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class="ods-c-breadcrumbs-item" href="https://kultura.onet.pl/film/wywiady-i-artykuly">Wywiady i artykuły</a><svg width="16" height="16" viewBox="0 0 24 24" class="ods-c-breadcrumbs-separator" data-icon="CaretRight"> <use href="#ai:local:CaretRight"></use> </svg><span class="ods-c-breadcrumbs-item ods-c-breadcrumbs-item--current">Jan Frycz kończy 70 lat! "Podglądanie jego aktorstwa to jak pływanie z rekinami"</span></div><script type="module" src="https://cdn.kultura.onet.pl/static/assets/1.32.79/Breadcrumbs.astro_astro_type_script_index_0_lang.BZ4dlc_b.js"></script><div class="g-container"> <div class="left-column ods-g-cspan-6"><span data-article-start></span><article content-length="14335" content-paywall-length="0" class="ods-article-lead" data-section="article-lead"><h1 class="ods-c-title__text"> Jan Frycz kończy 70 lat! "Podglądanie jego aktorstwa to jak pływanie z rekinami" </h1><div class="ods-c-authorship" data-section="author-top"> <div class="ods-c-authorship__row ods-c-authorship__row-simple"><a href="https://kultura.onet.pl/autorzy/dagmara-romanowska" class="ods-c-one_author ods-c-one_author--link"><div class="ods-c-one_avatar"> <img src="https://cdn.kultura.onet.pl/1/o86k9k2aHR0cHM6Ly9jZG4ua3VsdHVyYS5vbmV0LnBsL2ltZy9hdmF0YXJfcGxhY2Vob2xkZXIucG5nkZMFOjreAAKhMAehMQQ" height="58" width="58" alt="Autor Dagmara Romanowska" class="ods-c-image__img ods-c-image__img--placeholder" loading="lazy"> </div><span class="ods-c-one_author__name">Dagmara Romanowska</span></a></div> <div class="ods-c-authorship__row"> <div class="ods-c-date"><time class="ods-c-date-publication" datetime="2024-05-15T05:00:00+02:00">15 maja 2024, 05:00</time></div> <div class="ods-c-share" data-section="share-top" data-omp-event-category="share-top-menu"> <button type="button" aria-label="Udostępnij" data-omp-event-name data-omp-event-url class="ods-c-button ods-c-button__small ods-c-button__outlined ods-c-share__button"><svg width="1em" height="1em" viewBox="0 0 24 24" class="ods-c-button__icon ods-c-button__icon-text" data-icon="ShareNetwork_filled"> <use href="#ai:local:ShareNetwork_filled"></use> </svg><span>Udostępnij</span></button> <div class="ods-c-share__dropdown"> <span class="ods-c-share__title">Udostępnij przez</span> <ul class="ods-c-share__container"> <li class="ods-c-share__li"> <a class="ods-c-anchor ods-c-anchor__big ods-c-anchor__neutral" href="https://www.facebook.com/sharer.php?u=https://kultura.onet.pl/film/wywiady-i-artykuly/andrzej-grabowski-mowi-o-janie-fryczu-wrocilem-do-domu-i-jak-usiadlem/8g02kfc" target="_blank"><svg width="1em" height="1em" viewBox="0 0 24 24" class="ods-c-anchor__icon ods-c-anchor__icon-text ods-c-anchor__primary" data-icon="Facebook_filled"> <use href="#ai:local:Facebook_filled"></use> </svg><span>Facebook</span> </a> </li> <li class="ods-c-share__li"> <a class="ods-c-anchor ods-c-anchor__big ods-c-anchor__neutral" href="https://x.com/intent/tweet?text=Jan%20Frycz%20ko%C5%84czy%2070%20lat!%20%22Podgl%C4%85danie%20jego%20aktorstwa%20to%20jak%20p%C5%82ywanie%20z%20rekinami%22%0D%0A%0D%0Ahttps://kultura.onet.pl/film/wywiady-i-artykuly/andrzej-grabowski-mowi-o-janie-fryczu-wrocilem-do-domu-i-jak-usiadlem/8g02kfc" target="_blank"><svg width="1em" height="1em" viewBox="0 0 24 24" class="ods-c-anchor__icon ods-c-anchor__icon-text ods-c-anchor__primary" data-icon="TwitterX_filled"> <use href="#ai:local:TwitterX_filled"></use> </svg><span>X</span> </a> </li> <li class="ods-c-share__li"> <a class="ods-c-anchor ods-c-anchor__big ods-c-anchor__neutral" href="mailto:?subject=Przeczytaj%20artyku%C5%82%3A%20Jan%20Frycz%20ko%C5%84czy%2070%20lat!%20%22Podgl%C4%85danie%20jego%20aktorstwa%20to%20jak%20p%C5%82ywanie%20z%20rekinami%22&body=Jan%20Frycz%20ko%C5%84czy%2070%20lat!%20%22Podgl%C4%85danie%20jego%20aktorstwa%20to%20jak%20p%C5%82ywanie%20z%20rekinami%22%0D%0A%0D%0Ahttps://kultura.onet.pl/film/wywiady-i-artykuly/andrzej-grabowski-mowi-o-janie-fryczu-wrocilem-do-domu-i-jak-usiadlem/8g02kfc" target="_blank"><svg width="1em" height="1em" viewBox="0 0 24 24" class="ods-c-anchor__icon ods-c-anchor__icon-text ods-c-anchor__primary" data-icon="EnvelopeSimple_filled"> <use href="#ai:local:EnvelopeSimple_filled"></use> </svg><span>E-mail</span> </a> </li> <li class="ods-c-share__li ods-c-share__copy-link" data-omp-event-category="share-top"> <button type="button" class="ods-c-anchor ods-c-anchor__big ods-c-anchor__neutral ods-c-share__copy-button" data-omp-event-name="Kopiuj link" data-omp-event-url=""><svg width="1em" height="1em" viewBox="0 0 24 24" class="ods-c-share__icon-copy ods-c-anchor__primary ods-c-anchor__icon" data-icon="Copy_filled"> <use href="#ai:local:Copy_filled"></use> </svg> <svg width="1em" height="1em" viewBox="0 0 24 24" class="ods-c-share__icon-check ods-c-anchor__primary ods-c-anchor__icon" data-icon="CheckRegular_filled"> <use href="#ai:local:CheckRegular_filled"></use> </svg> <span class="ods-c-share__text">Kopiuj link</span> </button> </li> </ul> </div> </div> </div> </div><section class="ods-c-lead"> <p class="ods-c-lead-text">Charyzma, głos, talent, aparycja. Od ponad czterech dekad Jan Frycz hipnotyzuje widzów. Nie ma postaci, którą nie potrafiłby zaintrygować. Nazywany aktorskim kameleonem. 15 maja obchodzi 70. urodziny. Na czym polega jego fenomen? Na to pytanie dla Onetu próbują odpowiedzieć ludzie, którym przyszło z nim pracować, w tym Andrzej Grabowski i Waldemar Krzystek.</p> </section> <script type="module" src="https://cdn.kultura.onet.pl/static/assets/1.32.79/Lead.astro_astro_type_script_index_0_lang.BGHliVaI.js"></script><section class="ods-c-lead-image"> <div class="ods-c-lead-image__image-container"> <div class="ods-c-lead-image__image-wrapper"> <img src="https://cdn.kultura.onet.pl/1/UyXk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9jM2Q4MmY1NWI0N2ZhZDcyMDVhYjNkYzE2ZDk1YWYwYi5qcGeSlQMAzQKxzRgDzQ2CkwXNBLDNAnbeAAKhMAehMQQ" height="500" width="940" srcset="https://cdn.kultura.onet.pl/1/vrlk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9jM2Q4MmY1NWI0N2ZhZDcyMDVhYjNkYzE2ZDk1YWYwYi5qcGeSlQMAzQKxzRgDzQ2CkwXNA6zNAfTeAAKhMAehMQQ 940w" sizes="(min-width: 940px) 940px, 100vw" alt="Jan Frycz" fetchpriority="high" decoding="sync" class="ods-c-image__img"> </div> <div class="ods-c-image-description ods-c-image-description--lead" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.44;"><span class="ods-c-image-description__text ods-c-image-description__text--lead" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.44;">Jan Frycz</span><span class="ods-c-image-description__source ods-c-image-description__source--lead" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.44;">Roman Koszowski/Gość Niedzielny / FORUM</span></div> </div> </section></article></div><aside class="right-column ods-g-cspan-2"><aside class="ods-ads__ad-space" data-identifier="right-column-lead" style="flex-grow:1"> <ad-floating-group