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Catfight - Wikipedia
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.mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">This article is about the term for fighting between two women. For other uses, see <a href="/wiki/Catfight_(disambiguation)" class="mw-disambig" title="Catfight (disambiguation)">Catfight (disambiguation)</a>.</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Maryse_vs_Maria_-_Diva%27s_match.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/6f/Maryse_vs_Maria_-_Diva%27s_match.jpg/220px-Maryse_vs_Maria_-_Diva%27s_match.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/6f/Maryse_vs_Maria_-_Diva%27s_match.jpg/330px-Maryse_vs_Maria_-_Diva%27s_match.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/6f/Maryse_vs_Maria_-_Diva%27s_match.jpg/440px-Maryse_vs_Maria_-_Diva%27s_match.jpg 2x" data-file-width="3072" data-file-height="2304" /></a><figcaption><a href="/wiki/WWE_Divas" class="mw-redirect" title="WWE Divas">WWE Divas</a> wrestling at a WWE show, February 28, 2009</figcaption></figure> <p><b>Catfight</b> (also <b>girl fight</b>) is a term for an altercation between two women, often characterized as involving scratching, shoving, slapping, choking, punching, kicking, wrestling, biting, spitting, hair-pulling, and shirt-shredding.<sup id="cite_ref-Reinke_1-0" class="reference"><a href="#cite_note-Reinke-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> It can also be used to describe women insulting each other verbally or engaged in an intense competition for men, power, or occupational success.<sup id="cite_ref-James_2-0" class="reference"><a href="#cite_note-James-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> The catfight has been a staple of American news media and popular culture since the 1940s, and use of the term is often considered derogatory or belittling.<sup id="cite_ref-Douglas_1994_221_3-0" class="reference"><a href="#cite_note-Douglas_1994_221-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Sweeney_2007_122_4-0" class="reference"><a href="#cite_note-Sweeney_2007_122-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Heim_2003_5-0" class="reference"><a href="#cite_note-Heim_2003-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Dowd_2005_6-0" class="reference"><a href="#cite_note-Dowd_2005-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Douglas_2004_235_7-0" class="reference"><a href="#cite_note-Douglas_2004_235-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> Some observers argue that in its purest form, the word refers to two women, one <a href="/wiki/Blonde" class="mw-redirect" title="Blonde">blonde</a> and the other a <a href="/wiki/Brunette" class="mw-redirect" title="Brunette">brunette</a>, fighting each other.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> However, the term is not exclusively used to indicate a fight between women, and many formal definitions do not invoke gender.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Etymology">Etymology</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Catfight&action=edit&section=1" title="Edit section: Etymology"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The term <i>catfight</i> was recorded by the <i><a href="/wiki/Oxford_English_Dictionary" title="Oxford English Dictionary">Oxford English Dictionary</a></i> as the title and subject of an 1824 <a href="/wiki/Mock_heroic" class="mw-redirect" title="Mock heroic">mock heroic</a> poem by Ebenezer Mack. In the United States, it was first recorded as being used to describe a fight between women in an 1854 book written by <a href="/wiki/Benjamin_G._Ferris" title="Benjamin G. Ferris">Benjamin G. Ferris</a> who wrote about Mormon women fighting over their shared husband. Their houses, according to Ferris, were designed to keep women "as much as possible, apart, and prevent those terrible catfights which sometimes occur, with all the accompaniments of billingsgate [vulgar and coarse language], torn caps, and broken broomsticks."<sup id="cite_ref-NYT_10-0" class="reference"><a href="#cite_note-NYT-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Reinke_1-1" class="reference"><a href="#cite_note-Reinke-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> The word cat was originally a contemptuous term for either sex, but eventually came to refer to a woman considered loose or sexually promiscuous, or one regarded as spiteful, backbiting, and malicious.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Responses">Responses</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Catfight&action=edit&section=2" title="Edit section: Responses"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Male">Male</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Catfight&action=edit&section=3" title="Edit section: Male"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Catfights are often described as titillating for heterosexual men.<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> Portrayals of catfights in cartoons, movies and advertising often display participants as attractive, with "supermodel physiques",<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> dishevelled and missing articles of clothing, and catfights are often described by media aimed primarily at men as sexy.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> </p> <style data-mw-deduplicate="TemplateStyles:r1224211176">.mw-parser-output .quotebox{background-color:#F9F9F9;border:1px solid #aaa;box-sizing:border-box;padding:10px;font-size:88%;max-width:100%}.mw-parser-output .quotebox.floatleft{margin:.5em 1.4em .8em 0}.mw-parser-output .quotebox.floatright{margin:.5em 0 .8em 1.4em}.mw-parser-output .quotebox.centered{overflow:hidden;position:relative;margin:.5em auto .8em auto}.mw-parser-output .quotebox.floatleft span,.mw-parser-output .quotebox.floatright span{font-style:inherit}.mw-parser-output .quotebox>blockquote{margin:0;padding:0;border-left:0;font-family:inherit;font-size:inherit}.mw-parser-output .quotebox-title{text-align:center;font-size:110%;font-weight:bold}.mw-parser-output .quotebox-quote>:first-child{margin-top:0}.mw-parser-output .quotebox-quote:last-child>:last-child{margin-bottom:0}.mw-parser-output .quotebox-quote.quoted:before{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" “ ";vertical-align:-45%;line-height:0}.mw-parser-output .quotebox-quote.quoted:after{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" ” ";line-height:0}.mw-parser-output .quotebox .left-aligned{text-align:left}.mw-parser-output .quotebox .right-aligned{text-align:right}.mw-parser-output .quotebox .center-aligned{text-align:center}.mw-parser-output .quotebox .quote-title,.mw-parser-output .quotebox .quotebox-quote{display:block}.mw-parser-output .quotebox cite{display:block;font-style:normal}@media screen and (max-width:640px){.mw-parser-output .quotebox{width:100%!important;margin:0 0 .8em!important;float:none!important}}</style><div class="quotebox pullquote floatright" style="width:25%; ;"> <blockquote class="quotebox-quote left-aligned" style=""> <p>Culturally, we think of the catfight as bikini-clad bimbos slapping each other around and wrestling. They're sexualized and devalued. </p> </blockquote> <div style="padding-bottom: 0; padding-top: 0.5em"><cite class="left-aligned" style=""><a href="/wiki/Onur_Tukel" title="Onur Tukel">Onur Tukel</a>, Director, <i><a href="/wiki/Catfight_(film)" title="Catfight (film)">Catfight</a></i><sup id="cite_ref-James_2-1" class="reference"><a href="#cite_note-James-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup></cite></div> </div> <div class="mw-heading mw-heading3"><h3 id="Female">Female</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Catfight&action=edit&section=4" title="Edit section: Female"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Women have often been critical of the term <i>catfight</i>, particularly when it is used in ways that may seem to inappropriately sexualize, neutralize, or trivialize disagreements among women on serious topics.<sup id="cite_ref-Sweeney_2007_122_4-1" class="reference"><a href="#cite_note-Sweeney_2007_122-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Heim_2003_5-1" class="reference"><a href="#cite_note-Heim_2003-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Dowd_2005_6-1" class="reference"><a href="#cite_note-Dowd_2005-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Douglas_2004_235_7-1" class="reference"><a href="#cite_note-Douglas_2004_235-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p><p>Feminist historians say use of the term catfight to label female opponents goes back to 1940, when American newspapers characterized as a catfight a dispute between <a href="/wiki/Clare_Boothe_Luce" title="Clare Boothe Luce">Clare Boothe Luce</a> and <a href="/wiki/Journalist" title="Journalist">journalist</a> <a href="/wiki/Dorothy_Thompson" title="Dorothy Thompson">Dorothy Thompson</a> over which candidate to support in the <a href="/wiki/1940_United_States_presidential_election" title="1940 United States presidential election">1940 presidential campaign</a>. One newspaper called it "a confrontation between two blonde <a href="/wiki/Valkryie" class="mw-redirect" title="Valkryie">Valkryies</a>", and journalist <a href="/wiki/Walter_Winchell" title="Walter Winchell">Walter Winchell</a>, upon running into Luce and Thompson at a nightclub, reportedly urged them not to fight, saying, "Ladies, ladies, remember there are gentlemen present." </p><p>In the 1970s the American news media began to use the term <i>catfight</i> to describe women's disagreements about issues related to women's rights, such as the <a href="/wiki/Equal_Rights_Amendment" title="Equal Rights Amendment">Equal Rights Amendment</a>.<sup id="cite_ref-Douglas_1994_221_3-1" class="reference"><a href="#cite_note-Douglas_1994_221-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p><p>A University of British Columbia's Sauder School of Business survey found that both female and male observers judged female vs. female conflicts to have more negative impacts on the workplace environment than conflicts that involved men.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Usage_in_popular_culture">Usage in popular culture</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Catfight&action=edit&section=5" title="Edit section: Usage in popular culture"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Real_Men_magazine_August_1959.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Real_Men_magazine_August_1959.jpg/220px-Real_Men_magazine_August_1959.jpg" decoding="async" width="220" height="285" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Real_Men_magazine_August_1959.jpg/330px-Real_Men_magazine_August_1959.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Real_Men_magazine_August_1959.jpg/440px-Real_Men_magazine_August_1959.jpg 2x" data-file-width="2544" data-file-height="3296" /></a><figcaption>Catfight imagery, as Rachel Reinke points out, is often found in media that caters to a male audience and, as Susan Douglas has noted, frequently involves a blonde and a brunette.</figcaption></figure> <p>Catfights first began appearing in American popular culture in the 1950s when postwar pioneers of pornography such as <a href="/wiki/Irving_Klaw" title="Irving Klaw">Irving Klaw</a> produced film clips of women engaged in catfighting and <a href="/wiki/Wrestling" title="Wrestling">wrestling</a>. Klaw used many models and actresses in his works, including <a href="/wiki/Bettie_Page" title="Bettie Page">Bettie Page</a>.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> The popularity of watching women fight increased in the postwar years and eventually moved into the mainstream of society.<sup id="cite_ref-Reinke_1-2" class="reference"><a href="#cite_note-Reinke-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> In the 1960s, catfights became popular in <a href="/wiki/B_movie" title="B movie">B movies</a> such as <a href="/wiki/Russ_Meyer" title="Russ Meyer">Russ Meyer</a>'s <i><a href="/wiki/Faster,_Pussycat!_Kill!_Kill!" title="Faster, Pussycat! Kill! Kill!">Faster, Pussycat! Kill! Kill!</a></i> and the 1969 animated <a href="/wiki/Boris_Karloff" title="Boris Karloff">Boris Karloff</a> movie <i><a href="/wiki/Mad_Monster_Party" class="mw-redirect" title="Mad Monster Party">Mad Monster Party</a></i>.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> In the 1970s and 1980s, catfights began to make appearances in <a href="/wiki/Women_in_prison_film" class="mw-redirect" title="Women in prison film">women in prison films</a>, in <a href="/wiki/Roller_derby" title="Roller derby">roller derby</a>, and in nighttime soap operas such as <i><a href="/wiki/Dallas_(1978_TV_series)" class="mw-redirect" title="Dallas (1978 TV series)">Dallas</a></i> and <i><a href="/wiki/Dynasty_(1981_TV_series)" title="Dynasty (1981 TV series)">Dynasty</a></i>.<sup id="cite_ref-Douglas_1994_221_3-2" class="reference"><a href="#cite_note-Douglas_1994_221-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p><p><i>Dynasty</i> starred <a href="/wiki/John_Forsythe" title="John Forsythe">John Forsythe</a> as an oil tycoon and patriarch of a wealthy family that lived in <a href="/wiki/Denver" title="Denver">Denver</a>. The show co-starred blonde <a href="/wiki/Linda_Evans" title="Linda Evans">Linda Evans</a> and brunette <a href="/wiki/Joan_Collins" title="Joan Collins">Joan Collins</a>. The two women had a number of fights, both verbal and physical, during the show's 9-year run on ABC. Designed to compete with <i>Dallas</i>, a highly popular evening drama on CBS, <i>Dynasty's</i> first-year ratings were unremarkable. For the second season, the producers introduced the dark-haired Collins as a foil to the blonde Evans and hoped that her "bitchy persona" would enhance the show's ratings, which it did.<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> Wanting the ratings to go even higher, <a href="/wiki/Douglas_S._Cramer" title="Douglas S. Cramer">Douglas S. Cramer</a>, <i>Dynasty</i><span class="nowrap" style="padding-left:0.1em;">'s</span> producer suggested that the two women have a "knockdown, drag out fight". Cramer, in a 2008 interview, claimed that everybody loved the catfights except Joan Collins because "Linda was so much stronger than she was."<sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> In a 2023 interview, Collins confirmed that she hated the catfights because "... they were so stupid."<sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> </p> <blockquote><p>Dynasty upped the ante ... On one side was the blonde stay at home Krystal Carrington ... in the other corner was the most delicious bitch ever seen on television, the dark haired, scheming, career vixen, Alexis Carrington Colby ... Krystal just wanted to make her husband happy; Alexis wanted to control the world. How could you not love a catfight between these two?<sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> </p></blockquote> <p>The <i>Dynasty</i> director's blueprint for the first fight was, according to Evans, an "outrageous catfight"<sup id="cite_ref-Evans_23-0" class="reference"><a href="#cite_note-Evans-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> she had almost a decade earlier with <a href="/wiki/Stefanie_Powers" title="Stefanie Powers">Stefanie Powers</a> in the detective series <i><a href="/wiki/McCloud_(TV_series)" title="McCloud (TV series)">McCloud</a></i>, starring <a href="/wiki/Dennis_Weaver" title="Dennis Weaver">Dennis Weaver</a>. The fight occurs during an argument they are having in Evans' apartment when Powers, on her way out, grabs a bottle of seltzer water and sprays down Evans. Before she reaches the door, Evans grabs Powers and the two women engage in spirited catfight, wrecking the apartment in the process. During the fight, Powers' blouse is partially torn off, exposing her black bra, a surprising level of undress for network television in that era. Evans eventually overpowers her brunette opponent and is holding her head down in a water-filled aquarium when Weaver walks in, which ends the fight.<sup id="cite_ref-Evans_23-1" class="reference"><a href="#cite_note-Evans-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> </p><p>Catfights, both real and staged, are a staple of daytime television talk shows and reality television shows such as <i><a href="/wiki/The_Jerry_Springer_Show" title="The Jerry Springer Show">The Jerry Springer Show</a></i>, <i><a href="/wiki/The_Bachelor_(American_TV_series)" title="The Bachelor (American TV series)">The Bachelor</a></i>, <i><a href="/wiki/For_Love_or_Money_(2003_TV_series)" class="mw-redirect" title="For Love or Money (2003 TV series)">For Love or Money</a></i>, and <i><a href="/wiki/The_Real_Housewives" title="The Real Housewives">The Real Housewives</a></i> series,<sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> where women are frequently presented as being in continual competition with each other for love and professional success. In 2009, <a href="/wiki/American_Broadcasting_Company" title="American Broadcasting Company">ABC-TV</a> promoted <i>The Bachelor</i> with the voiceover narration "Let the catfights begin", and reality television shows have frequently overlaid sound effects of hissing cats onto scenes featuring women arguing or competing with each other.<sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Kitana_Baker_and_Tanya_Ballinger.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/9/9a/Kitana_Baker_and_Tanya_Ballinger.jpg/220px-Kitana_Baker_and_Tanya_Ballinger.jpg" decoding="async" width="220" height="284" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/9a/Kitana_Baker_and_Tanya_Ballinger.jpg/330px-Kitana_Baker_and_Tanya_Ballinger.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/9a/Kitana_Baker_and_Tanya_Ballinger.jpg/440px-Kitana_Baker_and_Tanya_Ballinger.jpg 2x" data-file-width="1658" data-file-height="2144" /></a><figcaption>A 2003 commercial for Miller Lite beer, featured a catfight between Tanya Ballinger and Kitana Baker<sup id="cite_ref-Reinke_1-3" class="reference"><a href="#cite_note-Reinke-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup></figcaption></figure> <p>In 2002, an <a href="/wiki/SABMiller" title="SABMiller">SABMiller</a> television commercial called "Catfight" featured two young beautiful women<sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> drinking a beer in an outside cafe. Their polite conversation quickly turned into an argument about whether <a href="/wiki/Miller_Lite" title="Miller Lite">Miller Lite</a> beer's best aspect was its taste or the fact that it was less filling than other beers. The argument led to a fight where one of the girls knocked the other into an adjacent pool. The women quickly lost most of their clothes and continued the fight clad in only in their underwear. Before the fight came to a conclusion, the scene faded out and the viewers saw that it was a fantasy dreamed up by two men in a bar discussing what would make a great commercial. The scene would later cut to the girls, stripped down to their underwear, wrestling in a mud pit.<sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> An "uncensored" version was also filmed that included an alternate ending where the mud-covered girls kiss. Predictably, one critic noted, the fight was between a blonde and a brunette.<sup id="cite_ref-Reinke_1-4" class="reference"><a href="#cite_note-Reinke-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> The campaign generated considerable controversy, but sales of Miller Lite subsequently declined by 3%.<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> </p> <blockquote><p>More than any other aspect of the catfight in today's culture, the catfight's sexually arousing potential is exploited for numerous purposes. The phenomenon of catfighting as erotic entertainment for straight men is widely documented throughout the Internet, television, film, and even pornography. On numerous websites ... web users are overwhelmingly presented with catfighting as highly sexual, even pornographic. So many websites act as sources of catfights as pornography that it would be hard to believe the catfight can be interpreted in any other way. Venturing onto ... these pages will lead a viewer to an abundance of videos and images of objectified women fighting with each other by pulling hair, scratching, and even biting each other. The interpretation of the catfight as sexy and gratifying for men is hardly uncommon on the Internet.