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Viktor Ullmann - Wikipedia

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class="vector-toc-text"> <span class="vector-toc-numb">2</span> <span>Theresienstadt concentration camp</span> </div> </a> <ul id="toc-Theresienstadt_concentration_camp-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Later_works" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Later_works"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Later works</span> </div> </a> <ul id="toc-Later_works-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Chronology" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Chronology"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>Chronology</span> </div> </a> <ul id="toc-Chronology-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-List_of_the_Prague_and_Theresienstadt_works" class="vector-toc-list-item vector-toc-level-1 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class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Theresienstadt_works"> <div class="vector-toc-text"> <span class="vector-toc-numb">5.2</span> <span>Theresienstadt works</span> </div> </a> <ul id="toc-Theresienstadt_works-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Sources" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Sources"> <div class="vector-toc-text"> <span class="vector-toc-numb">6</span> <span>Sources</span> </div> </a> <ul id="toc-Sources-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">7</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Recordings" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Recordings"> <div class="vector-toc-text"> <span class="vector-toc-numb">8</span> <span>Recordings</span> </div> </a> <ul id="toc-Recordings-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> <span class="vector-toc-numb">9</span> <span>External links</span> </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" 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Available in 24 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-24" aria-hidden="true" ><span class="vector-icon mw-ui-icon-language-progressive mw-ui-icon-wikimedia-language-progressive"></span> <span class="vector-dropdown-label-text">24 languages</span> </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D9%81%D9%8A%D9%83%D8%AA%D9%88%D8%B1_%D8%A3%D9%88%D9%84%D9%85%D8%A7%D9%86" title="فيكتور أولمان – Arabic" lang="ar" hreflang="ar" data-title="فيكتور أولمان" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target"><span>العربية</span></a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Viktor_Ullmann" title="Viktor Ullmann – Catalan" lang="ca" hreflang="ca" data-title="Viktor Ullmann" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target"><span>Català</span></a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Viktor_Ullmann" title="Viktor Ullmann – Czech" lang="cs" hreflang="cs" data-title="Viktor Ullmann" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target"><span>Čeština</span></a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Viktor_Ullmann" title="Viktor Ullmann – Danish" lang="da" hreflang="da" data-title="Viktor Ullmann" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target"><span>Dansk</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Viktor_Ullmann" title="Viktor Ullmann – German" lang="de" hreflang="de" data-title="Viktor Ullmann" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Viktor_Ullmann" title="Viktor Ullmann – Spanish" lang="es" hreflang="es" data-title="Viktor Ullmann" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D9%88%DB%8C%DA%A9%D8%AA%D9%88%D8%B1_%D8%A7%D9%88%D9%84%D9%85%D8%A7%D9%86" title="ویکتور اولمان – Persian" lang="fa" hreflang="fa" data-title="ویکتور اولمان" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Viktor_Ullmann" title="Viktor Ullmann – French" lang="fr" hreflang="fr" data-title="Viktor Ullmann" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Viktor_Ullmann" title="Viktor Ullmann – Galician" lang="gl" hreflang="gl" data-title="Viktor Ullmann" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target"><span>Galego</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Viktor_Ullmann" title="Viktor Ullmann – Italian" lang="it" hreflang="it" data-title="Viktor Ullmann" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%95%D7%99%D7%A7%D7%98%D7%95%D7%A8_%D7%90%D7%95%D7%9C%D7%9E%D7%9F" title="ויקטור אולמן – Hebrew" lang="he" hreflang="he" data-title="ויקטור אולמן" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target"><span>עברית</span></a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D9%81%D9%8A%D9%83%D8%AA%D9%88%D8%B1_%D8%A7%D9%88%D9%84%D9%85%D8%A7%D9%86" title="فيكتور اولمان – Egyptian Arabic" lang="arz" hreflang="arz" data-title="فيكتور اولمان" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target"><span>مصرى</span></a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Viktor_Ullmann" title="Viktor Ullmann – Dutch" lang="nl" hreflang="nl" data-title="Viktor Ullmann" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target"><span>Nederlands</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%83%B4%E3%82%A3%E3%82%AF%E3%83%88%E3%83%AB%E3%83%BB%E3%82%A6%E3%83%AB%E3%83%9E%E3%83%B3" title="ヴィクトル・ウルマン – Japanese" lang="ja" hreflang="ja" data-title="ヴィクトル・ウルマン" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Viktor_Ullmann" title="Viktor Ullmann – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Viktor Ullmann" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target"><span>Norsk bokmål</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Viktor_Ullmann" title="Viktor Ullmann – Polish" lang="pl" hreflang="pl" data-title="Viktor Ullmann" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Viktor_Ullmann" title="Viktor Ullmann – Portuguese" lang="pt" hreflang="pt" data-title="Viktor Ullmann" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target"><span>Português</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%A3%D0%BB%D1%8C%D0%BC%D0%B0%D0%BD,_%D0%92%D0%B8%D0%BA%D1%82%D0%BE%D1%80" title="Ульман, Виктор – Russian" lang="ru" hreflang="ru" data-title="Ульман, Виктор" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-sk mw-list-item"><a href="https://sk.wikipedia.org/wiki/Viktor_Ullmann" title="Viktor Ullmann – Slovak" lang="sk" hreflang="sk" data-title="Viktor Ullmann" data-language-autonym="Slovenčina" data-language-local-name="Slovak" class="interlanguage-link-target"><span>Slovenčina</span></a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/Viktor_Ullmann" title="Viktor Ullmann – Finnish" lang="fi" hreflang="fi" data-title="Viktor Ullmann" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target"><span>Suomi</span></a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Viktor_Ullmann" title="Viktor Ullmann – Swedish" lang="sv" hreflang="sv" data-title="Viktor Ullmann" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target"><span>Svenska</span></a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/Viktor_Ullmann" title="Viktor Ullmann – Turkish" lang="tr" hreflang="tr" data-title="Viktor Ullmann" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target"><span>Türkçe</span></a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%92%D1%96%D0%BA%D1%82%D0%BE%D1%80_%D0%A3%D0%BB%D1%8C%D0%BC%D0%B0%D0%BD" title="Віктор Ульман – Ukrainian" lang="uk" hreflang="uk" data-title="Віктор Ульман" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target"><span>Українська</span></a></li><li class="interlanguage-link interwiki-zh mw-list-item"><a href="https://zh.wikipedia.org/wiki/%E7%BB%B4%E5%85%8B%E6%89%98%C2%B7%E4%B9%8C%E5%B0%94%E6%9B%BC" title="维克托·乌尔曼 – Chinese" lang="zh" hreflang="zh" data-title="维克托·乌尔曼" data-language-autonym="中文" data-language-local-name="Chinese" 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(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Viktor Ullmann</div></th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Viktor_Ullmann_edit.