Publications & Texts - Felix Gonzalez-Torres Foundation

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Felix Gonzalez-Torres - Roni Horn. Éditions Dilecta/ Pinault Collection, 2022. [Texts by Felix Gonzalez-Torres, Roni Horn, Caroline Bourgeois, Elisabeth Lebovici, Elena Filipovic, and Julie Ault.] 2020 Kraft, Richard and Lisa Pearson eds. Photostats: Felix Gonzalez-Torres. New York: Siglio Press, 2020. 2018     Breslin, David. Felix Gonzalez-Torres. New York: David Zwirner Books, 2018. 2016     Filipovic, Elena, ed. Felix Gonzalez-Torres: Specific Objects Without Specific Form. London: Koenig Books, 2016. 2014     Cruz, Amada and Matthew Drutt eds. Billboards: Felix Gonzalez-Torres. San Antonio: Artpace, 2014. 2012     Ahn, Soyeon, ed. Felix Gonzalez-Torres, Double. Seoul: Samsung Museum of Art, 2012. 2010     Cesarco, Alejandro, ed. A Selection of Snapshots Taken by Felix Gonzalez-Torres. New York: A.R.T. Press, 2010. Cué, Anna Laura and Katnira Bella, ed. Félix González-Torres: Somewhere/Nowhere [Algún lugar/Ningún lugar]. Ciudad Universitaria, Mexico: Universidad Nacional Autónoma de Mexico, Museo Universitario Arte Contemporáneo, 2010. 2008     Elgarte, Mercedes, ed. Félix González-Torres: Somewhere/Nowhere [Algún lugar/Ningún lugar]. Buenos Aries:MALBA – Fundación Costantini, 2008. 2007     Spector, Nancy. Felix Gonzalez-Torres: America. New York: Guggenheim Museum Publications, 2007. 2006     Ault, Julie, ed. Felix Gonzalez-Torres. Gottingen, Germany: Steidldangin, 2006. Felix Gonzalez-Torres: 1. Oktober 2006 - 9. January 2007. Berlin: Neue Gesellshaft für Bildende Kunst (NGBK) and Hamburger Bahnhof, Museum für Gegenwart, 2006. Fuentes, Elvis. Felix Gonzalez-Torres: Early Impressions. New York: El Museo del Barrio, 2006. Hoffmann, Erika. Felix Gonzalez-Torres. Taura, Japan: Akira Ikeda Gallery, 2006: 11, 13, 15, 17, 19, 21 (ill). Wagner, Frank, ed. Felix Gonzalez-Torres. Berlin: Neue Gesellshaft für Bildende Kunst (NGBK) and Hamburger Bahnhof, Museum für Gegenwart, 2006. 2001     Basualdo, Carlos. Sem título (Bogotá, Caracas, São Paulo): A obra pública de Félix Gonzalez-Torres. São Paulo, Brazil: Museu de Arte Moderna de São Paulo, 2001. Dallas Museum of Art. Felix Gonzalez-Torres, Joseph Beuys. Dallas, TX: Dallas Museum of Art, 2001. Kramer, Mario. Paare [Couples]: Gilbert & George and Felix Gonzalez-Torres. Frankfurt am Main, Germany: Museum für Moderne Kunst, 2001: 33-59. 2000     Biblioteca Luis Ángel Arango. sin título, bogotá. Bogotá, Colombia: Santa fé de Bogotá, 2000. [Essays by Carlos Basualdo, José Ignacio Roca, Jaime Cerón Silva, and Noah Chasin]. Corrin, Lisa G. Felix Gonzalez-Torres. London: Serpentine Gallery, 2000. Creative Time. Felix Gonzalez-Torres. New York: Creative Time, 2000. [In conjunction with an exhibition at Andrea Rosen Gallery. Essay by Andrea Rosen]. Felix Gonzalez-Torres, 1 Jun. – 16 Jul. 2000. London: Serpentine Gallery, 2000. Felix Gonzalez-Torres. London: Serpentine Gallery, 2000. Felix Gonzalez-Torres. Montevideo, Uruguay: Museo Nacional de Artes Visuales, 2000. [Essays by Patricia Bentancur and Alejandro Cesarco]. 1998     Chapman, Christopher. Loverboy. Sydney and Adelaide, Australia: Yuill/Crowley and the Art Gallery of South Australia, 1998. 1997     Elger, Dietmar, et al., ed. Felix Gonzalez-Torres: Catalogue Raisonné. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, 1997. [Two volumes published to accompany an exhibition at the Sprengel Museum in Hannover, Germany: Vol. 1: Text, with essays by Roland Wäspe, Andrea Rosen, Dietmar Elger, Rainer Fuchs, and David Deitcher; Vol. 2: Catalogue Raisonné]. 1996     González, Manuel E. Félix González-Torres: acto de presencia en México. Mexico City: El Museo Rufino Tamayo, 1996. [Essay by Lewis Baltz]. 1995     Goetz, Ingvild. Felix Gonzalez-Torres – Roni Horn. Munich: Sammlung Goetz, 1995. [Essays by Nancy Spector and Christine Meyer-Stroll; interview by Robert Storr]. Spector, Nancy. Felix Gonzalez-Torres. New York: Guggenheim Museum Publications, 1995. 1994     Camden Arts Centre Events: Symptoms of Interference, Conditions of Possibility: Ad Reinhardt, Joseph Kosuth, Felix Gonzalez-Torres. London: Camden Arts Centre, 1994. Farrow, Claire, ed. A Reinhardt J Kosuth F Gonzalez-Torres: Symptoms of Interference, Conditions of Possibility. London: Academy Editions, 1994. Felix Gonzalez-Torres. Berkeley, CA: Berkley Art Museum, the University of California, 1994. [Essay by Larry Rinder]. Felix Gonzalez-Torres, Rudolf Stingel. Graz, Austria: Neue Galerie am Landesmuseum Joanneum, 1994. [Essays by Jan Avgikos, Francesco Bonami, and Peter Weibel]. Felix Gonzalez-Torres: Traveling. Washington D.C.: Hirshhorn Museum and Sculpture Garden, The Smithsonian Institution, 1994. Ferguson, Russell, ed. Felix Gonzalez-Torres. Los Angeles: The Museum of Contemporary Art, 1994. [Essays by Amada Cruz, Ferguson, Ann Goldstein, Bell Hooks, Joseph Kosuth, and Charles Merewether.] Spector, Nancy. Symptoms of Interference, Conditions of Possibility: Ad Reinhardt, Joseph Kosuth, Felix Gonzalez-Torres. London: Camden Arts Centre, 1994: 10, 13-14, 15 (ill.), 16, 22. 1993     Rollins, Tim, Susan Cahan, and Jan Avgikos. Felix Gonzalez-Torres. New York: Art Resources Transfer, Inc., 1993. Sobel, Dean. Currents 22: Felix Gonzalez-Torres. Milwaukee, WI: Milwaukee Art Museum, 1993. 1992     Magasin 3 Stockholm Konsthall. Felix Gonzalez-Torres. Stockholm: Magasin 3, Stockholm Konsthall, 1993. [Essay by David Deitcher]. Umland, Anne. Projects 34: Felix Gonzalez-Torres. New York: The Museum of Modern Art, 1992. 1991     Cady Noland, Felix Gonzalez-Torres: Objekte, Installationen, Wanderbeiten. Berlin: Neue Gesellschaft für bildende Kunst, 1991. [Essays by Frank Wagner and David Deitcher]. Felix Gonzalez-Torres. Milan: Galleria Massimo De Carlo, 1991. [Essay by Stephen Evans]. 1990     Strange Ways: Here We Come; Felix Gonzalez-Torres and Donald Moffett. Vancouver, Canada: University of British Columbia Fine Arts Gallery, 1990. [Essay by Scott Watson]. 1988     I always wonder if men in uniform sleep better after performing their duties. New York: INTAR Latin American Gallery, 1988. The Workspace: Felix Gonzalez-Torres. New York: The New Museum of Contemporary Art, 1988. [Essay by Laura Trippi]. 1987     The Culminating Experience and Other Stories: Felix Gonzalez-Torres. 80 Washington Square Galleries, New York University. 10 Mar. – 3 Apr. 1987.   Group Exhibition Catalogues 2023     Acevedo-Yates, Carla, ed. Forecast Form: Art in the Caribbean Diaspora, 1990s-Today. MCA Chicago and DelMonico Books, 2023 (ill). Curtis, Penelope, editor. Escala Escultura 1945-2000/Scale: Sculpture 1945-2000. Fundación Juan March, 2023 (ills). de la Garza, Magnolia. En El Jardín/ in the Garden. Turner Publications, 2023. Lavigne, Emma, editor. Avant l’orage: La Collection Pinault À La Bourse de Commerce. Dilecta Editions, 2023 (ill). Martin, Owen. Before Tomorrow: Reflecting on the Astrup Fearnley Collection. Astrup Fearnley Museet, 2023 (ill). Phillips, Lisa. Colección Jumex: Everything Gets Lighter. Fundación Jumex Arte Contemporáneo, 2023 (ill). Schloen, Anne, et al. Who’s Afraid of Stardust? Positions of Contemporary Queer Art. Verlag Für Moderne Kunst, 2023. 2022           Als, Hilton. Joan Didion: What She Means. Edited by Connie Butler, The Hammer Museum/ Del Monico/ Prestel, 2022. Barber, Rehema. Unmasking Masculinity for the 21st Century. Kalamazoo Institute of Arts, 2020. Bertand-Dorléac, Laurence, and Dimitri Salmon. Les Choses. Une histoire de la nature morte. Museé Du Louvre, 2022. Bresciani, Ana María, and Tommaso Speretta. Every Moment Counts: AIDS and Its Feelings. Henie Onstad Kunstsenter, 2022. Cerejido, Elizabeth. Radical Conventions: Cuban American Art from the 1980's. Lowe Museum of Art, 2022. Dander, Patrizia. Future Bodies from a Recent Past—Sculpture, Technology, and the Body since the 1950s. Museum Brandhorst, 2022.   Kost, Lynn, and Konrad Bitterli. Moment. Monument. Kunstmuseum Winterther, 2022: 51, 52 53 54 (ills). Lavigne, Emma, ed. Une Seconde d'éternité. Bourse De Commerce - Pinault Collection & Editions Dilecta. 2022. Meyers, James, ed. The Double: Identity and Difference in Art Since 1900. National Gallery of Art, 2022 (ill). Miller, Peter N., and Soon Kai Poh, eds. Conserving Active Matter. New York: Bard Graduate Center, 2022. Mohebbi, Sohrab, ed. Is It Morning for You Yet? 58th Carnegie International. Carnegie Museum of Art, 2022: 259 (ill). Rooks, Michael. What Is Left Unspoken, Love. High Museum of Art, 2022 (ill). Reini, Karen Monica, and Ana Maria Bresciani. Hvert Øyeblikk Teller: Følelser Av Aids. Henie Onstad Kunstsenter, 2022. Vamvouklis, Nicolas. Icarus. K-Gold Temporary Gallery, 2022.   2021     De Bellis, Vincenzo, and Arturo Galansino. American Art 1961-2001. Translated by Sylvia Notini, Marsilio Editori, 2021: 135 (ill). Delahunty, Gavin. Psychic Wounds: On Art & Trauma. MW Editions, 2021: 266,267 (ill). Désanges, Guillaume. Absalon Absalon. Paraguay Press, 2021: 26, 31, 40 (ill). Kountouri, Elina, and Madeleine Grynsztejn. Portals. Former Public Tobacco Factory - Hellenic Parliament Library and Printing House, Athens, Greece, 2021. Parisi, Chiara, and Anne Horvath. Arcimboldo Face to Face. Centre Pompidou-Metz, 2021: 356 (ill). Scott, Peter. Everybody Dies!: Carriage Trade, 2021: 14, 15, 16, 17 (ill).  Spieler, Reinhard, and Stella Jaeger. Elementarteile. Sprengle Museum Hannover. Snoeck Verlagsgesellschaft mbH, 2021. 2020     Buck, Stephanie, et al. Crossing Borders - Collecting for the Future. Staatliche Kunstsammlungen Dresden, Kupferstich-Kabinett, 2020. De Bellis, Vincenco, and Jadine Collingwood. The Paradox of Stillness: Art, Object, and Performance. Walker Art Center, 2020: 43, 128-131 (ills), 180-182 (ills). Department of State, Office of Art in Embassies. Art In Embassies. Department of State, 2020: 138, 139 (ill). Dimitrov, Slavcho. BROKENNESS. Museum of Contemporary Art Skopje, 2020. Eccles, Tom, and Amy Zion. Closer to Life: Drawings and Works on Paper in the Marieluise Hessel Collection. Center for Curatorial Studies, Bard College, 2020. Fox, James. Monochrome No.2. London: Ordovas, 2020: 38, 62-63 (ill), 72-73 (ill), 77. Hammonds, Kit, et al. Al Filo de La Navaja/ On the Razor’s Edge. Colección Jumex. Fundación Jumex Arte Contemporáneo, 2020: 90-93 (ills). Haq, Nav, and Tallon Steven. Monoculture - A Recent History. M HKA, 2020: 193 (ill). Kölle, Brigitte. MOURNING: On Loss and Change. Hamburger Kunsthalle, 2020 (ill). Kotyk, Tereza. Human Capital: Innsbruck Biennial of the Arts. 2020 (ill).  2019          Bethenod, Martin, and Mouna Mekour. Luogo e Segni. Venice: Palazzo Grassi, 2019. Desrosiers, Daisy. Material Tells. Oakville Galleries, 2019: 2 (ill) (Digital) Esparaza, Rubén, and Robb Hernandez. Forging Territories: Queer Afro and Latinx Contemporary Art. Edited by Steve Silverman, San Diego Art Institute, 2019: 25-26, 26 (ill) Gygax, Raphael, and Heike Munder, editors. _United by AIDS: An Anthology on Art in Response to HIV/AIDS_. Migros Museum Fur Gegenwartskunst and Scheidegger & Spiess, 2019: 47 (ill), 61. Getsy, David, and Jared Ledesma. Queer Abstraction. Des Moines Art Center, 2019: 13 (ill), 32-33, 34-35 (ill). Høyersten, Erlend G, editor. Objects of Wonder: from Pedestal to Interaction. Narayana Press, 2019: p 20, 21(ill), 54. Incheon Arts Station Project. On The Ground Underground. South Korea, Incheon Foundation for Arts & Culture, 2019. Smith Rumsey, Abby. Coordinates: Maps and Art Exploring Shared Terrain. David Rumsey Map Center, Stanford Libraries, 2019: 68 (ill). Young, Benjamin J. ed. Always, Already, Haunting, "Disss-Co", Haunt (A.A.H.D.H.). Whitney Museum of American Art, 2019. 2018          Chavoya, C. Ondine, and David Evans Frantz (eds.). Axis Mundo: Queer Networks in Chicano L.A. Munich, Germany: Prestel, 2018. Larratt-Smith, Philip. The Obscure Object of Desire. Sâo Paulo and Rio de Janeiro: Fortes D'Aloia & Gabriel, 2018. Lauson, Cliff, Dawna Schuld, and Lynn Zelevansky. Space Shifters. London: Hayward Gallery Publishing, 2018. Jetzer, Gianni. Brand New: Art and Commodity in the 1980s. New York: Rizzoli Electa, 2018. Kondo, Kenichi, Takashiro Akio and Yuhara Kimihiro. Catastrophe and the Power of Art. Tokyo: Mori Art Museum, 2018. Nakanishi, Hiroyuki, and Hiroaki Suzuki. The Myriad Forms of Visual Art: 200 Works with 19 Themes. Osaka: The National Museum of Art, Osaka, 2018. Shiff, Richard and Robert Storr. David Zwirner: 25 Years. New York: David Zwirner Books, 2018. Tan, Eugene and Russel Storer. Minimalism: Space. Light. Object. Singapore: National Gallery Singapore, 2018. Tani, Ellen Y. Second Sight: The Paradox of Vision in Contemporary Art. New York: Scala Arts Publishers Inc., 2018. 