The Occidental Calligrapher. Fernando Lemos and Japan

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x-on:click="open"> <svg xmlns="http://www.w3.org/2000/svg" class="icon" viewBox="0 0 640 512" aria-hidden="true" > <path d="m574.5 111.8H64V70.4h510.5v41.5zM576 242H65.5v41.5H576V242zm-1.5 169.8H64v41.5h510.5v-41.5z"/></svg> <span class="assist">Menu</span> </button> <div class="fcg-drawer" x-bind:class="{ 'is-open': isOpen }" x-data="Menu()" x-effect="effect"> <div class="fcg-drawer__header"> <button class="fcg-drawer__close-btn" x-on:click="close"> <svg xmlns="http://www.w3.org/2000/svg" class="icon" viewBox="0 0 640 512" aria-hidden="true" > <path d="m319.96,282.23l-197.72,197.69-26.24-26.18,197.74-197.71L96,58.29l26.24-26.23,197.74,197.72,197.83-197.72,26.19,26.2-197.76,197.72,197.76,197.72-26.19,26.23-197.85-197.71Z"/></svg> </button> </div> <nav class="fcg-main-menu" aria-labelledby="primary-menu"> <h2 class="assist" id="primary-menu">Primary navigation</h2> <ul class="fcg-main-menu__list" role="menu"><li class="fcg-main-menu__item" role="menuitem"><details ><summary class="fcg-main-menu__link">Agenda</summary><ul class="fcg-secondary-menu__list"><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/cam/en/agenda/?filter%5Btax%5D%5Bfcg-agenda_template%5D%5B0%5D=922" >Exhibitions</a> </li><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/cam/en/agenda/?filter%5Btax%5D%5Bfcg-agenda_template%5D%5B0%5D=1063" >Conferences</a> </li><li class="fcg-secondary-menu__item" ><details ><summary class="fcg-secondary-menu__link">Visits and Activities</summary><ul class="fcg-secondary-menu__list tw-ml-4"><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/en/tours-for-private-groups/" >Private groups</a> </li></ul></details></li></ul></details></li><li class="fcg-main-menu__item" role="menuitem"><details ><summary class="fcg-main-menu__link">CAM</summary><ul class="fcg-secondary-menu__list"><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/cam/en/about/" >About</a> </li><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/cam/en/mission-and-vision/" >CAM’s mission and vision</a> </li><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/cam/en/about/artistic-programme/" >Artistic Programme</a> </li><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/cam/en/new-building/" >New Building</a> </li></ul></details></li><li class="fcg-main-menu__item" role="menuitem"><details ><summary class="fcg-main-menu__link">Collection</summary><ul class="fcg-secondary-menu__list"><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/cam/en/the-collection/about-the-collection/" >About the Collection</a> </li><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/cam/en/works_cam/" >Collection</a> </li><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/cam/en/artists/" >Artists</a> </li><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/cam/en/the-collection/acquisitions-policy/" >Acquisitions Policy</a> </li></ul></details></li><li class="fcg-main-menu__item" role="menuitem"><details ><summary class="fcg-main-menu__link">Projects</summary><ul class="fcg-secondary-menu__list"><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/cam/en/international-projects/" >International</a> </li><li class="fcg-secondary-menu__item" ><details ><summary class="fcg-secondary-menu__link">Participatory</summary><ul class="fcg-secondary-menu__list tw-ml-4"><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/cam/en/projects/imagina/" >Imagina CAM Youth</a> </li><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/cam/en/projects/infinite-place/" >Lugar Infinito [Infinite Place]</a> </li><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/cam/en/projects/sounds-of-a-revolution/" >Sounds of a Revolution</a> </li></ul></details></li><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/cam/en/projects/cam-in-motion/" >CAM in Motion</a> </li></ul></details></li><li class="fcg-main-menu__item" role="menuitem"> <a class="fcg-main-menu__link" href="https://gulbenkian.pt/cam/en/engawa/" >Japanese Season</a> </li><li class="fcg-main-menu__item" role="menuitem"><details ><summary class="fcg-main-menu__link">Read, watch, listen</summary><ul class="fcg-secondary-menu__list"><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/cam/en/read-watch-listen/?filter%5Btax%5D%5Barticle_type%5D%5B%5D=2182" >Articles</a> </li><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/cam/en/read-watch-listen/?filter%5Btax%5D%5Barticle_type%5D%5B%5D=2181" >Videos</a> </li><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/cam/en/news/" >News</a> </li><li class="fcg-secondary-menu__item" ><details ><summary class="fcg-secondary-menu__link">Collections and online catalogues</summary><ul class="fcg-secondary-menu__list tw-ml-4"><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/historia-das-exposicoes/" >History of Exhibitions</a> </li><li class="fcg-secondary-menu__item" > <a class="fcg-secondary-menu__link" href="https://gulbenkian.pt/dacosta/" >António Dacosta – Catalogue Raisonné</a> </li><li 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The relationship between the drawings and photographs on display is underlined by the dialogue with his works in other media, with works by other artists from the CAM collection, and with Japanese prints from the Gulbenkian Museum collection.