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</ul> </li> <li id="toc-Childhood_and_early_musical_influences" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Childhood_and_early_musical_influences"> <div class="vector-toc-text"> 1.2 Childhood and early musical influences </div> </a> <ul id="toc-Childhood_and_early_musical_influences-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Education_and_decision_to_pursue_a_career_in_music" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Education_and_decision_to_pursue_a_career_in_music"> <div class="vector-toc-text"> 1.3 Education and decision to pursue a career in music </div> </a> <ul id="toc-Education_and_decision_to_pursue_a_career_in_music-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Music_career" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Music_career"> <div class="vector-toc-text"> 2 Music career </div> </a> <button aria-controls="toc-Music_career-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Music career subsection </button> <ul id="toc-Music_career-sublist" class="vector-toc-list"> <li id="toc-1969–1976:_Pre-professional_career" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1969–1976:_Pre-professional_career"> <div class="vector-toc-text"> 2.1 1969–1976: Pre-professional career </div> </a> <ul id="toc-1969–1976:_Pre-professional_career-sublist" class="vector-toc-list"> <li id="toc-Rusty" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Rusty"> <div class="vector-toc-text"> 2.1.1 Rusty </div> </a> <ul id="toc-Rusty-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Declan_Costello" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Declan_Costello"> <div class="vector-toc-text"> 2.1.2 Declan Costello </div> </a> <ul id="toc-Declan_Costello-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Flip_City" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Flip_City"> <div class="vector-toc-text"> 2.1.3 Flip City </div> </a> <ul id="toc-Flip_City-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-D.P._Costello" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#D.P._Costello"> <div class="vector-toc-text"> 2.1.4 D.P. Costello </div> </a> <ul id="toc-D.P._Costello-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-1976–1977:_My_Aim_Is_True" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1976–1977:_My_Aim_Is_True"> <div class="vector-toc-text"> 2.2 1976–1977: My Aim Is True </div> </a> <ul id="toc-1976–1977:_My_Aim_Is_True-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1977–1979:_Peak_pop_stardom" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1977–1979:_Peak_pop_stardom"> <div class="vector-toc-text"> 2.3 1977–1979: Peak pop stardom </div> </a> <ul id="toc-1977–1979:_Peak_pop_stardom-sublist" class="vector-toc-list"> <li id="toc-"Watching_the_Detectives"_and_commercial_breakthrough" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#"Watching_the_Detectives"_and_commercial_breakthrough"> <div class="vector-toc-text"> 2.3.1 "Watching the Detectives" and commercial breakthrough </div> </a> <ul id="toc-"Watching_the_Detectives"_and_commercial_breakthrough-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-This_Year's_Model" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#This_Year's_Model"> <div class="vector-toc-text"> 2.3.2 This Year's Model </div> </a> <ul id="toc-This_Year's_Model-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Armed_Forces" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Armed_Forces"> <div class="vector-toc-text"> 2.3.3 Armed Forces </div> </a> <ul id="toc-Armed_Forces-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-1980s" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1980s"> <div class="vector-toc-text"> 2.4 1980s </div> </a> <ul id="toc-1980s-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1990s" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1990s"> <div class="vector-toc-text"> 2.5 1990s </div> </a> <ul id="toc-1990s-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-2000s" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#2000s"> <div class="vector-toc-text"> 2.6 2000s </div> </a> <ul id="toc-2000s-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-2010–present" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#2010–present"> <div class="vector-toc-text"> 2.7 2010–present </div> </a> <ul id="toc-2010–present-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Writing" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Writing"> <div class="vector-toc-text"> 3 Writing </div> </a> <ul id="toc-Writing-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Acting_and_television_presenting" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Acting_and_television_presenting"> <div class="vector-toc-text"> 4 Acting and television presenting </div> </a> <ul id="toc-Acting_and_television_presenting-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Public_image_and_controversies" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Public_image_and_controversies"> <div class="vector-toc-text"> 5 Public image and controversies </div> </a> <button aria-controls="toc-Public_image_and_controversies-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Public image and controversies subsection </button> <ul id="toc-Public_image_and_controversies-sublist" class="vector-toc-list"> <li id="toc-1977_Saturday_Night_Live_appearance" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1977_Saturday_Night_Live_appearance"> <div class="vector-toc-text"> 5.1 1977 Saturday Night Live appearance </div> </a> <ul id="toc-1977_Saturday_Night_Live_appearance-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1979_Columbus,_Ohio,_incident" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1979_Columbus,_Ohio,_incident"> <div class="vector-toc-text"> 5.2 1979 Columbus, Ohio, incident </div> </a> <ul id="toc-1979_Columbus,_Ohio,_incident-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-2010_cancelled_Tel_Aviv_concerts" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#2010_cancelled_Tel_Aviv_concerts"> <div class="vector-toc-text"> 5.3 2010 cancelled Tel Aviv concerts </div> </a> <ul id="toc-2010_cancelled_Tel_Aviv_concerts-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Personal_life" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Personal_life"> <div class="vector-toc-text"> 6 Personal life </div> </a> <button aria-controls="toc-Personal_life-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Personal life subsection </button> <ul id="toc-Personal_life-sublist" class="vector-toc-list"> <li id="toc-Health" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Health"> <div class="vector-toc-text"> 6.1 Health </div> </a> <ul id="toc-Health-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Humanitarian_causes" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Humanitarian_causes"> <div class="vector-toc-text"> 6.2 Humanitarian causes </div> </a> <ul id="toc-Humanitarian_causes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Vegetarianism" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Vegetarianism"> <div class="vector-toc-text"> 6.3 Vegetarianism </div> </a> <ul id="toc-Vegetarianism-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Legacy" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Legacy"> <div class="vector-toc-text"> 7 Legacy </div> </a> <ul id="toc-Legacy-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Awards_and_honours" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Awards_and_honours"> <div class="vector-toc-text"> 8 Awards and honours </div> </a> <button aria-controls="toc-Awards_and_honours-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Awards and honours subsection </button> <ul id="toc-Awards_and_honours-sublist" class="vector-toc-list"> <li id="toc-Entertainment_industry_awards" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Entertainment_industry_awards"> <div class="vector-toc-text"> 8.1 Entertainment industry awards </div> </a> <ul id="toc-Entertainment_industry_awards-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Critics'_best-of_lists_and_music_press_awards" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Critics'_best-of_lists_and_music_press_awards"> <div class="vector-toc-text"> 8.2 Critics' best-of lists and music press awards </div> </a> <ul id="toc-Critics'_best-of_lists_and_music_press_awards-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Honorary_degrees" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Honorary_degrees"> <div class="vector-toc-text"> 8.3 Honorary degrees </div> </a> <ul id="toc-Honorary_degrees-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Discography" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Discography"> <div class="vector-toc-text"> 9 Discography </div> </a> <button aria-controls="toc-Discography-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Discography subsection </button> <ul id="toc-Discography-sublist" class="vector-toc-list"> <li id="toc-Albums_as_solo_artist_and_bandleader" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Albums_as_solo_artist_and_bandleader"> <div class="vector-toc-text"> 9.1 Albums as solo artist and bandleader </div> </a> <ul id="toc-Albums_as_solo_artist_and_bandleader-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Collaborative_albums" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Collaborative_albums"> <div class="vector-toc-text"> 9.2 Collaborative albums </div> </a> <ul id="toc-Collaborative_albums-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Composer,_soundtracks_and_scores" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Composer,_soundtracks_and_scores"> <div class="vector-toc-text"> 9.3 Composer, soundtracks and scores </div> </a> <ul id="toc-Composer,_soundtracks_and_scores-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Producer_for_others" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Producer_for_others"> <div class="vector-toc-text"> 9.4 Producer for others </div> </a> <ul id="toc-Producer_for_others-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Filmography" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Filmography"> <div class="vector-toc-text"> 10 Filmography </div> </a> <button aria-controls="toc-Filmography-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Filmography subsection </button> <ul id="toc-Filmography-sublist" class="vector-toc-list"> <li id="toc-As_actor" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#As_actor"> <div class="vector-toc-text"> 10.1 As actor </div> </a> <ul id="toc-As_actor-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-As_part_of_soundtracks" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#As_part_of_soundtracks"> <div class="vector-toc-text"> 10.2 As part of soundtracks </div> </a> <ul id="toc-As_part_of_soundtracks-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Bibliography" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Bibliography"> <div class="vector-toc-text"> 11 Bibliography </div> </a> <ul id="toc-Bibliography-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Notes" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Notes"> <div class="vector-toc-text"> 12 Notes </div> </a> <ul id="toc-Notes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> 13 References </div> </a> <button aria-controls="toc-References-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle References subsection </button> <ul id="toc-References-sublist" class="vector-toc-list"> <li id="toc-Sources" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Sources"> <div class="vector-toc-text"> 13.1 Sources </div> </a> <ul id="toc-Sources-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Further_reading" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Further_reading"> <div class="vector-toc-text"> 14 Further reading </div> </a> <ul id="toc-Further_reading-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> 15 External links </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" > Toggle the table of contents </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading">Elvis Costello</h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. Available in 49 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-49" aria-hidden="true" > 49 languages </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D8%A5%D9%84%D9%81%D9%8A%D8%B3_%D9%83%D9%88%D8%B3%D8%AA%D9%8A%D9%84%D9%88" title="إلفيس كوستيلو – Arabic" lang="ar" hreflang="ar" data-title="إلفيس كوستيلو" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target">العربية</a></li><li class="interlanguage-link interwiki-ast mw-list-item"><a href="https://ast.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Asturian" lang="ast" hreflang="ast" data-title="Elvis Costello" data-language-autonym="Asturianu" data-language-local-name="Asturian" class="interlanguage-link-target">Asturianu</a></li><li class="interlanguage-link interwiki-azb mw-list-item"><a href="https://azb.wikipedia.org/wiki/%D8%A7%D9%84%D9%88%DB%8C%D8%B3_%DA%A9%D8%A7%D8%B3%D8%AA%D9%84%D9%88" title="الویس کاستلو – South Azerbaijani" lang="azb" hreflang="azb" data-title="الویس کاستلو" data-language-autonym="تۆرکجه" data-language-local-name="South Azerbaijani" class="interlanguage-link-target">تۆرکجه</a></li><li class="interlanguage-link interwiki-be mw-list-item"><a href="https://be.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D1%96%D1%81_%D0%9A%D0%B0%D1%81%D1%82%D1%8D%D0%BB%D0%B0" title="Элвіс Кастэла – Belarusian" lang="be" hreflang="be" data-title="Элвіс Кастэла" data-language-autonym="Беларуская" data-language-local-name="Belarusian" class="interlanguage-link-target">Беларуская</a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/%D0%95%D0%BB%D0%B2%D0%B8%D1%81_%D0%9A%D0%BE%D1%81%D1%82%D0%B5%D0%BB%D0%BE" title="Елвис Костело – Bulgarian" lang="bg" hreflang="bg" data-title="Елвис Костело" data-language-autonym="Български" data-language-local-name="Bulgarian" class="interlanguage-link-target">Български</a></li><li class="interlanguage-link interwiki-br mw-list-item"><a href="https://br.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Breton" lang="br" hreflang="br" data-title="Elvis Costello" data-language-autonym="Brezhoneg" data-language-local-name="Breton" class="interlanguage-link-target">Brezhoneg</a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Catalan" lang="ca" hreflang="ca" data-title="Elvis Costello" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target">Català</a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Czech" lang="cs" hreflang="cs" data-title="Elvis Costello" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target">Čeština</a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Danish" lang="da" hreflang="da" data-title="Elvis Costello" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target">Dansk</a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – German" lang="de" hreflang="de" data-title="Elvis Costello" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target">Deutsch</a></li><li class="interlanguage-link interwiki-et mw-list-item"><a href="https://et.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Estonian" lang="et" hreflang="et" data-title="Elvis Costello" data-language-autonym="Eesti" data-language-local-name="Estonian" class="interlanguage-link-target">Eesti</a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/%CE%88%CE%BB%CE%B2%CE%B9%CF%82_%CE%9A%CE%BF%CF%83%CF%84%CE%AD%CE%BB%CE%BF" title="Έλβις Κοστέλο – Greek" lang="el" hreflang="el" data-title="Έλβις Κοστέλο" data-language-autonym="Ελληνικά" data-language-local-name="Greek" class="interlanguage-link-target">Ελληνικά</a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Spanish" lang="es" hreflang="es" data-title="Elvis Costello" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target">Español</a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Esperanto" lang="eo" hreflang="eo" data-title="Elvis Costello" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target">Esperanto</a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Basque" lang="eu" hreflang="eu" data-title="Elvis Costello" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target">Euskara</a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D8%A7%D9%84%D9%88%DB%8C%D8%B3_%DA%A9%D8%A7%D8%B3%D8%AA%D9%84%D9%88" title="الویس کاستلو – Persian" lang="fa" hreflang="fa" data-title="الویس کاستلو" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target">فارسی</a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – French" lang="fr" hreflang="fr" data-title="Elvis Costello" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target">Français</a></li><li class="interlanguage-link interwiki-fy mw-list-item"><a href="https://fy.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Western Frisian" lang="fy" hreflang="fy" data-title="Elvis Costello" data-language-autonym="Frysk" data-language-local-name="Western Frisian" class="interlanguage-link-target">Frysk</a></li><li class="interlanguage-link interwiki-ga mw-list-item"><a href="https://ga.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Irish" lang="ga" hreflang="ga" data-title="Elvis Costello" data-language-autonym="Gaeilge" data-language-local-name="Irish" class="interlanguage-link-target">Gaeilge</a></li><li class="interlanguage-link interwiki-gv mw-list-item"><a href="https://gv.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Manx" lang="gv" hreflang="gv" data-title="Elvis Costello" data-language-autonym="Gaelg" data-language-local-name="Manx" class="interlanguage-link-target">Gaelg</a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Galician" lang="gl" hreflang="gl" data-title="Elvis Costello" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target">Galego</a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EC%97%98%EB%B9%84%EC%8A%A4_%EC%BD%94%EC%8A%A4%ED%85%94%EB%A1%9C" title="엘비스 코스텔로 – Korean" lang="ko" hreflang="ko" data-title="엘비스 코스텔로" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target">한국어</a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Indonesian" lang="id" hreflang="id" data-title="Elvis Costello" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target">Bahasa Indonesia</a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Italian" lang="it" hreflang="it" data-title="Elvis Costello" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target">Italiano</a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%90%D7%9C%D7%91%D7%99%D7%A1_%D7%A7%D7%95%D7%A1%D7%98%D7%9C%D7%95" title="אלביס קוסטלו – Hebrew" lang="he" hreflang="he" data-title="אלביס קוסטלו" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target">עברית</a></li><li class="interlanguage-link interwiki-pam badge-Q17437798 badge-goodarticle mw-list-item" title="good article badge"><a href="https://pam.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Pampanga" lang="pam" hreflang="pam" data-title="Elvis Costello" data-language-autonym="Kapampangan" data-language-local-name="Pampanga" class="interlanguage-link-target">Kapampangan</a></li><li class="interlanguage-link interwiki-ka mw-list-item"><a href="https://ka.wikipedia.org/wiki/%E1%83%94%E1%83%9A%E1%83%95%E1%83%98%E1%83%A1_%E1%83%99%E1%83%9D%E1%83%A1%E1%83%A2%E1%83%94%E1%83%9A%E1%83%9D" title="ელვის კოსტელო – Georgian" lang="ka" hreflang="ka" data-title="ელვის კოსტელო" data-language-autonym="ქართული" data-language-local-name="Georgian" class="interlanguage-link-target">ქართული</a></li><li class="interlanguage-link interwiki-la mw-list-item"><a href="https://la.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Latin" lang="la" hreflang="la" data-title="Elvis Costello" data-language-autonym="Latina" data-language-local-name="Latin" class="interlanguage-link-target">Latina</a></li><li class="interlanguage-link interwiki-lt mw-list-item"><a href="https://lt.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Lithuanian" lang="lt" hreflang="lt" data-title="Elvis Costello" data-language-autonym="Lietuvių" data-language-local-name="Lithuanian" class="interlanguage-link-target">Lietuvių</a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Hungarian" lang="hu" hreflang="hu" data-title="Elvis Costello" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target">Magyar</a></li><li class="interlanguage-link interwiki-mk mw-list-item"><a href="https://mk.wikipedia.org/wiki/%D0%95%D0%BB%D0%B2%D0%B8%D1%81_%D0%9A%D0%BE%D1%81%D1%82%D0%B5%D0%BB%D0%BE" title="Елвис Костело – Macedonian" lang="mk" hreflang="mk" data-title="Елвис Костело" data-language-autonym="Македонски" data-language-local-name="Macedonian" class="interlanguage-link-target">Македонски</a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D8%A7%D9%84%D9%81%D9%8A%D8%B3_%D9%83%D9%88%D8%B3%D8%AA%D9%8A%D9%84%D9%88" title="الفيس كوستيلو – Egyptian Arabic" lang="arz" hreflang="arz" data-title="الفيس كوستيلو" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target">مصرى</a></li><li class="interlanguage-link interwiki-ms mw-list-item"><a href="https://ms.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Malay" lang="ms" hreflang="ms" data-title="Elvis Costello" data-language-autonym="Bahasa Melayu" data-language-local-name="Malay" class="interlanguage-link-target">Bahasa Melayu</a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Dutch" lang="nl" hreflang="nl" data-title="Elvis Costello" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target">Nederlands</a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%82%A8%E3%83%AB%E3%83%B4%E3%82%A3%E3%82%B9%E3%83%BB%E3%82%B3%E3%82%B9%E3%83%86%E3%83%AD" title="エルヴィス・コステロ – Japanese" lang="ja" hreflang="ja" data-title="エルヴィス・コステロ" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target">日本語</a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Elvis Costello" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target">Norsk bokmål</a></li><li class="interlanguage-link interwiki-nn mw-list-item"><a href="https://nn.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Norwegian Nynorsk" lang="nn" hreflang="nn" data-title="Elvis Costello" data-language-autonym="Norsk nynorsk" data-language-local-name="Norwegian Nynorsk" class="interlanguage-link-target">Norsk nynorsk</a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Polish" lang="pl" hreflang="pl" data-title="Elvis Costello" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target">Polski</a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Portuguese" lang="pt" hreflang="pt" data-title="Elvis Costello" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target">Português</a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9A%D0%BE%D1%81%D1%82%D0%B5%D0%BB%D0%BB%D0%BE" title="Элвис Костелло – Russian" lang="ru" hreflang="ru" data-title="Элвис Костелло" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target">Русский</a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Simple English" lang="en-simple" hreflang="en-simple" data-title="Elvis Costello" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target">Simple English</a></li><li class="interlanguage-link interwiki-sl mw-list-item"><a href="https://sl.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Slovenian" lang="sl" hreflang="sl" data-title="Elvis Costello" data-language-autonym="Slovenščina" data-language-local-name="Slovenian" class="interlanguage-link-target">Slovenščina</a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Finnish" lang="fi" hreflang="fi" data-title="Elvis Costello" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target">Suomi</a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Swedish" lang="sv" hreflang="sv" data-title="Elvis Costello" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target">Svenska</a></li><li class="interlanguage-link interwiki-th mw-list-item"><a href="https://th.wikipedia.org/wiki/%E0%B9%80%E0%B8%AD%E0%B8%A5%E0%B8%A7%E0%B8%B4%E0%B8%AA_%E0%B8%84%E0%B8%AD%E0%B8%AA%E0%B9%80%E0%B8%97%E0%B8%A5%E0%B9%82%E0%B8%A5" title="เอลวิส คอสเทลโล – Thai" lang="th" hreflang="th" data-title="เอลวิส คอสเทลโล" data-language-autonym="ไทย" data-language-local-name="Thai" class="interlanguage-link-target">ไทย</a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Turkish" lang="tr" hreflang="tr" data-title="Elvis Costello" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target">Türkçe</a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%95%D0%BB%D0%B2%D1%96%D1%81_%D0%9A%D0%BE%D1%81%D1%82%D0%B5%D0%BB%D0%BB%D0%BE" title="Елвіс Костелло – Ukrainian" lang="uk" hreflang="uk" data-title="Елвіс Костелло" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target">Українська</a></li><li class="interlanguage-link interwiki-vi mw-list-item"><a href="https://vi.wikipedia.org/wiki/Elvis_Costello" title="Elvis Costello – Vietnamese" lang="vi" hreflang="vi" data-title="Elvis Costello" data-language-autonym="Tiếng Việt" data-language-local-name="Vietnamese" class="interlanguage-link-target">Tiếng Việt</a></li><li class="interlanguage-link interwiki-zh mw-list-item"><a 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id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">English singer-songwriter (born 1954)</div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">"Declan MacManus" redirects here. For the Scottish footballer, see <a href="/wiki/Declan_McManus" title="Declan McManus">Declan McManus</a>.</div> <style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vcard plainlist"><tbody><tr><th colspan="2" class="infobox-above" style="color: #202122;background-color: #b0c4de; font-size: 125%;"><div class="solo_performer">Elvis Costello</div><div class="honorific-suffix" style="font-size: 78%; font-weight: normal;"><a href="/wiki/Officer_of_the_Order_of_the_British_Empire" class="mw-redirect" title="Officer of the Order of the British Empire">OBE</a></div></th></tr><tr><td colspan="2" class="infobox-image"><a href="/wiki/File:Elvis_Costello_2012.JPG" class="mw-file-description" title="Costello performing at the 2012 Riot Fest in Chicago"><img alt="Costello performing at the 2012 Riot Fest in Chicago" src="//upload.wikimedia.org/wikipedia/commons/thumb/1/19/Elvis_Costello_2012.JPG/220px-Elvis_Costello_2012.JPG" decoding="async" width="220" height="293" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/19/Elvis_Costello_2012.JPG/330px-Elvis_Costello_2012.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/19/Elvis_Costello_2012.JPG/440px-Elvis_Costello_2012.JPG 2x" data-file-width="3000" data-file-height="4000" /></a><div class="infobox-caption">Costello performing at the 2012 <a href="/wiki/Riot_Fest" title="Riot Fest">Riot Fest</a> in Chicago</div></td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de">Background information</th></tr><tr><th scope="row" class="infobox-label">Birth name</th><td class="infobox-data nickname">Declan Patrick MacManus</td></tr><tr><th scope="row" class="infobox-label">Also known as</th><td class="infobox-data nickname"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist dd:last-child::after,.mw-parser-output .hlist dt:last-child::after,.mw-parser-output .hlist li:last-child::after{content:none}.mw-parser-output .hlist dd dd:first-child::before,.mw-parser-output .hlist dd dt:first-child::before,.mw-parser-output .hlist dd li:first-child::before,.mw-parser-output .hlist dt dd:first-child::before,.mw-parser-output .hlist dt dt:first-child::before,.mw-parser-output .hlist dt li:first-child::before,.mw-parser-output .hlist li dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><div class="hlist"> <ul><li>Declan Costello</li> <li>D.P. Costello</li> <li>The Imposter</li> <li>Little Hands of Concrete</li> <li>Napoleon Dynamite</li> <li>Howard Coward<a href="#cite_note-1">[1]</a></li> <li>MacManus</li> <li>Elvis MacManus</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"> (1954-08-25) 25 August 1954 (age 70) London, England</td></tr><tr><th scope="row" class="infobox-label">Genres</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"> <ul><li><a href="/wiki/Pop_music" title="Pop music">Pop</a></li> <li><a href="/wiki/Rock_music" title="Rock music">rock</a></li> <li><a href="/wiki/New_wave_music" title="New wave music">new wave</a></li> <li><a href="/wiki/Power_pop" title="Power pop">power pop</a><a href="#cite_note-2">[2]</a></li> <li><a href="/wiki/Punk_rock" title="Punk rock">punk rock</a><a href="#cite_note-3">[3]</a></li> <li><a href="/wiki/Pub_rock_(United_Kingdom)" title="Pub rock (United Kingdom)">pub rock</a><a href="#cite_note-NME-4">[4]</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Occupations</th><td class="infobox-data role"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"> <ul><li>Singer</li> <li>songwriter</li> <li>record producer</li> <li>author</li> <li>television host</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Instruments</th><td class="infobox-data note"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"> <ul><li>Vocals</li> <li>guitar</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Discography</th><td class="infobox-data"><a href="/wiki/Elvis_Costello_discography" title="Elvis Costello discography">Elvis Costello discography</a></td></tr><tr><th scope="row" class="infobox-label">Years active</th><td class="infobox-data">1970–present</td></tr><tr><th scope="row" class="infobox-label">Labels</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"> <ul><li><a href="/wiki/Stiff_Records" title="Stiff Records">Stiff</a></li> <li><a href="/wiki/Radar_Records" title="Radar Records">Radar</a></li> <li><a href="/wiki/F-Beat_Records" title="F-Beat Records">F-Beat</a></li> <li><a href="/wiki/Demon_Records" class="mw-redirect" title="Demon Records">Demon</a></li> <li><a href="/wiki/Columbia_Records" title="Columbia Records">Columbia</a></li> <li><a href="/wiki/Warner_Bros._Records" class="mw-redirect" title="Warner Bros. Records">Warner Bros.</a></li> <li><a href="/wiki/Mercury_Records" title="Mercury Records">Mercury</a></li> <li><a href="/wiki/Island_Records" title="Island Records">Island</a></li> <li><a href="/wiki/Deutsche_Grammophon" title="Deutsche Grammophon">Deutsche Grammophon</a></li> <li><a href="/wiki/Lost_Highway_Records" class="mw-redirect" title="Lost Highway Records">Lost Highway</a></li> <li><a href="/wiki/Verve_Records" title="Verve Records">Verve</a></li> <li><a href="/wiki/Hear_Music" title="Hear Music">Hear Music</a></li> <li><a href="/wiki/Rykodisc_Records" class="mw-redirect" title="Rykodisc Records">Rykodisc</a></li> <li><a href="/wiki/Rhino_Records" class="mw-redirect" title="Rhino Records">Rhino</a></li> <li><a href="/wiki/Hip-O_Records" title="Hip-O Records">Hip-O</a></li> <li><a href="/wiki/Concord_Records" title="Concord Records">Concord</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Member of</th><td class="infobox-data"><a href="/wiki/The_New_Basement_Tapes" title="The New Basement Tapes">The New Basement Tapes</a></td></tr><tr><th scope="row" class="infobox-label">Formerly of</th><td class="infobox-data"><a href="/wiki/The_Attractions" title="The Attractions">The Attractions</a></td></tr><tr><th scope="row" class="infobox-label">Spouses</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"> <ul><li><style data-mw-deduplicate="TemplateStyles:r1151524712">.mw-parser-output .marriage-line-margin2px{line-height:0;margin-bottom:-2px}.mw-parser-output .marriage-line-margin3px{line-height:0;margin-bottom:-3px}.mw-parser-output .marriage-display-ws{display:inline;white-space:nowrap}</style></li></ul> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;">Mary Burgoyne</div> <div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> 1974; <abbr title="divorced">div.</abbr> 1984)</div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1151524712"></li></ul> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;"><a href="/wiki/Diana_Krall" title="Diana Krall">Diana Krall</a></div> <div style="display:inline-block;"></div>(<abbr title="married">m.</abbr> 2003)</div> </div></td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de"></th></tr><tr><th scope="row" class="infobox-label">Website</th><td class="infobox-data"><a rel="nofollow" class="external text" href="http://elviscostello.com">elviscostello.com</a></td></tr><tr><td colspan="2" class="infobox-full-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"></td></tr><tr><th colspan="2" class="infobox-header">Signature</th></tr><tr><td colspan="2" class="infobox-full-data"><a href="/wiki/File:Elvis_Costello_signature.svg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/30/Elvis_Costello_signature.svg/150px-Elvis_Costello_signature.svg.png" decoding="async" width="150" height="63" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/30/Elvis_Costello_signature.svg/225px-Elvis_Costello_signature.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/30/Elvis_Costello_signature.svg/300px-Elvis_Costello_signature.svg.png 2x" data-file-width="512" data-file-height="215" /></a></td></tr><tr style="display:none"><td colspan="2"> </td></tr></tbody></table><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Musical artist</div> Declan Patrick MacManus <a href="/wiki/Officer_of_the_Order_of_the_British_Empire" class="mw-redirect" title="Officer of the Order of the British Empire">OBE</a> (born 25 August 1954), better known by his stage name Elvis Costello, is an English singer, songwriter, record producer, author and television host. According to <a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a>, Costello "reinvigorated the literate, lyrical traditions of <a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a> and <a href="/wiki/Van_Morrison" title="Van Morrison">Van Morrison</a> with the raw energy and sass that were principal ethics of <a href="/wiki/Punk_rock" title="Punk rock">punk</a>", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles."<a href="#cite_note-5">[5]</a> His first album, <a href="/wiki/My_Aim_Is_True" title="My Aim Is True">My Aim Is True</a> (1977), spawned no hit singles, but contains some of Costello's best-known songs, including the ballad "<a href="/wiki/Alison_(song)" title="Alison (song)">Alison</a>". Costello's next two albums, <a href="/wiki/This_Year%27s_Model" title="This Year's Model">This Year's Model</a> (1978) and <a href="/wiki/Armed_Forces_(album)" title="Armed Forces (album)">Armed Forces</a> (1979), recorded with his backing band <a href="/wiki/The_Attractions" title="The Attractions">the Attractions</a>, helped define the <a href="/wiki/New_wave_music" title="New wave music">new wave</a> genre. From late 1977 until early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, "<a href="/wiki/Oliver%27s_Army" title="Oliver's Army">Oliver's Army</a>" (1979), sold more than 500,000 copies in Britain. He has had more modest commercial success in the US, but has earned much critical praise. From 1977 until the early 2000s, Costello's albums regularly ranked high on the <a href="/wiki/Village_Voice" class="mw-redirect" title="Village Voice">Village Voice</a> <a href="/wiki/Pazz_%26_Jop" title="Pazz & Jop">Pazz & Jop</a> critics' poll, with This Year's Model and <a href="/wiki/Imperial_Bedroom" title="Imperial Bedroom">Imperial Bedroom</a> (1982) voted the best album of their respective years.<a href="#cite_note-19">[a]</a> His biggest US hit single, "<a href="/wiki/Veronica_(song)" title="Veronica (song)">Veronica</a>" (1989), reached number 19 on the Billboard Hot 100. Born into a musical family, Costello was raised with knowledge and appreciation of a wide range of musical styles and an insider's view of the music business. His opportunity to begin a professional career as a musician coincided with the rise of punk rock in England. The primitivism brought into fashion by punk led Costello to disguise his musical savvy at the beginning of his career, but his stylistic range has come to encompass <a href="/wiki/R%26B" class="mw-redirect" title="R&B">R&B</a>, <a href="/wiki/Country_music" title="Country music">country</a>, <a href="/wiki/Jazz" title="Jazz">jazz</a>, <a href="/wiki/Baroque_pop" title="Baroque pop">baroque pop</a>, <a href="/wiki/Tin_Pan_Alley" title="Tin Pan Alley">Tin Pan Alley</a> and <a href="/wiki/Classical_music" title="Classical music">classical music</a>. He has released album-length collaborations with the classical ensemble The <a href="/wiki/Brodsky_Quartet" title="Brodsky Quartet">Brodsky Quartet</a>, the <a href="/wiki/New_Orleans_R%26B" class="mw-redirect" title="New Orleans R&B">New Orleans R&B</a> songwriter and producer <a href="/wiki/Allen_Toussaint" title="Allen Toussaint">Allen Toussaint</a> and the hip-hop group <a href="/wiki/The_Roots" title="The Roots">The Roots</a>. Costello has written more than a dozen songs with <a href="/wiki/Paul_McCartney" title="Paul McCartney">Paul McCartney</a> and had a long-running songwriting partnership with <a href="/wiki/Burt_Bacharach" title="Burt Bacharach">Burt Bacharach</a>. Costello has had hits with <a href="/wiki/Cover_version" title="Cover version">covers</a> of songs, including <a href="/wiki/Sam_%26_Dave" title="Sam & Dave">Sam & Dave</a>'s "<a href="/wiki/I_Can%27t_Stand_Up_for_Falling_Down" title="I Can't Stand Up for Falling Down">I Can't Stand Up for Falling Down</a>", <a href="/wiki/Jerry_Chesnut" title="Jerry Chesnut">Jerry Chesnut</a>'s "<a href="/wiki/Good_Year_for_the_Roses" class="mw-redirect" title="Good Year for the Roses">Good Year for the Roses</a>" and <a href="/wiki/Charles_Aznavour" title="Charles Aznavour">Charles Aznavour</a>'s <a href="/wiki/She_(Charles_Aznavour_song)" title="She (Charles Aznavour song)">"She"</a>. One of the songs he is best known for, "<a href="/wiki/(What%27s_So_Funny_%27Bout)_Peace,_Love,_and_Understanding" title="(What's So Funny 'Bout) Peace, Love, and Understanding">(What's So Funny 'Bout) Peace, Love, and Understanding</a>", was written by <a href="/wiki/Nick_Lowe" title="Nick Lowe">Nick Lowe</a> and recorded by Lowe's group <a href="/wiki/Brinsley_Schwarz" title="Brinsley Schwarz">Brinsley Schwarz</a> in 1974, but remained obscure until Costello released his version in 1979. Costello's own songs have been recorded by artists including <a href="/wiki/Linda_Ronstadt" title="Linda Ronstadt">Linda Ronstadt</a>, <a href="/wiki/George_Jones" title="George Jones">George Jones</a>, <a href="/wiki/Roy_Orbison" title="Roy Orbison">Roy Orbison</a>, <a href="/wiki/Johnny_Cash" title="Johnny Cash">Johnny Cash</a>, <a href="/wiki/Dave_Edmunds" title="Dave Edmunds">Dave Edmunds</a>, <a href="/wiki/Chet_Baker" title="Chet Baker">Chet Baker</a> and <a href="/wiki/Alison_Krauss" title="Alison Krauss">Alison Krauss</a>. Costello has won two <a href="/wiki/Grammy_Award" class="mw-redirect" title="Grammy Award">Grammy</a> awards, two <a href="/wiki/Ivor_Novello_Awards" title="Ivor Novello Awards">Ivor Novello</a> awards, four <a href="/wiki/Edison_Award" title="Edison Award">Edison</a> awards, an <a href="/wiki/MTV_Video_Music_Award" class="mw-redirect" title="MTV Video Music Award">MTV Video Music Award</a>, a <a href="/wiki/British_Academy_of_Film_and_Television_Arts" title="British Academy of Film and Television Arts">BAFTA</a> award, an <a href="/wiki/American_Society_of_Composers,_Authors_and_Publishers" title="American Society of Composers, Authors and Publishers">ASCAP</a> Founders award and a <a href="/wiki/Gemini_Awards" title="Gemini Awards">Gemini</a> award. In 2003, he was inducted into the <a href="/wiki/Rock_and_Roll_Hall_of_Fame" title="Rock and Roll Hall of Fame">Rock and Roll Hall of Fame</a>. In 2016, he was inducted into the <a href="/wiki/Songwriters_Hall_of_Fame" title="Songwriters Hall of Fame">Songwriters Hall of Fame</a>. From 2008 to 2010, he hosted a television show, <a href="/wiki/Spectacle:_Elvis_Costello_with..." title="Spectacle: Elvis Costello with...">Spectacle: Elvis Costello with...</a>, on which he interviewed other musicians. In 2015, he published a well-received memoir, Unfaithful Music & Disappearing Ink. <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Early_life">Early life</h2>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=1" title="Edit section: Early life">edit</a>]</div> Elvis Costello was born Declan Patrick MacManus,<a href="#cite_note-23">[b]</a> on 25 August 1954, at <a href="/wiki/St_Mary%27s_Hospital,_London" title="St Mary's Hospital, London">St Mary's Hospital</a> in <a href="/wiki/Paddington" title="Paddington">Paddington</a>, West London, the only child of a record shop worker and a <a href="/wiki/Jazz" title="Jazz">jazz</a> musician.<a href="#cite_note-Chalmers2009-24">[22]</a> Both parents were from the <a href="/wiki/Liverpool" title="Liverpool">Liverpool</a> area and had moved to London together a few years earlier.<a href="#cite_note-FOOTNOTEThomson200412-25">[23]</a> Costello's father was Catholic and of Irish descent,<a href="#cite_note-FOOTNOTEThomson200410-11-26">[24]</a> while his mother is English and was raised a <a href="/wiki/Congregationalist" class="mw-redirect" title="Congregationalist">Congregationalist</a>.<a href="#cite_note-29">[c]</a><a href="#cite_note-FOOTNOTECostello2015137-27">[25]</a> <div class="mw-heading mw-heading3"><h3 id="Family_background">Family background</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=2" title="Edit section: Family background">edit</a>]</div> Costello's mother, Lillian MacManus (née Ablett, 1927–2021), was born and raised in <a href="/wiki/Toxteth" title="Toxteth">Toxteth</a>, Liverpool, the daughter of a gas-main layer and a mother who became increasingly disabled by <a href="/wiki/Rheumatoid_arthritis" title="Rheumatoid arthritis">rheumatoid arthritis</a> as Lillian grew up.<a href="#cite_note-FOOTNOTECostello2015136–137-30">[27]</a><a href="#cite_note-31">[28]</a> Responsible for caring for her younger brother and sick mother,<a href="#cite_note-Chalmers2009-24">[22]</a> Lillian left school at 13 and took the first of a series of jobs at music stores. After moving to London with her future husband Ross in 1951, she took a job in the record department in <a href="/wiki/Selfridges" title="Selfridges">Selfridges</a> department store and continued selling records through the 1960s.<a href="#cite_note-FOOTNOTECostello2015405-32">[29]</a><a href="#cite_note-Rowland1989-33">[30]</a> Even after she no longer worked selling records, Lillian maintained a keen interest in a wide variety of music, including the popular music of the day.<a href="#cite_note-FOOTNOTEThomson200417-34">[31]</a> Costello's father, <a href="/wiki/Ross_MacManus" title="Ross MacManus">Ross MacManus</a> (1927–2011), was a professional trumpet player and singer, born and raised in <a href="/wiki/Birkenhead" title="Birkenhead">Birkenhead</a>,<a href="#cite_note-Laing2011-35">[32]</a> across the <a href="/wiki/River_Mersey" title="River Mersey">River Mersey</a> from Liverpool. He began his career in music in the late 1940s, playing trumpet in <a href="/wiki/Bebop" title="Bebop">bebop</a> bands in Birkenhead and Liverpool.<a href="#cite_note-FOOTNOTECostello201526–27-36">[33]</a> He segued to playing trumpet and singing in modern jazz bands after moving to London in 1951.<a href="#cite_note-FOOTNOTEThomson200411–12-37">[34]</a> By 1954, he was sufficiently well known for his son's birth to be announced in the <a href="/wiki/New_Musical_Express" class="mw-redirect" title="New Musical Express">New Musical Express</a>.<a href="#cite_note-FOOTNOTECostello2015405-32">[29]</a> From 1955 to 1968, he was a featured singer in <a href="/wiki/Joe_Loss" title="Joe Loss">Joe Loss Orchestra</a>, one of Britain's most popular <a href="/wiki/Big_band" title="Big band">big bands</a>.<a href="#cite_note-Laing2011-35">[32]</a> Ross had a solo cabaret act from 1969 through the 1990s, playing workingmen's social clubs in the North of England, Scotland, and Wales.<a href="#cite_note-FOOTNOTECostello2015125-38">[35]</a><a href="#cite_note-39">[36]</a> Ross recorded for small record labels under a variety of aliases,<a href="#cite_note-FOOTNOTECostello2015206–207-40">[37]</a> including Day Costello – Costello being Ross's paternal grandmother's maiden name.<a href="#cite_note-Schruers1999-41">[38]</a> He also recorded advertising jingles.<a href="#cite_note-FOOTNOTECostello2015155-42">[39]</a> In 1973, he sang the "Secret Lemonade Drinker" jingle featured in a series of advertisements for <a href="/wiki/R._Whites" class="mw-redirect" title="R. Whites">R. Whites</a>, with Costello on backing vocals.<a href="#cite_note-45">[d]</a><a href="#cite_note-FOOTNOTECostello2015155–157-46">[42]</a><a href="#cite_note-Laing2011-35">[32]</a> Ross's father, Patrick Matthew McManus,<a href="#cite_note-49">[e]</a> known as Pat, was also a professional musician.<a href="#cite_note-Laing2011-35">[32]</a> Pat was raised in an orphanage from age eight, where he learned to play trumpet. He later played trumpet as an army bandsman, a ship's musician for the <a href="/wiki/White_Star_Line" title="White Star Line">White Star Line</a>, and an orchestra musician in music halls and in theaters showing silent films.<a href="#cite_note-Laing2011-35">[32]</a><a href="#cite_note-FOOTNOTECostello2015273,_276–277,_283–284-50">[45]</a> Costello has said that Pat, being the first in the family to make a career in music, is the reason he himself is a musician.<a href="#cite_note-51">[46]</a> <div class="mw-heading mw-heading3"><h3 id="Childhood_and_early_musical_influences">Childhood and early musical influences</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=3" title="Edit section: Childhood and early musical influences">edit</a>]</div> Costello spent most of his childhood in <a href="/wiki/Twickenham" title="Twickenham">Twickenham</a>, in west London, before moving to Liverpool with his mother in 1970.<a href="#cite_note-FOOTNOTEThomson200422–23-52">[47]</a> Costello was raised <a href="/wiki/Catholic_Church" title="Catholic Church">Roman Catholic</a> and served as an altar boy until he was 14.<a href="#cite_note-FOOTNOTECostello2015537-28">[26]</a><a href="#cite_note-FOOTNOTEThomson200420-53">[48]</a> Costello's parents had separated by the time Costello was ten years old, after which he was raised by his mother.<a href="#cite_note-Chalmers2009-24">[22]</a><a href="#cite_note-FOOTNOTECostello2015537-28">[26]</a> Ross continued to be a significant presence in Costello's life and the two remained close until Ross's death in 2011.<a href="#cite_note-Schruers1999-41">[38]</a><a href="#cite_note-FOOTNOTECostello2015536-54">[49]</a> Costello has said that a childhood spent watching his father work gave him an innate sense of how to be a musician but also an understanding that a career in music was a job like any other, requiring discipline and hard work.<a href="#cite_note-Schruers1999-41">[38]</a><a href="#cite_note-Rambali1983-55">[50]</a> Costello's parents never insisted he take music lessons or otherwise pushed him to follow in the family business. Instead, they raised him in a home filled with music, encouraged his musical curiosity, and supported his efforts to find his own way toward a career in music.<a href="#cite_note-Schruers1999-41">[38]</a> Lillian told journalists that she knew before he was born he would have a career in music and that she listened to a broad range of music while she was pregnant with him with the intention of giving him an early start in music appreciation.<a href="#cite_note-Chalmers2009-24">[22]</a><a href="#cite_note-56">[51]</a> As a young child, Costello's musical influences came from his parents' record collection, which encompassed a wide range of styles but centred on <a href="/wiki/Traditional_pop" title="Traditional pop">traditional pop</a> and jazz.<a href="#cite_note-FOOTNOTEKidel2014at_7_minutes-57">[52]</a> Ross's job with the Joe Loss Orchestra required him to sing many of the pop hits of the day for the band's weekly radio show. To learn these songs, Ross received demonstration copies of the original artists' records, which he brought home to rehearse.<a href="#cite_note-FOOTNOTECostello201540–42-58">[53]</a> When Costello grew old enough to have an interest in the current pop hits, Ross began giving him five or six of these demonstration records per week. Costello has said, "That's why I know so many songs."<a href="#cite_note-FOOTNOTEKidel2014at_10_minutes-59">[54]</a> Chief among Costello's early favourites among the hit-makers of the day were <a href="/wiki/The_Beatles" title="The Beatles">the Beatles</a>. Costello has said that, having turned nine years old in 1963, he was exactly the right age to experience the full force of Beatles fandom as he grew up.<a href="#cite_note-Costello-2010-60">[55]</a> He has described the Beatles as his biggest musical influence.<a href="#cite_note-Doggett-1995-61">[56]</a> Costello was also deeply impressed by the songs of his future collaborator <a href="/wiki/Burt_Bacharach" title="Burt Bacharach">Burt Bacharach</a>, which he knew through the hits British artists <a href="/wiki/Cilla_Black" title="Cilla Black">Cilla Black</a> and <a href="/wiki/Dusty_Springfield" title="Dusty Springfield">Dusty Springfield</a> had with them.<a href="#cite_note-FOOTNOTECostello2015201–202,_504–505-62">[57]</a> As Costello grew into his teens, his favourites included British <a href="/wiki/Beat_music" title="Beat music">beat</a> groups <a href="/wiki/The_Kinks" title="The Kinks">the Kinks</a>, <a href="/wiki/Small_Faces" title="Small Faces">Small Faces</a> and <a href="/wiki/The_Who" title="The Who">the Who</a>,<a href="#cite_note-Doggett-1995-61">[56]</a><a href="#cite_note-Marcus1982-63">[58]</a> Jamaican <a href="/wiki/Rocksteady" title="Rocksteady">rocksteady</a> and <a href="/wiki/Reggae" title="Reggae">reggae</a> acts who were popular in Britain,<a href="#cite_note-64">[59]</a><a href="#cite_note-65">[60]</a> and especially <a href="/wiki/Motown" title="Motown">Motown</a> artists, who he knew mainly through their British hit singles and through the <a href="/wiki/Motown_Chartbusters" title="Motown Chartbusters">Motown Chartbusters</a> compilation series.<a href="#cite_note-FOOTNOTECostello2015106-66">[61]</a> By the time Costello reached his mid-teens, <a href="/wiki/Joni_Mitchell" title="Joni Mitchell">Joni Mitchell</a> had become an important and enduring influence on him.<a href="#cite_note-Costello-2004-67">[62]</a> When Costello moved to Liverpool, he found he did not enjoy much of the <a href="/wiki/Progressive_rock" title="Progressive rock">progressive rock</a> that was popular with his peers, so, casting around for music he might like, he developed an interest in the <a href="/wiki/Grateful_Dead" title="Grateful Dead">Grateful Dead</a> and other <a href="/wiki/Folk_rock" title="Folk rock">folk rock</a> groups like <a href="/wiki/The_Byrds" title="The Byrds">the Byrds</a> and <a href="/wiki/The_Band" title="The Band">the Band</a>, and through them, <a href="/wiki/Country_music" title="Country music">country music</a>.<a href="#cite_note-68">[63]</a><a href="#cite_note-Graham-2018-69">[64]</a> <div class="mw-heading mw-heading3"><h3 id="Education_and_decision_to_pursue_a_career_in_music">Education and decision to pursue a career in music</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=4" title="Edit section: Education and decision to pursue a career in music">edit</a>]</div> Costello was a well-behaved if sometimes argumentative student, but not generally an academically outstanding one.<a href="#cite_note-FOOTNOTEThomson200414–15,_17–18,_29-70">[65]</a><a href="#cite_note-FOOTNOTEKidel2014at_11_minutes_and_13_minutes-71">[66]</a> Not having scored well enough on his <a href="/wiki/Eleven-plus" title="Eleven-plus">eleven-plus</a> exams to go on to <a href="/wiki/Grammar_school#In_the_Tripartite_System" title="Grammar school">grammar school</a>,<a href="#cite_note-Chalmers2009-24">[22]</a> he attended <a href="/wiki/St_Mark%27s_Catholic_School,_Hounslow" title="St Mark's Catholic School, Hounslow">Archbishop Myers</a> <a href="/wiki/Secondary_modern_school" title="Secondary modern school">secondary modern school</a> in <a href="/wiki/Hounslow" title="Hounslow">Hounslow</a><a href="#cite_note-auto-72">[67]</a> and then a <a href="/wiki/Comprehensive_school" title="Comprehensive school">comprehensive school</a> in <a href="/wiki/Everton,_Liverpool" title="Everton, Liverpool">Everton, Liverpool</a>, for <a href="/wiki/Sixth_form" title="Sixth form">sixth form</a>.<a href="#cite_note-75">[f]</a><a href="#cite_note-FOOTNOTEThomson200417–18,_23,_29-76">[70]</a> Costello did, however, show an early talent for writing. His mother told a journalist that, when Costello was 11 years old, his school entered him into a writing contest held by <a href="/wiki/The_Times" title="The Times">The Times</a> intended for people aged 16 to 25, for which he won a prize.<a href="#cite_note-Chalmers2009-24">[22]</a> As he finished secondary school, he earned one <a href="/wiki/A-level" title="A-level">A-level</a>, in English, despite having made a firm decision to pursue a career in music a few months earlier and putting little effort into his final months of school.<a href="#cite_note-Rambali1983-55">[50]</a><a href="#cite_note-FOOTNOTECostello201523–24-77">[71]</a> Although he never had any alternative career plan, Costello had previously been reluctant to commit to a career in music, partly because his upbringing had made him aware of the potential pitfalls involved. The shock of witnessing a teenage friend's death in a traffic accident changed his mind. He would later write, "Suddenly, everything but music seemed like a waste of precious time."<a href="#cite_note-FOOTNOTECostello201513–15,_23-78">[72]</a> Costello completed his formal education in 1972 and, still living at home with his mother, set out to find a job that would earn him a steady wage while he pursued a career in music.<a href="#cite_note-Marcus1982-63">[58]</a> He soon took a job as a <a href="/wiki/Computer_operator" title="Computer operator">computer operator</a> at the <a href="/wiki/Midland_Bank" title="Midland Bank">Midland Bank</a> <a href="/wiki/Data_centre" class="mw-redirect" title="Data centre">data centre</a>, in the <a href="/wiki/Merseyside" title="Merseyside">Merseyside</a> town of <a href="/wiki/Bootle" title="Bootle">Bootle</a>, because, at £20 a week, it paid slightly better than other unskilled work he felt he was qualified for.<a href="#cite_note-81">[g]</a><a href="#cite_note-Rowland1989-33">[30]</a><a href="#cite_note-FOOTNOTECostello2015142-82">[75]</a> According to Costello, the job consisted of essentially manual labour such as mounting <a href="/wiki/Magnetic_tape_data_storage#Open_reels" class="mw-redirect" title="Magnetic tape data storage">tape reels</a> and loading <a href="/wiki/Punched_card" title="Punched card">punched cards</a>.<a href="#cite_note-Marcus1982-63">[58]</a> Because the job involved frequent periods of waiting for the <a href="/wiki/Mainframe_computers" class="mw-redirect" title="Mainframe computers">mainframe computers</a> to complete their tasks before beginning them on the next one, it gave Costello time to write songs while at work.<a href="#cite_note-Marcus1982-63">[58]</a> Except for a few months in 1973 when he worked as a clerk at the Midland Bank <a href="/wiki/Putney" title="Putney">Putney</a> branch, he continued to work full-time as a computer operator until a few weeks before his first album was released in July 1977.<a href="#cite_note-FOOTNOTECostello2015142–143-83">[76]</a><a href="#cite_note-FOOTNOTEThomson200491-84">[77]</a> <div class="mw-heading mw-heading2"><h2 id="Music_career">Music career</h2>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=5" title="Edit section: Music career">edit</a>]</div> <div class="mw-heading mw-heading3"><h3 id="1969–1976:_Pre-professional_career">1969–1976: Pre-professional career</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=6" title="Edit section: 1969–1976: Pre-professional career">edit</a>]</div> Costello began writing songs and teaching himself to play guitar by age 14.<a href="#cite_note-Doggett-1995-61">[56]</a><a href="#cite_note-FOOTNOTECostello2015104-85">[78]</a> To test his songs in front of an audience, he performed them in folk clubs that permitted amateur musicians to perform unpaid.<a href="#cite_note-Marcus1982-63">[58]</a> He played these clubs regularly in London and continued in similar clubs when he moved to Liverpool at age 16, although folk music venues that welcomed original songs were scarcer in Liverpool than in London.<a href="#cite_note-Colin1989-86">[79]</a> By 17, he was occasionally being paid a little money.<a href="#cite_note-FOOTNOTECostello2015125-38">[35]</a> On the eve of the release of his debut album in 1977, Costello told a journalist that by that time he had written hundreds of songs.<a href="#cite_note-Jones-1977-87">[80]</a> <div class="mw-heading mw-heading4"><h4 id="Rusty">Rusty</h4>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=7" title="Edit section: Rusty">edit</a>]</div> At the beginning of 1972, Costello was invited to join a <a href="/wiki/Folk_rock" title="Folk rock">folk-rock</a> band called Rusty by the band's founder, an 18-year-old veteran of the Liverpool music scene named Allan Mayes.<a href="#cite_note-FOOTNOTEThomson200425-88">[81]</a> As other members left, Rusty soon became a duo, with Mayes and Costello singing and playing acoustic guitars.<a href="#cite_note-FOOTNOTEThomson200427-89">[82]</a> For a little over a year, Rusty played regularly in small venues like pubs, clubs, schools, and community centres, mostly in and around Liverpool, unpaid or for small amounts of money.<a href="#cite_note-FOOTNOTEThomson200427–28-90">[83]</a> In Mayes's estimation, Costello was already a talented songwriter, able to quickly write songs in a variety of styles, and could sing like <a href="/wiki/Neil_Young" title="Neil Young">Neil Young</a> or <a href="/wiki/Robbie_Robertson" title="Robbie Robertson">Robbie Robertson</a>.<a href="#cite_note-FOOTNOTEThomson200427-89">[82]</a> Mayes has said he introduced Costello to <a href="/wiki/Brinsley_Schwarz" title="Brinsley Schwarz">Brinsley Schwarz</a>, a band that would be an important influence on him.<a href="#cite_note-91">[84]</a> While in Rusty, Costello wrote an early version of a song he would record in 1980 as "Ghost Train", although by then little remained of the Rusty version except the central narrative idea of a married <a href="/wiki/Double_act" title="Double act">double act</a> making their way through the low end of show business.<a href="#cite_note-FOOTNOTECostello2015125-38">[35]</a> In 2022, Costello reunited with Mayes to record and release an EP called <a href="/wiki/The_Resurrection_of_Rust" title="The Resurrection of Rust">The Resurrection of Rust</a>. The EP contained songs that were typical of Rusty's shows in 1972, including the early version of "Ghost Train", then called "Maureen and Sam".<a href="#cite_note-92">[85]</a><a href="#cite_note-93">[h]</a> <div class="mw-heading mw-heading4"><h4 id="Declan_Costello">Declan Costello</h4>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=8" title="Edit section: Declan Costello">edit</a>]</div> By early 1973, Costello had determined that the music scene in Liverpool was too small to support his ambition to have a career in music, so he arranged to transfer from his job as a computer operator in the <a href="/wiki/Midland_Bank" title="Midland Bank">Midland Bank</a> data centre in <a href="/wiki/Bootle" title="Bootle">Bootle</a> to a position as a clerk at the bank's <a href="/wiki/Putney" title="Putney">Putney</a> branch.<a href="#cite_note-Colin1989-86">[79]</a><a href="#cite_note-FOOTNOTECostello2015142-82">[75]</a> Returning to London, Costello moved into the same <a href="/wiki/Twickenham" title="Twickenham">Twickenham</a> flat where he had lived with his mother a few years earlier, by then occupied by his father (Ross), Ross's second wife, and their infant son.<a href="#cite_note-FOOTNOTECostello2015151–152-94">[86]</a> When booking himself into London clubs, he began using the name Declan Costello, adopting a family name that Ross had once made a record under, because it was easier to spell and understand than MacManus when he spoke on the phone.<a href="#cite_note-FOOTNOTECostello2015154_[illustration],_in_deluxe_ebook_photo_gallery,_reproduction_of_"Folk_Forum"_from_''Melody_Maker'',_14_April_1973-95">[87]</a><a href="#cite_note-Rambali1983-55">[50]</a> Around this time, Costello accompanied Ross to Costello's first professional recording session, for the <a href="/wiki/R._White%27s_Lemonade" class="mw-redirect" title="R. White's Lemonade">R. White's</a> "Secret Lemonade Drinker" commercial jingle. Ross sang the lead vocal while Costello played guitar and sang backing vocals.<a href="#cite_note-96">[i]</a><a href="#cite_note-FOOTNOTECostello2015155–157-46">[42]</a> <div class="mw-heading mw-heading4"><h4 id="Flip_City">Flip City</h4>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=9" title="Edit section: Flip City">edit</a>]</div> In the second half of 1973, Costello formed a band called Flip City with several slightly older men who, like him, were fans of <a href="/wiki/Brinsley_Schwarz" title="Brinsley Schwarz">Brinsley Schwarz</a> and other <a href="/wiki/Pub_rock_(United_Kingdom)" title="Pub rock (United Kingdom)">pub rock</a> bands. The members of Flip City also shared Costello's enthusiasm for <a href="/wiki/The_Band" title="The Band">The Band</a>, the <a href="/wiki/Grateful_Dead" title="Grateful Dead">Grateful Dead</a>, and <a href="/wiki/Clover_(band)" title="Clover (band)">Clover</a>.<a href="#cite_note-FOOTNOTEThomson200438–39-97">[88]</a> For most of 1974, Costello shared a rented house in southwest London with some of his bandmates.<a href="#cite_note-FOOTNOTEThomson200441-98">[89]</a><a href="#cite_note-FOOTNOTECostello2015163–164-99">[90]</a> Flip City played the London pub rock circuit until the end of 1975, occasionally opening for more prominent bands such as <a href="/wiki/Dr._Feelgood_(band)" title="Dr. Feelgood (band)">Dr. Feelgood</a>, but generally making little money and attracting little notice.<a href="#cite_note-FOOTNOTEThomson200442,_55,_57–58-100">[91]</a><a href="#cite_note-FOOTNOTECostello2015174–175-101">[92]</a> Flip City's performances consisted of a mix of Costello's original songs and covers of rock, R&B, and country songs. Their repertoire of Costello originals included early versions of songs that would appear on his first two albums as "Pay It Back", "Miracle Man", "Living in Paradise", and "Radio Radio".<a href="#cite_note-FOOTNOTEThomson200444-102">[93]</a> Costello wrote all but one of Flip City's original songs, did most of the singing, and chose the cover songs they played.<a href="#cite_note-FOOTNOTESt._Michael198612-103">[94]</a> A friend from those days later told a journalist, "It wasn't so much that he imposed the ideas; he was the one who had the ideas."<a href="#cite_note-FOOTNOTESt._Michael198614-104">[95]</a> None of the other members of Flip City shared Costello's commitment to pursuing a career in music and some disapproved of his desire to make money from his music.<a href="#cite_note-FOOTNOTESt._Michael198612-103">[94]</a><a href="#cite_note-FOOTNOTEThomson200456-105">[96]</a> Costello became engaged to marry a former schoolmate in late 1973.<a href="#cite_note-FOOTNOTECostello2015152–153-106">[97]</a> By then he had found a job as a computer operator at the <a href="/wiki/Elizabeth_Arden,_Inc." title="Elizabeth Arden, Inc.">Elizabeth Arden</a> cosmetics factory in <a href="/wiki/North_Acton" title="North Acton">North Acton</a>, in northwest London, similar to the one he had in Bootle and with similarly low wages.<a href="#cite_note-FOOTNOTECostello2015142–143,_180-107">[98]</a><a href="#cite_note-FOOTNOTEThomson200441-98">[89]</a> By early 1975, Costello was a husband and father and was struggling to support his family.<a href="#cite_note-FOOTNOTEThomson200449–50-108">[99]</a><a href="#cite_note-FOOTNOTECostello2015147,_180–181-109">[100]</a> Flip City's live engagements added little to his income, rarely paying more than the band's expenses.<a href="#cite_note-FOOTNOTESt._Michael198611-110">[101]</a><a href="#cite_note-FOOTNOTEThomson200455,_56–57-111">[102]</a> Costello recorded demos with Flip City at several sessions from mid-1974 until mid-1975, hoping to use them to get live bookings, secure a recording contract, or sell Costello's songs for other artists to record.<a href="#cite_note-FOOTNOTEThomson200450–52-112">[103]</a> All but the first of these sessions were at a small studio owned by <a href="/wiki/Dave_Robinson_(music_executive)" title="Dave Robinson (music executive)">Dave Robinson</a>, future <a href="/wiki/Stiff_Records" title="Stiff Records">Stiff Records</a> founder.<a href="#cite_note-FOOTNOTEThomson200450–51,_53–55-113">[104]</a> Robinson later said that he thought Flip City "could not play at all" but Costello was talented and ought to "find a real band."<a href="#cite_note-FOOTNOTEThomson200452,_55-114">[105]</a> After Costello became successful, Flip City's demos were widely bootlegged, often misleadingly labelled to imply they were outtakes from the <a href="/wiki/My_Aim_Is_True" title="My Aim Is True">My Aim Is True</a> sessions or otherwise affiliated with Stiff Records.<a href="#cite_note-FOOTNOTESt._Michael198628-115">[106]</a> The only Flip City recording to have been officially released is Costello's song "Imagination (Is a Powerful Deceiver)", recorded in early 1975, which appeared as a bonus track on the 1993 and 2001 reissues of My Aim Is True.<a href="#cite_note-Costello-1993-116">[107]</a> In the liner notes to the 2001 reissue, Costello wrote that, in retrospect, the song sounded to him like "a very early attempt to write a song like '<a href="/wiki/Alison_(song)" title="Alison (song)">Alison</a>'."<a href="#cite_note-Costello-2001-117">[108]</a> <div class="mw-heading mw-heading4"><h4 id="D.P._Costello">D.P. Costello</h4>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=10" title="Edit section: D.P. Costello">edit</a>]</div> Even before disbanding Flip City in late 1975, Costello was writing songs he did not include in the band's repertoire.<a href="#cite_note-FOOTNOTEThomson200446-118">[109]</a> He recorded some of these as solo demos for Dave Robinson in mid-1975.<a href="#cite_note-FOOTNOTECostello2015224-119">[110]</a> For the next year, he shopped these and other solo demos to music publishers and record companies, hoping to be hired either as a songwriter or a recording artist.