2017     Bajac, Quentin, and Olivier Michelon. Being Modern: MoMA in Paris. London: Thames & Hudson, 2017. Barson, Tanya (ed.). Life World. Ciudad de México: Colección Isabel y Agustín Coppel, 2017. Cosulich, Sarah. MUT 1 - Think of this as a Window. Fiorano, Italy: Mutina for Art, 2017. Gallois, Christophe ed. L'image Papillon. Luxembourg City: Mudam éditions, 2017. [English edition] Huldisch, Henriette. An Inventory of Shimmers: Objects of Intimacy in Contemporary Art. London: Prestel, 2017. Lingwood, James (ed.). Inside: Artists and Writers in Reading Prison. London: Artangel, 2017. Marcoci, Roxana. Louise Lawler: Receptions. New York: Museum of Modern Art, 2017. Moura, Rodrigo. Doubles, Dobros, Pliegues, Pares, Twins, Mitades. Dallas, TX: The Warehouse, 2017. Nahmad, Joseph. Bliss. London: Nahmad Projects, 2017. Noriega, Chon A., Mari Carmen Ramirez, and Pilar Tompkins Rivas. HOME—So Different, So Appealing. Los Angeles, CA: UCLA Chicano Studies Research Center Press, 2017. Pobric, Pat. Minimalism and Beyond. New York: Mnuchin Gallery, 2017. 2016     Ault, Julie ed. Tell It To My Heart: Collected by Julie Ault (Vol. II) New York: Artists Space, 2016. 3, 33, 51-2, 88-9, 198,     123, 128, 132 (ills.) Baier, Simon. Sculpture on the Move 1946-2016. Berlin: Hatje Cantz Verlag, 2016. Baum, Kelly with Andrea Bayer and Sheena Wagstaff (eds.) Unfinished: Thoughts Left Visible. New York: The Metropolitan Museum of Art, 2016. Benezra, Neal ed. The Campaign for Art: Gifts for the San Francisco Museum of Modern Art. San Francisco Museum of Modern Art (SFMoMA) San Francisco, CA. 2016. Buchmann, Sabeth. to expose, to show, to demonstrate, to inform, to offer. Artistic Practices around 1990. Köln: Walther Köni, 2016. Decter, Jacqueline (ed.). Selections from the Wieland Collection. Atlanta, GA: The Wieland Collection, 2016. Goodyear, Anne et al. This Is a Portrait If I Say So: Identity in American Art, 1912 to Today. New Haven, CT: Yale University Press, 2016. Missing Persons. Stanford, CA: Cantor Arts Center, Stanford University, 2016. Raza, Asad and Dorothea von Hantelmann (eds.). Decor. Brussels: Boghossian Foundation, 2016. Sileo, Diego, and Giacomo Zaza (eds). CUBA. Tatuare la Storia. Milan: SilvanaEditoriale, 2016. Starke, Cara. Ellipsis. St. Louis: Pulitzer Art Foundation, 2016: 32-7 (ills.) 2015     Canela, Juan. I Speak Knowing it's not About Speaking. Barcelona: la Caixa Foundation, 2015: 33 (ill) Horodner, Stuart and Janie Welker. Bottom's Up: A Sculpture Survey. Lexington: University of Kentucky Art Museum, 2015: 7, 21(ill.) Huska, Rock and Jonathan Katz. Art AIDS America. Tacoma: Tacoma Art Museum, 2015: 58, 78, 226-7 (ills.) Gallois, Christophe ed. L’image Papillon. Luxeumbourg City: Mudam editions, 2015: 139-143, 174 (ills.) Kvaran, Gunner B., ed. Good Morning America. Oslo: Astrup Fearnley Museet, 2015: 27-29 (ills.) Ligon, Glenn with Alex Farquharson and Francesco Manacorda. Glenn Ligon: Encounters and Collisions. Nottingham and London: Nottingham Contemporary and Tate, 2015: 12, 14, 110-1(ill.), 114-8, 138-9, 167 (ill), 275. Macel, Christine and Rachael Thomas eds. What We Call Love: From Surrealism to Now. Dublin: Irish Museum of Modern Art, 2015: 60 (ill), 61. Maxwell, Claire Favre ed. Telling Time / L'Élogue de l'heure. Lausanne: mudac, Musée de design et d'arts appliqués contemporains, 2015: 182 (ill.) Mosquera, Gerardo. The 4th Poly/Graphic San Juan Triennial: Latin America and the Caribbean Displaced Images / Images in Space. San Juan: Instituto de Cultura Puertorriqueña Programa de Artes Plásticas, 2015: 182-3 (ill.) Ordovas, Pilar ed. The Big Blue. London, United Kingdom: Ordovas, 2015: 52-3 (ill.) Schwartz, Alexandra, ed. Come As You Are: Art of the 1990s. Montclair, NJ and Oakland, CA: Montclair Art Museum and University of California Press, 2015: 99, 103, 111 (ill.), 196. Siegel, Katy ed. "The heroine Paint" After Frankenthaler. Gagosian, New York, 2015. 195, 199 (ills.) Starke, Cara. Ellipsis. St. Louis: Pulitzer Art Foundation, 2016: 32-7 (ills.) Vo, Danh. Slip of the Tongue. Venice: Marsilio Editori, 2015. Wolin, Joseph R., ed. Open This End: Contemporary Art from the Collection of Blake Byrne. Los Angeles, CA: The Skylark Foundation, 2014: 21, 54-55 (ill.). 2014     ArtAids Foundation, ed. Perfect Lovers. Art in the Time of AIDS. Barcelona: ArtAids, 2014: 6 (ill), 7-8, 9 (ill), 10-11 (ills.) Buchhart, Dieter, ed. The Nature of Disappearance. New York: Marriane Boesky Gallery, 2014: 80-81 (ill). Burton, Johanna and Anne Ellegood; essays by George Baker, Julia Bryan-Wilson, Gavin Butt, and Darby English; contributions by Ann Butler and Marvin J. Taylor, Ruth Erickson, Leora Morinis, and Corrina Peipon. Take It or Leave It: Institution, Image, Ideology. Hammer Museum and Delomnico Books | Prestel: Los Angeles and Munich, London, and New York, 2014: 26, 100 (ill), 101 (ill), 197. Bonami, Francesco. A Very Short History of Contemporary Sculpture. London: Phillips, 2014. Carr, Adam, ed. YOU. Wales: MOSTYN, 2013: 12-13 (ill). Chong, Herman ed. End Note(s). Rotterdam, The Netherlands, Witte de With Center for Contemporary Art, 2014, 121 (ill.), 154-155. Fowle, Kate. The New International. Moscow: The Garage Museum of Contemporary Art, 2014. 6-7 (ill), 8. Gustafson, Donna, ed. Striking Resemblance: The Changing Art of Portraiture. New Brunswick, NJ: Zimmerli Art Museum, 2014: 35, 78 (ill). Morimura, Yasumasa. Art Fahrenheit 451: Sailing into the sea of oblivion. Yokohama Treinnale, 2014: 50 (ill), 56-7 (ill), 59 (ill), 310. Moure, Gloria, ed. On The Road. Spain: Axencia Turismo de Galicia, 2014: 124-129 (ill). Take Me I'm Yours. Monnaie de Paris, Paris: Éditions Dilecta, 2014: 4, 18, 30, 46. Tatiana Cuevas, ed. Rastros y vestigios: Indagaciones sobre el presente. Mexico DF, Mexico: Colección Isabel y Agustin Coppel, CIAC, 2014: 149 (ill.), 183, 322. The Contemporary Austin. A Secret Affair: Selections from the Fuhrman Family Collection. Austin, TX: The Contemporary Austin, 2014: 28-29, 46-47 (ill). The Courtauld Institute of Art, ed. INTERACT: Deconstructed Spectatorship. London, United Kingdom: The Courtauld Institute of Art, 2014: 40-41 (ill). 2013   0 – 60: The experience of time Through Contemporary Art. Raleigh: North Carolina Museum of Art, 2013: 76-79 (ill). Altschuler, Bruce and Hans-Ulrich Obrist, ed. do it: the compendium. New York: Independent Curators International, New York and D.A.P, 2013: 186, 434. Ault, Julie ed. Tell It To My Heart: Collected by Julie Ault. Basel: Museum fur Gegenwartskunst Basel, 2013. Adams, Beverly and Vanessa K. Davidson, eds. Order, Chaos and the Space Between. Phoenix: Phoenix Art Museum, 2013: 55 - 57, 144 - 145 (ill). Bal-Blanc, Pierre, ed. Reversibility: A Theatre of De-Creation. [CAC Bretigny]Mousse Publishing, 2013: 90, 98, 144 (ill). Borchardt-Hume, Achim, ed. Think Twice: Twenty Years of Contemporary Art from Collection Sandretto Re Rebaudengo. London: Whitechapel Gallery and Collezione Sandretto Re Rebaudengo, 2013: 26, 94-95(ill). Desclaux, Vanessa, ed. In a Sentimental Mood. Paris: La Galeries Des Galeries, 2013: 8, 22 (ill). Dietz, Heinrich, Susanne Figner and Antonia Lotz ed. Der Schein: glanz, glamour, illusion [The Shine: gloss, glamour, illusion]. Hannover: Kestnergesellschaft, 2013: 26 - 28 (ill). DiMeo Carlozzi, Annette. Through the Eyes of Texas: Masterworks from Alumni Collections. Austin: Blanton Museum of Art, 2013: 48, 108 (ills.) Eye to I: 3,000 Years of Portraiture. New York: Katonah Museum of Art and Rose Press, 2013: 41 (ill). Facing the Sublime in Water, CA. Pasadena: Armory Press / Armory Center for the Arts, 2013: 11 (ill). Gaugin, Paul, ed. Neuland! Kunstler als Entdecker. Emden: Kunsthalle Emden, 2013: 155, 163 (ill). Gioni, Massimilano and Gary Carrion-Murayari, ed. NYC 1993: Experimental Jet Set, Trash and No Star. New York: New Museum of Contemporary Art, 2013: 54-55 (ill). Hoglund, Jessica ed. Upplyst Enlightened. Sweden: Artipelag Konsthall, 2013. 95 (ill). Indifferent Matter. Leeds: Henry Moore Foundation, 2013. Massimilano Gioni and Gary Carrion-Murayari, ed. NYC 1993: Experimental Jet Set, Trash and No Star. New York: New Museum of Contemporary Art, 2013: 14, 54-55 (ill), 128 Reinventing the Wheel: The Readymade Century. Melbourne: Monash University Museum of Art, 2013: 56 (ill). Rêves De Venise. Bordeaux: L'Institut Culturel Bernard Magrez., 2013: 36-37 (ill) Schneider, Claire ed. More Love: Art Politics, and Sharing since the 1990s. Chapel Hill: Ackland Art Museum. 2013: 18-19, 21, 32, 37, 103-107 (ill). 2012     Bernasconi, Francesca, Marco Franciolli and Giovanni lovane, ed. A Window on the World. Milan: Skira Editore. 2012: 237 (ill). Bosland, Joost, ed. Trade Routes Revisited. Cape Town and Johannesburg: Stevenson Gallery, 2012: 70 (ill), 105 (ill). Brodie, Judith with Sarah Boxer, Janine Mileaf, Christine Poggi and Matthew Witkovsky. Shock of the News. Washington DC: National Gallery of Art, 2012/2013: 79 (ill), 111, 147. Cherix, Christophe. Print/Out: 20 Years in Print. New York: Museum of Modern Art, 2012: 70, 73 (ill), 185 (ill). Daderko, Dean, ed. It is what it is. Or is it? Houston: Contemporary Art Museum Houston, 2012: 21-22, 29 (ill), 67 (ill), 69 (ill), 123. Dyke, Kristina. The Progress of Love. Houston: Menil Foundation, Inc., 2012: 95(ill). Herford, Marta. gGmbH, ed. Asche und Gold: eine Weltenreise [Ashes and Gold: A World's Journey]. Köln: Wienand Verlag, 2012: 17 (ill). Kent, Rachel. Marking Time. Sydney: Museum of Contemporary Art Australia, 2012: 35 (ill). Luxury User Guide. Paris, FR: Passage de Retz, 2012. Molesworth, Helen. This Will Have Been: Art Love & Politics in the 1980s. Chicago/New Haven: Museum of Contemporary Art Chicago and Yale University, 2012: 43, 253, 311, 338-339, 340-341 (ill). Pfeffer, Susanne. The Recovery of Discovery. Berlin: Verlag der Buchhandlung Walther Konig, 2012: 14, 15 (ill). Porter, Jenelle. Figuring Color: Kathy Butterly, Felix Gonzalez-Torres, Roy McMakin, Sue Williams. Boston and Ostfildern, Germany: The Institute of Contemporary Art and Hatje Cantz Verlag, 2012: 10-11, 91-92 (ill), 117-118 (ill), 132. Rosenthal, Mark, Marla Prather, Ian Alteveer, and Rebecca Lowery. Regarding Warhol Sixty Artists, Fifty Years. New York: Metropolitan Museum of Art, 2012: 41, 45 (ill), 290. Tovar, Jaoa. Paper. Nice: Musee d’Art moderne at d’Art Contemporain, 2012: 56-57, 58-59 (ill). 2011      Bernardi, Claire et al. Collector: &OElig;uvres du Centre National des Arts Plastiques. Milan and Paris: Skira Flammarion, 2011. 154, 155 (ill). Corn, Wanda M, and Tirza True Latimer. Seeing Gertrude Stein (Five Stories). Berkeley: University of California Press, 2011: 331-333, 332 (ill). Cremin, Mary, ed. Conversations: Photography from the Bank of America Collection. Dublin: Irish Museum of Modern Art, 2011: 103 (ill), 105. Di Pietrantonio, Giacinto and M. Cristina Rodeschini, ed. Il Belpaese Dell’Arte: Etiche ed Estetiche della Nazione [The Wonderful Land of Art: The Ethics and Aesthetics of The Nation]. Busto Arsizio, Italy: Nomos Edizioni, 2011: 213 (ill), 250. Doring Jurgen. Power to the Imagination: Artists, Posters and Politics. Hamburg: Germany Museum fur Kunst und Gewerbe, 2011: 154, 155 (ill.)     Eleey, Peter. September 11. New York: MoMA PS1, 2011: 62, 110-111 (ill.) 238. Kisin, Peter and Beti Zerovc, eds. 29. Graficni Bienale / The 29th Biennial of Graphic Arts: Dogodek / The Event. Ljubljana: Mednarodni graficni likovni center / The International Center of Graphic Arts, 2011, 202, 203 (ill). Kvaran, Gunnar B., ed. Em Nome dos Artistas: Arte Contemporanea Norte-Americana na Colecao Astrup Fearnley [In The Name of the Artists American Contemporary Art from the Astrup Fearnley Collection. Sao Paolo: Fundacao Bienal de Sao Paulo, 2011: 54 – 57 (ill), 236 – 241. Miller Dana, ed. Legacy – The Emily Fisher Landau Collection. New York: Whitney Museum of American Art, New York, 2011: 7, 15, 16, 23, 100, 101-105 (ill.), 318-320 (ill.). Orth, Klaus H., Anne Schloen and Harriet Zilch. Goldrausch: gegenwartskunst aus, mit oder uber gold. Nürenberg; Verlag fur Moderne Kunst Nürnberg, 2012: 120, 121-125 (ill). Rondeau, James and Anne Rorimer. Contemporary Collecting: The Judith Neisser Collection: Minimal and Postminimal Innovation. Chicago, New Haven, and London: The Art Institute of Chicago and Yale University Press, 2011: 58-59 (ill), 156. Salmon, Béatrice et al. Échos. Paris: Université Paris - Sorbonne (Paris IV) and Les Arts Décoratifs, 2011: 14, 19, 26-31, 48-9 (ill), [page of 1 of exhibition images - unpaginated (ill)]. Unter Helden: Vor-Bilder in der Gegenwartskunst [Among Heroes: Pre-Images in Contemporary Art]. Eds. Harriet Zilch and Angela Lohrey. Bielefeld, Germany: Kerber Verlag, 2011: 38. 2010     Blessing, Jennifer and Nate Trotman. Haunted: Contemporary Photography/Video/Performance. New York: Guggenheim Museum, 2010: 57-58, 59 (ill), 64 (ill), 65 (ill). Graphic Design Museum Breda. I don’t know where I’m going but I want to be there. Amsterdam: BIS Publishers, 2010: 136 (ill). Hering, Michael. Marked by Life – Passion in Modern Works on Paper. [Vom Leben Gezeichnet Leidenschaft In Der Grafik Der Moderne] Hanover, Germany: The Sprengel Museum Hannover, 2010: 58-59 (ill), 38 (ill). Hoffmann, Jens, ed. Huckleberry Finn. San Francisco: CCA Wattis Institute for Contemporary Arts, 2010: 50, 50 (ill.), 80 (ill.). Kasahara Michiko. Love’s body: art in the age of AIDS. Tokyo: Tokyo: Tokyo Metropolitan Museum of Photography, 2010: 96-109 (ill), 178-179. Katz Jonathan and David Ward. Hide Seek Difference and Desire in American Portraiture. National Portrait Gallery, The Smithsonian Institution, Washington DC, 2010: 54 (ill), 55, 224, 225 (ill), 233. Kraus, "Jeder Künstler ist ein Mensch!" Positionen des Selbstportraits. Ed. Karola Kraus. Baden-Baden: Staatliche Kunsthalle Baden Baden, 2010: 60-61 (ill), 63 (ill). Rosenthal, Stephanie, ed. Move: Choreographing You. London: Hayward Publishing, 2010: 146. Sørenson, Jens Erik, Bjarne Bækgaarde and Lise Mortensen. I Love You. Aarhus, Denmark: ARoS aarhus kunstmuseum, 2010: 88 (ill), 89. 