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The Beatles as Musicians: The Quarry Men Through Rubber Soul - Walter Everett - Google Books
<!DOCTYPE html><html><head><title>The Beatles as Musicians: The Quarry Men Through Rubber Soul - Walter Everett - Google Books</title><link rel="stylesheet" href="/books/css/_a33f2a89320471e58c940b9287b9d4eb/kl_viewport_kennedy_full_bundle.css" type="text/css" /><link rel="stylesheet"href="https://fonts.googleapis.com/css2?family=Product+Sans:wght@400"><script src="/books/javascript/v2_a33f2a89320471e58c940b9287b9d4eb__en.js"></script><script>_OC_Hooks = ["_OC_Page", "_OC_SearchReload", "_OC_TocReload", "_OC_EmptyFunc", "_OC_SearchPage", "_OC_QuotePage" ];for (var _OC_i = 0; _OC_i < _OC_Hooks.length; _OC_i++) {eval("var " + _OC_Hooks[_OC_i] + ";");}function _OC_InitHooks () {for (var i = 0; i < _OC_Hooks.length; i++) {var func = arguments[i];eval( _OC_Hooks[i] + " = func;");}}</script><link rel="canonical" href="https://books.google.com/books/about/The_Beatles_as_Musicians.html?id=UmrVa2U7jB0C"/><meta property="og:url" content="https://books.google.com/books/about/The_Beatles_as_Musicians.html?id=UmrVa2U7jB0C"/><meta name="title" content="The Beatles as Musicians"/><meta name="description" content="The Beatles as Musicians: The Quarry Men through Rubber Soul is a comprehensive, chronologically-ordered study of every aspect of the group's musical life--composition, performance, recording and reception histories--from its beginnings in 1956 through 1965. 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That","Pid":"PA221","PgNum":"221","Order":242},{"Title":"Film Soundtrack","Pid":"PA225","PgNum":"225","Order":246},{"Title":"World Tour Additional LP and EP Tracks","Pid":"PA238","PgNum":"238","Order":259},{"Title":"Final Recordings for the EP and LP","Pid":"PA240","PgNum":"240","Order":261},{"Title":"US Tour and Fourth LP","Pid":"PA250","PgNum":"250","Order":271},{"Title":"Beatles for Sale and Feel Fine Shes a Woman","Pid":"PA253","PgNum":"253","Order":274},{"Title":"The Beatles Musical Growth in Their First Two Years with EMI","Pid":"PA269","PgNum":"269","Order":290},{"Title":"FOUR","Pid":"PA273","PgNum":"273","Order":294},{"Title":"Pop Music in America","Pid":"PA275","PgNum":"275","Order":296},{"Title":"A Second Feature Film","Pid":"PA280","PgNum":"280","Order":301},{"Title":"The Spring of 1965","Pid":"PA295","PgNum":"295","Order":316},{"Title":"The Second Half of 1965","Pid":"PA305","PgNum":"305","Order":326},{"Title":"Rubber Soul and We Can Work It Out Day Tripper","Pid":"PA308","PgNum":"308","Order":329},{"Title":"NovemberDecember 1965","Pid":"PA335","PgNum":"335","Order":356},{"Title":"POSTLUDE","Pid":"PA339","PgNum":"339","Order":360},{"Title":"APPENDIX","Pid":"PA345","PgNum":"345","Order":366},{"Title":"TABLE OF CHORD FUNCTIONS","Pid":"PA357","PgNum":"357","Order":378},{"Title":"GLOSSARY OF TERMS","Pid":"PA363","PgNum":"363","Order":384},{"Title":"NOTES","Pid":"PA367","PgNum":"367","Order":388},{"Title":"REFERENCES","Pid":"PA413","PgNum":"413","Order":434},{"Title":"INDEX OF NAMES SONGS ALBUMS FILMS AND WORKS OF LITERATURE","Pid":"PA433","PgNum":"433","Order":454}]}},"max_resolution_image_width":1280,"max_resolution_image_height":2001,"quality_info":"We know this book has perfect quality.","volume_id":"UmrVa2U7jB0C","permission_info":"Published by Oxford University Press","is_ebook":false,"volumeresult":{"has_flowing_text":true,"has_scanned_text":true,"can_download_pdf":false,"can_download_epub":false,"is_pdf_drm_enabled":false,"is_epub_drm_enabled":false},"publisher":"Oxford University Press","publication_date":"2001","subject":"Biography \u0026 Autobiography","num_pages":452,"sample_url":"https://play.google.com/books/reader?id=UmrVa2U7jB0C\u0026source=gbs_vpt_hover","synposis":"The Beatles as Musicians: The Quarry Men through Rubber Soul is a comprehensive, chronologically-ordered study of every aspect of the group's musical life--composition, performance, recording and reception histories--from its beginnings in 1956 through 1965. Richly authoritative interpretations from every available reliable musical document are interwoven through a documentary study of many thousands of audio, video, print, and multimedia sources. The text