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class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://berkeley.academia.edu/">University of California, Berkeley</a>, <a class="u-tcGrayDarker" href="https://berkeley.academia.edu/Departments/German/Documents">German</a>, <span class="u-tcGrayDarker">Faculty Member</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Nicholas" data-follow-user-id="4867491" data-follow-user-source="profile_button" data-has-google="false"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">add</span>Follow</button><button class="ds2-5-button hidden profile-cta-button grow js-profile-unfollow-button" data-broccoli-component="user-info.unfollow-button" 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class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></span></div><div class="user-bio-container"><div class="profile-bio fake-truncate js-profile-about" style="margin: 0px;">Nicholas Baer is Assistant Professor of German at the University of California, Berkeley, with affiliations in Critical Theory, Film & Media, Jewish Studies, New Media, and Science, Technology, Medicine & Society. He is author of Historical Turns: Weimar Cinema and the Crisis of Historicism (University of California Press, 2024) and co-editor of three volumes: The Promise of Cinema: German Film Theory, 1907–1933 (University of California Press, 2016), Unwatchable (Rutgers University Press, 2019), and Technics: Media in the Digital Age (Amsterdam University Press, 2024). Baer has published on film and digital media, aesthetics, critical theory, and the philosophy of history in journals such as Film Quarterly, Krisis: Journal for Contemporary Philosophy, Los Angeles Review of Books, NECSUS: European Journal of Media Studies, Public Seminar, and Qui Parle, and his writings have been translated into six languages. At present, he is starting a new monograph, tentatively titled The Ends of Perfection: On a Limit Concept in Global Film and Media Theory. He is a series editor of “The Key Debates: Mutations and Appropriations in European Film Studies” for Amsterdam University Press.<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://edinburgh.academia.edu/DavidSorfa"><img class="profile-avatar u-positionAbsolute" alt="David Sorfa" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/5128/1984/124995232/s200_david.sorfa.jpeg" /></a></div><div class="suggested-user-card__user-info"><a 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data-section-name="Reviews-of-My-Work" data-toggle="tab" href="#reviewsofmywork" role="tab" style="border: none;"><span>21</span> Reviews of My Work</a></li></ul></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Monograph" id="Monograph"><h3 class="profile--tab_heading_container">Monograph by Nicholas Baer</h3></div><div class="js-work-strip profile--work_container" data-work-id="116984608"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/116984608/Historical_Turns_Weimar_Cinema_and_the_Crisis_of_Historicism"><img alt="Research paper thumbnail of Historical Turns: Weimar Cinema and the Crisis of Historicism" class="work-thumbnail" src="https://attachments.academia-assets.com/113026866/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/116984608/Historical_Turns_Weimar_Cinema_and_the_Crisis_of_Historicism">Historical Turns: Weimar Cinema and the Crisis of Historicism</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Historical Turns reassesses Weimar cinema in light of the "crisis of historicism" widely diagnose...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Historical Turns reassesses Weimar cinema in light of the "crisis of historicism" widely diagnosed by German philosophers in the early twentieth century. Through bold new analyses of five legendary works of German silent cinema—The Cabinet of Dr. Caligari, Destiny, Rhythm 21, The Holy Mountain, and Metropolis—Nicholas Baer argues that films of the Weimar Republic lent vivid expression to the crisis of historical thinking. With their experiments in cinematic form and style, these modernist films revealed the capacity of the medium to engage with fundamental questions about the philosophy of history. Reconstructing the debates over historicism that unfolded during the initial decades of moving-image culture, Historical Turns proposes a more reflexive mode of historiography and expands the field of film and media philosophy. The book excavates a rich archive of ideas that illuminate our own moment of rapid media transformation and political, economic, and environmental crises around the globe.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="933be14dccd8c93e902f0484a948bb71" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113026866,"asset_id":116984608,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113026866/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="116984608"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="116984608"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 116984608; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=116984608]").text(description); $(".js-view-count[data-work-id=116984608]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 116984608; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='116984608']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Edited Volumes" id="Edited Volumes"><h3 class="profile--tab_heading_container">Edited Volumes by Nicholas Baer</h3></div><div class="js-work-strip profile--work_container" data-work-id="117691830"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/117691830/Technics_Media_in_the_Digital_Age"><img alt="Research paper thumbnail of Technics: Media in the Digital Age" class="work-thumbnail" src="https://attachments.academia-assets.com/113484313/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/117691830/Technics_Media_in_the_Digital_Age">Technics: Media in the Digital Age</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Featuring 28 leading international media scholars, Technics rethinks technology for the contempor...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Featuring 28 leading international media scholars, Technics rethinks technology for the contemporary digital era, with cutting-edge theoretical, historiographical, and methodological interventions. The volume’s contributors explore the ideas of Walter Benjamin, Ursula Le Guin, Bernhard Siegert, Gilbert Simondon, and Sylvia Wynter in conjunction with urgent questions concerning algorithmic media, digital infrastructures, generative AI, and geoengineering. An expansive collection of writings on media technologies in the digital age, Technics is an essential resource for students and scholars of film and media studies, digital humanities, science and technology studies, and the philosophy of technology.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="571542e76681a0a609dafb654daf6f52" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113484313,"asset_id":117691830,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113484313/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="117691830"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="117691830"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 117691830; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=117691830]").text(description); $(".js-view-count[data-work-id=117691830]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 117691830; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='117691830']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="23039272"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/23039272/The_Promise_of_Cinema_German_Film_Theory_1907_1933"><img alt="Research paper thumbnail of The Promise of Cinema: German Film Theory, 1907–1933" class="work-thumbnail" src="https://attachments.academia-assets.com/56694229/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/23039272/The_Promise_of_Cinema_German_Film_Theory_1907_1933">The Promise of Cinema: German Film Theory, 1907–1933</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Rich in implications for our present era of media change, The Promise of Cinema offers a compelli...