<br />—Rachel Reinke: "Catfight: A Feminist Analysis"<sup id="cite_ref-Reinke_1-5" class="reference"><a href="#cite_note-Reinke-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>A 2019 article in <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i> titled "Me-OW! It's the End of the Catfight", pointed how the term has been slowly falling out of favor in light of the <a href="/wiki/Me_Too_movement" class="mw-redirect" title="Me Too movement">#MeToo</a> movement, "calling any conflict between women a catfight is understood to be sexist, and enthusiasm has generally dampened for women fighting". Notwithstanding, the author pointed out, remnants remained and cited the tabloid-created feud between <a href="/wiki/Kate_Middleton" class="mw-redirect" title="Kate Middleton">Kate Middleton</a> and <a href="/wiki/Meghan_Markle" class="mw-redirect" title="Meghan Markle">Meghan Markle</a> as an example.<sup id="cite_ref-NYT_10-1" class="reference"><a href="#cite_note-NYT-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="In_the_TV_and_film_industry">In the TV and film industry</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Catfight&action=edit&section=6" title="Edit section: In the TV and film industry"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The entertainment industry has produced many works that include catfights. Below is a selection of notable films and television episodes, many of them featuring major movie stars engaged in fighting. </p> <ul><li><i><a href="/wiki/OSS_117:_Cairo,_Nest_of_Spies" title="OSS 117: Cairo, Nest of Spies">OSS 117: Cairo, Nest of Spies</a></i>. <a href="/wiki/84th_Academy_Awards" title="84th Academy Awards">Academy Award</a> winning director <a href="/wiki/Michel_Hazanavicius" title="Michel Hazanavicius">Michel Hazanavicius</a> directed this 2007 French spy spoof that featured a clothes shredding catfight between <a href="/wiki/B%C3%A9r%C3%A9nice_Bejo" title="Bérénice Bejo">Bérénice Bejo</a> and <a href="/wiki/Aure_Atika" title="Aure Atika">Aure Atika</a>. Instead of breaking up the fight, <a href="/wiki/Jean_Dujardin" title="Jean Dujardin">Jean Dujardin</a>, in the role of OSS Agent 117, watches with glee as the two barefoot brunettes battle each other.<sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/2_Days_in_the_Valley" title="2 Days in the Valley">2 Days in the Valley</a></i>. <a href="/wiki/Teri_Hatcher" title="Teri Hatcher">Teri Hatcher</a> and <a href="/wiki/Charlize_Theron" title="Charlize Theron">Charlize Theron</a> star in what the <i><a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a></i> referred to as the "spandex cat fight of the year".<sup id="cite_ref-31" class="reference"><a href="#cite_note-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> According to director <a href="/wiki/John_Herzfeld" title="John Herzfeld">John Herzfeld</a> the two women, who refused to use stunt doubles, were hitting each other so hard that at one point the filming was stopped after Hatcher connected to Theron's chin so that the resulting bruise could be hidden by make-up.<sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> After filming, when Hatcher was asked about the "catfight", she responded "It was actually a brawl—not a catfight because technically a 'catfight' is hair pulling and there was none of that."<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Back_from_Eternity" title="Back from Eternity">Back from Eternity</a></i>. A 1956 remake of <i><a href="/wiki/Five_Came_Back" title="Five Came Back">Five Came Back</a></i> starring <a href="/wiki/Phyllis_Kirk" title="Phyllis Kirk">Phyllis Kirk</a> and <a href="/wiki/Anita_Ekberg" title="Anita Ekberg">Anita Ekberg</a>. Jealous over her apparent attraction to a pilot played by <a href="/wiki/Keith_Andes" title="Keith Andes">Keith Andes</a>, Kirk starts a fight with Ekberg in a stream while washing clothes. Shooting the scene on a sound set required the creation of a stream with running water and foam rubber rocks to avoid injury to Kirk and Ekberg.<sup id="cite_ref-NYDN_34-0" class="reference"><a href="#cite_note-NYDN-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Barfly_(film)" title="Barfly (film)">Barfly</a></i>. <a href="/wiki/Faye_Dunaway" title="Faye Dunaway">Faye Dunaway</a> has a kicking, hair-pulling battle with <a href="/wiki/Alice_Krige" title="Alice Krige">Alice Krige</a> in a Los Angeles bar, described by <i><a href="/wiki/The_Washington_Post" title="The Washington Post">the Washington Post</a></i><span class="nowrap" style="padding-left:0.1em;">'s</span> review of the movie as a "cat fight on skid row ... (that is) as preposterous as the script as a whole."<sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Carry_on_Girls" class="mw-redirect" title="Carry on Girls">Carry on Girls</a></i>. <a href="/wiki/Barbara_Windsor" title="Barbara Windsor">Barbara Windsor</a> and <a href="/wiki/Margaret_Nolan" title="Margaret Nolan">Margaret Nolan</a> in a publicity event for a forthcoming beauty contest, get into a fight over Nolan wearing a silver bikini in a hotel lobby that Windsor says she stole off her in a previous contest, tearing off Nolan's hairpiece, her bikini top, and very nearly her bikini bottoms until contest organisers <a href="/wiki/Sid_James" title="Sid James">Sid James</a> and <a href="/wiki/Bernard_Bresslaw" title="Bernard Bresslaw">Bernard Bresslaw</a> just about manage to separate them apart. In a scene, shortly afterwards, Windsor said she deliberately provoked the catfight merely to arouse more publicity for the contest.<sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Catwoman_(film)" title="Catwoman (film)">Catwoman</a></i>. Panned by critics, this 2004 movie nonetheless culminates in "a world-class catfight" between co-stars <a href="/wiki/Halle_Berry" title="Halle Berry">Halle Berry</a> and <a href="/wiki/Sharon_Stone" title="Sharon Stone">Sharon Stone</a>.<sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Charlie%27s_Angels" title="Charlie's Angels">Charlie's Angels</a></i>. Iconic 1970s TV show starring, in its first season, <a href="/wiki/Kate_Jackson" title="Kate Jackson">Kate Jackson</a>, <a href="/wiki/Farrah_Fawcett" title="Farrah Fawcett">Farrah Fawcett</a>, and <a href="/wiki/Jaclyn_Smith" title="Jaclyn Smith">Jaclyn Smith</a>. Dressed in a white bikini, Smith fought <a href="/wiki/Rosemary_Forsyth" title="Rosemary Forsyth">Rosemary Forsyth</a> in the first season's third episode titled "Night of the Strangler". Smith later engaged stuntwoman Heidi von Beltz in a locker room fight during the season-two episode "Angels in the Backfield" (von Beltz would later become quadriplegic as a result of injuries sustained while performing a stunt in <i><a href="/wiki/The_Cannonball_Run" title="The Cannonball Run">The Cannonball Run</a>)</i>. <a href="/wiki/Cheryl_Ladd" title="Cheryl Ladd">Cheryl Ladd</a> joined the cast after Fawcett's departure and fought <a href="/wiki/Shera_Danese" title="Shera Danese">Shera Danese</a> in season three's episode "Disco Angels".<sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Colorado_Territory_(film)" title="Colorado Territory (film)">Colorado Territory</a></i>. <a href="/wiki/Dorothy_Malone" title="Dorothy Malone">Dorothy Malone</a> tries to alert the visiting marshal, played by <a href="/wiki/Morris_Ankrum" title="Morris Ankrum">Morris Ankrum</a>, that wanted felons played by <a href="/wiki/Joel_McCrea" title="Joel McCrea">Joel McCrea</a> and <a href="/wiki/Virginia_Mayo" title="Virginia Mayo">Virginia Mayo</a> have taken refuge in their ranch house, but is stopped by Mayo. The two women engage in what <a href="/wiki/The_Village_Voice" title="The Village Voice">The Village Voice</a> called one of "The Best Catfights In Hollywood History."<sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Community_(TV_series)" title="Community (TV series)">Community</a></i>. In <i><a href="/wiki/The_Psychology_of_Letting_Go" title="The Psychology of Letting Go">The Psychology of Letting Go</a></i>, the third episode of the second season of the 2009 <a href="/wiki/NBC" title="NBC">NBC</a> <a href="/wiki/Sitcom" title="Sitcom">sitcom</a>, <a href="/wiki/Alison_Brie" title="Alison Brie">Alison Brie</a> and <a href="/wiki/Gillian_Jacobs" title="Gillian Jacobs">Gillian Jacobs</a> have a fundraiser rivalry that climaxes in an oil wrestling bout. Todd VanDerWerff, writing for <a href="/wiki/The_AV_Club" class="mw-redirect" title="The AV Club">The AV Club</a>, commented "At this point, a comedy throwing its two hot girls into an ironic mud fight is essentially just a non-ironic mud-fight, it's happened so often."<sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Comrade_X" title="Comrade X">Comrade X</a></i>. <a href="/wiki/Hedy_Lamarr" title="Hedy Lamarr">Hedy Lamarr</a> and <a href="/wiki/Natasha_Lytess" title="Natasha Lytess">Natasha Lytess</a> have a "hair pulling battle" over the affections of <a href="/wiki/Clark_Gable" title="Clark Gable">Clark Gable</a> in this 1940 movie.<sup id="cite_ref-43" class="reference"><a href="#cite_note-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-44" class="reference"><a href="#cite_note-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Destry_Rides_Again" title="Destry Rides Again">Destry Rides Again</a></i>. <a href="/wiki/Marlene_Dietrich" title="Marlene Dietrich">Marlene Dietrich</a> and <a href="/wiki/Una_Merkel" title="Una Merkel">Una Merkel</a> engage in "one of the most famous female vs female fights ever captured on film."<sup id="cite_ref-Freese_45-0" class="reference"><a href="#cite_note-Freese-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i> review of the 1939 movie said "The scene that really counts though is the cat-fight between Miss Dietrich's Frenchy and Una Merkel's outraged Mrs. Callahan ... we thought the battle in 'The Women' was an eye-opener, now we realize it was just shadow clawing. For the real thing, with no-holds barred and full access to chairs, tables, glasses, waterbuckets and as much hair that can be snatched from the opponent's scalp, we give you not 'The Women' but the two women who fight it out in Bloody Gulch."<sup id="cite_ref-46" class="reference"><a href="#cite_note-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> Adaptations of the movie include <i><a href="/wiki/Frenchie_(film)" title="Frenchie (film)">Frenchie</a></i> starring <a href="/wiki/Shelley_Winters" title="Shelley Winters">Shelley Winters</a> and <a href="/wiki/Marie_Windsor" title="Marie Windsor">Marie Windsor</a> as the combatants and <i><a href="/wiki/Destry_(film)" title="Destry (film)">Destry</a></i> starring <a href="/wiki/Mari_Blanchard" title="Mari Blanchard">Mari Blanchard</a> and <a href="/wiki/Mary_Wickes" title="Mary Wickes">Mary Wickes</a>. All four women, in both of the movies, were shown the Dietrich-Merkel fight in the original, as a point of reference.<sup id="cite_ref-Freese_45-1" class="reference"><a href="#cite_note-Freese-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup></li></ul> <blockquote><p>The Dietrich-Merkel match-up, a riotous tooth-and-nail catfight lasting over two minutes, took five days to film. Dietrich was adamant about doing as much of her own fighting as was possible on the screen. Co-star Merkel realized that Dietrich wasn't pulling any punches and opted to do her own fighting as well. Both actresses became carried away in the moment in front of the Hal Mohr's camera and came away with scrapes, bruises and splinters. A first aid station was set up off the soundstage for injuries. Pioneering stuntwoman Helen Thurston filled in for Dietrich when the action became too heavy ... but the publicity claimed the stars did all their own stunts in one continuous take and were presented with champagne toasts and applause from the cast and crew.<sup id="cite_ref-Freese_45-2" class="reference"><a href="#cite_note-Freese-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> -- Gene Freese, <i>Classic Movie Fight Scenes: 75 Years of Bare Knuckle Brawls, 1914-1989</i></p></blockquote> <ul><li><i><a href="/wiki/Eve_(1968_film)" title="Eve (1968 film)">Eve</a></i>. <a href="/wiki/Celeste_Yarnall" title="Celeste Yarnall">Celeste Yarnall</a> stars in this 1968 film as a female version of Tarzan, living in the jungle with native peoples. Yarnall almost fell to her death while filming her fight scene with Mexican actress <a href="/wiki/Rosenda_Monteros" title="Rosenda Monteros">Rosenda Monteros</a> when Monteros failed to follow the carefully scripted fight choreography and nearly kicked Yarnall off a 200-foot cliff.<sup id="cite_ref-47" class="reference"><a href="#cite_note-47"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/From_Russia_with_Love_(film)" title="From Russia with Love (film)">From Russia with Love</a></i>. In the role of <a href="/wiki/James_Bond" title="James Bond">James Bond</a>, <a href="/wiki/Sean_Connery" title="Sean Connery">Sean Connery</a> watches two gypsies engage in what many consider to be one of the entertainment industry's most iconic catfights.<sup id="cite_ref-Freese_45-3" class="reference"><a href="#cite_note-Freese-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> The black-haired, dark-eyed, olive-skinned "gypsy" combatants were <a href="/wiki/Martine_Beswick" title="Martine Beswick">Martine Beswick</a> and <a href="/wiki/Aliza_Gur" title="Aliza Gur">Aliza Gur</a>. According to Beswick, their relationship on the set was not friendly and the film's director, <a href="/wiki/Terence_Young_(director)" title="Terence Young (director)">Terence Young</a> encouraged Beswick to get rough with Gur.<sup id="cite_ref-48" class="reference"><a href="#cite_note-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-49" class="reference"><a href="#cite_note-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup></li></ul> <blockquote><p>I was a very nice girl but Aliza was a cow. We had terrible clashes and I was disgusted with her. I had a lot of anger inside of me so that [fight] scene was a perfect way to work it out. We rehearsed the fight for three weeks but when we shot it, Aliza was really fighting. Everyone encouraged me to fight back, so I did. We got into a real scrapping match.<br />— Martine Beswick<sup id="cite_ref-50" class="reference"><a href="#cite_note-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup></p></blockquote> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Girls_in_Prison_movie_poster.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/b/b9/Girls_in_Prison_movie_poster.jpg/250px-Girls_in_Prison_movie_poster.jpg" decoding="async" width="250" height="320" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/b/b9/Girls_in_Prison_movie_poster.jpg/279px-Girls_in_Prison_movie_poster.jpg 1.5x" data-file-width="279" data-file-height="357" /></a><figcaption>Prison inmates <a href="/wiki/Adele_Jergens" title="Adele Jergens">Adele Jergens</a> and <a href="/wiki/Joan_Taylor" title="Joan Taylor">Joan Taylor</a> fight each other in the 1956 <a href="/wiki/American_International_Pictures" title="American International Pictures">American International Pictures</a> movie <i><a href="/wiki/Girls_in_Prison_(1956_film)" title="Girls in Prison (1956 film)">Girls in Prison</a></i></figcaption></figure> <ul><li><i><a href="/wiki/Girls_in_Prison_(1956_film)" title="Girls in Prison (1956 film)">Girls in Prison</a></i>. Inmates <a href="/wiki/Joan_Taylor" title="Joan Taylor">Joan Taylor</a> and <a href="/wiki/Adele_Jergens" title="Adele Jergens">Adele Jergens</a> fight each other in a muddy field.<sup id="cite_ref-51" class="reference"><a href="#cite_note-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-52" class="reference"><a href="#cite_note-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Go_West,_Young_Lady" title="Go West, Young Lady">Go West, Young Lady</a></i>. Dance hall girl <a href="/wiki/Ann_Miller" title="Ann Miller">Ann Miller</a> and her rival <a href="/wiki/Penny_Singleton" title="Penny Singleton">Penny Singleton</a> have a "rowdy free-for-all hair-pulling fight ... worth the price of admission", in this 1942 western starring <a href="/wiki/Glenn_Ford" title="Glenn Ford">Glenn Ford</a>.<sup id="cite_ref-53" class="reference"><a href="#cite_note-53"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup> One biographer noted that the scene was humiliating for Miller, as she lost the energetic fight to Singleton.<sup id="cite_ref-54" class="reference"><a href="#cite_note-54"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Gun_Girls" title="Gun Girls">Gun Girls</a></i>. 1957 American crime film, ridiculed for sloppy production and dialogue as well as for having women in their 20s portray teen-aged criminals. During the movie, <a href="/wiki/Eve_Brent" title="Eve Brent">Eve Brent</a> fights Eleise Cameron when she finds Cameron in her boyfriend's apartment. Brent would later star as <a href="/wiki/Jane_Porter_(Tarzan)" title="Jane Porter (Tarzan)">Jane</a> in <i><a href="/wiki/Tarzan%27s_Fight_for_Life" title="Tarzan's Fight for Life">Tarzan's Fight for Life</a></i>.<sup id="cite_ref-55" class="reference"><a href="#cite_note-55"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Gunslinger_(film)" title="Gunslinger (film)">Gunslinger</a></i>. <a href="/wiki/Beverly_Garland" title="Beverly Garland">Beverly Garland</a> and <a href="/wiki/Allison_Hayes" title="Allison Hayes">Allison Hayes</a> fight in this <a href="/wiki/Roger_Corman" title="Roger Corman">Roger Corman</a> directed western. Garland, who injured her ankle filming an earlier scene, told Corman she was unable to stand up, let alone film a fight scene with Hayes. Corman responded by having a doctor inject her ankle with painkillers. In her biography, Garland said "You could be dead and Roger would find a way to film around that. We filmed the fight scene and I did all my own stunts ... we really scratched, punched and pulled each others hair! Of course I couldn't work for several weeks after that, I couldn't walk on that leg. But Roger got his scenes, that's all that mattered."<sup id="cite_ref-56" class="reference"><a href="#cite_note-56"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Hot_Blood" title="Hot Blood">Hot Blood</a></i>. 1956 musical drama starring <a href="/wiki/Jane_Russell" title="Jane Russell">Jane Russell</a> and <a href="/wiki/Cornel_Wilde" title="Cornel Wilde">Cornel Wilde</a> where Wilde is tricked by his brother into an arranged marriage with tempestuous Annie Caldash, played by Russell. "One of the liveliest scenes in the movie is a hair pulling battle, blonde vs brunette, when Jane encounters a rival for her hubby's affections ... and a free-for-all with blonde <a href="/wiki/Helen_Westcott" title="Helen Westcott">Helen Westcott</a> follows."<sup id="cite_ref-57" class="reference"><a href="#cite_note-57"><span class="cite-bracket">[</span>57<span class="cite-bracket">]</span></a></sup></li></ul> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Gun_Girls_lobby_card.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/3/36/Gun_Girls_lobby_card.jpg/250px-Gun_Girls_lobby_card.jpg" decoding="async" width="250" height="188" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/3/36/Gun_Girls_lobby_card.jpg/375px-Gun_Girls_lobby_card.