class="cite-bracket">&#91;</span>49<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-slant_51-0" class="reference"><a href="#cite_note-slant-51"><span class="cite-bracket">&#91;</span>50<span class="cite-bracket">&#93;</span></a></sup> including Joseph McBride in <i><a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a></i>, who found it Allen's "most three-dimensional film to date" with an ambition equal to Bergman's best even as the co-stars become the "contemporary equivalent of&#160;... <a href="/wiki/Spencer_Tracy" title="Spencer Tracy">Tracy</a>-<a href="/wiki/Katharine_Hepburn" title="Katharine Hepburn">Hepburn</a>."<sup id="cite_ref-variety_50-1" class="reference"><a href="#cite_note-variety-50"><span class="cite-bracket">&#91;</span>49<span class="cite-bracket">&#93;</span></a></sup> </p><p>More critically, Peter Cowie commented that the film "suffers from its profusion of cultural references and <a href="/wiki/Asides" class="mw-redirect" title="Asides">asides</a>".<sup id="cite_ref-52" class="reference"><a href="#cite_note-52"><span class="cite-bracket">&#91;</span>51<span class="cite-bracket">&#93;</span></a></sup> Writing for <i><a href="/wiki/New_York_(magazine)" title="New York (magazine)">New York</a></i> magazine, <a href="/wiki/John_Simon_(critic)" title="John Simon (critic)">John Simon</a> called the film "unfunny comedy, poor moviemaking, and embarrassing self-revelation," and wrote that Keaton's performance was "in bad taste to watch and indecency to display," saying that the part should have been played by Robin Mary Paris, the actress who appears briefly in the scene where Alvy Singer has written a two-character play nakedly based on himself and Annie Hall. Simon's review of <i>Annie Hall </i> "It is a film so shapeless, sprawling, repetitious, and aimless as to seem to beg for oblivion. At this, it is successful."<sup id="cite_ref-53" class="reference"><a href="#cite_note-53"><span class="cite-bracket">&#91;</span>52<span class="cite-bracket">&#93;</span></a></sup> </p><p>The film has continued to receive positive reviews. In his 2002 lookback, <a href="/wiki/Roger_Ebert" title="Roger Ebert">Roger Ebert</a> added it to his <a href="/wiki/Great_Movies" class="mw-redirect" title="Great Movies">Great Movies</a> list and commented with surprise that the film had "an instant familiarity" despite its age,<sup id="cite_ref-ebert_3-5" class="reference"><a href="#cite_note-ebert-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> and <i><a href="/wiki/Slant_(magazine)" class="mw-redirect" title="Slant (magazine)">Slant</a></i> writer Jaime N. Christley found the one-liners "still gut-busting after 35 years".<sup id="cite_ref-slant_51-1" class="reference"><a href="#cite_note-slant-51"><span class="cite-bracket">&#91;</span>50<span class="cite-bracket">&#93;</span></a></sup> A later <i>Guardian</i> critic, <a href="/wiki/Peter_Bradshaw" title="Peter Bradshaw">Peter Bradshaw</a>, named it the best comedy film of all time, commenting that "this wonderfully funny, unbearably sad film is a miracle of comic writing and inspired film-making".<sup id="cite_ref-54" class="reference"><a href="#cite_note-54"><span class="cite-bracket">&#91;</span>53<span class="cite-bracket">&#93;</span></a></sup> John Marriott of the <i><a href="/wiki/Radio_Times" title="Radio Times">Radio Times</a></i> believed that <i>Annie Hall</i> was the film where Allen "found his own singular voice, a voice that echoes across events with a mixture of exuberance and introspection", referring to the "comic delight" derived from the "spirited playing of Diane Keaton as the kooky innocent from the Midwest, and Woody himself as the fumbling New York neurotic".<sup id="cite_ref-55" class="reference"><a href="#cite_note-55"><span class="cite-bracket">&#91;</span>54<span class="cite-bracket">&#93;</span></a></sup> <i><a href="/wiki/Empire_(magazine)" title="Empire (magazine)">Empire</a></i> magazine rated the movie five out of five stars, calling it a "classic".<sup id="cite_ref-56" class="reference"><a href="#cite_note-56"><span class="cite-bracket">&#91;</span>55<span class="cite-bracket">&#93;</span></a></sup> In 2017, Claire Dederer wrote, "<i>Annie Hall</i> is the greatest comic film of the twentieth century [...] because it acknowledges the irrepressible nihilism that lurks at the center of all comedy."<sup id="cite_ref-Dederer_57-0" class="reference"><a href="#cite_note-Dederer-57"><span class="cite-bracket">&#91;</span>56<span class="cite-bracket">&#93;</span></a></sup> </p><p>The Japanese filmmaker <a href="/wiki/Akira_Kurosawa" title="Akira Kurosawa">Akira Kurosawa</a> cited <i>Annie Hall</i> as one of his favorite films.<sup id="cite_ref-58" class="reference"><a href="#cite_note-58"><span class="cite-bracket">&#91;</span>57<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-59" class="reference"><a href="#cite_note-59"><span class="cite-bracket">&#91;</span>58<span class="cite-bracket">&#93;</span></a></sup> </p><p>On review aggregator <a href="/wiki/Rotten_Tomatoes" title="Rotten Tomatoes">Rotten Tomatoes</a>, the film has a rating of 97% based on 128 reviews, with an average rating of 9.10/10. The site's critical consensus reads, "Filled with poignant performances and devastating humor, <i>Annie Hall</i> represents a quantum leap for Woody Allen and remains an American classic."<sup id="cite_ref-60" class="reference"><a href="#cite_note-60"><span class="cite-bracket">&#91;</span>59<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Metacritic" title="Metacritic">Metacritic</a> gave the film a score of 92 out of 100 based on 20 critical reviews, indicating "universal acclaim".<sup id="cite_ref-61" class="reference"><a href="#cite_note-61"><span class="cite-bracket">&#91;</span>60<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Critical_analysis">Critical analysis</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=12" title="Edit section: Critical analysis"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading4"><h4 id="Love_and_sexuality">Love and sexuality</h4><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=13" title="Edit section: Love and sexuality"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Woody_Allen_(2006).jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3c/Woody_Allen_%282006%29.jpeg/250px-Woody_Allen_%282006%29.jpeg" decoding="async" width="170" height="229" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3c/Woody_Allen_%282006%29.jpeg/330px-Woody_Allen_%282006%29.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/3c/Woody_Allen_%282006%29.jpeg/500px-Woody_Allen_%282006%29.jpeg 2x" data-file-width="802" data-file-height="1080" /></a><figcaption><a href="/wiki/Woody_Allen" title="Woody Allen">Woody Allen</a> in <a href="/wiki/New_York_City" title="New York City">New York City</a> in 2006</figcaption></figure> <p>Sociologists <a href="/wiki/Virginia_Rutter" title="Virginia Rutter">Virginia Rutter</a> and <a href="/wiki/Pepper_Schwartz" title="Pepper Schwartz">Pepper Schwartz</a> consider Alvy and Annie's relationship to be a stereotype of gender differences in sexuality.<sup id="cite_ref-62" class="reference"><a href="#cite_note-62"><span class="cite-bracket">&#91;</span>61<span class="cite-bracket">&#93;</span></a></sup> The nature of love is a repeating subject for Allen and co-star Tony Roberts described this film as "the story of everybody who falls in love, and then falls out of love and goes on."<sup id="cite_ref-PBSdocumentary_11-6" class="reference"><a href="#cite_note-PBSdocumentary-11"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> Alvy searches for love's purpose through his effort to get over his depression about the demise of his relationship with Annie. Sometimes he sifts through his memories of the relationship, at another point he stops people on the sidewalk, with one woman saying that "It's never something you do. That's how people are. Love fades," a suggestion that it was no one's fault, they just grew apart and the end was inevitable. By the end of the film, Alvy accepts this and decides that love is ultimately "irrational and crazy and absurd", but a necessity of life.<sup id="cite_ref-FOOTNOTEPennington200772_63-0" class="reference"><a href="#cite_note-FOOTNOTEPennington200772-63"><span class="cite-bracket">&#91;</span>62<span class="cite-bracket">&#93;</span></a></sup> Christopher Knight believes Alvy's quest upon meeting Annie is carnal, whereas hers is on an emotional note.<sup id="cite_ref-64" class="reference"><a href="#cite_note-64"><span class="cite-bracket">&#91;</span>63<span class="cite-bracket">&#93;</span></a></sup> </p><p>Richard Brody of <i><a href="/wiki/The_New_Yorker" title="The New Yorker">The New Yorker</a></i> notes the film's "Eurocentric art-house self-awareness" and Alvy Singer's "psychoanalytic obsession in baring his sexual desires and frustrations, romantic disasters, and neurotic inhibitions".<sup id="cite_ref-65" class="reference"><a href="#cite_note-65"><span class="cite-bracket">&#91;</span>64<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Jewish_identity">Jewish identity</h4><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=14" title="Edit section: Jewish identity"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Singer is identified with the stereotypical neurotic Jewish male, and the differences between Alvy and Annie are often related to the perceptions and realities of Jewish identity. Vincent Brook notes that "Alvy dines with the <a href="/wiki/WASP" class="mw-redirect" title="WASP">WASP</a>-y Hall family and imagines that they must see him as a <a href="/wiki/Hasidic_Jew" class="mw-redirect" title="Hasidic Jew">Hasidic Jew</a>, complete with <a href="/wiki/Payot" title="Payot">payot</a> (ear locks) and a large black hat."<sup id="cite_ref-66" class="reference"><a href="#cite_note-66"><span class="cite-bracket">&#91;</span>65<span class="cite-bracket">&#93;</span></a></sup> Robert M. Seltzer and Norman J. Cohen highlight the scene in which Annie remarks that Annie's grandmother "hates Jews. She thinks they just make money, but she's the one. Is she ever, I'm telling you.", revealing the hypocrisy in her grandmother's stereotypical American view of Jews by arguing that "no stigma attaches to the love of money in America".<sup id="cite_ref-67" class="reference"><a href="#cite_note-67"><span class="cite-bracket">&#91;</span>66<span class="cite-bracket">&#93;</span></a></sup> Bernd Herzogenrath also considers Allen's joke, "I would like to but we need the eggs", to the doctor at the end when he suggests putting him in a mental institution, to be a paradox of not only the persona of the urban neurotic Jew but also of the film itself.<sup id="cite_ref-Herzogenrath_14-1" class="reference"><a href="#cite_note-Herzogenrath-14"><span class="cite-bracket">&#91;</span>13<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Woody_Allen_persona">Woody Allen persona</h4><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=15" title="Edit section: Woody Allen persona"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Christopher Knight points out that <i>Annie Hall</i> is framed through Alvy's experiences. "Generally, what we know about Annie and about the relationship comes filtered through Alvy, an intrusive narrator capable of halting the narrative and stepping out from it in order to entreat the audience's interpretative favor."<sup id="cite_ref-68" class="reference"><a href="#cite_note-68"><span class="cite-bracket">&#91;</span>67<span class="cite-bracket">&#93;</span></a></sup> He suggests that because Allen's films blur the protagonist with "past and future protagonists as well as with the director himself", it "makes a difference as to whether we are most responsive to the director's or the character's framing of events".<sup id="cite_ref-69" class="reference"><a href="#cite_note-69"><span class="cite-bracket">&#91;</span>68<span class="cite-bracket">&#93;</span></a></sup> Despite the narrative's framing, "the joke is on Alvy."<sup id="cite_ref-70" class="reference"><a href="#cite_note-70"><span class="cite-bracket">&#91;</span>69<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Emanuel_Levy" title="Emanuel Levy">Emanuel Levy</a> believes that Alvy Singer became synonymous with the public perception of Woody Allen in the United States.<sup id="cite_ref-71" class="reference"><a href="#cite_note-71"><span class="cite-bracket">&#91;</span>70<span class="cite-bracket">&#93;</span></a></sup> <i>Annie Hall</i> is viewed as the definitive Woody Allen film in displaying neurotic humor.<sup id="cite_ref-72" class="reference"><a href="#cite_note-72"><span class="cite-bracket">&#91;</span>71<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Location">Location</h4><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=16" title="Edit section: Location"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Upper_East_Side_NYC.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/ac/Upper_East_Side_NYC.jpg/250px-Upper_East_Side_NYC.jpg" decoding="async" width="220" height="147" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/ac/Upper_East_Side_NYC.jpg/330px-Upper_East_Side_NYC.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/ac/Upper_East_Side_NYC.jpg/500px-Upper_East_Side_NYC.jpg 2x" data-file-width="3504" data-file-height="2336" /></a><figcaption><a href="/wiki/Upper_East_Side" title="Upper East Side">Upper East Side</a> of <a href="/wiki/New_York_City" title="New York City">New York City</a></figcaption></figure> <p><i>Annie Hall</i> "is as much a love song to New York City as it is to the character,"<sup id="cite_ref-sparknotes_73-0" class="reference"><a href="#cite_note-sparknotes-73"><span class="cite-bracket">&#91;</span>72<span class="cite-bracket">&#93;</span></a></sup> reflecting Allen's adoration of the island of <a href="/wiki/Manhattan" title="Manhattan">Manhattan</a>. It was a relationship he explored repeatedly, particularly in films like <i><a href="/wiki/Manhattan_(1979_film)" title="Manhattan (1979 film)">Manhattan</a></i> (1979) and <i><a href="/wiki/Hannah_and_Her_Sisters" title="Hannah and Her Sisters">Hannah and Her Sisters</a></i> (1986).<sup id="cite_ref-PBSdocumentary_11-7" class="reference"><a href="#cite_note-PBSdocumentary-11"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> Annie Hall's apartment, which still exists on East 70th Street between <a href="/wiki/Lexington_Avenue" title="Lexington Avenue">Lexington Avenue</a> and <a href="/wiki/Park_Avenue" title="Park Avenue">Park Avenue</a>, is by Allen's own confession his favorite block in the city.<sup id="cite_ref-74" class="reference"><a href="#cite_note-74"><span class="cite-bracket">&#91;</span>73<span class="cite-bracket">&#93;</span></a></sup> Peter Cowie argues that the film shows "a romanticized view" of the borough, with the camera "linger[ing] on the <a href="/wiki/Upper_East_Side" title="Upper East Side">Upper East Side</a> [... and where] the fear of crime does not trouble its characters."<sup id="cite_ref-cowie21_75-0" class="reference"><a href="#cite_note-cowie21-75"><span class="cite-bracket">&#91;</span>74<span class="cite-bracket">&#93;</span></a></sup> By contrast, California is presented less positively, and David Halle notes the obvious "invidious intellectual comparison" between New York City and Los Angeles.<sup id="cite_ref-76" class="reference"><a href="#cite_note-76"><span class="cite-bracket">&#91;</span>75<span class="cite-bracket">&#93;</span></a></sup> While Manhattan's movie theaters show classic and foreign films, <a href="/wiki/Los_Angeles" title="Los Angeles">Los Angeles</a> theaters run less-prestigious fare such as <i><a href="/wiki/The_House_of_Exorcism" class="mw-redirect" title="The House of Exorcism">The House of Exorcism</a></i> and <i><a href="/wiki/Messiah_of_Evil" title="Messiah of Evil">Messiah of Evil</a></i>.<sup id="cite_ref-cowie21_75-1" class="reference"><a href="#cite_note-cowie21-75"><span class="cite-bracket">&#91;</span>74<span class="cite-bracket">&#93;</span></a></sup> Rob's demonstration of adding <a href="/wiki/Canned_laughter" class="mw-redirect" title="Canned laughter">canned laughter</a> to television demonstrates the "cynical artifice of the medium".<sup id="cite_ref-cowie21_75-2" class="reference"><a href="#cite_note-cowie21-75"><span class="cite-bracket">&#91;</span>74<span class="cite-bracket">&#93;</span></a></sup> New York City serves as a symbol of Alvy's personality ("gloomy, claustrophobic, and socially cold, but also an intellectual haven full of nervous energy") while Los Angeles is a symbol of freedom for Annie.<sup id="cite_ref-sparknotes_73-1" class="reference"><a href="#cite_note-sparknotes-73"><span class="cite-bracket">&#91;</span>72<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Psychoanalysis_and_modernism">Psychoanalysis and modernism</h4><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=17" title="Edit section: Psychoanalysis and modernism"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><i>Annie Hall</i> has been cited as a film which uses both therapy and analysis for comic effect.<sup id="cite_ref-Media2002_77-0" class="reference"><a href="#cite_note-Media2002-77"><span class="cite-bracket">&#91;</span>76<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Sam_B._Girgus" title="Sam B. Girgus">Sam B. Girgus</a> considers <i>Annie Hall</i> to be a story about memory and retrospection, which "dramatizes a return via narrative desire to the repressed and the unconscious in a manner similar to psychoanalysis".<sup id="cite_ref-Girgus02_78-0" class="reference"><a href="#cite_note-Girgus02-78"><span class="cite-bracket">&#91;</span>77<span class="cite-bracket">&#93;</span></a></sup> He argues that the film constitutes a self-conscious assertion of how narrative desire and humor interact in the film to reform ideas and perceptions and that Allen's deployment of Freudian concepts and humor forms a "pattern of skepticism toward surface meaning that compels further interpretation". Girgus believes that proof of the pervasiveness of <a href="/wiki/Sigmund_Freud" title="Sigmund Freud">Sigmund Freud</a> in the film is demonstrated at the beginning through a reference to a joke in <i><a href="/wiki/Jokes_and_Their_Relation_to_the_Unconscious" title="Jokes and Their Relation to the Unconscious">Jokes and Their Relation to the Unconscious</a></i>, and makes another joke about a psychiatrist and patient, which Girgus argues is also symbolic of the dynamic between humor and the unconscious in the film.<sup id="cite_ref-Girgus02_78-1" class="reference"><a href="#cite_note-Girgus02-78"><span class="cite-bracket">&#91;</span>77<span class="cite-bracket">&#93;</span></a></sup> Further Freudian concepts are later addressed in the film with Annie's recall of a dream to her psychoanalyst in which <a href="/wiki/Frank_Sinatra" title="Frank Sinatra">Frank Sinatra</a> is smothering her with a pillow, which alludes to Freud's belief in dreams as "visual representations of words or ideas".<sup id="cite_ref-Girgus02_78-2" class="reference"><a href="#cite_note-Girgus02-78"><span class="cite-bracket">&#91;</span>77<span class="cite-bracket">&#93;</span></a></sup> </p><p>Peter Bailey in his book <i>The Reluctant Film Art of Woody Allen</i>, argues that Alvy displays a "genial denigration of art" which contains a "significant equivocation", in that in his self-deprecation he invites the audience to believe that he is leveling with them.<sup id="cite_ref-Bailey_79-0" class="reference"><a href="#cite_note-Bailey-79"><span class="cite-bracket">&#91;</span>78<span class="cite-bracket">&#93;</span></a></sup> Bailey argues that Allen's devices in the film, including the subtitles which reveal Annie's and Alvy's thoughts "extend and reinforce <i>Annie Hall</i><span class="nowrap" style="padding-left:0.1em;">&#39;</span>s winsome ethos of plain-dealing and ingenuousness".<sup id="cite_ref-Bailey_79-1" class="reference"><a href="#cite_note-Bailey-79"><span class="cite-bracket">&#91;</span>78<span class="cite-bracket">&#93;</span></a></sup> He muses that the film is full of antimimetic emblems such as McLuhan's magical appearance which provide quirky humor and that the "disparity between mental projections of reality and actuality" drives the film. His view is that self-reflective cinematic devices intelligently dramatize the difference between surface and substance, with visual emblems "incessantly distilling the distinction between the world mentally constructed and reality".<sup id="cite_ref-Bailey_79-2" class="reference"><a href="#cite_note-Bailey-79"><span class="cite-bracket">&#91;</span>78<span class="cite-bracket">&#93;</span></a></sup> </p><p>In his discussion of the film's relation to <a href="/wiki/Modernism" title="Modernism">modernism</a>, Thomas Schatz finds the film an unresolved "examination of the process of human interaction and interpersonal communication"<sup id="cite_ref-schatz186_80-0" class="reference"><a href="#cite_note-schatz186-80"><span class="cite-bracket">&#91;</span>79<span class="cite-bracket">&#93;</span></a></sup> and "immediately establishes [a] self-referential stance" that invites the spectator "to read the narrative as something other than a sequential development toward some transcendent truth".<sup id="cite_ref-81" class="reference"><a href="#cite_note-81"><span class="cite-bracket">&#91;</span>80<span class="cite-bracket">&#93;</span></a></sup> For him, Alvy "is the victim of a tendency toward overdetermination of meaning – or in modernist terms 'the tyranny of the signified' – and his involvement with Annie can be viewed as an attempt to establish a spontaneous, intellectually unencumbered relationship, an attempt which is doomed to failure."<sup id="cite_ref-schatz186_80-1" class="reference"><a href="#cite_note-schatz186-80"><span class="cite-bracket">&#91;</span>79<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Accolades">Accolades</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=18" title="Edit section: Accolades"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <table class="wikitable floatright" style="width: 23em; font-size: 85%;"> <tbody><tr style="background:#ccc; text-align:center;"> <th colspan="2">Academy Awards </th></tr> <tr> <td><b>1. <a href="/wiki/Academy_Award_for_Best_Picture" title="Academy Award for Best Picture">Best Picture</a></b>, <a href="/wiki/Charles_H._Joffe" title="Charles H. Joffe">Charles H. Joffe</a> </td></tr> <tr> <td><b>2. <a href="/wiki/Academy_Award_for_Best_Director" title="Academy Award for Best Director">Best Director</a></b>, <a href="/wiki/Woody_Allen" title="Woody Allen">Woody Allen</a> </td></tr> <tr> <td><b>3. <a href="/wiki/Academy_Award_for_Best_Actress" title="Academy Award for Best Actress">Best Actress</a></b>, <a href="/wiki/Diane_Keaton" title="Diane Keaton">Diane Keaton</a> </td></tr> <tr> <td><b>4. <a href="/wiki/Best_Original_Screenplay" class="mw-redirect" title="Best Original Screenplay">Best Original Screenplay</a></b>, <a href="/wiki/Woody_Allen" title="Woody Allen">Woody Allen</a> and <a href="/wiki/Marshall_Brickman" title="Marshall Brickman">Marshall Brickman</a> </td></tr> <tr style="background:#ccc; text-align:center;"> <th colspan="2">Golden Globe Awards </th></tr> <tr> <td><b>1. <a href="/wiki/Golden_Globe_Award_for_Best_Actress_in_a_Motion_Picture_%E2%80%93_Musical_or_Comedy" title="Golden Globe Award for Best Actress in a Motion Picture – Musical or Comedy">Best Actress in a Motion Picture Musical or Comedy</a></b>, <a href="/wiki/Diane_Keaton" title="Diane Keaton">Diane Keaton</a> </td></tr> <tr style="background:#ccc; text-align:center;"> <th colspan="2">BAFTA Awards </th></tr> <tr> <td><b>1. <a href="/wiki/BAFTA_Award_for_Best_Film" title="BAFTA Award for Best Film">Best Film</a></b> </td></tr> <tr> <td><b>2. <a href="/wiki/BAFTA_Award_for_Best_Direction" title="BAFTA Award for Best Direction">Best Direction</a></b>, <a href="/wiki/Woody_Allen" title="Woody Allen">Woody Allen</a> </td></tr> <tr> <td><b>3. <a href="/wiki/BAFTA_Award_for_Best_Actress_in_a_Leading_Role" title="BAFTA Award for Best Actress in a Leading Role">Best Actress in a Leading Role</a></b>, <a href="/wiki/Diane_Keaton" title="Diane Keaton">Diane Keaton</a> </td></tr> <tr> <td><b>4. <a href="/wiki/BAFTA_Award_for_Best_Screenplay" title="BAFTA Award for Best Screenplay">Best Screenplay</a></b>, <a href="/wiki/Woody_Allen" title="Woody Allen">Woody Allen</a> and Marshall Brickman </td></tr> <tr> <td><b>5. <a href="/wiki/BAFTA_Award_for_Best_Editing" title="BAFTA Award for Best Editing">Best Editing</a></b>, Ralph Rosenblum and Wendy Greene Bricmont </td></tr></tbody></table> <p><i>Annie Hall</i> won four Oscars at the <a href="/wiki/50th_Academy_Awards" title="50th Academy Awards">50th Academy Awards</a> on April 3, 1978, and was nominated for five (the <a href="/wiki/List_of_Big_Five_Academy_Award_winners_and_nominees" title="List of Big Five Academy Award winners and nominees">Big Five</a>) in total. Producer Charles H. Joffe received the statue for Best Picture, Allen for <a href="/wiki/Academy_Award_for_Best_Director" title="Academy Award for Best Director">Best Director</a> and, with Brickman, for <a href="/wiki/Best_Original_Screenplay" class="mw-redirect" title="Best Original Screenplay">Best Original Screenplay</a>, and Keaton for <a href="/wiki/Academy_Award_for_Best_Actress" title="Academy Award for Best Actress">Best Actress</a>. Allen was also nominated for <a href="/wiki/Academy_Award_for_Best_Actor" title="Academy Award for Best Actor">Best Actor</a>.