data-configuration="{"on":true,"slotName":"right","lazyPercentage":"","floatingHeight":"","containerHeight":"","slotsNumber":"","expanding":false,"position":0}" class="ods-ads__floating-group" style="flex-grow:1"></ad-floating-group> <script type="module" src="https://cdn.kultura.onet.pl/static/assets/1.32.79/FloatingGroupAd.astro_astro_type_script_index_0_lang.D5AHUpfw.js"></script> </aside></aside> </div> </div> <ad-default data-configuration="{"slotName":"top","floating":true,"position":0}" class="ods-ads__ph ods-ads__ph--floating top" style="min-height:320px"></ad-default> <script type="module" src="https://cdn.kultura.onet.pl/static/assets/1.32.79/DefaultAd.astro_astro_type_script_index_0_lang.C-z9Xzrn.js"></script> <div class="main-content"> <div class="g-container"> <div class="left-column ods-g-cspan-6"><article content-length="14335" content-paywall-length="0" class="ods-article-body" data-section="article-body"><ul class="ods-c-unordered-list"> <li class="ods-c-text-bullet ods-c-text-bullet--normal"> <span class="ods-c-text-bullet__text"><strong>— Jasiek jest aktorem wybitnym. Ma to, co posiadają najwięksi: charyzmę. Za co go cenię najbardziej? Za prostotę — mówi Andrzej Grabowski</strong></span> </li><li class="ods-c-text-bullet ods-c-text-bullet--normal"> <span class="ods-c-text-bullet__text"><strong>Waldemar Krzystek dodaje: — Jest jeszcze jedna cecha Frycza, którą mnie ujmuje: jego szelmostwo. [...] Jest też szczery i w pokucie, i w winie</strong></span> </li><li class="ods-c-text-bullet ods-c-text-bullet--normal"> <span class="ods-c-text-bullet__text"><strong>— Wciąż mam głód na Janka i na znalezienie dla niego tej jedynej, wyjątkowej roli — ocenia reżyser castingu Piotr Bartuszek</strong></span> </li><li class="ods-c-text-bullet ods-c-text-bullet--normal"> <span class="ods-c-text-bullet__text"><a href="https://www.onet.pl/#utm_source=detal&utm_medium=referral&utm_campaign=back_to_onet_bullet"><strong>Więcej artykułów znajdziesz na stronie głównej Onetu</strong></a></span> </li><li class="ods-c-text-bullet ods-c-text-bullet--normal"> <span class="ods-c-text-bullet__text"><a href="https://www.onet.pl/premium?utm_source=detal&utm_medium=referral&utm_campaign=detalBullet&tpcc=detalBullet"><strong>Szukasz pogłębionych treści? Wejdź na Onet Premium</strong></a></span> </li> </ul><h2 id="toc-chlopak-z-krakowa" class="ods-c-heading">Chłopak z Krakowa</h2><p class="ods-c-paragraph">— Miałem 7 lat, obejrzałem ﬁlm "W samo południe", pomyślałem wtedy, że chcę uciec od tego szarego komunistycznego świata. Nie można było nigdzie wyjechać, więc uciekłem do teatru, do kolorowych ludzi — <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/jan-frycz-powiedzialem-sobie-mam-problem-poszedlem-na-terapie/l2xs93j" id="d42eb55a-53f4-4924-85aa-96dc10b0aa51">mówił w ubiegłe wakacje w rozmowie z Dawidem Dudko dla Onetu</a>.</p> <ad-default data-configuration="{"slotName":"left","position":0,"lazyPercentage":"","placeholderHiding":false,"floating":true}" class="ods-ads__ph ods-ads__ph--floating" style="min-height:321px"></ad-default> <p class="ods-c-paragraph">Jego aktorskie ciągoty nie cieszyły ojca, inżyniera górnictwa, ale młody Janek postawił na swoim. Zakochany w spektaklach Andrzeja Wajdy i Konrada Swinarskiego, złożył papiery na PWST w Krakowie. Zdał za pierwszym razem, a naukę szybko przekształcił w praktykę zawodową.</p><p class="ods-c-paragraph">Chociaż w ostatnich latach Jan Frycz kojarzony jest głównie z kinem gatunkowym, w którym zresztą potrafi oczarować widzów w mgnieniu oka, przestraszyć, zachwycić, wzbudzić dreszcz emocji, zaczynał w repertuarze klasycznym, od ról w najpoważniejszych dramatach i inscenizacjach klasyki literatury.</p> <ad-default data-configuration="{"slotName":"flat-link1","position":0,"lazyPercentage":"","placeholderHiding":false,"floating":false}" class style></ad-default> <p class="ods-c-paragraph">Był jeszcze studentem, gdy Andrzej Żuławski zaangażował go do "Na srebrnym globie". Niezwykły to film, niezwykłego artysty, niespełniony, bo nie mógł być ukończony na czas. Bardzo odległy od sensacji, tworzony niemal w warunkach komuny artystycznej — zagmatwaną historię realizacji tego dzieła opowiedział niedawno w filmie dokumentalnym "Ucieczka na Srebrny Glob" Kuba Mikurda.</p><p class="ods-c-paragraph">Talent Jana Frycza dostrzegł też Lech Majewski, mistrz kina wysublimowanego, pełnego odniesień malarstwa, filozofii, prezentowanego w galeriach sztuki na całym świecie, cenionego zarówno przez zamknięte kręgi artystyczne, jak i hollywoodzkie gwiazdy. Frycz zagrał w "Rycerzu" (1980). Rola-drobiazg, panicza, ale jednak liczy się u kogo.</p> <ad-default data-configuration="{"slotName":"left2","position":1,"lazyPercentage":"","placeholderHiding":false,"floating":true}" class="ods-ads__ph ods-ads__ph--floating" style="min-height:321px"></ad-default> <ul class="ods-c-unordered-list"> <li class="ods-c-text-bullet ods-c-text-bullet--normal"> <span class="ods-c-text-bullet__text"><a href="https://kultura.onet.pl/teatr/okrzykniety-najlepszym-polskim-aktorem-mowi-co-zabrala-mu-polityka/j0kwwkx">Okrzyknięty najlepszym polskim aktorem. Mówi, co zabrała mu polityka</a></span> </li> </ul><p class="ods-c-paragraph">Jednocześnie młody adept aktorstwa dostał angaż w Teatrze im. Juliusza Słowackiego (do 1982), potem Starego Teatru im. Heleny Modrzejewskiej. Zadebiutował jako Edmund w "Damach i huzarach" według Aleksandra Fredry (1978, reż. Mikołaj Grabowski — od tamtej pory twórcy regularnie ze sobą pracują). W "Hamlecie" był Fortynbrasem (1978, reż. Jerzy Krasowski). Za kreację Madana w przedstawieniu "Sto rąk, sto sztyletów" (reż. Jerzy Żurek) zdobył wyróżnienie na Festiwalu Polskich Sztuk Teatralnych we Wrocławiu (jedna z pierwszych nagród, które dostał, choć — kiedy spojrzy się na jego talent i dorobek, wydaje się, że jest ich wciąż za mało). Jego warsztat i charyzmę docenili też mistrzowie: Jerzy Jarocki, Jerzy Grzegorzewski, Andrzej Wajda, Krystian Lupa.</p><div class="ods-c-image__wrapper ods-c-image__img--in-article"><img src="https://cdn.kultura.onet.pl/1/WFek9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy8zZjE4MTEzMDI1M2U3OWI3Y2FjZDQ1ZjM1NDUzOTdhNy5qcGeRlQLNA6wAwsPeAAKhMAehMQQ" height="658" width="940" alt="Jan Frycz i Jan Nowicki" loading="lazy" class="ods-c-image__img ods-c-image__img--viewport-width"><div class="ods-c-image-description" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.7;"><span class="ods-c-image-description__text" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.7;">Jan Frycz i Jan Nowicki</span><span class="ods-c-image-description__source" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.7;">Afa Pixx/Krzysztof Wellman / PAP</span></div> </div><h2 id="toc-prostota" class="ods-c-heading">Prostota</h2><p class="ods-c-paragraph">Na deskach "Słowaka" Jan Frycz poznał Andrzeja Grabowskiego. Wiele razem przeżyli, zagrali. Znają się na wylot. Do dziś występują wspólnie — z Janem Peszkiem i Mikołajem Grabowskim — w spektaklu "Kwartet" według Bogusława Schaeffera. To już 50 lat, od kiedy panowie wciągają widzów w fascynującą grę pełną inteligentnego dowcipu i refleksji, zadziornej improwizacji grę i poszukiwanie sensu życia i sztuki.