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/3/36/Gun_Girls_lobby_card.jpg/500px-Gun_Girls_lobby_card.jpg 2x" data-file-width="960" data-file-height="720" /></a><figcaption>Teen age criminals, played by <a href="/wiki/Eve_Brent" title="Eve Brent">Eve Brent</a> and Eleise Cameron fight in the 1957 crime film <i><a href="/wiki/Gun_Girls" title="Gun Girls">Gun Girls</a></i></figcaption></figure> <ul><li><i><a href="/wiki/Kill_Bill:_Volume_1" title="Kill Bill: Volume 1">Kill Bill: Volume 1</a></i> and <i><a href="/wiki/Kill_Bill:_Volume_2" title="Kill Bill: Volume 2">Kill Bill: Volume 2</a></i>. <a href="/wiki/Uma_Thurman" title="Uma Thurman">Uma Thurman</a> in the role of <a href="/wiki/The_Bride_(Kill_Bill)" title="The Bride (Kill Bill)">The Bride</a> uses a combination of swords, knives, and martial arts to kill <a href="/wiki/Lucy_Liu" title="Lucy Liu">Lucy Liu</a>, <a href="/wiki/Vivica_A._Fox" title="Vivica A. Fox">Vivica Fox</a> and <a href="/wiki/Daryl_Hannah" title="Daryl Hannah">Daryl Hannah</a>.<sup id="cite_ref-58" class="reference"><a href="#cite_note-58"><span class="cite-bracket">[</span>58<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-59" class="reference"><a href="#cite_note-59"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-60" class="reference"><a href="#cite_note-60"><span class="cite-bracket">[</span>60<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Kansas_City_Bomber" title="Kansas City Bomber">Kansas City Bomber</a></i>. <a href="/wiki/Raquel_Welch" title="Raquel Welch">Raquel Welch</a> stars in this feature film about the sport of female <a href="/wiki/Roller_derby" title="Roller derby">roller derby</a>. Portraying a divorcee and single parent, Welch in the role of K.C. Carr, engages in a number of fights, most notably against actress <a href="/wiki/Helena_Kallianiotes" title="Helena Kallianiotes">Helena Kallianiotes</a> who plays the role of a fading roller derby star, Jackie Burdette. Two weeks into the shoot, Welch suffered a cut lip and swollen face during a fight scene with Kallianiotes. An MGM spokesman said the two actors "got carried away" and Welch "got slugged" by Kallianiotes.<sup id="cite_ref-61" class="reference"><a href="#cite_note-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-62" class="reference"><a href="#cite_note-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-63" class="reference"><a href="#cite_note-63"><span class="cite-bracket">[</span>63<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Logan%27s_Run_(film)" title="Logan's Run (film)">Logan's Run</a></i>. Brief scene with <a href="/wiki/Jenny_Agutter" title="Jenny Agutter">Jenny Agutter</a> fighting <a href="/wiki/Farrah_Fawcett" title="Farrah Fawcett">Farrah Fawcett</a>. Allegedly, the fight scene was to be much longer but the director, <a href="/wiki/Michael_Anderson_(director)" title="Michael Anderson (director)">Michael Anderson</a> became concerned that the two women were pulling each other's hair so hard, that a real fight would erupt.</li> <li><i><a href="/wiki/Meet_Me_in_Las_Vegas" title="Meet Me in Las Vegas">Meet Me in Las Vegas</a></i>. <a href="/wiki/Cyd_Charisse" title="Cyd Charisse">Cyd Charisse</a> and <a href="/wiki/Liliane_Montevecchi" title="Liliane Montevecchi">Liliane Montevecchi</a> "rip off jewelry and various parts of clothing" in a dance fight choreographed by <a href="/wiki/Hermes_Pan" title="Hermes Pan">Hermes Pan</a> to the song <a href="/wiki/Frankie_and_Johnny_(song)" title="Frankie and Johnny (song)">Frankie and Johnny</a> performed by <a href="/wiki/Sammy_Davis_Jr." title="Sammy Davis Jr.">Sammy Davis Jr.</a> The dance sequence took over a month to rehearse and an entire week to film. The film received an <a href="/wiki/Academy_Awards" title="Academy Awards">Oscar</a> nomination for <a href="/wiki/Academy_Award_for_Best_Original_Score" title="Academy Award for Best Original Score">best musical score</a>.<sup id="cite_ref-64" class="reference"><a href="#cite_note-64"><span class="cite-bracket">[</span>64<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Mesa_of_Lost_Women" title="Mesa of Lost Women">Mesa of Lost Women</a></i>. <a href="/wiki/Jackie_Coogan" title="Jackie Coogan">Jackie Coogan</a> stars as a mad scientist in this 1953 <a href="/wiki/B_movie" title="B movie">B movie</a> directed by <a href="/wiki/Ron_Ormond" title="Ron Ormond">Ron Ormond</a>. Near the film's conclusion actresses <a href="/wiki/Paula_Hill" title="Paula Hill">Mary Hill</a> and <a href="/wiki/Tandra_Quinn" title="Tandra Quinn">Tandra Quinn</a> fight each other in Coogan's laboratory.<sup id="cite_ref-65" class="reference"><a href="#cite_note-65"><span class="cite-bracket">[</span>65<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Mission:_Impossible_(1966_TV_series)" title="Mission: Impossible (1966 TV series)">Mission: Impossible</a></i>. In a 1966 episode titled <i>Old Man Out</i>, former <a href="/wiki/Miss_America" title="Miss America">Miss America</a> <a href="/wiki/Mary_Ann_Mobley" title="Mary Ann Mobley">Mary Ann Mobley</a> and <a href="/wiki/Barbara_Bain" title="Barbara Bain">Barbara Bain</a> fake a lengthy cat fight as a diversionary tactic while the Mission Impossible team breaks a man out of prison.<sup id="cite_ref-66" class="reference"><a href="#cite_note-66"><span class="cite-bracket">[</span>66<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Naked_Gun_(1956_film)" title="Naked Gun (1956 film)">Naked Gun</a></i>. Saloon girls <a href="/wiki/Veda_Ann_Borg" title="Veda Ann Borg">Veda Ann Borg</a> and <a href="/wiki/Mara_Corday" title="Mara Corday">Mara Corday</a> fight over stolen money in this 1956 western</li></ul> <figure typeof="mw:File/Thumb"><a href="/wiki/File:Mesa_of_Lost_Women.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/85/Mesa_of_Lost_Women.jpg/250px-Mesa_of_Lost_Women.jpg" decoding="async" width="250" height="196" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/85/Mesa_of_Lost_Women.jpg/375px-Mesa_of_Lost_Women.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/85/Mesa_of_Lost_Women.jpg/500px-Mesa_of_Lost_Women.jpg 2x" data-file-width="928" data-file-height="726" /></a><figcaption>Actress Mary Hill wrestles <a href="/wiki/Jackie_Coogan" title="Jackie Coogan">Jackie Coogan</a>'s laboratory assistant in the 1953 "B movie" <i><a href="/wiki/Mesa_of_Lost_Women" title="Mesa of Lost Women">Mesa of Lost Women</a></i></figcaption></figure> <ul><li><i><a href="/wiki/Off_Limits_(1953_film)" title="Off Limits (1953 film)">Off Limits</a></i>. In this 1953 film, during a boxing match, where one of the fighters is being managed by <a href="/wiki/Bob_Hope" title="Bob Hope">Bob Hope</a>, two of Hope's girlfriends, <a href="/wiki/Joan_Taylor" title="Joan Taylor">Joan Taylor</a> and <a href="/wiki/Carolyn_Jones" title="Carolyn Jones">Carolyn Jones</a>, get into a boxing match of their own, distracting both the audience and the boxers fighting in the ring.<sup id="cite_ref-67" class="reference"><a href="#cite_note-67"><span class="cite-bracket">[</span>67<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/One_Million_Years_B.C." title="One Million Years B.C.">One Million Years B.C.</a></i>. Remake of the <a href="/wiki/One_Million_B.C." title="One Million B.C.">similarly titled 1940 film</a>. The remake featured two barefoot, bikini-clad women, one being the "good blonde" <a href="/wiki/Raquel_Welch" title="Raquel Welch">Raquel Welch</a> and the other, the "bad brunette" <a href="/wiki/Martine_Beswick" title="Martine Beswick">Martine Beswick</a>, who get into one of the most famous catfights in film history.<sup id="cite_ref-68" class="reference"><a href="#cite_note-68"><span class="cite-bracket">[</span>68<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-69" class="reference"><a href="#cite_note-69"><span class="cite-bracket">[</span>69<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-70" class="reference"><a href="#cite_note-70"><span class="cite-bracket">[</span>70<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Perils_of_Nyoka" title="Perils of Nyoka">Perils of Nyoka</a></i>. A 1942 movie serial shown in 15 parts, starring <a href="/wiki/Kay_Aldridge" title="Kay Aldridge">Kay Aldridge</a> as the imperiled Nyoka and <a href="/wiki/Lorna_Gray" title="Lorna Gray">Lorna Gray</a> as her female nemesis, the evil Vultura. Aldridge, attractively attired in jungle shorts, and Gray also attractively attired in a revealing sarong, engage in multiple fights, the climactic battle occurring in the serial's final chapter when Vultura attempts to escape with a valuable treasure, only to be confronted by Nyoka. "The wrestling match between the two girls, their naked legs entwined, had something for everyone."<sup id="cite_ref-71" class="reference"><a href="#cite_note-71"><span class="cite-bracket">[</span>71<span class="cite-bracket">]</span></a></sup> Watching the women fight was Vultura's pet gorilla who, seeing that Nyoka was winning the fight, launched a spear at her, but missed and instead killed Vultura.<sup id="cite_ref-72" class="reference"><a href="#cite_note-72"><span class="cite-bracket">[</span>72<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Planet_Earth_(film)" title="Planet Earth (film)">Planet Earth</a></i>. A 1974 made-for-TV science fiction movie created by <a href="/wiki/Gene_Roddenberry" title="Gene Roddenberry">Gene Roddenberry</a> about a post-apocalyptic matriarchal society where women keep men drugged and use them as slaves. Led by <a href="/wiki/John_Saxon" title="John Saxon">John Saxon</a> in the role of Dylan Hunt, a team of outsiders that includes <a href="/wiki/Janet_Margolin" title="Janet Margolin">Janet Margolin</a> as Harper-Smythe, visits a village looking for a missing friend. Hunt is quickly taken prisoner by <a href="/wiki/Diana_Muldaur" title="Diana Muldaur">Diana Muldaur</a> in the role of Marg, the head Amazon. Smythe quickly realizes she will have to fight Marg to get him back.</li></ul> <blockquote><p><a href="/wiki/Marc_Daniels" title="Marc Daniels">Marc Daniels</a> brings professional polish and brisk pacing to the telefilm and the action sequences are very nicely-staged ... there's a very well-done catfight between Muldaur and Margolin where it's clear that the two actresses are doing much of the stuntwork themselves.<sup id="cite_ref-Space_1970_73-0" class="reference"><a href="#cite_note-Space_1970-73"><span class="cite-bracket">[</span>73<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>Prior to that encounter, Smythe fights actress Sally Kemp<sup id="cite_ref-74" class="reference"><a href="#cite_note-74"><span class="cite-bracket">[</span>74<span class="cite-bracket">]</span></a></sup> in the role of an Amazon housemistress named Treece. The confrontation was interrupted by Treece's children who were clearly distraught at the site of their mother fighting another woman. </p> <blockquote><p>This mirrors a scene in <i>Genesis II</i> in which the shock wave from a nuclear explosion Hunt has triggered strikes on a Pax lookout just as a mother has brought her young children out to see the stars. There and in the <i>Planet Earth</i> scene, the heroes witness the effect of their own violence on children, forcing them to rethink the use of force—a very effective and intelligent pacifistic touch from Roddenberry.<sup id="cite_ref-Bond_75-0" class="reference"><a href="#cite_note-Bond-75"><span class="cite-bracket">[</span>75<span class="cite-bracket">]</span></a></sup></p></blockquote> <ul><li><i><a href="/wiki/San_Antone_(film)" title="San Antone (film)">San Antone</a></i>. 1953 western where "bitchy Southern belle <a href="/wiki/Arleen_Whelan" title="Arleen Whelan">Arleen Whelan</a>" attacks Mexican <a href="/wiki/Katy_Jurado" title="Katy Jurado">Katy Jurado</a> with a knife. Jurado disarms Wheelan and the two fight each other until broken up by returning members of the group.<sup id="cite_ref-76" class="reference"><a href="#cite_note-76"><span class="cite-bracket">[</span>76<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-77" class="reference"><a href="#cite_note-77"><span class="cite-bracket">[</span>77<span class="cite-bracket">]</span></a></sup></li></ul> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Stories_of_the_Century_-_Belle_Starr.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/5/56/Stories_of_the_Century_-_Belle_Starr.jpg/250px-Stories_of_the_Century_-_Belle_Starr.jpg" decoding="async" width="250" height="207" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/56/Stories_of_the_Century_-_Belle_Starr.jpg/375px-Stories_of_the_Century_-_Belle_Starr.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/56/Stories_of_the_Century_-_Belle_Starr.jpg/500px-Stories_of_the_Century_-_Belle_Starr.jpg 2x" data-file-width="714" data-file-height="590" /></a><figcaption>Belle Starr fights off blonde detective Frankie Adams in the TV show <i><a href="/wiki/Stories_of_the_Century" title="Stories of the Century">Stories of the Century</a></i></figcaption></figure> <ul><li><i><a href="/wiki/Star_in_the_Dust" title="Star in the Dust">Star in the Dust</a></i>. Actresses <a href="/wiki/Randy_Stuart" title="Randy Stuart">Randy Stuart</a> and <a href="/wiki/Coleen_Gray" title="Coleen Gray">Coleen Gray</a> invited their husbands to watch the filming of their fight scene in this 1956 western. At the conclusion, Gray recalled in a later interview, the women dusted themselves off, but the two husbands "were pale and clammy and weak" having watched their wives engage in a fistfight.<sup id="cite_ref-78" class="reference"><a href="#cite_note-78"><span class="cite-bracket">[</span>78<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-79" class="reference"><a href="#cite_note-79"><span class="cite-bracket">[</span>79<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Stories_of_the_Century" title="Stories of the Century">Stories of the Century</a></i>. Premier episode of the 1954 season featured Detective Frankie Adams, played by <a href="/wiki/Mary_Castle" title="Mary Castle">Mary Castle</a>, attempting to subdue <a href="/wiki/Marie_Windsor" title="Marie Windsor">Marie Windsor</a>, in the role of <a href="/wiki/Belle_Starr" title="Belle Starr">Belle Starr</a><sup id="cite_ref-80" class="reference"><a href="#cite_note-80"><span class="cite-bracket">[</span>80<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Swashbuckler_(film)" title="Swashbuckler (film)">Swashbuckler</a></i>. During a bar scene, <a href="/wiki/Genevi%C3%A8ve_Bujold" title="Geneviève Bujold">Geneviève Bujold</a> accuses another woman of owning a trinket that is rightfully hers. The dispute leads to a fight between Bujold and stunt actress <a href="/w/index.php?title=Lee_Pulford&action=edit&redlink=1" class="new" title="Lee Pulford (page does not exist)">Lee Pulford</a>.<sup id="cite_ref-81" class="reference"><a href="#cite_note-81"><span class="cite-bracket">[</span>81<span class="cite-bracket">]</span></a></sup> The fight ends with Bujold knocking out her opponent. In an interview after the release of the film, the blonde-haired Pulford, who described herself as very athletic, said that Bujold didn't know how to fight and that during the rehearsals she was extra careful not to hurt the slender French-Canadian actress, one of the film's major co-stars.<sup id="cite_ref-82" class="reference"><a href="#cite_note-82"><span class="cite-bracket">[</span>82<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Tarzan_and_the_Slave_Girl" title="Tarzan and the Slave Girl">Tarzan and the Slave Girl</a></i>. Jane, played by <a href="/wiki/Vanessa_Brown" title="Vanessa Brown">Vanessa Brown</a> and <a href="/wiki/Denise_Darcel" title="Denise Darcel">Denise Darcel</a> in the role of Lola, have a hair pulling, furniture throwing catfight in this 1950 Tarzan entry.<sup id="cite_ref-83" class="reference"><a href="#cite_note-83"><span class="cite-bracket">[</span>83<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-84" class="reference"><a href="#cite_note-84"><span class="cite-bracket">[</span>84<span class="cite-bracket">]</span></a></sup> In a 2001 interview, Brown claimed that "Denise was impossible ... I really didn't like her. I don't think the catfight scene took much preparation on my part."<sup id="cite_ref-85" class="reference"><a href="#cite_note-85"><span class="cite-bracket">[</span>85<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/The_Bounty_Hunter_(1954_film)" title="The Bounty Hunter (1954 film)">The Bounty Hunter</a></i>. <a href="/wiki/Marie_Windsor" title="Marie Windsor">Marie Windsor</a> and <a href="/wiki/Dolores_Dorn" title="Dolores Dorn">Dolores Dorn</a> engage in a "hair-pulling, kicking battle" over a gun in this 1954 <a href="/wiki/Randolph_Scott" title="Randolph Scott">Randolph Scott</a> western.<sup id="cite_ref-86" class="reference"><a href="#cite_note-86"><span class="cite-bracket">[</span>86<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/The_Leech_Woman" title="The Leech Woman">The Leech Woman</a></i>. At gun point, <a href="/wiki/Coleen_Gray" title="Coleen Gray">Coleen Gray</a> fights <a href="/wiki/Gloria_Talbott" title="Gloria Talbott">Gloria Talbott</a>. Before the scene was filmed, Gray mentioned to Talbott that she was pretty strong and wouldn't have any problem taking the gun away. Talbott was taken aback by the comment and approached the scene with the intent of overpowering her blonde co-star even though the script called for Gray to win the fight. Years later, Talbott admitted in an interview that Gray was right, she was much stronger than Talbott, throwing her into a closet as the two women went off-script, wrestling each other.<sup id="cite_ref-87" class="reference"><a href="#cite_note-87"><span class="cite-bracket">[</span>87<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/The_Mini-Skirt_Mob" title="The Mini-Skirt Mob">The Mini-Skirt Mob</a></i>. <a href="/wiki/Diane_McBain" title="Diane McBain">Diane McBain</a> stars as the leader of an all-female motorcycle gang. Furious that her ex-boyfriend married another woman (played by <a href="/wiki/Sherry_Jackson" title="Sherry Jackson">Sherry Jackson</a>), she spends the entire movie terrorizing the couple and, at one point, gives a vicious beating to Jackson. Off-screen, McBain and Jackson were close friends and shared a Hollywood apartment.<sup id="cite_ref-88" class="reference"><a href="#cite_note-88"><span class="cite-bracket">[</span>88<span class="cite-bracket">]</span></a></sup></li></ul> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:The_Spy_in_the_Green_Hat_Leticia_Roman_and_Janet_Leigh.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/1/19/The_Spy_in_the_Green_Hat_Leticia_Roman_and_Janet_Leigh.jpg/180px-The_Spy_in_the_Green_Hat_Leticia_Roman_and_Janet_Leigh.jpg" decoding="async" width="180" height="395" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/1/19/The_Spy_in_the_Green_Hat_Leticia_Roman_and_Janet_Leigh.jpg 1.5x" data-file-width="213" data-file-height="468" /></a><figcaption>Janet Leigh tries to stop Letitia Roman from escaping in an episode of <i><a href="/wiki/The_Man_from_U.N.C.L.E." title="The Man from U.N.C.L.E.">The Man from U.N.C.L.E.</a></i> </figcaption></figure> <ul><li><i><a href="/wiki/Wonder_Woman_(TV_series)" title="Wonder Woman (TV series)">The New Adventures of Wonder Woman</a></i>. In the 90 minute made-for-TV 1975 pilot movie, <a href="/wiki/Lynda_Carter" title="Lynda Carter">Lynda Carter</a> as Wonder Woman fights <a href="/wiki/Stella_Stevens" title="Stella Stevens">Stella Stevens</a> who plays the role of a Nazi spy.<sup id="cite_ref-89" class="reference"><a href="#cite_note-89"><span class="cite-bracket">[</span>89<span class="cite-bracket">]</span></a></sup> The previous year, an <a href="/wiki/Wonder_Woman_(1974_film)" title="Wonder Woman (1974 film)">initial attempt to start a Wonder Woman TV series</a> starring <a href="/wiki/Cathy_Lee_Crosby" title="Cathy Lee Crosby">Cathy Lee Crosby</a> failed when it did not garner sufficient TV ratings for <a href="/wiki/American_Broadcasting_Company" title="American Broadcasting Company">ABC Television</a> to renew as a series. The movie was criticized for featuring the blonde-haired Crosby in the role traditionally reserved for a brunette, a decision that even Crosby had questioned.<sup id="cite_ref-90" class="reference"><a href="#cite_note-90"><span class="cite-bracket">[</span>90<span class="cite-bracket">]</span></a></sup> Crosby did have two short fights, one of which was against a renegade Amazon played by <a href="/wiki/Anitra_Ford" title="Anitra Ford">Anitra Ford</a>.