<sup id="cite_ref-82" class="reference"><a href="#cite_note-82"><span class="cite-bracket">&#91;</span>81<span class="cite-bracket">&#93;</span></a></sup> Many had expected <i><a href="/wiki/Star_Wars_(film)" title="Star Wars (film)">Star Wars</a></i> to win the major awards, including Brickman and executive producer <a href="/wiki/Robert_Greenhut" title="Robert Greenhut">Robert Greenhut</a>.<sup id="cite_ref-PBSdocumentary_11-8" class="reference"><a href="#cite_note-PBSdocumentary-11"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> </p><p>The film was also honored five times at the BAFTA awards. Along with the top award for <a href="/wiki/BAFTA_Award_for_Best_Film" title="BAFTA Award for Best Film">Best Film</a> and the award for <a href="/wiki/BAFTA_Award_for_Best_Editing" title="BAFTA Award for Best Editing">Best Editing</a>, Keaton won for <a href="/wiki/BAFTA_Award_for_Best_Actress_in_a_Leading_Role" title="BAFTA Award for Best Actress in a Leading Role">Best Actress</a>, Allen won for <a href="/wiki/BAFTA_Award_for_Best_Direction" title="BAFTA Award for Best Direction">Best Direction</a> and <a href="/wiki/BAFTA_Award_for_Best_Original_Screenplay" title="BAFTA Award for Best Original Screenplay">Best Original Screenplay</a> alongside Brickman.<sup id="cite_ref-bafta_83-0" class="reference"><a href="#cite_note-bafta-83"><span class="cite-bracket">&#91;</span>82<span class="cite-bracket">&#93;</span></a></sup> The film received one <a href="/wiki/Golden_Globe_Award" class="mw-redirect" title="Golden Globe Award">Golden Globe Award</a>, for <a href="/wiki/Golden_Globe_Award_for_Best_Actress_%E2%80%93_Motion_Picture_Comedy_or_Musical" class="mw-redirect" title="Golden Globe Award for Best Actress – Motion Picture Comedy or Musical">Best Actress – Motion Picture Comedy or Musical</a> (Keaton), in addition to four nominations: <a href="/wiki/Golden_Globe_Award_for_Best_Motion_Picture_%E2%80%93_Musical_or_Comedy" title="Golden Globe Award for Best Motion Picture – Musical or Comedy">Best Motion Picture – Musical or Comedy</a>, <a href="/wiki/Golden_Globe_Award_for_Best_Director" title="Golden Globe Award for Best Director">Best Director</a>, <a href="/wiki/Golden_Globe_Award_for_Best_Screenplay" title="Golden Globe Award for Best Screenplay">Best Screenplay</a> and <a href="/wiki/Golden_Globe_Award_for_Best_Actor_%E2%80%93_Motion_Picture_Musical_or_Comedy" class="mw-redirect" title="Golden Globe Award for Best Actor – Motion Picture Musical or Comedy">Best Actor – Motion Picture Musical or Comedy</a> (the latter three for Allen). </p><p>In 1992, the United States' <a href="/wiki/Library_of_Congress" title="Library of Congress">Library of Congress</a> selected the film for preservation in its <a href="/wiki/National_Film_Registry" title="National Film Registry">National Film Registry</a> that includes "culturally, historically, or aesthetically significant" films.<sup id="cite_ref-:0_5-1" class="reference"><a href="#cite_note-:0-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> The film is often mentioned among the greatest comedies of all time. <a href="/wiki/AFI%27s_100_Years..._100_Movies" class="mw-redirect" title="AFI&#39;s 100 Years... 100 Movies">The American Film Institute</a> lists it 31st in American cinema history.<sup id="cite_ref-WWW.AFi.com_84-0" class="reference"><a href="#cite_note-WWW.AFi.com-84"><span class="cite-bracket">&#91;</span>83<span class="cite-bracket">&#93;</span></a></sup> In 2000, they named it second greatest romantic comedy in American cinema.<sup id="cite_ref-WWW.AFi.com_84-1" class="reference"><a href="#cite_note-WWW.AFi.com-84"><span class="cite-bracket">&#91;</span>83<span class="cite-bracket">&#93;</span></a></sup> Keaton's performance of "Seems Like Old Times" was ranked 90th on their list of greatest songs included in a film, and her line "La-dee-da, la-dee-da." was named the 55th greatest movie quote.<sup id="cite_ref-WWW.AFi.com_84-2" class="reference"><a href="#cite_note-WWW.AFi.com-84"><span class="cite-bracket">&#91;</span>83<span class="cite-bracket">&#93;</span></a></sup> The screenplay was named the sixth greatest screenplay by the <a href="/wiki/Writers_Guild_of_America,_West" class="mw-redirect" title="Writers Guild of America, West">Writers Guild of America, West</a><sup id="cite_ref-wga_85-0" class="reference"><a href="#cite_note-wga-85"><span class="cite-bracket">&#91;</span>84<span class="cite-bracket">&#93;</span></a></sup> while <a href="/wiki/IGN" title="IGN">IGN</a> named it the seventh greatest comedy film of all time.<sup id="cite_ref-86" class="reference"><a href="#cite_note-86"><span class="cite-bracket">&#91;</span>85<span class="cite-bracket">&#93;</span></a></sup> In 2000, readers of <i><a href="/wiki/Total_Film" title="Total Film">Total Film</a></i> magazine voted it the forty-second greatest comedy film of all time, and the seventh greatest romantic comedy film of all time.<sup id="cite_ref-87" class="reference"><a href="#cite_note-87"><span class="cite-bracket">&#91;</span>86<span class="cite-bracket">&#93;</span></a></sup> Several lists ranking Allen's best films have put <i>Annie Hall</i> among his greatest work.<sup id="cite_ref-anythingelse_88-0" class="reference"><a href="#cite_note-anythingelse-88"><span class="cite-bracket">&#91;</span>87<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-89" class="reference"><a href="#cite_note-89"><span class="cite-bracket">&#91;</span>88<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-90" class="reference"><a href="#cite_note-90"><span class="cite-bracket">&#91;</span>89<span class="cite-bracket">&#93;</span></a></sup> </p><p>In June 2008, AFI revealed its <a href="/wiki/AFI%27s_10_Top_10" title="AFI&#39;s 10 Top 10">10 Top 10</a>—the best ten films in ten classic American film genres—after polling over 1,500 people from the creative community and <i>Annie Hall</i> was placed second in the romantic comedy genre.<sup id="cite_ref-91" class="reference"><a href="#cite_note-91"><span class="cite-bracket">&#91;</span>90<span class="cite-bracket">&#93;</span></a></sup> AFI also ranked <i>Annie Hall</i> on several other lists. In November 2008, <i>Annie Hall</i> was voted in at No. 68 on <i>Empire</i> magazine's list of <i>The 500 Greatest Movies of All Time</i>.<sup id="cite_ref-emp_92-0" class="reference"><a href="#cite_note-emp-92"><span class="cite-bracket">&#91;</span>91<span class="cite-bracket">&#93;</span></a></sup> It is also ranked No. 2 on Rotten Tomatoes' 25 Best Romantic Comedies, second only to <i><a href="/wiki/The_Philadelphia_Story_(film)" title="The Philadelphia Story (film)">The Philadelphia Story</a></i>.<sup id="cite_ref-93" class="reference"><a href="#cite_note-93"><span class="cite-bracket">&#91;</span>92<span class="cite-bracket">&#93;</span></a></sup> In 2012, the film was listed as the 127th best film of all time by the <i><a href="/wiki/Sight_%26_Sound" class="mw-redirect" title="Sight &amp; Sound">Sight &amp; Sound</a></i> critics' poll.<sup id="cite_ref-sightandsound_94-0" class="reference"><a href="#cite_note-sightandsound-94"><span class="cite-bracket">&#91;</span>93<span class="cite-bracket">&#93;</span></a></sup> The film was also named the 132nd best film by the <i>Sight &amp; Sound</i> directors' poll.<sup id="cite_ref-sightandsound_94-1" class="reference"><a href="#cite_note-sightandsound-94"><span class="cite-bracket">&#91;</span>93<span class="cite-bracket">&#93;</span></a></sup> In October 2013, the film was voted by the <i><a href="/wiki/Guardian_(newspaper)" class="mw-redirect" title="Guardian (newspaper)">Guardian</a></i> readers as the second best film directed by Woody Allen.<sup id="cite_ref-95" class="reference"><a href="#cite_note-95"><span class="cite-bracket">&#91;</span>94<span class="cite-bracket">&#93;</span></a></sup> In November 2015, the film was named the funniest screenplay by the <a href="/wiki/Writers_Guild_of_America" title="Writers Guild of America">Writers Guild of America</a> in its list of <i>101 Funniest Screenplays</i>.<sup id="cite_ref-96" class="reference"><a href="#cite_note-96"><span class="cite-bracket">&#91;</span>95<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="American_Film_Institute_recognition"><a href="/wiki/American_Film_Institute" title="American Film Institute">American Film Institute</a> recognition</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=19" title="Edit section: American Film Institute recognition"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The film is recognized by <a href="/wiki/American_Film_Institute" title="American Film Institute">American Film Institute</a> in these lists: </p> <ul><li>1998: <a href="/wiki/AFI%27s_100_Years...100_Movies" title="AFI&#39;s 100 Years...100 Movies">AFI's 100 Years...100 Movies</a> – #31<sup id="cite_ref-97" class="reference"><a href="#cite_note-97"><span class="cite-bracket">&#91;</span>96<span class="cite-bracket">&#93;</span></a></sup></li> <li>2000: <a href="/wiki/AFI%27s_100_Years...100_Laughs" title="AFI&#39;s 100 Years...100 Laughs">AFI's 100 Years...100 Laughs</a> – #4<sup id="cite_ref-98" class="reference"><a href="#cite_note-98"><span class="cite-bracket">&#91;</span>97<span class="cite-bracket">&#93;</span></a></sup></li> <li>2002: <a href="/wiki/AFI%27s_100_Years...100_Passions" title="AFI&#39;s 100 Years...100 Passions">AFI's 100 Years...100 Passions</a> – #11<sup id="cite_ref-99" class="reference"><a href="#cite_note-99"><span class="cite-bracket">&#91;</span>98<span class="cite-bracket">&#93;</span></a></sup></li> <li>2004: <a href="/wiki/AFI%27s_100_Years...100_Songs" title="AFI&#39;s 100 Years...100 Songs">AFI's 100 Years...100 Songs</a>: <ul><li>"<a href="/wiki/Seems_Like_Old_Times_(song)" title="Seems Like Old Times (song)">Seems Like Old Times</a>" – #90<sup id="cite_ref-100" class="reference"><a href="#cite_note-100"><span class="cite-bracket">&#91;</span>99<span class="cite-bracket">&#93;</span></a></sup></li></ul></li> <li>2005: <a href="/wiki/AFI%27s_100_Years...100_Movie_Quotes" title="AFI&#39;s 100 Years...100 Movie Quotes">AFI's 100 Years...100 Movie Quotes</a>: <ul><li>Annie Hall: "La-dee-da, la-dee-da." – #55<sup id="cite_ref-101" class="reference"><a href="#cite_note-101"><span class="cite-bracket">&#91;</span>100<span class="cite-bracket">&#93;</span></a></sup></li></ul></li> <li>2007: <a href="/wiki/AFI%27s_100_Years...100_Movies_(10th_Anniversary_Edition)" title="AFI&#39;s 100 Years...100 Movies (10th Anniversary Edition)">AFI's 100 Years...100 Movies (10th Anniversary Edition)</a> – #35<sup id="cite_ref-102" class="reference"><a href="#cite_note-102"><span class="cite-bracket">&#91;</span>101<span class="cite-bracket">&#93;</span></a></sup></li> <li>2008: <a href="/wiki/AFI%27s_10_Top_10" title="AFI&#39;s 10 Top 10">AFI's 10 Top 10</a>: <ul><li>No. 2 Romantic Comedy Film<sup id="cite_ref-103" class="reference"><a href="#cite_note-103"><span class="cite-bracket">&#91;</span>102<span class="cite-bracket">&#93;</span></a></sup></li></ul></li></ul> <p>1992 – <a href="/wiki/National_Film_Registry" title="National Film Registry">National Film Registry</a>.<sup id="cite_ref-104" class="reference"><a href="#cite_note-104"><span class="cite-bracket">&#91;</span>103<span class="cite-bracket">&#93;</span></a></sup> </p><p>In 2006, <i><a href="/wiki/Premiere_(magazine)" class="mw-redirect" title="Premiere (magazine)">Premiere</a></i> magazine ranked <a href="/wiki/Diane_Keaton" title="Diane Keaton">Keaton</a> in Annie Hall as 60th in its list of the "100 Greatest Performances of All Time", and noted: </p> <blockquote> <p>It's hard to play ditzy. ... The genius of Annie is that despite her loopy backhand, awful driving, and nervous tics, she's also a complicated, intelligent woman. Keaton brilliantly displays this dichotomy of her character, especially when she yammers away on a first date with Alvy (Woody Allen), while the subtitle reads, "He probably thinks I'm a yoyo." Yo-yo? Hardly.<sup id="cite_ref-105" class="reference"><a href="#cite_note-105"><span class="cite-bracket">&#91;</span>104<span class="cite-bracket">&#93;</span></a></sup> </p> </blockquote> <div class="mw-heading mw-heading3"><h3 id="Legacy_and_influence">Legacy and influence</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=20" title="Edit section: Legacy and influence"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Keaton_in_Annie_Hall.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/f/f5/Keaton_in_Annie_Hall.jpg/250px-Keaton_in_Annie_Hall.jpg" decoding="async" width="200" height="297" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/f/f5/Keaton_in_Annie_Hall.jpg 1.5x" data-file-width="259" data-file-height="384" /></a><figcaption><a href="/wiki/Diane_Keaton" title="Diane Keaton">Diane Keaton</a>'s dress style as Annie Hall; an influence on the fashion world during the late 1970s</figcaption></figure> <p>Although the film received widespread critical acclaim and numerous awards, Allen himself was disappointed with it, and said in an interview, "When <i>Annie Hall</i> started out, that film was not supposed to be what I wound up with. The film was supposed to be what happens in a guy's mind&#160;... Nobody understood anything that went on. The relationship between myself and Diane Keaton was all anyone cared about. That was not what I cared about&#160;... In the end, I had to reduce the film to just me and Diane Keaton, and that relationship, so I was quite disappointed in that movie".<sup id="cite_ref-cinemablendinterview_106-0" class="reference"><a href="#cite_note-cinemablendinterview-106"><span class="cite-bracket">&#91;</span>105<span class="cite-bracket">&#93;</span></a></sup> Allen has repeatedly declined to make a sequel,<sup id="cite_ref-107" class="reference"><a href="#cite_note-107"><span class="cite-bracket">&#91;</span>106<span class="cite-bracket">&#93;</span></a></sup> and in a 1992 interview stated that "Sequelism has become an annoying thing. I don't think <a href="/wiki/Francis_Coppola" class="mw-redirect" title="Francis Coppola">Francis Coppola</a> should have done <i><a href="/wiki/Godfather_III" class="mw-redirect" title="Godfather III">Godfather III</a></i> because <i><a href="/wiki/Godfather_II" class="mw-redirect" title="Godfather II">Godfather II</a></i> was quite great. When they make a sequel, it's just a thirst for more money, so I don't like that idea so much".<sup id="cite_ref-108" class="reference"><a href="#cite_note-108"><span class="cite-bracket">&#91;</span>107<span class="cite-bracket">&#93;</span></a></sup> </p><p>Diane Keaton has stated that Annie Hall was her favorite role and that the film meant everything to her.<sup id="cite_ref-109" class="reference"><a href="#cite_note-109"><span class="cite-bracket">&#91;</span>108<span class="cite-bracket">&#93;</span></a></sup> When asked if being most associated with the role concerned her as an actress, she replied, "I'm not haunted by Annie Hall. I'm happy to be Annie Hall. If somebody wants to see me that way, it's fine by me". Costume designer <a href="/wiki/Ruth_Morley" title="Ruth Morley">Ruth Morley</a>, working with Keaton, created a look which had an influence on the fashion world during the late-70s, with women adopting the style: layering oversized, mannish blazers over vests, billowy trousers or long skirts, a man's tie, and boots.<sup id="cite_ref-110" class="reference"><a href="#cite_note-110"><span class="cite-bracket">&#91;</span>109<span class="cite-bracket">&#93;</span></a></sup> The look was often referred to as the "<i>Annie Hall</i> look".<sup id="cite_ref-111" class="reference"><a href="#cite_note-111"><span class="cite-bracket">&#91;</span>110<span class="cite-bracket">&#93;</span></a></sup> Some sources suggest that Keaton herself was mainly responsible for the look, and Ralph Lauren has often claimed credit, but only one jacket and one tie were purchased from Ralph Lauren for use in the film.<sup id="cite_ref-112" class="reference"><a href="#cite_note-112"><span class="cite-bracket">&#91;</span>111<span class="cite-bracket">&#93;</span></a></sup> Allen recalled that Lauren and Keaton's dress style almost did not end up in the film. "She came in," he recalled in 1992, "and the costume lady on <i>Annie Hall</i> said, 'Tell her not to wear that. She can't wear that. It's so crazy.' And I said, 'Leave her. She's a genius. Let's just leave her alone, let her wear what she wants.<span style="padding-right:.15em;">'</span>"<sup id="cite_ref-113" class="reference"><a href="#cite_note-113"><span class="cite-bracket">&#91;</span>112<span class="cite-bracket">&#93;</span></a></sup> </p><p>The film's script topped the Writers Guild of America's list of 101 funniest screenplays ever, surpassing <i><a href="/wiki/Some_Like_It_Hot" title="Some Like It Hot">Some Like It Hot</a></i> (1959), <i><a href="/wiki/Groundhog_Day_(film)" title="Groundhog Day (film)">Groundhog Day</a></i> (1993), <i><a href="/wiki/Airplane!" title="Airplane!">Airplane!</a></i> (1980), and <i><a href="/wiki/Tootsie" title="Tootsie">Tootsie</a></i> (1982).<sup id="cite_ref-114" class="reference"><a href="#cite_note-114"><span class="cite-bracket">&#91;</span>113<span class="cite-bracket">&#93;</span></a></sup> James Bernardoni states that the film is "one of the very few romantic comedy-dramas of the New Hollywood era and one that has rightly taken its place among the classics of that revered genre", likening the seriocomic meditation on the couple relationship to <a href="/wiki/George_Cukor" title="George Cukor">George Cukor</a>'s <i><a href="/wiki/Adam%27s_Rib" title="Adam&#39;s Rib">Adam's Rib</a></i> (1949), starring <a href="/wiki/Katharine_Hepburn" title="Katharine Hepburn">Katharine Hepburn</a> and <a href="/wiki/Spencer_Tracy" title="Spencer Tracy">Spencer Tracy</a>.<sup id="cite_ref-Bernardoni01_16-1" class="reference"><a href="#cite_note-Bernardoni01-16"><span class="cite-bracket">&#91;</span>15<span class="cite-bracket">&#93;</span></a></sup> Since its release, other romantic comedies have inspired comparison. <i><a href="/wiki/When_Harry_Met_Sally..." title="When Harry Met Sally...">When Harry Met Sally...</a></i> (1989), <i><a href="/wiki/Chasing_Amy" title="Chasing Amy">Chasing Amy</a></i> (1997), <i><a href="/wiki/Burning_Annie" title="Burning Annie">Burning Annie</a></i> (2007), <i><a href="/wiki/500_Days_of_Summer" title="500 Days of Summer">500 Days of Summer</a></i> (2009) and Allen's 2003 film, <i><a href="/wiki/Anything_Else" title="Anything Else">Anything Else</a></i>, are among them,<sup id="cite_ref-sightandsound_94-2" class="reference"><a href="#cite_note-sightandsound-94"><span class="cite-bracket">&#91;</span>93<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Allmovie_115-0" class="reference"><a href="#cite_note-Allmovie-115"><span class="cite-bracket">&#91;</span>114<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-USAToday_116-0" class="reference"><a href="#cite_note-USAToday-116"><span class="cite-bracket">&#91;</span>115<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-117" class="reference"><a href="#cite_note-117"><span class="cite-bracket">&#91;</span>116<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-118" class="reference"><a href="#cite_note-118"><span class="cite-bracket">&#91;</span>117<span class="cite-bracket">&#93;</span></a></sup> while film director <a href="/wiki/Rian_Johnson" title="Rian Johnson">Rian Johnson</a> said in an interview for the book, <i><a href="/wiki/The_Film_That_Changed_My_Life" title="The Film That Changed My Life">The Film That Changed My Life</a></i>, that <i>Annie Hall</i> inspired him to become a film director.<sup id="cite_ref-119" class="reference"><a href="#cite_note-119"><span class="cite-bracket">&#91;</span>118<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Karen_Gillan" title="Karen Gillan">Karen Gillan</a> stated that she watched <i>Annie Hall</i> as part of her research for her lead role in <i><a href="/wiki/Not_Another_Happy_Ending" title="Not Another Happy Ending">Not Another Happy Ending</a></i>.<sup id="cite_ref-120" class="reference"><a href="#cite_note-120"><span class="cite-bracket">&#91;</span>119<span class="cite-bracket">&#93;</span></a></sup> In 2018, <a href="/wiki/Matt_Starr_(visual_artist)" title="Matt Starr (visual artist)">Matt Starr</a> and Ellie Sachs released a short film remake starring senior citizens.<sup id="cite_ref-121" class="reference"><a href="#cite_note-121"><span class="cite-bracket">&#91;</span>120<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-122" class="reference"><a href="#cite_note-122"><span class="cite-bracket">&#91;</span>121<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=21" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/List_of_cult_films" title="List of cult films">List of cult films</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="Note">Note</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=22" title="Edit section: Note"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-lower-alpha"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text">Misspelled as "Christopher Wlaken" in the closing credits.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup></span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=23" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626" /><div class="reflist reflist-columns references-column-width" style="column-width: 25em;"> <ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.bbfc.co.uk/release/annie-hall-q29sbgvjdglvbjpwwc0yota0mdk">"Annie Hall"</a>. <i><a href="/wiki/BBFC" class="mw-redirect" title="BBFC">BBFC</a></i>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=BBFC&amp;rft.atitle=Annie+Hall&amp;rft_id=https%3A%2F%2Fwww.bbfc.co.uk%2Frelease%2Fannie-hall-q29sbgvjdglvbjpwwc0yota0mdk&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-Björkman75-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-Björkman75_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Björkman75_2-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBjörkman1995">Björkman 1995</a>, p.&#160;75</span> </li> <li id="cite_note-ebert-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-ebert_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-ebert_3-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-ebert_3-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-ebert_3-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-ebert_3-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-ebert_3-5"><sup><i><b>f</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFEbert2002" class="citation web cs1">Ebert, Roger (May 12, 2002). <a rel="nofollow" class="external text" href="https://www.rogerebert.com/reviews/great-movie-annie-hall-1977">"Annie Hall movie review &amp; film summary (1977)"</a>. <i><a href="/wiki/RogerEbert.com" title="RogerEbert.com">RogerEbert.com</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130414011939/http://www.rogerebert.com/reviews/great-movie-annie-hall-1977">Archived</a> from the original on April 14, 2013<span class="reference-accessdate">. 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June 4, 2012. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190606184408/https://www.youtube.com/watch?v=KzHrdq_k8Ys">Archived</a> from the original on June 6, 2019<span class="reference-accessdate">. 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University Press of Kentucky. p.&#160;35. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0813139241" title="Special:BookSources/978-0813139241"><bdi>978-0813139241</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Reluctant+Film+Art+of+Woody+Allen&amp;rft.pages=35&amp;rft.pub=University+Press+of+Kentucky&amp;rft.date=2010-09-29&amp;rft.isbn=978-0813139241&amp;rft.aulast=Bailey&amp;rft.aufirst=Peter+J.&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DZ5rGWBIW_FgC%26pg%3DPA35&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-Bernardoni01-16"><span class="mw-cite-backlink">^ <a href="#cite_ref-Bernardoni01_16-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Bernardoni01_16-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBernardoni2001">Bernardoni 2001</a>, p.&#160;164</span> </li> <li id="cite_note-rose274-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-rose274_17-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRosenblumKaren1986">Rosenblum &amp; Karen 1986</a>, p.&#160;274</span> </li> <li id="cite_note-baxter241-18"><span class="mw-cite-backlink">^ <a href="#cite_ref-baxter241_18-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-baxter241_18-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-baxter241_18-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBaxter1999">Baxter 1999</a>, p.&#160;241</span> </li> <li id="cite_note-Lax283-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-Lax283_19-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLax2000">Lax 2000</a>, p.&#160;283</span> </li> <li id="cite_note-Björkman79-20"><span class="mw-cite-backlink">^ <a href="#cite_ref-Björkman79_20-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Björkman79_20-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBjörkman1995">Björkman 1995</a>, p.&#160;79</span> </li> <li id="cite_note-FOOTNOTEMitchell2001123-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMitchell2001123_21-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMitchell2001">Mitchell 2001</a>, p.