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overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Exhibitions</h1><div class="u-tcGrayDark">9,540 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>Exhibitions</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Exhibitions">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Exhibitions/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Exhibitions/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Exhibitions/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/Exhibitions">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38765243" data-work_id="38765243" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38765243/_Lo_spettatore_coreografato_o_quando_il_teatro_entra_al_museo_in_Itinera_n_16_2018_Milan">"Lo spettatore coreografato: o quando il teatro entra al museo", in Itinera, n°16/2018, Milan.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The current museographical approach seems to go towards a form of interdisciplinarity, which leverages the encounter between visual and performing arts. From the Tate Gallery in London to the Palais de Tokyo in Paris, this dialogue not... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38765243" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The current museographical approach seems to go towards a form of interdisciplinarity, which leverages the encounter between visual and performing arts. From the Tate Gallery in London to the Palais de Tokyo in Paris, this dialogue not only gives rise to aesthetic experiences but also defines new forms of exhibitions: choreographed exhibitions. Within a migration from the black box to the white cube, the theatrical body becomes a work of art, through a process of objectivation. Likewise, the exhibition space turns into a hybrid place of creation. Through a kind of ontological negotiation between different art languages, the beholder is thus called into question: his participation is choreographed, as well as the very act of observation.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38765243" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c1e95871ab2ca39dbddc9658808ff046" rel="nofollow" data-download="{"attachment_id":58853983,"asset_id":38765243,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58853983/download_file?st=MTc0MDY4MjA3Miw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6084213" href="https://univ-paris8.academia.edu/PamelaBianchi">Pamela Bianchi</a><script data-card-contents-for-user="6084213" type="text/json">{"id":6084213,"first_name":"Pamela","last_name":"Bianchi","domain_name":"univ-paris8","page_name":"PamelaBianchi","display_name":"Pamela Bianchi","profile_url":"https://univ-paris8.academia.edu/PamelaBianchi?f_ri=86120","photo":"https://0.academia-photos.com/6084213/2721252/11151361/s65_pamela.bianchi.jpg"}</script></span></span></li><li class="js-paper-rank-work_38765243 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38765243"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38765243, container: ".js-paper-rank-work_38765243", }); 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$(".js-view-count[data-work-id=38765243]").text(description); $(".js-view-count-work_38765243").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38765243").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38765243"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">17</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="945" rel="nofollow" href="https://www.academia.edu/Documents/in/Performing_Arts">Performing Arts</a>, <script data-card-contents-for-ri="945" type="text/json">{"id":945,"name":"Performing Arts","url":"https://www.academia.edu/Documents/in/Performing_Arts?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1596" rel="nofollow" href="https://www.academia.edu/Documents/in/Creative_processes_in_contemporary_dance">Creative processes in contemporary dance</a>, <script data-card-contents-for-ri="1596" type="text/json">{"id":1596,"name":"Creative processes in contemporary dance","url":"https://www.academia.edu/Documents/in/Creative_processes_in_contemporary_dance?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1657" rel="nofollow" href="https://www.academia.edu/Documents/in/Museum_Studies">Museum Studies</a>, <script data-card-contents-for-ri="1657" type="text/json">{"id":1657,"name":"Museum Studies","url":"https://www.academia.edu/Documents/in/Museum_Studies?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2337" rel="nofollow" href="https://www.academia.edu/Documents/in/Performance_Studies">Performance Studies</a><script data-card-contents-for-ri="2337" type="text/json">{"id":2337,"name":"Performance Studies","url":"https://www.academia.edu/Documents/in/Performance_Studies?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38765243]'), work: {"id":38765243,"title":"\"Lo spettatore coreografato: o quando il teatro entra al museo\", in Itinera, n°16/2018, Milan.","created_at":"2019-04-10T09:28:16.161-07:00","url":"https://www.academia.edu/38765243/_Lo_spettatore_coreografato_o_quando_il_teatro_entra_al_museo_in_Itinera_n_16_2018_Milan?f_ri=86120","dom_id":"work_38765243","summary":"The current museographical approach seems to go towards a form of interdisciplinarity, which leverages the encounter between visual and performing arts. 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The exhibition was mounted to... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_48880278" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This is the catalog for the exhibition, "To Know Wisdom and Instruction: The Armenian Literary Tradition at the Library of Congress," which ran from April 18-September 26, 2012, at the Library of Congress. The exhibition was  mounted to celebrated the 500th anniversary of the first Armenian printed book.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/48880278" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b366e5a83abcb22c372aa1ba4446630a" rel="nofollow" data-download="{"attachment_id":67289239,"asset_id":48880278,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67289239/download_file?st=MTc0MDY4MjA3Miw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="52396168" href="https://independent.academia.edu/LevonAvdoyan">Levon Avdoyan</a><script data-card-contents-for-user="52396168" type="text/json">{"id":52396168,"first_name":"Levon","last_name":"Avdoyan","domain_name":"independent","page_name":"LevonAvdoyan","display_name":"Levon Avdoyan","profile_url":"https://independent.academia.edu/LevonAvdoyan?f_ri=86120","photo":"https://0.academia-photos.com/52396168/55493110/43671056/s65_levon.avdoyan.jpg"}</script></span></span></li><li class="js-paper-rank-work_48880278 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="48880278"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 48880278, container: ".js-paper-rank-work_48880278", }); 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$(".js-view-count[data-work-id=48880278]").text(description); $(".js-view-count-work_48880278").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_48880278").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="48880278"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="4669" rel="nofollow" href="https://www.academia.edu/Documents/in/Rare_Books_and_Manuscripts">Rare Books and Manuscripts</a>, <script data-card-contents-for-ri="4669" type="text/json">{"id":4669,"name":"Rare Books and Manuscripts","url":"https://www.academia.edu/Documents/in/Rare_Books_and_Manuscripts?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="14138" rel="nofollow" href="https://www.academia.edu/Documents/in/Armenian_History">Armenian History</a>, <script data-card-contents-for-ri="14138" type="text/json">{"id":14138,"name":"Armenian History","url":"https://www.academia.edu/Documents/in/Armenian_History?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="14554" rel="nofollow" href="https://www.academia.edu/Documents/in/Armenian_Culture">Armenian Culture</a>, <script data-card-contents-for-ri="14554" type="text/json">{"id":14554,"name":"Armenian Culture","url":"https://www.academia.edu/Documents/in/Armenian_Culture?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="86120" rel="nofollow" href="https://www.academia.edu/Documents/in/Exhibitions">Exhibitions</a><script data-card-contents-for-ri="86120" type="text/json">{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=48880278]'), work: {"id":48880278,"title":"To Know Wisdom and Instruction: A Visual Survey of the Armenian Literary Tradition at the Library of Congress","created_at":"2021-05-11T00:49:30.480-07:00","url":"https://www.academia.edu/48880278/To_Know_Wisdom_and_Instruction_A_Visual_Survey_of_the_Armenian_Literary_Tradition_at_the_Library_of_Congress?f_ri=86120","dom_id":"work_48880278","summary":"This is the catalog for the exhibition, \"To Know Wisdom and Instruction: The Armenian Literary Tradition at the Library of Congress,\" which ran from April 18-September 26, 2012, at the Library of Congress. The exhibition was mounted to celebrated the 500th anniversary of the first Armenian printed book.","downloadable_attachments":[{"id":67289239,"asset_id":48880278,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":52396168,"first_name":"Levon","last_name":"Avdoyan","domain_name":"independent","page_name":"LevonAvdoyan","display_name":"Levon Avdoyan","profile_url":"https://independent.academia.edu/LevonAvdoyan?f_ri=86120","photo":"https://0.academia-photos.com/52396168/55493110/43671056/s65_levon.avdoyan.jpg"}],"research_interests":[{"id":4669,"name":"Rare Books and Manuscripts","url":"https://www.academia.edu/Documents/in/Rare_Books_and_Manuscripts?f_ri=86120","nofollow":true},{"id":14138,"name":"Armenian History","url":"https://www.academia.edu/Documents/in/Armenian_History?f_ri=86120","nofollow":true},{"id":14554,"name":"Armenian Culture","url":"https://www.academia.edu/Documents/in/Armenian_Culture?f_ri=86120","nofollow":true},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true},{"id":139753,"name":"Library of Congress","url":"https://www.academia.edu/Documents/in/Library_of_Congress?f_ri=86120"},{"id":274210,"name":"Armenian Literature","url":"https://www.academia.edu/Documents/in/Armenian_Literature?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39248680 coauthored" data-work_id="39248680" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39248680/Sacred_Drama_Performing_the_Bible_in_Renaissance_Florence_La_Sacra_Rappresentazione_Recitare_la_Bibbia_nella_Firenze_del_Rinascimento_Edited_by_Giorgio_Bonsanti_Silvia_Castelli_Anna_Maria_Testaverde">Sacred Drama: Performing the Bible in Renaissance Florence / La Sacra Rappresentazione: Recitare la Bibbia nella Firenze del Rinascimento. Edited by Giorgio Bonsanti, Silvia Castelli, Anna Maria Testaverde</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The illustrious Italian city of Florence was the cradle of the cultural revolution known as the Renaissance that forever changed the face of Europe and the world. A cultural revolution that involved literature, the visual arts,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39248680" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The illustrious Italian city of Florence was the cradle of the cultural revolution known as the Renaissance that forever changed the face of Europe and the world. A cultural revolution that involved literature, the visual arts, architecture, and many other areas of knowledge. In Florence, Sacra Rappresentazione (Sacred Drama) achieved the highest levels of performance thanks to the use of technology and of ingenious mechanical systems. On the one hand, to the faithful these spectacular events possessed strong visual appeal and enriched the religious material intellectually, cognitively, and educationally. On the other hand, the spread of religious ideas through the performance and the print edition of these dramatic texts affirmed a strong and impactful system of communication and education in an innovative way. In order to illustrate this fascinating phenomenon—so meaningful, and uniquely Florentine—this exhibition was devised for a large audience not only of experts and professionals but also for art amateurs and enthusiasts. The exhibition aims to offer a survey of the temporal evolution of Sacra Rappresentazione through manuscript and print documents along with the network of artistic references and influences—visual and ideological—connected to it.<br /><br /><a href="https://store.museumofthebible.org/sacred-drama-performing-the-bible-in-renaissance-florence-exhibition-guide/" rel="nofollow">https://store.museumofthebible.org/sacred-drama-performing-the-bible-in-renaissance-florence-exhibition-guide/</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39248680" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fa366d6dd9504567e10674d171d23e0a" rel="nofollow" data-download="{"attachment_id":79489102,"asset_id":39248680,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/79489102/download_file?st=MTc0MDY4MjA3Miw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="94511798" href="https://ucd.academia.edu/CorinnaRicasoli">Corinna Ricasoli</a><script data-card-contents-for-user="94511798" type="text/json">{"id":94511798,"first_name":"Corinna","last_name":"Ricasoli","domain_name":"ucd","page_name":"CorinnaRicasoli","display_name":"Corinna Ricasoli","profile_url":"https://ucd.academia.edu/CorinnaRicasoli?f_ri=86120","photo":"https://0.academia-photos.com/94511798/20701916/20278368/s65_corinna.ricasoli.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-39248680">+3</span><div class="hidden js-additional-users-39248680"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unibg.academia.edu/AnnaMariaTestaverde">Anna Maria Testaverde</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unicatt.academia.edu/carlabino">Carla M Bino</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unicatt.academia.edu/paolaventrone">paola ventrone</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-39248680'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-39248680').html(); 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The exhibition aims to offer a survey of the temporal evolution of Sacra Rappresentazione through manuscript and print documents along with the network of artistic references and influences—visual and ideological—connected to it.\n\nhttps://store.museumofthebible.org/sacred-drama-performing-the-bible-in-renaissance-florence-exhibition-guide/","downloadable_attachments":[{"id":79489102,"asset_id":39248680,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":94511798,"first_name":"Corinna","last_name":"Ricasoli","domain_name":"ucd","page_name":"CorinnaRicasoli","display_name":"Corinna Ricasoli","profile_url":"https://ucd.academia.edu/CorinnaRicasoli?f_ri=86120","photo":"https://0.academia-photos.com/94511798/20701916/20278368/s65_corinna.ricasoli.jpg"},{"id":2720195,"first_name":"Anna Maria","last_name":"Testaverde","domain_name":"unibg","page_name":"AnnaMariaTestaverde","display_name":"Anna Maria Testaverde","profile_url":"https://unibg.academia.edu/AnnaMariaTestaverde?f_ri=86120","photo":"https://0.academia-photos.com/2720195/876230/1093888/s65_anna_maria.testaverde.jpg"},{"id":2335892,"first_name":"Carla","last_name":"Bino","domain_name":"unicatt","page_name":"carlabino","display_name":"Carla M Bino","profile_url":"https://unicatt.academia.edu/carlabino?f_ri=86120","photo":"https://0.academia-photos.com/2335892/995580/61695689/s65_carla.bino.jpg"},{"id":12313649,"first_name":"paola","last_name":"ventrone","domain_name":"unicatt","page_name":"paolaventrone","display_name":"paola ventrone","profile_url":"https://unicatt.academia.edu/paolaventrone?f_ri=86120","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=86120","nofollow":true},{"id":947,"name":"Theatre Studies","url":"https://www.academia.edu/Documents/in/Theatre_Studies?f_ri=86120","nofollow":true},{"id":1386,"name":"Art Theory","url":"https://www.academia.edu/Documents/in/Art_Theory?f_ri=86120","nofollow":true},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=86120","nofollow":true},{"id":8528,"name":"Medieval Drama","url":"https://www.academia.edu/Documents/in/Medieval_Drama?f_ri=86120"},{"id":12172,"name":"Renaissance drama","url":"https://www.academia.edu/Documents/in/Renaissance_drama?f_ri=86120"},{"id":26460,"name":"Medieval and Renaissance Studies","url":"https://www.academia.edu/Documents/in/Medieval_and_Renaissance_Studies?f_ri=86120"},{"id":48660,"name":"Medieval Sculpture (XIII-XVth Century)","url":"https://www.academia.edu/Documents/in/Medieval_Sculpture_XIII-XVth_Century_?f_ri=86120"},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"},{"id":206582,"name":"Italian Renaissance sculpture","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_sculpture?f_ri=86120"},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=86120"},{"id":314032,"name":"Lorenzo de' Medici","url":"https://www.academia.edu/Documents/in/Lorenzo_de_Medici?f_ri=86120"},{"id":1291124,"name":"Sacra Rappresentazione","url":"https://www.academia.edu/Documents/in/Sacra_Rappresentazione?f_ri=86120"},{"id":1318742,"name":"Renaissance Wood Sculpture","url":"https://www.academia.edu/Documents/in/Renaissance_Wood_Sculpture?f_ri=86120"},{"id":3140462,"name":"Museum of the Bible","url":"https://www.academia.edu/Documents/in/Museum_of_the_Bible?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35393736" data-work_id="35393736" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35393736/MUTINA_SPLENDIDISSIMA_LA_CITTA_ROMANA_E_LA_SUA_EREDIT%C3%80">MUTINA SPLENDIDISSIMA. LA CITTA ROMANA E LA SUA EREDITÀ</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In occasione dei 2200 anni dalla fondazione romana di Mutina, i Musei Civici di Modena celebrano l'anniversario con la mostra "Mutina Splendidissima. La città romana e la sua eredità". I due filoni del racconto sono l'archeologia della... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35393736" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In occasione dei 2200 anni dalla fondazione romana di Mutina, i Musei Civici di Modena celebrano l'anniversario con la mostra "Mutina Splendidissima. La città romana e la sua eredità". I due filoni del racconto sono l'archeologia della città romana ed il suo lascito raccolto dai secoli seguenti dall'alto medioevo alla contemporaneità.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35393736" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0a65ff5b5367e1d72da35203dd4150c1" rel="nofollow" data-download="{"attachment_id":55253929,"asset_id":35393736,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55253929/download_file?st=MTc0MDY4MjA3Miw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9317726" href="https://unibo.academia.edu/GiacomoCacciatore">Giacomo Cacciatore</a><script data-card-contents-for-user="9317726" type="text/json">{"id":9317726,"first_name":"Giacomo","last_name":"Cacciatore","domain_name":"unibo","page_name":"GiacomoCacciatore","display_name":"Giacomo Cacciatore","profile_url":"https://unibo.academia.edu/GiacomoCacciatore?f_ri=86120","photo":"https://0.academia-photos.com/9317726/2984098/3502335/s65_giacomo.cacciatore.jpg"}</script></span></span></li><li class="js-paper-rank-work_35393736 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35393736"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35393736, container: ".js-paper-rank-work_35393736", }); });</script></li><li class="js-percentile-work_35393736 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35393736; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_35393736"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_35393736 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="35393736"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35393736; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35393736]").text(description); $(".js-view-count-work_35393736").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35393736").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35393736"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="86120" rel="nofollow" href="https://www.academia.edu/Documents/in/Exhibitions">Exhibitions</a><script data-card-contents-for-ri="86120" type="text/json">{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35393736]'), work: {"id":35393736,"title":"MUTINA SPLENDIDISSIMA. 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I due filoni del racconto sono l'archeologia della città romana ed il suo lascito raccolto dai secoli seguenti dall'alto medioevo alla contemporaneità.","downloadable_attachments":[{"id":55253929,"asset_id":35393736,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9317726,"first_name":"Giacomo","last_name":"Cacciatore","domain_name":"unibo","page_name":"GiacomoCacciatore","display_name":"Giacomo Cacciatore","profile_url":"https://unibo.academia.edu/GiacomoCacciatore?f_ri=86120","photo":"https://0.academia-photos.com/9317726/2984098/3502335/s65_giacomo.cacciatore.jpg"}],"research_interests":[{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35951199" data-work_id="35951199" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35951199/G_Cantoni_A_Capurso_On_the_road_Via_Emilia_187_a_C_2017_Catalogo_della_mostra_curata_da_R_Macellari_L_Malnati">G. Cantoni, A. Capurso, "On the road. Via Emilia 187 a.C.-2017". Catalogo della mostra curata da R. Macellari, L. Malnati</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35951199" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5c9986fbf9e90f99041dccb5bbe77e3d" rel="nofollow" data-download="{"attachment_id":55834122,"asset_id":35951199,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55834122/download_file?st=MTc0MDY4MjA3Miw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="8546546" href="https://independent.academia.edu/AnnalisaCapurso">Annalisa Capurso</a><script data-card-contents-for-user="8546546" type="text/json">{"id":8546546,"first_name":"Annalisa","last_name":"Capurso","domain_name":"independent","page_name":"AnnalisaCapurso","display_name":"Annalisa Capurso","profile_url":"https://independent.academia.edu/AnnalisaCapurso?f_ri=86120","photo":"https://0.academia-photos.com/8546546/3020610/8947531/s65_annalisa.capurso.jpg"}</script></span></span></li><li class="js-paper-rank-work_35951199 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35951199"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35951199, container: ".js-paper-rank-work_35951199", }); });</script></li><li class="js-percentile-work_35951199 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35951199; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_35951199"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_35951199 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="35951199"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35951199; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35951199]").text(description); $(".js-view-count-work_35951199").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35951199").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35951199"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="86120" rel="nofollow" href="https://www.academia.edu/Documents/in/Exhibitions">Exhibitions</a>, <script data-card-contents-for-ri="86120" type="text/json">{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="634974" rel="nofollow" href="https://www.academia.edu/Documents/in/Roman_Archaeology">Roman Archaeology</a>, <script data-card-contents-for-ri="634974" type="text/json">{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2894642" rel="nofollow" href="https://www.academia.edu/Documents/in/via_Aemilia">via Aemilia</a>, <script data-card-contents-for-ri="2894642" type="text/json">{"id":2894642,"name":"via Aemilia","url":"https://www.academia.edu/Documents/in/via_Aemilia?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2894648" rel="nofollow" href="https://www.academia.edu/Documents/in/Regium_Lepidi">Regium Lepidi</a><script data-card-contents-for-ri="2894648" type="text/json">{"id":2894648,"name":"Regium Lepidi","url":"https://www.academia.edu/Documents/in/Regium_Lepidi?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35951199]'), work: {"id":35951199,"title":"G. Cantoni, A. Capurso, \"On the road. Via Emilia 187 a.C.-2017\". Catalogo della mostra curata da R. Macellari, L. Malnati","created_at":"2018-02-18T09:57:46.527-08:00","url":"https://www.academia.edu/35951199/G_Cantoni_A_Capurso_On_the_road_Via_Emilia_187_a_C_2017_Catalogo_della_mostra_curata_da_R_Macellari_L_Malnati?f_ri=86120","dom_id":"work_35951199","summary":null,"downloadable_attachments":[{"id":55834122,"asset_id":35951199,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":8546546,"first_name":"Annalisa","last_name":"Capurso","domain_name":"independent","page_name":"AnnalisaCapurso","display_name":"Annalisa Capurso","profile_url":"https://independent.academia.edu/AnnalisaCapurso?f_ri=86120","photo":"https://0.academia-photos.com/8546546/3020610/8947531/s65_annalisa.capurso.jpg"}],"research_interests":[{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=86120","nofollow":true},{"id":2894642,"name":"via Aemilia","url":"https://www.academia.edu/Documents/in/via_Aemilia?f_ri=86120","nofollow":true},{"id":2894648,"name":"Regium Lepidi","url":"https://www.academia.edu/Documents/in/Regium_Lepidi?f_ri=86120","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_74030142" data-work_id="74030142" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/74030142/Im_Dienste_Roms_Legionen_und_Hilfstruppen_kelten_r%C3%B6mer_museum_manching_1_4_2022_1_5_2023">Im Dienste Roms – Legionen und Hilfstruppen, kelten römer museum manching 1.4.2022 – 1.5.2023</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Das kelten römer museum manching zeigte in Kooperation mit Mules of Marius eine Erlebnisausstellung, die das römische Militär auf anschauliche, unterhaltsame und interaktive Weise erneut zum Leben erweckte. Kleine und große Gäste durften... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_74030142" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Das kelten römer museum manching zeigte in Kooperation mit Mules of Marius eine Erlebnisausstellung, die das römische Militär auf anschauliche, unterhaltsame und interaktive Weise erneut zum Leben erweckte. Kleine und große Gäste durften sich auf faszinierende Modelle, lebensgroße Zeichnungen, Repliken zum Anfassen und spannende Mitmachstationen freuen. +++ Projektleitung: Tobias Esch und Thomas Kurtz</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/74030142" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f8dd51c1ef84d150debba5e962843373" rel="nofollow" data-download="{"attachment_id":99547242,"asset_id":74030142,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/99547242/download_file?st=MTc0MDY4MjA3Miw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1988992" href="https://museum-manching.academia.edu/TobiasEsch">Tobias Esch</a><script data-card-contents-for-user="1988992" type="text/json">{"id":1988992,"first_name":"Tobias","last_name":"Esch","domain_name":"museum-manching","page_name":"TobiasEsch","display_name":"Tobias Esch","profile_url":"https://museum-manching.academia.edu/TobiasEsch?f_ri=86120","photo":"https://0.academia-photos.com/1988992/658785/149995023/s65_tobias.esch.jpg"}</script></span></span></li><li class="js-paper-rank-work_74030142 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="74030142"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 74030142, container: ".js-paper-rank-work_74030142", }); 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$(".js-view-count[data-work-id=74030142]").text(description); $(".js-view-count-work_74030142").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_74030142").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="74030142"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="128" rel="nofollow" href="https://www.academia.edu/Documents/in/History">History</a>, <script data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="130" rel="nofollow" href="https://www.academia.edu/Documents/in/Ancient_History">Ancient History</a>, <script data-card-contents-for-ri="130" type="text/json">{"id":130,"name":"Ancient History","url":"https://www.academia.edu/Documents/in/Ancient_History?