</p> <ad-default data-configuration="{"slotName":"left2","position":2,"lazyPercentage":"","placeholderHiding":false,"floating":true}" class="ods-ads__ph ods-ads__ph--floating" style="min-height:321px"></ad-default> <p class="ods-c-paragraph">— Jasiek jest aktorem wybitnym. Ma to, co posiadają najwięksi: charyzmę. Za co go cenię najbardziej? Za prostotę. Każdego aktora ciągnie do tego, żeby pokazać, co potrafi: zaśmiać się, zapłakać, zrobić taką "minę", że ludzie spadną z krzeseł ze śmiechu albo zapłaczą z rozpaczy. Jasiek nie pokazuje więcej niż potrzeba. Nie epatuje swoimi umiejętnościami, a są olbrzymie. Wystarczy, że jest — mówi o Janie Fryczu Andrzej Grabowski.</p><p class="ods-c-paragraph">Kontynuuje: — Pamiętam, jak przed laty do Krakowa z "Mewą" Czechowa przyjechał Innokientij Smoktunowski. Grał Doktora. Myślałem: Boże, co ja zaraz zobaczę na scenie, jaki aktorski popis, jaką grę. Będę się żegnać znakiem krzyża! Oglądam pierwszy akt, Smoktunowski nic nie pokazuje. Drugi — nic. Trzeci — nic. Wróciłem do domu i jak usiadłem, tak nie mogłem wyjść z zachwytu. Był genialny, bo nie grał, nie popisywał się, nie pokazywał, ale był swoim bohaterem. Był na scenie. I taki właśnie jest Janek. Jest na scenie. Jest na ekranie. Nie musi "pokazywać", "grać", udowadniać, że "umie", bo on to ma. Po prostu jest.</p><div class="ods-c-image__wrapper ods-c-image__img--in-article"><img src="https://cdn.kultura.onet.pl/1/7Jpk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9mNjg3ZjU3MTU1MTc4YzM1NzU2ZDU4YmY1MmUzOWUxMi5qcGeSlQMAAM0H0M0FM5UCzQOsAMLD3gACoTAHoTEE" height="626" width="940" alt="Jan Frycz i Andrzej Grabowscy w spektaklu "Kwartet dla czterech aktorów"" loading="lazy" class="ods-c-image__img ods-c-image__img--viewport-width"><div class="ods-c-image-description" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.6659574468085107;"><span class="ods-c-image-description__text" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.6659574468085107;">Jan Frycz i Andrzej Grabowscy w spektaklu "Kwartet dla czterech aktorów"</span><span class="ods-c-image-description__source" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.6659574468085107;">Tadeusz Koniarz / Reporter</span></div> </div><h2 id="toc-czy-aktor-teatralny-poradzi-sobie-w-kinie" class="ods-c-heading">Czy aktor teatralny poradzi sobie w kinie?</h2><p class="ods-c-paragraph">Reżyserzy filmowi nie od razu docenili Jana Frycza przed kamerą — musiał poniekąd udowodnić swoją wartość i to, że może dany film unieść, grając postać pierwszoplanową. Waldemarowi Krzystkowi, który jako pierwszy taką szansę mu dał, niektórzy nawet odradzali angaż "aktora teatralnego".</p> <ad-default data-configuration="{"slotName":"left2","position":3,"lazyPercentage":"","placeholderHiding":false,"floating":true}" class="ods-ads__ph ods-ads__ph--floating" style="min-height:321px"></ad-default> <p class="ods-c-paragraph">Reżyser dziś tak wspomina te dni: — Po raz pierwszy spotkaliśmy się na planie filmu "Zwolnieni z życia", w którym Jan Frycz grał główną postać [Marka, mężczyznę cierpiącego na amnezję po pobiciu — przyp. red.]. Po kilku wcześniejszych spotkaniach powierzyłem mu tę rolę, mimo obaw niektórych kolegów, że jako wybitny aktor teatralny... niekoniecznie sprawdzi się w filmie, zwłaszcza w głównej kreacji! Sylwek Chęciński, który pracował z nim w "Wielkim Szu", uważał, że dobrze robię. Popierał, dodając, że "Frycz jest głodny filmu". Krystyna Janda też była ciekawa ich spotkania na ekranie. Najważniejsze jednak, że umowę aktorską Janek podpisał... krwią! Niewesołe czasy, ale weseli chłopcy, prawda?</p><p class="ods-c-paragraph">Później Waldemar Krzystek pracował z Janem Fryczem wiele razy, choć czasami z kilkuletnimi przerwami. Kręcili razem filmy (w tym postać majora Bagińskiego w "80 milionach", może niewielka, nie główna, ale zapadająca w pamięć), spektakle Teatru Telewizji (m.in. "Małe piwo"), ostatnio serial "Dom pod Dwoma Orłami".</p><ul class="ods-c-unordered-list"> <li class="ods-c-text-bullet ods-c-text-bullet--normal"> <span class="ods-c-text-bullet__text"><a href="https://kultura.onet.pl/film/wywiady-i-artykuly/to-pan-jest-tym-aktorem-jan-frycz-musial-przerwac-dziennikarzowi/k1g9y3c">"To pan jest tym aktorem". Jan Frycz musiał przerwać dziennikarzowi</a></span> </li> </ul><p class="ods-c-paragraph">Pytany o to, dlaczego ciągle do Jana Frycza wraca, nawet po — jak sam to określa "długich cichych dniach", Waldemar Krzystek odpowiada: — Oczywiście Janek ma to, co aktorzy tej klasy muszą mieć: autentyczność i prawdę kreowanych postaci, więc i ich wielobarwność oraz niejednoznaczność. W jego wykonaniu są to żywe postaci, a nie nośniki założonych tez i takiej czy innej wymowy. Ale Frycz ma też coś więcej, on tę autentyczność osiąga z zaskakującą łatwością, nie jest "wymęczona i wypocona". Oczywiście tak to wygląda na ekranie, ale wcześniejszą pracę aktora, a przede wszystkim jego skupienie nad postacią, widzą tylko bliscy świadkowie.</p><div class="ods-c-image__wrapper ods-c-image__img--in-article"><img src="https://cdn.kultura.onet.pl/1/rMXk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9lOWM2ZjBkOWI1YjY2MmJhYzVhNjllODVhNjgzMzE2OS5qcGeRlQLNA6wAwsPeAAKhMAehMQQ" height="701" width="940" alt="Jan Frycz" loading="lazy" class="ods-c-image__img ods-c-image__img--viewport-width"><div class="ods-c-image-description" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.7457446808510638;"><span class="ods-c-image-description__text" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.7457446808510638;">Jan Frycz</span><span class="ods-c-image-description__source" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.7457446808510638;">Roman Koszowski/Gość Niedzielny / FORUM</span></div> </div><h2 id="toc-szelmostwo" class="ods-c-heading">Szelmostwo</h2><p class="ods-c-paragraph">Waldemar Krzystek ceni też i inne umiejętności Jana Frycza. Mówi: — Janek potrafi też pewne cechy swych postaci podać w sposób skondensowany, uwypuklić te główne — przez co ich obecność na ekranie jest bardzo intensywna, przykuwająca uwagę. Przy nim trzeba uważać, by nie "zjadł" innych aktorów (czasami robi to z łatwością), gdy jednak doprowadzi się na ekranie do swoistego pojedynku mocnych osobowości i talentów, ależ to jest jakość dla filmu! Jest jeszcze jedna cecha Frycza, którą mnie ujmuje: jego szelmostwo. I na ekranie, i poza. Jest też szczery i w pokucie, i w winie. Nie jest mi obcy taki zestaw cech…</p> <ad-default data-configuration="{"slotName":"left2","position":4,"lazyPercentage":"","placeholderHiding":false,"floating":true}" class="ods-ads__ph ods-ads__ph--floating" style="min-height:321px"></ad-default> <p class="ods-c-paragraph">To szelmostwo "chwyciło". Po występie u Waldemara Krzystka na Jana Frycza "rzucili się" również inni reżyserzy. Wpadł w wir filmowych ról, który właściwie trwa do dziś. Nadal sporo na tej drodze filmów o wysokich walorach artystycznych, cenionych na festiwalach, chwalonych przez krytykę. Jan Frycz współpracował m.in. z Janem Jakubem Kolskim, który zaprosił go do "Pornografii" (2003) według Witolda Gombrowicza. Zagrał dowódcę oddziału partyzantów. U Wiesława Saniewskiego wystąpił w "Nadzorze" (1983) i w "Bezmiarze sprawiedliwości" (2008).