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The Perfect Vehicle The dialogues and sociocultural circumstances informing the emergence and evolution of tango expressions in Paris since the late 1970s." /> <meta name="citation_author" content="alberto munarriz" /> <meta name="twitter:card" content="summary" /> <meta name="twitter:url" content="https://www.academia.edu/12630812/TANGO_The_Perfect_Vehicle_The_dialogues_and_sociocultural_circumstances_informing_the_emergence_and_evolution_of_tango_expressions_in_Paris_since_the_late_1970s" /> <meta name="twitter:title" content="TANGO... The Perfect Vehicle The dialogues and sociocultural circumstances informing the emergence and evolution of tango expressions in Paris since the late 1970s." /> <meta name="twitter:description" content="This dissertation examines the various dialogues that have shaped the evolution of contemporary tango variants in Paris since the late 1970s. I focus primarily on the work of a number of Argentine composers who went into political exile in the late" /> <meta name="twitter:image" content="https://0.academia-photos.com/40660/82710/17410047/s200_alberto.munarriz.jpg" /> <meta property="fb:app_id" content="2369844204" /> <meta property="og:type" content="article" /> <meta property="og:url" content="https://www.academia.edu/12630812/TANGO_The_Perfect_Vehicle_The_dialogues_and_sociocultural_circumstances_informing_the_emergence_and_evolution_of_tango_expressions_in_Paris_since_the_late_1970s" /> <meta property="og:title" content="TANGO... 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The Perfect Vehicle The dialogues and sociocultural circumstances informing the emergence and evolution of tango expressions in Paris since the late 1970s.</title> <link rel="canonical" href="https://www.academia.edu/12630812/TANGO_The_Perfect_Vehicle_The_dialogues_and_sociocultural_circumstances_informing_the_emergence_and_evolution_of_tango_expressions_in_Paris_since_the_late_1970s" /> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "single_work", 'action': "show", 'controller_action': 'single_work#show', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script> var $controller_name = 'single_work'; var $action_name = "show"; var $rails_env = 'production'; var $app_rev = 'b092bf3a3df71cf13feee7c143e83a57eb6b94fb'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.require = { config: function() { return function() {} } } </script> <script> window.Aedu = window.Aedu || {}; window.Aedu.hit_data = null; window.Aedu.serverRenderTime = new Date(1739836042000); window.Aedu.timeDifference = new Date().getTime() - 1739836042000; </script> <script type="application/ld+json">{"@context":"https://schema.org","@type":"ScholarlyArticle","abstract":"This dissertation examines the various dialogues that have shaped the evolution of contemporary tango variants in Paris since the late 1970s. I focus primarily on the work of a number of Argentine composers who went into political exile in the late 1970s and who continue to live abroad. Drawing on the ideas of Russian linguist Mikhail Bakhtin (concepts of dialogic relationships and polyvocality), I explore the creative mechanisms that allowed these and other artists to engage with a multiplicity of seemingly irreconcilable idioms within the framing concept of tango in order to accommodate their own musical needs and inquietudes. In addition, based on fieldwork conducted in Basel, Berlin, Buenos Aires, Gerona, Paris, and Rotterdam, I examine the mechanism through which musicians (some experienced tango players with longstanding ties with the genre, others young performers who have only recently fully embraced tango) engage with these new forms in order to revisit, create or reconstruct a sense of personal or communal identity through their performances and compositions. I argue that these novel expressions are recognized as tango not because of their melodies, harmonies or rhythmic patterns, but because of the ways these features are “musicalized” by the performers. I also argue that it is due to both the musical heterogeneity that shaped early tango expressions in Argentina and the primacy of performance practices in shaping the genre’s sound that contemporary artists have been able to approach tango as a vehicle capable of accommodating the new musical identities resulting from their socially diverse and diasporic realities.","author":[{"@context":"https://schema.org","@type":"Person","name":"alberto munarriz","url":"https://independent.academia.edu/albertomunarriz"}],"contributor":[],"dateCreated":"2015-05-27","dateModified":"2015-05-27","headline":"TANGO... The Perfect Vehicle The dialogues and sociocultural circumstances informing the emergence and evolution of tango expressions in Paris since the late 1970s.","image":"https://attachments.academia-assets.com/37752177/thumbnails/1.jpg","inLanguage":"en","keywords":["Musicology","Popular Music Studies","Ethnomusicology","Transnationalism","Bakhtin","Tango","Exile","Music