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="392" rel="nofollow" href="https://www.academia.edu/Documents/in/Archaeology">Archaeology</a>, <script data-card-contents-for-ri="392" type="text/json">{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="829" rel="nofollow" href="https://www.academia.edu/Documents/in/Roman_History">Roman History</a><script data-card-contents-for-ri="829" type="text/json">{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=74030142]'), work: {"id":74030142,"title":"Im Dienste Roms – Legionen und Hilfstruppen, kelten römer museum manching 1.4.2022 – 1.5.2023","created_at":"2022-03-18T12:51:37.483-07:00","url":"https://www.academia.edu/74030142/Im_Dienste_Roms_Legionen_und_Hilfstruppen_kelten_r%C3%B6mer_museum_manching_1_4_2022_1_5_2023?f_ri=86120","dom_id":"work_74030142","summary":"Das kelten römer museum manching zeigte in Kooperation mit Mules of Marius eine Erlebnisausstellung, die das römische Militär auf anschauliche, unterhaltsame und interaktive Weise erneut zum Leben erweckte. Kleine und große Gäste durften sich auf faszinierende Modelle, lebensgroße Zeichnungen, Repliken zum Anfassen und spannende Mitmachstationen freuen. +++ Projektleitung: Tobias Esch und Thomas Kurtz","downloadable_attachments":[{"id":99547242,"asset_id":74030142,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1988992,"first_name":"Tobias","last_name":"Esch","domain_name":"museum-manching","page_name":"TobiasEsch","display_name":"Tobias Esch","profile_url":"https://museum-manching.academia.edu/TobiasEsch?f_ri=86120","photo":"https://0.academia-photos.com/1988992/658785/149995023/s65_tobias.esch.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=86120","nofollow":true},{"id":130,"name":"Ancient History","url":"https://www.academia.edu/Documents/in/Ancient_History?f_ri=86120","nofollow":true},{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=86120","nofollow":true},{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=86120","nofollow":true},{"id":1610,"name":"Museum learning","url":"https://www.academia.edu/Documents/in/Museum_learning?f_ri=86120"},{"id":6093,"name":"Museum Education","url":"https://www.academia.edu/Documents/in/Museum_Education?f_ri=86120"},{"id":18425,"name":"Roman military archaeology","url":"https://www.academia.edu/Documents/in/Roman_military_archaeology?f_ri=86120"},{"id":21324,"name":"Roman Army","url":"https://www.academia.edu/Documents/in/Roman_Army?f_ri=86120"},{"id":48230,"name":"Roman Provincial Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Provincial_Archaeology?f_ri=86120"},{"id":75192,"name":"Bavarian History","url":"https://www.academia.edu/Documents/in/Bavarian_History?f_ri=86120"},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"},{"id":100350,"name":"Roman military equipment","url":"https://www.academia.edu/Documents/in/Roman_military_equipment?f_ri=86120"},{"id":121642,"name":"Bavaria","url":"https://www.academia.edu/Documents/in/Bavaria?f_ri=86120"},{"id":169152,"name":"Archaeology of Roman Raetia","url":"https://www.academia.edu/Documents/in/Archaeology_of_Roman_Raetia?f_ri=86120"},{"id":348111,"name":"Museum Pedagogy","url":"https://www.academia.edu/Documents/in/Museum_Pedagogy?f_ri=86120"},{"id":615334,"name":"Museums and Interactive Exhibits","url":"https://www.academia.edu/Documents/in/Museums_and_Interactive_Exhibits?f_ri=86120"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=86120"},{"id":990268,"name":"Model Building","url":"https://www.academia.edu/Documents/in/Model_Building?f_ri=86120"},{"id":1031691,"name":"Artifact Replicas","url":"https://www.academia.edu/Documents/in/Artifact_Replicas?f_ri=86120"},{"id":1523425,"name":"Dioramas","url":"https://www.academia.edu/Documents/in/Dioramas?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_34616052" data-work_id="34616052" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/34616052/Trauma_Studies_and_the_Traumas_and_Art_Practice_in_the_Post_Traumatic_Era">Trauma Studies and the Traumas and Art Practice in the Post-Traumatic Era</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The curator of MOCA Taipei's exhibition, Rosa's Wound, used Paul Celan's poem to name the exhibition, which showcased artworks by artists from various Asian countries to discuss the relationship between art and trauma. The background of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_34616052" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The curator of MOCA Taipei's exhibition, Rosa's Wound, used Paul Celan's poem to name the exhibition, which showcased artworks by artists from various Asian countries to discuss the relationship between art and trauma. The background of these artworks involved a wide range of issues, including the history of martial law, political prisoners, colonization, suppression, racial violence, and war. Without any knowledge of the background and context of these ideas, the general audience would have difficulties understanding the purpose of such an exhibition as well as the curatorial efforts made in the process. In this article, I have sorted out the development and trends of trauma studies in recent years, and proposed that the concept of the "post-trauma era" could help us contextualize this exhibition and gain a better understanding. Modern History and the History of Trauma Etymologically speaking, the English word "trauma" comes from Greek, originally meaning "wound," especially one that penetrates the body. The word was first used in psychology in the nineteenth century to refer to shocking experiences in modern life (such as the shock suffered by WWI soldiers in the battlefield), in which the mind's protective mechanism that was supposed to function like a shield was "penetrated" due to excessive external stimulation. 1 From the psychoanalytical perspective, trauma falls into the domain of the "Thing," which cannot be objectified. "The 'Thing' is traumatic and brings pain. We do not know where it causes pain, or even that it causes pain. It strives to be known by the mind, but fails, and can only be temporarily liberated in symptomatic repetitions." 2 The British art historian, Griselda Pollock, has dedicated her recent years to the study of the relationship between trauma and art by adopting psychoanalytical points of view (especially Israeli psychoanalyst Bracha L. Ettinger's revisions of Lacan's theory). Pollock concluded her study in 2013 and stated five characteristics of trauma: 1. Trauma seems to exist in a non-temporal, non-spatial realm: it exists permanently and is non-temporal. Like a stranger that lives in the mind, it colonizes the host. The 1 Griselda Pollock, Afetr-affects/After-images: Trauma and aesthetic transformation in the virtual feminist museum, Manchester: Manchester, UP, 2013, p. 2. 2 Bracha Lichtenberg Ettinger, " Traumatic Wit(h)ness – and Martrixial Co/in-habit(u)ating " , parallax, vol. 5 no. 1, 1999, p. 89.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/34616052" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="786c817d89061cdbda40a6483b25ade0" rel="nofollow" data-download="{"attachment_id":54481245,"asset_id":34616052,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/54481245/download_file?st=MTc0MDY4MjA3Miw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="33296576" href="https://ntue.academia.edu/ChiMingLIN">Chi-Ming LIN</a><script data-card-contents-for-user="33296576" type="text/json">{"id":33296576,"first_name":"Chi-Ming","last_name":"LIN","domain_name":"ntue","page_name":"ChiMingLIN","display_name":"Chi-Ming LIN","profile_url":"https://ntue.academia.edu/ChiMingLIN?f_ri=86120","photo":"https://0.academia-photos.com/33296576/10118042/112350958/s65_chi-ming.lin.jpg"}</script></span></span></li><li class="js-paper-rank-work_34616052 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="34616052"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 34616052, container: ".js-paper-rank-work_34616052", }); 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$(".js-view-count[data-work-id=34616052]").text(description); $(".js-view-count-work_34616052").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_34616052").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="34616052"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="221" rel="nofollow" href="https://www.academia.edu/Documents/in/Psychology">Psychology</a>, <script data-card-contents-for-ri="221" type="text/json">{"id":221,"name":"Psychology","url":"https://www.academia.edu/Documents/in/Psychology?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="244" rel="nofollow" href="https://www.academia.edu/Documents/in/Psychoanalysis">Psychoanalysis</a>, <script data-card-contents-for-ri="244" type="text/json">{"id":244,"name":"Psychoanalysis","url":"https://www.academia.edu/Documents/in/Psychoanalysis?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="3051" rel="nofollow" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6106" rel="nofollow" href="https://www.academia.edu/Documents/in/Trauma_Studies">Trauma Studies</a><script data-card-contents-for-ri="6106" type="text/json">{"id":6106,"name":"Trauma Studies","url":"https://www.academia.edu/Documents/in/Trauma_Studies?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=34616052]'), work: {"id":34616052,"title":"Trauma Studies and the Traumas and Art Practice in the Post-Traumatic Era","created_at":"2017-09-20T01:49:27.652-07:00","url":"https://www.academia.edu/34616052/Trauma_Studies_and_the_Traumas_and_Art_Practice_in_the_Post_Traumatic_Era?f_ri=86120","dom_id":"work_34616052","summary":"The curator of MOCA Taipei's exhibition, Rosa's Wound, used Paul Celan's poem to name the exhibition, which showcased artworks by artists from various Asian countries to discuss the relationship between art and trauma. The background of these artworks involved a wide range of issues, including the history of martial law, political prisoners, colonization, suppression, racial violence, and war. Without any knowledge of the background and context of these ideas, the general audience would have difficulties understanding the purpose of such an exhibition as well as the curatorial efforts made in the process. In this article, I have sorted out the development and trends of trauma studies in recent years, and proposed that the concept of the \"post-trauma era\" could help us contextualize this exhibition and gain a better understanding. Modern History and the History of Trauma Etymologically speaking, the English word \"trauma\" comes from Greek, originally meaning \"wound,\" especially one that penetrates the body. The word was first used in psychology in the nineteenth century to refer to shocking experiences in modern life (such as the shock suffered by WWI soldiers in the battlefield), in which the mind's protective mechanism that was supposed to function like a shield was \"penetrated\" due to excessive external stimulation. 1 From the psychoanalytical perspective, trauma falls into the domain of the \"Thing,\" which cannot be objectified. \"The 'Thing' is traumatic and brings pain. We do not know where it causes pain, or even that it causes pain. It strives to be known by the mind, but fails, and can only be temporarily liberated in symptomatic repetitions.\" 2 The British art historian, Griselda Pollock, has dedicated her recent years to the study of the relationship between trauma and art by adopting psychoanalytical points of view (especially Israeli psychoanalyst Bracha L. Ettinger's revisions of Lacan's theory). Pollock concluded her study in 2013 and stated five characteristics of trauma: 1. Trauma seems to exist in a non-temporal, non-spatial realm: it exists permanently and is non-temporal. Like a stranger that lives in the mind, it colonizes the host. The 1 Griselda Pollock, Afetr-affects/After-images: Trauma and aesthetic transformation in the virtual feminist museum, Manchester: Manchester, UP, 2013, p. 2. 2 Bracha Lichtenberg Ettinger, \" Traumatic Wit(h)ness – and Martrixial Co/in-habit(u)ating \" , parallax, vol. 5 no. 1, 1999, p. 89.","downloadable_attachments":[{"id":54481245,"asset_id":34616052,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":33296576,"first_name":"Chi-Ming","last_name":"LIN","domain_name":"ntue","page_name":"ChiMingLIN","display_name":"Chi-Ming LIN","profile_url":"https://ntue.academia.edu/ChiMingLIN?f_ri=86120","photo":"https://0.academia-photos.com/33296576/10118042/112350958/s65_chi-ming.lin.jpg"}],"research_interests":[{"id":221,"name":"Psychology","url":"https://www.academia.edu/Documents/in/Psychology?f_ri=86120","nofollow":true},{"id":244,"name":"Psychoanalysis","url":"https://www.academia.edu/Documents/in/Psychoanalysis?f_ri=86120","nofollow":true},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=86120","nofollow":true},{"id":6106,"name":"Trauma Studies","url":"https://www.academia.edu/Documents/in/Trauma_Studies?f_ri=86120","nofollow":true},{"id":35686,"name":"Trauma","url":"https://www.academia.edu/Documents/in/Trauma?f_ri=86120"},{"id":42695,"name":"Post traumatic stress disorder","url":"https://www.academia.edu/Documents/in/Post_traumatic_stress_disorder?f_ri=86120"},{"id":72391,"name":"Griselda Pollock","url":"https://www.academia.edu/Documents/in/Griselda_Pollock?f_ri=86120"},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_12933210" data-work_id="12933210" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12933210/_Leonardo_da_Vinci_1452_1519_il_disegno_del_mondo_English_Review_">"Leonardo da Vinci, 1452-1519: il disegno del mondo" (English Review)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Exhibition held in Milan, Palazzo Reale (April 15th - July 19th, 2015)</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12933210" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e78387b8ccc536625830ec5e7e95911c" rel="nofollow" data-download="{"attachment_id":45740645,"asset_id":12933210,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/45740645/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" 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data-has-card-for-ri="2987" rel="nofollow" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>, <script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="3027" rel="nofollow" href="https://www.academia.edu/Documents/in/Renaissance_Humanism">Renaissance Humanism</a>, <script data-card-contents-for-ri="3027" type="text/json">{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="3612" rel="nofollow" href="https://www.academia.edu/Documents/in/Renaissance">Renaissance</a>, <script data-card-contents-for-ri="3612" 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15th - July 19th, 2015)","downloadable_attachments":[{"id":45740645,"asset_id":12933210,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":234890,"first_name":"Marco","last_name":"Versiero","domain_name":"chiesadimilano","page_name":"MarcoVersiero","display_name":"Marco Versiero","profile_url":"https://chiesadimilano.academia.edu/MarcoVersiero?f_ri=86120","photo":"https://0.academia-photos.com/234890/51676/108782969/s65_marco.versiero.jpg"}],"research_interests":[{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=86120","nofollow":true},{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=86120","nofollow":true},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=86120","nofollow":true},{"id":4686,"name":"Renaissance Philosophy","url":"https://www.academia.edu/Documents/in/Renaissance_Philosophy?f_ri=86120","nofollow":true},{"id":5124,"name":"Renaissance Art","url":"https://www.academia.edu/Documents/in/Renaissance_Art?f_ri=86120"},{"id":8796,"name":"Architecture in Italian Renaissance and Baroque Art","url":"https://www.academia.edu/Documents/in/Architecture_in_Italian_Renaissance_and_Baroque_Art?f_ri=86120"},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=86120"},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=86120"},{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=86120"},{"id":28394,"name":"Exhibition, Museum, Expositions and Worlds Fairs","url":"https://www.academia.edu/Documents/in/Exhibition_Museum_Expositions_and_Worlds_Fairs?f_ri=86120"},{"id":36294,"name":"Leonardo da Vinci","url":"https://www.academia.edu/Documents/in/Leonardo_da_Vinci?f_ri=86120"},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"},{"id":97839,"name":"STORIA DELL'ARTE","url":"https://www.academia.edu/Documents/in/STORIA_DELLARTE?f_ri=86120"},{"id":100309,"name":"Storia","url":"https://www.academia.edu/Documents/in/Storia?f_ri=86120"},{"id":128071,"name":"History of Art and Architecture","url":"https://www.academia.edu/Documents/in/History_of_Art_and_Architecture?f_ri=86120"},{"id":145960,"name":"Pittura Rinascimento","url":"https://www.academia.edu/Documents/in/Pittura_Rinascimento?f_ri=86120"},{"id":162349,"name":"Rinascimento","url":"https://www.academia.edu/Documents/in/Rinascimento?f_ri=86120"},{"id":177723,"name":"History of art and design","url":"https://www.academia.edu/Documents/in/History_of_art_and_design?f_ri=86120"},{"id":237871,"name":"Storia Dell'Architettura","url":"https://www.academia.edu/Documents/in/Storia_DellArchitettura?f_ri=86120"},{"id":479339,"name":"Filosofia del Rinascimento","url":"https://www.academia.edu/Documents/in/Filosofia_del_Rinascimento?f_ri=86120"},{"id":1744493,"name":"Science and Technology Studies","url":"https://www.academia.edu/Documents/in/Science_and_Technology_Studies?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39395710" data-work_id="39395710" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39395710/EXHIBITION_PROPOSAL_Transatlantic_Encounters_Latin_American_Artists_in_Paris_between_the_Wars_1918_39">EXHIBITION PROPOSAL: Transatlantic Encounters: Latin American Artists in Paris between the Wars, 1918–39</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In the years between World War I and World War II, Paris was the epicenter of the art world. While the French capital attracted artists from the far reaches of the globe, the city held particular appeal for Latin Americans-in fact, over... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39395710" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In the years between World War I and World War II, Paris was the epicenter of the art world. While the French capital attracted artists from the far reaches of the globe, the city held particular appeal for Latin Americans-in fact, over 300 arrived there dur-ing this period, engaging with nearly every major modernist development, including Cubism, Constructivism, Surrealism, and the more figural modes associated with the French academies. Their encounters with and participation in the international avantgarde community in Paris both shaped the future direction of modern Latin American art and expanded the worldview of European artists. Yet despite their conspicuous presence and remarkable achievements in interwar Paris, there has never been an exhibition or scholarly study focused exclusively on this formative episode, and the work of Latin American modernists remains underrepresented and undervalued in the art historical canon. Transatlantic Encounters: Latin American Artists in Paris between the Wars, 1918-39 will be the first exhibition to assemble the work of over forty Latin American artists who converged in Paris between 1918 and 1939 and explore their unique and significant contributions to modernism. This fascinating story of transnational cultural exchange and artistic transformation will be told through approximately 100 exceptional paintings, sculptures, and works on paper, as well as photographs, original exhibition brochures, and other archival material. Highlighting key artists and movements, presenting the range of artistic styles in their work, and displaying the dynamic interplay between the Latin American community and the Parisian art world, the exhibition will feature work by renowned artists, such as Roberto Matta, Diego Rivera, and Joaquín Torres García, and introduce lesser-known artists, such as Amelia Peláez, Emilio Pettoruti, and Juan del Prete. Exhibition curator Michele Greet's rich and comprehensive selection is drawn from prominent collections worldwide and includes many works that have never been exhibited before in the United States. Although Latin American artists had been traveling to Paris to study and exhibit since the nineteenth century, a major migration occurred after World War I, partly due to an increased availability of government grants from Latin American nations to sponsor artists' studies abroad. The highest concentration of artists came from the largest countries in South America, such as Argentina, Brazil, and Chile. Upon arriving in Paris, these students associated with artists from other Latin American countries through the open academies of Montparnasse where, for a fee, artists could participate in life drawing</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39395710" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d936a01c80c21d2d1d077b8d9865d4d7" rel="nofollow" data-download="{"attachment_id":59553635,"asset_id":39395710,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59553635/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="15132613" href="https://gmu.academia.edu/MicheleGreet">Michele Greet</a><script data-card-contents-for-user="15132613" type="text/json">{"id":15132613,"first_name":"Michele","last_name":"Greet","domain_name":"gmu","page_name":"MicheleGreet","display_name":"Michele Greet","profile_url":"https://gmu.academia.edu/MicheleGreet?f_ri=86120","photo":"https://0.academia-photos.com/15132613/4133910/4817652/s65_michele.greet.jpg"}</script></span></span></li><li class="js-paper-rank-work_39395710 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39395710"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39395710, container: ".js-paper-rank-work_39395710", }); 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$(".js-view-count[data-work-id=39395710]").text(description); $(".js-view-count-work_39395710").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39395710").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39395710"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">17</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="3840" rel="nofollow" href="https://www.academia.edu/Documents/in/Latin_American_Art">Latin American Art</a>, <script data-card-contents-for-ri="3840" type="text/json">{"id":3840,"name":"Latin American Art","url":"https://www.academia.edu/Documents/in/Latin_American_Art?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="4950" rel="nofollow" href="https://www.academia.edu/Documents/in/Modern_Art">Modern Art</a>, <script data-card-contents-for-ri="4950" type="text/json">{"id":4950,"name":"Modern Art","url":"https://www.academia.edu/Documents/in/Modern_Art?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="14546" rel="nofollow" href="https://www.academia.edu/Documents/in/Modernism_Art_History_">Modernism (Art History)</a>, <script data-card-contents-for-ri="14546" type="text/json">{"id":14546,"name":"Modernism (Art History)","url":"https://www.academia.edu/Documents/in/Modernism_Art_History_?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="29961" rel="nofollow" href="https://www.academia.edu/Documents/in/Frida_Kahlo">Frida Kahlo</a><script data-card-contents-for-ri="29961" type="text/json">{"id":29961,"name":"Frida Kahlo","url":"https://www.academia.edu/Documents/in/Frida_Kahlo?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39395710]'), work: {"id":39395710,"title":"EXHIBITION PROPOSAL: Transatlantic Encounters: Latin American Artists in Paris between the Wars, 1918–39","created_at":"2019-06-05T12:02:07.572-07:00","url":"https://www.academia.edu/39395710/EXHIBITION_PROPOSAL_Transatlantic_Encounters_Latin_American_Artists_in_Paris_between_the_Wars_1918_39?f_ri=86120","dom_id":"work_39395710","summary":"In the years between World War I and World War II, Paris was the epicenter of the art world. While the French capital attracted artists from the far reaches of the globe, the city held particular appeal for Latin Americans-in fact, over 300 arrived there dur-ing this period, engaging with nearly every major modernist development, including Cubism, Constructivism, Surrealism, and the more figural modes associated with the French academies. Their encounters with and participation in the international avantgarde community in Paris both shaped the future direction of modern Latin American art and expanded the worldview of European artists. Yet despite their conspicuous presence and remarkable achievements in interwar Paris, there has never been an exhibition or scholarly study focused exclusively on this formative episode, and the work of Latin American modernists remains underrepresented and undervalued in the art historical canon. Transatlantic Encounters: Latin American Artists in Paris between the Wars, 1918-39 will be the first exhibition to assemble the work of over forty Latin American artists who converged in Paris between 1918 and 1939 and explore their unique and significant contributions to modernism. This fascinating story of transnational cultural exchange and artistic transformation will be told through approximately 100 exceptional paintings, sculptures, and works on paper, as well as photographs, original exhibition brochures, and other archival material. Highlighting key artists and movements, presenting the range of artistic styles in their work, and displaying the dynamic interplay between the Latin American community and the Parisian art world, the exhibition will feature work by renowned artists, such as Roberto Matta, Diego Rivera, and Joaquín Torres García, and introduce lesser-known artists, such as Amelia Peláez, Emilio Pettoruti, and Juan del Prete. Exhibition curator Michele Greet's rich and comprehensive selection is drawn from prominent collections worldwide and includes many works that have never been exhibited before in the United States. Although Latin American artists had been traveling to Paris to study and exhibit since the nineteenth century, a major migration occurred after World War I, partly due to an increased availability of government grants from Latin American nations to sponsor artists' studies abroad. The highest concentration of artists came from the largest countries in South America, such as Argentina, Brazil, and Chile. 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itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/5728567/Exposed_Photography_and_the_Classical_Nude">Exposed: Photography & the Classical Nude </a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/5728567" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="50f2759abeebf96184ef1d87774bb698" rel="nofollow" data-download="{"attachment_id":32770957,"asset_id":5728567,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/32770957/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3706220" href="https://independent.academia.edu/MichaelTurnerFSAFLS">Michael Turner FSA FLS</a><script data-card-contents-for-user="3706220" type="text/json">{"id":3706220,"first_name":"Michael","last_name":"Turner FSA FLS","domain_name":"independent","page_name":"MichaelTurnerFSAFLS","display_name":"Michael Turner FSA FLS","profile_url":"https://independent.academia.edu/MichaelTurnerFSAFLS?f_ri=86120","photo":"https://0.academia-photos.com/3706220/1322810/37908783/s65_michael.turner_fsa_fls.jpeg"}</script></span></span></li><li class="js-paper-rank-work_5728567 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="5728567"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 5728567, container: ".js-paper-rank-work_5728567", }); });</script></li><li class="js-percentile-work_5728567 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span 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description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_5728567").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="5728567"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">34</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="128" rel="nofollow" href="https://www.academia.edu/Documents/in/History">History</a>, <script data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="130" rel="nofollow" href="https://www.academia.edu/Documents/in/Ancient_History">Ancient History</a>, <script data-card-contents-for-ri="130" type="text/json">{"id":130,"name":"Ancient History","url":"https://www.academia.edu/Documents/in/Ancient_History?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="136" rel="nofollow" href="https://www.academia.edu/Documents/in/Cultural_History">Cultural History</a>, <script data-card-contents-for-ri="136" type="text/json">{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="393" rel="nofollow" href="https://www.academia.edu/Documents/in/Classical_Archaeology">Classical Archaeology</a><script data-card-contents-for-ri="393" type="text/json">{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=5728567]'), work: {"id":5728567,"title":"Exposed: Photography \u0026 the Classical Nude ","created_at":"2014-01-15T13:23:53.749-08:00","url":"https://www.academia.edu/5728567/Exposed_Photography_and_the_Classical_Nude?f_ri=86120","dom_id":"work_5728567","summary":null,"downloadable_attachments":[{"id":32770957,"asset_id":5728567,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3706220,"first_name":"Michael","last_name":"Turner FSA FLS","domain_name":"independent","page_name":"MichaelTurnerFSAFLS","display_name":"Michael Turner FSA FLS","profile_url":"https://independent.academia.edu/MichaelTurnerFSAFLS?f_ri=86120","photo":"https://0.academia-photos.com/3706220/1322810/37908783/s65_michael.turner_fsa_fls.jpeg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=86120","nofollow":true},{"id":130,"name":"Ancient 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These mass gatherings focused on national self-images as well as... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35929927" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">At the end of the nineteenth century, Brazil, Mexico, and Peru were among the countries participating in the most important world's fairs in Europe and North America. These mass gatherings focused on national self-images as well as technological development and commodities, but the Latin American exhibition organizers also understood them to be transnational spaces that contributed to the mobility of persons, objects, and knowledge. In this context, the scientific display of pre-Columbian 'antiquities' was regarded as being as important as the participation in archaeological and anthropological congresses. By understanding the world's fairs as 'spaces of global knowledge', this article highlights the agency of Latin American scientists, intellectuals, and collectors in the transnational endeavour to create a 'Latin American antiquity' at the fairgrounds. Although most fair attendees sought to study and display the pre-Columbian past in an objective manner, the older dream of reconstructing the splendour of America's ancient civilizations never completely vanished.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35929927" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0331a0bb5c90594c026a992b5b7978f5" rel="nofollow" data-download="{"attachment_id":55811604,"asset_id":35929927,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55811604/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="14143339" href="https://urosario.academia.edu/SvenSchuster">Sven Schuster</a><script data-card-contents-for-user="14143339" type="text/json">{"id":14143339,"first_name":"Sven","last_name":"Schuster","domain_name":"urosario","page_name":"SvenSchuster","display_name":"Sven Schuster","profile_url":"https://urosario.academia.edu/SvenSchuster?f_ri=86120","photo":"https://0.academia-photos.com/14143339/4310779/5009693/s65_sven.schuster.jpg"}</script></span></span></li><li class="js-paper-rank-work_35929927 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35929927"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35929927, container: ".js-paper-rank-work_35929927", }); 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$(".js-view-count[data-work-id=35929927]").text(description); $(".js-view-count-work_35929927").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35929927").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35929927"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">15</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="128" rel="nofollow" href="https://www.academia.edu/Documents/in/History">History</a>, <script data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="388" rel="nofollow" href="https://www.academia.edu/Documents/in/Latin_American_Studies">Latin American Studies</a>, <script data-card-contents-for-ri="388" type="text/json">{"id":388,"name":"Latin American Studies","url":"https://www.academia.edu/Documents/in/Latin_American_Studies?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1250" rel="nofollow" href="https://www.academia.edu/Documents/in/Latin_American_and_Caribbean_History">Latin American and Caribbean History</a>, <script data-card-contents-for-ri="1250" type="text/json">{"id":1250,"name":"Latin American and Caribbean History","url":"https://www.academia.edu/Documents/in/Latin_American_and_Caribbean_History?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2326" rel="nofollow" href="https://www.academia.edu/Documents/in/Nineteenth_Century_Studies">Nineteenth Century Studies</a><script data-card-contents-for-ri="2326" type="text/json">{"id":2326,"name":"Nineteenth Century Studies","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Studies?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35929927]'), work: {"id":35929927,"title":"The world's fairs as spaces of global knowledge: Latin American archaeology and anthropology in the age of exhibitions","created_at":"2018-02-15T07:48:02.130-08:00","url":"https://www.academia.edu/35929927/The_worlds_fairs_as_spaces_of_global_knowledge_Latin_American_archaeology_and_anthropology_in_the_age_of_exhibitions?f_ri=86120","dom_id":"work_35929927","summary":"At the end of the nineteenth century, Brazil, Mexico, and Peru were among the countries participating in the most important world's fairs in Europe and North America. These mass gatherings focused on national self-images as well as technological development and commodities, but the Latin American exhibition organizers also understood them to be transnational spaces that contributed to the mobility of persons, objects, and knowledge. In this context, the scientific display of pre-Columbian 'antiquities' was regarded as being as important as the participation in archaeological and anthropological congresses. By understanding the world's fairs as 'spaces of global knowledge', this article highlights the agency of Latin American scientists, intellectuals, and collectors in the transnational endeavour to create a 'Latin American antiquity' at the fairgrounds. Although most fair attendees sought to study and display the pre-Columbian past in an objective manner, the older dream of reconstructing the splendour of America's ancient civilizations never completely vanished.","downloadable_attachments":[{"id":55811604,"asset_id":35929927,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":14143339,"first_name":"Sven","last_name":"Schuster","domain_name":"urosario","page_name":"SvenSchuster","display_name":"Sven Schuster","profile_url":"https://urosario.academia.edu/SvenSchuster?f_ri=86120","photo":"https://0.academia-photos.com/14143339/4310779/5009693/s65_sven.schuster.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=86120","nofollow":true},{"id":388,"name":"Latin American Studies","url":"https://www.academia.edu/Documents/in/Latin_American_Studies?f_ri=86120","nofollow":true},{"id":1250,"name":"Latin American and Caribbean History","url":"https://www.academia.edu/Documents/in/Latin_American_and_Caribbean_History?f_ri=86120","nofollow":true},{"id":2326,"name":"Nineteenth Century Studies","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Studies?f_ri=86120","nofollow":true},{"id":3225,"name":"Visual Culture","url":"https://www.academia.edu/Documents/in/Visual_Culture?f_ri=86120"},{"id":3986,"name":"Brazilian History","url":"https://www.academia.edu/Documents/in/Brazilian_History?f_ri=86120"},{"id":6564,"name":"Mexico History","url":"https://www.academia.edu/Documents/in/Mexico_History?f_ri=86120"},{"id":13334,"name":"Global History","url":"https://www.academia.edu/Documents/in/Global_History?f_ri=86120"},{"id":15262,"name":"Latin American History","url":"https://www.academia.edu/Documents/in/Latin_American_History?f_ri=86120"},{"id":22318,"name":"Peruvian History","url":"https://www.academia.edu/Documents/in/Peruvian_History?f_ri=86120"},{"id":24768,"name":"Nineteenth Century","url":"https://www.academia.edu/Documents/in/Nineteenth_Century?f_ri=86120"},{"id":28394,"name":"Exhibition, Museum, Expositions and Worlds Fairs","url":"https://www.academia.edu/Documents/in/Exhibition_Museum_Expositions_and_Worlds_Fairs?f_ri=86120"},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"},{"id":148083,"name":"World's Fairs","url":"https://www.academia.edu/Documents/in/Worlds_Fairs?f_ri=86120"},{"id":226095,"name":"History of Exhibitions","url":"https://www.academia.edu/Documents/in/History_of_Exhibitions?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31241884" data-work_id="31241884" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31241884/Biennials_as_Interfaces_of_Dimensions_Time_Text_and_Space">Biennials* as Interfaces of Dimensions: Time, Text and Space</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Biennials, as a new ephemeral spatiality of display, inhabit spaces and exhibits spaces in a temporal presence that have a seminal textuality. Through time, the concept and space of biennials are pluralized and heterogenized, reflecting... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_31241884" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Biennials, as a new ephemeral spatiality of display, inhabit spaces and exhibits spaces in a temporal presence that have a seminal textuality. Through time, the concept and space of biennials are pluralized and heterogenized, reflecting the transformation of the art and architecture. Especially since 1990s, they have proliferated in number and involvement, function of exhibition expanded to mind-shifting discursive acts and theoretical knowledge production, as its space leaked from the neutrality of 'the white cube' and expanded to each fragment of city space. Since biennial phenomenon is a new research field, its relations are in a process of discovery and expansion. As they refer to a new kind of space formation, the aim of this paper is to reframe and discuss the concept of biennials (large-scale exhibitions), within their temporal, textual and spatial resonances. The analogy of 'interface' is the main narration and comparison agent in this paper, in order to reframe the space of the biennial with its dual extrusions of time, text and space.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31241884" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="83c56617259691a6725162c4d7ae7f91" rel="nofollow" data-download="{"attachment_id":51649266,"asset_id":31241884,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51649266/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="38099854" href="https://metu.academia.edu/SezinSar%C4%B1ca">Sezin Sarıca</a><script data-card-contents-for-user="38099854" type="text/json">{"id":38099854,"first_name":"Sezin","last_name":"Sarıca","domain_name":"metu","page_name":"SezinSarıca","display_name":"Sezin Sarıca","profile_url":"https://metu.academia.edu/SezinSar%C4%B1ca?f_ri=86120","photo":"https://0.academia-photos.com/38099854/15098488/19771822/s65_sezin.sar_ca.png"}</script></span></span></li><li class="js-paper-rank-work_31241884 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31241884"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31241884, container: ".js-paper-rank-work_31241884", }); });</script></li><li class="js-percentile-work_31241884 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31241884; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_31241884"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_31241884 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="31241884"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31241884; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31241884]").text(description); $(".js-view-count-work_31241884").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_31241884").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="31241884"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1372" rel="nofollow" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="86120" rel="nofollow" href="https://www.academia.edu/Documents/in/Exhibitions">Exhibitions</a>, <script data-card-contents-for-ri="86120" type="text/json">{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="207718" rel="nofollow" href="https://www.academia.edu/Documents/in/Biennials">Biennials</a>, <script data-card-contents-for-ri="207718" type="text/json">{"id":207718,"name":"Biennials","url":"https://www.academia.edu/Documents/in/Biennials?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1347925" rel="nofollow" href="https://www.academia.edu/Documents/in/Art_Biennials">Art Biennials</a><script data-card-contents-for-ri="1347925" type="text/json">{"id":1347925,"name":"Art Biennials","url":"https://www.academia.edu/Documents/in/Art_Biennials?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=31241884]'), work: {"id":31241884,"title":"Biennials* as Interfaces of Dimensions: Time, Text and Space","created_at":"2017-02-05T08:19:29.508-08:00","url":"https://www.academia.edu/31241884/Biennials_as_Interfaces_of_Dimensions_Time_Text_and_Space?f_ri=86120","dom_id":"work_31241884","summary":"Biennials, as a new ephemeral spatiality of display, inhabit spaces and exhibits spaces in a temporal presence that have a seminal textuality. Through time, the concept and space of biennials are pluralized and heterogenized, reflecting the transformation of the art and architecture. Especially since 1990s, they have proliferated in number and involvement, function of exhibition expanded to mind-shifting discursive acts and theoretical knowledge production, as its space leaked from the neutrality of 'the white cube' and expanded to each fragment of city space. Since biennial phenomenon is a new research field, its relations are in a process of discovery and expansion. As they refer to a new kind of space formation, the aim of this paper is to reframe and discuss the concept of biennials (large-scale exhibitions), within their temporal, textual and spatial resonances. The analogy of 'interface' is the main narration and comparison agent in this paper, in order to reframe the space of the biennial with its dual extrusions of time, text and space.","downloadable_attachments":[{"id":51649266,"asset_id":31241884,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":38099854,"first_name":"Sezin","last_name":"Sarıca","domain_name":"metu","page_name":"SezinSarıca","display_name":"Sezin Sarıca","profile_url":"https://metu.academia.edu/SezinSar%C4%B1ca?f_ri=86120","photo":"https://0.academia-photos.com/38099854/15098488/19771822/s65_sezin.sar_ca.png"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=86120","nofollow":true},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true},{"id":207718,"name":"Biennials","url":"https://www.academia.edu/Documents/in/Biennials?f_ri=86120","nofollow":true},{"id":1347925,"name":"Art Biennials","url":"https://www.academia.edu/Documents/in/Art_Biennials?f_ri=86120","nofollow":true},{"id":1797078,"name":"Architectural Biennials","url":"https://www.academia.edu/Documents/in/Architectural_Biennials?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_50907213" data-work_id="50907213" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/50907213/The_Intertwining_Line_Drawing_as_Subversive_Art">The Intertwining Line: Drawing as Subversive Art</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The Intertwining Line explores early and contemporary animation and its intertwined relationship with contemporary drawing. The exhibition at Cornerhouse, Manchester features work by nine artists, including internationally acclaimed... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_50907213" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The Intertwining Line explores early and contemporary animation and its intertwined relationship with contemporary drawing. The exhibition at Cornerhouse, Manchester features work by nine artists, including internationally acclaimed artists Dan Perjovschi and Margaret Harrison, a new generation of British artists, such as Melanie Jackson, Rachel Goodyearm and Naomi Kashiwagi, alongside screenings of Czech animations and films selected from the Tricky Women festival. Animation is often considered to be childlike entertainment, however the radical potential of the medium has a long history-whether this is the implicit social criticism that is hidden within early Czech animation, or the use of humor to create powerful social commentary in modern artists' animations. Drawing also has this potential and this can be through meticulously crafted images that merely hint at social unease or speedily drawn sketches which carry a powerful charge of immediacy to create political statements.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/50907213" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ed4a30c0826bf2e7bdf0919c1ca436dd" rel="nofollow" data-download="{"attachment_id":68779479,"asset_id":50907213,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/68779479/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="95839264" href="https://ucc-ie.academia.edu/ChrisClarke">Chris Clarke</a><script data-card-contents-for-user="95839264" type="text/json">{"id":95839264,"first_name":"Chris","last_name":"Clarke","domain_name":"ucc-ie","page_name":"ChrisClarke","display_name":"Chris Clarke","profile_url":"https://ucc-ie.academia.edu/ChrisClarke?f_ri=86120","photo":"https://0.academia-photos.com/95839264/62107768/50394484/s65_chris.clarke.jpg"}</script></span></span></li><li class="js-paper-rank-work_50907213 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="50907213"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 50907213, container: ".js-paper-rank-work_50907213", }); });</script></li><li class="js-percentile-work_50907213 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 50907213; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_50907213"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_50907213 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="50907213"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 50907213; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=50907213]").text(description); $(".js-view-count-work_50907213").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_50907213").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="50907213"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1575" rel="nofollow" href="https://www.academia.edu/Documents/in/Animation">Animation</a>, <script data-card-contents-for-ri="1575" type="text/json">{"id":1575,"name":"Animation","url":"https://www.academia.edu/Documents/in/Animation?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="3051" rel="nofollow" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="12974" rel="nofollow" href="https://www.academia.edu/Documents/in/Drawing">Drawing</a>, <script data-card-contents-for-ri="12974" type="text/json">{"id":12974,"name":"Drawing","url":"https://www.academia.edu/Documents/in/Drawing?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="14261" rel="nofollow" href="https://www.academia.edu/Documents/in/Film_and_Video_Art">Film and Video Art</a><script data-card-contents-for-ri="14261" type="text/json">{"id":14261,"name":"Film and Video Art","url":"https://www.academia.edu/Documents/in/Film_and_Video_Art?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=50907213]'), work: {"id":50907213,"title":"The Intertwining Line: Drawing as Subversive Art","created_at":"2021-08-17T02:32:34.463-07:00","url":"https://www.academia.edu/50907213/The_Intertwining_Line_Drawing_as_Subversive_Art?f_ri=86120","dom_id":"work_50907213","summary":"The Intertwining Line explores early and contemporary animation and its intertwined relationship with contemporary drawing. The exhibition at Cornerhouse, Manchester features work by nine artists, including internationally acclaimed artists Dan Perjovschi and Margaret Harrison, a new generation of British artists, such as Melanie Jackson, Rachel Goodyearm and Naomi Kashiwagi, alongside screenings of Czech animations and films selected from the Tricky Women festival. Animation is often considered to be childlike entertainment, however the radical potential of the medium has a long history-whether this is the implicit social criticism that is hidden within early Czech animation, or the use of humor to create powerful social commentary in modern artists' animations. Drawing also has this potential and this can be through meticulously crafted images that merely hint at social unease or speedily drawn sketches which carry a powerful charge of immediacy to create political statements.","downloadable_attachments":[{"id":68779479,"asset_id":50907213,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":95839264,"first_name":"Chris","last_name":"Clarke","domain_name":"ucc-ie","page_name":"ChrisClarke","display_name":"Chris Clarke","profile_url":"https://ucc-ie.academia.edu/ChrisClarke?f_ri=86120","photo":"https://0.academia-photos.com/95839264/62107768/50394484/s65_chris.clarke.jpg"}],"research_interests":[{"id":1575,"name":"Animation","url":"https://www.academia.edu/Documents/in/Animation?f_ri=86120","nofollow":true},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=86120","nofollow":true},{"id":12974,"name":"Drawing","url":"https://www.academia.edu/Documents/in/Drawing?f_ri=86120","nofollow":true},{"id":14261,"name":"Film and Video Art","url":"https://www.academia.edu/Documents/in/Film_and_Video_Art?f_ri=86120","nofollow":true},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38322889" data-work_id="38322889" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38322889/Non_Sono_Clandestino_I_Am_Not_An_Illegal_Alien">Non Sono Clandestino - I Am Not An Illegal Alien</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Press conference - Conferenza Stampa<br />Palazzo Vecchio, Firenze, Commune di Firenze</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38322889" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="51da7f4d487d2c2e3be957dde31beeaf" rel="nofollow" data-download="{"attachment_id":58372902,"asset_id":38322889,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">That Which We Do Not Remember: A solo exhibition by William Kentridge at Goodman Gallery Cape Town, 30 November 2017 - 13 January 2018.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39123198" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e6146ae33621e8acbca7b9c10fdcc7ae" rel="nofollow" data-download="{"attachment_id":59244105,"asset_id":39123198,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm 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href="https://www.academia.edu/36108151/_pisa%C4%87_listy_potrafi%C4%85_tylko_kobiety_Kultura_epistolarna_kobiet_po_1750_r_nur_Frauen_k%C3%B6nnen_Briefe_schreiben_Weibliche_Briefkultur_nach_1750_Katalog_wystawy">"... pisać listy potrafią tylko kobiety" - Kultura epistolarna kobiet po 1750 r. / "... nur Frauen können Briefe schreiben" - Weibliche Briefkultur nach 1750. Katalog wystawy</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">"Jeder Lumpenhund sagt: nur Weiber können Briefe schreiben; denn Briefe erfordern eine Leichtigkeit, ein ungezwungenes Uebergehen von einer Materie zur andern, und Männer bleiben immer bei der Schnur.” — Diese Passage aus einem Brief... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36108151" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">"Jeder Lumpenhund sagt: nur Weiber können Briefe schreiben; denn Briefe erfordern eine Leichtigkeit, ein ungezwungenes Uebergehen von einer Materie zur andern, und Männer bleiben immer bei der Schnur.” — Diese Passage aus einem Brief David Veits an Rahel Varnhagen vom November 1795 gab den Ansporn zur Veranstaltung einer wissenschaftlichen Tagung vom 3. bis 5. März 2017,  die sich mit der weiblichen Kultur nach 1750 auseinander setzt. Zugleich wurde die Travestie des oben zitierten Satzes zum Motto für die hiermit präsentierte Ausstellung von Handschriften, die in der Jagiellonen-Bibliothek aufbewahrt werden. Während Forscherinnen und Forscher im Laufe der Tagung mit Korrespondenzen von Autorinnen vorwiegend aus dem deutschsprachigen Raum wissenschaftlich befasst sind, ist der geographische und sprachliche Umfang der Ausstellung wesentlich breiter. Das Hauptziel ist es nämlich, nicht so sehr die Vielfalt von Briefe schreibenden Frauen nach 1750 zu zeigen, sondern vielmehr deren immensen Beitrag zur europäischen, darunter der polnischen und der deutschen Kultur zu veranschaulichen, der auch durch Korrespondenzen erfolgt ist.  Als Eckdatum wurde dabei das Jahr 1750 festgesetzt.  Selbstverständlich führten Frauen auch in den früheren Epochen nicht selten rege Briefwechsel, jedoch erst mit der Aufklärung und der Verbreitung von emanzipatorischen Bemühungen — und in der Konsequenz auch mit einer immer größer werdenden Präsenz von Frauen im gesellschaftlichen, kulturellen und  intellektuellen Leben — erlebt auch deren Epistolographie eine besondere Blüte. Und genau darauf möchte die Ausstellung hinweisen.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36108151" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ba7a8bf786d21924c0b5c82030020a1c" rel="nofollow" data-download="{"attachment_id":55999557,"asset_id":36108151,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55999557/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="39641618" href="https://jagiellonian.academia.edu/Pawe%C5%82Zarychta">Paweł Zarychta</a><script data-card-contents-for-user="39641618" type="text/json">{"id":39641618,"first_name":"Paweł","last_name":"Zarychta","domain_name":"jagiellonian","page_name":"PawełZarychta","display_name":"Paweł Zarychta","profile_url":"https://jagiellonian.academia.edu/Pawe%C5%82Zarychta?f_ri=86120","photo":"https://0.academia-photos.com/39641618/21355148/20764895/s65_pawe_.zarychta.jpg"}</script></span></span></li><li class="js-paper-rank-work_36108151 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36108151"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36108151, container: ".js-paper-rank-work_36108151", }); 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Katalog wystawy","created_at":"2018-03-08T02:47:53.647-08:00","url":"https://www.academia.edu/36108151/_pisa%C4%87_listy_potrafi%C4%85_tylko_kobiety_Kultura_epistolarna_kobiet_po_1750_r_nur_Frauen_k%C3%B6nnen_Briefe_schreiben_Weibliche_Briefkultur_nach_1750_Katalog_wystawy?f_ri=86120","dom_id":"work_36108151","summary":"\"Jeder Lumpenhund sagt: nur Weiber können Briefe schreiben; denn Briefe erfordern eine Leichtigkeit, ein ungezwungenes Uebergehen von einer Materie zur andern, und Männer bleiben immer bei der Schnur.” — Diese Passage aus einem Brief David Veits an Rahel Varnhagen vom November 1795 gab den Ansporn zur Veranstaltung einer wissenschaftlichen Tagung vom 3. bis 5. März 2017, die sich mit der weiblichen Kultur nach 1750 auseinander setzt. Zugleich wurde die Travestie des oben zitierten Satzes zum Motto für die hiermit präsentierte Ausstellung von Handschriften, die in der Jagiellonen-Bibliothek aufbewahrt werden. Während Forscherinnen und Forscher im Laufe der Tagung mit Korrespondenzen von Autorinnen vorwiegend aus dem deutschsprachigen Raum wissenschaftlich befasst sind, ist der geographische und sprachliche Umfang der Ausstellung wesentlich breiter. Das Hauptziel ist es nämlich, nicht so sehr die Vielfalt von Briefe schreibenden Frauen nach 1750 zu zeigen, sondern vielmehr deren immensen Beitrag zur europäischen, darunter der polnischen und der deutschen Kultur zu veranschaulichen, der auch durch Korrespondenzen erfolgt ist. Als Eckdatum wurde dabei das Jahr 1750 festgesetzt. Selbstverständlich führten Frauen auch in den früheren Epochen nicht selten rege Briefwechsel, jedoch erst mit der Aufklärung und der Verbreitung von emanzipatorischen Bemühungen — und in der Konsequenz auch mit einer immer größer werdenden Präsenz von Frauen im gesellschaftlichen, kulturellen und intellektuellen Leben — erlebt auch deren Epistolographie eine besondere Blüte. Und genau darauf möchte die Ausstellung hinweisen.","downloadable_attachments":[{"id":55999557,"asset_id":36108151,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":39641618,"first_name":"Paweł","last_name":"Zarychta","domain_name":"jagiellonian","page_name":"PawełZarychta","display_name":"Paweł Zarychta","profile_url":"https://jagiellonian.academia.edu/Pawe%C5%82Zarychta?f_ri=86120","photo":"https://0.academia-photos.com/39641618/21355148/20764895/s65_pawe_.zarychta.jpg"}],"research_interests":[{"id":6663,"name":"Manuscript Studies","url":"https://www.academia.edu/Documents/in/Manuscript_Studies?f_ri=86120","nofollow":true},{"id":22951,"name":"Epistolography","url":"https://www.academia.edu/Documents/in/Epistolography?f_ri=86120","nofollow":true},{"id":83861,"name":"Letters","url":"https://www.academia.edu/Documents/in/Letters?f_ri=86120","nofollow":true},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_2054197" data-work_id="2054197" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/2054197/_Review_Dublin_Contemporary_Artefact_The_Journal_of_the_Irish_Association_of_Art_Historians_Issue_5_2012">‘Review: Dublin Contemporary’, Artefact: The Journal of the Irish Association of Art Historians, Issue 5, 2012.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Terrible Beauty-Art, Crisis, Change and the Office of Non-Compliance was the inaugural exhibition of Dublin Contemporary, a new high-profile international art exhibition that featured over a hundred artists, forty of them Irish. The main... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_2054197" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Terrible Beauty-Art, Crisis, Change and the Office of Non-Compliance was the inaugural exhibition of Dublin Contemporary, a new high-profile international art exhibition that featured over a hundred artists, forty of them Irish. The main venue spanned eighty-four rooms, three floors and two wings of Earlsfort Terrace, a deceptively large neo-classical building, formerly belonging to University College Dublin. The theme was inspired by William Butler Yeats' poem Easter 1916, suggesting that contemporary art has reached a critical point. The Office of Non-Compliance, a forum for artist-led discourse and discussion, was an on-going element throughout the exhibition that allowed for a dialogic exchange. This aspect of the exhibition presented an exciting possibility for a deeper engagement with contemporary art practice, however, it did not appear to be immediately accessible to the average viewer, nor was its function entirely clear. The sheer size and breadth of the exhibition</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/2054197" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ec30ae43b013576a4f256bd8fe39bc59" rel="nofollow" data-download="{"attachment_id":31437590,"asset_id":2054197,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/31437590/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1647558" href="https://tcd.academia.edu/KateAntosikParsons">Kate Antosik-Parsons</a><script data-card-contents-for-user="1647558" type="text/json">{"id":1647558,"first_name":"Kate","last_name":"Antosik-Parsons","domain_name":"tcd","page_name":"KateAntosikParsons","display_name":"Kate Antosik-Parsons","profile_url":"https://tcd.academia.edu/KateAntosikParsons?f_ri=86120","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_2054197 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2054197"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2054197, container: ".js-paper-rank-work_2054197", }); 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The main venue spanned eighty-four rooms, three floors and two wings of Earlsfort Terrace, a deceptively large neo-classical building, formerly belonging to University College Dublin. The theme was inspired by William Butler Yeats' poem Easter 1916, suggesting that contemporary art has reached a critical point. The Office of Non-Compliance, a forum for artist-led discourse and discussion, was an on-going element throughout the exhibition that allowed for a dialogic exchange. This aspect of the exhibition presented an exciting possibility for a deeper engagement with contemporary art practice, however, it did not appear to be immediately accessible to the average viewer, nor was its function entirely clear. The sheer size and breadth of the exhibition","downloadable_attachments":[{"id":31437590,"asset_id":2054197,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1647558,"first_name":"Kate","last_name":"Antosik-Parsons","domain_name":"tcd","page_name":"KateAntosikParsons","display_name":"Kate Antosik-Parsons","profile_url":"https://tcd.academia.edu/KateAntosikParsons?f_ri=86120","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=86120","nofollow":true},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=86120","nofollow":true},{"id":12922,"name":"Irish Art","url":"https://www.academia.edu/Documents/in/Irish_Art?f_ri=86120","nofollow":true},{"id":60066,"name":"Time Based Art","url":"https://www.academia.edu/Documents/in/Time_Based_Art?f_ri=86120","nofollow":true},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"},{"id":178035,"name":"Dublin","url":"https://www.academia.edu/Documents/in/Dublin?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_25496367" data-work_id="25496367" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/25496367/Faiza_Butt_the_Observable">Faiza Butt: the Observable</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm 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art","url":"https://www.academia.edu/Documents/in/Contemporary_Pakistani_art?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42805481" data-work_id="42805481" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42805481/_Die_Neigung_zur_Assymetrie_Monika_Hamann_Arbeiterportrait_1981_">"Die Neigung zur Assymetrie" - Monika Hamann: "Arbeiterportrait" (1981)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Begleittext zur Ausstellung "übersehen - Kunst in der DDR" (Institut für Kunst- und Bildgeschichte, Humboldt Universität zu Berlin), die im Rahmen des Seminars von Prof. Dr. Katja Bernhardt ("Kunst in der DDR" - WiSe 2018/2019) stattfand... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42805481" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Begleittext zur Ausstellung "übersehen - Kunst in der DDR" (Institut für Kunst- und Bildgeschichte, Humboldt Universität zu Berlin), die im Rahmen des Seminars von Prof. Dr. Katja Bernhardt ("Kunst in der DDR" - WiSe 2018/2019) stattfand (04.06. - 12.07.2019) - in Zusammenarbeit mit dem Kunstarchiv Beeskow.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42805481" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" 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","downloadable_attachments":[{"id":63034429,"asset_id":42805481,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":80195000,"first_name":"Maël","last_name":"Mubalegh","domain_name":"ehess","page_name":"MaëlMubalegh","display_name":"Maël Mubalegh","profile_url":"https://ehess.academia.edu/Ma%C3%ABlMubalegh?f_ri=86120","photo":"https://0.academia-photos.com/80195000/29032194/38263473/s65_ma_l.mubalegh.jpg"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=86120","nofollow":true},{"id":5178,"name":"Phenomenology","url":"https://www.academia.edu/Documents/in/Phenomenology?f_ri=86120","nofollow":true},{"id":8437,"name":"Martin Heidegger","url":"https://www.academia.edu/Documents/in/Martin_Heidegger?f_ri=86120","nofollow":true},{"id":8760,"name":"Jacques Rancière","url":"https://www.academia.edu/Documents/in/Jacques_Ranci%C3%A8re?f_ri=86120","nofollow":true},{"id":13274,"name":"Masculinities","url":"https://www.academia.edu/Documents/in/Masculinities?f_ri=86120"},{"id":28751,"name":"GDR History","url":"https://www.academia.edu/Documents/in/GDR_History?f_ri=86120"},{"id":39545,"name":"Socialist Realism","url":"https://www.academia.edu/Documents/in/Socialist_Realism?f_ri=86120"},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"},{"id":269937,"name":"GDR History \u0026 art","url":"https://www.academia.edu/Documents/in/GDR_History_and_art?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36216093" data-work_id="36216093" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36216093/I_costumi_del_film_Marie_Antoinette_in_mostra_a_Prato_pdf">I costumi del film Marie Antoinette in mostra a Prato.pdf</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36216093" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6d5bc7de3de600ec0cf9ea657d6eecd3" rel="nofollow" data-download="{"attachment_id":56118862,"asset_id":36216093,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56118862/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="12338492" href="https://unipi.academia.edu/ElenaJanniello">Elena Janniello</a><script data-card-contents-for-user="12338492" type="text/json">{"id":12338492,"first_name":"Elena","last_name":"Janniello","domain_name":"unipi","page_name":"ElenaJanniello","display_name":"Elena Janniello","profile_url":"https://unipi.academia.edu/ElenaJanniello?f_ri=86120","photo":"https://0.academia-photos.com/12338492/3672738/12235301/s65_elena.janniello.jpg"}</script></span></span></li><li class="js-paper-rank-work_36216093 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36216093"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36216093, container: ".js-paper-rank-work_36216093", }); 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O presente estudo centra-se nas po- tencialidades educativas do desenvolvimento de exposições interativas on-line, sobre imunidade e controlo de doenças, como estratégia de ativismo em tempos de pandemia. Se- guindo uma abordagem qualitativa e um paradigma inter- pretativo, relata o trabalho desenvolvido com uma turma de 28 alunos do 12.o ano, no âmbito da disciplina de Biologia. A intervenção teve por base a teoria socioconstrutivista da aprendizagem e três etapas principais: a pré-produção, pro- dução e pós-produção de uma exposição científica, neste caso designada Pharmaction. Especificamente, pretendeu- se valorizar o conhecimento científico como meio de promo- ção da saúde, divulgar informação e mobilizar a comuni- dade a agir na adoção de comportamentos responsáveis, dado existirem doenças e desequilíbrios imunitários. Por se concretizar no contexto de ensino a distância, devido à CO- VID-19, a exposição foi on-line e construída por meio de ferramentas da Web 2.0. Os dados obtidos, através de in- quéritos, observação e análise documental, apontam o po- tencial educativo da estratégia. Os alunos ampliaram várias competências transversais, destacando-se as competências para a ação, no domínio do ativismo, além de aprendiza- gens significativas sobre o tema estudado. Apesar das difi- culdades na colaboração, pesquisa e gestão de tempo, a turma achou uma forma única, desafiante e motivadora de aprender ciência e, à semelhança dos visitantes, uma boa estratégia de ativismo que beneficiou do recurso às TIC.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/71795540" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="78d30c1302bb5fa5e2572d91df55b60d" rel="nofollow" data-download="{"attachment_id":80993902,"asset_id":71795540,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/80993902/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="215943711" href="https://independent.academia.edu/AdrianaAgostinho1">Adriana Agostinho</a><script data-card-contents-for-user="215943711" type="text/json">{"id":215943711,"first_name":"Adriana","last_name":"Agostinho","domain_name":"independent","page_name":"AdrianaAgostinho1","display_name":"Adriana Agostinho","profile_url":"https://independent.academia.edu/AdrianaAgostinho1?f_ri=86120","photo":"https://0.academia-photos.com/215943711/74431832/62930768/s65_adriana.agostinho.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-71795540">+1</span><div class="hidden js-additional-users-71795540"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a rel="nofollow" href="https://independent.academia.edu/PedroReis206">Pedro Reis</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-71795540'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-71795540').html(); 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Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden.","downloadable_attachments":[{"id":69890776,"asset_id":52800761,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":38884938,"first_name":"Hui","last_name":"Chen","domain_name":"independent","page_name":"HuiChen28","display_name":"Hui Chen","profile_url":"https://independent.academia.edu/HuiChen28?f_ri=86120","photo":"https://0.academia-photos.com/38884938/11629345/12967698/s65_hui.chen.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=86120","nofollow":true},{"id":2132,"name":"Cultural Heritage","url":"https://www.academia.edu/Documents/in/Cultural_Heritage?f_ri=86120","nofollow":true},{"id":2626,"name":"Visitor studies","url":"https://www.academia.edu/Documents/in/Visitor_studies?f_ri=86120","nofollow":true},{"id":43774,"name":"Learning","url":"https://www.academia.edu/Documents/in/Learning?f_ri=86120","nofollow":true},{"id":43883,"name":"Tourism","url":"https://www.academia.edu/Documents/in/Tourism?f_ri=86120"},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"},{"id":1122591,"name":"Consumer Behaviour","url":"https://www.academia.edu/Documents/in/Consumer_Behaviour?f_ri=86120"},{"id":1159070,"name":"Communist Party of China","url":"https://www.academia.edu/Documents/in/Communist_Party_of_China?f_ri=86120"},{"id":2187350,"name":"Management Policy","url":"https://www.academia.edu/Documents/in/Management_Policy?f_ri=86120"},{"id":2510370,"name":"Consumer surplus","url":"https://www.academia.edu/Documents/in/Consumer_surplus?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_51239221" data-work_id="51239221" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/51239221/Photobook_Africa_Tracing_Stories_and_Imagery_Conference">Photobook Africa.Tracing Stories and Imagery, Conference</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">PROGRAMM 13:30 Uhr Kerstin Pinther und Niklas Wolf (LMU München) // Welcome and Introduction 14:00-14:45 Uhr Katarzyna Falecka (University College London) // Mohamed Kouaci and the Photographic Infrastructures of the Algerian... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_51239221" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">PROGRAMM <br /> <br />13:30 Uhr <br />Kerstin Pinther und Niklas Wolf (LMU München) // Welcome and Introduction <br /> <br />14:00-14:45 Uhr <br />Katarzyna Falecka (University College London) // Mohamed Kouaci and the Photographic Infrastructures of the Algerian Revolution <br /> <br />14:45-15:30 Uhr <br />Akinbode Akinbiyi (Berlin/Lagos) // Lagos, All Roads <br /> <br /> 15:30 Uhr Coffee Break <br /> <br /> 16:00-16:45 Uhr <br />Katharina Jörder (FU Berlin) // Verwoerd in the Photobook. A Critical View on the Pictorial Representation of the Architect of Apartheid <br /> <br />16:45-17:30 Uhr <br />Rana el Nemr // Artist Talk <br />moderated by Susanna Baumgartner und Mascha Salgado de Matos <br /> <br />18:15 Uhr <br />Evening Lecture <br />Ulrich Pfisterer (Zentralinstitut für Kunstgeschichte, München) // Welcome <br />Tamar Garb (University College London) // Apartheid´s Interstices: Santu Mofokeng and the Site/Sound of Every-day life <br /> <br />19:15 Uhr <br />Exhibition Opening</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/51239221" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5cadb68b883ba556bca8720b6ace98e8" rel="nofollow" data-download="{"attachment_id":69045436,"asset_id":51239221,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/69045436/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="52253474" href="https://unizh.academia.edu/NiklasWolf">Niklas Wolf</a><script data-card-contents-for-user="52253474" type="text/json">{"id":52253474,"first_name":"Niklas","last_name":"Wolf","domain_name":"unizh","page_name":"NiklasWolf","display_name":"Niklas Wolf","profile_url":"https://unizh.academia.edu/NiklasWolf?f_ri=86120","photo":"https://0.academia-photos.com/52253474/63436467/51742525/s65_niklas.wolf.jpg"}</script></span></span></li><li class="js-paper-rank-work_51239221 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="51239221"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 51239221, container: ".js-paper-rank-work_51239221", }); 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$(".js-view-count[data-work-id=51239221]").text(description); $(".js-view-count-work_51239221").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_51239221").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="51239221"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">17</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="915" rel="nofollow" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1589" rel="nofollow" href="https://www.academia.edu/Documents/in/Photography">Photography</a>, <script data-card-contents-for-ri="1589" type="text/json">{"id":1589,"name":"Photography","url":"https://www.academia.edu/Documents/in/Photography?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="3051" rel="nofollow" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="10503" rel="nofollow" href="https://www.academia.edu/Documents/in/Photography_Theory">Photography Theory</a><script data-card-contents-for-ri="10503" type="text/json">{"id":10503,"name":"Photography Theory","url":"https://www.academia.edu/Documents/in/Photography_Theory?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=51239221]'), work: {"id":51239221,"title":"Photobook Africa.Tracing Stories and Imagery, Conference","created_at":"2021-09-04T04:49:38.891-07:00","url":"https://www.academia.edu/51239221/Photobook_Africa_Tracing_Stories_and_Imagery_Conference?f_ri=86120","dom_id":"work_51239221","summary":"PROGRAMM\r\n\r\n13:30 Uhr \r\nKerstin Pinther und Niklas Wolf (LMU München) // Welcome and Introduction\r\n\r\n14:00-14:45 Uhr\r\nKatarzyna Falecka (University College London) // Mohamed Kouaci and the Photographic Infrastructures of the Algerian Revolution\r\n\r\n14:45-15:30 Uhr\r\nAkinbode Akinbiyi (Berlin/Lagos) // Lagos, All Roads\r\n\r\n 15:30 Uhr Coffee Break\r\n\r\n 16:00-16:45 Uhr \r\nKatharina Jörder (FU Berlin) // Verwoerd in the Photobook. A Critical View on the Pictorial Representation of the Architect of Apartheid\r\n\r\n16:45-17:30 Uhr\r\nRana el Nemr // Artist Talk\r\nmoderated by Susanna Baumgartner und Mascha Salgado de Matos\r\n\r\n18:15 Uhr \r\nEvening Lecture\r\nUlrich Pfisterer (Zentralinstitut für Kunstgeschichte, München) // Welcome\r\nTamar Garb (University College London) // Apartheid´s Interstices: Santu Mofokeng and the Site/Sound of Every-day life\r\n\r\n19:15 Uhr\r\nExhibition Opening","downloadable_attachments":[{"id":69045436,"asset_id":51239221,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":52253474,"first_name":"Niklas","last_name":"Wolf","domain_name":"unizh","page_name":"NiklasWolf","display_name":"Niklas Wolf","profile_url":"https://unizh.academia.edu/NiklasWolf?f_ri=86120","photo":"https://0.academia-photos.com/52253474/63436467/51742525/s65_niklas.wolf.jpg"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=86120","nofollow":true},{"id":1589,"name":"Photography","url":"https://www.academia.edu/Documents/in/Photography?f_ri=86120","nofollow":true},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=86120","nofollow":true},{"id":10503,"name":"Photography Theory","url":"https://www.academia.edu/Documents/in/Photography_Theory?f_ri=86120","nofollow":true},{"id":14045,"name":"African Politics","url":"https://www.academia.edu/Documents/in/African_Politics?f_ri=86120"},{"id":19870,"name":"Research","url":"https://www.academia.edu/Documents/in/Research?f_ri=86120"},{"id":20079,"name":"History of photography","url":"https://www.academia.edu/Documents/in/History_of_photography?f_ri=86120"},{"id":27500,"name":"Representation Theory","url":"https://www.academia.edu/Documents/in/Representation_Theory?f_ri=86120"},{"id":33457,"name":"Material Culture","url":"https://www.academia.edu/Documents/in/Material_Culture?f_ri=86120"},{"id":41266,"name":"Photobook","url":"https://www.academia.edu/Documents/in/Photobook?f_ri=86120"},{"id":51637,"name":"African Art History","url":"https://www.academia.edu/Documents/in/African_Art_History?f_ri=86120"},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"},{"id":92990,"name":"African Art","url":"https://www.academia.edu/Documents/in/African_Art?f_ri=86120"},{"id":681642,"name":"Photography as source of African History","url":"https://www.academia.edu/Documents/in/Photography_as_source_of_African_History?f_ri=86120"},{"id":693801,"name":"History of African Art","url":"https://www.academia.edu/Documents/in/History_of_African_Art?f_ri=86120"},{"id":722276,"name":"Contemporary Art and Photography","url":"https://www.academia.edu/Documents/in/Contemporary_Art_and_Photography?f_ri=86120"},{"id":1230429,"name":"Photobook History","url":"https://www.academia.edu/Documents/in/Photobook_History?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_34139997" data-work_id="34139997" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/34139997/_2017_When_the_present_begins_in_von_Bismarck_Beatrice_Munder_Heike_Schneemann_Peter_J_Hg_Now_Tomorrow_Flux_An_Anthology_on_the_Museum_of_Contemporary_Art_Z%C3%BCrich_JRP_Ringier_S_51_57">(2017) When the present begins, in: von Bismarck, Beatrice/ Munder, Heike/ Schneemann, Peter J. (Hg.): Now-Tomorrow-Flux. An Anthology on the Museum of Contemporary Art, Zürich: JRP|Ringier, S. 51-57.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/34139997" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b8d691b8c55839c62c831c6636e7ac40" rel="nofollow" data-download="{"attachment_id":65985210,"asset_id":34139997,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65985210/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4285707" href="https://zhdk.academia.edu/SophiaPrinz">Sophia Prinz</a><script data-card-contents-for-user="4285707" type="text/json">{"id":4285707,"first_name":"Sophia","last_name":"Prinz","domain_name":"zhdk","page_name":"SophiaPrinz","display_name":"Sophia Prinz","profile_url":"https://zhdk.academia.edu/SophiaPrinz?f_ri=86120","photo":"https://0.academia-photos.com/4285707/1707378/58374454/s65_sophia.prinz.jpg"}</script></span></span></li><li class="js-paper-rank-work_34139997 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="34139997"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 34139997, container: ".js-paper-rank-work_34139997", }); 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$(".js-view-count[data-work-id=34139997]").text(description); $(".js-view-count-work_34139997").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_34139997").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="34139997"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2538" rel="nofollow" href="https://www.academia.edu/Documents/in/Museum">Museum</a>, <script data-card-contents-for-ri="2538" type="text/json">{"id":2538,"name":"Museum","url":"https://www.academia.edu/Documents/in/Museum?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="3051" rel="nofollow" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="86120" rel="nofollow" href="https://www.academia.edu/Documents/in/Exhibitions">Exhibitions</a><script data-card-contents-for-ri="86120" type="text/json">{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=34139997]'), work: {"id":34139997,"title":"(2017) When the present begins, in: von Bismarck, Beatrice/ Munder, Heike/ Schneemann, Peter J. (Hg.): Now-Tomorrow-Flux. An Anthology on the Museum of Contemporary Art, Zürich: JRP|Ringier, S. 51-57.","created_at":"2017-08-05T07:15:07.277-07:00","url":"https://www.academia.edu/34139997/_2017_When_the_present_begins_in_von_Bismarck_Beatrice_Munder_Heike_Schneemann_Peter_J_Hg_Now_Tomorrow_Flux_An_Anthology_on_the_Museum_of_Contemporary_Art_Z%C3%BCrich_JRP_Ringier_S_51_57?f_ri=86120","dom_id":"work_34139997","summary":null,"downloadable_attachments":[{"id":65985210,"asset_id":34139997,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4285707,"first_name":"Sophia","last_name":"Prinz","domain_name":"zhdk","page_name":"SophiaPrinz","display_name":"Sophia Prinz","profile_url":"https://zhdk.academia.edu/SophiaPrinz?f_ri=86120","photo":"https://0.academia-photos.com/4285707/1707378/58374454/s65_sophia.prinz.jpg"}],"research_interests":[{"id":2538,"name":"Museum","url":"https://www.academia.edu/Documents/in/Museum?f_ri=86120","nofollow":true},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=86120","nofollow":true},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44311969" data-work_id="44311969" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44311969/Who_Speaks_for_British_Muslims_The_Politics_and_Presentation_of_the_1976_World_of_Islam_Festival_London">Who Speaks for British Muslims? The Politics and Presentation of the 1976 World of Islam Festival, London</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In the spring of 1976, the World of Islam Festival opened in London, celebrated by royalty and diplomats from around the world. For three months, the city of London was filled with different exhibitions, performances, and lectures about... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44311969" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In the spring of 1976, the World of Islam Festival opened in London, celebrated by royalty and diplomats from around the world. For three months, the city of London was filled with different exhibitions, performances, and lectures about the historical Islamic past in order to inspire Muslim-Christian unity in then present-day Britain. Archival documents, which have not yet been examined or cited in the existing literature, reveal that the authority to present Islam was held in the hands of former diplomats, and other private interests. The event was funded by what organizers called "Moslim governments" in conjunction with the British government, and other private investors. Although the festival had educational intentions, it was met with mixed reception, including intense criticism from Christian Evangelicals who saw the event as proselytizing Islam, and from British Muslims, who felt unrepresented. An event that was designed to promote unity ultimately created more divisions. <br />Utilizing the decolonial methodologies of Walter Mignolo and archival documents from the festival organizers, this paper examines how representations of a timeless, historic Middle East were crafted at the World of Islam Festival. This paper has several interrelated aims. First, utilizing archival material, it highlights what sorts of representations the organizers crafted and how, specifically using history and religion for contemporary goals. Specifically, what was the relationship between the organizers and Islam, and from where did they attempt to derive their authority? Second, this paper highlights how the World of Islam Festival was received by the public. Third, it considers how smaller galleries at this time, such as the Mathaf Gallery and the Long Gallery, both in London, presented contemporary art from the Arab World, a topic notably absent from the World of Islam Festival. This paper promotes further questions about how historical Islamic objects are currently used to "represent" the Middle East and for what purpose.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44311969" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="bf43b76705eee7b074070f521a873874" rel="nofollow" data-download="{"attachment_id":64698077,"asset_id":44311969,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64698077/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="96864619" href="https://ucsb.academia.edu/RachelWinter">Rachel Winter, Ph.D.</a><script data-card-contents-for-user="96864619" type="text/json">{"id":96864619,"first_name":"Rachel","last_name":"Winter, Ph.D.","domain_name":"ucsb","page_name":"RachelWinter","display_name":"Rachel Winter, Ph.D.","profile_url":"https://ucsb.academia.edu/RachelWinter?f_ri=86120","photo":"https://0.academia-photos.com/96864619/21134323/116794870/s65_rachel.winter.jpg"}</script></span></span></li><li class="js-paper-rank-work_44311969 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44311969"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44311969, container: ".js-paper-rank-work_44311969", }); 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$(".js-view-count[data-work-id=44311969]").text(description); $(".js-view-count-work_44311969").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44311969").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44311969"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="915" rel="nofollow" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="8916" rel="nofollow" href="https://www.academia.edu/Documents/in/Islamic_Art">Islamic Art</a>, <script data-card-contents-for-ri="8916" type="text/json">{"id":8916,"name":"Islamic Art","url":"https://www.academia.edu/Documents/in/Islamic_Art?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="13966" rel="nofollow" href="https://www.academia.edu/Documents/in/History_of_Art">History of Art</a>, <script data-card-contents-for-ri="13966" type="text/json">{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="15866" rel="nofollow" href="https://www.academia.edu/Documents/in/Islam">Islam</a><script data-card-contents-for-ri="15866" type="text/json">{"id":15866,"name":"Islam","url":"https://www.academia.edu/Documents/in/Islam?