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Calenda - Les expositions cartographiques. XIXe-XXIe si猫cle
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XIXe-XXIe si猫cle</span></a> </div> </div><!-- breadcrumb --> <div id="wrapper"> <div id="content"> <script type="text/javascript" src="js/jquery.js"></script> <script type="text/javascript" src="js/jquery-ui-1.8.17.custom.min.js"></script> <script type="text/javascript" src="js/jquery.form.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-fr.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-de.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-en.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-pt.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-es.js"></script> <script type="text/javascript" src="js/jquery.sprintf.js"></script> <script type="text/javascript" src="js/calenda.js"></script> <script type="text/javascript" src="js/common.js"></script> <div class="colwrapper"> <div id="icon" class="column"> <h2><a href="search?primary=ftype&ftype=40">Beitragsaufruf</a><span><a href="search?primary=fsubject&fsubject=228">Geschichte</a></span></h2> <div id="tabledates"> <h2>Daten</h2> <div class="list_dates"> <div class="unique_date highlight"> <div class="day"><a href="search.html?primary=fdate&fyear=2025&fmonth=05&fday=10">10</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2025&fmonth=05">Mai</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2025">2025</a></div> </div> </div> </div> <div id="listcategories"> <h2>Kategorien</h2> <ul> <li><a href="search?primary=fsubject&fsubject=255">Geschichte der Wissenschaften</a></li> <li><a href="search?primary=fsubject&fsubject=277">Kulturgeschichte</a></li> <li><a href="search?primary=fsubject&fsubject=318">19. 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Les cartes, mais aussi les globes, les maquettes, les plans-reliefs, les instruments d’observation, étaient considérés, à l’instar des œuvres d’art ou des objets scientifiques, comme dignes de l’intérêt du public. À l’occasion de rencontres scientifiques (congrès de géographie ou de sociétés savantes), dans le cadre de foires internationales, et bien sûr dans les bibliothèques, les musées et les centres d’archives ont été régulièrement organisées des expositions consacrées à l’histoire de la cartographie ou certains de ses aspects. Il s’agira ici d’interroger ces événements qu’ont été les expositions cartographiques sous plusieurs aspects. </p> </div> </div> <div id="annonce"> <p class="intitule">Inserat</p> <div id="annonce-1243632-fr" class="tabContent" lang="fr" xml:lang="fr"> <p class="MsoNormal" style="text-align: left;">La commission Histoire du Comité Français de Cartographie organise une Journée d’études sur « Les expositions cartographiques » le 14 novembre 2025 à l’Institut national d’histoire de l’Art (INHA) à Paris.</p> <h1>Argumentaire</h1> <p class="MsoNormal" style="text-align: left;">Cette journée d’études s’inscrit dans le prolongement des rencontres précédentes sur « Art et cartographie » (2023) et « Cartographie et cinéma » (2024), dans lesquelles la cartographie et son histoire étaient abordées sous l’angle de leur mode de présence dans les cultures visuelles modernes et contemporaines. Il s’agit, dans le cadre de cette nouvelle journée, d’envisager les différents aspects de la rencontre entre la cartographie et le grand public.</p> <p class="MsoNormal" style="text-align: left;">Depuis fort longtemps, des cartes ont été exposées, de façon plus ou moins permanentes, dans les galeries des grands palais ou dans des édifices publics. Pensons par exemple à la Galerie des cartes du Vatican ou à la salle de la mappemonde du palais Farnèse à Caprarola. Mais ce n’est pas vers ces décors cartographiques pérennes, déjà bien connus, que cette Journée d’études veut faire porter les analyses, mais plutôt vers des dispositifs temporaires.