2009     "Artpace Mounts First-Ever Survey of Felix Gonzalez-Torres Billboards" Artpace Winter/Spring 2009-2010: 29-31 (ill). Bishop, Janet, ed. San Francisco Museum of Modern Art: 75 Years of Looking Forward. San Francisco: San Francisco Museum of Modern Art, 2009: 436, pl. 350 (ill). Centro Galego de Arte Contemporanea. En Todas Partes: Políticas de la Diversidad Sexual en el Arte. Santiago de Compostela, Spain: Centro Galego de Arte Contemporánea, 2009: n.p. (ill), 291, 300, 333. Eleey, Peter. The Quick and the Dead. Minneapolis, MN: Walker Art Center, 2009: 220, 221 (ill), 282, 321. Gingeras, Alison M., and Francesco Bonami, eds. Mapping the Studio: Artisti dalla collezione Francois Pinault [Artists from the Francois Pinault Collection]. Venice, Italy: Palazzo Grassi, 2009: 156-159 (ill), 162 (ill), 249 (ill), 275 (ill). McGlashan, Sean, and Fiona MacLeod, eds. Sh[OUT]: Contemporary art and human rights. Glasgow, Scotland: Glasgow Museums Publishing, 2009: 18 – 19 (ill). Musée d'art moderne de La Ville de Paris. Deadline. Paris: Paris-Musées, 2009: 88 (ill), 89-90, 91-94 (ill). Musée national des beaux-arts du Québec. Emporte-Moi: Sweep Me Off My Feet. Québec, Canada and Vitry-sur-Seine, France: Musée national des beaux-arts du Québec and MAC/VAL, 2009: 110, 111 (ill), 180. Museum of Modern Art (New York, N.Y.), and Christian Rattemeyer. Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection. New York: Museum of Modern Art, 2009: 177 (ill). Museum of Modern Art. Artist's Choice + Vik Muniz: Rebus. New York: Museum of Modern Art, 2008. Shiner, Eric C. The End. Pittsburgh, PA: The Andy Warhol Museum, 2009: 7. 2008     Biesenbach, Klaus, ed. Political/Minimal. Nürnberg [Nuremberg], Germany: Verlag für moderne Kunst Nürnberg, 2008: 10, 11 (ill), 20, 21, 30 – 33, 64, 65 (ill), 140, 143. Bonami, Francesco, and Sarah Cosulich Canarutto, eds. Gods & Goods: Spiritualità e Confusione di Massa [Spirituality and Mass Confusion]. Passariano, Codroipo, Italy: Azienda Speciale Villa Manin, 2008: 86, 87 – 89 (ill). Bray, Natalie, and Cara Baldwin. Transformed. Virginia Beach, VA: the Contemporary Art Center of Virginia, 2008: 4, 9, 20 (ill), 21 (ill), 35, 38. Concannon, Kevin, and John Noga. AGENCY: Art and Advertising. Youngstown, OH: McDonough Museum of Art, 2008: n. pag. (ill). Cullen, Deborah, ed. Arte No Es Vida: Actions By Artists of the Americas, 1960 – 2000. New York: El Museo del Barrio, 2008: 33 – 34, 40 – 41, 49, 70 – 71, 76, 187 – 188, 235 – 286, 238, 284. De Rooij, Marie Jeanne, ed. Den Haag Sculptuur [The Hague Sculpture] 08: Freedom. Rotterdam, the Netherlands: Veenman Publishers, 2008: 40 – 42, 190. Désanges, Guillaume, and Mélanie Mermod. La Foule (Zéro – Infini): Chapitre 1 (unite – dualité – la meute – la masse) [The Crowd (Zero – Infinity): Chapter 1 (unity – duality – the pack – the multitude)]. Clermont- Ferrand, France: L’Espace d’Art Contemporain La Tôlerie, 2008. Désanges, Guillaume, and Mélanie Mermod. La Foule (Zéro – Infini): Chapitre 2 (chaos – contrôle) [The Crowd (Zero – Infinity): Chapter 2 (chaos – control)]. Clermont-Ferrand, France: L’Espace d’Art Contemporain La Tôlerie, 2008: cover (ill), 13 – 15. Draganovic, Julia. L’Impresa dell’Arte [The Enterprise of Art]. Napoli [Naples], Italy: Electa Napoli, 2008: 17, 66 (ill), 67 – 68, 69 (ill), 111 (ill), 112. El Museo del Barrio. Arte No Es Vida: Actions By Artists of the Americas 1960-2000. New York: El Museo del Barrio, 2008: n.p. Enwezor, Okwui. Archive Fever: Uses of the Document in Contemporary Art. New York: International Center of Photography, 2008: 28, 89, 90 – 91 (ill). Escalante, Mireya. Las Implicaciones de la Imagen [Implications of the Image]. Mexico City: Universidad Nacional Autónoma de México, Dirección General de Artes Visuales, Museo Universitario de Ciencias y Arte, 2008: 190, 191-193 (ill), 208, 209 (ill), 231, 241. Fitzsimmons, Claire, and Jens Hoffmann, eds. The Wizard of Oz. San Francisco, CA: California College of the Arts, 2008: 32, 33 (ill), 72. Frieling, Rudolf, Boris Groys, Robert Atkins, and Lev Manovich. The Art of Participation: 1950 to Now. San Francisco, CA and New York: the San Francisco Museum of Modern Art and Thames and Hudson, 2008: 35, 148, 149 – 151 (ill), 202, 206, back endsheet (ill). Garrels, Gary. Oranges and Sardines: Conversations on Abstract Painting. Los Angeles: Hammer Museum, 2008: 34, 42 – 43 (ill). Grigoteit, Dr. Ariane, Britta Färber and Christina März. Visuell Blind Date Meet the Brand New Acquisitions from the Deutsche Bank Collection for the First Time Frankfurt: Deutsche Bank Art, Frankfurt am Main, 2006: 34 (ill), 209. Han, Heng-Gil. Jamaica Flux: Workspaces & Windows 2007. Jamaica, NY: Jamaica Center for Arts & Learning, 2008: 7 – 8, 150, 151 (ill), 186. Longwell, Alicia. Sand: Memory, Meaning, and Metaphor. Southampton, NY: The Parrish Art Museum, 2008: 4 – 5 (ill), 48, 134. MacDonald, Anna. Intimacy. Southbank, Australia: Australian Centre for Contemporary Art, 2008: n. pag. (ill). Metsola, Satu, and Arja Miller, eds. Full House: Kouri-Kokolema Ja Minimalistisia Seikkailuja Amerikasta [The Kouri Collection and American Minimalist Adventures]. Helsinki, Finland: Nykytaiteen museo Kiasma [Museum of Contemporary Art Kiasma], 2008: 11 – 12, 14 – 15 (ill), 16 – 17, 25 – 26, 30 – 31, 72 (ill). Meyer-Stoll, Christiane. Knockin’ on Heaven’s Door. Vaduz, Lichtenstein: Kunstmuseum Lichtenstein, 2008: n. pag. Miami Art Museum. Objects of Value. Miami, Florida: Miami Art Museum, 2008: n.p. Moore, Padraic E., ed. Now’s the Time. Dublin: Dublin City Gallery, The Hugh Lane, 2008: 24, 25 (ill). Museum of Contemporary Art Kiasma. Exhibition Guide: Full House: The Kouri Collection and American Minimalist Adventures. Helsinki: Museum of Contemporary Art Kiasma, 2008: 4-5. Phipps, Barry, and Lizzie Fisher. Beyond Measure: conversations across art and science. Cambridge, United Kingdom: Kettle’s Yard, 2008. Schall, Jan, and Robert Storr. Sparks!: The William T. Kemper Collecting Initiative at the Nelson-Atkins Museum of Art. Kansas City, MO: The Nelson-Atkins Museum of Art, 2008: 7 (ill), 80, 81 (ill). Sirmans, Franklin, ed. NeoHooDoo: Art for a Forgotten Faith. Houston, TX: The Menil Foundation, Inc., 2008: 20, 104 – 105 (ill), 136. Slovak, Richard, ed. Now You See It. Aspen, CO: Aspen Art Museum, 2008: 8 – 9, 58 – 59 (ill), 60 – 61 (ill), 84 – 85. Shpungin, Diana. Delicatessen. Boca Raton, FL: Florida Atlantic University, 2008: n. pag, n. pag (ill). Torp, Marianne. Reality Check. Copenhagen, Denmark: Statens Museum for Kunst, 2008: 90, 91 (ill), 138, 141. 2007     Aballí, Ignasi, and Han Nefkens. Las partes y el todo [The Parts and the Whole]: Colección H + F. Barcelona: Fundación Foto Colectania, 2007: 92 – 93 (ill), 113, 115. Biesenbach, Klaus, ed. Into Me/Out of Me. Ostfildern, Germany: Hatje Cantz Verlag, 2007: 56 – 57, n. pag (ill), 236 – 237 (ill), 526 – 527, 561. Brand, Heather, ed. Constructing a Poetic Universe: The Diane and Bruce Halle Collection of Latin American Art. Houston, TX: The Museum of Fine Arts, Houston, 2007: 1-5 (ill), 8-9 (ill), 23, 126-127 (ill), 147, 151, 154, 265. Davidson, Susan, ed. Art in the USA: 300 Años de Innovación. New York and Bilbao, Spain: The Solomon R. Guggenheim Foundation and the Guggenheim Bilbao Museoa: 229, 244 – 245 (ill). Davidson, Susan, ed. Art in the USA: 300 Years of Innovation. New York: The Solomon R. Guggenheim Foundation, 2007: 37, 39, 40 (ill), 299, 319 (ill). De Corral, Maria, and John R. Lane, eds. Fast Forward: Contemporary Collections for the Dallas Museum of Art. Dallas, TX: Dallas Museum of Art, 2007: 290-291 (ill). Erf, Lisa. Collected Visions: Modern and Contemporary Works from the JPMorgan Chase Art Collection. Istanbul, Turkey: Pera Museum, 2007: 12, 58, 59 (ill), 146. Filipovic, Elena. Let Everything Be Temporary, or When is the Exhibition? New York: apexart, 2007: n. pag (ill). Gardner, Belinda Grace, Michael Buhrs, Dick Luckow, and Gerald Matt, eds. True Romance: Allegorien der Liebe von der Renaissance bis heute [Allegories of Love from the Renaissance to the Present]. Köln [Cologne], Germany: DuMont Buchverlag, 2007: 217, 238 (ill), 257. Grigoteit, Dr. Ariane, Dr. Filiz Çağman, Selmin Kangal, and Daniela Lewin. Blind Date Istanbul. Frankfurt, Germany and Istanbul: Deutsche Bank Kunst and Art & Sakip Sabanci Müzesi, 2007: 192 – 193. Hillings, Valerie L. Guggenheim Collection: 1940s to Now. Melbourne, Australia and New York: National Gallery of Victoria and the Solomon R. Guggenheim Foundation, 2007: 266, 267 (ill), 288. Kung, Samuel. Art in America Now. Shanghai: MoCA Shanghai, 2007: 84, 85 (ill). Kunsthalle Göppingen. Leibesübungen: Vom Tun und Lassen in der Kunst [Physical Exercise]. Göppingen, Germany: Kunsthalle Göppingen, 2007: n. pag. Malevich, Kazimir Severinovich, and Hubertus Gassner. Das Schwarze Quadrat: Hommage an Malewitsch. Hamburger [Hamburg]: Hamburger Kunsthalle, 2007: 170-171, 172-175 (ill), 223. MARTa Herford Museum für zeitgenössische Kunst und Design. MARTa schweigt. "Garde le silence, le silence te gardera". Die Kunst der Stille von Duchamp bis heute. Das Mysterium der Etrusker. [MARTa is silent. "Garde le silence, le silence te gardera." The Art of Silence from Duchamp to the present. The Mystery of the Etruscans]. Herford, Germany: MARTa Herford MARTa Herford Museum für zeitgenössische Kunst und Design, 2007. Seifermann, Ellen, and Jörg Heiser. Romantischer Konzeptualismus [Romantic Conceptualism]. Bielefeld, Germany: Kerber Verlag, Bielefeld/Leipzig, 2007: 25, 26, 39 – 44, 78, 79 (ill), 80, 81 (ill). Storr, Robert. Think with the Senses, Feel with the Mind: La Biennale di Venezia. Vol. 1. Verona, Italy: Marsilio, 2007: 130-133. Storr, Robert. Think with the Senses, Feel with the Mind: La Biennale di Venezia. Vol. 2. Verona, Italy: Marsilio, 2007: 144-145. 2006     Ault, Julie, and Martin Beck. Installation. Vienna: Secession, 2006: 5, 6 (ill), 7-8, 9 (ill), 10, 22 (ill), 23-24, 25 (ill), 26, 43 (ill), 90. Bankowsky, Jack, and Alison M. Gingeras, eds. Where Are We Going?: Selections from the Francois Pinault Collection. Venice, Italy: Palazzo Grassi, 2006: 196-201 (ill). Bostein, Leon, et al. Wrestle: The Marieluise Hessel Collection. Annandale-on-Hudson, NY: the Center for Curatorial Studies, Bard College, 2006: 161 (ill), 164 (ill), 175 (ill), 207 (ill), 208-209 (ill), 210, 211 (ill). De Beauvais, Jean-Baptiste, ed. Nuit Blanche: Sleepless Night. Paris: Mairie de Paris, 2006: 92 (ill). Episalla, Joy, Joy Garnett, and Amy Lipton. Out of the Blue. Jenkintown, PA: Abington Art Center, 2006. Ha, Paul, and Susan E. Cahan. Contemporary Masterworks: Saint Louis Collects. St. Louis, MO: Contemporary Art Museum St. Louis, 2006: 10 (ill), 11. Hanor, Dr. Stephanie. TRANSactions: Contemporary Latin American and Latino Art. San Diego, CA: Museum of Contemporary Art, San Diego and D.A.P., 2006: 66 (ill), 67. Heinzelmann, Markus, ed., Personal Affairs: Neue Formen der Intimität [New Forms of Intimacy]. Leverkusen, Germany: Museum Morsbroich, 2006: 84 (ill), 85, 177-178. Kaufman, Jason Edward. Felix Gonzalez-Torres to represent US at Venice in 2007. The Art Newspaper Bulletin. Kunstmuseum Bern ed. Six Feet Under: Autopsie unseres Umgangs mit Toten [Autopsy of Our Relation to the Dead. Bielefeld, Germany: Kerber Verlap, Bielefeld/Leipzig, 2006: 187, 194 (ill), 212, 216. Lagnado, Lisette, and Adriano Pedrosa, eds. 27th Annual Bienal de São Paulo Como Viver Junto. São Paulo, Brazil: Fundação Bienal de São Paulo, 2006: 4 (ill), 382-383 (ill). Lagnado, Lisette, and Adriano Pedrosa, eds. 27th Annual Bienal de São Paulo Guia. São Paulo, Brazil: Fundação Bienal de São Paulo, 2006: 72, 73 (ill). Pérez-Oramas, Luis. Transforming Chronologies: An Atlas of Drawings. New York: The Museum of Modern Art, 2006. Sanchez, Filipa. Ellipse Foundation Contemporary Art Collection. Cascais, Portugal: Ellipse Foundation, 2006: n. pag., n. pag (ill). Shani, Annushka. Dark Matter. London: Jay Jopling/White Cube, 2006: 26, 27 (ill), 35, 43. Vanderlip, Diane Perry. Radar: Selections from the Collection of Kent and Vicki Logan. Ed. Laura Caruso. Denver, CO: Denver Art Museum, 2006: 96, 97 (ill), 98, 99(ill). Wagner, Frank, ed. Das Achte Feld: Geschlechter, Leben und Begehren in der Kunst Seit 1960 [The Eighth Square: Gender, Life and Desire in the Visual Arts since 1960]. Ostfildern, Germany and New York: Hatje Cantz Verlag and D.A.P, 2006: 38, 39, 122, 125, 152 (ill), 226. Waschek, Matthias, and Emily Rauh-Pulitzer. Portrait/Homage/Embodiment. St. Louis, MO: The Pulitzer Foundation for the Arts, 2006: 3, 4, 5 (ill). The Wrong Gallery, eds. Down By Law: The Wrong Gallery Project for the 2006 Whitney Biennial. New York: The Whitney Museum of American Art, 2006: 4-5 (ill), 18 (ill), 32. 