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44311969]'), work: {"id":44311969,"title":"Who Speaks for British Muslims? The Politics and Presentation of the 1976 World of Islam Festival, London","created_at":"2020-10-16T12:22:07.095-07:00","url":"https://www.academia.edu/44311969/Who_Speaks_for_British_Muslims_The_Politics_and_Presentation_of_the_1976_World_of_Islam_Festival_London?f_ri=86120","dom_id":"work_44311969","summary":"In the spring of 1976, the World of Islam Festival opened in London, celebrated by royalty and diplomats from around the world. For three months, the city of London was filled with different exhibitions, performances, and lectures about the historical Islamic past in order to inspire Muslim-Christian unity in then present-day Britain. Archival documents, which have not yet been examined or cited in the existing literature, reveal that the authority to present Islam was held in the hands of former diplomats, and other private interests. The event was funded by what organizers called \"Moslim governments\" in conjunction with the British government, and other private investors. Although the festival had educational intentions, it was met with mixed reception, including intense criticism from Christian Evangelicals who saw the event as proselytizing Islam, and from British Muslims, who felt unrepresented. An event that was designed to promote unity ultimately created more divisions. \nUtilizing the decolonial methodologies of Walter Mignolo and archival documents from the festival organizers, this paper examines how representations of a timeless, historic Middle East were crafted at the World of Islam Festival. This paper has several interrelated aims. First, utilizing archival material, it highlights what sorts of representations the organizers crafted and how, specifically using history and religion for contemporary goals. Specifically, what was the relationship between the organizers and Islam, and from where did they attempt to derive their authority? Second, this paper highlights how the World of Islam Festival was received by the public. Third, it considers how smaller galleries at this time, such as the Mathaf Gallery and the Long Gallery, both in London, presented contemporary art from the Arab World, a topic notably absent from the World of Islam Festival. This paper promotes further questions about how historical Islamic objects are currently used to \"represent\" the Middle East and for what purpose. ","downloadable_attachments":[{"id":64698077,"asset_id":44311969,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":96864619,"first_name":"Rachel","last_name":"Winter, Ph.D.","domain_name":"ucsb","page_name":"RachelWinter","display_name":"Rachel Winter, Ph.D.","profile_url":"https://ucsb.academia.edu/RachelWinter?f_ri=86120","photo":"https://0.academia-photos.com/96864619/21134323/116794870/s65_rachel.winter.jpg"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=86120","nofollow":true},{"id":8916,"name":"Islamic Art","url":"https://www.academia.edu/Documents/in/Islamic_Art?f_ri=86120","nofollow":true},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=86120","nofollow":true},{"id":15866,"name":"Islam","url":"https://www.academia.edu/Documents/in/Islam?f_ri=86120","nofollow":true},{"id":40719,"name":"Museums","url":"https://www.academia.edu/Documents/in/Museums?f_ri=86120"},{"id":53827,"name":"Festivals","url":"https://www.academia.edu/Documents/in/Festivals?f_ri=86120"},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"},{"id":226095,"name":"History of Exhibitions","url":"https://www.academia.edu/Documents/in/History_of_Exhibitions?f_ri=86120"},{"id":555889,"name":"History of Art Exhibitions","url":"https://www.academia.edu/Documents/in/History_of_Art_Exhibitions?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43617243" data-work_id="43617243" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43617243/2014_Via_la_Gr%C3%A8ce_Exposition_de_moulages_d_%C5%93uvres_grecques_antiques_Strasbourg_Palais_Universitaire_15_04_2014_09_05_2014_">2014 - Via la Grèce. Exposition de moulages d’œuvres grecques antiques - Strasbourg, Palais Universitaire (15/04/2014 - 09/05/2014)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Exposition de 12 moulages d’œuvres grecques antiques, issus de la collection de l’Institut d’Archéologie Classique de l'Université de Strasbourg conservée au Musée Adolf Michaelis - Aula Marc Bloch du Palais Universitaire, 67 000... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43617243" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Exposition de 12 moulages d’œuvres grecques antiques, issus de la collection de l’Institut d’Archéologie Classique de l'Université de Strasbourg conservée au Musée Adolf Michaelis - Aula Marc Bloch du Palais Universitaire, 67 000 Strasbourg du 15 avril au 9 mai 2014. <br /> <br />Commissaires et organisateurs de l’exposition « Via la Grèce » : Anatole Boule & Jonas Parétias <br /> <br />Scénographie : Alexandre Früh, scénographe et enseignant à la Haute École des Arts du Rhin <br />Maxime Chudeau, Mathilde Melero, Ikhyeon Park, Nastassia Szymczak <br />Graphisme : Marisol Godard, Elsa Varin - Atelier Terrains Vagues <br />Son : Stéphane Clore, Rumiko, Lourdes <br /> <br />Comité scientifique : <br /> <br />Jean-Yves Marc, conservateur du Musée des Moulages et professeur d’Archéologie classique <br />Daniela Lefèvre, maître de conférences en Archéologie grecque <br />Gwendy Pavicich, doctorante en Archéologie romaine</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43617243" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6de6a3f27633b0b5e0742177025e5b63" rel="nofollow" data-download="{"attachment_id":63918314,"asset_id":43617243,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63918314/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2874458" href="https://unistra.academia.edu/JonasPar%C3%A9tias">Jonas Parétias</a><script data-card-contents-for-user="2874458" type="text/json">{"id":2874458,"first_name":"Jonas","last_name":"Parétias","domain_name":"unistra","page_name":"JonasParétias","display_name":"Jonas Parétias","profile_url":"https://unistra.academia.edu/JonasPar%C3%A9tias?f_ri=86120","photo":"https://0.academia-photos.com/2874458/55917158/44106332/s65_jonas.par_tias.jpg"}</script></span></span></li><li class="js-paper-rank-work_43617243 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43617243"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43617243, container: ".js-paper-rank-work_43617243", }); 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$(".js-view-count[data-work-id=43617243]").text(description); $(".js-view-count-work_43617243").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43617243").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43617243"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">16</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1610" rel="nofollow" href="https://www.academia.edu/Documents/in/Museum_learning">Museum learning</a>, <script data-card-contents-for-ri="1610" type="text/json">{"id":1610,"name":"Museum learning","url":"https://www.academia.edu/Documents/in/Museum_learning?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1657" rel="nofollow" href="https://www.academia.edu/Documents/in/Museum_Studies">Museum Studies</a>, <script data-card-contents-for-ri="1657" type="text/json">{"id":1657,"name":"Museum Studies","url":"https://www.academia.edu/Documents/in/Museum_Studies?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2538" rel="nofollow" href="https://www.academia.edu/Documents/in/Museum">Museum</a>, <script data-card-contents-for-ri="2538" type="text/json">{"id":2538,"name":"Museum","url":"https://www.academia.edu/Documents/in/Museum?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="13606" rel="nofollow" href="https://www.academia.edu/Documents/in/Museums_and_Exhibition_Design">Museums and Exhibition Design</a><script data-card-contents-for-ri="13606" type="text/json">{"id":13606,"name":"Museums and Exhibition Design","url":"https://www.academia.edu/Documents/in/Museums_and_Exhibition_Design?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43617243]'), work: {"id":43617243,"title":"2014 - Via la Grèce. Exposition de moulages d’œuvres grecques antiques - Strasbourg, Palais Universitaire (15/04/2014 - 09/05/2014)","created_at":"2020-07-14T07:28:21.409-07:00","url":"https://www.academia.edu/43617243/2014_Via_la_Gr%C3%A8ce_Exposition_de_moulages_d_%C5%93uvres_grecques_antiques_Strasbourg_Palais_Universitaire_15_04_2014_09_05_2014_?f_ri=86120","dom_id":"work_43617243","summary":"Exposition de 12 moulages d’œuvres grecques antiques, issus de la collection de l’Institut d’Archéologie Classique de l'Université de Strasbourg conservée au Musée Adolf Michaelis - Aula Marc Bloch du Palais Universitaire, 67 000 Strasbourg du 15 avril au 9 mai 2014.\r\n\r\nCommissaires et organisateurs de l’exposition « Via la Grèce » : Anatole Boule \u0026 Jonas Parétias\r\n\r\nScénographie : Alexandre Früh, scénographe et enseignant à la Haute École des Arts du Rhin\r\nMaxime Chudeau, Mathilde Melero, Ikhyeon Park, Nastassia Szymczak\r\nGraphisme : Marisol Godard, Elsa Varin - Atelier Terrains Vagues\r\nSon : Stéphane Clore, Rumiko, Lourdes\r\n\r\nComité scientifique :\r\n\r\nJean-Yves Marc, conservateur du Musée des Moulages et professeur d’Archéologie classique\r\nDaniela Lefèvre, maître de conférences en Archéologie grecque\r\nGwendy Pavicich, doctorante en Archéologie romaine","downloadable_attachments":[{"id":63918314,"asset_id":43617243,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2874458,"first_name":"Jonas","last_name":"Parétias","domain_name":"unistra","page_name":"JonasParétias","display_name":"Jonas Parétias","profile_url":"https://unistra.academia.edu/JonasPar%C3%A9tias?f_ri=86120","photo":"https://0.academia-photos.com/2874458/55917158/44106332/s65_jonas.par_tias.jpg"}],"research_interests":[{"id":1610,"name":"Museum learning","url":"https://www.academia.edu/Documents/in/Museum_learning?f_ri=86120","nofollow":true},{"id":1657,"name":"Museum Studies","url":"https://www.academia.edu/Documents/in/Museum_Studies?f_ri=86120","nofollow":true},{"id":2538,"name":"Museum","url":"https://www.academia.edu/Documents/in/Museum?f_ri=86120","nofollow":true},{"id":13606,"name":"Museums and Exhibition Design","url":"https://www.academia.edu/Documents/in/Museums_and_Exhibition_Design?f_ri=86120","nofollow":true},{"id":33438,"name":"Ancient Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art?f_ri=86120"},{"id":34545,"name":"Museum Collection history","url":"https://www.academia.edu/Documents/in/Museum_Collection_history?f_ri=86120"},{"id":40719,"name":"Museums","url":"https://www.academia.edu/Documents/in/Museums?f_ri=86120"},{"id":78350,"name":"Museum and Heritage Studies","url":"https://www.academia.edu/Documents/in/Museum_and_Heritage_Studies?f_ri=86120"},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"},{"id":95424,"name":"Greek and Roman Art and Architecture","url":"https://www.academia.edu/Documents/in/Greek_and_Roman_Art_and_Architecture?f_ri=86120"},{"id":124427,"name":"Greek and Roman Art- Plaster Casts","url":"https://www.academia.edu/Documents/in/Greek_and_Roman_Art-_Plaster_Casts?f_ri=86120"},{"id":177124,"name":"Strasbourg","url":"https://www.academia.edu/Documents/in/Strasbourg?f_ri=86120"},{"id":336499,"name":"Antiquité","url":"https://www.academia.edu/Documents/in/Antiquit%C3%A9?f_ri=86120"},{"id":530903,"name":"Muséologie","url":"https://www.academia.edu/Documents/in/Mus%C3%A9ologie?f_ri=86120"},{"id":1190668,"name":"Université De Strasbourg","url":"https://www.academia.edu/Documents/in/Universite_De_Strasbourg?f_ri=86120"},{"id":2575395,"name":"Musée Adolf Michaelis","url":"https://www.academia.edu/Documents/in/Mus%C3%A9e_Adolf_Michaelis?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42951694" data-work_id="42951694" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" rel="nofollow" href="https://www.academia.edu/42951694/%D0%9A%D0%B0%D0%B7%D0%B0%D1%80%D0%BC%D0%B0%D0%BD_%D0%BD%D0%B5_%D0%BE%D1%82%D0%BF%D1%83%D1%81%D0%BA%D0%B0%D0%B5%D1%82_c%D1%82%D0%BE%D1%80%D0%B8%D0%B1%D1%83%D0%BA_Kazarman_doesnt_let_go_storybook_">Казарман не отпускает (cторибук) / Kazarman doesn't let go (storybook)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">«Когда зима наступает, перевал закрывается, Казарман никому не подчиняется», - с таких шутливых слов жителей началось наше знакомство с регионом, который расположен в центре Кыргызстана. Казарман оказался самым приключенческим в силу... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42951694" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">«Когда зима наступает, перевал закрывается, Казарман никому не подчиняется», - с таких шутливых слов жителей началось наше знакомство с регионом, который расположен в центре Кыргызстана.<br /><br />Казарман оказался самым приключенческим в силу загадочных обстоятельств, которые у нас произошли по дороге туда и обратно, что и отсылает к названию выставки. Оказались мы в этом регионе, как и еще в 10 других, с тем, чтобы собрать истории, в которых героини и герои рассказывают о локальных инициативах «снизу». Их деятельность глубоко связана с решением проблем повседневной жизни в регионах, однако, зачастую остается на периферии или вовсе вне поля зрения государства и СМИ.<br /><br />По результатам поездок создано 1 1 лонгридов и подкастов об инициативах и контекстах их реализации.<br /><br />Выставка «Казарман не отпускает» основана на историях героев и героинь проекта, но не является их прямой репрезентацией. Экспозиция является больше результатом рефлексии над историями, жизнью в регионах, природой и нашим опытом пребывания там.<br /><br />Экспозиция разработана Лабораторией СИ – Диана У, Джошик Мурзахметов и Алмаз Исаков. <br /><br />Проект «Жизнь регионов в лицах» реализовывался в партнерстве Walkerstory <a href="https://walkerstory.com/" rel="nofollow">https://walkerstory.com/</a><br /><br />“When winter comes, the pass closes, Kazarman does not obey anyone.” Our first meeting with region, which is located in the center of Kyrgyzstan, started from these humorous words of locals. Kazarman was the most adventurous place of our trip due to mysterious circumstances that happened on the way there and back. It became a point that generated the title of the exposition.<br /><br />We found ourselves in the region, as well as in ten others, in order to collect stories in which heroines and heroes told about local grass-roots initiatives. Their activity is deeply related to the solving of everyday life problems in the regions; however, it is often remains out of the sight of the state and the media. Eleven long reads and podcasts were created about the initiatives and contexts of their implementation.<br /><br />The exposition «Kazarman does not let go» was based on the stories, but was not a direct representation of them. It was more about our reflections over the stories and life in the regions; facing with natural forces and our experience of being there.<br /><br />Exposition:<br />Almaz Isakov, Joshik Murzakhmetov, Diana U</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42951694" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f6143ce0fd34546077c5a1bc8685edac" rel="nofollow" data-download="{"attachment_id":63207195,"asset_id":42951694,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63207195/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="12688283" href="https://auca.academia.edu/DianaUkhina">Diana Ukhina</a><script data-card-contents-for-user="12688283" type="text/json">{"id":12688283,"first_name":"Diana","last_name":"Ukhina","domain_name":"auca","page_name":"DianaUkhina","display_name":"Diana Ukhina","profile_url":"https://auca.academia.edu/DianaUkhina?f_ri=86120","photo":"https://0.academia-photos.com/12688283/6066577/149788302/s65_diana.ukhina.jpeg"}</script></span></span></li><li class="js-paper-rank-work_42951694 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42951694"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42951694, container: ".js-paper-rank-work_42951694", }); 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$(".js-view-count[data-work-id=42951694]").text(description); $(".js-view-count-work_42951694").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42951694").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42951694"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="3051" rel="nofollow" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="5903" rel="nofollow" href="https://www.academia.edu/Documents/in/Postsocialism">Postsocialism</a>, <script data-card-contents-for-ri="5903" type="text/json">{"id":5903,"name":"Postsocialism","url":"https://www.academia.edu/Documents/in/Postsocialism?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="48878" rel="nofollow" href="https://www.academia.edu/Documents/in/Exhibition_Design">Exhibition Design</a>, <script data-card-contents-for-ri="48878" type="text/json">{"id":48878,"name":"Exhibition Design","url":"https://www.academia.edu/Documents/in/Exhibition_Design?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="62196" rel="nofollow" href="https://www.academia.edu/Documents/in/Kyrgyzstan">Kyrgyzstan</a><script data-card-contents-for-ri="62196" type="text/json">{"id":62196,"name":"Kyrgyzstan","url":"https://www.academia.edu/Documents/in/Kyrgyzstan?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42951694]'), work: {"id":42951694,"title":"Казарман не отпускает (cторибук) / Kazarman doesn't let go (storybook)","created_at":"2020-05-05T10:59:40.794-07:00","url":"https://www.academia.edu/42951694/%D0%9A%D0%B0%D0%B7%D0%B0%D1%80%D0%BC%D0%B0%D0%BD_%D0%BD%D0%B5_%D0%BE%D1%82%D0%BF%D1%83%D1%81%D0%BA%D0%B0%D0%B5%D1%82_c%D1%82%D0%BE%D1%80%D0%B8%D0%B1%D1%83%D0%BA_Kazarman_doesnt_let_go_storybook_?f_ri=86120","dom_id":"work_42951694","summary":"«Когда зима наступает, перевал закрывается, Казарман никому не подчиняется», - с таких шутливых слов жителей началось наше знакомство с регионом, который расположен в центре Кыргызстана.\n\nКазарман оказался самым приключенческим в силу загадочных обстоятельств, которые у нас произошли по дороге туда и обратно, что и отсылает к названию выставки. Оказались мы в этом регионе, как и еще в 10 других, с тем, чтобы собрать истории, в которых героини и герои рассказывают о локальных инициативах «снизу». Их деятельность глубоко связана с решением проблем повседневной жизни в регионах, однако, зачастую остается на периферии или вовсе вне поля зрения государства и СМИ.\n\nПо результатам поездок создано 1 1 лонгридов и подкастов об инициативах и контекстах их реализации.\n\nВыставка «Казарман не отпускает» основана на историях героев и героинь проекта, но не является их прямой репрезентацией. Экспозиция является больше результатом рефлексии над историями, жизнью в регионах, природой и нашим опытом пребывания там.\n\nЭкспозиция разработана Лабораторией СИ – Диана У, Джошик Мурзахметов и Алмаз Исаков. \n\nПроект «Жизнь регионов в лицах» реализовывался в партнерстве Walkerstory https://walkerstory.com/\n\n“When winter comes, the pass closes, Kazarman does not obey anyone.” Our first meeting with region, which is located in the center of Kyrgyzstan, started from these humorous words of locals. Kazarman was the most adventurous place of our trip due to mysterious circumstances that happened on the way there and back. It became a point that generated the title of the exposition.\n\nWe found ourselves in the region, as well as in ten others, in order to collect stories in which heroines and heroes told about local grass-roots initiatives. Their activity is deeply related to the solving of everyday life problems in the regions; however, it is often remains out of the sight of the state and the media. Eleven long reads and podcasts were created about the initiatives and contexts of their implementation.\n\nThe exposition «Kazarman does not let go» was based on the stories, but was not a direct representation of them. It was more about our reflections over the stories and life in the regions; facing with natural forces and our experience of being there.\n\nExposition:\nAlmaz Isakov, Joshik Murzakhmetov, Diana U\n","downloadable_attachments":[{"id":63207195,"asset_id":42951694,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":12688283,"first_name":"Diana","last_name":"Ukhina","domain_name":"auca","page_name":"DianaUkhina","display_name":"Diana Ukhina","profile_url":"https://auca.academia.edu/DianaUkhina?f_ri=86120","photo":"https://0.academia-photos.com/12688283/6066577/149788302/s65_diana.ukhina.jpeg"}],"research_interests":[{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=86120","nofollow":true},{"id":5903,"name":"Postsocialism","url":"https://www.academia.edu/Documents/in/Postsocialism?f_ri=86120","nofollow":true},{"id":48878,"name":"Exhibition Design","url":"https://www.academia.edu/Documents/in/Exhibition_Design?f_ri=86120","nofollow":true},{"id":62196,"name":"Kyrgyzstan","url":"https://www.academia.edu/Documents/in/Kyrgyzstan?f_ri=86120","nofollow":true},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_29818301" data-work_id="29818301" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/29818301/Klein_oeuvre_grote_meester_De_kunst_van_Caesar_van_Everdingen">Klein oeuvre, grote meester: De kunst van Caesar van Everdingen</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Article:<br />Veel schilderijen heeft hij niet gemaakt, Caesar van Everdingen, maar zijn nalatenschap spreekt bijzonder tot de verbeelding. Alle reden om zijn 400ste geboortejaar te vieren met een tentoonstelling én een onthullende studie.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/29818301" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="836a05f855c5d730ede543ee3e6bbc14" rel="nofollow" data-download="{"attachment_id":50286052,"asset_id":29818301,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50286052/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3546742" href="https://independent.academia.edu/MennoJonker">Menno Jonker</a><script data-card-contents-for-user="3546742" type="text/json">{"id":3546742,"first_name":"Menno","last_name":"Jonker","domain_name":"independent","page_name":"MennoJonker","display_name":"Menno Jonker","profile_url":"https://independent.academia.edu/MennoJonker?f_ri=86120","photo":"https://0.academia-photos.com/3546742/2747410/3201298/s65_menno.jonker.jpg"}</script></span></span></li><li class="js-paper-rank-work_29818301 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="29818301"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 29818301, container: ".js-paper-rank-work_29818301", }); });</script></li><li class="js-percentile-work_29818301 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 29818301; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_29818301"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_29818301 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="29818301"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 29818301; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=29818301]").text(description); $(".js-view-count-work_29818301").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_29818301").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="29818301"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="26606" rel="nofollow" href="https://www.academia.edu/Documents/in/17th_Century_Dutch_Republic">17th Century Dutch Republic</a>, <script data-card-contents-for-ri="26606" type="text/json">{"id":26606,"name":"17th Century Dutch Republic","url":"https://www.academia.edu/Documents/in/17th_Century_Dutch_Republic?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="32375" rel="nofollow" href="https://www.academia.edu/Documents/in/Painting_Conservation">Painting Conservation</a>, <script data-card-contents-for-ri="32375" type="text/json">{"id":32375,"name":"Painting Conservation","url":"https://www.academia.edu/Documents/in/Painting_Conservation?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="77581" rel="nofollow" href="https://www.academia.edu/Documents/in/Ancient_Greek_Mythology">Ancient Greek Mythology</a>, <script data-card-contents-for-ri="77581" type="text/json">{"id":77581,"name":"Ancient Greek Mythology","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Mythology?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="86120" rel="nofollow" href="https://www.academia.edu/Documents/in/Exhibitions">Exhibitions</a><script data-card-contents-for-ri="86120" type="text/json">{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=29818301]'), work: {"id":29818301,"title":"Klein oeuvre, grote meester: De kunst van Caesar van Everdingen","created_at":"2016-11-13T07:22:00.905-08:00","url":"https://www.academia.edu/29818301/Klein_oeuvre_grote_meester_De_kunst_van_Caesar_van_Everdingen?f_ri=86120","dom_id":"work_29818301","summary":"Article:\nVeel schilderijen heeft hij niet gemaakt, Caesar van Everdingen, maar zijn nalatenschap spreekt bijzonder tot de verbeelding. Alle reden om zijn 400ste geboortejaar te vieren met een tentoonstelling én een onthullende studie.","downloadable_attachments":[{"id":50286052,"asset_id":29818301,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3546742,"first_name":"Menno","last_name":"Jonker","domain_name":"independent","page_name":"MennoJonker","display_name":"Menno Jonker","profile_url":"https://independent.academia.edu/MennoJonker?f_ri=86120","photo":"https://0.academia-photos.com/3546742/2747410/3201298/s65_menno.jonker.jpg"}],"research_interests":[{"id":26606,"name":"17th Century Dutch Republic","url":"https://www.academia.edu/Documents/in/17th_Century_Dutch_Republic?f_ri=86120","nofollow":true},{"id":32375,"name":"Painting Conservation","url":"https://www.academia.edu/Documents/in/Painting_Conservation?f_ri=86120","nofollow":true},{"id":77581,"name":"Ancient Greek Mythology","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Mythology?f_ri=86120","nofollow":true},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true},{"id":159686,"name":"16th and 17th century Dutch and Flemish Art","url":"https://www.academia.edu/Documents/in/16th_and_17th_century_Dutch_and_Flemish_Art?f_ri=86120"},{"id":673404,"name":"Diogenes the Cynic","url":"https://www.academia.edu/Documents/in/Diogenes_the_Cynic?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44902500" data-work_id="44902500" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44902500/Transformations_Contemporary_Art_in_about_Architecture">Transformations: Contemporary Art in/about Architecture</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">XV UMETNOST, ARHITEKTURA , DIZAJN (UAD) / XV ART, ARCHITEKTURE, DESIGN Transformacije: savremena umetnost u/o arhitekturi Transformations: Contemporary Art in/about Architecture 3 – 18. 12. 2020. Selektor i kustos / Selector and Curator... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44902500" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">XV UMETNOST, ARHITEKTURA , DIZAJN (UAD) / XV ART,<br />ARCHITEKTURE, DESIGN<br />Transformacije: savremena umetnost u/o arhitekturi<br />Transformations: Contemporary Art in/about Architecture<br />3 – 18. 12. 2020.<br /><br />Selektor i kustos / Selector and Curator<br />Sonja Jankov<br />Učesnici / artists:<br />Nadežda Kirćanski<br />Branislav Nikolić<br />Nikola Radosavljević<br />Neli Ružić<br />Aleksandra Sojak-Borodo<br />Ivan Šuletić<br />Nina Todorović</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44902500" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2a96d11ae4d28b17bf6e4d564256ff8e" rel="nofollow" data-download="{"attachment_id":65422370,"asset_id":44902500,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65422370/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="10391133" href="https://independent.academia.edu/SonjaOJankov">Sonja Jankov</a><script data-card-contents-for-user="10391133" type="text/json">{"id":10391133,"first_name":"Sonja","last_name":"Jankov","domain_name":"independent","page_name":"SonjaOJankov","display_name":"Sonja Jankov","profile_url":"https://independent.academia.edu/SonjaOJankov?f_ri=86120","photo":"https://0.academia-photos.com/10391133/3972593/4641662/s65_sonja.o_jankov.jpg"}</script></span></span></li><li class="js-paper-rank-work_44902500 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44902500"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44902500, container: ".js-paper-rank-work_44902500", }); });</script></li><li class="js-percentile-work_44902500 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44902500; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_44902500"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_44902500 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="44902500"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44902500; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44902500]").text(description); $(".js-view-count-work_44902500").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44902500").