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class="press-publication img-fluid" width="191" typeof="foaf:Image" alt="A Grammar of Warlmanpa" src="https://press.anu.edu.au/sites/default/files/press-publication/9781760466633-b-thumb-gw.jpg" /> <div class="float-left pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.prev')"> <i class="fa fa-backward fa-3" aria-hidden="true"></i> <div class="owl-prev"></div> </a> </div> <div class="float-right pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.next')"> <i class="fa fa-forward fa-3" aria-hidden="true"></i> </a> </div> </div> <div class="col-sm-8 col-12"> <div class="row"><div class="col-12"> <h1 class="h4 mt-0"><a class="nounderline" href="publications/series/asia-pacific-linguistics/grammar-warlmanpa">A Grammar of Warlmanpa</a></h1> <h2 class="h5 text-muted"></h2> </div> <div class="col-12"> <p class="small"> As spoken by Bunny Naburula, Danny Cooper, Dick Foster, Donald Graham, Doris Kelly, Elizabeth Johnson, George Brown, Gladys Brown, Jack Walker, Jessie Cooper, Jimmy Newcastle, Julie Kelly, Lofty Japaljarri, Louie Martin, May Foster, Norah Graham, Penny Kelly, Penny Williams, Selina Grant, Susannah Nelson, Topsy Walker, Toprail Japaljarri and William Graham. ...</p> <span class="align-bottom"> <a href="publications/series/asia-pacific-linguistics/grammar-warlmanpa"> <button type="button" class="btn btn-primary">Read now</button> </a> </span> </div> </div> </div> </div> <!-- row --> </a> </div> </div><div class="item-1 item-even"> <div> </div> <div> <a href="publications/ritual-voices-revelation"> <div class="row"> <div class="col-sm-4 col-12 pl-0"><img class="press-publication img-fluid" width="191" typeof="foaf:Image" alt="Ritual Voices of Revelation" src="https://press.anu.edu.au/sites/default/files/press-publication/9781760466572-b-thumb-rvr.jpg" /> <div 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Recited in semantic parallelism, these compositions require a strict pairing of all words to produce correspondingly ordered verses. These narrative verses create an elevated discourse—a&nbsp;‘scriptural voice’—intended to reveal the origins of Rotenese cultural life. The translations and exegeses of these origin narratives offer a work of world-class...</p> <span class="align-bottom"> <a href="publications/ritual-voices-revelation"> <button type="button" class="btn btn-primary">Read now</button> </a> </span> </div> </div> </div> </div> <!-- row --> </a> </div> </div><div class="item-2 item-odd"> <div> </div> <div> <a href="publications/journals/international-review-environmental-history/ireh-volume-10-issue-1-2024"> <div class="row"> <div class="col-sm-4 col-12 pl-0"><img class="press-publication img-fluid" width="191" typeof="foaf:Image" alt="International Review of Environmental History: Volume 10, Issue 1, 2024" src="https://press.anu.edu.au/sites/default/files/press-publication/2205-3204-b-thumb-IREH-10-01.jpg" /> <div class="float-left pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.prev')"> <i class="fa fa-backward fa-3" aria-hidden="true"></i> <div class="owl-prev"></div> </a> </div> <div class="float-right pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.next')"> <i class="fa fa-forward fa-3" aria-hidden="true"></i> </a> </div> </div> <div class="col-sm-8 col-12"> <div class="row"><div class="col-12"> <h1 class="h4 mt-0"><a class="nounderline" href="publications/journals/international-review-environmental-history/ireh-volume-10-issue-1-2024">International Review of Environmental History: Volume 10, Issue 1, 2024</a></h1> <h2 class="h5 text-muted"></h2> </div> <div class="col-12"> <p class="small"> This latest issue of the International Review of Environmental History takes readers from tiger hunts in sixteenth-century India to the rise of organic foods across the Anglosphere by the late 1970s. Along the way, readers will encounter the ways that Cantonese migrants interpreted the environments of Aotearoa New Zealand at the turn of the twentieth century, and the influence of environmentalism in the US trade union movement during the 1960s...</p> <span class="align-bottom"> <a href="publications/journals/international-review-environmental-history/ireh-volume-10-issue-1-2024"> <button type="button" class="btn btn-primary">Read now</button> </a> </span> </div> </div> </div> </div> <!