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Calenda - Les monuments souterrains dans les litt茅ratures et les arts des Suds

<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="fr" lang="fr"> <head> <meta http-equiv="Content-type" content="text/html; charset=utf-8" /> <meta http-equiv="Content-language" content="" /> <link rel="shortcut icon" type="image/x-icon" href="favicon.ico" /> <title>Calenda - Les monuments souterrains dans les litt茅ratures et les arts des Suds</title> <link rel="stylesheet" type="text/css" href="https://static-origin.openedition.org/openbarre_/styles/main.css?date=2018-11-06" /> <link rel="stylesheet" type="text/css" href="css/screen.css" media="screen, print" /> <link rel="stylesheet" type="text/css" href="css/print.css" media="print" /> <script type="text/javascript" src="js/jquery.js"></script> <script type="text/javascript" src="js/jquery-ui-1.8.17.custom.min.js"></script> <script type="text/javascript" src="js/jquery.form.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-fr.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-de.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-en.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-pt.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-es.js"></script> <script type="text/javascript" src="js/jquery.sprintf.js"></script> <script type="text/javascript" src="js/calenda.js"></script> <script type="text/javascript" src="js/common.js"></script><!-- Social network --> <meta name="twitter:card" content="summary" /> <meta property="og:type" content="article" /> <meta name="twitter:site" content="@calendaSHS" /> <meta property="og:url" content="https://calenda.org/1243126" /> <meta property="og:title" content="Les monuments souterrains dans les litt茅ratures et les arts des Suds" /> <meta property="og:description" content="Il s&#8217;agira, au cours de cette journ&#233;e d&#8217;&#233;tude, d&#8217;interroger les modalit&#233;s selon lesquelles pourrait s&#8217;exercer et s&#8217;incarner une puissance souterraine qui se refuserait &#224; 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&eacute;tablir une domination que ce soit &agrave; travers ses actes ou &agrave; travers les signes qui la mat&eacute;rialisent. Nous proposons de mener la r&eacute;flexion depuis les Suds, en tant qu&rsquo;espaces que l&rsquo;on tend &agrave; identifier notamment par la position d&rsquo;inf&eacute;riorit&eacute; qu&rsquo;ils occuperaient dans des relations de pouvoir d&rsquo;ordre historique, culturel, &eacute;conomique en contexte colonial ou postcolonial. R&eacute;fl&eacute;chir aux conditions de possibilit&eacute;s d&rsquo;une force et d&rsquo;une monumentalit&eacute; souterraines pourrait permettre de rebattre les &eacute;quilibres &eacute;tablis dans les Suds en consid&eacute;rant d&rsquo;autres crit&egrave;res de d&eacute;finition de la puissance.</p> </div> <div id="resume-1243126-en" class="tabContent hidden" lang="en" xml:lang="en"> <p class="MsoNormal" style="text-align: left;">During this conference, we will aim to question the modalities through which an underground power could be exercised and embodied, one that refuses to establish domination, whether through its actions or through the signs that materialize it. We propose to conduct this reflection from the perspective of the Global South, as spaces that are often identified, notably, by the subordinate position they are deemed to occupy within historical, cultural, and economic power relations in colonial or postcolonial contexts. Reflecting on the conditions under which an underground force and monumentality might emerge could allow for a reconfiguration of the established balances within the Global South, by considering other criteria for defining power.