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The Hollywood Story - Joel Waldo Finler - Google Books

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The Hollywood Storycomprehensively covers every aspect of movie-making in America, taking in nickelodeans, drive-ins and multiplexes; the transition from silent to sound, black and white to color; the relationships of producers, directors, stars and technicians; and the function and output of the studios - their major hits and most expensive flops.","my_library_url":"https://www.google.com/accounts/Login?service=print\u0026continue=https://books.google.com.sg/books%3Fop%3Dlibrary\u0026hl=en","is_magazine":false,"is_public_domain":false},{"enableUserFeedbackUI":true,"pseudocontinuous":true,"is_cobrand":false,"sign_in_url":"https://www.google.com/accounts/Login?service=print\u0026continue=https://books.google.com.sg/books%3Fid%3DrvVhEJmbfrsC%26printsec%3Dfrontcover%26vq%3Dpopular%26hl%3Den\u0026hl=en","isEntityPageViewport":false,"showViewportOnboarding":false,"showViewportPlainTextOnboarding":false},{"page":[{"pid":"PP1","src":"https://books.google.com.sg/books/content?id=rvVhEJmbfrsC\u0026pg=PP1\u0026img=1\u0026zoom=3\u0026hl=en\u0026sig=ACfU3U391oK-hiLqd4V1USK9_npy8rjC0A","flags":32,"order":0,"uf":"https://books.google.com.sg/books_feedback?id=rvVhEJmbfrsC\u0026spid=AFLRE70t5Ldo8gna7Bgw--vKYNfsRHZWBcn23iOgYHOmzOg9SpCoEH4\u0026ftype=0","vq":"popular"},{"pid":"PP5","src":"https://books.google.com.sg/books/content?id=rvVhEJmbfrsC\u0026pg=PP5\u0026img=1\u0026zoom=3\u0026hl=en\u0026sig=ACfU3U2UtU-FILhNYjkR8hc0HRCkLNFCKQ"},{"pid":"PP6","src":"https://books.google.com.sg/books/content?id=rvVhEJmbfrsC\u0026pg=PP6\u0026img=1\u0026zoom=3\u0026hl=en\u0026sig=ACfU3U34RK7g5HyOabyOcHarW4gSWnVlVg"},{"pid":"PP7","src":"https://books.google.com.sg/books/content?id=rvVhEJmbfrsC\u0026pg=PP7\u0026img=1\u0026zoom=3\u0026hl=en\u0026sig=ACfU3U24H7vIHX3wQ3M5uNyBSCBGKocW0A"}]},null,{"number_of_results":95,"search_results":[{"page_id":"PA2","page_number":"2","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e The Ten Commandments ( 1956 ) filmed in Paramount\u0026#39;s own Vista Vision process . To accompany the text there is a large amount of supplementary information presented at the end of each section . And since the same pattern has been\u0026nbsp;..."},{"page_id":"PA6","page_number":"6","snippet_text":"... \u003cb\u003epopularity\u003c/b\u003e with younger movie - goers in particular , ranging from toys and video games to books , magazines and sound track records . A \u003cb\u003epopular\u003c/b\u003e character portrait , film image or logo could appear as a \u0026#39; product placement \u0026#39; on just\u0026nbsp;..."},{"page_id":"PA13","page_number":"13","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e form of entertainment in the early 1900s in many countries simultaneously , most notably France , England and , especially , America , where the first primitive nickelodeons quickly multiplied . 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Recently , many more companies have been getting in on the act , especially in exploiting the rock music connection of such pictures as\u0026nbsp;..."},{"page_id":"PA22","page_number":"22","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e vaudeville acts were recorded by the early cameras , along with a variety of leisure activities and sporting events . Little narrative skits were a \u003cb\u003epopular\u003c/b\u003e item , but these were soon replaced by fully realized dramatic stories\u0026nbsp;..."},{"page_id":"PA23","page_number":"23","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e for many years and were especially suited to comedy . 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Now these early techniques were revived and refined in the early 1950s , in some cases by\u0026nbsp;..."},{"page_id":"PA37","page_number":"37","snippet_text":"... \u003cb\u003epopularity\u003c/b\u003e of the early talkies had cushioned the film industry from the initial impact of the Depression , but by 1931 the novelty value of sound had worn off . Swinging from boom to bust in the space of a few years , the cyclical\u0026nbsp;..."},{"page_id":"PA38","page_number":"38","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e in the early 1930s and again during the war . The special attraction of the early talkies was followed by the Depression when , as a relatively cheap form of entertainment , the movies remained \u003cb\u003epopular\u003c/b\u003e compared with other forms\u0026nbsp;..."