<a href="#cite_note-FOOTNOTECostello2015183-120">[111]</a><a href="#cite_note-Jones-1977-87">[80]</a> He sent out as many as 20 songs on a single tape to publishers, not yet realising that no publisher would have the patience to listen to so many songs.<a href="#cite_note-Doggett-1995-61">[56]</a> Sometimes he went to publishers' offices to perform his songs in person.<a href="#cite_note-Costello-2001-117">[108]</a> None of this generated anything but rejections until he began creating "show reels" of no more than six of what he believed were his most attention-getting songs, selected to appeal to the recipient of each demo tape.<a href="#cite_note-Doggett-1995-61">[56]</a><a href="#cite_note-FOOTNOTECostello2015183,_in_the_photo_gallery_of_deluxe_ebook_edition,_"List_of_demos_sent_to_record_labels"_and_"Songs_sent_to_''Honky_Tonk'',_BBC_Radio_London"-121">[112]</a><a href="#cite_note-122">[j]</a> By February 1976, Costello was booking himself into clubs as a solo act under the name D.P. Costello, D.P. being his initials and a nickname he was sometimes called by his family.<a href="#cite_note-FOOTNOTEGimarc199424-123">[113]</a><a href="#cite_note-124">[114]</a> While working as D.P. Costello, he learned to sing and play guitar very loudly and developed a forceful stage presence, although he was still playing to small audiences for very little money.<a href="#cite_note-Colin1989-86">[79]</a><a href="#cite_note-FOOTNOTEThomson200461–62-125">[115]</a> Few of the songs he had played with Flip City were included in these performances.<a href="#cite_note-FOOTNOTESt._Michael198617-126">[116]</a> Instead, he was debuting some of the songs that would start to get the attention of the music industry, such as "Mystery Dance" and "Wave a White Flag".<a href="#cite_note-FOOTNOTECostello2015183-120">[111]</a><a href="#cite_note-FOOTNOTESt._Michael198617-126">[116]</a><a href="#cite_note-FOOTNOTECostello2015182–183,_598-127">[117]</a> Costello included both songs on a six-track demo tape he sent to London radio presenter <a href="/wiki/Charlie_Gillett" title="Charlie Gillett">Charlie Gillett</a>, who thought "Wave a White Flag" was the best of the six.<a href="#cite_note-FOOTNOTEThomson200464,_66–67-128">[118]</a> Gillett played several songs from the tape on his radio show later that year, the first time any Costello song received airplay.<a href="#cite_note-FOOTNOTECostello2015183–184-129">[119]</a><a href="#cite_note-131">[k]</a> Sometime in 1976, lack of money forced Costello, his wife and their toddler son to move in with relatives near <a href="/wiki/Heathrow_Airport" title="Heathrow Airport">Heathrow Airport</a>, on the far west side of London.<a href="#cite_note-FOOTNOTECostello2015184-132">[121]</a> This meant Costello's commute to work in North Acton took him past the <a href="/wiki/Hoover_Building" title="Hoover Building">Hoover Building</a> in <a href="/wiki/Perivale" title="Perivale">Perivale</a>.<a href="#cite_note-FOOTNOTECostello2015184-132">[121]</a> Around the same time, he was starting to become aware of the nascent <a href="/wiki/Punk_rock" title="Punk rock">punk</a> movement, although he would not hear any of the British punk bands until they began releasing records.<a href="#cite_note-FOOTNOTECostello2015185-133">[122]</a><a href="#cite_note-Marcus1982-63">[58]</a> He was, however, inspired by the <a href="/wiki/The_Modern_Lovers" title="The Modern Lovers">Modern Lovers</a>' song "<a href="/wiki/Roadrunner_(Jonathan_Richman_song)" title="Roadrunner (Jonathan Richman song)">Roadrunner</a>", with its reference to such quotidian landmarks as the <a href="/wiki/Stop_%26_Shop" title="Stop & Shop">Stop & Shop</a>, to write a song about the historical <a href="/wiki/Art_Deco" title="Art Deco">Art Deco</a> building he rode past every day.<a href="#cite_note-FOOTNOTECostello2015185-133">[122]</a> Although he did not record it until 1980, Costello regarded this song, "Hoover Factory", as an artistic breakthrough.<a href="#cite_note-FOOTNOTECostello2015185-133">[122]</a> In the period just prior, he had been trying to imitate songwriters <a href="/wiki/Randy_Newman" title="Randy Newman">Randy Newman</a> and <a href="/wiki/John_Prine" title="John Prine">John Prine</a>.<a href="#cite_note-FOOTNOTECostello2015181-134">[123]</a> "Hoover Factory", he later recalled, got him "through the door to a different, less ingratiating way of speaking" in his songwriting.<a href="#cite_note-FOOTNOTECostello2015185-133">[122]</a> The next song he wrote was "Radio Sweetheart",<a href="#cite_note-FOOTNOTECostello2015185–186-135">[124]</a> which would become the B-side of his first single.<a href="#cite_note-FOOTNOTEThomson200478-136">[125]</a> <div class="mw-heading mw-heading3"><h3 id="1976–1977:_My_Aim_Is_True">1976–1977: My Aim Is True</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=11" title="Edit section: 1976–1977: My Aim Is True">edit</a>]</div> In mid-August 1976, Costello included "Mystery Dance" and "Radio Sweetheart" on a demo tape he gave to <a href="/wiki/Stiff_Records" title="Stiff Records">Stiff Records</a>, a new independent label that had just released its first single.<a href="#cite_note-FOOTNOTEBalls201436,_41,_78-137">[126]</a><a href="#cite_note-FOOTNOTECostello2015226,_in_the_photo_gallery_of_deluxe_ebook_edition,_"List_of_demos_sent_to_record_labels"-138">[127]</a> Partly due to the airplay received from Gillett around the same time, Costello was soon evaluating offers from several record companies, including Gillett's own Oval Records.<a href="#cite_note-Doggett-1995-61">[56]</a><a href="#cite_note-FOOTNOTEThomson200467-139">[128]</a> Costello chose to work with Stiff Records because they seemed prepared to move the fastest.<a href="#cite_note-Doggett-1995-61">[56]</a> Stiff had been founded by <a href="/wiki/Jake_Riviera" title="Jake Riviera">Jake Riviera</a>, who managed several acts Costello admired, and Dave Robinson.<a href="#cite_note-FOOTNOTEBalls201422–23,_28,_80-140">[129]</a><a href="#cite_note-Doggett-1995-61">[56]</a> <a href="/wiki/Nick_Lowe" title="Nick Lowe">Nick Lowe</a>, whom Costello was on friendly terms with because he had attended so many performances by Lowe's band Brinsley Schwarz, was the label's first artist and soon became its in-house producer.<a href="#cite_note-FOOTNOTECostello2015124,_224-141">[130]</a><a href="#cite_note-FOOTNOTEBalls201436-142">[131]</a> Following a successful test-session in mid-September at <a href="/wiki/Pathway_Studios" title="Pathway Studios">Pathway Studios</a>, an inexpensive studio in <a href="/wiki/North_London" title="North London">North London</a>,<a href="#cite_note-FOOTNOTECostello2015226–227-143">[132]</a><a href="#cite_note-FOOTNOTECostello2015183,_225,_226–227-144">[133]</a> Stiff agreed to finance more sessions for Costello with <a href="/wiki/Clover_(band)" title="Clover (band)">Clover</a>, an American <a href="/wiki/Country_rock" title="Country rock">country-rock</a> band from <a href="/wiki/Marin_County,_California" title="Marin County, California">Marin County, California</a>,<a href="#cite_note-FOOTNOTEBalls201480-145">[134]</a><a href="#cite_note-FOOTNOTECostello2015223-146">[135]</a> as the backing band.<a href="#cite_note-FOOTNOTECostello2015229-147">[136]</a> Starting in late November or early December, Costello travelled to <a href="/wiki/Headley_Grange" title="Headley Grange">Headley Grange</a> in <a href="/wiki/East_Hampshire" title="East Hampshire">East Hampshire</a>, where Clover were living, to spend the day rehearsing and working out arrangements for a batch of his songs and then recording the songs with the band the next day at Pathway.<a href="#cite_note-FOOTNOTECostello2015231-148">[137]</a> Costello still held a full-time office job,<a href="#cite_note-Costello-2001-117">[108]</a> so the sessions were spaced over several weeks to accommodate his work schedule and Stiff's tight finances.<a href="#cite_note-149">[138]</a> My Aim Is True was recorded and mixed in six four-hour sessions for a total cost of about £1,000.<a href="#cite_note-Costello-2001-117">[108]</a> The final mix was completed in late January 1977.<a href="#cite_note-FOOTNOTEBalls201482-150">[139]</a> Producer Nick Lowe, recording engineer Barry Farmer and Clover bassist John Ciambotti have all said they found Costello confident, well-prepared, and mature beyond his years during the making of the album.<a href="#cite_note-FOOTNOTEThomson200472,_74-151">[140]</a><a href="#cite_note-FOOTNOTEBalls201482-150">[139]</a> By February 1977, Riviera and Robinson, who were now Costello's managers, had given him his new stage name, Elvis.<a href="#cite_note-152">[141]</a> The reference to <a href="/wiki/Elvis_Presley" title="Elvis Presley">Elvis Presley</a>, who was still alive at the time, was simply intended to get attention.<a href="#cite_note-FOOTNOTEThomson200478–80-153">[142]</a> Costello neither particularly liked nor disliked Presley.<a href="#cite_note-154">[143]</a> Because Costello had seen his father, Ross, work under a variety of stage names, he gave little thought to the name change.<a href="#cite_note-FOOTNOTECostello2015206–207-40">[37]</a> Riviera and Robinson also helped give Costello a distinctive appearance that contrasted with the contemporaneous ideas how pop stars looked;<a href="#cite_note-FOOTNOTESt._Michael198621–22-155">[144]</a> they swapped the unobtrusive rimless glasses Costello had worn to correct astigmatism since he was a teenager for a pair with large black frames.<a href="#cite_note-FOOTNOTEThomson200480-156">[145]</a><a href="#cite_note-Rambali1983-55">[50]</a> Costello's first single, "<a href="/wiki/Less_than_Zero_(Elvis_Costello_song)" title="Less than Zero (Elvis Costello song)">Less than Zero</a>", was released at the end of March 1977.<a href="#cite_note-FOOTNOTEThomson200478-136">[125]</a> It received a few brief, mixed reviews in the British music press and sold very few copies.<a href="#cite_note-FOOTNOTEThomson200489-157">[146]</a> Two further singles, "<a href="/wiki/Alison_(song)" title="Alison (song)">Alison</a>" and "<a href="/wiki/(The_Angels_Wanna_Wear_My)_Red_Shoes" title="(The Angels Wanna Wear My) Red Shoes">(The Angels Wanna Wear My) Red Shoes</a>", also sold poorly; the former would become one of his best-regarded and best-known songs.<a href="#cite_note-FOOTNOTEBalls201484,_97-158">[147]</a><a href="#cite_note-FOOTNOTECostello2015256-159">[148]</a> However, Costello was receiving increasingly prominent, positive coverage in the British music press.<a href="#cite_note-FOOTNOTEThomson200488–89-160">[149]</a> <a href="/wiki/My_Aim_Is_True" title="My Aim Is True">My Aim Is True</a> had been completed since the end of January but its release was delayed, first because Stiff had wanted to release records by other artists who seemed more tied to transient music trends and then because of legal difficulties with Stiff's distributor, <a href="/wiki/Island_Records" title="Island Records">Island Records</a>.<a href="#cite_note-Costello-2001-117">[108]</a><a href="#cite_note-FOOTNOTEBalls201484-161">[150]</a> It was released on 22 July 1977.<a href="#cite_note-FOOTNOTEThomson200495-162">[151]</a> Two weeks earlier, Costello had left his job as a computer operator at <a href="/wiki/Elizabeth_Arden,_Inc." title="Elizabeth Arden, Inc.">Elizabeth Arden</a> on the condition that Stiff pay him, as an advance on future royalties, a regular stipend equal to the wages he had been earning at his job.<a href="#cite_note-Costello-2001-117">[108]</a><a href="#cite_note-FOOTNOTEThomson200491-84">[77]</a> <div class="mw-heading mw-heading3"><h3 id="1977–1979:_Peak_pop_stardom">1977–1979: Peak pop stardom</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=12" title="Edit section: 1977–1979: Peak pop stardom">edit</a>]</div> In mid-June 1977, Costello held auditions for a bassist and keyboardist for a backing band for a tour to promote My Aim Is True, wanting a sparser sound than on the album.<a href="#cite_note-Jones-1977-87">[80]</a> <a href="/wiki/Pete_Thomas_(drummer)" title="Pete Thomas (drummer)">Pete Thomas</a>, formerly of pub-rock band <a href="/wiki/Chilli_Willi_and_the_Red_Hot_Peppers" title="Chilli Willi and the Red Hot Peppers">Chilli Willi and the Red Hot Peppers</a>, who were managed by Riviera, agreed to be drummer, although Thomas was then living in California and needed to be brought back to England.<a href="#cite_note-FOOTNOTEThomson200485-163">[152]</a><a href="#cite_note-FOOTNOTEBalls201422–23,_80-164">[153]</a> <a href="/wiki/Steve_Goulding" title="Steve Goulding">Steve Goulding</a> and <a href="/wiki/Andrew_Bodnar" title="Andrew Bodnar">Andrew Bodnar</a>, rhythm section of <a href="/wiki/The_Rumour" title="The Rumour">the Rumour</a>, also participated in these audition sessions, so that Costello could test how the musicians auditioning played as part of a band.<a href="#cite_note-FOOTNOTECostello2015232-165">[154]</a> Chosen were bassist <a href="/wiki/Bruce_Thomas" title="Bruce Thomas">Bruce Thomas</a> (no relation to Pete), who was 28 years old and had ten years' experience in professional bands, the most successful being the <a href="/wiki/The_Sutherland_Brothers#The_Sutherland_Brothers_and_Quiver_(1973–78)" title="The Sutherland Brothers">Sutherland Brothers and Quiver</a>;<a href="#cite_note-FOOTNOTEThomson200486-166">[155]</a><a href="#cite_note-FOOTNOTEBalls201489-167">[156]</a> and keyboardist <a href="/wiki/Steve_Nieve" title="Steve Nieve">Steve Nieve</a> (then Steve Nason), a 19-year-old student at the <a href="/wiki/Royal_College_of_Music" title="Royal College of Music">Royal College of Music</a> who had formal musical training but no experience in any kind of pop group.<a href="#cite_note-FOOTNOTEThomson200487-168">[157]</a> The band, soon named <a href="/wiki/The_Attractions" title="The Attractions">the Attractions</a>, would be Costello's touring and recording band for the next seven years.<a href="#cite_note-Costello-2002-169">[158]</a><a href="#cite_note-FOOTNOTEThomson2004206,_208-170">[159]</a> <div class="mw-heading mw-heading4"><h4 id=""Watching_the_Detectives"_and_commercial_breakthrough">"Watching the Detectives" and commercial breakthrough</h4>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=13" title="Edit section: "Watching the Detectives" and commercial breakthrough">edit</a>]</div> Costello used the time with Goulding and Bodnar to arrange and rehearse "<a href="/wiki/Watching_the_Detectives_(song)" title="Watching the Detectives (song)">Watching the Detectives</a>". He recorded the song with them at Pathway a few days later.<a href="#cite_note-FOOTNOTECostello2015232-165">[154]</a> Costello had written the song a few weeks earlier, partly inspired by <a href="/wiki/The_Clash" title="The Clash">the Clash</a>'s newly released <a href="/wiki/The_Clash_(album)" title="The Clash (album)">debut album</a>.<a href="#cite_note-FOOTNOTECostello2015234-171">[160]</a> Some of the musical ideas, which Nieve fleshed out when he overdubbed his piano and organ parts a few weeks later, were inspired by film scores <a href="/wiki/Bernard_Herrmann" title="Bernard Herrmann">Bernard Herrmann</a> had done for <a href="/wiki/Alfred_Hitchcock" title="Alfred Hitchcock">Alfred Hitchcock</a>.<a href="#cite_note-FOOTNOTECostello2015236-172">[161]</a> Costello later called the recording of "Watching the Detectives" his first experience of "making records as opposed to recording some songs in a room".<a href="#cite_note-FOOTNOTECostello2015234-171">[160]</a> The song would be released as a non-album single in the UK and as a track on the US version of My Aim Is True.<a href="#cite_note-FOOTNOTESt._Michael198630-173">[162]</a> My Aim Is True received extensive, favourable coverage in the UK music press through a combination of effective <a href="/wiki/Publicity_stunt" title="Publicity stunt">publicity stunts</a>, such as Costello <a href="/wiki/Street_performance" title="Street performance">busking</a> in front of the London hotel hosting the <a href="/wiki/CBS_Records_International" title="CBS Records International">CBS Records</a> business convention, and genuine enthusiasm for his music among music journalists.<a href="#cite_note-FOOTNOTEThomson200489,_94–96-174">[163]</a> The album reached number 14 on the <a href="/wiki/UK_Albums_Chart" title="UK Albums Chart">UK Albums Chart</a> within a few weeks of its release.<a href="#cite_note-officialcharts.com-175">[164]</a> "Watching the Detectives", released in mid-October, reaching number 15 in the <a href="/wiki/UK_Singles_Chart" class="mw-redirect" title="UK Singles Chart">UK Singles Chart</a>, becoming Costello's first single to chart in any country.<a href="#cite_note-176">[165]</a><a href="#cite_note-Costello-2001-117">[108]</a> This was the first of an unbroken streak of eight Costello singles to reach the UK top 30.<a href="#cite_note-Costello-1993a-177">[166]</a> When Costello began touring the US in mid-November, he received prominent coverage in the US press, even though he played venues holding fewer than a thousand people.<a href="#cite_note-FOOTNOTEThomson2004106–107-178">[167]</a> By this time, Costello had signed to <a href="/wiki/Columbia_Records" title="Columbia Records">Columbia Records</a>, who released My Aim Is True in the US in early November.<a href="#cite_note-riaa.com-179">[168]</a> The album gradually climbed to number 32 on the US <a href="/wiki/Billboard_200" title="Billboard 200">Billboard Top LPs & Tape</a> chart and was named among the best albums of the year by US music critics.<a href="#cite_note-ECBillboard200-180">[169]</a><a href="#cite_note-181">[170]</a> In mid-December, Costello and the Attractions appeared on <a href="/wiki/Saturday_Night_Live" title="Saturday Night Live">Saturday Night Live</a>, where they angered the show's producer by unexpectedly playing the then-unrecorded song "<a href="/wiki/Radio_Radio" title="Radio Radio">Radio Radio</a>" during the live broadcast.<a href="#cite_note-Houghton_Mifflin_Harcourt-182">[171]</a><a href="#cite_note-FOOTNOTEThomson2004108–109-183">[172]</a> By late 1977, Costello had moved from Stiff Records to <a href="/wiki/Radar_Records" title="Radar Records">Radar Records</a>, a new label founded by an associate of Jake Riviera.<a href="#cite_note-FOOTNOTEBalls2014117-184">[173]</a><a href="#cite_note-FOOTNOTEThomson2004109-185">[174]</a> Riviera had split from Dave Robinson and was now Costello's sole manager.<a href="#cite_note-FOOTNOTEBalls2014119–120-186">[175]</a> For the next year and a half, Costello's records were released on Radar in Britain.<a href="#cite_note-FOOTNOTEThomson2004151–152-187">[176]</a> <div class="mw-heading mw-heading4"><h4 id="This_Year's_Model">This Year's Model</h4>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=14" title="Edit section: This Year's Model">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/This_Year%27s_Model" title="This Year's Model">This Year's Model</a></div> Costello recorded his second album and his first with the Attractions, <a href="/wiki/This_Year%27s_Model" title="This Year's Model">This Year's Model</a>, during short breaks from touring, from November 1977 through January 1978.<a href="#cite_note-FOOTNOTECostello2015147-188">[177]</a> Produced by Nick Lowe,<a href="#cite_note-Costello-1993a-177">[166]</a> it was recorded at <a href="/wiki/Eden_Studios" title="Eden Studios">Eden Studios</a>, in west London, in eleven days.<a href="#cite_note-Costello-2002-169">[158]</a> Inspirations for the album's sound included 1960s <a href="/wiki/Beat_music" title="Beat music">beat</a> groups like the Who, the Kinks and Small Faces, as well as contemporary acts like <a href="/wiki/Talking_Heads" title="Talking Heads">Talking Heads</a>,<a href="#cite_note-Flanagan-1986-189">[178]</a><a href="#cite_note-FOOTNOTECostello2015316,_317-190">[179]</a> but the biggest influence was <a href="/wiki/The_Rolling_Stones" title="The Rolling Stones">the Rolling Stones</a>' album <a href="/wiki/Aftermath_(The_Rolling_Stones_album)" class="mw-redirect" title="Aftermath (The Rolling Stones album)">Aftermath</a> (1966).<a href="#cite_note-191">[180]</a> Costello himself called This Year's Model "a ghost version of Aftermath" and "This Year's Girl" an <a href="/wiki/Answer_song" title="Answer song">answer song</a> to the Rolling Stones' "<a href="/wiki/Stupid_Girl_(The_Rolling_Stones_song)" class="mw-redirect" title="Stupid Girl (The Rolling Stones song)">Stupid Girl</a>".<a href="#cite_note-Marcus1982-63">[58]</a><a href="#cite_note-FOOTNOTECostello2015316-192">[181]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_Costello_1978.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/9/9a/Elvis_Costello_1978.jpg/220px-Elvis_Costello_1978.jpg" decoding="async" width="220" height="138" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/9a/Elvis_Costello_1978.jpg/330px-Elvis_Costello_1978.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/9a/Elvis_Costello_1978.jpg/440px-Elvis_Costello_1978.jpg 2x" data-file-width="520" data-file-height="325" /></a><figcaption>Costello onstage at <a href="/wiki/Massey_Hall" title="Massey Hall">Massey Hall</a>, Toronto, April 1978</figcaption></figure> Most of the songs on This Year's Model were written while Costello was still working a full-time office job, before his first album was released.<a href="#cite_note-Costello-1993a-177">[166]</a> Among them was "<a href="/wiki/(I_Don%27t_Want_to_Go_to)_Chelsea" title="(I Don't Want to Go to) Chelsea">(I Don't Want to Go to) Chelsea</a>",<a href="#cite_note-FOOTNOTECostello2015146–147-193">[182]</a> which was released as the album's first single in early March 1978, reaching number 16 on the UK Singles Chart.<a href="#cite_note-194">[183]</a> The second single, <a href="/wiki/Pump_It_Up_(Elvis_Costello_song)" title="Pump It Up (Elvis Costello song)">"Pump It Up"</a>, which reached number 24, was written later, while Costello was on tour with other Stiff acts, in reaction to what he later called his "first exposure to idiotic rock and roll decadence."<a href="#cite_note-195">[184]</a><a href="#cite_note-Costello-1993a-177">[166]</a><a href="#cite_note-FOOTNOTECostello2015189-196">[185]</a> Upon release in March, This Year's Model entered the UK Albums Chart at number 4.<a href="#cite_note-197">[186]</a> The US version of the album dropped "(I Don't Want to Go to) Chelsea" and "Night Rally", a song written in response to the rise of the British <a href="/wiki/National_Front_(UK)" title="National Front (UK)">National Front</a>,<a href="#cite_note-FOOTNOTECostello2015317-198">[187]</a> and replaced them with "Radio Radio".<a href="#cite_note-Costello-1993a-177">[166]</a> The US release reached number 30 on the Billboard chart but spent fewer weeks on the chart than My Aim Is True.<a href="#cite_note-ECBillboard200-180">[169]</a> "Radio Radio" was released as a non-album single in the UK in October 1978, where it reached number 29.<a href="#cite_note-199">[188]</a> This Year's Model was highly praised by critics in Britain and the US. Melody Maker called it an "achievement so comprehensive, so inspired, that it exhausts superlatives."<a href="#cite_note-200">[189]</a> The NME review read similarly, saying the album was "so ridiculously good that one's immediate inclinations are to clamber effusively over the top, superlative peaking superlative."<a href="#cite_note-201">[190]</a> The <a href="/wiki/Village_Voice" class="mw-redirect" title="Village Voice">Village Voice</a> <a href="/wiki/Pazz_%26_Jop" title="Pazz & Jop">Pazz & Jop</a> critics' poll voted it the best album of 1978.<a href="#cite_note-Christgau-1979-202">[191]</a> Rolling Stone named it among the best five albums of 1978.<a href="#cite_note-203">[192]</a> For the seven months following the completion of This Year's Model, Costello and the Attractions continued touring Britain, Europe and North America, playing larger venues and debuting new songs that Costello was writing for his next album.<a href="#cite_note-FOOTNOTEThomson2004112,_113,_114,_117,_121–122,_124-204">[193]</a> In July 1978, Costello performed at the Danish <a href="/wiki/Roskilde_Festival" title="Roskilde Festival">Roskilde Festival</a>, topping the bill with three other artists,<a href="#cite_note-205">[194]</a> premiering the song "<a href="/wiki/Oliver%27s_Army" title="Oliver's Army">Oliver's Army</a>" that would become his biggest hit in the UK.<a href="#cite_note-206">[195]</a><a href="#cite_note-207">[196]</a> <div class="mw-heading mw-heading4"><h4 id="Armed_Forces">Armed Forces</h4>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=15" title="Edit section: Armed Forces">edit</a>]</div> Costello and the Attractions recorded his third album, <a href="/wiki/Armed_Forces_(album)" title="Armed Forces (album)">Armed Forces</a>, at Eden Studios in six weeks from August and September 1978.<a href="#cite_note-FOOTNOTEThomson2004125–126-208">[197]</a><a href="#cite_note-Costello-2002a-209">[198]</a> It was again produced by Nick Lowe, but Costello himself provided greater creative control.<a href="#cite_note-FOOTNOTEThomson2004126-210">[199]</a> Like This Year's Model, the album's influences came from the music Costello and the Attractions listened to while touring, from the <a href="/wiki/Berlin_Trilogy" title="Berlin Trilogy">Berlin-era records</a> of <a href="/wiki/David_Bowie" title="David Bowie">David Bowie</a> and <a href="/wiki/Iggy_Pop" title="Iggy Pop">Iggy Pop</a> to <a href="/wiki/ABBA" title="ABBA">ABBA</a> and <a href="/wiki/Kraftwerk" title="Kraftwerk">Kraftwerk</a>.<a href="#cite_note-Costello-2002a-209">[198]</a><a href="#cite_note-211">[200]</a> Costello later said that Armed Forces was his first album of songs he wrote with an awareness of having an audience. The album's lyrics reflected his experiences on the road in the US, as well his continued concern over the rise of far-right political groups in the UK;<a href="#cite_note-Costello-2002a-209">[198]</a><a href="#cite_note-FOOTNOTEThomson2004300-212">[201]</a> the album was originally to be called Emotional Fascism.<a href="#cite_note-Costello-2002a-209">[198]</a> Just before the album's completion in late September, Costello and the Attractions played to an audience of 150,000 in <a href="/wiki/Brockwell_Park" title="Brockwell Park">Brockwell Park</a>, south London, as part of the second <a href="/wiki/Rock_Against_Racism" title="Rock Against Racism">Rock Against Racism</a> music festival.<a href="#cite_note-FOOTNOTEThomson2004128-213">[202]</a> A few weeks later, they began six months of touring that included, for the first time, Japan and Australia, as well as the UK, Europe, Canada and the US.<a href="#cite_note-FOOTNOTEThomson2004130,_131,_132,_137-214">[203]</a> Released in early January 1979, Armed Forces debuted at number 2 on the UK Albums Chart, and spent 28 weeks on the chart.<a href="#cite_note-215">[204]</a> In the US, it spent 25 weeks on the Billboard chart, peaking at number 10 in mid-March.<a href="#cite_note-ECBillboard200-180">[169]</a> The US release replaced "Sunday's Best" with Costello's cover of Lowe's "<a href="/wiki/(What%27s_So_Funny_%27Bout)_Peace,_Love,_and_Understanding" title="(What's So Funny 'Bout) Peace, Love, and Understanding">(What's So Funny 'Bout) Peace, Love, and Understanding</a>".<a href="#cite_note-FOOTNOTEThomson2004132,_137-216">[205]</a><a href="#cite_note-FOOTNOTEHinton1999435-217">[206]</a> Costello's best-selling single, "<a href="/wiki/Oliver%27s_Army" title="Oliver's Army">Oliver's Army</a>", was released in Britain in February.<a href="#cite_note-FOOTNOTEThomson2004136-218">[207]</a> Costello has said he wrote the song after his first visit to <a href="/wiki/Northern_Ireland" title="Northern Ireland">Northern Ireland</a> and was inspired by seeing young British soldiers on the streets of <a href="/wiki/Belfast" title="Belfast">Belfast</a> as a part of <a href="/wiki/The_Troubles" title="The Troubles">the Troubles</a>.<a href="#cite_note-FOOTNOTECostello201534-35-219">[208]</a> The song reached number 2 on the UK Singles Chart.<a href="#cite_note-220">[209]</a> It was also his biggest hit single in <a href="/wiki/Republic_of_Ireland" title="Republic of Ireland">Ireland</a>, reaching number 4 on the Irish singles chart.<a href="#cite_note-221">[210]</a> The second single, "<a href="/wiki/Accidents_Will_Happen" title="Accidents Will Happen">Accidents Will Happen</a>", was released in early May.<a href="#cite_note-FOOTNOTEThomson2004143,_145-222">[211]</a> According to Costello, the song was written in response to his own marital infidelities. The song reached number 28 in the UK.<a href="#cite_note-223">[212]</a> In the US, it reached number 101, missing the <a href="/wiki/Billboard_Hot_100" title="Billboard Hot 100">Billboard Hot 100</a> but charting higher than any previous Costello single.<a href="#cite_note-FOOTNOTEThomson2004143-224">[213]</a> The concert tour promoting Armed Forces was marked by bad publicity.<a href="#cite_note-FOOTNOTEThomson2004131,_135,_139,_140,_142-225">[214]</a> Costello and the Attractions played some shows that audiences considered too brief and refused to return for encores.<a href="#cite_note-FOOTNOTEThomson2004131,_139-226">[215]</a> Audiences in Sydney, Australia, and Berkeley, California, responded by vandalising the concert venues.<a href="#cite_note-FOOTNOTEThomson2004131,_139-226">[215]</a> After a concert in Columbus, Ohio, on 15 March, Costello got into a drunken argument at a hotel bar with members of the <a href="/wiki/Stephen_Stills" title="Stephen Stills">Stephen Stills</a> band and entourage. The argument culminated in Costello disparaging <a href="/wiki/James_Brown" title="James Brown">James Brown</a> and <a href="/wiki/Ray_Charles" title="Ray Charles">Ray Charles</a> with racially charged insults, in comments he would later call "the exact opposite of my true feelings".<a href="#cite_note-GHRhino-227">[216]</a> When Costello's comments were reported in the press a few weeks later, the bad publicity was sufficiently severe and widespread to be regarded, including by Costello himself, as the reason he never achieved the top-level commercial success in the US that had been predicted for him.<a href="#cite_note-FOOTNOTEThomson2004143-144-228">[217]</a><a href="#cite_note-Paumgartner-229">[218]</a><a href="#cite_note-FOOTNOTECostello2015339-230">[219]</a> In June, Costello had a hit as a songwriter when <a href="/wiki/Dave_Edmunds" title="Dave Edmunds">Dave Edmunds</a> released his recording of "<a href="/wiki/Girls_Talk_(Elvis_Costello_song)" title="Girls Talk (Elvis Costello song)">Girls Talk</a>", a song Costello had written but not yet recorded.<a href="#cite_note-FOOTNOTESt._Michael198654-231">[220]</a> Edmunds' version reached number 4 on the UK Singles Chart and number 65 on Billboard Hot 100.<a href="#cite_note-232">[221]</a><a href="#cite_note-233">[222]</a> <div class="mw-heading mw-heading3"><h3 id="1980s">1980s</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=16" title="Edit section: 1980s">edit</a>]</div> Costello's 1980 <a href="/wiki/Get_Happy!!_(Elvis_Costello_album)" title="Get Happy!! (Elvis Costello album)">Get Happy!!</a> album featured a sound based on vintage American <a href="/wiki/Soul_music" title="Soul music">soul music</a>.<a href="#cite_note-234">[223]</a> Some songs marked a distinct change in mood from the angry, frustrated tone of his first three albums to a more upbeat, happy manner.<a href="#cite_note-FOOTNOTEThomson2004chap._7-235">[224]</a> The single, "<a href="/wiki/I_Can%27t_Stand_Up_for_Falling_Down" title="I Can't Stand Up for Falling Down">I Can't Stand Up for Falling Down</a>", was a rendition of a <a href="/wiki/Sam_and_Dave" class="mw-redirect" title="Sam and Dave">Sam and Dave</a> song.<a href="#cite_note-FOOTNOTEHinton1999chap._6-236">[225]</a> Lyrically, the songs are full of Costello's signature wordplay. His only 1980 appearance in North America was at the <a href="/wiki/Heatwave_(festival)" title="Heatwave (festival)">Heatwave</a> festival in August near Toronto. In January 1981, Costello released <a href="/wiki/Trust_(Elvis_Costello_album)" title="Trust (Elvis Costello album)">Trust</a> amidst growing tensions within the Attractions.<a href="#cite_note-FOOTNOTEThomson2004chap._7-235">[224]</a> The single "<a href="/wiki/Watch_Your_Step_(Elvis_Costello_song)" title="Watch Your Step (Elvis Costello song)">Watch Your Step</a>" was released in the US only and played live on <a href="/wiki/Tom_Snyder" title="Tom Snyder">Tom Snyder</a>'s Tomorrow show, and received airplay on FM rock radio.<a href="#cite_note-Doggett-237">[226]</a> In the UK, the single "<a href="/wiki/Clubland_(song)" title="Clubland (song)">Clubland</a>" scraped the lower reaches of the UK Singles Chart; follow-up single "<a href="/wiki/From_a_Whisper_to_a_Scream_(song)" title="From a Whisper to a Scream (song)">From a Whisper to a Scream</a>" (a duet with <a href="/wiki/Glenn_Tilbrook" title="Glenn Tilbrook">Glenn Tilbrook</a> of <a href="/wiki/Squeeze_(band)" title="Squeeze (band)">Squeeze</a>) became the first Costello single in over four years to completely miss the chart.<a href="#cite_note-FOOTNOTEThomson2004chap._7-235">[224]</a><a href="#cite_note-FOOTNOTESt._Michael198664–73-238">[227]</a> Costello also co-produced Squeeze's 1981 album <a href="/wiki/East_Side_Story_(Squeeze_album)" title="East Side Story (Squeeze album)">East Side Story</a> (with <a href="/wiki/Roger_B%C3%A9chirian" title="Roger Béchirian">Roger Béchirian</a>) and performed backing vocals on the group's hit "<a href="/wiki/Tempted_(Squeeze_song)" title="Tempted (Squeeze song)">Tempted</a>".