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<!DOCTYPE html><html><head><title>The Cambridge Companion to Greek Tragedy - Google Books</title><link rel="stylesheet" href="/books/css/_c5f9cd9e241b1329c3ee374578edd3c4/kl_about_this_book_kennedy_full_bundle.css" type="text/css" /><link rel="stylesheet"href="https://fonts.googleapis.com/css2?family=Product+Sans:wght@400"><script src="/books/javascript/atb_c5f9cd9e241b1329c3ee374578edd3c4__en.js"></script><link rel="canonical" href="https://books.google.com/books/about/The_Cambridge_Companion_to_Greek_Tragedy.html?id=Fy4iSjY2VTYC"/><meta property="og:url" content="https://books.google.com/books/about/The_Cambridge_Companion_to_Greek_Tragedy.html?id=Fy4iSjY2VTYC"/><meta name="title" content="The Cambridge Companion to Greek Tragedy"/><meta name="description" content="As a creative medium, ancient Greek tragedy has had an extraordinarily wide influence: many of the surviving plays are still part of the theatrical repertoire, and texts like Agamemnon, Antigone, and Medea have had a profound effect on Western culture. This Companion is not a conventional introductory textbook but an attempt, by seven distinguished scholars, to present the familiar corpus in the context of modern reading, criticism, and performance of Greek tragedy. There are three main emphases: on tragedy as an institution in the civic life of ancient Athens, on a range of different critical interpretations arising from fresh readings of the texts, and on changing patterns of reception, adaptation, and performance from antiquity to the present. 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E. Easterling</span></div><div><span dir=ltr>Cambridge University Press</span>, <span dir=ltr>2 Oct 1997</span> - <a class="secondary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Drama%22&source=gbs_ge_summary_r&cad=0"><span dir=ltr>Drama</span></a> - <span dir=ltr>392 pages</span></div></div><div id=synopsis><div id=synopsis-window><div id=synopsistext dir=ltr class="sa">As a creative medium, ancient Greek tragedy has had an extraordinarily wide influence: many of the surviving plays are still part of the theatrical repertoire, and texts like Agamemnon, Antigone, and Medea have had a profound effect on Western culture. This Companion is not a conventional introductory textbook but an attempt, by seven distinguished scholars, to present the familiar corpus in the context of modern reading, criticism, and performance of Greek tragedy. There are three main emphases: on tragedy as an institution in the civic life of ancient Athens, on a range of different critical interpretations arising from fresh readings of the texts, and on changing patterns of reception, adaptation, and performance from antiquity to the present. Each chapter can be read independently, but each is linked with the others, and most examples are drawn from the same selection of plays.</div></div></div><div class="search_box_wrapper"><form action=/books id=search_form style="margin:0px;padding:0px;" method=get> <input type=hidden name="redir_esc" value="y"><input type=hidden name="id" value="Fy4iSjY2VTYC"><table cellpadding=0 cellspacing=0 class="swv-table"><tr><td class="swv-td-search"><span><input id=search_form_input type=text maxlength=1024 class="text_flat swv-input-search" aria-label="Search in this book" name=q value="" title="Search inside" accesskey=i></span></td><td class="swv-td-space"><div> </div></td><td><input type=submit value="Search inside"></td></tr></table><script type="text/javascript">if (window['_OC_autoDir']) {_OC_autoDir('search_form_input');}</script></form><div id="preview-link"><a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&printsec=frontcover" class="primary"><span dir=ltr>Preview this book</span> »</a></div></div></td> </tr></table><div id="summary-second-column"></div></div></div></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="selected_pages_anchor"></a>Selected pages</h3><div id=selected_pages class=about_content><div id=selected_pages_v><div class="selectedpagesthumbnail"><a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&pg=PR5&source=gbs_selected_pages&cad=1" ><img src="https://books.google.com.sg/books/content?id=Fy4iSjY2VTYC&pg=PR5&img=1&zoom=1&sig=ACfU3U04gjXUMRqfmo6uaazTbbpP6PbxUg" alt="Title Page" title="Title Page" height="160" border="1"></a><br/><a class="primary" href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&pg=PR5&source=gbs_selected_pages&cad=1" >Title Page</a></div><div class="selectedpagesthumbnail"><a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&pg=PA380&source=gbs_selected_pages&cad=1" ><img src="https://books.google.com.sg/books/content?id=Fy4iSjY2VTYC&pg=PA380&img=1&zoom=1&sig=ACfU3U17h3v87EIy8Or2cLEKuieUZsiOAw" alt="Index" title="Index" height="160" border="1"></a><br/><a class="primary" href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&pg=PA380&source=gbs_selected_pages&cad=1" >Index</a></div><div class="selectedpagesthumbnail"><a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&pg=PA360&source=gbs_selected_pages&cad=1" ><img src="https://books.google.com.sg/books/content?id=Fy4iSjY2VTYC&pg=PA360&img=1&zoom=1&sig=ACfU3U3GXQUGKsQ3tTses8elE9hu9tXUrQ" alt="References" title="References" height="160" border="1"></a><br/><a class="primary" href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&pg=PA360&source=gbs_selected_pages&cad=1" >References</a></div><div style="clear:both;"></div></div></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="toc_anchor"></a>Contents</h3><div id=toc class=about_content><div id=toc_v><div class="first_toc_column"><div class="first_toc_pad"><table><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Deep plays theatre as process in Greek civic life</span></span></div></td><td class="toc_number" align=right>3</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>A show for Dionysus</span></span></div></td><td class="toc_number" align=right>36</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>The audience of Athenian tragedy</span></span></div></td><td class="toc_number" align=right>54</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>The