Calenda - Les envers de l’obsolète : reformulations et réappropriations des paysages post-industriels

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État d’urgence, utopie ..." /> <meta property="og:image" content="https://calenda.org/images/favicon_150x150.png" /> <meta name="DC.rights" content="https://creativecommons.org/publicdomain/zero/1.0/" /> <meta name="viewport" content="width=device-width, initial-scale=1, shrink-to-fit=no"></head> <body> <div id="ob-breadcrumb" class="ob-breadcrumb-calenda"> <div class="container"> <a href="search">Accueil</a><a href=""><span>Les envers de l’obsolète : reformulations et réappropriations des paysages post-industriels</span></a> </div> </div> <div id="wrapper"> <div id="content"> <script type="text/javascript" src="js/jquery.js"></script> <script type="text/javascript" src="js/jquery-ui-1.8.17.custom.min.js"></script> <script type="text/javascript" src="js/jquery.form.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-fr.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-de.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-en.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-pt.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-es.js"></script> <script type="text/javascript" src="js/jquery.sprintf.js"></script> <script type="text/javascript" src="js/calenda.js"></script> <script type="text/javascript" src="js/common.js"></script> <h2 id="pageTitle" class="title_as_rss"><a href="search">Accueil</a><a href=""><span>Les envers de l’obsolète : reformulations et réappropriations des paysages post-industriels</span></a></h2> <div class="colwrapper"> <div id="icon" class="column"> <h2><a href="search?primary=ftype&ftype=41">Colloque</a><span><a href="search?primary=fsubject&fsubject=317">Époque contemporaine</a></span></h2> <div id="tabledates"> <h2>Dates</h2> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2014&fmonth=12&fday=01">01</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2014&fmonth=12">déc</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2014">2014</a></div> </td> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2014&fmonth=12&fday=02">02</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2014&fmonth=12">déc</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2014">2014</a></div> </td> </tr> </tbody> </table> </div> </div> <div id="listcategories"> <h2>Catégories</h2> <ul> <li><a href="search?primary=fsubject&fsubject=214">Anthropologie sociale</a></li> <li><a href="search?primary=fsubject&fsubject=277">Histoire culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=215">Anthropologie culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=230">Histoire industrielle</a></li> <li><a href="search?primary=fsubject&fsubject=278">Histoire de l'art</a></li> <li><a href="search?primary=fsubject&fsubject=280">Études visuelles</a></li> <li><a href="search?primary=fsubject&fsubject=222">Nature, paysage et environnement</a></li> </ul> </div> </div> <div id="document" class="column"> <div id="main"> <div class="titles"> <h1 class="origt"><a href="309121">Les envers de l’obsolète : reformulations et réappropriations des paysages post-industriels</a></h1> </div> <div class="mapuce2">*  *  *</div> <p id="pubdate"> Publié le lundi 24 novembre 2014 </p> <div id="texte"> <div id="resume"> <p class="intitule">Résumé</p> <div id="resume-309121-fr" class="tabContent" lang="fr" xml:lang="fr"> <p style="text-align: justify;">Au moment où il est question de ré-industrialisation comme une possible sortie de crise, nos anciens paysages industriels laissés pour la plupart à l’abandon refont surface. État d’urgence, utopie ou blessure ouverte, bien qu’esthétiquement souvent