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Gosenzo-sama Banbanzai! (1989) (2024)

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(1989) (2024) </h1> <div class="bg-primary-100 text-common !leading-common rounded-lg pl-5 pr-2 py-4 mb-2 space-y-2 text-primary-500"> <div class="font-semibold">Table of Contents</div> <a class="list-item toc-h3" href="#toc-0">Where to watch</a> <a class="list-item toc-h2" href="#toc-1">御先祖様万々歳!</a> <a class="list-item toc-h3" href="#toc-2">Synopsis</a> <a class="list-item toc-h3" href="#toc-3">Cast</a> <a class="list-item toc-h3" href="#toc-4">DirectorDirector</a> <a class="list-item toc-h3" href="#toc-5">WriterWriter</a> <a class="list-item toc-h3" href="#toc-6">EditorEditor</a> <a class="list-item toc-h3" href="#toc-7">CinematographyCinematography</a> <a class="list-item toc-h3" href="#toc-8">Art DirectionArt Direction</a> <a class="list-item toc-h3" href="#toc-9">Special EffectsSpecial Effects</a> <a class="list-item toc-h3" href="#toc-10">SongsSongs</a> <a class="list-item toc-h3" href="#toc-11">SoundSound</a> <a class="list-item toc-h3" href="#toc-12">Studio</a> <a class="list-item toc-h3" href="#toc-13">Country</a> <a class="list-item toc-h3" href="#toc-14">Language</a> <a class="list-item toc-h3" href="#toc-15">Alternative Titles</a> <a class="list-item toc-h3" href="#toc-16">Genres</a> <a class="list-item toc-h2" href="#toc-17">Popular reviews</a> <a class="list-item toc-h2" href="#references">References</a> </div> <div class="text-center my-2 sm:my-4 " > <ins class="adsbygoogle adsense h-ad3 " data-ad-client="ca-pub-3373908032421588" style="display:block" data-ad-format="auto" data-ad-slot="3352989513" data-full-width-responsive="true" data-adtest="off" > </ins> <script> (adsbygoogle = window.adsbygoogle || []).push({}); </script> </div> <article class="article-detail"> <section class="entry-content paragraph"><div><div><div><div><div tabindex="-1"><div><div><div><p><img alt="Gosenzo-sama Banbanzai! (1989) (1)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" class="lazyload" referrerpolicy="no-referrer" title="Gosenzo-sama Banbanzai! (1989) (1)" data-src="https://i0.wp.com/s.ltrbxd.com/static/img/empty-poster-1000.231946d0.png" data-src2="https://s.ltrbxd.com/static/img/empty-poster-1000.231946d0.png" onerror="if(this.src==this.getAttribute('data-src2')){onImageError(this,true)}else{this.src=this.getAttribute('data-src2')}"> <span><span></span></span> </p></div><div class="sm:flex sm:items-center sm:justify-center sm:flex-row sm:space-x-1 insert" style="margin-top:0; margin-bottom:0;"><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script></div></div></div></div><section><a data-js-trigger="postermodal" target="_blank"><p><img alt="Gosenzo-sama Banbanzai! (1989) (2)" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" class="lazyload" referrerpolicy="no-referrer" title="Gosenzo-sama Banbanzai! (1989) (2)" data-src="https://i0.wp.com/s.ltrbxd.com/static/img/empty-poster-230.6b1dabe6.png" data-src2="https://s.ltrbxd.com/static/img/empty-poster-230.6b1dabe6.png" onerror="if(this.src==this.getAttribute('data-src2')){onImageError(this,true)}else{this.src=this.getAttribute('data-src2')}"> <span><span></span></span> </p> <div data-on-load="" data-src="/csi/film/gosenzo-sama-banbanzai/stats/"> <ul> <li><a target="_blank"></a></li> </ul> </div></a></section><div data-on-load="csi-availability" data-src="/csi/film/gosenzo-sama-banbanzai/availability/?esiAllowUser=true&amp;esiAllowCountry=true"><section><p></p><h3 id="toc-0">Where to watch</h3><div><div><p><span></span><a href="https://www.justwatch.com" rel="noopener nofollow" target="_blank">JustWatch</a></p></div></div></section></div></div><p>' ].join(''); if ( adsScript &amp;&amp; adsScript === 'bandsintown' &amp;&amp; adsPlatforms &amp;&amp; ((window.isIOS &amp;&amp; adsPlatforms.indexOf("iOS") &gt;= 0) || (window.isAndroid &amp;&amp; adsPlatforms.indexOf("Android") &gt;= 0)) &amp;&amp; adsLocations &amp;&amp; adsMode &amp;&amp; ( (adsMode === 'include' &amp;&amp; adsLocations.indexOf(window.adsLocation) &gt;= 0) || (adsMode === 'exclude' &amp;&amp; adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_374aae73-9b0a-43cd-880b-4dd712e97300" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-374aae73-9b0a-43cd-880b-4dd712e97300'; adUnit.className = 'pw-div'; adUnit.setAttribute('data-pw-' + (renderMobile ? 