</p> <div id="gallery-1" class="fcg-gallery" x-data="Gallery({"options":{"counter":true,"controls":true},"slides":[{"image":{"alt":"","src":"https:\/\/gulbenkian.pt\/cam\/wp-content\/uploads\/sites\/50\/2024\/02\/DSC_1618-imagem-principal-de-evento-1.jpg","fixed":true,"title":"'The Occidental Calligrapher. Fernando Lemos and Japan' exhibition setup","description":"","copyright":"\u00a9 Pedro Pina","classes":[]}},{"image":{"alt":"","src":"https:\/\/gulbenkian.pt\/cam\/wp-content\/uploads\/sites\/50\/2024\/02\/DSC_1137-imagem-principal-de-evento-1.jpg","fixed":true,"title":"'The Occidental Calligrapher. 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srcset="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/DSC_1129-imagem-principal-de-evento-1.jpg 1600w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/DSC_1129-imagem-principal-de-evento-1-300x169.jpg 300w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/DSC_1129-imagem-principal-de-evento-1-1024x576.jpg 1024w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/DSC_1129-imagem-principal-de-evento-1-768x432.jpg 768w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/DSC_1129-imagem-principal-de-evento-1-1536x864.jpg 1536w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/DSC_1129-imagem-principal-de-evento-1-288x162.jpg 288w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/DSC_1129-imagem-principal-de-evento-1-576x324.jpg 576w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/DSC_1129-imagem-principal-de-evento-1-992x558.jpg 992w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/DSC_1129-imagem-principal-de-evento-1-1200x675.jpg 1200w" sizes="(max-width: 1600px) 100vw, 1600px" /> </figure> </li> <li class="fcg-media-modal__item" x-ref="5"> <figure class="fcg-figure fcg-figure--no-fill"> <img decoding="async" width="1600" height="900" src="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/DSC_1283-imagem-principal-de-evento-1.jpg" class="attachment-full size-full" alt="" srcset="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/DSC_1283-imagem-principal-de-evento-1.jpg 1600w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/DSC_1283-imagem-principal-de-evento-1-300x169.jpg 300w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/DSC_1283-imagem-principal-de-evento-1-1024x576.jpg 1024w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/DSC_1283-imagem-principal-de-evento-1-768x432.jpg 768w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/DSC_1283-imagem-principal-de-evento-1-1536x864.jpg 1536w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/DSC_1283-imagem-principal-de-evento-1-288x162.jpg 288w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/DSC_1283-imagem-principal-de-evento-1-576x324.jpg 576w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/DSC_1283-imagem-principal-de-evento-1-992x558.jpg 992w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/DSC_1283-imagem-principal-de-evento-1-1200x675.jpg 1200w" sizes="(max-width: 1600px) 100vw, 1600px" /> </figure> </li> </ul> </div> </div> </div> </template> </div> <p>Organised around six different sections, the exhibition invites visitors to look at drawing as an act of writing and to find the artist’s projection of fantasy in the fabric of reality, in the framing and shapes photographed or drawn, and in the relationship with the human and architectural landscape.</p> <p>In this project, CAM is a partner of the Moreira Salles Institute in São Paulo, which printed a set of unpublished photographs selected by the curators for this exhibition.</p> <div id="gallery-2" class="fcg-gallery" x-data="Gallery({"options":{"counter":true,"controls":true},"slides":[{"image":{"alt":"","src":"https:\/\/gulbenkian.pt\/cam\/wp-content\/uploads\/sites\/50\/2024\/02\/14.jpg","fixed":true,"title":"Fernando Lemos, \u00abFinal Design\u00bb, 1963 (printed in 2018).","description":"CAM \u2013 Centro de Arte Moderna Gulbenkian, inv. 19FP667. 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1417px) 100vw, 1417px" /> </figure> </li> </ul> </div> </div> </div> </template> </div> </div> <hr class="fcg-section-separator" /> <section class="fcg-section fcg-section--collapsible" x-data="Section( {"id":"topics","open":true} )" > <h2 class="section-title tw-relative tw-flex tw-justify-between tw-content-center" id="topics"> <span>Topics</span> <button @click="open = ! open" class="button-text fcg-collapse-button tw-text-22 tw-static" > <span x-show="open" class="assist">Close</span> <span x-show="!open" class="assist">Open</span> <span x-show="open"><svg xmlns="http://www.w3.org/2000/svg" class="icon" viewBox="0 0 448 512" aria-hidden="true" > <path d="M15.41 302.7l191.1-183.1C212 114.2 218 111.1 224 111.1s11.97 2.219 16.59 6.688l191.1 183.1c9.594 9.152 9.906 24.34 .7187 33.9c-9.125 9.625-24.38 9.938-33.91 .7187L224 169.2l-175.4 168c-9.5 9.219-24.78 8.906-33.91-.7187C5.502 327 5.814 311.8 15.41 302.7z"/></svg> </span> <span x-show="!open"><svg xmlns="http://www.w3.org/2000/svg" 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https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/1_ODesenhoDaPalavraNoAr-CARD-1-1024x768.jpg 1024w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/1_ODesenhoDaPalavraNoAr-CARD-1-768x576.jpg 768w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/1_ODesenhoDaPalavraNoAr-CARD-1-288x216.jpg 288w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/1_ODesenhoDaPalavraNoAr-CARD-1-992x744.jpg 992w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/1_ODesenhoDaPalavraNoAr-CARD-1.