and identity","Performance Practice","Music analysis","Music Pedagogies"],"publisher":{"@context":"https://schema.org","@type":"Organization","name":null},"sourceOrganization":[{"@context":"https://schema.org","@type":"EducationalOrganization","name":null}],"thumbnailUrl":"https://attachments.academia-assets.com/37752177/thumbnails/1.jpg","url":"https://www.academia.edu/12630812/TANGO_The_Perfect_Vehicle_The_dialogues_and_sociocultural_circumstances_informing_the_emergence_and_evolution_of_tango_expressions_in_Paris_since_the_late_1970s"}</script><style type="text/css">@media(max-width: 567px){:root{--token-mode: 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I focus primarily on the work of a number of Argentine composers who went into political exile in the late 1970s and who continue to live abroad. Drawing on the ideas of Russian linguist Mikhail Bakhtin (concepts of dialogic relationships and polyvocality), I explore the creative mechanisms that allowed these and other artists to engage with a multiplicity of seemingly irreconcilable idioms within the framing concept of tango in order to accommodate their own musical needs and inquietudes. In addition, based on fieldwork conducted in Basel, Berlin, Buenos Aires, Gerona, Paris, and Rotterdam, I examine the mechanism through which musicians (some experienced tango players with longstanding ties with the genre, others young performers who have only recently fully embraced tango) engage with these new forms in order to revisit, create or reconstruct a sense of personal or communal identity through their performances and compositions. I argue that these novel expressions are recognized as tango not because of their melodies, harmonies or rhythmic patterns, but because of the ways these features are “musicalized” by the performers. I also argue that it is due to both the musical heterogeneity that shaped early tango expressions in Argentina and the primacy of performance practices in shaping the genre’s sound that contemporary artists have been able to approach tango as a vehicle capable of accommodating the new musical identities resulting from their socially diverse and diasporic realities."},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"en","title":"TANGO... The Perfect Vehicle The dialogues and sociocultural circumstances informing the emergence and evolution of tango expressions in Paris since the late 1970s.","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [40660]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "full_page_mobile_sutd_modal"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":37752177,"attachmentType":"pdf"}"><img alt="First page of “TANGO... The Perfect Vehicle The dialogues and sociocultural circumstances informing the emergence and evolution of tango expressions in Paris since the late 1970s.”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/37752177/mini_magick20190228-15072-1e27rak.png?1551368026" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">TANGO... The Perfect Vehicle The dialogues and sociocultural circumstances informing the emergence and evolution of tango expressions in Paris since the late 1970s.</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="40660" href="https://independent.academia.edu/albertomunarriz"><img alt="Profile image of alberto munarriz" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/40660/82710/17410047/s65_alberto.munarriz.jpg" />alberto munarriz</a></div><div class="ds-work-card--detail"><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">260 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 12630812; const worksViewsPath = "/v0/works/views?subdomain_param=api&work_ids%5B%5D=12630812"; const getWorkViews = async (workId) => { const response = await fetch(worksViewsPath); if (!response.ok) { throw new Error('Failed to load work views'); } const data = await response.json(); return data.views[workId]; }; // Get the view count for the work - we send this immediately rather than waiting for // the DOM to load, so it can be available as soon as possible (but without holding up // the backend or other resource requests, because it's a bit expensive and not critical). const viewCount = await getWorkViews(workId); const updateViewCount = (viewCount) => { try { const viewCountNumber = parseInt(viewCount, 10); if (viewCountNumber === 0) { // Remove the whole views element if there are zero views. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); return; } const commaizedViewCount = viewCountNumber.toLocaleString(); const viewCountBody = document.getElementById('work-metadata-view-count'); if (!viewCountBody) { throw new Error('Failed to find work views element'); } viewCountBody.textContent = `${commaizedViewCount} views`; } catch (error) { // Remove the whole views element if there was some issue parsing. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); throw new Error(`Failed to parse view count: ${viewCount}`, error); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">This dissertation examines the various dialogues that have shaped the evolution of contemporary tango variants in Paris since the late 1970s. I focus primarily on the work of a number of Argentine composers who went into political exile in the late 1970s and who continue to live abroad. Drawing on the ideas of Russian linguist Mikhail Bakhtin (concepts of dialogic relationships and polyvocality), I explore the creative mechanisms that allowed these and other artists to engage with a multiplicity of seemingly irreconcilable idioms within the framing concept of tango in order to accommodate their own musical needs and inquietudes. In addition, based on fieldwork conducted in Basel, Berlin, Buenos Aires, Gerona, Paris, and Rotterdam, I examine the mechanism through which musicians (some experienced tango players with longstanding ties with the genre, others young performers who have only recently fully embraced tango) engage with these new forms in order to revisit, create or reconstruct a sense of personal or communal identity through their performances and compositions. I argue that these novel expressions are recognized as tango not because of their melodies, harmonies or rhythmic patterns, but because of the ways these features are “musicalized” by the performers. I also argue that it is due to both the musical heterogeneity that shaped early tango expressions in Argentina and the primacy of performance practices in shaping the genre’s sound that contemporary artists have been able to approach tango as a vehicle capable of accommodating the new musical identities resulting from their socially diverse and diasporic realities.</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":37752177,"attachmentType":"pdf","workUrl":"https://www.academia.edu/12630812/TANGO_The_Perfect_Vehicle_The_dialogues_and_sociocultural_circumstances_informing_the_emergence_and_evolution_of_tango_expressions_in_Paris_since_the_late_1970s"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":37752177,"attachmentType":"pdf","workUrl":"https://www.academia.edu/12630812/TANGO_The_Perfect_Vehicle_The_dialogues_and_sociocultural_circumstances_informing_the_emergence_and_evolution_of_tango_expressions_in_Paris_since_the_late_1970s"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div><div class="ds-signup-banner-trigger-container"><div class="ds-signup-banner-trigger ds-signup-banner-trigger-control"></div></div><div class="ds-signup-banner ds-signup-banner-control"><div id="ds-signup-banner-close-button"><button class="ds2-5-button ds2-5-button--secondary ds2-5-button--inverse"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">close</span></button></div><div class="ds-signup-banner-ctas"><img src="//a.academia-assets.com/images/academia-logo-capital-white.svg" /><h4 class="ds2-5-heading-serif-sm">Sign up for access to the world's latest research</h4><button class="ds2-5-button ds2-5-button--inverse ds2-5-button--full-width js-swp-download-button" data-signup-modal="{"location":"signup-banner"}">Sign up for free<span class="material-symbols-outlined" style="font-size: 20px" translate="no">arrow_forward</span></button></div><div class="ds-signup-banner-divider"></div><div class="ds-signup-banner-reasons"><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Get notified about relevant papers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Save papers to use in your research</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Join the discussion with peers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Track your impact</span></div></div></div><script>(() => { // Set up signup banner show/hide behavior: // 1. 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I taught the course together with Professor Edwin Serrousi. While he focused on the multi-cultural sides of the Tango, I focused on the musical aspects of this wonderful genre. I chose the materials and prepared them so that I could connect with students who did not necessarily have a musical background (demonstrating the points under discussion on the piano, which was good for everyone), since the course was directed at graduate students from both the Musicology and the Latin American Studies Departments. Nonetheless, this article discusses the subject with a professional musicological reading. The subject is only one of the many topics covered at length; the others are beyond the scope of this article. In conclusion, I would like to mention that all the ideas that appear in the article are mine, and are the result of my own research and my great love for this genre.