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d5/Viktor_Ullmann_edit.jpg/220px-Viktor_Ullmann_edit.jpg" decoding="async" width="220" height="244" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d5/Viktor_Ullmann_edit.jpg/330px-Viktor_Ullmann_edit.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d5/Viktor_Ullmann_edit.jpg/440px-Viktor_Ullmann_edit.jpg 2x" data-file-width="1413" data-file-height="1566" /></a></span></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><span style="display:none">(<span class="bday">1898-01-01</span>)</span>1 January 1898<br /><div style="display:inline" class="birthplace"><a href="/wiki/Cieszyn" title="Cieszyn">Cieszyn</a>, <a href="/wiki/Austria-Hungary" title="Austria-Hungary">Austria-Hungary</a></div></td></tr><tr><th scope="row" class="infobox-label">Died</th><td class="infobox-data">18 October 1944<span style="display:none">(1944-10-18)</span> (aged&#160;46)<br /><div style="display:inline" class="deathplace"><a href="/wiki/Auschwitz_concentration_camp" title="Auschwitz concentration camp">Auschwitz-Birkenau</a>, <a href="/wiki/Occupation_of_Poland_(1939%E2%80%931945)" title="Occupation of Poland (1939–1945)">German-occupied Poland</a></div></td></tr><tr><th scope="row" class="infobox-label">Occupation</th><td class="infobox-data role">Composer</td></tr></tbody></table> <p><b>Viktor Ullmann</b> (1 January 1898 – 18 October 1944) was a <a href="/wiki/Silesia" title="Silesia">Silesia</a>-born Austrian<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup> composer, conductor and pianist. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Biography">Biography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Viktor_Ullmann&amp;action=edit&amp;section=1" title="Edit section: Biography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Viktor Ullmann was born on 1 January 1898 in <a href="/wiki/Cieszyn" title="Cieszyn">Cieszyn</a> (Teschen), which belonged then to <a href="/wiki/Austrian_Silesia" title="Austrian Silesia">Austrian Silesia</a> in the <a href="/wiki/Austro-Hungarian_Empire" class="mw-redirect" title="Austro-Hungarian Empire">Austro-Hungarian Empire</a>. Both his parents were from families of Jewish descent, but had converted to Catholicism<sup id="cite_ref-Jewish_Renaissance_2-0" class="reference"><a href="#cite_note-Jewish_Renaissance-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> before Viktor's birth. As an <a href="/wiki/Assimilated_Jew" class="mw-redirect" title="Assimilated Jew">assimilated Jew</a>, his father, Maximilian, was able to pursue a career as a professional officer in the army of the Austro-Hungarian Empire. In World War I he was promoted to colonel and ennobled. </p><p>One writer has described Ullmann's milieu in these terms: "Like such other assimilated German-speaking Czech Jews as <a href="/wiki/Franz_Kafka" title="Franz Kafka">Kafka</a> and <a href="/wiki/Gustav_Mahler" title="Gustav Mahler">Mahler</a>, Ullmann lived a life of multiple estrangements, cut off from Czech nationalism, German anti-Semitism and Jewish orthodoxy".<sup id="cite_ref-Schiff_3-0" class="reference"><a href="#cite_note-Schiff-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> </p><p>Beginning in 1909 Viktor attended a grammar school (<i><a href="/wiki/Gymnasium_(school)" title="Gymnasium (school)">Gymnasium</a></i>) in Vienna. His musical talents and inclinations soon gave him access to <a href="/wiki/Arnold_Schoenberg" title="Arnold Schoenberg">Arnold Schoenberg</a> and his circle of pupils. Upon finishing school, he volunteered for military service. </p><p>After deployment on the <a href="/wiki/Italian_Campaign_(World_War_I)" class="mw-redirect" title="Italian Campaign (World War I)">Italian Front</a> at <a href="/wiki/Battles_of_the_Isonzo" title="Battles of the Isonzo">Isonzo</a>, he was granted study leave, which he used to start studying law at <a href="/wiki/Vienna_University" class="mw-redirect" title="Vienna University">Vienna University</a>. There he also attended the lectures of <a href="/wiki/Wilhelm_Jerusalem" title="Wilhelm Jerusalem">Wilhelm Jerusalem</a>. At the beginning of 1918 he was accepted in Schöenberg's composition seminar. With Schöenberg he studied the theory of form, <a href="/wiki/Counterpoint" title="Counterpoint">counterpoint</a> and <a href="/wiki/Orchestration" title="Orchestration">orchestration</a>. Ullmann was an excellent pianist, although he had no ambitions for a career as a soloist. </p><p>In May 1919, he broke off both courses of study and left Vienna in order to devote himself fully to music in <a href="/wiki/Prague" title="Prague">Prague</a>. His mentor was now <a href="/wiki/Alexander_von_Zemlinsky" title="Alexander von Zemlinsky">Alexander von Zemlinsky</a>, under whose direction he served as a conductor at the New German Theatre of Prague (now the <a href="/wiki/Prague_State_Opera" class="mw-redirect" title="Prague State Opera">Prague State Opera</a>) until 1927. In the following season, 1927–28, he was appointed head of the opera company in <a href="/wiki/Aussig_an_der_Elbe" class="mw-redirect" title="Aussig an der Elbe">Aussig an der Elbe</a> (<a href="/wiki/%C3%9Ast%C3%AD_nad_Labem" title="Ústí nad Labem">Ústí nad Labem</a>), but his repertoire, including operas by <a href="/wiki/Richard_Strauss" title="Richard Strauss">Richard Strauss</a>, <a href="/wiki/Ernst_Krenek" title="Ernst Krenek">Krenek</a> and others, was too advanced for local tastes, and his appointment was terminated. </p><p>In 1923 with the <i>Sieben Lieder mit Klavier</i> (<i>7 Songs with Piano</i>) he witnessed a series of successful performances of his works, which lasted until the beginning of the 1930s (<i>Sieben Serenaden</i>). At the <a href="/wiki/Geneva" title="Geneva">Geneva</a> music festival of the <a href="/w/index.php?title=International_Society_for_New_Music&amp;action=edit&amp;redlink=1" class="new" title="International Society for New Music (page does not exist)">International Society for New Music</a> in 1929, his <i>Schönberg Variations</i>, a piano cycle on a theme by his teacher in Vienna, caused something of a stir. Five years later, for the orchestral arrangement of this work, he was awarded the <a href="https://de.wikipedia.org/wiki/Emil-Hertzka-Preis" class="extiw" title="de:Emil-Hertzka-Preis">Hertzka Prize</a>, named in honor of the former director of <a href="/wiki/Universal_Edition" title="Universal Edition">Universal Edition</a>. In the meantime he had been appointed conductor in <a href="/wiki/Z%C3%BCrich" class="mw-redirect" title="Zürich">Zürich</a> for two years. As a result of his interest in <a href="/wiki/Anthroposophy" title="Anthroposophy">anthroposophy</a>, a movement founded by <a href="/wiki/Rudolf_Steiner" title="Rudolf Steiner">Rudolf Steiner</a>, he spent another two years as a bookseller in <a href="/wiki/Stuttgart" title="Stuttgart">Stuttgart</a>, but was forced to flee Germany in mid-1933 and returned to Prague as a music teacher and journalist. </p><p>During this period he worked with the department of music at <a href="/wiki/Czech_Radio" title="Czech Radio">Czechoslovak Radio</a>, wrote book and music reviews for various magazines, wrote as a critic for the <i>Bohemia</i> newspaper, lectured to educational groups, gave private lessons, and was actively involved in the program of the Czechoslovak Society for Music Education. At about this time Ullmann made friends with the composer <a href="/wiki/Alois_H%C3%A1ba" title="Alois Hába">Alois Hába</a>, whom he had known