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class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Flemish Renaissance choirmaster and composer</div> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Matthaeus Le Maistre</div></th></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data">circa 1505<br /><div style="display:inline" class="birthplace">Roclenge-sur-Geer, <a href="/wiki/Li%C3%A8ge" title="Liège">Liège</a></div></td></tr><tr><th scope="row" class="infobox-label">Died</th><td class="infobox-data">1577<br /><div style="display:inline" class="deathplace">Dresden</div></td></tr><tr><th scope="row" class="infobox-label">Occupation(s)</th><td class="infobox-data role"><a href="/wiki/Composer" title="Composer">Composer</a>, <a href="/wiki/Choirmaster" class="mw-redirect" title="Choirmaster">choirmaster</a></td></tr></tbody></table> <p><b>Mattheus Le Maistre</b> or <b>Matthaeus Le Maistre</b> (<abbr title="circa">c.</abbr> 1505–1577) was a Flemish<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> Renaissance choirmaster and composer<sup id="cite_ref-pratt_2-0" class="reference"><a href="#cite_note-pratt-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> who is best known for his time in <a href="/wiki/Dresden" title="Dresden">Dresden</a>. His music was superior but in no way progressive, influential in both <a href="/wiki/Counter-Reformation" title="Counter-Reformation">Counter-Reformation</a> and Lutheran courts. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Biography">Biography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mattheus_Le_Maistre&action=edit&section=1" title="Edit section: Biography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Early_life_and_employment">Early life and employment</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mattheus_Le_Maistre&action=edit&section=2" title="Edit section: Early life and employment"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Born circa 1505 in <a href="/w/index.php?title=Roclenge-sur-Geer&action=edit&redlink=1" class="new" title="Roclenge-sur-Geer (page does not exist)">Roclenge-sur-Geer</a>,<sup id="cite_ref-Sadie_3-0" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> in the <a href="/wiki/Prince-Bishopric_of_Li%C3%A8ge" title="Prince-Bishopric of Liège">Prince-Bishopric of Liège</a><sup id="cite_ref-Harvard_4-0" class="reference"><a href="#cite_note-Harvard-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> in the <a href="/wiki/Low_Countries" title="Low Countries">Low Countries</a>,<sup id="cite_ref-pratt_2-1" class="reference"><a href="#cite_note-pratt-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> and he considered himself a "Belgian" throughout his lifetime.<sup id="cite_ref-Kade4_5-0" class="reference"><a href="#cite_note-Kade4-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Musical education was little valued in his house,<sup id="cite_ref-gvii_6-0" class="reference"><a href="#cite_note-gvii-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> yet he studied music from his early childhood<sup id="cite_ref-Blume1548_7-0" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> Nothing is known regarding the identity of his musical instructors.<sup id="cite_ref-Kade4_5-1" class="reference"><a href="#cite_note-Kade4-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> It is speculated that, prior to his time in Munich, he worked in Leipzig because his name appears in music directories there.<sup id="cite_ref-Blume1548_7-1" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> In 1550 Le Maistre was employed at the Bayerische Hofkapelle in Munich as a composer, in no small part because of the importance imparted to music by the newly-ascended <a href="/wiki/Albert_V,_Duke_of_Bavaria" title="Albert V, Duke of Bavaria">Albrecht V, Duke of Bavaria</a>.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> As such he was the first in a line of foreign musicians employed at the Bayerischer Hofkapelle.<sup id="cite_ref-Blume1548_7-2" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> Later in Munich he became choirmaster at the court chapel of St. George, where he was a successor to <a href="/wiki/Ludwig_Senfl" title="Ludwig Senfl">Ludwig Senfl</a>.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> Here he introduced <a href="/wiki/Proper_(liturgy)" title="Proper (liturgy)">Propers</a> for the weekdays.<sup id="cite_ref-Fisher80_10-0" class="reference"><a href="#cite_note-Fisher80-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Dresden">Dresden</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mattheus_Le_Maistre&action=edit&section=3" title="Edit section: Dresden"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>He left Munich in 1554 to assume choirmaster duties in the autumn<sup id="cite_ref-gvii_6-1" class="reference"><a href="#cite_note-gvii-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> at the <a href="/wiki/Staatskapelle_Dresden" title="Staatskapelle Dresden">Staatskapelle Dresden</a>,<sup id="cite_ref-Fisher80_10-1" class="reference"><a href="#cite_note-Fisher80-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> succeeding <a href="/wiki/Johann_Walter" title="Johann Walter">Johann Walter</a>.