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id="ob-breadcrumb" class="ob-breadcrumb-wwwopeneditionorg"> <div class="container"> <a class="home" href="https://www.openedition.org/">Accueil</a> <a href="https://www.openedition.org/catalogue-journals">Catalogue des revues</a> <strong class="current">Transbordeur</strong> </div> </div> <main role="main"> <div class="page-top-title revue"> <h1> <a href="https://www.openedition.org/catalogue-journals">Catalogue des revues</a> </h1> <span class="icons icon-arrow-white-down"></span> </div> <div class="catalogue-revues"> <div class="first"> <div class="block"> <div class="block-title"> <h1>Transbordeur</h1> <h2>Photographie histoire société</h2> </div> <div class="block-content"> <div lang="fr" > <p> Revue d&rsquo;histoire de la photographie</p> </div> <div lang="en" class="foreign"> <p> History of photography</p> </div> <a href="https://journals.openedition.org/transbordeur" class="read-more">Accéder au site</a> </div> </div> <div class="block"> <figure> <img src="docannexe/image/43195/transbordeur_600×281-160x75.png" alt="Transbordeur"> </figure> <div class="block-content"> <div lang="fr" > <p> <em>Transbordeur</em> est une revue d&rsquo;histoire de la photographie, dont l&rsquo;ambition est de montrer la place de la photographie dans toutes les activit&eacute;s de la soci&eacute;t&eacute;, d&rsquo;analyser comment la photographie a transform&eacute; en profondeur notre rapport au monde, du <span style="font-size:10px;">XIX</span><sup>e</sup> si&egrave;cle jusqu&rsquo;&agrave; aujourd&#39;hui. Elle s&rsquo;adresse &agrave; tous celles et ceux qui sont int&eacute;ress&eacute;s par les images, leur histoire et leur &eacute;volution technique.</p> </div> <div lang="en" class="foreign"> <p> Transbordeur is a journal about the history of photography. It&rsquo;s goal is to show the place of photography in all aspects of society, and to analyse the way through which photography has profoundly transformed our relationship to the world, from the 19th century to the present day. It is aimed at all those who are interested in images, their history and their technical development.</p> </div> <p class="more-links"> <strong>Responsable(s)</strong><br/> Christian Joschke, Olivier Lugon<br/><br/> <strong>Disciplines</strong><br/> Arts et humanités, Études culturelles, Histoire<br/><br/><strong>Thèmes</strong><br/> Représentations, Études visuelles, XIXe siècle, XXe siècle<br/><br/> <strong>URL sur OpenEdition Journals</strong><br/> <a href="https://journals.openedition.org/transbordeur">https://journals.openedition.org/transbordeur</a> <br/><br/> </p> </div> </div> <div class="block block-editor"> <h1>Éditeur</h1> <div class="editeur"> <h2 class="clearfix"> <a href="https://transbordeur.ch/fr"><img alt="" src="docannexe/file/43249/logo_association_transbordeur-small100.png" width="100" height="64" /> Association Transbordeur</a></h2> </div> <div class="editeur"> <h2 class="clearfix"> <a href="https://www.editionsmacula.com"><img alt="" src="docannexe/file/43254/logo_macula-small100.png" width="100" height="12" /> Éditions Macula</a></h2> </div> </div> <div class="block-list-infos"> <h1 class="title"> En savoir plus</h1> <div> <h3>Politique d'accès</h3> <p>Barrière mobile</p> <h3>RSS</h3> <p><a href="https://journals.openedition.org/transbordeur/backend?format=rssdocuments">S'abonner <span class="icons icon-rss"></span></a></p> <h3>Contact</h3> <p><a href="mailto:info@transbordeur.ch">info@transbordeur.ch</a></p> </div> <div> <h2> Informations bibliographiques</h2> <h3>Voir la fiche de la revue sur d'autres sites</h3> <p> <a href="http://www.sudoc.abes.fr/DB=2.1/CMD?ACT=SRCH&amp;IKT=8&amp;SRT=RLV&amp;TRM=2552-9137">Via le Sudoc</a> </p> <h3>Directeur de la publication</h3> <p> Olivier Lugon</p> <h3>Rédacteur(s) en chef</h3> <p> Christian Joschke, Olivier Lugon</p> <h3>Responsable de l'édition électronique</h3> <p> Max Bonhomme, Davide Nerini, Anne-Katrin Weber</p> <h3>Type de support</h3> <p> Papier et électronique</p> <h3>Etat de la collection</h3> <p>2017-2023</p> <h3>Politique d'édition électronique</h3> <p> Publication en libre accès après un délai de restriction de 1 an</p><h3>Périodicité</h3> <p> Annuelle</p><h3>Année de création</h3> <p>2017</p> <h3>Date de mise en ligne</h3> <p> 14 octobre 2024</p> <h3>ISSN format électronique</h3> <p>3073-5734</p> <h3>ISSN format papier</h3> <p>2552-9137</p> <h3>Langue de la publication</h3> <p> Français</p></div> <div> <h2>Politique sur les frais de publication</h2> <h3>Frais de publication</h3> <p>non</p> <h3>Frais de soumission</h3> <p>non</p> </div> <div> <h2>Politique d'évaluation</h2> <h3>Procédure d'évaluation</h3> <p>évaluation en simple aveugle</p> </div> <div> <h2>Politique de droits d'auteur et de diffusion</h2> <h3>Licence</h3> <p><a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">Creative Commons - Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International - CC BY-NC-ND 4.0</a></p> </div> <div> <h2> Coordonnées</h2> <h3>Courriel</h3> <p><a href="mailto:info@transbordeur.ch">info@transbordeur.ch</a></p> <h3>Adresse postale</h3> <p> Transbordeur<br/> Association Transbordeur<br /> 14 rue de Vermont<br/> CH-1202 Genève<br/> Suisse</p> <h3>Ville de production</h3> <p>Genève</p> </div> </div> </div> <div class="second media-hide-second"> <div class="block-list-infos"> <h1 class="title">Actualités</h1> <h2> Nouveau numéro</h2> <article> <h1> <a href="http://journals.openedition.org/transbordeur/2184"> 9 | 2025 – Photographies et algorithmes</a> </h1> <img alt="Photographies et algorithmes. Couverture, Transbordeur, n°9, 2025" src="http://journals.openedition.org/transbordeur/docannexe/file/2209/cover_tr9_web-small200.jpg"><div class="information"> <div class="description">28 x 21,5 cm, 216 pages (FR), 120 images</div> </div> <div class="introduction" lang="fr"> <p>Qu’entend-on aujourd’hui par « intelligence artificielle » ? Le numéro 9 de <em>Transbordeur </em>traite des images algorithmiques sous l’angle de l’archéologie des médias. Les principes mis en œuvre dans ces nouvelles technologies apparues vers l’année 2020 sont en effet multiples et ont leur propre histoire : la <em>machine vision</em> décrit des technologies de vision ou de reconnaissance visuelle par des machines, dont les premiers modèles remontent aux années soixante ; les modèles <em>text to image </em>qui semblent s’imposer aujourd’hui posent quant à eux la question des modes d’indexation des images par le langage ; enfin on expérimente aujourd’hui également des outils de production de textes à partir d’images. Ces principes qui sous-tendent la production et l’usage des algorithmes générateurs d’images ont été développés particulièrement depuis les années 1980. Il s’agit d’offrir une perspective historique et critique sur ces phénomènes, et de proposer le cas échéant une critique du modèle économique et des cadres idéologiques qui les sous‑tendent.</p> </div> <ul class="summary"> <li> <div class="title"><a href="http://journals.openedition.org/transbordeur/2187"><span xml:lang="en" lang="en">Éditorial</span></a> <span class="fullText">[Texte intégral]</span></div> <div class="author">  La rédaction</div> </li> <li> <div class="publititle"><strong>Dossier</strong></div> <ul class="summary"> <li> <div class="title"><a href="http://journals.openedition.org/transbordeur/2212">Introduction. Photographies et algorithmes</a> <span class="fullText">[Texte intégral]</span></div> <div class="author">Estelle Blaschke, Max Bonhomme, Christian Joschke et Antonio Somaini</div> <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><span xml:lang="en" lang="en">Introduction. Photographs and Algorithms</span></span></div> </li> <li> <div class="title"><a href="http://journals.openedition.org/transbordeur/2738"><span xml:lang="en" lang="en">Introduction. Photographs and Algorithms</span></a> <span class="fullText">[Texte intégral]</span></div> <div class="author">Estelle Blaschke, Max Bonhomme, Christian Joschke et Antonio Somaini</div> <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr"><span xml:lang="en" lang="en">Introduction. Photographies et algorithmes</span></span></div> </li> <li> <div class="title"><a href="http://journals.openedition.org/transbordeur/2299"><span xml:lang="en" lang="en">“Platform Realism”. AI Image Synthesis and the Rise of Generic Visual Content</span></a> <span class="fullText">[Texte intégral]</span></div> <div class="author">Roland Meyer</div> <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Le « réalisme de plateforme ». L’intelligence artificielle générative et l’essor du contenu visuel générique</span></div> </li> <li> <div class="title"><a href="http://journals.openedition.org/transbordeur/2238">Le « réalisme de plateforme ». L’intelligence artificielle générative et l’essor du contenu visuel générique</a> <span class="fullText">[Texte intégral disponible en février 2026]</span></div> <div class="author">Roland Meyer</div> <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><span xml:lang="en" lang="en">“Platform Realism”. AI Image Synthesis and the Rise of Generic Visual Content</span></span></div> </li> <li> <div class="title"><a href="http://journals.openedition.org/transbordeur/2352"><span xml:lang="en" lang="en">On the Measurement of Realism in Synthetic Images. From Cornell Box Experiments to ImageNet and Inception Photorealism</span></a> <span class="fullText">[Texte intégral]</span></div> <div class="author">Maria Eriksson</div> <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Sur la mesure du réalisme dans les images de synthèse. Des expériences de la boîte de Cornell au photoréalisme d’Inception et d’ImageNet</span></div> </li> <li> <div class="title"><a href="http://journals.openedition.org/transbordeur/2303">Sur la mesure du réalisme dans les images de synthèse. Des expériences de la boîte de Cornell au photoréalisme d’Inception et d’ImageNet</a> <span class="fullText">[Texte intégral disponible en février 2026]</span></div> <div class="author">Maria Eriksson</div> <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><span xml:lang="en" lang="en">On the Measurement of Realism in Synthetic Images. From Cornell Box Experiments to ImageNet and Inception Photorealism</span></span></div> </li> <li> <div class="title"><a