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Rich in implications for our present era of media change, The Promise of Cinema offers a compelling new vision of film theory. The volume conceives of “theory” not as a fixed body of canonical texts, but as a dynamic set of reflections on the very idea of cinema and the possibilities once associated with it. Unearthing more than 275 early-twentieth-century German texts, this ground-breaking documentation leads readers into a world that was striving to assimilate modernity’s most powerful new medium. We encounter lesser-known essays by Béla Balázs, Walter Benjamin, and Siegfried Kracauer alongside interventions from the realms of aesthetics, education, industry, politics, science, and technology. The book also features programmatic writings from the Weimar avant-garde and from directors such as Fritz Lang and F.W. Murnau. Nearly all documents appear in English for the first time; each is meticulously introduced and annotated. The most comprehensive collection of German writings on film published to date, The Promise of Cinema is an essential resource for students and scholars of film and media, critical theory, and European culture and history.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6de977ea1e74e65d61bb92fef4c56630" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56694229,"asset_id":23039272,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56694229/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="23039272"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="23039272"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 23039272; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="36550197"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/36550197/Unwatchable"><img alt="Research paper thumbnail of Unwatchable" class="work-thumbnail" src="https://attachments.academia-assets.com/59839216/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36550197/Unwatchable">Unwatchable</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://umn.academia.edu/MaggieHennefeld">Maggie Hennefeld</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://berkeley.academia.edu/NicholasBaer">Nicholas Baer</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://carleton-ca.academia.edu/LauraHorak">Laura Horak</a></span></div><div class="wp-workCard_item"><span>Unwatchable</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">We all have images that we find unwatchable, whether for ethical, political, or sensory and affec...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. From news coverage of terror attacks to viral videos of police brutality, and from graphic horror films to transgressive artworks, many of the images in our media culture might strike us as unsuitable for viewing. Yet what does it mean to proclaim something “unwatchable”: disturbing, revolting, poor, tedious, or literally inaccessible?<br /> <br />With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the “unwatchable” across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Appealing to a broad academic and general readership, the volume offers multidisciplinary approaches to the vast array of troubling images that circulate in global visual culture.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3736b26034df9c810957fbdf89e4afa4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59839216,"asset_id":36550197,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59839216/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36550197"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36550197"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36550197; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Edited Journal Issues" id="Edited Journal Issues"><h3 class="profile--tab_heading_container">Edited Journal Issues by Nicholas Baer</h3></div><div class="js-work-strip profile--work_container" data-work-id="82781947"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/82781947/NECSUS_European_Journal_of_Media_Studies_Special_Issue_on_Rumors"><img alt="Research paper thumbnail of NECSUS_European Journal of Media Studies: Special Issue on #Rumors" class="work-thumbnail" src="https://attachments.academia-assets.com/88374368/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/82781947/NECSUS_European_Journal_of_Media_Studies_Special_Issue_on_Rumors">NECSUS_European Journal of Media Studies: Special Issue on #Rumors</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://berkeley.academia.edu/NicholasBaer">Nicholas Baer</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://umn.academia.edu/MaggieHennefeld">Maggie Hennefeld</a></span></div><div class="wp-workCard_item"><span>NECSUS_European Journal of Media Studies</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This special issue is devoted to rumors and gossip, making a case for their epistemological relev...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This special issue is devoted to rumors and gossip, making a case for their epistemological relevance in today’s global mediascape. While the contributions take seriously the democratizing potential of rumors and gossip as alternative forms of knowledge that empower minoritized voices, they also engage with the more sinister connotations of unverified beliefs and claims in the post-truth era. From feminist whisper networks and queer fabulations to virally proliferating misinformation, fake news, and conspiracies, the essays and roundtable discussion featured in this special issue assess rumors and gossip across the vast landscape of contemporary media.<br /><br /><a href="https://necsus-ejms.org/portfolio/spring-2022_rumors/" rel="nofollow">https://necsus-ejms.org/portfolio/spring-2022_rumors/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="37e4165be8f24f097e7d17d2ee5da0ab" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":88374368,"asset_id":82781947,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/88374368/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="82781947"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="82781947"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 82781947; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="43381428"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43381428/IN_MEDIA_RES_Theme_Week_on_Coronavirus_and_Cinematic_Experience_co_edited_with_Nicholas_Baer_"><img alt="Research paper thumbnail of IN MEDIA RES: Theme Week on "Coronavirus and Cinematic Experience" (co-edited with Nicholas Baer)" class="work-thumbnail" src="https://attachments.academia-assets.com/63675450/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43381428/IN_MEDIA_RES_Theme_Week_on_Coronavirus_and_Cinematic_Experience_co_edited_with_Nicholas_Baer_">IN MEDIA RES: Theme Week on "Coronavirus and Cinematic Experience" (co-edited with Nicholas Baer)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://rug.academia.edu/JulianHanich">Julian Hanich</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://berkeley.academia.edu/NicholasBaer">Nicholas Baer</a></span></div><div class="wp-workCard_item"><span>In Media Res</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In this theme week of the online journal IN MEDIA RES film and media scholars Sarah Atkinson, Fra...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In this theme week of the online journal IN MEDIA RES film and media scholars Sarah Atkinson, Francesco Casetti, Carolyn Jacobs, Girish Shambu, Nicholas Baer and I reflect on the effects of Coronavirus on the experience of films in the movie theater and beyond. Here is the direct link: <br /> <br /><a href="http://mediacommons.org/imr/content/coronavirus-and-cinematic-experience" rel="nofollow">http://mediacommons.org/imr/content/coronavirus-and-cinematic-experience</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="fcefea0bf90d4ecaa0f6a6485c2d663d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63675450,"asset_id":43381428,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63675450/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43381428"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43381428"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43381428; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Book Chapters" id="Book Chapters"><h3 class="profile--tab_heading_container">Book Chapters by Nicholas Baer</h3></div><div class="js-work-strip profile--work_container" data-work-id="120114380"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/120114380/Split_Screens_A_Discussion_with_Catherine_Grant_Malte_Hagener_and_Katharina_Loew"><img alt="Research paper thumbnail of Split Screens: A Discussion with Catherine Grant, Malte Hagener, and Katharina Loew" class="work-thumbnail" src="https://attachments.academia-assets.com/115369852/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/120114380/Split_Screens_A_Discussion_with_Catherine_Grant_Malte_Hagener_and_Katharina_Loew">Split Screens: A Discussion with Catherine Grant, Malte Hagener, and Katharina Loew</a></div><div class="wp-workCard_item"><span>Technics: Media in the Digital Age</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Split screens have become ubiquitous in contemporary media culture, whether we think of TV news g...