2005     Alison, Jane, ed. Colour After Klein: Re-thinking Colour in Modern and Contemporary Art. London: Black Dog, 2005: 92, 93-95 (ill), 186. Archibald, Sasha, Sarah Lookofsky, Cira Pascual Marquina, and Elena Sorokina. At the Mercy of Others: The Politics of Care. New York: The Whitney Museum of American Art, 2005: 16 (ill), 18, 31.     Baume, Nicholas. Getting Emotional. Boston: Institute of Contemporary Art, 2005: 27, 98-99 (ill), 132. Clark, Martin. This Storm Is What We Call Progress. Bristol, United Kingdom: Arnolfini, 2005: 38-39 (ill), 59 (ill), 64-65 (ill),74-75 (ill), 84-85 (ill), 123. Cué Vega, Ana Laura, ed. Morir de Amor: Permanencia Voluntaria. Mexico City: Museo Universitario de Ciencias y Arte, Universidad Nacional Autónoma de México, 2005: 22, 23, 25, 26, 92, 93 (ill), 143, 145, 170, 171. Darling, Michael, and Ann Goldstein. The Blake Byrne Collection. Los Angeles, CA: Museum of Contemporary Art, Los Angeles, 2005: 17, 38 (ill), 82. Dunn, Julie, and Adriano Pedrosa, eds. Farsites: Urban Crisis and Domestic Symptoms in Recent Contemporary Art. San Diego: Installation Gallery, 2005: 72-73(ill), 170-171 (ill), 203.     Gerveno, Marta, Alejandro Jodorowsky, and Rafael Doctor Roncero. Sujeto [Subject]. Barcelona: ACTAR/MUSAC, 2005: 154, 155 (ill). Gielen, Denis, ed. Le Tableau des Éléments. Grand-Hornu, Belgium: Musée des arts contemporains, 2005: 82 (ill). Higgs, Matthew. General Ideas: Rethinking Conceptual Art. San Francisco, CA: California College of the Arts, 2005: 2, 3 (ill), 4 (ill). Inselmann, Andrea, and Oren Slor. Material Matters. Ithaca, NY: Herbert F. Johnson Museum of Art at Cornell University, 2005: 38, 39 (ill), 76. Dahlgren, Kari, ed. Universal Experience: Art, Life and the Tourist’s Eye. New York: D.A.P., 2005: 187-188, 189(ill), 190-191. Logan, Kent, and Dean Sobel. Post Modern Portraiture from the Logan Collection. Vail, CO: The Logan Collection Vail, 2005: 9, 12, 16 (ill), 52-53 (ill), 314, 317. Lupton, Ellen, Abbott Miller, and Marion Boulton Stroud. Swarm. Philadelphia, PA: Fabric Workshop and Museum, 2005: 30-31(ill), 92. Martin, Amy Rosenblum. Collection Remixed. Bronx, NY: Bronx Museum of the Arts, 2005: 107 (ill). Molesworth, Helen. Part Object, Part Sculpture. Columbus, OH: Wexner Center for the Arts, Ohio State University, 2005: 214 (ill), 215, 217-221 (ill), 276. Renaud, Jean-François. Beyond Redemption: Gay Erotic Art. Vancouver, British Columbia: Belkin Satellite, 2005: 23, 24 (ill), 25. Rose, Bernice, ed. Logical Conclusions: 40 Years of Rule-Based Art. East Greenwich, RI: Meridian Printing, 2005:110,111 (ill), 162-165. Ségalot, Philippe. Empreinte Moi: une Exposition de Philippe Ségalot. Paris: Galerie Emmanuel Perrotin, 2005: n. pag. (2 ill). Teerlinck, Hilde, et al, ed. The Suspended Moment: H & F Collection. Altkirch, France: CRAC Alsace, 2005: 25, 26 (ill), 27 (ill), 28 (ill), n.p. Waschek, Matthias, and Emily Rauh Pulitzer. Minimalism and Beyond. St. Louis, MO: The Pulitzer Foundation for the Arts, 2005: n. pag. (3 pp., ill). Yarlow, Loretta. The Miraculous in the Everyday. Amherst, MA: University Gallery, the University of Massachusetts, 2005. 2004     Adams, Beverly, and Laurie J. Rufe. Contemporary Art and Latin America: Selections from the Diane and Bruce Halle Collection. Tucson, AZ: Tucson Museum of Art, 2004: cover (ill), n.p. [Essay by Beverly Adams, text, ill]. Alemani, Cecilia. If it’s not love, it’s the bomb. Annandale-on-Hudson, NY: Center for Curatorial Studies, Bard College, 2004: 1, 2, 4. Antell, Joan, and Martha Zoubek, eds. Off the Wall: Works from the J.P. Morgan Chase Collection Greenwich: Bruce Museum and JPMorgan Chase, 2004: 19 (ill), 71. Basilio, Miriam, and Deborah Cullen. Latin American & Caribbean Art: MoMA at El Museo. New York: El Museo del Barrio, Museum of Modern Art, 2004: back cover (ill),141, 142 (ill), 143-144, 146-147. Biesenbach, Klaus, and Susan Sontag. Die Zehn Gebote: Eine Kunstausstellung Des Deutschen Hygiene-Museums. Dresden, Germany: Hatje Cantz Verlag, 2004: 216-217 (ill). Chillida, Alicia, and Nancy Spector. Paisaje y Memoria. Madrid, Spain: Artes Gráficas Palermo, 2004: 94-97. Dennison, Lisa, and Nancy Spector. Singular Forms (Sometimes Repeated): Art from 1951 to the Present. New York: Guggenheim Museum Publications, 2004: 150-152 (ill), 163. Gördüren, Petra, and Herausgegeben von Dirk Luckow. Porträt ohne Antlitz: Abstratkte Stragtegien in der Bildniskunst. Kiel, Germany: Kunsthalle zu Kiel, 2004: 66 – 67 (ill). Elderfield, John, ed. Visions of Modern Art: Painting and Sculpture from the Museum of Modern Art. New York: The Museum of Modern Art, 2004: 305, 324 (ill). Higgs, Matthew. Likeness: Portraits of Artists by Other Artists. San Francisco, CA: Wattis Institute for Contemporary Art, California College of the Arts, 2004: 40 (ill) 67, 69. Hlavajova, Maria. Cordially Invited. Utrecht, the Netherlands: thinkingforward, 2004: 60, 61 (ill). Hlavajova, Maria and Jill Winder, eds. Who if not we…?: 7 episodes on (ex)changing Europe. Amsterdam, the Netherlands: Artimo, 2004: 55, 66-67 (ill). Johnson, Anne Sewell. Around the World in Forty Years. Washington, D.C.: The United States Department of State, 2004. Küng, Moritz. Entropie: über das Verschwindendes Werkes. Bozen, Italy: AR/GE Kunst Galerie Museum Bozen, 2004: n. pag. (ill). Küng, Moritz. Schöner Wohnen. Waregem, Belgium: BE-PART, Platform voor actuele kunst and Tijdsbleed & Pièce Montée, 2004: 2004: 27 (ill), 28, 31(ill), 32, 35 (ill), 36, 75, 76, 85. Martín, Patricia, ed. Edén. Mexico City: La Colección Jumex, 2004: 46, 52, 53, 57, 60, 128 – 129 (ill), 155. Obrist, Hans-Ulrich. do it. New York: e-flux, 2004: 118 – 119. Ramírez, Mari Carmen. Trienal Poli/Gráfica de San Juan: América Latina y el Caribe. San Juan, Puerto Rico: Instituto de Cultura Puertorriqueña, 2004: 181 – 182 (ill), 183 – 185, 186 (ill). Shani, Annushka. Eclipse: Towards the Edge of the Visible. London: Jay Jopling/White Cube, 2004: 15 (ill), 49, 53. Solomon, Andrew. The ART in Embassies Program, 40th Anniversary. Washington, D.C.: ART in Embassies Program, U.S. Department of State, 2004: endsheets. Trevor, Tom. Arnolfini Gallery: Reopen 10.09.05. Bristol, England: Arnolfini, 2004. Weitman, Wendy and Deborah Wye. Modern means: Continuity and Change in Art, 1880 to the Present: highlights from the Museum of Modern Art. New York: Museum of Modern Art, 2004: 141 (ill.), 181 (ill.). 2003     Auchincloss, Pamela, and Klaus Ottmann. Social Strategies: Redefining Social Realism. New York: Arts Management, 2003: 33 (ill). Batchelder, Ann. Self and Soul: The Architecture of Intimacy. Asheville, NC: Asheville Art Museum, 2003: 3 (ill), 5 (ill). Collins, Thom, and Michel Foucault. Somewhere Better Than This Place/Nowhere Better Than This Place: Alternative Social Experience in the Spaces of Contemporary Art. Ed. David Frankel and Kathryn Russell. Cincinnati, OH: Contemporary Arts Center, 2003: 9, 10-11 (ill), 13-18, 20, 37, 39, 43, 210. Danoff, Michael and Heidi L. Steiger. Crosscurrents at Century’s End: Selections From the Neuberger Berman Art Collection. New York: Neuberger Berman, 2003: 48, 49 (ill). Dickinson Roundell. Aftershock: The Legacy of the Readymade in Post-War and Contemporary American Art. New York: Dickinson Roundell, 2003: 106, 107 (ill). Elderfield, John, ed. Visions of Modern Art: Painting and Sculpture from the Museum of Modern Art. New York: The Museum of Modern Art, 2003: 19, 305, 324 (ill), 346. Grynsztejn, Madeleine, ed. Supernova: Art of the 1990s from the Logan Collection. New York: D.A.P., 2003: 12, 14, 28, 44, 45- 53 (ill), 183. Kosinski, Dorothy, and Charles Wylie. Celebrating Sculpture: Modern and Contemporary Works from Dallas Collections. Dallas: Dallas Museum of Art, 2004: cover (ill). Kwon, Miwon. Work Ethic. University Park, PA: The Pennsylvania State University Press, 2003: 92-93, 94-95 (ill), 96, 168, 194, 195 (ill). Meyer-Stoll, Christiane. Migration. Köln: Walter Konig, 2003: 168-169 (ill), 170-181. Miami Art Museum. American Tableaux: Many Voices, Many Stories. Miami, FL: Miami Art Museum, 2003. Moore, Emily. Pulse: Art, Healing, and Transformation. New York: D.A.P., 2003: 92 (ill), 93, 94 (ill), 95. The Museum of Modern Art, Queens. Artist’s Choice: Mona Hatoum, Here is Elsewhere. New York: The Museum of Modern Art, 2003: 5 (ill). The Smithsonian Institution. Gyroscope. Washington D.C, 2003: front cover (ill), 1-2 (brochure). Frondl, Dr. Gerbert. Trauer. Wien [Vienna]: Atelier Augarten, Zentrum für zeitgenössische Kunst der Österreichischen Galerie Belvedere, 2003: n. pag. 2002     Barrero, Manuela. Comer o no Comer [To Eat or Not to Eat]. Salamanca, Spain: Centro de Arte de Salamanca, 2002: 47 (ill). Barrero, Manuela. To Eat or Not to Eat, or Relationships of Art With Food in the Twentieth Century. Salamanca, Spain: Centro de arte de Salamanca, 2002: 450, 451 (ill). Botwinick, Michael, Carter Ratcliff, and Arthur Zajonc. The Magic of Light. New York: The Hudson River Museum, 2002: 19 (ill). Chambers, Robert, and Amy Capellazzo. globe>Miami<island. Miami Beach, FL: Bass Museum of Art, 2001. Corbeira, Darío, Carlos Jiménez, and Eugeni Bonet. Comer o no Comer: O Las Relaciones del Arte con La Comida en el Siglo XX ; Carta No. 6. Salamanca, Spain: Consorico Salamanca, 2002: 47 (ill), 70. Cruz, Amada, et al. Center for Curatorial Studies Tenth Anniversary. New York: Center for Curatorial Studies, Bard College, 2002: 24, 25 (ill). Diez, Marion, and Catherine Ojavlo, eds. Quel meilleur endroit. Paris: Paris-Musées, 2002. Engberg, Juliana. Melbourne Festival Visual Arts Program 2002. Ed. Crusader Hillis. Melbourne, Australia: Melbourne Festival, 2002: 48, 49 (ill). Herkenhoff, Paulo, Roxana Marcoci, and Miriam Basilio. Tempo. New York: D.A.P., 2002: 18 (ill), 61 (ill).     Higgs, Matthew. To Whom it May Concern. San Francisco, CA: California College of Arts and Crafts, 2002. Küng, Moritz, Mark Kremer, and Lieven De Cauter. Lost Past: 2002- 1914; De toekomst van het verleden/Memorial signs for the present. Eds. Geert Breine and Sophie Demeyere. Ypres, Belgium and Gent: Anno ‘02/Ludion, 2002: 83, 88, 89- 92 (ill). Martín, Patricia, and Mari Spirito. Sunday Afternoon. New York: 303gallery, 2002. McShine, Kynaston, and Anne Umland. To Be Looked At: Painting and Sculpture From the Collection. New York: The Museum of Modern Art, 2002: 142 (ill). Moss, Karen, and Nicolas Bourriaud. Touch: Relational Art from the 1990s to Now. San Francisco, CA: San Francisco Art Institute, 2002: 12 (ill). Posner, Helaine, ed. The Culture of Violence. Amherst, MA: University Gallery, the University of Massachusetts Amherst, 2002: 16, 64 (ill). Roberts, Catsou, et al. Shimmering Substance: View Finder. Bristol, England: Arnolfini, 2002: 13, 22, 42-43 (ill). Smith, Elizabeth A. T., Alison Pearlman, and Julie Rodrigues Widholm. Life Death Love Hate Pleasure Pain: Selected Works from the Museum of Contemporary Art, Chicago, Collection. Chicago, IL: Museum of Contemporary Art Chicago, 2002: 216, 217 (ill), 227, 332-333. Smith, Royce, and Fay Brauer. With and Without You: Re-visitations of Art in the Age of AIDS. Sydney, Australia: Ivan Dougherty Gallery, 2002. Woltmann, Marit, ed. Passajer: Betrakteren som Deltaker [Passenger: The Viewer as Participant]. Oslo, Norway: Astrup Fearnley Muséet for Moderne Kunst, 2002: cover (ill), 9 (ill), 50 (ill), 81. 2001     American Federation of Arts: 2001 Exhibitions Program. New York: American Federation of Arts, 2001: 69 (ill). Arning, Bill. "Sobre la pérdida de una palabra de cuatro letras." Carta 1: Comer o no Comer. Salamanca, Spain: Consorcio Salamanca 2002, 2001: 4 – 5 (ill). Bradley, Fiona, Katrina Brown, and Andrew Nairne. Trauma. London: Hayward Gallery Publishing, 2001: 28-29, 30-33 (ill). Cabrera, Pere and Guim Costa. Tancat Per Obres: Els artistes s’apropien l’arquitectura [Closed for Repairs: The Appropriate Architecture Artists]. Barcelona, Spain: Collegi d-Arquitectes de Catalunya, 2001: 3, 4 (ill). Carotti, Elena, Terry Piazzoli, and Joy Ledgister-Holness, eds. Il Dono: Offerta Ospitalità Inside [The Gift: Generous Offerings Threatening Hospitality]. Milan: Edizioni Charta, 2001: 373 (ill), 442 (ill). Cohen, Lisa, ed. Pictures, Patents, Monkeys, and More…On Collecting. New York: Independent Curators International (iCI), 2001: 22 (ill). Cortés, Jose Miguel G. Lugares de la Memoria [Places of Memory]. Castello, Spain: Espai d’Art Contemporani de Castello, 2001: 18, 20, 123 (ill), 128 (ill), 134 (ill), 143 (ill), 146-147 (ill), 152-153 (ill), 156-157 (ill). Danzker, Jo-Anne Birnie. Hautnah: Die Sammlung Goetz. München [Munich], Germany: Museum Villa Stuck, 2001: 39-41 (ill). Fischer, Dr. Hartwig. Weiss: Sculpturen und Bilder des 20 Jahrhunderts aus der Offentlichen Kunstsammlung Basel und der Emanuel Hoffmann-Stiftung [White: 20th Century Sculptures and Paintings from the Offentliche Kunstsammlung Basel and the Emanuel Hoffmann Foundation]. Basel, Switzerland: Öffentliche Kunstsammlung Basel, 2001: 44, 45 (ill), 52. Greenwald, LouAnne. In Between Art & Architecture. Los Angeles: MAK Center for Art and Architecture, 2001: cover (ill), 3. Herbert, Lynn M., Klaus Ottoman, and Peter Schjeldahl. The Inward Eye: Transcendence in Contemporary Art. Houston, TX: Contemporary Arts Museum, 2001: 27, 43 (ill), 101. Morsiani, Paola. Subject Plural: Crowds in Contemporary Art. Houston, TX: The Contemporary Arts Museum, Houston, 2001: 49 (ill). Molesworth, Helen. Body Space. Baltimore, MD: Baltimore Museum of Art, 2001: frontispiece (ill), 5 (ill). Motz, Frank, et al. Play’s the Thing: Critical and Transgressive Practices in Contemporary Art. New York: The Whitney Museum of American Art, 2001: 26. The Museum of Modern Art. Parkett: Collaborations & Editions Since 1984. New York: Parkett Publishers, 2001: 111 (ill). Perez, Pilar, ed. Extra Art: A Survey of Artists’ Ephemera, 1960-1999. Santa Monica: Smart Art Press, 2001: 83 (ill), 154 (ill). Sammlung Hauser und Wirth in der Lokremise St. Gallen. The Oldest Possible Memory. Koln: Oktagon, 2001: 81 (ill), 84. Siegel, Katy, and Sian Foulkes. Everybody Now: The Crowd in Contemporary Art. New York: The Bertha and Karl Leubsdorf Art Gallery, Hunter College, 2001: 14, 15 (ill), 31. Siegel, Katy. "Young Americans." Public Offerings. Ed. Howard Singerman. New York: Thames & Hudson, 2001: 192-207. Unterdörfer, Michaela, ed. Wechsel-strom. St. Gallen, Switzerland: Sammlung Hauser, 2001: 11, 15, 43 (ill). 