semblables, ces zones aujourd’hui appelées post-industrielles content tout autant l’histoire de la fin du rêve capitaliste qu’un récit propre à chaque culture voire à chaque groupe ou corporation fondés autour de ces aires de production. Questionnant la sentence de Vladimir Nabokov, Le futur est tout sauf l’envers de l’obsolète, ce colloque s’intéressera a ce qui est encore en jeu, la limaille en somme, résidu tenace et mémoriel de ces espaces post-industriels. </p> </div> </div> <div id="annonce"> <p class="intitule">Annonce</p> <div id="annonce-309121-fr" class="tabContent" lang="fr" xml:lang="fr"> <h1 style="text-align: justify;" align="center">Argumentaire</h1> <p style="text-align: justify;" align="center">Au moment où il est question de ré-industrialisation comme une possible sortie de crise, nos anciens paysages industriels laissés pour la plupart à l’abandon refont surface. État d’urgence, utopie ou blessure ouverte, bien qu’esthétiquement souvent semblables, ces zones aujourd’hui appelées post-industrielles content tout autant l’histoire de la fin du rêve capitaliste qu’un récit propre à chaque culture voire à chaque groupe ou corporation fondés autour de ces aires de production. Questionnant la sentence de Vladimir Nabokov, Le futur est tout sauf l’envers de l’obsolète<sup>1</sup>, ce colloque s’intéressera a ce qui est encore en jeu, la limaille en somme, résidu tenace et mémoriel de ces espaces post-industriels. </p> <p style="text-align: justify;">En effet, la seconde moitié du 20ème siècle marque le déclin des grandes firmes, symboles de la révolution industrielle, particulièrement en Europe et dans les mondes américains. Les usines fermées et les quartiers ouvriers en déshérences sont aujourd'hui réinvestis par plusieurs catégories d'acteurs : anciens travailleurs et habitants ayant peuplés ces espaces, artistes et touristes attirés par ces traces d'un monde qui à fait long feu mais aussi chercheurs en sciences humaines et enfin ceux qui escomptent redonner une forme de vie (lucrative) à ces territoires: institutions de sauvegarde et de valorisation du patrimoine, agents de tourisme ou immobiliers... Après une trentaine d'années d'étude de ces « paysages », il est tout d'abord temps de se poser la question d'une définition possible, d'un vocabulaire commun pour désigner ces lieux (friches, ruines, patrimoine industriel, etc.) et de les envisager théoriquement. Ces deux journées de colloque ont pour ambition de faire un état des lieux des différents regards portés sur ces zones industrielles au début du 21ème siècle, des questionnements sur les processus de différents ordres que ces espaces engendrent, des débats et polémiques théoriques, politiques ou affectifs qu'ils mobilisent. Pluridisciplinaire, le colloque cherche à confronter les approches de l'histoire de l'art et de l'anthropologie notamment, mais aussi celles des créateurs s'étant attachés à représenter sous des formes non académiques ces espaces devenus « inutiles ».</p> <p style="text-align: justify;">Ainsi, les différentes formes de récupération, de réappropriation et de représentation (récits oraux, écrits, photographiques ou audio-visuels) de ces paysages post-industriels seront le matériau de notre réflexion commune.</p> <p style="text-align: justify;"><sup>1</sup> Publié à l’origine dans une fiction intitulée « Lance » dans le New Yorker, 2 février 1952, p.21. 