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Split screens have become ubiquitous in contemporary media culture, whether we think of TV news graphics, videoconferencing tools, reaction videos, or multichannel art installations. Nicholas Baer and Annie van den Oever hold a discussion with three film and media scholars who have long studied and used the technique in their research, teaching, and creative practice: Catherine Grant, Malte Hagener, and Katharina Loew. Rich in examples, the discussion explores the varied uses of split screen across international film and media history, from the nineteenth century to the present. The participants further address split screen in relation to videographic criticism, authorship and intertextuality, special/visual effects research, and remediation.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bc2607e96207d25e6711c4768233a703" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":115369852,"asset_id":120114380,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/115369852/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="120114380"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="120114380"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 120114380; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="109287163"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/109287163/Relativist_Perspectivism_Caligari_and_the_Crisis_of_Historicism"><img alt="Research paper thumbnail of Relativist Perspectivism: Caligari and the Crisis of Historicism" class="work-thumbnail" src="https://attachments.academia-assets.com/107458096/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/109287163/Relativist_Perspectivism_Caligari_and_the_Crisis_of_Historicism">Relativist Perspectivism: Caligari and the Crisis of Historicism</a></div><div class="wp-workCard_item"><span>How Film Histories Were Made: Materials, Methods, Discourses</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This chapter repositions Robert Wiene’s Expressionist classic, The Cabinet of Dr. Caligari (1920)...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This chapter repositions Robert Wiene’s Expressionist classic, The Cabinet of Dr. Caligari (1920), at the nexus of two sets of developments: the popularization of Albert Einstein’s Theory of Relativity and widespread recognition of the relativist implications of historicist thought; and the rejection of perspectival conventions in the visual arts and the emergence of perspectivism in philosophy. Eliciting comparisons to Einstein’s theory upon its release, Wiene’s film challenges basic tenets of the German historicist tradition, conveying a radical scepticism regarding the possibility of detached, disinterested observation. With its enigmatic narrative and distorted, post-perspectival set design, Caligari dismisses Leopold von Ranke’s ideal of faithfully and impartially reconstructing the past. Instead, the film follows Friedrich Nietzsche’s early writings in suggesting a perspectivist sense of historical reality as the interplay of finite interpretations. Caligari’s legacy thus consists not only in its modernist aesthetics, but also in its engagement with fundamental historical-philosophical questions.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bdf634b53f59a9af416bcce8342405c4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":107458096,"asset_id":109287163,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/107458096/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="109287163"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="109287163"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 109287163; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=109287163]").text(description); $(".js-view-count[data-work-id=109287163]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 109287163; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='109287163']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bdf634b53f59a9af416bcce8342405c4" } } $('.js-work-strip[data-work-id=109287163]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":109287163,"title":"Relativist Perspectivism: Caligari and the Crisis of Historicism","translated_title":"","metadata":{"abstract":"This chapter repositions Robert Wiene’s Expressionist classic, The Cabinet of Dr. Caligari (1920), at the nexus of two sets of developments: the popularization of Albert Einstein’s Theory of Relativity and widespread recognition of the relativist implications of historicist thought; and the rejection of perspectival conventions in the visual arts and the emergence of perspectivism in philosophy. 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Caligari’s legacy thus consists not only in its modernist aesthetics, but also in its engagement with fundamental historical-philosophical questions.","owner":{"id":4867491,"first_name":"Nicholas","middle_initials":null,"last_name":"Baer","page_name":"NicholasBaer","domain_name":"berkeley","created_at":"2013-07-16T22:29:10.821-07:00","display_name":"Nicholas Baer","url":"https://berkeley.academia.edu/NicholasBaer"},"attachments":[{"id":107458096,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/107458096/thumbnails/1.jpg","file_name":"Baer_Relativist_Perspectivism.pdf","download_url":"https://www.academia.edu/attachments/107458096/download_file","bulk_download_file_name":"Relativist_Perspectivism_Caligari_and_th.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/107458096/Baer_Relativist_Perspectivism-libre.pdf?1700228026=\u0026response-content-disposition=attachment%3B+filename%3DRelativist_Perspectivism_Caligari_and_th.pdf\u0026Expires=1738755551\u0026Signature=gIDlH5RLTVn8Ry3MH8qXOAgKArDpGEIuA0R6WOgNs-SvdqX49rDrh43KPBUcWWtTs3kZOY3JEDzKzth3dId6noGeIH~YIS70kRCVq2lg3pZrAonNS-opUwKIdOMMhRkZm70jrzPmqTYMIZbw-P9NRhXTEiW20C6zQgEYLJ-VrxnEGTV9UA2KTKlgLoJRk1Jtx0kVknfRMLhbehEfQyefbV9CSybZf1WnPqUQ8l3TjKihWgThd1ETI4XFQyX8Aekz8IZATjF-j8A4iMuftB8RrhzqYHUCjL51Qg6ZUrDfk2S0pdz4WG8FtIA2dHcKF3UlWHBjusx2PQLH20M2nWb~JA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":135,"name":"Intellectual History","url":"https://www.academia.edu/Documents/in/Intellectual_History"},{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies"},{"id":1555,"name":"Film Studies","url":"https://www.academia.edu/Documents/in/Film_Studies"},{"id":1729,"name":"German History","url":"https://www.academia.edu/Documents/in/German_History"},{"id":5180,"name":"Historicism","url":"https://www.academia.edu/Documents/in/Historicism"},{"id":6397,"name":"Silent Film","url":"https://www.academia.edu/Documents/in/Silent_Film"},{"id":8303,"name":"Friedrich Nietzsche","url":"https://www.academia.edu/Documents/in/Friedrich_Nietzsche"},{"id":8601,"name":"German Expressionism","url":"https://www.academia.edu/Documents/in/German_Expressionism"},{"id":9465,"name":"Philosophy of History","url":"https://www.academia.edu/Documents/in/Philosophy_of_History"},{"id":12444,"name":"Film History","url":"https://www.academia.edu/Documents/in/Film_History"},{"id":15622,"name":"German Literature and Culture","url":"https://www.academia.edu/Documents/in/German_Literature_and_Culture"},{"id":16767,"name":"Modernism","url":"https://www.academia.edu/Documents/in/Modernism"},{"id":19258,"name":"Cinema","url":"https://www.academia.edu/Documents/in/Cinema"},{"id":22472,"name":"Weimar