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </figure> <div class="fcg-card__content"> <h4 class="fcg-card__title tw-mt-4 tw-leading-1/4"> Drawing words in the air </h4> </div> </article> <button type="button" class="button-invisible" data-modal="67b8cdb0be415" data-index="0" > <span class="assist">Open item in modal</span> </button> </div> <div class="tw-relative fcg-col-6 tw-mb-9"> <article class="fcg-card" > <figure class="fcg-figure"> <img width="576" height="432" src="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/2_AVidaeUmaCurva-CARD-1-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/2_AVidaeUmaCurva-CARD-1-576x432.jpg 576w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/2_AVidaeUmaCurva-CARD-1-300x225.jpg 300w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/2_AVidaeUmaCurva-CARD-1-1024x768.jpg 1024w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/2_AVidaeUmaCurva-CARD-1-768x576.jpg 768w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/2_AVidaeUmaCurva-CARD-1-288x216.jpg 288w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/2_AVidaeUmaCurva-CARD-1-992x744.jpg 992w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/2_AVidaeUmaCurva-CARD-1.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </figure> <div class="fcg-card__content"> <h4 class="fcg-card__title tw-mt-4 tw-leading-1/4"> Life is a curve </h4> </div> </article> <button type="button" class="button-invisible" data-modal="67b8cdb0be415" data-index="1" > <span class="assist">Open item in modal</span> </button> </div> <div class="tw-relative fcg-col-6 tw-mb-9"> <article class="fcg-card" > <figure class="fcg-figure"> <img width="576" height="432" src="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/3_QuantoMaisDesejo-CARD-1-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/3_QuantoMaisDesejo-CARD-1-576x432.jpg 576w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/3_QuantoMaisDesejo-CARD-1-300x225.jpg 300w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/3_QuantoMaisDesejo-CARD-1-1024x768.jpg 1024w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/3_QuantoMaisDesejo-CARD-1-768x576.jpg 768w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/3_QuantoMaisDesejo-CARD-1-288x216.jpg 288w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/3_QuantoMaisDesejo-CARD-1-992x744.jpg 992w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/3_QuantoMaisDesejo-CARD-1.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </figure> <div class="fcg-card__content"> <h4 class="fcg-card__title tw-mt-4 tw-leading-1/4"> The more I desire, the more I invent what I see </h4> </div> </article> <button type="button" class="button-invisible" data-modal="67b8cdb0be415" data-index="2" > <span class="assist">Open item in modal</span> </button> </div> <div class="tw-relative fcg-col-6 tw-mb-9"> <article class="fcg-card" > <figure class="fcg-figure"> <img width="576" height="432" src="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/4_AVertigemEDeBaixoParaCima-CARD-1-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/4_AVertigemEDeBaixoParaCima-CARD-1-576x432.jpg 576w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/4_AVertigemEDeBaixoParaCima-CARD-1-300x225.jpg 300w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/4_AVertigemEDeBaixoParaCima-CARD-1-1024x768.jpg 1024w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/4_AVertigemEDeBaixoParaCima-CARD-1-768x576.jpg 768w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/4_AVertigemEDeBaixoParaCima-CARD-1-288x216.jpg 288w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/4_AVertigemEDeBaixoParaCima-CARD-1-992x744.jpg 992w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/4_AVertigemEDeBaixoParaCima-CARD-1.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </figure> <div class="fcg-card__content"> <h4 class="fcg-card__title tw-mt-4 tw-leading-1/4"> Vertigo is from the bottom up </h4> </div> </article> <button type="button" class="button-invisible" data-modal="67b8cdb0be415" data-index="3" > <span class="assist">Open item in modal</span> </button> </div> <div class="tw-relative fcg-col-6 tw-mb-9"> <article class="fcg-card" > <figure class="fcg-figure"> <img width="576" height="432" src="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/5_NaoSeiDesenharOMeuEndereco-CARD-1-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/5_NaoSeiDesenharOMeuEndereco-CARD-1-576x432.jpg 576w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/5_NaoSeiDesenharOMeuEndereco-CARD-1-300x225.jpg 300w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/5_NaoSeiDesenharOMeuEndereco-CARD-1-1024x768.jpg 1024w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/5_NaoSeiDesenharOMeuEndereco-CARD-1-768x576.jpg 768w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/5_NaoSeiDesenharOMeuEndereco-CARD-1-288x216.jpg 288w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/5_NaoSeiDesenharOMeuEndereco-CARD-1-992x744.jpg 992w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/5_NaoSeiDesenharOMeuEndereco-CARD-1.