2</p> <h1 style="text-align: justify;">Programme</h1> <h2 style="text-align: justify;">1<sup>er</sup> décembre – Salle Vasari</h2> <h3 style="text-align: justify;">9 h : Café-accueil </h3> <ul style="text-align: justify;"> <li>9 h 30 : Ouverture du colloque : <strong>Marion Duquerroy</strong> (Labex CAP, INHA) et Ariela Epstein (Labex CAP, IIAC)</li> <li>9h 45 : Conférence introductive : <strong>Martine Bouchier</strong> (LAVUE, ENSA Paris-Val de Seine) « Esthétique systémique et expérience »</li> </ul> <p style="text-align: justify;">10h 15: Pause</p> <h3 style="text-align: justify;">La beauté des ruines</h3> <p style="text-align: justify;">10h 30 : Introduction et modération : <strong>Martine Bouchier</strong> (LAVUE, ENSAPVS)</p> <ul style="text-align: justify;"> <li>10h 45: <strong>Marion Duquerroy</strong> (Labex CAP, INHA) « Au Bonheur des Ruines : post-indutriel et esthétisme »</li> <li>11h 15 : <strong>LF Crew </strong>(collectif) : <strong>Anis, Snez et Snil</strong> (artistes) « Exploration et peinture des lieux oubliés »</li> </ul> <h3 style="text-align: justify;">11h 45 : table ronde</h3> <ul style="text-align: justify;"> <li>Noémie Goudal (photographe)</li> <li>Cédric Loire (École Supérieure d’Art de Clermont Métropole)</li> <li>Laurent Proux (artiste)</li> <li>Marion Duquerroy (Labex CAP, INHA)</li> </ul> <p style="text-align: justify;">Repas</p> <h3 style="text-align: justify;">Paysages habités</h3> <p style="text-align: justify;">14h : Introduction et modération : <strong>Dominique Belkis</strong> (Centre Max Weber-POCO, Univ. Jean Monnet)</p> <ul style="text-align: justify;"> <li>14h 15: <strong>François Duchêne</strong> (Labex IMU, EVS-RIVES, ENTPE) « Cités ouvrières d'après l'industrie : enjeux multiples de (re)définition et de patrimonialisation »</li> <li>14h 45 :<strong> Claire Chevrier</strong> (artiste photographe –Ecole Supérieure d’Architecture de Versailles) « Il fait jour »</li> </ul> <p style="text-align: justify;">15h 15 pause</p> <ul style="text-align: justify;"> <li>15h 30 :<strong>Ariela Epstein</strong> (Labex CAP, IIAC) et <strong>Julia Pinget</strong> (Photographe et réalisatrice) « Dedans/dehors, paysages en tension autours de l'ex-usine Anglo (Fray Bentos, Uruguay) »</li> <li>16h 15 : <strong>Jean-Louis Tornatore</strong> (Centre Georges Chevrier, Univ. de Bourgogne) « Du point de vue d'un haut fourneau ».</li> </ul> <p style="text-align: justify;">17h 15 Discussion</p> <h1 style="text-align: justify;">2 décembre- Auditorium</h1> <p style="text-align: justify;">9h: accueil café</p> <h3 style="text-align: justify;">Exposer/restituer le post-industriel</h3> <ul style="text-align: justify;"> <li>9h 30 : Introduction et Modération :<strong> Christine Ollier</strong> (Directrice artistique, Galerie les Filles du Calvaire)</li> <li>9h 45 : <strong>Pierre Gaudin</strong> (Ecole d'architecture de Versailles, Editeur Créaphis) « les nouveaux sens de l'usine »</li> <li>10h 15 : <strong>Pierre Barron, Raphaël Mouterde</strong> et <strong>Frédéric Rouziès</strong> (co-auteurs de documentaire sonore) « Le chiffon rouge brûle encore : Les enjeux mémoriels autour de l’histoire de Lorraine C&oelig;ur d’Acier »,</li> </ul> <p style="text-align: justify;">10h 45 : Pause</p> <ul style="text-align: justify;"> <li>11h : <strong>Arnaud Lambert</strong> (réalisateur) « Retour à Berlin », 43’, (2014) et débat</li> </ul> <p style="text-align: justify;">Discussion</p> <p style="text-align: justify;">Repas</p> <p style="text-align: justify;">14h : Introduction et modération :<strong> Anne Monjaret </strong>( IIAC, LAHIC -CNRS - EHESS)</p> <p style="text-align: justify;">14h15 : <strong>Jérémy Gravayat</strong> (réalisateur), « Les hommes debout », 75’, (2010) et débat</p> <p style="text-align: justify;">16h00 : Table ronde :</p> <ul style="text-align: justify;"> <li>Suspended spaces<strong> </strong>(collectif):<ul> <li><strong>Françoise Parfait</strong> (UMR Acte/Aesthetica – univ. Paris 1 Panthéon Sorbonne)</li> <li><strong>Éric