pictorial record</span></span></div></td><td class="toc_number" align=right>69</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>THE PLAYS</span></span></div></td><td class="toc_number" align=right>91</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>The sociology of Athenian tragedy</span></span></div></td><td class="toc_number" align=right>93</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>The language of tragedy rhetoric and communication</span></span></div></td><td class="toc_number" align=right>127</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Form and performance</span></span></div></td><td class="toc_number" align=right>151</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr></table></div></div><div class="second_toc_column"><div class="second_toc_pad"><table><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>From repertoire to canon</span></span></div></td><td class="toc_number" align=right>211</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Tragedy adapted for stages and screens the Renaissance to the present</span></span></div></td><td class="toc_number" align=right>228</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Tragedy in performance nineteenth and twentiethcentury productions</span></span></div></td><td class="toc_number" align=right>284</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Modern critical approaches to Greek tragedy</span></span></div></td><td class="toc_number" align=right>324</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Glossary</span></span></div></td><td class="toc_number" align=right>348</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Texts Commentaries and Translations</span></span></div></td><td class="toc_number" align=right>355</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Works Cited</span></span></div></td><td class="toc_number" align=right>359</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><a class="primary" href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&pg=PA380&source=gbs_toc_r&cad=2" ><span title="Index" style="white-space:nowrap"><span dir=ltr>Index</span></span></a></div></td><td class="toc_number" align=right>380</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr></table></div></div><br style="clear:both;"/></div><span onclick="_OC_setListSectionVisible('toc_h', 1)" class=morelesslink id=toc_hc0 style="display:none"><br>More</span><div id=toc_hd1><div class="first_toc_column"><div class="first_toc_pad"><table><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>Myth into muthos the shaping of tragic plot</span></span></div></td><td class="toc_number" align=right>178</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr><tr><td class="toc_entry"><div class="toc_entry"><span style="white-space:nowrap"><span dir=ltr>RECEPTION</span></span></div></td><td class="toc_number" align=right>209</td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr></table></div></div><div class="second_toc_column"><div class="second_toc_pad"><table><tr><td class="toc_entry"><div class="toc_entry"><a class="primary" href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&printsec=copyright" ><span title="Copyright" style="white-space:nowrap"><span dir=ltr>Copyright</span></span></a></div></td><td class="toc_number" align=right></td></tr><tr><td class="toc_border"> </td><td class="toc_border"></td></tr></table></div></div><br style="clear:both;"/><span onclick="_OC_setListSectionVisible('toc_h', 0)" class=morelesslink id=toc_hc1 style="display:none"><br>Less</span></div><script type="text/javascript">if (window['_OC_setListSectionVisible']) {_OC_setListSectionVisible('toc_h', 0);}</script></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="book_other_versions_anchor"></a>Other editions - <a href='https://books.google.com.sg/books?q=editions:ISBN0521423511&id=Fy4iSjY2VTYC'>View all</a></h3><div id=book_other_versions class=about_content><div id=book_other_versions_v><div class="one-third-column"><div class="crsiwrapper"><table class="rsi" cellspacing=0 cellpadding=0 border=0><tr><td class="coverdstd" align="center"><a href="https://books.google.com.sg/books?id=OkfEAgAAQBAJ&source=gbs_book_other_versions_r&cad=3" ><img alt="" class="coverthumb hover-card-attach-point" src="https://books.google.com.sg/books/content?id=OkfEAgAAQBAJ&printsec=frontcover&img=1&zoom=5&edge=curl" border="0" height="80"></a></td><td valign=top><div class=resbdy><a class="primary cresbdy" href="https://books.google.com.sg/books?id=OkfEAgAAQBAJ&printsec=frontcover&source=gbs_book_other_versions_r&cad=3"><span dir=ltr>The Cambridge Companion to Greek Tragedy</span></a><br><span style="line-height: 1.3em; font-size:-1;"><span><a href="" class="secondary"><span dir=ltr>P. E. Easterling</span></a></span><br/><span><span style="color:#99522e">Limited preview</span> - 1997</span><br/></span></div></td><td align=right></td></tr></table></div></div><div class="one-third-column"><div class="crsiwrapper"><table class="rsi" cellspacing=0 cellpadding=0 border=0><tr><td class="coverdstd" align="center"><a href="https://books.google.com.sg/books?id=_kx9eeSJyeoC&source=gbs_book_other_versions_r&cad=3" ><img alt="" class="coverthumb hover-card-attach-point" src="https://books.google.com.sg/books/content?id=_kx9eeSJyeoC&printsec=frontcover&img=1&zoom=5&edge=curl" border="0" height="80"></a></td><td valign=top><div class=resbdy><a class="primary cresbdy" href="https://books.google.com.sg/books?id=_kx9eeSJyeoC&printsec=frontcover&source=gbs_book_other_versions_r&cad=3"><span dir=ltr>The Cambridge Companion to Greek Tragedy</span></a><br><span style="line-height: 1.3em; font-size:-1;"><span><a href="" class="secondary"><span dir=ltr>P. E. Easterling</span></a></span><br/><span><span style="color:#99522e">Limited preview</span> - 1997</span><br/></span></div></td><td align=right></td></tr></table></div></div><script>(function () {var fn = window['_OC_WSBookList'] || window['_OC_BookList'];fn && fn('book_other_versions', [{"title":"The Cambridge Companion to Greek Tragedy","authors":"P. E. 