for some time. Ullmann enrolled in Hába's department of <a href="/wiki/Quarter_tone" title="Quarter tone">quarter tone music</a> at the <a href="/wiki/Prague_Conservatory" title="Prague Conservatory">Prague Conservatory</a>, where he studied from 1935 to 1937. </p><p>While his works of the 1920s still clearly show the influence of Schönberg's atonal period, especially the Chamber Symphony Op. 9, the George Songs Op. 15 and <i><a href="/wiki/Pierrot_Lunaire" class="mw-redirect" title="Pierrot Lunaire">Pierrot Lunaire</a></i>, Op. 21, Ullmann's compositions from 1935 onwards, like the String Quartet No. 2 and Piano Sonata No. 1, are distinguished by a musical development that is more independent of Schönberg's inspiration. Similarly the opera <i>Fall of the Antichrist</i> develops the issues raised by <a href="/wiki/Alban_Berg" title="Alban Berg">Alban Berg's</a> opera <i><a href="/wiki/Wozzeck" title="Wozzeck">Wozzeck</a></i>. Dissonant harmonics, highly charged musical expression, and masterly control of formal structure are characteristic of Ullmann's new and henceforth unmistakable personal style. </p> <div class="mw-heading mw-heading2"><h2 id="Theresienstadt_concentration_camp">Theresienstadt concentration camp</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Viktor_Ullmann&amp;action=edit&amp;section=2" title="Edit section: Theresienstadt concentration camp"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>On 8 September 1942 he was deported to the <a href="/wiki/Theresienstadt_concentration_camp" class="mw-redirect" title="Theresienstadt concentration camp">Theresienstadt concentration camp</a>. Up to his deportation his list of works had reached 41 opus numbers and contained an additional three piano sonatas, song cycles on texts by various poets, operas, and the piano concerto Op. 25, which he finished in December 1939, nine months after the entry of German troops into Prague. Most of these works are missing. The manuscripts presumably disappeared during the occupation. Thirteen printed items, which Ullmann published privately and entrusted to a friend for safekeeping, have survived. </p><p>The particular nature of the camp at Theresienstadt enabled Ullmann to remain active musically: he was a piano accompanist, organized concerts ("Collegium musicum", "Studio for New Music"), wrote critiques of musical events, and composed,<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> as part of a cultural circle including <a href="/wiki/Karel_An%C4%8Derl" title="Karel Ančerl">Karel Ančerl</a>, <a href="/wiki/Rafael_Schachter" class="mw-redirect" title="Rafael Schachter">Rafael Schachter</a>, <a href="/wiki/Gideon_Klein" title="Gideon Klein">Gideon Klein</a>, <a href="/wiki/Hans_Kr%C3%A1sa" title="Hans Krása">Hans Krása</a>, and other prominent musicians imprisoned there. He wrote: "By no means did we sit weeping on the banks of the waters of Babylon. Our endeavor with respect to arts was commensurate with our will to live."<sup id="cite_ref-Schiff_3-1" class="reference"><a href="#cite_note-Schiff-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> </p><p>Overall, Ullmann "probably made the most significant contribution of any single individual to the musical life of Terezin", composing 20 works in the camp.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> </p><p>On 16 October 1944 he was deported to the camp at <a href="/wiki/Auschwitz-Birkenau" class="mw-redirect" title="Auschwitz-Birkenau">Auschwitz-Birkenau</a>, where he was killed in the gas chambers two days later. </p> <div class="mw-heading mw-heading2"><h2 id="Later_works">Later works</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Viktor_Ullmann&amp;action=edit&amp;section=3" title="Edit section: Later works"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The work he completed in Theresienstadt was mostly preserved and comprises, in addition to choral works, song cycles and a quantity of stage music, such significant works as the last three piano sonatas, the Third String Quartet, the melodrama based on <a href="/wiki/Rilke" class="mw-redirect" title="Rilke">Rilke's</a> <i>Cornet</i> poem, and the chamber opera <i><a href="/wiki/Der_Kaiser_von_Atlantis" title="Der Kaiser von Atlantis">The Emperor of Atlantis, or The Disobedience of Death</a></i>, with a libretto by <a href="/wiki/Peter_Kien" class="mw-redirect" title="Peter Kien">Peter Kien</a>. Its premiere was planned for Theresienstadt in the autumn of 1944, conducted by Rafael Schachter, but it is believed that the <a href="/wiki/Schutzstaffel" title="Schutzstaffel">SS</a> commander noticed similarities between the Emperor of Atlantis and <a href="/wiki/Adolf_Hitler" title="Adolf Hitler">Adolf Hitler</a> and suppressed it. However, eye-witness Herbert Thomas Mandl argues, "that the Emperor is not Hitler".<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> The opera was first performed in Amsterdam in 1975 in a version of the conductor Kerry Woodward. It has been broadcast by <a href="/wiki/BBC" title="BBC">BBC</a> television in <a href="/wiki/UK" class="mw-redirect" title="UK">Britain</a>, and there have been productions in several countries. Important productions took place in <a href="/wiki/Bremen_(city)" class="mw-redirect" title="Bremen (city)">Bremen</a> and Stuttgart in 1990; American premieres took place in San Francisco in 1975 and in Brooklyn in 1977. Other works include the song-cycle "Man and his Day" to poems by Ullmann's friend, the poet and later historian of Theresienstadt, <a href="/wiki/H._G._Adler" title="H. G. Adler">H. G. Adler</a>. </p><p>Since 1993 it is possible to perform the original version of the opera with the help of <a href="/wiki/Karel_Berman" title="Karel Berman">Karel Berman</a>, based on his Terezin rolebook and the musicologist Ingo Schultz. This reconstructed original version of the original score has been used for the production of the opera done by the director <a href="/wiki/Herbert_Gantschacher" title="Herbert Gantschacher">Herbert Gantschacher</a> for <a href="/wiki/ARBOS_-_Company_for_Music_and_Theatre" class="mw-redirect" title="ARBOS - Company for Music and Theatre">ARBOS - Company for Music and Theatre</a>. This production used also Ullmann's original title "The Emperor of Atlantis or The Disobedience of Death" and has been recorded by the Prague label STUDIO MATOUS in 1994/1995. This production of the opera by Herbert Gantschacher has been performed for the first time at Terezin on 23 May 1995.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> From these first performances at Terezin ever a live recording exists done by ARBOS – Company for Music and Theatre.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup> In all, Ullmann worked on the opera for 27 years, from the first impressions in the First World War in 1917 to the finalization at Terezin in 1944.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup> </p><p>The most concrete formulation of this discourse occurs in the <i>Emperor of Atlantis</i>, with the parable of the Emperor's game with Death for Life. The "game", which concerns the Emperor's plan for the total destruction of all human life, ends with the ruin of the Emperor and with the vision of a new understanding between life and death. </p><p>When Ullmann was deported to Auschwitz, he left his works in the safekeeping of the philosopher <a href="/wiki/Emil_Utitz" title="Emil Utitz">Emil Utitz</a>. After the war, Utitz gave them to <a href="/wiki/H._G._Adler" title="H. G. Adler">H. G. Adler</a> in Theresienstadt in 1945, and Adler brought the scores to England in 1947. Adler subsequently placed them on long-term loan with the Allgemeine Anthroposophische Gesellschaft in Dornach (AAG), Switzerland. In an apparent breach of contract the AAG subsequently deposited them with the <a href="/wiki/Paul_Sacher" title="Paul Sacher">Paul Sacher Stiftung</a>, <a href="/wiki/Basel" title="Basel">Basel</a>, where they are currently being held illegally, prior to the preparation of a legally valid loan agreement.