&#160;123.</span> </li> <li id="cite_note-rose262-22"><span class="mw-cite-backlink">^ <a href="#cite_ref-rose262_22-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-rose262_22-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFRosenblumKaren1986">Rosenblum &amp; Karen 1986</a>, p.&#160;262</span> </li> <li id="cite_note-baxter245-23"><span class="mw-cite-backlink">^ <a href="#cite_ref-baxter245_23-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-baxter245_23-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBaxter1999">Baxter 1999</a>, p.&#160;245</span> </li> <li id="cite_note-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-24">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFGussow1977" class="citation news cs1"><a href="/wiki/Mel_Gussow" title="Mel Gussow">Gussow, Mel</a> (April 20, 1977). <a rel="nofollow" class="external text" href="https://www.nytimes.com/packages/html/movies/bestpictures/annie-ar.html">"Woody Allen Fights Anhedonia"</a>. <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170312025455/http://www.nytimes.com/packages/html/movies/bestpictures/annie-ar.html">Archived</a> from the original on March 12, 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">February 5,</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=Woody+Allen+Fights+Anhedonia&amp;rft.date=1977-04-20&amp;rft.aulast=Gussow&amp;rft.aufirst=Mel&amp;rft_id=https%3A%2F%2Fwww.nytimes.com%2Fpackages%2Fhtml%2Fmovies%2Fbestpictures%2Fannie-ar.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-rose289-25"><span class="mw-cite-backlink">^ <a href="#cite_ref-rose289_25-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-rose289_25-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-rose289_25-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFRosenblumKaren1986">Rosenblum &amp; Karen 1986</a>, p.&#160;289</span> </li> <li id="cite_note-spignesi185-26"><span class="mw-cite-backlink">^ <a href="#cite_ref-spignesi185_26-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-spignesi185_26-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSpignesi1992">Spignesi 1992</a>, p.&#160;185</span> </li> <li id="cite_note-Björkman78-27"><span class="mw-cite-backlink">^ <a href="#cite_ref-Björkman78_27-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Björkman78_27-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBjörkman1995">Björkman 1995</a>, p.&#160;78</span> </li> <li id="cite_note-Björkman83-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-Björkman83_28-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBjörkman1995">Björkman 1995</a>, p.&#160;83</span> </li> <li id="cite_note-29"><span class="mw-cite-backlink"><b><a href="#cite_ref-29">^</a></b></span> <span class="reference-text">1987 interview with William Geist in <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i>, cited in (<a href="#CITEREFBaxter1999">Baxter 1999</a>, p.&#160;244) and in (<a href="#CITEREFSpignesi1992">Spignesi 1992</a>, p.&#160;188)</span> </li> <li id="cite_note-Björkman86-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-Björkman86_30-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBjörkman1995">Björkman 1995</a>, p.&#160;86</span> </li> <li id="cite_note-keatonmemoir-31"><span class="mw-cite-backlink">^ <a href="#cite_ref-keatonmemoir_31-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-keatonmemoir_31-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-keatonmemoir_31-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Diane Keaton. <i>Then Again: A Memoir</i>, 2011.</span> </li> <li id="cite_note-baxter249-32"><span class="mw-cite-backlink">^ <a href="#cite_ref-baxter249_32-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-baxter249_32-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-baxter249_32-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBaxter1999">Baxter 1999</a>, p.&#160;249</span> </li> <li id="cite_note-baxter247-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-baxter247_33-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBaxter1999">Baxter 1999</a>, p.&#160;247</span> </li> <li id="cite_note-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-34">^</a></b></span> <span class="reference-text"><a href="#CITEREFRosenblumKaren1986">Rosenblum &amp; Karen 1986</a>, p.&#160;284-284</span> </li> <li id="cite_note-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-35">^</a></b></span> <span class="reference-text"><a href="#CITEREFRosenblumKaren1986">Rosenblum &amp; Karen 1986</a>, pp.&#160;280–281</span> </li> <li id="cite_note-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-36">^</a></b></span> <span class="reference-text"><a href="#CITEREFRosenblumKaren1986">Rosenblum &amp; Karen 1986</a>, p.&#160;278</span> </li> <li id="cite_note-rose275-37"><span class="mw-cite-backlink">^ <a href="#cite_ref-rose275_37-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-rose275_37-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFRosenblumKaren1986">Rosenblum &amp; Karen 1986</a>, p.&#160;275</span> </li> <li id="cite_note-rose281-38"><span class="mw-cite-backlink">^ <a href="#cite_ref-rose281_38-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-rose281_38-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFRosenblumKaren1986">Rosenblum &amp; Karen 1986</a>, p.&#160;281</span> </li> <li id="cite_note-rose283-39"><span class="mw-cite-backlink">^ <a href="#cite_ref-rose283_39-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-rose283_39-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFRosenblumKaren1986">Rosenblum &amp; Karen 1986</a>, p.&#160;283</span> </li> <li id="cite_note-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-40">^</a></b></span> <span class="reference-text"><a href="#CITEREFRosenblumKaren1986">Rosenblum &amp; Karen 1986</a>, pp.&#160;281–282</span> </li> <li id="cite_note-rose287-41"><span class="mw-cite-backlink">^ <a href="#cite_ref-rose287_41-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-rose287_41-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFRosenblumKaren1986">Rosenblum &amp; Karen 1986</a>, p.&#160;287</span> </li> <li id="cite_note-Björkman76-42"><span class="mw-cite-backlink">^ <a href="#cite_ref-Björkman76_42-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Björkman76_42-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBjörkman1995">Björkman 1995</a>, p.&#160;76</span> </li> <li id="cite_note-43"><span class="mw-cite-backlink"><b><a href="#cite_ref-43">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarvey2007">Harvey 2007</a>, p.&#160;19</span> </li> <li id="cite_note-boxoffice-44"><span class="mw-cite-backlink">^ <a href="#cite_ref-boxoffice_44-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-boxoffice_44-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://boxofficemojo.com/movies/?id=anniehall.htm">"Annie Hall, Box Office Information"</a>. <i><a href="/wiki/Box_Office_Mojo" title="Box Office Mojo">Box Office Mojo</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120113050031/http://www.boxofficemojo.com/movies/?id=anniehall.htm">Archived</a> from the original on January 13, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">January 29,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Box+Office+Mojo&amp;rft.atitle=Annie+Hall%2C+Box+Office+Information&amp;rft_id=https%3A%2F%2Fboxofficemojo.com%2Fmovies%2F%3Fid%3Danniehall.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-rankings-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-rankings_45-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.boxofficemojo.com/people/chart/?view=Director&amp;id=woodallen.htm">"Woody Allen Movie Box Office Results"</a>. <i>Box Office Mojo</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120716200104/http://www.boxofficemojo.com/people/chart/?view=Director&amp;id=woodallen.htm">Archived</a> from the original on July 16, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">July 20,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Box+Office+Mojo&amp;rft.atitle=Woody+Allen+Movie+Box+Office+Results&amp;rft_id=https%3A%2F%2Fwww.boxofficemojo.com%2Fpeople%2Fchart%2F%3Fview%3DDirector%26id%3Dwoodallen.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-46"><span class="mw-cite-backlink"><b><a href="#cite_ref-46">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation magazine cs1">"Desirable 'Dracula'<span class="cs1-kern-right"></span>". <i><a href="/wiki/Screen_International" title="Screen International">Screen International</a></i>. September 8, 1979. p.&#160;2.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Screen+International&amp;rft.atitle=Desirable+%27Dracula%27&amp;rft.pages=2&amp;rft.date=1979-09-08&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-blurrayrelease-47"><span class="mw-cite-backlink">^ <a href="#cite_ref-blurrayrelease_47-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-blurrayrelease_47-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFNashawaty2012" class="citation magazine cs1">Nashawaty, Chris (January 24, 2012). <a rel="nofollow" class="external text" href="http://www.ew.com/article/2012/01/24/annie-hall">"Annie Hall Review"</a>. <i><a href="/wiki/Entertainment_Weekly" title="Entertainment Weekly">Entertainment Weekly</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120120200136/http://www.ew.com/ew/article/0,,20562561,00.html">Archived</a> from the original on January 20, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">July 19,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Entertainment+Weekly&amp;rft.atitle=Annie+Hall+Review&amp;rft.date=2012-01-24&amp;rft.aulast=Nashawaty&amp;rft.aufirst=Chris&amp;rft_id=http%3A%2F%2Fwww.ew.com%2Farticle%2F2012%2F01%2F24%2Fannie-hall&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-gaurdian-48"><span class="mw-cite-backlink"><b><a href="#cite_ref-gaurdian_48-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFRadford1977" class="citation web cs1">Radford, Tim (September 29, 1977). <a rel="nofollow" class="external text" href="https://www.theguardian.com/film/2010/oct/18/annie-hall-archive-review">"Annie Hall: Archive review"</a>. <i><a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140106043137/http://www.theguardian.com/film/2010/oct/18/annie-hall-archive-review">Archived</a> from the original on January 6, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">July 18,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+Guardian&amp;rft.atitle=Annie+Hall%3A+Archive+review&amp;rft.date=1977-09-29&amp;rft.aulast=Radford&amp;rft.aufirst=Tim&amp;rft_id=https%3A%2F%2Fwww.theguardian.com%2Ffilm%2F2010%2Foct%2F18%2Fannie-hall-archive-review&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-newyorktimes-49"><span class="mw-cite-backlink">^ <a href="#cite_ref-newyorktimes_49-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-newyorktimes_49-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFCanby1977" class="citation web cs1"><a href="/wiki/Vincent_Canby" title="Vincent Canby">Canby, Vincent</a> (April 21, 1977). <a rel="nofollow" class="external text" href="https://movies.nytimes.com/movie/review?res=EE05E7DF173AE562BC4951DFB266838C669EDE">"Movie Review – Annie Hall"</a>. <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130721233636/http://movies.nytimes.com/movie/review?res=EE05E7DF173AE562BC4951DFB266838C669EDE">Archived</a> from the original on July 21, 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">July 19,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=Movie+Review+%E2%80%93+Annie+Hall&amp;rft.date=1977-04-21&amp;rft.aulast=Canby&amp;rft.aufirst=Vincent&amp;rft_id=https%3A%2F%2Fmovies.nytimes.com%2Fmovie%2Freview%3Fres%3DEE05E7DF173AE562BC4951DFB266838C669EDE&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-variety-50"><span class="mw-cite-backlink">^ <a href="#cite_ref-variety_50-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-variety_50-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFMcBride1979" class="citation magazine cs1"><a href="/wiki/Joseph_McBride_(writer)" title="Joseph McBride (writer)">McBride, Joseph</a> (March 29, 1979). <a rel="nofollow" class="external text" href="https://variety.com/1977/more/reviews/annie-hall-1200424062/">"Variety Reviews – Annie Hall"</a>. <i><a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160304205838/http://variety.com/1977/more/reviews/annie-hall-1200424062/">Archived</a> from the original on March 4, 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">July 19,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Variety&amp;rft.atitle=Variety+Reviews+%E2%80%93+Annie+Hall&amp;rft.date=1979-03-29&amp;rft.aulast=McBride&amp;rft.aufirst=Joseph&amp;rft_id=https%3A%2F%2Fvariety.com%2F1977%2Fmore%2Freviews%2Fannie-hall-1200424062%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-slant-51"><span class="mw-cite-backlink">^ <a href="#cite_ref-slant_51-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-slant_51-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFChristley2012" class="citation magazine cs1">Christley, Jaime (June 17, 2012). <a rel="nofollow" class="external text" href="https://www.slantmagazine.com/film/review/annie-hall/6348">"Annie Hall &#124; Film Review"</a>. <i>Slant Magazine</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120621001439/http://www.slantmagazine.com/film/review/annie-hall/6348">Archived</a> from the original on June 21, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">July 19,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Slant+Magazine&amp;rft.atitle=Annie+Hall+%26%23124%3B+Film+Review&amp;rft.date=2012-06-17&amp;rft.aulast=Christley&amp;rft.aufirst=Jaime&amp;rft_id=https%3A%2F%2Fwww.slantmagazine.com%2Ffilm%2Freview%2Fannie-hall%2F6348&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-52"><span class="mw-cite-backlink"><b><a href="#cite_ref-52">^</a></b></span> <span class="reference-text"><a href="#CITEREFCowie1996">Cowie 1996</a>, p.&#160;49</span> </li> <li id="cite_note-53"><span class="mw-cite-backlink"><b><a href="#cite_ref-53">^</a></b></span> <span class="reference-text">John Simon, New York Magazine, May 2, 1977, pg. 74</span> </li> <li id="cite_note-54"><span class="mw-cite-backlink"><b><a href="#cite_ref-54">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFBradshaw2010" class="citation web cs1"><a href="/wiki/Peter_Bradshaw" title="Peter Bradshaw">Bradshaw, Peter</a> (October 17, 2010). <a rel="nofollow" class="external text" href="https://www.theguardian.com/film/2010/oct/18/annie-hall-comedy">"Annie Hall: the best comedy film of all time"</a>. <i>The Guardian</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140504005720/http://www.theguardian.com/film/2010/oct/18/annie-hall-comedy">Archived</a> from the original on May 4, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">July 18,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+Guardian&amp;rft.atitle=Annie+Hall%3A+the+best+comedy+film+of+all+time&amp;rft.date=2010-10-17&amp;rft.aulast=Bradshaw&amp;rft.aufirst=Peter&amp;rft_id=https%3A%2F%2Fwww.theguardian.com%2Ffilm%2F2010%2Foct%2F18%2Fannie-hall-comedy&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-55"><span class="mw-cite-backlink"><b><a href="#cite_ref-55">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="http://www.radiotimes.com/film/cmhqv/annie-hall">"Annie Hall"</a>. <i><a href="/wiki/Radio_Times" title="Radio Times">Radio Times</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140312224627/http://www.radiotimes.com/film/cmhqv/annie-hall">Archived</a> from the original on March 12, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">March 12,</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Radio+Times&amp;rft.atitle=Annie+Hall&amp;rft_id=http%3A%2F%2Fwww.radiotimes.com%2Ffilm%2Fcmhqv%2Fannie-hall&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-56"><span class="mw-cite-backlink"><b><a href="#cite_ref-56">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFKennedy" class="citation magazine cs1">Kennedy, Colin. <a rel="nofollow" class="external text" href="https://www.empireonline.com/reviews/reviewcomplete.asp?DVDID=5999">"Empire's Annie Hall Movie Review"</a>. <i><a href="/wiki/Empire_(magazine)" title="Empire (magazine)">Empire</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20121116180153/http://www.empireonline.com/reviews/reviewcomplete.asp?DVDID=5999">Archived</a> from the original on November 16, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">July 18,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Empire&amp;rft.atitle=Empire%27s+Annie+Hall+Movie+Review&amp;rft.aulast=Kennedy&amp;rft.aufirst=Colin&amp;rft_id=https%3A%2F%2Fwww.empireonline.com%2Freviews%2Freviewcomplete.asp%3FDVDID%3D5999&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-Dederer-57"><span class="mw-cite-backlink"><b><a href="#cite_ref-Dederer_57-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFDederer2017" class="citation journal cs1">Dederer, Claire (November 20, 2017). <a rel="nofollow" class="external text" href="https://www.theparisreview.org/blog/2017/11/20/art-monstrous-men/">"What Do We Do with the Art of Monstrous Men?"</a>. <i>The Paris Review</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20171127101003/https://www.theparisreview.org/blog/2017/11/20/art-monstrous-men/">Archived</a> from the original on November 27, 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">November 27,</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Paris+Review&amp;rft.atitle=What+Do+We+Do+with+the+Art+of+Monstrous+Men%3F&amp;rft.date=2017-11-20&amp;rft.aulast=Dederer&amp;rft.aufirst=Claire&amp;rft_id=https%3A%2F%2Fwww.theparisreview.org%2Fblog%2F2017%2F11%2F20%2Fart-monstrous-men%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-58"><span class="mw-cite-backlink"><b><a href="#cite_ref-58">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFLee_Thomas-Mason2021" class="citation web cs1">Lee Thomas-Mason (January 12, 2021). <a rel="nofollow" class="external text" href="https://faroutmagazine.co.uk/akira-kurosawa-100-favourite-films-list/">"From Stanley Kubrick to Martin Scorsese: Akira Kurosawa once named his top 100 favourite films of all time"</a>. <i>Far Out</i>. Far Out Magazine. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210610003407/https://faroutmagazine.co.uk/akira-kurosawa-100-favourite-films-list/">Archived</a> from the original on June 10, 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">June 10,</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Far+Out&amp;rft.atitle=From+Stanley+Kubrick+to+Martin+Scorsese%3A+Akira+Kurosawa+once+named+his+top+100+favourite+films+of+all+time&amp;rft.date=2021-01-12&amp;rft.au=Lee+Thomas-Mason&amp;rft_id=https%3A%2F%2Ffaroutmagazine.co.uk%2Fakira-kurosawa-100-favourite-films-list%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-59"><span class="mw-cite-backlink"><b><a href="#cite_ref-59">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20100327124349/http://wildgrounds.com/index.php/2009/01/17/akira-kurosawas-top-100-movies/">"Akira Kurosawa's Top 100 Movies!"</a>. Archived from <a rel="nofollow" class="external text" href="http://wildgrounds.com/index.php/2009/01/17/akira-kurosawas-top-100-movies/">the original</a> on 27 March 2010.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Akira+Kurosawa%27s+Top+100+Movies%21&amp;rft_id=http%3A%2F%2Fwildgrounds.com%2Findex.php%2F2009%2F01%2F17%2Fakira-kurosawas-top-100-movies%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-60"><span class="mw-cite-backlink"><b><a href="#cite_ref-60">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.rottentomatoes.com/m/annie_hall/">"<i>Annie Hall</i> (1977)"</a>. <i><a href="/wiki/Rotten_Tomatoes" title="Rotten Tomatoes">Rotten Tomatoes</a></i>. <a href="/wiki/Fandango_Media" title="Fandango Media">Fandango Media</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190514214753/https://www.rottentomatoes.com/m/annie_hall/">Archived</a> from the original on May 14, 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">March 8,</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Rotten+Tomatoes&amp;rft.atitle=Annie+Hall+%281977%29&amp;rft_id=https%3A%2F%2Fwww.rottentomatoes.com%2Fm%2Fannie_hall%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-61"><span class="mw-cite-backlink"><b><a href="#cite_ref-61">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.metacritic.com/movie/annie-hall-1977">"<i>Annie Hall</i> Reviews"</a>. <i><a href="/wiki/Metacritic" title="Metacritic">Metacritic</a></i>. <a href="/wiki/CBS_Interactive" class="mw-redirect" title="CBS Interactive">CBS Interactive</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180214235649/http://www.metacritic.com/movie/annie-hall-1977">Archived</a> from the original on February 14, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">March 1,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Metacritic&amp;rft.atitle=Annie+Hall+Reviews&amp;rft_id=http%3A%2F%2Fwww.metacritic.com%2Fmovie%2Fannie-hall-1977&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-62"><span class="mw-cite-backlink"><b><a href="#cite_ref-62">^</a></b></span> <span class="reference-text"><a href="#CITEREFRutterSchwartz2012">Rutter &amp; Schwartz 2012</a>, p.&#160;45</span> </li> <li id="cite_note-FOOTNOTEPennington200772-63"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPennington200772_63-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPennington2007">Pennington 2007</a>, p.&#160;72.</span> </li> <li id="cite_note-64"><span class="mw-cite-backlink"><b><a href="#cite_ref-64">^</a></b></span> <span class="reference-text"><a href="#CITEREFKnight2004">Knight 2004</a>, p.&#160;217</span> </li> <li id="cite_note-65"><span class="mw-cite-backlink"><b><a href="#cite_ref-65">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFBrody2012" class="citation magazine cs1">Brody, Richard (June 25, 2012). <a rel="nofollow" class="external text" href="https://www.newyorker.com/arts/critics/notebook/2012/06/25/120625gonb_GOAT_notebook_brody">"It Begins Now"</a>. <i><a href="/wiki/The_New_Yorker" title="The New Yorker">The New Yorker</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140312212152/http://www.newyorker.com/arts/critics/notebook/2012/06/25/120625gonb_GOAT_notebook_brody">Archived</a> from the original on March 12, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">March 12,</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+Yorker&amp;rft.atitle=It+Begins+Now&amp;rft.date=2012-06-25&amp;rft.aulast=Brody&amp;rft.aufirst=Richard&amp;rft_id=https%3A%2F%2Fwww.newyorker.com%2Farts%2Fcritics%2Fnotebook%2F2012%2F06%2F25%2F120625gonb_GOAT_notebook_brody&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-66"><span class="mw-cite-backlink"><b><a href="#cite_ref-66">^</a></b></span> <span class="reference-text"><a href="#CITEREFBrook2006">Brook 2006</a>, p.&#160;22</span> </li> <li id="cite_note-67"><span class="mw-cite-backlink"><b><a href="#cite_ref-67">^</a></b></span> <span class="reference-text"><a href="#CITEREFSeltzerCohen1995">Seltzer &amp; Cohen 1995</a>, p.&#160;91</span> </li> <li id="cite_note-68"><span class="mw-cite-backlink"><b><a href="#cite_ref-68">^</a></b></span> <span class="reference-text"><a href="#CITEREFKnight2004">Knight 2004</a>, p.&#160;214</span> </li> <li id="cite_note-69"><span class="mw-cite-backlink"><b><a href="#cite_ref-69">^</a></b></span> <span class="reference-text"><a href="#CITEREFKnight2004">Knight 2004</a>, p.&#160;215</span> </li> <li id="cite_note-70"><span class="mw-cite-backlink"><b><a href="#cite_ref-70">^</a></b></span> <span class="reference-text"><a href="#CITEREFKnight2004">Knight 2004</a>, p.&#160;221</span> </li> <li id="cite_note-71"><span class="mw-cite-backlink"><b><a href="#cite_ref-71">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFLevy2005" class="citation web cs1">Levy, Emanuel (November 30, 2005). <a rel="nofollow" class="external text" href="http://emanuellevy.com/review/annie-hall-1977-oscar-winner-4/">"Annie Hall (1977): Oscar Winner"</a>. <i>Emanuellevy.com</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140312212233/http://emanuellevy.com/review/annie-hall-1977-oscar-winner-4/">Archived</a> from the original on March 12, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">March 12,</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Emanuellevy.com&amp;rft.atitle=Annie+Hall+%281977%29%3A+Oscar+Winner&amp;rft.date=2005-11-30&amp;rft.aulast=Levy&amp;rft.aufirst=Emanuel&amp;rft_id=http%3A%2F%2Femanuellevy.com%2Freview%2Fannie-hall-1977-oscar-winner-4%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-72"><span class="mw-cite-backlink"><b><a href="#cite_ref-72">^</a></b></span> <span class="reference-text"><a href="#CITEREFTueth2012">Tueth 2012</a>, p.&#160;135</span> </li> <li id="cite_note-sparknotes-73"><span class="mw-cite-backlink">^ <a href="#cite_ref-sparknotes_73-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-sparknotes_73-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.sparknotes.com/film/anniehall/themes.html">"Annie Hall: Themes, Motifs, and Symbols"</a>. <a href="/wiki/SparkNotes" title="SparkNotes">SparkNotes</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120718073625/http://www.sparknotes.com/film/anniehall/themes.html">Archived</a> from the original on July 18, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">July 20,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Annie+Hall%3A+Themes%2C+Motifs%2C+and+Symbols&amp;rft.pub=SparkNotes&amp;rft_id=http%3A%2F%2Fwww.sparknotes.com%2Ffilm%2Fanniehall%2Fthemes.