<sup id="cite_ref-Harvard_4-1" class="reference"><a href="#cite_note-Harvard-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> This orchestra consisted of a minimum of 40 musicians.<sup id="cite_ref-Sadie_3-1" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Duties included composing and arranging music for sacred and secular functions, providing for the musical instruction of choirboys, in addition to preparing the choir and conducting its performances.<sup id="cite_ref-gvii_6-2" class="reference"><a href="#cite_note-gvii-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> His income for this position was 240 <i>gulden</i>, plus reimbursement for expenses incurred while educating and otherwise overseeing the well-being of the choirboys.<sup id="cite_ref-gviii_11-0" class="reference"><a href="#cite_note-gviii-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> Additional perks of the position included one new uniform each year, plus free food upon the occasions of a court banquet.<sup id="cite_ref-gvii_6-3" class="reference"><a href="#cite_note-gvii-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> He seems to have maintained his ties to his hometown district of Liège, as he imported at least one choirboy from there upon the year of his placement in Dresden.<sup id="cite_ref-Kade4_5-2" class="reference"><a href="#cite_note-Kade4-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> In Dresden he converted from Catholicism to Protestantism, an action which caused him to lose the patrimony of his old home.<sup id="cite_ref-Blume1548_7-3" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Health,_retirement_and_death"><span id="Health.2C_retirement_and_death"></span>Health, retirement and death</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mattheus_Le_Maistre&action=edit&section=4" title="Edit section: Health, retirement and death"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Le Maistre requested retirement and a pension in 1565 because of developing health issues<sup id="cite_ref-Blume1548_7-4" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> involving <a href="/wiki/Gout" title="Gout">gout</a> and an accident at the <a href="/wiki/Torgau" title="Torgau">Torgau</a> church.<sup id="cite_ref-gviii_11-1" class="reference"><a href="#cite_note-gviii-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> The request for retirement was not granted <sup id="cite_ref-Blume1548_7-5" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> but he was rewarded with a life stipend in compensation for the lost patrimony suffered upon his conversion.<sup id="cite_ref-Sadie_3-2" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Perhaps recognizing Le Maistre's diminished capacity, in 1566 <a href="/wiki/Antonio_Scandello" title="Antonio Scandello">Antonio Scandello</a> became his assistant, and after Le Maistre left the position in 1567 it was Scandello who succeeded him in 1568.<sup id="cite_ref-pratt_2-2" class="reference"><a href="#cite_note-pratt-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> In addition to his regular appointments, Le Maistre earned additional money with compositions dedicated to authorities in <a href="/wiki/Zwickau" title="Zwickau">Zwickau</a>.<sup id="cite_ref-Sadie_3-3" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Scandello took over his duties in the early part of 1568,<sup id="cite_ref-Sadie_3-4" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> and Le Maistre formally retired on 24 June 1568<sup id="cite_ref-Blume1548_7-6" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> in some part because of illness.<sup id="cite_ref-Sadie_3-5" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> At that time he was given a pension of 195 florins,<sup id="cite_ref-Kade3_12-0" class="reference"><a href="#cite_note-Kade3-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> and although officially retired he retained the title of Kapellmeister and remained at the Saxon court until his death.<sup id="cite_ref-Blume1548_7-7" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> His last confirmed action is the forward he wrote to his last published work, this taking place in January 1577.<sup id="cite_ref-Sadie_3-6" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> This work, dedicated to his young singers,<sup id="cite_ref-Sadie_3-7" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> is preceded with a poem written in Latin where he proceeds to describe himself as "an old man with a white head, whose power fades."<sup id="cite_ref-Blume1548_7-8" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> He died in Dresden<sup id="cite_ref-Harvard_4-2" class="reference"><a href="#cite_note-Harvard-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> in January 1577.