Republic","url":"https://www.academia.edu/Documents/in/Weimar_Republic"},{"id":25107,"name":"Film Aesthetics","url":"https://www.academia.edu/Documents/in/Film_Aesthetics"},{"id":40433,"name":"Weimar Cinema","url":"https://www.academia.edu/Documents/in/Weimar_Cinema"},{"id":42298,"name":"Film and Media Studies","url":"https://www.academia.edu/Documents/in/Film_and_Media_Studies"},{"id":45495,"name":"Albert Einstein","url":"https://www.academia.edu/Documents/in/Albert_Einstein"},{"id":53321,"name":"Silent Cinema","url":"https://www.academia.edu/Documents/in/Silent_Cinema"},{"id":961068,"name":"History of Film Theory and Criticism","url":"https://www.academia.edu/Documents/in/History_of_Film_Theory_and_Criticism"}],"urls":[{"id":35468151,"url":"https://www.aup.nl/en/book/9789048554577/how-film-histories-were-made"}]}, dispatcherData: dispatcherData }); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Journal Articles" id="Journal Articles"><h3 class="profile--tab_heading_container">Journal Articles by Nicholas Baer</h3></div><div class="js-work-strip profile--work_container" data-work-id="121266170"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/121266170/The_Rumors_Are_True_Gossip_in_the_Films_of_F_W_Murnau"><img alt="Research paper thumbnail of The Rumors Are True: Gossip in the Films of F. W. Murnau" class="work-thumbnail" src="https://attachments.academia-assets.com/116190131/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/121266170/The_Rumors_Are_True_Gossip_in_the_Films_of_F_W_Murnau">The Rumors Are True: Gossip in the Films of F. W. Murnau</a></div><div class="wp-workCard_item"><span>Qui Parle</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This essay examines the role of rumors in F. W. Murnau’s films as well as in later writings about...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This essay examines the role of rumors in F. W. Murnau’s films as well as in later writings about his life and career. While Murnau perpetuates long-standing figurations of gossip as a frivolous or even malicious activity, he also grants unverified information a truth value. Where Heidegger claimed that Gerede (idle talk) is based on “groundlessness” and “indifferent intelligibility,” this essay shows that rumors in Murnau’s films are often well-founded and also essential to a nuanced understanding of his work. Bringing together film analyses, archival materials, and philosophical texts, the essay sheds light on an underexamined aspect of Murnau’s oeuvre and addresses broader questions about the status of speculative, uncertain, or contested knowledge. A study of Gerede does not entail a concealment of authentic discourse but illuminates Murnau’s philosophy of rumors as part of a dialectic of destabilized knowledge.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5e0e79a2ec7b4d759df168e457696744" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":116190131,"asset_id":121266170,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/116190131/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="121266170"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="121266170"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 121266170; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=121266170]").text(description); $(".js-view-count[data-work-id=121266170]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 121266170; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='121266170']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5e0e79a2ec7b4d759df168e457696744" } } $('.js-work-strip[data-work-id=121266170]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":121266170,"title":"The Rumors Are True: Gossip in the Films of F. 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Über Klatsch und Tratsch in Murnaus Filmen" class="work-thumbnail" src="https://attachments.academia-assets.com/112202639/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/115933666/Die_Geru_chte_sind_wahr_%C3%9Cber_Klatsch_und_Tratsch_in_Murnaus_Filmen">Die Gerüchte sind wahr. Über Klatsch und Tratsch in Murnaus Filmen</a></div><div class="wp-workCard_item"><span>Film-Konzepte 71: Friedrich Wilhelm Murnau</span><span>, 2024</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d1f080a3a2d8d9bec5466ac7f93f684d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":112202639,"asset_id":115933666,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/112202639/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="115933666"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="115933666"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 115933666; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=115933666]").text(description); $(".js-view-count[data-work-id=115933666]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 115933666; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='115933666']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d1f080a3a2d8d9bec5466ac7f93f684d" } } $('.js-work-strip[data-work-id=115933666]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":115933666,"title":"Die Gerüchte sind wahr. Über Klatsch und Tratsch in Murnaus Filmen","internal_url":"https://www.academia.edu/115933666/Die_Geru_chte_sind_wahr_%C3%9Cber_Klatsch_und_Tratsch_in_Murnaus_Filmen","owner_id":4867491,"coauthors_can_edit":true,"owner":{"id":4867491,"first_name":"Nicholas","middle_initials":null,"last_name":"Baer","page_name":"NicholasBaer","domain_name":"berkeley","created_at":"2013-07-16T22:29:10.821-07:00","display_name":"Nicholas Baer","url":"https://berkeley.academia.edu/NicholasBaer"},"attachments":[{"id":112202639,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/112202639/thumbnails/1.jpg","file_name":"Baer_Die_Geruchte_sind_wahr.pdf","download_url":"https://www.academia.edu/attachments/112202639/download_file","bulk_download_file_name":"Die_Geru_chte_sind_wahr_Uber_Klatsch_und.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/112202639/Baer_Die_Geruchte_sind_wahr-libre.pdf?1709845207=\u0026response-content-disposition=attachment%3B+filename%3DDie_Geru_chte_sind_wahr_Uber_Klatsch_und.pdf\u0026Expires=1738813768\u0026Signature=Se52QJd7ddEhWxcL~O7ZwsfHS9bAvdc5l1V7SnDtrdX4wyn0x3j0buZiATpWK~~XLI3blHStGRyeHyI2Y2WbKsXlnqE5lTnRihcdS3gBqXuDIwgl6p9pdtllnDkwNo0~DM5IjhaEhZMGFE6LEi1MGTIB4aXFJgG6wMdw17rU21m4bSBmGfYucgDa~uJu9xUkLWRadvq9BIiixIBzoTG2Nd386c2iVuP2Hd8FkqU5wBO2j83WB1L5W~ltYDiLmicidpSMwWDEQ-f3o-6ENrmo5XVaRx5sZabs0z3Sj0OizmYan4PVl-G5JHQnN2pD4gfRVWjsRC-TmamrzywC8fw3zA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="83024892"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/83024892/All_the_Rumors_are_True"><img alt="Research paper thumbnail of All the Rumors are True" class="work-thumbnail" src="https://attachments.academia-assets.com/88522068/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/83024892/All_the_Rumors_are_True">All the Rumors are True</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://berkeley.academia.edu/NicholasBaer">Nicholas Baer</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://umn.academia.edu/MaggieHennefeld">Maggie Hennefeld</a></span></div><div class="wp-workCard_item"><span>NECSUS_European Journal of Media Studies</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This introduction surveys the field of critical scholarship on rumors and gossip, making a case f...