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esegetica creata da Carlos López Cortezo si esamina l'episodio del cielo di Marte con speciale attenzione alla cornice iconografica che precede il dialogo fra Dante e Cacciaguida e che lo condiziona e dà di... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_47298492" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Con la metodologia di analisi esegetica creata da Carlos López Cortezo si esamina l'episodio del cielo di Marte con speciale attenzione alla cornice iconografica che precede il dialogo fra Dante e Cacciaguida e che lo condiziona e dà di esso chiavi di lettura imprescindibili per la sua comprensione.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/47298492" 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Cacciaguida e che lo condiziona e dà di esso chiavi di lettura imprescindibili per la sua comprensione.","downloadable_attachments":[{"id":66456566,"asset_id":47298492,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5213815,"first_name":"JUAN","last_name":"VARELA-PORTAS ORDUÑA","domain_name":"ucm","page_name":"JUANIGNACIOVARELAPORTASORDUÑA","display_name":"JUAN VARELA-PORTAS ORDUÑA","profile_url":"https://ucm.academia.edu/JUANIGNACIOVARELAPORTASORDU%C3%91A?f_ri=1758","photo":"https://0.academia-photos.com/5213815/2905211/27788280/s65_juan.varela-portas_ordu_a.jpg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":17725,"name":"Dante","url":"https://www.academia.edu/Documents/in/Dante?f_ri=1758","nofollow":true},{"id":21544,"name":"Medieval Italian 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href="https://www.academia.edu/33893837/Mount_Tombe_A_Comparative_Analysis_Between_Mont_Saint_Michel_Normandy_FR_and_Mount_Saint_Michael_Cornwall_UK">Mount Tombe - A Comparative Analysis Between Mont Saint Michel Normandy FR & Mount Saint Michael Cornwall UK</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The Mont Saint-Michel is a small, rocky tidal island in France located in a large bay at the mouth of the Couesnon. The granite massif of Mont Saint-Michel is crowned with a medieval abbey. It's a table moutain; a remaining of a... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_33893837" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The Mont Saint-Michel is a small, rocky tidal island in France located in a large bay at the mouth of the Couesnon. <br />The granite massif of Mont Saint-Michel is crowned with a medieval abbey. It's a table moutain; a remaining of a prehistoric petrified treetop. <br />Since 1898, the spire of the abbey church has a statue of Saint Michael that protrudes a hundred and seventy meters above the bay. The island is located about 1 kilometer from the coast near the town of Avranches in Normandy . It was originally a tidal island : it was accessible by land at low tidebut at high tide it was surrounded by water. Today a narrow bridge, with shuttle service, runs to the island. Mont Saint-Michel, with its pedestrian streets, is only accessible to pedestrians.<br /><br />The first text about an abbey is the 9th-century Latin text Revelatio ecclesiae sancti Michaelis in monte Tumba written by a chanoine living at Mont Saint Michel or at the Cathédrale Saint-André d'Avranches. This text was written at a time of power struggle between Brittany and the County of Normandy against Francia as well as during canon law reforms by Roman emperors.<br /><br />When Christianity expanded to the area, around the 4th century, Mont Tombe, the original name of Mont Saint Michel, was part of the Diocese of Avranches. By the middle of the 6th century, Christianity had a stronger presence in the bay. By this time, Mont Tombe was populated by religious devotees, hermits (probably some Celtic monks) supplied by the curé of Astériac, (Asterix) who took care of the site and led a contemplative life around some oratories. The hermits Saint Pair and Saint Seubilion dedicated one of the oratories to Saint Étienne, midway through the mont and one to Saint Symphorien, at the foot of the rock.<br /><br />Saint Aubert<br />In 710, Mont Tombe was renamed Mont Saint Michel au péril de la Mer ("Mount Saint Michael at the peril of the sea) after erecting an oratory to Saint Michael by bishop Saint Aubert of Avranches in 708. According to the legend, Aubert received, during his sleep, three times the order from Saint Michael to erect an oratory on the Mont Tombe. The archangel was reputed to have left his finger mark on Aubert's skull. This skull is displayed at the Saint-Gervais d'Avranches basilica with such a scar on it.<br /><br />This sanctuary should be, according to the archangel, a replica of the Gargano in Italy (from the 5th century). Aubert had a local religious artifact removed and instead a circular sanctuary built, made of dry stones. Around 708, Aubert sent two monks to get some artifacts from the Italian sanctuary Gargano (a rock with his foot print and a piece of tissue from the altar). During this mission, the March 709 tsunami is supposed to have destroyed the Scissy forest and turned the Mont into an island. On October 16 709, the bishop dedicated the church and put twelve chanoine there. The Mont-Saint-Michel was born.<br /><br />The remains of the oratory were found in the chapel Notre-Dame-Sous-Terre. This sanctuary contained the tomb of Aubert and most likely the artifacts brought from Gargano. The chapel Notre-Dame-Sous-Terre is today under the nave of the abbey-church.<br /><br />The first buildings became too small and under the Western Roman Empire multiple buildings were added. Charlemagne chose saint Michel as a protector of his empire during the 9th century and tried to have the place renamed Mont-Saint-Michel, but during the Middle Ages it was usually called Saint-Michel-aux-Deux-Tombes (Saint Michel with two tombs) (Mons Sancti Michaelis in periculo maris, in reference to Tombelaine).<br /><br />History of the abbey<br />Church of Saint Michel during 9th and 10th centuries<br />The Mont-Saint-Michel monks, during the first century of their institution, venerated the archangel Michael. The Mont became a place of prayer and study, but the stability period, known as the Neustria, during the reign of Charlemagne ended when he died. As the rest of Gaule was fighting invasions, religion and science found some welcoming in the diocese of Avranches and at the Mont-Saint-Michel.<br /><br />At first, pilgrims kept coming to the Mont. After the Vikings captured the Mont in 847, the monks departed. But, as an island, it offered some protection for the local population and thus never stayed empty.<br /><br />After the signature of the treaty of Saint-Clair-sur-Epte, Rollo (Gange-Hrólfr "Rollo" Ragnvaldsson de Normandie) started repairing the damages inflicted to the religious buildings. He generously financed the Mont and called back the monks displaced by the war, returning the Mont to its previous condition.<br /><br />The wealth and support that the Mont suddenly obtained from Rollo started to fundamentally affect its inhabitants, taking them away from their solitary, religious life. After William I of Normandy took over his father's title as Duke of Normandy in 927, he expanded his support toward monasteries until his assassination in 932; but his wealth, from which they benefited, further exacerbated their mundane life style. Because of their generous contributions to the Mont, the Dukes of Brittany Conan 1st, who died in 992, and Geoffrey 1st, who died in 1008, were buried in the Mont as benefactors.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33893837" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="de1f3957479be9fec06666fb4a75d46f" rel="nofollow" data-download="{"attachment_id":62830419,"asset_id":33893837,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62830419/download_file?st=MTc0MDU5MzYwMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="16005828" href="https://ulg.academia.edu/DavidVanderper">David Vanderper</a><script data-card-contents-for-user="16005828" type="text/json">{"id":16005828,"first_name":"David","last_name":"Vanderper","domain_name":"ulg","page_name":"DavidVanderper","display_name":"David Vanderper","profile_url":"https://ulg.academia.edu/DavidVanderper?f_ri=1758","photo":"https://0.academia-photos.com/16005828/4341433/19170987/s65_david.vanderper.jpg"}</script></span></span></li><li class="js-paper-rank-work_33893837 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33893837"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33893837, container: ".js-paper-rank-work_33893837", }); 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It's a table moutain; a remaining of a prehistoric petrified treetop. \nSince 1898, the spire of the abbey church has a statue of Saint Michael that protrudes a hundred and seventy meters above the bay. The island is located about 1 kilometer from the coast near the town of Avranches in Normandy . It was originally a tidal island : it was accessible by land at low tidebut at high tide it was surrounded by water. Today a narrow bridge, with shuttle service, runs to the island. Mont Saint-Michel, with its pedestrian streets, is only accessible to pedestrians.\n\nThe first text about an abbey is the 9th-century Latin text Revelatio ecclesiae sancti Michaelis in monte Tumba written by a chanoine living at Mont Saint Michel or at the Cathédrale Saint-André d'Avranches. This text was written at a time of power struggle between Brittany and the County of Normandy against Francia as well as during canon law reforms by Roman emperors.\n\nWhen Christianity expanded to the area, around the 4th century, Mont Tombe, the original name of Mont Saint Michel, was part of the Diocese of Avranches. By the middle of the 6th century, Christianity had a stronger presence in the bay. By this time, Mont Tombe was populated by religious devotees, hermits (probably some Celtic monks) supplied by the curé of Astériac, (Asterix) who took care of the site and led a contemplative life around some oratories. The hermits Saint Pair and Saint Seubilion dedicated one of the oratories to Saint Étienne, midway through the mont and one to Saint Symphorien, at the foot of the rock.\n\nSaint Aubert\nIn 710, Mont Tombe was renamed Mont Saint Michel au péril de la Mer (\"Mount Saint Michael at the peril of the sea) after erecting an oratory to Saint Michael by bishop Saint Aubert of Avranches in 708. According to the legend, Aubert received, during his sleep, three times the order from Saint Michael to erect an oratory on the Mont Tombe. The archangel was reputed to have left his finger mark on Aubert's skull. This skull is displayed at the Saint-Gervais d'Avranches basilica with such a scar on it.\n\nThis sanctuary should be, according to the archangel, a replica of the Gargano in Italy (from the 5th century). Aubert had a local religious artifact removed and instead a circular sanctuary built, made of dry stones. Around 708, Aubert sent two monks to get some artifacts from the Italian sanctuary Gargano (a rock with his foot print and a piece of tissue from the altar). During this mission, the March 709 tsunami is supposed to have destroyed the Scissy forest and turned the Mont into an island. On October 16 709, the bishop dedicated the church and put twelve chanoine there. The Mont-Saint-Michel was born.\n\nThe remains of the oratory were found in the chapel Notre-Dame-Sous-Terre. This sanctuary contained the tomb of Aubert and most likely the artifacts brought from Gargano. The chapel Notre-Dame-Sous-Terre is today under the nave of the abbey-church.\n\nThe first buildings became too small and under the Western Roman Empire multiple buildings were added. Charlemagne chose saint Michel as a protector of his empire during the 9th century and tried to have the place renamed Mont-Saint-Michel, but during the Middle Ages it was usually called Saint-Michel-aux-Deux-Tombes (Saint Michel with two tombs) (Mons Sancti Michaelis in periculo maris, in reference to Tombelaine).\n\nHistory of the abbey\nChurch of Saint Michel during 9th and 10th centuries\nThe Mont-Saint-Michel monks, during the first century of their institution, venerated the archangel Michael. The Mont became a place of prayer and study, but the stability period, known as the Neustria, during the reign of Charlemagne ended when he died. As the rest of Gaule was fighting invasions, religion and science found some welcoming in the diocese of Avranches and at the Mont-Saint-Michel.\n\nAt first, pilgrims kept coming to the Mont. After the Vikings captured the Mont in 847, the monks departed. But, as an island, it offered some protection for the local population and thus never stayed empty.\n\nAfter the signature of the treaty of Saint-Clair-sur-Epte, Rollo (Gange-Hrólfr \"Rollo\" Ragnvaldsson de Normandie) started repairing the damages inflicted to the religious buildings. He generously financed the Mont and called back the monks displaced by the war, returning the Mont to its previous condition.\n\nThe wealth and support that the Mont suddenly obtained from Rollo started to fundamentally affect its inhabitants, taking them away from their solitary, religious life. After William I of Normandy took over his father's title as Duke of Normandy in 927, he expanded his support toward monasteries until his assassination in 932; but his wealth, from which they benefited, further exacerbated their mundane life style. Because of their generous contributions to the Mont, the Dukes of Brittany Conan 1st, who died in 992, and Geoffrey 1st, who died in 1008, were buried in the Mont as benefactors.","downloadable_attachments":[{"id":62830419,"asset_id":33893837,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":16005828,"first_name":"David","last_name":"Vanderper","domain_name":"ulg","page_name":"DavidVanderper","display_name":"David Vanderper","profile_url":"https://ulg.academia.edu/DavidVanderper?f_ri=1758","photo":"https://0.academia-photos.com/16005828/4341433/19170987/s65_david.vanderper.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=1758","nofollow":true},{"id":130,"name":"Ancient History","url":"https://www.academia.edu/Documents/in/Ancient_History?f_ri=1758","nofollow":true},{"id":1446,"name":"Medieval 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Firenze, 2021</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/62134949" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="cda5ebbb6c7eb2bc68c2651260cf9625" rel="nofollow" data-download="{"attachment_id":74977459,"asset_id":62134949,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/74977459/download_file?st=MTc0MDU5MzYwMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3030534" href="https://unifi.academia.edu/GaiaRavalli">Gaia Ravalli</a><script data-card-contents-for-user="3030534" type="text/json">{"id":3030534,"first_name":"Gaia","last_name":"Ravalli","domain_name":"unifi","page_name":"GaiaRavalli","display_name":"Gaia Ravalli","profile_url":"https://unifi.academia.edu/GaiaRavalli?f_ri=1758","photo":"https://0.academia-photos.com/3030534/996312/1246284/s65_gaia.ravalli.jpg"}</script></span></span></li><li class="js-paper-rank-work_62134949 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="62134949"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 62134949, container: ".js-paper-rank-work_62134949", }); 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Firenze, 2021","created_at":"2021-11-21T13:46:01.318-08:00","url":"https://www.academia.edu/62134949/Da_Dante_a_Boccaccio_ritratti_di_uomini_illustri_a_Santa_Maria_Novella_Dante_e_Santa_Maria_Novella_Firenze_2021?f_ri=1758","dom_id":"work_62134949","summary":null,"downloadable_attachments":[{"id":74977459,"asset_id":62134949,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3030534,"first_name":"Gaia","last_name":"Ravalli","domain_name":"unifi","page_name":"GaiaRavalli","display_name":"Gaia Ravalli","profile_url":"https://unifi.academia.edu/GaiaRavalli?f_ri=1758","photo":"https://0.academia-photos.com/3030534/996312/1246284/s65_gaia.ravalli.jpg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758","nofollow":true},{"id":290680,"name":"Dominican Order","url":"https://www.academia.edu/Documents/in/Dominican_Order?f_ri=1758","nofollow":true},{"id":521351,"name":"Santa Maria Novella","url":"https://www.academia.edu/Documents/in/Santa_Maria_Novella?f_ri=1758","nofollow":true},{"id":667642,"name":"History of the Order of Preachers (Dominicans)","url":"https://www.academia.edu/Documents/in/History_of_the_Order_of_Preachers_Dominicans_?f_ri=1758"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38087058" data-work_id="38087058" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38087058/Andrea_Lancia_copista_dell_Ottimo_commento_Il_ms_New_York_Pierpont_Morgan_Library_M_676_Rivista_di_Studi_Danteschi_X_2010_pp_173_88">Andrea Lancia copista dell’«Ottimo commento». 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(Averroës)","url":"https://www.academia.edu/Documents/in/Ibn_Rushd_Averroes_?f_ri=1758"},{"id":661008,"name":"Stredovek","url":"https://www.academia.edu/Documents/in/Stredovek?f_ri=1758"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_55801346" data-work_id="55801346" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/55801346/Book_Review_Heather_Webb_Dante_s_Persons_An_Ethics_of_the_Transhuman_Oxford_2016_">Book Review: Heather Webb, Dante’s Persons: An Ethics of the Transhuman (Oxford, 2016)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><a href="https://www.degruyter.com/document/doi/10.1515/dante-2021-0029/html" 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u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">La centralità di Montale nella storia della poesia italiana è dovuta alla capacità di acquisire elementi tematici e formali della tradizione rielaborandoli in un linguaggio nuovo. L’esperienza di un autore che ha attraversato il Novecento... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_40402235" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">La centralità di Montale nella storia della poesia italiana è dovuta alla capacità di acquisire elementi tematici e formali della tradizione rielaborandoli in un linguaggio nuovo. L’esperienza di un autore che ha attraversato il Novecento letterario diventandone spartiacque e insieme punto di riferimento ineludibile è indagata in questo volume da 14 studiosi che si misurano in una ricognizione globale di testi e questioni aggiornata alle più recenti acquisizioni: da Ossi di seppia agli ultimi libri di poesie degli anni ’70, alle prose narrative; e quindi, trasversalmente, dai nodi filologici alle specifiche linguistiche e metriche, dal rapporto con gli antichi (Dante in testa) e coi contemporanei (in Italia e fuori d’Italia) all’immensa produzione critica, sino al confronto fecondo con le arti figurative e con la musica.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40402235" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="384d0afa245a508b062a10e8d4604ffa" rel="nofollow" data-download="{"attachment_id":60654731,"asset_id":40402235,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60654731/download_file?st=MTc0MDU5MzYwMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="953884" href="https://unitusdistu.academia.edu/PaoloMarini">Paolo Marini</a><script data-card-contents-for-user="953884" type="text/json">{"id":953884,"first_name":"Paolo","last_name":"Marini","domain_name":"unitusdistu","page_name":"PaoloMarini","display_name":"Paolo Marini","profile_url":"https://unitusdistu.academia.edu/PaoloMarini?f_ri=1758","photo":"https://0.academia-photos.com/953884/852249/52384890/s65_paolo.marini.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-40402235">+4</span><div class="hidden js-additional-users-40402235"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unisi.academia.edu/Niccol%C3%B2Scaffai">Niccolò Scaffai</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unipi.academia.edu/IdaCampeggiani">Ida Campeggiani</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unige-it1.academia.edu/PaoloZublena">Paolo Zublena</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unisi.academia.edu/RiccardoCastellana">Riccardo Castellana</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-40402235'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-40402235').html(); 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Literature","url":"https://www.academia.edu/Documents/in/Nobel_Prize_in_Literature?f_ri=1758"},{"id":703114,"name":"Novecento","url":"https://www.academia.edu/Documents/in/Novecento?f_ri=1758"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_29175222" data-work_id="29175222" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/29175222/Sulla_distinzione_di_luce_e_gloria_nel_Paradiso_dantesco_Italianistica_XLV_2_2016_pp_51_65_">Sulla distinzione di luce e gloria nel «Paradiso» dantesco (Italianistica XLV/2, 2016, pp. 51-65)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Questo articolo prende in considerazione l'esegesi dei primi versi del Paradiso contenuta nella terza parte dell'Epistola a Cangrande, mostrando come l'identificazione lì proposta tra luce e gloria di Dio sia per molti versi... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_29175222" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Questo articolo prende in considerazione l'esegesi dei primi versi del Paradiso contenuta nella terza parte dell'Epistola a Cangrande, mostrando come l'identificazione lì proposta tra luce e gloria di Dio sia per molti versi insostenibile. Distinguere i due concetti consente, al contrario, di conservare al «poema sacro» un'indispensabile coerenza, tanto in sé quanto in rapporto al Convivio e ad altre fonti filosofiche medievali. || <br /> <br />This article takes into account the exegesis of the very first lines of Dante's Paradiso, as it is proposed in the third part of the Epistola a Cangrande, showing that the identification there suggested between the glory of God and His light is untenable on various grounds. On the contrary, maintaining the distinction between the two concepts allows one to keep safe the coherence of the «sacred poem», both in itself and in its relationship with the Convivio and with other medieval philosophical sources.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/29175222" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="386f65116c54ea816889a26f3231893e" rel="nofollow" data-download="{"attachment_id":49620372,"asset_id":29175222,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/49620372/download_file?st=MTc0MDU5MzYwMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="29953332" href="https://imtlucca.academia.edu/MarcoSignori">Marco Signori</a><script data-card-contents-for-user="29953332" type="text/json">{"id":29953332,"first_name":"Marco","last_name":"Signori","domain_name":"imtlucca","page_name":"MarcoSignori","display_name":"Marco Signori","profile_url":"https://imtlucca.academia.edu/MarcoSignori?f_ri=1758","photo":"https://0.academia-photos.com/29953332/8635442/38761832/s65_marco.signori.jpg"}</script></span></span></li><li class="js-paper-rank-work_29175222 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="29175222"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 29175222, container: ".js-paper-rank-work_29175222", }); 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$(".js-view-count[data-work-id=29175222]").text(description); $(".js-view-count-work_29175222").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_29175222").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="29175222"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1758" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Studies">Dante Studies</a>, <script data-card-contents-for-ri="1758" type="text/json">{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="27834" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Alighieri">Dante Alighieri</a>, <script data-card-contents-for-ri="27834" type="text/json">{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="89087" rel="nofollow" href="https://www.academia.edu/Documents/in/Dantes_Studies">Dante's Studies</a>, <script data-card-contents-for-ri="89087" type="text/json">{"id":89087,"name":"Dante's Studies","url":"https://www.academia.edu/Documents/in/Dantes_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="469537" rel="nofollow" href="https://www.academia.edu/Documents/in/Dantes_Philosophy">Dante's Philosophy</a><script data-card-contents-for-ri="469537" type="text/json">{"id":469537,"name":"Dante's Philosophy","url":"https://www.academia.edu/Documents/in/Dantes_Philosophy?f_ri=1758","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=29175222]'), work: {"id":29175222,"title":"Sulla distinzione di luce e gloria nel «Paradiso» dantesco (Italianistica XLV/2, 2016, pp. 51-65)","created_at":"2016-10-15T07:22:55.950-07:00","url":"https://www.academia.edu/29175222/Sulla_distinzione_di_luce_e_gloria_nel_Paradiso_dantesco_Italianistica_XLV_2_2016_pp_51_65_?f_ri=1758","dom_id":"work_29175222","summary":"Questo articolo prende in considerazione l'esegesi dei primi versi del Paradiso contenuta nella terza parte dell'Epistola a Cangrande, mostrando come l'identificazione lì proposta tra luce e gloria di Dio sia per molti versi insostenibile. Distinguere i due concetti consente, al contrario, di conservare al «poema sacro» un'indispensabile coerenza, tanto in sé quanto in rapporto al Convivio e ad altre fonti filosofiche medievali. ||\r\n\r\nThis article takes into account the exegesis of the very first lines of Dante's Paradiso, as it is proposed in the third part of the Epistola a Cangrande, showing that the identification there suggested between the glory of God and His light is untenable on various grounds. On the contrary, maintaining the distinction between the two concepts allows one to keep safe the coherence of the «sacred poem», both in itself and in its relationship with the Convivio and with other medieval philosophical sources.","downloadable_attachments":[{"id":49620372,"asset_id":29175222,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":29953332,"first_name":"Marco","last_name":"Signori","domain_name":"imtlucca","page_name":"MarcoSignori","display_name":"Marco Signori","profile_url":"https://imtlucca.academia.edu/MarcoSignori?f_ri=1758","photo":"https://0.academia-photos.com/29953332/8635442/38761832/s65_marco.signori.jpg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758","nofollow":true},{"id":89087,"name":"Dante's Studies","url":"https://www.academia.edu/Documents/in/Dantes_Studies?f_ri=1758","nofollow":true},{"id":469537,"name":"Dante's Philosophy","url":"https://www.academia.edu/Documents/in/Dantes_Philosophy?f_ri=1758","nofollow":true},{"id":559611,"name":"Epistle to Cangrande","url":"https://www.academia.edu/Documents/in/Epistle_to_Cangrande?f_ri=1758"},{"id":635333,"name":"Dante's Commedia","url":"https://www.academia.edu/Documents/in/Dantes_Commedia?f_ri=1758"},{"id":786665,"name":"Paradiso","url":"https://www.academia.edu/Documents/in/Paradiso?f_ri=1758"},{"id":2748570,"name":"Dante's Paradiso","url":"https://www.academia.edu/Documents/in/Dantes_Paradiso?f_ri=1758"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41294775" data-work_id="41294775" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41294775/Ottimo_Commento_alla_Commedia_Giovanni_Battista_Boccardo_Massimiliano_Corrado_Vittorio_Celotto_and_Ciro_Perna_eds_Rome_Salerno_2018_in_Bibliotheca_Dantesca_Journal_of_Dante_Studies_2_2019_pp_170_172">'Ottimo Commento alla Commedia.' Giovanni Battista Boccardo, Massimiliano Corrado, Vittorio Celotto, and Ciro Perna eds. Rome: Salerno, 2018." in 'Bibliotheca Dantesca: Journal of Dante Studies' 2 (2019), pp. 170-172</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41294775" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="65cb16cf060ca0f019a50f4c68ce98af" rel="nofollow" data-download="{"attachment_id":61511106,"asset_id":41294775,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61511106/download_file?st=MTc0MDU5MzYwMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="10372556" href="https://uah-es.academia.edu/NataleVacalebre">Natale Vacalebre</a><script data-card-contents-for-user="10372556" type="text/json">{"id":10372556,"first_name":"Natale","last_name":"Vacalebre","domain_name":"uah-es","page_name":"NataleVacalebre","display_name":"Natale Vacalebre","profile_url":"https://uah-es.academia.edu/NataleVacalebre?f_ri=1758","photo":"https://0.academia-photos.com/10372556/3161303/137823403/s65_natale.vacalebre.jpg"}</script></span></span></li><li class="js-paper-rank-work_41294775 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41294775"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41294775, container: ".js-paper-rank-work_41294775", }); 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Giovanni Battista Boccardo, Massimiliano Corrado, Vittorio Celotto, and Ciro Perna eds. Rome: Salerno, 2018.\" in 'Bibliotheca Dantesca: Journal of Dante Studies' 2 (2019), pp. 170-172","created_at":"2019-12-14T02:56:18.253-08:00","url":"https://www.academia.edu/41294775/Ottimo_Commento_alla_Commedia_Giovanni_Battista_Boccardo_Massimiliano_Corrado_Vittorio_Celotto_and_Ciro_Perna_eds_Rome_Salerno_2018_in_Bibliotheca_Dantesca_Journal_of_Dante_Studies_2_2019_pp_170_172?f_ri=1758","dom_id":"work_41294775","summary":null,"downloadable_attachments":[{"id":61511106,"asset_id":41294775,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":10372556,"first_name":"Natale","last_name":"Vacalebre","domain_name":"uah-es","page_name":"NataleVacalebre","display_name":"Natale Vacalebre","profile_url":"https://uah-es.academia.edu/NataleVacalebre?f_ri=1758","photo":"https://0.academia-photos.com/10372556/3161303/137823403/s65_natale.vacalebre.jpg"}],"research_interests":[{"id":97,"name":"Philology","url":"https://www.academia.edu/Documents/in/Philology?f_ri=1758","nofollow":true},{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=1758","nofollow":true},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=1758","nofollow":true},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=1758"},{"id":16909,"name":"Dante and the ancient commentaries tradition","url":"https://www.academia.edu/Documents/in/Dante_and_the_ancient_commentaries_tradition?f_ri=1758"},{"id":16920,"name":"Italian philology","url":"https://www.academia.edu/Documents/in/Italian_philology?f_ri=1758"},{"id":17725,"name":"Dante","url":"https://www.academia.edu/Documents/in/Dante?f_ri=1758"},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758"},{"id":41992,"name":"Filología","url":"https://www.academia.edu/Documents/in/Filolog%C3%ADa?f_ri=1758"},{"id":49055,"name":"Commentary","url":"https://www.academia.edu/Documents/in/Commentary?f_ri=1758"},{"id":89085,"name":"Filologia dantesca","url":"https://www.academia.edu/Documents/in/Filologia_dantesca?f_ri=1758"},{"id":136118,"name":"Florence","url":"https://www.academia.edu/Documents/in/Florence?f_ri=1758"},{"id":152157,"name":"Firenze","url":"https://www.academia.edu/Documents/in/Firenze?f_ri=1758"},{"id":229030,"name":"Letteratura italiana","url":"https://www.academia.edu/Documents/in/Letteratura_italiana?f_ri=1758"},{"id":237676,"name":"Filologia Italiana","url":"https://www.academia.edu/Documents/in/Filologia_Italiana?f_ri=1758"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_67825486" data-work_id="67825486" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/67825486/Dantes_Masterplot_and_Alternative_Narratives_in_the_Commedia_Oxford_OUP_2022_">Dante's Masterplot and Alternative Narratives in the 'Commedia' (Oxford: OUP, 2022)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">'Dante’s Masterplot and Alternative Narratives in the "Commedia"’ questions the familiar narrative arc at play in the writings of Dante Alighieri and opens his masterpiece to three alternative models that resist it. Dante’s masterplot is... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_67825486" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">'Dante’s Masterplot and Alternative Narratives in the "Commedia"’ questions the familiar narrative arc at play in the writings of Dante Alighieri and opens his masterpiece to three alternative models that resist it. Dante’s masterplot is the teleological trajectory by which the poet subordinates the past to the authority of a new experience. The book analyses the masterplot’s workings in Dante’s text and its role in the interpretation of the poem, and it documents its overwhelming success in influencing readings of the 'Commedia' over the centuries. The volume then explores three competing narrative models that resist and counter its monopoly which are enacted by paradoxes, alternative endings and parallel lives, and the future. By focusing on these non-linear modes of storytelling and testing the limits of linear narration, the book questions critical paradigms in the scholarship of the 'Commedia' that favour a single normative master truth, exposes their problematic authoritarian implications, and highlights the manifold poetic, theological, and ethical tensions that are often neglected due to the masterplot’s influence. The new picture of a vulnerable author and open-ended text that emerges from this study thus doubles as a metacritical reflection on the state of the field. The book’s impassioned argument is that, alongside established notions of his trademark plurality of linguistic registers and styles, Dante’s narrative pluralism can, and should, come to play a key role in contemporary and future readings of the 'Commedia'.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/67825486" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a9e083a11546221165ee251eddeada92" rel="nofollow" data-download="{"attachment_id":87981546,"asset_id":67825486,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/87981546/download_file?st=MTc0MDU5MzYwMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="38873368" href="https://cambridge.academia.edu/NicoloCrisafi">Nicolò Crisafi</a><script data-card-contents-for-user="38873368" type="text/json">{"id":38873368,"first_name":"Nicolò","last_name":"Crisafi","domain_name":"cambridge","page_name":"NicoloCrisafi","display_name":"Nicolò Crisafi","profile_url":"https://cambridge.academia.edu/NicoloCrisafi?f_ri=1758","photo":"https://0.academia-photos.com/38873368/10765340/30714946/s65_nicol_.crisafi.jpg"}</script></span></span></li><li class="js-paper-rank-work_67825486 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="67825486"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 67825486, container: ".js-paper-rank-work_67825486", }); 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Dante’s masterplot is the teleological trajectory by which the poet subordinates the past to the authority of a new experience. The book analyses the masterplot’s workings in Dante’s text and its role in the interpretation of the poem, and it documents its overwhelming success in influencing readings of the 'Commedia' over the centuries. The volume then explores three competing narrative models that resist and counter its monopoly which are enacted by paradoxes, alternative endings and parallel lives, and the future. By focusing on these non-linear modes of storytelling and testing the limits of linear narration, the book questions critical paradigms in the scholarship of the 'Commedia' that favour a single normative master truth, exposes their problematic authoritarian implications, and highlights the manifold poetic, theological, and ethical tensions that are often neglected due to the masterplot’s influence. The new picture of a vulnerable author and open-ended text that emerges from this study thus doubles as a metacritical reflection on the state of the field. The book’s impassioned argument is that, alongside established notions of his trademark plurality of linguistic registers and styles, Dante’s narrative pluralism can, and should, come to play a key role in contemporary and future readings of the 'Commedia'.","downloadable_attachments":[{"id":87981546,"asset_id":67825486,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":38873368,"first_name":"Nicolò","last_name":"Crisafi","domain_name":"cambridge","page_name":"NicoloCrisafi","display_name":"Nicolò Crisafi","profile_url":"https://cambridge.academia.edu/NicoloCrisafi?f_ri=1758","photo":"https://0.academia-photos.com/38873368/10765340/30714946/s65_nicol_.crisafi.jpg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=1758","nofollow":true},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=1758","nofollow":true},{"id":19818,"name":"Narrative Theory","url":"https://www.academia.edu/Documents/in/Narrative_Theory?f_ri=1758","nofollow":true},{"id":21544,"name":"Medieval Italian Literature","url":"https://www.academia.edu/Documents/in/Medieval_Italian_Literature?f_ri=1758"},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_28436681" data-work_id="28436681" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/28436681/Per_la_formazione_intellettuale_di_Dante_i_cataloghi_librari_le_tracce_testuali_il_Trattatello_di_Boccaccio">Per la formazione intellettuale di Dante: i cataloghi librari, le tracce testuali, il 'Trattatello' di Boccaccio</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Autorizzazione del Tribunale di Pisa n. 14 del 10.11.2014</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/28436681" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2cd5d74c0991a19ecc17e1d6c3330186" rel="nofollow" data-download="{"attachment_id":52448936,"asset_id":28436681,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/52448936/download_file?st=MTc0MDU5MzYwMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1759617" href="https://durham.academia.edu/LorenzoDellOso">Lorenzo Dell’Oso</a><script data-card-contents-for-user="1759617" type="text/json">{"id":1759617,"first_name":"Lorenzo","last_name":"Dell’Oso","domain_name":"durham","page_name":"LorenzoDellOso","display_name":"Lorenzo Dell’Oso","profile_url":"https://durham.academia.edu/LorenzoDellOso?f_ri=1758","photo":"https://0.academia-photos.com/1759617/603426/71597358/s65_lorenzo.dell_oso.jpeg"}</script></span></span></li><li class="js-paper-rank-work_28436681 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="28436681"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 28436681, container: ".js-paper-rank-work_28436681", }); 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III, a cura di Gabrio Forti, Claudia Mazzucato, Arianna Visconti con il Gruppo di ricerca del Centro Studi “Federico Stella” sulla Giustizia penale e la Politica criminale, Miano, Vita e Pensiero, 2016, pp. 172-190</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Il Dante personaggio conosce, anche sul tema della giustizia, un itinerario di conversione: nell’Inferno aderisce, anche attivamente, alla giustizia retributiva che deriva direttamente da Lucifero e che egli è portato a far coincidere con... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_23173809" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Il Dante personaggio conosce, anche sul tema della giustizia, un itinerario di conversione: nell’Inferno aderisce, anche attivamente, alla giustizia retributiva che deriva direttamente da Lucifero e che egli è portato a far coincidere con la giustizia divina; nel Purgatorio condivide - nei gesti, nelle parole, nel tono - la giustizia riparativa, che ricuce le relazioni infrante dal peccato; nel Paradiso riconosce, con un atto di fede, di quella fede che viene in soccorso alla ragione, l’eccedenza della giustizia/misericordia di Dio rispetto alle categorie umane. <br />Per il Dante autore, spiegare al lettore la teoria e la prassi della giustizia retributiva applicata nell’Inferno non è difficile; più difficile, ma non troppo, indurlo ad accettare una concezione di giustizia non più rigidamente formale e prevedibile, ma traversata e aperta e modificata dall’amore che perdona e che salva. Il vero problema lo pone ciò che Dante apprende nel Paradiso: come comunicare al lettore l’idea della incomprensibilità e nel contempo della profonda verità della misericordiosa giustizia di Dio? Il Dante autore rinuncia a razionalizzare e a verbalizzare ciò che non lo è; decide invece, con uno dei suoi colpi di genio, di riprodurlo nel proprio poema. Come Dio pone davanti al pellegrino dei dannati che il giudizio del mondo presumeva salvi e, per converso, dei penitenti o dei beati che si supponevano condannati, fino al caso scandaloso di Rifeo, allo stesso modo il Dante autore, costruendo la propria opera, pone di fronte al lettore dei veri e propri enigmi: dal Dante personaggio stesso, di fatto condannato dal “duro giudicio” di Dio eppure fatto salvo, al suicida e pagano e anticesariano Catone, custode dell’intero Purgatorio.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/23173809" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5b2cbf64a5fea3d9ef9b2c0e19374803" rel="nofollow" data-download="{"attachment_id":43659328,"asset_id":23173809,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/43659328/download_file?st=MTc0MDU5MzYwMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="27382042" href="https://unicatt.academia.edu/PierantonioFrare">Pierantonio Frare</a><script data-card-contents-for-user="27382042" type="text/json">{"id":27382042,"first_name":"Pierantonio","last_name":"Frare","domain_name":"unicatt","page_name":"PierantonioFrare","display_name":"Pierantonio Frare","profile_url":"https://unicatt.academia.edu/PierantonioFrare?f_ri=1758","photo":"https://0.academia-photos.com/27382042/11935045/13299176/s65_pierantonio.frare.jpg"}</script></span></span></li><li class="js-paper-rank-work_23173809 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="23173809"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 23173809, container: ".js-paper-rank-work_23173809", }); 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III, a cura di Gabrio Forti, Claudia Mazzucato, Arianna Visconti con il Gruppo di ricerca del Centro Studi “Federico Stella” sulla Giustizia penale e la Politica criminale, Miano, Vita e Pensiero, 2016, pp. 172-190","created_at":"2016-03-12T08:16:09.824-08:00","url":"https://www.academia.edu/23173809/La_giustizia_della_Commedia_in_Giustizia_e_letteratura_III_a_cura_di_Gabrio_Forti_Claudia_Mazzucato_Arianna_Visconti_con_il_Gruppo_di_ricerca_del_Centro_Studi_Federico_Stella_sulla_Giustizia_penale_e_la_Politica_criminale_Miano_Vita_e_Pensiero_2016_pp_172_190?f_ri=1758","dom_id":"work_23173809","summary":"Il Dante personaggio conosce, anche sul tema della giustizia, un itinerario di conversione: nell’Inferno aderisce, anche attivamente, alla giustizia retributiva che deriva direttamente da Lucifero e che egli è portato a far coincidere con la giustizia divina; nel Purgatorio condivide - nei gesti, nelle parole, nel tono - la giustizia riparativa, che ricuce le relazioni infrante dal peccato; nel Paradiso riconosce, con un atto di fede, di quella fede che viene in soccorso alla ragione, l’eccedenza della giustizia/misericordia di Dio rispetto alle categorie umane. \nPer il Dante autore, spiegare al lettore la teoria e la prassi della giustizia retributiva applicata nell’Inferno non è difficile; più difficile, ma non troppo, indurlo ad accettare una concezione di giustizia non più rigidamente formale e prevedibile, ma traversata e aperta e modificata dall’amore che perdona e che salva. Il vero problema lo pone ciò che Dante apprende nel Paradiso: come comunicare al lettore l’idea della incomprensibilità e nel contempo della profonda verità della misericordiosa giustizia di Dio? Il Dante autore rinuncia a razionalizzare e a verbalizzare ciò che non lo è; decide invece, con uno dei suoi colpi di genio, di riprodurlo nel proprio poema. Come Dio pone davanti al pellegrino dei dannati che il giudizio del mondo presumeva salvi e, per converso, dei penitenti o dei beati che si supponevano condannati, fino al caso scandaloso di Rifeo, allo stesso modo il Dante autore, costruendo la propria opera, pone di fronte al lettore dei veri e propri enigmi: dal Dante personaggio stesso, di fatto condannato dal “duro giudicio” di Dio eppure fatto salvo, al suicida e pagano e anticesariano Catone, custode dell’intero Purgatorio.