</p> </div> </div> <div id="annonce"> <p class="intitule">Annonce</p> <div class="tabMenu"><a href="#annonce-1243126-fr" hreflang="fr" class="active">Fran莽ais</a>&#32;<a href="#annonce-1243126-en" hreflang="en">English</a>&#32;</div> <div id="annonce-1243126-fr" class="tabContent" lang="fr" xml:lang="fr"> <p class="MsoBodyText" style="text-align: left;">24 octobre 2025</p> <p class="MsoBodyText" style="text-align: left;">Universit&eacute; Sorbonne Nouvelle - Paris 3</p> <h1>Argumentaire</h1> <p class="MsoNormal" style="text-align: left;">S&rsquo;inspirant du paysage volcanique martiniquais, &Eacute;douard Glissant &eacute;tablit dans L&rsquo;entretien du monde un lien essentiel entre la notion de &laquo; profonds &raquo; - qui d&eacute;signe pour lui la mat&eacute;rialit&eacute; concr&egrave;te des sous-sols - et la puissance. Glissant imagine en effet les profonds comme un grand r&eacute;seau souterrain au sein duquel tous les volcans de la Cara&iuml;be seraient reli&eacute;s &laquo; par des sortes de coul&eacute;es de lave qui sont les autoroutes de leur puissance et de leur d&eacute;bordement &raquo;. Sous la surface du monde se concentrerait au c&oelig;ur de la mati&egrave;re une force susceptible de faire bouger les lignes et de remettre en cause les hi&eacute;rarchies en &eacute;tablissant &raquo; par dessous &raquo; &laquo; le lien entre tous les ici &raquo;.</p> <p class="MsoNormal" style="text-align: left;">Suivre les coul&eacute;es de lave qui traversent, selon Glissant, les profonds, invite &agrave; penser depuis les souterrains une forme alternative de pouvoir qui ne chercherait pas &agrave; s&rsquo;imposer au monde. Il travaillerait plut&ocirc;t &agrave; l&rsquo;innerver de mani&egrave;re &agrave; faire circuler et rayonner sa pr&eacute;sence depuis son &eacute;paisseur m&ecirc;me. Si elle se d&eacute;ploie depuis l&rsquo;inframonde g&eacute;ologique ou symbolique d&rsquo;une position de subalterne, la puissance souterraine, &agrave; notre sens, n&rsquo;entend en aucun cas se dissimuler dans l&rsquo;ombre des sous-sols pour exister et pour agir en sous-main. Elle revendique au contraire sa pr&eacute;sence et la rend visible. Contre la verticalit&eacute; &eacute;crasante du monument, arc de triomphe, colonne ou palais dress&eacute; &agrave; la gloire du conqu&eacute;rant, elle inaugurerait pour ce faire un autre mode du monumental qui se diffuserait dans les lieux, dans la mati&egrave;re, dans les actions, dans les vies humaines ou non-humaines qu&rsquo;elle irrigue et qu&rsquo;elle met en relation.</p> <p class="MsoNormal" style="text-align: left;">Il s&rsquo;agira d&egrave;s lors, au cours de cette journ&eacute;e d&rsquo;&eacute;tude, d&rsquo;interroger les modalit&eacute;s selon lesquelles pourrait s&rsquo;exercer et s&rsquo;incarner une puissance souterraine qui se refuserait &agrave; &eacute;tablir une domination que ce soit &agrave; travers ses actes ou &agrave; travers les signes qui la mat&eacute;rialisent. Nous proposons de mener la r&eacute;flexion depuis les Suds, en tant qu&rsquo;espaces que l&rsquo;on tend &agrave; identifier notamment par la position d&rsquo;inf&eacute;riorit&eacute; qu&rsquo;ils occuperaient dans des relations de pouvoir d&rsquo;ordre historique, culturel, &eacute;conomique en contexte colonial ou postcolonial. R&eacute;fl&eacute;chir aux conditions de possibilit&eacute;s d&rsquo;une force et d&rsquo;une monumentalit&eacute; souterraines pourrait permettre de rebattre les &eacute;quilibres &eacute;tablis dans les Suds en consid&eacute;rant d&rsquo;autres crit&egrave;res de d&eacute;finition de la puissance.