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<!DOCTYPE html><html lang="it"><head><meta charSet="utf-8" class="next-head"/><title class="next-head">La storia del Museo - Museo Egizio</title><meta name="title" property="title" content="" class="next-head"/><meta name="og:title" property="og:title" content="" class="next-head"/><meta name="twitter:title" property="twitter:title" content="" class="next-head"/><meta name="description" property="description" content="" class="next-head"/><meta name="og:description" property="og:description" content="" class="next-head"/><meta name="twitter:description" property="twitter:description" content="" class="next-head"/><meta name="og:image" property="og:image" content="https://museoegizio.it/static/images/MuseoEgizio.jpg" class="next-head"/><meta name="twitter:image:url" property="twitter:image:url" content="https://museoegizio.it/static/images/MuseoEgizio.jpg" class="next-head"/><script src="/static/meta.js" defer="" class="next-head"></script><noscript class="next-head"><img height="1" 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.search-container .search-button{font-size:1.875rem;padding-top:8px;padding-bottom:15px;cursor:pointer;}@media (min-width:1024px){.jZaLqR .search-container .search-button{font-size:100px;padding-top:0;padding-bottom:0;}}.jZaLqR .search-container .loader{width:1.875rem;display:inline-block;}@media (min-width:1024px){.jZaLqR .search-container .loader{width:100px;}}.jZaLqR .search-container .search-results{-webkit-box-flex:1;-webkit-flex-grow:1;-ms-flex-positive:1;flex-grow:1;overflow:hidden;margin:20px auto;height:100%;width:100%;}.jZaLqR .search-container .search-results .search-results-container{width:105%;overflow:auto;height:100%;overflow-x:hidden;}.jZaLqR .search-container .search-results .search-results-container > div{width:95%;} /* sc-component-id: sc-kpOJdX */ @media (min-width:767px){.clkHOJ > span:not(:last-of-type){margin-right:33px;}}@media (min-width:1024px){.clkHOJ{color:black;}}.clkHOJ .language,.clkHOJ .button{display:inline-block;vertical-align:middle;}.clkHOJ .button{display:none;}@media (min-width:767px){.clkHOJ .button{display:inline-block;}}.clkHOJ .language{font-size:.75rem;padding:18px 15px 18px;margin-left:10px;}@media (min-width:767px){.clkHOJ .language{padding:23px 15px 22px;margin:0 10px;}}@media (min-width:1024px){.clkHOJ .language{margin:0 5px;}}@media (min-width:1060px){.clkHOJ .language{margin:0 18px;}}.clkHOJ .language.not-scroll{background-color:transparent;}.clkHOJ .language .dropdown-content{top:60px;left:auto;right:0;-webkit-transform:none;-ms-transform:none;transform:none;}.clkHOJ .language .dropdown-content:before{left:calc(100% - 50px);}@media (min-width:767px){.clkHOJ .language .dropdown-content{top:70px;left:50%;right:auto;-webkit-transform:translate(-50%,0);-ms-transform:translate(-50%,0);transform:translate(-50%,0);}.clkHOJ .language .dropdown-content:before{left:calc(50% - 9px);}}.clkHOJ .icon-search{display:inline-block;vertical-align:middle;font-size:1.125rem;}.clkHOJ .button:last-of-type{margin-left:15px;}.clkHOJ .button button{padding:0 15px;font-size:.75rem;height:40px;} /* sc-component-id: sc-ckVGcZ */ .iDCxkm{display:none;}.iDCxkm .selected{font-family:'Montserrat',sans-serif;font-weight:bold;position:relative;}.iDCxkm .selected:after{position:absolute;bottom:0;height:5px;background-color:#0075b0;content:'';width:100%;left:0;}.iDCxkm .menu-title-custom{padding:15px 0;width:100px;position:relative;display:inline-block;font-family:'Montserrat',sans-serif;font-weight:500;font-size:.625rem;line-height:16px;-webkit-letter-spacing:2px;-moz-letter-spacing:2px;-ms-letter-spacing:2px;letter-spacing:2px;text-align:center;text-transform:uppercase;cursor:pointer;}.iDCxkm .menu-title-custom:hover{font-family:'Montserrat',sans-serif;font-weight:bold;-webkit-transition:font-weight .3s ease-out;transition:font-weight .3s ease-out;}.iDCxkm .menu-title-custom .active{font-weight:800;}.iDCxkm .menu-title-custom .triangle{width:0;height:0;border-left:8px solid 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.menu-title{cursor:pointer;text-transform:uppercase;}.iDCxkm ul li .menu-title:hover{font-family:'Montserrat',sans-serif;font-weight:bold;-webkit-transition:font-weight .3s ease-out;transition:font-weight .3s ease-out;}.iDCxkm ul li .active{font-weight:800;}.iDCxkm ul li .triangle{width:0px;height:0px;border-left:8px solid transparent;border-right:8px solid transparent;border-bottom:8px solid #fff;position:absolute;z-index:100;bottom:0;left:0;right:0;margin:0 auto;}.iDCxkm ul li:hover .open{display:block;}.iDCxkm ul li:not(:first-of-type){margin-left:16px;}}@media(min-width:1200px){.iDCxkm ul li{width:137px;font-size:.75rem;}}@media (min-width:1060px){.iDCxkm ul li:not(:first-of-type){margin-left:20px;}}.iDCxkm .submenu-container{padding:50px 50px;max-width:1440px;margin:0 auto;}@media(min-width:1024px){.iDCxkm .submenu-container{height:700px;}}@media(min-width:1100px){.iDCxkm .submenu-container{height:600px;}}.iDCxkm .submenu-container .header{display:inline-block;font-family:'BodoniBdBTWXX-Bold';font-weight:normal;font-style:normal;font-size:2.1875rem;line-height:45px;margin-bottom:9px;}.iDCxkm .submenu-container .icon-arrow{color:#0075b0;margin-left:10px;} /* sc-component-id: sc-jKJlTe */ .IXFbv{box-shadow:none;position:fixed;z-index:100;width:100%;height:50px;background-color:#ffcc00;-webkit-transition:0.2s ease-in-out;transition:0.2s ease-in-out;padding:0 15px;}@media (min-width:767px){.IXFbv{height:60px;}}@media (min-width:1024px){.IXFbv{background-color:#ffcc00;padding:0;}}.IXFbv .header-container{width:100%;height:100%;max-width:1440px;margin:0 auto;display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-box-pack:justify;-webkit-justify-content:space-between;-ms-flex-pack:justify;justify-content:space-between;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;height:50px;}@media (min-width:767px){.IXFbv .header-container{border-bottom:1px solid rgba(0,0,0,0.2);height:60px;}}@media (min-width:1024px){.IXFbv .header-container{padding:0 20px;}}@media (min-width:1200px){.IXFbv .header-container{padding:0 15px;}}@media (min-width:1400px){.IXFbv .header-container{padding:0 50px;}}.IXFbv .menu .icon{display:inline-block;vertical-align:middle;margin-right:15px;font-size:1.5rem;}@media (min-width:1024px){.IXFbv .menu .icon{display:none;}}.IXFbv .menu .logo{display:inline-block;vertical-align:middle;height:23px;}@media (min-width:1024px){.IXFbv .menu .logo{height:26px;}}@media (min-width:1240px){.IXFbv .menu .logo{height:32px;}}.IXFbv .menu .logo img{cursor:pointer;height:100%;}@media (min-width:1024px){.IXFbv .menu .logo img{margin-right:19px;}}@media (min-width:1060px){.IXFbv .menu .logo img{margin-right:35px;}}@-webkit-keyframes appear{0%{display:none;opacity:0;}1%{display:block;}100%{opacity:.5;}}@keyframes appear{0%{display:none;opacity:0;}1%{display:block;}100%{opacity:.5;}}@-webkit-keyframes disappear{0%{opacity:.5;}100%{opacity:0;}}@keyframes disappear{0%{opacity:.5;}100%{opacity:0;}}.IXFbv .increase{-webkit-transform:translateX(0);-ms-transform:translateX(0);transform:translateX(0);}.IXFbv .shadow{-webkit-animation:appear 2s;animation:appear 2s;}.IXFbv .hide{-webkit-animation:disappear 5s;animation:disappear 5s;}.IXFbv .show{position:absolute;top:0;bottom:0;left:0;right:0;z-index:100;height:100vh;width:100vw;background-color:black;opacity:.5;}@media (min-width:1024px){.IXFbv .show{display:none;}} /* sc-component-id: sc-eNQAEJ */ .cwLxUK{color:#5F6973;padding:35px 0;margin:0 15px;}@media(min-width:767px){.cwLxUK{margin-right:10px;margin-bottom:36px;padding:0;width:260px;}}@media(min-width:1024px){.cwLxUK{margin-left:50px;}}.cwLxUK img{height:36px;width:auto;margin-bottom:15px;}.cwLxUK > div{margin-top:20px;}.cwLxUK > div p{color:#fff;font-family:'Montserrat',sans-serif;font-weight:300;font-size:.75rem;line-height:20px;} /* sc-component-id: sc-hMqMXs */ .hvxvgQ{display:inline-block;vertical-align:top;width:100%;}@media (min-width:767px){.hvxvgQ{width:50%;}}@media (min-width:1024px){.hvxvgQ{width:25%;padding-right:10px;}}.hvxvgQ .head{font-family:'BodoniBdBTWXX-Bold';font-weight:normal;font-style:normal;font-size:1.125rem;line-height:25px;margin-bottom:10px;}.hvxvgQ .head a{border-bottom:2px solid transparent;-webkit-transition:border-bottom .2s;transition:border-bottom .2s;cursor:pointer;}.hvxvgQ .head a:hover{border-bottom:2px solid #FFCC00;}.hvxvgQ .subtitle{font-family:'Montserrat',sans-serif;font-weight:300;color:#fff;font-size:.875rem;line-height:30px;border-bottom:none;cursor:pointer;}.hvxvgQ .subtitle a{border-bottom:2px solid transparent;-webkit-transition:border-bottom .2s;transition:border-bottom .2s;}.hvxvgQ .subtitle a:hover{border-bottom:2px solid #FFCC00;} /* sc-component-id: sc-kEYyzF */ .bGBkAc{border-top:1px solid rgba(255,255,255,.4);padding:35px 0;margin:0 15px;}@media(min-width:1024px){.bGBkAc{margin-right:50px;}}.bGBkAc > div:not(:first-of-type){margin-top:22px;}@media(min-width:767px){.bGBkAc{margin-left:0;border-top:none;border-left:1px solid rgba(255,255,255,.4);width:calc(100% - 260px);padding:0 0 0 27px;}.bGBkAc > div{margin-top:0 !important;margin-bottom:22px;}}.bGBkAc .side{display:inline-block;}.bGBkAc .side > div:not(:first-of-type){margin-top:22px;}@media(min-width:767px){.bGBkAc .side{width:50%;}.bGBkAc .side > div{width:100%;}}@media(min-width:1024px){.bGBkAc .side{width:25%;}} /* sc-component-id: sc-kkGfuU */ .jUmdhX{border-top:1px solid rgba(255,255,255,.4);margin:0 15px;padding:36px 0 0;}@media(min-width:767px){.jUmdhX{padding-top:18px;}}@media(min-width:1024px){.jUmdhX{margin:0 50px;}}@media(min-width:767px){.jUmdhX .pages{display:inline-block;vertical-align:top;width:calc(100% - 280px);}}.jUmdhX .pages a,.jUmdhX .pages span{font-size:.75rem;line-height:15px;color:#fff;}.jUmdhX .pages span{margin-bottom:15px;display:block;}@media(min-width:767px){.jUmdhX .pages span{margin-bottom:0;display:inline-block;}}.jUmdhX .pages a{display:block;cursor:pointer;border-bottom:2px solid transparent;-webkit-transition:border-bottom .2s;transition:border-bottom .2s;}.jUmdhX .pages a:not(:last-of-type){margin-bottom:15px;}.jUmdhX .pages a:hover{border-bottom:2px solid #FFCC00;}@media(min-width:767px){.jUmdhX .pages a{display:inline-block;margin-left:15px;}}@media( min-width:900px ){.jUmdhX .pages a{margin-left:40px;}}.jUmdhX .pages a strong{font-weight:600;}.jUmdhX .social{padding:20px 0 15px;}@media(min-width:767px){.jUmdhX .social{display:inline-block;width:280px;padding:0;}} /* sc-component-id: sc-iAyFgw */ .gVTilb{background-color:#262626;color:#fff;padding:45px 0;position:relative;z-index:3;}.gVTilb .container{max-width:1440px;margin:0 auto;}.gVTilb .header{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-flex-direction:column;-ms-flex-direction:column;flex-direction:column;}@media(min-width:767px){.gVTilb .header{-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;margin-bottom:50px;}}@media(min-width:1024px){.gVTilb .header{margin-bottom:40px;}} /* sc-component-id: sc-hSdWYo */ .kXGOne{height:100%;width:100%;background-size:cover;background-position:center;background-repeat:no-repeat;position:relative;}.kXGOne .section-container{width:100%;max-width:1440px;margin:0 auto;} .hgxUEe{height:100%;width:100%;background-image:url(/static/images/entrance_museum.jpg);background-size:cover;background-position:center;background-repeat:no-repeat;position:relative;}.hgxUEe .section-container{width:100%;max-width:1440px;margin:0 auto;} /* sc-component-id: sc-eHgmQL */ .OrQps{height:800px;}@media (min-width:1024px){.OrQps{height:600px;}}.OrQps .newsletter-card{position:absolute;bottom:20px;right:0;left:0;width:290px;margin:0 auto;display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-flex-direction:column;-ms-flex-direction:column;flex-direction:column;}@media (min-width:767px){.OrQps .newsletter-card{width:500px;bottom:45px;}}@media (min-width:1024px){.OrQps .newsletter-card{width:820px;bottom:50px;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;}}.OrQps .newsletter-card .newsletter-reach{padding:50px 22px;background-color:#ffcc00;}@media (min-width:767px){.OrQps .newsletter-card .newsletter-reach{padding:45px 126px;}}@media (min-width:1024px){.OrQps .newsletter-card .newsletter-reach{padding:37px 37px 