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One day, a beautiful girl appears at their front door, calling herself "Maroko Yomota," granddaughter of Inumaru who travels back in time with a time machine to visit her ancestors. Despite of Tamiko's strong objection, Kinekuni and Inumaru welcome her to stay with them, and the structure of a happy family has begun to collapse.</p></div></section></section></div><p>' ].join(''); if ( adsScript &amp;&amp; adsScript === 'bandsintown' &amp;&amp; adsPlatforms &amp;&amp; ((window.isIOS &amp;&amp; adsPlatforms.indexOf("iOS") &gt;= 0) || (window.isAndroid &amp;&amp; adsPlatforms.indexOf("Android") &gt;= 0)) &amp;&amp; adsLocations &amp;&amp; adsMode &amp;&amp; ( (adsMode === 'include' &amp;&amp; adsLocations.indexOf(window.adsLocation) &gt;= 0) || (adsMode === 'exclude' &amp;&amp; adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_5b1a6f70-9ed2-47dc-bce5-df1a3e2fc516" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-5b1a6f70-9ed2-47dc-bce5-df1a3e2fc516'; adUnit.className = 'pw-div -tile300x250 -alignleft'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'med_rect_atf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) =&gt; { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-5b1a6f70-9ed2-47dc-bce5-df1a3e2fc516'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-5b1a6f70-9ed2-47dc-bce5-df1a3e2fc516')); </p><div data-selected-tab=""><header><ul><li><span>Cast</span></li><li><span>Crew</span></li><li><span>Details</span></li><li><span>Genres</span></li></ul></header><div><h3 id="toc-3">Cast</h3><div><p><span>Toshio Furukawa</span> <span>Masako Katsuki</span> <span>Kenichi Ogata</span> <span>Machiko Washio</span> <span>Tessyo Genda</span> <span>Koichi Yamadera</span> <span>Ichiro Nagai</span> <div class="bg-primary-100 rounded-lg my-6 px-2 py-3 font-semibold insert" style="color: rgb(37, 99, 235)"><div class="text-common !leading-common ml-1 insert" style="margin-top: 0.2rem; margin-bottom: 0.2rem">See Also</div><a class="list-item toc-h2 py-1" style="border-bottom: none" href="https://fantasygameday.net/article/gosenzo-sama-banbanzai/5536" target="_blank" rel="noopener">Gosenzo-sama Banbanzai!</a><a class="list-item toc-h2 py-1" style="border-bottom: none" href="https://fantasygameday.net/article/gosenzosama-banbanzai-anime/5536" target="_blank" rel="noopener">Gosenzosama Banbanzai! (Anime)</a><a class="list-item toc-h2 py-1" style="border-bottom: none" href="https://fantasygameday.net/article/gosenzo-sama-banbanzai-2/5536" target="_blank" rel="noopener">Gosenzo-sama Banbanzai!</a></div></p></div></div><div><h3 id="toc-4"><span>Director</span><span>Director</span></h3><div><p><span>Mamoru Oshii</span> </p></div><h3 id="toc-5"><span>Writer</span><span>Writer</span></h3><div><p><span>Mamoru Oshii</span> </p></div><h3 id="toc-6"><span>Editor</span><span>Editor</span></h3><div><p><span>Seiji Morita</span> <div class="sm:flex sm:items-center sm:justify-center sm:flex-row sm:space-x-1 insert" style="margin-top:0; margin-bottom:0;"><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script></div></p></div><h3 id="toc-7"><span>Cinematography</span><span>Cinematography</span></h3><div><p><span>Nobuo Koyama</span> </p></div><h3 id="toc-8"><span>Art Direction</span><span>Art Direction</span></h3><div><p><span>Yuji Ikeda</span> </p></div><h3 id="toc-9"><span>Special Effects</span><span>Special Effects</span></h3><div><p><span>Kenji Ikeda</span> </p></div><h3 id="toc-10"><span>Songs</span><span>Songs</span></h3><div><p><span>Yumi Kojima</span> </p></div><h3 id="toc-11"><span>Sound</span><span>Sound</span></h3><div><p><span>Shigeru Chiba</span> <div class="sm:flex sm:items-center sm:justify-center sm:flex-row sm:space-x-1 insert" style="margin-top:0; margin-bottom:0;"><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script></div></p></div></div><div><h3 id="toc-12"><span>Studio</span></h3><div><p><span>Pierrot</span> </p></div><h3 id="toc-13"><span>Country</span></h3><div><p><span>Japan</span> </p></div><h3 