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This introduction surveys the field of critical scholarship on rumors and gossip, making a case for their epistemological relevance in today's global mediascape. While we take seriously the democratising potential of rumors and gossip as alternative forms of knowledge that empower minoritised voices, we also engage with the more sinister connotations of unverified beliefs and claims in the post-truth era. From feminist whisper networks and queer fabulations to virally proliferating misinformation, fake news, and conspiracies, we assess rumors and gossip across the vast landscape of contemporary media while previewing the essays and roundtable discussion featured in this special issue. <br /> <br /><a href="https://necsus-ejms.org/all-the-rumors-are-true/" rel="nofollow">https://necsus-ejms.org/all-the-rumors-are-true/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b2c45ff5f0a88c7b2e33349fc1951c4d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":88522068,"asset_id":83024892,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/88522068/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="83024892"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="83024892"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 83024892; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="4788561" id="monograph"><div class="js-work-strip profile--work_container" data-work-id="116984608"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/116984608/Historical_Turns_Weimar_Cinema_and_the_Crisis_of_Historicism"><img alt="Research paper thumbnail of Historical Turns: Weimar Cinema and the Crisis of Historicism" class="work-thumbnail" src="https://attachments.academia-assets.com/113026866/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/116984608/Historical_Turns_Weimar_Cinema_and_the_Crisis_of_Historicism">Historical Turns: Weimar Cinema and the Crisis of Historicism</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Historical Turns reassesses Weimar cinema in light of the "crisis of historicism" widely diagnose...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Historical Turns reassesses Weimar cinema in light of the "crisis of historicism" widely diagnosed by German philosophers in the early twentieth century. Through bold new analyses of five legendary works of German silent cinema—The Cabinet of Dr. Caligari, Destiny, Rhythm 21, The Holy Mountain, and Metropolis—Nicholas Baer argues that films of the Weimar Republic lent vivid expression to the crisis of historical thinking. With their experiments in cinematic form and style, these modernist films revealed the capacity of the medium to engage with fundamental questions about the philosophy of history. Reconstructing the debates over historicism that unfolded during the initial decades of moving-image culture, Historical Turns proposes a more reflexive mode of historiography and expands the field of film and media philosophy. The book excavates a rich archive of ideas that illuminate our own moment of rapid media transformation and political, economic, and environmental crises around the globe.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="933be14dccd8c93e902f0484a948bb71" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113026866,"asset_id":116984608,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113026866/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="116984608"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="116984608"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 116984608; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="19434635" id="editedvolumes"><div class="js-work-strip profile--work_container" data-work-id="117691830"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/117691830/Technics_Media_in_the_Digital_Age"><img alt="Research paper thumbnail of Technics: Media in the Digital Age" class="work-thumbnail" src="https://attachments.academia-assets.com/113484313/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/117691830/Technics_Media_in_the_Digital_Age">Technics: Media in the Digital Age</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Featuring 28 leading international media scholars, Technics rethinks technology for the contempor...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Featuring 28 leading international media scholars, Technics rethinks technology for the contemporary digital era, with cutting-edge theoretical, historiographical, and methodological interventions. The volume’s contributors explore the ideas of Walter Benjamin, Ursula Le Guin, Bernhard Siegert, Gilbert Simondon, and Sylvia Wynter in conjunction with urgent questions concerning algorithmic media, digital infrastructures, generative AI, and geoengineering. An expansive collection of writings on media technologies in the digital age, Technics is an essential resource for students and scholars of film and media studies, digital humanities, science and technology studies, and the philosophy of technology.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="571542e76681a0a609dafb654daf6f52" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":113484313,"asset_id":117691830,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/113484313/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="117691830"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="117691830"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 117691830; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="23039272"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/23039272/The_Promise_of_Cinema_German_Film_Theory_1907_1933"><img alt="Research paper thumbnail of The Promise of Cinema: German Film Theory, 1907–1933" class="work-thumbnail" src="https://attachments.academia-assets.com/56694229/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/23039272/The_Promise_of_Cinema_German_Film_Theory_1907_1933">The Promise of Cinema: German Film Theory, 1907–1933</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Rich in implications for our present era of media change, The Promise of Cinema offers a compelli...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Rich in implications for our present era of media change, The Promise of Cinema offers a compelling new vision of film theory. The volume conceives of “theory” not as a fixed body of canonical texts, but as a dynamic set of reflections on the very idea of cinema and the possibilities once associated with it. Unearthing more than 275 early-twentieth-century German texts, this ground-breaking documentation leads readers into a world that was striving to assimilate modernity’s most powerful new medium. We encounter lesser-known essays by Béla Balázs, Walter Benjamin, and Siegfried Kracauer alongside interventions from the realms of aesthetics, education, industry, politics, science, and technology. The book also features programmatic writings from the Weimar avant-garde and from directors such as Fritz Lang and F.W. Murnau. Nearly all documents appear in English for the first time; each is meticulously introduced and annotated. The most comprehensive collection of German writings on film published to date, The Promise of Cinema is an essential resource for students and scholars of film and media, critical theory, and European culture and history.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6de977ea1e74e65d61bb92fef4c56630" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56694229,"asset_id":23039272,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56694229/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="23039272"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="23039272"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 23039272; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="36550197"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/36550197/Unwatchable"><img alt="Research paper thumbnail of Unwatchable" class="work-thumbnail" src="https://attachments.academia-assets.com/59839216/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36550197/Unwatchable">Unwatchable</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://umn.academia.edu/MaggieHennefeld">Maggie Hennefeld</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://berkeley.academia.edu/NicholasBaer">Nicholas Baer</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://carleton-ca.academia.edu/LauraHorak">Laura Horak</a></span></div><div class="wp-workCard_item"><span>Unwatchable</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">We all have images that we find unwatchable, whether for ethical, political, or sensory and affec...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. From news coverage of terror attacks to viral videos of police brutality, and from graphic horror films to transgressive artworks, many of the images in our media culture might strike us as unsuitable for viewing. Yet what does it mean to proclaim something “unwatchable”: disturbing, revolting, poor, tedious, or literally inaccessible?