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Easterling","bib_key":"ISBN:0521423511","pub_date":"2 Oct 1997","snippet":"As a creative medium, ancient Greek tragedy has had an extraordinarily wide influence: many of the surviving plays are still part of the theatrical repertoire, and texts like 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#7777cc;font-size: 10px;}.cloud8 {color: #6963CC;font-size: 10.5px;}.cloud7 {color: #6057CC;font-size: 11px;}.cloud6 {color: #574BCC;font-size: 11.5px;}.cloud5 {color: #4E3DCC;font-size: 12px;}.cloud4 {color: #4632CC;font-size: 14px;}.cloud3 {color: #3D26CC;font-size: 16px;}.cloud2 {color: #341ACC;font-size: 18px;}.cloud1 {color: #2B0DCC;font-size: 20px;}.cloud0 {color: #2200CC;font-size: 22px;}.cloud {margin-top: 4px;line-height: 24px;}.cloud a {margin-right: 6px;text-decoration: none;}.cloud a:hover {text-decoration: underline;}</style><div class=cloud><a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=action&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>action</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=actors&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>actors</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Aeschylus&source=gbs_word_cloud_r&cad=4" class="cloud0"><span dir=ltr>Aeschylus</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Agamemnon&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>Agamemnon</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=ag%C5%8Dn&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>ag艒n</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=ancient&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>ancient</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Antigone&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>Antigone</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Aristophanes&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>Aristophanes</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Aristotle&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Aristotle</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Athens&source=gbs_word_cloud_r&cad=4" class="cloud2"><span dir=ltr>Athens</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Attic&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Attic</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=audience&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>audience</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Bacchae&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>Bacchae</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Cambridge+Companion&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Cambridge Companion</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=characters&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>characters</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=choral&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>choral</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=chorus&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>chorus</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=citizens&source=gbs_word_cloud_r&cad=4" class="cloud5"><span dir=ltr>citizens</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=civic&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>civic</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=classical&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>classical</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=comedy&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>comedy</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=contemporary&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>contemporary</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=costume&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>costume</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Creon&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>Creon</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=criticism&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>criticism</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=culture&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>culture</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=dance&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>dance</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=death&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>death</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=democracy&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>democracy</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=democratic&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>democratic</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Dionysia&source=gbs_word_cloud_r&cad=4" class="cloud2"><span dir=ltr>Dionysia</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Dionysus&source=gbs_word_cloud_r&cad=4" class="cloud2"><span dir=ltr>Dionysus</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=discussion&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>discussion</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=dramatisation&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>dramatisation</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Easterling&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>Easterling</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Edipe&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>Edipe</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Electra&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>Electra</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Eumenides&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>Eumenides</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Euripidean&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Euripidean</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Euripides&source=gbs_word_cloud_r&cad=4" class="cloud0"><span