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </figure> <div class="fcg-card__content"> <h4 class="fcg-card__title tw-mt-4 tw-leading-1/4"> I cannot draw my home </h4> </div> </article> <button type="button" class="button-invisible" data-modal="67b8cdb0be415" data-index="4" > <span class="assist">Open item in modal</span> </button> </div> <div class="tw-relative fcg-col-6 tw-mb-9"> <article class="fcg-card" > <figure class="fcg-figure"> <img width="576" height="432" src="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/6_NemSempreNosConhecemosParaSempre-CARD-1-576x432.jpg" class="attachment-original_sm size-original_sm" alt="" decoding="async" srcset="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/6_NemSempreNosConhecemosParaSempre-CARD-1-576x432.jpg 576w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/6_NemSempreNosConhecemosParaSempre-CARD-1-300x225.jpg 300w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/6_NemSempreNosConhecemosParaSempre-CARD-1-1024x768.jpg 1024w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/6_NemSempreNosConhecemosParaSempre-CARD-1-768x576.jpg 768w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/6_NemSempreNosConhecemosParaSempre-CARD-1-288x216.jpg 288w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/6_NemSempreNosConhecemosParaSempre-CARD-1-992x744.jpg 992w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/02/6_NemSempreNosConhecemosParaSempre-CARD-1.jpg 1200w" sizes="(max-width: 576px) 100vw, 576px" /> </figure> <div class="fcg-card__content"> <h4 class="fcg-card__title tw-mt-4 tw-leading-1/4"> We do not always know each other forever </h4> </div> </article> <button type="button" class="button-invisible" data-modal="67b8cdb0be415" data-index="5" > <span class="assist">Open item in modal</span> </button> </div> </div> <div id="modal-67b8cdb0be415" x-cloak x-data="MediaModal({ slides: [{"html":"<div class=\"tw-self-start tw-overflow-y-auto tw-w-full tw-h-full\">\n<div class=\"fcg-container-narrow tw-py-20\">\n<h1>Drawing words in the air<\/h1>\n<div class=\"tw-font-serif tw-leading-relaxed\">\n<p>The similarities, rapprochements, and reciprocities between handwriting and drawing go back to the beginnings of pictogrammatic and ideogrammatic writing, transversing times and cultures. In Japan, for example, common writing developed in the 5th century following contact with China and Korea, and literary records from the 8th century onwards. This proximity is reflected in Baroque visual texts and concrete poetry of the 20th century, through to the gestural, abstract or conceptual painting of different moments of modernity. A word is a drawing and a drawing is a language. In this section, design, drawing, illustration, thought, poetry, calligraphy, and painting all come together rhythmically and visually in Lemos&#8217; work.<\/p>\n<\/div><\/div>\n<\/p><\/div>\n"},{"html":"<div class=\"tw-self-start tw-overflow-y-auto tw-w-full tw-h-full\">\n<div class=\"fcg-container-narrow tw-py-20\">\n<h1>Life is a curve<\/h1>\n<div class=\"tw-font-serif tw-leading-relaxed\">\n<p>\u2018Chaos (\u2026) is a source of creativity,\u2019 said Lemos, compelling us to fill in the gap and the path that leads from chaos to the order created by the artist. \u2018There\u2019s a collective element in my work. It&#8217;s a preoccupation of mine; I&#8217;m not interested in doing something that isn&#8217;t for somebody else. That&#8217;s why you suffer when others don&#8217;t understand.\u2019<\/p>\n<p>Life is that curve on which we travel, our history permanently drawn in the curved and malleable space of an oscillating subjection to gravity, its general and restrictive laws and, who knows, sometimes the cancellation of its effect!<\/p>\n<\/div><\/div>\n<\/p><\/div>\n"},{"html":"<div class=\"tw-self-start tw-overflow-y-auto tw-w-full tw-h-full\">\n<div class=\"fcg-container-narrow tw-py-20\">\n<h1>The more I desire, the more I invent what I see<\/h1>\n<div class=\"tw-font-serif tw-leading-relaxed\">\n<p>Photography and drawing are prime territories of subjective expression and projection, all the more so when we are faced with a soul forged in the freedom and wisdom of surrealism.<\/p>\n<p>In a widely reproduced poem, whether in full or in part, Lemos plays with the words \u2018desire\/invent\/see\u2019 in all their possible combinations, reminding us that each image is the result of these forces, the forces of the unconscious celebrated by surrealism. \u2018I ended up dedicating myself to photography in part because of the surrealist impulse to add to reality what it lacks.\u2019<\/p>\n<\/div><\/div>\n<\/p><\/div>\n"},{"html":"<div class=\"tw-self-start tw-overflow-y-auto tw-w-full tw-h-full\">\n<div class=\"fcg-container-narrow tw-py-20\">\n<h1>Vertigo is from the bottom up<\/h1>\n<div class=\"tw-font-serif tw-leading-relaxed\">\n<p>Vertigo has always been defined as a disturbance felt in front of an abyss or at a high point in relation to the space between us and the ground. Reversing the direction of this axis by designating the vertigo that can be felt when looking upwards is equivalent to shifting the focus of this disturbance from the drop, the earth, and materiality to the rise, the sky, and spirituality.