<sup id="cite_ref-gviii_11-2" class="reference"><a href="#cite_note-gviii-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Identity">Identity</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mattheus_Le_Maistre&action=edit&section=5" title="Edit section: Identity"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Because so little is known about Le Maistre's early history, there has been difficulty positively identifying him. He has been equated to <a href="/wiki/Matthias_Werrecore" title="Matthias Werrecore">Matthias Werrecore</a> (also known as Matthias Hermann Fiammengo),<sup id="cite_ref-Blume1548_7-9" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> but this identification was proven false.<sup id="cite_ref-Sadie_3-8" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Of positive identification is his additional identity as <b>Matheus Nidlender</b>.<sup id="cite_ref-Sadie_3-9" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> In Dresden he signed his name <i><b>Matthaeo Le Meistre</b></i>.<sup id="cite_ref-Kade4_5-3" class="reference"><a href="#cite_note-Kade4-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Family">Family</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mattheus_Le_Maistre&action=edit&section=6" title="Edit section: Family"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Mattheus Le Maistre had at least one son, Valerian, who was also a musician.<sup id="cite_ref-Sadie_3-10" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Style">Style</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mattheus_Le_Maistre&action=edit&section=7" title="Edit section: Style"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Le Maistre is a stylistic link between Senfl and <a href="/wiki/Orlande_de_Lassus" class="mw-redirect" title="Orlande de Lassus">Lassus</a>.<sup id="cite_ref-Blume1548_7-10" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> His works are based on the Renaissance notion of music as "ars".<sup id="cite_ref-Sadie_3-11" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Le Maistre believed music played an important role for the human spirit, and that as such music was created for a divine purpose.<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> It therefore follows that his writings have been described as both humanistic and pedagogic.<sup id="cite_ref-Sadie_3-12" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> He was a conservative composer,<sup id="cite_ref-Sadie_3-13" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> and as such his works were not appreciated during the composer's life as they were considered out-of-date.<sup id="cite_ref-Sadie_3-14" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Even his motets pointed to the past, musically, rather than developing new ground.<sup id="cite_ref-Sadie_3-15" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> His style is a synthesis of the traditional techniques of imitation, <a href="/wiki/Canon_(music)" title="Canon (music)">canon</a> and <a href="/wiki/Cantus_firmus" title="Cantus firmus">cantus firmus</a>, and thereby appear to point backwards.<sup id="cite_ref-Blume1548_7-11" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> Nevertheless, the importance of this composer is demonstrated by the facts that he began a long tradition of foreign musicians at the Bayerischer Hofkappelle, his compositions were in service for more than 20 years after his death, and further served as role models to the development of future instrumental music.<sup id="cite_ref-Blume1548_7-12" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p><p>The music held by the court in Munich is solidly Catholic in nature.<sup id="cite_ref-gvii_6-4" class="reference"><a href="#cite_note-gvii-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> Upon his conversion to Protestantism, he became highly influenced by Walter and <a href="/wiki/Georg_Rhau" title="Georg Rhau">Georg Rhau</a>.<sup id="cite_ref-Sadie_3-16" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> His commitment to the new faith is particularly demonstrated by the mass setting "Ich Weiss mir ein fest gebauetz Haus" in which he defines the song "O du Lamm Gottes" as a cantus firmus based in the "Qui tollis."<sup id="cite_ref-Blume1548_7-13" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> It was in this setting that Le Maistre made his first significant contribution to the Protestant Mass.<sup id="cite_ref-Sadie_3-17" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p><p>Le Maistre's compositions are superior musically and intellectually.<sup id="cite_ref-Sadie_3-18" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> They are highly influenced by music from post-1500 Netherlands,<sup id="cite_ref-Sadie_3-19" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> and the greater number are solidly in the cantus-firmus style.<sup id="cite_ref-Sadie_3-20" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> He deftly combines the styles of parody and cantus-firmus.