-- row --> </a> </div> </div><div class="item-3 item-even"> <div> </div> <div> <a href="publications/series/biography/my-own-sort-heaven"> <div class="row"> <div class="col-sm-4 col-12 pl-0"><img class="press-publication img-fluid" width="191" typeof="foaf:Image" alt="‘My own sort of heaven’" src="https://press.anu.edu.au/sites/default/files/press-publication/9781760466558-b-thumb-mosh.jpg" /> <div class="float-left pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.prev')"> <i class="fa fa-backward fa-3" aria-hidden="true"></i> <div class="owl-prev"></div> </a> </div> <div class="float-right pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.next')"> <i class="fa fa-forward fa-3" aria-hidden="true"></i> </a> </div> </div> <div class="col-sm-8 col-12"> <div class="row"><div class="col-12"> <h1 class="h4 mt-0"><a class="nounderline" href="publications/series/biography/my-own-sort-heaven">‘My own sort of heaven’</a></h1> <h2 class="h5 text-muted"></h2> </div> <div class="col-12"> <p class="small"> Widely regarded as a major Australian artist, Rosalie Gascoigne first exhibited in 1974 at the age of fifty-seven. She rapidly achieved critical acclaim for her assemblages which were her response to the Monaro landscape surrounding Canberra. The great blonde paddocks, vast skies and big raucous birds contrasted with the familiar lush green harbour city of Auckland she had left behind. Her medium: weathered discards from the landscape. By her...</p> <span class="align-bottom"> <a href="publications/series/biography/my-own-sort-heaven"> <button type="button" class="btn btn-primary">Read now</button> </a> </span> </div> </div> </div> </div> <!-- row --> </a> </div> </div><div class="item-4 item-odd"> <div> </div> <div> <a href="publications/journals/east-asia-forum-quarterly/east-asia-forum-quarterly-volume-16-number-3-2024"> <div class="row"> <div class="col-sm-4 col-12 pl-0"><img class="press-publication img-fluid" width="191" typeof="foaf:Image" alt="East Asia Forum Quarterly: Volume 16, Number 3, 2024" src="https://press.anu.edu.au/sites/default/files/press-publication/1837-5081-b-thumb-EAFQ-16-03.jpg" /> <div class="float-left pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.prev')"> <i class="fa fa-backward fa-3" aria-hidden="true"></i> <div class="owl-prev"></div> </a> </div> <div class="float-right pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.next')"> <i class="fa fa-forward fa-3" aria-hidden="true"></i> </a> </div> </div> <div class="col-sm-8 col-12"> <div class="row"><div class="col-12"> <h1 class="h4 mt-0"><a class="nounderline" href="publications/journals/east-asia-forum-quarterly/east-asia-forum-quarterly-volume-16-number-3-2024">East Asia Forum Quarterly: Volume 16, Number 3, 2024</a></h1> <h2 class="h5 text-muted"></h2> </div> <div class="col-12"> <p class="small"> ASEAN's rise as the cornerstone of regional diplomacy and security in the 1990s may have seemed improbable, but it was crucial. Today, a shifting regional geopolitical landscape challenges ASEAN’s relevance. Great power competition and waning global political commitment to multilateral arrangements threaten its role as East Asia’s 'steering committee'. This edition of East Asia Forum Quarterly explores how ASEAN can maintain its centrality,...</p> <span class="align-bottom"> <a href="publications/journals/east-asia-forum-quarterly/east-asia-forum-quarterly-volume-16-number-3-2024"> <button type="button" class="btn btn-primary">Read now</button> </a> </span> </div> </div> </div> </div> <!-- row --> </a> </div> </div><div class="item-5 item-even"> <div> </div> <div> <a href="publications/journals/human-ecology-review/human-ecology-review-volume-28-number-1"> <div class="row"> <div class="col-sm-4 col-12 pl-0"><img class="press-publication img-fluid" width="191" typeof="foaf:Image" alt="Human Ecology Review: Volume 28, Number 1" src="https://press.anu.edu.au/sites/default/files/press-publication/1074-4827-b-thumb-her2801.jpg" /> <div class="float-left pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.prev')"> <i class="fa fa-backward fa-3" aria-hidden="true"></i> <div class="owl-prev"></div> </a> </div> <div class="float-right pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.next')"> <i class="fa fa-forward fa-3" aria-hidden="true"></i> </a> </div> </div> <div class="col-sm-8 col-12"> <div class="row"><div class="col-12"> <h1 class="h4 mt-0"><a class="nounderline" href="publications/journals/human-ecology-review/human-ecology-review-volume-28-number-1">Human Ecology Review: Volume 28, Number 1</a></h1> <h2 class="h5 text-muted"></h2> </div> <div class="col-12"> <p class="small"> Human Ecology Review 28(1) features a Special Section from a collection of researchers in Nigeria, reflecting on the political and cultural influences on, and responses to, the unique social and environmental devastation of the oil-producing Niger Delta region. Across five articles and the introductory piece, the scholars address social and environmental justice and policy (Eni et al.); and examine the attempts to restore and clean up the...