</p> <p class="MsoNormal" style="text-align: left;">Rejetant les codes de l&rsquo;&oelig;uvre architecturale ou artistique qui c&eacute;l&egrave;bre une autorit&eacute;, les monuments &agrave; travers lesquels il nous para&icirc;t possible d&rsquo;explorer le champ d&rsquo;extension d&rsquo;un pouvoir souterrain sont d&egrave;s lors particuli&egrave;rement fluides. Celui-ci semble tout d&rsquo;abord trouver une traduction dans l&rsquo;action politique qui se d&eacute;ploie en contrepoint &agrave; une autorit&eacute; dominante. On pourra notamment interroger les formes proprement souterraines que rev&ecirc;t un tel contre-pouvoir, qu&rsquo;il soit amen&eacute; &agrave; agir clandestinement ou &agrave; investir des lieux effectivement souterrains pour se f&eacute;d&eacute;rer. On peut &agrave; cet &eacute;gard penser par exemple &agrave; la r&eacute;sistance &agrave; l&rsquo;autorit&eacute; coloniale qui se d&eacute;ploie &agrave; travers un r&eacute;seau de caves et de galeries qui s&rsquo;&eacute;tend sous une ville imaginaire &eacute;voquant Alger dans le roman <em>Qui se souvient de la mer</em> de l&rsquo;&eacute;crivain alg&eacute;rien Mohamed Dib. De m&ecirc;me, dans <em>Black Sunlight</em>, le romancier zimbabw&eacute;en Dambudzo Marechera situe le si&egrave;ge d&rsquo;un mouvement anarchiste dans une grotte immense creus&eacute;e au c&oelig;ur d&rsquo;une montagne. En effa&ccedil;ant l&rsquo;&eacute;nonciateur, les souterrains seraient des lieux d&rsquo;intensification de l&rsquo;&eacute;nonciation. Celle-ci y gagnerait en intensit&eacute; et en force politique au point de devenir une interpellation &agrave; l&rsquo;empire venue des profonds. La puissance qui s&rsquo;exprime depuis les souterrains aurait donc bien vocation &agrave; se faire entendre, &agrave; jaillir sous forme d&rsquo;&eacute;clat pour court-circuiter les diff&eacute;rents niveaux de la domination.</p> <p class="MsoNormal" style="text-align: left;">L&rsquo;id&eacute;e d&rsquo;une puissance souterraine &agrave; l&rsquo;ampleur monumentale nous semble dans un second temps pouvoir se comprendre sur un plan plus m&eacute;taphysique. Il s&rsquo;agirait dans ce cas de s&rsquo;int&eacute;resser aux cosmogonies autochtones qui investissent les sous-sols d&rsquo;une vie suprahumaine. Que l&rsquo;on pense aux esprits cach&eacute;s sous les routes du Nigeria, qui menacent d&rsquo;avaler les voyageurs, &agrave; Mami Wata, qui habite les eaux profondes du continent africain, ou encore &agrave; la figure diabolique de Supay, qui r&ocirc;de dans les mines de fer boliviennes, les profondeurs des territoires sont des lieux impr&eacute;gn&eacute;s par la force des &ecirc;tres divins qui y r&egrave;gnent selon les croyances locales. Leur pouvoir remonte jusqu&rsquo;&agrave; la surface o&ugrave; il se manifeste par des actions souvent spectaculaires qui nourrissent l&rsquo;imaginaire politique, litt&eacute;raire et artistique. Reconna&icirc;tre l&rsquo;intense pr&eacute;sence des forces occultes qui agissent depuis l&rsquo;inframonde donne ainsi l&rsquo;occasion d&rsquo;inverser le geste de s&eacute;cularisation des sous-sols qui, comme l&rsquo;analyse Mohamad Amer M&eacute;ziane dans son r&eacute;cent essai&nbsp;<em>Des empires sous la terre</em>, a permis leur exploitation mini&egrave;re &agrave; la p&eacute;riode coloniale et a contribu&eacute; &agrave; la domination des soci&eacute;t&eacute;s s&rsquo;&eacute;tendant au-dessus d&rsquo;eux en niant la r&eacute;alit&eacute; de leurs entit&eacute;s spirituelles.</p> <p class="MsoNormal" style="text-align: left;">L&rsquo;imaginaire glissantien d&rsquo;une &eacute;nergie vitale intense qui animerait les profonds, espace en relation par excellence, invite enfin selon nous &agrave; questionner plus largement les rapports qu&rsquo;entretiennent les diff&eacute;rentes formes du vivant et du non-vivant. Les mondes souterrains, con&ccedil;us comme le lieu o&ugrave; s&rsquo;exprime une puissance mouvante lib&eacute;r&eacute;e de la volont&eacute; de domination, permettraient de d&eacute;velopper l&rsquo;id&eacute;al d&rsquo;un &eacute;cosyst&egrave;me au sein duquel les entit&eacute;s humaines et non-humaines interagiraient en dehors de tout rapport de sup&eacute;riorit&eacute; ouvrant la voie &agrave; une possible exploitation, tel que le d&eacute;finit par exemple l&rsquo;&eacute;cologue Jacques Tassin dans&nbsp;<em>Pour une &eacute;cologie du sensible</em>. Ce serait, d&egrave;s lors, le mod&egrave;le &eacute;cologique lui-m&ecirc;me selon lequel on con&ccedil;oit le vivant qui constituerait un monument souterrain dont l&rsquo;architecture abolirait toute forme de hi&eacute;rarchie entre les &ecirc;tres.