<a href="#cite_note-FOOTNOTEThomson2004chap._7-235">[224]</a> October saw the release of <a href="/wiki/Almost_Blue" title="Almost Blue">Almost Blue</a>, a <a href="/wiki/Cover_album" class="mw-redirect" title="Cover album">cover album</a> of country music including songs written by <a href="/wiki/Hank_Williams" title="Hank Williams">Hank Williams</a> ("Why Don't You Love Me (Like You Used to Do?)"), <a href="/wiki/Merle_Haggard" title="Merle Haggard">Merle Haggard</a> ("Tonight the Bottle Let Me Down"), <a href="/wiki/Gram_Parsons" title="Gram Parsons">Gram Parsons</a> ("How Much I Lied") and <a href="/wiki/George_Jones" title="George Jones">George Jones</a> ("Brown to Blue"). The album received mixed reviews.<a href="#cite_note-239">[228]</a> The first pressings of the record in the UK bore a sticker with the message: "WARNING: This album contains country & western music and may cause a radical reaction in narrow minded listeners".<a href="#cite_note-FOOTNOTEClayton-Lea1999chap._4-240">[229]</a><a href="#cite_note-FOOTNOTEHinton1999436-241">[230]</a> Almost Blue did spawn a surprise UK hit single with a version of <a href="/wiki/Jerry_Chesnut" title="Jerry Chesnut">Jerry Chesnut</a>'s "<a href="/wiki/Good_Year_for_the_Roses" class="mw-redirect" title="Good Year for the Roses">Good Year for the Roses</a>", which reached number 6.<a href="#cite_note-FOOTNOTEHinton1999chap._7-242">[231]</a><a href="#cite_note-FOOTNOTESt._Michael198674–81-243">[232]</a> Costello had long been an avid country music fan and has cited George Jones as his favourite country singer. He had appeared on Jones' duet album <a href="/wiki/My_Very_Special_Guests" title="My Very Special Guests">My Very Special Guests</a>, contributing "<a href="/wiki/Stranger_in_the_House_(song)" title="Stranger in the House (song)">Stranger in the House</a>", which they later performed together on a 1981 <a href="/wiki/HBO" title="HBO">HBO</a> special dedicated to Jones.<a href="#cite_note-244">[233]</a> <a href="/wiki/Imperial_Bedroom" title="Imperial Bedroom">Imperial Bedroom</a> (1982) featured lavish production by <a href="/wiki/Geoff_Emerick" title="Geoff Emerick">Geoff Emerick</a>, engineer of several <a href="/wiki/The_Beatles" title="The Beatles">Beatles</a> records.<a href="#cite_note-FOOTNOTEThomson2004chap._8-245">[234]</a> It remains one of his most critically acclaimed records, but again it failed to produce any hit singles—"<a href="/wiki/You_Little_Fool" title="You Little Fool">You Little Fool</a>" and the critically acclaimed "<a href="/wiki/Man_Out_of_Time" title="Man Out of Time">Man Out of Time</a>" both failed to reach the Top 40 in the UK.<a href="#cite_note-FOOTNOTEClayton-Lea1999chap._5-246">[235]</a><a href="#cite_note-FOOTNOTEHinton1999428-247">[236]</a><a href="#cite_note-FOOTNOTEParkyn198431-248">[237]</a> Costello collaborated with <a href="/wiki/Chris_Difford" title="Chris Difford">Chris Difford</a>, also of Squeeze, to write the song "Boy With a Problem". Costello has said he disliked the marketing pitch for the album. Imperial Bedroom also featured Costello's song "<a href="/wiki/Almost_Blue_(song)" title="Almost Blue (song)">Almost Blue</a>", inspired by the music of jazz singer and trumpeter <a href="/wiki/Chet_Baker" title="Chet Baker">Chet Baker</a>.<a href="#cite_note-FOOTNOTEThomson2004chap._8-245">[234]</a> Baker later recorded his own version of the song.<a href="#cite_note-249">[238]</a> Imperial Bedroom placed first on the Village Voice's annual Pazz & Jop poll.<a href="#cite_note-250">[239]</a> In 1983, he released <a href="/wiki/Punch_the_Clock" title="Punch the Clock">Punch the Clock</a>, featuring female backing vocal duo (<a href="/wiki/Afrodiziak" title="Afrodiziak">Afrodiziak</a>) and a four-piece horn section (<a href="/wiki/The_TKO_Horns" title="The TKO Horns">the TKO Horns</a>), alongside the Attractions. <a href="/wiki/Clive_Langer" title="Clive Langer">Clive Langer</a> (who co-produced with <a href="/wiki/Alan_Winstanley" title="Alan Winstanley">Alan Winstanley</a>), provided Costello with a melody which eventually became "<a href="/wiki/Shipbuilding_(song)" title="Shipbuilding (song)">Shipbuilding</a>", which featured a trumpet solo by Baker. Prior to the release of Costello's own version, a version of the song was a minor UK hit for <a href="/wiki/Soft_Machine" title="Soft Machine">Soft Machine</a> founder <a href="/wiki/Robert_Wyatt" title="Robert Wyatt">Robert Wyatt</a>.<a href="#cite_note-FOOTNOTEThomson2004chap._8-245">[234]</a><a href="#cite_note-FOOTNOTEClayton-Lea1999chap._5-246">[235]</a><a href="#cite_note-FOOTNOTEHinton1999chap._9-251">[240]</a> Under the pseudonym The Imposter, Costello released "Pills and Soap", an attack on the changes in British society brought on by <a href="/wiki/Thatcherism" title="Thatcherism">Thatcherism</a>, released to coincide with the run-up to the <a href="/wiki/1983_United_Kingdom_general_election" title="1983 United Kingdom general election">1983 UK general election</a>.<a href="#cite_note-FOOTNOTEThomson2004chap._8-245">[234]</a><a href="#cite_note-FOOTNOTEHinton1999chap._9-251">[240]</a><a href="#cite_note-FOOTNOTEClayton-Lea1999chap._5-246">[235]</a> Punch the Clock also generated an international hit in the single "<a href="/wiki/Everyday_I_Write_the_Book" title="Everyday I Write the Book">Everyday I Write the Book</a>", aided by a music video featuring lookalikes of <a href="/wiki/Charles_III_of_the_United_Kingdom" class="mw-redirect" title="Charles III of the United Kingdom">Prince Charles</a> and <a href="/wiki/Diana,_Princess_of_Wales" title="Diana, Princess of Wales">Princess Diana</a> undergoing domestic strife in a suburban home. The song became Costello's first <a href="/wiki/Top_40" title="Top 40">Top 40</a> hit single in the U.S.<a href="#cite_note-FOOTNOTEThomson2004chap._8-245">[234]</a><a href="#cite_note-FOOTNOTEHinton1999chap._9-251">[240]</a><a href="#cite_note-FOOTNOTEClayton-Lea1999chap._5-246">[235]</a> Also in the same year, Costello provided vocals on a version of the <a href="/wiki/Madness_(band)" title="Madness (band)">Madness</a> song "Tomorrow's Just Another Day" released as a <a href="/wiki/B-side" class="mw-redirect" title="B-side">B-side</a>. Tensions within the band – notably between Costello and bassist Bruce Thomas – were beginning to tell, and Costello announced his retirement and the break-up of the group shortly before they were to record <a href="/wiki/Goodbye_Cruel_World_(Elvis_Costello_album)" title="Goodbye Cruel World (Elvis Costello album)">Goodbye Cruel World</a> (1984).<a href="#cite_note-FOOTNOTEThomson2004chap._9-252">[241]</a><a href="#cite_note-FOOTNOTEClayton-Lea1999chap._6-253">[242]</a> Costello later expressed disappointment with the final album's production, describing it as "probably the worst record that I could have made of a decent bunch of songs.".<a href="#cite_note-254">[243]</a> The record was poorly received upon its initial release; the liner notes to the 1995 <a href="/wiki/Rykodisc" title="Rykodisc">Rykodisc</a> re-release, penned by Costello, begin with the words "Congratulations! You've just purchased our worst album".<a href="#cite_note-255">[244]</a> Costello's retirement, although short-lived, was accompanied by two compilations, Elvis Costello: The Man in the UK, Europe and Australia, and <a href="/wiki/The_Best_of_Elvis_Costello_%26_The_Attractions" class="mw-redirect" title="The Best of Elvis Costello & The Attractions">The Best of Elvis Costello & The Attractions</a> in the U.S. <a href="/wiki/Daryl_Hall" title="Daryl Hall">Daryl Hall</a> provided backing vocals on the song "The Only Flame in Town" on Goodbye Cruel World. In 1985, he appeared in the <a href="/wiki/Live_Aid" title="Live Aid">Live Aid</a> benefit concert in England, singing the Beatles' "<a href="/wiki/All_You_Need_Is_Love" title="All You Need Is Love">All You Need Is Love</a>" as a solo artist. Costello introduced the song as an "old northern English folk song", and the audience was invited to sing the chorus. In the same year Costello teamed up with friend <a href="/wiki/T_Bone_Burnett" title="T Bone Burnett">T Bone Burnett</a> for the single "The People's Limousine" under the moniker of The Coward Brothers. That year, Costello also produced <a href="/wiki/Rum_Sodomy_%26_the_Lash" title="Rum Sodomy & the Lash">Rum Sodomy & the Lash</a> for the Irish punk/folk band <a href="/wiki/The_Pogues" title="The Pogues">the Pogues</a> and he sang with <a href="/wiki/Annie_Lennox" title="Annie Lennox">Annie Lennox</a> on the song "Adrian" from the <a href="/wiki/Eurythmics" title="Eurythmics">Eurythmics</a> record <a href="/wiki/Be_Yourself_Tonight" title="Be Yourself Tonight">Be Yourself Tonight</a>. Growing antipathy between Costello and Bruce Thomas contributed to the Attractions' first split in 1986 when Costello was preparing to make a comeback. Working in the U.S. with Burnett, a band containing a number of <a href="/wiki/Elvis_Presley" title="Elvis Presley">Elvis Presley</a>'s sidemen (including <a href="/wiki/James_Burton" title="James Burton">James Burton</a> and <a href="/wiki/Jerry_Scheff" title="Jerry Scheff">Jerry Scheff</a>), and minor input from the Attractions, he produced <a href="/wiki/King_of_America" title="King of America">King of America</a>, an acoustic guitar-driven album with a country sound. It was billed as performed by "The Costello Show featuring the Attractions and Confederates" in the UK and Europe and "The Costello Show featuring Elvis Costello" in North America. Around this time he legally changed his name back to Declan MacManus, adding Aloysius as an extra middle name.<a href="#cite_note-Levin-21">[20]</a> Costello retooled his upcoming tour to allow for multiple nights in each city, playing one night with the Confederates, one night with the Attractions, and one night solo acoustic. In May 1986, he performed at <a href="/wiki/Self_Aid" title="Self Aid">Self Aid</a>, a benefit concert held in <a href="/wiki/Dublin" title="Dublin">Dublin</a> that focused on the chronic unemployment which was widespread in Ireland at that time. Later that year, Costello returned to the studio with the Attractions and recorded <a href="/wiki/Blood_%26_Chocolate" title="Blood & Chocolate">Blood & Chocolate</a>, which was lauded for a <a href="/wiki/Post-punk" title="Post-punk">post-punk</a> fervour not heard since 1978's This Year's Model. It also marked the return of producer <a href="/wiki/Nick_Lowe" title="Nick Lowe">Nick Lowe</a>, who had produced Costello's first five albums. While Blood & Chocolate failed to chart a hit single of any significance, it did produce what has since become one of Costello's signature concert songs, "<a href="/wiki/I_Want_You_(Elvis_Costello_song)" title="I Want You (Elvis Costello song)">I Want You</a>". On this album, Costello adopted the alias Napoleon Dynamite, the name he later attributed to the character of the <a href="/wiki/Emcee" class="mw-redirect" title="Emcee">emcee</a> that he played during the <a href="/wiki/Vaudeville" title="Vaudeville">vaudeville</a>-style tour to support Blood & Chocolate. (The pseudonym had previously been used in 1982, when the B-side single "Imperial Bedroom" was credited to Napoleon Dynamite & the Royal Guard; whether the title of the 2004 film <a href="/wiki/Napoleon_Dynamite" title="Napoleon Dynamite">Napoleon Dynamite</a> was inspired by Costello is disputed). After the tour for Blood & Chocolate, Costello split from the Attractions, due mostly to lingering tensions between him and Bruce Thomas. Costello continued to work with another Attraction, Pete Thomas, as a session musician for future releases. Costello's recording contract with Columbia Records ended after Blood & Chocolate. In 1987, he released a compilation album, <a href="/wiki/Out_of_Our_Idiot" title="Out of Our Idiot">Out of Our Idiot</a>, on his UK label, <a href="/wiki/Demon_Records" class="mw-redirect" title="Demon Records">Demon Records</a> consisting of B-sides, side projects, and unreleased songs from recording sessions from 1980 to 1987. He signed a new contract with <a href="/wiki/Warner_Bros." title="Warner Bros.">Warner Bros.</a> and in early 1989 released <a href="/wiki/Spike_(Elvis_Costello_album)" title="Spike (Elvis Costello album)">Spike</a>, which spawned his biggest single in the U.S., the Top 20 hit (it reached number 19) "<a href="/wiki/Veronica_(song)" title="Veronica (song)">Veronica</a>",<a href="#cite_note-bbchart-256">[245]</a> one of several songs Costello co-wrote with <a href="/wiki/Paul_McCartney" title="Paul McCartney">Paul McCartney</a>. At the <a href="/wiki/1989_MTV_Video_Music_Awards" title="1989 MTV Video Music Awards">1989 MTV Video Music Awards</a> on 6 September in Los Angeles, "Veronica" won the MTV Award for <a href="/wiki/MTV_Video_Music_Award_for_Best_Male_Video" title="MTV Video Music Award for Best Male Video">Best Male Video</a>.<a href="#cite_note-257">[246]</a> Costello and McCartney wrote several songs together over a short period, which were released over a number of years: <ul><li>"Back On My Feet", the B-side of McCartney's 1987 single "<a href="/wiki/Once_Upon_a_Long_Ago" title="Once Upon a Long Ago">Once Upon a Long Ago</a>", later added as a bonus track on the 1993 re-issue of McCartney's <a href="/wiki/Flowers_in_the_Dirt" title="Flowers in the Dirt">Flowers in the Dirt</a></li> <li>Costello's "<a href="/wiki/Veronica_(song)" title="Veronica (song)">Veronica</a>" and "Pads, Paws and Claws" from his album <a href="/wiki/Spike_(Elvis_Costello_album)" title="Spike (Elvis Costello album)">Spike</a> (1989)</li> <li>McCartney's "<a href="/wiki/My_Brave_Face" title="My Brave Face">My Brave Face</a>", "Don't Be Careless Love", "That Day Is Done" and the McCartney/Costello duet "You Want Her Too", all from McCartney's Flowers in the Dirt (1989)</li> <li>"So Like Candy" and "Playboy to a Man" from Costello's <a href="/wiki/Mighty_Like_a_Rose" title="Mighty Like a Rose">Mighty Like a Rose</a> (1991)</li> <li>"The Lovers That Never Were" and "Mistress and Maid" from McCartney's <a href="/wiki/Off_the_Ground" title="Off the Ground">Off the Ground</a> (1993).</li> <li>"Shallow Grave" from Costello's <a href="/wiki/All_This_Useless_Beauty" title="All This Useless Beauty">All This Useless Beauty</a> (1996).</li> <li>Costello has also issued solo demo recordings of "Veronica", "Pads, Paws and Claws" and "Mistress and Maid" (a song he did not otherwise record). Two other McCartney/Costello compositions remained officially unissued, while existing as widely bootlegged demos ("Tommy's Coming Home" and "Twenty Fine Fingers"). These two tracks, along with demos of other songs from their collaboration, did eventually see release on the Paul McCartney Archive edition of Flowers in the Dirt.</li></ul> In 1987, Costello appeared on the <a href="/wiki/Home_Box_Office" class="mw-redirect" title="Home Box Office">HBO</a> special <a href="/wiki/Roy_Orbison_and_Friends,_A_Black_and_White_Night" class="mw-redirect" title="Roy Orbison and Friends, A Black and White Night">Roy Orbison and Friends, A Black and White Night</a>, a tribute to his long-time idol <a href="/wiki/Roy_Orbison" title="Roy Orbison">Roy Orbison</a>.[<a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed">citation needed</a>] Costello co-wrote "<a href="/wiki/The_Other_End_(Of_the_Telescope)" title="The Other End (Of the Telescope)">The Other End (Of the Telescope)</a>" with the American singer-songwriter <a href="/wiki/Aimee_Mann" title="Aimee Mann">Aimee Mann</a>. It appears on the 1988 album <a href="/wiki/Everything%27s_Different_Now" title="Everything's Different Now">Everything's Different Now</a> by Mann's band <a href="/wiki/Til_Tuesday" class="mw-redirect" title="Til Tuesday">Til Tuesday</a>.<a href="#cite_note-:1-258">[247]</a> <div class="mw-heading mw-heading3"><h3 id="1990s">1990s</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=17" title="Edit section: 1990s">edit</a>]</div> In 1991, Costello released <a href="/wiki/Mighty_Like_a_Rose" title="Mighty Like a Rose">Mighty Like a Rose</a>, which featured the single "<a href="/wiki/The_Other_Side_of_Summer" title="The Other Side of Summer">The Other Side of Summer</a>". He also co-composed and co-produced, with <a href="/wiki/Richard_Harvey_(composer)" title="Richard Harvey (composer)">Richard Harvey</a>, the <a href="/wiki/G.B.H._(soundtrack)" title="G.B.H. (soundtrack)">title and incidental music for the mini-series</a> <a href="/wiki/G.B.H._(TV_series)" title="G.B.H. (TV series)">G.B.H.</a> by <a href="/wiki/Alan_Bleasdale" title="Alan Bleasdale">Alan Bleasdale</a>. This entirely instrumental, and largely orchestral, soundtrack garnered a <a href="/wiki/British_Academy_of_Film_and_Television_Arts" title="British Academy of Film and Television Arts">BAFTA</a>, for Best Music for a TV Series for the pair. In 1993, Costello experimented with classical music with a critically acclaimed collaboration with the <a href="/wiki/Brodsky_Quartet" title="Brodsky Quartet">Brodsky Quartet</a><a href="#cite_note-259">[248]</a> on <a href="/wiki/The_Juliet_Letters" title="The Juliet Letters">The Juliet Letters</a>. During this period, he wrote a full album's worth of material for <a href="/wiki/Wendy_James" title="Wendy James">Wendy James</a>, and these songs became the tracks on her 1993 solo album Now Ain't the Time for Your Tears. Costello returned to rock and roll the following year with a project that reunited him with the Attractions, <a href="/wiki/Brutal_Youth" title="Brutal Youth">Brutal Youth</a>. In 1995, he released <a href="/wiki/Kojak_Variety" title="Kojak Variety">Kojak Variety</a>, an album of cover songs recorded five years earlier, and followed in 1996 with an album of songs originally written for other artists, <a href="/wiki/All_This_Useless_Beauty" title="All This Useless Beauty">All This Useless Beauty</a>. This was the final album of original material that he issued under his Warner Bros. contract, and also his final album with the Attractions. In 1994, he sang "<a href="/wiki/They_Can%27t_Take_That_Away_from_Me" title="They Can't Take That Away from Me">They Can't Take That Away from Me</a>" with <a href="/wiki/Tony_Bennett" title="Tony Bennett">Tony Bennett</a> for <a href="/wiki/MTV_Unplugged" title="MTV Unplugged">MTV Unplugged</a>, appearing on <a href="/wiki/MTV_Unplugged_(Tony_Bennett_album)" title="MTV Unplugged (Tony Bennett album)">the album released from the broadcast</a>. In the spring of 1996, Costello played a series of intimate club dates, backed only by Steve Nieve on the piano, in support of All This Useless Beauty. An ensuing mid-year tour with the Attractions proved to be the death knell, with relations between Costello and bassist Bruce Thomas at a breaking point, Costello announced that the current tour would be the Attractions' last. The quartet performed their final U.S. show in <a href="/wiki/Seattle" title="Seattle">Seattle</a>, Washington on 1 September 1996, before wrapping up their tour in Japan. Costello continued to work frequently with Attractions Steve Nieve and Pete Thomas; eventually, both became members of Costello's new back-up band, The Imposters. To fulfill his contractual obligations to Warner Bros., Costello released a greatest hits album titled <a href="/wiki/Extreme_Honey" title="Extreme Honey">Extreme Honey</a> (1997). It contained an original track titled "The Bridge I Burned", featuring Costello's son, Matt, on bass. In the intervening period, Costello had served as artistic chair for the 1995 <a href="/wiki/Meltdown_Festival" class="mw-redirect" title="Meltdown Festival">Meltdown Festival</a>, which gave him the opportunity to explore his increasingly eclectic musical interests. His involvement in the festival yielded a one-off live <a href="/wiki/Extended_play" title="Extended play">EP</a> with jazz guitarist <a href="/wiki/Bill_Frisell" title="Bill Frisell">Bill Frisell</a>, which featured both cover material and a few of his own songs. In 1998, Costello signed a multi-label contract with <a href="/wiki/Polygram_Records" class="mw-redirect" title="Polygram Records">Polygram Records</a>, sold by its parent company the same year to become part of the <a href="/wiki/Universal_Music_Group" title="Universal Music Group">Universal Music Group</a>. Costello released his new work on what he deemed the suitable imprimatur within the family of labels. His first new release as part of this contract involved a collaboration with <a href="/wiki/Burt_Bacharach" title="Burt Bacharach">Burt Bacharach</a>. Their work had commenced earlier, in 1996, on "God Give Me Strength" for the movie <a href="/wiki/Grace_of_My_Heart" title="Grace of My Heart">Grace of My Heart</a>. This led the pair to write and record the critically acclaimed album <a href="/wiki/Painted_From_Memory" class="mw-redirect" title="Painted From Memory">Painted From Memory</a>,<a href="#cite_note-260">[249]</a> released under his new contract in 1998, on the <a href="/wiki/Mercury_Records" title="Mercury Records">Mercury Records</a> label, featuring songs that were largely inspired by the dissolution of his relationship with <a href="/wiki/Cait_O%27Riordan" title="Cait O'Riordan">Cait O'Riordan</a>. Costello and Bacharach performed several concerts with full orchestral backing, and also recorded an updated version of Bacharach's "<a href="/wiki/I%27ll_Never_Fall_in_Love_Again" title="I'll Never Fall in Love Again">I'll Never Fall in Love Again</a>" for the soundtrack to <a href="/wiki/Austin_Powers:_The_Spy_Who_Shagged_Me" title="Austin Powers: The Spy Who Shagged Me">Austin Powers: The Spy Who Shagged Me</a>, with both appearing in the film to perform the song. He also wrote "I Throw My Toys Around" for <a href="/wiki/The_Rugrats_Movie" title="The Rugrats Movie">The Rugrats Movie</a> and performed it with <a href="/wiki/No_Doubt" title="No Doubt">No Doubt</a>. The same year, he collaborated with <a href="/wiki/Paddy_Moloney" title="Paddy Moloney">Paddy Moloney</a> of <a href="/wiki/The_Chieftains" title="The Chieftains">The Chieftains</a> on "The Long Journey Home" on the soundtrack of the <a href="/wiki/PBS" title="PBS">PBS</a>/<a href="/wiki/Disney" class="mw-redirect" title="Disney">Disney</a> <a href="/wiki/The_Irish_in_America:_Long_Journey_Home" title="The Irish in America: Long Journey Home">The Irish in America: Long Journey Home</a> miniseries. The soundtrack won a <a href="/wiki/Grammy_Award" class="mw-redirect" title="Grammy Award">Grammy Award</a> in 1999.<a href="#cite_note-261">[250]</a> In 1999, Costello contributed a version of "<a href="/wiki/She_(Charles_Aznavour)" class="mw-redirect" title="She (Charles Aznavour)">She</a>", released in 1974 by <a href="/wiki/Charles_Aznavour" title="Charles Aznavour">Charles Aznavour</a> and <a href="/wiki/Herbert_Kretzmer" title="Herbert Kretzmer">Herbert Kretzmer</a>, for the soundtrack of the film <a href="/wiki/Notting_Hill_(film)" title="Notting Hill (film)">Notting Hill</a>, with <a href="/wiki/Trevor_Jones_(composer)" title="Trevor Jones (composer)">Trevor Jones</a> producing. Costello's version of the song reached number 19 on the UK singles chart.<a href="#cite_note-262">[251]</a> For the 25th anniversary of Saturday Night Live, Costello was invited to the programme, where he re-enacted his abrupt song-switch: This time, however, he interrupted the <a href="/wiki/Beastie_Boys" title="Beastie Boys">Beastie Boys</a>' "Sabotage", and they acted as his backing group for "Radio Radio".<a href="#cite_note-263">[252]</a> He also co-wrote another song with <a href="/wiki/Aimee_Mann" title="Aimee Mann">Aimee Mann</a>, "The Fall of the World's Own Optimist", for her 2000 album <a href="/wiki/Bachelor_No._2_or,_the_Last_Remains_of_the_Dodo" title="Bachelor No. 2 or, the Last Remains of the Dodo">Bachelor No. 2</a>.<a href="#cite_note-Hornby-20002-264">[253]</a> <div class="mw-heading mw-heading3"><h3 id="2000s">2000s</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=18" title="Edit section: 2000s">edit</a>]</div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_Costello_15_June_2005.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e4/Elvis_Costello_15_June_2005.jpg/220px-Elvis_Costello_15_June_2005.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e4/Elvis_Costello_15_June_2005.jpg/330px-Elvis_Costello_15_June_2005.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e4/Elvis_Costello_15_June_2005.jpg/440px-Elvis_Costello_15_June_2005.jpg 2x" data-file-width="800" data-file-height="600" /></a><figcaption>Costello performing at Glastonbury, 2005</figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_costello.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b2/Elvis_costello.jpg/220px-Elvis_costello.jpg" decoding="async" width="220" height="146" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b2/Elvis_costello.jpg/330px-Elvis_costello.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b2/Elvis_costello.jpg/440px-Elvis_costello.jpg 2x" data-file-width="1009" data-file-height="671" /></a><figcaption>Costello performing in 2006</figcaption></figure> From 2001 to 2005, Costello re-issued his back catalogue in the U.S., from My Aim Is True (1977) to All This Useless Beauty (1996), on double-disc collections on the <a href="/wiki/Rhino_Records" class="mw-redirect" title="Rhino Records">Rhino Records</a> label. These releases, which each contained second discs of bonus material, ultimately fell out of print by 2007 after Universal Music acquired the rights to Costello's catalogue. Universal subsequently released new deluxe editions of My Aim Is True and This Year's Model with new bonus material of full-length concerts from the time of each album's release. These deluxe editions also fell out of print and Universal has reverted to re-releasing Costello's pre-1987 albums in their original context without bonus material.[<a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed">citation needed</a>] In 2000, Costello wrote lyrics to "Green Song", a solo cello piece by <a href="/wiki/Svante_Henryson" title="Svante Henryson">Svante Henryson</a>; this song appears on the Anne Sofie von Otter album <a href="/wiki/For_the_Stars" title="For the Stars">For the Stars</a>. In 2000, Costello appeared at <a href="/wiki/The_Town_Hall_(New_York_City)" title="The Town Hall (New York City)">the Town Hall</a>, New York, in Steve Nieve's opera <a href="/wiki/Welcome_to_the_Voice" title="Welcome to the Voice">Welcome to the Voice</a>, alongside <a href="/wiki/Ron_Sexsmith" title="Ron Sexsmith">Ron Sexsmith</a> and <a href="/wiki/John_Flansburgh" title="John Flansburgh">John Flansburgh</a> of <a href="/wiki/They_Might_Be_Giants" title="They Might Be Giants">They Might Be Giants</a>. In 2001, Costello was artist-in-residence at <a href="/wiki/University_of_California,_Los_Angeles" title="University of California, Los Angeles">UCLA</a> and wrote the music for a new ballet. He produced and appeared on an album of pop songs for the classical singer <a href="/wiki/Anne_Sofie_von_Otter" title="Anne Sofie von Otter">Anne Sofie von Otter</a>. He released the album <a href="/wiki/When_I_Was_Cruel" title="When I Was Cruel">When I Was Cruel</a> in 2002 on <a href="/wiki/Island_Records" title="Island Records">Island Records</a>, and toured with a new band, the Imposters (essentially the Attractions but with a different bass player, <a href="/wiki/Davey_Faragher" title="Davey Faragher">Davey Faragher</a>, formerly of <a href="/wiki/Cracker_(band)" title="Cracker (band)">Cracker</a>). On 23 February 2003, Costello, along with <a href="/wiki/Bruce_Springsteen" title="Bruce Springsteen">Bruce Springsteen</a>, <a href="/wiki/Steven_Van_Zandt" title="Steven Van Zandt">Steven Van Zandt</a> and <a href="/wiki/Dave_Grohl" title="Dave Grohl">Dave Grohl</a>, performed a version of <a href="/wiki/The_Clash" title="The Clash">The Clash</a>'s "<a href="/wiki/London_Calling_(song)" title="London Calling (song)">London Calling</a>" at the 45th Grammy Awards ceremony, in honour of Clash frontman <a href="/wiki/Joe_Strummer" title="Joe Strummer">Joe Strummer</a>, who had died the previous December.<a href="#cite_note-265">[254]</a> In March, Elvis Costello & the Attractions were inducted into the <a href="/wiki/Rock_and_Roll_Hall_of_Fame" title="Rock and Roll Hall of Fame">Rock and Roll Hall of Fame</a>.<a href="#cite_note-RaRHoF-266">[255]</a> In May, he announced his engagement to Canadian <a href="/wiki/Jazz" title="Jazz">jazz</a> singer and pianist <a href="/wiki/Diana_Krall" title="Diana Krall">Diana Krall</a>, whom he had seen in concert and then met backstage at the <a href="/wiki/Sydney_Opera_House" title="Sydney Opera House">Sydney Opera House</a> in Australia. That September, he released <a href="/wiki/North_(Elvis_Costello_album)" title="North (Elvis Costello album)">North</a>, an album of piano-based ballads concerning the breakdown of his former marriage, and his falling in love with Krall. The song "Scarlet Tide" (co-written by Costello and T Bone Burnett and used in the film <a href="/wiki/Cold_Mountain_(film)" title="Cold Mountain (film)">Cold Mountain</a>) was nominated for a <a href="/wiki/Academy_Awards" title="Academy Awards">2004 Academy Award</a>; he performed it at the awards ceremony with <a href="/wiki/Alison_Krauss" title="Alison Krauss">Alison Krauss</a>, who sang the song on the official soundtrack. Costello co-wrote many songs on Krall's 2004 CD, <a href="/wiki/The_Girl_in_the_Other_Room" title="The Girl in the Other Room">The Girl in the Other Room</a>, the first of hers to feature several original compositions. In July 2004, Costello's first full-scale orchestral work, <a href="/wiki/Il_Sogno" title="Il Sogno">Il Sogno</a>, was performed in New York. The work, a ballet based on <a href="/wiki/William_Shakespeare" title="William Shakespeare">Shakespeare</a>'s <a href="/wiki/A_Midsummer_Night%27s_Dream" title="A Midsummer Night's Dream">A Midsummer Night's Dream</a>, was commissioned by Italian dance troupe Aterballeto, and received critical acclaim from classical music critics. Performed by the <a href="/wiki/London_Symphony_Orchestra" title="London Symphony Orchestra">London Symphony Orchestra</a>, conducted by <a href="/wiki/Michael_Tilson_Thomas" title="Michael Tilson Thomas">Michael Tilson Thomas</a>, the recording was released on CD in September by <a href="/wiki/Deutsche_Grammophon" title="Deutsche Grammophon">Deutsche Grammophon</a>. In September 2004, Costello released the album <a href="/wiki/The_Delivery_Man_(album)" title="The Delivery Man (album)">The Delivery Man</a>, recorded in <a href="/wiki/Oxford,_Mississippi" title="Oxford, Mississippi">Oxford, Mississippi</a>, on <a href="/wiki/Lost_Highway_Records" class="mw-redirect" title="Lost Highway Records">Lost Highway Records</a>, and it was hailed as one of his best. <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_Costello_-_European_Walk_of_Fame.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/78/Elvis_Costello_-_European_Walk_of_Fame.jpg/220px-Elvis_Costello_-_European_Walk_of_Fame.jpg" decoding="async" width="220" height="147" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/78/Elvis_Costello_-_European_Walk_of_Fame.jpg/330px-Elvis_Costello_-_European_Walk_of_Fame.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/78/Elvis_Costello_-_European_Walk_of_Fame.jpg/440px-Elvis_Costello_-_European_Walk_of_Fame.jpg 2x" data-file-width="2393" data-file-height="1595" /></a><figcaption>Costello's hand prints on the European Walk of Fame, <a href="/wiki/Rotterdam" title="Rotterdam">Rotterdam</a></figcaption></figure> A CD recording of a collaboration with <a href="/wiki/Marian_McPartland" title="Marian McPartland">Marian McPartland</a> on her show <a href="/wiki/Piano_Jazz" title="Piano Jazz">Piano Jazz</a> was released in 2005. It featured Costello singing six jazz standards and two of his own songs, accompanied by McPartland on piano. A 2005 tour included a gig at <a href="/wiki/Glastonbury" title="Glastonbury">Glastonbury</a> that Costello considered so dreadful that he said "I don't care if I ever play England again. That gig made up my mind I wouldn't come back. I don't get along with it. We lost touch. It's 25 years since I lived there. I don't dig it, they don't dig me....British music fans don't have the same attitude to age as they do in America, where young people come to check out, say <a href="/wiki/Willie_Nelson" title="Willie Nelson">Willie Nelson</a>. They feel some connection with him and find a role for that music in their lives".<a href="#cite_note-indep07-267">[256]</a> In 2005, Costello performed with <a href="/wiki/Green_Day" title="Green Day">Green Day</a> frontman <a href="/wiki/Billie_Joe_Armstrong" title="Billie Joe Armstrong">Billie Joe Armstrong</a>. They played both Costello and Green Day songs together, including "<a href="/wiki/Alison_(song)" title="Alison (song)">Alison</a>", "<a href="/wiki/This_Year%27s_Model" title="This Year's Model">No Action</a>", "<a href="/wiki/Basket_Case_(song)" title="Basket Case (song)">Basket Case</a>" and "<a href="/wiki/Good_Riddance_(Time_of_Your_Life)" title="Good Riddance (Time of Your Life)">Good Riddance (Time of Your Life)</a>". In November, Costello started recording a new album with <a href="/wiki/Allen_Toussaint" title="Allen Toussaint">Allen Toussaint</a> and producer <a href="/wiki/Joe_Henry" title="Joe Henry">Joe Henry</a>. Costello had a collaborative history with Toussaint, beginning with a couple of scattered album tracks in the 1980s.