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Chronology">Chronology</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Viktor_Ullmann&amp;action=edit&amp;section=4" title="Edit section: Chronology"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>1898 Born in Teschen (in Austrian <a href="/wiki/Silesia" title="Silesia">Silesia</a>) on 1 January</li> <li>1909–16 Attended school in Vienna</li> <li>1916–18 Military service as a volunteer; service at the Front; promotion to Lieutenant</li> <li>1918 Attended the University of Vienna, studying law and attending lectures in sociology and philosophy of <a href="/wiki/Wilhelm_Jerusalem" title="Wilhelm Jerusalem">Wilhelm Jerusalem</a><sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup> and attending Arnold Schoenberg's "composition seminar"</li> <li>1920 autumn: Choirmaster and co-repetiteur under Alexander von Zemlinsky in the New German Theatre in Prague; later (1922–27) conductor</li> <li>1925 Composition of the "Schönberg Variations" for piano (first performance 1926 in Prague)</li> <li>1927–1928 Director of Opera in <a href="/wiki/Aussig_an_der_Elbe" class="mw-redirect" title="Aussig an der Elbe">Aussig an der Elbe</a> (<a href="/wiki/%C3%9Ast%C3%AD_nad_Labem" title="Ústí nad Labem">Ústí nad Labem</a>); afterwards back in Prague without a position</li> <li>1929 Success of the "Schönberg Variations" at the music festival of the International Society for New Music (<i>Internationale Gesellschaft für Neue Musik</i>; IGNM) in Geneva</li> <li>1929–1931 Composer and conductor for stage music in the theatre at <a href="/wiki/Z%C3%BCrich" class="mw-redirect" title="Zürich">Zürich</a></li> <li>1931–1933 Bookdealer in Stuttgart, as proprietor of the anthroposophical <i>Novalis-Bücherstube</i></li> <li>1933 Flight from Stuttgart; return to Prague</li> <li>1934 Hertzka Prize for the orchestral arrangement of the "Schönberg Variations" (Op. 3b)</li> <li>1935–1937 Instruction in composition from <a href="/wiki/Alois_H%C3%A1ba" title="Alois Hába">Alois Hába</a></li> <li>1936 Hertzka Prize for the opera <i>The Fall of the Antichrist</i> (Op. 9)</li> <li>1938 After the performance of the Second String Quartet at the IGMN Festival in London, stays for about two months in <a href="/wiki/Dornach" title="Dornach">Dornach</a> near <a href="/wiki/Basel" title="Basel">Basel</a></li> <li>1939 Beginning of the persecution of the Jews in the <a href="/wiki/Protectorate_of_Bohemia_and_Moravia" title="Protectorate of Bohemia and Moravia">Protectorate of Bohemia and Moravia</a></li> <li>1942 (8 September) Deportation to Theresienstadt Concentration Camp; active as composer, conductor, pianist, organiser, teacher and music critic. Most important compositions preserved in manuscript: 3 piano sonatas; piano sonatas; songs; opera <i>The Emperor of Atlantis</i>; melodrama <i>The Manner of Love and Death of Cornet Christoph Rilke</i></li> <li>1944 (16 October) Transfer to Auschwitz-Birkenau, where he was murdered in the gas chambers on 18 October 1944</li></ul> <div class="mw-heading mw-heading2"><h2 id="List_of_the_Prague_and_Theresienstadt_works">List of the Prague and Theresienstadt works</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Viktor_Ullmann&amp;action=edit&amp;section=5" title="Edit section: List of the Prague and Theresienstadt works"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In the middle of 1942, shortly before his deportation to Theresienstadt concentration camp, Ullmann drew up a comprehensive list of his compositions to that point. This list was preserved in a London library as part of a letter to a correspondent whom it has not hitherto been possible to identify. In contrast to earlier lists of works, the London list is distinguished by an unbroken sequence of opus numbers (1–41) and the unmistakable incorporation of works or titles already known. Ullmann's list of works is of incalculable value in light of the lost or missing compositions, although it makes clear the full extent of the loss caused by persecution and war. </p><p>In the following summary Ullmann's opus numbering has been used, and extended for the opus numbers given to works composed in Theresienstadt. The order of titles is essentially chronological and takes account both of compositions known from earlier lists of works as well as of those bibliographically recorded. Uncertain dating is indicated by (?). Traces of an earlier numeration derive from the list of works from the 1920s (<i><a href="/wiki/Riemann_Musiklexikon" title="Riemann Musiklexikon">Riemann Musiklexikon</a></i> 11/1929). These references occur only in connection with the "Schönberg Variations", which in relation to the opus numeration and to the chronology cut across the principle of arrangement used. </p> <div class="mw-heading mw-heading3"><h3 id="Prague_works">Prague works</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Viktor_Ullmann&amp;action=edit&amp;section=6" title="Edit section: Prague works"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <table class="wikitable" width="100%" border="1"> <tbody><tr> <td><b>Work</b></td> <td><b>Year</b></td> <td><b>Previous Numeration</b></td> <td><b>Notes</b> </td></tr> <tr> <td>Three Choruses for Male Voices a cappella</td> <td>1919</td> <td>Opus 1</td> <td> </td></tr> <tr> <td>Songs with Orchestra</td> <td>1921</td> <td>Opus 2</td> <td> </td></tr> <tr> <td>Abendlied (<i>Evening Song</i>) (<a href="/wiki/Matthias_Claudius" title="Matthias Claudius">Claudius</a>) for Choir, Soloists and Orchestra</td> <td>1922</td> <td>Opus 3</td> <td> </td></tr> <tr> <td>Music for a Play from a Christmas Tale "Wie Klein Else das Christkindlein suchen ging" (<i>How Little Else Went to Look for the Christ Child</i>)</td> <td>1922</td> <td></td> <td>First performance Prague 1922 </td></tr> <tr> <td>Seven Putty Songs with Piano</td> <td>1923</td> <td>Opus 4</td> <td>First performance Prague 1923, IGNM music festival Prague 1924 </td></tr> <tr> <td>Opus 1 – 1st String Quartet</td> <td>1923</td> <td>Opus 5</td> <td>First performance Prague 1927 </td></tr> <tr> <td>Seven Songs with Chamber Orchestra</td> <td>1924</td> <td>Opus 6</td> <td>First performance Prague 1924 </td></tr> <tr> <td>Symphonic Fantasy (also known as "Solo Cantata for Tenor and Orchestra"</td> <td>1924</td> <td>Opus 7</td> <td>First performance Prague 1925 </td></tr> <tr> <td>Incidental music for <i><a href="/wiki/Der_Kreidekreis" class="mw-redirect" title="Der Kreidekreis">Der Kreidekreis</a></i> (<i>The Chalk Circle</i>) (<a href="/wiki/Klabund" title="Klabund">Klabund</a>)</td> <td>1924</td> <td></td> <td>First performance Prague 1925 </td></tr> <tr> <td>(21) Variations and Double Fugue on a Small Piano Piece by Schönberg (Op. 19, 4)</td> <td>1925</td> <td>Opus 9</td> <td>First performance Prague 1926 </td></tr> <tr> <td>Opus 2 – Octet (also known as "Oktettino")</td> <td>1924</td> <td>Opus 8</td> <td>First performance Prague 1926 </td></tr> <tr> <td>Trio for Woodwind</td> <td>1926</td> <td>Opus 10</td> <td> </td></tr> <tr> <td>Opus 4 – Concerto for Orchestra (also known as "First Symphony" and "Symphonietta")</td> <td>1928</td> <td>Opus 11</td> <td>First performance Prague 1929 </td></tr> <tr> <td>(5) Variations and Double Fugue on a Small Piece by Schönberg (for Piano)</td> <td>1929</td> <td></td> <td>Variations and Double Fugue on a Small Piano Piece by Schönberg 1929. A transcript by a Prague copyist was preserved. IGNM music festival, Geneva 