2000     Ardenne, Paul, and Christine Macel. Micropolitiques. Grenoble, France: Magasin, Centre National d’Art Contemporain de Grenoble, 2000: 42 (ill). Cochrane, Gail, et al, eds. Dire AIDS: Arte nell’epoca dell’Aids [Art in the Age of AIDS]. Milan: Edizioni Charta, 2000: 38-39, 70, 71 (ill), 72-73 (ill). Durand, Régis. Bruit de Fond. Paris: Centre National de la Photographie, 2000: 13 (ill). Faguet, Michéle. "Félix-González-Torres." Versiones del Sur: No es sólo lo que ves: pervirtiendo el minimalismo. Madrid, Spain: Museo Nacional Centro de Arte Reina Sofia, 2000: 21, 76, 78-85 (ill). Galassi, Peter. Walker Evans & Company. New York: The Museum of Modern Art, 2000: 198- 199 (ill). I’m Not Here. Harrisburg, PA: Susquehanna Art Museum, 2000: postcard cover (ill), poster cover (ill). Jacobson, Karen, ed. Let’s Entertain: Life’s Guilty Pleasures. Minneapolis, MN: Walker Art Center, 2000: 126-127, 297, 305. Jenkinson, Peter, et al. In Memoriam. Walsall, United Kingdom: The New Art Gallery Walsall, 2001: 13, 26-27. Jones, Karen E. Environmentally Concerned. New York: Dieu Donné Papermill, 2000: n. pag (ill). Jones, Karen E. Environmentally Concerned 2. Bronx, NY: Bronx River Art Center and Gallery, 2000. Kovats, Tania, Jonathan Watkins, and Irit Rogoff. Lost. Birmingham, United Kingdom: Ikon Gallery, 2000: 53 (ill). Liotti, Laura, ed. Tempo! Rome: Castelvecchi Editoria, 2000: 12 (ill). Love, Reeve, ed. La Luz: Contemporary Latino Art in the United States. Albuquerque, NM: National Hispanic Cultural Center of New Mexico, 2000: cover (ill). Martín, Jean-Paul, ed. Au-Delá du Spectacle. Paris: Le Musée national d’art moderne, Le Centre Georges Pompidou, 2000: front cover, back cover (ill). Mesquita, Ivo, and Adriano Pedrosa. Versiones del Sur: F[r]icciones. Madrid, Spain: Museo Nacional Centro de Arte Reina Sofía, 2000: 44-45 (ill), 178-179 (ill). Mosquera, Gerald. Territorios Austentes [Absent Territories]. Madrid, Spain: Casa de América, 2000: 25, 31, 67 (ill), 92, 93, 94 – 95 (ill), 130 – 133. Murphy, Patrick T., and Richard Torchia. The Sea & The Sky. London: The Pale Green Press, 2000: 36, 38 (ill). Pagé, Suzanne, et al. Voilá: le Monde dans la Tête. Paris: Les Musées de la Ville de Paris, 2000: 496-497 (ill). Ravenal, John B. Vanitas: Meditations on Life and Death in Contemporary Art. Richmond, VA: Virginia Museum of Fine Arts, 2000: 18, 19 (ill) 49 (ill). Ross, David, et al. Quotidiana: Immagini della vita di ogni giorno nell' arte del xx secolo [Quotidiana: The Continuity of the Everyday in 20th Century Art]. Milan: Edizioni Charta, 2000: 78-79 (ill). Soutif, Daniel. Le Temps, vite [Time, Quickly!]. Paris: Brodard et Taupin à la Flèche, 2000. Varnedoe, Kirk, Paola Antonelli, and Joshua Siegel, eds. Modern Contemporary: Art at MoMA Since 1980. New York: The Museum of Modern Art, 2000: 285 (ill), 304-306 (ill). [Hardcover and softcover]. Wolin, Joseph R. Icon + Grid + Void: Art of the Americas from The Chase Manhattan Collection. New York: The Americas Society, 2000: n. pag. (ill). 1999     Benezra, Neal, Olga M. Viso, and Arthur C. Danto. Regarding Beauty: A View of the Late Twentieth Century. Ed. Jane McAllister. Ostfildern, Germany: Hatje Cantz Verlag, 1999: 179- 181 (ill), 199, 208 (ill). Ericsson, Camilla, and Magnus Jensner, eds. …om det sublime…[…on the sublime...]. Malmö, Sweden: Rooseum, Center for Contemporary Art, 1999: 40- 41 (ill). Frankel, David S., ed. CI: 99/00/V.01: Carnegie International 1999/2000. Pittsburgh, PA: The Carnegie Museum of Art, 1999: 36- 37 (ill), 172. Frankel, David S., ed. CI: 99/00/V.02: Carnegie International 1999/2000. Pittsburgh, PA: The Carnegie Museum of Art, 1999: 12-13 (ill), 54-55 (ill). Friis-Hansen, Dana ed. Other Narratives. Houston: Contemporary Art Museum, Houston, 1999: 13, 19, 22, 46, 66-7 (ils.), 82. Gagnon, Paulette, and Sandra Grant Marchand. Culbutes: Oeuvre d’Impertience or Head Over Heels Into the Millennium. Montréal, Canada: Museé d’art contemporain de Montréal, 1999: 36 (ill), 37, 67, 84-85. Institut de Cultura de Barcelona, ed. Dobles Vides (Double Lives). Barcelona: Institut de Cultura de Barcelona Electa, 1999: 70-71 (ill), 142-143. Kiehl, David. Contemporary Narratives in American Prints. New York: Whitney Museum of American Art, 1999: 1 (ill). Luckow, Dirk, et al. Dream City. Munich, Germany: Kunstraum München, Kunstverein München, Museum Villa Stuck, Siemens Kulturprogramm, 1999: 103-104, 105 (ill), 261, 272. Matt, Gerald ed. Cuba- Los Mapas del Deseo/Landkarten der Sehnsucht [Cuba- Maps of Desire]. Wien-Bozen, Austria: Folio Verlag, 1999: 36, 101, 148-149, 298- 301, 302 (ill), 308, 314-315. Morgan, Jessica. Collectors Collect Contemporary: 1990-99. Boston: The Institute of Contemporary Art, Boston, 1999: 8-9, 14 (ill), 45. Phillips, Lisa. The American Century: Art & Culture 1950- 2000. New York: Whitney Museum of American Art; Norton & Company, 1999: 290, 327 (ill), 328, 355- 356 (ill). Ragasol, Tania, ed. Colección Jumex. San Ángel, Mexico: Instituto Nacional de Bellas Artes/Museo de Arte Alvar y Carmen T. de Carrillo Gil, 1999: 14 (ill) 15, 16-17 (ill). Rosenblum, Robert. Art at Work: Forty Years of The Chase Manhattan Collection. New York: The Chase Manhattan Corporation, 2000: 15. Russell, Emily, ed. Art at Work: Forty Years of the Chase Manhattan Collection. New York: The Chase Manhattan Corporation, 2000: 20, 146 – 147 (ill), 324. Toudoir, Narcisse, Luc Tymans, and Roland Van de Sompel, eds. Trouble Spot: Painting. Ghent, Belgium: Imschoot, 1999: 61 (ill). 1998     Bürgi, Bernhard. Auf der Spur: Kunst der 90er Jahre im Spiegel von Schweizer Sammlungen [Art of the 90s in Swiss Collections, Contemporary Art in the Mirror of Swiss Collections]. Zürich: Kunsthalle Zürich, 1998: 5. Deecke, Thomas, and Peter Friese. Minimal/Maximal: Die Minimal Art und ihr Einfluß auf die internationale Kunst der 90er Jahre [Minimal Art and Its Influence on International Art of the 1990s]. Bremen, Germany: Neues Museum Weserburg Brem und Verlagumschau/Braus, 1998: 116 – 121, 117 (ill), 118, 119 (ill), 261. Elliot, David, and Pier Luigi Tazzi, eds. Wounds: Mellan Demokrati och Förlösning I Samtida Konst [Between Democracy and Redemption in Contemporary Art]. Stockholm: Moderna Muséet, 1998: 48 (ill), 130, 176. Fast Forward: Trademarks. Hamburg, Germany: Kunstverein In Hamburg, 1998. Fleck, Robert, Maria Lind, Barbara Vanderlinden. Manifesta 2: European Biennial of Contemporary Art. Luxembourg: Agence luxembourgeoise d'action culturelle, 1998: 54-57(ill.) Guralnik, Nehama, ed. On the Edge: New Art from Private Collections in France. Tel Aviv, Israel: Tel Aviv Museum of Art, 1998: 142 – 143 (ill), 175, 180. Janus, Elizabeth, and Marion Lambert, eds. Veronica’s Revenge: Contemporary Perspectives on Photography (Lambert Art Collection). Zurich, Switzerland: Scalo, 1998. Kortun, Vasif, and Ivo Mesquita. Fotogramas: Arte e Cinema na colecao Marieluise Hessel [Stills: Art and Cinema from the Marieluise Hessel Collection]. Rio de Janerio, Brazil: Centro Cultural Light, 1998: 11-12, 13 (ill), 36-38. Lippard, Lucy R. Emanations: Real and Imagined Light in Art. Gainesville, FL: Samuel P. Harn Museum of Art, University of Florida, 1998: cover (ill). Mesquita, Ivo. Stills: Art and Cinema from the Marieluise Hessel Collection. Annandale-on-Hudson, NY: Center for Curatorial Studies, Bard College, 1998: 4 (ill). Meyer-Stoll, Christiane, Axel Jablonski, and Martina Fuchs, eds. Stillehalten. München [Munich], Germany: Kulturreferat der Landeshauptstadt, 1998: 4, 24(ill.), 28(ill.), 30(ill.), 31-37, 48. Mullins, Charlotte. artranspennine98: an exhibition of international contemporary art. London: Aspen Publishing, 1998: 25 (ill), 115. Neuman, David. ARKIPELAG. Stockholm: Stockholm- Cultural Capital of Europe, 1998. [2 VHS tapes]. Neuman, David. Magasin 3 Stockholm Konsthall: 10 År Years, 1988-1998. Stockholm, Sweden: Magasin 3 Stockholm Konsthall, 1998: 25, 26 (ill). [Text by Carlos Basualdo]. Poetter, Jochen. I Love New York: Crossover der aktuellen Kunst [I Love New York: Crossover of Contemporary Art]. Köln [Cologne], Germany: DuMont Buchverlag and Museum Ludwig Köln, 1998: 74 – 75, 76 – 79 (ill), 235 – 236, 261. Spector, Nancy, Klaus Biesenbach, and Hans Ulrich-Obrist. Berlin/Berlin. Ostfildern, Germany: Hatje Cantz Verlag, 1998: 109-110 (ill), 192. Stals, José Lebrero. Artificial. Figuracions contemporànies [Artificial: Contemporary Figurations]. Barcelona: Museu d’Art Contemporani de Barcelona, 1998: 49 (ill), 69 (ill.), 73, 92, 117. Wiehager, Renate, ed. Fotografie als Handlung [Photography as Concept]: 4th International Foto-Triennale, Esslingen 1998. 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Sin Fronteras: Arte Latinoamericano Actual. Caracas, Venezuela: Museo Alejandro Otero, 1996: 37, 51 (ill), 74, 83-84. Cooke, Lynne, ed. Jurassic Technologies Revenant: 10th Biennale of Sydney 1996. Sydney, Australia: Biennale of Sydney Ltd., 1996: 60, 77 (ill), 122 – 123, 153. Duncan, Michael, Bonnie Clearwater, and Allan Schwartzman. Defining the 90s: Consensus-making in New York, Miami, and Los Angeles. Miami, FL: The Museum of Contemporary Art, 1996. Haarmann, Fritz, et al. Sex & Crime: Von den Verhältnissen der Menschen. Hannover, Germany: Sprengel Museum, 1996: 28 – 29 (ill), 60 – 61. Mosquera, Gerardo, et al. Latino. Madrid, Spain: ARCO/Feria de Madrid, 1996: cover (ill), 13-19. Prévost, Jean-Marc, et al. Propositions. Rochechouart, France: Musée Departmental d’Art Contemporain de Rochechouart, 1996: 8 – 13, 14 – 19 (ill), 83-87. Wye, Deborah. Thinking Print: Books to Billboards, 1980 – 95. New York: Museum of Modern Art, 1996: inside cover, back cover (ill), 16, 23 (ill), 124, 139. 1995     Bradow Waldron, Wendy, and Steven P. Henry, eds. Margo Leavin Gallery: 25 Years Vol. 1. Los Angeles: Margo Leavin Gallery, 1995: 19, 124. Cherix, Christophe. Notes on Print: With and After Robert Morris. Genève [Geneva], Switzerland: Cabinet des estampes, 1995: 22-23 (ill), 46, 53, 57. Glasmeier, Michael. Yksityinen/Julkinen [Private/ Public]. Helsinki, Finland: Museum of Contemporary, 1995. Greenberg, Jeanne, and Robert Nickas. Altered States: American Art in the 90s. St. Louis, MO: Forum for Contemporary Art, 1995: inside cover (ill), 13 (ill), 26. Grynsztejn, Madeleine. About Place: Recent Art of the Americas. Chicago, IL: The Art Institute of Chicago, 1995: 72, 73- 75 (ill). Jaukkuri, Maaretta, ed. Ars95 Helsinki: Yksityinen/Julkinen [Private/Public]. Helsinki, Finland: Museum of Contemporary Art, 1995: 126 (ill), 127. Johnson, Diana L. and George Hoffmann. Color In Space: Pictorialism in Contemporary Sculpture. Providence, RI: Brown University, David Winton Bell Gallery, 1995: 26, 27 (ill). Kirmura, Mitsuhiro, and Fram Kitagawa. A "New Century" for City and Public Art: Faret Tachikawa Art Project. Tokyo: Gendaikikakushitsu Publishers, 1995: 98 (ill), 206. Lineker, Bruce, and Maurice Berger. Civil Rights Now. Winston-Salem, NC: Southeastern Center for Contemporary Art, 1995: 10 (ill), 15, 49. Longing and Belonging From Faraway Nearby Site Santa Fe 1995. Santa Fe: Site Santa Fe, 1995: 1323 (ill.), 148 Mesquita, Ivo. Das Américas. São Paulo, Brazil: Museu de Arte de São Paulo, 1995: 5- 6 (ill). Nickas, Robert. Pictures of the Real World (In Real Time). Dijon, France: Temps réel, 1995: n. pag. (ill). Pagé, Suzanne, et al. Passions Privées: Collections particulières d’art moderne et contemporain en France. Paris: Paris-Musèes, 1995: 654, 660 (ill), 663 (ill). Schwartz, Sheila, ed. Face Value: American Portraits. Southampton, NY: The Parrish Art Museum, 1995: 16, 17 (ill), 22, 47, 82, 123. Storr, Robert, et al. New Works for a New Space: Annette Messager, Felix Gonzalez-Torres, and Jesse Amado. San Antonio, TX: The Pace Roberts Foundation for Contemporary Art: 12 -14 (ill), 19. 