CINXE.COM

Juan Gris: Spanish Cubist Painter

<html> <head> <title>Juan Gris: Spanish Cubist Painter</title> <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1"> <meta name="description" content="Juan Gris (1887-1927): Biography of Spanish Cubist Artist, Noted for Portrait of Picasso"> <meta name="keywords" content="Juan Gris, Cubism, Cubist Still Life Paintings, Portrait of Picasso, Ecole de Paris, Influenced by Fauvism"> </head> <body bgcolor="#FFFFFF" text="#000000"> <div id="fb-root"></div> <script>(function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src = "//connect.facebook.net/en_GB/all.js#xfbml=1"; fjs.parentNode.insertBefore(js, fjs); }(document, 'script', 'facebook-jssdk'));</script> <table width="750" border="0" cellspacing="2" cellpadding="5" align="center"> <tr> <td> <p><font face="Verdana" size="5"><b>Juan Gris</b></font><br> <font face="Verdana" size="2">Biography, Paintings of Spanish Cubist Artist.</font><br> <font face="Verdana" size="4"><b><a href="../site/search.htm">MAIN A-Z INDEX</a> - <a href="../site/artist-biographies-alphabetical.htm">A-Z of ARTISTS</a></b></font></p> <div class="fb-like" data-href="http://www.visual-arts-cork.com/famous-artists/juan-gris.htm" data-width="450" data-show-faces="true" data-send="true"></div> <p><a href="http://pinterest.com/pin/create/button/" class="pin-it-button" count-layout="none"><img src="//assets.pinterest.com/images/PinExt.png" alt="Pin it" / ></a> <script type="text/javascript" src="http://assets.pinterest.com/js/pinit.js"></script></p> </td> </tr> </table> <hr width="750" size="1"> <table width="750" border="0" cellspacing="2" cellpadding="5" align="center"> <tr> <td align="left" valign="top"> <script type="text/javascript"><!-- google_ad_client = "ca-pub-8912804978085527"; /* 728x90, created 26/01/11 */ google_ad_slot = "9490858105"; google_ad_width = 728; google_ad_height = 90; //--> </script> <script type="text/javascript" src="http://pagead2.googlesyndication.com/pagead/show_ads.js"> </script> </td> </tr> </table> <table width="750" border="0" cellspacing="2" cellpadding="5" align="center"> <tr> <td width="200" valign="top"><p><font face="Arial" size="1"><b> <img src="../images-modern/gris-harlequin.jpg" width="200" height="197"></b></font></p> <p><font face="Arial" size="1"><b>Harlequin With Guitar (1919).<br> Private Collection.</b></font></p> <p>&nbsp;</p></td> <td width="524" valign="top"> <h1><font face="Verdana" size="4">Juan Gris (1887-1927)</font></h1> <p><font face="Verdana" size="2"><b>Contents</b></font></p> <p><font face="Verdana" size="2">&#149; <a href="#biography">Biography</a><br> &#149; <a href="#paris">Settles in Paris</a><br> &#149; <a href="#cubism">Cubism: Analytical and Synthetic</a><br> &#149; <a href="#decline">Decline</a></font></p> </td> </tr> </table> <hr width="750" size="1"> <table width="750" border="0" cellspacing="2" cellpadding="5" align="center"> <tr> <td width="200" valign="top"> <p><font face="Arial" size="1"><b>Portrait Of Picasso (1912)<br> <a href="../museums/art-institute-of-chicago.htm">Art Institute of Chicago</a>.<br> </b></font></p> <p><font face="Arial" size="1"><b><font face="Arial" size="1" color="#FF0000">BEST ABSTRACT ART</font><font face="Arial" size="1"><br> For the best examples, see:<br> <a href="../abstract-paintings.htm">Abstract Paintings: Top 100</a>.<br> For a list of styles, see:<br> <a href="../abstract-art-movements.htm">Abstract Art Movements</a>.