50px;width:320px;-webkit-box-pack:start;-webkit-justify-content:flex-start;-ms-flex-pack:start;justify-content:flex-start;padding-top:92px;}}.OrQps .newsletter-card .newsletter-reach .reach-info{width:100%;padding:0 16px;}@media (min-width:1024px){.OrQps .newsletter-card .newsletter-reach .reach-info{padding:0;}}.OrQps .newsletter-card .newsletter-subscribe{padding:25px 25px 35px;}.OrQps .newsletter-card .newsletter-subscribe .subscribe-form{position:relative;width:100%;}.OrQps .newsletter-card .newsletter-subscribe .subscribe-desc{width:100%;}@media (min-width:767px){.OrQps .newsletter-card .newsletter-subscribe .subscribe-desc{padding:0 26px;}}@media (min-width:1024px){.OrQps .newsletter-card .newsletter-subscribe .subscribe-desc{padding:0;}}.OrQps .newsletter-card .newsletter-subscribe .subscribe-desc .privacy{font-weight:bold;-webkit-text-decoration:underline;text-decoration:underline;color:#0075b0;}.OrQps .newsletter-card .newsletter-subscribe .btn-subscribe{width:100%;}@media (min-width:767px){.OrQps .newsletter-card .newsletter-subscribe{padding:48px 33px 50px;}}@media (min-width:1024px){.OrQps .newsletter-card .newsletter-subscribe{width:500px;padding-bottom:25px;}}.OrQps .newsletter-card .reach-title{font-family:'BodoniBTWXX-Roman';font-weight:normal;font-style:normal;font-size:1.75rem;line-height:1.44;color:#000;text-transform:uppercase;text-align:center;margin-bottom:7px;}@media (min-width:1024px){.OrQps .newsletter-card .reach-title{font-size:1.875rem;text-align:left;}}.OrQps .newsletter-card .reach-desc,.OrQps .newsletter-card .subscribe-desc{font-family:'Montserrat',sans-serif;font-weight:400;font-size:1rem;line-height:1.44;color:#000;margin-bottom:22px;text-align:center;}@media (min-width:1024px){.OrQps .newsletter-card .reach-desc,.OrQps .newsletter-card .subscribe-desc{text-align:left;}}.OrQps .newsletter-card .reach-desc{color:#000;}.OrQps .newsletter-card .subscribe-input{width:100%;border:1px solid #0075b0;padding:10px 15px;font-family:'Montserrat',sans-serif;font-weight:400;line-height:22px;color:#000;margin-bottom:15px;}.OrQps .newsletter-card .reach-button{width:100%;}.OrQps .newsletter-card .reach-button,.OrQps .newsletter-card .subscribe-input,.OrQps .newsletter-card .subscribe-button{height:44px;font-size:.875rem;}@media (min-width:1024px){.OrQps .newsletter-card .reach-button,.OrQps .newsletter-card .subscribe-input,.OrQps .newsletter-card .subscribe-button{height:55px;}}.OrQps .newsletter-card .reach-button>a,.OrQps .newsletter-card .subscribe-input>a,.OrQps .newsletter-card .subscribe-button>a{height:100%;} /* sc-component-id: sc-hzDkRC */ .gTsXVp .progress-radial-track--dates{fill:transparent;}@media (min-width:767px){.gTsXVp{width:12px;height:12px;}}@media (min-width:1024px){.gTsXVp{width:24px;height:24px;}} /* sc-component-id: sc-jhAzac */ .BDdCz{position:relative;z-index:5;border-radius:50%;background-color:transparent;width:25px;height:25px;padding:0;outline:none;border:none;}@media(min-width:1024px){.BDdCz{width:68px;height:68px;}}.BDdCz .arrow-left,.BDdCz .arrow-right{font-size:25px;position:relative;top:3px;cursor:pointer;}.BDdCz .arrow-left{display:none;}.BDdCz .arrow-right{display:none;}.BDdCz.black-type{background-color:black;width:60px;height:60px;margin:0 10px;}@media (min-width:767px){.BDdCz.black-type{width:32px;height:32px;}.BDdCz.black-type .arrow-left,.BDdCz.black-type .arrow-right{font-size:14px;top:2px;}}@media (min-width:1024px){.BDdCz.black-type{width:60px;height:60px;}.BDdCz.black-type .arrow-left,.BDdCz.black-type .arrow-right{font-size:25px;top:3px;}}.BDdCz.black-type>*{color:white !important;}.BDdCz .arrow-loader{width:100%;height:100%;cursor:pointer;position:absolute;top:0;left:0;right:0;bottom:0;display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-box-pack:center;-webkit-justify-content:center;-ms-flex-pack:center;justify-content:center;}.BDdCz .right-arrow{font-size:26px;color:#000;margin-left:4px;}.BDdCz .progress-radial{width:55px;height:55px;cursor:pointer;color:inherit;}@media 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avvisi e curiosità sul Museo Egizio<!-- -->.</p></div></div></a></div></div><div class="sc-ifAKCX lbrWHr"><div class="headline"><a class="sc-bdVaJa fVCJpx" href="/info/" target="_self"> <div class="head-container blue"><h2 class="head blue"> <!-- -->Info pratiche e tariffe<!-- --> </h2></div> </a><span class="btn-close">chiudi menu<!-- --> <span class="icon icon-close undefined sc-bwzfXH gEXzKj"></span></span></div><div class="container-items"><a class="sc-bdVaJa fVCJpx" href="/info/" target="_self"><div class="item" item="[object Object]"><div class="content"><div class="subtitle"><p class="text">Tariffe e informazioni</p></div><p class="description">Tutti i dettagli per organizzare al meglio la tua visita<!-- -->.</p></div></div></a><a class="sc-bdVaJa fVCJpx" href="/info/servizi/" target="_self"><div class="item" item="[object Object]"><div class="content"><div class="subtitle"><p class="text">Servizi al pubblico</p></div><p class="description">Una biblioteca, il MuseumShop e uno 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fVCJpx" href="/info/domande-frequenti/" target="_self"><div class="item" item="[object Object]"><div class="content"><div class="subtitle"><p class="text">FAQ</p></div><p class="description">Le domande più frequenti dei visitatori<!-- -->.</p></div></div></a></div></div><div class="sc-ifAKCX lbrWHr"><div class="headline"><div class="head-container false"><h2 class="head false"> <!-- -->Scopri il museo<!-- --> </h2></div><span class="btn-close">chiudi menu<!-- --> <span class="icon icon-close undefined sc-bwzfXH gEXzKj"></span></span></div><div class="container-items"><a class="sc-bdVaJa fVCJpx" href="/scopri/storia/" target="_self"><div class="item" item="[object Object]"><div class="content"><div class="subtitle"><p class="text">La storia del museo</p></div><p class="description">La nascita e il cammino del più antico Museo Egizio del mondo<!-- -->.</p></div></div></a><a class="sc-bdVaJa fVCJpx" href="/scopri/collezione/" target="_self"><div class="item" item="[object Object]"><div class="content"><div class="subtitle"><p class="text">Collezione e ricerca</p></div><p class="description">Immagini, documenti e informazioni sulla collezione e sulle attività di ricerca<!-- -->.</p></div></div></a><a class="sc-bdVaJa fVCJpx" href="/scopri/progetti-speciali/" target="_self"><div class="item" item="[object Object]"><div class="content"><div class="subtitle"><p class="text">Progetti speciali</p></div><p class="description">Il Museo come luogo d’incontro, di formazione e di dialogo<!-- -->.</p></div></div></a><a class="sc-bdVaJa fVCJpx" href="/scopri/progetti-finanziati/" target="_self"><div class="item" item="[object Object]"><div class="content"><div class="subtitle"><p class="text">Progetti Finanziati</p></div><p class="description">Descrizione Progetti Finanziati<!-- -->.</p></div></div></a><a class="sc-bdVaJa fVCJpx" href="/scopri/tour-virtuali/" target="_self"><div class="item" item="[object Object]"><div class="content"><div class="subtitle"><p class="text">Tour 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Museo Egizio al mondo.</div><div class="button"><div class="button"></div></div></div></div><div class="wrapper wrapper-container"><div class="sticky-container"><div class="sc-ksYbfQ iqSMdI"><div class="listAccordion sc-dNLxif fyezxB"><div class="sc-hqyNC kctLXt"><div class="mobile-accordion"></div><span class="icon icon-arrow-down icon sc-bwzfXH gEXzKj"></span></div><nav class="sc-kvZOFW ggeXjN"><div class="accordion"><div id="acc-header-la-storia-del-museo" aria-controls="acc-sub-la-storia-del-museo" class="accordion-title" tabindex="0"><div class="sc-jbKcbu nFFH"><a class="wrap-title false sc-bdVaJa fVCJpx" href="/scopri/storia/" target="_self"><div class="title">La storia del museo</div></a></div></div><div class="accordion-content false" aria-labelledby="acc-header-la-storia-del-museo" id="acc-sub-la-storia-del-museo"></div></div></nav><nav class="sc-kvZOFW ggeXjN"><div class="accordion"><div id="acc-header-collezione-e-ricerca" aria-controls="acc-sub-collezione-e-ricerca" class="accordion-title" tabindex="0"><div class="sc-jbKcbu nFFH"><a class="wrap-title false sc-bdVaJa fVCJpx" href="/scopri/collezione/" target="_self"><div class="title">Collezione e ricerca</div></a></div></div><div class="accordion-content false" aria-labelledby="acc-header-collezione-e-ricerca" id="acc-sub-collezione-e-ricerca"><div class="content"><a class="content-item sc-bdVaJa fVCJpx" href="/scopri/collezione/biblioteca/" target="_self" role="menuitem"><div class="wrap ">Biblioteca</div></a><a class="content-item sc-bdVaJa fVCJpx" href="https://rivista.museoegizio.it/" target="_blank" role="menuitem"><div class="wrap ">Rivista scientifica</div></a><a class="content-item sc-bdVaJa fVCJpx" href="/scopri/collezione/collezione-papiri/" target="_self" role="menuitem"><div class="wrap ">Collezione papiri</div></a><a class="content-item sc-bdVaJa fVCJpx" href="https://archiviofotografico.museoegizio.it/it/" target="_blank" role="menuitem"><div class="wrap ">Archivio Fotografico</div></a><a class="content-item sc-bdVaJa fVCJpx" href="https://formazioneericerca.museoegizio.it" target="_blank" role="menuitem"><div class="wrap ">Atti di convegni</div></a><a class="content-item sc-bdVaJa fVCJpx" href="/scopri/collezione/gallerie-della-cultura-materiale/" target="_self" role="menuitem"><div class="wrap ">Gallerie della Cultura Materiale</div></a></div></div></div></nav><nav class="sc-kvZOFW ggeXjN"><div class="accordion"><div id="acc-header-progetti-speciali" aria-controls="acc-sub-progetti-speciali" class="accordion-title" tabindex="0"><div class="sc-jbKcbu nFFH"><a class="wrap-title false sc-bdVaJa fVCJpx" href="/scopri/progetti-speciali/" target="_self"><div class="title">Progetti speciali</div></a></div></div><div class="accordion-content false" aria-labelledby="acc-header-progetti-speciali" id="acc-sub-progetti-speciali"></div></div></nav><nav class="sc-kvZOFW ggeXjN"><div class="accordion"><div id="acc-header-progetti-finanziati" 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class="accordion-title" tabindex="0"><div class="sc-jbKcbu nFFH"><a class="wrap-title false sc-bdVaJa fVCJpx" href="/scopri/museo-egizio-kidsfamily/" target="_self"><div class="title">Kids &amp; Family</div></a></div></div><div class="accordion-content false" aria-labelledby="acc-header-kids-&amp;-family" id="acc-sub-kids-&amp;-family"></div></div></nav></div></div></div><div class="full-container container-normal"><div class="content-wrap"><div class="sc-hGoxap hzyEDU"><div class="wrap-list"><div class=" sc-esOvli cYvfuG" type="text_section"><div class="sc-hSdWYo kXGOne"><div class="section-container"><div class="sc-gwVKww drQsvL"><h1>Scopri l’evoluzione del Museo</h1><div class="sc-iwsKbI bEVcjT" content="Il Museo Egizio è il &lt;strong&gt;più antico museo del mondo&lt;/strong&gt; dedicato interamente alla &lt;strong&gt;cultura egizia&lt;/strong&gt;. Scoprite le &lt;strong&gt;tappe&lt;/strong&gt; fondamentali della sua formazione, dalla nascita della collezione fino ai giorni nostri."><div>Il Museo Egizio è il <strong>più antico museo del mondo</strong> dedicato interamente alla <strong>cultura egizia</strong>. Scoprite le <strong>tappe</strong> fondamentali della sua formazione, dalla nascita della collezione fino ai giorni nostri.</div></div></div></div></div></div><div class=" discover-timeline sc-esOvli fXlRHy" type="timeline"><div class="sc-cMhqgX dDFAzc"><div class="sc-epnACN jEdcYC" height="0"><div class="home-carousel sc-eqIVtm IEGIl"><div class="carousel-button carousel-left-button sc-fMiknA bORONc"><div class="sc-fBuWsC jlvRSH" aria-label="prev"><span class="icon icon-arrow-hero-sx icon sc-bwzfXH gEXzKj"></span></div></div><div class="slider " style="position:relative;display:block;width:100%;height:100%;box-sizing:border-box;-moz-box-sizing:border-box;visibility:hidden"><div class="slider-frame" style="position:relative;display:block;overflow:hidden;height:auto;margin:0px;padding:0;transform:translate3d(0, 0, 0);-webkit-transform:translate3d(0, 0, 0);-ms-transform:translate(0, 0);box-sizing:border-box;-moz-box-sizing:border-box"><ul class="slider-list" style="transform:translate3d(0px, 0px, 0);-webkit-transform:translate3d(0px, 0px, 0);-ms-transform:translate(0px, 0px);position:relative;display:block;margin:0px 0px;padding:0;height:0;width:0;cursor:inherit;box-sizing:border-box;-moz-box-sizing:border-box"><li class="slider-slide" style="position:absolute;left:0;top:0;display:inline-block;list-style-type:none;vertical-align:top;width:0;height:auto;box-sizing:border-box;-moz-box-sizing:border-box;margin-left:0;margin-right:0;margin-top:auto;margin-bottom:auto"><div class="collection-card sc-bsbRJL dOuZUx"><div class="image-container"></div><div class="card-container"><div class="generic-card sc-iQNlJl lcxwQo"><div class="title">Mensa Isiaca</div><div class="subtitle">I secolo d.C.