},{"page_id":"PA41","page_number":"41","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e and profitable enough to launch their new production company successfully . D.W. Griffith spent the relatively lavish sum of $ 36,000 , about twice the original budget , on his first feature , the four - reel Judith of Bethulia\u0026nbsp;..."},{"page_id":"PA49","page_number":"49","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e films of quality such as MGM\u0026#39;s 2001 : A Space Odyssey ( 1968 ) earned a large profit , as did Fox\u0026#39;s Patton ( 1970 ) , but these were the exception . At the same time , the surprise success of the Dennis Hopper - Peter Fonda\u0026nbsp;..."},{"page_id":"PA60","page_number":"60","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e among them would demand higher salaries and would be more difficult to control . But such a policy could not hope to succeed for long , for the public was eager to learn more about its screen favourites . During these years the\u0026nbsp;..."},{"page_id":"PA68","page_number":"68","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e success to the extremely original or offbeat production . This has often meant go- ing for the safe option , the movie adapted from an already successful novel or play , with adaptations outnumbering screen originals by over two\u0026nbsp;..."},{"page_id":"PA69","page_number":"69","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e novels of the period , featur- ing major stars and highly successful at the box office . ( No less than nine of the winners up to 1942 were based on novels . ) Rather than the diversity of the very first years , there was a\u0026nbsp;..."},{"page_id":"PA70","page_number":"70","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e in the 1960s Gone With the Wind in 1939 . Coppola , Allen and Scorsese , three award - winning. Having once dominated the Oscars , the giant MGM studio then found itself out in the cold . Many of its best 1940s productions\u0026nbsp;..."},{"page_id":"PA72","page_number":"72","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e but worthy sub- jects which have characterized many recent winners . The English Patient and director Anthony Minghella won in 1996 as did Shakespeare in Love , though director John Madden lost out to Steven Spielberg , while\u0026nbsp;..."},{"page_id":"PA73","page_number":"73","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e epics and extravagant musicals of the period . They were often familiar names from the smaller , black - and - white movies of the 1930s and 1940s : George Stevens ( winner with Giant , 1956 ) , David Lean , the first British\u0026nbsp;..."},{"page_id":"PA75","page_number":"75","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e stars in its stable and the strongest influence within the Academy from the beginning . Thus , the studio dominated the lead acting awards up to the early 1940s . This had a curious \u0026#39; de- layed action \u0026#39; effect on the awards in\u0026nbsp;..."},{"page_id":"PA76","page_number":"76","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e child star , Shirley Temple , while the pioneering director D.W. Griffith was honoured in 1935 and the newly introduced documentary series , The March of Time , in 1936. These awards have been included virtu- ally every year up\u0026nbsp;..."},{"page_id":"PA81","page_number":"81","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e type of movie ; and for Coca- Cola , the giant soft - drinks company that swallowed Columbia in the 1980s . Most significantly , it stands for the brothers Jack and Harry Cohn , co - founders and heads of the company from 1924\u0026nbsp;..."},{"page_id":"PA84","page_number":"84","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e with audiences and critics and a multiple Oscar winner . During 2000-01 Sony was hit hard by the general eco- nomic slowdown in the USA and worldwide ; music sales , in particular , also suffered from the spread of internet down\u0026nbsp;..."},{"page_id":"PA88","page_number":"88","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e for 23 years , while Harry Lang- don starred in a series which only ended with his death in 1944. Longest - running of all were the Three Stooges who continued to turn them out up to 1958. ( One of their earli- est efforts , Men\u0026nbsp;..."