<sup id="cite_ref-Dumbest_91-0" class="reference"><a href="#cite_note-Dumbest-91"><span class="cite-bracket">[</span>91<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/The_Old_Chisholm_Trail_(film)" title="The Old Chisholm Trail (film)">The Old Chisholm Trail</a></i>. <a href="/wiki/Johnny_Mack_Brown" title="Johnny Mack Brown">Johnny Mack Brown</a> and <a href="/wiki/Tex_Ritter" title="Tex Ritter">Tex Ritter</a> are singing cowboys in this 1942 western that also stars <a href="/wiki/Mady_Correll" title="Mady Correll">Mady Correll</a> as a scheming ranch owner and <a href="/wiki/Jennifer_Holt" title="Jennifer Holt">Jennifer Holt</a> as the blonde heroine who own the local trading post where the two women get into a "vicious catfight".<sup id="cite_ref-92" class="reference"><a href="#cite_note-92"><span class="cite-bracket">[</span>92<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/The_San_Francisco_Docks" title="The San Francisco Docks">The San Francisco Docks</a></i>. Actress <a href="/wiki/Esther_Ralston" title="Esther Ralston">Esther Ralston</a>, described as a "hard fighting blonde glamor girl", told director <a href="/wiki/Arthur_Lubin" title="Arthur Lubin">Arthur Lubin</a> that her and fellow actress <a href="/wiki/Irene_Hervey" title="Irene Hervey">Irene Hervey</a> did not want to have stunt doubles perform their fight scene, described by press accounts as a "whirlwind fistfight ... said to overshadow the most hectic feminine movie battles seen in recent motion pictures."<sup id="cite_ref-93" class="reference"><a href="#cite_note-93"><span class="cite-bracket">[</span>93<span class="cite-bracket">]</span></a></sup> Hervey later described the fight as a "terrific battle between me and Esther Ralston—with hair-pulling, kicking, the works."<sup id="cite_ref-94" class="reference"><a href="#cite_note-94"><span class="cite-bracket">[</span>94<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/The_Spy_in_the_Green_Hat" title="The Spy in the Green Hat">The Spy in the Green Hat</a></i>. In this theatrical version of the two-part <i><a href="/wiki/The_Man_from_U.N.C.L.E." title="The Man from U.N.C.L.E.">The Man from U.N.C.L.E.</a></i> episode titled "The Concrete Overcoat Affair", <a href="/wiki/Leticia_Roman" class="mw-redirect" title="Leticia Roman">Leticia Roman</a> tries to escape from the guard of <a href="/wiki/Janet_Leigh" title="Janet Leigh">Janet Leigh</a> who responds by pulling a knife from her garter belt and attacking Roman. Knocking the knife out of Leigh's hand, the two women "roll around together on a conference table, and a good old-fashioned catfight ensues." One critic described it as "what may very well be one of the sexiest spy movie scenes ever, Janet Leigh versus Roman wrestling in skirts is the stuff dreams are made of."<sup id="cite_ref-95" class="reference"><a href="#cite_note-95"><span class="cite-bracket">[</span>95<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-96" class="reference"><a href="#cite_note-96"><span class="cite-bracket">[</span>96<span class="cite-bracket">]</span></a></sup> Advertisements showing the dark-haired Roman fighting the blonde Leigh were featured in many newspapers. One caption read "Guest stars Janet Leigh and Leticia Roman use cat-like tactics in this sparring scene from Friday night's 'Man From Uncle' telecast."<sup id="cite_ref-97" class="reference"><a href="#cite_note-97"><span class="cite-bracket">[</span>97<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/The_Three_Musketeers_(1973_live-action_film)" title="The Three Musketeers (1973 live-action film)">The Three Musketeers</a></i>. Near the end of the movie, Raquel Welch fights <a href="/wiki/Faye_Dunaway" title="Faye Dunaway">Faye Dunaway</a>, a battle described by Dunaway as a fight "where we try, more or less, to tear each other to pieces.<sup id="cite_ref-98" class="reference"><a href="#cite_note-98"><span class="cite-bracket">[</span>98<span class="cite-bracket">]</span></a></sup> Welch and Dunaway worked with trainers to make their fight as "physical and brutal" as possible without injuring themselves, although Welch suffered a sprained wrist when Dunaway shoved her so hard she fell.<sup id="cite_ref-99" class="reference"><a href="#cite_note-99"><span class="cite-bracket">[</span>99<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/The_Turning_Point_(1977_film)" title="The Turning Point (1977 film)">The Turning Point</a></i>. In the film's pivotal scene, the two adult female protagonists, portrayed by <a href="/wiki/Anne_Bancroft" title="Anne Bancroft">Anne Bancroft</a> and <a href="/wiki/Shirley_MacLaine" title="Shirley MacLaine">Shirley MacLaine</a>, have an extended catfight on the roof of <a href="/wiki/Lincoln_Center" title="Lincoln Center">Lincoln Center</a>.<sup id="cite_ref-100" class="reference"><a href="#cite_note-100"><span class="cite-bracket">[</span>100<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-101" class="reference"><a href="#cite_note-101"><span class="cite-bracket">[</span>101<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/The_Women_(1939_film)" title="The Women (1939 film)">The Women</a></i>. After <a href="/wiki/Paulette_Goddard" title="Paulette Goddard">Paulette Goddard</a> steals <a href="/wiki/Rosalind_Russell" title="Rosalind Russell">Rosalind Russell</a>'s husband, the two get into a kicking, hair-pulling fight that took three days and eight changes of costume to shoot.<sup id="cite_ref-102" class="reference"><a href="#cite_note-102"><span class="cite-bracket">[</span>102<span class="cite-bracket">]</span></a></sup> During the fight, Russell bit Goddard in the leg. Russell later said that Goddard suffered a permanent scar from the bite, but that the two actresses remained friends.<sup id="cite_ref-103" class="reference"><a href="#cite_note-103"><span class="cite-bracket">[</span>103<span class="cite-bracket">]</span></a></sup> A 1955 remake of the film was featured on the TV show <i><a href="/wiki/Producers%27_Showcase" title="Producers' Showcase">Producers' Showcase</a></i>. Goddard and <a href="/wiki/Mary_Boland" title="Mary Boland">Mary Boland</a> were the only cast members from the original 1939 film.<sup id="cite_ref-104" class="reference"><a href="#cite_note-104"><span class="cite-bracket">[</span>104<span class="cite-bracket">]</span></a></sup> Allegedly, Goddard and <a href="/wiki/Shelley_Winters" title="Shelley Winters">Shelley Winters</a>, a cast member of the remake, engaged in an actual "hair-pulling fist fight" during one of the rehearsals.<sup id="cite_ref-105" class="reference"><a href="#cite_note-105"><span class="cite-bracket">[</span>105<span class="cite-bracket">]</span></a></sup> Unlike the original, <a href="/wiki/Metro-Goldwyn-Mayer" title="Metro-Goldwyn-Mayer">Metro-Goldwyn-Mayer</a>'s 1956 remake titled, <i><a href="/wiki/The_Opposite_Sex" title="The Opposite Sex">The Opposite Sex</a></i>, included men, music, color, and songs. During the rehearsal of the Russell-Goddard catfight from the original movie, <a href="/wiki/Ann_Miller" title="Ann Miller">Ann Miller</a> punched co-star <a href="/wiki/Delores_Gray" class="mw-redirect" title="Delores Gray">Delores Gray</a> hard enough to knock her off her feet, twice.<sup id="cite_ref-106" class="reference"><a href="#cite_note-106"><span class="cite-bracket">[</span>106<span class="cite-bracket">]</span></a></sup> Later in the movie, <a href="/wiki/June_Allyson" title="June Allyson">June Allyson</a> slapped <a href="/wiki/Joan_Collins" title="Joan Collins">Joan Collins</a> so hard filming was postponed until Collin's facial swelling went down.<sup id="cite_ref-107" class="reference"><a href="#cite_note-107"><span class="cite-bracket">[</span>107<span class="cite-bracket">]</span></a></sup></li></ul> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:The_Old_Chisolm_Trail_lobby_poster.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/f/f4/The_Old_Chisolm_Trail_lobby_poster.jpg/250px-The_Old_Chisolm_Trail_lobby_poster.jpg" decoding="async" width="250" height="195" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/f/f4/The_Old_Chisolm_Trail_lobby_poster.jpg 1.5x" data-file-width="357" data-file-height="279" /></a><figcaption>Blond heroine <a href="/wiki/Jennifer_Holt" title="Jennifer Holt">Jennifer Holt</a> fights scheming rancher <a href="/wiki/Mady_Correll" title="Mady Correll">Mady Correll</a> in the 1941 western <i><a href="/wiki/The_Old_Chisholm_Trail_(film)" title="The Old Chisholm Trail (film)">The Old Chisholm Trail</a></i></figcaption></figure> <ul><li><i><a href="/wiki/The_Wrecking_Crew_(1968_film)" title="The Wrecking Crew (1968 film)">The Wrecking Crew</a></i>. <a href="/wiki/Nancy_Kwan" title="Nancy Kwan">Nancy Kwan</a> battles <a href="/wiki/Sharon_Tate" title="Sharon Tate">Sharon Tate</a> in a karate scene choreographed by <a href="/wiki/Bruce_Lee" title="Bruce Lee">Bruce Lee</a>.<sup id="cite_ref-108" class="reference"><a href="#cite_note-108"><span class="cite-bracket">[</span>108<span class="cite-bracket">]</span></a></sup> Released in 1968, this was one of Tate's last films before she was murdered by <a href="/wiki/Charles_Manson" title="Charles Manson">Charles Manson</a>. "Tate looks stunning in her micro-minis and even has a catfight with Nancy Kwan's evil enemy agent."<sup id="cite_ref-109" class="reference"><a href="#cite_note-109"><span class="cite-bracket">[</span>109<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Total_Recall_(1990_film)" title="Total Recall (1990 film)">Total Recall</a></i>. Directed by <a href="/wiki/Paul_Verhoeven" title="Paul Verhoeven">Paul Verhoeven</a> and starring <a href="/wiki/Arnold_Schwarzenegger" title="Arnold Schwarzenegger">Arnold Schwarzenegger</a> as Douglas Quaid, the 1990 film featured a "knock down, drag-out battle between Quaid's wife (<a href="/wiki/Sharon_Stone" title="Sharon Stone">Sharon Stone</a>) and his dream girl <a href="/wiki/Rachel_Ticotin" title="Rachel Ticotin">Rachel Ticotin</a>.<sup id="cite_ref-110" class="reference"><a href="#cite_note-110"><span class="cite-bracket">[</span>110<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-111" class="reference"><a href="#cite_note-111"><span class="cite-bracket">[</span>111<span class="cite-bracket">]</span></a></sup> One reviewer noted that it was "the best screen fight between two women since <i><a href="/wiki/Destry_Rides_Again" title="Destry Rides Again">Destry Rides Again</a></i>".<sup id="cite_ref-112" class="reference"><a href="#cite_note-112"><span class="cite-bracket">[</span>112<span class="cite-bracket">]</span></a></sup> A <a href="/wiki/Total_Recall_(2012_film)" title="Total Recall (2012 film)">2012 remake of the film</a> featured <a href="/wiki/Kate_Beckinsale" title="Kate Beckinsale">Kate Beckinsale</a> and <a href="/wiki/Jessica_Biel" title="Jessica Biel">Jessica Biel</a>, in the roles previously filled by Stone and Ticotin.<sup id="cite_ref-113" class="reference"><a href="#cite_note-113"><span class="cite-bracket">[</span>113<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/True_Lies" title="True Lies">True Lies</a></i>. <a href="/wiki/Jamie_Lee_Curtis" title="Jamie Lee Curtis">Jamie Lee Curtis</a> and <a href="/wiki/Tia_Carrere" title="Tia Carrere">Tia Carrere</a> engage in a "precisely choreographed catfight" while in the back seat of an out of control limousine.<sup id="cite_ref-114" class="reference"><a href="#cite_note-114"><span class="cite-bracket">[</span>114<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Untamed_Youth" title="Untamed Youth">Untamed Youth</a></i>. Arguing over a bed in a prison camp dormitory, <a href="/wiki/Lori_Nelson" title="Lori Nelson">Lori Nelson</a> fights <a href="/wiki/Jeanne_Carmen" title="Jeanne Carmen">Jeanne Carmen</a> in the 1957 film about juvenile delinquency.<sup id="cite_ref-115" class="reference"><a href="#cite_note-115"><span class="cite-bracket">[</span>115<span class="cite-bracket">]</span></a></sup> The scene has been noted for unusual dialogue: before they fight, Nelson asks Carmen if she wants "an Italian hair cut", presumably referring to hair pulling.<sup id="cite_ref-116" class="reference"><a href="#cite_note-116"><span class="cite-bracket">[</span>116<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-117" class="reference"><a href="#cite_note-117"><span class="cite-bracket">[</span>117<span class="cite-bracket">]</span></a></sup> The fight begins with the dark-haired Carmen threatening to give Nelson a "beating", the two barefoot girls proceed to punch and wrestle each other until Carmen surrenders to her blonde opponent by telling her "Don't hit me in the mouth again, you'll break my dental plate."<sup id="cite_ref-118" class="reference"><a href="#cite_note-118"><span class="cite-bracket">[</span>118<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-119" class="reference"><a href="#cite_note-119"><span class="cite-bracket">[</span>119<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/View_from_the_Top" title="View from the Top">View from the Top</a></i>. Flight attendants <a href="/wiki/Gwyneth_Paltrow" title="Gwyneth Paltrow">Gwyneth Paltrow</a> and <a href="/wiki/Christina_Applegate" title="Christina Applegate">Christina Applegate</a> fight each other in the cabin of a passenger airline.<sup id="cite_ref-120" class="reference"><a href="#cite_note-120"><span class="cite-bracket">[</span>120<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/War_Goddess" title="War Goddess">War Goddess</a></i>. 1973 film, directed by <a href="/wiki/Terence_Young_(director)" title="Terence Young (director)">Terence Young</a> who had previously directed <i><a href="/wiki/From_Russia_with_Love_(film)" title="From Russia with Love (film)">From Russia with Love</a></i> that included the Beswick-Gur catfight scene. <i>War Goddess</i> featured an oil wrestling match between <a href="/wiki/Sabine_Sun" title="Sabine Sun">Sabine Sun</a> and <a href="/w/index.php?title=Alena_Johnston&action=edit&redlink=1" class="new" title="Alena Johnston (page does not exist)">Alena Johnston</a>, two <a href="/wiki/Amazons" title="Amazons">amazons</a> who were in competition to become the leader of their tribe.<sup id="cite_ref-121" class="reference"><a href="#cite_note-121"><span class="cite-bracket">[</span>121<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Woman_They_Almost_Lynched" title="Woman They Almost Lynched">Woman They Almost Lynched</a></i>. Saloon owner <a href="/wiki/Audrey_Totter" title="Audrey Totter">Audrey Totter</a> has a "hair pulling fight ... and then one of those clear-the-streets gunfight" with challenger <a href="/wiki/Joan_Leslie" title="Joan Leslie">Joan Leslie</a>.<sup id="cite_ref-122" class="reference"><a href="#cite_note-122"><span class="cite-bracket">[</span>122<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-123" class="reference"><a href="#cite_note-123"><span class="cite-bracket">[</span>123<span class="cite-bracket">]</span></a></sup></li> <li><i><a href="/wiki/Yankee_Pasha_(film)" title="Yankee Pasha (film)">Yankee Pasha</a></i>. <a href="/wiki/Rhonda_Fleming" title="Rhonda Fleming">Rhonda Fleming</a> and <a href="/wiki/Mamie_Van_Doren" title="Mamie Van Doren">Mamie Van Doren</a> are both in love with <a href="/wiki/Jeff_Chandler" title="Jeff Chandler">Jeff Chandler</a> leading to a "catfight for supremacy" where Fleming landed an actual punch on Van Doren's jaw, sending her sprawling across the set. Van Doren later said that Fleming was "quite a fighter". Despite the mishap in what was otherwise a carefully choreographed fight that involved a lot of "tumbling and hair pulling", Van Doren claimed that as a young actress, she enjoyed working with Fleming in the movie.<sup id="cite_ref-124" class="reference"><a href="#cite_note-124"><span class="cite-bracket">[</span>124<span class="cite-bracket">]</span></a></sup></li></ul> <div class="mw-heading mw-heading2"><h2 id="Eroticism">Eroticism</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Catfight&action=edit&section=7" title="Edit section: Eroticism"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><b>Catfight</b> is also the collective term for a <a href="/wiki/Sexual_fetishism" title="Sexual fetishism">fetish-like</a> inclination, which has its erotic attraction in the competitive as well as the playful test of strength between women. This inclination is primarily <a href="/wiki/Voyeurism" title="Voyeurism">voyeuristic</a> and includes among other sports <a href="/wiki/Wrestling" title="Wrestling">wrestling</a>, <a href="/wiki/Arm_wrestling" title="Arm wrestling">arm wrestling</a> and <a href="/wiki/Foxy_boxing" title="Foxy boxing">boxing</a>.<sup id="cite_ref-125" class="reference"><a href="#cite_note-125"><span class="cite-bracket">[</span>125<span class="cite-bracket">]</span></a></sup> </p><p>The porn industry portrays intimate wrestling matches which sometimes lead to orgasmic entanglements and open <a href="/wiki/Tribadism" title="Tribadism">tribadism</a>. In some cases, sexual arousal and <a href="/wiki/Orgasm" title="Orgasm">climax</a> are the mutual goals of a female wrestling match. The main rule of such a "sex fight" is usually: Whoever has an orgasm first, loses. Nonetheless, multiple orgasms are possible. Therefore, tribadic scenes and erotic fights cannot always be distinguished. So-called <i>sexfights</i>, <i>pussyfights</i> or <i>tribfights</i> form separate categories among commercially produced videos.<sup id="cite_ref-126" class="reference"><a href="#cite_note-126"><span class="cite-bracket">[</span>126<span class="cite-bracket">]</span></a></sup> </p><p>From the 1990s to the mid-2000s, <a href="/w/index.php?title=Napali_Video&action=edit&redlink=1" class="new" title="Napali Video (page does not exist)">Napali Video</a> and <a href="/w/index.php?title=California_Wildcats&action=edit&redlink=1" class="new" title="California Wildcats (page does not exist)">California Wildcats</a> were groundbreaking for the production and publication of such videos in the Anglo-American region.<sup id="cite_ref-127" class="reference"><a href="#cite_note-127"><span class="cite-bracket">[</span>127<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-128" class="reference"><a href="#cite_note-128"><span class="cite-bracket">[</span>128<span class="cite-bracket">]</span></a></sup> Depending on the film, the depicted focus was on different types of duels, including wrestling, boxing, sexfighting or titfighting, the aggressive squeezing or rubbing of the breasts. However, clearly <a href="/wiki/Lesbian" title="Lesbian">lesbian</a> acts were almost always part of the scenes presented. Actresses for <i>Napali Video</i> and <i>California Wildcats</i> included <a href="/wiki/Puma_Swede" title="Puma Swede">Puma Swede</a>, <a href="/wiki/Vanessa_Blue" title="Vanessa Blue">Vanessa Blue</a>, <a href="/wiki/Kim_Chambers" title="Kim Chambers">Kim Chambers</a>, <a href="/wiki/Jennifer_Ketcham" title="Jennifer Ketcham">Penny Flame</a> and <a href="/wiki/Jessica_Jaymes" title="Jessica Jaymes">Jessica Jaymes</a>. In particular, <a href="/w/index.php?title=Tanya_Danielle&action=edit&redlink=1" class="new" title="Tanya Danielle (page does not exist)">Tanya Danielle</a> and <a href="/w/index.php?title=Devon_Michaels&action=edit&redlink=1" class="new" title="Devon Michaels (page does not exist)">Devon Michaels</a> repeatedly appeared together in multiple videos, which gave the impression of an actual rivalry and both actresses became icons of the scene. </p><p>Eventually, the first European productions appeared around the same time. The <a href="/wiki/Austria" title="Austria">Austrian</a> production company <i>Danube Women Wrestling</i> (DWW), which had previously primarily specialized in erotic wrestling matches,<sup id="cite_ref-129" class="reference"><a href="#cite_note-129"><span class="cite-bracket">[</span>129<span class="cite-bracket">]</span></a></sup> also marketed sexfighting videos until 2011 under the "Tribgirls" label. The wrestlers were initially mainly of <a href="/wiki/Hungary" title="Hungary">Hungarian</a> and later <a href="/wiki/Czech_Republic" title="Czech Republic">Czech</a> nationality. The production of videos was continued from 2012 on by <i>Fighting-Dolls.com</i> and <i>Trib-Dolls.com</i> from <a href="/wiki/Brno" title="Brno">Brno</a>, who followed in the footsteps of <i>DWW</i> and <i>Tribgirls</i>.