</div><div class="desc sc-iwsKbI bEVcjT" content="L&#x27;arrivo della &lt;strong&gt;Mensa Isiaca&lt;/strong&gt; a Torino nel &lt;strong&gt;1630&lt;/strong&gt; circa costituì il punto di partenza per la futura &lt;strong&gt;nascita&lt;/strong&gt; del primo Museo Egizio."><div>L'arrivo della <strong>Mensa Isiaca</strong> a Torino nel <strong>1630</strong> circa costituì il punto di partenza per la futura <strong>nascita</strong> del primo Museo Egizio.</div></div></div></div></div></li><li class="slider-slide" style="position:absolute;left:0;top:0;display:inline-block;list-style-type:none;vertical-align:top;width:0;height:auto;box-sizing:border-box;-moz-box-sizing:border-box;margin-left:0;margin-right:0;margin-top:auto;margin-bottom:auto"><div class="collection-card sc-bsbRJL scpUO"><div class="image-container"></div><div class="card-container"><div class="generic-card sc-iQNlJl lcxwQo"><div class="title">Ramesse II (statua usurpata)</div><div class="subtitle">Nuovo Regno, 1539-1076 a.C.</div><div class="desc sc-iwsKbI bEVcjT" content="Questa statua fu uno dei &lt;strong&gt;primi monumenti&lt;/strong&gt; egiziani giunti a Torino, &lt;strong&gt;scoperta&lt;/strong&gt; da Vitaliano Donati nel &lt;strong&gt;1759&lt;/strong&gt; circa."><div>Questa statua fu uno dei <strong>primi monumenti</strong> egiziani giunti a Torino, <strong>scoperta</strong> da Vitaliano Donati nel <strong>1759</strong> circa.</div></div></div></div></div></li><li class="slider-slide" style="position:absolute;left:0;top:0;display:inline-block;list-style-type:none;vertical-align:top;width:0;height:auto;box-sizing:border-box;-moz-box-sizing:border-box;margin-left:0;margin-right:0;margin-top:auto;margin-bottom:auto"><div class="collection-card sc-bsbRJL kUvuLG"><div class="image-container"></div><div class="card-container"><div class="generic-card sc-iQNlJl lcxwQo"><div class="title">Statua di Amenhotep I</div><div class="subtitle">Nuovo Regno, 1539-1076 a.C.</div><div class="desc sc-iwsKbI bEVcjT" content="La &lt;strong&gt;collezione&lt;/strong&gt; di cui fa parte la statua fu riunita da Bernardino Drovetti e determinò la &lt;strong&gt;nascita del Museo nel 1824&lt;/strong&gt;."><div>La <strong>collezione</strong> di cui fa parte la statua fu riunita da Bernardino Drovetti e determinò la <strong>nascita del Museo nel 1824</strong>.</div></div></div></div></div></li><li class="slider-slide" style="position:absolute;left:0;top:0;display:inline-block;list-style-type:none;vertical-align:top;width:0;height:auto;box-sizing:border-box;-moz-box-sizing:border-box;margin-left:0;margin-right:0;margin-top:auto;margin-bottom:auto"><div class="collection-card sc-bsbRJL ZrbTZ"><div class="image-container"></div><div class="card-container"><div class="generic-card sc-iQNlJl lcxwQo"><div class="title">Scoperta del gruppo statuario di Pendua e Nefertari</div><div class="desc sc-iwsKbI bEVcjT" content="Il &lt;strong&gt;Museo&lt;/strong&gt; incrementò la sua collezione grazie agli scavi condotti nei &lt;strong&gt;primi 20 anni del ‘900&lt;/strong&gt;, durante i quali venne ritrovato anche questo gruppo statuario."><div>Il <strong>Museo</strong> incrementò la sua collezione grazie agli scavi condotti nei <strong>primi 20 anni del ‘900</strong>, durante i quali venne ritrovato anche questo gruppo statuario.</div></div></div></div></div></li><li class="slider-slide" style="position:absolute;left:0;top:0;display:inline-block;list-style-type:none;vertical-align:top;width:0;height:auto;box-sizing:border-box;-moz-box-sizing:border-box;margin-left:0;margin-right:0;margin-top:auto;margin-bottom:auto"><div class="collection-card sc-bsbRJL hXGREW"><div class="image-container"></div><div class="card-container"><div class="generic-card sc-iQNlJl lcxwQo"><div class="title">Scavi archeologici di Giulio Farina</div><div class="desc sc-iwsKbI bEVcjT" content="Negli &lt;strong&gt;anni ’30&lt;/strong&gt; il Museo proseguì le ricerche, conducendo &lt;strong&gt;tre campagne&lt;/strong&gt; di scavo."><div>Negli <strong>anni ’30</strong> il Museo proseguì le ricerche, conducendo <strong>tre campagne</strong> di scavo.</div></div></div></div></div></li><li class="slider-slide" style="position:absolute;left:0;top:0;display:inline-block;list-style-type:none;vertical-align:top;width:0;height:auto;box-sizing:border-box;-moz-box-sizing:border-box;margin-left:0;margin-right:0;margin-top:auto;margin-bottom:auto"><div class="collection-card sc-bsbRJL jlGwek"><div class="image-container"></div><div class="card-container"><div class="generic-card sc-iQNlJl lcxwQo"><div class="title">Tempio di Ellesiya</div><div class="subtitle">Nuovo Regno, 1539-1076 a.C.</div><div class="desc sc-iwsKbI bEVcjT" content="Con il dono del &lt;strong&gt;tempietto rupestre&lt;/strong&gt; da parte della Repubblica Araba Unita (RAU), il Museo si dotò di una &lt;strong&gt;struttura monumentale&lt;/strong&gt;."><div>Con il dono del <strong>tempietto rupestre</strong> da parte della Repubblica Araba Unita (RAU), il Museo si dotò di una <strong>struttura monumentale</strong>.</div></div></div></div></div></li></ul></div><style type="text/css">.slider-slide > img {width: 100%; display: 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class="step-line-container"><span class="step-line "></span></div><div class="step-line-container"><span class="step-line "></span></div><div class="step-line-container"><span class="step-line "></span></div><div class="step-line-container"><span class="step-line "></span></div><div class="step-line-container"><span class="step-line "></span></div><div class="step-line-container"><span class="step-line "></span></div><div class="step-line-container"><span class="step-line "></span></div><div class="step-line-container"><span class="step-line "></span></div><div class="step-line-container"><span class="step-line "></span></div><div class="step-line-container"><span class="step-line "></span></div><div class="step-line-container"><span class="step-line "></span></div><div class="step-line-container"><span class="step-line "></span></div><div class="step-line-container"><span class="step-line "></span></div><div class="step-line-container"><span class="step-line "></span></div></div></div><div class="year"><div class="year-txt"><div class="period"></div><div class="year">1630</div></div><div class="year-ui"><span class="year-line"></span><span class="year-dot"></span></div></div></div><div class="year-element"><div class="line-steps"><div class="steps time"><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div></div></div><div class="year"><div class="year-txt"><div class="period"></div><div class="year">1759</div></div><div class="year-ui"><span class="year-line"></span><span class="year-dot"></span></div></div></div><div class="year-element"><div class="line-steps"><div class="steps time"><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div></div></div><div class="year"><div class="year-txt"><div class="period"></div><div class="year">1824</div></div><div class="year-ui"><span class="year-line"></span><span class="year-dot"></span></div></div></div><div class="year-element"><div class="line-steps"><div class="steps time"><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div></div></div><div class="year"><div class="year-txt"><div class="period"></div><div class="year">1905</div></div><div class="year-ui"><span class="year-line"></span><span class="year-dot"></span></div></div></div><div class="year-element"><div class="line-steps"><div class="steps time"><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div></div></div><div class="year"><div class="year-txt"><div class="period"></div><div class="year">1935</div></div><div class="year-ui"><span class="year-line"></span><span class="year-dot"></span></div></div></div><div class="year-element"><div class="line-steps"><div class="steps time"><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div></div></div><div class="year"><div class="year-txt"><div class="period"></div><div class="year">1970</div></div><div class="year-ui"><span class="year-line"></span><span class="year-dot"></span></div></div></div><div class="year-element"><div class="line-steps"><div class="steps"><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span 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class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div><div class="step-line-container"><span class="step-line time"></span></div></div></div></div></div></div></div></div></div></div></div></div></div><div class="full-container container-extra"><div class="full-element"><div class="section-wrapper-container false sc-exAgwC bnovIM"><div class="container"><div class="list-spaces"><div class="sc-hSdWYo kXGOne"><div class="section-container"><div class="sc-gwVKww kLmOKE"><h1>La storia del <i>palazzo</i> di via Accademia delle Scienze</h1></div></div></div><div class="sc-GMQeP bsFcjk"><div class="wrap-image"></div><div class="wrap-info"><div class="text"><h3 class="title">La nascita dell&#x27;edificio</h3><div class="description sc-iwsKbI bEVcjT" content="A partire dalla sua &lt;strong&gt;fondazione (1824)&lt;/strong&gt;, il Museo Egizio ha avuto sede nel palazzo denominato &lt;strong&gt;“Collegio dei Nobili”&lt;/strong&gt;, costruito su disegno di Michelangelo Garove dal 1679, in cui furono esposte le prime antichità, della collezione Drovetti, acquistate dal re Carlo Felice. L’edificio, grazie ad interventi di Giuseppe Maria Talucchi e Alessandro Mazzucchetti, fu &lt;strong&gt;ampliato&lt;/strong&gt; e adeguato alla nuova destinazione d’uso &lt;strong&gt;nella seconda metà dell’800&lt;/strong&gt;. Già nel &lt;strong&gt;1832&lt;/strong&gt;, comunque, il Museo &lt;strong&gt;aprì al pubblico&lt;/strong&gt;."><div>A partire dalla sua <strong>fondazione (1824)</strong>, il Museo Egizio ha avuto sede nel palazzo denominato <strong>“Collegio dei Nobili”</strong>, costruito su disegno di Michelangelo Garove dal 1679, in cui furono esposte le prime antichità, della collezione Drovetti, acquistate dal re Carlo Felice. L’edificio, grazie ad interventi di Giuseppe Maria Talucchi e Alessandro Mazzucchetti, fu <strong>ampliato</strong> e adeguato alla nuova destinazione d’uso <strong>nella seconda metà dell’800</strong>. Già nel <strong>1832</strong>, comunque, il Museo <strong>aprì al pubblico</strong>.</div></div></div></div></div><div class="sc-GMQeP jVQGpl"><div class="wrap-image"></div><div class="wrap-info"><div class="text"><h3 class="title">Il Regio Museo di Antichità ed Egizio e l&#x27;Accademia delle Scienze</h3><div class="description sc-iwsKbI bEVcjT" content="Oltre alle &lt;strong&gt;antichità egiziane&lt;/strong&gt;, erano presenti anche reperti &lt;strong&gt;romani, preromani e preistorici&lt;/strong&gt;, insieme ad una sezione di storia naturale. L’edificio era (ed è tuttora) &lt;strong&gt;condiviso con l’Accademia delle Scienze&lt;/strong&gt;. Dopo un’iniziale sistemazione nella parte opposta dell’edificio, la Galleria dei Re, o Statuario, fu spostata nelle sale attuali. Nel corso dell’ ‘800, inoltre, il Regio Museo di Antichità ed Egizio acquisì anche alcune collezioni minori da privati o tramite scambi con altri musei."><div>Oltre alle <strong>antichità egiziane</strong>, erano presenti anche reperti <strong>romani, preromani e preistorici</strong>, insieme ad una sezione di storia naturale. L’edificio era (ed è tuttora) <strong>condiviso con l’Accademia delle Scienze</strong>. Dopo un’iniziale sistemazione nella parte opposta dell’edificio, la Galleria dei Re, o Statuario, fu spostata nelle sale attuali. Nel corso dell’ ‘800, inoltre, il Regio Museo di Antichità ed Egizio acquisì anche alcune collezioni minori da privati o tramite scambi con altri musei.