<\/p>\n<p>High and low angle perspectives (shot near the ground and aimed upwards) abound in Lemos&#8217; photography. Architecture, nature and people reveal themselves to be more surprising in this way.<\/p>\n<\/div><\/div>\n<\/p><\/div>\n"},{"html":"<div class=\"tw-self-start tw-overflow-y-auto tw-w-full tw-h-full\">\n<div class=\"fcg-container-narrow tw-py-20\">\n<h1>I cannot draw my home<\/h1>\n<div class=\"tw-font-serif tw-leading-relaxed\">\n<p>The artist Fernando Lemos left Lisbon in 1953 at the age of 26 and became a naturalized Brazilian citizen in 1960. As Vera d&#8217;Horta says, he \u2018built his identity in an affective, ambiguous land, in which the \u201crejected homeland\u201d and the adopted country became mixed.\u2019<\/p>\n<p>He would say: \u2018I have two homelands, the one that made me and the one I help to make.\u2019 His emotional home was plural and the sense of belonging was sometimes difficult to trace. Portugal was his birthplace, but also a prison. Brazil was novelty and liberation. Japan was revelation and learning. \u2018We move around in a daze, within the structure of expectation, we do not know where a street corner begins and our homes end,\u2019 the artist wrote.<\/p>\n<\/div><\/div>\n<\/p><\/div>\n"},{"html":"<div class=\"tw-self-start tw-overflow-y-auto tw-w-full tw-h-full\">\n<div class=\"fcg-container-narrow tw-py-20\">\n<h1>We do not always know each other forever<\/h1>\n<div class=\"tw-font-serif tw-leading-relaxed\">\n<p>With the photographs of Japan that feature people, Lemos made us see and feel the importance, but also the relativity of relationships, the ephemerality of many of them, the passage through life as a flow of remembering and forgetting, the acceptance of the role of each person who has populated our lives as a lesson in emotion, feeling, all within a complex chessboard of interactions. \u2018I am always ready to forget.\u2019 And the truth is that, for him, the future does not even exist: \u2018It arrives early. There&#8217;s no point in looking for it.\u2019<\/p>\n<\/div><\/div>\n<\/p><\/div>\n"}] })" > <template x-if="isOpen"> <div class="fcg-media-modal"> <aside class="fcg-media-modal__sidebar" x-show="slides[current].title || slides[current].description || slides[current].caption || slides[current].meta" x-transition:enter="transition ease-out duration-1000" x-transition:enter-start="opacity-0 transform -translate-x-100" x-transition:enter-end="opacity-100 transform translate-x-0" x-transition:leave="transition ease-in duration-1000" x-transition:leave-start="opacity-100 transform translate-x-0" x-transition:leave-end="opacity-0 transform -translate-x-100" > <span class="fcg-media-modal__meta tw-block tw-text-grey-500" x-show="slides[current].meta" x-html="slides[current].meta || ''"></span> <h4 class="fcg-media-modal__title" x-html="slides[current].title || ''"></h4> <p class="fcg-media-modal__description" x-show="slides[current].description" x-html="slides[current].description || ''"></p> <p class="fcg-media-modal__caption" x-show="slides[current].caption" x-html="slides[current].caption || ''"></p> <a class="button-text tw-text-grey-500 tw-mt-5" x-bind:href="slides[current].link" x-show="slides[current].link">Find out more</a> </aside> <div class="fcg-media-modal__content" x-bind:class="{ 'has-sidebar': slides[current].title || slides[current].description || slides[current].caption }" > <div class="fcg-media-modal__zoom" x-ref="zoom" x-show="zoom > 1" x-on:mousedown="getPositions($event)" x-on:mouseup="disable()" x-on:mouseleave="disable()" x-on:mousemove="zoomPan($event)" x-on:touchstart="getPositions($event)" x-on:touchend="disable()" x-on:touchcancel="disable()" x-on:touchmove="zoomPan($event)" ></div> <div class="fcg-media-modal__controls"> <div class="fcg-media-modal__controls-zoom" x-show="zoomable" > <button class="fcg-media-modal__control fcg-media-modal__control--zoom" x-on:click="zoomIn" x-bind:disabled="maxZoom" > <span class="assist">Zoom in</span> <svg xmlns="http://www.w3.org/2000/svg" class="icon" viewBox="0 0 448 512" aria-hidden="true" > <path d="M432 256C432 264.8 424.8 272 416 272h-176V448c0 8.844-7.156 16.01-16 16.01S208 456.8 208 448V272H32c-8.844 0-16-7.15-16-15.99C16 247.2 23.16 240 32 240h176V64c0-8.844 7.156-15.99 16-15.99S240 55.16 240 64v176H416C424.8 240 432 247.2 432 256z"/></svg> </button> <button class="fcg-media-modal__control fcg-media-modal__control--zoom" x-on:click="zoomOut" x-bind:disabled="zoom < 2" > <span class="assist">Zoom out</span> <svg xmlns="http://www.w3.org/2000/svg" class="icon" viewBox="0 0 448 512" aria-hidden="true" > <path d="M432 256c0 8.8-7.2 16-16 16L32 272c-8.8 0-16-7.2-16-16s7.2-16 16-16l384 0c8.8 0 16 7.2 16 16z"/></svg> </button> </div> <button class="fcg-media-modal__control fcg-media-modal__control--close" x-on:click="closeModal"> <span class="assist">Close</span> <svg xmlns="http://www.w3.org/2000/svg" class="icon" viewBox="0 0 640 512" aria-hidden="true" > <path d="m319.96,282.23l-197.72,197.69-26.24-26.18,197.74-197.71L96,58.29l26.24-26.23,197.74,197.72,197.83-197.72,26.19,26.2-197.76,197.72,197.76,197.72-26.19,26.23-197.85-197.71Z"/></svg> </button> </div> <button class="fcg-media-modal__control fcg-media-modal__control--left" x-show="slides.length > 1" x-bind:disabled="current < 1" x-on:click="prev()" > <svg