<sup id="cite_ref-130" class="reference"><a href="#cite_note-130"><span class="cite-bracket">[</span>130<span class="cite-bracket">]</span></a></sup> However, some of the women switched to the <i>Foxy Combat</i> studio, which is operated by former DWW wrestler Hana Klima since 2007 and which has also been producing videos of erotic wrestling and sexfighting ever since. <i>Foxy Combat</i> is also based in Brno, which means that two competing production companies are based in the second largest city in the Czech Republic.<sup id="cite_ref-131" class="reference"><a href="#cite_note-131"><span class="cite-bracket">[</span>131<span class="cite-bracket">]</span></a></sup> Meanwhile, commercially produced videos of lesbian sexfights are no longer uncommon and come from the <a href="/wiki/United_States" title="United States">United States</a> as well as <a href="/wiki/Europe" title="Europe">Europe</a> and <a href="/wiki/East_Asia" title="East Asia">East Asia</a>. </p> <div class="mw-heading mw-heading2"><h2 id="Gallery">Gallery</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Catfight&action=edit&section=8" title="Edit section: Gallery"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul class="gallery mw-gallery-traditional"> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Danube_Women%27s_Wrestling_DWW-78.jpg" class="mw-file-description" title="Two women in a competitive wrestling match"><img alt="Two women in a competitive wrestling match" src="//upload.wikimedia.org/wikipedia/commons/thumb/6/6f/Danube_Women%27s_Wrestling_DWW-78.jpg/120px-Danube_Women%27s_Wrestling_DWW-78.jpg" decoding="async" width="120" height="90" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/6f/Danube_Women%27s_Wrestling_DWW-78.jpg/250px-Danube_Women%27s_Wrestling_DWW-78.jpg 1.5x" data-file-width="960" data-file-height="720" /></a></span></div> <div class="gallerytext">Two women in a competitive wrestling match</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Sun_Club_Hot_Oil_Wresting_2012-01.jpg" class="mw-file-description" title="Nude oil wrestling at Nudes-A-Poppin', US"><img alt="Nude oil wrestling at Nudes-A-Poppin', US" src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d4/Sun_Club_Hot_Oil_Wresting_2012-01.jpg/120px-Sun_Club_Hot_Oil_Wresting_2012-01.jpg" decoding="async" width="120" height="80" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d4/Sun_Club_Hot_Oil_Wresting_2012-01.jpg/180px-Sun_Club_Hot_Oil_Wresting_2012-01.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d4/Sun_Club_Hot_Oil_Wresting_2012-01.jpg/240px-Sun_Club_Hot_Oil_Wresting_2012-01.jpg 2x" data-file-width="2048" data-file-height="1365" /></a></span></div> <div class="gallerytext">Nude <a href="/wiki/Oil_wrestling" title="Oil wrestling">oil wrestling</a> at <a href="/wiki/Nudes-A-Poppin%27" title="Nudes-A-Poppin'">Nudes-A-Poppin'</a>, US</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Mud_Fest_2008_(2683198583).jpg" class="mw-file-description" title="Mud wrestling in bikini at Boryeong Mud Festival, South Korea"><img alt="Mud wrestling in bikini at Boryeong Mud Festival, South Korea" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Mud_Fest_2008_%282683198583%29.jpg/120px-Mud_Fest_2008_%282683198583%29.jpg" decoding="async" width="120" height="80" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5e/Mud_Fest_2008_%282683198583%29.jpg/250px-Mud_Fest_2008_%282683198583%29.jpg 1.5x" data-file-width="2800" data-file-height="1869" /></a></span></div> <div class="gallerytext"><a href="/wiki/Mud_wrestling" title="Mud wrestling">Mud wrestling</a> in bikini at <a href="/wiki/Boryeong_Mud_Festival" title="Boryeong Mud Festival">Boryeong Mud Festival</a>, South Korea</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Bettie_Page_Klaw_19.jpg" class="mw-file-description" title="Circa 1950s, an Irving Klaw photograph of Bettie Page fighting another woman"><img alt="Circa 1950s, an Irving Klaw photograph of Bettie Page fighting another woman" src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d5/Bettie_Page_Klaw_19.jpg/84px-Bettie_Page_Klaw_19.jpg" decoding="async" width="84" height="120" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d5/Bettie_Page_Klaw_19.jpg/127px-Bettie_Page_Klaw_19.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d5/Bettie_Page_Klaw_19.jpg/169px-Bettie_Page_Klaw_19.jpg 2x" data-file-width="210" data-file-height="298" /></a></span></div> <div class="gallerytext">Circa 1950s, an <a href="/wiki/Irving_Klaw" title="Irving Klaw">Irving Klaw</a> photograph of <a href="/wiki/Bettie_Page" title="Bettie Page">Bettie Page</a> fighting another woman</div> </li> <li class="gallerybox" style="width: 155px"> <div class="thumb" style="width: 150px; height: 150px;"><span typeof="mw:File"><a href="/wiki/File:Women_boxing_on_a_roof,_1938_(1).jpg" class="mw-file-description" title="Women boxing on a rooftop in the 1930s"><img alt="Women boxing on a rooftop in the 1930s" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/20/Women_boxing_on_a_roof%2C_1938_%281%29.jpg/120px-Women_boxing_on_a_roof%2C_1938_%281%29.jpg" decoding="async" width="120" height="93" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/20/Women_boxing_on_a_roof%2C_1938_%281%29.jpg/180px-Women_boxing_on_a_roof%2C_1938_%281%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/20/Women_boxing_on_a_roof%2C_1938_%281%29.jpg/240px-Women_boxing_on_a_roof%2C_1938_%281%29.jpg 2x" data-file-width="1600" data-file-height="1235" /></a></span></div> <div class="gallerytext">Women boxing on a rooftop in the 1930s</div> </li> </ul> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Catfight&action=edit&section=9" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/Foxy_boxing" title="Foxy boxing">Foxy boxing</a></li> <li><a href="/wiki/Intergender_wrestling" title="Intergender wrestling">Intergender wrestling</a></li> <li><i><a href="/wiki/Les_Gladiatrices:_Blondes_vs._Brunes" title="Les Gladiatrices: Blondes vs. Brunes">Les Gladiatrices: Blondes vs. Brunes</a></i></li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Catfight&action=edit&section=10" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 33em;"> <ol class="references"> <li id="cite_note-Reinke-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-Reinke_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Reinke_1-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Reinke_1-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Reinke_1-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-Reinke_1-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-Reinke_1-5"><sup><i><b>f</b></i></sup></a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFReinke2010" class="citation web cs1">Reinke, Rachel (2010). <a rel="nofollow" class="external text" href="http://chrestomathy.cofc.edu/documents/vol9/Reinke.pdf">"Catfight: A Feminist Analysis"</a> <span class="cs1-format">(PDF)</span>. <i>Chrestomathy: Annual Review of Undergraduate Research</i>. School of Humanities and Social Sciences, School of Languages, Cultures, and World Affairs, College of Charleston. p. 174.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Chrestomathy%3A+Annual+Review+of+Undergraduate+Research&rft.atitle=Catfight%3A+A+Feminist+Analysis&rft.pages=174&rft.date=2010&rft.aulast=Reinke&rft.aufirst=Rachel&rft_id=http%3A%2F%2Fchrestomathy.cofc.edu%2Fdocuments%2Fvol9%2FReinke.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-James-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-James_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-James_2-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">James, Caryn (March 2, 2016) "Why We Just Love a Good Catfight" <i>The Wall Street Journal</i> (pp. A11–A12 <a rel="nofollow" class="external autonumber" href="https://www.wsj.com/articles/why-we-love-a-good-catfight-1488386736">[1]</a></span> </li> <li id="cite_note-Douglas_1994_221-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-Douglas_1994_221_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Douglas_1994_221_3-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Douglas_1994_221_3-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFDouglas1994" class="citation book cs1">Douglas, Susan J. (1994). <span class="id-lock-limited" title="Free access subject to limited trial, subscription normally required"><a rel="nofollow" class="external text" href="https://archive.org/details/wheregirlsaregro0000doug_q4x4"><i>Where the girls are: growing up female with the mass media</i></a></span> ([Nachdr.] ed.). New York: Times Books. p. <a rel="nofollow" class="external text" href="https://archive.org/details/wheregirlsaregro0000doug_q4x4/page/221">221</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8129-2530-0" title="Special:BookSources/0-8129-2530-0"><bdi>0-8129-2530-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Where+the+girls+are%3A+growing+up+female+with+the+mass+media&rft.place=New+York&rft.pages=221&rft.edition=%5BNachdr.%5D&rft.pub=Times+Books&rft.date=1994&rft.isbn=0-8129-2530-0&rft.aulast=Douglas&rft.aufirst=Susan+J.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fwheregirlsaregro0000doug_q4x4&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-Sweeney_2007_122-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-Sweeney_2007_122_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Sweeney_2007_122_4-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFSweeney2007" class="citation book cs1">Sweeney, Kathleen (2007). <a rel="nofollow" class="external text" href="https://archive.org/details/maidenusagirlico0000swee/page/122"><i>Maiden USA: girl icons come of age</i></a>. New York: Peter Lang. p. <a rel="nofollow" class="external text" href="https://archive.org/details/maidenusagirlico0000swee/page/122">122</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8204-8197-5" title="Special:BookSources/978-0-8204-8197-5"><bdi>978-0-8204-8197-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Maiden+USA%3A+girl+icons+come+of+age&rft.place=New+York&rft.pages=122&rft.pub=Peter+Lang&rft.date=2007&rft.isbn=978-0-8204-8197-5&rft.aulast=Sweeney&rft.aufirst=Kathleen&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fmaidenusagirlico0000swee%2Fpage%2F122&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-Heim_2003-5"><span class="mw-cite-backlink">^ <a href="#cite_ref-Heim_2003_5-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Heim_2003_5-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFHeimSusan_A._MurphyGolant,_Susan_K.2003" class="citation book cs1">Heim, Pat; Susan A. Murphy; Golant, Susan K. (2003). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=WK6uluzY-m0C&q=catfight&pg=PT15"><i>In the company of women: indirect aggression among women : why we hurt each other and how to stop</i></a> (1st pbk. ed.). New York: Jeremy P. Tarcher/Putnam. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-58542-223-1" title="Special:BookSources/1-58542-223-1"><bdi>1-58542-223-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=In+the+company+of+women%3A+indirect+aggression+among+women+%3A+why+we+hurt+each+other+and+how+to+stop&rft.place=New+York&rft.edition=1st+pbk.&rft.pub=Jeremy+P.+Tarcher%2FPutnam&rft.date=2003&rft.isbn=1-58542-223-1&rft.aulast=Heim&rft.aufirst=Pat&rft.au=Susan+A.+Murphy&rft.au=Golant%2C+Susan+K.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DWK6uluzY-m0C%26q%3Dcatfight%26pg%3DPT15&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-Dowd_2005-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-Dowd_2005_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Dowd_2005_6-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFDowd2005" class="citation book cs1">Dowd, Maureen (2005). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=xcL6_G2qai0C&q=catfight&pg=PT288"><i>Are men necessary? : When sexes collide</i></a>. New York, N.Y.: G.P. Putnam's Sons. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-399-15332-2" title="Special:BookSources/0-399-15332-2"><bdi>0-399-15332-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Are+men+necessary%3F+%3A+When+sexes+collide.&rft.place=New+York%2C+N.Y.&rft.pub=G.P.+Putnam%27s+Sons&rft.date=2005&rft.isbn=0-399-15332-2&rft.aulast=Dowd&rft.aufirst=Maureen&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DxcL6_G2qai0C%26q%3Dcatfight%26pg%3DPT288&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-Douglas_2004_235-7"><span class="mw-cite-backlink">^ <a href="#cite_ref-Douglas_2004_235_7-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Douglas_2004_235_7-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFDouglasMichaels,_Meredith_W.2004" class="citation book cs1">Douglas, Susan J.; Michaels, Meredith W. (2004). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/mommymythidea00doug"><i>The mommy myth: the idealization of motherhood and how it has undermined women</i></a></span> (Advance uncorrected proof. ed.). New York: Free Press. p. <a rel="nofollow" class="external text" href="https://archive.org/details/mommymythidea00doug/page/235">235</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-7432-5999-8" title="Special:BookSources/0-7432-5999-8"><bdi>0-7432-5999-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+mommy+myth%3A+the+idealization+of+motherhood+and+how+it+has+undermined+women&rft.place=New+York&rft.pages=235&rft.edition=Advance+uncorrected+proof.&rft.pub=Free+Press.&rft.date=2004&rft.isbn=0-7432-5999-8&rft.aulast=Douglas&rft.aufirst=Susan+J.&rft.au=Michaels%2C+Meredith+W.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fmommymythidea00doug&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text">Douglas, Susan J. (1994). <i>Where the Girls Are: Growing Up Female With the Mass Media</i>. New York: Times Books. pp. 221. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8129-2530-0" title="Special:BookSources/0-8129-2530-0">0-8129-2530-0</a></span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text"><i><a rel="nofollow" class="external text" href="http://www.thefreedictionary.com/catfight">Farlex Free Online Dictionary</a></i></span> </li> <li id="cite_note-NYT-10"><span class="mw-cite-backlink">^ <a href="#cite_ref-NYT_10-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-NYT_10-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFSchaefer2019" class="citation news cs1">Schaefer, Kayleen (24 April 2019). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2019/04/24/style/is-the-word-catfight-sexist.html">"Me-OW! It's the End of the Catfight"</a>. <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">7 June</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Me-OW%21+It%27s+the+End+of+the+Catfight&rft.date=2019-04-24&rft.aulast=Schaefer&rft.aufirst=Kayleen&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2019%2F04%2F24%2Fstyle%2Fis-the-word-catfight-sexist.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFHerbst2001" class="citation book cs1">Herbst, Philip H. (2001). <a rel="nofollow" class="external text" href="https://archive.org/details/isbn_9781877864803/page/46"><i>Wimmin, wimps & wallflowers: an encyclopaedic dictionary of gender and sexual orientation bias in the United States</i></a>. Yarmouth, Me: Intercultural Press [u.,a.] p. <a rel="nofollow" class="external text" href="https://archive.org/details/isbn_9781877864803/page/46">46</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-877864-80-3" title="Special:BookSources/1-877864-80-3"><bdi>1-877864-80-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Wimmin%2C+wimps+%26+wallflowers%3A+an+encyclopaedic+dictionary+of+gender+and+sexual+orientation+bias+in+the+United+States&rft.place=Yarmouth%2C+Me&rft.pages=46&rft.pub=Intercultural+Press+%5Bu.%2Ca.%5D&rft.date=2001&rft.isbn=1-877864-80-3&rft.aulast=Herbst&rft.aufirst=Philip+H.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fisbn_9781877864803%2Fpage%2F46&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFGarbarino2006" class="citation book cs1">Garbarino, James (2006). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/seejanehitwhygir00garb"><i>See Jane Hit: Why Girls Are Growing More Violent and What We Can Do About It</i></a></span>. New York, N.Y., pages 80-81: Penguin. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-451-21670-9" title="Special:BookSources/0-451-21670-9"><bdi>0-451-21670-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=See+Jane+Hit%3A+Why+Girls+Are+Growing+More+Violent+and+What+We+Can+Do+About+It&rft.place=New+York%2C+N.Y.%2C+pages+80-81&rft.pub=Penguin&rft.date=2006&rft.isbn=0-451-21670-9&rft.aulast=Garbarino&rft.aufirst=James&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fseejanehitwhygir00garb&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span><span class="cs1-maint citation-comment"><code class="cs1-code">{{<a href="/wiki/Template:Cite_book" title="Template:Cite book">cite book</a>}}</code>: CS1 maint: location (<a href="/wiki/Category:CS1_maint:_location" title="Category:CS1 maint: location">link</a>)</span></span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFMontlack2009" class="citation book cs1">Montlack, Michael, ed. (2009). <span class="id-lock-limited" title="Free access subject to limited trial, subscription normally required"><a rel="nofollow" class="external text" href="https://archive.org/details/mydivagaymenonwo00mont"><i>My diva: 65 gay men on the women who inspire them</i></a></span> ([Online-Ausg.]. ed.). Madison, Wis.: Terrace Books. p. <a rel="nofollow" class="external text" href="https://archive.org/details/mydivagaymenonwo00mont/page/n68">52</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-299-23120-0" title="Special:BookSources/978-0-299-23120-0"><bdi>978-0-299-23120-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=My+diva%3A+65+gay+men+on+the+women+who+inspire+them&rft.place=Madison%2C+Wis.&rft.pages=52&rft.edition=%5BOnline-Ausg.%5D.&rft.pub=Terrace+Books&rft.date=2009&rft.isbn=978-0-299-23120-0&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fmydivagaymenonwo00mont&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-14">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=e3zzudr4_3UC&q=catfight&pg=PA49-IA1">"The New Violence"</a>. <i>Popular Science</i>. 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New York: St. Martin's Griffin. p. <a rel="nofollow" class="external text" href="https://archive.org/details/packagingboyhood00brow/page/153">153</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4299-8325-9" title="Special:BookSources/978-1-4299-8325-9"><bdi>978-1-4299-8325-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Packaging+boyhood%3A+saving+our+sons+from+superheroes%2C+slackers%2C+and+other+media+stereotypes&rft.place=New+York&rft.pages=153&rft.edition=1st&rft.pub=St.+Martin%27s+Griffin&rft.date=2009&rft.isbn=978-1-4299-8325-9&rft.aulast=Lamb&rft.aufirst=Sharon&rft.au=Brown%2C+Lyn+Mikel&rft.au=Tappan%2C+Mark&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fpackagingboyhood00brow&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.sciencedaily.com/releases/2013/02/130225092248.htm">"Catfight? Workplace Conflicts Between Women Get Bad Rap"</a>.</span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text">Yeager, Bunny. <i>Betty Page Confidential</i> (1994) New York: St. Martin's Press. Pages 26-29. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-312-10940-7" title="Special:BookSources/0-312-10940-7">0-312-10940-7</a></span> </li> <li id="cite_note-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-18">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFBeck2005" class="citation book cs1">Beck, Jerry (2005). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/animatedmoviegui0000beck"><i>The animated movie guide</i></a></span> (1. ed.). Chicago: Chicago Review Pr. p. <a rel="nofollow" class="external text" href="https://archive.org/details/animatedmoviegui0000beck/page/159">159</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-55652-591-5" title="Special:BookSources/1-55652-591-5"><bdi>1-55652-591-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+animated+movie+guide&rft.place=Chicago&rft.pages=159&rft.edition=1.&rft.pub=Chicago+Review+Pr.&rft.date=2005&rft.isbn=1-55652-591-5&rft.aulast=Beck&rft.aufirst=Jerry&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fanimatedmoviegui0000beck&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text">Collins, Joan (1999) <i>Second Act: An Autobiography</i>. New York: St. Martin's Press, pages 192-193</span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-20">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFPingel2008" class="citation book cs1">Pingel, Mike (2008). <a rel="nofollow" class="external text" href="https://www.amazon.com/gp/product/1593500807/ref=dbs_a_def_rwt_bibl_vppi_i4"><i>The Q Guide to Wonder Woman</i></a>. New York: Alyson Books. p. 32. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-59350-080-1" title="Special:BookSources/978-1-59350-080-1"><bdi>978-1-59350-080-1</bdi></a><span class="reference-accessdate">. Retrieved <span class="nowrap">18 August</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Q+Guide+to+Wonder+Woman&rft.place=New+York&rft.pages=32&rft.pub=Alyson+Books&rft.date=2008&rft.isbn=978-1-59350-080-1&rft.aulast=Pingel&rft.aufirst=Mike&rft_id=https%3A%2F%2Fwww.amazon.com%2Fgp%2Fproduct%2F1593500807%2Fref%3Ddbs_a_def_rwt_bibl_vppi_i4&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-21">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFSheeler" class="citation news cs1">Sheeler, Jason. <a rel="nofollow" class="external text" href="https://people.com/joan-collins-refuses-to-call-alexis-carrington-dynasty-bitch-exclusive-8385878">"Joan Collins is Always Ready to Dish"</a>. <a href="/wiki/People_(magazine)" title="People (magazine)">People</a><span class="reference-accessdate">. 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New York: Vanguard Press, page 74.</span> </li> <li id="cite_note-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-24">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFDouglas2010" class="citation book cs1">Douglas, Susan J. (2010). <i>The rise of enlightened sexism: how pop culture took us from girl power to Girls Gone Wild</i> (1st ed.). New York: St. Martin's Griffin. p. 203. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-312-67392-5" title="Special:BookSources/978-0-312-67392-5"><bdi>978-0-312-67392-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+rise+of+enlightened+sexism%3A+how+pop+culture+took+us+from+girl+power+to+Girls+Gone+Wild&rft.place=New+York&rft.pages=203&rft.edition=1st&rft.pub=St.+Martin%27s+Griffin&rft.date=2010&rft.isbn=978-0-312-67392-5&rft.aulast=Douglas&rft.aufirst=Susan+J.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-25">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFPozner2010" class="citation book cs1">Pozner, Jennifer L. 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Thousand Oaks, Calif.: Sage Publications. p. <a rel="nofollow" class="external text" href="https://archive.org/details/advertisingstrat0000alts/page/59">59</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-4129-1796-4" title="Special:BookSources/1-4129-1796-4"><bdi>1-4129-1796-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Advertising+strategy+%3A+creative+tactics+from+the+outside%2Fin&rft.place=Thousand+Oaks%2C+Calif.&rft.pages=59&rft.pub=Sage+Publications&rft.date=2006&rft.isbn=1-4129-1796-4&rft.aulast=Grow&rft.aufirst=Tom+Altstiel%2C+Jean&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fadvertisingstrat0000alts%2Fpage%2F59&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span><span class="cs1-maint citation-comment"><code class="cs1-code">{{<a href="/wiki/Template:Cite_book" title="Template:Cite book">cite book</a>}}</code>: CS1 maint: multiple names: authors list (<a href="/wiki/Category:CS1_maint:_multiple_names:_authors_list" title="Category:CS1 maint: multiple names: authors list">link</a>)</span></span> </li> <li id="cite_note-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-27">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFWenner2009" class="citation book cs1">Wenner, Lawrence (2009). <a rel="nofollow" class="external text" href="https://www.peterlang.com/document/1104515"><i>Sport, Beer, and Gender Promotional Culture and Contemporary Social Life</i></a>. 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He knew it would be good" <i>The Philadelphia Inquirer</i>, page F7</span> </li> <li id="cite_note-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-33">^</a></b></span> <span class="reference-text">Larsen, Dave (September 27, 1996, "2 Days in the Valley a hit with cast" <i>The Atlanta Constitution</i>, page P8</span> </li> <li id="cite_note-NYDN-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-NYDN_34-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFSylvester" class="citation web cs1">Sylvester, Robert. <a rel="nofollow" class="external text" href="https://www.newspapers.com/image/455956011/">"Dream Street"</a>. <i>New York Daily News</i><span class="reference-accessdate">. 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Retrieved <span class="nowrap">11 April</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Brazosports+Facts&rft.atitle=Behind+the+Scenes+In+Hollywood&rft.aulast=Mahoney&rft.aufirst=Jim&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fimage%2F8297882%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-36">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFKempley1987" class="citation news cs1">Kempley, Rita (November 20, 1987). <a rel="nofollow" class="external text" href="https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/barflyrkempley_a0ca39.htm">"Barfly"</a>. <i>The Washington Post</i><span class="reference-accessdate">. Retrieved <span class="nowrap">1 August</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Washington+Post&rft.atitle=Barfly&rft.date=1987-11-20&rft.aulast=Kempley&rft.aufirst=Rita&rft_id=https%3A%2F%2Fwww.washingtonpost.com%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Fbarflyrkempley_a0ca39.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-37">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFHunterPorter2012" class="citation book cs1">Hunter, I. Q.; Porter, Laraine (2012). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=NHiCiLUC9JsC"><i>British Comedy Cinema</i></a>. Routledge. p. 111. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-415-66667-1" title="Special:BookSources/978-0-415-66667-1"><bdi>978-0-415-66667-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=British+Comedy+Cinema&rft.pages=111&rft.pub=Routledge&rft.date=2012&rft.isbn=978-0-415-66667-1&rft.aulast=Hunter&rft.aufirst=I.+Q.&rft.au=Porter%2C+Laraine&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DNHiCiLUC9JsC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-38">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFLaSalle2004" class="citation web cs1">LaSalle, Mick (23 July 2004). <a rel="nofollow" class="external text" href="https://www.sfgate.com/movies/article/A-feisty-feminist-feline-with-a-taste-for-sushi-2739485.php">"A feisty, feminist feline with a taste for sushi, leather and, most of all, revenge"</a>. <i>SFGate</i><span class="reference-accessdate">. Retrieved <span class="nowrap">7 August</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=SFGate&rft.atitle=A+feisty%2C+feminist+feline+with+a+taste+for+sushi%2C+leather+and%2C+most+of+all%2C+revenge&rft.date=2004-07-23&rft.aulast=LaSalle&rft.aufirst=Mick&rft_id=https%3A%2F%2Fwww.sfgate.com%2Fmovies%2Farticle%2FA-feisty-feminist-feline-with-a-taste-for-sushi-2739485.php&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-39">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFEbert2006" class="citation book cs1">Ebert, Roger (2006). <a rel="nofollow" class="external text" href="https://archive.org/details/isbn_9780740755385/page/106"><i>Roger Ebert's Movie Yearbook 2006</i></a>. Kansas City, Missouri: Andrews McMeel Publishing. p. <a rel="nofollow" class="external text" href="https://archive.org/details/isbn_9780740755385/page/106">106</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-7407-5538-2" title="Special:BookSources/0-7407-5538-2"><bdi>0-7407-5538-2</bdi></a><span class="reference-accessdate">. Retrieved <span class="nowrap">7 August</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Roger+Ebert%27s+Movie+Yearbook+2006&rft.place=Kansas+City%2C+Missouri&rft.pages=106&rft.pub=Andrews+McMeel+Publishing&rft.date=2006&rft.isbn=0-7407-5538-2&rft.aulast=Ebert&rft.aufirst=Roger&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fisbn_9780740755385%2Fpage%2F106&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-40">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFCondon2000" class="citation book cs1">Condon, Jack (2000). <a rel="nofollow" class="external text" href="https://www.goodreads.com/en/book/show/760431.Charlie_s_Angels_Casebook#_=_"><i>Charlie's Angels Casebook</i></a>. Beverly Hills: Pomegranate Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-938817-20-5" title="Special:BookSources/0-938817-20-5"><bdi>0-938817-20-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Charlie%27s+Angels+Casebook&rft.place=Beverly+Hills&rft.pub=Pomegranate+Press&rft.date=2000&rft.isbn=0-938817-20-5&rft.aulast=Condon&rft.aufirst=Jack&rft_id=https%3A%2F%2Fwww.goodreads.com%2Fen%2Fbook%2Fshow%2F760431.Charlie_s_Angels_Casebook%23_%3D_&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-41">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFMusto2012" class="citation web cs1">Musto, Michael (5 April 2012). <a rel="nofollow" class="external text" href="https://www.villagevoice.com/the-best-catfights-in-hollywood-history/">"The Best Catfights In Hollywood History"</a>. <i><a href="/wiki/The_Village_Voice" title="The Village Voice">The Village Voice</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">29 January</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Village+Voice&rft.atitle=The+Best+Catfights+In+Hollywood+History&rft.date=2012-04-05&rft.aulast=Musto&rft.aufirst=Michael&rft_id=https%3A%2F%2Fwww.villagevoice.com%2Fthe-best-catfights-in-hollywood-history%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-42">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFVanDerWerff2010" class="citation web cs1">VanDerWerff, Todd (October 7, 2010). <a rel="nofollow" class="external text" href="http://web.archive.org/web/20140416210033/http://www.avclub.com/tvclub/community-the-psychology-of-letting-go-45980">"The Psychology of Letting Go"</a>. <i><a href="/wiki/The_A.V._Club" title="The A.V. Club">The A.V. Club</a></i>. Archived from <a rel="nofollow" class="external text" href="http://www.avclub.com/tvclub/community-the-psychology-of-letting-go-45980">the original</a> on April 16, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">January 28,</span> 2025</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+A.V.+Club&rft.atitle=The+Psychology+of+Letting+Go&rft.date=2010-10-07&rft.aulast=VanDerWerff&rft.aufirst=Todd&rft_id=http%3A%2F%2Fwww.avclub.com%2Ftvclub%2Fcommunity-the-psychology-of-letting-go-45980&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span><sup class="noprint Inline-Template"><span style="white-space: nowrap;">[<i><a href="/wiki/Wikipedia:Link_rot" title="Wikipedia:Link rot"><span title=" Dead link tagged January 2025">dead link</span></a></i><span style="visibility:hidden; color:transparent; padding-left:2px">‍</span>]</span></sup></span> </li> <li id="cite_note-43"><span class="mw-cite-backlink"><b><a href="#cite_ref-43">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFShearer2013" class="citation book cs1">Shearer, Stephen M. (2013). <a rel="nofollow" class="external text" href="https://us.macmillan.com/books/9781250041838"><i>Beautiful: The Life of Hedy Lamarr</i></a>. St. Martin's Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-250-04183-8" title="Special:BookSources/978-1-250-04183-8"><bdi>978-1-250-04183-8</bdi></a><span class="reference-accessdate">. Retrieved <span class="nowrap">2 November</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Beautiful%3A+The+Life+of+Hedy+Lamarr&rft.pub=St.+Martin%27s+Press&rft.date=2013&rft.isbn=978-1-250-04183-8&rft.aulast=Shearer&rft.aufirst=Stephen+M.&rft_id=https%3A%2F%2Fus.macmillan.com%2Fbooks%2F9781250041838&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-44">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://variety.com/1939/film/reviews/comrade-x-1200413060/">"Comrade X"</a>. <i>Variety</i>. January 1940<span class="reference-accessdate">. Retrieved <span class="nowrap">2 November</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Variety&rft.atitle=Comrade+X&rft.date=1940-01&rft_id=https%3A%2F%2Fvariety.com%2F1939%2Ffilm%2Freviews%2Fcomrade-x-1200413060%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-Freese-45"><span class="mw-cite-backlink">^ <a href="#cite_ref-Freese_45-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Freese_45-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Freese_45-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Freese_45-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text">Freese, Gene (2017) <i>Classic movie fight scenes: 75 years of bare knuckle brawls, 1914-1989</i>, Jefferson, NC: Mcfarland Publishing, page 26 <a rel="nofollow" class="external autonumber" href="https://mcfarlandbooks.com/product/classic-movie-fight-scenes/">[2]</a></span> </li> <li id="cite_note-46"><span class="mw-cite-backlink"><b><a href="#cite_ref-46">^</a></b></span> <span class="reference-text">Nugent, Frank S. (November 30, 1939) "The Screen in Review: Marlene Dietrich Reaches a High in Horse Opera with Destry Rides Again" <i>The New York Times</i>, page 25</span> </li> <li id="cite_note-47"><span class="mw-cite-backlink"><b><a href="#cite_ref-47">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFLisanti2001" class="citation book cs1">Lisanti, Tom (2001). <a rel="nofollow" class="external text" href="https://mcfarlandbooks.com/product/fantasy-femmes-of-sixties-cinema/"><i>Fantasy Femmes of Sixties Cinema</i></a>. Jefferson, North Carolina: McFarland Publishers. p. 201. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7864-6101-1" title="Special:BookSources/978-0-7864-6101-1"><bdi>978-0-7864-6101-1</bdi></a><span class="reference-accessdate">. Retrieved <span class="nowrap">16 August</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Fantasy+Femmes+of+Sixties+Cinema&rft.place=Jefferson%2C+North+Carolina&rft.pages=201&rft.pub=McFarland+Publishers&rft.date=2001&rft.isbn=978-0-7864-6101-1&rft.aulast=Lisanti&rft.aufirst=Tom&rft_id=https%3A%2F%2Fmcfarlandbooks.com%2Fproduct%2Ffantasy-femmes-of-sixties-cinema%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-48"><span class="mw-cite-backlink"><b><a href="#cite_ref-48">^</a></b></span> <span class="reference-text">Field, Matthew (2105) <i>Some Kind of Hero : 007 : The Remarkable Story of the James Bond Films</i>, Stroud, Gloucestershire: The History Press, page 138 <a rel="nofollow" class="external autonumber" href="https://books.google.com/books?id=onUTDQAAQBAJ">[3]</a></span> </li> <li id="cite_note-49"><span class="mw-cite-backlink"><b><a href="#cite_ref-49">^</a></b></span> <span class="reference-text">"Movie Mayhem", <i>The Salem News</i>, Salem, Ohio, p. 12, 15 October 1963</span> </li> <li id="cite_note-50"><span class="mw-cite-backlink"><b><a href="#cite_ref-50">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFLisanti2002" class="citation book cs1">Lisanti, Tom (2002). <a rel="nofollow" class="external text" href="https://mcfarlandbooks.com/product/film-fatales/"><i>Film Fatales Women in Espionage Films and Television, 1962–1973</i></a>. Jefferson, North Carolina: McFarland Publishing. p. 61. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-7864-1194-5" title="Special:BookSources/0-7864-1194-5"><bdi>0-7864-1194-5</bdi></a><span class="reference-accessdate">. Retrieved <span class="nowrap">12 August</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Film+Fatales+Women+in+Espionage+Films+and+Television%2C+1962%E2%80%931973&rft.place=Jefferson%2C+North+Carolina&rft.pages=61&rft.pub=McFarland+Publishing&rft.date=2002&rft.isbn=0-7864-1194-5&rft.aulast=Lisanti&rft.aufirst=Tom&rft_id=https%3A%2F%2Fmcfarlandbooks.com%2Fproduct%2Ffilm-fatales%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-51"><span class="mw-cite-backlink"><b><a href="#cite_ref-51">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFCraig2019" class="citation book cs1">Craig, Rob (19 February 2019). <a rel="nofollow" class="external text" href="https://mcfarlandbooks.com/product/american-international-pictures/"><i>American International Pictures: A Comprehensive Filmography</i></a>. Jefferson, North Carolina: McFarland & Co. p. 165. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4766-6631-0" title="Special:BookSources/978-1-4766-6631-0"><bdi>978-1-4766-6631-0</bdi></a><span class="reference-accessdate">. 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New York: Franklin Watts. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-531-09949-0" title="Special:BookSources/978-0-531-09949-0"><bdi>978-0-531-09949-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Ann+Miller%2C+Tops+in+Taps%3A+An+Authorized+Pictorial+History&rft.place=New+York&rft.pub=Franklin+Watts&rft.date=1981&rft.isbn=978-0-531-09949-0&rft.aulast=Connor&rft.aufirst=Jim&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-54"><span class="mw-cite-backlink"><b><a href="#cite_ref-54">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFShelley2020" class="citation book cs1">Shelley, Peter (2020). <a rel="nofollow" class="external text" href="https://mcfarlandbooks.com/product/ann-miller/"><i>Ann Miller: Her Life and Career</i></a>. 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Oxford University Press. p. 196. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-19-975429-8" title="Special:BookSources/978-0-19-975429-8"><bdi>978-0-19-975429-8</bdi></a><span class="reference-accessdate">. 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Retrieved <span class="nowrap">17 January</span> 2014</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=TrekMovie.com&rft.atitle=Reviews%3A+Gene+Roddenberry%27s+%27Genesis+II%27+%26+%27Planet+Earth%27&rft.date=2009-10-23&rft.aulast=Bond&rft.aufirst=Jeff&rft_id=http%3A%2F%2Ftrekmovie.com%2F2009%2F10%2F23%2Freviews-gene-roddenberrys-genesis-ii-planet-earth%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-76"><span class="mw-cite-backlink"><b><a href="#cite_ref-76">^</a></b></span> <span class="reference-text">Maltin, Leonard, (2015) <i>Turner classic movies presents Leonard Maltin's classic movie guide</i>, New York: Penguin Random House <a rel="nofollow" class="external autonumber" href="https://www.penguinrandomhouse.com/books/318372/turner-classic-movies-presents-leonard-maltins-classic-movie-guide-by-leonard-maltin/9780698197299">[7]</a></span> </li> <li id="cite_note-77"><span class="mw-cite-backlink"><b><a href="#cite_ref-77">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFArnold2015" class="citation web cs1">Arnold, Jeff (21 September 2015). <a rel="nofollow" class="external text" href="http://jeffarnoldblog.blogspot.com/2015/09/san-antone-republic-1953.html">"San Antone (Republic, 1953)"</a>. <i>Jeff Arnold's West</i><span class="reference-accessdate">. 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Jefferson, NC: McFarland. p. 96. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7864-2028-5" title="Special:BookSources/978-0-7864-2028-5"><bdi>978-0-7864-2028-5</bdi></a><span class="reference-accessdate">. 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Jefferson, NC: McFarland. p. 341. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7864-2858-8" title="Special:BookSources/978-0-7864-2858-8"><bdi>978-0-7864-2858-8</bdi></a><span class="reference-accessdate">. Retrieved <span class="nowrap">28 October</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Interviews+with+B-Science+Fiction+and+Horror+Movie+Makers&rft.place=Jefferson%2C+NC&rft.pages=341&rft.pub=McFarland&rft.date=1988&rft.isbn=978-0-7864-2858-8&rft.aulast=Weaver&rft.aufirst=Tom&rft_id=https%3A%2F%2Fmcfarlandbooks.com%2Fproduct%2Finterviews-with-b-science-fiction-and-horror-movie-makers%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-88"><span class="mw-cite-backlink"><b><a href="#cite_ref-88">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFMcBain2014" class="citation book cs1">McBain, Diane (2014). <a rel="nofollow" class="external text" href="http://www.bearmanormedia.com/famous-enough-a-hollywood-memoir-hardcover-edition-by-diane-mcbain-and-michael-gregg-michaud?search=mcbain"><i>Famous Enough: A Hollywood Memoir</i></a>. 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Back Stage Books. pp. <span class="nowrap">31–</span>33. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8230-8441-8" title="Special:BookSources/0-8230-8441-8"><bdi>0-8230-8441-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=What+Were+They+Thinking%3F%3A+The+100+Dumbest+Events+in+Television&rft.pages=%3Cspan+class%3D%22nowrap%22%3E31-%3C%2Fspan%3E33&rft.pub=Back+Stage+Books&rft.date=2004&rft.isbn=0-8230-8441-8&rft.aulast=Hofstede&rft.aufirst=David&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D3i1HGbyT85MC&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-92"><span class="mw-cite-backlink"><b><a href="#cite_ref-92">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFVarner2009" class="citation book cs1">Varner, Paul (2009). <a rel="nofollow" class="external text" href="https://rowman.com/ISBN/9780810870512/The-A-to-Z-of-Westerns-in-Cinema"><i>The A to Z of Westerns in Cinema</i></a>. Scarecrow Press. p. 117. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8108-6888-5" title="Special:BookSources/978-0-8108-6888-5"><bdi>978-0-8108-6888-5</bdi></a><span class="reference-accessdate">. Retrieved <span class="nowrap">25 October</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+A+to+Z+of+Westerns+in+Cinema&rft.pages=117&rft.pub=Scarecrow+Press&rft.date=2009&rft.isbn=978-0-8108-6888-5&rft.aulast=Varner&rft.aufirst=Paul&rft_id=https%3A%2F%2Frowman.com%2FISBN%2F9780810870512%2FThe-A-to-Z-of-Westerns-in-Cinema&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-93"><span class="mw-cite-backlink"><b><a href="#cite_ref-93">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFHopper1940" class="citation news cs1">Hopper, Hedda (18 October 1940). <a rel="nofollow" class="external text" href="https://www.newspapers.com/image/127622640">"Hedda Hopper's Hollywood"</a>. <i>The Des Moines Register</i>. Des Moines, Iowa<span class="reference-accessdate">. Retrieved <span class="nowrap">27 October</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Des+Moines+Register&rft.atitle=Hedda+Hopper%27s+Hollywood&rft.date=1940-10-18&rft.aulast=Hopper&rft.aufirst=Hedda&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fimage%2F127622640&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-94"><span class="mw-cite-backlink"><b><a href="#cite_ref-94">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFFitzgerald" class="citation web cs1">Fitzgerald, Mike. <a rel="nofollow" class="external text" href="http://www.westernclippings.com/interview/irenehervey_interview.shtml">"Irene Hervey— An Interview with Mike Fitzgerald"</a>. <i>Western Clippings</i><span class="reference-accessdate">. Retrieved <span class="nowrap">27 October</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Western+Clippings&rft.atitle=Irene+Hervey%E2%80%94+An+Interview+with+Mike+Fitzgerald&rft.aulast=Fitzgerald&rft.aufirst=Mike&rft_id=http%3A%2F%2Fwww.westernclippings.com%2Finterview%2Firenehervey_interview.shtml&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-95"><span class="mw-cite-backlink"><b><a href="#cite_ref-95">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.retrospace.org/2016/03/double-feature-22-secret-agent-man-part.html">"The Spy in the Green Hat (1967)"</a>. <i>Retrospace</i><span class="reference-accessdate">. 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Retrieved <span class="nowrap">2 August</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Preppies+of+the+Apocalypse&rft.atitle=The+Man+From+Uncle%3A+The+Concrete+Overcoat+Affair&rft.aulast=Richter&rft.aufirst=Morgan&rft_id=http%3A%2F%2Fpreppiesoftheapocalypse.blogspot.com%2F2015%2F10%2Fthe-man-from-uncle-concrete-overcoat.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-97"><span class="mw-cite-backlink"><b><a href="#cite_ref-97">^</a></b></span> <span class="reference-text">"Feline Fight" <i>Honolulu Star-Bulletin</i> (Honolulu, Hawaii), 27 Nov 1966, p. 139</span> </li> <li id="cite_note-98"><span class="mw-cite-backlink"><b><a href="#cite_ref-98">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFShivas1973" class="citation news cs1">Shivas, Mark (5 August 1973). <a rel="nofollow" class="external text" href="https://www.nytimes.com/1973/08/05/archives/lesters-back-and-the-musketeers-have-got-him.html">"Lester's Back and the 'Musketeers' Have Got Him"</a>. <i>The New York Times</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Lester%27s+Back+and+the+%27Musketeers%27+Have+Got+Him&rft.date=1973-08-05&rft.aulast=Shivas&rft.aufirst=Mark&rft_id=https%3A%2F%2Fwww.nytimes.com%2F1973%2F08%2F05%2Farchives%2Flesters-back-and-the-musketeers-have-got-him.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-99"><span class="mw-cite-backlink"><b><a href="#cite_ref-99">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFThames" class="citation web cs1">Thames, Stephanie. <a rel="nofollow" class="external text" href="http://www.tcm.com/this-month/article/152979%7C0/The-Three-Musketeers.html">"The Three Musketeers"</a>. <i>Turner Classic Movies</i><span class="reference-accessdate">. Retrieved <span class="nowrap">31 July</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Turner+Classic+Movies&rft.atitle=The+Three+Musketeers&rft.aulast=Thames&rft.aufirst=Stephanie&rft_id=http%3A%2F%2Fwww.tcm.com%2Fthis-month%2Farticle%2F152979%257C0%2FThe-Three-Musketeers.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-100"><span class="mw-cite-backlink"><b><a href="#cite_ref-100">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFSuzanna_Danuta_Walters1994" class="citation book cs1">Suzanna Danuta Walters (16 June 1994). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=p6MwDwAAQBAJ&pg=PA136"><i>Lives Together/Worlds Apart: Mothers and Daughters in Popular Culture</i></a>. University of California Press. p. 136. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-520-08656-2" title="Special:BookSources/978-0-520-08656-2"><bdi>978-0-520-08656-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Lives+Together%2FWorlds+Apart%3A+Mothers+and+Daughters+in+Popular+Culture&rft.pages=136&rft.pub=University+of+California+Press&rft.date=1994-06-16&rft.isbn=978-0-520-08656-2&rft.au=Suzanna+Danuta+Walters&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dp6MwDwAAQBAJ%26pg%3DPA136&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-101"><span class="mw-cite-backlink"><b><a href="#cite_ref-101">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFAdrienne_L._McLean2008" class="citation book cs1">Adrienne L. McLean (19 February 2008). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/dyingswansmadmen0000mcle"><i>Dying Swans and Madmen: Ballet, the Body, and Narrative Cinema</i></a></span>. Rutgers University Press. p. <a rel="nofollow" class="external text" href="https://archive.org/details/dyingswansmadmen0000mcle/page/221">221</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8135-4467-0" title="Special:BookSources/978-0-8135-4467-0"><bdi>978-0-8135-4467-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Dying+Swans+and+Madmen%3A+Ballet%2C+the+Body%2C+and+Narrative+Cinema&rft.pages=221&rft.pub=Rutgers+University+Press&rft.date=2008-02-19&rft.isbn=978-0-8135-4467-0&rft.au=Adrienne+L.+McLean&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fdyingswansmadmen0000mcle&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-102"><span class="mw-cite-backlink"><b><a href="#cite_ref-102">^</a></b></span> <span class="reference-text">Levy, Emanuel (1994) George Cukor: Master of Elegance, New York: William Morrow, page 125 <a rel="nofollow" class="external autonumber" href="https://www.amazon.com/George-Cukor-Master-Elegance-Hollywoods/dp/0688112463/ref=sr_1_1?s=books&ie=UTF8&qid=1532888564&sr=1-1&keywords=9780688112462&dpID=41WWk3l5NtL&preST=_SY291_BO1,204,203,200_QL40_&dpSrc=srch">[8]</a></span> </li> <li id="cite_note-103"><span class="mw-cite-backlink"><b><a href="#cite_ref-103">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://catalog.afi.com/Catalog/MovieDetails/5135">"AFI Catalog of Feature Films: The First Hundred Years"</a>. <i>American Film Institute</i><span class="reference-accessdate">. Retrieved <span class="nowrap">30 July</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=American+Film+Institute&rft.atitle=AFI+Catalog+of+Feature+Films%3A+The+First+Hundred+Years&rft_id=https%3A%2F%2Fcatalog.afi.com%2FCatalog%2FMovieDetails%2F5135&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-104"><span class="mw-cite-backlink"><b><a href="#cite_ref-104">^</a></b></span> <span class="reference-text">Roberts, Jerry 92003) <i>The Great American Playwrights on the Screen</i>, New York: Applause Theater and Cinema Books, p. 85 <a rel="nofollow" class="external autonumber" href="https://www.halleonardbooks.com/product/viewproduct.action?itemid=314573&subsiteid=166">[9]</a></span> </li> <li id="cite_note-105"><span class="mw-cite-backlink"><b><a href="#cite_ref-105">^</a></b></span> <span class="reference-text">Staggs, Sam (2002) <i>Close-up on Sunset Boulevard: Billy Wilder, Norma Desmond, and the Dark Hollywood Dream</i>, New York: St. Martin's Press, p. 241 <a rel="nofollow" class="external autonumber" href="https://us.macmillan.com/books/9780312302542">[10]</a></span> </li> <li id="cite_note-106"><span class="mw-cite-backlink"><b><a href="#cite_ref-106">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFRelyea2008" class="citation book cs1">Relyea, Robert E. (2008). <i>Not so Quiet on the Set: My Life in Movies During Hollywood's Macho Era</i>. Bloomington, Indiana: iUniverse. p. 35. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-595-71332-5" title="Special:BookSources/978-0-595-71332-5"><bdi>978-0-595-71332-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Not+so+Quiet+on+the+Set%3A+My+Life+in+Movies+During+Hollywood%27s+Macho+Era&rft.place=Bloomington%2C+Indiana&rft.pages=35&rft.pub=iUniverse&rft.date=2008&rft.isbn=978-0-595-71332-5&rft.aulast=Relyea&rft.aufirst=Robert+E.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-107"><span class="mw-cite-backlink"><b><a href="#cite_ref-107">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFLandazuri" class="citation web cs1">Landazuri, Margarita. <a rel="nofollow" class="external text" href="http://www.tcm.com/this-month/article/102745%7C0/The-Opposite-Sex.html">"The Opposite Sex"</a>. <i>Turner Classic Movies</i><span class="reference-accessdate">. Retrieved <span class="nowrap">31 July</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Turner+Classic+Movies&rft.atitle=The+Opposite+Sex&rft.aulast=Landazuri&rft.aufirst=Margarita&rft_id=http%3A%2F%2Fwww.tcm.com%2Fthis-month%2Farticle%2F102745%257C0%2FThe-Opposite-Sex.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-108"><span class="mw-cite-backlink"><b><a href="#cite_ref-108">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFBrode2016" class="citation book cs1">Brode, Douglas (2016). <a rel="nofollow" class="external text" href="http://www.bearmanormedia.com/deadlier-than-the-male-femme-fatales-of-1960s-and-1970s-cinema-softcover-edition-by-douglas-brode?search=brode"><i>Deadlier Than the Male: Femme Fatales of 1960s and 1970s Cinema</i></a>. Albany, Georgia: Bear Manor Media. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-59393-184-1" title="Special:BookSources/978-1-59393-184-1"><bdi>978-1-59393-184-1</bdi></a><span class="reference-accessdate">. Retrieved <span class="nowrap">31 July</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Deadlier+Than+the+Male%3A+Femme+Fatales+of+1960s+and+1970s+Cinema&rft.place=Albany%2C+Georgia&rft.pub=Bear+Manor+Media&rft.date=2016&rft.isbn=978-1-59393-184-1&rft.aulast=Brode&rft.aufirst=Douglas&rft_id=http%3A%2F%2Fwww.bearmanormedia.com%2Fdeadlier-than-the-male-femme-fatales-of-1960s-and-1970s-cinema-softcover-edition-by-douglas-brode%3Fsearch%3Dbrode&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-109"><span class="mw-cite-backlink"><b><a href="#cite_ref-109">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFLisanti2008" class="citation book cs1">Lisanti, Tom (2008). <a rel="nofollow" class="external text" href="https://mcfarlandbooks.com/product/glamour-girls-of-sixties-hollywood-2/"><i>Glamour Girls of Sixties Hollywood: Seventy Five Profiles</i></a>. Jefferson, North Carolina: McFarland. p. 207. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7864-3172-4" title="Special:BookSources/978-0-7864-3172-4"><bdi>978-0-7864-3172-4</bdi></a><span class="reference-accessdate">. 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Retrieved <span class="nowrap">4 January</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=James+Cameron&rft.place=New+York&rft.pages=11&rft.pub=Routledge&rft.date=2006&rft.isbn=0-415-28851-7&rft.aulast=Keller&rft.aufirst=Alexandra&rft_id=https%3A%2F%2Fwww.routledge.com%2FJames-Cameron%2FKeller%2Fp%2Fbook%2F9780415288521&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-115"><span class="mw-cite-backlink"><b><a href="#cite_ref-115">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://catalog.afi.com/Catalog/moviedetails/52427">"Untamed Youth"</a>. <i>American Film Institute</i><span class="reference-accessdate">. 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Retrieved <span class="nowrap">5 August</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Turner+Classic+Movies&rft.atitle=Forums%3A+Message+Board&rft_id=http%3A%2F%2Fforums.tcm.com%2Ftopic%2F44862-italian-haircut%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-117"><span class="mw-cite-backlink"><b><a href="#cite_ref-117">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.prisonmovies.net/untamed-youth-1957-usa">"Untamed Youth (1957, USA)"</a>. <i>Prison Movies</i><span class="reference-accessdate">. Retrieved <span class="nowrap">5 August</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Prison+Movies&rft.atitle=Untamed+Youth+%281957%2C+USA%29&rft_id=http%3A%2F%2Fwww.prisonmovies.net%2Funtamed-youth-1957-usa&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-118"><span class="mw-cite-backlink"><b><a href="#cite_ref-118">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.quotes.net/mquote/100840">"Untamed Youth (1957)"</a>. <i>Quotes</i><span class="reference-accessdate">. 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Plume Books. p. 749. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-14-751682-4" title="Special:BookSources/978-0-14-751682-4"><bdi>978-0-14-751682-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Turner+Classic+Movies+Presents+Leonard+Maltin%27s+Classic+Movie+Guide&rft.pages=749&rft.pub=Plume+Books&rft.date=2005&rft.isbn=978-0-14-751682-4&rft.aulast=Maltin&rft.aufirst=Leonard&rft_id=https%3A%2F%2Fwww.penguinrandomhouse.com%2Fbooks%2F318372%2Fturner-classic-movies-presents-leonard-maltins-classic-movie-guide-by-leonard-maltin%2F9780147516824&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-120"><span class="mw-cite-backlink"><b><a href="#cite_ref-120">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFLu-Lien_Tan" class="citation web cs1">Lu-Lien Tan, Cheryl. <a rel="nofollow" class="external text" href="https://www.newspapers.com/image/269090128/">"Catfights claw their way back into pop culture"</a>. <i><a href="/wiki/Orlando_Sentinel" title="Orlando Sentinel">Orlando Sentinel</a></i><span class="reference-accessdate">. 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Jefferson, North Carolina: McFarland. p. 109. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7864-3172-4" title="Special:BookSources/978-0-7864-3172-4"><bdi>978-0-7864-3172-4</bdi></a><span class="reference-accessdate">. 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Jefferson, North Carolina: McFarland. p. 72. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7864-3138-0" title="Special:BookSources/978-0-7864-3138-0"><bdi>978-0-7864-3138-0</bdi></a><span class="reference-accessdate">. Retrieved <span class="nowrap">6 August</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Atomic+Blonde%3A+The+Films+of+Mamie+Van+Doren&rft.place=Jefferson%2C+North+Carolina&rft.pages=72&rft.pub=McFarland&rft.date=2008&rft.isbn=978-0-7864-3138-0&rft.aulast=Lowe&rft.aufirst=Barry&rft_id=https%3A%2F%2Fmcfarlandbooks.com%2Fproduct%2Fatomic-blonde%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-125"><span class="mw-cite-backlink"><b><a href="#cite_ref-125">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://catfight-fans.com/index-site-content_container-col_id-68-view-detail-art_id-588-SID-5mtknscpsad7r2ag80t5tsaac0.html">"About us"</a>. <i>Catfight-Fans</i><span class="reference-accessdate">. Retrieved <span class="nowrap">15 October</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Catfight-Fans&rft.atitle=About+us&rft_id=https%3A%2F%2Fcatfight-fans.com%2Findex-site-content_container-col_id-68-view-detail-art_id-588-SID-5mtknscpsad7r2ag80t5tsaac0.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-126"><span class="mw-cite-backlink"><b><a href="#cite_ref-126">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFSonntag2002" class="citation book cs1">Sonntag, Werner (2002). <a rel="nofollow" class="external text" href="https://www.eurobuch.de/buch/isbn/9783980283526.html"><i>Kampfes Lust. 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Retrieved <span class="nowrap">15 October</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Internet+Adult+Film+Database&rft.atitle=Napali+Video&rft_id=https%3A%2F%2Fwww.iafd.com%2Fdistrib.asp%3Fdistrib%3D1872%26napali-video.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-128"><span class="mw-cite-backlink"><b><a href="#cite_ref-128">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.iafd.com/studio.asp?studio=530&california-wildcats.htm">"California Wildcats"</a>. <i>Internet Adult Film Database</i><span class="reference-accessdate">. Retrieved <span class="nowrap">15 October</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Internet+Adult+Film+Database&rft.atitle=California+Wildcats&rft_id=https%3A%2F%2Fwww.iafd.com%2Fstudio.asp%3Fstudio%3D530%26california-wildcats.