</p> <p class="MsoNormal" style="text-align: left;">En effet, depuis le XIX<sup>e</sup> siècle, la cartographie a été le centre d’attention de très nombreuses expositions limitées dans le temps, qu’elles soient spécialisées ou plus généralistes. Les cartes, mais aussi les globes, les maquettes, les plans-reliefs, les instruments d’observation, étaient considérés, à l’instar des œuvres d’art ou des objets scientifiques, comme dignes de l’intérêt du public. On se souvient, par exemple, de l’engouement suscité par l’exposition intitulée « Cartes et figures de la Terre », présentée en 1980 au Centre Pompidou. A l’occasion de rencontres scientifiques (congrès de géographie ou de sociétés savantes), dans le cadre de foires internationales, et bien sûr dans les bibliothèques, les musées et les centres d’archives ont été régulièrement organisées des expositions consacrées à l’histoire de la cartographie ou certains de ses aspects.</p> <p class="MsoNormal" style="text-align: left;">Il s’agirait alors d’interroger ces événements qu’ont été les expositions cartographiques sous plusieurs aspects :</p> <ul type="disc"> <li class="MsoNormal">Quels ont été les projets, les motivations, les objectifs, des concepteurs et conceptrices de ces expositions ?</li> <li class="MsoNormal">Dans quels contextes, scientifiques, artistiques, politiques, ces expositions ont-elles été organisées ?</li> <li class="MsoNormal">Quels ont été les documents cartographiques choisis ? En fonction de quels critères ? Avec quels buts ?</li> <li class="MsoNormal">Quelle a été la scénographie choisie ? Comment les choix scénographiques ont-ils évolué au cours des années ? Peut-on trouver des relations, voire des analogies, avec l’histoire des expositions artistiques ?</li> <li class="MsoNormal">Quelle a été la fréquentation du public, en termes quantitatifs ? Quel type de public, s’il est possible de le déterminer ? Quelles ont été les réactions de la presse devant les expositions ?</li> </ul> <p class="MsoNormal" style="text-align: left;">Les contributions attendues peuvent aborder la totalité ou bien une partie seulement de ces questions.</p> <h1>Modalités de soumission</h1> <p style="text-align: left;">Les propositions de communication (environ 1500 signes), accompagnées d’une courte bio-bibliographie, sont à envoyer à l’adresse suivante : <strong>catherine[point]hofmann[at]bnf[point]fr</strong></p> <h3>avant le 10 mai 2024</h3> <p style="text-align: left;">Le comité de sélection se réunira mi-juin et communiquera les résultats de l’appel à communication début juillet.</p> <p style="text-align: left;">Les communications retenues auront vocation à être publiées dans un numéro de la revue du Comité français de cartographie, <em>Cartes & Géomatique</em>, au courant de l’année 2026.</p> <h1>Comité scientifique</h1> <ul> <li class="MsoNormal">Jean-Marc Besse, directeur émérite de recherches au CNRS et directeur d’étude à l’EHESS, président de la commission</li> <li class="MsoNormal">Catherine Hofmann, conservatrice générale des bibliothèques, département des Cartes et plans de la BnF, vice – présidente de la commission</li> <li class="MsoNormal">Grégoire Binois, docteur en histoire moderne, membre de l’</li> <li class="MsoNormal">Jean Boutier, ex-directeur d’étude à l’EHESS (centre Marseille), histoire moderne</li> <li class="MsoNormal">Juliette Dumasy, maître de conférence HDR en histoire médiévale, Université d’Orléans</li> <li class="MsoNormal">Nadine Gastaldi, conservatrice générale du patrimoine, chargée des cartes et plans au Centre historique des Archives Nationales</li> <li class="MsoNormal">Lucile Haguet, docteure en histoire et conservatrice en chef à la Bibliothèque municipale du Havre</li> <li class="MsoNormal">Eve Netchine, conservatrice générale des bibliothèques, directrice du département des Cartes et plans de la BnF</li> <li class="MsoNormal">Emilie d’Orgeix, directrice d’études à l’École Pratique des Hautes Études (Paris) : Histoire culturelle des techniques à partir du Moyen Âge.