width="18" height="36" viewBox="0 0 22.5 42.5"> <path fill="transparent" stroke-width="3" stroke-linecap="round" stroke-linejoin="round" d="M21.25,1.25l-20,20,20,20"/> </svg> </button> <button class="fcg-media-modal__control fcg-media-modal__control--right" x-show="slides.length > 1" x-bind:disabled="current + 1 >= slides.length" x-on:click="next()" > <svg width="18" height="36" viewBox="0 0 22 42"> <path fill="transparent" stroke-width="3" stroke-linecap="round" stroke-linejoin="round" d="M1.25,41.25l20-20-20-20"/> </svg> </button> <div class="fcg-media-modal__wrap"> <ul class="fcg-media-modal__list"> <li class="fcg-media-modal__item tw-p-0"> <div class="tw-self-start tw-overflow-y-auto tw-w-full tw-h-full"> <div class="fcg-container-narrow tw-py-20"> <h1>Drawing words in the air</h1> <div class="tw-font-serif tw-leading-relaxed"> <p>The similarities, rapprochements, and reciprocities between handwriting and drawing go back to the beginnings of pictogrammatic and ideogrammatic writing, transversing times and cultures. In Japan, for example, common writing developed in the 5th century following contact with China and Korea, and literary records from the 8th century onwards. This proximity is reflected in Baroque visual texts and concrete poetry of the 20th century, through to the gestural, abstract or conceptual painting of different moments of modernity. A word is a drawing and a drawing is a language. In this section, design, drawing, illustration, thought, poetry, calligraphy, and painting all come together rhythmically and visually in Lemos’ work.</p> </div></div> </p></div> </li> <li class="fcg-media-modal__item tw-p-0"> <div class="tw-self-start tw-overflow-y-auto tw-w-full tw-h-full"> <div class="fcg-container-narrow tw-py-20"> <h1>Life is a curve</h1> <div class="tw-font-serif tw-leading-relaxed"> <p>‘Chaos (…) is a source of creativity,’ said Lemos, compelling us to fill in the gap and the path that leads from chaos to the order created by the artist. ‘There’s a collective element in my work. It’s a preoccupation of mine; I’m not interested in doing something that isn’t for somebody else. That’s why you suffer when others don’t understand.’</p> <p>Life is that curve on which we travel, our history permanently drawn in the curved and malleable space of an oscillating subjection to gravity, its general and restrictive laws and, who knows, sometimes the cancellation of its effect!</p> </div></div> </p></div> </li> <li class="fcg-media-modal__item tw-p-0"> <div class="tw-self-start tw-overflow-y-auto tw-w-full tw-h-full"> <div class="fcg-container-narrow tw-py-20"> <h1>The more I desire, the more I invent what I see</h1> <div class="tw-font-serif tw-leading-relaxed"> <p>Photography and drawing are prime territories of subjective expression and projection, all the more so when we are faced with a soul forged in the freedom and wisdom of surrealism.</p> <p>In a widely reproduced poem, whether in full or in part, Lemos plays with the words ‘desire/invent/see’ in all their possible combinations, reminding us that each image is the result of these forces, the forces of the unconscious celebrated by surrealism. ‘I ended up dedicating myself to photography in part because of the surrealist impulse to add to reality what it lacks.’</p> </div></div> </p></div> </li> <li class="fcg-media-modal__item tw-p-0"> <div class="tw-self-start tw-overflow-y-auto tw-w-full tw-h-full"> <div class="fcg-container-narrow tw-py-20"> <h1>Vertigo is from the bottom up</h1> <div class="tw-font-serif tw-leading-relaxed"> <p>Vertigo has always been defined as a disturbance felt in front of an abyss or at a high point in relation to the space between us and the ground. Reversing the direction of this axis by designating the vertigo that can be felt when looking upwards is equivalent to shifting the focus of this disturbance from the drop, the earth, and materiality to the rise, the sky, and spirituality.</p> <p>High and low angle perspectives (shot near the ground and aimed upwards) abound in Lemos’ photography. Architecture, nature and people reveal themselves to be more surprising in this way.</p> </div></div> </p></div> </li> <li class="fcg-media-modal__item tw-p-0"> <div class="tw-self-start tw-overflow-y-auto tw-w-full tw-h-full"> <div class="fcg-container-narrow tw-py-20"> <h1>I cannot draw my home</h1> <div class="tw-font-serif tw-leading-relaxed"> <p>The artist Fernando Lemos left Lisbon in 1953 at the age of 26 and became a naturalized Brazilian citizen in 1960. As Vera d’Horta says, he ‘built his identity in an affective, ambiguous land, in which the “rejected homeland” and the adopted country became mixed.’</p> <p>He would say: ‘I have two homelands, the one that made me and the one I help to make.’ His emotional home was plural and the sense of belonging was sometimes difficult to trace. Portugal was his birthplace, but also a prison. Brazil was novelty and liberation. Japan was revelation and learning. ‘We move around in a daze, within the structure of expectation, we do not know where a street corner begins and our homes end,’ the artist wrote.