1929. </td></tr> <tr> <td>Opus 5 – Seven Small Serenades for Voice and 12 Instruments (text also by Ullmann)</td> <td>1929</td> <td></td> <td>First performance Frankfurt am Main 1931. </td></tr> <tr> <td>Opus 6 – Peer Gynt (<a href="/wiki/Ibsen" class="mw-redirect" title="Ibsen">Ibsen</a>). Opera</td> <td>1927–29</td> <td></td> <td>Completed after 1938. </td></tr> <tr> <td>Opus 3 a – (9) Variations and Double Fugue on a Theme by Schönberg for Piano</td> <td>1933/34</td> <td></td> <td>Self-published Prague 1939. </td></tr> <tr> <td>Opus 3 b – Variations, Fantasy and Double Fugue on a Small Piano Piece by Schönberg, for Orchestra</td> <td>1933/34</td> <td></td> <td>Hertzka Prize 1934. First performance Prague 1938. A set of orchestral parts was preserved in transcripts by two Prague copyists. </td></tr> <tr> <td>Opus 7 – 2nd String Quartet</td> <td>1935</td> <td></td> <td>First performance Prague 1936. IGNM music festival London 1938. </td></tr> <tr> <td>Opus 8 – (Seven) Elegies for Soprano and Orchestra</td> <td>1935</td> <td></td> <td>First performance Prague 1936 (3 pieces). Opus 8, 2 was preserved as a <a href="/wiki/Holograph" class="mw-redirect" title="Holograph">holograph</a>: "Schwer ist's das Schöne zu lassen" (<i>It Is Difficult to Leave the Beautiful</i>) (<a href="/wiki/Albert_Steffen" title="Albert Steffen">Steffen</a>). </td></tr> <tr> <td>Opus 9 – Der Sturz des Antichrist (<i>The Fall of the Antichrist</i>), play for a stage dedication in 3 Acts (Steffen)</td> <td>1935</td> <td></td> <td>Hertzka Prize 1936. The score and a part-written piano arrangement, both holographs, were preserved. </td></tr> <tr> <td>Opus 10 – 1st Piano Sonata</td> <td>1936</td> <td></td> <td>Self-published Prague 1936. UA Prag 1936. IGNM music festival New York 1941. </td></tr> <tr> <td>Opus 11 – Chinese Melodramas (also known as "Galgenlieder" or <i>Gallows Songs</i>)</td> <td>1936</td> <td></td> <td>First performance Prague 1936 (4 pieces). </td></tr> <tr> <td>Opus 12 – Huttens letzte Tage (<i>Hutten's Last Days</i>) (<a href="/wiki/Conrad_Ferdinand_Meyer" title="Conrad Ferdinand Meyer">C. F. Meyer</a>), lyrical symphony for tenor, baritone und orchestra</td> <td>1936/37 (?)</td> <td></td> <td> </td></tr> <tr> <td>Opus 13 – Missa Symphonica for choir, soloists, orchestra and organ ("in honour of the Archangel Michael")</td> <td>1936</td> <td></td> <td> </td></tr> <tr> <td>Opus 14 – Three Choruses a cappella (also known as "Rosenkreuzer Cantata")</td> <td>1936</td> <td></td> <td> </td></tr> <tr> <td>Opus 15 – Easter Cantata (also known as "Chamber Cantata") for small mixed choir and 6 instruments</td> <td>1936</td> <td></td> <td> </td></tr> <tr> <td>Opus 16 – Sonata for Quarter-tone Clarinet and Quarter-tone Piano</td> <td>1936</td> <td></td> <td>First performance Prague 1937. Only the clarinet part is preserved, as a holograph. </td></tr> <tr> <td>Opus 17 – Six Songs (Steffen) for soprano and piano</td> <td>1937</td> <td></td> <td>Self-published Prague 1937. First performance Prague 1937. </td></tr> <tr> <td>Opus 18 – Songs (<a href="/wiki/Karl_Kraus_(writer)" title="Karl Kraus (writer)">Kraus</a>, <a href="/wiki/Goethe" class="mw-redirect" title="Goethe">Goethe</a>, <a href="/wiki/Novalis" title="Novalis">Novalis</a>) (also known as "Song Cycle II")</td> <td>1937 (?)</td> <td></td> <td> </td></tr> <tr> <td>Opus 19 – 2nd Piano Sonata</td> <td>1938/39</td> <td></td> <td>Self-published Prague 1939. First performance Prague 1940. </td></tr> <tr> <td>Opus 3 c – Variations and Double Fugue on a Theme by Arnold Schoenberg</td> <td>1939</td> <td></td> <td>Preserved as a photocopy of the holograph. </td></tr> <tr> <td>Opus 20 – Spiritual Songs for High Voice and Piano</td> <td>1939/40</td> <td></td> <td>Self-published Prague 1940. First performance Prague 1940. </td></tr> <tr> <td>Opus 21 – Songs (<a href="/wiki/Thomas_Brezina" title="Thomas Brezina">Brezina</a>)</td> <td>1929/39 (?)</td> <td></td> <td> </td></tr> <tr> <td>Opus 22 – Children's Songs</td> <td>1939/40 (?)</td> <td></td> <td> </td></tr> <tr> <td>Opus 23 – Der Gott und die Bajadere (<i>The God and the Bayadere</i>) (Goethe) for baritone and piano</td> <td>1940 (?)</td> <td></td> <td>First performance Prague 1940. </td></tr> <tr> <td>Opus 24 – Slavic Rhapsody for orchestra and obligato saxophone</td> <td>1939/40</td> <td></td> <td>Self-published Prague 1940 (printed as "Opus 23"). </td></tr> <tr> <td>Opus 25 – Piano Concerto</td> <td>1939</td> <td></td> <td>Preserved as a holograph; self-published Prague 1940. </td></tr> <tr> <td>Opus 26 – Five Love Songs (<a href="/wiki/Ricarda_Huch" title="Ricarda Huch">Huch</a>) for soprano and piano</td> <td>1939</td> <td></td> <td>Self-published Prague 1939. </td></tr> <tr> <td>Opus 27 – Lieder des Prinzen Vogelfrei (<i>Songs of Prince Vogelfrei</i>) (<a href="/wiki/Friedrich_Nietzsche" title="Friedrich Nietzsche">Nietzsche</a>)</td> <td>1940</td> <td></td> <td> </td></tr> <tr> <td>Opus 28 – 3rd Piano Sonata</td> <td>1940</td> <td></td> <td>Self-published Prague 1940 (printed as "Opus 26") </td></tr> <tr> <td>Opus 29 – Three Sonnets from the Portuguese (<a href="/wiki/Elizabeth_Barrett_Browning" title="Elizabeth Barrett Browning">Elizabeth Barrett Browning</a>, transl. <a href="/wiki/Rainer_Maria_Rilke" title="Rainer Maria Rilke">Rilke</a>) for soprano and piano</td> <td>1940</td> <td></td> <td>Self-published Prague 1940. First performance Prague 1940. </td></tr> <tr> <td>Opus 30 – Songbook of Hafiz for bass and piano</td> <td>1940</td> <td></td> <td>Self-published Prague 1940. First performance Prague 1940. Based on Hans Bethge's "Nachdichtungen der Lieder und Gesänge des Hafis", vol 2 (first published 1910 by Insel-Verlag, Leipzig; new edition by YinYang-Media Verlag October 2004 <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/3-935727-03-8" title="Special:BookSources/3-935727-03-8">3-935727-03-8</a>). </td></tr> <tr> <td>Opus 31 – Nachlese (<i>Gleanings</i>). Songs</td> <td>1940 (?)</td> <td></td> <td> </td></tr> <tr> <td>Opus 32 – Krieg (<i>War</i>). Cantata for Baritone</td> <td>1940 (?)</td> <td></td> <td> </td></tr> <tr> <td>Opus 33 – Die Heimkehr des Odysseus (<i>The Homecoming of Odysseus</i>). Opera</td> <td>1940/41 (?)</td> <td></td> <td> </td></tr> <tr> <td>Opus 34 – Six Sonnets (<a href="/wiki/Louise_Lab%C3%A9" title="Louise Labé">Labé</a>) for soprano and piano</td> <td>1941</td> <td></td> <td>Self-published Prague 1941. </td></tr> <tr> <td>Opus 35 – Six Songs for Alto or Baritone and Piano</td> <td>1941 (?)</td> <td></td> <td> </td></tr> <tr> <td>Opus 36 – Der zerbrochene Krug (<i>The Broken Jug</i>) (<a href="/wiki/Heinrich_von_Kleist" title="Heinrich von Kleist">Kleist</a>). Opera</td> <td>1941/42</td> <td></td> <td>Self-published 1942. </td></tr> <tr> <td>Opus 37 – Three Songs (C. F. Meyer) for baritone and piano</td> <td>1942</td> <td></td> <td>Preserved as holograph ("renewed in Theresienstadt"). First performance Theresienstadt 1943. </td></tr> <tr> <td>Opus 38 – 4th Piano Sonata</td> <td>1941</td> <td></td> <td>Self-published Prague 1941. </td></tr> <tr> <td>Opus 39 – Sonata for Violin and Piano</td> <td>1937 (?)</td> <td></td> <td>Only a transcription of the violin part is preserved. First performance planned Prague 1938. </td></tr> <tr> <td>Opus 40 – Concert Aria (from Goethe's <i><a href="/wiki/Iphigenia_in_Tauris_(Goethe)" title="Iphigenia in Tauris (Goethe)">Iphigenie</a></i>)</td> <td>1942 (?)</td> <td></td> <td> </td></tr> <tr> <td>Opus 41 – Six Songs (<a href="/wiki/H._G._Adler" title="H. G. Adler">H. G. Adler</a>)</td> <td>1942 (?)