},{"page_id":"PA89","page_number":"89","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e Blondie series . Of all the leading studios , Columbia had the least COLOUR AND WIDESCREEN interest in movie musicals during the 1930s , and had only one major musical success with One Night of Love , starring Grace Moore , in\u0026nbsp;..."},{"page_id":"PA91","page_number":"91","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e films continued to be in black - and - white : 3:10 to Yuma ( 1957 ) , John Ford\u0026#39;s The Last Hurrah ( 1958 ) , The Goddess ( 1958 ) , Middle of the Night , Suddenly , Last Summer and Otto Preminger\u0026#39;s Anatomy of a Murder ( all\u0026nbsp;..."},{"page_id":"PA96","page_number":"96","snippet_text":"... \u003cb\u003epopularity\u003c/b\u003e of the comedies meant that comedy stars dominated the list of contract players . The studio continued to borrow many of the major stars it needed , and they were less reluctant to work at the tiny Columbia after the surprise\u0026nbsp;..."},{"page_id":"PA97","page_number":"97","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e as Cover Girl and Gilda , nor as bizarre as The Lady from Shanghai di- rected by her then husband , Orson Welles , late in 1946 but not released till early 1948. Thus , she was the only 1940s superstar to feature in both\u0026nbsp;..."},{"page_id":"PA98","page_number":"98","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e biopic of Chopin , A Song to Remember , and A Thousand and One Nights ( both 1945 ) . For Columbia\u0026#39;s new style of glossy and lightweight Technicolored movies , padded out with lots of attrac- tive chorus girls , Harry Cohn\u0026nbsp;..."},{"page_id":"PA101","page_number":"101","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e movies in the 1970s and early 1980s . DIRECTORS Green , Alfred E. 1936-37 , 1942-46 Hall ,. Columbia had few top directors of its own during the early years , and that situation hardly improved in the 1940s and 1950s when the\u0026nbsp;..."},{"page_id":"PA102","page_number":"102","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e and imaginative Close Encounters of the Third Kind in 1977 , but the most consistently successful Columbia director during these years was Sydney Pollack who has provided such hits as The Way We Were ( 1973 ) , The Electric\u0026nbsp;..."},{"page_id":"PA106","page_number":"106","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e comedy features which was just coming to an end during 1940-43 . Here Comes Mr Jordan , for example , received seven nominations , but the writers of the original story and script were the only winners . The Talk of the Town\u0026nbsp;..."},{"page_id":"PA109","page_number":"109","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e colour movies with more serious black - and - white fare from the studio\u0026#39;s leading directors - men such as John Ford , Elia Kazan and Joseph Mankiewicz . The studio promoted glossy CinemaScope productions in the 1950s and 70mm\u0026nbsp;..."},{"page_id":"PA110","page_number":"110","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e success : What Price Glory ? and Three Bad Men in 1926 , Sunrise and Seventh Heaven ( both starring the \u003cb\u003epopular\u003c/b\u003e Janet Gaynor ) in 1927 , A Girl in Every Port , Four Devils and Four Sons in 1928 . Profits grew steadily and the\u0026nbsp;..."},{"page_id":"PA111","page_number":"111","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e at the box office . Zanuck\u0026#39;s formula had worked , and the studio recorded good profits for 1936-38 . By now Zanuck felt more confident about up- grading the studio\u0026#39;s output . This is reflected most clearly in the collaboration\u0026nbsp;..."},{"page_id":"PA112","page_number":"112","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e novels , many of Fox\u0026#39;s high - cost productions turned out to be less interesting than might have been expected given the nature of each \u0026#39; package \u0026#39; . The studio obviously suffered from a shortage of creative writers and\u0026nbsp;..."},{"page_id":"PA114","page_number":"114","snippet_text":"... - Men United , the sequel to X- Men , is a big hit , both films being di- rected by Bryan Singer , and based on the \u003cb\u003epopular\u003c/b\u003e comic book characters . The Releases Starting out as a producer in 1914 ,. 114 THE HOLLYWOOD STORY."},{"page_id":"PA115","page_number":"115","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e Sunny Side Up ( 1929 ) . The studio depended on musicals to help it recover from the Depression , but diversified more in the late 1930s under Darryl F. Zanuck . Fox was the first major studio to embark on a substantial and\u0026nbsp;..."