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The Tango – between Conservatism and Innovation The Musical Aspects of the Subject","attachmentId":54272366,"attachmentType":"pdf","work_url":"https://www.academia.edu/34387632/The_Tango_between_Conservatism_and_Innovation_The_Musical_Aspects_of_the_Subject","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/34387632/The_Tango_between_Conservatism_and_Innovation_The_Musical_Aspects_of_the_Subject"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="47785602" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/47785602/Tango_Musicality_and_Tango_Danceability_Reconnecting_Strategies_in_Current_Cosmopolitan_Tango_Argentino_Practice">Tango Musicality and Tango Danceability: Reconnecting Strategies in Current Cosmopolitan Tango Argentino Practice</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="10792092" href="https://kug.academia.edu/KendraStepputat">Kendra Stepputat</a></div><p class="ds-related-work--metadata ds2-5-body-xs">the world of music (new series), 2020</p><p class="ds-related-work--abstract ds2-5-body-sm">Web Site: http://www.journal-the-world-of-music.com/ Subscription and advertising inquiries are to be sent to the publisher: • VWB -Verlag für Wissenschaft und Bildung, Amand Aglaster</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Tango Musicality and Tango Danceability: Reconnecting Strategies in Current Cosmopolitan Tango Argentino Practice","attachmentId":66728018,"attachmentType":"pdf","work_url":"https://www.academia.edu/47785602/Tango_Musicality_and_Tango_Danceability_Reconnecting_Strategies_in_Current_Cosmopolitan_Tango_Argentino_Practice","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/47785602/Tango_Musicality_and_Tango_Danceability_Reconnecting_Strategies_in_Current_Cosmopolitan_Tango_Argentino_Practice"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="105083985" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/105083985/Think_global_act_Argentine_tango_%C3%A9migr%C3%A9s_and_the_search_for_artistic_authenticity">Think global, act Argentine! tango émigrés and the search for artistic authenticity</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="64604511" href="https://qc-cuny.academia.edu/AnahiViladrich">Anahi Viladrich</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Ethnic and Racial Studies, 2018</p><p class="ds-related-work--abstract ds2-5-body-sm">The renewed popularity of the Argentine tango has been spearheaded by Argentines' reterritorialization efforts through which they claim their symbolic ownership of the genre. Two related phenomena are addressed here. First, the article examines the blossoming of the tango industry in Buenos Aires (Argentina's capital), which is supported by both a foreign and local tango audience. Second, it explores the migratory careers of Argentine tango dancers and musicians who, particularly in New York City, have joined efforts to rebrand the tango as their authentic national product. In order to be successful in the worldwide tango field, Argentine artists must also accrue tango capital, defined as the combined effect of technical skills, social contacts and public recognition. Finally, this article reflects on the ongoing endeavours of Argentine émigrés to keep abreast of tango developments in Buenos Aires, as a key dimension for guaranteeing their success overseas.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Think global, act Argentine! tango émigrés and the search for artistic authenticity","attachmentId":104635393,"attachmentType":"pdf","work_url":"https://www.academia.edu/105083985/Think_global_act_Argentine_tango_%C3%A9migr%C3%A9s_and_the_search_for_artistic_authenticity","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/105083985/Think_global_act_Argentine_tango_%C3%A9migr%C3%A9s_and_the_search_for_artistic_authenticity"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="98220225" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/98220225/Another_Look_At_The_History_Of_Tango_The_Intimate_Connection_Of_Rural_And_Urban_Music_In_Argentina_At_The_Beginning_Of_The_Twentieth_Century">Another Look At The History Of Tango: The Intimate Connection Of Rural And Urban Music In Argentina At The Beginning Of The Twentieth Century</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="18206550" href="https://independent.academia.edu/JuliaChindemi">Julia Chindemi</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2018</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Another Look At The History Of Tango: The Intimate Connection Of Rural And Urban Music In Argentina At The Beginning Of The Twentieth Century","attachmentId":99631189,"attachmentType":"pdf","work_url":"https://www.academia.edu/98220225/Another_Look_At_The_History_Of_Tango_The_Intimate_Connection_Of_Rural_And_Urban_Music_In_Argentina_At_The_Beginning_Of_The_Twentieth_Century","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/98220225/Another_Look_At_The_History_Of_Tango_The_Intimate_Connection_Of_Rural_And_Urban_Music_In_Argentina_At_The_Beginning_Of_The_Twentieth_Century"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="31243982" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/31243982/Hybridization_in_the_Tango_Objects_Process_and_Considerations_In_Gerhard_Steingress_editor_Songs_of_the_Minotaur_Hybridity_and_Popular_Music_in_the_Era_of_Globalization_M%C3%BCnster_Hamburg_London_Lit_Verlag_2002_p_83_112_ISBN_3_8258_6363_8">Hybridization