1994     Bergman, Shelia, and Janeil Engelstad, eds. Artworks: Artists and Teenagers Collaborate on the Polaroid 20 x 24 Camera. New York: International Center of Photography (ICP) and Education Project, 1994: 35 – 39. Decter, Joshua. Don’t Look Now. New York: Thread Waxing Space, 1994: 7 (ill), 16, 18.     Ekeid, Sven- Erik. Thema: Aids. Hagen, Germany: Karl Ernst Osthaus Museum, 1994: 38 (ill). Meseure, Anna, et al. Die Orte der Kunst. Ostfildern, Germany: Hatje Cantz Verlag, 1994. Phillips, Sandra R., et al. Public Information: Desire, Disaster, Document. San Francisco, CA: The San Francisco Museum of Contemporary Art, 1994: 164, 165- 167 (ill), 172. Pryor, Gerald. Live Art. New York: Art Projects International, 1994: n. pag. (ill). Wagner, Frank. GEWALT/Geschäfte. Berlin: Neue Gesellschaft für Bildende Kunst, 1994: 37, 38-39 (ill), 40. 1993     The Aldrich Contemporary Art Museum. Simply Made in America. Ridgefield, CT: The Aldrich Contemporary Art Museum, 1993: 27 (ill). Antelo-Suarez, Sandra, et al. Space of Time: Contemporary Art from the Americas. Eds. Diane Garvey, Elizabeth Ferrer, and John Alan Farmer. New York: Americas Society, 1993: 63 (ill), 76-77 (ill). Arning, Bill. The Naming of the Colors. New York: White Columns, 1993: 18 (ill). Brunon, Bernard P. Autoportraits Contemporains (Contemporary Self-Portraits): Here’s Looking at Me. Lyon, France: Espace Lyonnais d’Art Contemporain, 1993: 69 (ill). Buchholz, Daniel and Gregorio Magnani, ed. Multiples. Köln:Verlang der Buchhandlung Walther König / Tokyo: Spiral / Wacoal Art Center, 1993: 81 (ills), 82 (ills.). Diedrichsen, Diedrich, Jan Avgikos, and Veit Loers. Nachtschattengewächse [The Nightshade Family]. Kassel, Germany: Museum Fridericianum Kassel, 1993: 45, 88 (ill), 107, 112, 122. Fehr, Michael, et al. Thema: AIDS. Hagen, Norway: Karl Ernst Osthaus-Museum, 1993: 16, 18, 38 (ill). Gonzalez, Manuel E. Photography By Cintas Fellows. Miami, FL: The Art Museum at Florida International University, 1993: 11, 15 (ill), 25, 28, 29. Heyler, Joanne. Felix Gonzalez-Torres, Albert Oehlin and Christopher Williams – theatre vertie. Los Angeles: Margo Leavin Gallery, 1993: 131. Lebe in Heinem Kopf [Live in Your Head]. Vienna, Austria: Hochschule für Angewandte Kunst, 1993. Levin, Kim, et al. Thema: AIDS. Høvikodden, Norway: Henie-Onstad Kunstsenter, 1993: 16, 37. Nickas, Robert. Aperto 1993: An Essay on Liberation. Venice, Italy: la Biennale, 1993. Obrist, Hans-Ulrich, ed. Hôtel Carlton Palace, Chambre 763. Köln [Cologne], Germany: Oktagon Verlag, 1993. Peterson, John D., et al. Living With Art: The Collection of Ellyn & Saul Dennison. 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Bennington, VT: Suzanne Lemberg Usdan Gallery, Bennington College, 1992: 11, 18. Deitch, Jeffrey. Post Human – Neue Formen der Figuration in der Zeitgenössischen Kunst. New York: Deitch Projects, 1992: 96 (ill), 97 (ill). Grazioli, Elio, et al. Paradise Europe. Københaven [Copenhagen], Denmark: BizArt, 1992: 15 – 17 (ill). Pakesch, Peter, et al. Plakate. Graz, Austria: Grazer Kunstverein, 1992: n. pag. Schmidt-Wulffen, Stephan, and Martin Schwander. Gegendarstellung – ethik und ästhetik im zeitalter von aids [Against Representation: Ethics and Aesthetics in The Age of AIDS]. Hamburg, Germany and Luzern, Switzerland: Kunstverein in Hamburg and Kunstmuseum Luzern, 1992: 23 - 25 (ill). Schwander, Martin. Kunstmuseum Luzern 1992: Bilder der Ausstellungen [Images in the Exhibition]. Luzern, Germany: Kunstmuseum Luzern, 1992: 25 (ill). White, Nicola. Read My Lips: New York AIDS Polemics. Glasgow, Scotland: Tramway, 1992: n. pag. (ill). 1991     Atkins, Robert, and Thomas W. Sokolowski. 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"Talkin 'Bout His Gay Generation." Gay Times Jun. 2000: 16 – 17. Pedrosa, Adriano. "Felix Gonzalez-Torres at Serpentine Gallery, London." Artforum Dec. 2000: 157 (ill). Pérez Oramas, Luis. "La Caverne Moderne: Histoires de Pénétrables." Art Press Spécial 2000: 27, 29-30, 31(ill). “Play with it please." Tate Magazine Summer 2000. Prin, Mardolei. “Grandes creadores estaran al alcance del publico masivo." El Nacional [Caracas, Venezuela] 25 Jan. 2000. Pulkka, Wesley. "'La Luz' offers dazzling overview of Latino art in U.S." Sunday Journal [Albuquerque, NM] 3 Dec. 2000: F5. Rice, Robin. "Natural Wonders: Searching or sublimity in sea and sky." Philadelphia City Paper 8 – 16 Mar. 2000: 38 – 39. Rojas, Pedro J. "Arte personal, esencia publica." El Globo [Caracas, Venezuela] 31 Mar. 2000. Rojas, Pedro J. "Las dinamicas artisticas en el MAO." El Diario de Caracas [Caracas, Venezuela] 22 Feb. 2000. Sanchez, Aixa. "Plastica sin ghetto: El curador Carlos Basualdo define estrategias para mercadear el arte latino." Tal Cual (Caracas) 4 April 2000. Sanchez, Aixa. "Plastica sin ghetto." Talcualdigital.com 4 Apr. 2000. Searle, Adrian. "All This, and Free Sweets Too." Guardian [United Kingdom] 6 Jun. 2000: 12 – 13. Sewell, Brian. "How sweet reason turned to pure tosh." Evening Standard [United Kingdom] 23 Jun. 2000: 34-35. Shave, Staurt. "Hey Loverboy." ID Magazine Jun. 2000. Sheets, Hilarie M. "Baffled, Bewildered – and Smitten." ARTnews September 2000: 130 – 134. Siegel, Katy. "Felix Gonzalez-Torres at Serpentine Gallery." Artforum May 2000: 53 (ill). Sirgado, Miguel A. "El universo de Felix Gonzalez-Torres." El Nuevo Herald [Miami] 11 Jun. 2000: 2E. Sirmans, Franklin. "Untitled (Sculpture) at Luhring Augustine." Time Out New York 10 – 17 Feb. 2000: 69. Smithson, Helen. "Bed and board." Hamspstead and Hihgate Express 23 Jun. 2000. Sumpter, Helen. "Choice." Hot Tickets 26 May 2000. Taylor, John Russell. "The Big Show: Felix Gonzalez-Torres." London Times 17 Jun. 2000. Temkin, Ann, Susan Rosenberg, and Michael Taylor. Twentieth Century Painting and Sculpture in the Philadelphia Museum of Art. Philadelphia: Philadelphia Museum of Art, 2000: 146 (ill). "The Independent Recommends: The Show: Felix Gonzalez-Torres." Independent [United Kingdom] 6 Jun. 2000. Thompson, William R. Outbound: Passages from the 90’s. Houston, TX: Contemporary Arts Museum, 2000: 95. Verzotti, Giorgio. "'Le Temps, Vite!' at Centre Georges Pompidou." Artforum May 2000: 175. Villamar, Marlenys. "Felix Gonzalez-Torres or the ode to candy." Todoahora.com 11 Jun. 2000. Vogel, Carol. "Starts of the Last 30 Years Shock and Sell at Christie’s Contemporary Sale." New York Times 17 Nov. 2000: B4. Wagner, Frank, et al. Hannah Wilke: 1940-1993. Berlin: Neue Gesellschat für Bildende Kunst, 2000: 43 (ill), 44 – 49. Wullschlager, Jackie. "Time is the Essence: Our concepts of time and space are changing faster than ever before. Jackie Wullschlager catches up at the Pompidou Centre." Financial Times Weekend 25 – 26 Mar. 2000: VI. 1999     "Andrea Rosen Gallery, Felix Gonzalez-Torres: December 4, 1998- January 16, 1999." New York Contemporary Art Report Jan. 1999: 68 – 69. Arning, Bill "Featured Artist: Felix Gonzalez-Torres." Honcho Mar. 1999: 53 – 54. Avgikos, Jan. "Best of the 90’s: Felix Gonzalez-Torres." Artforum Dec. 1999: 120, 121 (ill). Berube, Stephanie. "Question de rire un peu." La Presse[Montreal, Canada] 20 Nov. 1999: 18. Birnbaum, Daniel. "Best of the 90’s: Felix Gonzalez-Torres." Artforum Dec. 1999: 114. Bokern, Anneke, and Petra Gördüren. Die Letzten Dinge: Jahrhundertwende und Jahrhundertende in der Bildenden Kunst um 1500 und 2000. Berlin: Gebr. Mann Verlag, 1999: cover, 97 – 101, 135, 139 – 143. Bond, Anthony, Sophie Forbat, Kâren Jackson, and Michael Wardell. Trace: 1st Liverpool Biennial of International Contemporary Art. Liverpool, United Kingdom: Liverpool Biennial of Contemporary Art and Tate Gallery Liverpool, 1999: 167, 168. Boyer, Charles-Arthur. "Hommage à Felix Gonzalez-Torres." Beaux Arts Magazine: Special Edition 15 Dec. 1999: 72 – 73 (ill). Brun, Hans-Jakob, Jutta Nestegaard, and Øystein Ustvedt. Collection: Astrup Fearnley Muséet fur Moderne Kunst [Collection: Astrup Fearnley Museum of Modern Art, Oslo]. Oslo, Norway: Astrup Fearnley Muséet fur Moderne Kunst, 1999: 64 – 65 (ill). Corzo, Miguel Angel. Mortality/Immortality?: The Legacy of 20th-Century Art. Los Angeles: The Getty Conservation Institute, 1999: 47 (ill), 48. Dewan, Shaila. "Too Much for Words." Houston Press 10 – 16 Jun. 1999. "End of Gravity." Hour Dec. 1999: 53. Fischer, Barbara. Foodculture: Tasting Identities and Geography in Art. Toronto: YYZ Books, 1999: 81 – 87. "From the Inside Out." The Guide 11 – 17 Dec. 1999: 32. "Goings on About Town: Felix Gonzalez-Torres at Andrea Rosen Gallery." The New Yorker 11 Jan. 1999: 14. Gopnik, Blake. "Anything Goes." Globe and Mail [Canada] 13 Nov. 1999: 17. Grosenick, Uta, and Burkhard Riemschneider. Art at the Turn of the Millennium [L’Art au Tournant de l’An 2000]. Köln [Cologne], Germany: Taschen, 1999: 186 – 187, 188 – 189 (ill). Johnson, Ken. "Felix Gonzalez-Torres at Andrea Rosen Gallery." New York Times 8 Jan. 1999: E42. Johnson, Ken. "Turning a Museum Into a Vast Menorah." New York Times 1 Jan. 1999: E39. Kunitz, Daniel. "Changing faces." ARTnews Mar. 1999: 106 – 111. Lamarche, Bernard. "L'irreverendce faite oevre." Le Devoir 27 Nov. 1999: 3. Lawrence, Lee. "Conservation Conundrum: Preserving 20th –century art is a challenge with no easy answers." Art & Antiques Dec. 1999: 48, 50 – 51. Lehmann, Henry. "Impertinences: light-hearted or light?" Gazette [Colorado Springs, CO] 24 Dec. 1999: 96 Mays, John Bently. "The Cheek of It." National Post [Canada] 30 Nov. 1999: B6-7. Mosquera, Gerardo. "Comiendo." 11 Once Jan. 1999: n. pag. Muñoz, Jose Estaban. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: University of Minnesota Press, 1999: 170-177 (ills.) Nemeczek, Alfred. Das Bild der Kunst: Vom Pattern Painting zum Crossover Künstler, Szene und Tendenzen 1979 – 1999; Eine Bilanz zum Ende des 20 Jahrhunderts. Hamburg, Germany: ART – Das Kunstmagazin, 1999: 200, 206 (ill), 264. Olivares, Rosa. XXIV Bienal de São Paulo: Núcleo Histórico: Antropofagia e Histórias de Canibalismos. São Paulo, Brazil: Fundaçāo Bienal de São Paulo, 1999: 513 – 514, 515 (ill), 516 – 517. Owens, Kieran. "A Passion for the Truth." Event Guide 15 Dec. 1999 – 4 Jan. 2000. Pignalosa, Marica C. "Exposicion de Felix Gonzalez-Torres en las calles." El Tiempo Bogotá 9 Nov. 1999: 1C, 6C. "Questa sera si replica al Carnegie." Il Gironale Dell’Arte [Italy] Nov. 1999: 30. Rigney, Robert. "Factory Outlet: Erika and Rolf Hoffmann have filled an industrial space in Berlin with art that provokes." ARTnews Summer 1999: 118 – 119 (ill). Rondeau, James. The Art Institute of Chicago: Museum Studies - The Lannan Collection at The Art Institute of Chicago. Chicago, IL: Art Institute of Chicago, 1999: 84 – 85. Ruthe, Ingebord. "Atme tief, die Luft ist selten." Berliner Zeitung 21 Oct. 1999. Schjeldahl, Peter. "Beauty Contest: The Perils of Pleasure." The New Yorker 1 Nov. 1999: 108 – 110. “ Seidner, David. Artists’ Studios. Paris: Éditions Assouline, 1999: 184, 186 – 191. Serraller, Francisco Calvo. "Las Corrientes del Arte Reciclable." El País [Spain] 24 Jul. 1999: 16. Spaid, Sue. "In the Spirit of Felix Gonzalez-Torres." Art Journal 58.1 (Spring 1999): 84, 85 (ill). Steward Heon, Laura, Peggy Diggs and Joseph Thompson, ed. Billboard: Art on the Road. North Adams, Massachisetss: Mass MoCA Publications, 1999: 23, 54 81 - 82 (ill). Tobler, Jay. The American Art Book. 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"'Candy spills' at the 20er Haus." Austria Today 10 Sep. 1998. Chapman, Christopher. "Loverboy." Outrage Feb. 1998: 64. Constantine, Mildred. "Preserving the Legacy of 20th Century Art." Conservation: The Getty Conservation Institute Newspaper 13.2 (1998): 4, 5 (ill). "De zwarte motor." Metropolis Aug. – Sep. 1998. Edders, Otto. "Ein Virus im Kulturgetriebe." Volksstimme [Germany] 15 Oct. 1998. Feaver, William. "Artranspennine: North Poles." The Observer [United Kingdom] May 1998. Finkel, Jori. "Over There." Express [Washington, D.C.] 3 Oct. 1998: 54. Frieze Mar. – Apr. 1998. Frohmann, Gunther. "Kunst zum Verzehr: Museum des 20 Jahrhunderts, Wien: Felix Gonzalez-Torres." Salzburger Nachrichten [Salzburg, Austria] 2 Oct. 1998. George, Carl. "You Can Take It With You." POZ Dec. 1998: 68 – 71. Gerlach, Gunnar F. "Baselitz entfernt." Hamburger Rundschau [Hamburg, Germany] 17 Dec. 1998: 49 – 50. Gleadowe, Teresa. The Campaign Against Living Miserably. London: Pale Green Press, 1998. "Gonzalez-Torres: Kunst mit ganz personlichen Bezugen." Neue Vorarlberger Tageszeitung [Austria] 5 Sep. 1998. Gould, Claudia & Valerie Smith, eds. 5000 Artists Return to Artists Space: 25 Years. New York: Artists Space, 1998: 141, 177, 184, 185, 186. Grzonka, Patricia. "Bittersusse Zuckerln." Stadtzeitung Wien [Vienna] 38 (1998). Hammond, David. "Tate views are more impressive than ever!" Huddersfield Examiner [United Kingdom] 22 May 1998. Hofleitner, Johanna. "Liebe, Tod & Verganglichkeit." Die Presse [Austria] 11 Sep. 1998. Horny, Henriette. "Kunst fur hungrige Besucher: Unzerstorbare Werke von Felix Gonzalez-Torres im Museum des 20 Jahrhunderts." Kurier [Austria] 13 Sep. 1998. Hunt, David. "Dannheisser Collection." Flash Art Mar. – Apr. 1998: 55, 58. James, Bruce. "How Queer This Art." Sydney Morning Herald 7 Feb. 1998: 14S. Jenkins, Russell. "New at the Tate: a pile of sweets and a boat wreck." London Times 1998: 37. Kinsella, Eileen. "Object of the week: candy is dandy." Wall Street Journal 5 Jun. 1998: W14. Kohlmeyer, Agnes, ed. The Edge of Awareness. Milan: Edizionia Charta, 1998: 115 (ill). Krumpl, Doris. "Transzendenz-Bobbons: Felix Gonzalez-Torres sowie Constanze Ruhm im MMK im 20er Haus." Der Standard [Austria] 15 Sep. 1998. 