<sup id="cite_ref-Blume1548_7-14" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> Many of his compositions are based on the spiritual phrasing of Rhau, creating complex motets with virtuoso cantus-firmus treatment from simple strophic material.<sup id="cite_ref-Blume1548_7-15" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> His songs are in the tradition of the German partsong,<sup id="cite_ref-Sadie_3-21" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> influenced by the Renaissance madrigal.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p><p>He was among the early composers to write chorales with the melody defined in the treble, writing in this manner as early as 1566.<sup id="cite_ref-pratt_2-3" class="reference"><a href="#cite_note-pratt-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Legacy_and_influence">Legacy and influence</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mattheus_Le_Maistre&action=edit&section=8" title="Edit section: Legacy and influence"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>He was considered by <a href="/wiki/Hermann_Finck" title="Hermann Finck">Hermann Finck</a> to be one of the most outstanding musicians of his time. His compositions were in use more than 20 years after his death, and they served as role models to subsequent instrumental works.<sup id="cite_ref-Blume1548_7-16" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> Le Maistre became significant to liturgical music in counter-reformation <a href="/wiki/Bavaria" title="Bavaria">Bavaria</a><sup id="cite_ref-Fisher80_10-2" class="reference"><a href="#cite_note-Fisher80-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> in spite of his later Protestant career.<sup id="cite_ref-Harvard_4-3" class="reference"><a href="#cite_note-Harvard-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> Currently it is his German songs, both sacred and secular, which are considered his most significant accomplishments.<sup id="cite_ref-Sadie_3-22" class="reference"><a href="#cite_note-Sadie-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Works">Works</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mattheus_Le_Maistre&action=edit&section=9" title="Edit section: Works"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Among his works are masses and motets written in Latin, and part-songs, both religious and secular, which are written in either Latin or German.<sup id="cite_ref-pratt_2-4" class="reference"><a href="#cite_note-pratt-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Harvard_4-4" class="reference"><a href="#cite_note-Harvard-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> His pre-Dresden compositions were not published, they exist in manuscript form, and that as a single copy with the exception of the mass "Praeter rerum serieum" which is the first known mass setting for that text.<sup id="cite_ref-Blume1548_7-17" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> More than two-dozen of these manuscripts survive in various archives,<sup id="cite_ref-Blume1548_7-18" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> with the highest concentration in the collection of the <a href="/wiki/Bavarian_State_Library" title="Bavarian State Library">Bavarian State Library</a>.<sup id="cite_ref-gvii_6-5" class="reference"><a href="#cite_note-gvii-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> </p><p>Between the years 1554 and 1568, several of his compositions not included in the below listing were included in published compilations.<sup id="cite_ref-Blume1548_7-19" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="List_of_published_works">List of published works</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mattheus_Le_Maistre&action=edit&section=10" title="Edit section: List of published works"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>"Battaglia Taliana" printed in Venice, 1552.<sup id="cite_ref-Kade3_12-1" class="reference"><a href="#cite_note-Kade3-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup></li> <li>"Magnificat octo tonorum" printed in Dresden, 1557.<sup id="cite_ref-Blume1548_7-20" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup></li> <li>"Catechesis numeris musicis inclusa 3v" printed in Nuremberg, 1559 and 1563. This three-part setting of <a href="/wiki/Martin_Luther" title="Martin Luther">Luther</a>'s <a href="/wiki/Luther%27s_Small_Catechism" title="Luther's Small Catechism">Small Catechism</a> includes no bass voice. Its purpose was instructional, and demonstrates Le Maistre's devotion to the new church teaching.<sup id="cite_ref-Blume1548_7-21" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup></li> <li>"Geistliche und weltliche Teusche Geseng" printed in Wittenberg, 1566.<sup id="cite_ref-Blume1548_7-22" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup></li> <li>"Liber primus sacrarum cantionem" printed in Dresden,<sup id="cite_ref-Blume1548_7-23" class="reference"><a href="#cite_note-Blume1548-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> 1570.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup></li> <li>"Schöne und auserlesene deudsche und lateinische geistliche gesenge auss 2 St.” printed in 1577.