in the Tango. Objects, Process, and Considerations. In Gerhard Steingress (editor), Songs of the Minotaur. Hybridity and Popular Music in the Era of Globalization, Münster/Hamburg/London, Lit Verlag, 2002, p. 83-112. ISBN: 3-8258-6363-8</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2560855" href="https://uva-es.academia.edu/EnriqueC%C3%A1maradeLanda">Enrique Cámara de Landa</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Like its homologous genres, the Rioplatense tango was born as a result of a multilevel hybridization process. The cross-cultural dif!usion of the tango that took place afier the first consolidation process in the Rioplatense area, and its consequences from that moment to the present can be better understood if we apply the hybridization concept on three levels: i.e. if we consider it as an object, as aprocess, and as a consideration. These categories can be used to distinguish four historical stages of the Italian tango: reception, songs during the Fascist period, liscio, and postmodern. In the tango, hybridization is intimately related to the subject of identity. In Argentina, the perception of the choreographic hybridization caused by cross-cultural contact produced the tango 's "original identity" and idealized condition of immutability to appeal to so me poets. Today, in view of the continuous process ofhybridization of the tango, the persistence of such an attitude may be interpreted as a psychological defense, adopted in arder to make changes to "the nucleus" ofthe tango. Additional categories proposed for the understanding of hybridization in the Italian tango might include: the rapidity ofhybridization,forgotten vs. renewed hybridization, isolated acts of hybridization vs. an explicit hybrid musical style, and degrees ofhybridization. The compatibility between musical systems, the degrees of predisposition towards hybridization and the relationship between the capacity to disrupt hybridization and hybridization itself, are also discussed.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Hybridization in the Tango. Objects, Process, and Considerations. In Gerhard Steingress (editor), Songs of the Minotaur. Hybridity and Popular Music in the Era of Globalization, Münster/Hamburg/London, Lit Verlag, 2002, p. 83-112. ISBN: 3-8258-6363-8","attachmentId":51651024,"attachmentType":"pdf","work_url":"https://www.academia.edu/31243982/Hybridization_in_the_Tango_Objects_Process_and_Considerations_In_Gerhard_Steingress_editor_Songs_of_the_Minotaur_Hybridity_and_Popular_Music_in_the_Era_of_Globalization_M%C3%BCnster_Hamburg_London_Lit_Verlag_2002_p_83_112_ISBN_3_8258_6363_8","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/31243982/Hybridization_in_the_Tango_Objects_Process_and_Considerations_In_Gerhard_Steingress_editor_Songs_of_the_Minotaur_Hybridity_and_Popular_Music_in_the_Era_of_Globalization_M%C3%BCnster_Hamburg_London_Lit_Verlag_2002_p_83_112_ISBN_3_8258_6363_8"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="84377735" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/84377735/Review_of_Bodies_of_the_Text_Dance_as_Theory_Literature_as_Dance_and_Tango_and_the_Political_Economy_of_Passion_">Review of "Bodies of the Text: Dance as Theory, Literature as Dance" and "Tango and the Political Economy of Passion"</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="47565354" href="https://illinois.academia.edu/JaneDesmond">Jane C Desmond</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Signs, vol. 22, no.4, 1997</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Review of \"Bodies of the Text: Dance as Theory, Literature as Dance\" and \"Tango and the Political Economy of Passion\"","attachmentId":89422529,"attachmentType":"pdf","work_url":"https://www.academia.edu/84377735/Review_of_Bodies_of_the_Text_Dance_as_Theory_Literature_as_Dance_and_Tango_and_the_Political_Economy_of_Passion_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/84377735/Review_of_Bodies_of_the_Text_Dance_as_Theory_Literature_as_Dance_and_Tango_and_the_Political_Economy_of_Passion_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="40806655" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/40806655/Rock_n_Roll_Tango_and_Italian_Boogie_Woogie_Transnational_Music_and_Immigrant_Life_in_Buenos_Aires_Winner_of_the_2017_ISCH_Essay_Competition_">Rock 'n' Roll, Tango and Italian Boogie-Woogie: Transnational Music and Immigrant Life in Buenos Aires (Winner of the 2017 ISCH Essay Competition)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2886588" href="https://yorku.academia.edu/AbrilLiberatori">Abril Liberatori</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Cultural History, 2018</p><p class="ds-related-work--abstract ds2-5-body-sm">Music has always been an integral component of the immigration experience. In fact, it holds such deep and varied significance in the immigrant experience that it is curious how little intersection there is between historians of music and of migration. 