href="http://journals.openedition.org/transbordeur/2389"><span xml:lang="en" lang="en">Sharp Images and Unsharp Masks</span></a> <span class="fullText">[Texte intégral]</span></div> <div class="author">Till A. Heilmann</div> <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Images nettes, masques flous</span></div> </li> <li> <div class="title"><a href="http://journals.openedition.org/transbordeur/2357">Images nettes, masques flous</a> <span class="fullText">[Texte intégral disponible en février 2026]</span></div> <div class="author">Till A. Heilmann</div> <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><span xml:lang="en" lang="en">Sharp Images and Unsharp Masks</span></span></div> </li> <li> <div class="title"><a href="http://journals.openedition.org/transbordeur/2443"><span xml:lang="en" lang="en">The Lens Flare. Photorealistic Computer Graphics between Physics and Economic Viability</span></a> <span class="fullText">[Texte intégral]</span></div> <div class="author">Jens Schröter</div> <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Les images de synthèse photoréalistes, entre exigence de réalisme et viabilité économique. Le cas du facteur de flare</span></div> </li> <li> <div class="title"><a href="http://journals.openedition.org/transbordeur/2393">Les images de synthèse photoréalistes, entre exigence de réalisme et viabilité économique. Le cas du facteur de flare</a> <span class="fullText">[Texte intégral disponible en février 2026]</span></div> <div class="author">Jens Schröter</div> <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><span xml:lang="en" lang="en">The Lens Flare. Photorealistic Computer Graphics between Physics and Economic Viability</span></span></div> </li> <li> <div class="title"><a href="http://journals.openedition.org/transbordeur/2502"><span xml:lang="en" lang="en">Clearing the Fog. Early Image Processing and the Lunar Surveyor Imaging System (1966‑68)</span></a> <span class="fullText">[Texte intégral]</span></div> <div class="author">Frances Cullen</div> <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Dissiper le brouillard. Les premiers traitements d’images et le système d’imagerie lunaire Surveyor (1966‑1968)</span></div> </li> <li> <div class="title"><a href="http://journals.openedition.org/transbordeur/2444">Dissiper le brouillard. Les premiers traitements d’images et le système d’imagerie lunaire Surveyor (1966‑1968)</a> <span class="fullText">[Texte intégral disponible en février 2026]</span></div> <div class="author">Frances Cullen</div> <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><span xml:lang="en" lang="en">Clearing the Fog. Early Image Processing and the Lunar Surveyor Imaging System (1966‑68)</span></span></div> </li> <li> <div class="title"><a href="http://journals.openedition.org/transbordeur/2538"><span xml:lang="en" lang="en">“The Secretary”. Labor and Automation in Sonia Landy Sheridan’s Generative Systems Curriculum</span></a> <span class="fullText">[Texte intégral]</span></div> <div class="author">Chris Balaschak</div> <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">« La Secrétaire ». Travail et automatisation dans le cursus Generative Systems de Sonia Landy Sheridan</span></div> </li> <li> <div class="title"><a href="http://journals.openedition.org/transbordeur/2497">« La Secrétaire ». Travail et automatisation dans le cursus Generative Systems de Sonia Landy Sheridan</a> <span class="fullText">[Texte intégral disponible en février 2026]</span></div> <div class="author">Chris Balaschak</div> <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><span xml:lang="en" lang="en">“The Secretary”. Labor and Automation in Sonia Landy Sheridan’s Generative Systems Curriculum</span></span></div> </li> <li> <div class="title"><a href="http://journals.openedition.org/transbordeur/2603"><span xml:lang="en" lang="en">Between the Photograph and the Frame. The Fate of the Single Image in the Algorithmic Era</span></a> <span class="fullText">[Texte intégral]</span></div> <div class="author">Barbara Grespi</div> <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Entre la photographie et le photogramme. Le destin de l’image unique à l’ère des algorithmes</span></div> </li> <li> <div class="title"><a href="http://journals.openedition.org/transbordeur/2543">Entre la photographie et le photogramme. Le destin de l’image unique à l’ère des algorithmes</a> <span class="fullText">[Texte intégral disponible en février 2026]</span></div> <div class="author">Barbara Grespi</div> <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><span xml:lang="en" lang="en">Between the Photograph and the Frame. The Fate of the Single Image in the Algorithmic Era</span></span></div> </li> <li> <div class="title"><a href="http://journals.openedition.org/transbordeur/2604">Formater le visible. Dans la fabrique des datasets photographiques (2005‑2021)</a> <span class="fullText">[Texte intégral disponible en février 2026]</span></div> <div class="author">Thierry Sugitani</div> <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><span xml:lang="en" lang="en">Formatting the Visible. 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