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-74"><span class="mw-cite-backlink"><b><a href="#cite_ref-74">^</a></b></span> <span class="reference-text"><a href="#CITEREFMeyers2008">Meyers 2008</a>, p.&#160;76</span> </li> <li id="cite_note-cowie21-75"><span class="mw-cite-backlink">^ <a href="#cite_ref-cowie21_75-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-cowie21_75-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-cowie21_75-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCowie1996">Cowie 1996</a>, p.&#160;21</span> </li> <li id="cite_note-76"><span class="mw-cite-backlink"><b><a href="#cite_ref-76">^</a></b></span> <span class="reference-text"><a href="#CITEREFHalle2003">Halle 2003</a>, p.&#160;443</span> </li> <li id="cite_note-Media2002-77"><span class="mw-cite-backlink"><b><a href="#cite_ref-Media2002_77-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation book cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=qp_bmDWpReoC&amp;pg=PT7"><i>Psychoanalysis</i></a>. Lichtenstein Creative Media. May 1, 2002. p.&#160;7. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-888064-82-7" title="Special:BookSources/978-1-888064-82-7"><bdi>978-1-888064-82-7</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140629171334/http://books.google.com/books?id=qp_bmDWpReoC&amp;pg=PT7">Archived</a> from the original on June 29, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">September 29,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Psychoanalysis&amp;rft.pages=7&amp;rft.pub=Lichtenstein+Creative+Media&amp;rft.date=2002-05-01&amp;rft.isbn=978-1-888064-82-7&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dqp_bmDWpReoC%26pg%3DPT7&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-Girgus02-78"><span class="mw-cite-backlink">^ <a href="#cite_ref-Girgus02_78-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Girgus02_78-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Girgus02_78-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFGirgus2002">Girgus 2002</a>, pp.&#160;50–2</span> </li> <li id="cite_note-Bailey-79"><span class="mw-cite-backlink">^ <a href="#cite_ref-Bailey_79-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Bailey_79-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Bailey_79-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBailey2001">Bailey 2001</a>, pp.&#160;37–8</span> </li> <li id="cite_note-schatz186-80"><span class="mw-cite-backlink">^ <a href="#cite_ref-schatz186_80-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-schatz186_80-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSchatz1982">Schatz 1982</a>, p.&#160;186</span> </li> <li id="cite_note-81"><span class="mw-cite-backlink"><b><a href="#cite_ref-81">^</a></b></span> <span class="reference-text"><a href="#CITEREFSchatz1982">Schatz 1982</a>, p.&#160;183</span> </li> <li id="cite_note-82"><span class="mw-cite-backlink"><b><a href="#cite_ref-82">^</a></b></span> <span class="reference-text"><a href="#CITEREFCowie1996">Cowie 1996</a>, p.&#160;9</span> </li> <li id="cite_note-bafta-83"><span class="mw-cite-backlink"><b><a href="#cite_ref-bafta_83-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.bafta.org/awards-database.html?year=1977&amp;category=Film&amp;award=false">"Awards Database"</a>. Bafta.org. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20121018001320/http://www.bafta.org/awards-database.html?year=1977&amp;category=Film&amp;award=false">Archived</a> from the original on October 18, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">July 19,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Awards+Database&amp;rft.pub=Bafta.org&amp;rft_id=http%3A%2F%2Fwww.bafta.org%2Fawards-database.html%3Fyear%3D1977%26category%3DFilm%26award%3Dfalse&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-WWW.AFi.com-84"><span class="mw-cite-backlink">^ <a href="#cite_ref-WWW.AFi.com_84-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-WWW.AFi.com_84-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-WWW.AFi.com_84-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110716071851/http://connect.afi.com/site/DocServer/TOP10.pdf?docID=441">"AFI's Top Ten Epic"</a> <span class="cs1-format">(PDF)</span>. <i><a href="/wiki/American_Film_Institute" title="American Film Institute">American Film Institute</a></i>. Archived from <a rel="nofollow" class="external text" href="http://connect.afi.com/site/DocServer/TOP10.pdf?docID=441">the original</a> <span class="cs1-format">(PDF)</span> on July 16, 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">January 19,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=American+Film+Institute&amp;rft.atitle=AFI%27s+Top+Ten+Epic&amp;rft_id=http%3A%2F%2Fconnect.afi.com%2Fsite%2FDocServer%2FTOP10.pdf%3FdocID%3D441&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-wga-85"><span class="mw-cite-backlink"><b><a href="#cite_ref-wga_85-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20060813151310/http://www.wga.org/subpage_newsevents.aspx?id=1807">"101 List"</a>. <i>Writers Guild of America</i>. Archived from <a rel="nofollow" class="external text" href="http://www.wga.org/subpage_newsevents.aspx?id=1807">the original</a> on August 13, 2006<span class="reference-accessdate">. Retrieved <span class="nowrap">July 20,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Writers+Guild+of+America&amp;rft.atitle=101+List&amp;rft_id=http%3A%2F%2Fwww.wga.org%2Fsubpage_newsevents.aspx%3Fid%3D1807&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-86"><span class="mw-cite-backlink"><b><a href="#cite_ref-86">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://movies.ign.com/articles/674/674712p19.html">"Top 25 Comedies of All-Time"</a>. <i><a href="/wiki/IGN" title="IGN">IGN</a></i>. March 13, 2012. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120623000213/http://movies.ign.com/articles/674/674712p19.html">Archived</a> from the original on June 23, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">July 20,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=IGN&amp;rft.atitle=Top+25+Comedies+of+All-Time&amp;rft.date=2012-03-13&amp;rft_id=http%3A%2F%2Fmovies.ign.com%2Farticles%2F674%2F674712p19.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-87"><span class="mw-cite-backlink"><b><a href="#cite_ref-87">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFWinning2009" class="citation magazine cs1">Winning, Josh (January 12, 2009). <a rel="nofollow" class="external text" href="http://www.totalfilm.com/features/best-worst-romantic-comedies/the-best-annie-hall">"Best &amp; Worst: Romantic Comedies"</a>. <i><a href="/wiki/Total_Film" title="Total Film">Total Film</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120510093918/http://www.totalfilm.com/features/best-worst-romantic-comedies/the-best-annie-hall">Archived</a> from the original on May 10, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">July 18,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Total+Film&amp;rft.atitle=Best+%26+Worst%3A+Romantic+Comedies&amp;rft.date=2009-01-12&amp;rft.aulast=Winning&amp;rft.aufirst=Josh&amp;rft_id=http%3A%2F%2Fwww.totalfilm.com%2Ffeatures%2Fbest-worst-romantic-comedies%2Fthe-best-annie-hall&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-anythingelse-88"><span class="mw-cite-backlink"><b><a href="#cite_ref-anythingelse_88-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.nerve.com/entertainment/ranked/ranked-woody-allen-films-from-worst-to-best?page=5">"Ranked: Woody Allen Films from Worst to Best – Page 5"</a>. Nerve.com. May 17, 2011. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120830192937/http://www.nerve.com/entertainment/ranked/ranked-woody-allen-films-from-worst-to-best?page=5">Archived</a> from the original on August 30, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">July 28,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Ranked%3A+Woody+Allen+Films+from+Worst+to+Best+%E2%80%93+Page+5&amp;rft.pub=Nerve.com&amp;rft.date=2011-05-17&amp;rft_id=http%3A%2F%2Fwww.nerve.com%2Fentertainment%2Franked%2Franked-woody-allen-films-from-worst-to-best%3Fpage%3D5&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-89"><span class="mw-cite-backlink"><b><a href="#cite_ref-89">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFMedina2009" class="citation web cs1">Medina, Jeremy (January 27, 2009). <a rel="nofollow" class="external text" href="https://www.pastemagazine.com/blogs/lists/2009/01/he-adored-new-york-city-woody-allens-10-finest-films.html">"He Adored New York City: Woody Allen's 10 Finest Films"</a>. <i>Paste</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120815154832/http://www.pastemagazine.com/blogs/lists/2009/01/he-adored-new-york-city-woody-allens-10-finest-films.html">Archived</a> from the original on August 15, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">July 28,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Paste&amp;rft.atitle=He+Adored+New+York+City%3A+Woody+Allen%27s+10+Finest+Films&amp;rft.date=2009-01-27&amp;rft.aulast=Medina&amp;rft.aufirst=Jeremy&amp;rft_id=https%3A%2F%2Fwww.pastemagazine.com%2Fblogs%2Flists%2F2009%2F01%2Fhe-adored-new-york-city-woody-allens-10-finest-films.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-90"><span class="mw-cite-backlink"><b><a href="#cite_ref-90">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.screenjunkies.com/movies/movie-lists/5-best-woody-allen-movies/">"5 Best Woody Allen Movies"</a>. <i>Screen Junkies</i>. July 14, 2010. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120629024105/http://www.screenjunkies.com/movies/movie-lists/5-best-woody-allen-movies/">Archived</a> from the original on June 29, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">July 28,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Screen+Junkies&amp;rft.atitle=5+Best+Woody+Allen+Movies&amp;rft.date=2010-07-14&amp;rft_id=http%3A%2F%2Fwww.screenjunkies.com%2Fmovies%2Fmovie-lists%2F5-best-woody-allen-movies%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-91"><span class="mw-cite-backlink"><b><a href="#cite_ref-91">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation news cs1"><a rel="nofollow" class="external text" href="http://www.afi.com/10top10/category.aspx?cat=2">"AFI's 10 Top 10"</a>. <a href="/wiki/American_Film_Institute" title="American Film Institute">American Film Institute</a>. June 17, 2008. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160615004316/http://www.afi.com/10top10/category.aspx?cat=2">Archived</a> from the original on June 15, 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">November 15,</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=AFI%27s+10+Top+10&amp;rft.date=2008-06-17&amp;rft_id=http%3A%2F%2Fwww.afi.com%2F10top10%2Fcategory.aspx%3Fcat%3D2&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-emp-92"><span class="mw-cite-backlink"><b><a href="#cite_ref-emp_92-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.empireonline.com/500/85.asp">"<i>Empire's</i> The 500 Greatest Movies of All Time"</a>. <i>Empire magazine</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20111026100600/http://www.empireonline.com/500/85.asp">Archived</a> from the original on October 26, 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">July 18,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Empire+magazine&amp;rft.atitle=Empire%27s+The+500+Greatest+Movies+of+All+Time&amp;rft_id=https%3A%2F%2Fwww.empireonline.com%2F500%2F85.asp&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-93"><span class="mw-cite-backlink"><b><a href="#cite_ref-93">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.rottentomatoes.com/guides/best_romantic_comedies/annie_hall/">"Best Romantic Comedies/Rank 2"</a>. <i>Rotten Tomatoes</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120625232110/http://www.rottentomatoes.com/guides/best_romantic_comedies/annie_hall/">Archived</a> from the original on June 25, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">June 24,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Rotten+Tomatoes&amp;rft.atitle=Best+Romantic+Comedies%2FRank+2&amp;rft_id=https%3A%2F%2Fwww.rottentomatoes.com%2Fguides%2Fbest_romantic_comedies%2Fannie_hall%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-sightandsound-94"><span class="mw-cite-backlink">^ <a href="#cite_ref-sightandsound_94-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-sightandsound_94-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-sightandsound_94-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20120820053527/http://explore.bfi.org.uk/sightandsoundpolls/2012/film/4ce2b6bc053b7">"Annie Hall"</a>. <i><span></span>'British Film Institute</i>. Archived from <a rel="nofollow" class="external text" href="http://explore.bfi.org.uk/sightandsoundpolls/2012/film/4ce2b6bc053b7">the original</a> on August 20, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">August 19,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=%27British+Film+Institute&amp;rft.atitle=Annie+Hall&amp;rft_id=http%3A%2F%2Fexplore.bfi.org.uk%2Fsightandsoundpolls%2F2012%2Ffilm%2F4ce2b6bc053b7&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-95"><span class="mw-cite-backlink"><b><a href="#cite_ref-95">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.theguardian.com/film/2013/oct/04/the-10-best-woody-allen-films">"The 10 best Woody Allen films"</a>. <i>The Guardian</i>. October 4, 2013. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141129080854/http://www.theguardian.com/film/2013/oct/04/the-10-best-woody-allen-films">Archived</a> from the original on November 29, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">November 22,</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Guardian&amp;rft.atitle=The+10+best+Woody+Allen+films&amp;rft.date=2013-10-04&amp;rft_id=https%3A%2F%2Fwww.theguardian.com%2Ffilm%2F2013%2Foct%2F04%2Fthe-10-best-woody-allen-films&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-96"><span class="mw-cite-backlink"><b><a href="#cite_ref-96">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation news cs1"><a rel="nofollow" class="external text" href="http://www.wga.org/content/default.aspx?id=5949">"101 Funniest Screenplays List"</a>. <i>Writers Guild of America, West</i>. November 11, 2015. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160202091302/http://www.wga.org/content/default.aspx?id=5949">Archived</a> from the original on February 2, 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">November 14,</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Writers+Guild+of+America%2C+West&amp;rft.atitle=101+Funniest+Screenplays+List&amp;rft.date=2015-11-11&amp;rft_id=http%3A%2F%2Fwww.wga.org%2Fcontent%2Fdefault.aspx%3Fid%3D5949&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-97"><span class="mw-cite-backlink"><b><a href="#cite_ref-97">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.afi.com/Docs/100Years/movies100.pdf">"AFI's 100 Years...100 Movies"</a> <span class="cs1-format">(PDF)</span>. <i>American Film Institute</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190412113202/http://www.afi.com/Docs/100Years/movies100.pdf">Archived</a> <span class="cs1-format">(PDF)</span> from the original on April 12, 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">July 16,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=American+Film+Institute&amp;rft.atitle=AFI%27s+100+Years...100+Movies&amp;rft_id=http%3A%2F%2Fwww.afi.com%2FDocs%2F100Years%2Fmovies100.pdf&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-98"><span class="mw-cite-backlink"><b><a href="#cite_ref-98">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.afi.com/Docs/100Years/laughs100.pdf">"AFI's 100 Years...100 Laughs"</a> <span class="cs1-format">(PDF)</span>. <i>American Film Institute</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160624052741/http://afi.com/Docs/100Years/laughs100.pdf">Archived</a> <span class="cs1-format">(PDF)</span> from the original on June 24, 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">July 16,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=American+Film+Institute&amp;rft.atitle=AFI%27s+100+Years...100+Laughs&amp;rft_id=http%3A%2F%2Fwww.afi.com%2FDocs%2F100Years%2Flaughs100.pdf&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-99"><span class="mw-cite-backlink"><b><a href="#cite_ref-99">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.afi.com/Docs/100Years/passions100.pdf">"AFI's 100 Years...100 Passions"</a> <span class="cs1-format">(PDF)</span>. <i>American Film Institute</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160624052654/http://afi.com/Docs/100Years/passions100.pdf">Archived</a> <span class="cs1-format">(PDF)</span> from the original on June 24, 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">July 16,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=American+Film+Institute&amp;rft.atitle=AFI%27s+100+Years...100+Passions&amp;rft_id=http%3A%2F%2Fwww.afi.com%2FDocs%2F100Years%2Fpassions100.pdf&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-100"><span class="mw-cite-backlink"><b><a href="#cite_ref-100">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.afi.com/Docs/100Years/songs100.pdf">"AFI's 100 Years...100 Songs"</a> <span class="cs1-format">(PDF)</span>. <i>American Film Institute</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110313151657/http://www.afi.com/Docs/100Years/songs100.pdf">Archived</a> <span class="cs1-format">(PDF)</span> from the original on March 13, 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">July 16,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=American+Film+Institute&amp;rft.atitle=AFI%27s+100+Years...100+Songs&amp;rft_id=http%3A%2F%2Fwww.afi.com%2FDocs%2F100Years%2Fsongs100.pdf&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-101"><span class="mw-cite-backlink"><b><a href="#cite_ref-101">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.afi.com/Docs/100Years/quotes100.pdf">"AFI's 100 Years...100 Movie Quotes"</a> <span class="cs1-format">(PDF)</span>. <i>American Film Institute</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110313150615/http://www.afi.com/Docs/100Years/quotes100.pdf">Archived</a> <span class="cs1-format">(PDF)</span> from the original on March 13, 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">July 16,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=American+Film+Institute&amp;rft.atitle=AFI%27s+100+Years...100+Movie+Quotes&amp;rft_id=http%3A%2F%2Fwww.afi.com%2FDocs%2F100Years%2Fquotes100.pdf&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-102"><span class="mw-cite-backlink"><b><a href="#cite_ref-102">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.afi.com/Docs/100Years/100Movies.pdf">"AFI's 100 Years...100 Movies (10th Anniversary Edition)"</a> <span class="cs1-format">(PDF)</span>. <i>American Film Institute</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130606072909/http://www.afi.com/Docs/100Years/100Movies.pdf">Archived</a> <span class="cs1-format">(PDF)</span> from the original on June 6, 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">July 16,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=American+Film+Institute&amp;rft.atitle=AFI%27s+100+Years...100+Movies+%2810th+Anniversary+Edition%29&amp;rft_id=http%3A%2F%2Fwww.afi.com%2FDocs%2F100Years%2F100Movies.pdf&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-103"><span class="mw-cite-backlink"><b><a href="#cite_ref-103">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.afi.com/10top10/category.aspx?cat=2">"AFI's 10 Top 10: Top 10 Romantic Comedy"</a>. <i>American Film Institute</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160615004316/http://www.afi.com/10top10/category.aspx?cat=2">Archived</a> from the original on June 15, 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">July 16,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=American+Film+Institute&amp;rft.atitle=AFI%27s+10+Top+10%3A+Top+10+Romantic+Comedy&amp;rft_id=http%3A%2F%2Fwww.afi.com%2F10top10%2Fcategory.aspx%3Fcat%3D2&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-104"><span class="mw-cite-backlink"><b><a href="#cite_ref-104">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/">"Complete National Film Registry Listing"</a>. <i>Library of Congress</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20161031213743/https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/">Archived</a> from the original on October 31, 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">February 27,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Library+of+Congress&amp;rft.atitle=Complete+National+Film+Registry+Listing&amp;rft_id=https%3A%2F%2Fwww.loc.gov%2Fprograms%2Fnational-film-preservation-board%2Ffilm-registry%2Fcomplete-national-film-registry-listing%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-105"><span class="mw-cite-backlink"><b><a href="#cite_ref-105">^</a></b></span> <span class="reference-text">"100 Greatest Performances of All Time". <i>Premiere</i> magazine. April 2006.</span> </li> <li id="cite_note-cinemablendinterview-106"><span class="mw-cite-backlink"><b><a href="#cite_ref-cinemablendinterview_106-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFEisenberg2012" class="citation web cs1">Eisenberg, Eric (June 22, 2012). <a rel="nofollow" class="external text" href="https://www.cinemablend.com/new/Woody-Allen-Explains-Why-Annie-Hall-Hannah-Her-Sisters-Were-Disappointments-31531.html">"Woody Allen Explains Why Annie Hall And Hannah And Her Sisters Were Disappointments"</a>. Cinema Blend. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120701233552/http://www.cinemablend.com/new/woody-allen-explains-why-annie-hall-hannah-her-sisters-were-disappointments-31531.html">Archived</a> from the original on July 1, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">July 18,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Woody+Allen+Explains+Why+Annie+Hall+And+Hannah+And+Her+Sisters+Were+Disappointments&amp;rft.pub=Cinema+Blend&amp;rft.date=2012-06-22&amp;rft.aulast=Eisenberg&amp;rft.aufirst=Eric&amp;rft_id=https%3A%2F%2Fwww.cinemablend.com%2Fnew%2FWoody-Allen-Explains-Why-Annie-Hall-Hannah-Her-Sisters-Were-Disappointments-31531.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-107"><span class="mw-cite-backlink"><b><a href="#cite_ref-107">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFBiskind2005" class="citation web cs1"><a href="/wiki/Peter_Biskind" title="Peter Biskind">Biskind, Peter</a> (December 2005). <a rel="nofollow" class="external text" href="https://www.vanityfair.com/culture/features/2005/12/woodyallen200512?currentPage=1">"Reconstructing Woody"</a>. <i><a href="/wiki/Vanity_Fair_(magazine)" title="Vanity Fair (magazine)">Vanity Fair</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20071014180250/http://www.vanityfair.com/culture/features/2005/12/woodyallen200512?currentPage=1">Archived</a> from the original on October 14, 2007<span class="reference-accessdate">. Retrieved <span class="nowrap">January 23,</span> 2007</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Vanity+Fair&amp;rft.atitle=Reconstructing+Woody&amp;rft.date=2005-12&amp;rft.aulast=Biskind&amp;rft.aufirst=Peter&amp;rft_id=https%3A%2F%2Fwww.vanityfair.com%2Fculture%2Ffeatures%2F2005%2F12%2Fwoodyallen200512%3FcurrentPage%3D1&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-108"><span class="mw-cite-backlink"><b><a href="#cite_ref-108">^</a></b></span> <span class="reference-text"><a href="#CITEREFBjörkman1995">Björkman 1995</a>, p.&#160;51</span> </li> <li id="cite_note-109"><span class="mw-cite-backlink"><b><a href="#cite_ref-109">^</a></b></span> <span class="reference-text"><a href="#CITEREFMitchell2001">Mitchell 2001</a>, p.&#160;45</span> </li> <li id="cite_note-110"><span class="mw-cite-backlink"><b><a href="#cite_ref-110">^</a></b></span> <span class="reference-text"><a href="#CITEREFSteele2010">Steele 2010</a>, p.&#160;336</span> </li> <li id="cite_note-111"><span class="mw-cite-backlink"><b><a href="#cite_ref-111">^</a></b></span> <span class="reference-text"><a href="#CITEREFEagan2010">Eagan 2010</a></span> </li> <li id="cite_note-112"><span class="mw-cite-backlink"><b><a href="#cite_ref-112">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFGross,_Michael1993" class="citation journal cs1">Gross, Michael (January 18, 1993). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=BhgAAAAAMBAJ&amp;pg=PA5">"Letters: The Costumer is Always Right"</a>. <i><a href="/wiki/New_York_(magazine)" title="New York (magazine)">New York</a></i>. New York Media.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=New+York&amp;rft.atitle=Letters%3A+The+Costumer+is+Always+Right&amp;rft.date=1993-01-18&amp;rft.au=Gross%2C+Michael&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DBhgAAAAAMBAJ%26pg%3DPA5&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-113"><span class="mw-cite-backlink"><b><a href="#cite_ref-113">^</a></b></span> <span class="reference-text"><a href="#CITEREFBjörkman1995">Björkman 1995</a>, p.