</p> <h1>Modalit&eacute;s de soumission</h1> <p class="MsoNormal" style="text-align: left;">Les propositions de communication (titre, r&eacute;sum&eacute; de 400 mots environ) en fran&ccedil;ais ou en anglais accompagn&eacute;es d&rsquo;un court CV sont &agrave; adresser au plus tard aux adresses suivantes&nbsp;:</p> <ul> <li class="MsoBodyText"><strong>xavier.garnier@sorbonne-nouvelle.fr</strong></li> <li class="MsoBodyText"><strong>marie.pernice@sorbonne-nouvelle.fr</strong></li> </ul> <h3>pour le 16 mai 2025.</h3> <h1>Organisation et s&eacute;lection des propositions de contribution</h1> <p class="MsoNormal" style="text-align: left;" align="center">Xavier Garnier et Marie Pernice (UMR 7172/THALIM, Universit&eacute; Sorbonne Nouvelle - Paris 3)</p> </div> <div id="annonce-1243126-en" class="tabContent hidden" lang="en" xml:lang="en"> <p class="MsoNormal" style="text-align: left;" align="center">October 24, 2025</p> <p class="MsoNormal" style="text-align: left;" align="center">Universit&eacute; Sorbonne Nouvelle - Paris 3</p> <h1>Argument</h1> <p class="MsoNormal" style="text-align: left;">&nbsp;<span lang="EN-US">Drawing inspiration from the volcanic landscape of Martinique, &Eacute;douard Glissant establishes a crucial connection in <em>L&rsquo;entretien du monde</em> between the concept of &laquo;&nbsp;the deep&nbsp;&raquo; &mdash; which, for him, refers to the tangible materiality of the underground&mdash;and power. Glissant imagines the deep as a vast subterranean network in which all the Caribbean volcanoes are linked &laquo;&nbsp;by streams of lava, which are the highways of their power and overflow&nbsp;&raquo;. Beneath the surface of the world, a force would be concentrated at the core of matter, capable of shifting boundaries and challenging hierarchies by establishing &laquo;&nbsp;from below&nbsp;&raquo; the connection between all &laquo;&nbsp;here&nbsp;&raquo;.</span></p> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US">&nbsp;Following the lava flows that, according to Glissant, traverse the depths invites one to conceive an alternative form of power originating from the underground, one that does not seek to impose itself upon the world. Instead, it works to invigorate the world in such a way that its presence circulates and radiates from its very thickness. If it unfolds from the geological or symbolic underworld of a subaltern position, underground power, in our view, does not seek to hide in the shadows of the subsoil in order to exist and act covertly. On the contrary, it claims its presence and makes it visible. In opposition to the crushing verticality of monuments&mdash;triumphal arches, columns, or palaces erected in glory of the conqueror&mdash;it would inaugurate another mode of the monumental that would diffuse into places, materials, actions, and into the lives, both human and non-human, that it nourishes and connects.</span></p> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US">&nbsp;Thus, during this conference, we will aim to question the modalities through which an underground power could be exercised and embodied, one that refuses to establish domination, whether through its actions or through the signs that materialize it. We propose to conduct this reflection from the perspective of the Global South, as spaces that are often identified, notably, by the subordinate position they are deemed to occupy within historical, cultural, and economic power relations in colonial or postcolonial contexts. Reflecting on the conditions under which an underground force and monumentality might emerge could allow for a reconfiguration of the established balances within the Global South, by considering other criteria for defining power.