<a href="#cite_note-nytimes.com-268">[257]</a> In September 2006, Costello and Allen Toussaint performed in New York at a series of benefit concerts for victims of <a href="/wiki/Hurricane_Katrina" title="Hurricane Katrina">Hurricane Katrina</a>.<a href="#cite_note-nytimes.com-268">[257]</a> By week's end, Costello had written <a href="/wiki/The_River_in_Reverse" title="The River in Reverse">The River in Reverse</a>, performed it with Toussaint and discussed plans for an album with Verve Records executives. Costello turned to older songs to reflect the national malaise at the time.<a href="#cite_note-nytimes.com-268">[257]</a> In a studio recording of Nieve's opera Welcome to the Voice (2006, Deutsche Grammophon), Costello interpreted the character of Chief of Police, with <a href="/wiki/Barbara_Bonney" title="Barbara Bonney">Barbara Bonney</a>, Robert Wyatt, <a href="/wiki/Sting_(musician)" title="Sting (musician)">Sting</a> and <a href="/wiki/Amanda_Roocroft" title="Amanda Roocroft">Amanda Roocroft</a>, and the album reached No. 2 in the Billboard classical charts. Costello later reprised the piece on the stage of the <a href="/wiki/Th%C3%A9%C3%A2tre_du_Ch%C3%A2telet" title="Théâtre du Châtelet">Théâtre du Châtelet</a> in Paris in 2008, with Sting, <a href="/wiki/Joe_Sumner" title="Joe Sumner">Joe Sumner</a> (Sting's son) and Sylvia Schwartz. Also released in 2006 was a live recording of a concert with the Metropole Orkest at the <a href="/wiki/North_Sea_Jazz_Festival" title="North Sea Jazz Festival">North Sea Jazz Festival</a>, entitled My Flame Burns Blue. The soundtrack for <a href="/wiki/House_(TV_series)" title="House (TV series)">House, M.D.</a> featured Costello's interpretation of "Beautiful" by <a href="/wiki/Christina_Aguilera" title="Christina Aguilera">Christina Aguilera</a>, with the song appearing in the second episode of Season 2. Costello was commissioned to write a <a href="/wiki/Chamber_opera" title="Chamber opera">chamber opera</a> by the Danish Royal Opera, <a href="/wiki/Copenhagen" title="Copenhagen">Copenhagen</a>, on the subject of <a href="/wiki/Hans_Christian_Andersen" title="Hans Christian Andersen">Hans Christian Andersen</a>'s infatuation with Swedish soprano <a href="/wiki/Jenny_Lind" title="Jenny Lind">Jenny Lind</a>. Called The Secret Songs, it remained unfinished.<a href="#cite_note-269">[258]</a> In a performance in 2007 directed by <a href="/wiki/Kasper_Bech_Holten" class="mw-redirect" title="Kasper Bech Holten">Kasper Bech Holten</a> at the Opera's studio theatre (<a href="/wiki/Takkelloftet" class="mw-redirect" title="Takkelloftet">Takelloftet</a>), finished songs were interspersed with pieces from Costello's 1993 collaborative classical album The Juliet Letters, featuring Danish soprano Sine Bundgaard as Lind. The 2009 album <a href="/wiki/Secret,_Profane_%26_Sugarcane" title="Secret, Profane & Sugarcane">Secret, Profane & Sugarcane</a> includes material from Secret Songs. On 22 April 2008, <a href="/wiki/Momofuku_(album)" title="Momofuku (album)">Momofuku</a> was released on Lost Highway Records, the same imprint that released The Delivery Man, his previous studio album. The album was, at least initially, released exclusively on vinyl (with a code to download a digital copy). That summer, in support of the album, Costello toured with <a href="/wiki/The_Police" title="The Police">the Police</a> on the final leg of their <a href="/wiki/The_Police_Reunion_Tour" title="The Police Reunion Tour">2007/2008 Reunion Tour</a>. Costello played a homecoming gig at the Liverpool Philharmonic Hall on 25 June 2006.<a href="#cite_note-270">[259]</a> and, that month, gave his first performance in Poland, appearing with The Imposters for the closing gig of the <a href="/wiki/Lake_Malta" title="Lake Malta">Malta</a> theatre festival in <a href="/wiki/Pozna%C5%84" title="Poznań">Poznań</a>. In 2006, Costello performed with <a href="/wiki/Fiona_Apple" title="Fiona Apple">Fiona Apple</a> in the Decades Rock TV special. Apple performed two Costello songs and Costello performed two Apple songs.<a href="#cite_note-271">[260]</a> In 2007, Costello collaborated with the Argentinean/Uruguayan <a href="/wiki/Electro_music" class="mw-redirect" title="Electro music">electro</a>-<a href="/wiki/Tango_(music)" class="mw-redirect" title="Tango (music)">tango</a> band <a href="/wiki/Bajofondo" title="Bajofondo">Bajofondo</a> on the song "Fairly Right" from the album <a href="/wiki/Mar_Dulce_(album)" class="mw-redirect" title="Mar Dulce (album)">Mar Dulce</a>. In 2008, Costello collaborated with <a href="/wiki/Fall_Out_Boy" title="Fall Out Boy">Fall Out Boy</a> on the track "<a href="/wiki/What_a_Catch,_Donnie" title="What a Catch, Donnie">What a Catch, Donnie</a>" from their album <a href="/wiki/Folie_a_Deux_(album)" class="mw-redirect" title="Folie a Deux (album)">Folie a Deux</a>. In <a href="/wiki/Jenny_Lewis" title="Jenny Lewis">Jenny Lewis</a>' 2008 release, <a href="/wiki/Acid_Tongue" title="Acid Tongue">Acid Tongue</a>, Costello provided vocals for the song "Carpetbaggers". In November 2009, Costello appeared live with <a href="/wiki/Bruce_Springsteen" title="Bruce Springsteen">Bruce Springsteen</a> and the <a href="/wiki/E_Street_Band" title="E Street Band">E Street Band</a> at <a href="/wiki/Madison_Square_Garden" title="Madison Square Garden">Madison Square Garden</a> and performed the <a href="/wiki/Jackie_Wilson" title="Jackie Wilson">Jackie Wilson</a> song "<a href="/wiki/(Your_Love_Keeps_Lifting_Me)_Higher_and_Higher" title="(Your Love Keeps Lifting Me) Higher and Higher">(Your Love Keeps Lifting Me) Higher and Higher</a>".<a href="#cite_note-272">[261]</a> In July 2008, Costello (as Declan McManus) appeared in his home city Liverpool where he was awarded an honorary degree of Doctor of Music from the <a href="/wiki/University_of_Liverpool" title="University of Liverpool">University of Liverpool</a>.<a href="#cite_note-273">[262]</a> Costello was featured on <a href="/wiki/Fall_Out_Boy" title="Fall Out Boy">Fall Out Boy</a>'s 2008 album <a href="/wiki/Folie_%C3%A0_Deux_(album)" title="Folie à Deux (album)">Folie à Deux</a>, providing vocals on the track "<a href="/wiki/What_a_Catch,_Donnie" title="What a Catch, Donnie">What a Catch, Donnie</a>", along with other artists who are friends with the band. Costello appeared in <a href="/wiki/Stephen_Colbert" title="Stephen Colbert">Stephen Colbert</a>'s television special <a href="/wiki/A_Colbert_Christmas:_The_Greatest_Gift_of_All" class="mw-redirect" title="A Colbert Christmas: The Greatest Gift of All">A Colbert Christmas: The Greatest Gift of All</a>. In the program, he was eaten by a bear, but later saved by <a href="/wiki/Santa_Claus" title="Santa Claus">Santa Claus</a>; he also sang a duet with Colbert. The special was first aired on 23 November 2008.<a href="#cite_note-274">[263]</a> Costello released <a href="/wiki/Secret,_Profane_%26_Sugarcane" title="Secret, Profane & Sugarcane">Secret, Profane & Sugarcane</a>, a collaboration with <a href="/wiki/T_Bone_Burnett" title="T Bone Burnett">T Bone Burnett</a>, on 9 June 2009. It was his first on the Starbucks Hear Music label and a return to country music in the manner of "Good Year for the Roses". <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_Costello_in_2012.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Elvis_Costello_in_2012.jpg/240px-Elvis_Costello_in_2012.jpg" decoding="async" width="240" height="180" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Elvis_Costello_in_2012.jpg/360px-Elvis_Costello_in_2012.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Elvis_Costello_in_2012.jpg/480px-Elvis_Costello_in_2012.jpg 2x" data-file-width="1280" data-file-height="960" /></a><figcaption>Costello performing in tribute to music legends <a href="/wiki/Chuck_Berry" title="Chuck Berry">Chuck Berry</a> and <a href="/wiki/Leonard_Cohen" title="Leonard Cohen">Leonard Cohen</a>, who were the recipients of the first annual PEN Awards for songwriting excellence, at the <a href="/wiki/John_F._Kennedy_Presidential_Library_and_Museum" title="John F. Kennedy Presidential Library and Museum">JFK Presidential Library</a>, in Boston, Massachusetts on 26 February 2012</figcaption></figure> In May 2009, Costello made a surprise cameo appearance on-stage at the <a href="/wiki/Beacon_Theatre_(New_York_City)" title="Beacon Theatre (New York City)">Beacon Theatre</a> in New York as part of <a href="/wiki/Spinal_Tap_(band)" title="Spinal Tap (band)">Spinal Tap's</a> Unwigged and Unplugged show, singing their fictional 1965 hit "Gimme Some Money" with the band backing him up. In December 2009, Costello portrayed The Shape on the album <a href="/wiki/Ghost_Brothers_of_Darkland_County" title="Ghost Brothers of Darkland County">Ghost Brothers of Darkland County</a>, a collaboration between rock singer <a href="/wiki/John_Mellencamp" title="John Mellencamp">John Mellencamp</a> and novelist <a href="/wiki/Stephen_King" title="Stephen King">Stephen King</a>. In February 2010, Costello appeared in the live <a href="/wiki/Cinecast" class="mw-redirect" title="Cinecast">cinecast</a> of <a href="/wiki/Garrison_Keillor" title="Garrison Keillor">Garrison Keillor</a>'s <a href="/wiki/Prairie_Home_Companion" class="mw-redirect" title="Prairie Home Companion">Prairie Home Companion</a>, singing some of his own songs, and participating in many of the show's other musical and acting performances. On 30 April 2011, he played the song "Pump it Up" with <a href="/wiki/The_Odds" class="mw-redirect" title="The Odds">the Odds</a> before the start of a <a href="/wiki/Vancouver_Canucks" title="Vancouver Canucks">Vancouver Canucks</a> playoff game at <a href="/wiki/Rogers_Arena" title="Rogers Arena">Rogers Arena</a> in Vancouver, British Columbia.<a href="#cite_note-275">[264]</a> <div class="mw-heading mw-heading3"><h3 id="2010–present">2010–present</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=19" title="Edit section: 2010–present">edit</a>]</div> Costello released the album <a href="/wiki/National_Ransom" title="National Ransom">National Ransom</a> in autumn of 2010.<a href="#cite_note-276">[265]</a> On 26 February 2012, Costello paid tribute to music legends <a href="/wiki/Chuck_Berry" title="Chuck Berry">Chuck Berry</a> and <a href="/wiki/Leonard_Cohen" title="Leonard Cohen">Leonard Cohen</a>, who were the recipients of the first annual PEN Awards for songwriting excellence, at the <a href="/wiki/John_F._Kennedy_Presidential_Library_and_Museum" title="John F. Kennedy Presidential Library and Museum">JFK Presidential Library</a>, in Boston, Massachusetts, on 26 February 2012.<a href="#cite_note-The_Boston_Globe_PEN_awards-277">[266]</a> In September 2013 Costello released <a href="/wiki/Wise_Up_Ghost" title="Wise Up Ghost">Wise Up Ghost</a>, a collaboration with <a href="/wiki/The_Roots" title="The Roots">the Roots</a>. On 25 October 2013, Costello was awarded an Honorary Doctorate of Music from the <a href="/wiki/New_England_Conservatory" class="mw-redirect" title="New England Conservatory">New England Conservatory</a>.<a href="#cite_note-278">[267]</a> In 2012, he played ukulele, mandolin, guitar and added backing vocals on Diana Krall's 11th studio album, <a href="/wiki/Glad_Rag_Doll_(album)" title="Glad Rag Doll (album)">Glad Rag Doll</a> (as "Howard Coward").<a href="#cite_note-279">[268]</a> On 10 September 2013, he played during the Apple September 2013 Event after the introduction of <a href="/wiki/ITunes_Radio" title="ITunes Radio">iTunes Radio</a>, <a href="/wiki/IPhone" title="IPhone">iPhone</a> 5C and 5S at Town Hall, at the Apple campus.<a href="#cite_note-280">[269]</a> On <a href="/wiki/Gov%27t_Mule" title="Gov't Mule">Gov't Mule</a>'s album <a href="/wiki/Shout!_(Gov%27t_Mule_album)" title="Shout! (Gov't Mule album)">Shout!</a>, released in September 2013, he sang on the track "Funny Little Tragedy". In March 2014, Costello recorded <a href="/wiki/Lost_on_the_River:_The_New_Basement_Tapes" title="Lost on the River: The New Basement Tapes">Lost on the River: The New Basement Tapes</a> with <a href="/wiki/Rhiannon_Giddens" title="Rhiannon Giddens">Rhiannon Giddens</a>, <a href="/wiki/Taylor_Goldsmith" title="Taylor Goldsmith">Taylor Goldsmith</a>, <a href="/wiki/Jim_James" title="Jim James">Jim James</a> and <a href="/wiki/Marcus_Mumford" title="Marcus Mumford">Marcus Mumford</a>.<a href="#cite_note-TheNewBasementTapes.com-281">[270]</a> During the 2016 Detour, he performs with <a href="/wiki/Larkin_Poe" title="Larkin Poe">Larkin Poe</a>. On 12 October 2018, Costello released his first studio album in five years, <a href="/wiki/Look_Now" title="Look Now">Look Now</a>, recorded with The Imposters. The album features three songs co-written with Burt Bacharach, and one song co-written with <a href="/wiki/Carole_King" title="Carole King">Carole King</a>. Costello wrote and produced a large majority of the album himself, with help from producer <a href="/wiki/Sebastian_Krys" title="Sebastian Krys">Sebastian Krys</a>. On 26 January 2020, Look Now won the <a href="/wiki/Grammy_Award_for_Best_Traditional_Pop_Vocal_Album" title="Grammy Award for Best Traditional Pop Vocal Album">Grammy Award for Best Traditional Pop Vocal Album</a> at the <a href="/wiki/62nd_Grammy_Awards" class="mw-redirect" title="62nd Grammy Awards">62nd Grammy Awards</a>. Costello was appointed <a href="/wiki/Officer_of_the_Order_of_the_British_Empire" class="mw-redirect" title="Officer of the Order of the British Empire">Officer of the Order of the British Empire</a> (OBE) in the <a href="/wiki/2019_Birthday_Honours" title="2019 Birthday Honours">2019 Birthday Honours</a> for services to music.<a href="#cite_note-282">[271]</a> In 2021, Costello released Spanish Model, a remix of 1978's This Year's Model with Spanish lyrics. Singers from Spanish-speaking parts of the world, with help from Spanish-speaking songwriters, translated all 16 songs of the album into Spanish, with the new vocals set to the original recording and instrumentation by the Attractions. The singers included <a href="/wiki/Juanes" title="Juanes">Juanes</a>, <a href="/wiki/Jorge_Drexler" title="Jorge Drexler">Jorge Drexler</a>, <a href="/wiki/Luis_Fonsi" title="Luis Fonsi">Luis Fonsi</a>, <a href="/wiki/Francisca_Valenzuela" title="Francisca Valenzuela">Francisca Valenzuela</a>, <a href="/wiki/Fuego_(singer)" title="Fuego (singer)">Fuego</a>, <a href="/wiki/Draco_Rosa" title="Draco Rosa">Draco Rosa</a>, and <a href="/wiki/Fito_P%C3%A1ez" title="Fito Páez">Fito Páez</a>.<a href="#cite_note-283">[272]</a><a href="#cite_note-284">[273]</a> In 2021, Costello appeared at the <a href="/wiki/Royal_Variety_Performance" title="Royal Variety Performance">Royal Variety Performance</a> playing two songs with the Imposters. He was introduced by the MC <a href="/wiki/Alan_Carr" title="Alan Carr">Alan Carr</a> as a man who has achieved everything except appearing at the Royal Variety Performance. Between songs Costello informed the audience that he was the second McManus to appear. His father Ross appeared in the 1960s singing "<a href="/wiki/If_I_Had_a_Hammer" title="If I Had a Hammer">If I Had a Hammer</a>".<a href="#cite_note-285">[274]</a><a href="#cite_note-286">[275]</a> In January 2022, he performed on <a href="/wiki/The_Graham_Norton_Show" title="The Graham Norton Show">The Graham Norton Show</a>.<a href="#cite_note-287">[276]</a> That same month he released the LP <a href="/wiki/The_Boy_Named_If" title="The Boy Named If">The Boy Named If</a>, recorded with the Imposters.<a href="#cite_note-288">[277]</a> <a href="/wiki/The_Resurrection_of_Rust" title="The Resurrection of Rust">The Resurrection of Rust</a> by a reformed Rusty followed later that year.<a href="#cite_note-rs-289">[278]</a> In April 2023, Costello collaborated with Slovenian band <a href="/wiki/Joker_Out" title="Joker Out">Joker Out</a> on their single, "New Wave".<a href="#cite_note-290">[279]</a> The compilation <a href="/wiki/The_Songs_of_Bacharach_%26_Costello" title="The Songs of Bacharach & Costello">The Songs of Bacharach & Costello</a> was also released at this time.<a href="#cite_note-pm-291">[280]</a> In August 2023, he made a three-dates mini-tour together with Italian singer-songwriter <a href="/wiki/Carmen_Consoli" title="Carmen Consoli">Carmen Consoli</a>, a project the two had originally planned in 2012 but that at the time had been shelved due to Consoli's pregnancy.<a href="#cite_note-292">[281]</a><a href="#cite_note-293">[282]</a><a href="#cite_note-294">[283]</a> In November 2024, Costello and T Bone Burnett will release a scripted comedy audio series on <a href="/wiki/Audible_(service)" title="Audible (service)">Audible</a>, directed by <a href="/wiki/Christopher_Guest" title="Christopher Guest">Christopher Guest</a>, as the Coward Brothers, characters the two created in the 1980s. The series features guest appearances by <a href="/wiki/Harry_Shearer" title="Harry Shearer">Harry Shearer</a> as the radio host interviewing the two, along with <a href="/wiki/Rhea_Seehorn" title="Rhea Seehorn">Rhea Seehorn</a>, <a href="/wiki/Edward_Hibbert" title="Edward Hibbert">Edward Hibbert</a>, <a href="/wiki/Stephen_Root" title="Stephen Root">Stephen Root</a> and <a href="/wiki/Kathreen_Khavari" title="Kathreen Khavari">Kathreen Khavari</a>. An accompanying soundtrack album will be released via <a href="/wiki/New_West_Records" title="New West Records">New West Records</a>.<a href="#cite_note-295">[284]</a> <div class="mw-heading mw-heading2"><h2 id="Writing">Writing</h2>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=20" title="Edit section: Writing">edit</a>]</div> Since the early 1980s, Costello has written about music for publications including <a href="/wiki/Hot_Press" title="Hot Press">Hot Press</a>,<a href="#cite_note-296">[285]</a><a href="#cite_note-297">[286]</a> <a href="/wiki/Details_(magazine)" title="Details (magazine)">Details</a>,<a href="#cite_note-298">[287]</a> <a href="/wiki/Mojo_(magazine)" title="Mojo (magazine)">Mojo</a>,<a href="#cite_note-307">[l]</a> <a href="/wiki/Musician_(magazine)" title="Musician (magazine)">Musician</a>,<a href="#cite_note-308">[296]</a><a href="#cite_note-309">[297]</a> <a href="/wiki/NME" title="NME">NME</a>,<a href="#cite_note-310">[298]</a> <a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a>,<a href="#cite_note-Costello-2010-60">[55]</a> and <a href="/wiki/Vanity_Fair_(magazine)" title="Vanity Fair (magazine)">Vanity Fair.</a><a href="#cite_note-311">[299]</a><a href="#cite_note-312">[300]</a><a href="#cite_note-Costello-2004-67">[62]</a> He has also written several articles about <a href="/wiki/Association_football" title="Association football">football (soccer)</a>, as an avid and knowledgeable fan, for the <a href="/wiki/The_Times" title="The Times">Times of London</a>.<a href="#cite_note-313">[301]</a><a href="#cite_note-314">[302]</a><a href="#cite_note-Costello-315">[303]</a> A Vanity Fair editor who worked with Costello said, "His <a href="/wiki/Copy_(written)" class="mw-redirect" title="Copy (written)">copy</a> was clean, elegant, and ready to run."<a href="#cite_note-316">[304]</a> Costello has written liner notes for releases by artists including Gram Parsons,<a href="#cite_note-317">[305]</a> the <a href="/wiki/The_Fairfield_Four" title="The Fairfield Four">Fairfield Four</a>,<a href="#cite_note-318">[306]</a> <a href="/wiki/Dusty_Springfield" title="Dusty Springfield">Dusty Springfield</a>,<a href="#cite_note-319">[307]</a> <a href="/wiki/Booker_T._%26_the_M.G.%27s" title="Booker T. & the M.G.'s">Booker T. & the M.G.'s</a>,<a href="#cite_note-320">[308]</a> Burt Bacharach,<a href="#cite_note-321">[309]</a> and <a href="/wiki/Bill_Frisell" title="Bill Frisell">Bill Frisell</a>.<a href="#cite_note-322">[310]</a> He has written forewords to books by Geoff Emerick,<a href="#cite_note-323">[311]</a> <a href="/wiki/Loretta_Lynn" title="Loretta Lynn">Loretta Lynn</a>,<a href="#cite_note-324">[312]</a> and <a href="/wiki/Wanda_Jackson" title="Wanda Jackson">Wanda Jackson</a>.<a href="#cite_note-325">[313]</a> In 1993, Costello began reissuing his catalog of albums from 1977 through 1986, on Rykodisc, and wrote detailed liner notes for each reissued album. Reviewers praised these liner notes as frank and charming.<a href="#cite_note-326">[314]</a><a href="#cite_note-327">[315]</a> In 2001, he began a second round of reissues, this time of his catalog from 1977 through 1996, on <a href="/wiki/Rhino_Entertainment" title="Rhino Entertainment">Rhino Entertainment</a>, and wrote even more detailed liner notes. <a href="/wiki/Goldmine_(magazine)" title="Goldmine (magazine)">Goldmine</a> said the Rhino liner notes brought "a wealth of insight into the songs and the creative process itself" and that "liner notes simply don't get any better than this."<a href="#cite_note-328">[316]</a> <a href="/wiki/Pitchfork_(website)" title="Pitchfork (website)">Pitchfork</a> called them "truly fascinating."<a href="#cite_note-329">[317]</a> Several journalists noted that, at a total of 60,000 words, the Rhino liner notes amounted to a serialised memoir.<a href="#cite_note-330">[318]</a><a href="#cite_note-Paumgartner-229">[218]</a><a href="#cite_note-Lingan-2012-331">[319]</a> In 2012, <a href="/wiki/Slate_(magazine)" title="Slate (magazine)">Slate</a> magazine published a book review of the Rhino liner notes in which it called them "one of the best rock-star memoirs of the last decade."<a href="#cite_note-Lingan-2012-331">[319]</a> In 2015, Costello published Unfaithful Music & Disappearing Ink, a memoir that had little overlap with his reissue liner notes.<a href="#cite_note-332">[320]</a> In this book, Costello recounted his life in music and traced parallels between his own experiences and those of his father and grandfather, both of whom were musicians.<a href="#cite_note-Bonomo-2014-333">[321]</a> The book received enthusiastic positive reviews from prominent publications. The <a href="/wiki/The_New_York_Times" title="The New York Times">New York Times</a> said it contained "some of the best writing – funny, strange, spiteful, anguished – we've ever had from an important musician."<a href="#cite_note-Garner-2015-334">[322]</a> The <a href="/wiki/The_Washington_Post" title="The Washington Post">Washington Post</a> praised it as having more in common with <a href="/wiki/Frank_McCourt" title="Frank McCourt">Frank McCourt</a>'s memoir <a href="/wiki/Angela%27s_Ashes" title="Angela's Ashes">Angela's Ashes</a> than <a href="/wiki/M%C3%B6tley_Cr%C3%BCe" title="Mötley Crüe">Mötley Crüe</a>'s <a href="/wiki/The_Dirt:_Confessions_of_the_World%27s_Most_Notorious_Rock_Band" class="mw-redirect" title="The Dirt: Confessions of the World's Most Notorious Rock Band">The Dirt</a> and said it was more enjoyable than <a href="/wiki/Keith_Richards" title="Keith Richards">Keith Richards</a>' <a href="/wiki/Life_(Keith_Richards)" class="mw-redirect" title="Life (Keith Richards)">Life</a> and <a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a>'s <a href="/wiki/Chronicles:_Volume_One" title="Chronicles: Volume One">Chronicles: Volume One</a>.<a href="#cite_note-335">[323]</a> However, some positive reviews noted that the quality of the writing in the book was uneven and that the book might have been improved by being shorter, more focused thematically, or both.<a href="#cite_note-Garner-2015-334">[322]</a><a href="#cite_note-Bonomo-2014-333">[321]</a> The few negative reviews the book received criticised its nonlinear structure, its relative lack of emphasis on Costello's pop-star period, and its lack of details about his romantic relationships.<a href="#cite_note-336">[324]</a> The book reached number 7 on the <a href="/wiki/The_New_York_Times_Best_Seller_list" title="The New York Times Best Seller list">New York Times Best Seller list</a>.<a href="#cite_note-337">[325]</a> It was shortlisted for the Penderyn Music Book Prize, a British award for excellence in writing about music.<a href="#cite_note-338">[326]</a> The <a href="/wiki/Audiobook" title="Audiobook">audiobook</a>, narrated by Costello, was nominated for a Grammy Award.<a href="#cite_note-339">[327]</a> <div class="mw-heading mw-heading2"><h2 id="Acting_and_television_presenting">Acting and television presenting</h2>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=21" title="Edit section: Acting and television presenting">edit</a>]</div> Costello has played himself or fictional characters very similar to himself in movies and television shows including <a href="/wiki/Austin_Powers:_The_Spy_Who_Shagged_Me" title="Austin Powers: The Spy Who Shagged Me">Austin Powers: The Spy Who Shagged Me</a> (1999),<a href="#cite_note-340">[328]</a> <a href="/wiki/The_Simpsons" title="The Simpsons">The Simpsons</a> (2002),<a href="#cite_note-Crerar-341">[329]</a> <a href="/wiki/Frasier" title="Frasier">Frasier</a> (2003),<a href="#cite_note-movies.msn.com-342">[330]</a> <a href="/wiki/Two_and_a_Half_Men" title="Two and a Half Men">Two and a Half Men</a> (2004),<a href="#cite_note-343">[331]</a> <a href="/wiki/30_Rock" title="30 Rock">30 Rock</a> (2009),<a href="#cite_note-nme.com-344">[332]</a> <a href="/wiki/Treme_(TV_series)" title="Treme (TV series)">Treme</a> (2010),<a href="#cite_note-345">[333]</a> and <a href="/wiki/Sesame_Street" title="Sesame Street">Sesame Street</a> (2011).<a href="#cite_note-346">[334]</a> He has also played more character-based roles, such as the title character's eccentric brother in screenwriter <a href="/wiki/Alan_Bleasdale" title="Alan Bleasdale">Alan Bleasdale</a>'s television series <a href="/wiki/Scully_(TV_series)" title="Scully (TV series)">Scully</a> (1984), an inept magician in Bleasdale's movie <a href="/wiki/No_Surrender_(film)" title="No Surrender (film)">No Surrender</a> (1985), a teacher at an impoverished school in the movie <a href="/wiki/Prison_Song_(film)" title="Prison Song (film)">Prison Song</a> (2001), and the title character's father in the children's animated series <a href="/wiki/Pete_the_Cat" title="Pete the Cat">The Adventures of Pete the Cat</a> (2017).<a href="#cite_note-347">[335]</a> In 1995, he appeared as a guest pundit on the British football commentary television show <a href="/wiki/Football_Italia" title="Football Italia">Football Italia</a>.<a href="#cite_note-Costello-315">[303]</a><a href="#cite_note-348">[336]</a> In 2003, Costello substituted for an ailing David Letterman as the host of <a href="/wiki/Late_Show_with_David_Letterman" title="Late Show with David Letterman">Late Show with David Letterman</a>'', making him the only musical guest of the show to have served as guest host.<a href="#cite_note-349">[337]</a> Costello's performance on that show led to interest in developing a music-oriented talk show with him as the host, which came to fruition a few years later.<a href="#cite_note-Quill-2009-350">[338]</a><a href="#cite_note-351">[339]</a> In 2008, Costello began production on <a href="/wiki/Spectacle:_Elvis_Costello_with..." title="Spectacle: Elvis Costello with...">Spectacle: Elvis Costello with...</a>, a show on which he interviewed and performed songs with other musicians.<a href="#cite_note-352">[340]</a> Guests included <a href="/wiki/Tony_Bennett" title="Tony Bennett">Tony Bennett</a>, <a href="/wiki/Bruce_Springsteen" title="Bruce Springsteen">Bruce Springsteen</a>, <a href="/wiki/Smokey_Robinson" title="Smokey Robinson">Smokey Robinson</a>, <a href="/wiki/Bono" title="Bono">Bono</a> and the <a href="/wiki/The_Edge" title="The Edge">Edge</a> of <a href="/wiki/U2" title="U2">U2</a>, opera singer <a href="/wiki/Ren%C3%A9e_Fleming" title="Renée Fleming">Renée Fleming</a>, and former president (and accomplished saxophonist) <a href="/wiki/Bill_Clinton" title="Bill Clinton">Bill Clinton</a>.<a href="#cite_note-Lewis-2009-353">[341]</a> The series ran for 20 episodes over two seasons from 2008 through 2010.<a href="#cite_note-354">[342]</a> It aired on <a href="/wiki/Sundance_TV" title="Sundance TV">Sundance Channel</a> in the US, <a href="/wiki/CTV_Television_Network" title="CTV Television Network">CTV</a> in Canada, and <a href="/wiki/Channel_4" title="Channel 4">Channel 4</a> in the UK.<a href="#cite_note-355">[343]</a> The show received favourable reviews in the US, with reviewers praising Costello's ability to get his guests to reveal insights into their creative processes and calling him a "deeply knowledgeable, erudite and witty host."<a href="#cite_note-356">[344]</a><a href="#cite_note-357">[345]</a><a href="#cite_note-Lewis-2009-353">[341]</a> In Canada, the show won a <a href="/wiki/Gemini_Awards" title="Gemini Awards">Gemini Award</a> for Best Talk Series.<a href="#cite_note-Monteith2010-358">[346]</a> In Britain, however, it was aired in an overnight time slot and largely ignored.<a href="#cite_note-Chalmers2009-24">[22]</a><a href="#cite_note-Quill-2009-350">[338]</a> <div class="mw-heading mw-heading2"><h2 id="Public_image_and_controversies">Public image and controversies</h2>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=22" title="Edit section: Public image and controversies">edit</a>]</div> Costello revealed little about his background and gave few interviews in the first five years of his career, so the few widely published interviews he gave played a large role in forming his early public image.<a href="#cite_note-Paumgartner-229">[218]</a> In a widely quoted August 1977 interview with <a href="/wiki/Nick_Kent" title="Nick Kent">Nick Kent</a>, Costello said the only things that mattered to him were "revenge and guilt".<a href="#cite_note-Marcus1982-63">[58]</a><a href="#cite_note-359">[347]</a> This phrase would be associated with him throughout his career.<a href="#cite_note-Paumgartner-229">[218]</a> <div class="mw-heading mw-heading3"><h3 id="1977_Saturday_Night_Live_appearance">1977 Saturday Night Live appearance</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=23" title="Edit section: 1977 Saturday Night Live appearance">edit</a>]</div> On 17 December 1977, Costello and the Attractions appeared on <a href="/wiki/Saturday_Night_Live" title="Saturday Night Live">Saturday Night Live</a> as last-minute replacements for the <a href="/wiki/Sex_Pistols" title="Sex Pistols">Sex Pistols</a>.<a href="#cite_note-Houghton_Mifflin_Harcourt-182">[171]</a><a href="#cite_note-FOOTNOTEThomson2004108-109-360">[348]</a> One of the songs Costello was scheduled to perform, at the request of his record company, was "<a href="/wiki/Less_than_Zero_(Elvis_Costello_song)" title="Less than Zero (Elvis Costello song)">Less Than Zero</a>", a song Costello wrote in reaction to seeing British fascist <a href="/wiki/Oswald_Mosley" title="Oswald Mosley">Oswald Mosley</a> being treated with what Costello felt was undeserved deference during an interview on British television.<a href="#cite_note-FOOTNOTEThomson2004108-109-360">[348]</a><a href="#cite_note-Marcus1982-63">[58]</a> Costello did not want to play the song because he thought the subject was too obscure for American audiences and the song was too low-key to make a strong impression.<a href="#cite_note-Costello-2001-117">[108]</a><a href="#cite_note-FOOTNOTECostello2015307-361">[349]</a> Instead, he wanted to play the then-unrecorded song, "Radio Radio". During the live broadcast, Costello played a few bars of "Less Than Zero" and then told the Attractions to play "Radio Radio", which they played in its entirety.<a href="#cite_note-FOOTNOTEThomson2004109-185">[174]</a> This angered the show's producer, <a href="/wiki/Lorne_Michaels" title="Lorne Michaels">Lorne Michaels</a>, because Michaels was not prepared for the change and because "Radio Radio" had not been cleared by <a href="/wiki/NBC" title="NBC">NBC</a>'s censors.<a href="#cite_note-Guccione-362">[350]</a><a href="#cite_note-Untreed_Reads-363">[351]</a><a href="#cite_note-364">[m]</a> When asked about the incident on NBC's <a href="/wiki/The_Tomorrow_Show" title="The Tomorrow Show">Tomorrow Show</a> three years later, Costello said he was told he would never appear on American television again.<a href="#cite_note-Tomorrow_Show-2006-365">[352]</a> He appeared as musical guest on Saturday Night Live again in 1989 and 1991.<a href="#cite_note-Houghton_Mifflin_Harcourt-182">[171]</a> Although the incident provoked little comment at the time, by 1999 it had become so well known that Saturday Night Live invited Costello to perform a parody of it with the <a href="/wiki/Beastie_Boys" title="Beastie Boys">Beastie Boys</a> on the show 25th-anniversary special.