id="toc-14"><span>Language</span></h3><div><p><span>Japanese</span></p></div><h3 id="toc-15"><span>Alternative Titles</span></h3><p>御先祖大人万万岁, Long Life to the Ancestors</p></div><div><h3 id="toc-16"><span>Genres</span></h3><div><p><span>Drama</span> <span>Comedy</span> <span>Animation</span> </p><div class="sm:flex sm:items-center sm:justify-center sm:flex-row sm:space-x-1 insert" style="margin-top:0; margin-bottom:0;"><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script></div></div></div><div class="sm:flex sm:items-center sm:justify-center sm:flex-row sm:space-x-1 insert" style="margin-top:0; margin-bottom:0;"><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script></div></div><p>180mins More at<a data-track-action="IMDb" href="http://www.imdb.com/title/tt2404235/maindetails" target="_blank" rel="noopener nofollow">IMDb</a><a data-track-action="TMDb" href="https://www.themoviedb.org/tv/113157/" target="_blank" rel="noopener nofollow">TMDb</a><span> <span>Report this page</span> </span></p><section><section data-how-many="12" data-url="/ajax/gosenzo-sama-banbanzai/popular-reviews/"><h2 id="toc-17"><span>Popular reviews</span></h2><span>More</span><ul><li data-person="GarmWars" data-viewing-id="123398828"> <span> </span> <div> <div> <p> <span> Review by NOT LEVANA </span> <span> ★★★★★ </span> <span></span> <span> <span>3</span> </span> </p> </div> <div data-full-text-url="/s/full-text/viewing:123398828/"> <p>"The infinite repetition of inescapable logic."</p><p>The fascism of time pitted against the perversion of incest, the contradiction of family as the nucleus of society and its explosive antithesis. Oshii at once at his most slapstick and his most Brechtian. HOLY SHIT. ??????????</p> </div> </div> </li><li data-person="Evelyn_Dee" data-viewing-id="508288431"> <span> </span> <div> <div> <p> <span> Review by Evelyn Dee </span> <span> ★★★★★ </span> <span></span> </p> <div class="sm:flex sm:items-center sm:justify-center sm:flex-row sm:space-x-1 insert" style="margin-top:0; margin-bottom:0;"><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script></div></div> <div data-full-text-url="/s/full-text/viewing:508288431/"> <p>An anime about how incest is really funny and nothing else (the dissolution of the nuclear family unit due to changing cultural values, semiotics and perception, narratology, ethics in storytelling, the dialectical contrast between dramaturgy and the spread of information, rejecting the escapist qualities of sedative fiction and embracing the odd mundanity of the real, the beautiful expressive qualities of the vocal performance)</p><p>Oshii's best work to date.</p> </div> </div> </li><li data-person="Walt0" data-viewing-id="283060213"> <span> </span> <div> <div> <p> <span> Review by Walter </span> <span> ★★★★★ </span> </p> </div> <p>This happened to my buddy eric once</p> </div> </li><li data-person="regularaugust" data-viewing-id="695601069"> <span> </span> <div> <div> <p> <span> Review by August </span> <span> ★★★★★ </span> <span></span> <span> <span>1</span> </span> </p> <div class="sm:flex sm:items-center sm:justify-center sm:flex-row sm:space-x-1 insert" style="margin-top:0; margin-bottom:0;"><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script></div></div> <p>Oshii was operating on an entirely different level from everyone else</p> </div> </li><li data-person="MetalFire" data-viewing-id="504978415"> <span> </span> <div> <div> <p> <span> Review by Violet </span> <span> ★★★★★ </span> <span></span> </p> </div> <div data-full-text-url="/s/full-text/viewing:504978415/"> <p>Mamoru Oshiis underseen masterpiece of formative use of theatrical blocking in animation, meta textual monologues on the nature of narrative, the inner destruction of the family unit, and Coca Cola propaganda.</p><p>If all this sounds appealing to you here is the full OVA on YouTube: <a href="https://youtube.com/playlist?list=PLLVLpYDT-GaS0eGWtvd4lJ59hXVCtblD8&amp;si=kTSHziVfj_Cw97X8" rel="noopener nofollow" target="_blank">youtube.com/playlist?list=PLLVLpYDT-GaS0eGWtvd4lJ59hXVCtblD8&amp;si=kTSHziVfj_Cw97X8</a></p> </div> </div> </li><li data-person="GarmWars" data-viewing-id="152600845"> <span> </span> <div> <div> <p> <span> Review by NOT LEVANA </span> <span> ★★★★★ </span> <span></span> <span> <span>2</span> </span> </p> <div class="sm:flex sm:items-center sm:justify-center sm:flex-row sm:space-x-1 insert" style="margin-top:0; margin-bottom:0;"><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script></div></div> <p><i>Lady in the Water.