</font></b></font></p> </td> <td width="524" valign="top"> <p><font face="Verdana" size="2"><b><a name="biography"></a>Biography</b></font></p> <p><font face="Verdana" size="2">An important figure in <a href="../history-of-art/spanish-painting.htm">Spanish painting</a> before and after the First World War, the artist Juan Gris is considered the Third Member of <a href="../history-of-art/cubism.htm">Cubism</a>, after <a href="picasso.htm">Pablo Picasso</a> and <a href="braque-georges.htm">George Braque</a>, although he remains greatly overshadowed by his more famous colleagues. Gris worked his way through analytical and synthetic Cubism, to create his own unique and colourful style, but it was his highly intellectual approach to his work that established him as the greatest theorist among the <a href="../history-of-art/cubist-painters.htm">Cubist painters</a>. This alone secures his place as a leading figure in the <a href="../history-of-art.htm">history of art</a> in the early 20th century. Also significantly influenced by <a href="../history-of-art/fauvism.htm">Fauvism art</a>, his best known work is <i>Portrait of Picasso</i> (1912, Art Institute of Chicago). Gris is regarded as one of the great <a href="../history-of-art/abstract-painters.htm">abstract painters</a> of the early 20th century. Noted in particular for his Cubist-style <a href="../genres/still-life-painting.htm">still life painting</a>, his best known <a href="../history-of-art/twentieth-century-paintings.htm">20th-century paintings</a> include: <i>Portrait of Picasso</i> (1912, Art Institute of Chicago), <i>Violin And Checkerboard</i> (1913, Private Collection), <i>The Sunblind</i> (1914, Tate Collection, London), <i>Portrait of Josette</i> (1916, Reina Sofia Museum, Madrid), <i>Violin</i> (1916, Kunstmuseum, Basel), <i>Harlequin with Guitar</i> (1919, Private Collection), <i>The View Across the Bay</i> (1921, National Museum of Modern Art, Paris). A number of his paintings and prints are available online in the form of <a href="../poster-art.htm">poster art</a>.</font></p> </td> </tr> </table> <table width="750" border="0" cellspacing="2" cellpadding="5" align="center"> <tr> <td width="200" valign="top"> <p><font face="Arial" size="1"><b>Violin And Checkerboard (1913).<br> Private Collection.</b></font></p> <p><font face="Arial" size="1"><b><font color="#FF0000">WORLDS TOP ARTISTS</font><br> <a href="../best-artists-of-all-time.htm">Best Artists of All Time</a>.<br> For the greatest still life art, see:<br> <a href="../best-still-life-painters.htm">Best Still Life Painters</a>.</b></font></p> </td> <td width="524" valign="top"> <script type="text/javascript"><!-- google_ad_client = "ca-pub-8912804978085527"; /* 336x280, created 26/01/11 */ google_ad_slot = "3874842144"; google_ad_width = 336; google_ad_height = 280; //--> </script> <script type="text/javascript" src="http://pagead2.googlesyndication.com/pagead/show_ads.js"> </script> </td> </tr> </table> <table width="750" border="0" cellspacing="2" cellpadding="5" align="center"> <tr> <td width="200" valign="top"> <p><a href="http://www.facebook.com/ArtEncyclopedia" rel="nofollow" target="_blank"><img src="../images/facebookimage.jpg" width="80" height="80" border="0"></a></p> </td> <td width="524" valign="top"> <p><font face="Verdana" size="2"><b><a name="paris"></a>Settles in Paris</b></font></p> <p><font face="Verdana" size="2">Born in Madrid, his original name was Jose Victoriano Carmelo Carlos Gonzalez-Perez. He studied mechanical drawing at the Escuela de Artes y Manufacturas in 1902 for two years, and in 1904 studied <a href="../fine-art-painting.htm">fine art painting</a> under the academic artist Jose Maria Carbonero. In 1906 he moved to Paris, where he adopted the pseudonym Juan Gris. He was to remain in Paris for the rest of his life. Soon after arriving he became friends with his neighbour Picasso, and was introduced to other <a href="../modern-artists.htm">modern artists</a>, including the Fauvist <a href="matisse.htm">Henri Matisse</a>, the Cubists Fernand Leger and Georges Braque, and the <a href="../history-of-art/expressionism.htm">Expressionist</a> painter <a href="modigliani.htm">Amedeo Modigliani</a> (who painted his portrait in 1915).