</div></div></div></div></div><div class="sc-GMQeP iQGxjj"><div class="wrap-image"></div><div class="wrap-info"><div class="text"><h3 class="title">Gli scavi di Schiaparelli e Farina</h3><div class="description sc-iwsKbI bEVcjT" content="&lt;strong&gt;Tra il 1903 e il 1937&lt;/strong&gt; gli &lt;strong&gt;scavi archeologici&lt;/strong&gt; condotti in Egitto da Ernesto Schiaparelli e poi da Giulio Farina portarono a Torino circa &lt;strong&gt;30.000 reperti&lt;/strong&gt;. Il Museo ebbe una prima risistemazione delle sale nel 1908 e una seconda, più importante, nel &lt;strong&gt;1924&lt;/strong&gt;, con la &lt;strong&gt;visita ufficiale del Re&lt;/strong&gt;. A tal proposito, per sopperire alla mancanza di spazio, Schiaparelli ristrutturò la nuova ala del Museo (chiamata poi “ala Schiaparelli”), nella quale espose reperti provenienti da Assiut e Gebelein."><div><strong>Tra il 1903 e il 1937</strong> gli <strong>scavi archeologici</strong> condotti in Egitto da Ernesto Schiaparelli e poi da Giulio Farina portarono a Torino circa <strong>30.000 reperti</strong>. Il Museo ebbe una prima risistemazione delle sale nel 1908 e una seconda, più importante, nel <strong>1924</strong>, con la <strong>visita ufficiale del Re</strong>. A tal proposito, per sopperire alla mancanza di spazio, Schiaparelli ristrutturò la nuova ala del Museo (chiamata poi “ala Schiaparelli”), nella quale espose reperti provenienti da Assiut e Gebelein.</div></div></div></div></div><div class="sc-GMQeP ieHfHk"><div class="wrap-image"></div><div class="wrap-info"><div class="text"><h3 class="title">Il tempio di Ellesiya</h3><div class="description sc-iwsKbI bEVcjT" content="Ulteriori &lt;strong&gt;ristrutturazioni e adattamenti&lt;/strong&gt; avvennero negli anni ‘30 (con l&#x27;installazione della Pinacoteca) e alla fine degli anni ‘80, (con la nuova sistemazione dell’Ala Schiaparelli). Particolarmente importante fu l’opera di &lt;strong&gt;ricomposizione del tempietto rupestre di Ellesiya&lt;/strong&gt; donato dal Governo Egiziano in riconoscimento dell’aiuto italiano nel salvataggio dei templi nubiani minacciati dalle acque della diga di Assuan. Per il trasferimento a Torino la struttura fu tagliata in 66 blocchi e poi &lt;strong&gt;inaugurata il 4 settembre 1970&lt;/strong&gt;."><div>Ulteriori <strong>ristrutturazioni e adattamenti</strong> avvennero negli anni ‘30 (con l'installazione della Pinacoteca) e alla fine degli anni ‘80, (con la nuova sistemazione dell’Ala Schiaparelli). Particolarmente importante fu l’opera di <strong>ricomposizione del tempietto rupestre di Ellesiya</strong> donato dal Governo Egiziano in riconoscimento dell’aiuto italiano nel salvataggio dei templi nubiani minacciati dalle acque della diga di Assuan. Per il trasferimento a Torino la struttura fu tagliata in 66 blocchi e poi <strong>inaugurata il 4 settembre 1970</strong>.</div></div></div></div></div><div class="sc-GMQeP blQYUD"><div class="wrap-image"></div><div class="wrap-info"><div class="text"><h3 class="title">Il Museo dagli anni &#x27;80</h3><div class="description sc-iwsKbI bEVcjT" content="A partire dagli&lt;strong&gt; anni ’80&lt;/strong&gt;, anche a seguito di un incremento di visitatori, si è reso necessario programmare un &lt;strong&gt;nuovo percorso di visita&lt;/strong&gt; che ha determinato nuovi spazi espositivi. In particolare, il recupero e la sottomurazione dell’Ala Schiaparelli hanno reso fruibili &lt;strong&gt;ampie sale sotterranee&lt;/strong&gt; dedicate alle attività archeologiche ad Assiut, Qau el-Kebir e Gebelein. Al piano terreno, è stata recuperata un’ampia sala destinata a accogliere le antichità dell’Età Predinastica e dell’Antico Regno."><div>A partire dagli<strong> anni ’80</strong>, anche a seguito di un incremento di visitatori, si è reso necessario programmare un <strong>nuovo percorso di visita</strong> che ha determinato nuovi spazi espositivi. In particolare, il recupero e la sottomurazione dell’Ala Schiaparelli hanno reso fruibili <strong>ampie sale sotterranee</strong> dedicate alle attività archeologiche ad Assiut, Qau el-Kebir e Gebelein. Al piano terreno, è stata recuperata un’ampia sala destinata a accogliere le antichità dell’Età Predinastica e dell’Antico Regno.</div></div></div></div></div><div class="sc-GMQeP dQKoQj"><div class="wrap-image"></div><div class="wrap-info"><div class="text"><h3 class="title">I Giochi Olimpici Invernali</h3><div class="description sc-iwsKbI bEVcjT" content="In occasione dei&lt;strong&gt; Giochi Olimpici&lt;/strong&gt; Invernali di Torino nel &lt;strong&gt;2006&lt;/strong&gt;, lo statuario è stato riallestito dallo scenografo &lt;strong&gt;Dante Ferretti&lt;/strong&gt;."><div>In occasione dei<strong> Giochi Olimpici</strong> Invernali di Torino nel <strong>2006</strong>, lo statuario è stato riallestito dallo scenografo <strong>Dante Ferretti</strong>.</div></div></div></div></div><div class="sc-GMQeP dDaCxf"><div class="wrap-image"></div><div class="wrap-info"><div class="text"><h3 class="title">Il nuovo allestimento</h3><div class="description sc-iwsKbI bEVcjT" content="L’ultimo intervento ha radicalmente &lt;strong&gt;rifunzionalizzato gli spazi&lt;/strong&gt;, l’intero percorso museale (articolato su cinque piani espositivi) e le dotazioni impiantistiche, in vista della grande &lt;strong&gt;riapertura del 2015&lt;/strong&gt;."><div>L’ultimo intervento ha radicalmente <strong>rifunzionalizzato gli spazi</strong>, l’intero percorso museale (articolato su cinque piani espositivi) e le dotazioni impiantistiche, in vista della grande <strong>riapertura del 2015</strong>.</div></div></div></div></div></div></div></div><div class="section-wrapper-container transparent sc-exAgwC bnovIM"><div class="container"><div class="list-spaces"><div class="sc-hSdWYo kXGOne"><div class="section-container"><div class="sc-gwVKww kLmOKE"><h1>La storia della <i>Biblioteca Silvio Curto</i></h1></div></div></div><div class="sc-GMQeP kWuYri"><div class="wrap-image"></div><div class="wrap-info"><div class="text"><h3 class="title">Le origini</h3><div class="description sc-iwsKbI bEVcjT" content="Il &lt;strong&gt;primo nucleo&lt;/strong&gt; della Biblioteca nasce insieme &lt;strong&gt;con il Museo Egizio nel 1824&lt;/strong&gt;. Tra le prime acquisizioni figurano opere di grande pregio quali: la &lt;em&gt;Description de l&#x27;Égypte;&lt;/em&gt; i &lt;em&gt;Monumenti dell’Egitto e della Nubia&lt;/em&gt;, di Ippolito Rosellini; i &lt;em&gt;Denkmäler aus Ägypten und Aethiopen,&lt;/em&gt; di Richard Lepsius. Fino agli anni ’50 del 1900 le aggiunte al catalogo sono sporadiche."><div>Il <strong>primo nucleo</strong> della Biblioteca nasce insieme <strong>con il Museo Egizio nel 1824</strong>. Tra le prime acquisizioni figurano opere di grande pregio quali: la <em>Description de l'Égypte;</em> i <em>Monumenti dell’Egitto e della Nubia</em>, di Ippolito Rosellini; i <em>Denkmäler aus Ägypten und Aethiopen,</em> di Richard Lepsius.<br />Fino agli anni ’50 del 1900 le aggiunte al catalogo sono sporadiche.</div></div></div></div></div><div class="sc-GMQeP bBVuIY"><div class="wrap-image"></div><div class="wrap-info"><div class="text"><h3 class="title">Dopo la Seconda Guerra Mondiale</h3><div class="description sc-iwsKbI bEVcjT" content="È solo con il rientro delle collezioni in sede, dopo lo sfollamento a seguito del &lt;strong&gt;secondo conflitto mondiale&lt;/strong&gt;, che ci si rende conto della necessità di una sistematica politica di acquisizioni per adeguare la Biblioteca al progresso che la disciplina egittologica aveva avuto in quegli anni. I fondi a disposizione in quel periodo non permettono però l’ampliamento necessario e &lt;strong&gt;l’incremento si basa soprattutto sulle donazioni&lt;/strong&gt; di pubblicazioni da parte di studiosi in visita al Museo."><div>È solo con il rientro delle collezioni in sede, dopo lo sfollamento a seguito del <strong>secondo conflitto mondiale</strong>, che ci si rende conto della necessità di una sistematica politica di acquisizioni per adeguare la Biblioteca al progresso che la disciplina egittologica aveva avuto in quegli anni.<br />I fondi a disposizione in quel periodo non permettono però l’ampliamento necessario e <strong>l’incremento si basa soprattutto sulle donazioni</strong> di pubblicazioni da parte di studiosi in visita al Museo.</div></div></div></div></div><div class="sc-GMQeP kabshJ"><div class="wrap-image"></div><div class="wrap-info"><div class="text"><h3 class="title">I doni e l&#x27;acquisto sul mercato antiquario</h3><div class="description sc-iwsKbI bEVcjT" content="Tra i volumi donati in questi anni si annoverano i primi 33 volumi della rivista &lt;em&gt;Journal of Egyptian Archaeology&lt;/em&gt; offerte da Sir Alan &lt;strong&gt;Gardiner&lt;/strong&gt; e tutti quelli della &lt;em&gt;Chronique d’Égypte&lt;/em&gt; offerti dalla &lt;strong&gt;Fondation Égyptologique Reine Elisabeth&lt;/strong&gt;, per intercessione di Arpag Mekhitarian. Un’altra via percorsa per aumentare il patrimonio librario della biblioteca è&lt;strong&gt; l&#x27;acquisto di testi sul mercato antiquario&lt;/strong&gt;, dove era possibile trovare a prezzi contenuti volumi provenienti da biblioteche chiuse o disperse dopo il conflitto mondiale."><div>Tra i volumi donati in questi anni si annoverano i primi 33 volumi della rivista <em>Journal of Egyptian Archaeology</em> offerte da Sir Alan <strong>Gardiner</strong> e tutti quelli della <em>Chronique d’Égypte</em> offerti dalla <strong>Fondation Égyptologique Reine Elisabeth</strong>, per intercessione di Arpag Mekhitarian.<br />Un’altra via percorsa per aumentare il patrimonio librario della biblioteca è<strong> l'acquisto di testi sul mercato antiquario</strong>, dove era possibile trovare a prezzi contenuti volumi provenienti da biblioteche chiuse o disperse dopo il conflitto mondiale.</div></div></div></div></div><div class="sc-GMQeP eVKwkb"><div class="wrap-image"></div><div class="wrap-info"><div class="text"><h3 class="title">Il salvataggio dei Templi Nubiani</h3><div class="description sc-iwsKbI bEVcjT" content="A partire dal 1964, in seguito alla partecipazione del Museo Egizio alla &lt;strong&gt;campagna per il salvataggio dei templi nubiani&lt;/strong&gt;, ci sarà l’aumento dei fondi destinati dal Ministero della Pubblica Istruzione all’acquisto di libri. Ciò permetterà l’avvio di acquisizioni sistematiche delle principali serie e dei più importanti periodici di settore, grazie a questo &lt;strong&gt;la Biblioteca diventerà nel corso del tempo un punto di riferimento per gli studiosi di tutto il mondo.&lt;/strong&gt;"><div>A partire dal 1964, in seguito alla partecipazione del Museo Egizio alla <strong>campagna per il salvataggio dei templi nubiani</strong>, ci sarà l’aumento dei fondi destinati dal Ministero della Pubblica Istruzione all’acquisto di libri.<br />Ciò permetterà l’avvio di acquisizioni sistematiche delle principali serie e dei più importanti periodici di settore, grazie a questo <strong>la Biblioteca diventerà nel corso del tempo un punto di riferimento per gli studiosi di tutto il mondo.</strong></div></div></div></div></div><div class="sc-GMQeP GUyyu"><div class="wrap-image"></div><div class="wrap-info"><div class="text"><h3 class="title">Gli anni &#x27;60 e &#x27;70</h3><div class="description sc-iwsKbI bEVcjT" content="Nel 1968&lt;strong&gt; Giuseppe Botti&lt;/strong&gt;, egittologo e demotista, lascia in eredità al Museo la sua ricca e preziosa Biblioteca. Nel 1977 e 1978 donano le proprie Biblioteche personali anche &lt;strong&gt;Celeste Rinaldi e Vito Maragioglio&lt;/strong&gt;."><div>Nel 1968<strong> Giuseppe Botti</strong>, egittologo e demotista, lascia in eredità al Museo la sua ricca e preziosa Biblioteca.<br />Nel 1977 e 1978 donano le proprie Biblioteche personali anche <strong>Celeste Rinaldi e Vito Maragioglio</strong>.</div></div></div></div></div><div class="sc-GMQeP ijWvSa"><div class="wrap-image"></div><div class="wrap-info"><div class="text"><h3 class="title">La Biblioteca oggi</h3><div class="description sc-iwsKbI bEVcjT" content="Negli anni Duemila, la Biblioteca ha un’ulteriore battuta d’arresto nelle acquisizioni, ma &lt;strong&gt;negli ultimi anni gli acquisti e i doni hanno visto un incremento notevole.