</td> <td></td> <td> </td></tr> </tbody></table> <div class="mw-heading mw-heading3"><h3 id="Theresienstadt_works">Theresienstadt works</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Viktor_Ullmann&amp;action=edit&amp;section=7" title="Edit section: Theresienstadt works"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <table class="wikitable" width="100%" border="1"> <tbody><tr> <td><b>Work</b></td> <td><b>Year</b></td> <td><b>Notes</b> </td></tr> <tr> <td>Three Songs for Baritone (C. F. Meyer)</td> <td>1942</td> <td>cf. Opus 37. Not later than 4 November 1942. </td></tr> <tr> <td>3rd String Quartet</td> <td>1943</td> <td>Preserved as a copy of the holograph. Counted as Opus 46. Not later than 23 January 1943. </td></tr> <tr> <td>Autumn (<a href="/wiki/Georg_Trakl" title="Georg Trakl">Trakl</a>) for soprano and string trio</td> <td>1943</td> <td>Preserved as a holograph. Not later than 24 January 1943. </td></tr> <tr> <td>(2) Songs of Consolation (Steffen) for deep voice and string trio</td> <td>1943</td> <td>Preserved as a holograph. </td></tr> <tr> <td>Ten Yiddish and Hebrew Choruses Zehn (women's, men's and mixed choir)</td> <td>1943</td> <td>Preserved as transcripts by Theresienstadt copyists. </td></tr> <tr> <td>Incidental music for a play by <a href="/wiki/Fran%C3%A7ois_Villon" title="François Villon">François Villon</a></td> <td>1943</td> <td>First performance Theresienstadt 20 July 1943. </td></tr> <tr> <td>Wendla in the Garden (<a href="/wiki/Frank_Wedekind" title="Frank Wedekind">Wedekind</a>) for voice and piano</td> <td>1943</td> <td>Preserved as a holograph. Not later than 1 July 1943. </td></tr> <tr> <td>5th Piano Sonata</td> <td>1943</td> <td>Preserved as a holograph. Counted as Opus 45. Not later than 27 June 1943. </td></tr> <tr> <td>(2) <a href="/wiki/Friedrich_H%C3%B6lderlin" title="Friedrich Hölderlin">Hölderlin</a> Songs for voice and piano</td> <td>1943/44</td> <td>Preserved as a holograph. </td></tr> <tr> <td>Immer inmitten (<i>Always in the midst</i>) (H. G. Adler). Cantata for mezzo-soprano and piano</td> <td>1943</td> <td>Two songs preserved as holographs. First performance Theresienstadt 30 October 1943. </td></tr> <tr> <td>6th Piano Sonata</td> <td>1943</td> <td>Preserved as holograph. Counted as Opus 49 (cf "Kaiser von Atlantis"). Not later than 1 August 1943. First performance Theresienstadt before 30 October 1943. </td></tr> <tr> <td>Der Mensch und sein Tag (<i>Man and his Day</i>) (H. G. Adler). 12 Songs for Voice and Piano</td> <td>1943</td> <td>Preserved as a holograph. Counted as Opus 47. Not later than 4 September 1943. </td></tr> <tr> <td>"Chansons des enfants francaises" &#32;&#91;<i><a href="/wiki/Sic" title="Sic">sic</a></i>&#93; for voice and piano</td> <td>1943</td> <td>One song ("Little Cakewalk") preserved as a holograph. Date of dedication: 27 September 1943. </td></tr> <tr> <td>Three Chinese Songs for Voice and Piano</td> <td>1943</td> <td>Two songs preserved as holographs. Not later than October 1943. </td></tr> <tr> <td><a href="/wiki/Der_Kaiser_von_Atlantis" title="Der Kaiser von Atlantis">Der Kaiser von Atlantis oder die Tod-Verweigerung</a> (<i>The Emperor of Atlantis, or The Refusal of Death</i>). Play in one act (<a href="/wiki/Peter_Kien" class="mw-redirect" title="Peter Kien">Kien</a>)</td> <td>1943/44</td> <td>Preserved as a holograph. <p>Counted as Opus 49 (cf 6th piano). Composition begun June/July 1943; finished 13 January 1944. Revision ("Wahnsinns-Terzett" / <i>Madness tercet</i>) August 1944. </p> </td></tr> <tr> <td>Don Quixote. Overture for piano (draft score)</td> <td>1943</td> <td>Preserved as a holograph. Not later than 21 March 1944. </td></tr> <tr> <td>30 May 1431.<sup class="noprint Inline-Template" style="margin-left:0.1em; white-space:nowrap;">&#91;<i><a href="/wiki/Wikipedia:Please_clarify" title="Wikipedia:Please clarify"><span title="The text near this tag may need clarification or removal of jargon. (August 2011)">clarification needed</span></a></i>&#93;</sup> Libretto for a "<a href="/wiki/Joan_of_Arc" title="Joan of Arc">Joan of Arc</a>" opera in 2 Acts</td> <td>1944</td> <td>Preserved as a holograph. Date of preface 16 May 1943. </td></tr> <tr> <td>Three Yiddish Songs for Voice and Piano</td> <td>1944</td> <td>Preserved as a holograph. Counted as Opus 53. First Song dated 25 May 1944. </td></tr> <tr> <td>Die Weise der Liebe und des Todes. (<i>The Manner of Love and Death</i>) (Rilke). 12 pieces for spoken voice and orchestra or piano (draft score)</td> <td>1944</td> <td>Preserved as a holograph. First performance before 28 September 1944. Not later than 12 July 1944. </td></tr> <tr> <td>7th Piano Sonata</td> <td>1944</td> <td>Preserved as a holograph. Dated on title page 22 August 1944. </td></tr> <tr> <td>Abendphantasie (<i>Evening Fantasy</i>) (Hölderlin) for voice and piano</td> <td>1944</td> <td>Preserved as a holograph. </td></tr> <tr> <td>Cadenzas to Beethoven's Piano Concertos (Nos 1 und 3)</td> <td>1944</td> <td>Preserved as a holograph. Counted as Opus 54. </td></tr> <tr> <td>Three Hebrew Boys' Choruses (a cappella)</td> <td>1944</td> <td>Preserved as a transcript by a Theresienstadt copyist. </td></tr> </tbody></table> <div class="mw-heading mw-heading2"><h2 id="Sources">Sources</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Viktor_Ullmann&amp;action=edit&amp;section=8" title="Edit section: Sources"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Schultz, Ingo, <i>Viktor Ullmann. Leben und Werk</i> Kassel, 2008. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-3-476-02232-5" title="Special:BookSources/978-3-476-02232-5">978-3-476-02232-5</a></li> <li>Initiative <a href="/wiki/Hans_Kr%C3%A1sa" title="Hans Krása">Hans Krása</a> in <a href="/wiki/Hamburg" title="Hamburg">Hamburg</a>: <i>Komponisten in Theresienstadt</i>, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/3-00-005164-3" title="Special:BookSources/3-00-005164-3">3-00-005164-3</a></li> <li>Karas, Joza, <i>Music in Terezin 1941–1945</i> NY: [Beaufort Books Publishers, undated</li> <li>Ludvova, Jitka, "Viktor Ullmann," in <i>Hudebni veda</i> 1979, No. 2, 99–122</li> <li>Schultz, Ingo: "Viktor Ullmann," in <i>Flensburger Hefte</i>, Sonderheft Nr. 8, Summer 1991, 5–25</li> <li>ARBOS – Company for Music and Theatre, <i>Tracks to Viktor Ullmann</i>, including material written by <a href="/wiki/Herbert_Thomas_Mandl" title="Herbert Thomas Mandl">Herbert Thomas Mandl</a>, who worked with Ullmann as a violinist in Terezín, Ingo Schultz, <a href="/w/index.php?title=Jean-Jacques_Van_Vlasselaer&amp;action=edit&amp;redlink=1" class="new" title="Jean-Jacques Van Vlasselaer (page does not exist)">Jean-Jacques Van Vlasselaer</a>, <a href="/wiki/Dzevad_Karahasan" class="mw-redirect" title="Dzevad Karahasan">Dzevad Karahasan</a>, and <a href="/wiki/Herbert_Gantschacher" title="Herbert Gantschacher">Herbert Gantschacher</a>, edition selene, Vienna, 1998</li> <li>Herbert Thomas Mandl, <i>Tracks to Terezín</i>, interview with Herbert Thomas Mandl about Terezín and Viktor Ullmann, DVD, ARBOS Vienna-Salzburg-Klagenfurt, 2007</li> <li>Erich Heyduck and Herbert Gantschacher, <i>Viktor Ullmann – Way to the Front 1917</i>, DVD, ARBOS, VIENNA-Salzburg-Klagenfurt, 2007</li> <li><a href="/wiki/Herbert_Gantschacher" title="Herbert Gantschacher">Herbert Gantschacher</a> <i>Viktor Ullmann – Zeuge und Opfer der Apokalypse / Witness and Victim of the Apocalypse / Testimone e vittima dell'Apocalisse / Svědek a oběť apokalypsy / Prič in žrtev apokalipse</i>. ARBOS-Edition, Arnoldstein- Klagenfurt – Salzburg – Vienna – Prora – Prague 2015, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-3-9503173-3-6" title="Special:BookSources/978-3-9503173-3-6">978-3-9503173-3-6</a></li> <li>Герберт Ганчахер <i>Виктор Ульман – Свидетель и жертва апокалипсиса</i> «Культ-информ-пресс» Санкт-Петербург 2016, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-5-8392-0625-0" title="Special:BookSources/978-5-8392-0625-0">978-5-8392-0625-0</a></li> <li><i>The Emperor of Atlantis or The Disobedience of Death</i> Anti-war opera by Viktor Ullmann (Music and libretto), original text of the libretto for the first time published in the German original including translations into English, Polish and Czech language with essays by Herbert Gantschacher and <a href="/wiki/D%C5%BEevad_Karahasan" title="Dževad Karahasan">Dževad Karahasan</a>, edited by <a href="/wiki/Herbert_Gantschacher" title="Herbert Gantschacher">Herbert Gantschacher</a>, <a href="/wiki/Arbos_%E2%80%93_Company_for_Music_and_Theatre" title="Arbos – Company for Music and Theatre">ARBOS</a>-Edition, ISBN 978-3-9519833-1-8, Vienna-Salzburg-Klagenfurt 2022.