dir=ltr>Euripides</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=evidence&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>evidence</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=example&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>example</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=festival&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>festival</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=fifth+century&source=gbs_word_cloud_r&cad=4" class="cloud5"><span dir=ltr>fifth century</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=fourth+century&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>fourth century</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Goldhill&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>Goldhill</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Greek+drama&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Greek drama</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Greek+tragedy&source=gbs_word_cloud_r&cad=4" class="cloud1"><span dir=ltr>Greek tragedy</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Hecuba&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>Hecuba</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Helen&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Helen</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Heracles&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>Heracles</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=hero&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>hero</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Hippolytus&source=gbs_word_cloud_r&cad=4" class="cloud2"><span dir=ltr>Hippolytus</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Homeric&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Homeric</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Iphigeneia&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>Iphigeneia</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Jocasta&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>Jocasta</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Laius&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Laius</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=language&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>language</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Lenaea&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>Lenaea</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=London&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>London</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=male&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>male</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=masks&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>masks</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Medea&source=gbs_word_cloud_r&cad=4" class="cloud2"><span dir=ltr>Medea</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=modern&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>modern</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=myth&source=gbs_word_cloud_r&cad=4" class="cloud5"><span dir=ltr>myth</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=narrative&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>narrative</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Neoptolemus&source=gbs_word_cloud_r&cad=4" class="cloud1"><span dir=ltr>Neoptolemus</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Odysseus&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>Odysseus</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Oedipus+at+Colonus&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>Oedipus at Colonus</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Oedipus+the+King&source=gbs_word_cloud_r&cad=4" class="cloud1"><span dir=ltr>Oedipus the King</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=opera&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>opera</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Oresteia&source=gbs_word_cloud_r&cad=4" class="cloud2"><span dir=ltr>Oresteia</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Orestes&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>Orestes</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=particular&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>particular</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=pattern&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>pattern</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Pentheus&source=gbs_word_cloud_r&cad=4" class="cloud3"><span dir=ltr>Pentheus</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=performance&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>performance</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Persians&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Persians</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Phaedra&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>Phaedra</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Philoctetes&source=gbs_word_cloud_r&cad=4" class="cloud2"><span dir=ltr>Philoctetes</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Pickard-Cambridge+1988&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Pickard-Cambridge 1988</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=playwrights&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>playwrights</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=plot&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>plot</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=polis&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>polis</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=political&source=gbs_word_cloud_r&cad=4" class="cloud5"><span dir=ltr>political</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=production&source=gbs_word_cloud_r&cad=4" class="cloud5"><span dir=ltr>production</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=rhetoric&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>rhetoric</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=ritual&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>ritual</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=role&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>role</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=satyr+play&source=gbs_word_cloud_r&cad=4" class="cloud2"><span