</p> <span class="align-bottom"> <a href="publications/journals/human-ecology-review/human-ecology-review-volume-28-number-1"> <button type="button" class="btn btn-primary">Read now</button> </a> </span> </div> </div> </div> </div> <!-- row --> </a> </div> </div><div class="item-6 item-odd"> <div> </div> <div> <a href="publications/dick-watkins"> <div class="row"> <div class="col-sm-4 col-12 pl-0"><img class="press-publication img-fluid" width="191" typeof="foaf:Image" alt="Dick Watkins" src="https://press.anu.edu.au/sites/default/files/press-publication/9781760466213-b-thumb-dw.jpg" /> <div class="float-left pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.prev')"> <i class="fa fa-backward fa-3" aria-hidden="true"></i> <div class="owl-prev"></div> </a> </div> <div class="float-right pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.next')"> <i class="fa fa-forward fa-3" aria-hidden="true"></i> </a> </div> </div> <div class="col-sm-8 col-12"> <div class="row"><div class="col-12"> <h1 class="h4 mt-0"><a class="nounderline" href="publications/dick-watkins">Dick Watkins</a></h1> <h2 class="h5 text-muted"></h2> </div> <div class="col-12"> <p class="small"> Dick Watkins belongs to the generation of artists whose careers were launched at the high-flying end of American-based Abstraction. Almost immediately he faced up to the abrupt end of the Modern era. Culture was no longer to be framed by ‘progress’. In 1970, taking stock of the situation, he announced that he was a copyist, there being no such thing as a new creation in art, shaped as it was by visual languages. Nor did he intend to limit his...</p> <span class="align-bottom"> <a href="publications/dick-watkins"> <button type="button" class="btn btn-primary">Read now</button> </a> </span> </div> </div> </div> </div> <!-- row --> </a> </div> </div><div class="item-7 item-even"> <div> </div> <div> <a href="publications/journals/aboriginal-history-journal/aboriginal-history-journal-volume-47"> <div class="row"> <div class="col-sm-4 col-12 pl-0"><img class="press-publication img-fluid" width="191" typeof="foaf:Image" alt="Aboriginal History Journal: Volume 47" src="https://press.anu.edu.au/sites/default/files/press-publication/0314-8769-b-thumb-ah47.jpg" /> <div class="float-left pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.prev')"> <i class="fa fa-backward fa-3" aria-hidden="true"></i> <div class="owl-prev"></div> </a> </div> <div class="float-right pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.next')"> <i class="fa fa-forward fa-3" aria-hidden="true"></i> </a> </div> </div> <div class="col-sm-8 col-12"> <div class="row"><div class="col-12"> <h1 class="h4 mt-0"><a class="nounderline" href="publications/journals/aboriginal-history-journal/aboriginal-history-journal-volume-47">Aboriginal History Journal: Volume 47</a></h1> <h2 class="h5 text-muted"></h2> </div> <div class="col-12"> <p class="small"> This volume opens with Joakim Goldhahn, Sally May, and Jeffrey Lee’s study of renowned Badmardi artist Nayombolmi, best known for his rock art but here considered as an artist who produced a number of bark paintings for collectors in the 1950s and 1960s. They show us how his representation of public stories of Spirit or Ancestral Beings emerges from a negotiation between the artist, collectors, and dealers, shaping the forms in which he shared...</p> <span class="align-bottom"> <a href="publications/journals/aboriginal-history-journal/aboriginal-history-journal-volume-47"> <button type="button" class="btn btn-primary">Read now</button> </a> </span> </div> </div> </div> </div> <!