</i></p> </div> </li><li data-person="L_Frances" data-viewing-id="151699407"> <span> </span> <div> <div> <p> <span> Review by Lena Frances </span> <span> ★★★★½ </span> </p> </div> <div data-full-text-url="/s/full-text/viewing:151699407/"> <p>Charlie Kaufman fucking wishes!</p><p>A brechtian sitcom nightmare of the precarious familial bond dismantled by mutually-assured delusion. Off its fucking rocker with absurdist stagecraft, incest &amp; bird facts. Maybe bleaker than Angel's Egg? Oshii was seriously fucking on one with this.</p> </div> </div> </li><li data-person="heavenbydjsammy" data-viewing-id="669628070"> <span> </span> <div> <div> <p> <span> Review by Lee Does Not Exist सब्बे सत्ता सुखी होन्तु </span> <span> ★★★★½ </span> <span></span> </p> <div class="sm:flex sm:items-center sm:justify-center sm:flex-row sm:space-x-1 insert" style="margin-top:0; margin-bottom:0;"><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script></div></div> <p>will probably be the greatest thing ever created once I finally read some Brecht. until then, all the good adjectives (marxist, absurdist, deconstructionist, perverse, hilarious, sparse, crude, tragic)</p> </div> </li><li data-person="KeeganACremin" data-viewing-id="356283660"> <span> </span> <div> <div> <p> <span> Review by Keegan Cremin </span> <span></span> </p> </div> <div data-full-text-url="/s/full-text/viewing:356283660/"> <p>An animated <i>Moby Dick</i>, a structuralist-cubist (to invent a term) search for a white whale (in this case family). Oshii runs through forms, genres, presentational styles, reflecting the search of (and for) Maroko. Instead of a survey of various understanding of whales, Oshii studies the mating patterns and child rearing of birds, which through the animation become anthropomorphized. The art style is deceptively simple. Lack the complexity of lines and three-dimensional space of <i>Patlabor</i> (this would become his dominant style) as well as the ethereal beauty of <i>Angel’s Egg</i> (of course, a large portion of the credit for that film’s style must go to Yoshitaka Amano). But this lack of complexity belies the freedom that this style gives Oshii. The…</p> </div> </div> </li><li data-person="notasfarwest" data-viewing-id="503307092"> <span> </span> <div> <div> <p> <span> Review by notasfarwest </span> <div class="sm:flex sm:items-center sm:justify-center sm:flex-row sm:space-x-1 insert" style="margin-top:0; margin-bottom:0;"><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script></div></p> </div> <div data-full-text-url="/s/full-text/viewing:503307092/"> <p>a heady and self-consciously stagey bordering on brechtian comedy-drama about time, family and stories from oshii. long monologues spent teasing out hypothetical outcomes collide with sitcom structure and goofy resolutions. i really liked the way this would stay on one "set" for sometimes an entire episode before stage lights come on or a door opens in the floor or something - it's an interesting way to limit yourself in the theoretically infinite space of animation. </p><p>"the infinite repetition of inescapable logic. that's what it's all about."</p> </div> </div> </li><li data-person="pzng97" data-viewing-id="200355273"> <span> </span> <div> <div> <p> <span> Review by Zachary Goldkind (aka, Chaim Kindergelt) </span> <span> ★★★★★ </span> </p> </div> <p>Mystifying its own dialectics and dramaturgy, steamrolling narrative logic into an abstraction of its fervour -- Oshii's post-brechtian foray not into the medium, per say, but our own parasocial relationship with image signification, and the unfurling emotionality we exude in response to these refractions. We're left with nothing less than the propagating mass of contradictions which the errors of fictionalization wrought, an impossible knot where millions of strands that make up the rope are choked and cut off, where the blood ceases circulation and the internal logic of the membrane