\n","downloadable_attachments":[{"id":43659328,"asset_id":23173809,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":27382042,"first_name":"Pierantonio","last_name":"Frare","domain_name":"unicatt","page_name":"PierantonioFrare","display_name":"Pierantonio Frare","profile_url":"https://unicatt.academia.edu/PierantonioFrare?f_ri=1758","photo":"https://0.academia-photos.com/27382042/11935045/13299176/s65_pierantonio.frare.jpg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758","nofollow":true},{"id":134496,"name":"Dante's Inferno","url":"https://www.academia.edu/Documents/in/Dantes_Inferno?f_ri=1758","nofollow":true},{"id":630476,"name":"Filologia E Critica Dantesca","url":"https://www.academia.edu/Documents/in/Filologia_E_Critica_Dantesca?f_ri=1758","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_66980249" data-work_id="66980249" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/66980249/Rese%C3%B1a_de_La_palabra_deseada_La_Divina_comedia_en_el_mundo_contempor%C3%A1neo_en_La_Naci%C3%B3n">Reseña de "La palabra deseada: La Divina comedia en el mundo contemporáneo", en La Nación</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Como si no hubiera sido suficiente con la publicación de una nueva traducción de la Comedia (una de referencia: la de Claudia Fernández Speier), los 700 años de la muerte de Dante Alighieri trajeron también uno de esos ensayos que... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_66980249" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Como si no hubiera sido suficiente con la publicación de una nueva traducción de la Comedia (una de referencia: la de Claudia Fernández Speier), los 700 años de la muerte de Dante Alighieri trajeron también uno de esos ensayos que aparecen muy cada tanto (y cada tanto es cada vez menos). Me refiero a La palabra deseada. La Divina comedia en el mundo contemporáneo, recién salido con el sello Mardulce, del argentino Mariano Pérez Carrasco.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/66980249" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="528636695684a03a2e0f31f4f198f217" rel="nofollow" data-download="{"attachment_id":77973002,"asset_id":66980249,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/77973002/download_file?st=MTc0MDU5MzYwMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1957804" href="https://conicet.academia.edu/MarianoPerezCarrasco">Mariano Pérez Carrasco</a><script data-card-contents-for-user="1957804" type="text/json">{"id":1957804,"first_name":"Mariano","last_name":"Pérez Carrasco","domain_name":"conicet","page_name":"MarianoPerezCarrasco","display_name":"Mariano Pérez Carrasco","profile_url":"https://conicet.academia.edu/MarianoPerezCarrasco?f_ri=1758","photo":"https://0.academia-photos.com/1957804/2751411/48324123/s65_mariano.p_rez_carrasco.jpeg"}</script></span></span></li><li class="js-paper-rank-work_66980249 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="66980249"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 66980249, container: ".js-paper-rank-work_66980249", }); 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$(".js-view-count[data-work-id=66980249]").text(description); $(".js-view-count-work_66980249").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_66980249").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="66980249"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1758" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Studies">Dante Studies</a>, <script data-card-contents-for-ri="1758" type="text/json">{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="27834" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Alighieri">Dante Alighieri</a><script data-card-contents-for-ri="27834" type="text/json">{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=66980249]'), work: {"id":66980249,"title":"Reseña de \"La palabra deseada: La Divina comedia en el mundo contemporáneo\", en La Nación","created_at":"2022-01-03T13:51:11.821-08:00","url":"https://www.academia.edu/66980249/Rese%C3%B1a_de_La_palabra_deseada_La_Divina_comedia_en_el_mundo_contempor%C3%A1neo_en_La_Naci%C3%B3n?f_ri=1758","dom_id":"work_66980249","summary":"Como si no hubiera sido suficiente con la publicación de una nueva traducción de la Comedia (una de referencia: la de Claudia Fernández Speier), los 700 años de la muerte de Dante Alighieri trajeron también uno de esos ensayos que aparecen muy cada tanto (y cada tanto es cada vez menos). Me refiero a La palabra deseada. La Divina comedia en el mundo contemporáneo, recién salido con el sello Mardulce, del argentino Mariano Pérez Carrasco.","downloadable_attachments":[{"id":77973002,"asset_id":66980249,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1957804,"first_name":"Mariano","last_name":"Pérez Carrasco","domain_name":"conicet","page_name":"MarianoPerezCarrasco","display_name":"Mariano Pérez Carrasco","profile_url":"https://conicet.academia.edu/MarianoPerezCarrasco?f_ri=1758","photo":"https://0.academia-photos.com/1957804/2751411/48324123/s65_mariano.p_rez_carrasco.jpeg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1626544" data-work_id="1626544" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1626544/Kinsella_contra_Dante_Who_was_ousted_so_hell_could_be_installed_">Kinsella contra Dante: ‘Who was ousted so hell could be installed?’</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">"When Ezra Pound quipped in a letter to R.P. Blackmur in 1924 that ‘one can no longer put Mt Purgatory forty miles high in the midst of Australian sheep land’, he was of course mocking the medieval cosmography of Dante’s La Divina... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1626544" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">"When Ezra Pound quipped in a letter to R.P. Blackmur in 1924 that ‘one can no longer put Mt Purgatory forty miles high in the midst of Australian sheep land’, he was of course mocking the medieval cosmography of Dante’s La Divina Commedia, which locates Mount Purgatory in the Antipodes..."</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1626544" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e1aefe4647c298d66a3e49e2d1f6f535" rel="nofollow" data-download="{"attachment_id":16857285,"asset_id":1626544,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/16857285/download_file?st=MTc0MDU5MzYwMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1897476" href="https://cambridge.academia.edu/JayaSavige">Jaya Savige</a><script data-card-contents-for-user="1897476" type="text/json">{"id":1897476,"first_name":"Jaya","last_name":"Savige","domain_name":"cambridge","page_name":"JayaSavige","display_name":"Jaya Savige","profile_url":"https://cambridge.academia.edu/JayaSavige?f_ri=1758","photo":"https://0.academia-photos.com/1897476/642322/19202665/s65_jaya.savige.jpg"}</script></span></span></li><li class="js-paper-rank-work_1626544 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1626544"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1626544, container: ".js-paper-rank-work_1626544", }); 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$(".js-view-count[data-work-id=1626544]").text(description); $(".js-view-count-work_1626544").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1626544").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1626544"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="926" rel="nofollow" href="https://www.academia.edu/Documents/in/Indigenous_Studies">Indigenous Studies</a>, <script data-card-contents-for-ri="926" type="text/json">{"id":926,"name":"Indigenous Studies","url":"https://www.academia.edu/Documents/in/Indigenous_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="927" rel="nofollow" href="https://www.academia.edu/Documents/in/Indigenous_or_Aboriginal_Studies">Indigenous or Aboriginal Studies</a>, <script data-card-contents-for-ri="927" type="text/json">{"id":927,"name":"Indigenous or Aboriginal Studies","url":"https://www.academia.edu/Documents/in/Indigenous_or_Aboriginal_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1758" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Studies">Dante Studies</a>, <script data-card-contents-for-ri="1758" type="text/json">{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="9792" rel="nofollow" href="https://www.academia.edu/Documents/in/Translation_of_Poetry">Translation of Poetry</a><script data-card-contents-for-ri="9792" type="text/json">{"id":9792,"name":"Translation of Poetry","url":"https://www.academia.edu/Documents/in/Translation_of_Poetry?f_ri=1758","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1626544]'), work: {"id":1626544,"title":"Kinsella contra Dante: ‘Who was ousted so hell could be installed?’","created_at":"2012-06-06T11:48:37.067-07:00","url":"https://www.academia.edu/1626544/Kinsella_contra_Dante_Who_was_ousted_so_hell_could_be_installed_?f_ri=1758","dom_id":"work_1626544","summary":"\"When Ezra Pound quipped in a letter to R.P. Blackmur in 1924 that ‘one can no longer put Mt Purgatory forty miles high in the midst of Australian sheep land’, he was of course mocking the medieval cosmography of Dante’s La Divina Commedia, which locates Mount Purgatory in the Antipodes...\"","downloadable_attachments":[{"id":16857285,"asset_id":1626544,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1897476,"first_name":"Jaya","last_name":"Savige","domain_name":"cambridge","page_name":"JayaSavige","display_name":"Jaya Savige","profile_url":"https://cambridge.academia.edu/JayaSavige?f_ri=1758","photo":"https://0.academia-photos.com/1897476/642322/19202665/s65_jaya.savige.jpg"}],"research_interests":[{"id":926,"name":"Indigenous Studies","url":"https://www.academia.edu/Documents/in/Indigenous_Studies?f_ri=1758","nofollow":true},{"id":927,"name":"Indigenous or Aboriginal Studies","url":"https://www.academia.edu/Documents/in/Indigenous_or_Aboriginal_Studies?f_ri=1758","nofollow":true},{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":9792,"name":"Translation of Poetry","url":"https://www.academia.edu/Documents/in/Translation_of_Poetry?f_ri=1758","nofollow":true},{"id":12091,"name":"Twentieth-Century and Contemporary Poetry","url":"https://www.academia.edu/Documents/in/Twentieth-Century_and_Contemporary_Poetry?f_ri=1758"},{"id":21325,"name":"Ecopoetics","url":"https://www.academia.edu/Documents/in/Ecopoetics?f_ri=1758"},{"id":26685,"name":"Poetry Translation","url":"https://www.academia.edu/Documents/in/Poetry_Translation?f_ri=1758"},{"id":27997,"name":"Australian Literature","url":"https://www.academia.edu/Documents/in/Australian_Literature?f_ri=1758"},{"id":329110,"name":"Contemporary Australian Poetry","url":"https://www.academia.edu/Documents/in/Contemporary_Australian_Poetry?f_ri=1758"},{"id":1000951,"name":"Poetry and Translation","url":"https://www.academia.edu/Documents/in/Poetry_and_Translation?f_ri=1758"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40240368" data-work_id="40240368" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40240368/Lingua_commedia_e_scienza_giuridica_nel_commento_dantesco_di_Alberico_da_Rosciate">Lingua, commedia e scienza giuridica nel commento dantesco di Alberico da Rosciate</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">XXIII Congresso Nazionale Associazione degli Italianisti, Pisa, 12-14 settembre 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Suggestioni dantesche in Montale</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Il dantismo montaliano è un chiaro esempio della capacità di un grande lettore di immergersi nella suggestione della Commedia e di farla propria senza l’illusione di volerla rifare. L’intervento si focalizza su due casi in cui memoria di... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39914119" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Il dantismo montaliano è un chiaro esempio della capacità di un grande lettore di immergersi nella suggestione della Commedia e di farla propria senza l’illusione di volerla rifare. L’intervento si focalizza su due casi in cui memoria di Dante e valore della memoria, temi cari a Montale, si compenetrano creando nuove soluzioni. In Sul limite (1946), prosa raccolta in Farfalla di Dinard, Montale, nella struttura e nel tema, rielabora un’atmosfera da Purgatorio dantesco che diventa preludio necessario alla lettura di Voce giunta con le folaghe (1947), raccolta nella Bufera. Un ardito volo transoceanico ci può condurre ad un altro lettore di Dante: Borges che nel 1964 riscrive, forse proprio alla luce delle letture dantesche, la poesia Limites. Per Montale e Borges al di là del tempo non c’è che un “vuoto inabitato”, un vuoto ed una nostalgia di fede che il senso della perfetta costruzione dantesca sembra poter in qualche misura colmare.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39914119" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7e4bf0e0a6a751da3e86e0eb553233aa" rel="nofollow" data-download="{"attachment_id":60102167,"asset_id":39914119,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60102167/download_file?st=MTc0MDU5MzYwMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3612750" href="https://unina.academia.edu/MariaSilviaAssante">Maria Silvia Assante</a><script data-card-contents-for-user="3612750" type="text/json">{"id":3612750,"first_name":"Maria Silvia","last_name":"Assante","domain_name":"unina","page_name":"MariaSilviaAssante","display_name":"Maria Silvia Assante","profile_url":"https://unina.academia.edu/MariaSilviaAssante?f_ri=1758","photo":"https://0.academia-photos.com/3612750/1262817/1574037/s65_maria_silvia.assante.jpg"}</script></span></span></li><li class="js-paper-rank-work_39914119 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39914119"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39914119, container: ".js-paper-rank-work_39914119", }); 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Suggestioni dantesche in Montale","created_at":"2019-07-24T06:17:45.539-07:00","url":"https://www.academia.edu/39914119/Sul_limite_del_limite_Suggestioni_dantesche_in_Montale?f_ri=1758","dom_id":"work_39914119","summary":"Il dantismo montaliano è un chiaro esempio della capacità di un grande lettore di immergersi nella suggestione della Commedia e di farla propria senza l’illusione di volerla rifare. L’intervento si focalizza su due casi in cui memoria di Dante e valore della memoria, temi cari a Montale, si compenetrano creando nuove soluzioni. In Sul limite (1946), prosa raccolta in Farfalla di Dinard, Montale, nella struttura e nel tema, rielabora un’atmosfera da Purgatorio dantesco che diventa preludio necessario alla lettura di Voce giunta con le folaghe (1947), raccolta nella Bufera. Un ardito volo transoceanico ci può condurre ad un altro lettore di Dante: Borges che nel 1964 riscrive, forse proprio alla luce delle letture dantesche, la poesia Limites. Per Montale e Borges al di là del tempo non c’è che un “vuoto inabitato”, un vuoto ed una nostalgia di fede che il senso della perfetta costruzione dantesca sembra poter in qualche misura colmare.","downloadable_attachments":[{"id":60102167,"asset_id":39914119,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3612750,"first_name":"Maria Silvia","last_name":"Assante","domain_name":"unina","page_name":"MariaSilviaAssante","display_name":"Maria Silvia Assante","profile_url":"https://unina.academia.edu/MariaSilviaAssante?f_ri=1758","photo":"https://0.academia-photos.com/3612750/1262817/1574037/s65_maria_silvia.assante.jpg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":15514,"name":"Contemporary Literature","url":"https://www.academia.edu/Documents/in/Contemporary_Literature?f_ri=1758","nofollow":true},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758","nofollow":true},{"id":40013,"name":"Eugenio Montale","url":"https://www.academia.edu/Documents/in/Eugenio_Montale?f_ri=1758","nofollow":true},{"id":69388,"name":"Letteratura italiana moderna e contemporanea","url":"https://www.academia.edu/Documents/in/Letteratura_italiana_moderna_e_contemporanea?f_ri=1758"},{"id":89085,"name":"Filologia dantesca","url":"https://www.academia.edu/Documents/in/Filologia_dantesca?f_ri=1758"},{"id":118304,"name":"Lingua E Letteratura Italiana","url":"https://www.academia.edu/Documents/in/Lingua_E_Letteratura_Italiana?f_ri=1758"},{"id":229030,"name":"Letteratura italiana","url":"https://www.academia.edu/Documents/in/Letteratura_italiana?f_ri=1758"},{"id":629642,"name":"Divina Commedia","url":"https://www.academia.edu/Documents/in/Divina_Commedia?f_ri=1758"},{"id":957248,"name":"La Farfalla Di Dinard","url":"https://www.academia.edu/Documents/in/La_Farfalla_Di_Dinard?f_ri=1758"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_27834039" data-work_id="27834039" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/27834039/Lettura_del_quinto_canto_dellInferno">Lettura del quinto canto dell'Inferno</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Se poco prima Dante si era sentito accolto «sesto tra cotanto senno» (Inf., IV 102), pare che nel quinto canto dell’Inferno, egli abbia la prima vera occasione di corrispondere a quell’onorevole privilegio. Dunque, davanti a Virgilio,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_27834039" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Se poco prima Dante si era sentito accolto «sesto tra cotanto senno» (Inf., IV 102), pare che nel quinto canto dell’Inferno, egli abbia la prima vera occasione di corrispondere a quell’onorevole privilegio. Dunque, davanti a Virgilio, giudice unico di questo certame letterario, il nuovo poeta entra nell’agone, consapevole di legittimare quell’epiteto se la sua poesia saprà trasformare una sconosciuta relazione tra un uomo e una donna in un nuovo mito d’amore e di morte. L’amore di Francesca e del suo compagno è un amore irresistibile, esclusivo, duraturo, così intenso che non si arresta nemmeno con la morte, caratteri che furono prerogative pure dell’amore di Dante per Beatrice. Non possono non stupire, allora, i fitti contatti tra Inf., V e Purg., XXX-XXXI, quando l’appena ritrovata Beatrice rimprovera l’agens per i suoi traviamenti. Per amore ci si perde e per amore ci si salva: il crinale è stretto. Il fedele consiglio della ragione può orientarlo, ma l’uomo è fragile. Se la Commedia è il poema dell’amore, Francesca – l’unica donna ad aver voce nell’inferno a parte (e non certo casualmente) Beatrice – ha un compito decisivo, cosicché l’episodio degli amanti menati dal vento come colombe si irradia in punti nevralgici dell’intera opera.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/27834039" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7bf7df1825a00e8eb199f3d9ac8de2e9" rel="nofollow" data-download="{"attachment_id":48117881,"asset_id":27834039,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/48117881/download_file?st=MTc0MDU5MzYwMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7350178" href="https://uni-mi.academia.edu/DonatoPirovano">Donato Pirovano</a><script data-card-contents-for-user="7350178" type="text/json">{"id":7350178,"first_name":"Donato","last_name":"Pirovano","domain_name":"uni-mi","page_name":"DonatoPirovano","display_name":"Donato Pirovano","profile_url":"https://uni-mi.academia.edu/DonatoPirovano?f_ri=1758","photo":"https://0.academia-photos.com/7350178/13799386/14898025/s65_donato.pirovano.jpg"}</script></span></span></li><li class="js-paper-rank-work_27834039 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="27834039"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 27834039, container: ".js-paper-rank-work_27834039", }); 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$(".js-view-count[data-work-id=27834039]").text(description); $(".js-view-count-work_27834039").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_27834039").