&lt;/strong&gt;"><div>Negli anni Duemila, la Biblioteca ha un’ulteriore battuta d’arresto nelle acquisizioni, ma <strong>negli ultimi anni gli acquisti e i doni hanno visto un incremento notevole.</strong></div></div></div></div></div></div></div></div><div class="section-wrapper-container false sc-exAgwC bnovIM"><div class="container"><div class="list-spaces"><div class="sc-hSdWYo kXGOne"><div class="section-container"><div class="sc-gwVKww kLmOKE"><h1>La <i>manutenzione</i></h1></div></div></div><div class="sc-GMQeP eEBXxk"><div class="wrap-image"></div><div class="wrap-info"><div class="text"><h3 class="title">Le sale e gli impianti</h3><div class="description sc-iwsKbI bEVcjT" content="Attualmente, il Museo conserva una &lt;strong&gt;collezione di circa 40.000 reperti&lt;/strong&gt;; di cui &lt;strong&gt;3.300 oggetti&lt;/strong&gt; sono esposti nelle sale museali e circa&lt;strong&gt; 12.000&lt;/strong&gt; nelle Gallerie della Cultura Materiale. I reperti sono dislocati in uno &lt;strong&gt;spazio visitabile di 12.000 mq&lt;/strong&gt;, disposti su &lt;strong&gt;4 piani&lt;/strong&gt;. Le sale sono ora dotate di un sofisticato impianto di &lt;strong&gt;controllo igrotermico&lt;/strong&gt;. Questo sistema, alimentato dal combinato geotermia-bruciatori, si avvale di tre pompe di calore che distribuiscono i fluidi a &lt;strong&gt;14 unità di trattamento aria, ventilconvettori e pannelli radianti&lt;/strong&gt;, tutti interconnessi tra loro e gestiti in remoto da un programma di controllo, a sua volta supportato dal feedback di sensori dislocati in sala."><div>Attualmente, il Museo conserva una <strong>collezione di circa 40.000 reperti</strong>; di cui <strong>3.300 oggetti</strong> sono esposti nelle sale museali e circa<strong> 12.000</strong> nelle Gallerie della Cultura Materiale. I reperti sono dislocati in uno <strong>spazio visitabile di 12.000 mq</strong>, disposti su <strong>4 piani</strong>. Le sale sono ora dotate di un sofisticato impianto di <strong>controllo igrotermico</strong>. Questo sistema, alimentato dal combinato geotermia-bruciatori, si avvale di tre pompe di calore che distribuiscono i fluidi a <strong>14 unità di trattamento aria, ventilconvettori e pannelli radianti</strong>, tutti interconnessi tra loro e gestiti in remoto da un programma di controllo, a sua volta supportato dal feedback di sensori dislocati in sala.</div></div></div></div></div><div class="sc-GMQeP fbozOV"><div class="wrap-image"></div><div class="wrap-info"><div class="text"><h3 class="title">Tecnologia e riduzione delle emissioni</h3><div class="description sc-iwsKbI bEVcjT" content="L’utilizzo sinergico di tali dispositivi permette la &lt;strong&gt;calibrazione&lt;/strong&gt; capillare continuativa dei &lt;strong&gt;parametri temperatura-umidità&lt;/strong&gt; necessari alla conservazione ottimale dei reperti ed al raggiungimento del &lt;strong&gt;comfort ambientale&lt;/strong&gt; per i visitatori. Lo studio delle migliori tarature d’impianto, inoltre, permette di contenere i consumi e di &lt;strong&gt;ridurre le emissioni&lt;/strong&gt; ambientali."><div>L’utilizzo sinergico di tali dispositivi permette la <strong>calibrazione</strong> capillare continuativa dei <strong>parametri temperatura-umidità</strong> necessari alla conservazione ottimale dei reperti ed al raggiungimento del <strong>comfort ambientale</strong> per i visitatori. Lo studio delle migliori tarature d’impianto, inoltre, permette di contenere i consumi e di <strong>ridurre le emissioni</strong> ambientali.</div></div></div></div></div><div class="sc-GMQeP fnnDqx"><div class="wrap-image"></div><div class="wrap-info"><div class="text"><h3 class="title">Sicurezza 24/7</h3><div class="description sc-iwsKbI bEVcjT" content="Il Museo dispone inoltre di diversi &lt;strong&gt;sistemi di monitoraggio&lt;/strong&gt; integrativi, finalizzati al controllo dei flussi di pubblico, dell’accessibilità ed alla &lt;strong&gt;sorveglianza 24/7&lt;/strong&gt;, per garantire il massimo grado di sicurezza possibile e gestire eventuali criticità o sovraccarichi."><div>Il Museo dispone inoltre di diversi <strong>sistemi di monitoraggio</strong> integrativi, finalizzati al controllo dei flussi di pubblico, dell’accessibilità ed alla <strong>sorveglianza 24/7</strong>, per garantire il massimo grado di sicurezza possibile e gestire eventuali criticità o sovraccarichi.</div></div></div></div></div></div></div></div></div></div></div></div></main><div class="sc-hSdWYo hgxUEe"><div class="section-container"><div class="sc-eHgmQL OrQps"><div class="newsletter-card"><div class="newsletter-reach sc-gZMcBi brouuU"><div class="reach-info"><div class="reach-title">Museo Egizio</div><div class="reach-desc">Via Accademia delle Scienze 6, 10123 Torino</div></div><a class="reach-button sc-bdVaJa fVCJpx" href="/info/come-raggiungerci/" target="_self"><button class="reach-button sc-gzVnrw hpGaiu">Come raggiungerci</button></a></div><div class="newsletter-subscribe sc-gZMcBi brouuU"><div class="subscribe-desc">Vuoi essere sempre informato delle novità del MUSEO EGIZIO? Leggi l’<a href="/pages/privacy/#newsletter" target="_blank" class="privacy">informativa sulla privacy</a> <!-- -->e iscriviti ora alla nostra newsletter.</div><a class="btn-subscribe sc-bdVaJa fVCJpx" href="/newsletter/" target="_self"><button class="btn-subscribe sc-gzVnrw keXqnh">iscriviti alla nostra newsletter</button></a></div></div></div></div></div><div class="sc-iAyFgw gVTilb"><div class="container"><div class="header"><div class="sc-eNQAEJ cwLxUK"><img src="/static/logos/logo-white.svg" alt="Museo Egizio"/><div><p class="open" item="Via Accademia delle Scienze 6">Via Accademia delle Scienze 6</p><p class="open" item="10123 Torino">10123 Torino</p></div><div><p class="open" item="+39 011 5617776">+39 011 5617776</p><p class="open" item="info@museoegizio.it">info@museoegizio.it</p></div></div><div class="sc-kEYyzF bGBkAc"><div class="sc-hMqMXs hvxvgQ"><h2 class="head"><a href="/esplora/">Organizza la visita</a></h2><p class="subtitle" item="[object Object]"><a class="sc-bdVaJa fVCJpx" href="/esplora/mappa/" target="_self"><a>La Mappa</a></a></p><p class="subtitle" item="[object Object]"><a class="sc-bdVaJa fVCJpx" href="/esplora/visite/" target="_self"><a>Visite tematiche</a></a></p><p class="subtitle" item="[object Object]"><a class="sc-bdVaJa fVCJpx" href="/info/accessibilita/" target="_self"><a>Accessibilità</a></a></p><p class="subtitle" item="[object Object]"><a class="sc-bdVaJa fVCJpx" href="/esplora/mostre/" target="_self"><a>Le mostre temporanee</a></a></p><p class="subtitle" item="[object Object]"><a class="sc-bdVaJa fVCJpx" href="/esplora/appuntamenti/" target="_self"><a>Appuntamenti</a></a></p><p class="subtitle" item="[object Object]"><a class="sc-bdVaJa fVCJpx" href="/esplora/notizie/" target="_self"><a>Ultime notizie</a></a></p></div><div class="sc-hMqMXs hvxvgQ"><h2 class="head"><a href="/info/">Info pratiche e tariffe</a></h2><p class="subtitle" item="[object Object]"><a class="sc-bdVaJa fVCJpx" href="/info/" target="_self"><a>Tariffe e informazioni</a></a></p><p class="subtitle" item="[object Object]"><a class="sc-bdVaJa fVCJpx" href="/info/servizi/" target="_self"><a>Servizi al pubblico</a></a></p><p class="subtitle" item="[object Object]"><a class="sc-bdVaJa fVCJpx" href="/info/impara/" target="_self"><a>Imparare</a></a></p><p class="subtitle" item="[object Object]"><a class="sc-bdVaJa fVCJpx" href="/info/scuole/" target="_self"><a>Per le scuole</a></a></p><p class="subtitle" item="[object Object]"><a class="sc-bdVaJa fVCJpx" href="/info/eventi-privati/" target="_self"><a>Eventi privati</a></a></p><p class="subtitle" item="[object Object]"><a class="sc-bdVaJa fVCJpx" href="/info/domande-frequenti/" target="_self"><a>FAQ</a></a></p></div><div class="sc-hMqMXs hvxvgQ"><h2 class="head">Scopri il museo</h2><p class="subtitle" item="[object Object]"><a class="sc-bdVaJa fVCJpx" href="/scopri/storia/" target="_self"><a>La storia del museo</a></a></p><p class="subtitle" item="[object Object]"><a class="sc-bdVaJa fVCJpx" href="/scopri/collezione/" target="_self"><a>Collezione e ricerca</a></a></p><p class="subtitle" item="[object Object]"><a class="sc-bdVaJa fVCJpx" href="/scopri/progetti-speciali/" target="_self"><a>Progetti speciali</a></a></p><p class="subtitle" item="[object Object]"><a class="sc-bdVaJa fVCJpx" href="/scopri/progetti-finanziati/" target="_self"><a>Progetti Finanziati</a></a></p><p class="subtitle" item="[object Object]"><a class="sc-bdVaJa fVCJpx" href="/scopri/tour-virtuali/" target="_self"><a>Tour virtuali</a></a></p><p class="subtitle" item="[object Object]"><a class="sc-bdVaJa fVCJpx" href="/scopri/museo-egizio-kidsfamily/" target="_self"><a>Kids &amp; Family</a></a></p></div><div class="side"><div class="sc-hMqMXs hvxvgQ"><h2 class="head"><a href="/chi-siamo/">Chi siamo</a></h2></div><div class="sc-hMqMXs hvxvgQ"><h2 class="head"><a href="/trasparenza/">Fondazione Trasparente</a></h2></div><div class="sc-hMqMXs hvxvgQ"><h2 class="head"><a href="/lavora-con-noi/">HR e gare</a></h2></div><div class="sc-hMqMXs hvxvgQ"><h2 class="head"><a href="/area-stampa/">Press</a></h2></div></div></div></div><div class="sc-kkGfuU jUmdhX"><div class="pages"><span>© MUSEO EGIZIO, Torino 2018</span><a href="/pages/privacy" target="_self">Privacy e cookies </a><a href="/static/pdf/informativa_clienti.pdf" target="_blank">Informativa clienti</a><a href="/static/pdf/informativa_fornitori.pdf" target="_blank">Informativa fornitori</a><a href="/info/contatti" target="_self">Contattaci</a><a href="/pages/dichiarazione-di-accessibilita" target="_self">Dichiarazione di accessibilità</a></div><div class="social sc-EHOje flpHrX"><a href="https://twitter.com/museoegizio" target="_blank"><svg class="icon icon-x-twitter" fill="white" width="24" height="24" xmlns="http://www.w3.org/2000/svg" fill-rule="evenodd" clip-rule="evenodd" viewBox="0 0 512 512"><path d="M389.2 48h70.6L305.6 224.2 487 464H345L233.7 318.6 106.5 464H35.8L200.7 275.5 26.8 48H172.4L272.9 180.9 389.2 48zM364.4 421.8h39.1L151.1 88h-42L364.4 421.8z"></path></svg></a><a href="https://it-it.facebook.com/museoegizio" target="_blank" aria-label="facebook"><span class="icon icon-facebook undefined sc-bwzfXH gEXzKj"></span></a><a href="https://www.instagram.com/museoegizio/" target="_blank" aria-label="instagram"><span class="icon icon-instagram undefined sc-bwzfXH gEXzKj"></span></a><a href="https://www.linkedin.com/company/museo-egizio/" target="_blank" aria-label="linkedin"><span class="icon icon-linkedin undefined sc-bwzfXH gEXzKj"></span></a><a href="https://www.youtube.com/channel/UCu0NN4cZekeB2KKha2XwYyQ" target="_blank" aria-label="youtube"><span class="icon icon-youtube undefined sc-bwzfXH gEXzKj"></span></a><a href="https://open.spotify.com/show/4DGBGTGaXOol0eL4GLEZYl" target="_blank" aria-label="spotify"><svg class="icon icon-spotify" fill="white" width="24" height="24" xmlns="http://www.w3.org/2000/svg" fill-rule="evenodd" clip-rule="evenodd"><path d="M19.098 10.638c-3.868-2.297-10.248-2.508-13.941-1.387-.593.18-1.22-.155-1.399-.748-.18-.593.154-1.22.748-1.4 4.239-1.287 11.285-1.038 15.738 1.605.533.317.708 1.005.392 1.538-.316.533-1.005.709-1.538.392zm-.126 3.403c-.272.44-.847.578-1.287.308-3.225-1.982-8.142-2.557-11.958-1.399-.494.15-1.017-.129-1.167-.623-.149-.495.13-1.016.624-1.167 4.358-1.322 9.776-.682 13.48 1.595.44.27.578.847.308 1.286zm-1.469 3.267c-.215.354-.676.465-1.028.249-2.818-1.722-6.365-2.111-10.542-1.157-.402.092-.803-.16-.895-.562-.092-.403.159-.804.562-.896 4.571-1.045 8.492-.595 11.655 1.338.353.215.464.676.248 1.028zm-5.503-17.308c-6.627 0-12 5.373-12 12 0 6.628 5.373 12 12 12 6.628 0 12-5.372 12-12 0-6.627-5.372-12-12-12z"></path></svg></a></div></div></div></div></div></div></div></div><div id="__next-error"></div></div><div><script> __NEXT_DATA__ = {"props":{"asPath":"/scopri/storia/","pageData":{"id":"white-template","map":1,"seo":{},"title":"La storia del Museo","heroInfo":{"title":"La storia del Museo","desc":"La nascita e il cammino del più antico Museo Egizio al mondo.","image":{"id":"861","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/1-totale-Copia-JPG-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/1-totale-Copia-JPG.