</p><p class="ods-c-paragraph">Mariusz Treliński zaprosił go do udziału w "Pożegnaniu jesieni" (1990) według Witkacego, gdzie zagrał młodego pisarza Atanazego Bazakbala, a także do "Egoistów" (2000), w których wcielił się w architekta-geja Filipa. I to w czasach, gdy jeszcze wielu aktorów obawiać się mogło nieheteronormatywnych etykietek. Wiele razy tworzył razem z Janem Englertem (głównie spektakle Teatru Telewizji).</p><p class="ods-c-paragraph">Chętnie Jan Frycz zgadza się na udział w projektach twórców młodych, wkraczających na ścieżki kariery zawodowej, jak chociażby Magdalena Piekorz. Mało kto o niej słyszał, na koncie miała tylko krótkie metraże i dokumenty, gdy powierzyła mu rolę surowego, sadystycznego wręcz ojca, znęcającego się nad synem psychicznie i fizycznie w głośnych "Pręgach" (2005). Zgodził się zagrać u Łukasza Barczyka, wówczas niespełna 34-letniego, w jednym z najdziwniejszych filmów w historii polskiego kina — "Nieruchomym poruszycielu" (2008). Nie jedyny raz zresztą — w 2015 r. Frycz stanął na planie "Hiszpanki", filmu-legendy, kosztownego, hermetycznego, nieokiełznanego i niedającego się zamknąć w żadnych ramach widowiska o Powstaniu Wielkopolskim. Aktor wcielił się w Ignacego Jana Paderewskiego.</p> <ad-default data-configuration="{"slotName":"left2","position":5,"lazyPercentage":"","placeholderHiding":false,"floating":true}" class="ods-ads__ph ods-ads__ph--floating" style="min-height:321px"></ad-default> <p class="ods-c-paragraph"><a href="https://kultura.onet.pl/film/wywiady-i-artykuly/jan-frycz-powiedzialem-sobie-mam-problem-poszedlem-na-terapie/l2xs93j" id="5ca8e4db-e8f0-4a58-a755-87a51d12fa39">W rozmowie z Dawidem Dudko</a> swoją chęć współpracy z młodymi, nieznanymi reżyserami Jan Frycz komentuje: — Wiele razy uczestniczyłem w etiudach studenckich. Nigdy nie wiadomo, z kim ma się do czynienia, jak rozwinie się talent danej osoby. Lubię młodych ludzi, są kreatywni. Teraz rozpoczynam pracę we Wrocławiu nad nowym ﬁlmem z Krzysiem Skoniecznym, słyszał pan?</p><span class="ods-c-video__disclaimer"> Dalszy ciąg artykułu pod materiałem wideo <svg width="1em" height="1em" data-icon="ArrowDown"> <symbol id="ai:local:ArrowDown" viewBox="0 0 24 24"><path fill="currentColor" d="m19.281 14.031-6.75 6.75a.8.8 0 0 1-.243.163.75.75 0 0 1-.574 0 .7.7 0 0 1-.243-.163l-6.75-6.75a.75.75 0 0 1 0-1.061.75.75 0 0 1 1.061 0l5.469 5.47V3.75A.75.75 0 0 1 12 3a.75.75 0 0 1 .75.75v14.69l5.469-5.47a.75.75 0 0 1 1.061 0 .75.75 0 0 1 0 1.061z"/></symbol><use href="#ai:local:ArrowDown"></use> </svg></span><div class="ods-c-video"><div class="ods-c-video__wrapper ods-c-video__wrapper--narrow"><div class="ods-c-video__content ods-c-video__content--narrow"><div class="pulsembed_embed" data-run-module="pulsembed/pulsembed.init" data-src="//pulsembed.eu/p2em/AzaL6RS9a/" data-height-hint="56.25%" data-height-origin-hint="" data-sandbox="standard" data-author-name="Onet%20(wideo%20w%C5%82asne)" data-embed-id="AzaL6RS9a" data-provider-name="pulsevideo" data-extra-embed-params="%7B%22mvpId%22%3A%221922625.88437121%22%2C%22imageUrl%22%3A%22https%3A%2F%2Focdn.eu%2Fpulscms%2FMDA_%2Fa1297600566004dbe0bd254b39413165.jpg%22%7D" data-embed-img="https://ocdn.eu/pulscms-transforms/1/ujok9kpTURBXy9hMTI5NzYwMDU2NjAwNGRiZTBiZDI1NGIzOTQxMzE2NS5qcGeRkwXNArzNAYuBoTAB"><a href="https://grupa-onet.pulsevideo.eu/1922625.88437121" target="_blank">Krzysztof Skonieczny w "Rezerwacji": czasem Warszawa jest jeszcze gorsza, niż w tym serialu</a></div> </div></div></div><h2 id="toc-gwiazdorstwo" class="ods-c-heading">Gwiazdorstwo</h2><p class="ods-c-paragraph">Występ u Skoniecznego to jedna z ostatnich mistrzowskich kreacji Jana Frycza. Mam na myśli ich poprzedni wspólny projekt — <a href="https://kultura.onet.pl/film/recenzje/slepnac-od-swiatel-odkupienia-nie-bedzie-recenzja/0kbncj8" id="3692437f-e08a-4400-81c4-a46568d668a0" title="Jan Frycz kończy 70 lat! "Podglądanie jego aktorstwa to jak pływanie z rekinami. Nie wiesz, kiedy zaatakuje"">serial "Ślepnąc od świateł" i postać gangstera Dario</a>. — Nie mam nic wspólnego z tym facetem — podkreślał aktor w wywiadzie dla "Newsweeka". Ale rolę przyjął. Tłumaczył w tej samej rozmowie: — Bo w tej postaci jest pewna metafizyka. Dario do głównego bohatera zwraca się językiem niemal biblijnym: "Kuba, trzeba wejść w prawdę". Kiedy gangsterzy z konkurencyjnej grupy trzymają go w samochodzie na muszce, powoduje wypadek. Tamci giną, on przeżywa, choć właściwie nie miał prawa. Można się zastanawiać, czy Dario w ogóle istnieje, może jest wytworem wyobraźni, a może jest wszędzie i wie wszystko. Powiedziałem reżyserowi Krzysztofowi Skoniecznemu, że interesuje mnie w tej postaci jej sztuczność. Zaczęliśmy pracować nad frazą, sposobem mówienia. Wszystkie przekleństwa, wulgaryzmy potraktowałem jako melodię języka, a więc błyskotliwość i temperament Daria.</p> <ad-default data-configuration="{"slotName":"left2","position":6,"lazyPercentage":"","placeholderHiding":false,"floating":true}" class="ods-ads__ph ods-ads__ph--floating" style="min-height:321px"></ad-default> <ul class="ods-c-unordered-list"> <li class="ods-c-text-bullet ods-c-text-bullet--normal"> <span class="ods-c-text-bullet__text"><a href="https://kultura.onet.pl/film/wywiady-i-artykuly/krzysztof-skonieczny-to-jest-moj-najbardziej-osobisty-projekt-wywiad/n4c0mjc">Krzysztof Skonieczny: to jest mój najbardziej osobisty projekt [WYWIAD]</a></span> </li> </ul><p class="ods-c-paragraph">W recenzjach i komentarzach nie brakowało pochwał, zachwytów. — Ostatnie lata Jana Frycza to zdecydowanie rola w serialu "Ślepnąc od świateł", i to jak tam wszystkich współobecnych na ekranie szatkuje na drobne kawałeczki niczym warzywka do sałatki. Fenomenalna kreacja — ocenia w rozmowie z Onetem Kaja Klimek, dziennikarka i krytyczka filmowa. Nie jest to głos odosobniony. Klimek dopytywana o sekret fenomenu Frycza odpowiada: — Jan Frycz to przede wszystkim głos. Zawsze wielkie wrażenie robiło to, jak on podaje dialogi, jak potrafi lekko ironizować i przewrotnie mówić. Widać to zarówno w klasycznym repertuarze, "Hamlecie" czy "Dziadach", jak i w filmie gangsterskim, w którym tak często się pojawia.</p><p class="ods-c-paragraph">W repertuarze rozrywkowym Jan Frycz czuje się równie dobrze, co w dramatycznym. Potrafi być zły i szlachetny, czarujący i odpychający. Zawsze przykuwa uwagę, dlatego tak dobrze pamięta się go jako męża Danuty Stenki w "Nigdy w życiu" w reżyserii Ryszarda Zatorskiego według bestsellerowej książki Katarzyny Grocholi. A to jeden z wielu przykładów.