<br /> <br />With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the “unwatchable” across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Appealing to a broad academic and general readership, the volume offers multidisciplinary approaches to the vast array of troubling images that circulate in global visual culture.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3736b26034df9c810957fbdf89e4afa4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59839216,"asset_id":36550197,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59839216/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36550197"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36550197"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36550197; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="10474177" id="editedjournalissues"><div class="js-work-strip profile--work_container" data-work-id="82781947"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/82781947/NECSUS_European_Journal_of_Media_Studies_Special_Issue_on_Rumors"><img alt="Research paper thumbnail of NECSUS_European Journal of Media Studies: Special Issue on #Rumors" class="work-thumbnail" src="https://attachments.academia-assets.com/88374368/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/82781947/NECSUS_European_Journal_of_Media_Studies_Special_Issue_on_Rumors">NECSUS_European Journal of Media Studies: Special Issue on #Rumors</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://berkeley.academia.edu/NicholasBaer">Nicholas Baer</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://umn.academia.edu/MaggieHennefeld">Maggie Hennefeld</a></span></div><div class="wp-workCard_item"><span>NECSUS_European Journal of Media Studies</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This special issue is devoted to rumors and gossip, making a case for their epistemological relev...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This special issue is devoted to rumors and gossip, making a case for their epistemological relevance in today’s global mediascape. While the contributions take seriously the democratizing potential of rumors and gossip as alternative forms of knowledge that empower minoritized voices, they also engage with the more sinister connotations of unverified beliefs and claims in the post-truth era. From feminist whisper networks and queer fabulations to virally proliferating misinformation, fake news, and conspiracies, the essays and roundtable discussion featured in this special issue assess rumors and gossip across the vast landscape of contemporary media.<br /><br /><a href="https://necsus-ejms.org/portfolio/spring-2022_rumors/" rel="nofollow">https://necsus-ejms.org/portfolio/spring-2022_rumors/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="37e4165be8f24f097e7d17d2ee5da0ab" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":88374368,"asset_id":82781947,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/88374368/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="82781947"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="82781947"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 82781947; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="43381428"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43381428/IN_MEDIA_RES_Theme_Week_on_Coronavirus_and_Cinematic_Experience_co_edited_with_Nicholas_Baer_"><img alt="Research paper thumbnail of IN MEDIA RES: Theme Week on "Coronavirus and Cinematic Experience" (co-edited with Nicholas Baer)" class="work-thumbnail" src="https://attachments.academia-assets.com/63675450/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43381428/IN_MEDIA_RES_Theme_Week_on_Coronavirus_and_Cinematic_Experience_co_edited_with_Nicholas_Baer_">IN MEDIA RES: Theme Week on "Coronavirus and Cinematic Experience" (co-edited with Nicholas Baer)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://rug.academia.edu/JulianHanich">Julian Hanich</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://berkeley.academia.edu/NicholasBaer">Nicholas Baer</a></span></div><div class="wp-workCard_item"><span>In Media Res</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In this theme week of the online journal IN MEDIA RES film and media scholars Sarah Atkinson, Fra...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In this theme week of the online journal IN MEDIA RES film and media scholars Sarah Atkinson, Francesco Casetti, Carolyn Jacobs, Girish Shambu, Nicholas Baer and I reflect on the effects of Coronavirus on the experience of films in the movie theater and beyond. Here is the direct link: <br /> <br /><a href="http://mediacommons.org/imr/content/coronavirus-and-cinematic-experience" rel="nofollow">http://mediacommons.org/imr/content/coronavirus-and-cinematic-experience</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="fcefea0bf90d4ecaa0f6a6485c2d663d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63675450,"asset_id":43381428,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63675450/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43381428"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43381428"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43381428; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="2618316" id="bookchapters"><div class="js-work-strip profile--work_container" data-work-id="120114380"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/120114380/Split_Screens_A_Discussion_with_Catherine_Grant_Malte_Hagener_and_Katharina_Loew"><img alt="Research paper thumbnail of Split Screens: A Discussion with Catherine Grant, Malte Hagener, and Katharina Loew" class="work-thumbnail" src="https://attachments.academia-assets.com/115369852/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/120114380/Split_Screens_A_Discussion_with_Catherine_Grant_Malte_Hagener_and_Katharina_Loew">Split Screens: A Discussion with Catherine Grant, Malte Hagener, and Katharina Loew</a></div><div class="wp-workCard_item"><span>Technics: Media in the Digital Age</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Split screens have become ubiquitous in contemporary media culture, whether we think of TV news g...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Split screens have become ubiquitous in contemporary media culture, whether we think of TV news graphics, videoconferencing tools, reaction videos, or multichannel art installations. Nicholas Baer and Annie van den Oever hold a discussion with three film and media scholars who have long studied and used the technique in their research, teaching, and creative practice: Catherine Grant, Malte Hagener, and Katharina Loew. Rich in examples, the discussion explores the varied uses of split screen across international film and media history, from the nineteenth century to the present. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="109287163"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/109287163/Relativist_Perspectivism_Caligari_and_the_Crisis_of_Historicism"><img alt="Research paper thumbnail of Relativist Perspectivism: Caligari and the Crisis of Historicism" class="work-thumbnail" src="https://attachments.academia-assets.com/107458096/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/109287163/Relativist_Perspectivism_Caligari_and_the_Crisis_of_Historicism">Relativist Perspectivism: Caligari and the Crisis of Historicism</a></div><div class="wp-workCard_item"><span>How Film Histories Were Made: Materials, Methods, Discourses</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This chapter repositions Robert Wiene’s Expressionist classic, The Cabinet of Dr. Caligari (1920)...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This chapter repositions Robert Wiene’s Expressionist classic, The Cabinet of Dr. Caligari (1920), at the nexus of two sets of developments: the popularization of Albert Einstein’s Theory of Relativity and widespread recognition of the relativist implications of historicist thought; and the rejection of perspectival conventions in the visual arts and the emergence of perspectivism in philosophy. Eliciting comparisons to Einstein’s theory upon its release, Wiene’s film challenges basic tenets of the German historicist tradition, conveying a radical scepticism regarding the possibility of detached, disinterested observation. With its enigmatic narrative and distorted, post-perspectival set design, Caligari dismisses Leopold von Ranke’s ideal of faithfully and impartially reconstructing the past. Instead, the film follows Friedrich Nietzsche’s early writings in suggesting a perspectivist sense of historical reality as the interplay of finite interpretations. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="2618325" id="journalarticles"><div class="js-work-strip profile--work_container" data-work-id="121266170"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/121266170/The_Rumors_Are_True_Gossip_in_the_Films_of_F_W_Murnau"><img alt="Research paper thumbnail of The Rumors Are True: Gossip in the Films of F. W. Murnau" class="work-thumbnail" src="https://attachments.academia-assets.com/116190131/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/121266170/The_Rumors_Are_True_Gossip_in_the_Films_of_F_W_Murnau">The Rumors Are True: Gossip in the Films of F. W. Murnau</a></div><div class="wp-workCard_item"><span>Qui Parle</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This essay examines the role of rumors in F. W. Murnau’s films as well as in later writings about...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This essay examines the role of rumors in F. W. Murnau’s films as well as in later writings about his life and career. While Murnau perpetuates long-standing figurations of gossip as a frivolous or even malicious activity, he also grants unverified information a truth value. Where Heidegger claimed that Gerede (idle talk) is based on “groundlessness” and “indifferent intelligibility,” this essay shows that rumors in Murnau’s films are often well-founded and also essential to a nuanced understanding of his work. Bringing together film analyses, archival materials, and philosophical texts, the essay sheds light on an underexamined aspect of Murnau’s oeuvre and addresses broader questions about the status of speculative, uncertain, or contested knowledge. A study of Gerede does not entail a concealment of authentic discourse but illuminates Murnau’s philosophy of rumors as part of a dialectic of destabilized knowledge.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5e0e79a2ec7b4d759df168e457696744" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":116190131,"asset_id":121266170,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/116190131/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="121266170"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="121266170"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 121266170; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=121266170]").text(description); $(".js-view-count[data-work-id=121266170]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 121266170; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='121266170']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5e0e79a2ec7b4d759df168e457696744" } } $('.js-work-strip[data-work-id=121266170]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":121266170,"title":"The Rumors Are True: Gossip in the Films of F. 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Über Klatsch und Tratsch in Murnaus Filmen" class="work-thumbnail" src="https://attachments.academia-assets.com/112202639/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/115933666/Die_Geru_chte_sind_wahr_%C3%9Cber_Klatsch_und_Tratsch_in_Murnaus_Filmen">Die Gerüchte sind wahr. Über Klatsch und Tratsch in Murnaus Filmen</a></div><div class="wp-workCard_item"><span>Film-Konzepte 71: Friedrich Wilhelm Murnau</span><span>, 2024</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d1f080a3a2d8d9bec5466ac7f93f684d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":112202639,"asset_id":115933666,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/112202639/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="115933666"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="115933666"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 115933666; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=115933666]").text(description); $(".js-view-count[data-work-id=115933666]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 115933666; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='115933666']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d1f080a3a2d8d9bec5466ac7f93f684d" } } $('.js-work-strip[data-work-id=115933666]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":115933666,"title":"Die Gerüchte sind wahr. Über Klatsch und Tratsch in Murnaus Filmen","internal_url":"https://www.academia.edu/115933666/Die_Geru_chte_sind_wahr_%C3%9Cber_Klatsch_und_Tratsch_in_Murnaus_Filmen","owner_id":4867491,"coauthors_can_edit":true,"owner":{"id":4867491,"first_name":"Nicholas","middle_initials":null,"last_name":"Baer","page_name":"NicholasBaer","domain_name":"berkeley","created_at":"2013-07-16T22:29:10.821-07:00","display_name":"Nicholas Baer","url":"https://berkeley.academia.edu/NicholasBaer"},"attachments":[{"id":112202639,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/112202639/thumbnails/1.jpg","file_name":"Baer_Die_Geruchte_sind_wahr.pdf","download_url":"https://www.academia.edu/attachments/112202639/download_file","bulk_download_file_name":"Die_Geru_chte_sind_wahr_Uber_Klatsch_und.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/112202639/Baer_Die_Geruchte_sind_wahr-libre.pdf?1709845207=\u0026response-content-disposition=attachment%3B+filename%3DDie_Geru_chte_sind_wahr_Uber_Klatsch_und.pdf\u0026Expires=1738813768\u0026Signature=Se52QJd7ddEhWxcL~O7ZwsfHS9bAvdc5l1V7SnDtrdX4wyn0x3j0buZiATpWK~~XLI3blHStGRyeHyI2Y2WbKsXlnqE5lTnRihcdS3gBqXuDIwgl6p9pdtllnDkwNo0~DM5IjhaEhZMGFE6LEi1MGTIB4aXFJgG6wMdw17rU21m4bSBmGfYucgDa~uJu9xUkLWRadvq9BIiixIBzoTG2Nd386c2iVuP2Hd8FkqU5wBO2j83WB1L5W~ltYDiLmicidpSMwWDEQ-f3o-6ENrmo5XVaRx5sZabs0z3Sj0OizmYan4PVl-G5JHQnN2pD4gfRVWjsRC-TmamrzywC8fw3zA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="83024892"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/83024892/All_the_Rumors_are_True"><img alt="Research paper thumbnail of All the Rumors are True" class="work-thumbnail" src="https://attachments.academia-assets.com/88522068/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/83024892/All_the_Rumors_are_True">All the Rumors are True</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://berkeley.academia.edu/NicholasBaer">Nicholas Baer</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://umn.academia.edu/MaggieHennefeld">Maggie Hennefeld</a></span></div><div class="wp-workCard_item"><span>NECSUS_European Journal of Media Studies</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This introduction surveys the field of critical scholarship on rumors and gossip, making a case f...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This introduction surveys the field of critical scholarship on rumors and gossip, making a case for their epistemological relevance in today's global mediascape. While we take seriously the democratising potential of rumors and gossip as alternative forms of knowledge that empower minoritised voices, we also engage with the more sinister connotations of unverified beliefs and claims in the post-truth era. From feminist whisper networks and queer fabulations to virally proliferating misinformation, fake news, and conspiracies, we assess rumors and gossip across the vast landscape of contemporary media while previewing the essays and roundtable discussion featured in this special issue. <br /> <br /><a href="https://necsus-ejms.org/all-the-rumors-are-true/" rel="nofollow">https://necsus-ejms.org/all-the-rumors-are-true/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b2c45ff5f0a88c7b2e33349fc1951c4d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":88522068,"asset_id":83024892,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/88522068/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="83024892"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="83024892"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 