</li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Viktor_Ullmann&amp;action=edit&amp;section=9" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text">identity card of Viktor Ullmann of the Jewish Ghetto in Prague exposed on 18 January 1941</span> </li> <li id="cite_note-Jewish_Renaissance-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-Jewish_Renaissance_2-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMichael_Haas2012" class="citation journal cs1">Michael Haas (October 2012). "When Death Went on Strike". <i><a href="/wiki/Jewish_Renaissance" title="Jewish Renaissance">Jewish Renaissance</a></i>. <b>12</b> (1): 38–39.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Jewish+Renaissance&amp;rft.atitle=When+Death+Went+on+Strike&amp;rft.volume=12&amp;rft.issue=1&amp;rft.pages=38-39&amp;rft.date=2012-10&amp;rft.au=Michael+Haas&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AViktor+Ullmann" class="Z3988"></span></span> </li> <li id="cite_note-Schiff-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-Schiff_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Schiff_3-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><i>New York Times</i>: <a rel="nofollow" class="external text" href="https://www.nytimes.com/2003/03/23/arts/music-a-musical-postcard-from-the-eye-of-the-nazi-storm.html">David Schiff, "A Musical Postcard From the Eye of the Nazi Storm," 23 March 2003</a>, accessed 29 March 2010</span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrown2020" class="citation book cs1">Brown, Kellie D. (2020). <i>The sound of hope: Music as solace, resistance and salvation during the holocaust and world war II</i>. McFarland. p.&#160;91. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-4766-7056-0" title="Special:BookSources/978-1-4766-7056-0"><bdi>978-1-4766-7056-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+sound+of+hope%3A+Music+as+solace%2C+resistance+and+salvation+during+the+holocaust+and+world+war+II&amp;rft.pages=91&amp;rft.pub=McFarland&amp;rft.date=2020&amp;rft.isbn=978-1-4766-7056-0&amp;rft.aulast=Brown&amp;rft.aufirst=Kellie+D.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AViktor+Ullmann" class="Z3988"></span></span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrown2020" class="citation book cs1">Brown, Kellie D. (2020). <i>The sound of hope: Music as solace, resistance and salvation during the holocaust and world war II</i>. McFarland. p.&#160;95. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-4766-7056-0" title="Special:BookSources/978-1-4766-7056-0"><bdi>978-1-4766-7056-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+sound+of+hope%3A+Music+as+solace%2C+resistance+and+salvation+during+the+holocaust+and+world+war+II&amp;rft.pages=95&amp;rft.pub=McFarland&amp;rft.date=2020&amp;rft.isbn=978-1-4766-7056-0&amp;rft.aulast=Brown&amp;rft.aufirst=Kellie+D.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AViktor+Ullmann" class="Z3988"></span></span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHerbert_Gantschacher2012" class="citation web cs1">Herbert Gantschacher (8 July 2012). <a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=fyN-oAby5VI">"MANDL "Freizeitgestaltung" in a concentration camp – "Tracks to Terezín"<span class="cs1-kern-right"></span>"</a>. <a rel="nofollow" class="external text" href="https://ghostarchive.org/varchive/youtube/20211213/fyN-oAby5VI">Archived</a> from the original on 13 December 2021 &#8211; via YouTube.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=MANDL+%22Freizeitgestaltung%22+in+a+concentration+camp+%E2%80%93+%22Tracks+to+Terez%C3%ADn%22&amp;rft.date=2012-07-08&amp;rft.au=Herbert+Gantschacher&amp;rft_id=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DfyN-oAby5VI&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AViktor+Ullmann" class="Z3988"></span></span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWeb(UK)" class="citation web cs1">Web(UK), Music on the. <a rel="nofollow" class="external text" href="http://www.musicweb-international.com/classrev/2003/Oct03/Ullmann.htm">"Ullmann Der Kaiser von Atlantis &#91;RB&#93;: Classical CD Reviews- Oct 2003 MusicWeb(UK)"</a>. <i>www.musicweb-international.com</i>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=www.musicweb-international.com&amp;rft.atitle=Ullmann+Der+Kaiser+von+Atlantis+%5BRB%5D%3A+Classical+CD+Reviews-+Oct+2003+MusicWeb%28UK%29&amp;rft.aulast=Web%28UK%29&amp;rft.aufirst=Music+on+the&amp;rft_id=http%3A%2F%2Fwww.musicweb-international.com%2Fclassrev%2F2003%2FOct03%2FUllmann.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AViktor+Ullmann" class="Z3988"></span></span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text">Ingo Schultz: <i>Ullman und Andere</i>. In: Mitteilungen von musica reanimata, 2011</span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text">Herbert Gantschacher Viktor Ullmann – Zeuge und Opfer der Apokalypse / Witness and Victim of the Apocalypse / Testimone e vittima dell’Apocalisse / Svědek a oběť apokalypsy / Prič in žrtev apokalipse. ARBOS-Edition, Arnoldstein / Klagenfurt / Salzburg / Wien / Prora / Prag 2015, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-3-9503173-3-6" title="Special:BookSources/978-3-9503173-3-6">978-3-9503173-3-6</a>, p.229-244</span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAdler" class="citation news cs1 cs1-prop-foreign-lang-source">Adler, Jeremy. <a rel="nofollow" class="external text" href="https://www.faz.net/1.7259782">"Viktor Ullmanns Nachlass: Debatte um Theresienstädter Testament"</a>. <i>FAZ.NET</i> (in German). <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0174-4909">0174-4909</a><span class="reference-accessdate">. Retrieved <span class="nowrap">8 April</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=FAZ.NET&amp;rft.atitle=Viktor+Ullmanns+Nachlass%3A+Debatte+um+Theresienst%C3%A4dter+Testament&amp;rft.issn=0174-4909&amp;rft.aulast=Adler&amp;rft.aufirst=Jeremy&amp;rft_id=https%3A%2F%2Fwww.faz.net%2F1.7259782&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AViktor+Ullmann" class="Z3988"></span></span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><a href="/wiki/Herbert_Gantschacher" title="Herbert Gantschacher">Herbert Gantschacher</a>: "Wilhelm Jerusalem – Helen Keller:'Letters'" <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-3-9503173-0-5" title="Special:BookSources/978-3-9503173-0-5">978-3-9503173-0-5</a> ARBOS-Edition © &amp; ® 2012</span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="Recordings">Recordings</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Viktor_Ullmann&amp;action=edit&amp;section=10" title="Edit section: Recordings"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="http://www.arcodiva.cz/cz/vydavatelstvi/katalog-nahravek/vazna-hudba/cd-185/">"Schwer ist´s, das Schöne zu lassen"</a> – complete songs for soprano and piano by Viktor Ullmann (Irena Troupová – soprano, Jan Dušek – piano). Prague: ArcoDiva, 2015.