15 September 1998. Lauf, Cornelia, Brian Wallis, and Clive Phillpot, eds. Artist/Author: Contemporary Artist’s Books. New York: D.A.P. and The American Federation of Arts, 1998: 66 – 79, 92 – 101. Leon Diez, Hector. "Felix Gonzalez-Torres en el Museo Rufino Tamayo: Fotografiasconceptuales: simbolos de la generosidad y tributo al eclecticismo." La Cronica [Mexico] 22 Sep. 1998: 14. MacMasters, Merry. "Exponen su arte conceptual en la Rufino Tamayo: Felix Gonzalez-Torres no gustaba de 'nada que fuera acerca de nada'."La Jornada [Mexico] 21 Sep. 1998: 31. Magasin 3 Stockholm Konsthall. Magasin 3 Stockholm Konsthall: 10 Ǻr Years, 1988 – 1998. Stockholm: Stockholms Frihamm, 1998: n. pag. (ill). Melchart, Erwin. 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"'The Crystal Stopper' at Lehmann Maupin." Artforum Sep. 1997: 124. Baker, Kenneth. “Nine Artists’; Lessons of Recalling the Past in 'Present Tense'." San Francisco Chronicle 13 Sep. 1997: B1, 7. Basualdo, Carlos. "Felix Gonzalez-Torres at Andrea Rosen Gallery." Art Nexus Apr. – Jun. 2007: 143 – 144. Berndt, Hans. "Todesschusse und Bonbons." Handelsblatt [Germany] 12 Aug. 1994. Bessling, Rainer. "Karge Form mit voller Seele: Felix Gonzalez-Torres: Eine Werkschau im Sprengel Museum Hannover." Syker Zeitung. And Verdener Aller-Zeitung. And Leine Deister Zeitung 6 Aug. 1997. Bonetti, David. "Art at the millennium." San Francisco Examiner 11 Sep. 1997: D1, 9. Boyer, Charles-Arthur. "Vers un lieu moins sombre." Collection Metiers de l’exposition. Rennes, France: Presses Universitaires de Rennes, 1997. Bufill, Juan. "Miedos, nacimientos y extinciones." La Vanguardia 14 Feb. 1997. BT Magazine Nov. 1997: 33. Cambron, Tricia. "SFMoMA stays simple in the 'Present Tense'." Journal 15 Sep. 1997. 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"Es geht um Verletzlichkeit-Aber auch um die Moglichkeit der Erneuerung." Cellesche Zeitung [Celle, Germany] 5 Jun. 1997. 1996     "Abstract Eroticism, Touch Me." Art & Design 47 (1996). Ardenne, Paul. "do it: Frac des Pays de la Loire." Art Press Jan. 1996: 74 – 75. Atkins, Robert. "Goodbye Lesbian/Gay History, Hello Queer Sensibility – Meditating on Curatorial Practice." Art Journal 55.4 (Winter 1996): 80 – 85. Baltz, Lewis. "(sans titre), Felix Gonzalez-Torres." L’Architecture d’Aujourd’hui [Boulogne, France] Sep. 1996: 12 – 15. Barnes, Lucinda, et al. Between Artists: Twelve Contemporary American Artists Interview Twelve Contemporary American Artists. Los Angeles: A.R.T. Press, 1996: 79-101. Breerette, Geneviève. "Felix Gonzalez-Torres. Un activiste doux." Le Monde [Paris] 20 Jan. 1996. Bremner, Ann, ed. Earth Grows Thick. Columbus, OH: Wexner Center for the Arts, 1996: 65 – 69 "CGAC." La Voz de Galicia [A Coruña, Spain] 18 Jan. 1996: 14 – 15. Chapman, Christopher. "Personal Effects: on aspects of work by Felix Gonzalez-Torres." Contemporary Visual Arts + Culture Broadsheet 25.3 (Spring 1996): 16 – 17 (ill). Cruz, Amada. "Felix Gonzalez-Torres, 1957 – 1996." New Art Examiner [Chicago] Feb. 1996: 11. "Curtain-Plakat." Kunstforum International 135 [Germany] (Oct. 1996 – Jan. 1997): 532. Damian, Carol. "Defining the Nineties." Art Nexus Jul. – Sep. 1996: 97 – 98. "Defining the 90’s: Consensus Making in New York, Miami and Los Angeles.” MoCA Defines the Nineties. Miami, FL: Museum of Contemporary Art North Miami (MoCA NoMI), 1996: 4, 11. Deitcher, David. "Death and the Marketplace." Frieze Jul. – Aug. 1996: 40 – 45. Dewan, Sheila. "Quiet, Please." Houston Press 3 – 9 Oct. 1996: 45. "Eine Plakataktion mit Felix Gonzalez-Torres." Plakatjournal 3 (Jul. – Sep. 1996): 24. "Felix Gonzalez-Torres." Blocnotes [France] (Sep. – Oct. 1996). "Felix Gonzalez-Torres." Print Collector’s Newsletter Mar. – Apr. 1996: 29. "Felix Gonzalez-Torres et l’inattendu." 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"Markets of Resistance - White Columns, New York, NY." Kunstforum International [Germany] Jan. – Feb. 1994: 384 – 385. Sewell, Brian. "Wall-to-wall gibberish." Evening Standard [London] 27 Jan. 1994: 28. Schwartzman, Allan. "The Informers." Artforum Dec. 1994: 58 – 61, 102 - 105. Smith, Roberta. "The Annotated Calendar: Art." New York Times 11 Sep. 1994: H61. Sozanski, Edward J. "Art with a message, needing an explanation." Philadelphia Inquirer 4 Mar. 1994: 32E. Spector, Nancy. "Felix Gonzalez-Torres: Travelogue." Parkett 39 (1994): cover (ill), inside cover (ill), 22 (ill), 24 – 26, 27 – 32 (ill), 34 – 35 (ill), 37 (ill). Spector, Nancy. "The Tradition of the New: Postwar Masterpieces from the Guggenheim Collection." Guggenheim Magazine Spring – Summer 1994: 22 – 28, 29 (ill). Stallabrass, Julian. "Discrete Images." Art Monthly Nov. 1994: 35. Tallman, Susan. "Felix Gonzalez-Torres: Social Work." Parkett 39 (1994): cover (ill), inside cover (ill), 58 – 60 (ill), 61 – 63 (ill), 64, 65 (ill). Tanguy, Sarah. "Reviews: Washington, D.C.." Sculpture Sep. – Oct. 1994: 49. Thorp, David. "Symptoms of Interference, Conditions of Possibility at Camden Arts Centre." Untitled Spring 1994. "Traveling." The Renaissance Society at The University of Chicago Newsletter Fall 1994: cover (ill), n. pag (ill). Troncy, Eric. "It’s Alive! Live Wires in Art’s Body Eclectic." Flash Art Summer 1994: 105 – 108. Tumlir, Jan. "Wretched Access." Artweek 23 Jun. 1994: 12 – 13. Viteri, Patricio. "Traveling, de Felix Gonzalez en el Museo Hirshhorn." Foro 23 Jun. 1994. Washington Blade [Washington, D.C.] 1 Jul. 1994: 56. Watney, Simon. "In Purgatory: The Work of Felix Gonzalez-Torres." Parkett 39 (1994): cover (ill), inside cover (ill), 38 – 41, 42 – 43 (ill), 44, 45 – 47 (ill), 48 – 49, 50 (ill), 51 – 52, 53 (ill), 54 – 55, 56 – 57 (ill). Watson, Simon. "Kunst im Zeichen von Aids: Kämpfen, klagen und auch hoffen." Art [Germany] Dec. 1994: 52 – 53, 54 (ill), 55. Y, M. R. Editor’s note. The University of Chicago Magazine Dec. 1994: 2. 1993     "America's Top One Hundred Collectors." Art & Antiques Mar. 1993: 43 – 78. Babias, Marius. "Politically Corrupt." Zitty Oct. 1993: 38 – 39. Bartman, William S., ed. Felix Gonzalez-Torres. Los Angeles: ART Resources Transfer, Inc., 1993: 85. Beck, Martin. "Österreich geht fremd Ein Beitrag zum Diskurs des Anderen." Texte zur Kunst 10 (Jun. 1993): 127 – 131. Bonami, Francesco. "Felix Gonzalez-Torres at Andrea Rosen." Flash Art Nov. – Dec. 1993: 111. Bourriaud, Nicolas. "Modelized Politics." Flash Art Summer 1993: 142 – 143. Bravo, Armando Alvarez. "Una imagen vale mas que mil palabras." El Nuevo Herald [Miami] 29 Oct. 1993. Campitelli, Maria. "Gonzalez-Torres." Juliet [Italy] Apr. – May 1993: 44. Christoph, Horst. "Die Geschichte der AUA." Profil Dec. 1993: 96 – 97. Coleman, A.D. "Gonzalez-Torres: on Photography." Juliet [Italy] Feb. – Mar. 1993: 56 (ill), 57. Cottingham, Laura. "Letter to Oscar Wilde." Blocnotes 5 [Paris] (Winter 1993 – 1994): 38 – 42. "Currents 22: Felix Gonzalez-Torres." Milwaukee Art Museum News May – Jun. 1993: 3. Cuvelier, Pascaline. "En formes: Felix Gonzalez-Torres." Libération [Paris] 6 – 7 Nov. 1993: 31. Czoppan, Gabi. "Aufsteiger des Jahres: Rangliste der 100 Besten." Focus 27 (5 Jul. 1993): 63 – 67. "Felix Gonzalez-Torres." L’Arca International [Monaco] Jun. 1993: 104. Galerie Peter Pakesch. Galerie Peter Pakesch, 1981-1993. Wien [Vienna]: Galerie Peter Pakesch, 1993: n. pag. Gimmelson, Deborah. "Paintings by Numbers." Mirabella [New York] Feb. 1993: 40 – 43. "Goings On About Town: Felix Gonzalez-Torres at Andrea Rosen Gallery." The New Yorker 17 May 1993: 20. Gonzalez-Foerster, Dominique and Olivier Zahm. "It's More like Post-Art." Purple Prose 3 (1993): 22. Grabner, Michelle. "Felix Gonzalez-Torres at Milwaukee Art Museum." New Art Examiner [Chicago] Nov. 1993: 41 – 42. Grieves, Greg. "The Reliquary of Creative Genius: The everyday life of Felix-Gonzalez-Torres' untitled sculpture 1991." Chicago Art Journal: v.3. [Chicago] 1993: 51-51. Heartney, Eleanor. "Galleries: The Emerging Generation - New York, The Art of Survival." Art Press Oct. 1993: 24 – 28, E7 – E10. "Het is alleen maar een kwestie van tijd." Kunstbeeld [the Netherlands] 1 Dec. 1993: 32 – 34. Hofleitner, Johanna. "Felix Gonzalez-Torres at Galerie Peter Pakesch." Artforum May 1993: 114. "Just what is it that makes today's home so different, so appealing? at Galerie Jennifer Flay." Purple Prose 3 (1993): 89 Killam, Brad. "Felix Gonzalez-Torres: A Conversation With Strangers." Art Muscle 1993: 17. Kimmelman, Michael. "A Few Artless Minutes on '60 Minutes'." New York Times 17 Oct. 1993: 39. Kohen, Helen L. "Photos are linked by Cuban heritage." Miami Herald 29 Oct. 1993. Krumpf, Doris. "Destinationder Geschichte." Donnerstag [Germany] 23 Dec. 1993. Kunstmuseum Luzern 1992: 25 Levin, Kim. "Voice Choices - Felix Gonzalez-Torres." Village Voice 25 May 1993: 67. Levin, Kim. "Art in Brief - Felix Gonzalez-Torres/Christopher Wool." Village Voice 20 Apr. 1993: 76. Maillet, Florence. "Un passeport et des bonbons." Le Jour [Paris] 9 Nov. 1993: 111. Moser, Ulli. "Felix Gonzalez-Torres - Republikanische Jahre." Kunstforum International [Germany] (1993): 441 – 442. "Museum in Progress: Felix Gonzalez-Torres." Sky Lines 6 (1993): 39. Myers, Terry R. "Felix Gonzalez-Torres at Andrea Rosen Gallery." Lapiz [Madrid] Summer 1993: 84. "The News: New York, NY." Galeries Magazine Summer 1993: 13. "Nightshade Family Show." Flash Art May 1993: 99 Risaliti, Sergio. "Flash Art News: I, Myself, and Others." Flash Art May 1993: 123. Scanlon, Joseph, ed. A History of the Renaissance Society: The First Seventy-Five Years. Chicago, IL: The Renaissance Society at the University of Chicago, 1993: 118 (ill). Smith, Roberta. "The Naming of the Colors." New York Times 14 May 1993: C26. Steihaug, Jon Ove. "New York Fragmenter 1992-93." Billedkunstneren Sep. – Oct. 1993: 40 – 43. Troncy, Eric. "Felix Gonzalez-Torres, Placebo." Art Press Jun. 1993: 32 – 36 (ill), E16 – E19 (ill). Troncy, Eric. "Wall Drawings and Murals." Flash Art May – Jun. 1993: 68 – 70. 1992     Aletti, Vince. "Voice Choices." Village Voice 8 Sep. 1992: 70. Avgikos, Jan. "Seeing With Our Bodies." Tema Celeste 37 – 38 [Italy] (Autumn 1992): 38 – 43. Blackman, Douglas A. "Readings." Harper’s Magazine Sep. 1992: 14 – 21. Bogh, Mikkel. "Problemer i paradis." Information 22 Jun. 1992. Bonetti, David. "Healing at Rena Bransten Gallery, San Francisco." San Francisco Examiner 29 May 1992: D11. Borgstrom, Peter. "Hellre en kopp kaffe an Europa: Paradise Europe, Kopenhaumn." Dagens Nyheter [Sweden] 9 Jun. 1992. Borgstrom, Peter. "Infiltrator med uppdrag att bedra - Gonzalez-Torres gor sig fortrolig." Dagens Nyheter [Sweden] 11 Oct. 1992: B3. Bourriaud, Nicolas. "Catalogue Briefs: 'Not Quiet', Jennifer Flay, Paris." Flash Art Summer 1992: 154. Bourriaud, Nicolas. "Fentes/Slits." Documents sur l’art contemporain [Paris] Oct. 1992: 30 – 33. Bryant, Elizabeth. "'Missing Persons: Dissent, Difference and the Body Politic' at the Portland Museum of Art." Artweek 8 Oct. 1992: 21. C., P. "Jeunes Artistes Américains: Post-Sixties." Libération [Paris] 5 Apr. 1992. Cameron, Dan. "Before and After: Dan Cameron Enters the World of Post Human." Frieze Sep. – Oct. 1992: 16 – 19. Castenfors, Marten. "I detta rum ar festen over." Svenska Dagbladet [Sweden] 24 Oct. 1992. Chua, Lawrence. "To Probe and to Push: Wessel O’Connor." Flash Art Jan. – Feb. 1992: 133 – 134. Cottingham, Laura. "Art Attack." QW Jul. 1992: 77 – 78 (ill). Dahlqvist, Dennis. "Tillbaka till framtiden." Expressen [Sweden] 24 Nov. 1992: 5. "Dissent, Difference and the Body Politic." Portland Art Museum Newsletter Jul. – Aug. 1992: 3. Ehrnrooth, Catharina, Carl-Fredrik Harleman, and Sven-Olov Wallenstein. “På gränsen mellan det private och det offentliga." Material 11 (Nov. 1992): 1, 3. Ericsson, Lars O. "Pa gransen mellan offentligt och privat." Fredag 23 Oct. 1992: 21. "Felix Gonzalez-Torres at Massimo de Carlo, Milano." Umbrella Magazine Oct. 1992: 40. Flinn, Jason B. "'Not Quiet' at Galerie Jennifer Flay." Tema Celeste 36 (Summer 1992): 87 – 88. Galassi, Peter. "More Than One Photography: Works Since 1980 from the Collection." MoMA Members Quarterly Spring 1992: 12 – 13 (ill). Giger, Romeo. "Junge Kunst in Zeitalter von AIDS." Neue Zürcher Zeitung [Zurich, Switzerland] 4 Nov. 1992. "Goings On About Town." The New Yorker 8 Jun. 1992: 12. "Goings On About Town." The New Yorker 29 Jun. 1992: 10. "Goings On About Town." The New Yorker 6 Jul. 1992: 9. Gonzalez-Torres, Felix. "Practices: The Problem of Divisions of Cultural Labor." ACME Journal 1.2 (1992): 44 – 49. Heartney, Eleanor. "The Politics of Protest." New Art Examiner [Chicago] Sep. 1992: 14 – 17. Hirsch, David. "An Impulse Toward