Valette</strong> (CRAE, Univ. Picardie Jules Verne)</li> </ul> </li> <li><strong>Claire le Restif</strong> (Directrice, Centre d’Art contemporain d’Ivry – le Crédac)</li> <li><strong>Estefanía Peñafiel Loaiza</strong> (artiste)</li> </ul> <p style="text-align: justify;">17h : Discussion et clôture du colloque</p> <p style="text-align: justify;">17h 30 : Cocktail</p> </div> </div> <div id="categories" class="cat"> <p class="intitule">Catégories</p> <ul> <li><a href="search?primary=fsubject&fsubject=317">Époque contemporaine</a> (Catégorie principale)</li> <li><a href="search?primary=fsubject&fsubject=200">Sociétés</a> > <a href="search?primary=fsubject&fsubject=213">Ethnologie, anthropologie</a> > <a href="search?primary=fsubject&fsubject=214">Anthropologie sociale</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Représentations</a> > <a href="search?primary=fsubject&fsubject=277">Histoire culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=200">Sociétés</a> > <a href="search?primary=fsubject&fsubject=213">Ethnologie, anthropologie</a> > <a href="search?primary=fsubject&fsubject=215">Anthropologie culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=200">Sociétés</a> > <a href="search?primary=fsubject&fsubject=228">Histoire</a> > <a href="search?primary=fsubject&fsubject=230">Histoire industrielle</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Représentations</a> > <a href="search?primary=fsubject&fsubject=278">Histoire de l'art</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Représentations</a> > <a href="search?primary=fsubject&fsubject=280">Études visuelles</a></li> <li><a href="search?primary=fsubject&fsubject=200">Sociétés</a> > <a href="search?primary=fsubject&fsubject=218">Géographie</a> > <a href="search?primary=fsubject&fsubject=222">Nature, paysage et environnement</a></li> </ul> </div> <div id="lieux"> <p class="intitule">Lieux</p> <ul> <li class="location"> Institut national d'histoire de l'art 2, rue de Vivienne <br/> Paris, France (75002) </li> </ul> </div> <div id="eventformats"><br></div> <div id="dates"> <p class="intitule">Dates</p> <ul> <li>lundi 01 décembre 2014</li> <li>mardi 02 décembre 2014</li> </ul> </div> <div id="attachments"> <p class="intitule">Fichiers attachés</p> <ul> <li><a href="309125?file=1" target="_blank">prog_les_envers_de_l'obs_A4_.pdf</a></li> </ul> </div> <div id="motscles"> <p class="intitule">Mots-clés</p> <ul> <li>paysages, post-industriel, photographie, contemporain</li> </ul> </div> <div id="contacts"> <p class="intitule">Contacts</p> <ul> <li>Marion Duquerroy<br/><em>courriel :</em> mduquerr [at] uco [dot] fr<br/></li> </ul> </div> <div id="refurl"> <p class="intitule">URLS de référence</p> <ul> <li><a href="http://labexcap.fr/">Labex CAP</a></li> </ul> </div> <div id="source"> <p class="intitule">Source de l'information</p> <ul> <li>Marion Duquerroy<br/><em>courriel :</em> mduquerr [at] uco [dot] fr</li> </ul> </div> <div id="license"> <p class="intitule">Licence</p> <p><a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/"><img alt="CC0-1.0" class="cc" src="images/cc0-88x31.png" /></a> Cette annonce est mise à disposition selon les termes de la <a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/">Creative Commons CC0 1.0 Universel</a>.</p> </div> <div id="citation"> <p class="intitule">Pour citer cette annonce</p> <p>« Les envers de l’obsolète : reformulations et réappropriations des paysages post-industriels », <span class="category">Colloque</span>, <em>Calenda</em>, Publié le lundi 24 novembre 2014, <a class="url" href="https://doi.org/10.58079/rha">https://doi.org/10.58079/rha</a></p> </div> </div> </div> </div> <div id="news" 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