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/1-totale-Copia-JPG.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/1-totale-Copia-JPG.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/1-totale-Copia-JPG.jpg"},"firstButton":{"title":"","link":""},"secondaryButton":{"title":"","link":""}},"sections":[{"alignment":"left","dimension":"100","border":0,"background":"none","type":"text_section","content":{"title":"Scopri l’evoluzione del Museo","description":"Il Museo Egizio è il \u003cstrong\u003epiù antico museo del mondo\u003c/strong\u003e dedicato interamente alla \u003cstrong\u003ecultura egizia\u003c/strong\u003e. 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Egizio.","image":{"id":"1017","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/01S2725-Modifica-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/01S2725-Modifica-1024x720.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/01S2725-Modifica.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/01S2725-Modifica.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/01S2725-Modifica.jpg"}},{"title":"Ramesse II (statua usurpata)","headline":"","period":"","subtitle":"Nuovo Regno, 1539-1076 a.C.","year":"1759","desc":"Questa statua fu uno dei \u003cstrong\u003eprimi monumenti\u003c/strong\u003e egiziani giunti a Torino, \u003cstrong\u003escoperta\u003c/strong\u003e da Vitaliano Donati nel \u003cstrong\u003e1759\u003c/strong\u003e circa.","image":{"id":"1018","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/Cat.-1381-2-Copia-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/Cat.-1381-2-Copia-1024x1024.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/Cat.-1381-2-Copia.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/Cat.-1381-2-Copia.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/Cat.-1381-2-Copia.jpg"}},{"title":"Statua di Amenhotep I","headline":"","period":"","subtitle":"Nuovo Regno, 1539-1076 a.C.","year":"1824","desc":"La \u003cstrong\u003ecollezione\u003c/strong\u003e di cui fa parte la statua fu riunita da Bernardino Drovetti e determinò la \u003cstrong\u003enascita del Museo nel 1824\u003c/strong\u003e.","image":{"id":"1019","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/Cat.-1372-Amenhotep-I_DSC61140912_ok-Copia-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/Cat.-1372-Amenhotep-I_DSC61140912_ok-Copia-1024x1024.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/Cat.-1372-Amenhotep-I_DSC61140912_ok-Copia.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/Cat.-1372-Amenhotep-I_DSC61140912_ok-Copia-1349x1080.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/Cat.-1372-Amenhotep-I_DSC61140912_ok-Copia.jpg"}},{"title":"Scoperta del gruppo statuario di Pendua e Nefertari","headline":"","period":"","subtitle":"","year":"1905","desc":"Il \u003cstrong\u003eMuseo\u003c/strong\u003e incrementò la sua collezione grazie agli scavi condotti nei \u003cstrong\u003eprimi 20 anni del ‘900\u003c/strong\u003e, durante i quali venne ritrovato anche questo gruppo 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scavo.","image":{"id":"1022","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/B0638-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/B0638-1024x912.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/B0638.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/B0638.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/B0638.jpg"}},{"title":"Tempio di Ellesiya","headline":"","period":"","subtitle":"Nuovo Regno, 1539-1076 a.C.","year":"1970","desc":"Con il dono del \u003cstrong\u003etempietto rupestre\u003c/strong\u003e da parte della Repubblica Araba Unita (RAU), il Museo si dotò di una \u003cstrong\u003estruttura 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Raffigura una sequenza di animali accovacciati dentro nicchie ambientate in un’architettura a monocromo. In ogni volta sono raffigurati al centro dei volatili e sui fondi rosati delle vele pesci.","image":{"id":"1040","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/Primo-allestimento-della-Collezione-Drovetti-disegno-a-penna-e-acquerello-di-Marco-Nicolosino-1832-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/Primo-allestimento-della-Collezione-Drovetti-disegno-a-penna-e-acquerello-di-Marco-Nicolosino-1832-1024x918.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/Primo-allestimento-della-Collezione-Drovetti-disegno-a-penna-e-acquerello-di-Marco-Nicolosino-1832.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/Primo-allestimento-della-Collezione-Drovetti-disegno-a-penna-e-acquerello-di-Marco-Nicolosino-1832.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/Primo-allestimento-della-Collezione-Drovetti-disegno-a-penna-e-acquerello-di-Marco-Nicolosino-1832.jpg"},"title":"La nascita dell'edificio","description":"A partire dalla sua \u003cstrong\u003efondazione (1824)\u003c/strong\u003e, il Museo Egizio ha avuto sede nel palazzo denominato \u003cstrong\u003e“Collegio dei Nobili”\u003c/strong\u003e, costruito su disegno di Michelangelo Garove dal 1679, in cui furono esposte le prime antichità, della collezione Drovetti, acquistate dal re Carlo Felice. L’edificio, grazie ad interventi di Giuseppe Maria Talucchi e Alessandro Mazzucchetti, fu \u003cstrong\u003eampliato\u003c/strong\u003e e adeguato alla nuova destinazione d’uso \u003cstrong\u003enella seconda metà dell’800\u003c/strong\u003e. Già nel \u003cstrong\u003e1832\u003c/strong\u003e, comunque, il Museo \u003cstrong\u003eaprì al pubblico\u003c/strong\u003e."},{"text":"\u003ch1\u003eLa Galleria\u003c/h1\u003e\r\nLa decorazione affrescata della volta è stata recuperata nei recenti restauri sotto vari strati di tinteggiature. Raffigura una sequenza di animali accovacciati dentro nicchie ambientate in un’architettura a monocromo. In ogni volta sono raffigurati al centro dei volatili e sui fondi rosati delle vele pesci.","image":{"id":"1041","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/Nicolosino-doppio-Copia-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/Nicolosino-doppio-Copia-1024x898.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/Nicolosino-doppio-Copia.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/Nicolosino-doppio-Copia.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/Nicolosino-doppio-Copia.jpg"},"title":"Il Regio Museo di Antichità ed Egizio e l'Accademia delle Scienze","description":"Oltre alle \u003cstrong\u003eantichità egiziane\u003c/strong\u003e, erano presenti anche reperti \u003cstrong\u003eromani, preromani e preistorici\u003c/strong\u003e, insieme ad una sezione di storia naturale. L’edificio era (ed è tuttora) \u003cstrong\u003econdiviso con l’Accademia delle Scienze\u003c/strong\u003e. Dopo un’iniziale sistemazione nella parte opposta dell’edificio, la Galleria dei Re, o Statuario, fu spostata nelle sale attuali. Nel corso dell’ ‘800, inoltre, il Regio Museo di Antichità ed Egizio acquisì anche alcune collezioni minori da privati o tramite scambi con altri musei."},{"text":"\u003ch1\u003eSalone 3.9\u003c/h1\u003e\r\nLa decorazione affrescata della volta è stata recuperata nei recenti restauri sotto vari strati di tinteggiature. Raffigura una sequenza di animali accovacciati dentro nicchie ambientate in un’architettura a monocromo. In ogni volta sono raffigurati al centro dei volatili e sui fondi rosati delle vele pesci.","image":{"id":"1042","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/C01392-allstimento-Schiaparelli-Copia-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/C01392-allstimento-Schiaparelli-Copia-1024x1020.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/C01392-allstimento-Schiaparelli-Copia-1440x1002.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/C01392-allstimento-Schiaparelli-Copia.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/C01392-allstimento-Schiaparelli-Copia.jpg"},"title":"Gli scavi di Schiaparelli e Farina","description":"\u003cstrong\u003eTra il 1903 e il 1937\u003c/strong\u003e gli \u003cstrong\u003escavi archeologici\u003c/strong\u003e condotti in Egitto da Ernesto Schiaparelli e poi da Giulio Farina portarono a Torino circa \u003cstrong\u003e30.000 reperti\u003c/strong\u003e. Il Museo ebbe una prima risistemazione delle sale nel 1908 e una seconda, più importante, nel \u003cstrong\u003e1924\u003c/strong\u003e, con la \u003cstrong\u003evisita ufficiale del Re\u003c/strong\u003e. A tal proposito, per sopperire alla mancanza di spazio, Schiaparelli ristrutturò la nuova ala del Museo (chiamata poi “ala Schiaparelli”), nella quale espose reperti provenienti da Assiut e Gebelein."},{"image":{"id":"1044","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/DSC_0019-Tempio-Ellesija-JPG-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/DSC_0019-Tempio-Ellesija-JPG-1024x1000.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/DSC_0019-Tempio-Ellesija-JPG-1440x957.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/DSC_0019-Tempio-Ellesija-JPG.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/DSC_0019-Tempio-Ellesija-JPG.jpg"},"title":"Il tempio di Ellesiya","description":"Ulteriori \u003cstrong\u003eristrutturazioni e adattamenti\u003c/strong\u003e avvennero negli anni ‘30 (con l'installazione della Pinacoteca) e alla fine degli anni ‘80, (con la nuova sistemazione dell’Ala Schiaparelli). Particolarmente importante fu l’opera di \u003cstrong\u003ericomposizione del tempietto rupestre di Ellesiya\u003c/strong\u003e donato dal Governo Egiziano in riconoscimento dell’aiuto italiano nel salvataggio dei templi nubiani minacciati dalle acque della diga di Assuan. Per il trasferimento a Torino la struttura fu tagliata in 66 blocchi e poi \u003cstrong\u003einaugurata il 4 settembre 1970\u003c/strong\u003e."},{"image":{"id":"1043","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/ini-Allestimento-moderno-JPG-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/ini-Allestimento-moderno-JPG-1024x973.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/ini-Allestimento-moderno-JPG.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/ini-Allestimento-moderno-JPG.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/ini-Allestimento-moderno-JPG.jpg"},"title":"Il Museo dagli anni '80","description":"A partire dagli\u003cstrong\u003e anni ’80\u003c/strong\u003e, anche a seguito di un incremento di visitatori, si è reso necessario programmare un \u003cstrong\u003enuovo percorso di visita\u003c/strong\u003e che ha determinato nuovi spazi espositivi. In particolare, il recupero e la sottomurazione dell’Ala Schiaparelli hanno reso fruibili \u003cstrong\u003eampie sale sotterranee\u003c/strong\u003e dedicate alle attività archeologiche ad Assiut, Qau el-Kebir e Gebelein. Al piano terreno, è stata recuperata un’ampia sala destinata a accogliere le antichità dell’Età Predinastica e dell’Antico Regno."},{"image":{"id":"854","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/8-Galleria-dei-Re-Copia-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/8-Galleria-dei-Re-Copia.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/8-Galleria-dei-Re-Copia.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/8-Galleria-dei-Re-Copia.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/8-Galleria-dei-Re-Copia.jpg"},"title":"I Giochi Olimpici Invernali","description":"In occasione dei\u003cstrong\u003e Giochi Olimpici\u003c/strong\u003e Invernali di Torino nel \u003cstrong\u003e2006\u003c/strong\u003e, lo statuario è stato riallestito dallo scenografo \u003cstrong\u003eDante Ferretti\u003c/strong\u003e."},{"image":{"id":"855","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/5-cant-ext-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/5-cant-ext-1024x664.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/5-cant-ext.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/5-cant-ext.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/5-cant-ext.jpg"},"title":"Il nuovo allestimento","description":"L’ultimo intervento ha radicalmente \u003cstrong\u003erifunzionalizzato gli spazi\u003c/strong\u003e, l’intero percorso museale (articolato su cinque piani espositivi) e le dotazioni impiantistiche, in vista della grande \u003cstrong\u003eriapertura del 2015\u003c/strong\u003e."