will enable general readers and musicians as well as educated music theorists to learn new levels of beauty in the music of the Beatles.","my_library_url":"https://www.google.com/accounts/Login?service=print\u0026continue=https://books.google.ca/books%3Fop%3Dlibrary\u0026hl=en","is_magazine":false,"is_public_domain":false},{"enableUserFeedbackUI":true,"pseudocontinuous":true,"is_cobrand":false,"sign_in_url":"https://www.google.com/accounts/Login?service=print\u0026continue=https://books.google.ca/books%3Fid%3DUmrVa2U7jB0C%26q%3DJune%26source%3Dgbs_word_cloud_r%26hl%3Den\u0026hl=en","isEntityPageViewport":false,"showViewportOnboarding":false,"showViewportPlainTextOnboarding":false},{"page":[{"pid":"PA305","highlights":[{"X":264,"Y":324,"W":24,"H":12},{"X":106,"Y":529,"W":28,"H":12},{"X":312,"Y":545,"W":27,"H":13},{"X":468,"Y":545,"W":28,"H":13},{"X":196,"Y":562,"W":27,"H":13},{"X":356,"Y":562,"W":27,"H":13},{"X":260,"Y":578,"W":28,"H":13}],"flags":8,"order":326,"vq":"June"}]},null,{"number_of_results":77,"search_results":[{"page_id":"PR18","page_number":"xviii","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e - July 1964 : World Tour , Additional LP and EP Tracks 238 The Australian Tour and Surrounding Events 238 Final Recordings for the EP and LP 240 Late 1964 : U.S. Tour and Fourth LP 250 Events of August - December 1964 250 Beatles\u0026nbsp;..."},{"page_id":"PA11","page_number":"11","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 18 , 1942 , in the north - Liverpool neighborhood of Walton . Their father a cotton salesman and mother a midwife . Paul and his brother Michael ( b . 1944 ) moved from rooms to rooms in the districts of Anfield , Wallasey\u0026nbsp;..."},{"page_id":"PA13","page_number":"13","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e - July 1974.9 The instrumentation of this chorus lends the tune a Dixieland quality , and a Nashville spirit breaks out later in Atkins\u0026#39;s and Cramer\u0026#39;s characteristic solos on rockabilly guitar and countrified piano , respectively\u0026nbsp;..."},{"page_id":"PA14","page_number":"14","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 1945 , the fa- ther unidentified and the infant placed for adoption with a Norwegian couple within weeks of birth . When Julia — never divorced — began a romance with John Dykins and set up a household with him , Julia\u0026#39;s oldest\u0026nbsp;..."},{"page_id":"PA20","page_number":"20","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 18 : Paul McCartney born , Liverpool 1943 Feb. 25 : George Harrison born , Liverpool 1956 1957 Sept . ? : John Lennon picks up guitar and begins to form skiffle band , the Quarry Men Mar . ? : July 6 : Oct. 18 : First public\u0026nbsp;..."},{"page_id":"PA25","page_number":"25","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 1961. Sheridan has also dated this song to December 1962 . He relates the text of the chorus as \u0026quot; Tell me if you can . Could there ever be an- other man who\u0026#39;d love you like I do ? Tell me if you can . \u0026quot; 21 Finally , six works - in\u0026nbsp;..."},{"page_id":"PA26","page_number":"26","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 1962 , after which time \u0026quot; Love Me Do , \u0026quot; \u0026quot; P.S. I Love You , \u0026quot; Please Please Me , \u0026quot; \u0026quot; Ask Me Why , \u0026quot; \u0026quot; I Saw Her Standing There , \u0026quot; \u0026quot; Do You Want to Know a Secret , \u0026quot; and \u0026quot; There\u0026#39;s a Place \u0026quot; from the preceding work - list were\u0026nbsp;..."},{"page_id":"PA41","page_number":"41","snippet_text":"... ( \u003cb\u003eJune\u003c/b\u003e 23 , 1940 - April 10 , 1962 ) was a young painter with great promise and a James Dean air when he got to know Lennon , a fellow student at the art college . They became closest of friends , and John repeatedly pestered Stu to join\u0026nbsp;..."},{"page_id":"PA46","page_number":"46","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 2 , 1960 . On May 10 , 1960 , John , Paul , George , Stu , and their new drummer , Tommy Moore ( supplied by Jacaranda owner Williams , who had by now taken to trying to find work for the band ) , were to audition for Larry Parnes\u0026nbsp;..."