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="27834039"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="1758" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Studies">Dante Studies</a><script data-card-contents-for-ri="1758" type="text/json">{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=27834039]'), work: {"id":27834039,"title":"Lettura del quinto canto dell'Inferno","created_at":"2016-08-17T06:04:44.765-07:00","url":"https://www.academia.edu/27834039/Lettura_del_quinto_canto_dellInferno?f_ri=1758","dom_id":"work_27834039","summary":"Se poco prima Dante si era sentito accolto «sesto tra cotanto senno» (Inf., IV 102), pare che nel quinto canto dell’Inferno, egli abbia la prima vera occasione di corrispondere a quell’onorevole privilegio. Dunque, davanti a Virgilio, giudice unico di questo certame letterario, il nuovo poeta entra nell’agone, consapevole di legittimare quell’epiteto se la sua poesia saprà trasformare una sconosciuta relazione tra un uomo e una donna in un nuovo mito d’amore e di morte. L’amore di Francesca e del suo compagno è un amore irresistibile, esclusivo, duraturo, così intenso che non si arresta nemmeno con la morte, caratteri che furono prerogative pure dell’amore di Dante per Beatrice. Non possono non stupire, allora, i fitti contatti tra Inf., V e Purg., XXX-XXXI, quando l’appena ritrovata Beatrice rimprovera l’agens per i suoi traviamenti. Per amore ci si perde e per amore ci si salva: il crinale è stretto. Il fedele consiglio della ragione può orientarlo, ma l’uomo è fragile. Se la Commedia è il poema dell’amore, Francesca – l’unica donna ad aver voce nell’inferno a parte (e non certo casualmente) Beatrice – ha un compito decisivo, cosicché l’episodio degli amanti menati dal vento come colombe si irradia in punti nevralgici dell’intera opera.","downloadable_attachments":[{"id":48117881,"asset_id":27834039,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":7350178,"first_name":"Donato","last_name":"Pirovano","domain_name":"uni-mi","page_name":"DonatoPirovano","display_name":"Donato Pirovano","profile_url":"https://uni-mi.academia.edu/DonatoPirovano?f_ri=1758","photo":"https://0.academia-photos.com/7350178/13799386/14898025/s65_donato.pirovano.jpg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44548767" data-work_id="44548767" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44548767/_Per_mezza_Toscana_si_spazia_un_fiumicel_Pg_XIV_17_18_La_Firenze_di_Dante_lArno_e_il_mare_storia_di_unaspirazione_e_di_una_metafora_dolente_in_Dante_il_mare_Convegno_internazionale_Genova_2_3_dicembre_2019_a_cura_di_G_Alvino_A_Ferrando_F_Valese_Genova_2022_pp_137_157">«Per mezza Toscana si spazia un fiumicel» (Pg. XIV 17-18). La Firenze di Dante, l'Arno e il mare: storia di un'aspirazione e di una metafora dolente, in Dante, il mare (Convegno internazionale, Genova 2-3 dicembre 2019), a cura di G. Alvino, A. Ferrando, F. Valese, Genova, 2022, pp. 137-157.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44548767" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="cdb7749e6f20c09591648a5ae4a6e79c" rel="nofollow" data-download="{"attachment_id":111142998,"asset_id":44548767,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/111142998/download_file?st=MTc0MDU5MzYwMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1243792" href="https://isime.academia.edu/GiampaoloFrancesconi">Giampaolo Francesconi</a><script data-card-contents-for-user="1243792" type="text/json">{"id":1243792,"first_name":"Giampaolo","last_name":"Francesconi","domain_name":"isime","page_name":"GiampaoloFrancesconi","display_name":"Giampaolo Francesconi","profile_url":"https://isime.academia.edu/GiampaoloFrancesconi?f_ri=1758","photo":"https://0.academia-photos.com/1243792/1009290/1262012/s65_giampaolo.francesconi.jpg"}</script></span></span></li><li class="js-paper-rank-work_44548767 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44548767"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44548767, container: ".js-paper-rank-work_44548767", }); 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Territorio","url":"https://www.academia.edu/Documents/in/Storia_Della_Citt%C3%A0_e_Del_Territorio?f_ri=1758"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42876106" data-work_id="42876106" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42876106/LINO_PERTILE_Inferno_XXVI_morte_di_Ulisse_e_rovina_dellOdissea">LINO PERTILE Inferno XXVI: morte di Ulisse e rovina dell'Odissea</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Dall’esame di alcuni punti d’incontro tra Ulisse dantesco e Odisseo omerico a partire da Inf. I 91, sembrerebbe ragionevole ipotizzare che Dante avesse qualche conoscenza dell’episodio omerico di Circe e del viaggio di Odisseo agli... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42876106" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Dall’esame di alcuni punti d’incontro tra Ulisse dantesco e Odisseo omerico a partire da Inf. I 91, sembrerebbe ragionevole ipotizzare che Dante avesse qualche conoscenza dell’episodio omerico di Circe e del viaggio di Odisseo agli Inferi. Più significative delle affinità sembrano però le differenze. Nel contesto di queste ultime l’A. considera la possibilità, suggerita da vari studiosi, che Dante fosse a conoscenza di una variante del mito omerico secondo la quale Odisseo sarebbe uscito dal Mediterraneo per raggiungere la terra dei morti. Ma come poteva Dante conoscere varianti del mito senza conoscere il mito stesso? L’A. sostiene che in ogni caso qualsiasi variante dell’Odissea che contempli la morte di Ulisse prima che rientri a Itaca, come avviene nel racconto dantesco, mina la struttura stessa del poema omerico, in quanto, se Ulisse non giunge all’isola dei Feaci, non può nemmeno raccontare le sue avventure. Presenta infine un saggio di Enrico Fenzi che prova quanto quella di Ulisse sia figura positiva per Petrarca, e suggerisce che l’Ulisse dantesco viene condotto alla morte non dai suoi vizi ma dalle sue virtù, e per questo appunto la sua fine è tragica.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42876106" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="bfe08c37dbd01f6ecbbc170613f590a8" rel="nofollow" data-download="{"attachment_id":63117987,"asset_id":42876106,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63117987/download_file?st=MTc0MDU5MzYwMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="25441631" href="https://harvard.academia.edu/linopertile">lino pertile</a><script data-card-contents-for-user="25441631" type="text/json">{"id":25441631,"first_name":"lino","last_name":"pertile","domain_name":"harvard","page_name":"linopertile","display_name":"lino pertile","profile_url":"https://harvard.academia.edu/linopertile?f_ri=1758","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_42876106 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42876106"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42876106, container: ".js-paper-rank-work_42876106", }); 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I 91, sembrerebbe ragionevole ipotizzare che Dante avesse qualche conoscenza dell’episodio omerico di Circe e del viaggio di Odisseo agli Inferi. Più significative delle affinità sembrano però le differenze. Nel contesto di queste ultime l’A. considera la possibilità, suggerita da vari studiosi, che Dante fosse a conoscenza di una variante del mito omerico secondo la quale Odisseo sarebbe uscito dal Mediterraneo per raggiungere la terra dei morti. Ma come poteva Dante conoscere varianti del mito senza conoscere il mito stesso? L’A. sostiene che in ogni caso qualsiasi variante dell’Odissea che contempli la morte di Ulisse prima che rientri a Itaca, come avviene nel racconto dantesco, mina la struttura stessa del poema omerico, in quanto, se Ulisse non giunge all’isola dei Feaci, non può nemmeno raccontare le sue avventure. Presenta infine un saggio di Enrico Fenzi che prova quanto quella di Ulisse sia figura positiva per Petrarca, e suggerisce che l’Ulisse dantesco viene condotto alla morte non dai suoi vizi ma dalle sue virtù, e per questo appunto la sua fine è tragica.","downloadable_attachments":[{"id":63117987,"asset_id":42876106,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":25441631,"first_name":"lino","last_name":"pertile","domain_name":"harvard","page_name":"linopertile","display_name":"lino pertile","profile_url":"https://harvard.academia.edu/linopertile?f_ri=1758","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":89085,"name":"Filologia dantesca","url":"https://www.academia.edu/Documents/in/Filologia_dantesca?f_ri=1758","nofollow":true},{"id":3636196,"name":"Odisseo e Ulisse","url":"https://www.academia.edu/Documents/in/Odisseo_e_Ulisse?f_ri=1758","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_5780353" data-work_id="5780353" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/5780353/La_tradizione_e_il_testo_del_carme_Ytalie_iam_certus_honos_di_Giovanni_Boccaccio_Studi_sul_Boccaccio_41_2013_pp_1_111_in_coll_">La tradizione e il testo del carme «Ytalie iam certus honos» di Giovanni Boccaccio, «Studi sul Boccaccio», 41 (2013), pp. 1-111 (in coll.)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Appena tornato a Firenze [sc. da Padova, nell'aprile 1351] il Boccaccio si propose di donare al suo ospite, forse una copia della corrispondenza tra Dante e Giovanni del Virgilio, certo un esemplare della Commedia. E da uno scrittoio... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_5780353" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Appena tornato a Firenze [sc. da Padova, nell'aprile 1351] il Boccaccio si propose di donare al suo ospite, forse una copia della corrispondenza tra Dante e Giovanni del Virgilio, certo un esemplare della Commedia. E da uno scrittoio donde un'ampia serie di codici del poema di Dante si diffuse a Firenze e nella Toscana prima e subito dopo la metà del Trecento si procurò l'attuale Vaticano Latino 3199, dove volle premettere un suo carme di presentazione del dono e di elogio del poeta della Commedia: "Ytalie iam certus honos, cui tempora lauro…" 1 .</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/5780353" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="311a1bb182b0a1a62602d8a07d4baaa5" rel="nofollow" data-download="{"attachment_id":34460383,"asset_id":5780353,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/34460383/download_file?st=MTc0MDU5MzYwMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6900768" href="https://ferrara.academia.edu/SandroBertelli">Sandro Bertelli</a><script data-card-contents-for-user="6900768" type="text/json">{"id":6900768,"first_name":"Sandro","last_name":"Bertelli","domain_name":"ferrara","page_name":"SandroBertelli","display_name":"Sandro Bertelli","profile_url":"https://ferrara.academia.edu/SandroBertelli?f_ri=1758","photo":"https://0.academia-photos.com/6900768/2851204/3329478/s65_sandro.bertelli.jpg"}</script></span></span></li><li class="js-paper-rank-work_5780353 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="5780353"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 5780353, container: ".js-paper-rank-work_5780353", }); 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E da uno scrittoio donde un'ampia serie di codici del poema di Dante si diffuse a Firenze e nella Toscana prima e subito dopo la metà del Trecento si procurò l'attuale Vaticano Latino 3199, dove volle premettere un suo carme di presentazione del dono e di elogio del poeta della Commedia: \"Ytalie iam certus honos, cui tempora lauro…\" 1 .","downloadable_attachments":[{"id":34460383,"asset_id":5780353,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6900768,"first_name":"Sandro","last_name":"Bertelli","domain_name":"ferrara","page_name":"SandroBertelli","display_name":"Sandro Bertelli","profile_url":"https://ferrara.academia.edu/SandroBertelli?f_ri=1758","photo":"https://0.academia-photos.com/6900768/2851204/3329478/s65_sandro.bertelli.jpg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=1758","nofollow":true},{"id":3177,"name":"Romance philology","url":"https://www.academia.edu/Documents/in/Romance_philology?f_ri=1758","nofollow":true},{"id":4178,"name":"Textual Criticism","url":"https://www.academia.edu/Documents/in/Textual_Criticism?f_ri=1758","nofollow":true},{"id":4669,"name":"Rare Books and Manuscripts","url":"https://www.academia.edu/Documents/in/Rare_Books_and_Manuscripts?f_ri=1758"},{"id":6663,"name":"Manuscript Studies","url":"https://www.academia.edu/Documents/in/Manuscript_Studies?f_ri=1758"},{"id":7385,"name":"Petrarch","url":"https://www.academia.edu/Documents/in/Petrarch?f_ri=1758"},{"id":7637,"name":"Paleography","url":"https://www.academia.edu/Documents/in/Paleography?f_ri=1758"},{"id":8047,"name":"Codicology","url":"https://www.academia.edu/Documents/in/Codicology?f_ri=1758"},{"id":8149,"name":"Latin Paleography","url":"https://www.academia.edu/Documents/in/Latin_Paleography?f_ri=1758"},{"id":16920,"name":"Italian philology","url":"https://www.academia.edu/Documents/in/Italian_philology?f_ri=1758"},{"id":24128,"name":"Boccaccio","url":"https://www.academia.edu/Documents/in/Boccaccio?f_ri=1758"},{"id":26892,"name":"Codicology of medieval manuscripts","url":"https://www.academia.edu/Documents/in/Codicology_of_medieval_manuscripts?f_ri=1758"},{"id":30926,"name":"Palaeography","url":"https://www.academia.edu/Documents/in/Palaeography?f_ri=1758"},{"id":50704,"name":"Philology, Codicology, Critical Edition","url":"https://www.academia.edu/Documents/in/Philology_Codicology_Critical_Edition?f_ri=1758"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_79838567" data-work_id="79838567" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/79838567/Luca_Carlo_Rossi_recensione_del_libro_di_F_Conti_Il_Sommo_italiano_Dante_e_lidentit%C3%A0_della_nazione_Carocci_2021_in_LAlighieri_n_58_2021_pp_165_168">Luca Carlo Rossi, recensione del libro di F. Conti, Il Sommo italiano. Dante e l'identità della nazione (Carocci 2021), in «L'Alighieri», n. 58, 2021, pp. 165-168.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">I collaboratori sono pregati di inviare copia del loro contributo (sia per attachment che per posta) al seguente indirizzo:</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/79838567" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9709116a9bf22f21065197a1e4d3996a" rel="nofollow" data-download="{"attachment_id":86418449,"asset_id":79838567,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/86418449/download_file?st=MTc0MDU5MzYwMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="43573558" href="https://unifi.academia.edu/FulvioConti">Fulvio Conti</a><script data-card-contents-for-user="43573558" type="text/json">{"id":43573558,"first_name":"Fulvio","last_name":"Conti","domain_name":"unifi","page_name":"FulvioConti","display_name":"Fulvio Conti","profile_url":"https://unifi.academia.edu/FulvioConti?f_ri=1758","photo":"https://0.academia-photos.com/43573558/11642317/19803442/s65_fulvio.conti.jpg"}</script></span></span></li><li class="js-paper-rank-work_79838567 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="79838567"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 79838567, container: ".js-paper-rank-work_79838567", }); 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Most Outstanding Book in Architecture and Urban Planning, Professional and Scholarly Publishing Division, Association of American Publishers, Inc., 1991.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_4310252" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Alice Davis Hitchcock Award for 1992, Society of Architectural Historians. <br />Most Outstanding Book in Architecture and Urban Planning, Professional and Scholarly Publishing Division, Association of American Publishers, Inc., 1991. <br />International Architecture Book Award, American Institute of Architects, 1992: "This is magisterial history with a grand sweep, an eye for detail and a determination not to simplify.  If Modern architecture in Italy over five generations was complex, paradoxical and full of counter-tendencies in any one architect, then these are lovingly pulled apart and exposed.""</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/4310252" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="56f3c15040122dd9754f53f4eab2a7c5" rel="nofollow" data-download="{"attachment_id":31768510,"asset_id":4310252,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/31768510/download_file?st=MTc0MDU5MzYwMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4427973" href="https://umd.academia.edu/RichardEtlin">Richard Etlin</a><script data-card-contents-for-user="4427973" type="text/json">{"id":4427973,"first_name":"Richard","last_name":"Etlin","domain_name":"umd","page_name":"RichardEtlin","display_name":"Richard Etlin","profile_url":"https://umd.academia.edu/RichardEtlin?f_ri=1758","photo":"https://0.academia-photos.com/4427973/1826432/2174335/s65_richard.etlin.jpg"}</script></span></span></li><li class="js-paper-rank-work_4310252 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="4310252"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 4310252, container: ".js-paper-rank-work_4310252", }); 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If Modern architecture in Italy over five generations was complex, paradoxical and full of counter-tendencies in any one architect, then these are lovingly pulled apart and exposed.\"\"","downloadable_attachments":[{"id":31768510,"asset_id":4310252,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4427973,"first_name":"Richard","last_name":"Etlin","domain_name":"umd","page_name":"RichardEtlin","display_name":"Richard Etlin","profile_url":"https://umd.academia.edu/RichardEtlin?f_ri=1758","photo":"https://0.academia-photos.com/4427973/1826432/2174335/s65_richard.etlin.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=1758","nofollow":true},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=1758","nofollow":true},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=1758","nofollow":true},{"id":1758,"name":"Dante 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Marinetti","url":"https://www.academia.edu/Documents/in/Filippo_Tommaso_Marinetti?f_ri=1758"},{"id":10495,"name":"Nationalism And State Building","url":"https://www.academia.edu/Documents/in/Nationalism_And_State_Building?f_ri=1758"},{"id":14546,"name":"Modernism (Art History)","url":"https://www.academia.edu/Documents/in/Modernism_Art_History_?f_ri=1758"},{"id":28394,"name":"Exhibition, Museum, Expositions and Worlds Fairs","url":"https://www.academia.edu/Documents/in/Exhibition_Museum_Expositions_and_Worlds_Fairs?f_ri=1758"},{"id":30726,"name":"Art Nouveau","url":"https://www.academia.edu/Documents/in/Art_Nouveau?f_ri=1758"},{"id":43023,"name":"Nazi Germany","url":"https://www.academia.edu/Documents/in/Nazi_Germany?f_ri=1758"},{"id":47307,"name":"City planning","url":"https://www.academia.edu/Documents/in/City_planning?f_ri=1758"},{"id":65358,"name":"Architectural Preservation \u0026 Restoration","url":"https://www.academia.edu/Documents/in/Architectural_Preservation_and_Restoration?f_ri=1758"},{"id":66677,"name":"Italian fascism","url":"https://www.academia.edu/Documents/in/Italian_fascism?f_ri=1758"},{"id":148083,"name":"World's Fairs","url":"https://www.academia.edu/Documents/in/Worlds_Fairs?f_ri=1758"},{"id":237705,"name":"Terragni","url":"https://www.academia.edu/Documents/in/Terragni?f_ri=1758"},{"id":488557,"name":"Gustavo Giovannoni Maria Piera Sette","url":"https://www.academia.edu/Documents/in/Gustavo_Giovannoni_Maria_Piera_Sette?f_ri=1758"},{"id":567724,"name":"Italian Fascist Architecture","url":"https://www.academia.edu/Documents/in/Italian_Fascist_Architecture?f_ri=1758"},{"id":837721,"name":"Art Nouveau Architecture","url":"https://www.academia.edu/Documents/in/Art_Nouveau_Architecture?f_ri=1758"},{"id":989121,"name":"Piacentini","url":"https://www.academia.edu/Documents/in/Piacentini?f_ri=1758"},{"id":1031798,"name":"World’s Fairs and Other Expositions","url":"https://www.academia.edu/Documents/in/Worlds_Fairs_and_Other_Expositions?f_ri=1758"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_29341645" data-work_id="29341645" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/29341645/Leggere_la_Commedia_Bologna_Il_Mulino_2016_pp_184">Leggere la "Commedia", Bologna, Il Mulino, 2016, pp. 184</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/29341645" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="666fb4d0211bd2b2b25b0271c4f9f5c6" rel="nofollow" data-download="{"attachment_id":49784136,"asset_id":29341645,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/49784136/download_file?st=MTc0MDU5MzYwMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="17052345" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a><script data-card-contents-for-user="17052345" type="text/json">{"id":17052345,"first_name":"Giuseppe","last_name":"Ledda","domain_name":"unibo","page_name":"GiuseppeLedda","display_name":"Giuseppe Ledda","profile_url":"https://unibo.academia.edu/GiuseppeLedda?f_ri=1758","photo":"https://0.academia-photos.com/17052345/4682699/5408457/s65_giuseppe.ledda.jpg"}</script></span></span></li><li class="js-paper-rank-work_29341645 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="29341645"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 29341645, container: ".js-paper-rank-work_29341645", }); });</script></li><li class="js-percentile-work_29341645 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window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=29341645]").text(description); $(".js-view-count-work_29341645").