</p><p class="ods-c-paragraph">Owszem, czasami Jan Frycz dokonywał gorszych wyborów scenariuszowych, żeby wspomnieć o "Wyjeździe integracyjnym" (2011). Przemysława Angermana. — Jestem członkiem zespołu Teatru Narodowego i żeby pozwolić sobie na kilka miesięcy pracy w teatrze, np. z Jerzym Jarockim, muszę mieć oszczędności, bo sama pensja w mojej sytuacji nie wystarczy na życie. Więc trzeba podejmować trudne decyzje — przyznał otwarcie w rozmowie z "Rzeczpospolitą".</p><div class="ods-c-image__wrapper ods-c-image__img--in-article"><img src="https://cdn.kultura.onet.pl/1/5vMk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy84YTMxYTk0M2M4MjU4ZGMwOTcxZTU0YWM2OWZhMDRkMy5qcGeSlQMAAM0C7s0BrpUCzQOsAMLD3gACoTAHoTEE" height="430" width="750" alt="Jan Frycz w serialu "Ślepnąc od świateł"" loading="lazy" class="ods-c-image__img ods-c-image__img--viewport-width"><div class="ods-c-image-description" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.5733333333333334;"><span class="ods-c-image-description__text" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.5733333333333334;">Jan Frycz w serialu "Ślepnąc od świateł"</span><span class="ods-c-image-description__source" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.5733333333333334;">mat. prasowe</span></div> </div><h2 id="toc-walka-z-demonami-i-sila-w-milosci" class="ods-c-heading">Walka z demonami i siła w miłości</h2><p class="ods-c-paragraph">Za sławę przyszło aktorowi zapłacić cenę osobistą. Różnie układało mu się w życiu prywatnym. Ukojenie znalazł dopiero u boku trzeciej żony. Portale towarzyskie regularnie sprawdzają, jak wyglądają jego relacje z dziećmi — nie zawsze było na tym polu różowo i słodko. Zdarzały się lata trudniejsze, napięcia, choć ten czas chyba (i oby) jest za rodziną Jana Frycza. Dwie córki, wbrew jego radom, zostały aktorkami. Gabriela odnalazła się w teatrze. Olga gra w filmach i serialach. — Obie mają własne życiowe cele i osiągnięcia, chętnie o tym ze mną rozmawiają. Śmieszne są tylko plotki, jakie pojawiają się na nasz temat, ale nie chcę tego komentować — mówił Onetowi.</p> <ad-default data-configuration="{"slotName":"left2","position":7,"lazyPercentage":"","placeholderHiding":false,"floating":true}" class="ods-ads__ph ods-ads__ph--floating" style="min-height:321px"></ad-default> <ul class="ods-c-unordered-list"> <li class="ods-c-text-bullet ods-c-text-bullet--normal"> <span class="ods-c-text-bullet__text"><a href="https://kultura.onet.pl/film/wywiady-i-artykuly/frycz-czyli-geniusz-felieton/fr2wgr7">Frycz, czyli geniusz [FELIETON]</a></span> </li> </ul><p class="ods-c-paragraph">W tym samym wywiadzie poruszył też kwestię swojego uzależnienia od alkoholu. Może to był największy demon w jego życiu? — Mówiono, że alkohol pozwala się uspokoić po robocie, gdy człowiek jest rozedrgany po długim spektaklu — opowiadał.</p><p class="ods-c-paragraph">— To pułapka. Jedni piją w samotności, drudzy biorą leki na sen, czy sięgają po inne środki, a rano trzeba biec do pracy… Jest dużo możliwości szkodliwych i destrukcyjnych zachowań. Ja pewnego dnia powiedziałem sobie: mam problem. Poszedłem na terapię.</p><p class="ods-c-paragraph">I wygląda na to, że wygrał. Dalej gra, pracuje. Nie tylko przed kamerą. Pozostał wierny teatrowi.</p><div class="ods-c-image__wrapper ods-c-image__img--in-article"><img src="https://cdn.kultura.onet.pl/1/ST1k9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy8yMjM5MDZlZTYxMGQxZDc3MTIyZWU5NDIwZGQ5YmY5YS5qcGeRlQLNA6wAwsPeAAKhMAehMQQ" height="628" width="940" alt="Jan Frycz" loading="lazy" class="ods-c-image__img ods-c-image__img--viewport-width"><div class="ods-c-image-description" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.6680851063829787;"><span class="ods-c-image-description__text" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.6680851063829787;">Jan Frycz</span><span class="ods-c-image-description__source" data-astro-cid-h2nqjkkm style="--aspectRatio: 0.6680851063829787;">Wojciech Stróżyk / Reporter</span></div> </div><h2 id="toc-jack-nicholson-rekin" class="ods-c-heading">Jack Nicholson? Rekin?</h2><p class="ods-c-paragraph">— Gdybym miała pomyśleć o jakimś aktorze hollywoodzkim, który mi się z Janem Fryczem kojarzy, to byłby to Jack Nicholson: czyli przewrotny uśmieszek, duże poczucie humoru, ale też możliwość zagrania Jokera. Aktor wielkiego kalibru. Życzę mu gazyliona lat i wspaniałych ról. Niech nadchodzą, bo tacy aktorzy jak on potrafią się wymyślić na nowo w każdym wieku — komentuje Klimek.</p><p class="ods-c-paragraph">Reżyser castingu Piotr Bartuszek (razem pracowali m.in. przy filmie "Maria Skłodowska-Curie" Marie Noelle) podsumowuje: — Podglądanie aktorstwa Frycza to jak pływanie z rekinami. Nie wiesz, kiedy zaatakuje — ale jak już to zrobi, to nie masz nic przeciwko temu, żeby cię pożarł żywcem. Napisać "wybitny aktor" — byłoby wulgarnym truizmem. Spotkaliśmy się zawodowo parę razy, ale wciąż mam głód na Janka i na znalezienie dla niego tej jedynej, wyjątkowej roli. Bo mam wrażenie, że kino wciąż nie zaproponowało mu tego, na co ten talent zasługuje. I takiej ROLI — Tobie Jubilacie — najserdeczniej życzę.</p><span data-article-end></span></article><aside class="ods-ads__ad-space" data-identifier="rectangles" style="flex-grow:1;flex-direction:row;justify-content:space-evenly"> <ad-default data-configuration="{"on":true,"slotName":"rectangle1","lazyPercentage":"","floating":false,"placeholderHiding":false,"position":0}" class="ods-ads__ph" style="min-height:320px"></ad-default> <ad-default data-configuration="{"on":true,"slotName":"rectangle3","lazyPercentage":"","floating":false,"placeholderHiding":false,"position":0}" class="ods-ads__ph" style="min-height:320px"></ad-default> </aside><div class="ods-c-follow-us" data-section="article-bottom"> <em>Dziękujemy, że przeczytałaś/eś nasz artykuł do końca.</em> <div> <em>Bądź na bieżąco! </em> <a class="ods-c-follow-us__link" href="https://news.google.com/publications/CAAqKggKIiRDQklTRlFnTWFoRUtEMnQxYkhSMWNtRXViMjVsZEM1d2JDZ0FQAQ?hl=pl&gl=PL&ceid=PL%3Apl"><em>Obserwuj</em></a> <em> nas w 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data-configuration="{"slotName":"flat-partner","position":0,"placeholderHiding":true,"adsNoBanner":false,"lazy":false}" class="ods-ads__ph" style="min-height:665px"></ad-default> </template><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-1"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-2"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-3"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-4"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-5"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-6"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-7"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-8"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-9"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-10"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-11"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-12"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-13"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-14"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-15"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-16"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-17"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-18"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-19"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-20"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-21"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-22"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-23"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-24"></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-25"><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/obejrzalem-po-latach-dziennik-bridget-jones-koszmarnie-sie-zestarzala/h148prq" class="ods-c-card__link" data-lps-url