<sup id="cite_ref-Kade4_5-4" class="reference"><a href="#cite_note-Kade4-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup></li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mattheus_Le_Maistre&action=edit&section=11" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text">Westrup p.450</span> </li> <li id="cite_note-pratt-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-pratt_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-pratt_2-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-pratt_2-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-pratt_2-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-pratt_2-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text">Pratt p. 131</span> </li> <li id="cite_note-Sadie-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-Sadie_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Sadie_3-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Sadie_3-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Sadie_3-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-Sadie_3-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-Sadie_3-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-Sadie_3-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-Sadie_3-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-Sadie_3-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-Sadie_3-9"><sup><i><b>j</b></i></sup></a> <a href="#cite_ref-Sadie_3-10"><sup><i><b>k</b></i></sup></a> <a href="#cite_ref-Sadie_3-11"><sup><i><b>l</b></i></sup></a> <a href="#cite_ref-Sadie_3-12"><sup><i><b>m</b></i></sup></a> <a href="#cite_ref-Sadie_3-13"><sup><i><b>n</b></i></sup></a> <a href="#cite_ref-Sadie_3-14"><sup><i><b>o</b></i></sup></a> <a href="#cite_ref-Sadie_3-15"><sup><i><b>p</b></i></sup></a> <a href="#cite_ref-Sadie_3-16"><sup><i><b>q</b></i></sup></a> <a href="#cite_ref-Sadie_3-17"><sup><i><b>r</b></i></sup></a> <a href="#cite_ref-Sadie_3-18"><sup><i><b>s</b></i></sup></a> <a href="#cite_ref-Sadie_3-19"><sup><i><b>t</b></i></sup></a> <a href="#cite_ref-Sadie_3-20"><sup><i><b>u</b></i></sup></a> <a href="#cite_ref-Sadie_3-21"><sup><i><b>v</b></i></sup></a> <a href="#cite_ref-Sadie_3-22"><sup><i><b>w</b></i></sup></a></span> <span class="reference-text">Sadie p.538</span> </li> <li id="cite_note-Harvard-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-Harvard_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Harvard_4-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Harvard_4-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Harvard_4-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-Harvard_4-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text">Randel p. 496</span> </li> <li id="cite_note-Kade4-5"><span class="mw-cite-backlink">^ <a href="#cite_ref-Kade4_5-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Kade4_5-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Kade4_5-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Kade4_5-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-Kade4_5-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text">Kade p.4</span> </li> <li id="cite_note-gvii-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-gvii_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-gvii_6-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-gvii_6-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-gvii_6-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-gvii_6-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-gvii_6-5"><sup><i><b>f</b></i></sup></a></span> <span class="reference-text">Gresch p.vii</span> </li> <li id="cite_note-Blume1548-7"><span class="mw-cite-backlink">^ <a href="#cite_ref-Blume1548_7-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Blume1548_7-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Blume1548_7-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Blume1548_7-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-Blume1548_7-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-Blume1548_7-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-Blume1548_7-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-Blume1548_7-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-Blume1548_7-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-Blume1548_7-9"><sup><i><b>j</b></i></sup></a> <a href="#cite_ref-Blume1548_7-10"><sup><i><b>k</b></i></sup></a> <a href="#cite_ref-Blume1548_7-11"><sup><i><b>l</b></i></sup></a> <a href="#cite_ref-Blume1548_7-12"><sup><i><b>m</b></i></sup></a> <a href="#cite_ref-Blume1548_7-13"><sup><i><b>n</b></i></sup></a> <a href="#cite_ref-Blume1548_7-14"><sup><i><b>o</b></i></sup></a> <a href="#cite_ref-Blume1548_7-15"><sup><i><b>p</b></i></sup></a> <a href="#cite_ref-Blume1548_7-16"><sup><i><b>q</b></i></sup></a> <a href="#cite_ref-Blume1548_7-17"><sup><i><b>r</b></i></sup></a> <a href="#cite_ref-Blume1548_7-18"><sup><i><b>s</b></i></sup></a> <a href="#cite_ref-Blume1548_7-19"><sup><i><b>t</b></i></sup></a> <a