1 In Italian culture, music serves an immensely important purpose. It is woven throughout the fabric of life and, as such, has played an integral role in the migration of Italy's people, particularly those from the Campania region, who are immersed in and reared under the influence of the Neapolitan musical genre. This article explores the ways in which the immigrant experience can be understood during three periods in Argentine music history: the rise of tango leading up to the First World War, the post-Second World War boom of pop music and media, and the politicized rock 'n' roll of the ensuing decades. Referring to these three periods, the article argues that immigrants from the Campania region used music as a ripe field for negotiating and developing ideas of ethnic identity that traversed borders and oceans and created a transnational musical exchange.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Rock 'n' Roll, Tango and Italian Boogie-Woogie: Transnational Music and Immigrant Life in Buenos Aires (Winner of the 2017 ISCH Essay Competition)","attachmentId":61090348,"attachmentType":"pdf","work_url":"https://www.academia.edu/40806655/Rock_n_Roll_Tango_and_Italian_Boogie_Woogie_Transnational_Music_and_Immigrant_Life_in_Buenos_Aires_Winner_of_the_2017_ISCH_Essay_Competition_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/40806655/Rock_n_Roll_Tango_and_Italian_Boogie_Woogie_Transnational_Music_and_Immigrant_Life_in_Buenos_Aires_Winner_of_the_2017_ISCH_Essay_Competition_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="60036454" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/60036454/_Italian_Tango_Between_Buenos_Aires_and_Paolo_Conte">“Italian Tango” Between Buenos Aires and Paolo Conte</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="5595885" href="https://fau.academia.edu/IlariaSerra">Ilaria Serra</a></div><p class="ds-related-work--metadata ds2-5-body-xs">California Italian Studies, 2013</p><p class="ds-related-work--abstract ds2-5-body-sm">This essay will attempt to disentangle the "DNA" of the intricate music of tango in order to reveal the Italian strand of its genetic sequence, following it trans-historically and transcontinentally from its inception in Buenos Aires to its contemporary return to one of its ancestral homes, Italy. Outlining a little-studied version of "Italian sound," in the following pages I will aim to unearth the Italian roots of tango in Argentina, which require a thorough description because they are often overlooked, by considering some textual examples. I will then follow the tango's long branching out to Italy, through a brief treatment of the successful arrival of this music on the peninsula and through consideration of some of its most original all-Italian versions, the tangos by singer and songwriter Paolo Conte. The perspective offered here will be that of an overview covering a century of "Italian tango" and will especially privilege the connection between the tangos of Buenos Aires and those of the Asti-born Italian composer.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"“Italian Tango” Between Buenos Aires and Paolo Conte","attachmentId":73658271,"attachmentType":"pdf","work_url":"https://www.academia.edu/60036454/_Italian_Tango_Between_Buenos_Aires_and_Paolo_Conte","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/60036454/_Italian_Tango_Between_Buenos_Aires_and_Paolo_Conte"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="121056597" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/121056597/Intersecting_Tango_Cultural_Geographies_of_Buenos_Aries_by_Bergero_Adriana">Intersecting Tango. Cultural Geographies of Buenos Aries - by Bergero, Adriana</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="50042470" href="https://stthomasu.academia.edu/KRobert">Karen Robert</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Bulletin of Latin American Research, 2010</p><p class="ds-related-work--abstract ds2-5-body-sm">Latin American and Caribbean popular cultures encapsulate the pleasure of everyday life and have a raw edge bordering on, or crossing into, vulgarity, with sexual innuendo, rich profanity, and ethnic slurs. The tango, the national dance of Argentina, represents many of these images and stereotypes and yet it is the heart of Argentinean visual and cultural expression. In addition, the tango is multi-dimensional because it shows the changes in Argentina's social landscape, diverse identities, and communities who in return help shape the development of the dance into this "new modern identity." In Intersecting Tango: Cultural Geographies of Buenos Aires, 1900-1930 Adriana Bergero illustrates Buenos Aires in all of these complexities. She draws on literature, journalism, photography, music, and other forms of popular culture in the theater that surrounds the "tango." Through the uses of private letters, fashion ads, and the values attached to perfumes, Bergero traces the change in social makeup of