</li></ul> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Viktor_Ullmann&amp;action=edit&amp;section=11" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="https://imslp.org/wiki/Category:Ullmann,_Viktor" class="extiw" title="scores:Category:Ullmann, Viktor">Free scores by Viktor Ullmann</a> at the <a href="/wiki/International_Music_Score_Library_Project" title="International Music Score Library Project">International Music Score Library Project</a> (IMSLP)</li> <li><a rel="nofollow" class="external text" href="http://collections.jewishmuseum.cz/index.php/Search/Index?search=viktor+ullmann">Documents about Viktor Ullmann</a> in the collection of the <a rel="nofollow" class="external text" href="http://www.jewishmuseum.cz">Jewish Museum Prague</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110423021951/http://www.jewishmuseum.cz/">Archived</a> 23 April 2011 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></li> <li><a rel="nofollow" class="external text" href="https://portal.dnb.de/opac.htm?method=simpleSearch&amp;cqlMode=true&amp;query=idn%3D119065193">Viktor Ullmann</a> in the <a href="/wiki/German_National_Library" title="German National Library">German National Library</a> catalogue</li> <li><a rel="nofollow" class="external text" href="https://viktorullmannfoundation.com/">Viktor Ullmann Foundation</a></li> <li><a rel="nofollow" class="external text" href="http://mitglied.lycos.de/mwiener/ullmann/ullmann.htm">Ullmann biography and list of works</a><sup class="noprint Inline-Template"><span style="white-space: nowrap;">&#91;<i><a href="/wiki/Wikipedia:Link_rot" title="Wikipedia:Link rot"><span title="&#160;Dead link tagged October 2022">permanent dead link</span></a></i><span style="visibility:hidden; color:transparent; padding-left:2px">&#8205;</span>&#93;</span></sup></li> <li><a rel="nofollow" class="external text" href="http://www.musica-reanimata.de/">Musica Reanimata</a> (about composers persecuted by the Nazi regime)</li> <li><a rel="nofollow" class="external text" href="http://www.jmi.org.uk/">Jewish Music Institute</a></li> <li><a rel="nofollow" class="external text" href="http://www.terezinmusic.org/">Music of Theresienstadt</a></li> <li><a rel="nofollow" class="external text" href="http://claude.torres1.perso.sfr.fr/Terezin/index.html">Comprehensive discography of Terezin Composers by Claude Torres</a></li> <li><a rel="nofollow" class="external text" href="http://orelfoundation.org/index.php/composers/article/viktor_ullmann/">The OREL Foundation- Viktor Ullmann biography, as well as links to bibliography, works, discography and media</a></li> <li><a rel="nofollow" class="external text" href="http://www.romantic-robot.com">Further reading and listening on</a> <a href="/wiki/Terez%C3%ADn:_The_Music_1941-44" class="mw-redirect" title="Terezín: The Music 1941-44">Terezín: The Music 1941-44</a></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20120403031229/http://holocaustmusic.ort.org/places/theresienstadt/ullmann-victor/">Biography at World ORT's Music and the Holocaust</a></li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol 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.navbox{display:none!important}}</style><style data-mw-deduplicate="TemplateStyles:r1038841319">.mw-parser-output .tooltip-dotted{border-bottom:1px dotted;cursor:help}</style></div><div role="navigation" class="navbox authority-control" aria-labelledby="Authority_control_databases_frameless&amp;#124;text-top&amp;#124;10px&amp;#124;alt=Edit_this_at_Wikidata&amp;#124;link=https&amp;#58;//www.wikidata.org/wiki/Q78530#identifiers&amp;#124;class=noprint&amp;#124;Edit_this_at_Wikidata" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Authority_control_databases_frameless&amp;#124;text-top&amp;#124;10px&amp;#124;alt=Edit_this_at_Wikidata&amp;#124;link=https&amp;#58;//www.wikidata.org/wiki/Q78530#identifiers&amp;#124;class=noprint&amp;#124;Edit_this_at_Wikidata" style="font-size:114%;margin:0 4em"><a 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style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://isni.org/isni/0000000083797465">ISNI</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/46953474">VIAF</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://id.worldcat.org/fast/264589/">FAST</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.oclc.org/worldcat/entity/E39PBJgX8qVYrGWGB9q6bBR7pP">WorldCat</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/119065193">Germany</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n90611635">United States</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb13969662r">France</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb13969662r">BnF data</a></span></li><li><span class="uid"><span class="rt-commentedText tooltip tooltip-dotted" title="Ullmann, Viktor"><a rel="nofollow" class="external text" href="https://opac.sbn.it/nome/DDSV069722">Italy</a></span></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://nla.gov.au/anbd.aut-an66662565">Australia</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://aleph.nkp.cz/F/?func=find-c&amp;local_base=aut&amp;ccl_term=ica=jn19990009742&amp;CON_LNG=ENG">Czech Republic</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&amp;authority_id=XX5358290">Spain</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://data.bibliotheken.nl/id/thes/p108060020">Netherlands</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://authority.bibsys.no/authority/rest/authorities/html/90749784">Norway</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://kopkatalogs.lv/F?func=direct&amp;local_base=lnc10&amp;doc_number=000129699&amp;P_CON_LNG=ENG">Latvia</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://libris.kb.se/ljx14vr432bzsrg">Sweden</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://dbn.bn.org.pl/descriptor-details/9810637717005606">Poland</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://olduli.nli.org.il/F/?func=find-b&amp;local_base=NLX10&amp;find_code=UID&amp;request=987007310393905171">Israel</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://urn.fi/URN:NBN:fi:au:finaf:000208937">Finland</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://cantic.bnc.cat/registre/981058516067706706">Catalonia</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://opac.kbr.be/LIBRARY/doc/AUTHORITY/14374476">Belgium</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Academics</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://ci.nii.ac.jp/author/DA12819396?l=en">CiNii</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artists</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://musicbrainz.org/artist/53982694-9850-463d-b2fe-ef6e2c70d51b">MusicBrainz</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.lexm.uni-hamburg.de/object/lexm_lexmperson_00002683">LexM</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">People</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://bmlo.de/u0081">BMLO</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.deutsche-biographie.de/pnd119065193.html?language=en">Deutsche Biographie</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.deutsche-digitale-bibliothek.de/person/gnd/119065193">DDB</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.idref.fr/055290515">IdRef</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://snaccooperative.org/ark:/99166/w6rc96gm">SNAC</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://rism.online/people/282132">RISM</a></span></li></ul></div></td></tr></tbody></table></div> <!-- NewPP limit report Parsed by mw‐api‐ext.codfw.main‐7556f8b5dd‐s5f58 Cached time: 20241122142229 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 0.627 seconds Real time usage: 0.819 seconds 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