-- row --> </a> </div> </div><div class="item-8 item-odd"> <div> </div> <div> <a href="publications/series/perspectives-europe/borders-pathways"> <div class="row"> <div class="col-sm-4 col-12 pl-0"><img class="press-publication img-fluid" width="191" typeof="foaf:Image" alt="From Borders to Pathways" src="https://press.anu.edu.au/sites/default/files/press-publication/9781760466596-b-thumb-fbp_1.jpg" /> <div class="float-left pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.prev')"> <i class="fa fa-backward fa-3" aria-hidden="true"></i> <div class="owl-prev"></div> </a> </div> <div class="float-right pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.next')"> <i class="fa fa-forward fa-3" aria-hidden="true"></i> </a> </div> </div> <div class="col-sm-8 col-12"> <div class="row"><div class="col-12"> <h1 class="h4 mt-0"><a class="nounderline" href="publications/series/perspectives-europe/borders-pathways">From Borders to Pathways</a></h1> <h2 class="h5 text-muted"></h2> </div> <div class="col-12"> <p class="small"> From Borders to Pathways: Innovations and Regressions in the Movement of People into Europe examines the evolution of European migration policy, offering a forward-looking analysis that extends beyond traditional border controls to innovative legal migration pathways. Contributors provide an in-depth exploration of the drivers shaping migration policies, including public opinion and the&nbsp;rise of populist discourses, the contrasting...</p> <span class="align-bottom"> <a href="publications/series/perspectives-europe/borders-pathways"> <button type="button" class="btn btn-primary">Read now</button> </a> </span> </div> </div> </div> </div> <!-- row --> </a> </div> </div><div class="item-9 item-even"> <div> </div> <div> <a href="publications/journals/made-china-journal/made-china-journal-volume-9-issue-1-2024"> <div class="row"> <div class="col-sm-4 col-12 pl-0"><img class="press-publication img-fluid" width="191" typeof="foaf:Image" alt="Made in China Journal: Volume 9, Issue 1, 2024" src="https://press.anu.edu.au/sites/default/files/press-publication/2206-9119-b-thumb-mic-09-01-2024.jpg" /> <div class="float-left pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.prev')"> <i class="fa fa-backward fa-3" aria-hidden="true"></i> <div class="owl-prev"></div> </a> </div> <div class="float-right pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.next')"> <i class="fa fa-forward fa-3" aria-hidden="true"></i> </a> </div> </div> <div class="col-sm-8 col-12"> <div class="row"><div class="col-12"> <h1 class="h4 mt-0"><a class="nounderline" href="publications/journals/made-china-journal/made-china-journal-volume-9-issue-1-2024">Made in China Journal: Volume 9, Issue 1, 2024</a></h1> <h2 class="h5 text-muted"></h2> </div> <div class="col-12"> <p class="small"> A new Chinese government textbook for university students, An Introduction to the Community of the Zhonghua Race (中华民族共同体概论), promotes President Xi Jinping's vision for governing the country’s diverse population. This approach shifts away from celebrating cultural differences—what the anthropologist Susan McCarthy once termed ‘communist multiculturalism’—and towards a Han-dominant identity, a form of racial nationalism inspired by sociologist...</p> <span class="align-bottom"> <a href="publications/journals/made-china-journal/made-china-journal-volume-9-issue-1-2024"> <button type="button" class="btn btn-primary">Read now</button> </a> </span> </div> </div> </div> </div> <!-- row --> </a> </div> </div><div class="item-10 item-odd"> <div> </div> <div> <a href="publications/series/pacific/preparing-nation"> <div class="row"> <div class="col-sm-4 col-12 pl-0"><img class="press-publication img-fluid" width="191" typeof="foaf:Image" alt="Preparing a Nation?" src="https://press.anu.edu.au/sites/default/files/press-publication/9781760466619-b-thumb-pn.jpg" /> <div class="float-left pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.prev')"> <i class="fa fa-backward fa-3" aria-hidden="true"></i> <div class="owl-prev"></div> </a> </div> <div class="float-right pt-2 d-block d-sm-block d-md-none"> <a href="javascript:void(0)" onclick="jQuery('.owl-carousel-panel_pane_558').owlCarousel().trigger('owl.next')"> <i class="fa fa-forward fa-3" aria-hidden="true"></i> </a> </div> </div> <div class="col-sm-8 col-12"> <div class="row"><div class="col-12"> <h1 class="h4 mt-0"><a class="nounderline" href="publications/series/pacific/preparing-nation">Preparing a Nation?</a></h1> <h2 class="h5 text-muted"></h2> </div> <div class="col-12"> <p class="small"> Preparing a Nation?, based on extensive archival research, addresses perennial questions of Australian colonialism in Papua New Guinea. To&nbsp;what extent did Australia prepare Papua New Guinea for independence? And what were the policies and the ideologies behind colonial development, implemented after World War II? 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