</font></p> </td> </tr> </table> <table width="750" border="0" cellspacing="2" cellpadding="5" align="center"> <tr> <td width="200" valign="top"> <p>&nbsp;</p> </td> <td width="524" valign="top"> <script type="text/javascript"><!-- google_ad_client = "ca-pub-8912804978085527"; /* 336x280, created 26/01/11 */ google_ad_slot = "3874842144"; google_ad_width = 336; google_ad_height = 280; //--> </script> <script type="text/javascript" src="http://pagead2.googlesyndication.com/pagead/show_ads.js"> </script> </td> </tr> </table> <table width="750" border="0" cellspacing="2" cellpadding="5" align="center"> <tr> <td width="200" valign="top">&nbsp;</td> <td width="524" valign="top"> <p><font face="Verdana" size="2"><b><a name="cubism"></a>Cubism: Analytical and Synthetic</b></font></p> <p><font face="Verdana" size="2">He was impressed by Picasso, and worked with both him and Braque on the development of Cubism. To begin with, the painting's subject was fractured into separate pieces, forcing the spectator to put them together as if they were pieces of a jigsaw - a style known as <a href="../history-of-art/analytical-cubism.htm">Analytical Cubism</a>. After this, instead of breaking things down, Cubists began adding extraneous materials to the canvas, and making everything more colourful. This development was called <a href="../history-of-art/synthetic-cubism.htm">Synthetic Cubism</a>.</font></p> <p><font face="Verdana" size="2">By 1912, Gris had developed his own personal style of Cubist art (impressing dealers like <a href="../collectors/rosenberg-leonce.htm">Leonce Rosenberg</a> who already owned several of his paintings), which used brighter colours than his associates and owed something to Matisse and the Fauvists. Works from this period include: <i>Three Lamps</i>, 1910 (Kunstmuseum Bern); <i>Bottles and Knife</i>, 1911; <i>Still-life with Oil Lamp</i>, 1911 (both (Rijksmuseum Kroeller-Mueller, Otterlo); <i>Portrait of Picasso</i>; <i>Still Life with Flowers</i>, 1912 (The Museum of Modern Art, New York); <i>Glass of Beer and Playing Cards</i>, 1913 (Columbus Museum of Art, Ohio).</font></p> <p><font face="Verdana" size="2">A member of the Parisian artist group, known as the <i><a href="../history-of-art/ecole-de-paris.htm">Ecole de Paris</a></i>, in 1912 he showed for the first time at the <i><a href="../history-of-art/salon-des-independants.htm">Salon des Independants</a></i> and the <i>Salon de la Section d'Or</i> in Paris, at the <a href="../history-of-art/sturm-gallery-berlin.htm">Sturm Gallery</a> in Berlin (founded by <a href="../critics/herwarth-walden.htm">Herwarth Walden</a>), and the <i>Galeries Dalmau</i> in Barcelona. The same year <a href="../collectors/daniel-henry-kahnweiler.htm">Daniel-Henry Kahnweiler</a>, one of the premier French art dealers of the 20th century, agreed to be Gris's dealer. Gris also came into contact with the Cubist sculptor <a href="../sculpture/jacques-lipchitz.htm">Jacques Lipchitz</a> and <a href="jean-metzinger.htm">Jean Metzinger</a> (a member of the <a href="../history-of-art/section-dor.htm"><i>Section d'Or</i></a> group of artists).</font></p> <p><font face="Verdana" size="2">After 1913 he switched to Synthetic Cubism, and became an important contributor to the development of the style. His <a href="../oil-painting.htm">oil painting</a> became brighter, with a more vivid <a href="../colour-in-painting.htm">colour</a> palette, and he integrated paper colle and <a href="../collage.htm">collage</a> into his compositions.