<a href="#cite_note-FOOTNOTECostello2015307–308-366">[353]</a><a href="#cite_note-367">[354]</a> <div class="mw-heading mw-heading3"><h3 id="1979_Columbus,_Ohio,_incident">1979 Columbus, Ohio, incident</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=24" title="Edit section: 1979 Columbus, Ohio, incident">edit</a>]</div> In March 1979, during a drunken argument with <a href="/wiki/Bonnie_Bramlett" title="Bonnie Bramlett">Bonnie Bramlett</a> and other members of the <a href="/wiki/Stephen_Stills" title="Stephen Stills">Stephen Stills</a> band, at a <a href="/wiki/Holiday_Inn" title="Holiday Inn">Holiday Inn</a> bar in <a href="/wiki/Columbus,_Ohio" title="Columbus, Ohio">Columbus, Ohio</a>, the singer referred to <a href="/wiki/James_Brown" title="James Brown">James Brown</a> as a "jive-ass <a href="/wiki/Nigger" title="Nigger">nigger</a>,"[<a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed">citation needed</a>] then upped the ante by pronouncing <a href="/wiki/Ray_Charles" title="Ray Charles">Ray Charles</a> a "blind, ignorant nigger."<a href="#cite_note-368">[355]</a> Costello addressed the controversy at a New York City press conference a few days later, stating that he had been drunk and had been attempting to be obnoxious to bring the conversation to a swift conclusion, not anticipating that Bramlett would bring his comments to the press. According to Costello, "it became necessary for me to outrage these people with about the most obnoxious and offensive remarks that I could muster". In his liner notes for the expanded version of <a href="/wiki/Get_Happy!!_(Elvis_Costello_album)" title="Get Happy!! (Elvis Costello album)">Get Happy!!</a> Costello writes that some time after the incident he had declined an offer to meet Charles out of guilt and embarrassment, although Charles himself had forgiven Costello, saying "Drunken talk isn't meant to be printed in the paper." Costello worked extensively in Britain's <a href="/wiki/Rock_Against_Racism" title="Rock Against Racism">Rock Against Racism</a> campaign both before and after the incident. In an interview with <a href="/wiki/Questlove" title="Questlove">Questlove</a> (drummer for <a href="/wiki/The_Roots" title="The Roots">the Roots</a>, with whom Costello collaborated in 2013), he stated: "It's upsetting because I can't explain how I even got to think you could be funny about something like that," and further elaborating with, "I'm sorry. You know? It's about time I said it out loud."<a href="#cite_note-369">[356]</a> <div class="mw-heading mw-heading3"><h3 id="2010_cancelled_Tel_Aviv_concerts">2010 cancelled Tel Aviv concerts</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=25" title="Edit section: 2010 cancelled Tel Aviv concerts">edit</a>]</div> In early 2010, Costello was invited to play his first concert in Israel, on 30 June of that year, at the Caesarea Amphitheater north of Tel Aviv.<a href="#cite_note-370">[357]</a> Due to high demand for tickets, a second concert was added for 1 July.<a href="#cite_note-371">[358]</a> At first, Costello seemed resolved to resist political pressure on artists to refrain from performing in Israel due to the country's controversial treatment of Palestinians. In early May, Costello told Israel's largest daily newspaper, <a href="/wiki/Yedioth_Ahronoth" title="Yedioth Ahronoth">Yedioth Ahronoth</a>, "As soon as you play you are going to get criticised." Costello told the newspaper he did not agree with organisations that "think that they need to boycott Israel to pressure it," saying he thought "culture is the only way in which humanity shares experiences, and that is why I need to come and perform here."<a href="#cite_note-372">[359]</a> Two weeks later, he announced on his website that he had cancelled the concerts because of what he called the "grave and complex" sensitivities of the <a href="/wiki/Israeli-Palestinian_conflict" class="mw-redirect" title="Israeli-Palestinian conflict">Israeli-Palestinian conflict</a>.<a href="#cite_note-373">[360]</a> He told <a href="/wiki/The_Jerusalem_Post" title="The Jerusalem Post">The Jerusalem Post</a> his decision was part of a "30-year conundrum" that he had been dealing with regarding playing in Israel. He also told the Post that he had not been threatened or coerced, but that he "woke up one day and realised [he] couldn't go on with the shows." The promoters of the concerts expressed shock. Israeli Culture Minister <a href="/wiki/Limor_Livnat" title="Limor Livnat">Limor Livnat</a>, a member of right-wing <a href="/wiki/Likud_Party" class="mw-redirect" title="Likud Party">Likud Party</a>, denounced the decision. The organisation <a href="/wiki/Palestinian_Campaign_for_the_Academic_and_Cultural_Boycott_of_Israel" title="Palestinian Campaign for the Academic and Cultural Boycott of Israel">Palestinian Campaign for the Academic and Cultural Boycott of Israel</a> praised it.<a href="#cite_note-374">[361]</a> <div class="mw-heading mw-heading2"><h2 id="Personal_life">Personal life</h2>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=26" title="Edit section: Personal life">edit</a>]</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_Costello_and_Diana_Krall.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/7a/Elvis_Costello_and_Diana_Krall.jpg/220px-Elvis_Costello_and_Diana_Krall.jpg" decoding="async" width="220" height="323" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/7a/Elvis_Costello_and_Diana_Krall.jpg/330px-Elvis_Costello_and_Diana_Krall.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/7a/Elvis_Costello_and_Diana_Krall.jpg/440px-Elvis_Costello_and_Diana_Krall.jpg 2x" data-file-width="1283" data-file-height="1881" /></a><figcaption>Costello and Diana Krall in 2009</figcaption></figure> Costello has no full siblings.<a href="#cite_note-Chalmers2009-24">[22]</a> He has four half-brothers from his father's second marriage, all of whom are musicians.<a href="#cite_note-Laing2011-35">[32]</a> In November 1974, Costello married Mary Burgoyne.<a href="#cite_note-FOOTNOTEThomson200449-375">[362]</a> Costello has said he had hoped to marry Burgoyne since he was 14 years old and they were at school together in London, although they did not begin dating until four years later, when Costello moved back to London after living with his mother in Liverpool for two and a half years.<a href="#cite_note-FOOTNOTECostello201517,_107,_152–153-376">[363]</a><a href="#cite_note-377">[364]</a> They have one child, Matthew MacManus, born in early 1975.<a href="#cite_note-FOOTNOTEThomson200449–50-108">[99]</a> Costello's rapid rise to fame put a strain on their marriage almost immediately.<a href="#cite_note-FOOTNOTECostello2015189,_259,_361–362-378">[365]</a> The couple separated in early 1978 but reconciled the following year.<a href="#cite_note-FOOTNOTECostello2015361–362-379">[366]</a><a href="#cite_note-FOOTNOTEThomson2004146-380">[367]</a> They separated permanently in mid-1984 and finalised their divorce in 1988.<a href="#cite_note-381">[368]</a><a href="#cite_note-FOOTNOTEThomson2004235–236-382">[369]</a> Costello has said that his inability to remain faithful in his first marriage, and the emotional turmoil it caused him, has been a major inspiration for his songs.<a href="#cite_note-Chalmers2009-24">[22]</a><a href="#cite_note-FOOTNOTECostello2015chap_27,_36-383">[370]</a> In early 1985, Costello began a romantic relationship with <a href="/wiki/Cait_O%27Riordan" title="Cait O'Riordan">Cait O'Riordan</a>, then bass player for <a href="/wiki/The_Pogues" title="The Pogues">the Pogues</a>, whom he met in October 1984 while their respective bands were on tour together.<a href="#cite_note-FOOTNOTEThomson2004214–216-384">[371]</a> In May 1986, they exchanged wedding rings and thereafter presented themselves, and were regarded, as husband and wife. They were never legally married.<a href="#cite_note-FOOTNOTECostello2015511-385">[372]</a><a href="#cite_note-FOOTNOTEThomson2004235–236-382">[369]</a> In September 2002, Costello ended the relationship.<a href="#cite_note-386">[373]</a> O'Riordan said that she was never married, that there was "no piece of paper with marriage on it". They have no children. Since their split, both Costello and O'Riordan have described the union as unhappy.<a href="#cite_note-FOOTNOTECostello2015511-519-387">[374]</a><a href="#cite_note-388">[375]</a> In early 2003, Costello became engaged to marry singer and pianist <a href="/wiki/Diana_Krall" title="Diana Krall">Diana Krall</a>, whom he met at the Grammy Awards ceremony the year before.<a href="#cite_note-389">[376]</a><a href="#cite_note-390">[377]</a> They married in December 2003.<a href="#cite_note-391">[378]</a> The couple has twin sons, born in December 2006.<a href="#cite_note-392">[379]</a> <div class="mw-heading mw-heading3"><h3 id="Health">Health</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=27" title="Edit section: Health">edit</a>]</div> In July 2018, Costello announced that he had been successfully treated for a cancerous growth six weeks earlier, but needed to cancel the remaining six dates of his European tour to continue recovering from the surgery. Costello said he had underestimated how much time he would need to recover.<a href="#cite_note-393">[380]</a> He resumed performing in September 2018.<a href="#cite_note-394">[381]</a> <div class="mw-heading mw-heading3"><h3 id="Humanitarian_causes">Humanitarian causes</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=28" title="Edit section: Humanitarian causes">edit</a>]</div> In 2017, Costello helped establish the Musician Treatment Foundation as a member of its board of directors. The foundation, which is based in Austin, Texas, helps under- and uninsured professional musicians receive free orthopedic care for upper limb injuries.<a href="#cite_note-395">[382]</a> He performed concerts for the foundation's benefit in October 2017 and December 2022.<a href="#cite_note-396">[383]</a><a href="#cite_note-397">[384]</a> Costello sits on the advisory board of the board of directors of the <a href="/wiki/Jazz_Foundation_of_America" title="Jazz Foundation of America">Jazz Foundation of America</a>, which provides emergency financial support and other services to working and retired musicians.<a href="#cite_note-398">[385]</a> <div class="mw-heading mw-heading3"><h3 id="Vegetarianism">Vegetarianism</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=29" title="Edit section: Vegetarianism">edit</a>]</div> A <a href="/wiki/Pescatarian" class="mw-redirect" title="Pescatarian">pescatarian</a> since the early 1980s, Costello says he was moved to reject meat after seeing the documentary <a href="/wiki/The_Animals_Film" title="The Animals Film">The Animals Film</a> (1982), which also helped inspire his song "Pills and Soap" from 1983's Punch the Clock.<a href="#cite_note-NYer2010-399">[386]</a> In January 2013, Costello teamed up with Paul McCartney to create an advertisement campaign backing vegetarian foods produced by the <a href="/wiki/Linda_McCartney_Foods" title="Linda McCartney Foods">Linda McCartney Foods</a> brand.<a href="#cite_note-400">[387]</a> <div class="mw-heading mw-heading2"><h2 id="Legacy">Legacy</h2>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=30" title="Edit section: Legacy">edit</a>]</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_Costello_preforming_in_Dublin,_Ireland_2024.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/61/Elvis_Costello_preforming_in_Dublin%2C_Ireland_2024.jpg/220px-Elvis_Costello_preforming_in_Dublin%2C_Ireland_2024.jpg" decoding="async" width="220" height="147" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/61/Elvis_Costello_preforming_in_Dublin%2C_Ireland_2024.jpg/330px-Elvis_Costello_preforming_in_Dublin%2C_Ireland_2024.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/61/Elvis_Costello_preforming_in_Dublin%2C_Ireland_2024.jpg/440px-Elvis_Costello_preforming_in_Dublin%2C_Ireland_2024.jpg 2x" data-file-width="4525" data-file-height="3017" /></a><figcaption>Elvis Costello performing in Dublin, Ireland in 2024</figcaption></figure> Costello is considered by experts in pop and rock music to be one of the best songwriters of his generation. <a href="/wiki/Stephen_Thomas_Erlewine" title="Stephen Thomas Erlewine">Stephen Thomas Erlewine</a> of <a href="/wiki/AllMusic" title="AllMusic">AllMusic</a> summarised Costello as, "The most evocative, innovative, and gifted songwriter since Bob Dylan, with songs that offer highly personal takes on love and politics."<a href="#cite_note-401">[388]</a> In 2015, Rolling Stone ranked him 24th their list of the greatest songwriters of all time, calling him a songwriter of "almost unparalleled versatility."<a href="#cite_note-Rolling_Stone-2015-402">[389]</a> When he was inducted into the Songwriters Hall of Fame in 2016, the induction announcement said the impact of Costello's songs "far out-distanced their commercial performance."<a href="#cite_note-403">[390]</a> Costello's debut album, My Aim Is True, is widely considered one of the best debut albums in the history of rock music.<a href="#cite_note-404">[391]</a><a href="#cite_note-405">[392]</a> On the occasion of the 40th anniversary of the album's release, <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a> called it "one of the most influential albums in the history of rock and punk" and "one of the strongest debut albums in history".<a href="#cite_note-406">[393]</a> Although Costello never applied the term "new wave" to his music,<a href="#cite_note-Doggett-1995-61">[56]</a> Costello's early records helped defined the <a href="/wiki/New_wave_music" title="New wave music">new wave</a> music genre. AllMusic said, "Costello's early albums changed the face of pop music by harnessing punk's energy to a leaner, more incisive aesthetic that included pop hooks, virtually inventing new wave in the process."<a href="#cite_note-407">[394]</a> In their 2013 list of greatest albums of all time, the <a href="/wiki/NME" title="NME">NME</a> described This Year's Model as "defining the British new wave."<a href="#cite_note-Barker2013-408">[395]</a> In their 2009 list of greatest albums of all time, <a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a> said "the keyboard-driven sound of [Costello's 1979 song] 'Accidents Will Happen' helped define New Wave."<a href="#cite_note-Rolling_Stone-2012-409">[396]</a> Musical artists with little connection to new wave have also claimed influence by Costello. Bruce Springsteen has said that comments Costello made in the press criticising Springsteen's early songs as overly romantic led Springsteen to write darker songs for his 1978 album <a href="/wiki/Darkness_on_the_Edge_of_Town" title="Darkness on the Edge of Town">Darkness on the Edge of Town</a>.<a href="#cite_note-410">[397]</a> <a href="/wiki/Thom_Yorke" title="Thom Yorke">Thom Yorke</a> called Blood & Chocolate "the album that made me change the way I thought about recording and writing music [and] lyrics" and named it as an important influence on his band <a href="/wiki/Radiohead" title="Radiohead">Radiohead</a>'s album <a href="/wiki/OK_Computer" title="OK Computer">OK Computer</a>.<a href="#cite_note-411">[398]</a> <a href="/wiki/Liz_Phair" title="Liz Phair">Liz Phair</a>, in her appreciation of Costello for <a href="/wiki/Rolling_Stone%27s_100_Greatest_Artists_of_All_Time" title="Rolling Stone's 100 Greatest Artists of All Time">Rolling Stone's 100 Greatest Artists of All Time</a>, wrote: "I'd pay a great amount of money to audit a course taught by him."<a href="#cite_note-RS80-412">[399]</a> <a href="/wiki/Suzanne_Vega" title="Suzanne Vega">Suzanne Vega</a> has called Costello one of the "melodic geniuses" whose music she listens to in order to "stretch my sense of melody."<a href="#cite_note-413">[400]</a> Prominent artists in other fields have claimed influence or inspiration from Costello. Filmmaker and comedian <a href="/wiki/Judd_Apatow" title="Judd Apatow">Judd Apatow</a> has called Costello "a gigantic inspiration to me" and has suggested that he and other comedians are "fanatical" about Costello's music because of the "spirit of standing up for what you believe in and the humor" in it.<a href="#cite_note-414">[401]</a> Satirist and television host Stephen Colbert has described Costello as "probably my favourite rock artist" and said he sees parallels between his own humor and Costello's "wry, sardonic" songs.<a href="#cite_note-415">[402]</a> Novelist <a href="/wiki/Bret_Easton_Ellis" title="Bret Easton Ellis">Bret Easton Ellis</a> titled his 1985 novel <a href="/wiki/Less_Than_Zero_(novel)" class="mw-redirect" title="Less Than Zero (novel)">Less Than Zero</a> after a Costello song and its 2010 sequel <a href="/wiki/Imperial_Bedrooms" title="Imperial Bedrooms">Imperial Bedrooms</a> after a Costello album. Ellis has said Costello was once his "idol".<a href="#cite_note-416">[403]</a><a href="#cite_note-417">[404]</a> Visual artist <a href="/wiki/Peter_Blake_(artist)" title="Peter Blake (artist)">Peter Blake</a> featured Costello prominently in his 2012 reworking of the artwork he created for the cover of the Beatles' 1967 album <a href="/wiki/Sgt._Pepper%27s_Lonely_Hearts_Club_Band" title="Sgt. Pepper's Lonely Hearts Club Band">Sgt. Pepper's Lonely Hearts Club Band</a>. Blake said he included people he admired and who had contributed to British culture since he created the original work.<a href="#cite_note-418">[405]</a> <div class="mw-heading mw-heading2"><h2 id="Awards_and_honours">Awards and honours</h2>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=31" title="Edit section: Awards and honours">edit</a>]</div> <div class="mw-heading mw-heading3"><h3 id="Entertainment_industry_awards">Entertainment industry awards</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=32" title="Edit section: Entertainment industry awards">edit</a>]</div> United States: <ul><li><a href="/wiki/ASCAP" class="mw-redirect" title="ASCAP">ASCAP</a> Founders Award (2003)<a href="#cite_note-419">[406]</a></li> <li><a href="/wiki/Grammy_Award" class="mw-redirect" title="Grammy Award">Grammy Award</a>, Best Pop Collaboration with Vocals, "I Still Have That Other Girl" (1998)<a href="#cite_note-420">[407]</a></li> <li><a href="/wiki/Grammy_Award" class="mw-redirect" title="Grammy Award">Grammy Award</a>, Best Traditional Pop Vocal Album, <a href="/wiki/Look_Now" title="Look Now">Look Now</a> (2019)<a href="#cite_note-421">[408]</a></li> <li><a href="/wiki/Grammy_Hall_of_Fame" title="Grammy Hall of Fame">Grammy Hall of Fame</a>, <a href="/wiki/My_Aim_Is_True" title="My Aim Is True">My Aim Is True</a> (2007)<a href="#cite_note-422">[409]</a></li> <li><a href="/wiki/MTV_Video_Music_Award" class="mw-redirect" title="MTV Video Music Award">MTV Video Music Award</a>, Best Male Video, "<a href="/wiki/Veronica_(song)" title="Veronica (song)">Veronica"</a> (1989)<a href="#cite_note-423">[410]</a></li> <li><a href="/wiki/Rock_and_Roll_Hall_of_Fame" title="Rock and Roll Hall of Fame">Rock and Roll Hall of Fame</a>, with <a href="/wiki/The_Attractions" title="The Attractions">the Attractions</a> (2003)<a href="#cite_note-RaRHoF-266">[255]</a></li> <li><a href="/wiki/Songwriters_Hall_of_Fame" title="Songwriters Hall of Fame">Songwriters Hall of Fame</a> (2016)<a href="#cite_note-424">[411]</a></li></ul> United Kingdom: <ul><li><a href="/wiki/BAFTA" class="mw-redirect" title="BAFTA">BAFTA</a>, Best Original Television Music, <a href="/wiki/G.B.H._(soundtrack)" title="G.B.H. (soundtrack)">G.B.H.</a> (1992)<a href="#cite_note-425">[412]</a></li> <li><a href="/wiki/Ivor_Novello_Awards" title="Ivor Novello Awards">Ivor Novello Award</a>, Outstanding Contemporary Song Collection (1995)<a href="#cite_note-426">[413]</a></li> <li><a href="/wiki/Ivor_Novello_Awards" title="Ivor Novello Awards">Ivor Novello Award</a>, PRS Outstanding Contribution to British Music Award (1997)<a href="#cite_note-427">[414]</a></li></ul> Netherlands: <ul><li><a href="/wiki/Edison_Award" title="Edison Award">Edison Award</a>, Pop category, <a href="/wiki/My_Aim_Is_True" title="My Aim Is True">My Aim Is True</a> (1978)<a href="#cite_note-428">[415]</a></li> <li><a href="/wiki/Edison_Award" title="Edison Award">Edison Award</a>, singer-songwriter, <a href="/wiki/Spike_(Elvis_Costello_album)" title="Spike (Elvis Costello album)">Spike</a> (1989)<a href="#cite_note-429">[416]</a></li> <li><a href="/wiki/Edison_Award" title="Edison Award">Edison Award</a>, Extra/special production, innovative, <a href="/wiki/The_Juliet_Letters" title="The Juliet Letters">The Juliet Letters</a> (1993)<a href="#cite_note-430">[417]</a></li> <li><a href="/wiki/Edison_Award" title="Edison Award">Edison Award</a>, International singer, <a href="/wiki/Painted_from_Memory" title="Painted from Memory">Painted from Memory</a> (1999)<a href="#cite_note-431">[418]</a></li></ul> Canada: <ul><li><a href="/wiki/Gemini_Awards" title="Gemini Awards">Gemini Award</a>, Best Talk Series, <a href="/wiki/Spectacle:_Elvis_Costello_with..." title="Spectacle: Elvis Costello with...">Spectacle: Elvis Costello with...</a> (2010)<a href="#cite_note-Monteith2010-358">[346]</a></li></ul> <div class="mw-heading mw-heading3"><h3 id="Critics'_best-of_lists_and_music_press_awards">Critics' best-of lists and music press awards</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=33" title="Edit section: Critics' best-of lists and music press awards">edit</a>]</div> Best of year: <ul><li><a href="/wiki/NME_Awards" title="NME Awards">NME Awards</a> <a href="/wiki/List_of_NME_Award_winners#NME_Awards_1978" title="List of NME Award winners">Best Songwriter</a> (1978)<a href="#cite_note-432">[419]</a></li> <li><a href="/wiki/NME_Awards" title="NME Awards">NME Awards</a> <a href="/wiki/List_of_NME_Award_winners#NME_Awards_1983" title="List of NME Award winners">Best Songwriter</a> (1983)<a href="#cite_note-NMEAwards1983-433">[420]</a></li> <li><a href="/wiki/NME_Awards" title="NME Awards">NME Awards</a> <a href="/wiki/List_of_NME_Award_winners#NME_Awards_1983" title="List of NME Award winners">Best Album</a>, <a href="/wiki/Punch_the_Clock" title="Punch the Clock">Punch the Clock</a> (1983)<a href="#cite_note-NMEAwards1983-433">[420]</a></li> <li><a href="/wiki/The_Village_Voice" title="The Village Voice">Village Voice</a> <a href="/wiki/Pazz_%26_Jop" title="Pazz & Jop">Pazz and Jop</a> critics' poll, number 1 album of the year, <a href="/wiki/This_Year%27s_Model" title="This Year's Model">This Years Model</a> (1978)<a href="#cite_note-Christgau-1979-202">[191]</a></li> <li><a href="/wiki/The_Village_Voice" title="The Village Voice">Village Voice</a> <a href="/wiki/Pazz_%26_Jop" title="Pazz & Jop">Pazz and Jop</a> critics' poll, number 1 album of the year, <a href="/wiki/Imperial_Bedroom" title="Imperial Bedroom">Imperial Bedroom</a> (1982)<a href="#cite_note-434">[421]</a></li></ul> Best of all time: <ul><li>Five albums on <a href="/wiki/NME%27s_The_500_Greatest_Albums_of_All_Time" title="NME's The 500 Greatest Albums of All Time">NME's 500 Greatest Albums of All Time</a> (2013):<a href="#cite_note-435">[422]</a> <ul><li>This Year's Model (#256)<a href="#cite_note-Barker2013-408">[395]</a></li> <li>My Aim is True (#281)<a href="#cite_note-Barker2013-408">[395]</a></li> <li>Imperial Bedroom (#316)<a href="#cite_note-Barker2013-408">[395]</a></li> <li>Punch the Clock (#345)<a href="#cite_note-Barker2013-408">[395]</a></li> <li>Blood and Chocolate (#483)<a href="#cite_note-Barker2013-408">[395]</a></li></ul></li> <li>Four albums on <a href="/wiki/Rolling_Stone%27s_500_Greatest_Albums_of_All_Time" title="Rolling Stone's 500 Greatest Albums of All Time">Rolling Stone's 500 Greatest Albums of All Time</a> (2009):<a href="#cite_note-436">[423]</a> <ul><li>This Years Model (#98)<a href="#cite_note-437">[424]</a></li> <li>Imperial Bedroom (#166)<a href="#cite_note-438">[425]</a></li> <li>My Aim Is True (#168)<a href="#cite_note-439">[426]</a></li> <li>Armed Forces (#475)<a href="#cite_note-Rolling_Stone-2012-409">[396]</a></li></ul></li> <li>Number 24 on <a href="/wiki/Rolling_Stone%27s_100_Greatest_Songwriters_of_All_Time" title="Rolling Stone's 100 Greatest Songwriters of All Time">Rolling Stone's 100 Greatest Songwriters of All Time</a> (2015)<a href="#cite_note-Rolling_Stone-2015-402">[389]</a></li> <li>Number 80 on <a href="/wiki/Rolling_Stone%27s_100_Greatest_Artists_of_All_Time" title="Rolling Stone's 100 Greatest Artists of All Time">Rolling Stone's 100 Greatest Artists of All Time</a> (2010)<a href="#cite_note-RS80-412">[399]</a></li></ul> <div class="mw-heading mw-heading3"><h3 id="Honorary_degrees">Honorary degrees</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=34" title="Edit section: Honorary degrees">edit</a>]</div> <ul><li><a href="/wiki/Doctor_of_Music" title="Doctor of Music">Doctor of Music</a>, <a href="/wiki/University_of_Liverpool" title="University of Liverpool">University of Liverpool</a> (2008)<a href="#cite_note-440">[427]</a></li> <li><a href="/wiki/Doctor_of_Music" title="Doctor of Music">Doctor of Music</a>, <a href="/wiki/New_England_Conservatory_of_Music" title="New England Conservatory of Music">New England Conservatory of Music</a> (2013)<a href="#cite_note-441">[428]</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="Discography">Discography</h2>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=35" title="Edit section: Discography">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Elvis_Costello_discography" title="Elvis Costello discography">Elvis Costello discography</a></div> <div class="mw-heading mw-heading3"><h3 id="Albums_as_solo_artist_and_bandleader">Albums as solo artist and bandleader</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=36" title="Edit section: Albums as solo artist and bandleader">edit</a>]</div> <ul><li><a href="/wiki/My_Aim_Is_True" title="My Aim Is True">My Aim Is True</a> (1977)</li> <li><a href="/wiki/This_Year%27s_Model" title="This Year's Model">This Year's Model</a> (1978)</li> <li><a href="/wiki/Armed_Forces_(album)" title="Armed Forces (album)">Armed Forces</a> (1979)</li> <li><a href="/wiki/Get_Happy!!_(Elvis_Costello_album)" title="Get Happy!! (Elvis Costello album)">Get Happy!!</a> (1980)</li> <li><a href="/wiki/Trust_(Elvis_Costello_album)" title="Trust (Elvis Costello album)">Trust</a> (1981)</li> <li><a href="/wiki/Almost_Blue" title="Almost Blue">Almost Blue</a> (1981)</li> <li><a href="/wiki/Imperial_Bedroom" title="Imperial Bedroom">Imperial Bedroom</a> (1982)</li> <li><a href="/wiki/Punch_the_Clock" title="Punch the Clock">Punch the Clock</a> (1983)</li> <li><a href="/wiki/Goodbye_Cruel_World_(Elvis_Costello_album)" title="Goodbye Cruel World (Elvis Costello album)">Goodbye Cruel World</a> (1984)</li> <li><a href="/wiki/King_of_America" title="King of America">King of America</a> (1986)</li> <li><a href="/wiki/Blood_%26_Chocolate" title="Blood & Chocolate">Blood & Chocolate</a> (1986)</li> <li><a href="/wiki/Spike_(Elvis_Costello_album)" title="Spike (Elvis Costello album)">Spike</a> (1989)</li> <li><a href="/wiki/Mighty_Like_a_Rose" title="Mighty Like a Rose">Mighty Like a Rose</a> (1991)</li> <li><a href="/wiki/Brutal_Youth" title="Brutal Youth">Brutal Youth</a> (1994)</li> <li><a href="/wiki/Kojak_Variety" title="Kojak Variety">Kojak Variety</a> (1995)</li> <li><a href="/wiki/All_This_Useless_Beauty" title="All This Useless Beauty">All This Useless Beauty</a> (1996)</li> <li><a href="/wiki/When_I_Was_Cruel" title="When I Was Cruel">When I Was Cruel</a> (2002)</li> <li><a href="/wiki/North_(Elvis_Costello_album)" title="North (Elvis Costello album)">North</a> (2003)</li> <li><a href="/wiki/The_Delivery_Man_(album)" title="The Delivery Man (album)">The Delivery Man</a> (2004)</li> <li><a href="/wiki/Momofuku_(album)" title="Momofuku (album)">Momofuku</a> (2008)</li> <li><a href="/wiki/Secret,_Profane_%26_Sugarcane" title="Secret, Profane & Sugarcane">Secret, Profane & Sugarcane</a> (2009)</li> <li><a href="/wiki/National_Ransom" title="National Ransom">National Ransom</a> (2010)</li> <li><a href="/wiki/Look_Now" title="Look Now">Look Now</a> (2018)</li> <li><a href="/wiki/Hey_Clockface" title="Hey Clockface">Hey Clockface</a> (2020)</li> <li><a href="/wiki/The_Boy_Named_If" title="The Boy Named If">The Boy Named If</a> (2022)</li></ul> <div class="mw-heading mw-heading3"><h3 id="Collaborative_albums">Collaborative albums</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=37" title="Edit section: Collaborative albums">edit</a>]</div> <ul><li><a href="/wiki/The_Juliet_Letters" title="The Juliet Letters">The Juliet Letters</a>, with the <a href="/wiki/Brodsky_Quartet" title="Brodsky Quartet">Brodsky Quartet</a> (1993)</li> <li><a href="/wiki/Painted_from_Memory" title="Painted from Memory">Painted from Memory</a>, with <a href="/wiki/Burt_Bacharach" title="Burt Bacharach">Burt Bacharach</a> (1998)</li> <li><a href="/wiki/For_the_Stars" title="For the Stars">For the Stars</a>, with <a href="/wiki/Anne_Sofie_von_Otter" title="Anne Sofie von Otter">Anne Sofie von Otter</a> (2001)</li> <li><a href="/wiki/Piano_Jazz" title="Piano Jazz">Piano Jazz</a>, with <a href="/wiki/Marian_McPartland" title="Marian McPartland">Marian McPartland</a> (2005)</li> <li><a href="/wiki/My_Flame_Burns_Blue" title="My Flame Burns Blue">My Flame Burns Blue</a>, with the <a href="/wiki/Metropole_Orkest" title="Metropole Orkest">Metropole Orkest</a> (2006)</li> <li><a href="/wiki/The_River_in_Reverse" title="The River in Reverse">The River in Reverse</a>, with <a href="/wiki/Allen_Toussaint" title="Allen Toussaint">Allen Toussaint</a> (2006)</li> <li><a href="/wiki/Wise_Up_Ghost" title="Wise Up Ghost">Wise Up Ghost</a>, with <a href="/wiki/The_Roots" title="The Roots">the Roots</a> (2013)</li> <li><a href="/wiki/Lost_on_the_River:_The_New_Basement_Tapes" title="Lost on the River: The New Basement Tapes">Lost on the River</a>, as member of <a href="/wiki/The_New_Basement_Tapes" title="The New Basement Tapes">The New Basement Tapes</a> (2014)</li> <li><a href="/wiki/The_Resurrection_of_Rust" title="The Resurrection of Rust">The Resurrection of Rust</a>, with Allan Mayes (2022)</li></ul> <div class="mw-heading mw-heading3"><h3 id="Composer,_soundtracks_and_scores">Composer, soundtracks and scores</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=38" title="Edit section: Composer, soundtracks and scores">edit</a>]</div> <ul><li><a href="/wiki/G.B.H._(soundtrack)" title="G.B.H. (soundtrack)">G.B.H.</a>, with <a href="/wiki/Richard_Harvey_(composer)" title="Richard Harvey (composer)">Richard Harvey</a> (1991)</li> <li><a href="/wiki/Jake%27s_Progress_(soundtrack)" title="Jake's Progress (soundtrack)">Jake's Progress</a>, with <a href="/wiki/Richard_Harvey_(composer)" title="Richard Harvey (composer)">Richard Harvey</a> (1995)</li> <li><a href="/wiki/Il_Sogno" title="Il Sogno">Il Sogno</a> (2004)</li></ul> <div class="mw-heading mw-heading3"><h3 id="Producer_for_others">Producer for others</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=39" title="Edit section: Producer for others">edit</a>]</div> <ul><li><a href="/wiki/Specials_(album)" class="mw-redirect" title="Specials (album)">The Specials</a> – <a href="/wiki/The_Specials" title="The Specials">Specials</a> (1979)</li> <li><a href="/wiki/East_Side_Story_(Squeeze_album)" title="East Side Story (Squeeze album)">East Side Story</a> – <a href="/wiki/Squeeze_(band)" title="Squeeze (band)">Squeeze</a> (1981, with <a href="/wiki/Roger_B%C3%A9chirian" title="Roger Béchirian">Roger Béchirian</a>)</li> <li>"<a href="/wiki/Free_Nelson_Mandela" title="Free Nelson Mandela">Free Nelson Mandela</a>" – the <a href="/wiki/The_Special_A.K.A" class="mw-redirect" title="The Special A.K.A">Special A.K.A</a> (1984)</li> <li><a href="/wiki/Rum,_Sodomy_and_the_Lash" class="mw-redirect" title="Rum, Sodomy and the Lash">Rum Sodomy & the Lash</a> – the <a href="/wiki/The_Pogues" title="The Pogues">Pogues</a> (1985)</li></ul> <div class="mw-heading mw-heading2"><h2 id="Filmography">Filmography</h2>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=40" title="Edit section: Filmography">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1251242444">.mw-parser-output .ambox{border:1px solid #a2a9b1;border-left:10px solid #36c;background-color:#fbfbfb;box-sizing:border-box}.mw-parser-output .ambox+link+.ambox,.mw-parser-output .ambox+link+style+.ambox,.mw-parser-output .ambox+link+link+.ambox,.mw-parser-output .ambox+.mw-empty-elt+link+.ambox,.mw-parser-output .ambox+.mw-empty-elt+link+style+.ambox,.mw-parser-output .ambox+.mw-empty-elt+link+link+.ambox{margin-top:-1px}html body.mediawiki .mw-parser-output .ambox.mbox-small-left{margin:4px 1em 4px 0;overflow:hidden;width:238px;border-collapse:collapse;font-size:88%;line-height:1.25em}.mw-parser-output .ambox-speedy{border-left:10px solid #b32424;background-color:#fee7e6}.mw-parser-output .ambox-delete{border-left:10px solid #b32424}.mw-parser-output .ambox-content{border-left:10px solid #f28500}.mw-parser-output .ambox-style{border-left:10px solid #fc3}.mw-parser-output .ambox-move{border-left:10px solid #9932cc}.mw-parser-output .ambox-protection{border-left:10px solid #a2a9b1}.mw-parser-output .ambox .mbox-text{border:none;padding:0.25em 0.5em;width:100%}.mw-parser-output .ambox .mbox-image{border:none;padding:2px 0 2px 0.5em;text-align:center}.mw-parser-output .ambox .mbox-imageright{border:none;padding:2px 0.5em 2px 0;text-align:center}.mw-parser-output .ambox .mbox-empty-cell{border:none;padding:0;width:1px}.mw-parser-output .ambox .mbox-image-div{width:52px}@media(min-width:720px){.mw-parser-output .ambox{margin:0 10%}}@media print{body.ns-0 .mw-parser-output .ambox{display:none!important}}</style><table class="box-BLP_sources_section plainlinks metadata ambox ambox-content ambox-BLP_sources" role="presentation"><tbody><tr><td class="mbox-image"><div class="mbox-image-div"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/b/b4/Ambox_important.svg/40px-Ambox_important.svg.png" decoding="async" width="40" height="40" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/b/b4/Ambox_important.svg/60px-Ambox_important.