},{"page_id":"PA47","page_number":"47","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e , procuring regular jobs on Monday , Thursday , and Saturday nights on the Wirral peninsula . Unfortunately , Tommy Moore left them drum- merless on \u003cb\u003eJune\u003c/b\u003e 13 and so momentum was once again lost . Paul got even , though — somehow\u0026nbsp;..."},{"page_id":"PA48","page_number":"48","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 1960. To the outer bass drum head is attached a small , crudely hand - lettered sign reading \u0026quot; beatles . \u0026quot; 83 Paul is obviously proud of his musical accomplishments , and I see the photo as a possible memento for Michael of his\u0026nbsp;..."},{"page_id":"PA64","page_number":"64","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 1962 its chorus might have taken on the \u0026quot; extra \u0026quot; measure . The final rhythm topic of relevance for this period is the textural punctua- tion known as \u0026quot; stop time . \u0026quot; It has been defined as \u0026quot; a passage in which a clearly\u0026nbsp;..."},{"page_id":"PA78","page_number":"78","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 1961 backing vocals for Tony Sheridan in \u0026quot; My Bonnie \u0026quot; and \u0026quot; Why . \u0026quot; Both fea- ture an uncharacteristically low range from Lennon , who sings down to A in \u0026quot; My Bonnie \u0026quot; and even to E in \u0026quot; Why , \u0026quot; while the lead singer , a baritone\u0026nbsp;..."},{"page_id":"PA83","page_number":"83","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 22-24 : Summer : Oct .: Dec. 10 : Jan. 1 : Jan. 4 : Mar. 7 : Apr. 13 - May 31 : \u003cb\u003eJune\u003c/b\u003e 6 : Aug. 18 : Aug. 22 : Sept. 4 , 11 : Oct. 5 : Nov. 1-14 : Nov. 26 : Dec. 18-31 : Jan. 11 : Feb. 11 : Feb. 23 - Mar . 3 : Late Feb .: Mar. 5\u0026nbsp;..."},{"page_id":"PA84","page_number":"84","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 9 : July 1 : July 18 - Oct . 23 : Aug. 23 : Oct. 13 : Oct. 17 : Oct. 24-30 : Nov. 4 : Nov .: Nov. 22 : Nov. 29 : Dec. 24 : Dec. 26 : \u0026quot; From Me to You \u0026quot; / \u0026quot; Thank You Girl \u0026quot; released in U. K. British tour , headlining alongside Roy\u0026nbsp;..."},{"page_id":"PA93","page_number":"93","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e show McCartney to be quite a proficient bassist , and a recording contract signed with Bert Kaempfert on May 12 would not have been possible without Paul\u0026#39;s having developed a passable ability by that time , so it seems likely that\u0026nbsp;..."},{"page_id":"PA95","page_number":"95","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 22-23 at the Friedrich Ebert Halle ( Alter Postweg 38 ) , an orchestral hall adjoining a school , and on the 24th at Studio Rahlstedt ( Rahlau 128 ) . The num- bers chosen by Kaempfert were \u0026quot; My Bonnie , \u0026quot; \u0026quot; ( When ) The Saints Go\u0026nbsp;..."},{"page_id":"PA100","page_number":"100","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 11 , 1963 ) but not in others ( including that released on With the Beatles ) , where he plays various other forms of an F9 chord . I believe that by early 1961 , Gretty must have shown the group the simple yet jazzy configuration\u0026nbsp;..."},{"page_id":"PA107","page_number":"107","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e - July 1963 BBC performances ( heard on Beatles 1991e , 1991g , and 1993c ) . The colorful ♭VI and IM7 chords in the song\u0026#39;s final cadence come directly from the Lee styling . Harrison has some fine guitar work on the Decca tapes\u0026nbsp;..."},{"page_id":"PA115","page_number":"115","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 9 through September 3 saw ninety - eight Beatle ap- pearances in Merseyside and in clubs and ballrooms in the neighboring coun- ties of Lancashire , Cheshire , and Flintshire , plus The Beatles with Pete Best 115."},{"page_id":"PA116","page_number":"116","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 11 and broadcast on the 15th ) , \u0026quot; P.S. I Love You , \u0026quot; and \u0026quot; Tip of My Tongue . \u0026quot; During the month of July , the Beatles were recorded in performance at the Cavern by an audience member . McCartney was to buy the tape at auction on\u0026nbsp;..."