&#160;85</span> </li> <li id="cite_note-114"><span class="mw-cite-backlink"><b><a href="#cite_ref-114">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFGajewski2015" class="citation web cs1">Gajewski, Ryan (November 11, 2015). <a rel="nofollow" class="external text" href="https://www.hollywoodreporter.com/news/annie-hall-tops-wgas-list-839620">"<span class="cs1-kern-left"></span>'Annie Hall' Tops WGA's List of 101 Funniest Screenplays Ever"</a>. <i><a href="/wiki/The_Hollywood_Reporter" title="The Hollywood Reporter">The Hollywood Reporter</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180816063511/https://www.hollywoodreporter.com/news/annie-hall-tops-wgas-list-839620">Archived</a> from the original on August 16, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">October 1,</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+Hollywood+Reporter&amp;rft.atitle=%27Annie+Hall%27+Tops+WGA%27s+List+of+101+Funniest+Screenplays+Ever&amp;rft.date=2015-11-11&amp;rft.aulast=Gajewski&amp;rft.aufirst=Ryan&amp;rft_id=https%3A%2F%2Fwww.hollywoodreporter.com%2Fnews%2Fannie-hall-tops-wgas-list-839620&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-Allmovie-115"><span class="mw-cite-backlink"><b><a href="#cite_ref-Allmovie_115-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFBuchanan" class="citation web cs1">Buchanan, Jason. <a rel="nofollow" class="external text" href="https://www.allmovie.com/work/500-days-of-summer-451495">"500 Days of Summer &gt; Overview"</a>. <i>Allmovie</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20100206182730/http://allmovie.com/work/500-days-of-summer-451495">Archived</a> from the original on February 6, 2010<span class="reference-accessdate">. Retrieved <span class="nowrap">January 7,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Allmovie&amp;rft.atitle=500+Days+of+Summer+%3E+Overview&amp;rft.aulast=Buchanan&amp;rft.aufirst=Jason&amp;rft_id=https%3A%2F%2Fwww.allmovie.com%2Fwork%2F500-days-of-summer-451495&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-USAToday-116"><span class="mw-cite-backlink"><b><a href="#cite_ref-USAToday_116-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFPuig2009" class="citation news cs1">Puig, Claudia (July 19, 2009). <a rel="nofollow" class="external text" href="https://www.usatoday.com/life/movies/reviews/2009-07-16-500-days-of-summer_N.htm">"Bask in the warmth of delightful '(500) Days of Summer'<span class="cs1-kern-right"></span>"</a>. <i><a href="/wiki/USA_Today" title="USA Today">USA Today</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20090720073820/http://www.usatoday.com/life/movies/reviews/2009-07-16-500-days-of-summer_N.htm">Archived</a> from the original on July 20, 2009<span class="reference-accessdate">. Retrieved <span class="nowrap">July 19,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=USA+Today&amp;rft.atitle=Bask+in+the+warmth+of+delightful+%27%28500%29+Days+of+Summer%27&amp;rft.date=2009-07-19&amp;rft.aulast=Puig&amp;rft.aufirst=Claudia&amp;rft_id=https%3A%2F%2Fwww.usatoday.com%2Flife%2Fmovies%2Freviews%2F2009-07-16-500-days-of-summer_N.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-117"><span class="mw-cite-backlink"><b><a href="#cite_ref-117">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFJames1989" class="citation news cs1">James, Caryn (July 12, 1989). <a rel="nofollow" class="external text" href="https://www.nytimes.com/1989/07/12/movies/review-film-it-s-harry-loves-sally-in-a-romance-of-new-yorkers-and-neuroses.html">"It's Harry (Loves) Sally in a Romance of New Yorkers and Neuroses"</a>. <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20090325182254/http://www.nytimes.com/1989/07/12/movies/review-film-it-s-harry-loves-sally-in-a-romance-of-new-yorkers-and-neuroses.html">Archived</a> from the original on March 25, 2009<span class="reference-accessdate">. Retrieved <span class="nowrap">September 23,</span> 2007</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=It%27s+Harry+%28Loves%29+Sally+in+a+Romance+of+New+Yorkers+and+Neuroses&amp;rft.date=1989-07-12&amp;rft.aulast=James&amp;rft.aufirst=Caryn&amp;rft_id=https%3A%2F%2Fwww.nytimes.com%2F1989%2F07%2F12%2Fmovies%2Freview-film-it-s-harry-loves-sally-in-a-romance-of-new-yorkers-and-neuroses.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-118"><span class="mw-cite-backlink"><b><a href="#cite_ref-118">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.nerve.com/entertainment/ranked/ranked-woody-allen-films-from-worst-to-best?page=3">"Ranked: Woody Allen Films from Worst to Best – Page 3"</a>. <i>Nerve.com</i>. May 17, 2011. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20111231062624/http://www.nerve.com/entertainment/ranked/ranked-woody-allen-films-from-worst-to-best?page=3">Archived</a> from the original on December 31, 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">July 28,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Nerve.com&amp;rft.atitle=Ranked%3A+Woody+Allen+Films+from+Worst+to+Best+%E2%80%93+Page+3&amp;rft.date=2011-05-17&amp;rft_id=http%3A%2F%2Fwww.nerve.com%2Fentertainment%2Franked%2Franked-woody-allen-films-from-worst-to-best%3Fpage%3D3&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-119"><span class="mw-cite-backlink"><b><a href="#cite_ref-119">^</a></b></span> <span class="reference-text"><a href="#CITEREFJohnson2011">Johnson 2011</a>, p.&#160;17</span> </li> <li id="cite_note-120"><span class="mw-cite-backlink"><b><a href="#cite_ref-120">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.doctorwhonews.net/2014/02/fifthestate-notanotherhappyending-dvds-130214120008.html">"People: DVD roundup (The Fifth Estate, Not Another Happy Ending)"</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20151208030356/http://www.doctorwhonews.net/2014/02/fifthestate-notanotherhappyending-dvds-130214120008.html">Archived</a> from the original on December 8, 2015<span class="reference-accessdate">. Retrieved <span class="nowrap">November 26,</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=People%3A+DVD+roundup+%28The+Fifth+Estate%2C+Not+Another+Happy+Ending%29&amp;rft_id=http%3A%2F%2Fwww.doctorwhonews.net%2F2014%2F02%2Ffifthestate-notanotherhappyending-dvds-130214120008.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-121"><span class="mw-cite-backlink"><b><a href="#cite_ref-121">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFMarotta2018" class="citation web cs1">Marotta, Jenna (March 2, 2018). <a rel="nofollow" class="external text" href="https://www.indiewire.com/2018/03/my-annie-hall-short-film-senior-citizens-woody-allen-1201934591/">"My Annie Hall: Woody Allen Approves of New Short Film Starring Seniors"</a>. <i><a href="/wiki/IndieWire" title="IndieWire">IndieWire</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210502190401/https://www.indiewire.com/2018/03/my-annie-hall-short-film-senior-citizens-woody-allen-1201934591/">Archived</a> from the original on May 2, 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">August 11,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=IndieWire&amp;rft.atitle=My+Annie+Hall%3A+Woody+Allen+Approves+of+New+Short+Film+Starring+Seniors&amp;rft.date=2018-03-02&amp;rft.aulast=Marotta&amp;rft.aufirst=Jenna&amp;rft_id=https%3A%2F%2Fwww.indiewire.com%2F2018%2F03%2Fmy-annie-hall-short-film-senior-citizens-woody-allen-1201934591%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> <li id="cite_note-122"><span class="mw-cite-backlink"><b><a href="#cite_ref-122">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFLeland2018" class="citation web cs1">Leland, John (March 2, 2018). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2018/03/02/nyregion/the-woody-allen-reboot-you-wont-see-at-the-oscars-or-maybe-anywhere.html">"The Woody Allen Reboot You Won't See at the Oscars (or Maybe Anywhere)"</a>. <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200730161403/https://www.nytimes.com/2018/03/02/nyregion/the-woody-allen-reboot-you-wont-see-at-the-oscars-or-maybe-anywhere.html">Archived</a> from the original on July 30, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">August 11,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=The+Woody+Allen+Reboot+You+Won%27t+See+at+the+Oscars+%28or+Maybe+Anywhere%29&amp;rft.date=2018-03-02&amp;rft.aulast=Leland&amp;rft.aufirst=John&amp;rft_id=https%3A%2F%2Fwww.nytimes.com%2F2018%2F03%2F02%2Fnyregion%2Fthe-woody-allen-reboot-you-wont-see-at-the-oscars-or-maybe-anywhere.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="Bibliography">Bibliography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=24" title="Edit section: Bibliography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin refbegin-columns references-column-width" style="column-width: 25em"> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFBailey2001" class="citation book cs1">Bailey, Peter J. (2001). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=NP0sM-f8L3QC&amp;pg=PA35"><i>The Reluctant Film Art of Woody Allen</i></a>. University Press of Kentucky. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-8131-9041-X" title="Special:BookSources/0-8131-9041-X"><bdi>0-8131-9041-X</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140629170122/http://books.google.com/books?id=NP0sM-f8L3QC&amp;pg=PA35">Archived</a> from the original on June 29, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">September 29,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Reluctant+Film+Art+of+Woody+Allen&amp;rft.pub=University+Press+of+Kentucky&amp;rft.date=2001&amp;rft.isbn=0-8131-9041-X&amp;rft.aulast=Bailey&amp;rft.aufirst=Peter+J.&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DNP0sM-f8L3QC%26pg%3DPA35&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFBaxter1999" class="citation book cs1"><a href="/wiki/John_Baxter_(author)" title="John Baxter (author)">Baxter, John</a> (1999). <i>Woody Allen: A Biography</i> (Revised paperback&#160;ed.). London: Harper Collins. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-00-638794-2" title="Special:BookSources/0-00-638794-2"><bdi>0-00-638794-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Woody+Allen%3A+A+Biography&amp;rft.place=London&amp;rft.edition=Revised+paperback&amp;rft.pub=Harper+Collins&amp;rft.date=1999&amp;rft.isbn=0-00-638794-2&amp;rft.aulast=Baxter&amp;rft.aufirst=John&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFBernardoni2001" class="citation book cs1">Bernardoni, James (January 1, 2001). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=pUPM9LFmetoC&amp;pg=PA164"><i>The New Hollywood: What the Movies Did with the New Freedoms of the Seventies</i></a>. McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-7864-1206-8" title="Special:BookSources/978-0-7864-1206-8"><bdi>978-0-7864-1206-8</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140629170002/http://books.google.com/books?id=pUPM9LFmetoC&amp;pg=PA164">Archived</a> from the original on June 29, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">September 29,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+New+Hollywood%3A+What+the+Movies+Did+with+the+New+Freedoms+of+the+Seventies&amp;rft.pub=McFarland&amp;rft.date=2001-01-01&amp;rft.isbn=978-0-7864-1206-8&amp;rft.aulast=Bernardoni&amp;rft.aufirst=James&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DpUPM9LFmetoC%26pg%3DPA164&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFBjörkman1995" class="citation book cs1"><a href="/wiki/Stig_Bj%C3%B6rkman" title="Stig Björkman">Björkman, Stig</a> (1995) [1993]. <i>Woody Allen on Woody Allen</i>. London: Faber and Faber. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-571-17335-7" title="Special:BookSources/0-571-17335-7"><bdi>0-571-17335-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Woody+Allen+on+Woody+Allen&amp;rft.place=London&amp;rft.pub=Faber+and+Faber&amp;rft.date=1995&amp;rft.isbn=0-571-17335-7&amp;rft.aulast=Bj%C3%B6rkman&amp;rft.aufirst=Stig&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFBrook2006" class="citation book cs1">Brook, Vincent (2006). <i>You Should See Yourself: Jewish Identity in Postmodern Jewish Culture</i>. New Brunswick, NJ: Rutgers University Press.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=You+Should+See+Yourself%3A+Jewish+Identity+in+Postmodern+Jewish+Culture&amp;rft.place=New+Brunswick%2C+NJ&amp;rft.pub=Rutgers+University+Press&amp;rft.date=2006&amp;rft.aulast=Brook&amp;rft.aufirst=Vincent&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFCowie1996" class="citation book cs1"><a href="/wiki/Peter_Cowie" title="Peter Cowie">Cowie, Peter</a> (1996). <i>Annie Hall</i>. London: British Film Institute. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-85170-580-4" title="Special:BookSources/0-85170-580-4"><bdi>0-85170-580-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Annie+Hall&amp;rft.place=London&amp;rft.pub=British+Film+Institute&amp;rft.date=1996&amp;rft.isbn=0-85170-580-4&amp;rft.aulast=Cowie&amp;rft.aufirst=Peter&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFEagan2010" class="citation book cs1">Eagan, Daniel (2010). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=2CIJFMMvx9MC"><i>America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry</i></a>. London: Continuum International Publishing Group. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8264-1849-4" title="Special:BookSources/978-0-8264-1849-4"><bdi>978-0-8264-1849-4</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170423191842/https://books.google.com/books?id=2CIJFMMvx9MC">Archived</a> from the original on April 23, 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">September 29,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=America%27s+Film+Legacy%3A+The+Authoritative+Guide+to+the+Landmark+Movies+in+the+National+Film+Registry&amp;rft.place=London&amp;rft.pub=Continuum+International+Publishing+Group&amp;rft.date=2010&amp;rft.isbn=978-0-8264-1849-4&amp;rft.aulast=Eagan&amp;rft.aufirst=Daniel&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D2CIJFMMvx9MC&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFGirgus1993" class="citation book cs1">Girgus, Sam B. (1993). "Philip Roth and Woody Allen: Freud and the Humor of the Repressed". In Ziv, Avner; Zajdman, Anat (eds.). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/semitesstereotyp0000unse"><i>Semites and stereotypes: characteristics of Jewish humor</i></a></span>. Greenwood Publishing Group. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-313-26135-0" title="Special:BookSources/0-313-26135-0"><bdi>0-313-26135-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Philip+Roth+and+Woody+Allen%3A+Freud+and+the+Humor+of+the+Repressed&amp;rft.btitle=Semites+and+stereotypes%3A+characteristics+of+Jewish+humor&amp;rft.pub=Greenwood+Publishing+Group&amp;rft.date=1993&amp;rft.isbn=0-313-26135-0&amp;rft.aulast=Girgus&amp;rft.aufirst=Sam+B.&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fsemitesstereotyp0000unse&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFGirgus2002" class="citation book cs1">Girgus, Sam B. (November 18, 2002). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=GZbcl1o3kOQC&amp;pg=PA50"><i>The Films of Woody Allen</i></a>. Cambridge University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-521-00929-4" title="Special:BookSources/978-0-521-00929-4"><bdi>978-0-521-00929-4</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140629171156/http://books.google.com/books?id=GZbcl1o3kOQC&amp;pg=PA50">Archived</a> from the original on June 29, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">September 29,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Films+of+Woody+Allen&amp;rft.pub=Cambridge+University+Press&amp;rft.date=2002-11-18&amp;rft.isbn=978-0-521-00929-4&amp;rft.aulast=Girgus&amp;rft.aufirst=Sam+B.&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DGZbcl1o3kOQC%26pg%3DPA50&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFHalle2003" class="citation book cs1">Halle, David (August 15, 2003). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=7VeYVz7cHI8C&amp;pg=PA443"><i>New York and Los Angeles: Politics, Society, and Culture--A Comparative View</i></a>. University of Chicago Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-226-31369-6" title="Special:BookSources/978-0-226-31369-6"><bdi>978-0-226-31369-6</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140629171134/http://books.google.com/books?id=7VeYVz7cHI8C&amp;pg=PA443">Archived</a> from the original on June 29, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">September 29,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=New+York+and+Los+Angeles%3A+Politics%2C+Society%2C+and+Culture--A+Comparative+View&amp;rft.pub=University+of+Chicago+Press&amp;rft.date=2003-08-15&amp;rft.isbn=978-0-226-31369-6&amp;rft.aulast=Halle&amp;rft.aufirst=David&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D7VeYVz7cHI8C%26pg%3DPA443&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFHarvey2007" class="citation book cs1">Harvey, Adam (March 6, 2007). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=S5WIT9aA1A8C&amp;pg=PA19"><i>The Soundtracks of Woody Allen: A Complete Guide to the Songs and Music in Every Film, 1969-2005</i></a>. McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-7864-2968-4" title="Special:BookSources/978-0-7864-2968-4"><bdi>978-0-7864-2968-4</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140629165946/http://books.google.com/books?id=S5WIT9aA1A8C&amp;pg=PA19">Archived</a> from the original on June 29, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">September 29,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Soundtracks+of+Woody+Allen%3A+A+Complete+Guide+to+the+Songs+and+Music+in+Every+Film%2C+1969-2005&amp;rft.pub=McFarland&amp;rft.date=2007-03-06&amp;rft.isbn=978-0-7864-2968-4&amp;rft.aulast=Harvey&amp;rft.aufirst=Adam&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DS5WIT9aA1A8C%26pg%3DPA19&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFHerzogenrath2009" class="citation book cs1">Herzogenrath, Bernd (May 20, 2009). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=yuwVdWhe9sgC&amp;pg=PA97"><i>The Films of Edgar G. Ulmer</i></a>. Scarecrow Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8108-6736-9" title="Special:BookSources/978-0-8108-6736-9"><bdi>978-0-8108-6736-9</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140629170832/http://books.google.com/books?id=yuwVdWhe9sgC&amp;pg=PA97">Archived</a> from the original on June 29, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">September 29,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Films+of+Edgar+G.+Ulmer&amp;rft.pub=Scarecrow+Press&amp;rft.date=2009-05-20&amp;rft.isbn=978-0-8108-6736-9&amp;rft.aulast=Herzogenrath&amp;rft.aufirst=Bernd&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DyuwVdWhe9sgC%26pg%3DPA97&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFJohnson2011" class="citation book cs1"><a href="/wiki/Rian_Johnson" title="Rian Johnson">Johnson, Rian</a> (2011). "Annie Hall (Interview by Robert K. Elder.)". In Elder, Robert K. (ed.). <i><a href="/wiki/The_Film_That_Changed_My_Life" title="The Film That Changed My Life">The Film That Changed My Life</a></i>. Chicago: Chicago Review Press. pp.&#160;<span class="nowrap">13–</span>24. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-55652-825-5" title="Special:BookSources/978-1-55652-825-5"><bdi>978-1-55652-825-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Annie+Hall+%28Interview+by+Robert+K.+Elder.%29&amp;rft.btitle=The+Film+That+Changed+My+Life&amp;rft.place=Chicago&amp;rft.pages=%3Cspan+class%3D%22nowrap%22%3E13-%3C%2Fspan%3E24&amp;rft.pub=Chicago+Review+Press&amp;rft.date=2011&amp;rft.isbn=978-1-55652-825-5&amp;rft.aulast=Johnson&amp;rft.aufirst=Rian&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFKnight2004" class="citation journal cs1">Knight, Christopher J (2004). "Woody Allen's Annie Hall: Galatea's Triumph Over Pygmalion". <i>Literature/Film Quarterly</i>. <b>32</b> (3): <span class="nowrap">213–</span>221.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Literature%2FFilm+Quarterly&amp;rft.atitle=Woody+Allen%27s+Annie+Hall%3A+Galatea%27s+Triumph+Over+Pygmalion&amp;rft.volume=32&amp;rft.issue=3&amp;rft.pages=%3Cspan+class%3D%22nowrap%22%3E213-%3C%2Fspan%3E221&amp;rft.date=2004&amp;rft.aulast=Knight&amp;rft.aufirst=Christopher+J&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFLax2000" class="citation book cs1"><a href="/wiki/Eric_Lax" title="Eric Lax">Lax, Eric</a> (2000). <i>Woody Allen: A Biography</i> (New&#160;ed.). Da Capo Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-306-80985-0" title="Special:BookSources/0-306-80985-0"><bdi>0-306-80985-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Woody+Allen%3A+A+Biography&amp;rft.edition=New&amp;rft.pub=Da+Capo+Press&amp;rft.date=2000&amp;rft.isbn=0-306-80985-0&amp;rft.aulast=Lax&amp;rft.aufirst=Eric&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFMitchell2001" class="citation book cs1">Mitchell, Deborah C. (July 26, 2001). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=nxdY5abnM64C&amp;pg=PA45"><i>Diane Keaton: Artist and Icon</i></a>. McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-7864-1082-8" title="Special:BookSources/978-0-7864-1082-8"><bdi>978-0-7864-1082-8</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140629170421/http://books.google.com/books?id=nxdY5abnM64C&amp;pg=PA45">Archived</a> from the original on June 29, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">September 29,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Diane+Keaton%3A+Artist+and+Icon&amp;rft.pub=McFarland&amp;rft.date=2001-07-26&amp;rft.isbn=978-0-7864-1082-8&amp;rft.aulast=Mitchell&amp;rft.aufirst=Deborah+C.&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DnxdY5abnM64C%26pg%3DPA45&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFMeyers2008" class="citation book cs1">Meyers, Joseph (2008). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=EEsptL-38KYC&amp;pg=PA76"><i>Inside New York 2009</i></a>. Inside New York. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-892768-41-4" title="Special:BookSources/978-1-892768-41-4"><bdi>978-1-892768-41-4</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140629165700/http://books.google.com/books?id=EEsptL-38KYC&amp;pg=PA76">Archived</a> from the original on June 29, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">September 29,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Inside+New+York+2009&amp;rft.pub=Inside+New+York&amp;rft.date=2008&amp;rft.isbn=978-1-892768-41-4&amp;rft.aulast=Meyers&amp;rft.aufirst=Joseph&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DEEsptL-38KYC%26pg%3DPA76&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFPennington2007" class="citation book cs1">Pennington, Jody W. (2007). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=nlVpgOR9z-kC&amp;pg=PA72"><i>The History of Sex in American Film</i></a>. Greenwood Publishing Group. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-275-99226-2" title="Special:BookSources/978-0-275-99226-2"><bdi>978-0-275-99226-2</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140630020613/http://books.google.com/books?id=nlVpgOR9z-kC&amp;pg=PA72">Archived</a> from the original on June 30, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">September 29,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+History+of+Sex+in+American+Film&amp;rft.pub=Greenwood+Publishing+Group&amp;rft.date=2007&amp;rft.isbn=978-0-275-99226-2&amp;rft.aulast=Pennington&amp;rft.aufirst=Jody+W.&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DnlVpgOR9z-kC%26pg%3DPA72&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFRosenblumKaren1986" class="citation book cs1">Rosenblum, Ralph; Karen, Robert (1986). <i>When the Shooting Stops&#160;... The Cutting Begins</i>. DaCapo Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-306-80272-4" title="Special:BookSources/0-306-80272-4"><bdi>0-306-80272-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=When+the+Shooting+Stops+...+The+Cutting+Begins&amp;rft.pub=DaCapo+Press&amp;rft.date=1986&amp;rft.isbn=0-306-80272-4&amp;rft.aulast=Rosenblum&amp;rft.aufirst=Ralph&amp;rft.au=Karen%2C+Robert&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFRutterSchwartz2012" class="citation book cs1">Rutter, Virginia; Schwartz, Pepper (2012). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=gbpIbqiEy2sC&amp;pg=PA45"><i>The Gender of Sexuality: Exploring Sexual Possibilities</i></a>. Rowman &amp; Littlefield. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-7425-7003-0" title="Special:BookSources/978-0-7425-7003-0"><bdi>978-0-7425-7003-0</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140629165417/http://books.google.com/books?id=gbpIbqiEy2sC&amp;pg=PA45">Archived</a> from the original on June 29, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">September 29,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Gender+of+Sexuality%3A+Exploring+Sexual+Possibilities&amp;rft.pub=Rowman+%26+Littlefield&amp;rft.date=2012&amp;rft.isbn=978-0-7425-7003-0&amp;rft.aulast=Rutter&amp;rft.aufirst=Virginia&amp;rft.au=Schwartz%2C+Pepper&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DgbpIbqiEy2sC%26pg%3DPA45&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFSchatz1982" class="citation journal cs1">Schatz, Thomas (1982). "Annie Hall and the Issue of Modernism". <i>Literature/Film Quarterly</i>. <b>10</b> (3): <span class="nowrap">180–</span>187.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Literature%2FFilm+Quarterly&amp;rft.atitle=Annie+Hall+and+the+Issue+of+Modernism&amp;rft.volume=10&amp;rft.issue=3&amp;rft.pages=%3Cspan+class%3D%22nowrap%22%3E180-%3C%2Fspan%3E187&amp;rft.date=1982&amp;rft.aulast=Schatz&amp;rft.aufirst=Thomas&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFSeltzerCohen1995" class="citation book cs1">Seltzer, Robert M.; Cohen, Norman J. (1995). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=c__ymBsbYdwC&amp;pg=PA91"><i>The Americanization of the Jews</i></a>. NYU Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8147-8001-5" title="Special:BookSources/978-0-8147-8001-5"><bdi>978-0-8147-8001-5</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140629170952/http://books.google.com/books?id=c__ymBsbYdwC&amp;pg=PA91">Archived</a> from the original on June 29, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">September 29,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Americanization+of+the+Jews&amp;rft.pub=NYU+Press&amp;rft.date=1995&amp;rft.isbn=978-0-8147-8001-5&amp;rft.aulast=Seltzer&amp;rft.aufirst=Robert+M.&amp;rft.au=Cohen%2C+Norman+J.&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dc&#95;_ymBsbYdwC%26pg%3DPA91&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFSpignesi1992" class="citation book cs1">Spignesi, Stephen J. (1992). <i>The Woody Allen Companion</i>. London: Plexus Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-85965-205-X" title="Special:BookSources/0-85965-205-X"><bdi>0-85965-205-X</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Woody+Allen+Companion&amp;rft.place=London&amp;rft.pub=Plexus+Publishing&amp;rft.date=1992&amp;rft.isbn=0-85965-205-X&amp;rft.aulast=Spignesi&amp;rft.aufirst=Stephen+J.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFSteele2010" class="citation book cs1">Steele, Valerie (November 15, 2010). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=Hemsvn9ZbRkC&amp;pg=PA336"><i>The Berg Companion to Fashion</i></a>. Berg. p.&#160;336. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/9781847885920" title="Special:BookSources/9781847885920"><bdi>9781847885920</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200726045608/https://books.google.com/books?id=Hemsvn9ZbRkC&amp;pg=PA336">Archived</a> from the original on July 26, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">August 24,</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Berg+Companion+to+Fashion&amp;rft.pages=336&amp;rft.pub=Berg&amp;rft.date=2010-11-15&amp;rft.isbn=9781847885920&amp;rft.aulast=Steele&amp;rft.aufirst=Valerie&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DHemsvn9ZbRkC%26pg%3DPA336&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFTueth2012" class="citation book cs1">Tueth, Michael (2012). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=L2YgivlXooIC&amp;pg=PA135"><i>Reeling with Laughter: American Film Comedies—from Anarchy to Mockumentary</i></a>. Scarecrow Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8108-8367-3" title="Special:BookSources/978-0-8108-8367-3"><bdi>978-0-8108-8367-3</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140629171249/http://books.google.com/books?id=L2YgivlXooIC&amp;pg=PA135">Archived</a> from the original on June 29, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">September 29,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Reeling+with+Laughter%3A+American+Film+Comedies%E2%80%94from+Anarchy+to+Mockumentary&amp;rft.pub=Scarecrow+Press&amp;rft.date=2012&amp;rft.isbn=978-0-8108-8367-3&amp;rft.aulast=Tueth&amp;rft.aufirst=Michael&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DL2YgivlXooIC%26pg%3DPA135&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AAnnie+Hall" class="Z3988"></span></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Annie_Hall&amp;action=edit&amp;section=25" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output 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href="/wiki/Template:Woody_Allen" title="Template:Woody Allen"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Woody_Allen" title="Template talk:Woody Allen"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Woody_Allen" title="Special:EditPage/Template:Woody Allen"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Woody_Allen361" style="font-size:114%;margin:0 4em"><a href="/wiki/Woody_Allen" title="Woody Allen">Woody Allen</a></div></th></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><span class="nowrap"><a href="/wiki/Woody_Allen_filmography" title="Woody Allen filmography">Filmography</a></span></li> <li><span class="nowrap"><a href="/wiki/Woody_Allen_bibliography" title="Woody Allen bibliography">Bibliography</a></span></li> <li><span class="nowrap"><a href="/wiki/List_of_awards_and_nominations_received_by_Woody_Allen" title="List of awards and nominations received by Woody Allen">Awards and nominations</a></span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Feature<br />films</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/What%27s_Up,_Tiger_Lily%3F" title="What&#39;s Up, Tiger Lily?">What's Up, Tiger Lily?</a></i> (1966)</span></li> <li><span class="nowrap"><i><a href="/wiki/Take_the_Money_and_Run_(film)" title="Take the Money and Run (film)">Take the Money and Run</a></i> (1969)</span></li> <li><span class="nowrap"><i><a href="/wiki/Bananas_(film)" title="Bananas (film)">Bananas</a></i> (1971)</span></li> <li><span class="nowrap"><i><a href="/wiki/Everything_You_Always_Wanted_to_Know_About_Sex*_(*But_Were_Afraid_to_Ask)_(film)" title="Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) (film)"><span class="wrap">Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask)</span></a></i> (1972)</span></li> <li><span class="nowrap"><i><a href="/wiki/Sleeper_(1973_film)" title="Sleeper (1973 film)">Sleeper</a></i> (1973)</span></li> <li><span class="nowrap"><i><a href="/wiki/Love_and_Death" title="Love and Death">Love and Death</a></i> (1975)</span></li> <li><span class="nowrap"><i><a class="mw-selflink selflink">Annie Hall</a></i> (1977)</span></li> <li><span class="nowrap"><i><a href="/wiki/Interiors" title="Interiors">Interiors</a></i> (1978)</span></li> <li><span class="nowrap"><i><a href="/wiki/Manhattan_(1979_film)" title="Manhattan (1979 film)">Manhattan</a></i> (1979)</span></li> <li><span class="nowrap"><i><a href="/wiki/Stardust_Memories" title="Stardust Memories">Stardust Memories</a></i> (1980)</span></li> <li><span class="nowrap"><i><a href="/wiki/A_Midsummer_Night%27s_Sex_Comedy" title="A Midsummer Night&#39;s Sex Comedy">A Midsummer Night's Sex Comedy</a></i> (1982)</span></li> <li><span class="nowrap"><i><a href="/wiki/Zelig" title="Zelig">Zelig</a></i> (1983)</span></li> <li><span class="nowrap"><i><a href="/wiki/Broadway_Danny_Rose" title="Broadway Danny Rose">Broadway Danny Rose</a></i> (1984)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Purple_Rose_of_Cairo" title="The Purple Rose of Cairo">The Purple Rose of Cairo</a></i> (1985)</span></li> <li><span class="nowrap"><i><a href="/wiki/Hannah_and_Her_Sisters" title="Hannah and Her Sisters">Hannah and Her Sisters</a></i> (1986)</span></li> <li><span class="nowrap"><i><a href="/wiki/Radio_Days" title="Radio Days">Radio Days</a></i> (1987)</span></li> <li><span class="nowrap"><i><a href="/wiki/September_(1987_film)" title="September (1987 film)">September</a></i> (1987)</span></li> <li><span class="nowrap"><i><a href="/wiki/Another_Woman_(1988_film)" title="Another Woman (1988 film)">Another Woman</a></i> (1988)</span></li> <li><span class="nowrap"><i><a href="/wiki/New_York_Stories" title="New York Stories">New York Stories</a></i> (segment "Oedipus Wrecks", 1989)</span></li> <li><span class="nowrap"><i><a href="/wiki/Crimes_and_Misdemeanors" title="Crimes and Misdemeanors">Crimes and Misdemeanors</a></i> (1989)</span></li> <li><span class="nowrap"><i><a href="/wiki/Alice_(1990_film)" title="Alice (1990 film)">Alice</a></i> (1990)</span></li> <li><span class="nowrap"><i><a href="/wiki/Shadows_and_Fog" title="Shadows and Fog">Shadows and Fog</a></i> (1991)</span></li> <li><span class="nowrap"><i><a href="/wiki/Husbands_and_Wives" title="Husbands and Wives">Husbands and Wives</a></i> (1992)</span></li> <li><span class="nowrap"><i><a href="/wiki/Manhattan_Murder_Mystery" title="Manhattan Murder Mystery">Manhattan Murder Mystery</a></i> (1993)</span></li> <li><span class="nowrap"><i><a href="/wiki/Bullets_Over_Broadway" title="Bullets Over Broadway">Bullets Over Broadway</a></i> (1994)</span></li> <li><span class="nowrap"><i><a href="/wiki/Mighty_Aphrodite" title="Mighty Aphrodite">Mighty Aphrodite</a></i> (1995)</span></li> <li><span class="nowrap"><i><a href="/wiki/Everyone_Says_I_Love_You" title="Everyone Says I Love You">Everyone Says I Love You</a></i> (1996)</span></li> <li><span class="nowrap"><i><a href="/wiki/Deconstructing_Harry" title="Deconstructing Harry">Deconstructing Harry</a></i> (1997)</span></li> <li><span class="nowrap"><i><a href="/wiki/Celebrity_(1998_film)" title="Celebrity (1998 film)">Celebrity</a></i> (1998)</span></li> <li><span class="nowrap"><i><a href="/wiki/Sweet_and_Lowdown" title="Sweet and Lowdown">Sweet and Lowdown</a></i> (1999)</span></li> <li><span class="nowrap"><i><a href="/wiki/Small_Time_Crooks" title="Small Time Crooks">Small Time Crooks</a></i> (2000)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Curse_of_the_Jade_Scorpion" title="The Curse of the Jade Scorpion">The Curse of the Jade Scorpion</a></i> (2001)</span></li> <li><span class="nowrap"><i><a href="/wiki/Hollywood_Ending" title="Hollywood Ending">Hollywood Ending</a></i> (2002)</span></li> <li><span class="nowrap"><i><a href="/wiki/Anything_Else" title="Anything Else">Anything Else</a></i> (2003)</span></li> <li><span class="nowrap"><i><a href="/wiki/Melinda_and_Melinda" title="Melinda and Melinda">Melinda and Melinda</a></i> (2004)</span></li> <li><span class="nowrap"><i><a href="/wiki/Match_Point" title="Match Point">Match Point</a></i> (2005)</span></li> <li><span class="nowrap"><i><a href="/wiki/Scoop_(2006_film)" title="Scoop (2006 film)">Scoop</a></i> (2006)</span></li> <li><span class="nowrap"><i><a href="/wiki/Cassandra%27s_Dream" title="Cassandra&#39;s Dream">Cassandra's Dream</a></i> (2007)</span></li> <li><span class="nowrap"><i><a href="/wiki/Vicky_Cristina_Barcelona" title="Vicky Cristina Barcelona">Vicky Cristina Barcelona</a></i> (2008)</span></li> <li><span class="nowrap"><i><a href="/wiki/Whatever_Works" title="Whatever Works">Whatever Works</a></i> (2009)</span></li> <li><span class="nowrap"><i><a href="/wiki/You_Will_Meet_a_Tall_Dark_Stranger" title="You Will Meet a Tall Dark Stranger">You Will Meet a Tall Dark Stranger</a></i> (2010)</span></li> <li><span class="nowrap"><i><a href="/wiki/Midnight_in_Paris" title="Midnight in Paris">Midnight in Paris</a></i> (2011)</span></li> <li><span class="nowrap"><i><a href="/wiki/To_Rome_with_Love_(film)" title="To Rome with Love (film)">To Rome with Love</a></i> (2012)</span></li> <li><span class="nowrap"><i><a href="/wiki/Blue_Jasmine" title="Blue Jasmine">Blue Jasmine</a></i> (2013)</span></li> <li><span class="nowrap"><i><a href="/wiki/Magic_in_the_Moonlight" title="Magic in the Moonlight">Magic in the Moonlight</a></i> (2014)</span></li> <li><span class="nowrap"><i><a href="/wiki/Irrational_Man_(film)" title="Irrational Man (film)">Irrational Man</a></i> (2015)</span></li> <li><span class="nowrap"><i><a href="/wiki/Caf%C3%A9_Society_(2016_film)" title="Café Society (2016 film)">Café Society</a></i> (2016)</span></li> <li><span class="nowrap"><i><a href="/wiki/Wonder_Wheel_(film)" title="Wonder Wheel (film)">Wonder Wheel</a></i> (2017)</span></li> <li><span class="nowrap"><i><a href="/wiki/A_Rainy_Day_in_New_York" title="A Rainy Day in New York">A Rainy Day in New York</a></i> (2019)</span></li> <li><span class="nowrap"><i><a href="/wiki/Rifkin%27s_Festival" title="Rifkin&#39;s Festival">Rifkin's Festival</a></i> (2020)</span></li> <li><span class="nowrap"><i><a href="/wiki/Coup_de_chance" title="Coup de chance">Coup de chance</a></i> (2023)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Short films</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/Men_of_Crisis:_The_Harvey_Wallinger_Story" title="Men of Crisis: The Harvey Wallinger Story">Men of Crisis: The Harvey Wallinger Story</a></i> (1971)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Concert_for_New_York_City#.22_Sounds_from_a_Town_I_Love.22" title="The Concert for New York City">Sounds from a Town I Love</a></i> (2001)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Television</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/Don%27t_Drink_the_Water_(1994_film)" title="Don&#39;t Drink the Water (1994 film)">Don't Drink the Water</a></i> (1994, film)</span></li> <li><span class="nowrap"><i><a href="/wiki/Crisis_in_Six_Scenes" title="Crisis in Six Scenes">Crisis in Six Scenes</a></i> (2016, series)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Theatre</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/From_A_to_Z" title="From A to Z">From A to Z</a></i> (1960)</span></li> <li><span class="nowrap"><i><a href="/wiki/Don%27t_Drink_the_Water_(play)" title="Don&#39;t Drink the Water (play)">Don't Drink the Water</a></i> (1966)</span></li> <li><span class="nowrap"><i><a href="/wiki/Play_It_Again,_Sam_(play)" title="Play It Again, Sam (play)">Play It Again, Sam</a></i> (1969)</span></li> <li><span class="nowrap"><i><a href="/wiki/God_(play)" title="God (play)">God</a></i> (1975)</span></li> <li><span class="nowrap"><i><a href="/wiki/Death_(play)" title="Death (play)">Death</a></i> (1975)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Floating_Light_Bulb" title="The Floating Light Bulb">The Floating Light Bulb</a></i> (1981)</span></li> <li><span class="nowrap"><i><a href="/wiki/Central_Park_West_(1995)" class="mw-redirect" title="Central Park West (1995)">Central Park West</a></i> (1995)</span></li> <li><span class="nowrap"><i><a href="/wiki/Riverside_Drive_(2003)" class="mw-redirect" title="Riverside Drive (2003)">Riverside Drive</a></i> (2003)</span></li> <li><span class="nowrap"><i><a href="/wiki/Relatively_Speaking_(play_anthology)" title="Relatively Speaking (play anthology)">Honeymoon Motel</a></i> (2011)</span></li> <li><span class="nowrap"><i><a href="/wiki/Bullets_Over_Broadway_(musical)" title="Bullets Over Broadway (musical)">Bullets Over Broadway</a></i> (2014)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Books</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/Getting_Even_(Allen_book)" title="Getting Even (Allen book)">Getting Even</a></i> (1971)</span></li> <li><span class="nowrap"><i><a href="/wiki/Without_Feathers" title="Without Feathers">Without Feathers</a></i> (1975)</span></li> <li><span class="nowrap"><i><a href="/wiki/Side_Effects_(Allen_book)" title="Side Effects (Allen book)">Side Effects</a></i> (1980)</span></li> <li><span class="nowrap"><i><a href="/wiki/Mere_Anarchy" title="Mere Anarchy">Mere Anarchy</a></i> (2007)</span></li> <li><span class="nowrap"><i><a href="/wiki/Apropos_of_Nothing" title="Apropos of Nothing">Apropos of Nothing</a></i> (2020)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Albums</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/Woody_Allen_(album)" title="Woody Allen (album)">Woody Allen</a></i> (1964)</span></li> <li><span class="nowrap"><i><a href="/wiki/Woody_Allen_Volume_2" class="mw-redirect" title="Woody Allen Volume 2">Woody Allen Volume 2</a></i> (1965)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Third_Woody_Allen_Album" class="mw-redirect" title="The Third Woody Allen Album">The Third Woody Allen Album</a></i> (1968)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><a href="/wiki/Louise_Lasser" title="Louise Lasser">Louise Lasser</a> (second wife)</span></li> <li><span class="nowrap"><a href="/wiki/Soon-Yi_Previn" title="Soon-Yi Previn">Soon-Yi Previn</a> (third wife)</span></li> <li><span class="nowrap"><a href="/wiki/Ronan_Farrow" title="Ronan Farrow">Ronan Farrow</a> (son)</span></li> <li><span class="nowrap"><a href="/wiki/Letty_Aronson" title="Letty Aronson">Letty Aronson</a> (sister)</span></li> <li><span class="nowrap"><i><a href="/wiki/Inside_Woody_Allen" title="Inside Woody Allen">Inside Woody Allen</a></i></span></li> <li><span class="nowrap"><i><a href="/wiki/Meetin%27_WA" title="Meetin&#39; WA">Meetin' WA</a></i></span></li> <li><span class="nowrap"><i><a href="/wiki/Wild_Man_Blues" title="Wild Man Blues">Wild Man Blues</a></i></span></li> <li><span class="nowrap"><i><a href="/wiki/Woody_Allen:_A_Documentary" title="Woody Allen: A Documentary">Woody Allen: A Documentary</a></i> (2011 miniseries)</span></li> <li><span class="nowrap"><a href="/wiki/Woody_Allen_sexual_abuse_allegation" title="Woody Allen sexual abuse allegation">Sexual abuse allegation</a> (<i><a href="/wiki/Allen_v._Farrow" title="Allen v. Farrow">Allen v. Farrow</a></i>, 2021 documentary)</span></li> <li><span class="nowrap"><a href="/wiki/Monument_to_Woody_Allen" title="Monument to Woody Allen"><i>Monument to Woody Allen</i> (Oviedo, Spain)</a></span></li></ul> </div></td></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><span class="nowrap"><span class="noviewer" typeof="mw:File"><span title="Category"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/16px-Symbol_category_class.svg.png" decoding="async" width="16" height="16" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/23px-Symbol_category_class.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/31px-Symbol_category_class.svg.png 2x" data-file-width="180" data-file-height="185" /></span></span> <a href="/wiki/Category:Woody_Allen" title="Category:Woody Allen">Category</a></span></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235" /></div><div role="navigation" class="navbox" aria-labelledby="Marshall_Brickman34" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231" /><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Marshall_Brickman" title="Template:Marshall Brickman"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Marshall_Brickman" title="Template talk:Marshall Brickman"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Marshall_Brickman" title="Special:EditPage/Template:Marshall Brickman"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Marshall_Brickman34" style="font-size:114%;margin:0 4em"><a href="/wiki/Marshall_Brickman" title="Marshall Brickman">Marshall Brickman</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Films</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%">Written<br />and directed</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Simon_(1980_film)" title="Simon (1980 film)">Simon</a></i> (1980)</li> <li><i><a href="/wiki/Lovesick_(1983_film)" title="Lovesick (1983 film)">Lovesick</a></i> (1983)</li> <li><i><a href="/wiki/The_Manhattan_Project_(film)" title="The Manhattan Project (film)">The Manhattan Project</a></i> (1986)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Directed only</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Sister_Mary_Explains_It_All" title="Sister Mary Explains It All">Sister Mary Explains It All</a></i> (2001)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Written only</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Sleeper_(1973_film)" title="Sleeper (1973 film)">Sleeper</a></i> (1973)</li> <li><i><a href="/wiki/The_Muppet_Show:_Sex_and_Violence" title="The Muppet Show: Sex and Violence">The Muppet Show: Sex and Violence</a></i> (1975)</li> <li><i><a class="mw-selflink selflink">Annie Hall</a></i> (1977)</li> <li><i><a href="/wiki/Manhattan_(1979_film)" title="Manhattan (1979 film)">Manhattan</a></i> (1979)</li> <li><i><a href="/wiki/For_the_Boys" title="For the Boys">For the Boys</a></i> (1991)</li> <li><i><a href="/wiki/Manhattan_Murder_Mystery" title="Manhattan Murder Mystery">Manhattan Murder Mystery</a></i> (1993)</li> <li><i><a href="/wiki/Intersection_(1994_film)" title="Intersection (1994 film)">Intersection</a></i> (1994)</li> <li><i><a href="/wiki/Jersey_Boys_(film)" title="Jersey Boys (film)">Jersey Boys</a></i> (2014)</li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Musicals</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Jersey_Boys" title="Jersey Boys">Jersey Boys</a></i> (2005)</li> <li><i><a href="/wiki/The_Addams_Family_(musical)" title="The Addams Family (musical)">The Addams Family</a></i> (2010)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235" /></div><div role="navigation" class="navbox" aria-labelledby="Awards_for_Annie_Hall92" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:#e8e8ff;"><div id="Awards_for_Annie_Hall92" style="font-size:114%;margin:0 4em">Awards for <i>Annie Hall</i></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0;font-size:114%"><div style="padding:0px"> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235" /></div><div role="navigation" class="navbox" aria-labelledby="Academy_Award_for_Best_Picture78" style="padding:3px"><table class="nowraplinks hlist mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:#EEDD82"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231" /><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Academy_Award_for_Best_Picture" title="Template:Academy Award for Best Picture"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Academy_Award_for_Best_Picture" title="Template talk:Academy Award for Best Picture"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Academy_Award_for_Best_Picture" title="Special:EditPage/Template:Academy Award for Best Picture"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Academy_Award_for_Best_Picture78" style="font-size:114%;margin:0 4em"><a href="/wiki/Academy_Award_for_Best_Picture" title="Academy Award for Best Picture">Academy Award for Best Picture</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background:#EEDD82;width:1%">1927–1950</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/Wings_(1927_film)" title="Wings (1927 film)">Wings</a></i> (1927–1928)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Broadway_Melody" title="The Broadway Melody">The Broadway Melody</a></i> (1928–1929)</span></li> <li><span class="nowrap"><i><a href="/wiki/All_Quiet_on_the_Western_Front_(1930_film)" title="All Quiet on the Western Front (1930 film)">All Quiet on the Western Front</a></i> (1929–1930)</span></li> <li><span class="nowrap"><i><a href="/wiki/Cimarron_(1931_film)" title="Cimarron (1931 film)">Cimarron</a></i> (1930–1931)</span></li> <li><span class="nowrap"><i><a href="/wiki/Grand_Hotel_(1932_film)" title="Grand Hotel (1932 film)">Grand Hotel</a></i> (1931–1932)</span></li> <li><span class="nowrap"><i><a href="/wiki/Cavalcade_(1933_film)" title="Cavalcade (1933 film)">Cavalcade</a></i> (1932–1933)</span></li> <li><span class="nowrap"><i><a href="/wiki/It_Happened_One_Night" title="It Happened One Night">It Happened One Night</a></i> (1934)</span></li> <li><span class="nowrap"><i><a href="/wiki/Mutiny_on_the_Bounty_(1935_film)" title="Mutiny on the Bounty (1935 film)">Mutiny on the Bounty</a></i> (1935)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Great_Ziegfeld" title="The Great Ziegfeld">The Great Ziegfeld</a></i> (1936)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Life_of_Emile_Zola" title="The Life of Emile Zola">The Life of Emile Zola</a></i> (1937)</span></li> <li><span class="nowrap"><i><a href="/wiki/You_Can%27t_Take_It_with_You_(film)" title="You Can&#39;t Take It with You (film)">You Can't Take It with You</a></i> (1938)</span></li> <li><span class="nowrap"><i><a href="/wiki/Gone_with_the_Wind_(film)" title="Gone with the Wind (film)">Gone with the Wind</a></i> (1939)</span></li> <li><span class="nowrap"><i><a href="/wiki/Rebecca_(1940_film)" title="Rebecca (1940 film)">Rebecca</a></i> (1940)</span></li> <li><span class="nowrap"><i><a href="/wiki/How_Green_Was_My_Valley_(film)" title="How Green Was My Valley (film)">How Green Was My Valley</a></i> (1941)</span></li> <li><span class="nowrap"><i><a href="/wiki/Mrs._Miniver" title="Mrs. Miniver">Mrs. Miniver</a></i> (1942)</span></li> <li><span class="nowrap"><i><a href="/wiki/Casablanca_(film)" title="Casablanca (film)">Casablanca</a></i> (1943)</span></li> <li><span class="nowrap"><i><a href="/wiki/Going_My_Way" title="Going My Way">Going My Way</a></i> (1944)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Lost_Weekend" title="The Lost Weekend">The Lost Weekend</a></i> (1945)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Best_Years_of_Our_Lives" title="The Best Years of Our Lives">The Best Years of Our Lives</a></i> (1946)</span></li> <li><span class="nowrap"><i><a href="/wiki/Gentleman%27s_Agreement" title="Gentleman&#39;s Agreement">Gentleman's Agreement</a></i> (1947)</span></li> <li><span class="nowrap"><i><a href="/wiki/Hamlet_(1948_film)" title="Hamlet (1948 film)">Hamlet</a></i> (1948)</span></li> <li><span class="nowrap"><i><a href="/wiki/All_the_King%27s_Men_(1949_film)" title="All the King&#39;s Men (1949 film)">All the King's Men</a></i> (1949)</span></li> <li><span class="nowrap"><i><a href="/wiki/All_About_Eve" title="All About Eve">All About Eve</a></i> (1950)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#EEDD82;width:1%">1951–1975</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/An_American_in_Paris_(film)" title="An American in Paris (film)">An American in Paris</a></i> (1951)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Greatest_Show_on_Earth_(film)" title="The Greatest Show on Earth (film)">The Greatest Show on Earth</a></i> (1952)</span></li> <li><span class="nowrap"><i><a href="/wiki/From_Here_to_Eternity" title="From Here to Eternity">From Here to Eternity</a></i> (1953)</span></li> <li><span class="nowrap"><i><a href="/wiki/On_the_Waterfront" title="On the Waterfront">On the Waterfront</a></i> (1954)</span></li> <li><span class="nowrap"><i><a href="/wiki/Marty_(film)" title="Marty (film)">Marty</a></i> (1955)</span></li> <li><span class="nowrap"><i><a href="/wiki/Around_the_World_in_80_Days_(1956_film)" title="Around the World in 80 Days (1956 film)">Around the World in 80 Days</a></i> (1956)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Bridge_on_the_River_Kwai" title="The Bridge on the River Kwai">The Bridge on the River Kwai</a></i> (1957)</span></li> <li><span class="nowrap"><i><a href="/wiki/Gigi_(1958_film)" title="Gigi (1958 film)">Gigi</a></i> (1958)</span></li> <li><span class="nowrap"><i><a href="/wiki/Ben-Hur_(1959_film)" title="Ben-Hur (1959 film)">Ben-Hur</a></i> (1959)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Apartment" title="The Apartment">The Apartment</a></i> (1960)</span></li> <li><span class="nowrap"><i><a href="/wiki/West_Side_Story_(1961_film)" title="West Side Story (1961 film)">West Side Story</a></i> (1961)</span></li> <li><span class="nowrap"><i><a href="/wiki/Lawrence_of_Arabia_(film)" title="Lawrence of Arabia (film)">Lawrence of Arabia</a></i> (1962)</span></li> <li><span class="nowrap"><i><a href="/wiki/Tom_Jones_(1963_film)" title="Tom Jones (1963 film)">Tom Jones</a></i> (1963)</span></li> <li><span class="nowrap"><i><a href="/wiki/My_Fair_Lady_(film)" title="My Fair Lady (film)">My Fair Lady</a></i> (1964)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Sound_of_Music_(film)" title="The Sound of Music (film)">The Sound of Music</a></i> (1965)</span></li> <li><span class="nowrap"><i><a href="/wiki/A_Man_for_All_Seasons_(1966_film)" title="A Man for All Seasons (1966 film)">A Man for All Seasons</a></i> (1966)</span></li> <li><span class="nowrap"><i><a href="/wiki/In_the_Heat_of_the_Night_(film)" title="In the Heat of the Night (film)">In the Heat of the Night</a></i> (1967)</span></li> <li><span class="nowrap"><i><a href="/wiki/Oliver!