</font></p> <p><font face="Verdana" size="2">Paintings from this time include <i>Landscape with Houses at Ceret</i>, 1913 (Galeria Theo, Madrid); <i>Landscape at Ceret</i>, 1913 (Moderna Museet, Stockholm); Guitar on a Chair, 1913 (Private Collection); <i>The Siphon</i>, 1913 (Rose Art Museum, Massachusetts); <i>Violin and Checkerboard</i>, 1913 (Stephen a. Simon and Bonnie Simon Collection); <i>Pears and Grapes on a Table</i>, 1913 (Burton Tremaine Collection, Meriden, CT); <i>Bottle and Glass on a Table</i>, 1913 (Galerie Jan Krugier, Geneva); <i>Fruit Dish and Carafe</i>, 1914 (Rijksmuseum Kroller-Muller, Otterlo); <i>Breakfast</i>, 1914 (The Museum of Modern Art); <i>A Man in a Cafe</i>, 1914 (Acquavella Galleries, Inc., New York); <i>Guitar on a Table</i>, 1915 (Rijksmuseum Kroller-Muller); <i>Water-bottle, Bottle, and Fruit-dish</i>, 1915 (Private Collection); <i>Harlequin at a Table</i>, 1919 (Private Collection); <i>The Open Window</i>, 1921 (Meyer Collection, Zurich).</font></p> </td> </tr> </table> <table width="750" border="0" cellspacing="2" cellpadding="5" align="center"> <tr> <td width="200" valign="top"> <p>&nbsp;</p> </td> <td width="524" valign="top"> <p><font face="Verdana" size="2"><b><a name="decline"></a>Decline</b></font></p> <p><font face="Verdana" size="2">In 1924 he was asked to design the costumes and ballet set for the famous <i><a href="../history-of-art/ballets-russes.htm">Ballets Russes</a></i>, founded by <a href="diaghilev.htm">Sergei Diaghilev</a> (1872-1929). In 1924 he delivered definitive lectures on the possibilities of painting at the Sorbonne. Major exhibitions of his works took place at the Galerie Flechtheim in Berlin and the Galerie Simon in Paris in 1923, and at the Galerie Flechtheim in D&uuml;sseldorf in 1925. One of his last completed paintings was <i>Guitar and Music Paper</i>, 1926-27 (Saidenberg Gallery, New York). During the war years his art dealer had left the country, and when he returned in 1918 he said, 'I had left behind a young painter whose works I liked. I had returned to find a master'. However, due to ill health, it is generally agreed that Gris work declined in the 1920s. Juan Gris died prematurely in 1927, he was only 39 years old. He was survived by his wife and son. One of the great <a href="../history-of-art/twentieth-century-painters.htm">20th century painters</a> in the Cubist style, the popularity and recognition of his work has increased over the years, and in 2005 one of his paintings sold for the phenomenal amount of $69 million. (See also: <a href="../most-expensive-paintings-top-20.htm">Most Expensive Paintings</a>.) </font></p> <p><font face="Verdana" size="2">Paintings by Juan Gris hang in the <a href="../art-museums.htm">best art museums</a> across the world, including the <a href="../museums/reina-sofia-madrid.htm">Reina Sofia, Madrid</a>.</font></p> </td> </tr> </table> <table width="750" border="0" cellspacing="2" cellpadding="5" align="center"> <tr> <td> <p><font face="Verdana" size="2">&#149; For more biographies of modern Spanish artists, see: <a href="../famous-artists.htm">Famous Painters</a>.<br> &#149; For more about Cubism, see: <a href="../index.htm">Homepage</a>.</font></p> <hr size="1"> <p align="center"><a rel="author" href="https://profiles.google.com/115076279462378566554#115076279462378566554"> <img src="http://www.google.com/images/icons/ui/gprofile_button-16.png" width="16" height="16"></a></p> <p align="center"><font face="Arial" size="1"><b>ENCYCLOPEDIA OF VISUAL ARTISTS<br> &copy; visual-arts-cork.com. All rights reserved.</b></font></p> </td> </tr> </table> <script type="text/javascript"> var gaJsHost = (("https:" == document.location.protocol) ? "https://ssl." : "http://www."); document.write(unescape("%3Cscript src='" + gaJsHost + "google-analytics.com/ga.js' type='text/javascript'%3E%3C/script%3E")); </script> <script type="text/javascript"> try { var pageTracker = _gat._getTracker("UA-5047599-1"); pageTracker._trackPageview(); } catch(err) {}</script> </body> </html>

Pages: 1 2 3 4 5 6 7 8 9 10