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44902500"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1372" rel="nofollow" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="3051" rel="nofollow" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="86120" rel="nofollow" href="https://www.academia.edu/Documents/in/Exhibitions">Exhibitions</a><script data-card-contents-for-ri="86120" type="text/json">{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44902500]'), work: {"id":44902500,"title":"Transformations: Contemporary Art in/about Architecture","created_at":"2021-01-14T03:22:14.851-08:00","url":"https://www.academia.edu/44902500/Transformations_Contemporary_Art_in_about_Architecture?f_ri=86120","dom_id":"work_44902500","summary":"XV UMETNOST, ARHITEKTURA , DIZAJN (UAD) / XV ART,\nARCHITEKTURE, DESIGN\nTransformacije: savremena umetnost u/o arhitekturi\nTransformations: Contemporary Art in/about Architecture\n3 – 18. 12. 2020.\n\nSelektor i kustos / Selector and Curator\nSonja Jankov\nUčesnici / artists:\nNadežda Kirćanski\nBranislav Nikolić\nNikola Radosavljević\nNeli Ružić\nAleksandra Sojak-Borodo\nIvan Šuletić\nNina Todorović","downloadable_attachments":[{"id":65422370,"asset_id":44902500,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":10391133,"first_name":"Sonja","last_name":"Jankov","domain_name":"independent","page_name":"SonjaOJankov","display_name":"Sonja Jankov","profile_url":"https://independent.academia.edu/SonjaOJankov?f_ri=86120","photo":"https://0.academia-photos.com/10391133/3972593/4641662/s65_sonja.o_jankov.jpg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=86120","nofollow":true},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=86120","nofollow":true},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_21837156" data-work_id="21837156" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/21837156/Ernesto_Treccani_a_Macugnaga_una_traccia_tra_vita_e_pittura">Ernesto Treccani a Macugnaga, una traccia tra vita e pittura</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Quella mattina si sentiva l'anima tutta azzurra. Si mise a dipingere una siepe (foglie verdi, foglie rosse, sterpi, roselline fi nte) e i tubetti di azzurro non bastavano mai. Un pittore è fasciato di luce. I singoli colori non esistono... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_21837156" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Quella mattina si sentiva l'anima tutta azzurra. Si mise a dipingere una siepe (foglie verdi, foglie rosse, sterpi, roselline fi nte) e i tubetti di azzurro non bastavano mai. Un pittore è fasciato di luce. I singoli colori non esistono in pittura. Ho preso dell'azzurro e l'azzurro non bastava mai. Vorrei dipingere un ghiacciaio, così trasparente e cristallino. Ho messo del verde veronese e mancava di trasparenza. Allora ho messo del blu e ancora dell'azzurro. Poi degli scuri, un verdone, del rosso e ancora dell'azzurro. Ho avuto una esitazione e ho messo del bianco di tubetto per alleggerire l'insieme. C'è stato un effetto di neve. Anche le foglioline rotondette sono di un tenero verde azzurro. (Ernesto Treccani, Il segreto dell'arte, Amadeus, 1987) Ernesto Treccani a Macugnaga, 1970</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/21837156" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="509c1ec2f14c990714466929424b7a6f" rel="nofollow" data-download="{"attachment_id":42584382,"asset_id":21837156,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/42584382/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7127366" href="https://polimi.academia.edu/DeianiraAmico">Deianira Amico</a><script data-card-contents-for-user="7127366" type="text/json">{"id":7127366,"first_name":"Deianira","last_name":"Amico","domain_name":"polimi","page_name":"DeianiraAmico","display_name":"Deianira Amico","profile_url":"https://polimi.academia.edu/DeianiraAmico?f_ri=86120","photo":"https://0.academia-photos.com/7127366/2712533/56331166/s65_deianira.amico.jpeg"}</script></span></span></li><li class="js-paper-rank-work_21837156 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="21837156"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 21837156, container: ".js-paper-rank-work_21837156", }); 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Si mise a dipingere una siepe (foglie verdi, foglie rosse, sterpi, roselline fi nte) e i tubetti di azzurro non bastavano mai. Un pittore è fasciato di luce. I singoli colori non esistono in pittura. Ho preso dell'azzurro e l'azzurro non bastava mai. Vorrei dipingere un ghiacciaio, così trasparente e cristallino. Ho messo del verde veronese e mancava di trasparenza. Allora ho messo del blu e ancora dell'azzurro. Poi degli scuri, un verdone, del rosso e ancora dell'azzurro. Ho avuto una esitazione e ho messo del bianco di tubetto per alleggerire l'insieme. C'è stato un effetto di neve. Anche le foglioline rotondette sono di un tenero verde azzurro. (Ernesto Treccani, Il segreto dell'arte, Amadeus, 1987) Ernesto Treccani a Macugnaga, 1970","downloadable_attachments":[{"id":42584382,"asset_id":21837156,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":7127366,"first_name":"Deianira","last_name":"Amico","domain_name":"polimi","page_name":"DeianiraAmico","display_name":"Deianira Amico","profile_url":"https://polimi.academia.edu/DeianiraAmico?f_ri=86120","photo":"https://0.academia-photos.com/7127366/2712533/56331166/s65_deianira.amico.jpeg"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=86120","nofollow":true},{"id":4950,"name":"Modern Art","url":"https://www.academia.edu/Documents/in/Modern_Art?f_ri=86120","nofollow":true},{"id":5081,"name":"Painting","url":"https://www.academia.edu/Documents/in/Painting?f_ri=86120","nofollow":true},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=86120","nofollow":true},{"id":75666,"name":"Arte","url":"https://www.academia.edu/Documents/in/Arte?f_ri=86120"},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"},{"id":97839,"name":"STORIA DELL'ARTE","url":"https://www.academia.edu/Documents/in/STORIA_DELLARTE?f_ri=86120"},{"id":139434,"name":"Pittura","url":"https://www.academia.edu/Documents/in/Pittura?f_ri=86120"},{"id":224318,"name":"Treccani","url":"https://www.academia.edu/Documents/in/Treccani?f_ri=86120"},{"id":238841,"name":"Arte Moderna","url":"https://www.academia.edu/Documents/in/Arte_Moderna?f_ri=86120"},{"id":264788,"name":"Art History, Exhibition History, Museum and Curating Studies","url":"https://www.academia.edu/Documents/in/Art_History_Exhibition_History_Museum_and_Curating_Studies?f_ri=86120"},{"id":507685,"name":"Art and Art History","url":"https://www.academia.edu/Documents/in/Art_and_Art_History?f_ri=86120"},{"id":703114,"name":"Novecento","url":"https://www.academia.edu/Documents/in/Novecento?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_12333187" data-work_id="12333187" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12333187/Daniel_Arsham_s_world_of_ARTefacts">Daniel Arsham’s world of ARTefacts</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">There are many who claim the end of art is near, with every method being explored, if not completely exploited. Referring to previous movements and artists in contemporary art is a common action. However, an emerging artist must be... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_12333187" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">There are many who claim the end of art is near, with every method being explored, if not completely exploited. Referring to previous movements and artists in contemporary art is a common action. However, an emerging artist must be refreshing somehow, a highly skilled painting or realistic sculpture simply will not do anymore. We can ask ourselves whether it is (still) possible to be original? And if so, how? Daniel Arsham is the kind of artist that proves it is indeed possible. He even goes so far in breaking the conventions that an artist can only be specialised in one single way of doing or making art and the intertwinement of different art waves resulting in confusion of an art piece. He does so by distributing his creativity in all fields of the art world and he is not afraid to take the risk of combining the past with the future. It is therefore not surprising to see an extensive amount of recognition from all across the globe, in terms of prestigious exhibitions, collaborations and art prizes. Apart from being represented by Galerie Perrotin in Paris, Hong Kong and New York, OHWOW in Los Angeles, Baro Galeria in Sao Paolo and Pippy houldsworth in London, several monographs have been published of Arsham’s work.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12333187" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0d7b096af91c63ae28bb8193619c4b9b" rel="nofollow" data-download="{"attachment_id":37602052,"asset_id":12333187,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37602052/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="17995479" href="https://unimaas.academia.edu/MilouDijkstal">Milou Dijkstal</a><script data-card-contents-for-user="17995479" type="text/json">{"id":17995479,"first_name":"Milou","last_name":"Dijkstal","domain_name":"unimaas","page_name":"MilouDijkstal","display_name":"Milou Dijkstal","profile_url":"https://unimaas.academia.edu/MilouDijkstal?f_ri=86120","photo":"https://0.academia-photos.com/17995479/5901475/6701310/s65_milou.dijkstal.jpg_oh_17909b74d8c27171a1907aaf54c4817a_oe_54dd7ecf___gda___1427493065_140ff120de478d91787c30da2df371e5"}</script></span></span></li><li class="js-paper-rank-work_12333187 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12333187"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12333187, container: ".js-paper-rank-work_12333187", }); 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Referring to previous movements and artists in contemporary art is a common action. However, an emerging artist must be refreshing somehow, a highly skilled painting or realistic sculpture simply will not do anymore. We can ask ourselves whether it is (still) possible to be original? And if so, how? Daniel Arsham is the kind of artist that proves it is indeed possible. He even goes so far in breaking the conventions that an artist can only be specialised in one single way of doing or making art and the intertwinement of different art waves resulting in confusion of an art piece. He does so by distributing his creativity in all fields of the art world and he is not afraid to take the risk of combining the past with the future. It is therefore not surprising to see an extensive amount of recognition from all across the globe, in terms of prestigious exhibitions, collaborations and art prizes. Apart from being represented by Galerie Perrotin in Paris, Hong Kong and New York, OHWOW in Los Angeles, Baro Galeria in Sao Paolo and Pippy houldsworth in London, several monographs have been published of Arsham’s work.","downloadable_attachments":[{"id":37602052,"asset_id":12333187,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":17995479,"first_name":"Milou","last_name":"Dijkstal","domain_name":"unimaas","page_name":"MilouDijkstal","display_name":"Milou Dijkstal","profile_url":"https://unimaas.academia.edu/MilouDijkstal?f_ri=86120","photo":"https://0.academia-photos.com/17995479/5901475/6701310/s65_milou.dijkstal.jpg_oh_17909b74d8c27171a1907aaf54c4817a_oe_54dd7ecf___gda___1427493065_140ff120de478d91787c30da2df371e5"}],"research_interests":[{"id":945,"name":"Performing Arts","url":"https://www.academia.edu/Documents/in/Performing_Arts?f_ri=86120","nofollow":true},{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art?f_ri=86120","nofollow":true},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=86120","nofollow":true},{"id":5463,"name":"Performance Art","url":"https://www.academia.edu/Documents/in/Performance_Art?f_ri=86120","nofollow":true},{"id":48878,"name":"Exhibition Design","url":"https://www.academia.edu/Documents/in/Exhibition_Design?f_ri=86120"},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"},{"id":969329,"name":"Young Brtish Artist","url":"https://www.academia.edu/Documents/in/Young_Brtish_Artist?f_ri=86120"},{"id":1223620,"name":"Art ‘beyond the gallery’","url":"https://www.academia.edu/Documents/in/Art_beyond_the_gallery_?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_67136806" data-work_id="67136806" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/67136806/The_international_exhibition_SKYLINE">The international exhibition SKYLINE</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">SKYLINE<br />International Exhibition by A60 International Art<br />ISBN: 978-88-945984-0-7</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/67136806" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="532dc97add1c94251704115f9b95a0bc" rel="nofollow" data-download="{"attachment_id":78067943,"asset_id":67136806,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/78067943/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="81950350" href="https://salerno.academia.edu/PengpengWang">Pengpeng Wang</a><script data-card-contents-for-user="81950350" type="text/json">{"id":81950350,"first_name":"Pengpeng","last_name":"Wang","domain_name":"salerno","page_name":"PengpengWang","display_name":"Pengpeng Wang","profile_url":"https://salerno.academia.edu/PengpengWang?f_ri=86120","photo":"https://0.academia-photos.com/81950350/19776918/36104425/s65_pengpeng.wang.jpg"}</script></span></span></li><li class="js-paper-rank-work_67136806 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="67136806"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 67136806, container: ".js-paper-rank-work_67136806", }); 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$(".js-view-count[data-work-id=67136806]").text(description); $(".js-view-count-work_67136806").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_67136806").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="67136806"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="915" rel="nofollow" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="3051" rel="nofollow" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="86120" rel="nofollow" href="https://www.academia.edu/Documents/in/Exhibitions">Exhibitions</a>, <script data-card-contents-for-ri="86120" type="text/json">{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="101682" rel="nofollow" href="https://www.academia.edu/Documents/in/Exhibition_History">Exhibition History</a><script data-card-contents-for-ri="101682" type="text/json">{"id":101682,"name":"Exhibition History","url":"https://www.academia.edu/Documents/in/Exhibition_History?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=67136806]'), work: {"id":67136806,"title":"The international exhibition SKYLINE","created_at":"2022-01-04T14:38:19.519-08:00","url":"https://www.academia.edu/67136806/The_international_exhibition_SKYLINE?f_ri=86120","dom_id":"work_67136806","summary":"SKYLINE\nInternational Exhibition by A60 International Art\nISBN: 978-88-945984-0-7","downloadable_attachments":[{"id":78067943,"asset_id":67136806,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":81950350,"first_name":"Pengpeng","last_name":"Wang","domain_name":"salerno","page_name":"PengpengWang","display_name":"Pengpeng Wang","profile_url":"https://salerno.academia.edu/PengpengWang?f_ri=86120","photo":"https://0.academia-photos.com/81950350/19776918/36104425/s65_pengpeng.wang.jpg"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=86120","nofollow":true},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=86120","nofollow":true},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true},{"id":101682,"name":"Exhibition History","url":"https://www.academia.edu/Documents/in/Exhibition_History?f_ri=86120","nofollow":true},{"id":113473,"name":"Art and Design","url":"https://www.academia.edu/Documents/in/Art_and_Design?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_32990119" data-work_id="32990119" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/32990119/This_L_A_Riots_Exhibit_Traces_the_Roots_of_Discontent_Going_Back_to_the_1900s">This L.A. Riots Exhibit Traces the Roots of Discontent Going Back to the 1900s</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Newton’s Third Law of Physics suggests that for every action there is a reaction. In “No Justice, No Peace: L.A. 1992,” an exhibition on view at the California African American Museum through August 27, curator Tyree Boyd-Pates... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_32990119" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Newton’s Third Law of Physics suggests that for every action there is a reaction. In “No Justice, No Peace: L.A. 1992,” an exhibition on view at the California African American Museum through August 27, curator Tyree Boyd-Pates re-contextualizes the 25th anniversary of the Los Angeles Riots, showing how the violent days following the acquittal of four police officers in the videotaped beating of black motorist Rodney King has its roots in generations of racism, vice and civil unrest going back to the early 1900s -- content that you will not learn in history books.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/32990119" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="db91705486c6b90a75a04d2b3d96a659" rel="nofollow" data-download="{"attachment_id":53107930,"asset_id":32990119,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53107930/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1675530" href="https://usc.academia.edu/chellebarbour">chelle barbour</a><script data-card-contents-for-user="1675530" type="text/json">{"id":1675530,"first_name":"chelle","last_name":"barbour","domain_name":"usc","page_name":"chellebarbour","display_name":"chelle barbour","profile_url":"https://usc.academia.edu/chellebarbour?f_ri=86120","photo":"https://0.academia-photos.com/1675530/2538806/2946756/s65_chelle.barbour.gif"}</script></span></span></li><li class="js-paper-rank-work_32990119 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="32990119"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 32990119, container: ".js-paper-rank-work_32990119", }); 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Riots Exhibit Traces the Roots of Discontent Going Back to the 1900s","created_at":"2017-05-12T14:48:17.832-07:00","url":"https://www.academia.edu/32990119/This_L_A_Riots_Exhibit_Traces_the_Roots_of_Discontent_Going_Back_to_the_1900s?f_ri=86120","dom_id":"work_32990119","summary":"Newton’s Third Law of Physics suggests that for every action there is a reaction. In “No Justice, No Peace: L.A. 1992,” an exhibition on view at the California African American Museum through August 27, curator Tyree Boyd-Pates re-contextualizes the 25th anniversary of the Los Angeles Riots, showing how the violent days following the acquittal of four police officers in the videotaped beating of black motorist Rodney King has its roots in generations of racism, vice and civil unrest going back to the early 1900s -- content that you will not learn in history books.","downloadable_attachments":[{"id":53107930,"asset_id":32990119,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1675530,"first_name":"chelle","last_name":"barbour","domain_name":"usc","page_name":"chellebarbour","display_name":"chelle barbour","profile_url":"https://usc.academia.edu/chellebarbour?f_ri=86120","photo":"https://0.academia-photos.com/1675530/2538806/2946756/s65_chelle.barbour.gif"}],"research_interests":[{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=86120","nofollow":true},{"id":13606,"name":"Museums and Exhibition Design","url":"https://www.academia.edu/Documents/in/Museums_and_Exhibition_Design?f_ri=86120","nofollow":true},{"id":28394,"name":"Exhibition, Museum, Expositions and Worlds Fairs","url":"https://www.academia.edu/Documents/in/Exhibition_Museum_Expositions_and_Worlds_Fairs?f_ri=86120","nofollow":true},{"id":51380,"name":"Visual Art","url":"https://www.academia.edu/Documents/in/Visual_Art?f_ri=86120","nofollow":true},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"},{"id":264788,"name":"Art History, Exhibition History, Museum and Curating Studies","url":"https://www.academia.edu/Documents/in/Art_History_Exhibition_History_Museum_and_Curating_Studies?f_ri=86120"},{"id":493633,"name":"Los Angeles Riots","url":"https://www.academia.edu/Documents/in/Los_Angeles_Riots?f_ri=86120"},{"id":514726,"name":"rodney king LAPD LA riots los angeles 1995 race relations civil rights television media technology video cameras community media activist media alternative media","url":"https://www.academia.edu/Documents/in/rodney_king_LAPD_LA_riots_los_angeles_1995_race_relations_civil_rights_television_media_technology_v?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_49350947" data-work_id="49350947" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/49350947/Publish_or_Perish_The_Impact_of_Printing_on_the_Protestant_Reformation">Publish or Perish: The Impact of Printing on the Protestant Reformation</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Curated by Dr. Eric J. Johnson, Curator of Rare Books and Manuscripts, The Ohio State University "Publish or Perish" tells the story of a religious, social, and political revolution that began 500 years ago as a traditional academic... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_49350947" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Curated by Dr. Eric J. Johnson, Curator of Rare Books and Manuscripts, The Ohio State University "Publish or Perish" tells the story of a religious, social, and political revolution that began 500 years ago as a traditional academic exercise but quickly accelerated into a movement that would shake Europe's very foundations. When Martin Luther nailed his 95 Theses to the church door in Wittenberg in October 1517, he was merely doing what any other professor with a set of statements for debate might do. He drew up his points, had them printed, and posted them to inspire debate. Luther could hardly have known that by the end of the 16 th century this simple act of publication would be just the first of 4,790 separate editions of his works printed in Germany alone, with approximately 3,000 more editions that he compiled, edited, or for which he wrote prefaces.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/49350947" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="68fe919c0297a1cd47e359a0960dcd11" rel="nofollow" data-download="{"attachment_id":67725101,"asset_id":49350947,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67725101/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="90090607" href="https://osu.academia.edu/EricJohnson">Eric J Johnson</a><script data-card-contents-for-user="90090607" type="text/json">{"id":90090607,"first_name":"Eric","last_name":"Johnson","domain_name":"osu","page_name":"EricJohnson","display_name":"Eric J Johnson","profile_url":"https://osu.academia.edu/EricJohnson?f_ri=86120","photo":"https://0.academia-photos.com/90090607/36420620/31198475/s65_eric.johnson.jpg"}</script></span></span></li><li class="js-paper-rank-work_49350947 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="49350947"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 49350947, container: ".js-paper-rank-work_49350947", }); 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$(".js-view-count[data-work-id=49350947]").text(description); $(".js-view-count-work_49350947").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_49350947").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="49350947"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">14</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2340" rel="nofollow" href="https://www.academia.edu/Documents/in/Book_History">Book History</a>, <script data-card-contents-for-ri="2340" type="text/json">{"id":2340,"name":"Book History","url":"https://www.academia.edu/Documents/in/Book_History?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2811" rel="nofollow" href="https://www.academia.edu/Documents/in/History_of_the_Book">History of the Book</a>, <script data-card-contents-for-ri="2811" type="text/json">{"id":2811,"name":"History of the Book","url":"https://www.academia.edu/Documents/in/History_of_the_Book?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="5132" rel="nofollow" href="https://www.academia.edu/Documents/in/Reformation_History">Reformation History</a>, <script data-card-contents-for-ri="5132" type="text/json">{"id":5132,"name":"Reformation History","url":"https://www.academia.edu/Documents/in/Reformation_History?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="5133" rel="nofollow" href="https://www.academia.edu/Documents/in/Reformation_Studies">Reformation Studies</a><script data-card-contents-for-ri="5133" type="text/json">{"id":5133,"name":"Reformation Studies","url":"https://www.academia.edu/Documents/in/Reformation_Studies?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=49350947]'), work: {"id":49350947,"title":"Publish or Perish: The Impact of Printing on the Protestant Reformation","created_at":"2021-06-23T11:07:40.867-07:00","url":"https://www.academia.edu/49350947/Publish_or_Perish_The_Impact_of_Printing_on_the_Protestant_Reformation?f_ri=86120","dom_id":"work_49350947","summary":"Curated by Dr. Eric J. Johnson, Curator of Rare Books and Manuscripts, The Ohio State University \"Publish or Perish\" tells the story of a religious, social, and political revolution that began 500 years ago as a traditional academic exercise but quickly accelerated into a movement that would shake Europe's very foundations. When Martin Luther nailed his 95 Theses to the church door in Wittenberg in October 1517, he was merely doing what any other professor with a set of statements for debate might do. He drew up his points, had them printed, and posted them to inspire debate. Luther could hardly have known that by the end of the 16 th century this simple act of publication would be just the first of 4,790 separate editions of his works printed in Germany alone, with approximately 3,000 more editions that he compiled, edited, or for which he wrote prefaces.","downloadable_attachments":[{"id":67725101,"asset_id":49350947,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":90090607,"first_name":"Eric","last_name":"Johnson","domain_name":"osu","page_name":"EricJohnson","display_name":"Eric J Johnson","profile_url":"https://osu.academia.edu/EricJohnson?f_ri=86120","photo":"https://0.academia-photos.com/90090607/36420620/31198475/s65_eric.johnson.jpg"}],"research_interests":[{"id":2340,"name":"Book History","url":"https://www.academia.edu/Documents/in/Book_History?f_ri=86120","nofollow":true},{"id":2811,"name":"History of the Book","url":"https://www.academia.edu/Documents/in/History_of_the_Book?f_ri=86120","nofollow":true},{"id":5132,"name":"Reformation History","url":"https://www.academia.edu/Documents/in/Reformation_History?f_ri=86120","nofollow":true},{"id":5133,"name":"Reformation Studies","url":"https://www.academia.edu/Documents/in/Reformation_Studies?f_ri=86120","nofollow":true},{"id":5145,"name":"English Reformation","url":"https://www.academia.edu/Documents/in/English_Reformation?f_ri=86120"},{"id":5156,"name":"Reformation Theology","url":"https://www.academia.edu/Documents/in/Reformation_Theology?f_ri=86120"},{"id":10585,"name":"History of the Reformation","url":"https://www.academia.edu/Documents/in/History_of_the_Reformation?f_ri=86120"},{"id":35127,"name":"John Foxe","url":"https://www.academia.edu/Documents/in/John_Foxe?f_ri=86120"},{"id":36017,"name":"Martin Luther","url":"https://www.academia.edu/Documents/in/Martin_Luther?f_ri=86120"},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"},{"id":150925,"name":"Historical Theology of the Catholic and Protestant Reformations","url":"https://www.academia.edu/Documents/in/Historical_Theology_of_the_Catholic_and_Protestant_Reformations?f_ri=86120"},{"id":191780,"name":"Philipp Melanchthon","url":"https://www.academia.edu/Documents/in/Philipp_Melanchthon?f_ri=86120"},{"id":233504,"name":"Print Culture, Book History and the History of Reading","url":"https://www.academia.edu/Documents/in/Print_Culture_Book_History_and_the_History_of_Reading?f_ri=86120"},{"id":239383,"name":"Counter-Reformation","url":"https://www.academia.edu/Documents/in/Counter-Reformation?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43580775" data-work_id="43580775" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43580775/Directrices_de_pr%C3%A9stamo_de_obras_de_la_biblioteca_para_exposiciones">Directrices de préstamo de obras de la biblioteca para exposiciones</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Documento elaborado por el Grupo de Trabajo Estratégico de Valoración del Patrimonio Bibliográfico, creado por el Consejo de Cooperación Bibliotecaria, en el marco del II Plan Estratégico 2016-2018. Manuela Concepción Carmona García... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43580775" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Documento elaborado por el Grupo de Trabajo Estratégico de Valoración del Patrimonio Bibliográfico, creado por el Consejo de Cooperación Bibliotecaria, en el marco del II Plan Estratégico 2016-2018. <br />Manuela Concepción Carmona García (coordinadora), Margarita Becedas González, Soledad Carnicer Arribas, María Jesús Cruzado Casas, María José Fe Trillo, Eulalia Iglesias Matas, Elena Laguna del Cojo, María Eugenia López Varea, Carmen Morales Mateo.