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/b/b4/Ambox_important.svg/80px-Ambox_important.svg.png 2x" data-file-width="40" data-file-height="40" /></div></td><td class="mbox-text"><div class="mbox-text-span">This section of a <a href="/wiki/Wikipedia:Biographies_of_living_persons" title="Wikipedia:Biographies of living persons">biography of a living person</a> needs additional <a href="/wiki/Wikipedia:Citing_sources" title="Wikipedia:Citing sources">citations</a> for <a href="/wiki/Wikipedia:Verifiability" title="Wikipedia:Verifiability">verification</a>. 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Find sources: <a rel="nofollow" class="external text" href="https://www.google.com/search?as_eq=wikipedia&q=%22Elvis+Costello%22">"Elvis Costello"</a> – <a rel="nofollow" class="external text" href="https://www.google.com/search?tbm=nws&q=%22Elvis+Costello%22+-wikipedia&tbs=ar:1">news</a> · <a rel="nofollow" class="external text" href="https://www.google.com/search?&q=%22Elvis+Costello%22&tbs=bkt:s&tbm=bks">newspapers</a> · <a rel="nofollow" class="external text" href="https://www.google.com/search?tbs=bks:1&q=%22Elvis+Costello%22+-wikipedia">books</a> · <a rel="nofollow" class="external text" href="https://scholar.google.com/scholar?q=%22Elvis+Costello%22">scholar</a> · <a rel="nofollow" class="external text" href="https://www.jstor.org/action/doBasicSearch?Query=%22Elvis+Costello%22&acc=on&wc=on">JSTOR</a> (February 2019) (<a href="/wiki/Help:Maintenance_template_removal" title="Help:Maintenance template removal">Learn how and when to remove this message</a>)</div></td></tr></tbody></table> <div class="mw-heading mw-heading3"><h3 id="As_actor">As actor</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=41" title="Edit section: As actor">edit</a>]</div> <ul><li>1979 film debut as "The Earl of Manchester" in <a href="/wiki/Americathon" title="Americathon">Americathon</a>. Costello and the Attractions mime the song "Crawling to the U.S.A." in the film, which also appears on its <a href="/wiki/Americathon_(soundtrack)" title="Americathon (soundtrack)">soundtrack album</a>.</li> <li>1984 as "Henry Scully" in the UK TV series, <a href="/wiki/Scully_(TV_series)" title="Scully (TV series)">Scully</a></li> <li>1984 as "Stone Deaf A&R Man" in <a href="/wiki/The_Bullshitters:_Roll_Out_The_Gunbarrel" class="mw-redirect" title="The Bullshitters: Roll Out The Gunbarrel">The Bullshitters</a>, a movie made by members of the comedy troupe <a href="/wiki/The_Comic_Strip" title="The Comic Strip">The Comic Strip</a>, first aired on Channel 4</li> <li>1985 as inept magician "Rosco de Ville" in the <a href="/wiki/Alan_Bleasdale" title="Alan Bleasdale">Alan Bleasdale</a> film, <a href="/wiki/No_Surrender_(film)" title="No Surrender (film)">No Surrender</a></li> <li>1987 as "Hives the Butler" in the <a href="/wiki/Alex_Cox" title="Alex Cox">Alex Cox</a> film, <a href="/wiki/Straight_to_Hell_(film)" title="Straight to Hell (film)">Straight to Hell</a>, starring <a href="/wiki/Joe_Strummer" title="Joe Strummer">Joe Strummer</a> and <a href="/wiki/Courtney_Love" title="Courtney Love">Courtney Love</a>. Costello's "Big Nothing" (AKA "Town Called Big Nothing") appears in the film and on its <a href="/wiki/Straight_to_Hell_(film)#Soundtrack" title="Straight to Hell (film)">soundtrack album</a>.</li> <li>1994 as himself on <a href="/wiki/The_Larry_Sanders_Show" title="The Larry Sanders Show">The Larry Sanders Show</a> in the episode "People's Choice"</li> <li>1996 as himself on <a href="/wiki/The_Larry_Sanders_Show" title="The Larry Sanders Show">The Larry Sanders Show</a> in the episode "Everybody Loves Larry"</li> <li>1997 as a barman in <a href="/wiki/Spice_World_(film)" title="Spice World (film)">Spice World</a></li> <li>1999 as himself in <a href="/wiki/Austin_Powers:_The_Spy_Who_Shagged_Me" title="Austin Powers: The Spy Who Shagged Me">Austin Powers: The Spy Who Shagged Me</a>, performing Burt Bacharach's "I'll Never Fall In Love Again" (with Bacharach), which also appears on its <a href="/wiki/Austin_Powers:_The_Spy_Who_Shagged_Me#Soundtrack" title="Austin Powers: The Spy Who Shagged Me">soundtrack album</a>.</li> <li>1999 as a younger version of himself in <a href="/wiki/200_Cigarettes" title="200 Cigarettes">200 Cigarettes</a></li> <li>2000 as himself, filling his car with petrol in the full-length feature <a href="/wiki/Sans_plomb_(film)" title="Sans plomb (film)">Sans plomb</a>, whose soundtrack includes several of his songs</li> <li>2001 as himself performing "Fly Me to the Moon" on the series finale of <a href="/wiki/3rd_Rock_from_the_Sun" title="3rd Rock from the Sun">3rd Rock from the Sun</a></li> <li>2002 as himself on the episode "<a href="/wiki/How_I_Spent_My_Strummer_Vacation" title="How I Spent My Strummer Vacation">How I Spent My Strummer Vacation</a>" of <a href="/wiki/The_Simpsons" title="The Simpsons">The Simpsons</a></li> <li>2003 as Ben on <a href="/wiki/Frasier" title="Frasier">Frasier</a>, in the <a href="/wiki/Frasier_(season_10)" class="mw-redirect" title="Frasier (season 10)">season 10</a> episode "Farewell Nervosa"</li> <li>2003 as himself in <a href="/wiki/I_Love_Your_Work" title="I Love Your Work">I Love Your Work</a></li> <li>2004 as himself in the UK TV <a href="/wiki/Dead_Ringers_(comedy)" class="mw-redirect" title="Dead Ringers (comedy)">Dead Ringers</a> New Year Special, apparently and reportedly having serendipitously entered a filming venue.<a href="#cite_note-442">[429]</a></li> <li>2004 as himself in <a href="/wiki/Two_and_a_Half_Men" title="Two and a Half Men">Two and a Half Men</a> – Season 2, Episode 1</li> <li>2004 as himself in <a href="/wiki/De-Lovely" title="De-Lovely">De-Lovely</a></li> <li>2006 as himself in <a href="/wiki/Delirious_(2006_film)" title="Delirious (2006 film)">Delirious</a></li> <li>2006 as himself in <a href="/wiki/Before_the_Music_Dies" title="Before the Music Dies">Before the Music Dies</a></li> <li>2006 as himself in <a href="/wiki/Putting_the_River_in_Reverse" title="Putting the River in Reverse">Putting the River in Reverse</a></li> <li>2006 as himself in <a href="/wiki/Talladega_Nights:_The_Ballad_of_Ricky_Bobby" title="Talladega Nights: The Ballad of Ricky Bobby">Talladega Nights: The Ballad of Ricky Bobby</a><a href="#cite_note-443">[430]</a></li> <li>2008 as himself in <a href="/wiki/A_Colbert_Christmas:_The_Greatest_Gift_of_All!" title="A Colbert Christmas: The Greatest Gift of All!">A Colbert Christmas: The Greatest Gift of All!</a></li> <li>2009 as himself on the <a href="/wiki/30_Rock" title="30 Rock">30 Rock</a> episode "<a href="/wiki/Kidney_Now!" title="Kidney Now!">Kidney Now!</a>"</li> <li>2010 as himself on <a href="/wiki/Treme_(TV_series)" title="Treme (TV series)">Treme</a></li> <li>2017 as himself in <a href="/wiki/Ex_Libris_%E2%80%93_The_New_York_Public_Library" class="mw-redirect" title="Ex Libris – The New York Public Library">Ex Libris – The New York Public Library</a></li> <li>2017–2019 as Pete's Dad (voice) in <a href="/wiki/Pete_the_Cat" title="Pete the Cat">Pete the Cat</a> (Season 1)</li></ul> <div class="mw-heading mw-heading3"><h3 id="As_part_of_soundtracks">As part of soundtracks</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=42" title="Edit section: As part of soundtracks">edit</a>]</div> <ul><li>1983, "Party Party" appears in the <a href="/wiki/Party_Party_(film)" title="Party Party (film)">film of the same name</a> and on its <a href="/wiki/Party_Party_(film)#Soundtrack" title="Party Party (film)">soundtrack album</a>.</li> <li>1991, "<a href="/wiki/Days_(The_Kinks_song)" title="Days (The Kinks song)">Days</a>" (a cover of the <a href="/wiki/The_Kinks" title="The Kinks">Kinks</a> song) appears in the film <a href="/wiki/Until_the_end_of_the_World" class="mw-redirect" title="Until the end of the World">Until the end of the World</a> and on its <a href="/wiki/Until_the_End_of_the_World_(soundtrack)" title="Until the End of the World (soundtrack)">soundtrack album</a>.</li> <li>1995, "My Dark Life," a collaboration with <a href="/wiki/Brian_Eno" title="Brian Eno">Brian Eno</a>, appears on the album <a href="/wiki/Songs_in_the_Key_of_X:_Music_from_and_Inspired_by_the_X-Files" title="Songs in the Key of X: Music from and Inspired by the X-Files">Songs in the Key of X</a>.</li> <li>1996, "God Give Me Strength," a collaboration with Burt Bacharach, appears in the film <a href="/wiki/Grace_of_My_Heart" title="Grace of My Heart">Grace of My Heart</a> and on its <a href="/wiki/Grace_of_My_Heart#Soundtrack" title="Grace of My Heart">soundtrack album</a>. Nominated for <a href="/wiki/Satellite_Award_for_Best_Original_Song" title="Satellite Award for Best Original Song">Satellite Award for Best Original Song</a>.</li> <li>1998, "My Mood Swings" appears in the film <a href="/wiki/The_Big_Lebowski" title="The Big Lebowski">The Big Lebowski</a> and on its <a href="/wiki/The_Big_Lebowski#Soundtrack" title="The Big Lebowski">soundtrack album</a>.</li> <li>1998, "I Throw My Toys Around," a collaboration with <a href="/wiki/No_Doubt" title="No Doubt">No Doubt</a>, appears in the film <a href="/wiki/The_Rugrats_Movie" title="The Rugrats Movie">The Rugrats Movie</a> and on its <a href="/wiki/The_Rugrats_Movie#Soundtrack" title="The Rugrats Movie">soundtrack album</a>.</li> <li>1999, "<a href="/wiki/She_(Charles_Aznavour_song)#Elvis_Costello_version" title="She (Charles Aznavour song)">She</a>" (a cover of the <a href="/wiki/Charles_Aznavour" title="Charles Aznavour">Charles Aznavour</a> song) appears in the film <a href="/wiki/Notting_Hill_(film)" title="Notting Hill (film)">Notting Hill</a> and on its <a href="/wiki/Notting_Hill_(film)#Soundtrack" title="Notting Hill (film)">soundtrack album</a>. The song peaked at No. 19 on the <a href="/wiki/UK_Singles_Chart" class="mw-redirect" title="UK Singles Chart">UK Singles Chart</a>.</li> <li>2003, "The Scarlet Tide," written by Costello and <a href="/wiki/T_Bone_Burnett" title="T Bone Burnett">T Bone Burnett</a> and performed by <a href="/wiki/Alison_Krauss" title="Alison Krauss">Alison Krauss</a>, appears in the film <a href="/wiki/Cold_Mountain_(film)" title="Cold Mountain (film)">Cold Mountain</a> and on its <a href="/wiki/Cold_Mountain_(soundtrack)" title="Cold Mountain (soundtrack)">soundtrack album</a>. Nominated for <a href="/wiki/Academy_Award_for_Best_Original_Song" title="Academy Award for Best Original Song">Academy Award for Best Original Song</a> and <a href="/wiki/Grammy_Award_for_Best_Song_Written_for_Visual_Media" title="Grammy Award for Best Song Written for Visual Media">Grammy Award for Best Song Written for Visual Media</a>.</li> <li>2019, "I Want You" appears twice in the critically acclaimed British film <a href="/wiki/Only_You_(2018_film)#Music" title="Only You (2018 film)">Only You</a>.</li></ul> <div class="mw-heading mw-heading2"><h2 id="Bibliography">Bibliography</h2>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=43" title="Edit section: Bibliography">edit</a>]</div> <ul><li>1980: A Singing Dictionary sheet music </li> <li>1983: <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFCostello1983" class="citation book cs1">Costello, Elvis (1983). Everyday I Write the Song. Plangent Visions Music. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7119-1842-9" title="Special:BookSources/978-0-7119-1842-9"><bdi>978-0-7119-1842-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Everyday+I+Write+the+Song&rft.pub=Plangent+Visions+Music&rft.date=1983&rft.isbn=978-0-7119-1842-9&rft.aulast=Costello&rft.aufirst=Elvis&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> sheet music </li> <li>2016: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCostello2016" class="citation book cs1">Costello, Elvis (2016). Unfaithful Music & Disappearing Ink. New York: Blue Rider Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-399-18576-2" title="Special:BookSources/978-0-399-18576-2"><bdi>978-0-399-18576-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Unfaithful+Music+%26+Disappearing+Ink&rft.place=New+York&rft.pub=Blue+Rider+Press&rft.date=2016&rft.isbn=978-0-399-18576-2&rft.aulast=Costello&rft.aufirst=Elvis&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> memoir </li></ul> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=44" title="Edit section: Notes">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-lower-alpha"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-19"><a href="#cite_ref-19">^</a> Costello's albums have appeared at these ranks on the Village Voice Pazz & Jop critics' poll: My Aim Is True (1977), number 2;<a href="#cite_note-6">[6]</a> This Years Model (1978), number 1;<a href="#cite_note-7">[7]</a> Armed Forces (1979), number 5;<a href="#cite_note-8">[8]</a> Get Happy!! (1980), number 7;<a href="#cite_note-9">[9]</a> Trust (1981), number 3;<a href="#cite_note-10">[10]</a> Imperial Bedroom (1982), number 1;<a href="#cite_note-11">[11]</a> Punch the Clock (1983), number 11;<a href="#cite_note-12">[12]</a> King of America (1986), number 2; Blood and Chocolate (1986), number 9;<a href="#cite_note-13">[13]</a> Spike (1989), number 7;<a href="#cite_note-14">[14]</a> Brutal Youth (1994), number 31;<a href="#cite_note-15">[15]</a> Painted From Memory (1998), number 18;<a href="#cite_note-16">[16]</a> When I Was Cruel (2002), number 13;<a href="#cite_note-17">[17]</a> The River in Reverse (2006), number 32.<a href="#cite_note-18">[18]</a> </li> <li id="cite_note-23"><a href="#cite_ref-23">^</a> Costello was born Declan Patrick MacManus. He changed his legal name to Elvis Costello after he became successful under that stage name, according to him, to rebut the insinuations of "smartarse customs officials" and "obnoxious journalists who accused me of being a novelty act."<a href="#cite_note-20">[19]</a> In 1985, he changed his legal name to Declan Patrick Aloysius MacManus.<a href="#cite_note-Levin-21">[20]</a> The extra middle name is a reference to a character played by the comedian <a href="/wiki/Tony_Hancock" title="Tony Hancock">Tony Hancock</a>.<a href="#cite_note-22">[21]</a> </li> <li id="cite_note-29"><a href="#cite_ref-29">^</a> Some sources state that Costello's mother is of Irish descent and Catholic. However, in Unfaithful Music & Disappearing Ink, Costello writes that his maternal grandparents "were unusual for a Merseyside couple in not having any Irish, Scottish, or Welsh blood between them" <a href="#cite_note-FOOTNOTECostello2015137-27">[25]</a> and that his mother was raised Congregationalist.<a href="#cite_note-FOOTNOTECostello2015537-28">[26]</a> </li> <li id="cite_note-45"><a href="#cite_ref-45">^</a> Some sources incorrectly state that Ross is the actor seen singing the jingle in the television ads, the writer of the jingle, or both. The onscreen actor is <a href="/wiki/Julian_Chagrin" title="Julian Chagrin">Julian Chagrin</a>.<a href="#cite_note-43">[40]</a> The jingle was written by <a href="/wiki/Rod_Allen_(advertising_executive)" title="Rod Allen (advertising executive)">Rod Allen</a>, the jingle-writing member for the advertising agency Allen, Brady, and Marsh.<a href="#cite_note-44">[41]</a> </li> <li id="cite_note-49"><a href="#cite_ref-49">^</a> Ross changed the spelling of his surname to MacManus early in his career as a musician. <a href="#cite_note-FOOTNOTEThomson20049-10n-47">[43]</a><a href="#cite_note-FOOTNOTECostello20151–2-48">[44]</a> </li> <li id="cite_note-75"><a href="#cite_ref-75">^</a> Some sources incorrectly state that Costello attended the grammar school <a href="/wiki/St_Francis_Xavier%27s_College,_Liverpool" title="St Francis Xavier's College, Liverpool">St Francis Xavier's College, Liverpool</a>. He did not. He attended Campion Catholic High School in <a href="/wiki/Everton,_Liverpool" title="Everton, Liverpool">Everton, Liverpool</a> a comprehensive school that had previously shared a campus with St Francis Xavier's College when the combined schools were known as St Francis Xavier Bi-Lateral School.<a href="#cite_note-FOOTNOTEThomson200423-73">[68]</a><a href="#cite_note-FOOTNOTECostello201516–17-74">[69]</a> </li> <li id="cite_note-81"><a href="#cite_ref-81">^</a> Britain had no national minimum wage in 1972, but £20 a week, when adjusted for inflation, is approximately equal to 75% of the 2023 national minimum wage for 18- to 20-year-olds.<a href="#cite_note-79">[73]</a><a href="#cite_note-80">[74]</a> </li> <li id="cite_note-93"><a href="#cite_ref-93">^</a> Rusty's version of the song was co-written by Mayes and Costello, but by the time Costello recorded it as "Ghost Train", nothing remained of Mayes's contribution, so "Ghost Train" is credited to Costello alone.<a href="#cite_note-FOOTNOTECostello2015125-38">[35]</a> </li> <li id="cite_note-96"><a href="#cite_ref-96">^</a> In a little-seen version of the television commercial, in which the lemonade drinker fantasises that he is a singer in a nightclub, Costello and his father mimed instruments as members of the singer's band.<a href="#cite_note-FOOTNOTECostello2015155–157-46">[42]</a> </li> <li id="cite_note-122"><a href="#cite_ref-122">^</a> Sources prior to 2015 state that Costello sent the six songs he sent to Charlie Gillett, often referred to as The Honky Tonk Demos, to everyone he sent demos to during this period, including Stiff Records. However, in his 2015 memoir, Unfaithful Music & Disappearing Ink, Costello states that his notebooks from this period indicate he was sending a different set of songs to each recipient. The deluxe ebook edition reproduces handwritten notebook pages illustrating this.<a href="#cite_note-FOOTNOTECostello2015183,_in_the_photo_gallery_of_deluxe_ebook_edition,_"List_of_demos_sent_to_record_labels"_and_"Songs_sent_to_''Honky_Tonk'',_BBC_Radio_London"-121">[112]</a> </li> <li id="cite_note-131"><a href="#cite_ref-131">^</a> After Costello became successful, the six songs he sent to Gillett were widely bootlegged.<a href="#cite_note-FOOTNOTESt._Michael198618–19-130">[120]</a> They received an official release as bonus tracks on the 1993 and 2001 reissues of My Aim Is True.<a href="#cite_note-Costello-1993-116">[107]</a><a href="#cite_note-Costello-2001-117">[108]</a> </li> <li id="cite_note-307"><a href="#cite_ref-307">^</a> Costello wrote articles for Mojo in 1994,<a href="#cite_note-299">[288]</a> 1998 (three articles),<a href="#cite_note-300">[289]</a><a href="#cite_note-301">[290]</a><a href="#cite_note-302">[291]</a> 1999,<a href="#cite_note-303">[292]</a> 2002 (two articles),<a href="#cite_note-304">[293]</a><a href="#cite_note-305">[294]</a> and 2014.<a href="#cite_note-306">[295]</a> </li> <li id="cite_note-364"><a href="#cite_ref-364">^</a> Many sources assert without evidence that Lorne Michaels or others associated with Saturday Night Live, rather than Costello's record company, had told Costello not to play "Radio Radio", or that the supposedly anti-corporate nature of the song's lyrics was the reason he was told not to play it, or both. This is not supported by Costello's account, nor by Micheals' account, nor the accounts of others directly involved with the show.<a href="#cite_note-FOOTNOTECostello2015307-361">[349]</a><a href="#cite_note-Guccione-362">[350]</a><a href="#cite_note-Untreed_Reads-363">[351]</a> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=45" title="Edit section: References">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><a href="#cite_ref-1">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFUpchurch2014" class="citation web cs1">Upchurch, Michael (17 April 2014). <a rel="nofollow" class="external text" href="https://www.seattletimes.com/entertainment/diana-krall-takes-fresh-twist-on-forgotten-tunes-concert-review/">"Diana Krall takes fresh twist on forgotten tunes | Concert review"</a>. <a href="/wiki/The_Seattle_Times" title="The Seattle Times">The Seattle Times</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200510224007/https://www.seattletimes.com/entertainment/diana-krall-takes-fresh-twist-on-forgotten-tunes-concert-review/">Archived</a> from the original on 10 May 2020. 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Booker T and the M.G.'s Stax Profiles liner notes (booklet). <a href="/wiki/Stax_Records" title="Stax Records">Stax Records</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Booker+T+and+the+M.G.%27s+Stax+Profiles+liner+notes&rft.pub=Stax+Records&rft.date=2006&rft.aulast=Costello&rft.aufirst=Elvis&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-321"><a href="#cite_ref-321">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCostello2008" class="citation AV-media-notes cs1">Costello, Elvis (2008). Magic Moments –- The Definitive Burt Bacharach Collection liner notes (booklet). <a href="/wiki/Rhino_Records" class="mw-redirect" title="Rhino Records">Rhino Records</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Magic+Moments+%E2%80%93-+The+Definitive+Burt+Bacharach+Collection+liner+notes&rft.pub=Rhino+Records&rft.date=2008&rft.aulast=Costello&rft.aufirst=Elvis&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-322"><a href="#cite_ref-322">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCostello2009" class="citation AV-media-notes cs1">Costello, Elvis (2009). The Best Of Bill Frisell, Vol. 1: Folk Songs liner notes (inset). <a href="/wiki/Nonesuch_Records" title="Nonesuch Records">Nonesuch Records</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Best+Of+Bill+Frisell%2C+Vol.+1%3A+Folk+Songs+liner+notes&rft.pub=Nonesuch+Records&rft.date=2009&rft.aulast=Costello&rft.aufirst=Elvis&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-323"><a href="#cite_ref-323">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCostello2006" class="citation book cs1">Costello, Elvis (2006). Here, There and Everywhere: My Life Recording the Music of the Beatles (foreword). United States: Gotham Books. pp. ix–xi. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-59240-179-6" title="Special:BookSources/978-1-59240-179-6"><bdi>978-1-59240-179-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Here%2C+There+and+Everywhere%3A+My+Life+Recording+the+Music+of+the+Beatles+%28foreword%29&rft.place=United+States&rft.pages=ix-xi&rft.pub=Gotham+Books&rft.date=2006&rft.isbn=978-1-59240-179-6&rft.aulast=Costello&rft.aufirst=Elvis&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-324"><a href="#cite_ref-324">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCostello2012" class="citation book cs1">Costello, Elvis (2012). Honky Tonk Girl: My Life In Lyrics, Loretta Lynn (foreword). United States: Alfred A. Knopf. pp. vii–ix. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-307-59489-1" title="Special:BookSources/978-0-307-59489-1"><bdi>978-0-307-59489-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Honky+Tonk+Girl%3A+My+Life+In+Lyrics%2C+Loretta+Lynn+%28foreword%29&rft.place=United+States&rft.pages=vii-ix&rft.pub=Alfred+A.+Knopf&rft.date=2012&rft.isbn=978-0-307-59489-1&rft.aulast=Costello&rft.aufirst=Elvis&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-325"><a href="#cite_ref-325">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCostello2014" class="citation book cs1">Costello, Elvis (2014). Every Night Is Saturday Night: A Country Girl's Journey To The Rock & Roll Hall of Fame, Wanda Jackson (foreword). 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Slate. Retrieved 11 June 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Slate&rft.atitle=Everyday+I+Hide+the+Book&rft.date=2012-08-03&rft.aulast=Lingan&rft.aufirst=John&rft_id=http%3A%2F%2Fwww.slate.com%2Farticles%2Farts%2Fbooks%2F2012%2F08%2Felvis_costello_memoir_autobiography_in_rhino_reissue_booklets_.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-332"><a href="#cite_ref-332">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVaziri2015" class="citation news cs1">Vaziri, Aidin (19 October 2015). <a rel="nofollow" class="external text" href="https://www.sfgate.com/music/article/Elvis-Costello-is-everywhere-in-new-memoir-6577571.php">"Elvis Costello is everywhere in new memoir"</a>. San Francisco Chronicle. Retrieved 12 June 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=San+Francisco+Chronicle&rft.atitle=Elvis+Costello+is+everywhere+in+new+memoir&rft.date=2015-10-19&rft.aulast=Vaziri&rft.aufirst=Aidin&rft_id=https%3A%2F%2Fwww.sfgate.com%2Fmusic%2Farticle%2FElvis-Costello-is-everywhere-in-new-memoir-6577571.php&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-Bonomo-2014-333">^ <a href="#cite_ref-Bonomo-2014_333-0">a</a> <a href="#cite_ref-Bonomo-2014_333-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBonomo2014" class="citation news cs1">Bonomo, Joe (11 October 2014). <a rel="nofollow" class="external text" href="https://lareviewofbooks.org/article/pop-music-not-confession">"Pop Music, Not Confession"</a>. Los Angeles Review of Books. Retrieved 28 June 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Los+Angeles+Review+of+Books&rft.atitle=Pop+Music%2C+Not+Confession&rft.date=2014-10-11&rft.aulast=Bonomo&rft.aufirst=Joe&rft_id=https%3A%2F%2Flareviewofbooks.org%2Farticle%2Fpop-music-not-confession&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-Garner-2015-334">^ <a href="#cite_ref-Garner-2015_334-0">a</a> <a href="#cite_ref-Garner-2015_334-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGarner2015" class="citation news cs1">Garner, Dwight (9 October 2015). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2015/10/09/books/review-elvis-costellos-unfaithful-music-disappearing-ink-a-memoir.html">"Review: Elvis Costello's 'Unfaithful Music & Disappearing Ink,' a Memoir"</a>. <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a>. Retrieved 12 June 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Review%3A+Elvis+Costello%27s+%27Unfaithful+Music+%26+Disappearing+Ink%2C%27+a+Memoir&rft.date=2015-10-09&rft.aulast=Garner&rft.aufirst=Dwight&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2015%2F10%2F09%2Fbooks%2Freview-elvis-costellos-unfaithful-music-disappearing-ink-a-memoir.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-335"><a href="#cite_ref-335">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEdgers2015" class="citation news cs1">Edgers, Geoff (6 October 2015). <a rel="nofollow" class="external text" href="https://www.washingtonpost.com/entertainment/books/a-memoir-by-the-british-elvis/2015/10/06/18bee370-6b69-11e5-9bfe-e59f5e244f92_story.html">"Elvis Costello has a new memoir, and it's even better than Bob Dylan and Keith Richards's books"</a>. <a href="/wiki/The_Washington_Post" title="The Washington Post">The Washington Post</a>. Retrieved 12 June 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Washington+Post&rft.atitle=Elvis+Costello+has+a+new+memoir%2C+and+it%27s+even+better+than+Bob+Dylan+and+Keith+Richards%27s+books&rft.date=2015-10-06&rft.aulast=Edgers&rft.aufirst=Geoff&rft_id=https%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fbooks%2Fa-memoir-by-the-british-elvis%2F2015%2F10%2F06%2F18bee370-6b69-11e5-9bfe-e59f5e244f92_story.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-336"><a href="#cite_ref-336">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLewis2015" class="citation magazine cs1">Lewis, Andy (24 October 2015). <a rel="nofollow" class="external text" href="https://www.billboard.com/articles/review/6730919/elvis-costello-unfaithful-music-and-disappearing-ink-book-review">"Elvis Costello's 'Unfaithful Music & Disappearing Ink' Is Too Clever for Its Own Good: Book Review"</a>. 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Retrieved 31 May 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=NME&rft.atitle=1983&rft.date=1983-02-28&rft_id=http%3A%2F%2Fwww.nme.com%2Fawards-history%2F1983-606187&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-434"><a href="#cite_ref-434">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFChristgau,_Robert1983" class="citation news cs1"><a href="/wiki/Robert_Christgau" title="Robert Christgau">Christgau, Robert</a> (22 February 1983). <a rel="nofollow" class="external text" href="http://www.robertchristgau.com/xg/pnj/pjres82.php">"The 1982 Pazz & Jop Critics Poll"</a>. <a href="/wiki/The_Village_Voice" title="The Village Voice">The Village Voice</a>. Retrieved 28 May 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Village+Voice&rft.atitle=The+1982+Pazz+%26+Jop+Critics+Poll&rft.date=1983-02-22&rft.au=Christgau%2C+Robert&rft_id=http%3A%2F%2Fwww.robertchristgau.com%2Fxg%2Fpnj%2Fpjres82.php&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-435"><a href="#cite_ref-435">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKaye2013" class="citation web cs1">Kaye, Ben (25 October 2013). <a rel="nofollow" class="external text" href="https://consequenceofsound.net/2013/10/the-top-500-albums-of-all-time-according-to-nme/">"The Top 500 Albums of All Time, according to NME"</a>. Consequences of Sound. Retrieved 28 May 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Consequences+of+Sound&rft.atitle=The+Top+500+Albums+of+All+Time%2C+according+to+NME&rft.date=2013-10-25&rft.aulast=Kaye&rft.aufirst=Ben&rft_id=https%3A%2F%2Fconsequenceofsound.net%2F2013%2F10%2Fthe-top-500-albums-of-all-time-according-to-nme%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-436"><a href="#cite_ref-436">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-20120531">"500 Greatest Albums of All Time"</a>. Rolling Stone. 31 May 2012. Retrieved 28 May 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=500+Greatest+Albums+of+All+Time&rft.date=2012-05-31&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Flists%2F500-greatest-albums-of-all-time-20120531&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-437"><a href="#cite_ref-437">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-20120531/elvis-costello-this-years-model-20120524">"98. Elvis Costello, This Years Model"</a>. Rolling Stone. 25 October 2018. Retrieved 28 May 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=98.+Elvis+Costello%2C+This+Years+Model&rft.date=2018-10-25&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Flists%2F500-greatest-albums-of-all-time-20120531%2Felvis-costello-this-years-model-20120524&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-438"><a href="#cite_ref-438">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-20120531/elvis-costello-and-the-attractions-imperial-bedroom-20120524">"166. Elvis Costello and the Attractions, Imperial Bedroom"</a>. Rolling Stone. 25 October 2012. Retrieved 28 May 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=166.+Elvis+Costello+and+the+Attractions%2C+Imperial+Bedroom&rft.date=2012-10-25&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Flists%2F500-greatest-albums-of-all-time-20120531%2Felvis-costello-and-the-attractions-imperial-bedroom-20120524&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-439"><a href="#cite_ref-439">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-20120531/elvis-costello-my-aim-is-true-20120524">"168. Elvis Costello, My Aim Is True"</a>. Rolling Stone. 25 October 2012. Retrieved 28 May 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=168.+Elvis+Costello%2C+My+Aim+Is+True&rft.date=2012-10-25&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Flists%2F500-greatest-albums-of-all-time-20120531%2Felvis-costello-my-aim-is-true-20120524&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-440"><a href="#cite_ref-440">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDown2008" class="citation news cs1">Down, Richard (4 July 2008). "Elvis Costello humbled by music honour". Liverpool Daily Post.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Liverpool+Daily+Post&rft.atitle=Elvis+Costello+humbled+by+music+honour&rft.date=2008-07-04&rft.aulast=Down&rft.aufirst=Richard&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-441"><a href="#cite_ref-441">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSullivan2013" class="citation magazine cs1">Sullivan, James (26 October 2013). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/news/elvis-costello-named-honorary-doctor-of-music-20131026#ixzz2iqYqfLNf">"Elvis Costello Named Honorary Doctor of Music"</a>. Rolling Stone. Retrieved 25 May 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=Elvis+Costello+Named+Honorary+Doctor+of+Music&rft.date=2013-10-26&rft.aulast=Sullivan&rft.aufirst=James&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fnews%2Felvis-costello-named-honorary-doctor-of-music-20131026%23ixzz2iqYqfLNf&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-442"><a href="#cite_ref-442">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110710184827/https://www.elvis-costello.com/news/2004/01/elvis_cameo_in_british_tv_come.html">"Elvis cameo in British TV comedy show ?"</a>. CostelloNews.com. 3 January 2004. Archived from <a rel="nofollow" class="external text" href="http://www.elvis-costello.com/news/2004/01/elvis_cameo_in_british_tv_come.html">the original</a> on 10 July 2011. Retrieved 22 January 2011.