href="#cite_ref-Blume1548_7-20"><sup><i><b>u</b></i></sup></a> <a href="#cite_ref-Blume1548_7-21"><sup><i><b>v</b></i></sup></a> <a href="#cite_ref-Blume1548_7-22"><sup><i><b>w</b></i></sup></a> <a href="#cite_ref-Blume1548_7-23"><sup><i><b>x</b></i></sup></a></span> <span class="reference-text">Blume p. 1548</span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text">Crook p. 48</span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text">Fisher p.83</span> </li> <li id="cite_note-Fisher80-10"><span class="mw-cite-backlink">^ <a href="#cite_ref-Fisher80_10-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Fisher80_10-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Fisher80_10-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Fisher p.80</span> </li> <li id="cite_note-gviii-11"><span class="mw-cite-backlink">^ <a href="#cite_ref-gviii_11-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-gviii_11-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-gviii_11-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Gresch p.viii</span> </li> <li id="cite_note-Kade3-12"><span class="mw-cite-backlink">^ <a href="#cite_ref-Kade3_12-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Kade3_12-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Kade p.3</span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text">Bossuyt p. 72</span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text">Sadie, p.539</span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text">Bernstein p. 941</span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="Bibliography">Bibliography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Mattheus_Le_Maistre&action=edit&section=12" title="Edit section: Bibliography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFBernstein1998" class="citation book cs1">Bernstein, Jane A. (1998). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=hToWGz9xDaoC&pg=PA941"><i>Music Printing in Renaissance Venice: The Scotto Press (1539–1572)</i></a>. Oxford University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-19-510231-4" title="Special:BookSources/978-0-19-510231-4"><bdi>978-0-19-510231-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Music+Printing+in+Renaissance+Venice%3A+The+Scotto+Press+%281539%E2%80%931572%29&rft.pub=Oxford+University+Press&rft.date=1998&rft.isbn=978-0-19-510231-4&rft.aulast=Bernstein&rft.aufirst=Jane+A.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DhToWGz9xDaoC%26pg%3DPA941&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMattheus+Le+Maistre" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBlumeFinscher1967" class="citation book cs1 cs1-prop-foreign-lang-source">Blume, Friedrich; Finscher, Ludwig, eds. (1967). <i>Die Musik in Geschichte und Gegenwart</i> (in German). Vol. 10 (2 ed.). Basel: Bärenreiter Kassel. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/3-7618-1120-9" title="Special:BookSources/3-7618-1120-9"><bdi>3-7618-1120-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Die+Musik+in+Geschichte+und+Gegenwart&rft.place=Basel&rft.edition=2&rft.pub=B%C3%A4renreiter+Kassel&rft.date=1967&rft.isbn=3-7618-1120-9&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMattheus+Le+Maistre" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBossuyt2008" class="citation book cs1">Bossuyt, Ignace, ed. (2008). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=YCZZ-sSsM7cC&q=%22Mattheus+Le+Maistre%22&pg=PA72"><i>Cui Dono Lepidum Novum Libellum?</i></a>. Leuven University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9789058676696" title="Special:BookSources/9789058676696"><bdi>9789058676696</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Cui+Dono+Lepidum+Novum+Libellum%3F&rft.pub=Leuven+University+Press&rft.date=2008&rft.isbn=9789058676696&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DYCZZ-sSsM7cC%26q%3D%2522Mattheus%2BLe%2BMaistre%2522%26pg%3DPA72&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMattheus+Le+Maistre" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCrook2014" class="citation book cs1">Crook, David (2014). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=zUUABAAAQBAJ&q=%22Mattheus+Le+Maistre%22&pg=PA48"><i>Orlando Di Lasso's Imitation Magnificats for Counter-Reformation Munich</i></a>. Princeton University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4008-6378-5" title="Special:BookSources/978-1-4008-6378-5"><bdi>978-1-4008-6378-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Orlando+Di+Lasso%27s+Imitation+Magnificats+for+Counter-Reformation+Munich&rft.pub=Princeton+University+Press&rft.date=2014&rft.isbn=978-1-4008-6378-5&rft.aulast=Crook&rft.aufirst=David&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DzUUABAAAQBAJ%26q%3D%2522Mattheus%2BLe%2BMaistre%2522%26pg%3DPA48&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMattheus+Le+Maistre" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFisher2014" class="citation book cs1">Fisher, Alexander J. (2014). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=GXP1AQAAQBAJ&q=Matthaeus+Le+Maistre&pg=PA80"><i>Music, Piety, and Propaganda: The Soundscape of Counter-Reformation Bavaria</i></a>. Oxford University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-19-976464-8" title="Special:BookSources/978-0-19-976464-8"><bdi>978-0-19-976464-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Music%2C+Piety%2C+and+Propaganda%3A+The+Soundscape+of+Counter-Reformation+Bavaria&rft.pub=Oxford+University+Press&rft.date=2014&rft.isbn=978-0-19-976464-8&rft.aulast=Fisher&rft.aufirst=Alexander+J.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DGXP1AQAAQBAJ%26q%3DMatthaeus%2BLe%2BMaistre%26pg%3DPA80&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMattheus+Le+Maistre" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGresch1982" class="citation book cs1">Gresch, Donald, ed. (1982). <i>Mattheus Le Maistre: Catechesis Numeris Musicis Inclusa and Schöne und Auserlesene Deudsche und Lateinische Geistliche Gesenge</i>. Madison, Wisconsin: A-R Editions, Inc. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-89579-160-9" title="Special:BookSources/0-89579-160-9"><bdi>0-89579-160-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Mattheus+Le+Maistre%3A+Catechesis+Numeris+Musicis+Inclusa+and+Sch%C3%B6ne+und+Auserlesene+Deudsche+und+Lateinische+Geistliche+Gesenge&rft.place=Madison%2C+Wisconsin&rft.pub=A-R+Editions%2C+Inc.&rft.date=1982&rft.isbn=0-89579-160-9&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMattheus+Le+Maistre" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKade1862" class="citation book cs1 cs1-prop-foreign-lang-source">Kade, Otto (1862). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=z_DlAAAAMAAJ&q=Matthaeus+Le+Maistre&pg=PA2"><i>Mattheus Le Maistre – Niederländischer Tonsetzer und Churfürstlich Sächsischer Kapellmeister</i></a> (in German). Mainz: B. Schott's Söhne.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Mattheus+Le+Maistre+%E2%80%93+Niederl%C3%A4ndischer+Tonsetzer+und+Churf%C3%BCrstlich+S%C3%A4chsischer+Kapellmeister&rft.place=Mainz&rft.pub=B.+Schott%27s+S%C3%B6hne&rft.date=1862&rft.aulast=Kade&rft.aufirst=Otto&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dz_DlAAAAMAAJ%26q%3DMatthaeus%2BLe%2BMaistre%26pg%3DPA2&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMattheus+Le+Maistre" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPratt1907" class="citation book cs1">Pratt, Waldo Selden (1907). <a rel="nofollow" class="external text" href="https://archive.org/details/in.ernet.dli.2015.80801"><i>The History of Music</i></a>. New York: G. Schirmer, Inc.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+History+of+Music&rft.place=New+York&rft.pub=G.+Schirmer%2C+Inc.&rft.date=1907&rft.aulast=Pratt&rft.aufirst=Waldo+Selden&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fin.ernet.dli.2015.80801&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMattheus+Le+Maistre" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRandel1996" class="citation book cs1">Randel, Don Michael, ed. (1996). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/harvardbiographi00rand"><i>The Harvard Biographical Dictionary of Music</i></a></span>. Harvard University Press. p. <a rel="nofollow" class="external text" href="https://archive.org/details/harvardbiographi00rand/page/496">496</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-674-37299-3" title="Special:BookSources/978-0-674-37299-3"><bdi>978-0-674-37299-3</bdi></a>. <q>Matthaeus Le Maistree.</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Harvard+Biographical+Dictionary+of+Music&rft.pages=496&rft.pub=Harvard+University+Press&rft.date=1996&rft.isbn=978-0-674-37299-3&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fharvardbiographi00rand&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMattheus+Le+Maistre" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSadieTyrrell2001" class="citation book cs1">Sadie, Stanley; Tyrrell, John, eds. (2001). <i>The New Grove Dictionary of Music and Musicians</i>. Vol. 14 (2 ed.). New York: Grove's Dictionaries, Inc. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-56159-239-0" title="Special:BookSources/1-56159-239-0"><bdi>1-56159-239-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+New+Grove+Dictionary+of+Music+and+Musicians&rft.place=New+York&rft.edition=2&rft.pub=Grove%27s+Dictionaries%2C+Inc.&rft.date=2001&rft.isbn=1-56159-239-0&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMattheus+Le+Maistre" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWestrup1968" class="citation book cs1">Westrup, Jack Allan (1968). <i>New Oxford History of Music: The Age of Humanism, 1540–1630</i>. Oxford University Press.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=New+Oxford+History+of+Music%3A+The+Age+of+Humanism%2C+1540%E2%80%931630&rft.pub=Oxford+University+Press&rft.date=1968&rft.aulast=Westrup&rft.aufirst=Jack+Allan&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMattheus+Le+Maistre" class="Z3988"></span></li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist 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