_(film)" title="Oliver! (film)">Oliver!</a></i> (1968)</span></li> <li><span class="nowrap"><i><a href="/wiki/Midnight_Cowboy" title="Midnight Cowboy">Midnight Cowboy</a></i> (1969)</span></li> <li><span class="nowrap"><i><a href="/wiki/Patton_(film)" title="Patton (film)">Patton</a></i> (1970)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_French_Connection_(film)" title="The French Connection (film)">The French Connection</a></i> (1971)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Godfather" title="The Godfather">The Godfather</a></i> (1972)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Sting" title="The Sting">The Sting</a></i> (1973)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Godfather_Part_II" title="The Godfather Part II">The Godfather Part II</a></i> (1974)</span></li> <li><span class="nowrap"><i><a href="/wiki/One_Flew_Over_the_Cuckoo%27s_Nest_(film)" title="One Flew Over the Cuckoo&#39;s Nest (film)">One Flew Over the Cuckoo's Nest</a></i> (1975)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#EEDD82;width:1%">1976–2000</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/Rocky" title="Rocky">Rocky</a></i> (1976)</span></li> <li><span class="nowrap"><i><a class="mw-selflink selflink">Annie Hall</a></i> (1977)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Deer_Hunter" title="The Deer Hunter">The Deer Hunter</a></i> (1978)</span></li> <li><span class="nowrap"><i><a href="/wiki/Kramer_vs._Kramer" title="Kramer vs. Kramer">Kramer vs. Kramer</a></i> (1979)</span></li> <li><span class="nowrap"><i><a href="/wiki/Ordinary_People" title="Ordinary People">Ordinary People</a></i> (1980)</span></li> <li><span class="nowrap"><i><a href="/wiki/Chariots_of_Fire" title="Chariots of Fire">Chariots of Fire</a></i> (1981)</span></li> <li><span class="nowrap"><i><a href="/wiki/Gandhi_(film)" title="Gandhi (film)">Gandhi</a></i> (1982)</span></li> <li><span class="nowrap"><i><a href="/wiki/Terms_of_Endearment" title="Terms of Endearment">Terms of Endearment</a></i> (1983)</span></li> <li><span class="nowrap"><i><a href="/wiki/Amadeus_(film)" title="Amadeus (film)">Amadeus</a></i> (1984)</span></li> <li><span class="nowrap"><i><a href="/wiki/Out_of_Africa_(film)" title="Out of Africa (film)">Out of Africa</a></i> (1985)</span></li> <li><span class="nowrap"><i><a href="/wiki/Platoon_(film)" title="Platoon (film)">Platoon</a></i> (1986)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Last_Emperor" title="The Last Emperor">The Last Emperor</a></i> (1987)</span></li> <li><span class="nowrap"><i><a href="/wiki/Rain_Man" title="Rain Man">Rain Man</a></i> (1988)</span></li> <li><span class="nowrap"><i><a href="/wiki/Driving_Miss_Daisy" title="Driving Miss Daisy">Driving Miss Daisy</a></i> (1989)</span></li> <li><span class="nowrap"><i><a href="/wiki/Dances_With_Wolves" title="Dances With Wolves">Dances With Wolves</a></i> (1990)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Silence_of_the_Lambs_(film)" title="The Silence of the Lambs (film)">The Silence of the Lambs</a></i> (1991)</span></li> <li><span class="nowrap"><i><a href="/wiki/Unforgiven" title="Unforgiven">Unforgiven</a></i> (1992)</span></li> <li><span class="nowrap"><i><a href="/wiki/Schindler%27s_List" title="Schindler&#39;s List">Schindler's List</a></i> (1993)</span></li> <li><span class="nowrap"><i><a href="/wiki/Forrest_Gump" title="Forrest Gump">Forrest Gump</a></i> (1994)</span></li> <li><span class="nowrap"><i><a href="/wiki/Braveheart" title="Braveheart">Braveheart</a></i> (1995)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_English_Patient_(film)" title="The English Patient (film)">The English Patient</a></i> (1996)</span></li> <li><span class="nowrap"><i><a href="/wiki/Titanic_(1997_film)" title="Titanic (1997 film)">Titanic</a></i> (1997)</span></li> <li><span class="nowrap"><i><a href="/wiki/Shakespeare_in_Love" title="Shakespeare in Love">Shakespeare in Love</a></i> (1998)</span></li> <li><span class="nowrap"><i><a href="/wiki/American_Beauty_(1999_film)" title="American Beauty (1999 film)">American Beauty</a></i> (1999)</span></li> <li><span class="nowrap"><i><a href="/wiki/Gladiator_(2000_film)" title="Gladiator (2000 film)">Gladiator</a></i> (2000)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#EEDD82;width:1%">2001–2025</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/A_Beautiful_Mind_(film)" title="A Beautiful Mind (film)">A Beautiful Mind</a></i> (2001)</span></li> <li><span class="nowrap"><i><a href="/wiki/Chicago_(2002_film)" title="Chicago (2002 film)">Chicago</a></i> (2002)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Lord_of_the_Rings:_The_Return_of_the_King" title="The Lord of the Rings: The Return of the King">The Lord of the Rings: The Return of the King</a></i> (2003)</span></li> <li><span class="nowrap"><i><a href="/wiki/Million_Dollar_Baby" title="Million Dollar Baby">Million Dollar Baby</a></i> (2004)</span></li> <li><span class="nowrap"><i><a href="/wiki/Crash_(2004_film)" title="Crash (2004 film)">Crash</a></i> (2005)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Departed" title="The Departed">The Departed</a></i> (2006)</span></li> <li><span class="nowrap"><i><a href="/wiki/No_Country_for_Old_Men" title="No Country for Old Men">No Country for Old Men</a></i> (2007)</span></li> <li><span class="nowrap"><i><a href="/wiki/Slumdog_Millionaire" title="Slumdog Millionaire">Slumdog Millionaire</a></i> (2008)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Hurt_Locker" title="The Hurt Locker">The Hurt Locker</a></i> (2009)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_King%27s_Speech" title="The King&#39;s Speech">The King's Speech</a></i> (2010)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Artist_(film)" title="The Artist (film)">The Artist</a></i> (2011)</span></li> <li><span class="nowrap"><i><a href="/wiki/Argo_(2012_film)" title="Argo (2012 film)">Argo</a></i> (2012)</span></li> <li><span class="nowrap"><i><a href="/wiki/12_Years_a_Slave_(film)" title="12 Years a Slave (film)">12 Years a Slave</a></i> (2013)</span></li> <li><span class="nowrap"><i><a href="/wiki/Birdman_(film)" title="Birdman (film)">Birdman or (The Unexpected Virtue of Ignorance)</a></i> (2014)</span></li> <li><span class="nowrap"><i><a href="/wiki/Spotlight_(film)" title="Spotlight (film)">Spotlight</a></i> (2015)</span></li> <li><span class="nowrap"><i><a href="/wiki/Moonlight_(2016_film)" title="Moonlight (2016 film)">Moonlight</a></i> (2016)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Shape_of_Water" title="The Shape of Water">The Shape of Water</a></i> (2017)</span></li> <li><span class="nowrap"><i><a href="/wiki/Green_Book_(film)" title="Green Book (film)">Green Book</a></i> (2018)</span></li> <li><span class="nowrap"><i><a href="/wiki/Parasite_(2019_film)" title="Parasite (2019 film)">Parasite</a></i> (2019)</span></li> <li><span class="nowrap"><i><a href="/wiki/Nomadland" title="Nomadland">Nomadland</a></i> (2020)</span></li> <li><span class="nowrap"><i><a href="/wiki/CODA_(2021_film)" title="CODA (2021 film)">CODA</a></i> (2021)</span></li> <li><span class="nowrap"><i><a href="/wiki/Everything_Everywhere_All_at_Once" title="Everything Everywhere All at Once">Everything Everywhere All at Once</a></i> (2022)</span></li> <li><span class="nowrap"><i><a href="/wiki/Oppenheimer_(film)" title="Oppenheimer (film)">Oppenheimer</a></i> (2023)</span></li> <li><span class="nowrap"><i><a href="/wiki/Anora" title="Anora">Anora</a></i> (2024)</span></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235" /></div><div role="navigation" class="navbox" aria-labelledby="BAFTA_Award_for_Best_Film113" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background: #BDB76B"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231" /><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:BAFTA_Award_for_Best_Film" title="Template:BAFTA Award for Best Film"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:BAFTA_Award_for_Best_Film" title="Template talk:BAFTA Award for Best Film"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:BAFTA_Award_for_Best_Film" title="Special:EditPage/Template:BAFTA Award for Best Film"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="BAFTA_Award_for_Best_Film113" style="font-size:114%;margin:0 4em"><a href="/wiki/BAFTA_Award_for_Best_Film" title="BAFTA Award for Best Film">BAFTA Award for Best Film</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background: #BDB76B;width:1%">Best Film<br />from any Source<br />1947&#8211;1967</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/The_Best_Years_of_Our_Lives" title="The Best Years of Our Lives">The Best Years of Our Lives</a></i> (1947)</span></li> <li><span class="nowrap"><i><a href="/wiki/Hamlet_(1948_film)" title="Hamlet (1948 film)">Hamlet</a></i> (1948)</span></li> <li><span class="nowrap"><i><a href="/wiki/Bicycle_Thieves" title="Bicycle Thieves">Bicycle Thieves</a></i> (1949)</span></li> <li><span class="nowrap"><i><a href="/wiki/All_About_Eve" title="All About Eve">All About Eve</a></i> (1950)</span></li> <li><span class="nowrap"><i><a href="/wiki/La_Ronde_(1950_film)" title="La Ronde (1950 film)">La Ronde</a></i> (1951)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Sound_Barrier" title="The Sound Barrier">The Sound Barrier</a></i> (1952)</span></li> <li><span class="nowrap"><i><a href="/wiki/Forbidden_Games" title="Forbidden Games">Forbidden Games</a></i> (1953)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Wages_of_Fear" title="The Wages of Fear">The Wages of Fear</a></i> (1954)</span></li> <li><span class="nowrap"><i><a href="/wiki/Richard_III_(1955_film)" title="Richard III (1955 film)">Richard III</a></i> (1955)</span></li> <li><span class="nowrap"><i><a href="/wiki/Gervaise_(film)" title="Gervaise (film)">Gervaise</a></i> (1956)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Bridge_on_the_River_Kwai" title="The Bridge on the River Kwai">The Bridge on the River Kwai</a></i> (1957)</span></li> <li><span class="nowrap"><i><a href="/wiki/Room_at_the_Top_(1959_film)" title="Room at the Top (1959 film)">Room at the Top</a></i> (1958)</span></li> <li><span class="nowrap"><i><a href="/wiki/Ben-Hur_(1959_film)" title="Ben-Hur (1959 film)">Ben-Hur</a></i> (1959)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Apartment" title="The Apartment">The Apartment</a></i> (1960)</span></li> <li><span class="nowrap"><i><a href="/wiki/Ballad_of_a_Soldier" title="Ballad of a Soldier">Ballad of a Soldier</a></i> (1961)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Hustler" title="The Hustler">The Hustler</a></i> (1961)</span></li> <li><span class="nowrap"><i><a href="/wiki/Lawrence_of_Arabia_(film)" title="Lawrence of Arabia (film)">Lawrence of Arabia</a></i> (1962)</span></li> <li><span class="nowrap"><i><a href="/wiki/Tom_Jones_(1963_film)" title="Tom Jones (1963 film)">Tom Jones</a></i> (1963)</span></li> <li><span class="nowrap"><i><a href="/wiki/Dr._Strangelove" title="Dr. Strangelove">Dr. Strangelove</a></i> (1964)</span></li> <li><span class="nowrap"><i><a href="/wiki/My_Fair_Lady_(film)" title="My Fair Lady (film)">My Fair Lady</a></i> (1965)</span></li> <li><span class="nowrap"><i><a href="/wiki/Who%27s_Afraid_of_Virginia_Woolf%3F_(film)" title="Who&#39;s Afraid of Virginia Woolf? (film)">Who's Afraid of Virginia Woolf?</a></i> (1966)</span></li> <li><span class="nowrap"><i><a href="/wiki/A_Man_for_All_Seasons_(1966_film)" title="A Man for All Seasons (1966 film)">A Man for All Seasons</a></i> (1967)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #BDB76B;width:1%">Best Film<br />1968&#8211;present</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/The_Graduate" title="The Graduate">The Graduate</a></i> (1968)</span></li> <li><span class="nowrap"><i><a href="/wiki/Midnight_Cowboy" title="Midnight Cowboy">Midnight Cowboy</a></i> (1969)</span></li> <li><span class="nowrap"><i><a href="/wiki/Butch_Cassidy_and_the_Sundance_Kid" title="Butch Cassidy and the Sundance Kid">Butch Cassidy and the Sundance Kid</a></i> (1970)</span></li> <li><span class="nowrap"><i><a href="/wiki/Sunday_Bloody_Sunday_(film)" title="Sunday Bloody Sunday (film)">Sunday Bloody Sunday</a></i> (1971)</span></li> <li><span class="nowrap"><i><a href="/wiki/Cabaret_(1972_film)" title="Cabaret (1972 film)">Cabaret</a></i> (1972)</span></li> <li><span class="nowrap"><i><a href="/wiki/Day_for_Night_(film)" title="Day for Night (film)">Day for Night</a></i> (1973)</span></li> <li><span class="nowrap"><i><a href="/wiki/Lacombe,_Lucien" title="Lacombe, Lucien">Lacombe, Lucien</a></i> (1974)</span></li> <li><span class="nowrap"><i><a href="/wiki/Alice_Doesn%27t_Live_Here_Anymore" title="Alice Doesn&#39;t Live Here Anymore">Alice Doesn't Live Here Anymore</a></i> (1975)</span></li> <li><span class="nowrap"><i><a href="/wiki/One_Flew_Over_the_Cuckoo%27s_Nest_(film)" title="One Flew Over the Cuckoo&#39;s Nest (film)">One Flew Over the Cuckoo's Nest</a></i> (1976)</span></li> <li><span class="nowrap"><i><a class="mw-selflink selflink">Annie Hall</a></i> (1977)</span></li> <li><span class="nowrap"><i><a href="/wiki/Julia_(1977_film)" title="Julia (1977 film)">Julia</a></i> (1978)</span></li> <li><span class="nowrap"><i><a href="/wiki/Manhattan_(1979_film)" title="Manhattan (1979 film)">Manhattan</a></i> (1979)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Elephant_Man_(1980_film)" title="The Elephant Man (1980 film)">The Elephant Man</a></i> (1980)</span></li> <li><span class="nowrap"><i><a href="/wiki/Chariots_of_Fire" title="Chariots of Fire">Chariots of Fire</a></i> (1981)</span></li> <li><span class="nowrap"><i><a href="/wiki/Gandhi_(film)" title="Gandhi (film)">Gandhi</a></i> (1982)</span></li> <li><span class="nowrap"><i><a href="/wiki/Educating_Rita_(film)" title="Educating Rita (film)">Educating Rita</a></i> (1983)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Killing_Fields_(film)" title="The Killing Fields (film)">The Killing Fields</a></i> (1984)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Purple_Rose_of_Cairo" title="The Purple Rose of Cairo">The Purple Rose of Cairo</a></i> (1985)</span></li> <li><span class="nowrap"><i><a href="/wiki/A_Room_with_a_View_(1985_film)" title="A Room with a View (1985 film)">A Room with a View</a></i> (1986)</span></li> <li><span class="nowrap"><i><a href="/wiki/Jean_de_Florette" title="Jean de Florette">Jean de Florette</a></i> (1987)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Last_Emperor" title="The Last Emperor">The Last Emperor</a></i> (1988)</span></li> <li><span class="nowrap"><i><a href="/wiki/Dead_Poets_Society" title="Dead Poets Society">Dead Poets Society</a></i> (1989)</span></li> <li><span class="nowrap"><i><a href="/wiki/Goodfellas" title="Goodfellas">Goodfellas</a></i> (1990)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Commitments_(film)" title="The Commitments (film)">The Commitments</a></i> (1991)</span></li> <li><span class="nowrap"><i><a href="/wiki/Howards_End_(film)" title="Howards End (film)">Howards End</a></i> (1992)</span></li> <li><span class="nowrap"><i><a href="/wiki/Schindler%27s_List" title="Schindler&#39;s List">Schindler's List</a></i> (1993)</span></li> <li><span class="nowrap"><i><a href="/wiki/Four_Weddings_and_a_Funeral" title="Four Weddings and a Funeral">Four Weddings and a Funeral</a></i> (1994)</span></li> <li><span class="nowrap"><i><a href="/wiki/Sense_and_Sensibility_(film)" title="Sense and Sensibility (film)">Sense and Sensibility</a></i> (1995)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_English_Patient_(film)" title="The English Patient (film)">The English Patient</a></i> (1996)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Full_Monty" title="The Full Monty">The Full Monty</a></i> (1997)</span></li> <li><span class="nowrap"><i><a href="/wiki/Shakespeare_in_Love" title="Shakespeare in Love">Shakespeare in Love</a></i> (1998)</span></li> <li><span class="nowrap"><i><a href="/wiki/American_Beauty_(1999_film)" title="American Beauty (1999 film)">American Beauty</a></i> (1999)</span></li> <li><span class="nowrap"><i><a href="/wiki/Gladiator_(2000_film)" title="Gladiator (2000 film)">Gladiator</a></i> (2000)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Lord_of_the_Rings:_The_Fellowship_of_the_Ring" title="The Lord of the Rings: The Fellowship of the Ring">The Lord of the Rings: The Fellowship of the Ring</a></i> (2001)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Pianist_(2002_film)" title="The Pianist (2002 film)">The Pianist</a></i> (2002)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Lord_of_the_Rings:_The_Return_of_the_King" title="The Lord of the Rings: The Return of the King">The Lord of the Rings: The Return of the King</a></i> (2003)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Aviator_(2004_film)" title="The Aviator (2004 film)">The Aviator</a></i> (2004)</span></li> <li><span class="nowrap"><i><a href="/wiki/Brokeback_Mountain" title="Brokeback Mountain">Brokeback Mountain</a></i> (2005)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Queen_(2006_film)" title="The Queen (2006 film)">The Queen</a></i> (2006)</span></li> <li><span class="nowrap"><i><a href="/wiki/Atonement_(2007_film)" title="Atonement (2007 film)">Atonement</a></i> (2007)</span></li> <li><span class="nowrap"><i><a href="/wiki/Slumdog_Millionaire" title="Slumdog Millionaire">Slumdog Millionaire</a></i> (2008)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Hurt_Locker" title="The Hurt Locker">The Hurt Locker</a></i> (2009)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_King%27s_Speech" title="The King&#39;s Speech">The King's Speech</a></i> (2010)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Artist_(film)" title="The Artist (film)">The Artist</a></i> (2011)</span></li> <li><span class="nowrap"><i><a href="/wiki/Argo_(2012_film)" title="Argo (2012 film)">Argo</a></i> (2012)</span></li> <li><span class="nowrap"><i><a href="/wiki/12_Years_a_Slave_(film)" title="12 Years a Slave (film)">12 Years a Slave</a></i> (2013)</span></li> <li><span class="nowrap"><i><a href="/wiki/Boyhood_(2014_film)" title="Boyhood (2014 film)">Boyhood</a></i> (2014)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Revenant_(2015_film)" title="The Revenant (2015 film)">The Revenant</a></i> (2015)</span></li> <li><span class="nowrap"><i><a href="/wiki/La_La_Land" title="La La Land">La La Land</a></i> (2016)</span></li> <li><span class="nowrap"><i><a href="/wiki/Three_Billboards_Outside_Ebbing,_Missouri" title="Three Billboards Outside Ebbing, Missouri">Three Billboards Outside Ebbing, Missouri</a></i> (2017)</span></li> <li><span class="nowrap"><i><a href="/wiki/Roma_(2018_film)" title="Roma (2018 film)">Roma</a></i> (2018)</span></li> <li><span class="nowrap"><i><a href="/wiki/1917_(2019_film)" title="1917 (2019 film)">1917</a></i> (2019)</span></li> <li><span class="nowrap"><i><a href="/wiki/Nomadland" title="Nomadland">Nomadland</a></i> (2020)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Power_of_the_Dog_(film)" title="The Power of the Dog (film)">The Power of the Dog</a></i> (2021)</span></li> <li><span class="nowrap"><i><a href="/wiki/All_Quiet_on_the_Western_Front_(2022_film)" title="All Quiet on the Western Front (2022 film)">All Quiet on the Western Front</a></i> (2022)</span></li> <li><span class="nowrap"><i><a href="/wiki/Oppenheimer_(film)" title="Oppenheimer (film)">Oppenheimer</a></i> (2023)</span></li> <li><span class="nowrap"><i><a href="/wiki/Conclave_(film)" title="Conclave (film)">Conclave</a></i> (2024)</span></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235" /></div><div role="navigation" class="navbox" aria-labelledby="National_Society_of_Film_Critics_Award_for_Best_Film81" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231" /><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:National_Society_of_Film_Critics_Award_for_Best_Film" title="Template:National Society of Film Critics Award for Best Film"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:National_Society_of_Film_Critics_Award_for_Best_Film" title="Template talk:National Society of Film Critics Award for Best Film"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:National_Society_of_Film_Critics_Award_for_Best_Film" title="Special:EditPage/Template:National Society of Film Critics Award for Best Film"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="National_Society_of_Film_Critics_Award_for_Best_Film81" style="font-size:114%;margin:0 4em"><a href="/wiki/National_Society_of_Film_Critics_Award_for_Best_Film" title="National Society of Film Critics Award for Best Film">National Society of Film Critics Award for Best Film</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1966–2000</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/Blowup" title="Blowup">Blowup</a></i> (1966)</span></li> <li><span class="nowrap"><i><a href="/wiki/Persona_(1966_film)" title="Persona (1966 film)">Persona</a></i> (1967)</span></li> <li><span class="nowrap"><i><a href="/wiki/Shame_(1968_film)" title="Shame (1968 film)">Shame</a></i> (1968)</span></li> <li><span class="nowrap"><i><a href="/wiki/Z_(1969_film)" title="Z (1969 film)">Z</a></i> (1969)</span></li> <li><span class="nowrap"><i><a href="/wiki/M*A*S*H_(film)" title="M*A*S*H (film)">M*A*S*H</a></i> (1970)</span></li> <li><span class="nowrap"><i><a href="/wiki/Claire%27s_Knee" title="Claire&#39;s Knee">Claire's Knee</a></i> (1971)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Discreet_Charm_of_the_Bourgeoisie" title="The Discreet Charm of the Bourgeoisie">The Discreet Charm of the Bourgeoisie</a></i> (1972)</span></li> <li><span class="nowrap"><i><a href="/wiki/Day_for_Night_(film)" title="Day for Night (film)">Day for Night</a></i> (1973)</span></li> <li><span class="nowrap"><i><a href="/wiki/Scenes_from_a_Marriage" title="Scenes from a Marriage">Scenes from a Marriage</a></i> (1974)</span></li> <li><span class="nowrap"><i><a href="/wiki/Nashville_(film)" title="Nashville (film)">Nashville</a></i> (1975)</span></li> <li><span class="nowrap"><i><a href="/wiki/All_the_President%27s_Men_(film)" title="All the President&#39;s Men (film)">All the President's Men</a></i> (1976)</span></li> <li><span class="nowrap"><i><a class="mw-selflink selflink">Annie Hall</a></i> (1977)</span></li> <li><span class="nowrap"><i><a href="/wiki/Get_Out_Your_Handkerchiefs" title="Get Out Your Handkerchiefs">Get Out Your Handkerchiefs</a></i> (1978)</span></li> <li><span class="nowrap"><i><a href="/wiki/Breaking_Away" title="Breaking Away">Breaking Away</a></i> (1979)</span></li> <li><span class="nowrap"><i><a href="/wiki/Melvin_and_Howard" title="Melvin and Howard">Melvin and Howard</a></i> (1980)</span></li> <li><span class="nowrap"><i><a href="/wiki/Atlantic_City_(1980_film)" title="Atlantic City (1980 film)">Atlantic City</a></i> (1981)</span></li> <li><span class="nowrap"><i><a href="/wiki/Tootsie" title="Tootsie">Tootsie</a></i> (1982)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Night_of_the_Shooting_Stars" title="The Night of the Shooting Stars">The Night of the Shooting Stars</a></i> (1983)</span></li> <li><span class="nowrap"><i><a href="/wiki/Stranger_Than_Paradise" title="Stranger Than Paradise">Stranger Than Paradise</a></i> (1984)</span></li> <li><span class="nowrap"><i><a href="/wiki/Ran_(film)" title="Ran (film)">Ran</a></i> (1985)</span></li> <li><span class="nowrap"><i><a href="/wiki/Blue_Velvet_(film)" title="Blue Velvet (film)">Blue