Healing." Bay Area Reporter 14 May 1992: 31. Janus, Elizabeth. "'Post Human’ at FAE Musée D'Art Contemporain, Pully/Lausanne." Artforum 1992: 119. Jouannais, Jean-Yves. "1968: Divers lieux." Art Press International 1992: 74. Kandel, Susan. "Felix Gonzalez-Torres, Albert Oehlen, Christopher Williams – theatre verite at Margo Leavin Gallery." Los Angeles Times 15 Oct. 1992: F7. Kandel, Susan. "LA in Review." Arts Magazine Jan. 1992: 90-91. Kerte, Jens. "Kunst pa reklame-tavlerne." Politiken [Denmark] 3 Jun. 1992. Harper's 21 Sep. 1992: 21 (ill). Heartney, Eleanor. "The Politics of Protest." New Art Examiner [Chicago] Sep. 1992: 14 – 17. Hofmann, Isabelle. "AIDS lasst keine Zeit fur Nabelschauen." Berliner Morgenpost [Berlin] 12 May 1992. "In Brief." Flash Art Summer 1992: 138 Kandel, Susan. "L.A. in Review." Arts Magazine [New York] 5 Jan. 1992: 90. Kandel, Susan. "Three for the Show." Los Angeles Times 15 Oct. 1992: F7. Knyphausen, A. "Kunstverein: Austellung zum Thema AIDS." Abendblatt 15 May 1992. Kölle, Brigitte, ed. "Museum Fridericianum." Kassel: Museum Fridericianum, 1992: n. pag. Kontova, Helena. "Spotlight: 'Post Human'." Flash Art October 1992: 93. Kruger, Barbara. "A vous et a moi: 'I, Myself and Others' au Le Magasin (Grenoble)." Le Monde [France] 2 Oct. 1992: 25. Mesquita, Ivo. "Nova York Gonzalez-Torres no MOMA." Guidas Artes Nov. – Dec. 1992: 45 – 46. Messler, Norbert. "The Carpet Project at Tanja Grunert." Artforum May 1992: 130-131. Meyer, Peter S. "Kunst pa reklamernes plads." Kristeligt Dagblad [Denmark] 11 Jun. 1992. Meyer, Peter S. "Bizart in Copenhagen." Nordic Art Review March 1992. Michelsen, Anders. "Paradise Europe, Bizart, Copenhagen." Art & Text [Australia] Sep. 1992. Morrison, Ewan. "Read My Lips-An Interview with Simon Watney." Variant 1992: 4 – 7. Moser, Ulli. "Felix Gonzalez-Torres' Installation Republikanische Jahre: Besser auf der Strasse." Kurier/Kulture 25 Oct. 1992: 13. Nesbitt, Lois. "When Art Is Not Enough." Tema Celeste 37 – 38 (Autumn 1992): 50 – 52. "News: Copenhagen - Paradise Europe." Flash Art Summer 1992: 132. "News: MOMA Projects." Flash Art Summer 1992: 135 Newsweek 7 Sep. 1992. Pagel, David. "Art & Eroticism." Shift 6.1 (1992): 20 – 29. Politi, Giancarlo and Helena Kontova. "Post Human - Jeffrey Deitch's Brave New Art." Flash Art Nov. – Dec. 1992: 66 – 68. "Redefining the fine art of life-or-death campaigning." Scotsman [Scotland] 19 Nov. 1992. Romano, Gianni. "Felix Gonzalez-Torres: Projects 34." Zoom [Italy] Sep. – Oct. 1992: 74 – 79 (ill). Savan, Leslie. "Op Ad: Adblisters." Village Voice 30 Jun. 1992. Schollhammer, Georg. "Unbeschriebene Gesellschaft-Galerie Peter Pakesch: Felix Gonzalez-Ttorres, Politiker des Minimalismus." Der Standard [Austria] 11 Nov. 1992: 10. Schulze, Von Karin. "Bush! Wir leben noch." Szene Hamburg [Hamburg, Germany] May 1992: 24 – 25. "Shades.” The New Yorker 29 Jun. 1992: 6. Shottenkirk, Dena. "Felix Gonzalez-Torres at MOMA Projects Room." Art in America Nov. 1992: 132 (ill). Spector, Nancy. Guggenheim Museum: A to Z. New York: The Guggenheim Museum, 1992: 100, 101 (ill). Troncy, Eric. "A Cowboy is Dead." Artscribe International [United Kingdom] Feb. – Mar. 1992: 56 – 58, 59 (ill). Troncy, Eric. "'Not Quiet' at Galerie Jennifer Flay." Art Press Jun. 1992. Ubl, Ralph. "Engagement und Dekadenz." Presse 1992. Urbach, Marina. "Felix Gonzalez-Torres." Art Nexus Oct. 1992: 152 – 153, 212 – 213. Vogel, Maria. "Gegen das Totschweigen von AIDS." Dienstag 6 Oct. 1992: 27. Weil, Benjamin. "Felix Gonzalez-Torres - Projects: MOMA." Flash Art Oct. 1992: 97 – 98. Weil, Benjamin. "Remarks on Installations and Changes in Time Dimensions." Flash Art Jan. – Feb. 1992: 104 – 109. Zahm, Olivier. "Et l’on s’aimera encore, lorsque l’amour sera mort." Purple Prose [Paris] Autumn 1992: 27 – 29. 1991     Adcock, Craig. "Pop Into Agit-Pop." Tema Celeste 30 [Italy] Mar. – Apr. 1991: 74 – 79. Aletti, Vince. "Voice Choice: Felix Gonzalez-Torres." Village Voice 14 May 1991: 98. "Amerikanischer Alltag." Tagesspiegel Der Berlin 20 Jan. 1991. Arnter, Alan. "Our Bodies, Our Cells." Chicago Tribune 31 Mar. 1991. "Aus Amerikas Kunstszene." Fuldaer Zeitung [Fulda, Germany] Feb. 1991. Avigikos, Jan. "This is My Body: Felix Gonzalez-Torres." Artforum Feb. 1991: 79 – 83 (ill). Babias, Marius. "Gewalt, Macht, Rhetorik." Zitty- Stadtmagazin [Berlin] Jan. 1991. Berger, Maurice. "Open Art." Village Voice 6 Aug. 1991: 67. Blase, Christoph. "Akzente: Gesellschaftskritik leicht gemacht." Das Kunst-Bulletin [Kriens-Genève, Switzerland] Feb. 1991: 10. Braff, Phyllis. "The Treasures of A Private Collector Inspired by Acute Instinct." New York Times 6 Oct. 1991: 19. Bravin, Karin. "SOHO: Untitled '92." New York Connection 40: 44-48. de Bustos, Clara Isabel. "Once creadores muestran en Madrid su vision particular del arte de los noventa." ABC 22 Jan. 1991.     Colombo, Corrado. "Esposizioni: Opere e ambienti a confronto nel Castello di Rivara." La Stampa [Italy] 5 Jul. 1991. D., W. "Neue Kunst aus New York, NY." Hessisch/Niedersachsische Allgemeine Kassel-Program Feb. 1991. Danvila, Jose Ramon. "El posible arte que viene." Diario [Italy] 16 – 23 Jan. 1991. Decter, Joshua. "The Rhetorical Image." Arts Mar. 1991: 100. Di Pietrantonio, Giacinto. "Benjamin Weil: Art Critic and Curator." Flash Art Nov. – Dec. 1991: 156. "El jardín salvaje', una colectiva insolita en la Caixa." El Independiente 21 Jan. 1991. Evans, Steven. "Felix Gonzalez-Torres at Massimo de Carlo, Milan." Flash Art Nov. – Dec. 1991: 160. Faust, Gretchen. "New York in Review." Arts Magazine Jan. 1991: 95, 96 (ill). Gross, Molly. "American Way of Life." Prinz 16 Jan. 1991. Heft, Max, "Kultur in Deutschland." Termin [Germany] Mar. 1991. Herrrmanns, Ralph. "God Kunst." Dagens Industri [Sweden] 24 Jun. 1991: 26. Hixson, Kathryn. "The Subject is the Object: The Legacies of Minimalism." New Art Examiner [Chicago] May 1991: 29 – 32, 59. Hixson, Kathryn. "...and the Object is the Body." New Art Examiner [Chicago] Oct. 1991: 20 – 24. Iannacci, Anthony. "Felix Gonzalez-Torres at Massimo de Carlo, Milan." Artforum Dec. 1991: 111 (ill), 112. Jimenez, Pablo. "Un Jardín entre la vida y el arte." ABC 24 Jan. 1991. Johnson, Ken. "Report from New York, Generational Saga." Art in America Jun. 1991: 45 – 50. Jouannais, Jean-Yves. "No Man's Time." A.R.T Press Oct. 1991. Kuijken, Ilse. "Gonzalez-Torres: Beelden Van Angst en Isolatie." De Standaard [Belgium] 14 Apr. 1991. "Kunst Zum Mitnehmen." Die Welt [Hamburg, Germany] 8 Mar. 1991. Lambrecht, Luk. "Aids." Knack Weekend 17 (Apr. 1991): 17. Larson, Kay. "A Shock to the System." New York Magazine 29 Apr. 1991: 86. Larson, Kay. "New York: Whitney Biennial." Galeries Magazine Jun. – Jul. 1991: 68 – 71. Larson, Kay. "Six Threads." Atelier Oct. 1991: 4 – 5, 14 – 17 (ill), 32 – 33 (ill), 39 – 41, 42 (ill), 43 – 44. Lemaitre, Isabelle. "Felix Gonzalez-Torres and Michael Jenkins." Tema Celeste 32 (May – Jun. 1991): 105. "Les Editions Nul Par..." Iam JS, France. 2 Apr. 1991. Radio. Levin, Kim. "Art That Intervenes." Village Voice 15 Jan. 1991. Levin, Kim. "Choices." Village Voice 8 Jan. 1991: 86. McCoy, Pat. "Felix Gonzalez-Torres." Tema Celeste 30 (Mar. – Apr. 1991): 72. Merril, R.J. "Rituals and Allegories: Felix Gonzalez-Torres at Luhring Augustine Hetzler." Artweek 14 Nov. 1991: 12. Muller, Katrin Bettina. "Gott in der Gewehrkugel." Die Tageszeitung [Berlin] 25 Jan. 1991. "Multiples & Objects & Books" Print Collector’s Newsletter Sep. – Oct. 1991: 143. The New Yorker. 14 Jan. 1991: 10. The New Yorker. 20 May 1991. The New Yorker. 20 Sep. 1991. Nickas, Robert. "Felix Gonzalez-Torres: All the Time in the World." Flash Art Nov. – Dec. 1991: 86 – 89 (ill). "Neue politische Kunst aus New York, NY." Extra Tip [Kassel, Germany] 2 Feb. 1991. Pagel, David. "World of Gonzalez-Torres Teeters on Joy and Despair." Los Angeles Times 7 Nov. 1991: F6. Paris Review 120 (Fall 1991): cover (ill). Passon, Michael. "Der Aufstand der Massen(ware)." Ausstellungen 3 (1991): 23. "Projections at the Castello di Rivara." Flash Art Oct. 1991: 156. Schipp, Renee. "Mit Kunst Gegen Konsun und Luxus." Berliner Morgenpost [Berlin] 8 Jan. 1991. Schmitz, Rudolf. "Bazooka-Kaugummis und ein Grabhugel aus Bonbons." Frankfurter Allgemeine Zeitung [Frankfurt, Germany] 2 Feb. 1991. Schwarze, Dirk. "Im Zeichen der Gewalt." HNA 19 Feb. 1991. Serraller, F. Calvo. "El jardín de los salvajes." El País [Spain] 26 Jan. 1991. Smith, Colin. "Felix Gonzalez-Torres and Donald Moffet." Parachute Apr. – Jun. 1991: 46 – 47. Smith, Roberta. "Minimalism On the March: More and More, Less and Less." New York Times 26 Jan. 1991. Smith, Roberta. "Group Exhibition." New York Times 20 Sep. 1991. Spector, Nancy. "Felix Gonzalez-Torres." Galeries Magazine Apr. – May 1991: 80 – 81 (ill). Tallman, Susan. "The Ethos of the Edition." Arts Magazine Sep. 1991: 13 (ill), 14. Troncy, Eric. "No Man's Time." Flash Art Nov. – Dec. 1991: 119 – 122. Troncy, Eric. "Soft Touch." Artscribe International Sep. 1991: 54 – 57. Van de Sompel, Ronald. "Felix Gonzalez-Torres and Michael Jenkins." De Morgen [Belgium] 2 Mar. 1991. Verzotti, Giorgio. "No Man's Time, Villa Arson." Artforum Nov. 1991: 148 – 149. Wye, Deborah. "'Untitled' (Death by Gun) by Felix Gonzalez-Torres." Print Collector’s Newsletter Sep. – Oct. 1991: cover (ill), 118, 119 (ill). 1990     "Art and Politics." !Aha!: Hispanic Arts News 102 (Dec. 1990 – Jan. 1991): 7 (ill). Atkins, Robert. "New This Week: Felix Gonzalez-Torres." 7 Days 3.7 (21 Feb. 1990): 54. Avgikos, Jan. "Nurse!...The Screens!!" Artscribe Nov. – Dec. 1990: 11 – 12. Barckert, Lynda. "New Humanism." Chicago Reader 25 May 1990: 30, 33. Chiodi, Stefano. "Spoleto. Art Tomorrow." Contemporanea 22 (Nov. 1990). Chua, Lawrence. "To Probe and To Push: Artists of Provocation." Flash Art Jan. – Feb. 1990. Cyphers, Peggy. "New York in Review." Arts Magazine Apr. 1990: 111 – 112. Deitcher, David. Art Issues Sep. – Oct. 1990. Faust, Gretchen. "New York in Review." Arts Magazine Mar. 1990: 117 (ill), Ferguson, Russell, et al. Out There: Marginalization and Contemporary Cultures. New York and Cambridge, MA: The New Museum of Contemporary Art and MIT Press, 1990. [Images selected by Felix Gonzalez-Torres]. "Goings on About Town." The New Yorker 5 Feb. 1990. "Goings on About Town." The New Yorker 12 Feb. 1990. "Goings on About Town." The New Yorker 3 Jul. 1990. Heartney, Eleanor. "Felix Gonzalez-Torres at Andrea Rosen." Art in America May 1990. Hirsh, David. "Personal Monuments." The Native 12 Feb. 1990. Kalin, Tom. "Prodigal Stories." Aperture Fall 1990. Kalin, Tom. "Towards an AIDS Activist Aesthetic: Four Artists Who Invent, Intervene, and Inform." Views 11.3 (Summer 1990): 16-19. Levin, Kim. "Choices." Village Voice 27 Feb. 1990: 46. Lippard, Lucy R. Mixed Blessings: New Art in a Multicultural America. New York: Pantheon, 1990: 121. Mahoney, Robert. Flash Art May – Jun. 1990. McCoy, Pat. "Felix Gonzalez-Torres." Tema Celeste 25 Apr. – Jun. 1990: 64. Myers, Terry. "From the Junk Aesthetic to the Junk Mentality." Arts Magazine Feb. 1990: 60 – 64. "Portfolios: Sculpture by Felix Gonzalez-Torres." Shiny 1990: 11 – 14 (ill). Smith, Roberta. "The Group Show as Crystal Ball." New York Times 6 Jul. 1990. Smith, Roberta. "Jessica Diamond, Douglas La Tourette, David Robilliard, Felix Gonzalez-Torres." New York Times 19 Jan. 1990. Wood, William. "Fast Forward." Canadian Art 7.3 (Fall 1990): 43. Wulffen, Thomas. "Kunst und schwule Kultur in den USA." Kunstforum International [Germany] Apr. – May 1990: 309 – 310. 1989     Arning, Bill. White Columns Update, 1988 – 1989. New York: White Columns, 1989: n. pag. Atkins, Robert. "Art = Life." 7 Days 2.20 (24 May 1989): 67 – 68. Brenson, Michael. "Felix Gonzalez-Torres." New York Times 28 Jul. 1989: C23. Cameron, Dan. "The Look of Love." Shift 3.6 (1989): 4-11. Deitcher, David. "How Do You Memorialize a Movement that Isn't Dead?" Village Voice 27 Jun. 1989: 93. Evans, Steven. "Real World." Artscribe International [United Kingdom] Summer 1989: 82 – 83. Faust, Gretchen. "New York in Review." Arts Magazine Oct. 1989: 102 – 103. "Galleries: New York, NY." Flash Art Nov. – Dec. 1989: 162. Hess, Elizabeth. "NY to Helms: Drop Dead." Village Voice 24 Oct. 1989. "Never Forget." Print Collector’s Newsletter Jul. – Aug. 1989: 96 – 97. Silver, Lisa. "Political Art?" Daily Californian 10 Feb. 1989: 7 – 9. Spector, Nancy. "Felix Gonzalez-Torres." Contemporanea 2.4 (Jun. 1989): 96. Spector, Nancy, and Steven Evans. "Double Fear." Parkett 22 (1989): 129 – 132. Wagner, Frank. "Übers Sofa!" Magnus Dec. 1989. Print Collector's Newsletter Jul. – Aug. 1989: Vol 20, No. 3. 1988     Indiana, Gary. "Vile Days." Village Voice 28 Jun. 1988: 118. Liu, Catherine. "Felix Gonzalez-Torres, Rastovski." Flash Art Oct. 1988: 130 – 131. Trippi, Laura. "Installation by Felix Gonzalez-Torres". New York: The New Museum of Contemporary Art, 1988. [Essay for the exhibition at The New Museum, 16 Sep. – 20 Nov. 1988]. 1987     Ollman, Leah. "At the Galleries." Los Angeles Times 4 Dec. 1987. Pincus, Robert L. "Is Installation Exhibit the end-of-an-age art?" 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