},{"page_id":"PA117","page_number":"117","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 6.61 The Beatles , in Hamburg at the time of the agreement , received the following cable from Epstein : \u0026quot; Congratulations , boys , EMI requests recording session . Please re- hearse new material . \u0026quot; Harrison replied , \u0026quot; Please\u0026nbsp;..."},{"page_id":"PA118","page_number":"118","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e session were original songs , the Beatles did not impress as composers . Martin heard them for what they were : a club or dance band with good technique and ensemble , a good ear for harmony and effect , an ability to copy and\u0026nbsp;..."},{"page_id":"PA121","page_number":"121","snippet_text":"... with two state - of - the - art Vox AC - 30s , first heard in the August 22 Cavern performance . This move might have been prompted by difficulties encountered in the \u003cb\u003eJune\u003c/b\u003e EMI session . Engineer Norman The First EMI Recordings 121."},{"page_id":"PA122","page_number":"122","snippet_text":"The Quarry Men Through Rubber Soul Walter Everett. difficulties encountered in the \u003cb\u003eJune\u003c/b\u003e EMI session . Engineer Norman Smith re- calls , \u0026quot; I had to use some of the speakers that were in the echo chambers to fix up Paul\u0026#39;s bass - amp sound\u0026nbsp;..."},{"page_id":"PA126","page_number":"126","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 6 session . Originally , Lennon sang the title line in stop time ; McCartney recalls the reassignment : I\u0026#39;m singing harmony then it gets to the \u0026quot; pleeeaase . \u0026quot; STOP . John goes \u0026quot; Love me ... \u0026quot; and then put his harmonica to his\u0026nbsp;..."},{"page_id":"PA136","page_number":"136","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e and which was to become the B - side of \u0026quot; Please Please Me \u0026quot; ) and McCartney\u0026#39;s song \u0026quot; Tip of My Tongue \u0026quot; ( which recording apparently does not survive ) . 117 Like the Beatles \u0026#39; first B - side , \u0026quot; Ask Me Why \u0026quot; features a Latin\u0026nbsp;..."},{"page_id":"PA149","page_number":"149","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e ( beginning with example 2.24d ) . While no two solos are alike , one can listen to all twenty in succession , following all of the retained but altered figures , and sense a breathing composition in Harrison\u0026#39;s sometimes inspired\u0026nbsp;..."},{"page_id":"PA156","page_number":"156","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 1 , 1963 , for a BBC broadcast of \u003cb\u003eJune\u003c/b\u003e 11 ) , Harri- son ends his tonally expressive guitar solo with a much stronger nod to the original . \u0026quot; Twist and Shout \u0026quot; A raver with a scorching lead vocal from Lennon , \u0026quot; Twist and Shout\u0026nbsp;..."},{"page_id":"PA159","page_number":"159","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e . 152 Another highlight on the road that spring was an appearance in the New Musical Express Poll Winners concert of April 21.153 A two - week va- cation in the Canary Islands was to be followed by a three - week package tour\u0026nbsp;..."},{"page_id":"PA166","page_number":"166","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 26 , Brian ( with his brother Clive ) regis- tered NEMS Enterprises Limited , \u0026quot; the main operating company for the Beatles and all his other artists . \u0026quot; 175 The list of NEMS artists from Liverpool grew through 1963 to include the\u0026nbsp;..."},{"page_id":"PA168","page_number":"168","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 27 , 1963 , with McCartney at- tending , and released on July 26 ) ; \u0026quot; I\u0026#39;ll Keep You Satisfied \u0026quot; and \u0026quot; I\u0026#39;m in Love \u0026quot; ( both taped October 14 , 1963 , with Lennon in the studio , the former released on November 1 but the latter\u0026nbsp;..."