},{"page_id":"PA120","page_number":"120","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e and profitable CinemaScope productions in 1953 , beginning with The Robe and How to Marry a Millionaire , Fox found itself once again playing an important role during the most intense period of technical innovation in Hollywood\u0026nbsp;..."},{"page_id":"PA121","page_number":"121","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e newsreels . But owner William Fox overextended himself in attempting a takeover of Loew\u0026#39;s / MGM and was forced out of his own company . Badly affected by the Depression , the studio recovered in the late 1930s and emerged in the\u0026nbsp;..."},{"page_id":"PA122","page_number":"122","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e , while the black - and - white The Song of Ber- nadette ( 1943 ) was a smash hit . Profits grew from $ 10.8 million in 1942-43 to $ 12.6 million in 1944-45 and a spec- tacular $ 22.6 million in 1946 , benefiting from a \u003cb\u003epopular\u003c/b\u003e\u0026nbsp;..."},{"page_id":"PA125","page_number":"125","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e romantic couple . Though the studio developed a number of male leads - Will Rogers , Tyrone Power , Henry Fonda and Gregory Peck - they were no match for the ladies , led by Shirley Temple in the 1930s , Betty Grable in the\u0026nbsp;..."},{"page_id":"PA126","page_number":"126","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e screen personality , Rogers worked well with John Ford who directed three of his films , and recalled that \u0026#39; no writer could write for Will Rogers . Some of the lines he\u0026#39;d speak from the script , but most of the time he\u0026#39;d make\u0026nbsp;..."},{"page_id":"PA127","page_number":"127","snippet_text":"... \u003cb\u003ePopular\u003c/b\u003e was taken by Sheree North , one of a number of sexy starlets whom the studio had hired in the middle - 1950s to keep Marilyn in line , testing them for , and occasionally giving them , parts which she refused to play . ( Joan\u0026nbsp;..."},{"page_id":"PA129","page_number":"129","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e Janet Gaynor , then made Our Daily Bread which was taken away from him , shortened and released as a part - talkie in 1930 under the title City Girl . Hawks and Murnau left in 1929 and by the end of 1932 Walsh and Borzage had\u0026nbsp;..."},{"page_id":"PA130","page_number":"130","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e Shirley Temple movies . John Ford continued to direct the occasional film of note at Fox throughout the 1930s : Pilgrimage ( 1933 ) was a post - World War I human - interest drama ; he made an unusual ( post - Civil War )\u0026nbsp;..."},{"page_id":"PA134","page_number":"134","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e musicals . He was Oscar - nominated for Down Argentine Way ( 1940 ) and Busby Berkeley\u0026#39;s delight- fully extravagant The Gang\u0026#39;s All Here ( 1943 ) and won for My Gal Sal ( 1942 ) , while some of the most stylish work in colour\u0026nbsp;..."},{"page_id":"PA146","page_number":"146","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e ( and profitable ) Andy Hardy and Dr Kildare series . MGM first ventured into Technicolor in 1938 and is best remembered for early features such as The Wizard of Oz and Gone With the Wind , both released in 1939. The studio had\u0026nbsp;..."},{"page_id":"PA147","page_number":"147","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e and en- during creative contribution . Thalberg\u0026#39;s illness and absence from the studio early in 1933 meant that Mayer began to exercise a greater personal control over MGM\u0026#39;s output . A slight decline in the number of serious\u0026nbsp;..."},{"page_id":"PA148","page_number":"148","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e series continued on into the mid - 1940s with over a dozen entries . Meanwhile the Hardy movies allowed for guest appear- ances by the studio\u0026#39;s juvenile roster which included Ann Rutherford , Lana Turner and , notably , Judy\u0026nbsp;..."},{"page_id":"PA149","page_number":"149","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e with audiences on its initial release and earned the studio a tidy profit . Not surprisingly , Freed spent the next few years producing mu- sicals in black - and - white ! The studio\u0026#39;s generally negative attitude toward colour\u0026nbsp;..."