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43580775" data-share-source="work_strip" 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itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7335424" href="https://independent.academia.edu/MariaEugeniaL%C3%B3pezVarea">María-Eugenia López-Varea</a><script data-card-contents-for-user="7335424" type="text/json">{"id":7335424,"first_name":"María-Eugenia","last_name":"López-Varea","domain_name":"independent","page_name":"MariaEugeniaLópezVarea","display_name":"María-Eugenia López-Varea","profile_url":"https://independent.academia.edu/MariaEugeniaL%C3%B3pezVarea?f_ri=86120","photo":"https://0.academia-photos.com/7335424/3048189/19677318/s65_maria-eugenia.l_pez-varea.jpg"}</script></span></span></li><li class="js-paper-rank-work_43580775 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43580775"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new 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data-card-contents-for-ri="2132" type="text/json">{"id":2132,"name":"Cultural Heritage","url":"https://www.academia.edu/Documents/in/Cultural_Heritage?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2366" rel="nofollow" href="https://www.academia.edu/Documents/in/Manuscripts_and_Early_Printed_Books">Manuscripts and Early Printed Books</a>, <script data-card-contents-for-ri="2366" type="text/json">{"id":2366,"name":"Manuscripts and Early Printed Books","url":"https://www.academia.edu/Documents/in/Manuscripts_and_Early_Printed_Books?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="4669" rel="nofollow" href="https://www.academia.edu/Documents/in/Rare_Books_and_Manuscripts">Rare Books and Manuscripts</a>, <script data-card-contents-for-ri="4669" type="text/json">{"id":4669,"name":"Rare Books and Manuscripts","url":"https://www.academia.edu/Documents/in/Rare_Books_and_Manuscripts?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="86120" rel="nofollow" href="https://www.academia.edu/Documents/in/Exhibitions">Exhibitions</a><script data-card-contents-for-ri="86120" type="text/json">{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43580775]'), work: {"id":43580775,"title":"Directrices de préstamo de obras de la biblioteca para exposiciones","created_at":"2020-07-10T12:46:15.180-07:00","url":"https://www.academia.edu/43580775/Directrices_de_pr%C3%A9stamo_de_obras_de_la_biblioteca_para_exposiciones?f_ri=86120","dom_id":"work_43580775","summary":"Documento elaborado por el Grupo de Trabajo Estratégico de Valoración del Patrimonio Bibliográfico, creado por el Consejo de Cooperación Bibliotecaria, en el marco del II Plan Estratégico 2016-2018.\r\nManuela Concepción Carmona García (coordinadora), Margarita Becedas González, Soledad Carnicer Arribas, María Jesús Cruzado Casas, María José Fe Trillo, Eulalia Iglesias Matas, Elena Laguna del Cojo, María Eugenia López Varea, Carmen Morales Mateo.","downloadable_attachments":[{"id":63885796,"asset_id":43580775,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":7335424,"first_name":"María-Eugenia","last_name":"López-Varea","domain_name":"independent","page_name":"MariaEugeniaLópezVarea","display_name":"María-Eugenia López-Varea","profile_url":"https://independent.academia.edu/MariaEugeniaL%C3%B3pezVarea?f_ri=86120","photo":"https://0.academia-photos.com/7335424/3048189/19677318/s65_maria-eugenia.l_pez-varea.jpg"}],"research_interests":[{"id":2132,"name":"Cultural Heritage","url":"https://www.academia.edu/Documents/in/Cultural_Heritage?f_ri=86120","nofollow":true},{"id":2366,"name":"Manuscripts and Early Printed Books","url":"https://www.academia.edu/Documents/in/Manuscripts_and_Early_Printed_Books?f_ri=86120","nofollow":true},{"id":4669,"name":"Rare Books and Manuscripts","url":"https://www.academia.edu/Documents/in/Rare_Books_and_Manuscripts?f_ri=86120","nofollow":true},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true},{"id":117821,"name":"Libros","url":"https://www.academia.edu/Documents/in/Libros?f_ri=86120"},{"id":706027,"name":"Exposiciones","url":"https://www.academia.edu/Documents/in/Exposiciones?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38463187" data-work_id="38463187" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38463187/Review_of_Evicted_Exhibition_at_the_National_Building_Museum">Review of Evicted Exhibition at the National Building Museum</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Evicted the exhibition is the product of a collaboration among the museums’ curator Sarah Leavitt, sociologist Matthew Desmond, and three Brooklyn based firms including a radio producer, an architectural practice and a graphic design... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38463187" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Evicted the exhibition is the product of a collaboration <br />among the museums’ curator Sarah Leavitt, sociologist <br />Matthew Desmond, and three Brooklyn based firms including <br />a radio producer, an architectural practice and a graphic <br />design firm. The experience is delivered almost entirely <br />through graphics and audio, with a few three dimensional <br />creations – most notably a shrink wrapped set of boxes <br />representing the belongings of an evicted family- and yet <br />the exhibit experience feels fully three-dimensional. <br /> <br />A few reasons to visit Evicted <br />- The topic impacts each of us in some way <br />- It demonstrates a novel way for a museum to provide <br />new content that brings in wider audiences while staying <br />on mission and keeping related to core expertise and <br />content <br />- It is an interesting and well executed collaboration with <br />a scholar (it is inspired by but not bound by Matthew Desmond’s <br />book of the same name) <br />- The map of the U.S. in cardboard boxes and other solid <br />information design and graphic presentation</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38463187" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ba2728b61aa673fab794b65dab50ac9d" rel="nofollow" data-download="{"attachment_id":58527396,"asset_id":38463187,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58527396/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="53103722" href="https://independent.academia.edu/KarenWise">Karen Wise</a><script data-card-contents-for-user="53103722" type="text/json">{"id":53103722,"first_name":"Karen","last_name":"Wise","domain_name":"independent","page_name":"KarenWise","display_name":"Karen Wise","profile_url":"https://independent.academia.edu/KarenWise?f_ri=86120","photo":"https://0.academia-photos.com/53103722/14127890/15126205/s65_karen.wise.jpg"}</script></span></span></li><li class="js-paper-rank-work_38463187 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38463187"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38463187, container: ".js-paper-rank-work_38463187", }); 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The experience is delivered almost entirely\r\nthrough graphics and audio, with a few three dimensional\r\ncreations – most notably a shrink wrapped set of boxes\r\nrepresenting the belongings of an evicted family- and yet\r\nthe exhibit experience feels fully three-dimensional.\r\n\r\nA few reasons to visit Evicted\r\n- The topic impacts each of us in some way\r\n- It demonstrates a novel way for a museum to provide\r\nnew content that brings in wider audiences while staying\r\non mission and keeping related to core expertise and\r\ncontent\r\n- It is an interesting and well executed collaboration with\r\na scholar (it is inspired by but not bound by Matthew Desmond’s\r\nbook of the same name)\r\n- The map of the U.S. in cardboard boxes and other solid\r\ninformation design and graphic presentation","downloadable_attachments":[{"id":58527396,"asset_id":38463187,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":53103722,"first_name":"Karen","last_name":"Wise","domain_name":"independent","page_name":"KarenWise","display_name":"Karen Wise","profile_url":"https://independent.academia.edu/KarenWise?f_ri=86120","photo":"https://0.academia-photos.com/53103722/14127890/15126205/s65_karen.wise.jpg"}],"research_interests":[{"id":9521,"name":"Housing","url":"https://www.academia.edu/Documents/in/Housing?f_ri=86120","nofollow":true},{"id":13606,"name":"Museums and Exhibition Design","url":"https://www.academia.edu/Documents/in/Museums_and_Exhibition_Design?f_ri=86120","nofollow":true},{"id":21507,"name":"Homelessness And Housing Exclusion","url":"https://www.academia.edu/Documents/in/Homelessness_And_Housing_Exclusion?f_ri=86120","nofollow":true},{"id":40719,"name":"Museums","url":"https://www.academia.edu/Documents/in/Museums?f_ri=86120","nofollow":true},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"},{"id":135914,"name":"Evictions","url":"https://www.academia.edu/Documents/in/Evictions?f_ri=86120"},{"id":702680,"name":"Urban Housing, Homelessness, Urban Studies","url":"https://www.academia.edu/Documents/in/Urban_Housing_Homelessness_Urban_Studies?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35077262" data-work_id="35077262" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35077262/Zilver_uit_s_Hertogenbosch_van_Bourgondisch_tot_Biedermeier_Een_nabeschouwing">'Zilver uit s-Hertogenbosch van Bourgondisch tot Biedermeier. Een nabeschouwing'</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35077262" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="95835801e45a3babc4b01847ec545095" rel="nofollow" data-download="{"attachment_id":54937974,"asset_id":35077262,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/54937974/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="25784273" href="https://radboud.academia.edu/JosKoldeweij">Jos Koldeweij</a><script data-card-contents-for-user="25784273" type="text/json">{"id":25784273,"first_name":"Jos","last_name":"Koldeweij","domain_name":"radboud","page_name":"JosKoldeweij","display_name":"Jos Koldeweij","profile_url":"https://radboud.academia.edu/JosKoldeweij?f_ri=86120","photo":"https://0.academia-photos.com/25784273/18908141/18860624/s65_jos.koldeweij.jpg"}</script></span></span></li><li class="js-paper-rank-work_35077262 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35077262"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35077262, container: ".js-paper-rank-work_35077262", }); 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Cómo sobrevivir al Apocalipsis</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Bugarach. Cómo sobrevivir al Apocalipsis. Mostra BUG 2018. Exhibición interactiva e inmersiva. Centro Oi Futuro. Flamengo, Río de Janeiro, Brasil.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38735137" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e7b07aa4c43324ea057944212e109f6a" rel="nofollow" data-download="{"attachment_id":58821461,"asset_id":38735137,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58821461/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1097075" href="https://uab.academia.edu/ArnauGifreuCastells">Arnau Gifreu-Castells</a><script data-card-contents-for-user="1097075" type="text/json">{"id":1097075,"first_name":"Arnau","last_name":"Gifreu-Castells","domain_name":"uab","page_name":"ArnauGifreuCastells","display_name":"Arnau Gifreu-Castells","profile_url":"https://uab.academia.edu/ArnauGifreuCastells?f_ri=86120","photo":"https://0.academia-photos.com/1097075/381384/35785167/s65_arnau.gifreu-castells.jpg"}</script></span></span></li><li class="js-paper-rank-work_38735137 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38735137"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38735137, container: ".js-paper-rank-work_38735137", }); 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Flamengo, Río de Janeiro, Brasil.\n","downloadable_attachments":[{"id":58821461,"asset_id":38735137,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1097075,"first_name":"Arnau","last_name":"Gifreu-Castells","domain_name":"uab","page_name":"ArnauGifreuCastells","display_name":"Arnau Gifreu-Castells","profile_url":"https://uab.academia.edu/ArnauGifreuCastells?f_ri=86120","photo":"https://0.academia-photos.com/1097075/381384/35785167/s65_arnau.gifreu-castells.jpg"}],"research_interests":[{"id":10165,"name":"Interactive and Digital Media","url":"https://www.academia.edu/Documents/in/Interactive_and_Digital_Media?f_ri=86120","nofollow":true},{"id":65318,"name":"Brasil","url":"https://www.academia.edu/Documents/in/Brasil?f_ri=86120","nofollow":true},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true},{"id":104217,"name":"Rio de Janeiro","url":"https://www.academia.edu/Documents/in/Rio_de_Janeiro?f_ri=86120","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33929761" data-work_id="33929761" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33929761/Film_Review_The_First_Monday_in_May_by_Andrew_Rossi">Film Review: "The First Monday in May" by Andrew Rossi</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Andrew Rossi’s 2016 documentary film, The First Monday in May, is ostensibly about the Metropolitan Museum of Art’s extravagant black-tie gala, held every spring to inaugurate the Costume Institute’s annual blockbuster exhibition. This... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_33929761" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Andrew Rossi’s 2016 documentary film, The First Monday in May, is ostensibly about the Metropolitan Museum of Art’s extravagant black-tie gala, held every spring to inaugurate the Costume Institute’s annual blockbuster exhibition. This star-studded media event has become both a financial boon to the Met – raking in over $12.5 million for the Costume Institute, or its entire yearly operating budget – as well as a staple on fashion and celebrity calendars. The film offers a classic ‘front stage’ and ‘backstage’ glimpse into preparations for the event, following a cast of well-known characters from the fashion industry – including, among others, Vogue editor-in-chief and host of the gala, Anna Wintour – as they prepare the red carpet event, while turning its lens in equal measure to the decidedly less glamorous backstage job of preparing the exhibition itself, documenting white-coated assistants performing the mundane tasks mannequin dressing, installation and conservation. Amid the lushly filmed celebrity cameos, however, a more interesting, if overlooked portrait undergirds the film. This subplot focuses on the day-to-day activities of Andrew Bolton, the soft-spoken Curator in Charge of the Costume Institute, as he researches and prepares the 2015 exhibition, China: Through the Looking Glass.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33929761" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a16ae6e4584b1766301beaac967ffbbe" rel="nofollow" data-download="{"attachment_id":53897849,"asset_id":33929761,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53897849/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="941956" href="https://colum.academia.edu/LaurenDowningPeters">Lauren Downing Peters</a><script data-card-contents-for-user="941956" type="text/json">{"id":941956,"first_name":"Lauren","last_name":"Downing Peters","domain_name":"colum","page_name":"LaurenDowningPeters","display_name":"Lauren Downing Peters","profile_url":"https://colum.academia.edu/LaurenDowningPeters?f_ri=86120","photo":"https://0.academia-photos.com/941956/1386794/14914183/s65_lauren.downing_peters.jpg"}</script></span></span></li><li class="js-paper-rank-work_33929761 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33929761"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33929761, container: ".js-paper-rank-work_33929761", }); 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This star-studded media event has become both a financial boon to the Met – raking in over $12.5 million for the Costume Institute, or its entire yearly operating budget – as well as a staple on fashion and celebrity calendars. The film offers a classic ‘front stage’ and ‘backstage’ glimpse into preparations for the event, following a cast of well-known characters from the fashion industry – including, among others, Vogue editor-in-chief and host of the gala, Anna Wintour – as they prepare the red carpet event, while turning its lens in equal measure to the decidedly less glamorous backstage job of preparing the exhibition itself, documenting white-coated assistants performing the mundane tasks mannequin dressing, installation and conservation. Amid the lushly filmed celebrity cameos, however, a more interesting, if overlooked portrait undergirds the film. This subplot focuses on the day-to-day activities of Andrew Bolton, the soft-spoken Curator in Charge of the Costume Institute, as he researches and prepares the 2015 exhibition, China: Through the Looking Glass.","downloadable_attachments":[{"id":53897849,"asset_id":33929761,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":941956,"first_name":"Lauren","last_name":"Downing Peters","domain_name":"colum","page_name":"LaurenDowningPeters","display_name":"Lauren Downing Peters","profile_url":"https://colum.academia.edu/LaurenDowningPeters?f_ri=86120","photo":"https://0.academia-photos.com/941956/1386794/14914183/s65_lauren.downing_peters.jpg"}],"research_interests":[{"id":11469,"name":"Curating","url":"https://www.academia.edu/Documents/in/Curating?f_ri=86120","nofollow":true},{"id":50968,"name":"Fashion Studies","url":"https://www.academia.edu/Documents/in/Fashion_Studies?f_ri=86120","nofollow":true},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true},{"id":226095,"name":"History of Exhibitions","url":"https://www.academia.edu/Documents/in/History_of_Exhibitions?f_ri=86120","nofollow":true},{"id":566757,"name":"Fashion Curating","url":"https://www.academia.edu/Documents/in/Fashion_Curating?f_ri=86120"},{"id":696302,"name":"Art Hisory","url":"https://www.academia.edu/Documents/in/Art_Hisory?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31534714" data-work_id="31534714" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31534714/My_Gallery_is_the_World_Now_Seth_Siegelaub_and_the_catalogue_as_exhibition">'My Gallery is the World Now' – Seth Siegelaub and the catalogue-as-exhibition</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Gráinne Coughlan (Dublin Institute of Technology): Representing Reality; Visual representation in the work of Stephen Willats and its potential within contemporary community outreach programmes 11.15-11.45 Coffee and tea (Provided)... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_31534714" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Gráinne Coughlan (Dublin Institute of Technology): Representing Reality; Visual representation in the work of Stephen Willats and its potential within contemporary community outreach programmes 11.15-11.45 Coffee and tea (Provided) 11.45-12.45 Challenging Boundaries and the Conceptual Flora Dunster (University of Sussex): Art "Outside" the Gallery: Derek Jarman's Public Queerness</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31534714" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="916c623b57658c72cc683d685d1c2fba" rel="nofollow" data-download="{"attachment_id":51876433,"asset_id":31534714,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51876433/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="16851450" href="https://uni-m.academia.edu/RegineEhleiter">Regine Ehleiter</a><script data-card-contents-for-user="16851450" type="text/json">{"id":16851450,"first_name":"Regine","last_name":"Ehleiter","domain_name":"uni-m","page_name":"RegineEhleiter","display_name":"Regine Ehleiter","profile_url":"https://uni-m.academia.edu/RegineEhleiter?f_ri=86120","photo":"https://0.academia-photos.com/16851450/4623797/98074786/s65_regine.ehleiter.jpg"}</script></span></span></li><li class="js-paper-rank-work_31534714 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31534714"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31534714, container: ".js-paper-rank-work_31534714", }); 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Visual representation in the work of Stephen Willats and its potential within contemporary community outreach programmes 11.15-11.45 Coffee and tea (Provided) 11.45-12.45 Challenging Boundaries and the Conceptual Flora Dunster (University of Sussex): Art \"Outside\" the Gallery: Derek Jarman's Public Queerness","downloadable_attachments":[{"id":51876433,"asset_id":31534714,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":16851450,"first_name":"Regine","last_name":"Ehleiter","domain_name":"uni-m","page_name":"RegineEhleiter","display_name":"Regine Ehleiter","profile_url":"https://uni-m.academia.edu/RegineEhleiter?f_ri=86120","photo":"https://0.academia-photos.com/16851450/4623797/98074786/s65_regine.ehleiter.jpg"}],"research_interests":[{"id":20178,"name":"Conceptual Art","url":"https://www.academia.edu/Documents/in/Conceptual_Art?f_ri=86120","nofollow":true},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true},{"id":220364,"name":"Conceptualism","url":"https://www.academia.edu/Documents/in/Conceptualism?f_ri=86120","nofollow":true},{"id":226095,"name":"History of Exhibitions","url":"https://www.academia.edu/Documents/in/History_of_Exhibitions?f_ri=86120","nofollow":true},{"id":264788,"name":"Art History, Exhibition History, Museum and Curating Studies","url":"https://www.academia.edu/Documents/in/Art_History_Exhibition_History_Museum_and_Curating_Studies?f_ri=86120"},{"id":635721,"name":"Global Conceptualism","url":"https://www.academia.edu/Documents/in/Global_Conceptualism?f_ri=86120"},{"id":897944,"name":"Seth Siegelaub","url":"https://www.academia.edu/Documents/in/Seth_Siegelaub?f_ri=86120"},{"id":1223619,"name":"Artists’ Books","url":"https://www.academia.edu/Documents/in/Artists_Books-1?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_11113105" data-work_id="11113105" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/11113105/_Consultant_I_disegni_di_Carlo_Scarpa_per_la_Biennale_di_Venezia_Architetture_e_Progetti_1948_1968_Biennale_di_Venezia_Next_2002_8_settembre_3_novembre_2002_Roma_Centro_Nazionale_per_le_Arti_Contemporanee_13_dicembre_2002_8_febbraio_2003_">(Consultant): "I disegni di Carlo Scarpa per la Biennale di Venezia. Architetture e Progetti (1948 - 1968)", Biennale di Venezia - Next 2002 (8 settembre - 3 novembre 2002); Roma, Centro Nazionale per le Arti Contemporanee (13 dicembre 2002 – 8 febbraio 2003)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/11113105" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c9c432cad6f17d7fce6e095ae292bead" rel="nofollow" data-download="{"attachment_id":51506444,"asset_id":11113105,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51506444/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="112000" href="https://uniud.academia.edu/OriettaLanzarini">Orietta Lanzarini</a><script data-card-contents-for-user="112000" type="text/json">{"id":112000,"first_name":"Orietta","last_name":"Lanzarini","domain_name":"uniud","page_name":"OriettaLanzarini","display_name":"Orietta Lanzarini","profile_url":"https://uniud.academia.edu/OriettaLanzarini?f_ri=86120","photo":"https://0.academia-photos.com/112000/98604/149711696/s65_orietta.lanzarini.jpeg"}</script></span></span></li><li class="js-paper-rank-work_11113105 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="11113105"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 11113105, container: ".js-paper-rank-work_11113105", }); 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Diretrizes Curatoriais Para a Mostra Dos Estudantes Brasileiros Na PQ2019</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Este artigo busca apresentar o processo de trabalho da equipe de curadoria da Mostra dos Estudantes Brasileiros na Quadrienal de Praga de 2019, expondo as etapas de curadoria durante o período compreendido entre a nomeação da equipe... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_73775337" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Este artigo busca apresentar o processo de trabalho da equipe de curadoria da Mostra dos Estudantes Brasileiros na Quadrienal de Praga de 2019, expondo as etapas de curadoria durante o período compreendido entre a nomeação da equipe (2017) e a exposição internacional.Palavras-chavesMostra dos Estudantes. Design da Performance. Cenografia. Curadoria.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/73775337" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c04aacedda9a0b37c8f87eb1e31136b2" rel="nofollow" data-download="{"attachment_id":82164995,"asset_id":73775337,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/82164995/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="33908194" href="https://unirio.academia.edu/C%C3%A1ssiaMariaFernandesMonteiro">Cássia Maria Fernandes Monteiro</a><script data-card-contents-for-user="33908194" type="text/json">{"id":33908194,"first_name":"Cássia Maria","last_name":"Fernandes Monteiro","domain_name":"unirio","page_name":"CássiaMariaFernandesMonteiro","display_name":"Cássia Maria Fernandes Monteiro","profile_url":"https://unirio.academia.edu/C%C3%A1ssiaMariaFernandesMonteiro?f_ri=86120","photo":"https://0.academia-photos.com/33908194/9971835/11120381/s65_c_ssia_maria.fernandes_monteiro.jpg_oh_6203489a088bf5d15fa8284b23c8ae63_oe_567bba7e___gda___1451332329_2b3012ef92effa3f65e655d90dd236f7"}</script></span></span></li><li class="js-paper-rank-work_73775337 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="73775337"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 73775337, container: ".js-paper-rank-work_73775337", }); 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$(".js-view-count[data-work-id=73775337]").text(description); $(".js-view-count-work_73775337").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_73775337").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="73775337"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="6526" rel="nofollow" href="https://www.academia.edu/Documents/in/Scenography">Scenography</a>, <script data-card-contents-for-ri="6526" type="text/json">{"id":6526,"name":"Scenography","url":"https://www.academia.edu/Documents/in/Scenography?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="48878" rel="nofollow" href="https://www.academia.edu/Documents/in/Exhibition_Design">Exhibition Design</a>, <script data-card-contents-for-ri="48878" type="text/json">{"id":48878,"name":"Exhibition Design","url":"https://www.academia.edu/Documents/in/Exhibition_Design?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="86120" rel="nofollow" href="https://www.academia.edu/Documents/in/Exhibitions">Exhibitions</a>, <script data-card-contents-for-ri="86120" type="text/json">{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="129494" rel="nofollow" href="https://www.academia.edu/Documents/in/Curadoria">Curadoria</a><script data-card-contents-for-ri="129494" type="text/json">{"id":129494,"name":"Curadoria","url":"https://www.academia.edu/Documents/in/Curadoria?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=73775337]'), work: {"id":73775337,"title":"Imagina [Trans] Forma [Inter] Ação. 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Curadoria.","downloadable_attachments":[{"id":82164995,"asset_id":73775337,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":33908194,"first_name":"Cássia Maria","last_name":"Fernandes Monteiro","domain_name":"unirio","page_name":"CássiaMariaFernandesMonteiro","display_name":"Cássia Maria Fernandes Monteiro","profile_url":"https://unirio.academia.edu/C%C3%A1ssiaMariaFernandesMonteiro?f_ri=86120","photo":"https://0.academia-photos.com/33908194/9971835/11120381/s65_c_ssia_maria.fernandes_monteiro.jpg_oh_6203489a088bf5d15fa8284b23c8ae63_oe_567bba7e___gda___1451332329_2b3012ef92effa3f65e655d90dd236f7"}],"research_interests":[{"id":6526,"name":"Scenography","url":"https://www.academia.edu/Documents/in/Scenography?f_ri=86120","nofollow":true},{"id":48878,"name":"Exhibition Design","url":"https://www.academia.edu/Documents/in/Exhibition_Design?f_ri=86120","nofollow":true},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true},{"id":129494,"name":"Curadoria","url":"https://www.academia.edu/Documents/in/Curadoria?f_ri=86120","nofollow":true},{"id":377308,"name":"Curatorship","url":"https://www.academia.edu/Documents/in/Curatorship?f_ri=86120"},{"id":470083,"name":"Cenografia","url":"https://www.academia.edu/Documents/in/Cenografia?f_ri=86120"},{"id":490967,"name":"Prague Quadrennial","url":"https://www.academia.edu/Documents/in/Prague_Quadrennial?f_ri=86120"},{"id":1270875,"name":"Exposição","url":"https://www.academia.edu/Documents/in/Exposicao?f_ri=86120"},{"id":3475417,"name":"Cena","url":"https://www.academia.edu/Documents/in/Cena?f_ri=86120"},{"id":3730223,"name":"Design de Exposições","url":"https://www.academia.edu/Documents/in/Design_de_Exposi%C3%A7%C3%B5es?