},{"page_id":"PA169","page_number":"169","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 24.191 The Intro\u0026#39;s ris- ing and falling chromatic line , 3-5-6-56-3 , on the guitar , comes from the in- troduction to the Crickets \u0026#39; \u0026quot; Don\u0026#39;t Ever Change . \u0026quot; As in \u0026quot; Misery , \u0026quot; the foursquare verse proceeds in unison until measure\u0026nbsp;..."},{"page_id":"PA173","page_number":"173","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 1963 the Beatles acquired the instruments that would fix their sound and their stage appearance in the world\u0026#39;s imagination : Starr bought a new American Ludwig kit and Harrison took on the Country Gentleman ; both be- came their\u0026nbsp;..."},{"page_id":"PA174","page_number":"174","snippet_text":"... ( \u003cb\u003eJune\u003c/b\u003e 26 ) in northern Newcastle - upon- Tyne , John and Paul wrote \u0026quot; She Loves You \u0026quot; in their hotel room . On the follow- ing Monday , all four were in London , recording a polished performance of the biggest British hit before 1977.202\u0026nbsp;..."},{"page_id":"PA189","page_number":"189","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 9 ] with Roy Orbison . We did a lot of writing then . Then , when we got to the gig , I found a [ backstage ] piano and worked out the music . \u0026quot; 246 Perhaps most remarkable in this song is the original rockabilly solo composed by\u0026nbsp;..."},{"page_id":"PA190","page_number":"190","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 1996 Perkins - Harrison collaboration for Go Cat Go ! The third verse ( A [ 1 : 15-1 : 39 ] ) , which directly follows Harrison\u0026#39;s solo , is identical to the first and second verses ( it repeats the lyrics of the first verse ) ex\u0026nbsp;..."},{"page_id":"PA213","page_number":"213","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 1-3 : \u003cb\u003eJune\u003c/b\u003e 4-30 : \u003cb\u003eJune\u003c/b\u003e 19 : July 6 : July 10 : Aug. 11 - Oct . 26 : July 12 - Aug.16 : Aug.19 - Sept . 20 : Oct. 9 - Nov.10 : Nov. 27 : Dec. 4 : Dec. 24 : Recordings for German market and for new single , EMI studios in Paris and\u0026nbsp;..."},{"page_id":"PA238","page_number":"238","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e - July 1964 : World Tour , Additional LP and EP Tracks The Australian Tour and Surrounding Events The Beatles were set to embark on a concert tour of Oceania ( the group was to be welcomed to Adelaide by the largest crowd they\u0026nbsp;..."},{"page_id":"PA240","page_number":"240","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 1 , the group recorded \u0026quot; Matchbox , \u0026quot; a song they had most recently performed only in BBC ses- sions of July 10 , 1963 , and May 1 , 1964 ( both with Ringo singing ) .91 \u0026quot; Match- box , \u0026quot; taken by Perkins from Leadbelly\u0026#39;s version of\u0026nbsp;..."},{"page_id":"PA243","page_number":"243","snippet_text":"... the song\u0026#39;s mixture of minor and major modes creates strong tension in scale - degree alteration , as heard in \u0026quot; If I Fell \u0026quot; and elsewhere.98 In this context , episode 2 ( C \u003cb\u003eJune\u003c/b\u003e - July 1964 : World Tour , Additional LP and EP Tracks 243."},{"page_id":"PA247","page_number":"247","snippet_text":"... stereo mixing for A Hard Day\u0026#39;s Night was completed on four dates while the performers were on tour ; the final track lineup was as follows : Side 1 \u0026quot; A Hard Day\u0026#39;s Night \u0026quot; \u0026quot; I \u003cb\u003eJune\u003c/b\u003e - July 1964 : World Tour , Additional LP and EP Tracks 247."},{"page_id":"PA248","page_number":"248","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 3 , the day Ringo was suddenly taken ill , Harrison recorded a demo of his new com- position , \u0026quot; You Know What to Do. \u0026quot; The recording proceeded with George singing along with chords from his Gretsch , Paul on bass , and John on tam\u0026nbsp;..."},{"page_id":"PA249","page_number":"249","snippet_text":"... the first verse con- clude ( \u0026quot; it\u0026#39;s for you , love \u0026quot; ) and the second verse begin ( in A + 15 , \u0026quot; True love seems \u0026quot; ) after the tonal / rhythmic structure would \u003cb\u003eJune\u003c/b\u003e - July 1964 : World Tour , Additional LP and EP Tracks 249."