</p> </div></div> </p></div> </li> <li class="fcg-media-modal__item tw-p-0"> <div class="tw-self-start tw-overflow-y-auto tw-w-full tw-h-full"> <div class="fcg-container-narrow tw-py-20"> <h1>We do not always know each other forever</h1> <div class="tw-font-serif tw-leading-relaxed"> <p>With the photographs of Japan that feature people, Lemos made us see and feel the importance, but also the relativity of relationships, the ephemerality of many of them, the passage through life as a flow of remembering and forgetting, the acceptance of the role of each person who has populated our lives as a lesson in emotion, feeling, all within a complex chessboard of interactions. ‘I am always ready to forget.’ And the truth is that, for him, the future does not even exist: ‘It arrives early. There’s no point in looking for it.’</p> </div></div> </p></div> </li> </ul> </div> </div> </div> </template> </div> </div> </section> <hr class="fcg-section-separator" /> <section class="fcg-section fcg-section--collapsible" x-data="Section( {"id":"publications","open":true} )" > <h2 class="section-title tw-relative tw-flex tw-justify-between tw-content-center" id="publications"> <span>Publications</span> <button @click="open = ! open" class="button-text fcg-collapse-button tw-text-22 tw-static" > <span x-show="open" class="assist">Close</span> <span x-show="!open" class="assist">Open</span> <span x-show="open"><svg xmlns="http://www.w3.org/2000/svg" class="icon" viewBox="0 0 448 512" aria-hidden="true" > <path d="M15.41 302.7l191.1-183.1C212 114.2 218 111.1 224 111.1s11.97 2.219 16.59 6.688l191.1 183.1c9.594 9.152 9.906 24.34 .7187 33.9c-9.125 9.625-24.38 9.938-33.91 .7187L224 169.2l-175.4 168c-9.5 9.219-24.78 8.906-33.91-.7187C5.502 327 5.814 311.8 15.41 302.7z"/></svg> </span> <span x-show="!open"><svg xmlns="http://www.w3.org/2000/svg" class="icon" viewBox="0 0 448 512" aria-hidden="true" > <path d="M432.6 209.3l-191.1 183.1C235.1 397.8 229.1 400 224 400s-11.97-2.219-16.59-6.688L15.41 209.3C5.814 200.2 5.502 184.1 14.69 175.4c9.125-9.625 24.38-9.938 33.91-.7187L224 342.8l175.4-168c9.5-9.219 24.78-8.906 33.91 .7187C442.5 184.1 442.2 200.2 432.6 209.3z"/></svg> </span> </button> </h2> <div class="fcg-section__collapse" x-show="open" x-transition.opacity > <div class="fcg-row tw--mb-5"> <div class="tw-relative fcg-col-6 fcg-col-md-4 tw-mb-5"> <a href="https://gulbenkian.pt/cam/en/publications/the-occiental-calligrapher-fernando-lemos-and-japan/" target="_self" class="tw-no-underline hover:tw-text-black" title="The Occidental Calligrapher. Fernando Lemos and Japan" > <article class="fcg-card-v2 fcg-card-v2--related fcg-card-v2--3by4 fcg-card-v2--with-link" > <figure class="fcg-figure "> <div class="fcg-figure__ratio fcg-figure__ratio--1by1"> <img width="576" height="748" src="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Lemos_capa_v5-1-1-576x748.jpg" class="tw-object-contain tw-p-4" alt="" decoding="async" srcset="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Lemos_capa_v5-1-1-576x748.jpg 576w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Lemos_capa_v5-1-1-231x300.jpg 231w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Lemos_capa_v5-1-1-789x1024.jpg 789w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Lemos_capa_v5-1-1-768x997.jpg 768w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Lemos_capa_v5-1-1-1183x1536.jpg 1183w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Lemos_capa_v5-1-1-1578x2048.jpg 1578w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Lemos_capa_v5-1-1-288x374.jpg 288w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Lemos_capa_v5-1-1-992x1288.jpg 992w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Lemos_capa_v5-1-1-1200x1558.jpg 1200w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Lemos_capa_v5-1-1-1920x2492.jpg 1920w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Lemos_capa_v5-1-1.jpg 2503w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible tw-mt-0" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Catalogues </li> </ul> <h3 class="fcg-card-v2__title"> The Occidental Calligrapher. Fernando Lemos and Japan </h3> </div> </div> </article> </a> </div> <div class="tw-relative fcg-col-6 fcg-col-md-4 tw-mb-5"> <a href="https://gulbenkian.pt/cam/en/publications/artists-book-japan-fernando-lemos/" target="_self" class="tw-no-underline hover:tw-text-black" title="Artist’s book ‘Japan. Fernando Lemos’" > <article class="fcg-card-v2 fcg-card-v2--related fcg-card-v2--3by4 fcg-card-v2--with-link" > <figure class="fcg-figure "> <div class="fcg-figure__ratio fcg-figure__ratio--1by1"> <img width="576" height="586" src="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/16-nov_CAPA_FERNANDO-LEMOS-JAPAO_com-logomarcas-1-576x586.jpg" class="tw-object-contain tw-p-4" alt="" decoding="async" srcset="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/16-nov_CAPA_FERNANDO-LEMOS-JAPAO_com-logomarcas-1-576x586.jpg 576w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/16-nov_CAPA_FERNANDO-LEMOS-JAPAO_com-logomarcas-1-295x300.jpg 295w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/16-nov_CAPA_FERNANDO-LEMOS-JAPAO_com-logomarcas-1-1006x1024.jpg 1006w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/16-nov_CAPA_FERNANDO-LEMOS-JAPAO_com-logomarcas-1-768x782.jpg 768w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/16-nov_CAPA_FERNANDO-LEMOS-JAPAO_com-logomarcas-1-1509x1536.jpg 