pulsates from one end to the other, only able to restart or die. Narrativity as the continuity in contemporary mythologizing, the author looking at this closed circuit and going mad, never able to capture truth. A head explodes into light, sound, and imagination - electricity and momentum, now caught in-between a beginning and end. And it's a tragedy of self, seeking finality to the never-ending tale,</p> </div> </li><li data-person="frionay" data-viewing-id="657392910"> <span> </span> <div> <div> <p> <span> Review by frionay </span> <span> ★★★★★ </span> <span> <span>4</span> </span> <div class="sm:flex sm:items-center sm:justify-center sm:flex-row sm:space-x-1 insert" style="margin-top:0; margin-bottom:0;"><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script><ins class="adsbygoogle sm:w-1/2" style="display:block; text-align:center;" data-ad-layout="in-article" data-ad-format="fluid" data-full-width-responsive="true" data-ad-slot="3352989513" data-ad-client="ca-pub-3373908032421588" data-adtest="off"></ins><script>(adsbygoogle = window.adsbygoogle || []).push({});</script></div></p> </div> <p><b>CHA CHA CHALLENGE </b><br><i>Категория 18: Полнометражное аниме </i><br>Это вообще что?? Что это было? После просмотра только и задаешься вопросами подобно этим. Возможно самый странный и креативный полнометражный фильм на моей памяти. Творческий подход и преданность к делу дают свои плоды и вот на выходе мы получаем это нечто, мега креативное, супер оригинальное и прям таки бьющее потоком творчества детище Мамору Осии. Никогда не перестану восхищаться Мамору Осии, важнейшая фигура в японской поп-культуре, если идет речь про полнометражные аниме, никто не создал так много оригинальных, глубоких, культовых, и абсолютно прорывных для своего времени произведений с философским подтекстом как он, и вот я ознакомился с ещё одним шедевром в его фильмографии. С визуальной точки зрения превосходно, чартдиз великолепный, сценарий потрясающий, особенно монологи, понравилась также театральность происходящего. 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(1989) (2024)" src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABCAQAAAC1HAwCAAAAC0lEQVR42mP8/h8AAvMB+NzmkbcAAAAASUVORK5CYII="/> <section> </section> </article> <h2 id="references" class="text-xl font-semibold mt-3 mb-3">References</h2> <ul class="ml-5 list-disc"> <li><a target="_blank" rel="noopener nofollow" class="text-sm break-all" href="https://letterboxd.com/film/gosenzo-sama-banbanzai/">https://letterboxd.com/film/gosenzo-sama-banbanzai/</a> </li> <li><a target="_blank" rel="noopener nofollow" class="text-sm break-all" href="https://myanimelist.net/anime/4639/Gosenzo-sama_Banbanzai/reviews">https://myanimelist.net/anime/4639/Gosenzo-sama_Banbanzai/reviews</a> </li> <li><a target="_blank" rel="noopener nofollow" class="text-sm break-all" href="https://myanimelist.net/anime/4639/Gosenzo-sama_Banbanzai?cat=anime">https://myanimelist.net/anime/4639/Gosenzo-sama_Banbanzai?cat=anime</a> </li> <li><a target="_blank" rel="noopener nofollow" class="text-sm break-all" href="https://www.anisearch.de/anime/1993,gosenzosama-banbanzai">https://www.anisearch.de/anime/1993,gosenzosama-banbanzai</a> </li> </ul> <div class="text-2xl font-semibold mt-5 mb-5">Top Articles</div> <div class="container-doc"> <a href="https://fantasygameday.net/article/integration-of-3x-1-2x-2-2x-3/5536" target="_blank" rel="noopener" class="group mb-20 flex flex-col items-center"> <img class="lazyload h-56 object-cover" data-src="https://ts2.mm.bing.net/th?q=Integration of (3x+1) / (2x^2 - 2x +3 )" src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABCAQAAAC1HAwCAAAAC0lEQVR42mP8/h8AAvMB+NzmkbcAAAAASUVORK5CYII="/> <div class="group-hover:text-primary-500 block font-medium mt-5 text-2xl"> Integration of (3x+1) / (2x^2 - 2x +3 ) </div> </a> <a href="https://fantasygameday.net/article/blox-fruits-map-all-locations-and-npcs-for-the-first-second-third-seas/5536" target="_blank" rel="noopener" class="group mb-20 flex flex-col items-center"> <img class="lazyload h-56 object-cover" data-src="https://ts2.mm.bing.net/th?q=Blox Fruits map: All locations and NPCs for the first, second &amp; 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