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=CostelloNews.com&rft.atitle=Elvis+cameo+in+British+TV+comedy+show+%3F&rft.date=2004-01-03&rft_id=http%3A%2F%2Fwww.elvis-costello.com%2Fnews%2F2004%2F01%2Felvis_cameo_in_british_tv_come.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> <li id="cite_note-443"><a href="#cite_ref-443">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLarkin2011" class="citation book cs1">Larkin, Colin (27 May 2011). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=_NNmFiUnSmUC&q=Elvis+Costello+Talladega+Nights%3A+The+Ballad+of+Ricky+Bobby&pg=PA346">The Encyclopedia of Popular Music</a>. Omnibus Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-85712-595-8" title="Special:BookSources/978-0-85712-595-8"><bdi>978-0-85712-595-8</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220318225713/https://books.google.com/books?id=_NNmFiUnSmUC&q=Elvis+Costello+Talladega+Nights%3A+The+Ballad+of+Ricky+Bobby&pg=PA346">Archived</a> from the original on 18 March 2022. Retrieved 4 October 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Encyclopedia+of+Popular+Music&rft.pub=Omnibus+Press&rft.date=2011-05-27&rft.isbn=978-0-85712-595-8&rft.aulast=Larkin&rft.aufirst=Colin&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D_NNmFiUnSmUC%26q%3DElvis%2BCostello%2BTalladega%2BNights%253A%2BThe%2BBallad%2Bof%2BRicky%2BBobby%26pg%3DPA346&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"> </li> </ol></div></div> <div class="mw-heading mw-heading3"><h3 id="Sources">Sources</h3>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=46" title="Edit section: Sources">edit</a>]</div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBalls2014" class="citation book cs1">Balls, Richard (2014). Be Stiff: The Stiff Record Story. Soundcheck Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-9929480-5-4" title="Special:BookSources/978-0-9929480-5-4"><bdi>978-0-9929480-5-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Be+Stiff%3A+The+Stiff+Record+Story&rft.pub=Soundcheck+Books&rft.date=2014&rft.isbn=978-0-9929480-5-4&rft.aulast=Balls&rft.aufirst=Richard&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFClayton-Lea1999" class="citation book cs1">Clayton-Lea, Tony (1999). Elvis Costello: A Biography. London: <a href="/wiki/Andre_Deutsch" class="mw-redirect" title="Andre Deutsch">Andre Deutsch Ltd</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-233-99339-8" title="Special:BookSources/0-233-99339-8"><bdi>0-233-99339-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+Costello%3A+A+Biography&rft.place=London&rft.pub=Andre+Deutsch+Ltd&rft.date=1999&rft.isbn=0-233-99339-8&rft.aulast=Clayton-Lea&rft.aufirst=Tony&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCostello2015" class="citation book cs1">Costello, Elvis (2015). Unfaithful Music & Disappearing Ink. London: Viking Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-241-00346-6" title="Special:BookSources/978-0-241-00346-6"><bdi>978-0-241-00346-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Unfaithful+Music+%26+Disappearing+Ink&rft.place=London&rft.pub=Viking+Books&rft.date=2015&rft.isbn=978-0-241-00346-6&rft.aulast=Costello&rft.aufirst=Elvis&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGimarc1994" class="citation book cs1">Gimarc, George (1994). Punk Diary:1970–1979. St. Martin's Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-312-11048-0" title="Special:BookSources/0-312-11048-0"><bdi>0-312-11048-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Punk+Diary%3A1970%E2%80%931979&rft.pub=St.+Martin%27s+Press&rft.date=1994&rft.isbn=0-312-11048-0&rft.aulast=Gimarc&rft.aufirst=George&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHinton1999" class="citation book cs1">Hinton, Brian (1999). Let Them All Talk: The Music of Elvis Costello. London: Sanctuary Publishing Ltd. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-86074-196-8" title="Special:BookSources/978-1-86074-196-8"><bdi>978-1-86074-196-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Let+Them+All+Talk%3A+The+Music+of+Elvis+Costello&rft.place=London&rft.pub=Sanctuary+Publishing+Ltd&rft.date=1999&rft.isbn=978-1-86074-196-8&rft.aulast=Hinton&rft.aufirst=Brian&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKidel2014" class="citation audio-visual cs1">Kidel, Mark (2014). <a rel="nofollow" class="external text" href="https://www.imdb.com/title/tt3542218/">Elvis Costello: Mystery Dance</a> (TV movie). BBC. Retrieved 28 May 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Elvis+Costello%3A+Mystery+Dance&rft.pub=BBC&rft.date=2014&rft.aulast=Kidel&rft.aufirst=Mark&rft_id=https%3A%2F%2Fwww.imdb.com%2Ftitle%2Ftt3542218%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFParkyn1984" class="citation book cs1">Parkyn, Geoff (1984). Elvis Costello: The Illustrated Disco/Biography. London: Omnibus Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-7119-0531-2" title="Special:BookSources/0-7119-0531-2"><bdi>0-7119-0531-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+Costello%3A+The+Illustrated+Disco%2FBiography&rft.place=London&rft.pub=Omnibus+Press&rft.date=1984&rft.isbn=0-7119-0531-2&rft.aulast=Parkyn&rft.aufirst=Geoff&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSt._Michael1986" class="citation book cs1">St. Michael, Mick (1986). <a rel="nofollow" class="external text" href="https://archive.org/details/elviscostelloill0000stmi">Elvis Costello: An Illustrated Biography</a>. London: <a href="/wiki/Omnibus_Press" title="Omnibus Press">Omnibus Press</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7119-0772-0" title="Special:BookSources/978-0-7119-0772-0"><bdi>978-0-7119-0772-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+Costello%3A+An+Illustrated+Biography&rft.place=London&rft.pub=Omnibus+Press&rft.date=1986&rft.isbn=978-0-7119-0772-0&rft.aulast=St.+Michael&rft.aufirst=Mick&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Felviscostelloill0000stmi&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFThomson2004" class="citation book cs1">Thomson, Graeme (2004). Complicated Shadows: The Life and Music of Elvis Costello. Edinburgh: <a href="/wiki/Canongate_Books" title="Canongate Books">Canongate Books</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84195-796-8" title="Special:BookSources/978-1-84195-796-8"><bdi>978-1-84195-796-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Complicated+Shadows%3A+The+Life+and+Music+of+Elvis+Costello&rft.place=Edinburgh&rft.pub=Canongate+Books&rft.date=2004&rft.isbn=978-1-84195-796-8&rft.aulast=Thomson&rft.aufirst=Graeme&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"></li></ul> <div class="mw-heading mw-heading2"><h2 id="Further_reading">Further reading</h2>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=47" title="Edit section: Further reading">edit</a>]</div> <ul><li>Paumgarten, Nick (8 November 2010). <a rel="nofollow" class="external text" href="https://www.newyorker.com/magazine/2010/11/08/brilliant-mistakes">"Brilliant Mistakes"</a>. Profiles. The New Yorker. Vol. 86, no. 35. pp. 48–59.</li> <li>Perone, James E. (1998). Elvis Costello: A Bio-Bibliography. Westport, CT: Greenwood Press. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-313-30399-1" title="Special:BookSources/0-313-30399-1">0-313-30399-1</a>.</li> <li>Wilson, Carl (6 November 2015). <a rel="nofollow" class="external text" href="https://slate.com/culture/2015/11/elvis-costellos-memoir-unfaithful-music-disappearing-ink-reviewed.html">"When He Was Cruel"</a>. Books. Slate.</li></ul> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2>[<a href="/w/index.php?title=Elvis_Costello&action=edit&section=48" title="Edit section: External links">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output 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(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-v2.svg"]{background-color:white}}</style><div role="navigation" aria-labelledby="sister-projects" class="side-box metadata side-box-right sister-box sistersitebox plainlinks"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-abovebelow"> Elvis Costello at Wikipedia's <a href="/wiki/Wikipedia:Wikimedia_sister_projects" title="Wikipedia:Wikimedia sister projects">sister projects</a></div> <div class="side-box-flex"> <div class="side-box-text plainlist"><ul><li><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/20px-Commons-logo.svg.png" decoding="async" width="20" height="27" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/40px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /><a href="https://commons.wikimedia.org/wiki/Category:Elvis_Costello" class="extiw" title="c:Category:Elvis Costello">Media</a> from Commons</li><li><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/23px-Wikiquote-logo.svg.png" decoding="async" width="23" height="27" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/35px-Wikiquote-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/46px-Wikiquote-logo.svg.png 2x" data-file-width="300" data-file-height="355" /><a href="https://en.wikiquote.org/wiki/Elvis_Costello" class="extiw" title="q:Elvis Costello">Quotations</a> from Wikiquote</li><li><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Wikidata-logo.svg/27px-Wikidata-logo.svg.png" decoding="async" width="27" height="15" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Wikidata-logo.svg/41px-Wikidata-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Wikidata-logo.svg/54px-Wikidata-logo.svg.png 2x" data-file-width="1050" data-file-height="590" /><a href="https://www.wikidata.org/wiki/Q206939" class="extiw" title="d:Q206939">Data</a> from Wikidata</li></ul></div></div> </div> <ul><li><a rel="nofollow" class="external text" href="https://elviscostello.com/">Official website</a> <a href="https://www.wikidata.org/wiki/Q206939#P856" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20080512171108/http://www.losthighwayrecords.com/elviscostello/">Official Elvis Costello Lost Highway Records Artist Page</a></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.rockhall.com/inductees/elvis-costello-and-attractions">"Elvis Costello and the Attractions"</a>. <a href="/wiki/Rock_and_Roll_Hall_of_Fame" title="Rock and Roll Hall of Fame">Rock and Roll Hall of Fame</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Elvis+Costello+and+the+Attractions&rft.pub=Rock+and+Roll+Hall+of+Fame&rft_id=https%3A%2F%2Fwww.rockhall.com%2Finductees%2Felvis-costello-and-attractions&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Costello" class="Z3988"></li> <li><a rel="nofollow" class="external text" href="https://www.imdb.com/name/nm0004845/">Elvis Costello</a> at <a href="/wiki/IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a></li> <li><a rel="nofollow" class="external text" href="https://www.allmusic.com/artist/p3968">Elvis Costello</a> at <a href="/wiki/AllMusic_(identifier)" class="mw-redirect" title="AllMusic (identifier)">AllMusic</a>. Retrieved 5 December 2010.</li> <li><a rel="nofollow" class="external text" href="http://www.elviscostello.info/wiki/index.php/Main_Page">The Elvis Costello Wiki</a> (moved 2007 from original <a rel="nofollow" class="external text" href="http://www.elviscostello.info/">The Elvis Costello Home Page</a>)</li></ul> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1236075235">.mw-parser-output .navbox{box-sizing:border-box;border:1px solid #a2a9b1;width:100%;clear:both;font-size:88%;text-align:center;padding:1px;margin:1em auto 0}.mw-parser-output .navbox .navbox{margin-top:0}.mw-parser-output .navbox+.navbox,.mw-parser-output .navbox+.navbox-styles+.navbox{margin-top:-1px}.mw-parser-output .navbox-inner,.mw-parser-output .navbox-subgroup{width:100%}.mw-parser-output .navbox-group,.mw-parser-output .navbox-title,.mw-parser-output .navbox-abovebelow{padding:0.25em 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style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1239400231">.mw-parser-output .navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output .navbar-boxtext{word-spacing:0}.mw-parser-output .navbar ul{display:inline-block;white-space:nowrap;line-height:inherit}.mw-parser-output .navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini abbr{font-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit}.mw-parser-output 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style="font-size:114%;margin:0 4em"><a class="mw-selflink selflink">Elvis Costello</a></div></th></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><a href="/wiki/Elvis_Costello_discography" title="Elvis Costello discography">Discography</a></li></ul> <ul><li>The Imposters: <a href="/wiki/Steve_Nieve" title="Steve Nieve">Steve Nieve</a></li> <li><a href="/wiki/Pete_Thomas_(drummer)" title="Pete Thomas (drummer)">Pete Thomas</a></li> <li><a href="/wiki/Davey_Faragher" title="Davey Faragher">Davey Faragher</a></li></ul> <ul><li><a href="/wiki/The_Attractions" title="The Attractions">The Attractions</a>: <a href="/wiki/Steve_Nieve" title="Steve Nieve">Steve Nieve</a></li> <li><a href="/wiki/Pete_Thomas_(drummer)" title="Pete Thomas (drummer)">Pete Thomas</a></li> <li><a href="/wiki/Bruce_Thomas" title="Bruce Thomas">Bruce Thomas</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Studio albums</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/My_Aim_Is_True" title="My Aim Is True">My Aim Is True</a></li> <li><a href="/wiki/This_Year%27s_Model" title="This Year's Model">This Year's Model</a></li> <li><a href="/wiki/Armed_Forces_(album)" title="Armed Forces (album)">Armed Forces</a></li> <li><a href="/wiki/Get_Happy!!_(Elvis_Costello_album)" title="Get Happy!! (Elvis Costello album)">Get Happy!!</a></li> <li><a href="/wiki/Trust_(Elvis_Costello_album)" title="Trust (Elvis Costello album)">Trust</a></li> <li><a href="/wiki/Almost_Blue" title="Almost Blue">Almost Blue</a></li> <li><a href="/wiki/Imperial_Bedroom" title="Imperial Bedroom">Imperial Bedroom</a></li> <li><a href="/wiki/Punch_the_Clock" title="Punch the Clock">Punch the Clock</a></li> <li><a href="/wiki/Goodbye_Cruel_World_(Elvis_Costello_album)" title="Goodbye Cruel World (Elvis Costello album)">Goodbye Cruel World</a></li> <li><a href="/wiki/King_of_America" title="King of America">King of America</a></li> <li><a href="/wiki/Blood_%26_Chocolate" title="Blood & Chocolate">Blood & Chocolate</a></li> <li><a href="/wiki/Spike_(Elvis_Costello_album)" title="Spike (Elvis Costello album)">Spike</a></li> <li><a href="/wiki/Mighty_Like_a_Rose" title="Mighty Like a Rose">Mighty Like a Rose</a></li> <li><a href="/wiki/The_Juliet_Letters" title="The Juliet Letters">The Juliet Letters</a></li> <li><a href="/wiki/Brutal_Youth" title="Brutal Youth">Brutal Youth</a></li> <li><a href="/wiki/Kojak_Variety" title="Kojak Variety">Kojak Variety</a></li> <li><a href="/wiki/All_This_Useless_Beauty" title="All This Useless Beauty">All This Useless Beauty</a></li> <li><a href="/wiki/Painted_from_Memory" title="Painted from Memory">Painted from Memory</a></li> <li><a href="/wiki/When_I_Was_Cruel" title="When I Was Cruel">When I Was Cruel</a></li> <li><a href="/wiki/North_(Elvis_Costello_album)" title="North (Elvis Costello album)">North</a></li> <li><a href="/wiki/Il_Sogno" title="Il Sogno">Il Sogno</a></li> <li><a href="/wiki/The_Delivery_Man_(album)" title="The Delivery Man (album)">The Delivery Man</a></li> <li><a href="/wiki/The_River_in_Reverse" title="The River in Reverse">The River in Reverse</a></li> <li><a href="/wiki/Momofuku_(album)" title="Momofuku (album)">Momofuku</a></li> <li><a href="/wiki/Secret,_Profane_%26_Sugarcane" title="Secret, Profane & Sugarcane">Secret, Profane & Sugarcane</a></li> <li><a href="/wiki/National_Ransom" title="National Ransom">National Ransom</a></li> <li><a href="/wiki/Wise_Up_Ghost" title="Wise Up Ghost">Wise Up Ghost</a></li> <li><a href="/wiki/Look_Now" title="Look Now">Look Now</a></li> <li><a href="/wiki/Hey_Clockface" title="Hey Clockface">Hey Clockface</a></li> <li><a href="/wiki/The_Boy_Named_If" title="The Boy Named If">The Boy Named If</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Live albums</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Live_at_the_El_Mocambo_(Elvis_Costello_album)" title="Live at the El Mocambo (Elvis Costello album)">Live at the El Mocambo</a></li> <li><a href="/wiki/Deep_Dead_Blue" title="Deep Dead Blue">Deep Dead Blue</a></li> <li><a href="/wiki/Costello_%26_Nieve" title="Costello & Nieve">Costello & Nieve</a></li> <li><a href="/wiki/My_Flame_Burns_Blue" title="My Flame Burns Blue">My Flame Burns Blue</a></li> <li><a href="/wiki/Live_at_Hollywood_High" title="Live at Hollywood High">Live at Hollywood High</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Compilations</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Taking_Liberties" title="Taking Liberties">Taking Liberties</a></li> <li><a href="/wiki/Ten_Bloody_Marys_%26_Ten_How%27s_Your_Fathers" title="Ten Bloody Marys & Ten How's Your Fathers">Ten Bloody Marys & Ten How's Your Fathers</a></li> <li><a href="/wiki/The_Best_of_Elvis_Costello_and_the_Attractions" title="The Best of Elvis Costello and the Attractions">The Best of Elvis Costello and the Attractions</a></li> <li><a href="/wiki/The_Best_of_Elvis_Costello_%E2%80%93_The_Man" class="mw-redirect" title="The Best of Elvis Costello – The Man">The Man</a></li> <li><a href="/wiki/Out_of_Our_Idiot" title="Out of Our Idiot">Out of Our Idiot</a></li> <li><a href="/wiki/Girls_Girls_Girls_(Elvis_Costello_album)" title="Girls Girls Girls (Elvis Costello album)">Girls Girls Girls</a></li> <li><a href="/wiki/2%C2%BD_Years" title="2½ Years">2½ Years</a></li> <li><a href="/wiki/The_Very_Best_of_Elvis_Costello_and_The_Attractions_1977%E2%80%9386" title="The Very Best of Elvis Costello and The Attractions 1977–86">The Very Best of Elvis Costello and The Attractions 1977–86</a></li> <li><a href="/wiki/Extreme_Honey" title="Extreme Honey">Extreme Honey</a></li> <li><a href="/wiki/Costello_Album" title="Costello Album">Costello Album</a> (bootleg)</li> <li><a href="/wiki/The_Very_Best_of_Elvis_Costello" title="The Very Best of Elvis Costello">The Very Best of Elvis Costello</a></li> <li><a href="/wiki/Cruel_Smile" title="Cruel Smile">Cruel Smile</a></li> <li><a href="/wiki/The_Best_of_Elvis_Costello:_The_First_10_Years" title="The Best of Elvis Costello: The First 10 Years">The Best of Elvis Costello: The First 10 Years</a></li> <li><a href="/wiki/The_Songs_of_Bacharach_%26_Costello" title="The Songs of Bacharach & Costello">The Songs of Bacharach & Costello</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Singles</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/wiki/Less_than_Zero_(Elvis_Costello_song)" title="Less than Zero (Elvis Costello song)">Less Than Zero</a>"</li> <li>"<a href="/wiki/Alison_(song)" title="Alison (song)">Alison</a>"</li> <li>"<a href="/wiki/(The_Angels_Wanna_Wear_My)_Red_Shoes" title="(The Angels Wanna Wear My) Red Shoes">(The Angels Wanna Wear My) Red Shoes</a>"</li> <li>"<a href="/wiki/Watching_the_Detectives_(song)" title="Watching the Detectives (song)">Watching the Detectives</a>"</li> <li>"<a href="/wiki/(I_Don%27t_Want_to_Go_to)_Chelsea" title="(I Don't Want to Go to) Chelsea">(I Don't Want to Go to) Chelsea</a>"</li> <li>"<a href="/wiki/Pump_It_Up_(Elvis_Costello_song)" title="Pump It Up (Elvis Costello song)">Pump It Up</a>"</li> <li>"<a href="/wiki/This_Year%27s_Girl_(song)" title="This Year's Girl (song)">This Year's Girl</a>"</li> <li>"<a href="/wiki/Radio_Radio" title="Radio Radio">Radio Radio</a>"</li> <li>"<a href="/wiki/(What%27s_So_Funny_%27Bout)_Peace,_Love,_and_Understanding" title="(What's So Funny 'Bout) Peace, Love, and Understanding">(What's So Funny 'Bout) Peace, Love, and Understanding</a>"</li> <li>"<a href="/wiki/Oliver%27s_Army" title="Oliver's Army">Oliver's Army</a>"</li> <li>"<a href="/wiki/Accidents_Will_Happen" title="Accidents Will Happen">Accidents Will Happen</a>"</li> <li>"<a href="/wiki/I_Can%27t_Stand_Up_for_Falling_Down" title="I Can't Stand Up for Falling Down">I Can't Stand Up for Falling Down</a>"</li> <li>"<a href="/wiki/High_Fidelity_(song)" title="High Fidelity (song)">High Fidelity</a>"</li> <li>"<a href="/wiki/New_Amsterdam_(song)" title="New Amsterdam (song)">New Amsterdam</a>"</li> <li>"<a href="/wiki/Clubland_(song)" title="Clubland (song)">Clubland</a>"</li> <li>"<a href="/wiki/From_a_Whisper_to_a_Scream_(song)" title="From a Whisper to a Scream (song)">From a Whisper to a Scream</a>"</li> <li>"<a href="/wiki/Watch_Your_Step_(Elvis_Costello_song)" title="Watch Your Step (Elvis Costello song)">Watch Your Step</a>"</li> <li>"<a href="/wiki/A_Good_Year_for_the_Roses" title="A Good Year for the Roses">A Good Year for the Roses</a>"</li> <li>"<a href="/wiki/Sweet_Dreams_(Don_Gibson_song)" title="Sweet Dreams (Don Gibson song)">Sweet Dreams</a>"</li> <li>"<a href="/wiki/You_Little_Fool" title="You Little Fool">You Little Fool</a>"</li> <li>"<a href="/wiki/Man_Out_of_Time" title="Man Out of Time">Man Out of Time</a>"</li> <li>"<a href="/wiki/Everyday_I_Write_the_Book" title="Everyday I Write the Book">Everyday I Write the Book</a>"</li> <li>"<a href="/wiki/The_Only_Flame_in_Town" title="The Only Flame in Town">The Only Flame in Town</a>"</li> <li>"<a href="/wiki/Green_Shirt" title="Green Shirt">Green Shirt</a>"</li> <li>"<a href="/wiki/Don%27t_Let_Me_Be_Misunderstood#Elvis_Costello_version" title="Don't Let Me Be Misunderstood">Don't Let Me Be Misunderstood</a>"</li> <li>"<a href="/wiki/I_Want_You_(Elvis_Costello_song)" title="I Want You (Elvis Costello song)">I Want You</a>"</li> <li>"<a href="/wiki/Blue_Chair" title="Blue Chair">Blue Chair</a>"</li> <li>"<a href="/wiki/Veronica_(song)" title="Veronica (song)">Veronica</a>"</li> <li>"<a href="/wiki/The_Other_Side_of_Summer" title="The Other Side of Summer">The Other Side of Summer</a>"</li> <li>"<a href="/wiki/Sulky_Girl" title="Sulky Girl">Sulky Girl</a>"</li> <li>"<a href="/wiki/13_Steps_Lead_Down" title="13 Steps Lead Down">13 Steps Lead Down</a>"</li> <li>"<a href="/wiki/London%27s_Brilliant_Parade" title="London's Brilliant Parade">London's Brilliant Parade</a>"</li> <li>"<a href="/wiki/The_Other_End_(Of_the_Telescope)" title="The Other End (Of the Telescope)">The Other End of the Telescope</a>"</li> <li>"<a href="/wiki/You_Bowed_Down" title="You Bowed Down">You Bowed Down</a>"</li> <li>"<a href="/wiki/She_(Charles_Aznavour_song)#Elvis_Costello_version" title="She (Charles Aznavour song)">She</a>"</li> <li>"<a href="/wiki/45_(Elvis_Costello_song)" title="45 (Elvis Costello song)">45</a>"</li> <li>"<a href="/wiki/Brilliant_Mistake" title="Brilliant Mistake">Brilliant Mistake</a>"</li> <li>"<a href="/wiki/Complicated_Shadows" title="Complicated Shadows">Complicated Shadows</a>"</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other songs</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/wiki/Welcome_to_the_Working_Week" title="Welcome to the Working Week">Welcome to the Working Week</a>"</li> <li>"<a href="/wiki/Lipstick_Vogue" title="Lipstick Vogue">Lipstick Vogue</a>"</li> <li>"<a href="/wiki/Senior_Service_(song)" title="Senior Service (song)">Senior Service</a>"</li> <li>"<a href="/wiki/Stranger_in_the_House_(song)" title="Stranger in the House (song)">Stranger in the House</a>"</li> <li>"<a href="/wiki/Girls_Talk_(Elvis_Costello_song)" title="Girls Talk (Elvis Costello song)">Girls Talk</a>"</li> <li>"<a href="/wiki/Riot_Act_(song)" title="Riot Act (song)">Riot Act</a>"</li> <li>"<a href="/wiki/New_Lace_Sleeves" title="New Lace Sleeves">New Lace Sleeves</a>"</li> <li>"<a href="/wiki/Beyond_Belief_(song)" title="Beyond Belief (song)">Beyond Belief</a>"</li> <li>"<a href="/wiki/Almost_Blue_(song)" title="Almost Blue (song)">Almost Blue</a>"</li> <li>"<a href="/wiki/Shipbuilding_(song)" title="Shipbuilding (song)">Shipbuilding</a>"</li> <li>"<a href="/wiki/Indoor_Fireworks" title="Indoor Fireworks">Indoor Fireworks</a>"</li> <li>"<a href="/wiki/Jack_of_All_Parades" title="Jack of All Parades">Jack of All Parades</a>"</li> <li>"<a href="/wiki/Suit_of_Lights_(song)" title="Suit of Lights (song)">Suit of Lights</a>"</li> <li>"<a href="/wiki/I_Hope_You%27re_Happy_Now_(Elvis_Costello_song)" title="I Hope You're Happy Now (Elvis Costello song)">I Hope You're Happy Now</a>"</li> <li>"<a href="/wiki/Next_Time_Round" title="Next Time Round">Next Time Round</a>"</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Collaborations</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Terror_%26_Magnificence" class="mw-redirect" title="Terror & Magnificence">Terror & Magnificence</a></li> <li><a href="/wiki/The_Sweetest_Punch" title="The Sweetest Punch">The Sweetest Punch</a></li> <li><a href="/wiki/For_the_Stars" title="For the Stars">For the Stars</a></li> <li><a href="/wiki/Lost_on_the_River:_The_New_Basement_Tapes" title="Lost on the River: The New Basement Tapes">Lost on the River: The New Basement Tapes</a></li> <li><a href="/wiki/The_Resurrection_of_Rust" title="The Resurrection of Rust">The Resurrection of Rust</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Scores</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/G.B.H._(soundtrack)" title="G.B.H. (soundtrack)">G.B.H.</a></li> <li><a href="/wiki/Jake%27s_Progress_(soundtrack)" title="Jake's Progress (soundtrack)">Jake's Progress</a></li> <li><a href="/wiki/A_Face_in_the_Crowd_(musical)" title="A Face in the Crowd (musical)">A Face in the Crowd</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other works / related articles</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Unfaithful_Music_%26_Disappearing_Ink" title="Unfaithful Music & Disappearing Ink">Unfaithful Music & Disappearing Ink</a></li> <li><a href="/wiki/Live_Stiffs_Live" title="Live Stiffs Live">Live Stiffs Live</a></li> <li><a href="/wiki/Now_Ain%27t_the_Time_for_Your_Tears" title="Now Ain't the Time for Your Tears">Now Ain't the Time for Your Tears</a></li> <li><a href="/wiki/Bespoke_Songs,_Lost_Dogs,_Detours_%26_Rendezvous" title="Bespoke Songs, Lost Dogs, Detours & Rendezvous">Bespoke Songs, Lost Dogs, Detours & Rendezvous</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Rock_and_Roll_Hall_of_Fame_–_Class_of_2003" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:2003_Rock_and_Roll_Hall_of_Fame" title="Template:2003 Rock and Roll Hall of Fame"><abbr title="View this 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href="/wiki/AC/DC" title="AC/DC">AC/DC</a> <ul><li><a href="/wiki/Brian_Johnson" title="Brian Johnson">Brian Johnson</a>, <a href="/wiki/Phil_Rudd" title="Phil Rudd">Phil Rudd</a>, <a href="/wiki/Bon_Scott" title="Bon Scott">Bon Scott</a>, <a href="/wiki/Cliff_Williams" title="Cliff Williams">Cliff Williams</a>, <a href="/wiki/Angus_Young" title="Angus Young">Angus Young</a>, <a href="/wiki/Malcolm_Young" title="Malcolm Young">Malcolm Young</a></li></ul></li> <li><a href="/wiki/The_Clash" title="The Clash">The Clash</a> <ul><li><a href="/wiki/Terry_Chimes" title="Terry Chimes">Terry Chimes</a>, <a href="/wiki/Topper_Headon" title="Topper Headon">Topper Headon</a>, <a href="/wiki/Mick_Jones_(The_Clash_guitarist)" title="Mick Jones (The Clash guitarist)">Mick Jones</a>, <a href="/wiki/Paul_Simonon" title="Paul Simonon">Paul Simonon</a>, <a href="/wiki/Joe_Strummer" title="Joe Strummer">Joe Strummer</a></li></ul></li> <li><a class="mw-selflink selflink">Elvis Costello</a> & <a href="/wiki/The_Attractions" title="The Attractions">the Attractions</a> <ul><li><a class="mw-selflink selflink">Elvis Costello</a>, <a href="/wiki/Steve_Nieve" title="Steve Nieve">Steve Nieve</a>, <a href="/wiki/Bruce_Thomas" title="Bruce Thomas">Bruce Thomas</a>, <a href="/wiki/Pete_Thomas_(drummer)" title="Pete Thomas (drummer)">Pete Thomas</a></li></ul></li> <li><a href="/wiki/The_Police" title="The Police">The Police</a> <ul><li><a href="/wiki/Stewart_Copeland" title="Stewart Copeland">Stewart Copeland</a>, <a href="/wiki/Sting_(musician)" title="Sting (musician)">Sting</a>, <a href="/wiki/Andy_Summers" title="Andy Summers">Andy Summers</a></li></ul></li> <li><a href="/wiki/The_Righteous_Brothers" title="The Righteous Brothers">The Righteous Brothers</a> <ul><li><a href="/wiki/Bobby_Hatfield" title="Bobby Hatfield">Bobby Hatfield</a>, <a href="/wiki/Bill_Medley" title="Bill Medley">Bill Medley</a></li></ul></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Non-performers (Ahmet Ertegun Award)</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Mo_Ostin" title="Mo Ostin">Mo Ostin</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Sidemen</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Benny_Benjamin" title="Benny Benjamin">Benny Benjamin</a></li> <li><a href="/wiki/Floyd_Cramer" title="Floyd Cramer">Floyd Cramer</a></li> <li><a href="/wiki/Steve_Douglas_(saxophonist)" class="mw-redirect" title="Steve Douglas (saxophonist)">Steve Douglas</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox authority-control" aria-labelledby="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q206939#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q206939#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata" style="font-size:114%;margin:0 4em"><a href="/wiki/Help:Authority_control" title="Help:Authority control">Authority control databases</a> <a href="https://www.wikidata.org/wiki/Q206939#identifiers" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">International</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://isni.org/isni/0000000114871147">ISNI</a></li><li><a rel="nofollow" class="external text" href="https://viaf.org/viaf/2447039">VIAF</a></li><li><a rel="nofollow" class="external text" href="http://id.worldcat.org/fast/191664/">FAST</a></li><li><a rel="nofollow" class="external text" href="https://id.oclc.org/worldcat/entity/E39PBJjCT7vB7KGxrrvyyp4Qbd">WorldCat</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/121014630">Germany</a></li><li><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n86032613">United States</a></li><li><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb13892779h">France</a></li><li><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb13892779h">BnF data</a></li><li><a rel="nofollow" class="external text" href="https://id.ndl.go.jp/auth/ndlna/00464958">Japan</a></li><li><a rel="nofollow" class="external text" href="https://nla.gov.au/anbd.aut-an35572495">Australia</a></li><li><a rel="nofollow" class="external text" href="https://aleph.nkp.cz/F/?func=find-c&local_base=aut&ccl_term=ica=xx0027994&CON_LNG=ENG">Czech Republic</a></li><li><a rel="nofollow" class="external text" href="http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX970255">Spain</a></li><li><a rel="nofollow" class="external text" href="http://data.bibliotheken.nl/id/thes/p070620881">Netherlands</a></li><li><a rel="nofollow" class="external text" href="https://authority.bibsys.no/authority/rest/authorities/html/90880956">Norway</a></li><li><a rel="nofollow" class="external text" href="https://libris.kb.se/xv8bfm3g1d7hqds">Sweden</a></li><li><a rel="nofollow" class="external text" href="https://dbn.bn.org.pl/descriptor-details/9810700412105606">Poland</a></li><li><a rel="nofollow" class="external text" href="https://www.nli.org.il/en/authorities/987007299722205171">Israel</a></li><li><a rel="nofollow" class="external text" href="https://opac.kbr.be/LIBRARY/doc/AUTHORITY/21239329">Belgium</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Academics</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://ci.nii.ac.jp/author/DA08153457?l=en">CiNii</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artists</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://musicbrainz.org/artist/8a338e06-d182-46f2-bd16-30a09bc840ba">MusicBrainz</a></li><li><a rel="nofollow" class="external text" href="https://www.grammy.com/artists/elvis-costello/10970">Grammy Awards</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">People</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://trove.nla.gov.au/people/1000257">Trove</a><ul><li><a rel="nofollow" class="external text" href="https://trove.nla.gov.au/people/1579176">2</a></li></ul></li><li><a rel="nofollow" class="external text" href="https://www.deutsche-digitale-bibliothek.de/person/gnd/121014630">DDB</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://www.idref.fr/082685282">IdRef</a></li><li><a rel="nofollow" class="external text" href="https://snaccooperative.org/ark:/99166/w6vh6km4">SNAC</a></li></ul></div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?useformat=desktop&type=1x1&usesul3=0" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Elvis_Costello&oldid=1260886817">https://en.wikipedia.org/w/index.php?title=Elvis_Costello&oldid=1260886817</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Help:Category" title="Help:Category">Categories</a>: <ul><li><a href="/wiki/Category:Elvis_Costello" title="Category:Elvis Costello">Elvis Costello</a></li><li><a href="/wiki/Category:1954_births" title="Category:1954 births">1954 births</a></li><li><a href="/wiki/Category:Living_people" title="Category:Living people">Living people</a></li><li><a href="/wiki/Category:Columbia_Records_artists" title="Category:Columbia Records 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