1509w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/16-nov_CAPA_FERNANDO-LEMOS-JAPAO_com-logomarcas-1-288x293.jpg 288w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/16-nov_CAPA_FERNANDO-LEMOS-JAPAO_com-logomarcas-1-992x1010.jpg 992w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/16-nov_CAPA_FERNANDO-LEMOS-JAPAO_com-logomarcas-1-1200x1221.jpg 1200w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/16-nov_CAPA_FERNANDO-LEMOS-JAPAO_com-logomarcas-1.jpg 1857w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible tw-mt-0" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Other Publications </li> </ul> <h3 class="fcg-card-v2__title"> Artist’s book ‘Japan. Fernando Lemos’ </h3> </div> </div> </article> </a> </div> <div class="tw-relative fcg-col-6 fcg-col-md-4 tw-mb-5"> <a href="https://gulbenkian.pt/cam/en/publications/dictionary-of-mischief/" target="_self" class="tw-no-underline hover:tw-text-black" title="Dictionary of Mischief" > <article class="fcg-card-v2 fcg-card-v2--related fcg-card-v2--3by4 fcg-card-v2--with-link" > <figure class="fcg-figure "> <div class="fcg-figure__ratio fcg-figure__ratio--1by1"> <img width="576" height="391" src="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Travessura_PlanoCapa_imagem-3-1-576x391.jpg" class="tw-object-contain tw-p-4" alt="" decoding="async" srcset="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Travessura_PlanoCapa_imagem-3-1-576x391.jpg 576w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Travessura_PlanoCapa_imagem-3-1-300x204.jpg 300w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Travessura_PlanoCapa_imagem-3-1-1024x696.jpg 1024w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Travessura_PlanoCapa_imagem-3-1-768x522.jpg 768w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Travessura_PlanoCapa_imagem-3-1-1536x1044.jpg 1536w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Travessura_PlanoCapa_imagem-3-1-288x196.jpg 288w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Travessura_PlanoCapa_imagem-3-1-992x674.jpg 992w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Travessura_PlanoCapa_imagem-3-1-1200x816.jpg 1200w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Travessura_PlanoCapa_imagem-3-1-1920x1305.jpg 1920w, https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2024/10/Travessura_PlanoCapa_imagem-3-1.jpg 1998w" sizes="(max-width: 576px) 100vw, 576px" /> </div> </figure> <div class="fcg-card-v2__content tw-invisible tw-mt-0" x-data="LineClamp()" > <div class="tw-absolute tw-top-0 tw-w-full tw-left-0 tw-right-0" data-lines="auto"> <ul class="fcg-card-v2__meta"> <li class="fcg-card-v2__meta-item"> Other Publications </li> </ul> <h3 class="fcg-card-v2__title"> Dictionary of Mischief </h3> </div> </div> </article> </a> </div> </div> </div> </section> <hr class="fcg-section-separator" /> <section class="fcg-section fcg-section--collapsible" x-data="Section( {"id":"credits","open":false} )" > <h2 class="section-title tw-relative tw-flex tw-justify-between tw-content-center" id="credits"> <span>Credits</span> <button @click="open = ! open" class="button-text fcg-collapse-button tw-text-22 tw-static" > <span x-show="open" class="assist">Close</span> <span x-show="!open" class="assist">Open</span> <span x-show="open"><svg xmlns="http://www.w3.org/2000/svg" class="icon" viewBox="0 0 448 512" aria-hidden="true" > <path d="M15.41 302.7l191.1-183.1C212 114.2 218 111.1 224 111.1s11.97 2.219 16.59 6.688l191.1 183.1c9.594 9.152 9.906 24.34 .7187 33.9c-9.125 9.625-24.38 9.938-33.91 .7187L224 169.2l-175.4 168c-9.5 9.219-24.78 8.906-33.91-.7187C5.502 327 5.814 311.8 15.41 302.7z"/></svg> </span> <span x-show="!open"><svg xmlns="http://www.w3.org/2000/svg" class="icon" viewBox="0 0 448 512" aria-hidden="true" > <path d="M432.6 209.3l-191.1 183.1C235.1 397.8 229.1 400 224 400s-11.97-2.219-16.59-6.688L15.41 209.3C5.814 200.2 5.502 184.1 14.69 175.4c9.125-9.625 24.38-9.938 33.91-.7187L224 342.8l175.4-168c9.5-9.219 24.78-8.906 33.91 .7187C442.5 184.1 442.2 200.2 432.6 209.3z"/></svg> </span> </button> </h2> <div class="fcg-section__collapse" x-show="open" x-transition.opacity > <div class="fcg-content"> <div class="fcg-content__body tw-max-w-full"> <p class="tw-text-22 tw-font-sans tw-mb-1">Curatorship</p> <p>Leonor Nazaré<br /> Rosely Nakagawa</p> <p class="tw-text-22 tw-font-sans tw-mb-1">Exhibition Design</p> <p>Rita Albergaria</p> <p class="tw-text-22 tw-font-sans tw-mb-1">Main image</p> <p>© Pedro Pina</p> </div> </div> </div> </section> <div class="tw-my-10 lg:tw-my-16"> <div class="fcg-sponsors"> <h3 class="fcg-sponsors__title">Exhibition Sponsor</h3> <ul class="fcg-sponsors__list"> <li class="fcg-sponsors__list-item"> <img src="https://gulbenkian.pt/cam/wp-content/uploads/sites/50/2023/05/Julius_Bar_Logo_80px_azul.svg" class="attachment-original_xs size-original_xs" alt="" decoding="async" /> </li> </ul> </div> </div> <div class="tw-mt-10 lg:tw-mt-16 tw-mb-14 lg:tw-mb-20"> <p class="tw-text-16 tw-leading-snug tw-mb-0"> The Calouste Gulbenkian Foundation reserves the right to collect and keep records of images, sounds and voice for the diffusion and preservation of the memory of its cultural and artistic activity. 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The Occidental Calligrapher. Fernando Lemos and Japan – Centro de Arte Moderna