}],"title":"La storia del __palazzo__ di via Accademia delle Scienze"}},{"alignment":"left","dimension":"100","border":true,"background":"white","type":"section","content":{"sections":[{"text":"\u003ch1\u003eLorem Ipsum\u003c/h1\u003e\r\nLa decorazione affrescata della volta è stata recuperata nei recenti restauri sotto vari strati di tinteggiature. Raffigura una sequenza di animali accovacciati dentro nicchie ambientate in un’architettura a monocromo. In ogni volta sono raffigurati al centro dei volatili e sui fondi rosati delle vele pesci.","image":{"id":"1963","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/00S2707-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/00S2707-1024x1024.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/00S2707.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/00S2707-1115x1080.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/00S2707.jpg"},"title":"Le origini","description":"Il \u003cstrong\u003eprimo nucleo\u003c/strong\u003e della Biblioteca nasce insieme \u003cstrong\u003econ il Museo Egizio nel 1824\u003c/strong\u003e. Tra le prime acquisizioni figurano opere di grande pregio quali: la \u003cem\u003eDescription de l'Égypte;\u003c/em\u003e i \u003cem\u003eMonumenti dell’Egitto e della Nubia\u003c/em\u003e, di Ippolito Rosellini; i \u003cem\u003eDenkmäler aus Ägypten und Aethiopen,\u003c/em\u003e di Richard Lepsius.\r\nFino agli anni ’50 del 1900 le aggiunte al catalogo sono sporadiche."},{"image":{"id":"2627","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/Gardiner-Copiaok-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/Gardiner-Copiaok-1024x1024.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/Gardiner-Copiaok.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/Gardiner-Copiaok-1088x1080.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/Gardiner-Copiaok.jpg"},"title":"Dopo la Seconda Guerra Mondiale","description":"È solo con il rientro delle collezioni in sede, dopo lo sfollamento a seguito del \u003cstrong\u003esecondo conflitto mondiale\u003c/strong\u003e, che ci si rende conto della necessità di una sistematica politica di acquisizioni per adeguare la Biblioteca al progresso che la disciplina egittologica aveva avuto in quegli anni.\r\nI fondi a disposizione in quel periodo non permettono però l’ampliamento necessario e \u003cstrong\u003el’incremento si basa soprattutto sulle donazioni\u003c/strong\u003e di pubblicazioni da parte di studiosi in visita al Museo."},{"image":{"id":"2628","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/Chronique-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/Chronique-1024x1000.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/Chronique-1440x960.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/Chronique.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/Chronique.jpg"},"title":"I doni e l'acquisto sul mercato antiquario","description":"Tra i volumi donati in questi anni si annoverano i primi 33 volumi della rivista \u003cem\u003eJournal of Egyptian Archaeology\u003c/em\u003e offerte da Sir Alan \u003cstrong\u003eGardiner\u003c/strong\u003e e tutti quelli della \u003cem\u003eChronique d’Égypte\u003c/em\u003e offerti dalla \u003cstrong\u003eFondation Égyptologique Reine Elisabeth\u003c/strong\u003e, per intercessione di Arpag Mekhitarian.\r\nUn’altra via percorsa per aumentare il patrimonio librario della biblioteca è\u003cstrong\u003e l'acquisto di testi sul mercato antiquario\u003c/strong\u003e, dove era possibile trovare a prezzi contenuti volumi provenienti da biblioteche chiuse o disperse dopo il conflitto mondiale."},{"image":{"id":"1923","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/05/IMG_20180525_122323464.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/05/IMG_20180525_122323464.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/05/IMG_20180525_122323464.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/05/IMG_20180525_122323464.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/05/IMG_20180525_122323464.jpg"},"title":"Il salvataggio dei Templi Nubiani","description":"A partire dal 1964, in seguito alla partecipazione del Museo Egizio alla \u003cstrong\u003ecampagna per il salvataggio dei templi nubiani\u003c/strong\u003e, ci sarà l’aumento dei fondi destinati dal Ministero della Pubblica Istruzione all’acquisto di libri.\r\nCiò permetterà l’avvio di acquisizioni sistematiche delle principali serie e dei più importanti periodici di settore, grazie a questo \u003cstrong\u003ela Biblioteca diventerà nel corso del tempo un punto di riferimento per gli studiosi di tutto il mondo.\u003c/strong\u003e"},{"image":{"id":"2631","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/targa-ok-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/targa-ok-1024x756.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/targa-ok.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/targa-ok.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/targa-ok.jpg"},"title":"Gli anni '60 e '70","description":"Nel 1968\u003cstrong\u003e Giuseppe Botti\u003c/strong\u003e, egittologo e demotista, lascia in eredità al Museo la sua ricca e preziosa Biblioteca.\r\nNel 1977 e 1978 donano le proprie Biblioteche personali anche \u003cstrong\u003eCeleste Rinaldi e Vito Maragioglio\u003c/strong\u003e."},{"image":{"id":"1959","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/DSF1147-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/DSF1147-1024x864.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/DSF1147.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/DSF1147.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/DSF1147.jpg"},"title":"La Biblioteca oggi","description":"Negli anni Duemila, la Biblioteca ha un’ulteriore battuta d’arresto nelle acquisizioni, ma \u003cstrong\u003enegli ultimi anni gli acquisti e i doni hanno visto un incremento notevole.\u003c/strong\u003e"}],"title":"La storia della __Biblioteca Silvio Curto__"}},{"alignment":"left","dimension":"100","border":true,"background":"white","type":"section","content":{"sections":[{"image":{"id":"856","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/10-cabina-Copia-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/10-cabina-Copia-1024x857.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/10-cabina-Copia.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/10-cabina-Copia.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/10-cabina-Copia.jpg"},"title":"Le sale e gli impianti","description":"Attualmente, il Museo conserva una \u003cstrong\u003ecollezione di circa 40.000 reperti\u003c/strong\u003e; di cui \u003cstrong\u003e3.300 oggetti\u003c/strong\u003e sono esposti nelle sale museali e circa\u003cstrong\u003e 12.000\u003c/strong\u003e nelle Gallerie della Cultura Materiale. I reperti sono dislocati in uno \u003cstrong\u003espazio visitabile di 12.000 mq\u003c/strong\u003e, disposti su \u003cstrong\u003e4 piani\u003c/strong\u003e. Le sale sono ora dotate di un sofisticato impianto di \u003cstrong\u003econtrollo igrotermico\u003c/strong\u003e. Questo sistema, alimentato dal combinato geotermia-bruciatori, si avvale di tre pompe di calore che distribuiscono i fluidi a \u003cstrong\u003e14 unità di trattamento aria, ventilconvettori e pannelli radianti\u003c/strong\u003e, tutti interconnessi tra loro e gestiti in remoto da un programma di controllo, a sua volta supportato dal feedback di sensori dislocati in sala."},{"image":{"id":"857","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/11-gruppo-Copia-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/11-gruppo-Copia-820x1024.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/11-gruppo-Copia.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/11-gruppo-Copia-820x1080.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/11-gruppo-Copia.jpg"},"title":"Tecnologia e riduzione delle emissioni","description":"L’utilizzo sinergico di tali dispositivi permette la \u003cstrong\u003ecalibrazione\u003c/strong\u003e capillare continuativa dei \u003cstrong\u003eparametri temperatura-umidità\u003c/strong\u003e necessari alla conservazione ottimale dei reperti ed al raggiungimento del \u003cstrong\u003ecomfort ambientale\u003c/strong\u003e per i visitatori. Lo studio delle migliori tarature d’impianto, inoltre, permette di contenere i consumi e di \u003cstrong\u003eridurre le emissioni\u003c/strong\u003e ambientali."},{"image":{"id":"858","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2018/01/12-aeraulica-Copia-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2018/01/12-aeraulica-Copia-1024x734.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2018/01/12-aeraulica-Copia.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2018/01/12-aeraulica-Copia.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2018/01/12-aeraulica-Copia.jpg"},"title":"Sicurezza 24/7","description":"Il Museo dispone inoltre di diversi \u003cstrong\u003esistemi di monitoraggio\u003c/strong\u003e integrativi, finalizzati al controllo dei flussi di pubblico, dell’accessibilità ed alla \u003cstrong\u003esorveglianza 24/7\u003c/strong\u003e, per garantire il massimo grado di sicurezza possibile e gestire eventuali criticità o sovraccarichi."}],"title":"La __manutenzione__"}}]},"newsList":[{"id":9556,"tag":"Attività di ricerca","image":{"id":"9557","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2024/03/DSC0216-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2024/03/DSC0216-1024x800.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2024/03/DSC0216.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2024/03/DSC0216.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2024/03/DSC0216.jpg"},"title":"Libro dei morti di Kha: analisi e studi","subtitle":"","description":"Il Museo Egizio ha avviato un importante \u003cstrong\u003eprogetto di analisi e di studio del Libro dei morti di Kha.\u003c/strong\u003e\r\n\r\nSi tratta di un papiro lungo 14 metri esposto nella sala 7 del museo, al primo piano dell’edificio, dedicato al corredo della tomba dell’architetto Kha e sua moglie Merit.\r\n\r\nIl manoscritto contiene 33 formule magiche, molte delle quali accompagnate da illustrazioni, per la guida, la protezione e la resurrezione del defunto nell’aldilà.\r\n\r\n\u003cimg class=\"wp-image-9557 aligncenter\" src=\"https://api.museoegizio.it/wp-content/uploads/2024/03/DSC0216-1024x800.jpg\" alt=\"\" width=\"577\" height=\"450\" /\u003e\r\n\r\n\u003cem\u003e\u003cstrong\u003eIl Papiro di Kha\u003c/strong\u003e\u003c/em\u003e\r\n\r\nIl reperto è stato rinvenuto nella tomba dell’architetto reale Kha, ed è databile tra 1425 e 1353 a.C., nel Nuovo Regno. È stato scoperto da Ernesto Schiaparelli nel 1906 all’interno della tomba, durante la Missione Archeologica Italiana e sin da subito si è rivelato in ottimo stato di conservazione.\r\n\r\n\u0026nbsp;\r\n\r\n\u003cem\u003e\u003cstrong\u003eLe analisi\u003c/strong\u003e\u003c/em\u003e\r\n\r\n\u003cstrong\u003eDa lunedì 26 febbraio, per 3 settimane, il reperto sarà sottoposto ad analisi\u003c/strong\u003e nell’ambito di un progetto svolto dal Museo Egizio con il supporto del Laboratorio mobile MOLAB dell’E-RIHS (European Research Infrastructure for Heritage Science) in collaborazione con i gruppi del ISPC CNR di Catania, Firenze, Milano, Roma, dello SCITEC CNR di Perugia, e del centro SMAArt dell'Università di Perugia.\r\n\r\nDopo le analisi preliminari, grazie alla spettrometria RAMAN – tecnica non invasiva – sarà possibile analizzare la composizione dei pigmenti impiegati nel papiro nonché distinguere tra i materiali originali e quelli aggiunti successivamente, approfondirne le misure di ripristino passate e le misure di conservazione future.\r\n\r\nIn seguito, verranno svolte ulteriori analisi con l’ausilio dell’XRF mapping (spettroscopia di fluorescenza a raggi X): l’obiettivo, in questo caso specifico, è indagare ciò che non è più visibile come i disegni preliminari, modifiche alla colorazione delle vignette, le cancellature e gli eventuali errori dello scriba.\r\n\r\nUlteriori analisi saranno svolte al microscopio HIROX, per studiare in dettaglio la texture della pittura, la tecnica pittorica utilizzata, la miscelazione dei colori e il particolare effetto glitterato.