},{"page_id":"PA150","page_number":"150","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e The Wizard of Oz , is so often linked with Technicolor when , as we have noted , it was in fact the slowest of the Hollywood majors to move into colour filming . But the studio couldn\u0026#39;t hold out forever . The turning point came\u0026nbsp;..."},{"page_id":"PA157","page_number":"157","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e cycle of movies continued off and on for 10 years , until Weissmuller left to continue the series at RKO ... \u003cb\u003epopularity\u003c/b\u003e . Marie Dressler headed the poll in 1932 and 1933 - her salary had risen from $ 1500 per week in 1927\u0026nbsp;..."},{"page_id":"PA172","page_number":"172","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e Tom and Jerry cartoons between 1943 and 1952 , beginning with Yankee Doodle Mouse ( 1943 ) . MGM\u0026#39;s only major award in the 1960s , more sentimental than earned , went to Elizabeth Taylor for her performance as a high - class\u0026nbsp;..."},{"page_id":"PA175","page_number":"175","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e Mary Pickfords . He ar- ranged mergers and takeovers as he built Famous Players , then Famous Players - Lasky and Paramount into the leading company in the industry , a vertically integrated corpora- tion involved in production\u0026nbsp;..."},{"page_id":"PA176","page_number":"176","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e epics and westerns from Cecil B. DeMille , and with musicals , comedies , and the very profitable series of ... \u003cb\u003epopularity\u003c/b\u003e of its movies . As the prime target of the government\u0026#39;s Consent Decree , Paramount was forced to\u0026nbsp;..."},{"page_id":"PA180","page_number":"180","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e with audiences and extremely influential at the time . The studio began to cut back on its vast numbers of features around 1923 , the year of The Covered Wagon and The Ten Commandments , both of which demonstrated the advantages\u0026nbsp;..."},{"page_id":"PA181","page_number":"181","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e and often featured the vivacious Clara Bow . Additionally , the use of a college campus setting frequently ... \u003cb\u003epopularity\u003c/b\u003e . Even Paramount briefly gave up on the A western in the early 1930s . A new director ( Henry\u0026nbsp;..."},{"page_id":"PA183","page_number":"183","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e in the pre - Hays Code days of the early 1930s followed by Popeye the Sailor . ) In addition , for 30 years the company distributed Paramount News , \u0026#39; The Eyes and Ears of the World \u0026#39; , one of the most successful and \u003cb\u003epopular\u003c/b\u003e\u0026nbsp;..."},{"page_id":"PA188","page_number":"188","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e westerns , including The Plainsman ( 1936 ) from DeMille , who had returned to the studio in 1932 , and Wells Fargo ( 1937 ) , and musicals : The Big Broadcast of 1937 and Waikiki Wedding ( 1937 ) starring Bing Crosby . Though\u0026nbsp;..."},{"page_id":"PA189","page_number":"189","snippet_text":"... \u003cb\u003epopularity\u003c/b\u003e of its oft - revived , cult TV series of the 1960s along with a newly introduced TV series . The producing partnership of Don Simpson and Jerry Bruckheimer contributed Flashdance ( 1983 ) and Title Box OFFICE HITS N. American\u0026nbsp;..."},{"page_id":"PA192","page_number":"192","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e of all for a time . Paramount directors Billy Wilder and William Wyler with Audrey Hepburn. When he first planned to set up his own film produc- tion company in 1912 , Adolph Zukor recognized the importance of stars to the\u0026nbsp;..."},{"page_id":"PA193","page_number":"193","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e movies for Para- mount . As the single largest studio , and with many leading players under contract , Paramount took a major role in developing and exploiting the star system , but also suf- fered some serious setbacks . The\u0026nbsp;..."},{"page_id":"PA195","page_number":"195","snippet_text":"... \u003cb\u003epopularity\u003c/b\u003e de- clined . ) Other Paramount stars who appeared on the list in the 1930s were Claudette Colbert ( who averaged about $ 300,000 per year ) , Gary Cooper , and Bing Crosby who would feature more prominently in the 1940s\u0026nbsp;..."