</span></p> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US">&nbsp;Rejecting the codes of architectural or artistic works that celebrate authority, the monuments through which it seems possible to explore the scope of underground power are, therefore, particularly fluid.</span></p> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US">&nbsp;Firstly, this power seems to find expression in political action that unfolds in counterpoint to dominant authority. One could examine the specifically subterranean forms that such counter-power may take, whether it is compelled to act clandestinely or to occupy actual underground spaces in order to unite. In this regard, one might think, for example, of the resistance to colonial authority that unfolds through a network of caves and galleries extending beneath an imaginary city resembling Algiers, as described in the novel <em>Qui se souvient de la mer</em> by Algerian writer Mohamed Dib. Similarly, in <em>Black Sunlight</em>, Zimbabwean novelist Dambudzo Marechera locates the headquarters of an anarchist movement within a vast cave dug into the heart of a mountain. By erasing the speaker, underground spaces become places of intensification of enunciation. In these spaces, the enunciation gains in intensity and political force, to the point of becoming an address to the empire originating from the depths. The power expressed from the underground would therefore be aimed at making itself heard, bursting forth in a flash to short-circuit the various levels of domination.</span></p> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US">&nbsp;The idea of an underground power of monumental scope seems, secondly, to be understood on a more metaphysical level. In this case, the focus would be on indigenous cosmogonies that invest the underground with a supra-human life. Whether considering the spirits hidden beneath the roads of Nigeria, who threaten to swallow travelers, Mami Wata, who inhabits the deep waters of the African continent, or the demonic figure of Supay, who haunts the Bolivian iron mines, the depths of these territories are places imbued with the power of divine beings who reign there according to local beliefs. Their power reaches the surface, where it is manifested in often spectacular actions that fuel the political, literary, and artistic imagination. Recognizing the intense presence of occult forces acting from the underworld thus offers an opportunity to reverse the process of secularization of the subsoil, which, as Mohamad Amer M&eacute;ziane analyzes in his recent essay <em>Des empires sous la terre</em>, enabled their mining exploitation during the colonial period and contributed to the domination of societies above them by denying the reality of their spiritual entities.</span></p> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US">&nbsp;Finally, the Glissantian imaginary of an intense vital energy that animates the deep&mdash;an exceptional space of relation&mdash;invites us to more broadly question the relationships between different forms of the living and the non-living. Underground worlds, conceived as spaces where a shifting power liberated from the will to dominate is expressed, would allow for the development of the ideal of an ecosystem in which human and non-human entities interact outside of any hierarchical relationship opening the door to potential exploitation, as defined by the ecologist Jacques Tassin in <em>Pour une &eacute;cologie du sensible</em>. In this view, it would be the ecological model itself through which the living is conceived that would constitute a subterranean monument, one whose architecture abolishes any form of hierarchy between beings.</span></p> <h1><span lang="EN-US">Submission guidelines</span></h1> <p class="MsoNormal" style="text-align: left;"><span lang="EN-US">Proposals (title, abstract of approximately 400 words) in french or in english accompanied by a brief CV should be sent to the following addresses:</span></p> <ul> <li class="MsoBodyText"><strong><span lang="EN-US">xavier.garnier@sorbonne-nouvelle.fr</span></strong></li> <li class="MsoBodyText"><strong><span lang="EN-US">marie.pernice@sorbonne-nouvelle.fr</span></strong></li> </ul> <h3><span lang="EN-US">for May 16, 2025.