},{"page_id":"PA252","page_number":"252","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e ) . The British and American releases from this project included : \u0026quot; I Feel Fine \u0026quot; / \u0026quot; She\u0026#39;s a Woman , \u0026quot; Capitol 5327 , rel . 11/23/64 ( entering the chart at # 2 with sales over a million in its 1st wk . , # 1 for 3 wks\u0026nbsp;..."},{"page_id":"PA281","page_number":"281","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 17 : \u003cb\u003eJune\u003c/b\u003e 14 : \u003cb\u003eJune\u003c/b\u003e 20 - July 3 : July 23 : Aug. 6 : Aug. 14-31 : Oct. 12 - Nov . 11 : Dec. 3 : Dec. 3-12 : Recordings for soundtrack of second film , EMI , London Shooting of second film in the Bahamas , Austria , and the U. K.\u0026nbsp;..."},{"page_id":"PA296","page_number":"296","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 16. Directing a Bond take - off with comic - book situations and supporting char- acter types on the level of the Three Stooges , Lester missed his mark somewhat ( but his following effort , The Knack — and How to Get It , is\u0026nbsp;..."},{"page_id":"PA299","page_number":"299","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e ) before the film soundtrack was ready for re- lease ; the Beatles provided recordings of \u0026quot; Bad Boy \u0026quot; and Dizzy Miss Lizzie , \u0026quot; both Larry Williams rockers from the Cavern repertoire shouted by a solo Lennon on May 10. Perhaps the\u0026nbsp;..."},{"page_id":"PA301","page_number":"301","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 14 , following the taping of \u0026quot; I\u0026#39;m Down , \u0026quot; McCartney recorded his guitar and voice parts simultaneously but onto separate tracks ; the strings were overdubbed the same night onto a third , leaving the fourth track for a second try\u0026nbsp;..."},{"page_id":"PA303","page_number":"303","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 15. We hear a backing track of two acoustic guitars ( \u0026quot; Guitar II \u0026quot; and the twelve - string capoed at the fifth fret , \u0026quot; Gui- tar IV \u0026quot; ) , bass and drums , all on the left ; Lennon\u0026#39;s vocal on a second track , cen- ter ; and two\u0026nbsp;..."},{"page_id":"PA304","page_number":"304","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 17 , the Beatles recorded their last - ever cover version for release ( other than \u0026quot; Maggie May , \u0026quot; simply busked in January 1969 ) , with Ringo singing Buck Owens\u0026#39;s \u0026quot; Act Naturally , \u0026quot; a song he chose for himself.83 Unlike\u0026nbsp;..."},{"page_id":"PA305","page_number":"305","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 14 ( # 1 for 6 wks .; sold 1 million copies ) \u0026quot; Help ! \u0026quot; / \u0026quot; I\u0026#39;m Down , \u0026quot; ( U.S. ) , Capitol 5476 , July 19 ... \u003cb\u003eJune\u003c/b\u003e 20 ; the afternoon performance is heard on Beatles 1994e , the evening on Beatles 1988b ) , Lyon ( two shows\u0026nbsp;..."},{"page_id":"PA334","page_number":"334","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 18. For Rubber Soul , the group recorded ad- ditional parts on November 11 , bringing the track up to date with the newer material . With the \u003cb\u003eJune\u003c/b\u003e recording , the song would have included a basic track of bass ( which adds a\u0026nbsp;..."},{"page_id":"PA347","page_number":"347","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 1963 was Gretsch\u0026#39;s Chet Atkins - designed Model 6122 , the Country Gentleman . ( Atkins also used a twelve - string version . ) It was an electric archtop with reddish mahogany stain , measuring 17 inches wide and 2 inches deep\u0026nbsp;..."},{"page_id":"PA368","page_number":"368","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 11th 1950. An unusual event was the Pageant \u0026#39; The Men of the Burma Road \u0026#39; by Chiang Yee , performed in April 1946 in aid of the United Aid to China Fund \u0026quot; ( St. Barnabas 1989 ) . If music were to have been included , the young\u0026nbsp;..."},{"page_id":"PA369","page_number":"369","snippet_text":"... ( \u003cb\u003eJune\u003c/b\u003e 4 , 1983 ) , Ringo re- membered Ray\u0026#39;s having appeared at the Liverpool Adelphi c . 