data-uuid-ui="dfff3460-77f0-4066-b8eb-a2d15cf857d6" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/wzBk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy81OGE3NWU0OGIxNDQxMzZkZmY2YmEzODgwNzY3YzkzZi5wbmeSlQMAAM0FAM0C0JMFzQEszKreAAKhMAehMQQ" height="170" width="300" alt=""Jesteś idealna, taka, jaka jesteś", czyli dlaczego "Bridget Jones" fatalnie się zestarzała [KOMENTARZ]" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> "Jesteś idealna, taka, jaka jesteś", czyli dlaczego "Bridget Jones" fatalnie się zestarzała [KOMENTARZ] </h3> </div> </a> </div> </div><script type="module" src="https://cdn.kultura.onet.pl/static/assets/1.32.79/CardWrapper.astro_astro_type_script_index_0_lang.DxQIMN8N.js"></script><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/jedna-z-ulubionych-aktorek-polakow-powiedziala-nie-ma-dla-mnie-ratunku/sz5cltv" class="ods-c-card__link" data-lps-url data-uuid-ui="036e2110-8d88-44f6-9656-b4a9d214e6c6" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/kjrk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9jYWE3MjYzZTdkZTYyMzhiNGIzNzY5MTQyMzBmYjkyZi5qcGeSlQPNAeHNARjNDbjNB7eTBc0BLMyq3gACoTAHoTEE" height="170" width="300" alt="Jedna z ulubionych aktorek Polaków. Powiedziała: nie ma dla mnie ratunku" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Jedna z ulubionych aktorek Polaków. Powiedziała: nie ma dla mnie ratunku </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/isabella-rossellini-watykan-to-patriarchalna-przestrzen-rola-kobiety-jest-bycie/8d7wxnf" class="ods-c-card__link" data-lps-url data-uuid-ui="857df248-4afa-456f-9ddf-aace92effb86" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/caEk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9mODRjZTBmNmU2YmNlMGMzZjM3ZDFlMjdlNmRmNzVlZC5qcGeSlQMAzKvNC7jNBpiTBc0BLMyq3gACoTAHoTEE" height="170" width="300" alt="Isabella Rossellini: Watykan to patriarchalna przestrzeń. Rolą kobiety jest bycie niewidzialną [WYWIAD]" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="61" height="16" class="ods-c-card__premium-icon" data-lps-hide="true" data-template-selector data-icon="LabelPremiumSmall"> <symbol id="ai:local:LabelPremiumSmall" viewBox="0 0 61 16"><g fill="none"><path fill="url(#radial_5547_10944)" d="M0 0h61v16H0z"/><path fill="#fff" d="M56.154 5.875a1.86 1.86 0 0 0-1.358-.542A2.09 2.09 0 0 0 53.153 6l-.142-.123a1.7 1.7 0 0 0-.586-.395 2 2 0 0 0-.771-.148 2.09 2.09 0 0 0-1.644.668v-.52h-1.16v5.038h1.325V7.267a1.21 1.21 0 0 1 1.087-.698.95.95 0 0 1 .73.284c.172.204.26.466.247.733v2.934h1.326V7.425q0-.236-.038-.47a1.2 1.2 0 0 1 .877-.386.916.916 0 0 1 .976 1.017v2.934h1.326V7.425a2.17 2.17 0 0 0-.552-1.55m-11.482-.403v2.934a.916.916 0 0 0 .976 1.017 1.21 1.21 0 0 0 1.087-.698V5.472h1.327v5.038h-1.16v-.52a2.09 2.09 0 0 1-1.644.669 1.86 1.86 0 0 1-1.358-.543 2.17 2.17 0 0 1-.554-1.55V5.473zm-5.003.403a1.86 1.86 0 0 0-1.358-.542A2.09 2.09 0 0 0 36.667 6l-.14-.123a1.7 1.7 0 0 0-.587-.395c-.245-.1-.507-.15-.772-.148a2.09 2.09 0 0 0-1.643.668v-.52h-1.16v5.038h1.325V7.267a1.21 1.21 0 0 1 1.087-.698.95.95 0 0 1 .73.284c.172.204.26.466.246.733v2.934h1.326V7.425q0-.236-.038-.47a1.2 1.2 0 0 1 .878-.386.916.916 0 0 1 .976 1.017v2.934h1.326V7.425a2.17 2.17 0 0 0-.552-1.55M29.1 10.67a2.665 2.665 0 1 1-.1-5.327 2.553 2.553 0 0 1 2.553 2.664q0 .27-.05.534v.014h-3.776a1.3 1.3 0 0 0 1.393.91 1.4 1.4 0 0 0 1.056-.43l1.088.606A2.55 2.55 0 0 1 29.1 10.67m1.124-3.151A1.2 1.2 0 0 0 29 6.539a1.24 1.24 0 0 0-1.293.98zM20.035 5.347a1.86 1.86 0 0 0-1.503.757v-.629h-1.2v6.69h1.296v-2.14a1.8 1.8 0 0 0 1.41.624 2.38 2.38 0 0 0 1.721-.742 2.83 2.83 0 0 0 0-3.814 2.38 2.38 0 0 0-1.724-.746m1.143 2.65a1.328 1.328 0 0 1-1.365 1.439 1.39 1.39 0 0 1-1.188-.69V7.248a1.39 1.39 0 0 1 1.188-.69A1.33 1.33 0 0 1 21.177 8zm5.38-2.501a2.8 2.8 0 0 0-.843-.149 1.64 1.64 0 0 0-1.354.824v-.697h-1.232v5.049h1.295V7.23a1.32 1.32 0 0 1 1.403-.643h.01l.003-.009a3.5 3.5 0 0 1 .727-1.059l.014-.014zm15.208-2.464a.837.837 0 1 1 0 1.673.837.837 0 0 1 0-1.673m-.635 2.457h1.27v5.02h-1.27z"/><path fill="#FFD200" d="M10.136 13.272a5.136 5.136 0 1 0 0-10.272 5.136 5.136 0 0 0 0 10.272"/><defs><radialGradient id="radial_5547_10944" cx="0" cy="0" r="1" gradientTransform="matrix(193.614 0 0 156.161 30.5 0)" gradientUnits="userSpaceOnUse"><stop offset="0" stop-color="#0478BF"/><stop offset=".019" stop-color="#0773BA"/><stop offset=".13" stop-color="#1753A2"/><stop offset=".25" stop-color="#294293"/><stop offset=".616" stop-color="#070938"/><stop offset="1" stop-color="#19083C"/></radialGradient></defs></g></symbol><use href="#ai:local:LabelPremiumSmall"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Isabella Rossellini: Watykan to patriarchalna przestrzeń. Rolą kobiety jest bycie niewidzialną [WYWIAD] </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/filmy-na-walentynki-gdzie-i-co-ogladac-13-polecanych-tytulow/28sn9qc" class="ods-c-card__link" data-lps-url data-uuid-ui="1780e95a-eb54-46a7-a84c-714e1b698e51" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/nC0k9lMaHR0cDovL29jZG4uZXUvaW1hZ2VzL3B1bHNjbXMvT1RnN01EQV8vMzVmZjc3ZWZmMjZhZWU2NTRiZmUyY2ZlYjY3YTEwNjMuanBlZ5KVAwAAzQVPzQL9kwXNASzMqt4AAqEwB6ExBA" height="170" width="300" alt="Idealny film na walentynki? Podpowiadamy, co i gdzie obejrzeć" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Idealny film na walentynki? Podpowiadamy, co i gdzie obejrzeć </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/ostatnia-wyprawa-wandy-rutkiewicz-uciec-od-swiata-recenzja/tcqprp7" class="ods-c-card__link" data-lps-url data-uuid-ui="bb9a3a0c-c587-4b72-974d-b1f4add3c085" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/q_Ck9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy80YmVkY2YyODkxOWIwMThjMjhmNzYxNDZjM2I2NTdlMS5wbmeSlQMkKc0EIc0CU5MFzQEszKreAAKhMAehMQQ" height="170" width="300" alt="Matce mówiła, że "jeśli nie wróci, będzie w klasztorze". Ciała nie znaleziono" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Matce mówiła, że "jeśli nie wróci, będzie w klasztorze". Ciała nie znaleziono </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/kocham-kazdy-centymetr-jej-ciala-brosnan-wciaz-nazywa-zone-dziewczynka/0ffd8nv" class="ods-c-card__link" data-lps-url data-uuid-ui="25e29a82-951a-4a60-a7d7-76685c569935" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/8FZk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy81ODRkOWFkZTc1ODNjNTY4Mjc1MGZiOWFjNDkxZDdkZC5qcGeSlQMAzM3NCRvNBR-TBc0BLMyq3gACoTAHoTEE" height="170" width="300" alt=""Kocham każdy centymetr jej ciała". Pierce Brosnan wciąż nazywa żonę "dziewczynką"" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="24" height="24" class="ods-c-card__type-icon" data-lps-hide="true" data-icon="Camera_filled"> <symbol id="ai:local:Camera_filled" viewBox="0 0 24 24"><path fill="currentColor" d="M20.125 6.02h-3.77l-1.76-1.76a2.34 2.34 0 0 0-1.64-.68h-1.9a2.3 2.3 0 0 0-1.64.68l-1.76 1.76h-3.77c-1.3 0-2.34 1.04-2.34 2.32v9.75c0 1.28 1.04 2.33 2.33 2.33h16.25c1.28 0 2.33-1.04 2.33-2.33V8.34c0-1.28-1.04-2.33-2.33-2.33zm-8.13 11.29a4.51 4.51 0 0 1-4.5-4.5 4.51 4.51 0 0 1 4.5-4.5 4.51 4.51 0 0 1 4.5 4.5 4.51 4.51 0 0 1-4.5 4.5"/></symbol><use href="#ai:local:Camera_filled"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> "Kocham każdy centymetr jej ciała". Pierce Brosnan wciąż nazywa żonę "dziewczynką" </h3> </div> </a> </div> </div></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-26"><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/rzucil-indie-dla-polski-czuje-sie-polakiem-mam-prawo-mowic-krytycznie-o-tym-kraju/dy78hc7" class="ods-c-card__link" data-lps-url data-uuid-ui="fb471db3-6f9d-49cc-ae15-442f2345524f" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/b3fk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy82OTJmZTMzNWE4Y2ZjMzY4MDUzZDk3NmQ3NGRjYjQ2Yy5qcGeSlQNgS80G-80D7ZMFzQEszKreAAKhMAehMQQ" height="170" width="300" alt="Rzucił Indie dla Polski. "Czuję się trochę Polakiem. Mam prawo mówić krytycznie o tym kraju"" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="61" height="16" viewBox="0 0 61 16" class="ods-c-card__premium-icon" data-lps-hide="true" data-template-selector data-icon="LabelPremiumSmall"> <use href="#ai:local:LabelPremiumSmall"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Rzucił Indie dla Polski. "Czuję się trochę Polakiem. Mam prawo mówić krytycznie o tym kraju" </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/orly-2025-zmieniaja-kurs-ale-o-wielkim-wstydzie-warto-pamietac/6bfxmq5" class="ods-c-card__link" data-lps-url data-uuid-ui="1c31cbd2-7422-4ea8-8d23-3840ed2e3c94" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/lUok9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9lZDQ3NmNlZDlhNGVkYmExZmJkYzkyYmI2MWM5NmM2Ny5qcGeSlQMAPc0H0M0EZZMFzQEszKreAAKhMAehMQQ" height="170" width="300" alt="Orły 2025 zmieniają kurs. Ale o wielkim wstydzie warto pamiętać" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="61" height="16" viewBox="0 0 61 16" class="ods-c-card__premium-icon" data-lps-hide="true" data-template-selector data-icon="LabelPremiumSmall"> <use href="#ai:local:LabelPremiumSmall"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Orły 2025 zmieniają kurs. Ale o wielkim wstydzie warto pamiętać </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/karnawal-lekow-kino-testuje-wytrzymalosc-widzow-przeraza-do-szpiku-kosci/8p5ykwb" class="ods-c-card__link" data-lps-url data-uuid-ui="27e4cc22-ec3d-41de-8a56-e014814f374f" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/RNok9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9mZjUzNmQ2ODRjY2ZkMzVmZjlkOWMwMjJhZTRjN2UyNi5qcGeSlQPMhcyWzQjyzQUIkwXNASzMqt4AAqEwB6ExBA" height="170" width="300" alt="Karnawał lęków. Nowa era dla kina spod znaku "Substancji". Testuje wytrzymałość widzów" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Karnawał lęków. Nowa era dla kina spod znaku "Substancji". Testuje wytrzymałość widzów </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/porwanie-edgarda-mortary-skandal-ktory-pograzyl-panstwo-koscielne/cjw92cy" class="ods-c-card__link" data-lps-url data-uuid-ui="b0918536-ef26-4117-83ef-c59f400e4750" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/3yFk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy83ZDc3ZjUxMjZkMjI3MzQxNWUwMmVjOTg0NzJhNDg5NC5qcGeSlQMAXc0L0M0GpZMFzQEszKreAAKhMAehMQQ" height="170" width="300" alt="Ciemna karta Kościoła. Przypadek sześcioletniego Edgarda Mortary, o którym mówiono na całym świecie" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="61" height="16" viewBox="0 0 61 16" class="ods-c-card__premium-icon" data-lps-hide="true" data-template-selector data-icon="LabelPremiumSmall"> <use href="#ai:local:LabelPremiumSmall"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Ciemna karta Kościoła. Przypadek sześcioletniego Edgarda Mortary, o którym mówiono na całym świecie </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/dlaczego-swiat-ma-juz-dosc-kardashianek-zaczelo-sie-od-filmu-dla-doroslych/lv562sb" class="ods-c-card__link" data-lps-url data-uuid-ui="e10ed776-2e2a-4915-9a04-7880b4462d82" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/xSik9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9mMzgwOTk1ZmM2ODJhODY1OTUzMTZjNjhiMWIyZTQ3MC5qcGeSlQPNAyfNATXNCJTNBNKTBc0BLMyq3gACoTAHoTEE" height="170" width="300" alt="Wszystko zaczęło się od filmu dla dorosłych. Dlaczego świat ma już dość Kardashianek" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Wszystko zaczęło się od filmu dla dorosłych. Dlaczego świat ma już dość Kardashianek </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/rezyser-przesmyku-uczucie-dyskomfortu-towarzyszylo-mi-od-samego-poczatku/6n4gttn" class="ods-c-card__link" data-lps-url data-uuid-ui="50ac1af5-ca3c-4095-8512-92849db8a4f2" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/SXXk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9lMzU1MjcwNTBlODI3MTYyNjFjMGNjZWVjNjJiZTY2Yy5qcGeSlQMAzQF5zRC-zQltkwXNASzMqt4AAqEwB6ExBA" height="170" width="300" alt="Jan P. Matuszyński, reżyser "Przesmyku": uczucie dyskomfortu towarzyszyło mi od samego początku [WYWIAD]" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="61" height="16" viewBox="0 0 61 16" class="ods-c-card__premium-icon" data-lps-hide="true" data-template-selector data-icon="LabelPremiumSmall"> <use href="#ai:local:LabelPremiumSmall"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Jan P. Matuszyński, reżyser "Przesmyku": uczucie dyskomfortu towarzyszyło mi od samego początku [WYWIAD] </h3> </div> </a> </div> </div></div><div class="ods-c-aside-bottom__feeds" data-section="bottom-feed-27"><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/dlaczego-nie-slyszymy-dialogow-w-polskich-filmach-widza-nie-da-sie-oszukac/0fjq7vj" class="ods-c-card__link" data-lps-url data-uuid-ui="e0b7c660-7d0d-46ec-9807-eede1da029ac" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/ZZOk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy8xY2IyOTI3ZDc1MmNhZTQyNjFkZjk3MjcwZDdhNDIzOS5qcGeSlQMAAM0HgM0EOJMFzQEszKreAAKhMAehMQQ" height="170" width="300" alt="Dlaczego nie słyszymy