},{"page_id":"PA197","page_number":"197","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e stars of the period , Bob Hope and Bing Crosby , with whom she appeared sepa- rately as well as rounding out the threesome in the highly successful series of Road movies , beginning with Road to Singapore in 1939. These were\u0026nbsp;..."},{"page_id":"PA201","page_number":"201","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e and profitable , the studio gained its greatest prestige from more serious productions which included those of producer - directors William Wyler ( The Heiress , 1949 ; Detective Story , 1951 ; The Desperate Hours , Paramount\u0026nbsp;..."},{"page_id":"PA234","page_number":"234","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e or quality releases , UA became the only major studio to record a loss for one of the booming war years . That was in 1944 , and by 1948 the company was recording annual losses as a matter of course . It was close to collapse in\u0026nbsp;..."},{"page_id":"PA238","page_number":"238","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e . He began with The Mark of Zorro ( 1920 ) , followed by The Three Musketeers ( 1921 ) , and then Robin Hood ( 1922 ) , the most elaborate , expensive and successful of all . He was the first UA star effectively to dominate a\u0026nbsp;..."},{"page_id":"PA239","page_number":"239","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e success . Unfortunately , it was rather stodgily directed by Albert Parker , but the colour is lovely and the film includes the most famous and magical of all the Fairbanks stunts : at one point he plunges his dagger into a sail\u0026nbsp;..."},{"page_id":"PA258","page_number":"258","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e Back to the Future features . After months of negotiating in 1990 , Matsushita , Japan\u0026#39;s largest electronics manufacturer , demonstrated that it could keep pace with arch rival Sony by purchasing MCA and Universal for the hefty\u0026nbsp;..."},{"page_id":"PA261","page_number":"261","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e and flappers , too , were all the rage in such pictures as The Mad Whirl ( 1925 ) directed by William Seiter , who also directed the best of the Reginald Denny comedies . The first entry in a successful new \u0026#39; Jewish and Irish\u0026nbsp;..."},{"page_id":"PA270","page_number":"270","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e comedy attractions , while Maria Montez appeared in a series of exotic 1940s costumers . The studio\u0026#39;s line - up of male stars in the 1950s included James Stewart , Rock Hudson , Tony Curtis , Jeff Chandler and Audie Murphy , and\u0026nbsp;..."},{"page_id":"PA271","page_number":"271","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e musical performer , Deanna Durbin , arrived in 1936 and by 1938 was earning $ 3,000 per week plus a bonus of $ 10,000 per film , and was clearly worth it to the hard - pressed studio . Buster Crabbe starred as Flash Gordon in\u0026nbsp;..."},{"page_id":"PA272","page_number":"272","snippet_text":"... \u003cb\u003epopularity\u003c/b\u003e , too . The Directors The studio had relatively few directors of note. However , the last Universal star to feature prominently on the list was a bit player named Clint Eastwood who appeared in minor roles in many Universal\u0026nbsp;..."},{"page_id":"PA283","page_number":"283","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e identity which rivalled that of the largest companies , MGM and Paramount . It was the studio that brought the talkies to Hollywood in the late 1920s with The Jazz Singer , then went on to specialize in fast - talking and fast\u0026nbsp;..."},{"page_id":"PA287","page_number":"287","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e part - talkie , The Jazz Singer , marking the beginning of the sound era . Death of Sam Warner . 1928 Purchase of the Stanley Corpora- tion of America , one of the largest theatre chains in the USA , followed soon after by\u0026nbsp;..."},{"page_id":"PA291","page_number":"291","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e plays or novels - all these factors contributed to the new Warners . In addition , the studio\u0026#39;s previous leaning toward city life and urban settings took on a special meaning in the 1930s . Movies displayed a new emphasis on\u0026nbsp;..."