1955. The \u0026quot; hiccup \u0026quot; is a feature of Buddy Holly\u0026#39;s ( and later , Buddy Knox\u0026#39;s and Bobby Vee\u0026#39;s ) singing and is significant for its place among the\u0026nbsp;..."},{"page_id":"PA372","page_number":"372","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 27 , 1963 , recording by Billy J. Kramer . The composer in September 1980 : \u0026quot; That was my song . When there was no Beatles and no group .... It was my first effort as a kind of blues originally , and then I wrote the middle eight\u0026nbsp;..."},{"page_id":"PA374","page_number":"374","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 1961. ) Swedish historian Hans Olof Gottfridsson has gone to admirable lengths to document the story of the original three April 1960 source tapes ; see Gottfridsson 1997 , 34-36 , 174 , and 200-8 for the original performance\u0026nbsp;..."},{"page_id":"PA375","page_number":"375","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 1 , 1963 , and broadcast ten days later ( Beatles 1994c ) . 93. No recording in the Beatles \u0026#39; EMI canon contains a spoken ( sincere , \u0026quot; from the heart \u0026quot; ) bridge , an approach that appeared very often in the music of the 1950s . On\u0026nbsp;..."},{"page_id":"PA376","page_number":"376","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 24 , 1961 , is heard on Beatles 1995d . 102. Lennon is heard to play the \u0026quot; blues \u0026quot; boogie in the three Berry covers , \u0026quot; Roll Over Beethoven , \u0026quot; \u0026quot; Too Much Monkey Business , \u0026quot; and \u0026quot; Sweet Little Sixteen . \u0026quot; The blues boogie shuffle\u0026nbsp;..."},{"page_id":"PA381","page_number":"381","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 4 ; also see Garbarini 1982 , 47 . 91. Andy White is heard in the only extant take of \u0026quot; P.S. I Love You , \u0026quot; and in one of two surviving September takes of \u0026quot; Love Me Do \u0026quot; ( that first released on Please Please Me ) . His drumming on\u0026nbsp;..."},{"page_id":"PA385","page_number":"385","snippet_text":"... 1992 , 109. A \u003cb\u003eJune\u003c/b\u003e 30 list of eleven songs is seen in Lewisohn 1992 , 114 . 154. See Robertson 1991 , 12 , regarding the restriction on BBC \u0026quot; needle time . \u0026quot; Tapings of fifty - three songs from March 6 , Notes to Pages 151-59 385."},{"page_id":"PA388","page_number":"388","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 1964 , \u0026quot; Ringo has written one called \u0026#39; Don\u0026#39;t Pass Me By , Don\u0026#39;t Make Me Cry , Don\u0026#39;t Make Me Blue \u0026#39; \u0026quot; ( Beatles 1981b ) . See also Clayson 1992 , 71 , Wiener 1992 , 14 , and Starr 1983 , no . 15 ( September 10 ) . 197. Both the\u0026nbsp;..."},{"page_id":"PA398","page_number":"398","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 25 , 1964 ( Beatles 1981b ) . 54. The version recorded on February 25 begins with a sustained , open E chord , providing a context for the verse\u0026#39;s opening in C♯m not allowed in the more mystify- ing final version . 55. The truck\u0026nbsp;..."},{"page_id":"PA400","page_number":"400","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 1 visit ( Engelhardt 1998 , 371 ) ; Lewisohn mentions no records of such tapings . Other stories have Perkins and the Beatles together recording \u0026quot; Blue Suede Shoes , \u0026quot; \u0026quot; Honey Don\u0026#39;t , \u0026quot; \u0026quot; Everybody\u0026#39;s Trying to Be My Baby , \u0026quot; and\u0026nbsp;..."},{"page_id":"PA401","page_number":"401","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 1963 . 96. Whereas the singer has been thrown over in \u0026quot; Runaway , \u0026quot; in \u0026quot; I\u0026#39;ll Be Back \u0026quot; it is Lennon who has run away and who threatens to do so again . George recorded \u0026quot; Runaway \u0026quot; with the Traveling Wilburys in 1990 . 97. Perhaps\u0026nbsp;..."},{"page_id":"PA409","page_number":"409","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 1999 correspondence including his file of a digitally edited intro- duction , Andrew Lubman makes a convincing case for hearing a metrical intro in 4 , beginning on an upbeat eighth , but this requires hearing the bass syncopated\u0026nbsp;..."