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_29341645").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="29341645"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1228" rel="nofollow" href="https://www.academia.edu/Documents/in/Medieval_Literature">Medieval Literature</a>, <script data-card-contents-for-ri="1228" type="text/json">{"id":1228,"name":"Medieval Literature","url":"https://www.academia.edu/Documents/in/Medieval_Literature?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1758" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Studies">Dante Studies</a>, <script data-card-contents-for-ri="1758" type="text/json">{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2221" rel="nofollow" href="https://www.academia.edu/Documents/in/Italian_Studies">Italian Studies</a>, <script data-card-contents-for-ri="2221" type="text/json">{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2853" rel="nofollow" href="https://www.academia.edu/Documents/in/Medieval_Studies">Medieval Studies</a><script data-card-contents-for-ri="2853" type="text/json">{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=1758","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=29341645]'), work: {"id":29341645,"title":"Leggere la \"Commedia\", Bologna, Il Mulino, 2016, pp. 184","created_at":"2016-10-22T04:13:31.545-07:00","url":"https://www.academia.edu/29341645/Leggere_la_Commedia_Bologna_Il_Mulino_2016_pp_184?f_ri=1758","dom_id":"work_29341645","summary":null,"downloadable_attachments":[{"id":49784136,"asset_id":29341645,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":17052345,"first_name":"Giuseppe","last_name":"Ledda","domain_name":"unibo","page_name":"GiuseppeLedda","display_name":"Giuseppe Ledda","profile_url":"https://unibo.academia.edu/GiuseppeLedda?f_ri=1758","photo":"https://0.academia-photos.com/17052345/4682699/5408457/s65_giuseppe.ledda.jpg"}],"research_interests":[{"id":1228,"name":"Medieval Literature","url":"https://www.academia.edu/Documents/in/Medieval_Literature?f_ri=1758","nofollow":true},{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=1758","nofollow":true},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=1758","nofollow":true},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=1758"},{"id":17725,"name":"Dante","url":"https://www.academia.edu/Documents/in/Dante?f_ri=1758"},{"id":21544,"name":"Medieval Italian Literature","url":"https://www.academia.edu/Documents/in/Medieval_Italian_Literature?f_ri=1758"},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758"},{"id":89085,"name":"Filologia dantesca","url":"https://www.academia.edu/Documents/in/Filologia_dantesca?f_ri=1758"},{"id":229030,"name":"Letteratura italiana","url":"https://www.academia.edu/Documents/in/Letteratura_italiana?f_ri=1758"},{"id":433716,"name":"Letteratura italiana medievale","url":"https://www.academia.edu/Documents/in/Letteratura_italiana_medievale?f_ri=1758"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_50104548" data-work_id="50104548" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/50104548/Dante_s_Blind_Prison_Confinement_and_Carcerality_in_the_Inferno">Dante’s ‘Blind Prison’: Confinement and Carcerality in the 'Inferno'</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">While verses detailing hellish suffering are plentiful in Dante’s Purgatory, the poet unambiguously represents Hell as an eternal prison which he strikingly carves out in Inferno 10 dedicated to the heretics where we discover Farinata and... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_50104548" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">While verses detailing hellish suffering are plentiful in Dante’s Purgatory, the poet unambiguously represents Hell as an eternal prison which he strikingly carves out in Inferno 10 dedicated to the heretics where we discover Farinata and Cavalcante in one of the most poignant cantos of the 'Inferno.' <br /> <br />In this essay, I will focus on Dante and Virgil’s entrance into lower Hell (the city of Dis) and particularly Circle 6 dedicated to the heretics with the objective of exploring how the poet constructs and amplifies the metaphor of Hell as a prison which echoes the characterization delineated in the widely read apocryphal Gospel of Nicodemus where Christ’s Descent into Hell is described as a liberation of pre-Christian souls from Satan’s infernal prison-house.  My reading of Dante’s poem aims to enhance our understanding of Inferno 10 by revealing another layer of meaning in this very complex canto through the notion of Hell as a place of eternal confinement.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/50104548" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="39fa5e96646bed5c55cabb5b70b88c00" rel="nofollow" data-download="{"attachment_id":81030050,"asset_id":50104548,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/81030050/download_file?st=MTc0MDU5MzYwMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1596112" href="https://dickinson.academia.edu/JFMcMenamin">James F . McMenamin</a><script data-card-contents-for-user="1596112" type="text/json">{"id":1596112,"first_name":"James","last_name":"McMenamin","domain_name":"dickinson","page_name":"JFMcMenamin","display_name":"James F . McMenamin","profile_url":"https://dickinson.academia.edu/JFMcMenamin?f_ri=1758","photo":"https://0.academia-photos.com/1596112/558793/52903844/s65_james.mcmenamin.jpg"}</script></span></span></li><li class="js-paper-rank-work_50104548 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="50104548"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 50104548, container: ".js-paper-rank-work_50104548", }); });</script></li><li class="js-percentile-work_50104548 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 50104548; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_50104548"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_50104548 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="50104548"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 50104548; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=50104548]").text(description); $(".js-view-count-work_50104548").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_50104548").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="50104548"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">14</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1758" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Studies">Dante Studies</a>, <script data-card-contents-for-ri="1758" type="text/json">{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="17725" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante">Dante</a>, <script data-card-contents-for-ri="17725" type="text/json">{"id":17725,"name":"Dante","url":"https://www.academia.edu/Documents/in/Dante?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="21544" rel="nofollow" href="https://www.academia.edu/Documents/in/Medieval_Italian_Literature">Medieval Italian Literature</a>, <script data-card-contents-for-ri="21544" type="text/json">{"id":21544,"name":"Medieval Italian Literature","url":"https://www.academia.edu/Documents/in/Medieval_Italian_Literature?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="25870" rel="nofollow" href="https://www.academia.edu/Documents/in/Critical_Prison_Studies">Critical Prison Studies</a><script data-card-contents-for-ri="25870" type="text/json">{"id":25870,"name":"Critical Prison Studies","url":"https://www.academia.edu/Documents/in/Critical_Prison_Studies?f_ri=1758","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=50104548]'), work: {"id":50104548,"title":"Dante’s ‘Blind Prison’: Confinement and Carcerality in the 'Inferno'","created_at":"2021-07-20T09:56:34.843-07:00","url":"https://www.academia.edu/50104548/Dante_s_Blind_Prison_Confinement_and_Carcerality_in_the_Inferno?f_ri=1758","dom_id":"work_50104548","summary":"While verses detailing hellish suffering are plentiful in Dante’s Purgatory, the poet unambiguously represents Hell as an eternal prison which he strikingly carves out in Inferno 10 dedicated to the heretics where we discover Farinata and Cavalcante in one of the most poignant cantos of the 'Inferno.' \r\n\r\nIn this essay, I will focus on Dante and Virgil’s entrance into lower Hell (the city of Dis) and particularly Circle 6 dedicated to the heretics with the objective of exploring how the poet constructs and amplifies the metaphor of Hell as a prison which echoes the characterization delineated in the widely read apocryphal Gospel of Nicodemus where Christ’s Descent into Hell is described as a liberation of pre-Christian souls from Satan’s infernal prison-house. My reading of Dante’s poem aims to enhance our understanding of Inferno 10 by revealing another layer of meaning in this very complex canto through the notion of Hell as a place of eternal confinement. ","downloadable_attachments":[{"id":81030050,"asset_id":50104548,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1596112,"first_name":"James","last_name":"McMenamin","domain_name":"dickinson","page_name":"JFMcMenamin","display_name":"James F . McMenamin","profile_url":"https://dickinson.academia.edu/JFMcMenamin?f_ri=1758","photo":"https://0.academia-photos.com/1596112/558793/52903844/s65_james.mcmenamin.jpg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":17725,"name":"Dante","url":"https://www.academia.edu/Documents/in/Dante?f_ri=1758","nofollow":true},{"id":21544,"name":"Medieval Italian Literature","url":"https://www.academia.edu/Documents/in/Medieval_Italian_Literature?f_ri=1758","nofollow":true},{"id":25870,"name":"Critical Prison Studies","url":"https://www.academia.edu/Documents/in/Critical_Prison_Studies?f_ri=1758","nofollow":true},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758"},{"id":46567,"name":"History of prisons","url":"https://www.academia.edu/Documents/in/History_of_prisons?f_ri=1758"},{"id":50088,"name":"Punishment and Prisons","url":"https://www.academia.edu/Documents/in/Punishment_and_Prisons?f_ri=1758"},{"id":89085,"name":"Filologia dantesca","url":"https://www.academia.edu/Documents/in/Filologia_dantesca?f_ri=1758"},{"id":108625,"name":"Medieval heresy","url":"https://www.academia.edu/Documents/in/Medieval_heresy?f_ri=1758"},{"id":134496,"name":"Dante's Inferno","url":"https://www.academia.edu/Documents/in/Dantes_Inferno?f_ri=1758"},{"id":381786,"name":"Inferno","url":"https://www.academia.edu/Documents/in/Inferno?f_ri=1758"},{"id":630476,"name":"Filologia E Critica Dantesca","url":"https://www.academia.edu/Documents/in/Filologia_E_Critica_Dantesca?f_ri=1758"},{"id":635333,"name":"Dante's Commedia","url":"https://www.academia.edu/Documents/in/Dantes_Commedia?f_ri=1758"},{"id":667624,"name":"Carcere","url":"https://www.academia.edu/Documents/in/Carcere?f_ri=1758"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44336366" data-work_id="44336366" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44336366/Dante_and_Leonardo">Dante and Leonardo</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Links with Dante Alighieri that can be found in Leonardo da Vinci's works. Direct links in painted, written or drawned works, but also indirect that scholars find as likely source of inspiration. Most of them refer to the Divine Comedy.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44336366" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Links with Dante Alighieri that can be found in Leonardo da Vinci's works. Direct links in painted, written or drawned works, but also indirect that scholars find as likely source of inspiration. Most of them refer to the Divine Comedy.<br />We can see that Dante was a source of inspiration for Leonardo from the beginning till the end of his life, from his very first known drawing till his last in France.<br />In this 700th year of Dante's death it is time to return him his laurels as source of major inspiration, or even main, for Leonardo.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44336366" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e0bafee257b581c829d3957f14b6cc62" rel="nofollow" data-download="{"attachment_id":120942818,"asset_id":44336366,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/120942818/download_file?st=MTc0MDU5MzYwMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="70964711" href="https://independent.academia.edu/ArnaudDelorme">Arnaud Delorme</a><script data-card-contents-for-user="70964711" type="text/json">{"id":70964711,"first_name":"Arnaud","last_name":"Delorme","domain_name":"independent","page_name":"ArnaudDelorme","display_name":"Arnaud Delorme","profile_url":"https://independent.academia.edu/ArnaudDelorme?f_ri=1758","photo":"https://0.academia-photos.com/70964711/48639284/164163255/s65_arnaud.delorme.jpg"}</script></span></span></li><li class="js-paper-rank-work_44336366 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44336366"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44336366, container: ".js-paper-rank-work_44336366", }); 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$(".js-view-count[data-work-id=44336366]").text(description); $(".js-view-count-work_44336366").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44336366").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44336366"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1758" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Studies">Dante Studies</a>, <script data-card-contents-for-ri="1758" type="text/json">{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" rel="nofollow" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>, <script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="16368" rel="nofollow" href="https://www.academia.edu/Documents/in/Italian_Renaissance_Art">Italian Renaissance Art</a>, <script data-card-contents-for-ri="16368" type="text/json">{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="21545" rel="nofollow" href="https://www.academia.edu/Documents/in/Italian_Renaissance_literature">Italian Renaissance literature</a><script data-card-contents-for-ri="21545" type="text/json">{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=1758","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44336366]'), work: {"id":44336366,"title":"Dante and Leonardo","created_at":"2020-10-20T10:51:36.119-07:00","url":"https://www.academia.edu/44336366/Dante_and_Leonardo?f_ri=1758","dom_id":"work_44336366","summary":"Links with Dante Alighieri that can be found in Leonardo da Vinci's works. Direct links in painted, written or drawned works, but also indirect that scholars find as likely source of inspiration. Most of them refer to the Divine Comedy.\nWe can see that Dante was a source of inspiration for Leonardo from the beginning till the end of his life, from his very first known drawing till his last in France.\nIn this 700th year of Dante's death it is time to return him his laurels as source of major inspiration, or even main, for Leonardo.","downloadable_attachments":[{"id":120942818,"asset_id":44336366,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":70964711,"first_name":"Arnaud","last_name":"Delorme","domain_name":"independent","page_name":"ArnaudDelorme","display_name":"Arnaud Delorme","profile_url":"https://independent.academia.edu/ArnaudDelorme?f_ri=1758","photo":"https://0.academia-photos.com/70964711/48639284/164163255/s65_arnaud.delorme.jpg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=1758","nofollow":true},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=1758","nofollow":true},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=1758","nofollow":true},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758"},{"id":36294,"name":"Leonardo da Vinci","url":"https://www.academia.edu/Documents/in/Leonardo_da_Vinci?f_ri=1758"},{"id":560779,"name":"Commedia/Divine Comedy","url":"https://www.academia.edu/Documents/in/Commedia_Divine_Comedy?f_ri=1758"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36774535" data-work_id="36774535" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36774535/Dante_Alighieri_in_Letteratura_italiana_Manuale_per_studi_universitari_vol_I_2018">Dante Alighieri, in Letteratura italiana. Manuale per studi universitari (vol. I), 2018</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">I due volumi propongono un racconto della storia della letteratura italiana, dalle sue Origini fino alla fine dell'Ottocento, attraverso la selezione di autori e questioni fondamentali. Articolato in dieci epoche, il manuale si propone... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36774535" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">I due volumi propongono un racconto della storia della letteratura italiana, dalle sue Origini fino alla fine dell'Ottocento, attraverso la selezione di autori e questioni fondamentali. Articolato in dieci epoche, il manuale si propone come uno strumento mirato agli studi universitari; offre dunque una trattazione avanzata dei momenti principali della tradizione letteraria, intrecciando in modo equilibrato la discussione storica con una lettura approfondita dei testi più rappresentativi. Uno spazio significativo è infine riservato ai classici maggiori, presentati e commentati in capitoli autonomi (10 nel primo volume, 10 nel secondo), e individuati come testi decisivi per il definirsi di un'identità culturale italiana. Giancarlo Alfano insegna Letteratura italiana all'Università di Napoli Federico II. Si occupa di tradizioni narrative medioevali, di cultura del Rinascimento e di letteratura contemporanea. Paola Italia insegna Letteratura Italiana all'Università di Bologna. Si è occupata di letteratura dell'Ottocento (Leopardi, Manzoni) e del Novecento (Gadda). Emilio Russo insegna Letteratura italiana alla Sapienza -Università di Roma. Si occupa della tradizione letteraria tra Cinque e Seicento (Della Casa, Tasso, Marino) e di autori dell'Ottocento (Leopardi, Nievo). Franco Tomasi insegna Letteratura italiana all'Università di Padova. La sua attività di ricerca è dedicata principalmente alla stagione del Rinascimento, in particolare alla lirica, tra teoria e pratica del genere, e al poema epico-cavalleresco.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36774535" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="37ed113effffb7fd5b2dcc40605f7a08" rel="nofollow" data-download="{"attachment_id":56722067,"asset_id":36774535,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56722067/download_file?st=MTc0MDU5MzYwMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="81388" href="https://uniroma2.academia.edu/RobertoRea">Roberto Rea</a><script data-card-contents-for-user="81388" type="text/json">{"id":81388,"first_name":"Roberto","last_name":"Rea","domain_name":"uniroma2","page_name":"RobertoRea","display_name":"Roberto Rea","profile_url":"https://uniroma2.academia.edu/RobertoRea?f_ri=1758","photo":"https://0.academia-photos.com/81388/22621/46923893/s65_roberto.rea.jpg"}</script></span></span></li><li class="js-paper-rank-work_36774535 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36774535"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36774535, container: ".js-paper-rank-work_36774535", }); 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Giancarlo Alfano insegna Letteratura italiana all'Università di Napoli Federico II. Si occupa di tradizioni narrative medioevali, di cultura del Rinascimento e di letteratura contemporanea. Paola Italia insegna Letteratura Italiana all'Università di Bologna. Si è occupata di letteratura dell'Ottocento (Leopardi, Manzoni) e del Novecento (Gadda). Emilio Russo insegna Letteratura italiana alla Sapienza -Università di Roma. Si occupa della tradizione letteraria tra Cinque e Seicento (Della Casa, Tasso, Marino) e di autori dell'Ottocento (Leopardi, Nievo). Franco Tomasi insegna Letteratura italiana all'Università di Padova. La sua attività di ricerca è dedicata principalmente alla stagione del Rinascimento, in particolare alla lirica, tra teoria e pratica del genere, e al poema epico-cavalleresco.","downloadable_attachments":[{"id":56722067,"asset_id":36774535,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":81388,"first_name":"Roberto","last_name":"Rea","domain_name":"uniroma2","page_name":"RobertoRea","display_name":"Roberto Rea","profile_url":"https://uniroma2.academia.edu/RobertoRea?f_ri=1758","photo":"https://0.academia-photos.com/81388/22621/46923893/s65_roberto.rea.jpg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=1758","nofollow":true},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758","nofollow":true},{"id":229030,"name":"Letteratura italiana","url":"https://www.academia.edu/Documents/in/Letteratura_italiana?f_ri=1758","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_47784593 coauthored" data-work_id="47784593" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/47784593/E_Brilli_G_Milani_Vite_Nuove_Biografia_e_Autobiografia_di_Dante_Rome_Carocci_2021_400_p">E. Brilli - G. Milani, Vite Nuove. Biografia e Autobiografia di Dante, Rome, Carocci, 2021, 400 p.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized"><a href="http://www.carocci.it/index.php?option=com_carocci&Itemid=72&task=schedalibro&isbn=9788829004966" rel="nofollow">http://www.carocci.it/index.php?option=com_carocci&Itemid=72&task=schedalibro&isbn=9788829004966</a> Scrivere una biografia di Dante è una sfida che molti hanno già affrontato. Mentre i documenti d’archivio relativi alla sua vita sono pochi... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_47784593" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden"><a href="http://www.carocci.it/index.php?option=com_carocci&Itemid=72&task=schedalibro&isbn=9788829004966" rel="nofollow">http://www.carocci.it/index.php?option=com_carocci&Itemid=72&task=schedalibro&isbn=9788829004966</a><br /><br />Scrivere una biografia di Dante è una sfida che molti hanno già affrontato. Mentre i documenti d’archivio relativi alla sua vita sono pochi e spesso di difficile interpretazione, la sua produzione letteraria contiene così tante informazioni di carattere personale che si potrebbe essere tentati di leggerla come un’autobiografia. Sarebbe tuttavia fuori luogo farlo. In un’originale inchiesta a quattro mani, in cui documenti e opere sono esaminati distintamente ma posti in costante dialogo, Elisa Brilli e Giuliano Milani ricostruiscono l’itinerario di un uomo che ha assistito ai grandi sconvolgimenti del suo tempo, attraversando contesti politici e culturali diversi ma interconnessi (comunale, signorile, imperiale), e insieme quello di un autore che ha tentato a più riprese di dare un senso alla sua vita attraverso la scrittura, inventando nuove forme di racconto di sé dai contenuti sempre mutevoli.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/47784593" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3daebe90549f4c6788932182afe22e79" rel="nofollow" data-download="{"attachment_id":66727197,"asset_id":47784593,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/66727197/download_file?st=MTc0MDU5MzYwMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5838" href="https://utoronto.academia.edu/ElisaBrilli">Elisa Brilli</a><script data-card-contents-for-user="5838" type="text/json">{"id":5838,"first_name":"Elisa","last_name":"Brilli","domain_name":"utoronto","page_name":"ElisaBrilli","display_name":"Elisa Brilli","profile_url":"https://utoronto.academia.edu/ElisaBrilli?f_ri=1758","photo":"https://0.academia-photos.com/5838/2033215/43741422/s65_elisa.brilli.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-47784593">+1</span><div class="hidden js-additional-users-47784593"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://univ-gustave-eiffel.academia.edu/GiulianoMilani">Giuliano Milani</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-47784593'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-47784593').html(); 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Brilli - G. Milani, Vite Nuove. Biografia e Autobiografia di Dante, Rome, Carocci, 2021, 400 p.","created_at":"2021-04-30T07:29:59.013-07:00","url":"https://www.academia.edu/47784593/E_Brilli_G_Milani_Vite_Nuove_Biografia_e_Autobiografia_di_Dante_Rome_Carocci_2021_400_p?f_ri=1758","dom_id":"work_47784593","summary":"http://www.carocci.it/index.php?option=com_carocci\u0026Itemid=72\u0026task=schedalibro\u0026isbn=9788829004966\n\nScrivere una biografia di Dante è una sfida che molti hanno già affrontato. Mentre i documenti d’archivio relativi alla sua vita sono pochi e spesso di difficile interpretazione, la sua produzione letteraria contiene così tante informazioni di carattere personale che si potrebbe essere tentati di leggerla come un’autobiografia. Sarebbe tuttavia fuori luogo farlo. In un’originale inchiesta a quattro mani, in cui documenti e opere sono esaminati distintamente ma posti in costante dialogo, Elisa Brilli e Giuliano Milani ricostruiscono l’itinerario di un uomo che ha assistito ai grandi sconvolgimenti del suo tempo, attraversando contesti politici e culturali diversi ma interconnessi (comunale, signorile, imperiale), e insieme quello di un autore che ha tentato a più riprese di dare un senso alla sua vita attraverso la scrittura, inventando nuove forme di racconto di sé dai contenuti sempre mutevoli.","downloadable_attachments":[{"id":66727197,"asset_id":47784593,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5838,"first_name":"Elisa","last_name":"Brilli","domain_name":"utoronto","page_name":"ElisaBrilli","display_name":"Elisa 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progetti di ricerca... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_77258440" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Alma Dante - Seminario dantesco, giunto quest'anno alla settima edizione, è un convegno internazionale i cui relatori sono studenti di dottorato, provenienti da università italiane e straniere, attualmente impegnati in progetti di ricerca di argomento dantesco. <br />L'edizione di quest'anno si svolgerà nei giorni 23-24 giugno 2022 presso l'Università di Bologna. <br />Il cfp contiene tutte le informazioni per l'invio delle proposte di partecipazione.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/77258440" data-share-source="work_strip" 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itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="17052345" href="https://unibo.academia.edu/GiuseppeLedda">Giuseppe Ledda</a><script data-card-contents-for-user="17052345" type="text/json">{"id":17052345,"first_name":"Giuseppe","last_name":"Ledda","domain_name":"unibo","page_name":"GiuseppeLedda","display_name":"Giuseppe Ledda","profile_url":"https://unibo.academia.edu/GiuseppeLedda?f_ri=1758","photo":"https://0.academia-photos.com/17052345/4682699/5408457/s65_giuseppe.ledda.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-77258440">+3</span><div class="hidden js-additional-users-77258440"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unibo.academia.edu/AnnaGabriellaChisena">Anna Gabriella Chisena</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://utoronto.academia.edu/GiuliaGaimari">Giulia Gaimari</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unibo.academia.edu/NicoloMaldina">Nicolo Maldina</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-77258440'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-77258440').html(); } } new HoverPopover(popoverSettings); })();</script></li><li class="js-paper-rank-work_77258440 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="77258440"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 77258440, container: 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type="text/json">{"id":1228,"name":"Medieval Literature","url":"https://www.academia.edu/Documents/in/Medieval_Literature?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1758" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Studies">Dante Studies</a>, <script data-card-contents-for-ri="1758" type="text/json">{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2221" rel="nofollow" href="https://www.academia.edu/Documents/in/Italian_Studies">Italian Studies</a>, <script data-card-contents-for-ri="2221" type="text/json">{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2853" rel="nofollow" href="https://www.academia.edu/Documents/in/Medieval_Studies">Medieval 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itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/74080258/Nudity_and_Folly_in_Italian_Literature_from_Dante_to_Leopardi_edited_by_Simon_Gilson_and_Ambra_Moroncini_Florence_Cesati_2022_">Nudity and Folly in Italian Literature from Dante to Leopardi, edited by Simon Gilson and Ambra Moroncini (Florence: Cesati, 2022)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized"><a href="https://www.francocesatieditore.com/catalogo/nudity-and-folly-in-italian-literature-from-dante-to-leopardi/" rel="nofollow">https://www.francocesatieditore.com/catalogo/nudity-and-folly-in-italian-literature-from-dante-to-leopardi/</a> Since antiquity, folly, nudity, and poetry have been strictly associated with truth, goodness, and divine ecstasy. The concept... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_74080258" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden"><a href="https://www.francocesatieditore.com/catalogo/nudity-and-folly-in-italian-literature-from-dante-to-leopardi/" rel="nofollow">https://www.francocesatieditore.com/catalogo/nudity-and-folly-in-italian-literature-from-dante-to-leopardi/</a> <br /> <br />Since antiquity, folly, nudity, and poetry have been strictly associated with truth, goodness, and divine ecstasy. The concept of poetic creation as a form of divine ecstasy, or furor, is at the heart of Plato’s Phaedrus, where poetic manìa (madness) is allocated the status of divine madness, along with its prophetic, mystic and amorous counterparts, with the latter, the madness of love, enjoying the highest status among all four.  Throughout the pre-modern era, scholars committed to the study of the writings of Plato and Aristotle, alongside Hippocrates, Galen, and Avicenna, have all focused on the link between genius and folly, madness, and melancholy. From a Christian perspective, even though the Middle Ages had placed madness or folly in its hierarchy of vices, the most exemplary figure in early modern Italy who had acted foolishly and made use of nudity for Christ’s sake is Saint Francis of Assisi, also known as God’s Fool. Nearly three centuries after Saint Francis’s evangelical approach to embracing “the nakedness and shame of the Passion,” Desiderius Erasmus, echoing passages in Saint Paul, gave voice to a sublime celebration of folly as the mask Christ himself used to convey his spiritual message, as well as asserting that “only fools have a licence to declare the truth without offence”. With these considerations in mind, the twelve chapters in this volume aim to present original research perspectives, from Dante to Leopardi, exploring how nudity and folly have been drawn upon to consider the ambiguity implicit in the notion of truth when used to address historical, philosophical, political, religious, scientific and social discourses that are still very much relevant in our modern and contemporary world.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/74080258" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="54fda9bfb1a6381e9c832cdd2fd80f8c" rel="nofollow" data-download="{"attachment_id":91089109,"asset_id":74080258,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/91089109/download_file?st=MTc0MDU5MzYwMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2831623" href="https://sussex.academia.edu/DrAmbraMoroncini">Ambra Moroncini</a><script data-card-contents-for-user="2831623" type="text/json">{"id":2831623,"first_name":"Ambra","last_name":"Moroncini","domain_name":"sussex","page_name":"DrAmbraMoroncini","display_name":"Ambra Moroncini","profile_url":"https://sussex.academia.edu/DrAmbraMoroncini?f_ri=1758","photo":"https://0.academia-photos.com/2831623/8004521/84254645/s65_ambra.moroncini.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-74080258">+9</span><div class="hidden js-additional-users-74080258"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://oxford.academia.edu/SimonGilson">Simon Gilson</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://bdfinance.academia.edu/MichelangeloZaccarello">Michelangelo Zaccarello</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://ucc-ie.academia.edu/DaraghOConnell">Daragh O'Connell</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unina.academia.edu/GiancarloAlfano">Giancarlo Alfano</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/pprocaccioli">paolo procaccioli</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unicatt.academia.edu/MariaChiaraTarsi">Maria Chiara Tarsi</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unict.academia.edu/AgneseAmaduri">Agnese Amaduri</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unito.academia.edu/DavideDalmas">Davide Dalmas</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/BRUNOMORONCINI">BRUNO MORONCINI</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-74080258'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-74080258').html(); 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container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_74080258 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="74080258"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 74080258; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=74080258]").text(description); $(".js-view-count-work_74080258").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_74080258").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="74080258"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">12</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1758" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Studies">Dante Studies</a>, <script data-card-contents-for-ri="1758" type="text/json">{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2221" rel="nofollow" href="https://www.academia.edu/Documents/in/Italian_Studies">Italian Studies</a>, <script data-card-contents-for-ri="2221" type="text/json">{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2853" rel="nofollow" href="https://www.academia.edu/Documents/in/Medieval_Studies">Medieval Studies</a>, <script data-card-contents-for-ri="2853" type="text/json">{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" rel="nofollow" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a><script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=1758","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=74080258]'), work: {"id":74080258,"title":"Nudity and Folly in Italian Literature from Dante to Leopardi, edited by Simon Gilson and Ambra Moroncini (Florence: Cesati, 2022)","created_at":"2022-03-19T10:25:20.033-07:00","url":"https://www.academia.edu/74080258/Nudity_and_Folly_in_Italian_Literature_from_Dante_to_Leopardi_edited_by_Simon_Gilson_and_Ambra_Moroncini_Florence_Cesati_2022_?f_ri=1758","dom_id":"work_74080258","summary":"https://www.francocesatieditore.com/catalogo/nudity-and-folly-in-italian-literature-from-dante-to-leopardi/\r\n\r\nSince antiquity, folly, nudity, and poetry have been strictly associated with truth, goodness, and divine ecstasy. The concept of poetic creation as a form of divine ecstasy, or furor, is at the heart of Plato’s Phaedrus, where poetic manìa (madness) is allocated the status of divine madness, along with its prophetic, mystic and amorous counterparts, with the latter, the madness of love, enjoying the highest status among all four. Throughout the pre-modern era, scholars committed to the study of the writings of Plato and Aristotle, alongside Hippocrates, Galen, and Avicenna, have all focused on the link between genius and folly, madness, and melancholy. From a Christian perspective, even though the Middle Ages had placed madness or folly in its hierarchy of vices, the most exemplary figure in early modern Italy who had acted foolishly and made use of nudity for Christ’s sake is Saint Francis of Assisi, also known as God’s Fool. Nearly three centuries after Saint Francis’s evangelical approach to embracing “the nakedness and shame of the Passion,” Desiderius Erasmus, echoing passages in Saint Paul, gave voice to a sublime celebration of folly as the mask Christ himself used to convey his spiritual message, as well as asserting that “only fools have a licence to declare the truth without offence”. With these considerations in mind, the twelve chapters in this volume aim to present original research perspectives, from Dante to Leopardi, exploring how nudity and folly have been drawn upon to consider the ambiguity implicit in the notion of truth when used to address historical, philosophical, political, religious, scientific and social discourses that are still very much relevant in our modern and contemporary world.","downloadable_attachments":[{"id":91089109,"asset_id":74080258,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2831623,"first_name":"Ambra","last_name":"Moroncini","domain_name":"sussex","page_name":"DrAmbraMoroncini","display_name":"Ambra Moroncini","profile_url":"https://sussex.academia.edu/DrAmbraMoroncini?f_ri=1758","photo":"https://0.academia-photos.com/2831623/8004521/84254645/s65_ambra.moroncini.jpg"},{"id":14573196,"first_name":"Simon","last_name":"Gilson","domain_name":"oxford","page_name":"SimonGilson","display_name":"Simon 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Leopardi","url":"https://www.academia.edu/Documents/in/Giacomo_Leopardi?f_ri=1758"},{"id":24128,"name":"Boccaccio","url":"https://www.academia.edu/Documents/in/Boccaccio?f_ri=1758"},{"id":24559,"name":"Machiavelli","url":"https://www.academia.edu/Documents/in/Machiavelli?f_ri=1758"},{"id":61308,"name":"Michelangelo Buonarroti","url":"https://www.academia.edu/Documents/in/Michelangelo_Buonarroti?f_ri=1758"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_61879833" data-work_id="61879833" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/61879833/Consuming_the_Soul_Visions_of_Hell_between_Dante_and_John_Singer_Sargent">Consuming the Soul: Visions of Hell between Dante and John Singer Sargent</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Smith College - Department of Italian Studies with the participation of SCMA presents: Consuming the Soul: Visions of Hell between Dante and Sargent Virtual Conference Friday, December 3, 2021 2:30 PM EST Speakers: Danielle Carrabino... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_61879833" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Smith College - Department of Italian Studies<br />with the participation of SCMA<br />presents:<br />Consuming the Soul: Visions of Hell between Dante and Sargent<br />Virtual Conference<br />Friday, December 3, 2021<br />2:30 PM EST<br /><br />Speakers:<br />Danielle Carrabino (SCMA)<br />Marco Piana (Smith College)<br /><br />Join us in a virtual exploration of Sargent's visual masterpiece, Hell, through Dante's Commedia. The talk, organised in honor of Smith College Emeritus Professor Alfonso Procaccini, will investigate Sargent's work and its interaction with the medieval and Dantesque themes of hell as ingestion and digestion. <br /><br />To book a spot, RSVP here:<br /><a href="https://smith.zoom.us/meeting/register/tJIof-isqzIuG9VCk4zVO4ekqYAcnpUYu4at" rel="nofollow">https://smith.zoom.us/meeting/register/tJIof-isqzIuG9VCk4zVO4ekqYAcnpUYu4at</a><br /><br />Or contact Marco Piana (<a href="mailto:mpiana@smith.edu" rel="nofollow">mpiana@smith.edu</a>)</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/61879833" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2b82e11f689b2ada508d35ceaf9bc565" rel="nofollow" data-download="{"attachment_id":75015913,"asset_id":61879833,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/75015913/download_file?st=MTc0MDU5MzYwMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2585893" href="https://ucalgary.academia.edu/MarcoPiana">Marco Piana</a><script data-card-contents-for-user="2585893" type="text/json">{"id":2585893,"first_name":"Marco","last_name":"Piana","domain_name":"ucalgary","page_name":"MarcoPiana","display_name":"Marco Piana","profile_url":"https://ucalgary.academia.edu/MarcoPiana?f_ri=1758","photo":"https://0.academia-photos.com/2585893/812035/29572083/s65_marco.piana.jpg"}</script></span></span></li><li class="js-paper-rank-work_61879833 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="61879833"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 61879833, container: ".js-paper-rank-work_61879833", }); });</script></li><li class="js-percentile-work_61879833 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 61879833; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_61879833"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_61879833 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="61879833"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 61879833; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=61879833]").text(description); $(".js-view-count-work_61879833").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_61879833").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="61879833"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1758" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Studies">Dante Studies</a>, <script data-card-contents-for-ri="1758" type="text/json">{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="27834" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Alighieri">Dante Alighieri</a>, <script data-card-contents-for-ri="27834" type="text/json">{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="134496" rel="nofollow" href="https://www.academia.edu/Documents/in/Dantes_Inferno">Dante's Inferno</a>, <script data-card-contents-for-ri="134496" type="text/json">{"id":134496,"name":"Dante's Inferno","url":"https://www.academia.edu/Documents/in/Dantes_Inferno?