Velvet</a></i> (1986)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Dead_(1987_film)" title="The Dead (1987 film)">The Dead</a></i> (1987)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Unbearable_Lightness_of_Being_(film)" title="The Unbearable Lightness of Being (film)">The Unbearable Lightness of Being</a></i> (1988)</span></li> <li><span class="nowrap"><i><a href="/wiki/Drugstore_Cowboy" title="Drugstore Cowboy">Drugstore Cowboy</a></i> (1989)</span></li> <li><span class="nowrap"><i><a href="/wiki/Goodfellas" title="Goodfellas">Goodfellas</a></i> (1990)</span></li> <li><span class="nowrap"><i><a href="/wiki/Life_Is_Sweet_(film)" title="Life Is Sweet (film)">Life Is Sweet</a></i> (1991)</span></li> <li><span class="nowrap"><i><a href="/wiki/Unforgiven" title="Unforgiven">Unforgiven</a></i> (1992)</span></li> <li><span class="nowrap"><i><a href="/wiki/Schindler%27s_List" title="Schindler&#39;s List">Schindler's List</a></i> (1993)</span></li> <li><span class="nowrap"><i><a href="/wiki/Pulp_Fiction" title="Pulp Fiction">Pulp Fiction</a></i> (1994)</span></li> <li><span class="nowrap"><i><a href="/wiki/Babe_(film)" title="Babe (film)">Babe</a></i> (1995)</span></li> <li><span class="nowrap"><i><a href="/wiki/Breaking_the_Waves" title="Breaking the Waves">Breaking the Waves</a></i> (1996)</span></li> <li><span class="nowrap"><i><a href="/wiki/L.A._Confidential_(film)" title="L.A. Confidential (film)">L.A. Confidential</a></i> (1997)</span></li> <li><span class="nowrap"><i><a href="/wiki/Out_of_Sight" title="Out of Sight">Out of Sight</a></i> (1998)</span></li> <li><span class="nowrap"><i><a href="/wiki/Being_John_Malkovich" title="Being John Malkovich">Being John Malkovich</a></i> / <i><a href="/wiki/Topsy-Turvy" title="Topsy-Turvy">Topsy-Turvy</a></i> (1999)</span></li> <li><span class="nowrap"><i><a href="/wiki/Yi_Yi" title="Yi Yi">Yi Yi</a></i> (2000)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">2001–present</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/Mulholland_Drive_(film)" title="Mulholland Drive (film)">Mulholland Drive</a></i> (2001)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Pianist_(2002_film)" title="The Pianist (2002 film)">The Pianist</a></i> (2002)</span></li> <li><span class="nowrap"><i><a href="/wiki/American_Splendor_(film)" title="American Splendor (film)">American Splendor</a></i> (2003)</span></li> <li><span class="nowrap"><i><a href="/wiki/Million_Dollar_Baby" title="Million Dollar Baby">Million Dollar Baby</a></i> (2004)</span></li> <li><span class="nowrap"><i><a href="/wiki/Capote_(film)" title="Capote (film)">Capote</a></i> (2005)</span></li> <li><span class="nowrap"><i><a href="/wiki/Pan%27s_Labyrinth" title="Pan&#39;s Labyrinth">Pan's Labyrinth</a></i> (2006)</span></li> <li><span class="nowrap"><i><a href="/wiki/There_Will_Be_Blood" title="There Will Be Blood">There Will Be Blood</a></i> (2007)</span></li> <li><span class="nowrap"><i><a href="/wiki/Waltz_with_Bashir" title="Waltz with Bashir">Waltz with Bashir</a></i> (2008)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Hurt_Locker" title="The Hurt Locker">The Hurt Locker</a></i> (2009)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Social_Network" title="The Social Network">The Social Network</a></i> (2010)</span></li> <li><span class="nowrap"><i><a href="/wiki/Melancholia_(2011_film)" title="Melancholia (2011 film)">Melancholia</a></i> (2011)</span></li> <li><span class="nowrap"><i><a href="/wiki/Amour_(2012_film)" title="Amour (2012 film)">Amour</a></i> (2012)</span></li> <li><span class="nowrap"><i><a href="/wiki/Inside_Llewyn_Davis" title="Inside Llewyn Davis">Inside Llewyn Davis</a></i> (2013)</span></li> <li><span class="nowrap"><i><a href="/wiki/Goodbye_to_Language" title="Goodbye to Language">Goodbye to Language</a></i> (2014)</span></li> <li><span class="nowrap"><i><a href="/wiki/Spotlight_(film)" title="Spotlight (film)">Spotlight</a></i> (2015)</span></li> <li><span class="nowrap"><i><a href="/wiki/Moonlight_(2016_film)" title="Moonlight (2016 film)">Moonlight</a></i> (2016)</span></li> <li><span class="nowrap"><i><a href="/wiki/Lady_Bird_(film)" title="Lady Bird (film)">Lady Bird</a></i> (2017)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Rider_(film)" title="The Rider (film)">The Rider</a></i> (2018)</span></li> <li><span class="nowrap"><i><a href="/wiki/Parasite_(2019_film)" title="Parasite (2019 film)">Parasite</a></i> (2019)</span></li> <li><span class="nowrap"><i><a href="/wiki/Nomadland" title="Nomadland">Nomadland</a></i> (2020)</span></li> <li><span class="nowrap"><i><a href="/wiki/Drive_My_Car_(film)" title="Drive My Car (film)">Drive My Car</a></i> (2021)</span></li> <li><span class="nowrap"><i><a href="/wiki/T%C3%A1r" title="Tár">Tár</a></i> (2022)</span></li> <li><span class="nowrap"><i><a href="/wiki/Past_Lives_(film)" title="Past Lives (film)">Past Lives</a></i> (2023)</span></li> <li><span class="nowrap"><i><a href="/wiki/Nickel_Boys" title="Nickel Boys">Nickel Boys</a></i> (2024)</span></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235" /></div><div role="navigation" class="navbox" aria-labelledby="New_York_Film_Critics_Circle_Award_for_Best_Film99" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231" /><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:New_York_Film_Critics_Circle_Award_for_Best_Film" title="Template:New York Film Critics Circle Award for Best Film"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:New_York_Film_Critics_Circle_Award_for_Best_Film" title="Template talk:New York Film Critics Circle Award for Best Film"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:New_York_Film_Critics_Circle_Award_for_Best_Film" title="Special:EditPage/Template:New York Film Critics Circle Award for Best Film"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="New_York_Film_Critics_Circle_Award_for_Best_Film99" style="font-size:114%;margin:0 4em"><a href="/wiki/New_York_Film_Critics_Circle_Award_for_Best_Film" title="New York Film Critics Circle Award for Best Film">New York Film Critics Circle Award for Best Film</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1935–1950</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/The_Informer_(1935_film)" title="The Informer (1935 film)">The Informer</a></i> (1935)</span></li> <li><span class="nowrap"><i><a href="/wiki/Mr._Deeds_Goes_to_Town" title="Mr. Deeds Goes to Town">Mr. Deeds Goes to Town</a></i> (1936)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Life_of_Emile_Zola" title="The Life of Emile Zola">The Life of Emile Zola</a></i> (1937)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Citadel_(1938_film)" title="The Citadel (1938 film)">The Citadel</a></i> (1938)</span></li> <li><span class="nowrap"><i><a href="/wiki/Wuthering_Heights_(1939_film)" title="Wuthering Heights (1939 film)">Wuthering Heights</a></i> (1939)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Grapes_of_Wrath_(film)" title="The Grapes of Wrath (film)">The Grapes of Wrath</a></i> (1940)</span></li> <li><span class="nowrap"><i><a href="/wiki/Citizen_Kane" title="Citizen Kane">Citizen Kane</a></i> (1941)</span></li> <li><span class="nowrap"><i><a href="/wiki/In_Which_We_Serve" title="In Which We Serve">In Which We Serve</a></i> (1942)</span></li> <li><span class="nowrap"><i><a href="/wiki/Watch_on_the_Rhine" title="Watch on the Rhine">Watch on the Rhine</a></i> (1943)</span></li> <li><span class="nowrap"><i><a href="/wiki/Going_My_Way" title="Going My Way">Going My Way</a></i> (1944)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Lost_Weekend" title="The Lost Weekend">The Lost Weekend</a></i> (1945)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Best_Years_of_Our_Lives" title="The Best Years of Our Lives">The Best Years of Our Lives</a></i> (1946)</span></li> <li><span class="nowrap"><i><a href="/wiki/Gentleman%27s_Agreement" title="Gentleman&#39;s Agreement">Gentleman's Agreement</a></i> (1947)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Treasure_of_the_Sierra_Madre_(film)" title="The Treasure of the Sierra Madre (film)">The Treasure of the Sierra Madre</a></i> (1948)</span></li> <li><span class="nowrap"><i><a href="/wiki/All_the_King%27s_Men_(1949_film)" title="All the King&#39;s Men (1949 film)">All the King's Men</a></i> (1949)</span></li> <li><span class="nowrap"><i><a href="/wiki/All_About_Eve" title="All About Eve">All About Eve</a></i> (1950)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1951–1975</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/A_Streetcar_Named_Desire_(1951_film)" title="A Streetcar Named Desire (1951 film)">A Streetcar Named Desire</a></i> (1951)</span></li> <li><span class="nowrap"><i><a href="/wiki/High_Noon" title="High Noon">High Noon</a></i> (1952)</span></li> <li><span class="nowrap"><i><a href="/wiki/From_Here_to_Eternity" title="From Here to Eternity">From Here to Eternity</a></i> (1953)</span></li> <li><span class="nowrap"><i><a href="/wiki/On_the_Waterfront" title="On the Waterfront">On the Waterfront</a></i> (1954)</span></li> <li><span class="nowrap"><i><a href="/wiki/Marty_(film)" title="Marty (film)">Marty</a></i> (1955)</span></li> <li><span class="nowrap"><i><a href="/wiki/Around_the_World_in_80_Days_(1956_film)" title="Around the World in 80 Days (1956 film)">Around the World in 80 Days</a></i> (1956)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Bridge_on_the_River_Kwai" title="The Bridge on the River Kwai">The Bridge on the River Kwai</a></i> (1957)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Defiant_Ones" title="The Defiant Ones">The Defiant Ones</a></i> (1958)</span></li> <li><span class="nowrap"><i><a href="/wiki/Ben-Hur_(1959_film)" title="Ben-Hur (1959 film)">Ben-Hur</a></i> (1959)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Apartment" title="The Apartment">The Apartment</a></i> / <i><a href="/wiki/Sons_and_Lovers_(film)" title="Sons and Lovers (film)">Sons and Lovers</a></i> (1960)</span></li> <li><span class="nowrap"><i><a href="/wiki/West_Side_Story_(1961_film)" title="West Side Story (1961 film)">West Side Story</a></i> (1961)</span></li> <li><span class="nowrap">No Award (1962)</span></li> <li><span class="nowrap"><i><a href="/wiki/Tom_Jones_(1963_film)" title="Tom Jones (1963 film)">Tom Jones</a></i> (1963)</span></li> <li><span class="nowrap"><i><a href="/wiki/My_Fair_Lady_(film)" title="My Fair Lady (film)">My Fair Lady</a></i> (1964)</span></li> <li><span class="nowrap"><i><a href="/wiki/Darling_(1965_film)" title="Darling (1965 film)">Darling</a></i> (1965)</span></li> <li><span class="nowrap"><i><a href="/wiki/A_Man_for_All_Seasons_(1966_film)" title="A Man for All Seasons (1966 film)">A Man for All Seasons</a></i> (1966)</span></li> <li><span class="nowrap"><i><a href="/wiki/In_the_Heat_of_the_Night_(film)" title="In the Heat of the Night (film)">In the Heat of the Night</a></i> (1967)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Lion_in_Winter_(1968_film)" title="The Lion in Winter (1968 film)">The Lion in Winter</a></i> (1968)</span></li> <li><span class="nowrap"><i><a href="/wiki/Z_(1969_film)" title="Z (1969 film)">Z</a></i> (1969)</span></li> <li><span class="nowrap"><i><a href="/wiki/Five_Easy_Pieces" title="Five Easy Pieces">Five Easy Pieces</a></i> (1970)</span></li> <li><span class="nowrap"><i><a href="/wiki/A_Clockwork_Orange_(film)" title="A Clockwork Orange (film)">A Clockwork Orange</a></i> (1971)</span></li> <li><span class="nowrap"><i><a href="/wiki/Cries_and_Whispers" title="Cries and Whispers">Cries and Whispers</a></i> (1972)</span></li> <li><span class="nowrap"><i><a href="/wiki/Day_for_Night_(film)" title="Day for Night (film)">Day for Night</a></i> (1973)</span></li> <li><span class="nowrap"><i><a href="/wiki/Amarcord" title="Amarcord">Amarcord</a></i> (1974)</span></li> <li><span class="nowrap"><i><a href="/wiki/Nashville_(film)" title="Nashville (film)">Nashville</a></i> (1975)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1976–2000</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/All_the_President%27s_Men_(film)" title="All the President&#39;s Men (film)">All the President's Men</a></i> (1976)</span></li> <li><span class="nowrap"><i><a class="mw-selflink selflink">Annie Hall</a></i> (1977)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Deer_Hunter" title="The Deer Hunter">The Deer Hunter</a></i> (1978)</span></li> <li><span class="nowrap"><i><a href="/wiki/Kramer_vs._Kramer" title="Kramer vs. Kramer">Kramer vs. Kramer</a></i> (1979)</span></li> <li><span class="nowrap"><i><a href="/wiki/Ordinary_People" title="Ordinary People">Ordinary People</a></i> (1980)</span></li> <li><span class="nowrap"><i><a href="/wiki/Reds_(film)" title="Reds (film)">Reds</a></i> (1981)</span></li> <li><span class="nowrap"><i><a href="/wiki/Gandhi_(film)" title="Gandhi (film)">Gandhi</a></i> (1982)</span></li> <li><span class="nowrap"><i><a href="/wiki/Terms_of_Endearment" title="Terms of Endearment">Terms of Endearment</a></i> (1983)</span></li> <li><span class="nowrap"><i><a href="/wiki/A_Passage_to_India_(film)" title="A Passage to India (film)">A Passage to India</a></i> (1984)</span></li> <li><span class="nowrap"><i><a href="/wiki/Prizzi%27s_Honor" title="Prizzi&#39;s Honor">Prizzi's Honor</a></i> (1985)</span></li> <li><span class="nowrap"><i><a href="/wiki/Hannah_and_Her_Sisters" title="Hannah and Her Sisters">Hannah and Her Sisters</a></i> (1986)</span></li> <li><span class="nowrap"><i><a href="/wiki/Broadcast_News_(film)" title="Broadcast News (film)">Broadcast News</a></i> (1987)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Accidental_Tourist_(film)" title="The Accidental Tourist (film)">The Accidental Tourist</a></i> (1988)</span></li> <li><span class="nowrap"><i><a href="/wiki/My_Left_Foot" title="My Left Foot">My Left Foot</a></i> (1989)</span></li> <li><span class="nowrap"><i><a href="/wiki/Goodfellas" title="Goodfellas">Goodfellas</a></i> (1990)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Silence_of_the_Lambs_(film)" title="The Silence of the Lambs (film)">The Silence of the Lambs</a></i> (1991)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Player_(1992_film)" title="The Player (1992 film)">The Player</a></i> (1992)</span></li> <li><span class="nowrap"><i><a href="/wiki/Schindler%27s_List" title="Schindler&#39;s List">Schindler's List</a></i> (1993)</span></li> <li><span class="nowrap"><i><a href="/wiki/Quiz_Show_(film)" title="Quiz Show (film)">Quiz Show</a></i> (1994)</span></li> <li><span class="nowrap"><i><a href="/wiki/Leaving_Las_Vegas" title="Leaving Las Vegas">Leaving Las Vegas</a></i> (1995)</span></li> <li><span class="nowrap"><i><a href="/wiki/Fargo_(1996_film)" title="Fargo (1996 film)">Fargo</a></i> (1996)</span></li> <li><span class="nowrap"><i><a href="/wiki/L.A._Confidential_(film)" title="L.A. Confidential (film)">L.A. Confidential</a></i> (1997)</span></li> <li><span class="nowrap"><i><a href="/wiki/Saving_Private_Ryan" title="Saving Private Ryan">Saving Private Ryan</a></i> (1998)</span></li> <li><span class="nowrap"><i><a href="/wiki/Topsy-Turvy" title="Topsy-Turvy">Topsy-Turvy</a></i> (1999)</span></li> <li><span class="nowrap"><i><a href="/wiki/Traffic_(2000_film)" title="Traffic (2000 film)">Traffic</a></i> (2000)</span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">2001–present</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><i><a href="/wiki/Mulholland_Drive_(film)" title="Mulholland Drive (film)">Mulholland Drive</a></i> (2001)</span></li> <li><span class="nowrap"><i><a href="/wiki/Far_from_Heaven" title="Far from Heaven">Far from Heaven</a></i> (2002)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Lord_of_the_Rings:_The_Return_of_the_King" title="The Lord of the Rings: The Return of the King">The Lord of the Rings: The Return of the King</a></i> (2003)</span></li> <li><span class="nowrap"><i><a href="/wiki/Sideways" title="Sideways">Sideways</a></i> (2004)</span></li> <li><span class="nowrap"><i><a href="/wiki/Brokeback_Mountain" title="Brokeback Mountain">Brokeback Mountain</a></i> (2005)</span></li> <li><span class="nowrap"><i><a href="/wiki/United_93_(film)" title="United 93 (film)">United 93</a></i> (2006)</span></li> <li><span class="nowrap"><i><a href="/wiki/No_Country_for_Old_Men" title="No Country for Old Men">No Country for Old Men</a></i> (2007)</span></li> <li><span class="nowrap"><i><a href="/wiki/Milk_(2008_American_film)" title="Milk (2008 American film)">Milk</a></i> (2008)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Hurt_Locker" title="The Hurt Locker">The Hurt Locker</a></i> (2009)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Social_Network" title="The Social Network">The Social Network</a></i> (2010)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Artist_(film)" title="The Artist (film)">The Artist</a></i> (2011)</span></li> <li><span class="nowrap"><i><a href="/wiki/Zero_Dark_Thirty" title="Zero Dark Thirty">Zero Dark Thirty</a></i> (2012)</span></li> <li><span class="nowrap"><i><a href="/wiki/American_Hustle" title="American Hustle">American Hustle</a></i> (2013)</span></li> <li><span class="nowrap"><i><a href="/wiki/Boyhood_(2014_film)" title="Boyhood (2014 film)">Boyhood</a></i> (2014)</span></li> <li><span class="nowrap"><i><a href="/wiki/Carol_(film)" title="Carol (film)">Carol</a></i> (2015)</span></li> <li><span class="nowrap"><i><a href="/wiki/La_La_Land" title="La La Land">La La Land</a></i> (2016)</span></li> <li><span class="nowrap"><i><a href="/wiki/Lady_Bird_(film)" title="Lady Bird (film)">Lady Bird</a></i> (2017)</span></li> <li><span class="nowrap"><i><a href="/wiki/Roma_(2018_film)" title="Roma (2018 film)">Roma</a></i> (2018)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Irishman" title="The Irishman">The Irishman</a></i> (2019)</span></li> <li><span class="nowrap"><i><a href="/wiki/First_Cow" title="First Cow">First Cow</a></i> (2020)</span></li> <li><span class="nowrap"><i><a href="/wiki/Drive_My_Car_(film)" title="Drive My Car (film)">Drive My Car</a></i> (2021)</span></li> <li><span class="nowrap"><i><a href="/wiki/T%C3%A1r" title="Tár">Tár</a></i> (2022)</span></li> <li><span class="nowrap"><i><a href="/wiki/Killers_of_the_Flower_Moon_(film)" title="Killers of the Flower Moon (film)">Killers of the Flower Moon</a></i> (2023)</span></li> <li><span class="nowrap"><i><a href="/wiki/The_Brutalist" title="The Brutalist">The Brutalist</a></i> (2024)</span></li></ul> </div></td></tr></tbody></table></div></div></td></tr></tbody></table></div> <style data-mw-deduplicate="TemplateStyles:r1130092004">.mw-parser-output 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.portal-bar-header{text-align:center;flex:0;padding-left:0.5em;margin:0 auto}.mw-parser-output .portal-bar-related{font-size:100%;align-items:flex-start}.mw-parser-output .portal-bar-content{display:flex;flex-flow:row wrap;align-items:center;flex:0;column-gap:1em;border-top:1px solid #a2a9b1;margin:0 auto;list-style:none}.mw-parser-output .portal-bar-content-related{border-top:none;margin:0;list-style:none}}.mw-parser-output .navbox+link+.portal-bar,.mw-parser-output .navbox+style+.portal-bar,.mw-parser-output .navbox+link+.portal-bar-bordered,.mw-parser-output .navbox+style+.portal-bar-bordered,.mw-parser-output .sister-bar+link+.portal-bar,.mw-parser-output .sister-bar+style+.portal-bar,.mw-parser-output .portal-bar+.navbox-styles+.navbox,.mw-parser-output .portal-bar+.navbox-styles+.sister-bar{margin-top:-1px}</style><div class="portal-bar noprint metadata noviewer portal-bar-bordered" role="navigation" aria-label="Portals"><span class="portal-bar-header"><a href="/wiki/Wikipedia:Contents/Portals" title="Wikipedia:Contents/Portals">Portals</a>:</span><ul class="portal-bar-content"><li class="portal-bar-item"><span class="nowrap"><span typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Video-x-generic.svg/20px-Video-x-generic.svg.png" decoding="async" width="19" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Video-x-generic.svg/40px-Video-x-generic.svg.png 1.5x" data-file-width="48" data-file-height="48" /></span></span> </span><a href="/wiki/Portal:Film" title="Portal:Film">Film</a></li><li class="portal-bar-item"><span class="nowrap"><span class="mw-image-border" typeof="mw:File"><span><img alt="flag" src="//upload.wikimedia.org/wikipedia/en/thumb/a/a4/Flag_of_the_United_States.svg/21px-Flag_of_the_United_States.svg.png" decoding="async" width="21" height="11" class="mw-file-element" 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srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></span></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">International</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/204607549">VIAF</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/4340735-3">Germany</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n96119061">United States</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb16728763c">France</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb16728763c">BnF data</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://datos.bne.es/resource/XX3741841">Spain</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://authority.bibsys.no/authority/rest/authorities/html/1026129">Norway</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.nli.org.il/en/authorities/987007372071605171">Israel</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" 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Rendering was triggered because: page-view --> </div><!--esi <esi:include src="/esitest-fa8a495983347898/content" /> --><noscript><img src="https://auth.wikimedia.org/loginwiki/wiki/Special:CentralAutoLogin/start?useformat=desktop&amp;type=1x1&amp;usesul3=1" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Annie_Hall&amp;oldid=1283391152">https://en.wikipedia.org/w/index.php?title=Annie_Hall&amp;oldid=1283391152</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Help:Category" title="Help:Category">Categories</a>: <ul><li><a href="/wiki/Category:1977_films" title="Category:1977 films">1977 films</a></li><li><a href="/wiki/Category:1977_comedy-drama_films" title="Category:1977 comedy-drama films">1977 comedy-drama films</a></li><li><a href="/wiki/Category:1977_independent_films" title="Category:1977 independent films">1977 independent films</a></li><li><a href="/wiki/Category:1977_romantic_comedy_films" title="Category:1977 romantic comedy films">1977 romantic comedy films</a></li><li><a href="/wiki/Category:1977_romantic_drama_films" title="Category:1977 romantic drama films">1977 romantic drama films</a></li><li><a href="/wiki/Category:1970s_American_films" title="Category:1970s American films">1970s American films</a></li><li><a href="/wiki/Category:1970s_English-language_films" title="Category:1970s English-language films">1970s English-language films</a></li><li><a href="/wiki/Category:1970s_romantic_comedy-drama_films" title="Category:1970s romantic comedy-drama films">1970s romantic comedy-drama films</a></li><li><a href="/wiki/Category:American_films_with_live_action_and_animation" title="Category:American films with live action and animation">American films with live action and animation</a></li><li><a href="/wiki/Category:American_independent_films" title="Category:American independent films">American independent films</a></li><li><a href="/wiki/Category:American_romantic_comedy-drama_films" title="Category:American romantic comedy-drama films">American romantic comedy-drama films</a></li><li><a href="/wiki/Category:American_self-reflexive_films" title="Category:American self-reflexive films">American self-reflexive films</a></li><li><a href="/wiki/Category:Best_Film_BAFTA_Award_winners" title="Category:Best Film BAFTA Award winners">Best Film BAFTA Award winners</a></li><li><a href="/wiki/Category:Best_Picture_Academy_Award_winners" title="Category:Best Picture Academy Award winners">Best Picture Academy Award winners</a></li><li><a href="/wiki/Category:English-language_independent_films" title="Category:English-language independent films">English-language independent films</a></li><li><a href="/wiki/Category:English-language_romantic_comedy-drama_films" title="Category:English-language romantic comedy-drama films">English-language romantic comedy-drama films</a></li><li><a href="/wiki/Category:Films_%C3%A0_clef" title="Category:Films à clef">Films à clef</a></li><li><a href="/wiki/Category:Films_about_Jews_and_Judaism" title="Category:Films about Jews and Judaism">Films about Jews and Judaism</a></li><li><a href="/wiki/Category:Films_about_psychoanalysis" title="Category:Films about psychoanalysis">Films about psychoanalysis</a></li><li><a href="/wiki/Category:Films_directed_by_Woody_Allen" title="Category:Films directed by Woody Allen">Films directed by Woody Allen</a></li><li><a href="/wiki/Category:Films_featuring_a_Best_Actress_Academy_Award%E2%80%93winning_performance" title="Category:Films featuring a Best Actress Academy Award–winning performance">Films featuring a Best Actress Academy Award–winning performance</a></li><li><a href="/wiki/Category:Films_featuring_a_Best_Musical_or_Comedy_Actress_Golden_Globe_winning_performance" title="Category:Films featuring a Best Musical or Comedy Actress Golden Globe winning performance">Films featuring a Best Musical or Comedy Actress Golden Globe winning performance</a></li><li><a href="/wiki/Category:Films_produced_by_Charles_H._Joffe" title="Category:Films produced by Charles H. 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