\r\n\u003cp style=\"text-align: center;\"\u003e \u003cimg class=\"alignnone wp-image-9561\" src=\"https://api.museoegizio.it/wp-content/uploads/2024/03/DSC0261-1024x800.jpg\" alt=\"\" width=\"533\" height=\"416\" /\u003e\u003c/p\u003e\r\n\u003cstrong\u003e\u003cem\u003eLo studio\u003c/em\u003e\u003c/strong\u003e\r\n\r\nIl nome del proprietario che beneficia delle formule ricorre normalmente con frequenza dopo il titolo e alla fine dei capitoli. Però, sul papiro di Kha, lo spazio previsto per il nome è vuoto in alcuni capitoli; quindi, sembra che il Libro dei Morti fosse stato preparato prima di essere destinato a Kha, lasciando in bianco lo spazio per il nome di chi sarebbe poi stato il suo proprietario. Solo quando il manoscritto è stato adattato per Kha vi è stato inserito il suo nome, anche se non in tutti i punti. L’inserimento in un secondo tempo del nome è evidente nella seconda colonna del capitolo 1: i titoli e i nomi di Kha e Merit hanno infatti una spaziatura molto larga, perché lo scriba ha dovuto riempire l’interna colonna. Inoltre, l’ingrandimento rivela che i nomi sono scritti su un altro testo cancellato, del quale si vedono ancora alcune tracce di inchiostro, questo fa pensare che il manoscritto fosse stato pensato per un’altra persona.\r\n\r\nAnche ad occhio nudo si nota un cambio di programma nella decorazione, per esempio: la scena iniziale presenta il dio Osiride in forma di mummia dal torace in giù, ma sotto il collo bianco si intravede una decorazione; il corpo del dio era in origine ricoperto di piume o fiori. Le analisi in corso saranno fondamentali per chiarire la domanda se si tratti di un cambio di gusto da collegare al riutilizzo del papiro per Kha.\r\n\r\n\u003cimg class=\"alignnone wp-image-9559 aligncenter\" src=\"https://api.museoegizio.it/wp-content/uploads/2024/03/DSC0303-1024x808.jpg\" alt=\"\" width=\"563\" height=\"444\" /\u003e\r\n\r\nNonostante i numerosi studi e progetti di analisi sul reperto, \u003cstrong\u003efino ad oggi non è ancora stato ancora realizzato uno studio completo sul Libro dei Morti di Kha\u003c/strong\u003e. L’ultima pubblicazione è di Susanne Töpfer ed è acquistabile \u003cstrong\u003e\u003ca href=\"https://shop.museoegizio.it/il-libro-dei-morti-di-kha-pdf.html\"\u003eQUI\u003c/a\u003e \u003c/strong\u003e\r\n\r\nIl progetto avviato è cruciale per approfondire la storia del reperto e il testo scritto. In parallelo alle indagini diagnostiche, infatti, \u003cstrong\u003everrà avviata l’edizione filologica del testo con translitterazione, traduzione e commento.\u003c/strong\u003e\r\n\r\n\u003cstrong\u003eLa ricerca sarà cruciale per fare luce sulla pratica scribale dell’antico Egitto, che è ancora poco nota.\u003c/strong\u003e Del resto, la papirologia contribuisce sempre più alla definizione della “biografia degli oggetti”, che a partire dalla materialità dei reperti consente di ricostruire contesti e storie.","date":1709561963000,"slug":"libro-dei-morti-di-kha-analisi-e-studi","details":[],"seo":null,"info":{"top":[{"icon":"lingua","title":"","description":"","check":true}],"bottom":[{"icon":"email","title":"info@museitorino.it","description":null,"check":true},{"icon":"phone","title":"011 44 06 903","description":"Dal lunedì al sabato dalle ore 9:00 alle 18:30","check":true}]},"label_link":"scopri","link":"/explore/news/libro-dei-morti-di-kha-analisi-e-studi"},{"id":6697,"tag":"Attività di ricerca","image":{"id":"6696","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2023/08/DSC7035-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2023/08/DSC7035-1024x1024.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2023/08/DSC7035.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2023/08/DSC7035-1200x1080.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2023/08/DSC7035.jpg"},"title":"“Un falso autentico: la statua di Neshor” – la nuova mostra del ciclo “Nel Laboratorio dello Studioso”","subtitle":"","description":"La\u003cstrong\u003e statua\u003c/strong\u003e frammentaria del generale Neshor, databile al VI secolo a.C., a cui in epoca moderna, probabilmente tra gli anni 60 e gli anni 70, è stato aggiunto un \u003cstrong\u003efalso volto di faraone\u003c/strong\u003e, è il reperto sotto la lente della  \u003cstrong\u003enuova mostra del ciclo \"Nel Laboratorio dello Studioso\", a cura di Federico Poole, Maxence Garde e Matteo Lombardi, visitabile da venerdì 11 agosto fino a domenica 15 ottobre 2023.\u003c/strong\u003e\r\n\r\n\u003cimg class=\"alignnone wp-image-6702\" src=\"https://api.museoegizio.it/wp-content/uploads/2023/08/DSF0146-RAF-1024x794.jpg\" alt=\"\" width=\"594\" height=\"461\" /\u003e\r\n\r\n\u0026nbsp;\r\n\r\nTra il volto di faraone e il resto della statua è facilmente distinguibile \u003cstrong\u003eil punto di giunzione tra antico e moderno\u003c/strong\u003e: il frammento moderno è stato unito con una resina dipinta di colore scuro per adattarsi alla pietra.\r\n\r\n\u003cimg class=\"alignnone wp-image-6704\" src=\"https://api.museoegizio.it/wp-content/uploads/2023/08/DSF0133-RAF-797x1024.jpg\" alt=\"\" width=\"594\" height=\"763\" /\u003e\r\n\r\nDa quando ai primi dell’Ottocento l’Egitto si apre all’Occidente e si formano le prime grandi collezioni europee, si sviluppa nel paese un fiorente mercato di antichità. Iniziano a \u003cstrong\u003ecircolare anche parecchi falsi, che ritroviamo in tutte le collezioni\u003c/strong\u003e, comprese quella del Museo Egizio. Si tratta spesso di copie grossolane con geroglifici di fantasia, ma alcuni sono realizzati con sufficiente perizia da ingannare persino alcuni esperti. Alcuni di questi falsi sono esposti in mostra, scoprite quali sono e i criteri per riconoscerli.\r\n\r\n\u003cstrong\u003eFederico Poole vi accompagnerà alla scoperta della nuova mostra in due visite speciali martedì 22 agosto e martedì 5 settembre ore 16.30\u003c/strong\u003e. Prenota il tuo posto \u003cstrong\u003e\u003ca href=\"https://egizio.museitorino.it/eventi/visita-guidata-con-curatore-museale/\"\u003eQUI\u003c/a\u003e.\u003c/strong\u003e","date":1691680771000,"slug":"un-falso-autentico-la-statua-di-neshor-la-nuova-mostra-del-ciclo-nel-laboratorio-dello-studioso","details":[],"seo":null,"info":{"top":[{"icon":"lingua","title":"","description":"","check":true}],"bottom":[{"icon":"email","title":"info@museitorino.it","description":null,"check":true},{"icon":"phone","title":"+390114406903","description":"Dal lunedì al sabato dalle ore 9:00 alle 18:30","check":true}]},"label_link":"scopri","link":"/explore/news/un-falso-autentico-la-statua-di-neshor-la-nuova-mostra-del-ciclo-nel-laboratorio-dello-studioso"},{"id":6561,"tag":"Attività di ricerca","image":{"id":"6568","alt":"","small":"https://api.museoegizio.it/wp-content/uploads/2023/06/DSCF1323-RAF_DxO_DeepPRIMEXD-500x500.jpg","medium":"https://api.museoegizio.it/wp-content/uploads/2023/06/DSCF1323-RAF_DxO_DeepPRIMEXD-1024x1024.jpg","medium_large":"https://api.museoegizio.it/wp-content/uploads/2023/06/DSCF1323-RAF_DxO_DeepPRIMEXD.jpg","large":"https://api.museoegizio.it/wp-content/uploads/2023/06/DSCF1323-RAF_DxO_DeepPRIMEXD-1200x1080.jpg","original":"https://api.museoegizio.it/wp-content/uploads/2023/06/DSCF1323-RAF_DxO_DeepPRIMEXD.jpg"},"title":"“Frammenti di storia: Eliopoli si racconta” – la nuova mostra del ciclo “Nel Laboratorio dello Studioso”","subtitle":"","description":"I\u003cstrong\u003e frammenti di tre piccole sfingi in miniatura\u003c/strong\u003e che provengono da \u003cstrong\u003eEliopoli\u003c/strong\u003e, sito sacro nell’antichità, sono i reperti sotto la lente della  \u003cstrong\u003enuova mostra del ciclo \"Nel Laboratorio dello Studioso\", a cura di Federica Ugliano, visitabile dal 2 giugno fino al 6 agosto 2023.\u003c/strong\u003e\r\n\r\nGrazie alle iscrizioni che si conservano sugli oggetti e che riportano i nomi di chi li ha commissionati, possiamo identificarne i proprietari di due delle tre sfingi in miniatura: i faraoni Tuthmosi III e Sheshonq I. Ricerche ancora in corso potranno fornire in futuro informazioni sulla testa frammentaria della terza sfinge esposta.\r\n\r\n\u003cimg class=\"alignnone size-full wp-image-6566\" src=\"https://api.museoegizio.it/wp-content/uploads/2023/06/DSCF1320-RAF_DxO_DeepPRIMEXD.jpg\" alt=\"\" width=\"892\" height=\"1200\" /\u003e\r\n\r\nLa mostra accende un faro su \u003cstrong\u003ealcuni dei reperti trovati dall’archeologo Ernesto Schiaparelli\u003c/strong\u003e  nella sua campagna di scavo a cavallo tra il 1903 e il 1906 a Eliopoli, oggi diventata un sobborgo del Cairo.\r\n\r\nSecondo uno dei miti raccontati dagli antichi egizi sull’origine dell’universo, il dio Atum ha creato il mondo, tutti gli dèi e le creature che lo popolano, dalla sommità di una collina primordiale, emersa dalle acque dell’oceano Nun, la collina di Eliopoli. A partire dall’epoca del faraone Djoser (2700 a.C. circa) \u003cstrong\u003eEliopoli diventa uno dei più importanti centri di culto di tutto l’Egitto\u003c/strong\u003e.  A causa di questa sua origine “mitologica”, la città diventa sede di culto e venerazione di tante divinità e, in particolare, del dio del sole, Ra.\r\n\r\n\u003cimg class=\"alignnone wp-image-6567\" src=\"https://api.museoegizio.it/wp-content/uploads/2023/06/DSCF1268-RAF_DxO_DeepPRIMEXD.jpg\" alt=\"\" width=\"984\" height=\"942\" /\u003e\r\n\r\nNon erano solo i faraoni a lasciare doni votivi, con dediche e invocazioni agli dèi, ma anche le persone comuni. Tra gli oggetti che potevano essere dedicati alle divinità di Eliopoli, si trovano anche \u003cstrong\u003ereperti insoliti\u003c/strong\u003e: in mostra si può ammirare un fossile di riccio marino rinvenuto all’interno di uno dei depositi votivi, scoperti nel 1903 dalla Missione Archeologica Italiana, guidata dall’allora direttore del Museo Schiaparelli. I geroglifici incisi sulla superficie piana del fossile ci svelano che un sacerdote, di nome Tjanefer, ha trovato questo oggetto curioso e ha deciso di mostrare la propria devozione, consacrandolo al dio Ra e deponendolo all’interno di uno dei suoi templi.\r\n\r\n\u003cstrong\u003eFederica Ugliano\u003c/strong\u003e\u003cstrong\u003e vi accompagnerà in due visite speciali  martedì 13 giugno e martedì 11 luglio 2023 alle 16.30\u003c/strong\u003e\u003cstrong\u003e. Clicca \u003ca href=\"https://egizio.museitorino.it/eventi/visita-guidata-con-curatore-museale/\"\u003eQUI\u003c/a\u003e per prenotare il tuo posto.\u003c/strong\u003e","date":1685631492000,"slug":"frammenti-di-storia-eliopoli-si-racconta-la-nuova-mostra-del-ciclo-nel-laboratorio-dello-studioso","details":[],"seo":null,"info":{"top":[{"icon":"lingua","title":"","description":"","check":true}],"bottom":[{"icon":"email","title":"info@museitorino.it","description":null,"check":true},{"icon":"phone","title":"+390114406903","description":"Dal lunedì al sabato dalle ore 9:00 alle 18:30","check":true}]},"label_link":"scopri","link":"/explore/news/frammenti-di-storia-eliopoli-si-racconta-la-nuova-mostra-del-ciclo-nel-laboratorio-dello-studioso"}],"slug":"storia","artifactsExt":[],"artifactsInt":[]},"pathname":"/discover","query":{"slug":"storia"},"buildId":"212c33c6-9004-4d4d-a27a-3397b9d92334","buildStats":{"app.js":{"hash":"dbb3322d05e534e62fa61ee4cca97305"}},"assetPrefix":"","nextExport":false,"err":null,"chunks":[]} module={} __NEXT_LOADED_PAGES__ = [] __NEXT_LOADED_CHUNKS__ = [] __NEXT_REGISTER_PAGE = function (route, fn) { __NEXT_LOADED_PAGES__.push({ route: route, fn: fn }) } __NEXT_REGISTER_CHUNK = function (chunkName, fn) { __NEXT_LOADED_CHUNKS__.push({ chunkName: chunkName, fn: fn }) } </script><script async="" id="__NEXT_PAGE__/discover" type="text/javascript" src="/_next/212c33c6-9004-4d4d-a27a-3397b9d92334/page/discover.js"></script><script async="" id="__NEXT_PAGE__/_error" type="text/javascript" src="/_next/212c33c6-9004-4d4d-a27a-3397b9d92334/page/_error.js"></script><div></div><script type="text/javascript" src="/_next/dbb3322d05e534e62fa61ee4cca97305/app.js" async=""></script></div><div id="acconsento-click" data-key="C8A6971856940F50B903B6DFA19888BBF656DD03495D0B371B010DA1D5557A2557CBF0C85FF9FB76F7C26372CA52DDBA" data-site-id="4cd7dd6d-2b19-4a8a-8ef7-318c1cbb52c0" data-lang="it"></div><script type="text/javascript" charSet="UTF-8" async="" src="/static/cookie-prod.js"></script></body></html>

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