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="196660" rel="nofollow" href="https://www.academia.edu/Documents/in/Realismo">Realismo</a><script data-card-contents-for-ri="196660" type="text/json">{"id":196660,"name":"Realismo","url":"https://www.academia.edu/Documents/in/Realismo?f_ri=1758","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=61879833]'), work: {"id":61879833,"title":"Consuming the Soul: Visions of Hell between Dante and John Singer Sargent","created_at":"2021-11-17T11:36:03.187-08:00","url":"https://www.academia.edu/61879833/Consuming_the_Soul_Visions_of_Hell_between_Dante_and_John_Singer_Sargent?f_ri=1758","dom_id":"work_61879833","summary":"Smith College - Department of Italian Studies\nwith the participation of SCMA\npresents:\nConsuming the Soul: Visions of Hell between Dante and Sargent\nVirtual Conference\nFriday, December 3, 2021\n2:30 PM EST\n\nSpeakers:\nDanielle Carrabino (SCMA)\nMarco Piana (Smith College)\n\nJoin us in a virtual exploration of Sargent's visual masterpiece, Hell, through Dante's Commedia. The talk, organised in honor of Smith College Emeritus Professor Alfonso Procaccini, will investigate Sargent's work and its interaction with the medieval and Dantesque themes of hell as ingestion and digestion. \n\nTo book a spot, RSVP here:\nhttps://smith.zoom.us/meeting/register/tJIof-isqzIuG9VCk4zVO4ekqYAcnpUYu4at\n\nOr contact Marco Piana (mpiana@smith.edu)\n","downloadable_attachments":[{"id":75015913,"asset_id":61879833,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2585893,"first_name":"Marco","last_name":"Piana","domain_name":"ucalgary","page_name":"MarcoPiana","display_name":"Marco Piana","profile_url":"https://ucalgary.academia.edu/MarcoPiana?f_ri=1758","photo":"https://0.academia-photos.com/2585893/812035/29572083/s65_marco.piana.jpg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":27834,"name":"Dante 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u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45570596/Inferno_canto_13">Inferno canto 13</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">my translation, completed 17.3.21.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45570596" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e1c02b0c7cc37397b6f7261c1bd6432e" rel="nofollow" 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Inferno","url":"https://www.academia.edu/Documents/in/Dantes_Inferno?f_ri=1758","nofollow":true},{"id":629642,"name":"Divina Commedia","url":"https://www.academia.edu/Documents/in/Divina_Commedia?f_ri=1758","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44241109" data-work_id="44241109" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44241109/Dante6Nov20Tekst">Dante6Nov20Tekst</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Tekster til foredrag Løgumkloster 6. november 2020: Inferno I og de Tre Dyr – drøm, eventyr, satire ...?</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div 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data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="8100386" href="https://independent.academia.edu/MeyerOle">Ole Meyer</a><script data-card-contents-for-user="8100386" type="text/json">{"id":8100386,"first_name":"Ole","last_name":"Meyer","domain_name":"independent","page_name":"MeyerOle","display_name":"Ole Meyer","profile_url":"https://independent.academia.edu/MeyerOle?f_ri=1758","photo":"https://0.academia-photos.com/8100386/2809889/11551962/s65_ole.meyer.jpg"}</script></span></span></li><li class="js-paper-rank-work_44241109 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44241109"><i 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href="https://www.academia.edu/Documents/in/Dante_Studies">Dante Studies</a>, <script data-card-contents-for-ri="1758" type="text/json">{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="16909" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_and_the_ancient_commentaries_tradition">Dante and the ancient commentaries tradition</a><script data-card-contents-for-ri="16909" type="text/json">{"id":16909,"name":"Dante and the ancient commentaries tradition","url":"https://www.academia.edu/Documents/in/Dante_and_the_ancient_commentaries_tradition?f_ri=1758","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44241109]'), work: {"id":44241109,"title":"Dante6Nov20Tekst","created_at":"2020-10-06T10:51:39.527-07:00","url":"https://www.academia.edu/44241109/Dante6Nov20Tekst?f_ri=1758","dom_id":"work_44241109","summary":"Tekster til foredrag Løgumkloster 6. november 2020: Inferno I og de Tre Dyr – drøm, eventyr, satire ...?","downloadable_attachments":[{"id":64637097,"asset_id":44241109,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":8100386,"first_name":"Ole","last_name":"Meyer","domain_name":"independent","page_name":"MeyerOle","display_name":"Ole Meyer","profile_url":"https://independent.academia.edu/MeyerOle?f_ri=1758","photo":"https://0.academia-photos.com/8100386/2809889/11551962/s65_ole.meyer.jpg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":16909,"name":"Dante and the ancient commentaries tradition","url":"https://www.academia.edu/Documents/in/Dante_and_the_ancient_commentaries_tradition?f_ri=1758","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42867375" data-work_id="42867375" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42867375/Ethics_Politics_and_Justice_in_Dante_ed_by_Giulia_Gaimari_and_Catherine_Keen_London_UCL_Press_2019">Ethics, Politics and Justice in Dante, ed. by Giulia Gaimari and Catherine Keen, London, UCL Press, 2019.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The volume is available for free download at <a href="https://www.uclpress.co.uk/products/106880" rel="nofollow">https://www.uclpress.co.uk/products/106880</a>. Ethics, Politics and Justice in Dante presents new research by international scholars on the themes of ethics, politics and justice in the works... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42867375" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The volume is available for free download at <a href="https://www.uclpress.co.uk/products/106880" rel="nofollow">https://www.uclpress.co.uk/products/106880</a>. <br /> <br />Ethics, Politics and Justice in Dante presents new research by international scholars on the themes of ethics, politics and justice in the works of Dante Alighieri, including chapters on Dante’s modern ‘afterlife’. Together the chapters explore how Dante’s writings engage with the contemporary culture of medieval Florence and Italy, and how and why his political and moral thought still speaks compellingly to modern readers. The collection’s contributors range across different disciplines and scholarly traditions – history, philology, classical reception, philosophy, theology – to scrutinise Dante’s Divine Comedy and his other works in Italian and Latin, offering a multi-faceted approach to the evolution of Dante’s political, ethical and legal thought throughout his writing career. Certain chapters focus on his early philosophical Convivio and on the accomplished Latin Eclogues of his final years, while others tackle knotty themes relating to judgement, justice, rhetoric and literary ethics in his Divine Comedy, from hell to paradise. The closing chapters discuss different modalities of the public reception and use of Dante’s work in both Italy and Britain, bringing the volume’s emphasis on morality, political philosophy, and social justice into the modern age of the nineteenth, twentieth, and twenty-first centuries.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42867375" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="653a9a8116d734db99964ec082548751" rel="nofollow" data-download="{"attachment_id":63107995,"asset_id":42867375,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63107995/download_file?st=MTc0MDU5MzYwMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7840397" href="https://utoronto.academia.edu/GiuliaGaimari">Giulia Gaimari</a><script data-card-contents-for-user="7840397" type="text/json">{"id":7840397,"first_name":"Giulia","last_name":"Gaimari","domain_name":"utoronto","page_name":"GiuliaGaimari","display_name":"Giulia Gaimari","profile_url":"https://utoronto.academia.edu/GiuliaGaimari?f_ri=1758","photo":"https://0.academia-photos.com/7840397/12123503/78836484/s65_giulia.gaimari.jpg"}</script></span></span></li><li class="js-paper-rank-work_42867375 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42867375"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42867375, container: ".js-paper-rank-work_42867375", }); 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$(".js-view-count[data-work-id=42867375]").text(description); $(".js-view-count-work_42867375").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42867375").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42867375"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1758" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Studies">Dante Studies</a>, <script data-card-contents-for-ri="1758" type="text/json">{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2853" rel="nofollow" href="https://www.academia.edu/Documents/in/Medieval_Studies">Medieval Studies</a>, <script data-card-contents-for-ri="2853" type="text/json">{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="21544" rel="nofollow" href="https://www.academia.edu/Documents/in/Medieval_Italian_Literature">Medieval Italian Literature</a>, <script data-card-contents-for-ri="21544" type="text/json">{"id":21544,"name":"Medieval Italian Literature","url":"https://www.academia.edu/Documents/in/Medieval_Italian_Literature?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="21670" rel="nofollow" href="https://www.academia.edu/Documents/in/Medieval_Italy">Medieval Italy</a><script data-card-contents-for-ri="21670" type="text/json">{"id":21670,"name":"Medieval Italy","url":"https://www.academia.edu/Documents/in/Medieval_Italy?f_ri=1758","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42867375]'), work: {"id":42867375,"title":"Ethics, Politics and Justice in Dante, ed. by Giulia Gaimari and Catherine Keen, London, UCL Press, 2019.","created_at":"2020-04-27T06:01:48.061-07:00","url":"https://www.academia.edu/42867375/Ethics_Politics_and_Justice_in_Dante_ed_by_Giulia_Gaimari_and_Catherine_Keen_London_UCL_Press_2019?f_ri=1758","dom_id":"work_42867375","summary":"The volume is available for free download at https://www.uclpress.co.uk/products/106880. \r\n\r\nEthics, Politics and Justice in Dante presents new research by international scholars on the themes of ethics, politics and justice in the works of Dante Alighieri, including chapters on Dante’s modern ‘afterlife’. Together the chapters explore how Dante’s writings engage with the contemporary culture of medieval Florence and Italy, and how and why his political and moral thought still speaks compellingly to modern readers. The collection’s contributors range across different disciplines and scholarly traditions – history, philology, classical reception, philosophy, theology – to scrutinise Dante’s Divine Comedy and his other works in Italian and Latin, offering a multi-faceted approach to the evolution of Dante’s political, ethical and legal thought throughout his writing career. Certain chapters focus on his early philosophical Convivio and on the accomplished Latin Eclogues of his final years, while others tackle knotty themes relating to judgement, justice, rhetoric and literary ethics in his Divine Comedy, from hell to paradise. The closing chapters discuss different modalities of the public reception and use of Dante’s work in both Italy and Britain, bringing the volume’s emphasis on morality, political philosophy, and social justice into the modern age of the nineteenth, twentieth, and twenty-first centuries.","downloadable_attachments":[{"id":63107995,"asset_id":42867375,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":7840397,"first_name":"Giulia","last_name":"Gaimari","domain_name":"utoronto","page_name":"GiuliaGaimari","display_name":"Giulia Gaimari","profile_url":"https://utoronto.academia.edu/GiuliaGaimari?f_ri=1758","photo":"https://0.academia-photos.com/7840397/12123503/78836484/s65_giulia.gaimari.jpg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":2853,"name":"Medieval Studies","url":"https://www.academia.edu/Documents/in/Medieval_Studies?f_ri=1758","nofollow":true},{"id":21544,"name":"Medieval Italian Literature","url":"https://www.academia.edu/Documents/in/Medieval_Italian_Literature?f_ri=1758","nofollow":true},{"id":21670,"name":"Medieval Italy","url":"https://www.academia.edu/Documents/in/Medieval_Italy?f_ri=1758","nofollow":true},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758"},{"id":89085,"name":"Filologia dantesca","url":"https://www.academia.edu/Documents/in/Filologia_dantesca?f_ri=1758"},{"id":433716,"name":"Letteratura italiana medievale","url":"https://www.academia.edu/Documents/in/Letteratura_italiana_medievale?f_ri=1758"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37822153" data-work_id="37822153" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37822153/Linfinito_dantesco_tra_proporzione_matematica_e_costruzione_poetica">L'infinito dantesco tra proporzione matematica e costruzione poetica</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37822153" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5ca081a6c6350084cdcbce5bb3384735" rel="nofollow" data-download="{"attachment_id":57822531,"asset_id":37822153,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57822531/download_file?st=MTc0MDU5MzYwMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4652812" href="https://unibg.academia.edu/ThomasPersico">Thomas Persico</a><script data-card-contents-for-user="4652812" type="text/json">{"id":4652812,"first_name":"Thomas","last_name":"Persico","domain_name":"unibg","page_name":"ThomasPersico","display_name":"Thomas Persico","profile_url":"https://unibg.academia.edu/ThomasPersico?f_ri=1758","photo":"https://0.academia-photos.com/4652812/1952095/162379111/s65_thomas.persico.jpeg"}</script></span></span></li><li class="js-paper-rank-work_37822153 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37822153"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37822153, container: ".js-paper-rank-work_37822153", }); 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$(".js-view-count[data-work-id=37822153]").text(description); $(".js-view-count-work_37822153").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37822153").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37822153"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1758" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Studies">Dante Studies</a>, <script data-card-contents-for-ri="1758" type="text/json">{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="27834" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Alighieri">Dante Alighieri</a><script data-card-contents-for-ri="27834" type="text/json">{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37822153]'), work: {"id":37822153,"title":"L'infinito dantesco tra proporzione matematica e costruzione poetica","created_at":"2018-11-21T08:09:42.549-08:00","url":"https://www.academia.edu/37822153/Linfinito_dantesco_tra_proporzione_matematica_e_costruzione_poetica?f_ri=1758","dom_id":"work_37822153","summary":null,"downloadable_attachments":[{"id":57822531,"asset_id":37822153,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4652812,"first_name":"Thomas","last_name":"Persico","domain_name":"unibg","page_name":"ThomasPersico","display_name":"Thomas Persico","profile_url":"https://unibg.academia.edu/ThomasPersico?f_ri=1758","photo":"https://0.academia-photos.com/4652812/1952095/162379111/s65_thomas.persico.jpeg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_23298543" data-work_id="23298543" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/23298543/CU_Boulder_Fren_1200_syllabus_Medieval_Epic_through_the_lens_of_Game_of_Thrones">CU Boulder Fren 1200 syllabus - Medieval Epic through the lens of 'Game of Thrones'</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">CU Boulder - FREN1200 Offered FA2014, FA2015, FA2016 Course Description: The popularity of George RR Martin's fantasy saga A Song of Ice and Fire and its Emmy-winning HBO adaptation Game of Thrones shows us that major themes from medieval... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_23298543" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">CU Boulder - FREN1200<br />Offered FA2014, FA2015, FA2016<br />Course Description: The popularity of George RR Martin's fantasy saga A Song of Ice and Fire and its Emmy-winning HBO adaptation Game of Thrones shows us that major themes from medieval stories still resonate with audiences a thousand years after their composition. This course will examine major epic and romance texts of the Middle Ages such as Beowulf, The Song of Roland, and The Death of King Arthur. We will aim to understand the rich literary tradition that has led to our modern interest in dragons, knights, heroes and magic. We will also look at how representations of medieval culture in contemporary series such as Game of Thrones influence our conceptions (and misconceptions) of the Middle Ages. Much like Sansa, we will find that the stories do not necessarily reflect the reality.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/23298543" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9994e2051936af5173afec5c7db4f428" rel="nofollow" data-download="{"attachment_id":43759643,"asset_id":23298543,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/43759643/download_file?st=MTc0MDU5MzYwMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5135826" href="https://uco-us.academia.edu/JessicaAppleby">Jessica J Appleby</a><script data-card-contents-for-user="5135826" type="text/json">{"id":5135826,"first_name":"Jessica","last_name":"Appleby","domain_name":"uco-us","page_name":"JessicaAppleby","display_name":"Jessica J Appleby","profile_url":"https://uco-us.academia.edu/JessicaAppleby?f_ri=1758","photo":"https://0.academia-photos.com/5135826/2253603/15272526/s65_jessica.appleby.jpg"}</script></span></span></li><li class="js-paper-rank-work_23298543 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="23298543"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 23298543, container: ".js-paper-rank-work_23298543", }); 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$(".js-view-count[data-work-id=23298543]").text(description); $(".js-view-count-work_23298543").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_23298543").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="23298543"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">22</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="660" rel="nofollow" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a>, <script data-card-contents-for-ri="660" type="text/json">{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1228" rel="nofollow" href="https://www.academia.edu/Documents/in/Medieval_Literature">Medieval Literature</a>, <script data-card-contents-for-ri="1228" type="text/json">{"id":1228,"name":"Medieval Literature","url":"https://www.academia.edu/Documents/in/Medieval_Literature?