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-129"><span class="mw-cite-backlink"><b><a href="#cite_ref-129">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.wrestlewiki.com/wiki/DWW">"DWW"</a>. <i>Female Submission Wrestling Encyclopedia</i><span class="reference-accessdate">. Retrieved <span class="nowrap">15 October</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Female+Submission+Wrestling+Encyclopedia&rft.atitle=DWW&rft_id=https%3A%2F%2Fwww.wrestlewiki.com%2Fwiki%2FDWW&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-130"><span class="mw-cite-backlink"><b><a href="#cite_ref-130">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.wrestlewiki.com/wiki/Fighting_Dolls">"Fighting Dolls"</a>. <i>Female Submission Wrestling Encyclopedia</i><span class="reference-accessdate">. Retrieved <span class="nowrap">15 October</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Female+Submission+Wrestling+Encyclopedia&rft.atitle=Fighting+Dolls&rft_id=https%3A%2F%2Fwww.wrestlewiki.com%2Fwiki%2FFighting_Dolls&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> <li id="cite_note-131"><span class="mw-cite-backlink"><b><a href="#cite_ref-131">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.wrestlewiki.com/wiki/Foxy_Combat">"Foxy Combat"</a>. <i>Female Submission Wrestling Encyclopedia</i><span class="reference-accessdate">. Retrieved <span class="nowrap">15 October</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Female+Submission+Wrestling+Encyclopedia&rft.atitle=Foxy+Combat&rft_id=https%3A%2F%2Fwww.wrestlewiki.com%2Fwiki%2FFoxy_Combat&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACatfight" class="Z3988"></span></span> </li> </ol></div> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol 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.navbox{display:none!important}}</style></div><div role="navigation" class="navbox" aria-labelledby="Pornography543" style="padding:3px"><table class="nowraplinks hlist mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background: #FBAED2;"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374" /><style data-mw-deduplicate="TemplateStyles:r1239400231">.mw-parser-output .navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output .navbar-boxtext{word-spacing:0}.mw-parser-output .navbar ul{display:inline-block;white-space:nowrap;line-height:inherit}.mw-parser-output .navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini abbr{font-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit}.mw-parser-output .navbar-ct-full{font-size:114%;margin:0 7em}.mw-parser-output .navbar-ct-mini{font-size:114%;margin:0 4em}html.skin-theme-clientpref-night .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Pornography" title="Template:Pornography"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Pornography" title="Template talk:Pornography"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Pornography" title="Special:EditPage/Template:Pornography"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Pornography543" style="font-size:114%;margin:0 4em"><a href="/wiki/Pornography" title="Pornography">Pornography</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background: #FBAED2;;width:1%;background: #FFA6C9;">Pornography</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="background: #FFBCD9;text-align:right;;width:1%">Types</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Amateur_pornography" title="Amateur pornography">Amateur</a></li> <li><a href="/wiki/Cartoon_pornography" title="Cartoon pornography">Cartoon</a> <ul><li><a href="/wiki/Hentai" title="Hentai">Hentai</a></li> <li><a href="/wiki/Tijuana_bible" title="Tijuana bible">Tijuana bible</a></li></ul></li> <li><a href="/wiki/Child_pornography" title="Child pornography">Child</a> <ul><li><a href="/wiki/Child_erotica" title="Child erotica">Erotica</a></li> <li><a href="/wiki/Simulated_child_pornography" title="Simulated child pornography">Simulated</a></li></ul></li> <li><a href="/wiki/Deepfake_pornography" title="Deepfake pornography">Deepfake</a></li> <li><a href="/wiki/Feminist_pornography" title="Feminist pornography">Feminist</a></li> <li><a href="/wiki/Hardcore_pornography" title="Hardcore pornography">Hardcore</a></li> <li><a href="/wiki/Internet_pornography" title="Internet pornography">Internet</a></li> <li><a href="/wiki/Mobile_porn" title="Mobile porn">Mobile</a></li> <li><a href="/wiki/Revenge_porn" title="Revenge porn">Revenge</a></li> <li><a href="/wiki/Sexting" title="Sexting">Sexting</a></li> <li><a href="/wiki/Softcore_pornography" title="Softcore pornography">Softcore</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #FFBCD9;text-align:right;;width:1%">Genres</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Alt_porn" title="Alt porn">Alt</a></li> <li><a href="/wiki/Bondage_pornography" title="Bondage pornography">Bondage</a></li> <li><a href="/wiki/Clop_(erotic_fan_art)" title="Clop (erotic fan art)">Clopping</a></li> <li><a href="/wiki/Convent_pornography" title="Convent pornography">Convent</a></li> <li><a href="/wiki/Ethnic_pornography" title="Ethnic pornography">Ethnic</a></li> <li><a href="/wiki/Gang_bang_pornography" class="mw-redirect" title="Gang bang pornography">Gang bang</a></li> <li><a href="/wiki/Gonzo_pornography" title="Gonzo pornography">Gonzo</a></li> <li><a href="/wiki/Incest_pornography" title="Incest pornography">Incest</a></li> <li><a href="/wiki/MILF_pornography" title="MILF pornography">MILF</a></li> <li><a href="/wiki/Mormon_pornography" title="Mormon pornography">Mormon</a></li> <li><a href="/wiki/Rape_pornography" title="Rape pornography">Rape</a></li> <li><a href="/wiki/Reality_pornography" title="Reality pornography">Reality</a></li> <li><a href="/wiki/Sissy_hypno" title="Sissy hypno">Sissy hypno</a></li> <li><a href="/wiki/Tentacle_erotica" title="Tentacle erotica">Tentacle</a></li> <li>LGBTQ: <ul><li>Lesbian <ul><li><a href="/wiki/Lesbian_erotica" title="Lesbian erotica">erotica</a></li> <li><a href="/wiki/Lesbian_pornography" title="Lesbian pornography">pornography</a></li></ul></li> <li><a href="/wiki/Gay_pornography" title="Gay pornography">Gay</a></li> <li><a href="/wiki/Bisexual_pornography" title="Bisexual pornography">Bisexual</a></li> <li><a href="/wiki/Transgender_pornography" title="Transgender pornography">Transgender</a></li> <li><a href="/wiki/Queer_pornography" title="Queer pornography">Queer</a></li></ul></li> <li><a href="/wiki/Porn_for_women" title="Porn for women">Women's</a></li> <li><a href="/wiki/Yiff" title="Yiff">Yiffing</a></li> <li><a href="/wiki/Zoophilic_pornography" class="mw-redirect" title="Zoophilic pornography">Zoophilic</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #FFBCD9;text-align:right;;width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/History_of_erotic_depictions" title="History of erotic depictions">History</a></li> <li><a href="/wiki/Pornographic_film_actor" title="Pornographic film actor">Film actor</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #FFBCD9;text-align:right;;width:1%">Organizations</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Adult_Film_Association_of_America" title="Adult Film Association of America">Adult Film Association of America</a></li> <li><a href="/wiki/Critics_Adult_Film_Association" title="Critics Adult Film Association">Critics Adult Film Association</a></li> <li><a href="/wiki/Fans_of_X-Rated_Entertainment" title="Fans of X-Rated Entertainment">Fans of X-Rated Entertainment</a></li> <li><a href="/wiki/Free_Speech_Coalition" title="Free Speech Coalition">Free Speech Coalition</a></li> <li><a href="/wiki/X-Rated_Critics_Organization" title="X-Rated Critics Organization">X-Rated Critics Organization</a></li> <li><a href="/wiki/List_of_pornography_companies" title="List of pornography companies">List of pornography companies</a></li> <li><a href="/wiki/List_of_pornographic_film_studios" title="List of pornographic film studios">List of pornographic film studios</a></li> <li><a href="/wiki/Fuck_for_Forest" title="Fuck for Forest">Fuck for Forest</a></li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="background: #FBAED2;;width:1%;background: #FFA6C9;"><a href="/wiki/Opposition_to_pornography" title="Opposition to pornography">Opposition to<br />pornography</a></th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="background: #FFBCD9;;width:1%">Movements</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Anti-pornography_movement_in_the_United_Kingdom" title="Anti-pornography movement in the United Kingdom">Anti-pornography movement in the United Kingdom</a></li> <li><a href="/wiki/Anti-pornography_movement_in_the_United_States" title="Anti-pornography movement in the United States">Anti-pornography movement in the United States</a></li> <li><a href="/wiki/Antipornography_Civil_Rights_Ordinance" title="Antipornography Civil Rights Ordinance">Antipornography Civil Rights Ordinance</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #FFBCD9;;width:1%">Organizations</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Churchmen%27s_Committee_for_Decent_Publications" title="Churchmen's Committee for Decent Publications">Churchmen's Committee for Decent Publications</a></li> <li><a href="/wiki/Feminists_Fighting_Pornography" title="Feminists Fighting Pornography">Feminists Fighting Pornography</a></li> <li><a href="/wiki/Fight_the_New_Drug" title="Fight the New Drug">Fight the New Drug</a></li> <li><a href="/wiki/The_Marriage_Vow" title="The Marriage Vow">The Marriage Vow</a></li> <li><a href="/wiki/No_More_Page_3" title="No More Page 3">No More Page 3</a></li> <li><a href="/wiki/Stop_Bild_Sexism" title="Stop Bild Sexism">Stop Bild Sexism</a></li> <li><a href="/wiki/Stop_Child_Trafficking_Now" title="Stop Child Trafficking Now">Stop Child Trafficking Now</a></li> <li><a href="/wiki/Stop_Porn_Culture" class="mw-redirect" title="Stop Porn Culture">Stop Porn Culture</a></li> <li><a href="/wiki/Women_Against_Pornography" title="Women Against Pornography">Women Against Pornography</a></li> <li><a href="/wiki/Women_Against_Violence_in_Pornography_and_Media" title="Women Against Violence in Pornography and Media">Women Against Violence in Pornography and Media</a></li> <li><a href="/wiki/XXXchurch.com" title="XXXchurch.com">XXXchurch.com</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #FFBCD9;;width:1%">Overuse</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Accountability_software" title="Accountability software">Accountability software</a></li> <li><a href="/wiki/Employee_monitoring_software" title="Employee monitoring software">Employee monitoring software</a></li> <li><a href="/wiki/Internet_filter" title="Internet filter">Internet filter</a></li> <li><a href="/wiki/NoFap" title="NoFap">NoFap</a></li> <li><a href="/wiki/Parental_controls" title="Parental controls">Parental controls</a></li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="background: #FBAED2;;width:1%;background: #FFA6C9;">Views</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Feminist_views_on_pornography" title="Feminist views on pornography">Feminist</a></li> <li><a href="/wiki/Religious_views_on_pornography" title="Religious views on pornography">Religious</a></li> <li><a href="/wiki/Sex-positive_feminism" title="Sex-positive feminism">Sex-positive feminist</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #FBAED2;;width:1%;background: #FFA6C9;">Media</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Audio_porn" title="Audio porn">Audio</a></li> <li><a href="/wiki/Pornographic_film" title="Pornographic film">Film</a> <ul><li><a href="/wiki/Cartoon_pornography" title="Cartoon pornography">Cartoon</a></li> <li><a href="/wiki/Pornographic_parody_film" title="Pornographic parody film">Parody</a></li></ul></li> <li><a href="/wiki/Generative_AI_pornography" title="Generative AI pornography">Generative AI pornography</a></li> <li><a href="/wiki/Pornographic_magazine" title="Pornographic magazine">Magazines</a> <ul><li><a href="/wiki/List_of_pornographic_magazines" title="List of pornographic magazines">List</a></li></ul></li> <li><a href="/wiki/Page_3" title="Page 3">Page 3</a></li> <li><a href="/wiki/Sexual_content_in_video_games" title="Sexual content in video games">Video games</a> <ul><li><a href="/wiki/Eroge" title="Eroge">Eroge</a></li></ul></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #FBAED2;;width:1%;background: #FFA6C9;"><a href="/wiki/Effects_of_pornography" title="Effects of pornography">Possible effects</a></th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Pornography_addiction" title="Pornography addiction">Pornography addiction</a></li> <li><a href="/wiki/Sexually_transmitted_infections_in_the_pornography_industry" title="Sexually transmitted infections in the pornography industry">STDs</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #FBAED2;;width:1%;background: #FFA6C9;">People</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/List_of_pornographic_performers_by_decade" class="mw-redirect" title="List of pornographic performers by decade">Performers by decade</a></li> <li><a href="/wiki/List_of_British_pornographic_actors" title="List of British pornographic actors">British performers</a></li> <li><a href="/wiki/List_of_actors_in_gay_pornographic_films" title="List of actors in gay pornographic films">Gay male performers</a></li> <li><a href="/wiki/List_of_pornographic_actors_who_appeared_in_mainstream_films" title="List of pornographic actors who appeared in mainstream films">Pornographic actors who appeared in mainstream films</a></li> <li><a href="/wiki/List_of_mainstream_actors_who_have_appeared_in_pornographic_films" title="List of mainstream actors who have appeared in pornographic films">Mainstream actors who have appeared in pornographic films</a></li> <li><a href="/wiki/List_of_pornographic_film_directors" title="List of pornographic film directors">Film directors</a></li> <li><a href="/wiki/List_of_hentai_creators" title="List of hentai creators">List of hentai creators</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #FBAED2;;width:1%;background: #FFA6C9;">Events</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Adultcon" title="Adultcon">Adultcon</a></li> <li><a href="/wiki/AVN_Adult_Entertainment_Expo" title="AVN Adult Entertainment Expo">AVN Adult Entertainment Expo</a></li> <li><a href="/wiki/Barcelona_International_Erotic_Film_Festival" title="Barcelona International Erotic Film Festival">Barcelona International Erotic Film Festival</a></li> <li><a href="/wiki/Brussels_International_Festival_of_Eroticism" title="Brussels International Festival of Eroticism">Brussels International Festival of Eroticism</a></li> <li><a href="/wiki/Exotic_Erotic_Ball" title="Exotic Erotic Ball">Exotic Erotic Ball</a></li> <li><a href="/wiki/Exxxotica_Expo" title="Exxxotica Expo">Exxxotica Expo</a></li> <li><a href="/wiki/HUMP!" title="HUMP!">HUMP!</a></li> <li><a href="/wiki/Porn_Sunday" title="Porn Sunday">Porn Sunday</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #FBAED2;;width:1%;background: #FFA6C9;">Miscellaneous</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Adult_movie_theater" title="Adult movie theater">Adult movie theater</a></li> <li><a href="/wiki/Blue_Movie" title="Blue Movie">Blue Movie</a></li> <li><a href="/wiki/Golden_Age_of_Porn" title="Golden Age of Porn">Golden Age</a></li> <li><a href="/wiki/Not_safe_for_work" title="Not safe for work">Not safe for work</a></li> <li><a href="/wiki/Pornification" title="Pornification">Pornification</a></li> <li><a href="/wiki/Pornotopia" title="Pornotopia">Pornotopia</a></li> <li><a href="/wiki/R18_(British_Board_of_Film_Classification)" title="R18 (British Board of Film Classification)">R18 certificate</a></li> <li><a href="/wiki/Rule_34" title="Rule 34">Rule 34</a></li> <li><a href="/wiki/Sex_shop" title="Sex shop">Sex shop</a></li> <li><a href="/wiki/Sexualization" title="Sexualization">Sexualization</a></li> <li><a href="/wiki/X_rating" title="X rating">X rating</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #FBAED2;;width:1%;background: #FFA6C9;">See also</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Erotica" title="Erotica">Erotica</a> <ul><li><a href="/wiki/Erotic_art" title="Erotic art">Art</a></li> <li><a href="/wiki/Erotic_comics" title="Erotic comics">Comics</a></li> <li><a href="/wiki/Sex_in_film" title="Sex in film">Film</a></li> <li><a href="/wiki/Erotic_literature" title="Erotic literature">Literature</a></li> <li><a href="/wiki/Erotic_photography" title="Erotic photography">Photography</a></li> <li><a href="/wiki/Women%27s_erotica" title="Women's erotica">Women's</a></li></ul></li> <li><a href="/wiki/Human_female_sexuality" title="Human female sexuality">Human female sexuality</a></li> <li><a href="/wiki/Human_male_sexuality" title="Human male sexuality">Human male sexuality</a></li> <li><a href="/wiki/Human_sexual_activity" title="Human sexual activity">Human sexual activity</a></li> <li><a href="/wiki/Nudity" title="Nudity">Nudity</a></li> <li><a href="/wiki/Overwatch_and_pornography" title="Overwatch and pornography"><i>Overwatch</i> and pornography</a></li> <li><a href="/wiki/Pok%C3%A9mon_and_pornography" title="Pokémon and pornography"><i>Pokémon</i> and pornography</a></li> <li><a href="/wiki/Ribaldry" title="Ribaldry">Ribaldry</a></li> <li><a href="/wiki/Right_to_sexuality" title="Right to sexuality">Right to sexuality</a></li> <li><a href="/wiki/Sex-positive_feminism" title="Sex-positive feminism">Sex-positive feminism</a></li> <li><a href="/wiki/Sex-positive_movement" title="Sex-positive movement">Sex-positive movement</a></li> <li><a href="/wiki/Sexual_content" title="Sexual content">Sexual content</a></li> <li><a href="/wiki/Sexual_and_reproductive_health_and_rights" title="Sexual and reproductive health and rights">Sexual and reproductive health and rights</a></li> <li><a href="/wiki/Sexual_repression" title="Sexual repression">Sexual repression</a></li> <li><a href="/wiki/Sexual_revolution" title="Sexual revolution">Sexual revolution</a></li> <li><a href="/wiki/Stanley_v._Georgia" title="Stanley v. Georgia">Stanley v. Georgia</a></li> <li><a href="/wiki/Imagery_of_nude_celebrities" title="Imagery of nude celebrities">Imagery of nude celebrities</a> <ul><li><a href="/wiki/Celebrity_sex_tape" title="Celebrity sex tape">sex tape</a></li></ul></li></ul> </div></td></tr><tr><td class="navbox-abovebelow" colspan="2" style="background: #FBAED2;"><div> <ul><li><span class="noviewer" typeof="mw:File"><span title="Category"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/16px-Symbol_category_class.svg.png" decoding="async" width="16" height="16" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/23px-Symbol_category_class.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/31px-Symbol_category_class.svg.png 2x" data-file-width="180" data-file-height="185" /></span></span> <a href="/wiki/Category:Pornography" title="Category:Pornography">Category</a></li> <li><span class="noviewer" typeof="mw:File"><a href="/wiki/File:Symbol_portal_class.svg" class="mw-file-description" title="Portal"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/e/e2/Symbol_portal_class.svg/20px-Symbol_portal_class.svg.png" decoding="async" width="16" height="16" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/e/e2/Symbol_portal_class.svg/40px-Symbol_portal_class.svg.png 1.5x" data-file-width="180" data-file-height="185" /></a></span> <a href="/wiki/Portal:Erotica_and_pornography" title="Portal:Erotica and pornography">Erotica and pornography portal</a></li> <li><span class="noviewer" typeof="mw:File"><a href="/wiki/File:Symbol_portal_class.svg" class="mw-file-description" title="Portal"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/e/e2/Symbol_portal_class.svg/20px-Symbol_portal_class.svg.png" decoding="async" width="16" height="16" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/e/e2/Symbol_portal_class.svg/40px-Symbol_portal_class.svg.png 1.5x" data-file-width="180" data-file-height="185" /></a></span> <a href="/wiki/Portal:Human_sexuality" title="Portal:Human sexuality">Human sexuality portal</a></li></ul> </div></td></tr></tbody></table></div> <!-- NewPP limit report Parsed by mw‐web.codfw.main‐779c5f569f‐kps7h Cached time: 20250328181134 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.802 seconds Real time usage: 0.953 seconds Preprocessor visited node count: 6116/1000000 Post‐expand include size: 205928/2097152 bytes Template argument size: 1894/2097152 bytes Highest expansion depth: 17/100 Expensive parser function count: 3/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 377120/5000000 bytes Lua time usage: 0.464/10.000 seconds Lua memory usage: 6227282/52428800 bytes Number of Wikibase entities loaded: 0/400 --> <!-- Transclusion expansion time report (%,ms,calls,template) 100.00% 750.389 1 -total 67.41% 505.815 1 Template:Reflist 25.21% 189.178 39 Template:Cite_web 23.12% 173.470 48 Template:Cite_book 10.37% 77.787 3 Template:Navbox 10.34% 77.583 1 Template:Pornography 8.46% 63.486 1 Template:Short_description 5.19% 38.961 1 Template:About 4.92% 36.942 2 Template:Pagetype 4.44% 33.297 11 Template:Cite_news --> <!-- Saved in parser cache with key enwiki:pcache:1321828:|#|:idhash:canonical and timestamp 20250328181134 and revision id 1281141342. 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