dialogów w polskich filmach? Jacek Hamela: panuje bezwzględna zasada" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="61" height="16" viewBox="0 0 61 16" class="ods-c-card__premium-icon" data-lps-hide="true" data-template-selector data-icon="LabelPremiumSmall"> <use href="#ai:local:LabelPremiumSmall"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Dlaczego nie słyszymy dialogów w polskich filmach? Jacek Hamela: panuje bezwzględna zasada </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/gary-coleman-zostal-gwiazda-dzieki-jednej-roli-zostal-zaszufladkowany/yb9lc4r" class="ods-c-card__link" data-lps-url data-uuid-ui="22a3da9b-4b1d-4dbf-b409-0b280eca452c" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/kCak9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9hZjExOGFjN2M0OWVjYjU2NGI3MGYyMWQ1OWVjNzYzZS5qcGeSlQMAzQFVzQU6zQLxkwXNASzMqt4AAqEwB6ExBA" height="170" width="300" alt="Gary Coleman miał 10 lat, gdy został gwiazdą. Przez rodziców stracił fortunę" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Gary Coleman miał 10 lat, gdy został gwiazdą. Przez rodziców stracił fortunę </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/obraz-samotnej-diwy-angelina-jolie-i-jej-maria-callas-recenzja/n57vlqz" class="ods-c-card__link" data-lps-url data-uuid-ui="83444346-f47f-4ee5-8794-0f9d4b226191" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/9Esk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9iOThhNDYwYWY0MTkyMTM0M2QzZjYxOTNlNjcyZTZhZi5wbmeSlQNOUs0DF80BvZMFzQEszKreAAKhMAehMQQ" height="170" width="300" alt="Piękny obraz samotnej diwy. Fascynująca Angelina Jolie i jej "Maria Callas" [RECENZJA]" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Piękny obraz samotnej diwy. Fascynująca Angelina Jolie i jej "Maria Callas" [RECENZJA] </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/skomplikowane-losy-gwiazdy-prl-u-krazyly-plotki-ze-mnie-kupil/dc63kxk" class="ods-c-card__link" data-lps-url data-uuid-ui="a170788d-4b9e-4e04-a8a9-f3b38bcfbe91" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/F7Zk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy8zNTM4MGMzNDIwZWRmYjUyNGEyOGEyYzdmZDg0NDNlMi5qcGeSlQMAzQIWzQX_zQNfkwXNASzMqt4AAqEwB6ExBA" height="170" width="300" alt="Skomplikowane losy gwiazdy PRL-u. "Krążyły plotki, że mnie kupił"" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Skomplikowane losy gwiazdy PRL-u. "Krążyły plotki, że mnie kupił" </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/renata-dancewicz-budzilam-sensacje-nie-zastanawialam-sie-czy-warto/1s14pep" class="ods-c-card__link" data-lps-url data-uuid-ui="ec86727b-309b-4e09-b508-c887f186d42b" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/Znqk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy82ZDNjMmRjZDViM2Y3Y2NkMzg3OGU2OWFhOWRjYzQ4ZC5qcGeSlQMAzQF3zQUzzQLskwXNASzMqt4AAqEwB6ExBA" height="170" width="300" alt="Renata Dancewicz: Budziłam sensację. Nie zastanawiałam się, czy warto" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="24" height="24" viewBox="0 0 24 24" class="ods-c-card__type-icon" data-lps-hide="true" data-icon="Camera_filled"> <use href="#ai:local:Camera_filled"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Renata Dancewicz: Budziłam sensację. Nie zastanawiałam się, czy warto </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/polak-w-ojczyznie-byl-gwiazda-w-usa-skonczyl-na-myjni-samochodowej-wywiad/t4y5vcv" class="ods-c-card__link" data-lps-url data-uuid-ui="286b34a0-a5ea-4d58-96e3-b0b746195d58" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/ukDk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy8xMDgyYjVmMjU3NWVlYzM4MTQ1OWZlYmZlNDdlNmY4YS5qcGeSlQMAzPnNA67NAhKTBc0BLMyq3gACoTAHoTEE" height="170" width="300" alt="Polak w ojczyźnie był gwiazdą. W USA skończył na myjni samochodowej [WYWIAD]" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Polak w ojczyźnie był gwiazdą. W USA skończył na myjni samochodowej [WYWIAD] </h3> </div> </a> </div> </div></div><div class="ods-c-aside-bottom__feeds ods-c-aside-bottom__feeds--one-row" data-section="bottom-feed-28"><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/czlowiek-o-imieniu-laszlo-toth-istnial-naprawde-to-ja-jestem-chrystusem/wt4k58c" class="ods-c-card__link" data-lps-url data-uuid-ui="e744e3c0-6403-42b9-bd27-52614b2c2154" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/Dppk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy9mZDhhNDY0YjJhMGE2ZTA5N2JiN2NhMWI0MWY1OTFiZC5qcGeSlQPNAh7Mhs0Ex80CsJMFzQEszKreAAKhMAehMQQ" height="170" width="300" alt=""To ja jestem Chrystusem". Człowiek o imieniu László Tóth istniał naprawdę" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="61" height="16" viewBox="0 0 61 16" class="ods-c-card__premium-icon" data-lps-hide="true" data-template-selector data-icon="LabelPremiumSmall"> <use href="#ai:local:LabelPremiumSmall"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> "To ja jestem Chrystusem". Człowiek o imieniu László Tóth istniał naprawdę </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/ostatnie-chwile-zycia-kaliny-jedrusik-pozbawienie-dobrego-imienia/pldng3t" class="ods-c-card__link" data-lps-url data-uuid-ui="74522893-755c-4c98-b353-12a27be346e2" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/bcwk9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy80M2JmNWI5Mzc5MDQwY2E4NDczY2ZiYjY3OTA1MTdlYi5qcGeSlQPNAcXNAfzNC97NBq2TBc0BLMyq3gACoTAHoTEE" height="170" width="300" alt="Ostatnie chwile życia Kaliny Jędrusik. "Pozbawienie dobrego imienia"" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> Ostatnie chwile życia Kaliny Jędrusik. "Pozbawienie dobrego imienia" </h3> </div> </a> </div> </div><div> <div class="ods-c-card ods-c-cards_300x300"> <span class="ods-c-card__promo-material" data-lps-hide="true" data-template-selector></span> <a href="https://kultura.onet.pl/film/wywiady-i-artykuly/te-chwile-ratuja-zycie-jak-oscarowa-rewelacja-stala-sie-hitem-w-wiezieniach/s3379tt" class="ods-c-card__link" data-lps-url data-uuid-ui="5f468e53-ff91-4977-9ed2-11319ba46f4e" data-astro-prefetch="viewport"> <div class="ods-c-card__image-container" data-lps-img-container> <img src="https://cdn.kultura.onet.pl/1/fs5k9lBaHR0cHM6Ly9vY2RuLmV1L3B1bHNjbXMvTURBXy82NzIwMDgxNGY0NTc1MGRkMGUxMmEyYWZiOTBmODQ1OS5qcGeSlQMAAM0HbM0ELJMFzQEszKreAAKhMAehMQQ" height="170" width="300" alt=""Te chwile ratują życie". Jak oscarowa rewelacja stała się hitem w... więzieniach" fetchpriority="auto" loading="lazy" decoding="async" class="ods-c-image__img ods-c-card__image ods-c-image__img--placeholder"> <svg width="61" height="16" viewBox="0 0 61 16" class="ods-c-card__premium-icon" data-lps-hide="true" data-template-selector data-icon="LabelPremiumSmall"> <use href="#ai:local:LabelPremiumSmall"></use> </svg> </div> <div class="ods-c-card__description"> <span class="ods-c-card__category" data-lps-label></span> <h3 class="ods-c-card__title" data-lps-title> "Te chwile ratują życie". 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