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_49081686" data-work_id="49081686" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/49081686/Krause_A_E_and_Davidson_J_W_2021_Investigating_the_development_and_reception_of_an_art_exhibition_on_the_theme_of_Early_Modern_representations_of_love">Krause, A. E., & Davidson, J. W. (2021). Investigating the development and reception of an art exhibition on the theme of Early Modern representations of love.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Can the modern-day art gallery visitor access the historical emotional meaning of what is viewed? The present investigation explored Love: Art of Emotions, an exhibition curated and shown at the National Gallery of Victoria April–June... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_49081686" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Can the modern-day art gallery visitor access the historical emotional meaning of what is viewed? The present investigation explored Love: Art of Emotions, an exhibition curated and shown at the National Gallery of Victoria April–June 2017, which displayed a variety of artworks from the early modern period. The current article aimed to investigate both curator intentions and visitor reception of the exhibition. The project leader and the exhibition curator were interviewed about the aims of the exhibition and the steps implemented to realize its intentions. Materials such as the catalogue and exhibition labels were also subjected to a textual analysis to deepen understanding of the curatorial offerings. Additionally, 80 gallery visitors were asked about their subjective experiences of the exhibition. Thematic analysis of the curatorial team interviews and supporting materials from the exhibition identified how the exhibition was created, including coverage of the presenting the historical meaning of love, the selection of specific artworks to be exhibited, design aesthetics, layout and the additional materials presented to support the viewing experience. Thematic analyses of the impact of the exhibition on visitors highlighted overlap with the curatorial team’s intentions, demonstrating that some curatorial choices were apparent to gallery visitors and were also well received. A major exception was appreciation for a historical understanding of love. This was found to be less striking or memorable than the visitors’ own visceral and personal emotional response, such as an emotional reaction to the ambience, rather than to the historical meanings the work might have generated. These findings challenge curators to devise strategies that can help elicit historical understandings in exhibited art works as well as visceral emotional responses. This will project an understanding of art galleries as multi-sensorial and also multi-modal sites in which to experience the emotional impact of artworks through both a visceral and historical frame.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/49081686" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9ae110cf589f1da1b4badf1c7e4f76b9" rel="nofollow" data-download="{"attachment_id":73734219,"asset_id":49081686,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/73734219/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1115114" href="https://jamescook.academia.edu/AmandaKrause">Amanda E Krause</a><script data-card-contents-for-user="1115114" type="text/json">{"id":1115114,"first_name":"Amanda","last_name":"Krause","domain_name":"jamescook","page_name":"AmandaKrause","display_name":"Amanda E Krause","profile_url":"https://jamescook.academia.edu/AmandaKrause?f_ri=86120","photo":"https://0.academia-photos.com/1115114/722544/18693270/s65_amanda.krause.png"}</script></span></span></li><li class="js-paper-rank-work_49081686 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="49081686"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 49081686, container: ".js-paper-rank-work_49081686", }); 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E., \u0026 Davidson, J. W. (2021). Investigating the development and reception of an art exhibition on the theme of Early Modern representations of love.","created_at":"2021-05-31T13:36:56.868-07:00","url":"https://www.academia.edu/49081686/Krause_A_E_and_Davidson_J_W_2021_Investigating_the_development_and_reception_of_an_art_exhibition_on_the_theme_of_Early_Modern_representations_of_love?f_ri=86120","dom_id":"work_49081686","summary":"Can the modern-day art gallery visitor access the historical emotional meaning of what is viewed? The present investigation explored Love: Art of Emotions, an exhibition curated and shown at the National Gallery of Victoria April–June 2017, which displayed a variety of artworks from the early modern period. The current article aimed to investigate both curator intentions and visitor reception of the exhibition. The project leader and the exhibition curator were interviewed about the aims of the exhibition and the steps implemented to realize its intentions. Materials such as the catalogue and exhibition labels were also subjected to a textual analysis to deepen understanding of the curatorial offerings. Additionally, 80 gallery visitors were asked about their subjective experiences of the exhibition. Thematic analysis of the curatorial team interviews and supporting materials from the exhibition identified how the exhibition was created, including coverage of the presenting the historical meaning of love, the selection of specific artworks to be exhibited, design aesthetics, layout and the additional materials presented to support the viewing experience. Thematic analyses of the impact of the exhibition on visitors highlighted overlap with the curatorial team’s intentions, demonstrating that some curatorial choices were apparent to gallery visitors and were also well received. A major exception was appreciation for a historical understanding of love. This was found to be less striking or memorable than the visitors’ own visceral and personal emotional response, such as an emotional reaction to the ambience, rather than to the historical meanings the work might have generated. These findings challenge curators to devise strategies that can help elicit historical understandings in exhibited art works as well as visceral emotional responses. This will project an understanding of art galleries as multi-sensorial and also multi-modal sites in which to experience the emotional impact of artworks through both a visceral and historical frame.","downloadable_attachments":[{"id":73734219,"asset_id":49081686,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1115114,"first_name":"Amanda","last_name":"Krause","domain_name":"jamescook","page_name":"AmandaKrause","display_name":"Amanda E Krause","profile_url":"https://jamescook.academia.edu/AmandaKrause?f_ri=86120","photo":"https://0.academia-photos.com/1115114/722544/18693270/s65_amanda.krause.png"}],"research_interests":[{"id":1657,"name":"Museum Studies","url":"https://www.academia.edu/Documents/in/Museum_Studies?f_ri=86120","nofollow":true},{"id":5524,"name":"History Of Emotions","url":"https://www.academia.edu/Documents/in/History_Of_Emotions?f_ri=86120","nofollow":true},{"id":13606,"name":"Museums and Exhibition Design","url":"https://www.academia.edu/Documents/in/Museums_and_Exhibition_Design?f_ri=86120","nofollow":true},{"id":79312,"name":"Visitor Research and Evaluation","url":"https://www.academia.edu/Documents/in/Visitor_Research_and_Evaluation?f_ri=86120","nofollow":true},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"},{"id":111252,"name":"Early Modern Art and Visual Culture","url":"https://www.academia.edu/Documents/in/Early_Modern_Art_and_Visual_Culture?f_ri=86120"},{"id":290604,"name":"Art Gallery","url":"https://www.academia.edu/Documents/in/Art_Gallery?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39583775" data-work_id="39583775" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39583775/Compte_rendu_de_lExposition_Rouge_Art_et_utopie_au_pays_des_Soviets_dans_Histoire_and_Politique_juin_2019">Compte rendu de l'Exposition "Rouge. Art et utopie au pays des Soviets" dans Histoire & Politique, juin 2019.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Compte rendu de l'exposition 'Rouge Art et utopie au pays des Soviets" (Grand Palais, 20 mars –1er juillet 2019) dans Histoire&politique, N° 37, Janvier-avril 2019.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39583775" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Compte rendu de l'exposition 'Rouge Art et utopie au pays des Soviets" (Grand Palais, 20 mars –1er juillet 2019) dans Histoire&politique, N° 37, Janvier-avril 2019. <br /><a href="https://www.histoire-politique.fr/index.php?numero=37&rub=comptes-rendus&item=706" rel="nofollow">https://www.histoire-politique.fr/index.php?numero=37&rub=comptes-rendus&item=706</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39583775" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="331f2080a755726fd91e5fe857539a69" rel="nofollow" data-download="{"attachment_id":59737760,"asset_id":39583775,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59737760/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="22755722" href="https://sciences-po.academia.edu/MazuyRachel">Mazuy Rachel</a><script data-card-contents-for-user="22755722" type="text/json">{"id":22755722,"first_name":"Mazuy","last_name":"Rachel","domain_name":"sciences-po","page_name":"MazuyRachel","display_name":"Mazuy Rachel","profile_url":"https://sciences-po.academia.edu/MazuyRachel?f_ri=86120","photo":"https://0.academia-photos.com/22755722/6193937/121325029/s65_mazuy.rachel.jpg"}</script></span></span></li><li class="js-paper-rank-work_39583775 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39583775"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39583775, container: ".js-paper-rank-work_39583775", }); 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Art et utopie au pays des Soviets\" dans Histoire \u0026 Politique, juin 2019.","created_at":"2019-06-15T03:27:10.256-07:00","url":"https://www.academia.edu/39583775/Compte_rendu_de_lExposition_Rouge_Art_et_utopie_au_pays_des_Soviets_dans_Histoire_and_Politique_juin_2019?f_ri=86120","dom_id":"work_39583775","summary":"Compte rendu de l'exposition 'Rouge Art et utopie au pays des Soviets\" (Grand Palais, 20 mars –1er juillet 2019) dans Histoire\u0026politique, N° 37, Janvier-avril 2019. \nhttps://www.histoire-politique.fr/index.php?numero=37\u0026rub=comptes-rendus\u0026item=706 ","downloadable_attachments":[{"id":59737760,"asset_id":39583775,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":22755722,"first_name":"Mazuy","last_name":"Rachel","domain_name":"sciences-po","page_name":"MazuyRachel","display_name":"Mazuy Rachel","profile_url":"https://sciences-po.academia.edu/MazuyRachel?f_ri=86120","photo":"https://0.academia-photos.com/22755722/6193937/121325029/s65_mazuy.rachel.jpg"}],"research_interests":[{"id":1567,"name":"Soviet History","url":"https://www.academia.edu/Documents/in/Soviet_History?f_ri=86120","nofollow":true},{"id":18977,"name":"Soviet Union (History)","url":"https://www.academia.edu/Documents/in/Soviet_Union_History_?f_ri=86120","nofollow":true},{"id":21751,"name":"Russian \u0026 Soviet Art","url":"https://www.academia.edu/Documents/in/Russian_and_Soviet_Art?f_ri=86120","nofollow":true},{"id":24360,"name":"Culture in the Soviet Union","url":"https://www.academia.edu/Documents/in/Culture_in_the_Soviet_Union?f_ri=86120","nofollow":true},{"id":39545,"name":"Socialist Realism","url":"https://www.academia.edu/Documents/in/Socialist_Realism?f_ri=86120"},{"id":49043,"name":"Utopia","url":"https://www.academia.edu/Documents/in/Utopia?f_ri=86120"},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"},{"id":1225791,"name":"Gustavs Klucis","url":"https://www.academia.edu/Documents/in/Gustavs_Klucis?f_ri=86120"},{"id":1378624,"name":"Réalisme Socialiste","url":"https://www.academia.edu/Documents/in/Realisme_Socialiste?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37729918" data-work_id="37729918" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37729918/Wildlife_of_Gondwanaland">Wildlife of Gondwanaland</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Ever wanted to travel around the world? Well, the Wildlife of Gondwana exhibition certainly has! After 20 years of captivating and educating people about the many millions of years of Australia’s unique fauna and flora, this exhibition... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37729918" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Ever wanted to travel around the world? Well, the Wildlife of Gondwana exhibition certainly has! After 20 years of captivating and educating people about the many millions of years of Australia’s unique fauna and flora, this exhibition will find its final home in the Australian Age of Dinosaurs (AAOD) Museum of Natural History in Winton, Queensland.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37729918" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1fd41970c0ecfe7efc0756c14eb36a9a" rel="nofollow" data-download="{"attachment_id":57723945,"asset_id":37729918,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57723945/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="45444208" href="https://independent.academia.edu/JadeKoekoe">Jade Koekoe</a><script data-card-contents-for-user="45444208" type="text/json">{"id":45444208,"first_name":"Jade","last_name":"Koekoe","domain_name":"independent","page_name":"JadeKoekoe","display_name":"Jade Koekoe","profile_url":"https://independent.academia.edu/JadeKoekoe?f_ri=86120","photo":"https://0.academia-photos.com/45444208/21151333/23406221/s65_jade.koekoe.jpg"}</script></span></span></li><li class="js-paper-rank-work_37729918 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37729918"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37729918, container: ".js-paper-rank-work_37729918", }); 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Well, the Wildlife of Gondwana exhibition certainly has! After 20 years of captivating and educating people about the many millions of years of Australia’s unique fauna and flora, this exhibition will find its final home in the Australian Age of Dinosaurs (AAOD) Museum of Natural History in Winton, Queensland.","downloadable_attachments":[{"id":57723945,"asset_id":37729918,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":45444208,"first_name":"Jade","last_name":"Koekoe","domain_name":"independent","page_name":"JadeKoekoe","display_name":"Jade Koekoe","profile_url":"https://independent.academia.edu/JadeKoekoe?f_ri=86120","photo":"https://0.academia-photos.com/45444208/21151333/23406221/s65_jade.koekoe.jpg"}],"research_interests":[{"id":13606,"name":"Museums and Exhibition Design","url":"https://www.academia.edu/Documents/in/Museums_and_Exhibition_Design?f_ri=86120","nofollow":true},{"id":24542,"name":"Dinosaur Paleontology","url":"https://www.academia.edu/Documents/in/Dinosaur_Paleontology?f_ri=86120","nofollow":true},{"id":59432,"name":"Dinosaurs","url":"https://www.academia.edu/Documents/in/Dinosaurs?f_ri=86120","nofollow":true},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120","nofollow":true},{"id":1554567,"name":"Polar dinoaurs","url":"https://www.academia.edu/Documents/in/Polar_dinoaurs?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_28704633" data-work_id="28704633" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/28704633/%D7%9E%D7%A9%D7%97%D7%A7%D7%99%D7%9D_%D7%A8%D7%A6%D7%99%D7%A0%D7%99%D7%99%D7%9D">משחקים רציניים</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">משחקים רציניים על המשמר<br />תאריך לא ידוע<br />נושא: בובות, משחקים וצעצועים</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/28704633" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c4adb4b97f6cd30d21ca2d88a2e5d9e7" rel="nofollow" data-download="{"attachment_id":49104333,"asset_id":28704633,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/49104333/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7745638" href="https://beitberl.academia.edu/DoritKedar">Dorit Kedar</a><script data-card-contents-for-user="7745638" type="text/json">{"id":7745638,"first_name":"Dorit","last_name":"Kedar","domain_name":"beitberl","page_name":"DoritKedar","display_name":"Dorit Kedar","profile_url":"https://beitberl.academia.edu/DoritKedar?f_ri=86120","photo":"https://0.academia-photos.com/7745638/2802052/21716088/s65_dorit.kedar.jpg"}</script></span></span></li><li class="js-paper-rank-work_28704633 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="28704633"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 28704633, container: ".js-paper-rank-work_28704633", }); 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$(".js-view-count[data-work-id=28704633]").text(description); $(".js-view-count-work_28704633").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_28704633").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="28704633"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="767" rel="nofollow" href="https://www.academia.edu/Documents/in/Anthropology">Anthropology</a>, <script data-card-contents-for-ri="767" type="text/json">{"id":767,"name":"Anthropology","url":"https://www.academia.edu/Documents/in/Anthropology?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1657" rel="nofollow" href="https://www.academia.edu/Documents/in/Museum_Studies">Museum Studies</a>, <script data-card-contents-for-ri="1657" type="text/json">{"id":1657,"name":"Museum Studies","url":"https://www.academia.edu/Documents/in/Museum_Studies?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2170" rel="nofollow" href="https://www.academia.edu/Documents/in/Ethnography">Ethnography</a>, <script data-card-contents-for-ri="2170" type="text/json">{"id":2170,"name":"Ethnography","url":"https://www.academia.edu/Documents/in/Ethnography?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="3499" rel="nofollow" href="https://www.academia.edu/Documents/in/Social_and_Cultural_Anthropology">Social and Cultural Anthropology</a><script data-card-contents-for-ri="3499" type="text/json">{"id":3499,"name":"Social and Cultural Anthropology","url":"https://www.academia.edu/Documents/in/Social_and_Cultural_Anthropology?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=28704633]'), work: {"id":28704633,"title":"משחקים רציניים","created_at":"2016-09-25T06:06:24.709-07:00","url":"https://www.academia.edu/28704633/%D7%9E%D7%A9%D7%97%D7%A7%D7%99%D7%9D_%D7%A8%D7%A6%D7%99%D7%A0%D7%99%D7%99%D7%9D?f_ri=86120","dom_id":"work_28704633","summary":"משחקים רציניים\tעל המשמר\nתאריך לא ידוע\nנושא: בובות, משחקים וצעצועים","downloadable_attachments":[{"id":49104333,"asset_id":28704633,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":7745638,"first_name":"Dorit","last_name":"Kedar","domain_name":"beitberl","page_name":"DoritKedar","display_name":"Dorit Kedar","profile_url":"https://beitberl.academia.edu/DoritKedar?f_ri=86120","photo":"https://0.academia-photos.com/7745638/2802052/21716088/s65_dorit.kedar.jpg"}],"research_interests":[{"id":767,"name":"Anthropology","url":"https://www.academia.edu/Documents/in/Anthropology?f_ri=86120","nofollow":true},{"id":1657,"name":"Museum Studies","url":"https://www.academia.edu/Documents/in/Museum_Studies?f_ri=86120","nofollow":true},{"id":2170,"name":"Ethnography","url":"https://www.academia.edu/Documents/in/Ethnography?f_ri=86120","nofollow":true},{"id":3499,"name":"Social and Cultural Anthropology","url":"https://www.academia.edu/Documents/in/Social_and_Cultural_Anthropology?f_ri=86120","nofollow":true},{"id":12783,"name":"History of Toys and Play","url":"https://www.academia.edu/Documents/in/History_of_Toys_and_Play?f_ri=86120"},{"id":24748,"name":"Ethnicity","url":"https://www.academia.edu/Documents/in/Ethnicity?f_ri=86120"},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"},{"id":619396,"name":"Anthropology of Religion","url":"https://www.academia.edu/Documents/in/Anthropology_of_Religion?f_ri=86120"},{"id":651985,"name":"Israelian Art","url":"https://www.academia.edu/Documents/in/Israelian_Art?f_ri=86120"},{"id":1175690,"name":"Toys In Art and Culture","url":"https://www.academia.edu/Documents/in/Toys_In_Art_and_Culture?f_ri=86120"},{"id":1791657,"name":"אמנות ישראלית","url":"https://www.academia.edu/Documents/in/%D7%90%D7%9E%D7%A0%D7%95%D7%AA_%D7%99%D7%A9%D7%A8%D7%90%D7%9C%D7%99%D7%AA?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_23313726" data-work_id="23313726" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/23313726/%C3%89letrajz_%C3%A9vsz%C3%A1mokban_Biography_in_Dates_In_Nicolas_Sch%C3%B6ffer_Retrospective_Budapest_M%C5%B1csarnok_Kunsthalle_2015_63_74">Életrajz évszámokban / Biography in Dates. In Nicolas Schöffer Retrospective. Budapest, Műcsarnok- Kunsthalle, 2015. 63 – 74.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Chronology of Nicolas Schöffer's life. Language: hungarian, english</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/23313726" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="760a25070743278a3b21e8877d7dea21" rel="nofollow" data-download="{"attachment_id":43774505,"asset_id":23313726,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/43774505/download_file?st=MTc0MDY4MjA3Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="21855268" href="https://mucsarnok.academia.edu/Zolt%C3%A1nRockenbauer">Zoltán Rockenbauer</a><script data-card-contents-for-user="21855268" type="text/json">{"id":21855268,"first_name":"Zoltán","last_name":"Rockenbauer","domain_name":"mucsarnok","page_name":"ZoltánRockenbauer","display_name":"Zoltán Rockenbauer","profile_url":"https://mucsarnok.academia.edu/Zolt%C3%A1nRockenbauer?f_ri=86120","photo":"https://0.academia-photos.com/21855268/5998563/6806765/s65_zolt_n.rockenbauer.jpg"}</script></span></span></li><li class="js-paper-rank-work_23313726 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="23313726"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 23313726, container: ".js-paper-rank-work_23313726", }); });</script></li><li class="js-percentile-work_23313726 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 23313726; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_23313726"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_23313726 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="23313726"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 23313726; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=23313726]").text(description); $(".js-view-count-work_23313726").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_23313726").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="23313726"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">14</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="3051" rel="nofollow" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="4950" rel="nofollow" href="https://www.academia.edu/Documents/in/Modern_Art">Modern Art</a>, <script data-card-contents-for-ri="4950" type="text/json">{"id":4950,"name":"Modern Art","url":"https://www.academia.edu/Documents/in/Modern_Art?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="13379" rel="nofollow" href="https://www.academia.edu/Documents/in/Sculpture">Sculpture</a>, <script data-card-contents-for-ri="13379" type="text/json">{"id":13379,"name":"Sculpture","url":"https://www.academia.edu/Documents/in/Sculpture?f_ri=86120","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="31319" rel="nofollow" href="https://www.academia.edu/Documents/in/20th_century_Avant-Garde">20th century Avant-Garde</a><script data-card-contents-for-ri="31319" type="text/json">{"id":31319,"name":"20th century Avant-Garde","url":"https://www.academia.edu/Documents/in/20th_century_Avant-Garde?f_ri=86120","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=23313726]'), work: {"id":23313726,"title":"Életrajz évszámokban / Biography in Dates. In Nicolas Schöffer Retrospective. Budapest, Műcsarnok- Kunsthalle, 2015. 63 – 74.","created_at":"2016-03-16T01:53:12.864-07:00","url":"https://www.academia.edu/23313726/%C3%89letrajz_%C3%A9vsz%C3%A1mokban_Biography_in_Dates_In_Nicolas_Sch%C3%B6ffer_Retrospective_Budapest_M%C5%B1csarnok_Kunsthalle_2015_63_74?f_ri=86120","dom_id":"work_23313726","summary":"Chronology of Nicolas Schöffer's life. Language: hungarian, english","downloadable_attachments":[{"id":43774505,"asset_id":23313726,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":21855268,"first_name":"Zoltán","last_name":"Rockenbauer","domain_name":"mucsarnok","page_name":"ZoltánRockenbauer","display_name":"Zoltán Rockenbauer","profile_url":"https://mucsarnok.academia.edu/Zolt%C3%A1nRockenbauer?f_ri=86120","photo":"https://0.academia-photos.com/21855268/5998563/6806765/s65_zolt_n.rockenbauer.jpg"}],"research_interests":[{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=86120","nofollow":true},{"id":4950,"name":"Modern Art","url":"https://www.academia.edu/Documents/in/Modern_Art?f_ri=86120","nofollow":true},{"id":13379,"name":"Sculpture","url":"https://www.academia.edu/Documents/in/Sculpture?f_ri=86120","nofollow":true},{"id":31319,"name":"20th century Avant-Garde","url":"https://www.academia.edu/Documents/in/20th_century_Avant-Garde?f_ri=86120","nofollow":true},{"id":43349,"name":"Fine Arts","url":"https://www.academia.edu/Documents/in/Fine_Arts?f_ri=86120"},{"id":43406,"name":"Kinetic Art","url":"https://www.academia.edu/Documents/in/Kinetic_Art?f_ri=86120"},{"id":66892,"name":"Chronology","url":"https://www.academia.edu/Documents/in/Chronology?f_ri=86120"},{"id":80709,"name":"French Avant-Garde","url":"https://www.academia.edu/Documents/in/French_Avant-Garde?f_ri=86120"},{"id":86120,"name":"Exhibitions","url":"https://www.academia.edu/Documents/in/Exhibitions?f_ri=86120"},{"id":379365,"name":"European Avant Garde (Italian, French, Russian and Czech avant-garde movements)","url":"https://www.academia.edu/Documents/in/European_Avant_Garde_Italian_French_Russian_and_Czech_avant-garde_movements_?f_ri=86120"},{"id":426997,"name":"Kinetic Architecture","url":"https://www.academia.edu/Documents/in/Kinetic_Architecture?f_ri=86120"},{"id":577566,"name":"Hungarian Art (19-20th century)","url":"https://www.academia.edu/Documents/in/Hungarian_Art_19-20th_century_?f_ri=86120"},{"id":1592390,"name":"Nicolas Schöffer","url":"https://www.academia.edu/Documents/in/Nicolas_Schoffer?f_ri=86120"},{"id":1935184,"name":"Hungarian Avant-Garde","url":"https://www.academia.edu/Documents/in/Hungarian_Avant-Garde?f_ri=86120"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_72460169" data-work_id="72460169" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" rel="nofollow" href="https://www.academia.edu/72460169/Muses_for_museums_curating_stories_of_ancient_women">Muses for museums: curating stories of ancient women</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The stories of ancient women from the Greek and Roman world have been explored in museum spaces in a variety of ways. Whether through whole exhibitions or specific sections of galleries, curating this subject comes with a series of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_72460169" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The stories of ancient women from the Greek and Roman world have been explored in museum spaces in a variety of ways. Whether through whole exhibitions or specific sections of galleries, curating this subject comes with a series of challenges as well as opportunities. In this paper I firstly explore some examples of past exhibitions from around the world which have been held at the Uffizi Gallery, the Archaeological Museum of Pella, Greece, and others. Furthermore, using my own ongoing experience of researching, proposing, and curating a future display on ancient women at the Santa Barbara Museum of Art in California, I argue that this topic presents an opportunity not only to present new material to the public, but also to rethink museum processes.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/72460169" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1258262" href="https://une-au.academia.edu/AlinaKozlovski">Alina Kozlovski</a><script data-card-contents-for-user="1258262" type="text/json">{"id":1258262,"first_name":"Alina","last_name":"Kozlovski","domain_name":"une-au","page_name":"AlinaKozlovski","display_name":"Alina Kozlovski","profile_url":"https://une-au.academia.edu/AlinaKozlovski?f_ri=86120","photo":"https://0.academia-photos.com/1258262/6180589/28185799/s65_alina.kozlovski.jpg"}</script></span></span></li><li class="js-paper-rank-work_72460169 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="72460169"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 72460169, container: ".js-paper-rank-work_72460169", }); 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