Argentinean society through which these diverse communities evolved a new modern national identity. The period 1900-1930 is specifically significant to her study because of the city's constant changes in landscape, composition, and character. Her study is framed around five presidencies in Argentina that brought industrialization, foreign trade, and global markets to the country. After 1870, leaders and intellectuals in most Latin American and Spanish-speaking Caribbean countries struggled with the desire to define their elite, middle, and lower sectors of society. Bergero's study reminds readers of the importance popular culture has in one's understanding of how a society defines its national identity. The elite responded to these cultural challenges by endorsing the image that Argentina is a nation committed to modernity based on the supporters of liberalism such as immigration, industrial growth, economic progress, and public education. (3) For example, one sees this when Bergero discusses how popular culture in the 1920s affected the fundamental shift in the "imaginaries" dealing with militant responses to the political and economic abuse of immigrants, workers, and women. Interestingly enough, the "tango" and how it developed is not the central part of the text's study. Instead, the symbolism and the complexities that develop during the rise of the tango along with the modernity of Argentinean society, history, and culture is the focal point of the book. To the author, the tango symbolizes and interconnects these hardships, romanticisms, and sexual lures that have come to shape today's Argentina. The tango, as Bergero asserts, provided the best venue into daily life during Argentina's first entry into the country's industrialization period.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Intersecting Tango. Cultural Geographies of Buenos Aries - by Bergero, Adriana","attachmentId":116035233,"attachmentType":"pdf","work_url":"https://www.academia.edu/121056597/Intersecting_Tango_Cultural_Geographies_of_Buenos_Aries_by_Bergero_Adriana","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/121056597/Intersecting_Tango_Cultural_Geographies_of_Buenos_Aries_by_Bergero_Adriana"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="50285985" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/50285985/Neither_Virgins_nor_Whores_Tango_Lyrics_and_Gender_Representations_in_the_Tango_World">Neither Virgins nor Whores: Tango Lyrics and Gender Representations in the Tango World</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="64604511" href="https://qc-cuny.academia.edu/AnahiViladrich">Anahi Viladrich</a></div><p class="ds-related-work--metadata ds2-5-body-xs">The Journal of Popular Culture, 2006</p><p class="ds-related-work--abstract ds2-5-body-sm">As a typical exponent of a male chauvinist society, the tangocreated, manipulated and dominated by males-had (has) on its side, in its center, a zone that can be called as marginal, something like ''a tolerance house'' (brothel, quilombo or queco to say it in old tango), occupied by women who sung it, danced it, composed it and played (and still sing, dance, compose, and play it) with humbleness, very close to men, depending on their approval (they hire them) while keeping certain independent attitudes when receiving the public applause. .. (Dos Santos, Las Cantantes, 2225) T HE RENEWED POPULARITY OF THE TANGO AS AN INTERNATIONAL AND glamorous dance form in recent years has brought increasing attention to its history, as well as to the gender relationships that have constituted a vast volume of the tango's literary repertoire. Tales narrating male-female social (and sexual) exchanges were the favorite motifs of the first tango tunes, born in the Río de la Plata regions (Buenos Aires and Montevideo) during the last decades of the nineteenth century. Early tangos were played and danced in the casitas (brothels) among men and between men and women, who would alternate sexual encounters with the practice of innovative dancing steps accompanied by novel tango orchestras (Viladrich, ''Performing''). By the turn of the twentieth century, the tango had already escaped the brothel's secluded social space and had become part of the</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Neither Virgins nor Whores: Tango Lyrics and Gender Representations in the Tango World","attachmentId":68328475,"attachmentType":"pdf","work_url":"https://www.academia.edu/50285985/Neither_Virgins_nor_Whores_Tango_Lyrics_and_Gender_Representations_in_the_Tango_World","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/50285985/Neither_Virgins_nor_Whores_Tango_Lyrics_and_Gender_Representations_in_the_Tango_World"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":37752177,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":37752177,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_37752177" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. 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