},{"page_id":"PA299","page_number":"299","snippet_text":"... standards of production . The studio had few expensive stars under contract , and they were kept as busy as the rest of the contract personnel on a six - day week . Thus , three of the most \u003cb\u003epopular\u003c/b\u003e Warner Bros. musicals. WARNER BROS . 299."},{"page_id":"PA302","page_number":"302","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e at the time . Well - made pictures in every sense , they were turned out at a rate of three per year up to the early 1930s . Many were originally scripted by the young Darryl F. Zanuck , while production was efficiently\u0026nbsp;..."},{"page_id":"PA307","page_number":"307","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e musicals and James Cagney vehicles . In fact , the contract list swelled for a brief period in the late 1920s when the studio was releasing more pictures than ever before . A number of directors were inherited from First\u0026nbsp;..."},{"page_id":"PA308","page_number":"308","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e 42nd Street , followed by Gold Diggers of 1933 and Footlight Parade - all released in quick succession in 1933. But though the studio kept him busy throughout the rest of the decade , he never matched that initial success . New\u0026nbsp;..."},{"page_id":"PA319","page_number":"319","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e with audiences abroad and in the US where it did so well that it ended up as the biggest box office hit of the 1930s decade . ( It was eventually topped by Gone With the Wind , which wasn\u0026#39;t really a 1930s hit at all ; since it\u0026nbsp;..."},{"page_id":"PA320","page_number":"320","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e books by Joel Chandler Harris . With movie attendance at peak levels , the company\u0026#39;s profits continued to increase , reaching a high point of about $ .5 million in 1944-45 . But then they began to fall once again in the late\u0026nbsp;..."},{"page_id":"PA322","page_number":"322","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e and saleable genres . Also directed by Robert Stevenson , these two pictures drew on the talents of cameraman Edward Colman , art director Clark , set designers Emile Kuri and Hal Gausman and special effects experts Eustace\u0026nbsp;..."},{"page_id":"PA324","page_number":"324","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e releases , provided a new and lucrative source of income which would increase substan- tially during the following years . Under its new management , the studio had suddenly become a major player in Hollywood for the first time\u0026nbsp;..."},{"page_id":"PA325","page_number":"325","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e stage show and did well at the Oscars - the first animated feature ever to be nominated for the Best Picture and the winner of statuettes for best song and score . Perhaps the most surprising development of all , how- ever , at\u0026nbsp;..."},{"page_id":"PA327","page_number":"327","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e and profitable parks and resorts the latest to open in 2001 , California Adventure , had cost a substantial $ 1.4 billion , but was already failing to bring in the ex- pected new revenues . ) Another unexpected development\u0026nbsp;..."},{"page_id":"PA400","page_number":"400","snippet_text":"... \u003cb\u003ePopular\u003c/b\u003e ( Fox , 1955 ) 127 How to Marry a Millionaire ( Fox , 1953 ) 33 , 49 , 111 , 120 , 123 , 127 Howard the Duck ( Universal , 1986 ) 50,268 Howard , Leslie 18,305 Howard , Ron 6,259,282-3 Howard , Sidney 252 Howard , William K. 131\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA400\u0026vq=popular"},{"page_id":"PT2","snippet_text":"... \u003cb\u003epopular\u003c/b\u003e culture . Each entry pro- vides biographical information as well as insightful textual and thematic analysis of the every director\u0026#39;s work . In comprehensively covering a wide range of film - makers from established mainstream\u0026nbsp;..."}],"search_query_escaped":"popular"},{});</script></div></div></div><script>(function() {var href = window.location.href;if (href.indexOf('?') !== -1) {var parameters = href.split('?')[1].split('&');for (var i = 0; i < parameters.length; i++) {var param = parameters[i].split('=');if (param[0] == 'focus') {var elem = document.getElementById(param[1]);if (elem) {elem.focus();}}}}})();</script>

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