dir=ltr>satyr play</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=scene&source=gbs_word_cloud_r&cad=4" class="cloud5"><span dir=ltr>scene</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=scholars&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>scholars</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Seaford&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Seaford</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=slaves&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>slaves</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=social&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>social</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=song&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>song</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Sophoclean&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>Sophoclean</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Sophocles&source=gbs_word_cloud_r&cad=4" class="cloud0"><span dir=ltr>Sophocles</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=spectators&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>spectators</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=speech&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>speech</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=stage&source=gbs_word_cloud_r&cad=4" class="cloud5"><span dir=ltr>stage</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=story&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>story</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Suppliant+Women&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Suppliant Women</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=surviving&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>surviving</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Taplin&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>Taplin</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=texts&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>texts</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=theatre&source=gbs_word_cloud_r&cad=4" class="cloud1"><span dir=ltr>theatre</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=theatrical&source=gbs_word_cloud_r&cad=4" class="cloud6"><span dir=ltr>theatrical</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Theban&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Theban</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Thebes&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>Thebes</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=theme&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>theme</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Theseus&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>Theseus</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=tradition&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>tradition</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=tragedians&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>tragedians</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=tragedy%27s&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>tragedy's</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=tragic+poets&source=gbs_word_cloud_r&cad=4" class="cloud8"><span dir=ltr>tragic poets</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=translation&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>translation</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Trojan+Women&source=gbs_word_cloud_r&cad=4" class="cloud4"><span dir=ltr>Trojan Women</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Troy&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Troy</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=vase-paintings&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>vase-paintings</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=vases&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>vases</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Vernant&source=gbs_word_cloud_r&cad=4" class="cloud7"><span dir=ltr>Vernant</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Vidal-Naquet+1988&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Vidal-Naquet 1988</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=words&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>words</span></a> <a href="https://books.google.com.sg/books?id=Fy4iSjY2VTYC&q=Zeitlin&source=gbs_word_cloud_r&cad=4" class="cloud9"><span dir=ltr>Zeitlin</span></a></div></div></div></div><div class=vertical_module_list_row><h3 class=about_title><a name="citations_module_anchor"></a>References to this book</h3><div id=citations_module class=about_content><div id=citations_module_v><div class="left-column-outer"><div class="left-column-inner"><div class="crsiwrapper"><table class="rsi" cellspacing=0 cellpadding=0 border=0><tr><td class="coverdstd" align="center"><a href="https://books.google.com.sg/books?id=v1JwYifd1lAC&source=gbs_citations_module_r&cad=5" ><img alt="" class="coverthumb hover-card-attach-point" src="https://books.google.com.sg/books/content?id=v1JwYifd1lAC&printsec=frontcover&img=1&zoom=5&edge=curl" border="0" height="80"></a></td><td valign=top><div class=resbdy><a class="primary cresbdy" href="https://books.google.com.sg/books?id=v1JwYifd1lAC&printsec=frontcover&vq=%22The+Cambridge+Companion+to+Greek+Tragedy%22&source=gbs_citations_module_r&cad=5"><span dir=ltr>Greed and Injustice in Classical Athens</span></a><br><span style="line-height: 1.3em; font-size:-1;"><span><a href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=inauthor:%22Ryan+K.