</span></h3> <h1><span lang="EN-US">Selection committee</span></h1> <p class="MsoNormal" style="text-align: left;" align="center">Xavier Garnier and Marie Pernice(UMR 7172/THALIM, Universit&eacute; Sorbonne Nouvelle - Paris 3)</p> </div> </div> <div id="categories" class="cat"> <p class="intitule">Cat茅gories</p> <ul> <li><a href="search?primary=fsubject&amp;fsubject=267">Langage</a> (Cat茅gorie principale)</li> <li><a href="search?primary=fsubject&amp;fsubject=327">Espaces</a> &gt; <a href="search?primary=fsubject&amp;fsubject=328">Afrique</a></li> <li><a href="search?primary=fsubject&amp;fsubject=259">Esprit et Langage</a> &gt; <a href="search?primary=fsubject&amp;fsubject=267">Langage</a> &gt; <a href="search?primary=fsubject&amp;fsubject=269">Litt茅ratures</a></li> <li><a href="search?primary=fsubject&amp;fsubject=327">Espaces</a> &gt; <a href="search?primary=fsubject&amp;fsubject=336">Am茅riques</a> &gt; <a href="search?primary=fsubject&amp;fsubject=337">Am茅rique latine</a></li> <li><a href="search?primary=fsubject&amp;fsubject=327">Espaces</a> &gt; <a href="search?primary=fsubject&amp;fsubject=344">Asie</a></li> <li><a href="search?primary=fsubject&amp;fsubject=259">Esprit et Langage</a> &gt; <a href="search?primary=fsubject&amp;fsubject=276">Repr茅sentations</a> &gt; <a href="search?primary=fsubject&amp;fsubject=280">脡tudes visuelles</a></li> <li><a href="search?primary=fsubject&amp;fsubject=327">Espaces</a> &gt; <a href="search?primary=fsubject&amp;fsubject=374">Oc茅anie</a></li> <li><a href="search?primary=fsubject&amp;fsubject=259">Esprit et Langage</a> &gt; <a href="search?primary=fsubject&amp;fsubject=276">Repr茅sentations</a> &gt; <a href="search?primary=fsubject&amp;fsubject=282">Architecture</a></li> </ul> </div> <div id="lieux"> <p class="intitule">Lieux</p> <ul> <li class="location"> Universit茅 Sorbonne Nouvelle - Paris 3 <br/> Paris, France (75) </li> </ul> </div> <div id="eventformats"><br></div> <div id="dates"> <p class="intitule">Dates</p> <ul> <li>vendredi 16 mai 2025</li> </ul> </div> <div id="motscles"> <p class="intitule">Mots-cl茅s</p> <ul> <li>monument, monumental, souterrain, litt茅rature, art, suds, puisssance, contre-pouvoir, subalterne, cosmogonie, 茅copo茅tique, 茅cologie</li> </ul> </div> <div id="contacts"> <p class="intitule">Contacts</p> <ul> <li>Xavier Garnier<br/><em>courriel :</em> xavier [dot] garnier [at] sorbonne-nouvelle [dot] fr<br/></li> <li>Marie Pernice<br/><em>courriel :</em> marie [dot] pernice [at] sorbonne-nouvelle [dot] fr<br/></li> </ul> </div> <div id="source"> <p class="intitule">Source de l'information</p> <ul> <li>Marie Pernice<br/><em>courriel :</em> marie [dot] pernice [at] sorbonne-nouvelle [dot] fr</li> </ul> </div> <div id="license"> <p class="intitule">Licence</p> <p><a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/"><img alt="CC0-1.0" class="cc" src="images/cc0-88x31.png" /></a> Cette annonce est mise 脿 disposition selon les termes de la <a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/">Creative Commons CC0 1.0 Universel</a>.</p> </div> <div id="citation"> <p class="intitule">Pour citer cette annonce</p> <p>芦 Les monuments souterrains dans les litt茅ratures et les arts des Suds 禄, <span class="category">Appel 脿 contribution</span>, <em>Calenda</em>, Publi茅 le mercredi 19 mars 2025, <a class="url" href="https://doi.org/10.58079/13iel">https://doi.org/10.58079/13iel</a></p> </div> </div> </div> </div> <div id="news" class="column last"> <div id="imprimable"> <a id="impression" onclick="javascript:window.open('1243126?formatage=print', '', 'menubar=yes,toolbar=no,scrollbars=yes,width=800,height=600');return false;" href="1243126?formatage=print">Imprimer</a> <a id="signaler" 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