</li> <li class="MsoNormal">Olivier Accarie Pierson, Division des archives techniques et de l’information géographique (DATIG), Service historique de la Défense</li> <li class="MsoNormal">George Tolias, directeur d’études à l’École Pratique des Hautes Études (Paris) : Représentation de l’espace au Moyen-Age et à la Renaissance</li> <li class="MsoNormal">Emmanuelle Vagnon, chargée de recherches au CNRS (UMR 8589- Laboratoire de Médiévistique Occidentale de Paris).</li> <li class="MsoNormal">Isabelle Warmoes, conservatrice du patrimoine, directrice du Musée des Plans Reliefs</li> </ul> </div> </div> <div id="categories" class="cat"> <p class="intitule">Kategorien</p> <ul> <li><a href="search?primary=fsubject&fsubject=228">Geschichte</a> (Hauptkategorie)</li> <li><a href="search?primary=fsubject&fsubject=302">Zeitraum</a> > <a href="search?primary=fsubject&fsubject=317">Neuere und Zeitgeschichte</a> > <a href="search?primary=fsubject&fsubject=318">19. Jahrhundert</a></li> <li><a href="search?primary=fsubject&fsubject=200">Gesellschaft</a> > <a href="search?primary=fsubject&fsubject=254">Studien zur Wissenschaft</a> > <a href="search?primary=fsubject&fsubject=255">Geschichte der Wissenschaften</a></li> <li><a href="search?primary=fsubject&fsubject=259">Erkenntnis</a> > <a href="search?primary=fsubject&fsubject=276">Darstellung</a> > <a href="search?primary=fsubject&fsubject=277">Kulturgeschichte</a></li> <li><a href="search?primary=fsubject&fsubject=302">Zeitraum</a> > <a href="search?primary=fsubject&fsubject=317">Neuere und Zeitgeschichte</a> > <a href="search?primary=fsubject&fsubject=319">20. Jahrhundert</a></li> <li><a href="search?primary=fsubject&fsubject=302">Zeitraum</a> > <a href="search?primary=fsubject&fsubject=317">Neuere und Zeitgeschichte</a> > <a href="search?primary=fsubject&fsubject=326">21. Jahrhundert</a></li> </ul> </div> <div id="lieux"> <p class="intitule">Orte</p> <ul> <li class="location"> l鈥橧nstitut national d鈥檋istoire de l鈥橝rt (INHA) - INHA, 2 Rue Vivienne, 75002 Paris <br/> Paris, Frankreich (75002) </li> </ul> </div> <div id="eventformats"><br></div> <div id="dates"> <p class="intitule">Daten</p> <ul> <li>Samstag, 10. Mai 2025</li> </ul> </div> <div id="attachments"> <p class="intitule">Anh盲nge</p> <ul> <li><a href="1243652?file=1" target="_blank">Appel 脿 communications JE CFC 2025.pdf</a></li> </ul> </div> <div id="motscles"> <p class="intitule">Schl眉sselw枚rter</p> <ul> <li>cartographie , expositions</li> </ul> </div> <div id="contacts"> <p class="intitule">Kontakt</p> <ul> <li>Catherine Hofmann<br/><em>courriel :</em> catherine [dot] hofmann [at] bnf [dot] fr<br/></li> </ul> </div> <div id="refurl"> <p class="intitule">Verweis-URLs</p> <ul> <li><a href="https://bnf.hypotheses.org/47307">Carnet de recherche de la BnF</a></li> </ul> </div> <div id="source"> <p class="intitule">Informationsquelle </p> <ul> <li>Florence Perret<br/><em>courriel :</em> florence [dot] perret [at] bnf [dot] fr</li> </ul> </div> <div id="license"> <p class="intitule">Lizenz</p> <p><a rel="license" href="https://creativecommons.org/licenses/by/4.0/"><img alt="CC-BY-4.0" class="cc" src="images/ccby-88x31.png" /></a> Diese Anzeige wird unter den Bedingungen der <a rel="license" href="https://creativecommons.org/licenses/by/4.0/">Creative Commons - Namensnennung 4.0 International _ CC BY 4.0</a>.</p> </div> <div id="citation"> <p class="intitule">Zitierhinweise</p> <p>Catherine Hofmann, 芦 Les expositions cartographiques. XIXe-XXIe si猫cle 禄, <span class="category">Beitragsaufruf</span>, <em>Calenda</em>, Ver枚ffentlicht am Donnerstag, 20. M盲rz 2025, <a class="url" href="https://doi.org/10.58079/13ivn">https://doi.org/10.58079/13ivn</a></p> </div> </div> </div> </div> <div id="news" class="column last"> <div id="imprimable"> <a id="impression" onclick="javascript:window.open('1243632?formatage=print', '', 'menubar=yes,toolbar=no,scrollbars=yes,width=800,height=600');return false;" href="1243632?formatage=print">Drucken</a> <a id="signaler" 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