+Balot%22" class="secondary"><span dir=ltr>Ryan K. Balot</span></a></span><br/><span><span style="color:#99522e">Limited preview</span> - 2001</span><br/></span></div></td><td align=right></td></tr></table></div><div class="crsiwrapper"><table class="rsi" cellspacing=0 cellpadding=0 border=0><tr><td class="coverdstd" align="center"><a href="https://books.google.com.sg/books?id=rFZwAAAAIAAJ&source=gbs_citations_module_r&cad=5" ><img alt="" class="coverthumb hover-card-attach-point" src="https://books.google.com.sg/books/content?id=rFZwAAAAIAAJ&printsec=frontcover&img=1&zoom=5" border="0" height="80"></a></td><td valign=top><div class=resbdy><a class="primary cresbdy" href="https://books.google.com.sg/books?id=rFZwAAAAIAAJ&vq=%22The+Cambridge+Companion+to+Greek+Tragedy%22&source=gbs_citations_module_r&cad=5"><span dir=ltr>Telling Tragedy: Narrative Technique in Aeschylus, Sophocles, and Euripides</span></a><br><span style="line-height: 1.3em; font-size:-1;"><span><a href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=inauthor:%22Barbara+Goward%22" class="secondary"><span dir=ltr>Barbara Goward</span></a></span><br/><span><span style="color:#999">Snippet view</span> - 1999</span><br/></span></div></td><td align=right></td></tr></table></div><a class="secondary" href="https://books.google.com.sg/books?q=cites:ISBN0521423511&id=Fy4iSjY2VTYC&source=gbs_citations_module_r&cad=5"><span dir=ltr>All Book Search results &raquo;</span></a></div></div><div style="clear:both"></div> </div></div></div><div class=vertical_module_list_row><h3 class="about_title">Bibliographic information</h3><div class="about_content" id="metadata_content" style="padding-bottom:.3em"><div class="metadata_sectionwrap"><table id="metadata_content_table"><tr class="metadata_row"><td class="metadata_label">Title</td><td class="metadata_value"><span dir=ltr>The Cambridge Companion to Greek Tragedy</span><br><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=bibliogroup:%22Cambridge+Companions+to+Literature%22&source=gbs_metadata_r&cad=6"><i><span dir=ltr>Cambridge Companions to Literature</span></i></a><br><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=bibliogroup:%22Cambridge+companion%22&source=gbs_metadata_r&cad=6"><i><span dir=ltr>Cambridge companion</span></i></a></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Editor</span></td><td class="metadata_value"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=inauthor:%22P.+E.+Easterling%22&source=gbs_metadata_r&cad=6"><span dir=ltr>P. E. Easterling</span></a></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Edition</span></td><td class="metadata_value"><span dir=ltr>illustrated, reprint</span></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Publisher</span></td><td class="metadata_value"><span dir=ltr>Cambridge University Press, 1997</span></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>ISBN</span></td><td class="metadata_value"><span dir=ltr>0521423511, 9780521423519</span></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Length</span></td><td class="metadata_value"><span dir=ltr>392 pages</span></td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Subjects</span></td><td class="metadata_value"><div style="display:inline" itemscope itemtype="http://data-vocabulary.org/Breadcrumb"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22History%22" itemprop="url" dir=ltr><span itemprop="title">History</span></a></div> › <div style="display:inline" itemscope itemtype="http://data-vocabulary.org/Breadcrumb"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22History+Ancient%22" itemprop="url" dir=ltr><span itemprop="title">Ancient</span></a></div> › <div style="display:inline" itemscope itemtype="http://data-vocabulary.org/Breadcrumb"><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22History+Ancient+General%22" itemprop="url" dir=ltr><span itemprop="title">General</span></a></div><br><br><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Drama+/+Ancient+%26+Classical%22&source=gbs_metadata_r&cad=6"><span dir=ltr>Drama / Ancient & Classical</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22History+/+Ancient+/+General%22&source=gbs_metadata_r&cad=6"><span dir=ltr>History / Ancient / General</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Language+Arts+%26+Disciplines+/+General%22&source=gbs_metadata_r&cad=6"><span dir=ltr>Language Arts & Disciplines / General</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Literary+Criticism+/+Ancient+%26+Classical%22&source=gbs_metadata_r&cad=6"><span dir=ltr>Literary Criticism / Ancient & Classical</span></a><br/><a class="primary" href="https://www.google.com.sg/search?tbo=p&tbm=bks&q=subject:%22Literary+Criticism+/+Drama%22&source=gbs_metadata_r&cad=6"><span dir=ltr>Literary Criticism / Drama</span></a></td></tr><tr class="metadata_row"><td>&nbsp</td><td>&nbsp</td></tr><tr class="metadata_row"><td class="metadata_label"><span dir=ltr>Export Citation</span></td><td class="metadata_value"><a class="gb-button " href="https://books.google.com.sg/books/download/The_Cambridge_Companion_to_Greek_Tragedy.bibtex?id=Fy4iSjY2VTYC&output=bibtex"><span dir=ltr>BiBTeX</span></a> <a class="gb-button " href="https://books.google.com.sg/books/download/The_Cambridge_Companion_to_Greek_Tragedy.enw?id=Fy4iSjY2VTYC&output=enw"><span dir=ltr>EndNote</span></a> <a class="gb-button " href="https://books.google.com.sg/books/download/The_Cambridge_Companion_to_Greek_Tragedy.ris?id=Fy4iSjY2VTYC&output=ris"><span dir=ltr>RefMan</span></a></td></tr></table></div><div style="clear:both"></div></div></div><script>_OC_addFlags({Host:"https://books.google.com.sg/", IsZipitFolderCollectionEnabled:1, IsBooksUnifiedLeftNavEnabled:1, IsBooksRentalEnabled:1, IsBrowsingHistoryEnabled:1});_OC_Run({"is_cobrand":false,"sign_in_url":"https://www.google.com/accounts/Login?service=print\u0026continue=https://books.google.com.sg/books%3Fid%3DFy4iSjY2VTYC%26redir_esc%3Dy%26hl%3Den\u0026hl=en"}, {"volume_id":"Fy4iSjY2VTYC","is_ebook":false,"volumeresult":{"has_flowing_text":false,"has_scanned_text":true,"can_download_pdf":false,"can_download_epub":false,"is_pdf_drm_enabled":false,"is_epub_drm_enabled":false},"sample_url":"https://play.google.com/books/reader?id=Fy4iSjY2VTYC\u0026source=gbs_atb_hover","is_browsable":true,"is_public_domain":false}, {});</script><div id="footer_table" style="font-size:83%;text-align:center;position:relative;top:20px;height:4.5em;margin-top:2em"><div style="margin-bottom:8px"><a href="/intl/en/googlebooks/about.html"><nobr><nobr>About Google Books</nobr></nobr></a> - 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