},{"page_id":"PA410","page_number":"410","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 1999 conversations . 142. So says Lennon ; Golson 1981b , 206 . 143. McCartney is quoted in Davies 1968a , 309 ; the attic room is recalled in Miles 1997 , 108 . 144. A second organ take is heard in the center for one chord at C\u0026nbsp;..."},{"page_id":"PA418","page_number":"418","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 22 . Beatles for sale . 1964. The Beatles Monthly Book 17 ( Dec. ) . Beatles in interview row . 1966. Melody Maker , \u003cb\u003eJune\u003c/b\u003e 4 . Beatles pic - script meeting . 1966. Melody Maker , Dec. 31 . Beatles plan first live album from next TV\u0026nbsp;...","page_url":"https://books.google.ca/books?id=UmrVa2U7jB0C\u0026pg=PA418\u0026vq=June"},{"page_id":"PA419","page_number":"419","snippet_text":"... ( \u003cb\u003eJune\u003c/b\u003e ) . Davis , Andy , ed . 1995b . Beatles \u0026#39;95 . The Beatles Monthly Book , no . 231 ( July ) . 1995b . Beatles \u0026#39;95 . The Beatles Monthly Book , no . 232 ( Aug. ) . 1995c . Beatles \u0026#39;95 . The Beatles Monthly Book , no . 233 ( Sept\u0026nbsp;...","page_url":"https://books.google.ca/books?id=UmrVa2U7jB0C\u0026pg=PA419\u0026vq=June"},{"page_id":"PA422","page_number":"422","snippet_text":"... ( \u003cb\u003eJune\u003c/b\u003e ) . Gottfridsson , Hans Olof . 1997. The Beatles from Cavern to Star - Club : The illustrated chronicle , discography \u0026amp; price guide 1957-1962 . Stockholm : Premium . Grevatt , Ren . 1966a . Beach Boys \u0026#39; blast . Melody Maker , Mar\u0026nbsp;...","page_url":"https://books.google.ca/books?id=UmrVa2U7jB0C\u0026pg=PA422\u0026vq=June"},{"page_id":"PA423","page_number":"423","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e 11 . How about a tune on the old sitar ? 1966. Melody Maker , May 7 . How Cilla got fed up singing that hit . 1968. Melody Maker , Apr. 13 . Howlett , Kevin . 1983. The Beatles at the BEEB : The story of their radio career , 1962\u0026nbsp;..."},{"page_id":"PA427","page_number":"427","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e ) . 2000a . The First Three EPS on Parlophone in the U.K. Beatlology 2 , no . 6 ( Jul . - Aug . ) . 2000b . Please Please Me long playing record on Parlophone in the U.K. Beatlology 2 , no . 3 ( Jan. - Feb . ) 2000c . She Loves You\u0026nbsp;..."},{"page_id":"PA428","page_number":"428","snippet_text":"... ( \u003cb\u003eJune\u003c/b\u003e ) . Pritchard , David , and Alan Lysaght . 1998. The Beatles : An oral history . New York : Hyperion . Pules , Harry . 1967. George in hippyland . Melody Maker , Aug. 19 . Radhakrishnan , S. , trans . and ed . 1973. The\u0026nbsp;..."},{"page_id":"PA430","page_number":"430","snippet_text":"... ( \u003cb\u003eJune\u003c/b\u003e ) . 1964c . Beatles on holiday . The Beatles Monthly Book , no . 12 ( July ) . 1964d . The true story of the Beatles . London : Beat . [ as Peter Jones ] . 1979. Love Me Do. The Beatles Monthly Book , no . 34 ( Feb. ) . Shepherd\u0026nbsp;..."},{"page_id":"PA431","page_number":"431","snippet_text":"... ( \u003cb\u003eJune\u003c/b\u003e ) . Top 100 : The best albums of the last twenty years . 1987. Rolling Stone 507 ( Aug. 27 ) . Tropman , Matt ... ( \u003cb\u003eJune\u003c/b\u003e ) . Walsh , Alan . 1966a . Beatle doubletalk . Melody Maker , July 9 . 16 . 1966b . George : More to life\u0026nbsp;..."},{"page_id":"PA432","page_number":"432","snippet_text":"... \u003cb\u003eJune\u003c/b\u003e ) . 2000d . Here , there \u0026amp; everywhere : April \u0026#39;65 . Beatlology 2 , no . 6 ( July - Aug . ) . - . 2000e . Here , there \u0026amp; everywhere : May \u0026#39;65 . Beatlology 3 , no . 2 ( Nov. - Dec . ) . 2001a . Here , there \u0026amp; everywhere : \u003cb\u003eJune\u003c/b\u003e \u0026amp; July\u0026nbsp;..."}],"search_query_escaped":"June"},{});</script></div></div></div><script>(function() {var href = window.location.href;if (href.indexOf('?') !== -1) {var parameters = href.split('?')[1].split('&');for (var i = 0; i < parameters.length; i++) {var param = parameters[i].split('=');if (param[0] == 'focus') {var elem = document.getElementById(param[1]);if (elem) {elem.focus();}}}}})();</script>