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1629" rel="nofollow" href="https://www.academia.edu/Documents/in/French_Studies">French Studies</a>, <script data-card-contents-for-ri="1629" type="text/json">{"id":1629,"name":"French Studies","url":"https://www.academia.edu/Documents/in/French_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1758" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Studies">Dante Studies</a><script data-card-contents-for-ri="1758" type="text/json">{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=23298543]'), work: {"id":23298543,"title":"CU Boulder Fren 1200 syllabus - Medieval Epic through the lens of 'Game of Thrones'","created_at":"2016-03-15T16:24:50.852-07:00","url":"https://www.academia.edu/23298543/CU_Boulder_Fren_1200_syllabus_Medieval_Epic_through_the_lens_of_Game_of_Thrones?f_ri=1758","dom_id":"work_23298543","summary":"CU Boulder - FREN1200\nOffered FA2014, FA2015, FA2016\nCourse Description: The popularity of George RR Martin's fantasy saga A Song of Ice and Fire and its Emmy-winning HBO adaptation Game of Thrones shows us that major themes from medieval stories still resonate with audiences a thousand years after their composition. This course will examine major epic and romance texts of the Middle Ages such as Beowulf, The Song of Roland, and The Death of King Arthur. We will aim to understand the rich literary tradition that has led to our modern interest in dragons, knights, heroes and magic. We will also look at how representations of medieval culture in contemporary series such as Game of Thrones influence our conceptions (and misconceptions) of the Middle Ages. Much like Sansa, we will find that the stories do not necessarily reflect the reality.","downloadable_attachments":[{"id":43759643,"asset_id":23298543,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5135826,"first_name":"Jessica","last_name":"Appleby","domain_name":"uco-us","page_name":"JessicaAppleby","display_name":"Jessica J Appleby","profile_url":"https://uco-us.academia.edu/JessicaAppleby?f_ri=1758","photo":"https://0.academia-photos.com/5135826/2253603/15272526/s65_jessica.appleby.jpg"}],"research_interests":[{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=1758","nofollow":true},{"id":1228,"name":"Medieval Literature","url":"https://www.academia.edu/Documents/in/Medieval_Literature?f_ri=1758","nofollow":true},{"id":1629,"name":"French Studies","url":"https://www.academia.edu/Documents/in/French_Studies?f_ri=1758","nofollow":true},{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":2332,"name":"Medieval French Literature","url":"https://www.academia.edu/Documents/in/Medieval_French_Literature?f_ri=1758"},{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture?f_ri=1758"},{"id":4462,"name":"Chretien de Troyes","url":"https://www.academia.edu/Documents/in/Chretien_de_Troyes?f_ri=1758"},{"id":8693,"name":"Pop Culture","url":"https://www.academia.edu/Documents/in/Pop_Culture?f_ri=1758"},{"id":10885,"name":"Fantasy Literature","url":"https://www.academia.edu/Documents/in/Fantasy_Literature?f_ri=1758"},{"id":13802,"name":"Epic Literature","url":"https://www.academia.edu/Documents/in/Epic_Literature?f_ri=1758"},{"id":14170,"name":"Medieval England","url":"https://www.academia.edu/Documents/in/Medieval_England?f_ri=1758"},{"id":14606,"name":"Medieval France","url":"https://www.academia.edu/Documents/in/Medieval_France?f_ri=1758"},{"id":17898,"name":"Beowulf","url":"https://www.academia.edu/Documents/in/Beowulf?f_ri=1758"},{"id":20058,"name":"Epic poetry","url":"https://www.academia.edu/Documents/in/Epic_poetry?f_ri=1758"},{"id":20667,"name":"Science Fiction and Fantasy","url":"https://www.academia.edu/Documents/in/Science_Fiction_and_Fantasy?f_ri=1758"},{"id":21544,"name":"Medieval Italian Literature","url":"https://www.academia.edu/Documents/in/Medieval_Italian_Literature?f_ri=1758"},{"id":21670,"name":"Medieval Italy","url":"https://www.academia.edu/Documents/in/Medieval_Italy?f_ri=1758"},{"id":93987,"name":"Marie De France","url":"https://www.academia.edu/Documents/in/Marie_De_France?f_ri=1758"},{"id":163641,"name":"Late medieval France","url":"https://www.academia.edu/Documents/in/Late_medieval_France?f_ri=1758"},{"id":196070,"name":"Medieval Epics","url":"https://www.academia.edu/Documents/in/Medieval_Epics?f_ri=1758"},{"id":426560,"name":"Game of Thrones","url":"https://www.academia.edu/Documents/in/Game_of_Thrones?f_ri=1758"},{"id":557818,"name":"George R.R. Martin","url":"https://www.academia.edu/Documents/in/George_R.R._Martin?f_ri=1758"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41185421" data-work_id="41185421" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41185421/rec_di_E_Fenzi_Le_canzoni_di_Dante_Interpretazioni_e_letture_Firenze_Le_Lettere_2017_in_MEDIOEVO_ROMANZO_vol_43_2019_pp_460_461">rec. di E. Fenzi, Le canzoni di Dante. Interpretazioni e letture, Firenze, Le Lettere, 2017, in MEDIOEVO ROMANZO, vol. 43 (2019), pp. 460-461</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">volume Xliii (Xiii della iv serie) fascicolo ii salerno editrice • roma mmXiX autorizzazione del tribunale di firenze n. 5617 del 12.12.2007</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41185421" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5e33acac6bae973e4dc4d7c265932677" rel="nofollow" data-download="{"attachment_id":61531400,"asset_id":41185421,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61531400/download_file?st=MTc0MDU5MzYwMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="727252" href="https://unistrasi.academia.edu/GiuseppeMarrani">Giuseppe Marrani</a><script data-card-contents-for-user="727252" type="text/json">{"id":727252,"first_name":"Giuseppe","last_name":"Marrani","domain_name":"unistrasi","page_name":"GiuseppeMarrani","display_name":"Giuseppe Marrani","profile_url":"https://unistrasi.academia.edu/GiuseppeMarrani?f_ri=1758","photo":"https://0.academia-photos.com/727252/248596/48130510/s65_giuseppe.marrani.jpg"}</script></span></span></li><li class="js-paper-rank-work_41185421 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41185421"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41185421, container: ".js-paper-rank-work_41185421", }); 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$(".js-view-count[data-work-id=41185421]").text(description); $(".js-view-count-work_41185421").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_41185421").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="41185421"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1758" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Studies">Dante Studies</a>, <script data-card-contents-for-ri="1758" type="text/json">{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="89085" rel="nofollow" href="https://www.academia.edu/Documents/in/Filologia_dantesca">Filologia dantesca</a>, <script data-card-contents-for-ri="89085" type="text/json">{"id":89085,"name":"Filologia dantesca","url":"https://www.academia.edu/Documents/in/Filologia_dantesca?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="630476" rel="nofollow" href="https://www.academia.edu/Documents/in/Filologia_E_Critica_Dantesca">Filologia E Critica Dantesca</a><script data-card-contents-for-ri="630476" type="text/json">{"id":630476,"name":"Filologia E Critica Dantesca","url":"https://www.academia.edu/Documents/in/Filologia_E_Critica_Dantesca?f_ri=1758","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=41185421]'), work: {"id":41185421,"title":"rec. di E. Fenzi, Le canzoni di Dante. Interpretazioni e letture, Firenze, Le Lettere, 2017, in MEDIOEVO ROMANZO, vol. 43 (2019), pp. 460-461","created_at":"2019-12-04T16:46:27.210-08:00","url":"https://www.academia.edu/41185421/rec_di_E_Fenzi_Le_canzoni_di_Dante_Interpretazioni_e_letture_Firenze_Le_Lettere_2017_in_MEDIOEVO_ROMANZO_vol_43_2019_pp_460_461?f_ri=1758","dom_id":"work_41185421","summary":"volume Xliii (Xiii della iv serie) fascicolo ii salerno editrice • roma mmXiX autorizzazione del tribunale di firenze n. 5617 del 12.12.2007","downloadable_attachments":[{"id":61531400,"asset_id":41185421,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":727252,"first_name":"Giuseppe","last_name":"Marrani","domain_name":"unistrasi","page_name":"GiuseppeMarrani","display_name":"Giuseppe Marrani","profile_url":"https://unistrasi.academia.edu/GiuseppeMarrani?f_ri=1758","photo":"https://0.academia-photos.com/727252/248596/48130510/s65_giuseppe.marrani.jpg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":89085,"name":"Filologia dantesca","url":"https://www.academia.edu/Documents/in/Filologia_dantesca?f_ri=1758","nofollow":true},{"id":630476,"name":"Filologia E Critica Dantesca","url":"https://www.academia.edu/Documents/in/Filologia_E_Critica_Dantesca?f_ri=1758","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40834044" data-work_id="40834044" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40834044/Lo_%C3%ADmplicito_de_lo_expl%C3%ADcito_y_lo_expl%C3%ADcito_de_lo_impl%C3%ADcito_en_la_Divina_Comedia_If_XXVI_90_102_en_Actas_del_VIII_Congreso_Nacional_de_Italianistas_2000_pp_333_339">Lo ímplicito de lo explícito y lo explícito de lo implícito en la Divina Comedia (If. XXVI, 90-102), en Actas del VIII Congreso Nacional de Italianistas, 2000, pp. 333-339.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Actas del VIII Congreso Nacional de Italianistas, Universidad de Granada, 30 de Sept.-2 de Oct., 1998. [2000]</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40834044" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c3a41bb27a2a0644fd2d9b3523ea036d" rel="nofollow" data-download="{"attachment_id":61118788,"asset_id":40834044,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61118788/download_file?st=MTc0MDU5MzYwMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="8749350" href="https://ucm.academia.edu/CarlosL%C3%B3pezCortezo">Carlos López Cortezo (1942-2020)</a><script data-card-contents-for-user="8749350" type="text/json">{"id":8749350,"first_name":"Carlos","last_name":"López Cortezo (1942-2020)","domain_name":"ucm","page_name":"CarlosLópezCortezo","display_name":"Carlos López Cortezo (1942-2020)","profile_url":"https://ucm.academia.edu/CarlosL%C3%B3pezCortezo?f_ri=1758","photo":"https://0.academia-photos.com/8749350/19017477/18965279/s65_carlos.l_pez_cortezo.png"}</script></span></span></li><li class="js-paper-rank-work_40834044 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="40834044"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 40834044, container: ".js-paper-rank-work_40834044", }); 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$(".js-view-count[data-work-id=40834044]").text(description); $(".js-view-count-work_40834044").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_40834044").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="40834044"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1228" rel="nofollow" href="https://www.academia.edu/Documents/in/Medieval_Literature">Medieval Literature</a>, <script data-card-contents-for-ri="1228" type="text/json">{"id":1228,"name":"Medieval Literature","url":"https://www.academia.edu/Documents/in/Medieval_Literature?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1758" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Studies">Dante Studies</a>, <script data-card-contents-for-ri="1758" type="text/json">{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="17725" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante">Dante</a>, <script data-card-contents-for-ri="17725" type="text/json">{"id":17725,"name":"Dante","url":"https://www.academia.edu/Documents/in/Dante?f_ri=1758","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="27834" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Alighieri">Dante Alighieri</a><script data-card-contents-for-ri="27834" type="text/json">{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=40834044]'), work: {"id":40834044,"title":"Lo ímplicito de lo explícito y lo explícito de lo implícito en la Divina Comedia (If. XXVI, 90-102), en Actas del VIII Congreso Nacional de Italianistas, 2000, pp. 333-339.","created_at":"2019-11-04T00:37:15.257-08:00","url":"https://www.academia.edu/40834044/Lo_%C3%ADmplicito_de_lo_expl%C3%ADcito_y_lo_expl%C3%ADcito_de_lo_impl%C3%ADcito_en_la_Divina_Comedia_If_XXVI_90_102_en_Actas_del_VIII_Congreso_Nacional_de_Italianistas_2000_pp_333_339?f_ri=1758","dom_id":"work_40834044","summary":"Actas del VIII Congreso Nacional de Italianistas, Universidad de Granada, 30 de Sept.-2 de Oct., 1998. [2000]","downloadable_attachments":[{"id":61118788,"asset_id":40834044,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":8749350,"first_name":"Carlos","last_name":"López Cortezo (1942-2020)","domain_name":"ucm","page_name":"CarlosLópezCortezo","display_name":"Carlos López Cortezo (1942-2020)","profile_url":"https://ucm.academia.edu/CarlosL%C3%B3pezCortezo?f_ri=1758","photo":"https://0.academia-photos.com/8749350/19017477/18965279/s65_carlos.l_pez_cortezo.png"}],"research_interests":[{"id":1228,"name":"Medieval Literature","url":"https://www.academia.edu/Documents/in/Medieval_Literature?f_ri=1758","nofollow":true},{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":17725,"name":"Dante","url":"https://www.academia.edu/Documents/in/Dante?f_ri=1758","nofollow":true},{"id":27834,"name":"Dante 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u-tcGrayDarkest">My translation of canto 22 of Dante's inferno, completed 3.8.21.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/50681658" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="39c0650bd40e2cd76d8644c20f3fb16f" rel="nofollow" data-download="{"attachment_id":68569519,"asset_id":50681658,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/27942753/SULLE_PRESUNTE_POSTILLE_AUTOGRAFE_DI_A_VELLUTELLO_ALLA_SUA_EDIZIONE_COMMENTATA_DELLA_COMMEDIA_IL_POST_16_DELLA_BIBLIOTECA_NAZIONALE_DI_FIRENZE">SULLE PRESUNTE POSTILLE AUTOGRAFE DI A. VELLUTELLO ALLA SUA EDIZIONE COMMENTATA DELLA COMMEDIA: IL POST. 16 DELLA BIBLIOTECA NAZIONALE DI FIRENZE</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">1. Un esemplare postillato dell'edizione Marcolini 1544 della 'Comedia ' di Dante Aligieri con la nova esposizione di Alessandro Vellutello</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/27942753" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1dbca928ad99daee938c7b9d94e95770" rel="nofollow" data-download="{"attachment_id":48235611,"asset_id":27942753,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/48235611/download_file?st=MTc0MDU5MzYwMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7350178" href="https://uni-mi.academia.edu/DonatoPirovano">Donato Pirovano</a><script data-card-contents-for-user="7350178" type="text/json">{"id":7350178,"first_name":"Donato","last_name":"Pirovano","domain_name":"uni-mi","page_name":"DonatoPirovano","display_name":"Donato Pirovano","profile_url":"https://uni-mi.academia.edu/DonatoPirovano?f_ri=1758","photo":"https://0.academia-photos.com/7350178/13799386/14898025/s65_donato.pirovano.jpg"}</script></span></span></li><li class="js-paper-rank-work_27942753 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="27942753"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 27942753, container: ".js-paper-rank-work_27942753", }); });</script></li><li class="js-percentile-work_27942753 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 27942753; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_27942753"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_27942753 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="27942753"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 27942753; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=27942753]").text(description); $(".js-view-count-work_27942753").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_27942753").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="27942753"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="1758" rel="nofollow" href="https://www.academia.edu/Documents/in/Dante_Studies">Dante Studies</a><script data-card-contents-for-ri="1758" type="text/json">{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=27942753]'), work: {"id":27942753,"title":"SULLE PRESUNTE POSTILLE AUTOGRAFE DI A. 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Un esemplare postillato dell'edizione Marcolini 1544 della 'Comedia ' di Dante Aligieri con la nova esposizione di Alessandro Vellutello","downloadable_attachments":[{"id":48235611,"asset_id":27942753,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":7350178,"first_name":"Donato","last_name":"Pirovano","domain_name":"uni-mi","page_name":"DonatoPirovano","display_name":"Donato Pirovano","profile_url":"https://uni-mi.academia.edu/DonatoPirovano?f_ri=1758","photo":"https://0.academia-photos.com/7350178/13799386/14898025/s65_donato.pirovano.jpg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_5975807" data-work_id="5975807" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/5975807/_Authority_from_The_Dante_Encyclopedia_">"Authority" (from The Dante Encyclopedia)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/5975807" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9f9c86f8764557137618e92a2b022bb8" rel="nofollow" data-download="{"attachment_id":32933750,"asset_id":5975807,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/32933750/download_file?st=MTc0MDU5MzYwMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2216461" href="https://berkeley.academia.edu/AlbertRussellAscoli">Albert Russell Ascoli</a><script data-card-contents-for-user="2216461" type="text/json">{"id":2216461,"first_name":"Albert Russell","last_name":"Ascoli","domain_name":"berkeley","page_name":"AlbertRussellAscoli","display_name":"Albert Russell Ascoli","profile_url":"https://berkeley.academia.edu/AlbertRussellAscoli?f_ri=1758","photo":"https://0.academia-photos.com/2216461/709364/168164674/s65_albert_russell.ascoli.jpg"}</script></span></span></li><li class="js-paper-rank-work_5975807 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="5975807"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 5975807, container: ".js-paper-rank-work_5975807", }); 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Satan; the centre of the earth; the escape from Hell "'The royal banners forward go' of Hell; 1 they wave towards us," Virgil said; "so see if you can see where those sheets flap and swell." As when... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_62063109" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Dante, Inferno Canto 34: The Giudecca; Satan; the centre of the earth; the escape from Hell "'The royal banners forward go' of Hell; 1 they wave towards us," Virgil said; "so see if you can see where those sheets flap and swell." As when a dusk-mist drips obscurity through our half-world, gripped sick with night's infection, a windmill's downstrokes flicker distantly, so now there seemed to loom some like construction, some vast vague shape. I hid behind my guide, from that death-wind my shelter and protection. Here all the souls-how to say this versified?-10 were deep-encased beneath that crystal skin like pale straws in puddle-ice vitrified, frozen for ever: some lying in their sin, some standing upright, others on their face, others, like longbows drawn, bent round and in.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/62063109" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="95d67ae135d0d765d52d9bae91726cb3" rel="nofollow" data-download="{"attachment_id":74927826,"asset_id":62063109,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/74927826/download_file?st=MTc0MDU5MzYwMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="22974909" href="https://open.academia.edu/Sophiegrace">Sophie Grace Chappell</a><script data-card-contents-for-user="22974909" type="text/json">{"id":22974909,"first_name":"Sophie Grace","last_name":"Chappell","domain_name":"open","page_name":"Sophiegrace","display_name":"Sophie Grace Chappell","profile_url":"https://open.academia.edu/Sophiegrace?f_ri=1758","photo":"https://0.academia-photos.com/22974909/6957401/164653607/s65_sophie_grace.chappell.jpg"}</script></span></span></li><li class="js-paper-rank-work_62063109 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="62063109"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 62063109, container: ".js-paper-rank-work_62063109", }); 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Satan; the centre of the earth; the escape from Hell \"'The royal banners forward go' of Hell; 1 they wave towards us,\" Virgil said; \"so see if you can see where those sheets flap and swell.\" As when a dusk-mist drips obscurity through our half-world, gripped sick with night's infection, a windmill's downstrokes flicker distantly, so now there seemed to loom some like construction, some vast vague shape. I hid behind my guide, from that death-wind my shelter and protection. Here all the souls-how to say this versified?-10 were deep-encased beneath that crystal skin like pale straws in puddle-ice vitrified, frozen for ever: some lying in their sin, some standing upright, others on their face, others, like longbows drawn, bent round and in.","downloadable_attachments":[{"id":74927826,"asset_id":62063109,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":22974909,"first_name":"Sophie Grace","last_name":"Chappell","domain_name":"open","page_name":"Sophiegrace","display_name":"Sophie Grace Chappell","profile_url":"https://open.academia.edu/Sophiegrace?f_ri=1758","photo":"https://0.academia-photos.com/22974909/6957401/164653607/s65_sophie_grace.chappell.jpg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":17725,"name":"Dante","url":"https://www.academia.edu/Documents/in/Dante?f_ri=1758","nofollow":true},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39358790" data-work_id="39358790" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39358790/La_violenza_contro_il_prossimo_Relazione_per_la_Societ%C3%A0_Dante_Alighieri_Comitato_di_Bergamo">La violenza contro il prossimo Relazione per la Società Dante Alighieri - Comitato di Bergamo</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Presentazione di Inferno XII per la Società Dante Alighieri. Presentazione tenuta il 28 febbraio 2019 presso il Teatro delle Grazie - Via Papa Giovanni XXIII, Bergamo</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39358790" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ad1af55e046a92cf89e9152e1c4fafb7" rel="nofollow" data-download="{"attachment_id":59500751,"asset_id":39358790,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59500751/download_file?st=MTc0MDU5MzYwMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9080686" href="https://independent.academia.edu/AlessandroArdig%C3%B2">Alessandro Ardigò</a><script data-card-contents-for-user="9080686" type="text/json">{"id":9080686,"first_name":"Alessandro","last_name":"Ardigò","domain_name":"independent","page_name":"AlessandroArdigò","display_name":"Alessandro Ardigò","profile_url":"https://independent.academia.edu/AlessandroArdig%C3%B2?f_ri=1758","photo":"https://0.academia-photos.com/9080686/2946032/26316411/s65_alessandro.ardig_.jpg"}</script></span></span></li><li class="js-paper-rank-work_39358790 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39358790"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39358790, container: ".js-paper-rank-work_39358790", }); 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Presentazione tenuta il 28 febbraio 2019 presso il Teatro delle Grazie - Via Papa Giovanni XXIII, Bergamo","downloadable_attachments":[{"id":59500751,"asset_id":39358790,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9080686,"first_name":"Alessandro","last_name":"Ardigò","domain_name":"independent","page_name":"AlessandroArdigò","display_name":"Alessandro Ardigò","profile_url":"https://independent.academia.edu/AlessandroArdig%C3%B2?f_ri=1758","photo":"https://0.academia-photos.com/9080686/2946032/26316411/s65_alessandro.ardig_.jpg"}],"research_interests":[{"id":1697,"name":"Violence","url":"https://www.academia.edu/Documents/in/Violence?f_ri=1758","nofollow":true},{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=1758","nofollow":true},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=1758","nofollow":true},{"id":134496,"name":"Dante's 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