83024892; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="82849757"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/82849757/_Rumors_A_Roundtable_Discussion_with_Mladen_Dolar_Richard_Dyer_Alexandra_Juhasz_Tavia_Nyong_o_Marc_Siegel_and_Patricia_Turner"><img alt="Research paper thumbnail of #Rumors: A Roundtable Discussion with Mladen Dolar, Richard Dyer, Alexandra Juhasz, Tavia Nyong’o, Marc Siegel, and Patricia Turner" class="work-thumbnail" src="https://attachments.academia-assets.com/88522330/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/82849757/_Rumors_A_Roundtable_Discussion_with_Mladen_Dolar_Richard_Dyer_Alexandra_Juhasz_Tavia_Nyong_o_Marc_Siegel_and_Patricia_Turner">#Rumors: A Roundtable Discussion with Mladen Dolar, Richard Dyer, Alexandra Juhasz, Tavia Nyong’o, Marc Siegel, and Patricia Turner</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://berkeley.academia.edu/NicholasBaer">Nicholas Baer</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://umn.academia.edu/MaggieHennefeld">Maggie Hennefeld</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://brooklyn-cuny.academia.edu/AlexandraJuhasz">Alexandra Juhasz</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://uni-mainz.academia.edu/MarcSiegel">Marc Siegel</a></span></div><div class="wp-workCard_item"><span>NECSUS_European Journal of Media Studies</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Unverified beliefs and truth-claims have been topics of enduring fascination for scholars of medi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Unverified beliefs and truth-claims have been topics of enduring fascination for scholars of media and culture, gaining renewed urgency with the viral spread of fake news via social media and the bitter attacks on scientific knowledge amid the Covid pandemic and climate crisis. In this roundtable discussion, we gather six distinguished thinkers to help us understand rumors, gossip, and the broader allure and danger of unsubstantiated information. With their wide-ranging expertise, our six panelists address the ramifications of rumors and gossip for queer underground cinema, political allegory, star and celebrity cultures, AIDS and Covid media activism, racialised belief systems, and the status of truth and logos in our time.<br /><br /><a href="https://necsus-ejms.org/rumors-a-roundtable-discussion-with-mladen-dolar-richard-dyer-alexandra-juhasz-tavia-nyongo-marc-siegel-and-patricia-turner/" rel="nofollow">https://necsus-ejms.org/rumors-a-roundtable-discussion-with-mladen-dolar-richard-dyer-alexandra-juhasz-tavia-nyongo-marc-siegel-and-patricia-turner/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3a912432644c3ef63fd7fadf79c6fe67" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":88522330,"asset_id":82849757,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/88522330/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="82849757"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="82849757"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 82849757; 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Young"" class="work-thumbnail" src="https://attachments.academia-assets.com/57900949/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37892499/_The_Liberal_Sexual_Subject_A_Conversation_with_Damon_R_Young_">"The Liberal Sexual Subject: A Conversation with Damon R. Young"</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://berkeley.academia.edu/DamonYoung">Damon R Young</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://berkeley.academia.edu/NicholasBaer">Nicholas Baer</a></span></div><div class="wp-workCard_item"><span>Film Quarterly</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">An interview conducted by Nicholas Baer on Making Sex Public and Other Cinematic Fantasies. (Film...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">An interview conducted by Nicholas Baer on Making Sex Public and Other Cinematic Fantasies. 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src="https://attachments.academia-assets.com/56640298/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36700699/Cinema_and_the_Anthropocene_A_Conversation_with_Jennifer_Fay">Cinema and the Anthropocene: A Conversation with Jennifer Fay</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://berkeley.academia.edu/NicholasBaer">Nicholas Baer</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://vanderbilt.academia.edu/JenniferFay">Jennifer Fay</a></span></div><div class="wp-workCard_item"><span>Film Quarterly</span><span>, 2018</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="4788551" id="translations"><div class="js-work-strip profile--work_container" data-work-id="33294066"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/33294066/Siegfried_Kracauer_Mass_and_Propaganda_An_Inquiry_Into_Fascist_Propaganda"><img alt="Research paper thumbnail of Siegfried Kracauer, Mass and Propaganda: An Inquiry Into Fascist Propaganda" class="work-thumbnail" src="https://attachments.academia-assets.com/53778060/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/33294066/Siegfried_Kracauer_Mass_and_Propaganda_An_Inquiry_Into_Fascist_Propaganda">Siegfried Kracauer, Mass and Propaganda: An Inquiry Into Fascist Propaganda</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Written in French exile, this text by Siegfried Kracauer from December 1936 outlines a research p...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Written in French exile, this text by Siegfried Kracauer from December 1936 outlines a research project that the German-Jewish intellectual undertook with funding from the Institute for Social Research. The work outlined here would be a study of totalitarian propaganda in Germany and Italy through sustained comparison with communist and democratic countries, especially the Soviet Union and the United States. Appearing in English translation for the first time, this document from Kracauer's estate is crucial for a full understanding of his career as a sociologist, cultural critic, film theorist, and philosopher, demonstrating the global scope of his engagement with cinema, mass culture, and modernity.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a2b57039c13313589fb951a580cdb4f5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":53778060,"asset_id":33294066,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/53778060/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="33294066"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="33294066"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33294066; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="4699967" id="reviewsofmywork"><div class="js-work-strip profile--work_container" data-work-id="80683584"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/80683584/Discourse_Review_of_Unwatchable_by_Aurore_Spiers_"><img alt="Research paper thumbnail of Discourse, Review of Unwatchable (by Aurore Spiers)" class="work-thumbnail" src="https://attachments.academia-assets.com/86984780/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/80683584/Discourse_Review_of_Unwatchable_by_Aurore_Spiers_">Discourse, Review of Unwatchable (by Aurore Spiers)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://berkeley.academia.edu/NicholasBaer">Nicholas Baer</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://umn.academia.edu/MaggieHennefeld">Maggie Hennefeld</a></span></div><div class="wp-workCard_item"><span>Discourse</span><span>, 2022</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e3db343f299e5f25f8ec83cfad65d153" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":86984780,"asset_id":80683584,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/86984780/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="80683584"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="80683584"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 80683584; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="75457205"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/75457205/Communication_Booknotes_Quarterly_Review_of_Unwatchable_by_Ralph_Beliveau_"><img alt="Research paper thumbnail of Communication Booknotes Quarterly, Review of Unwatchable (by Ralph Beliveau)" class="work-thumbnail" src="https://attachments.academia-assets.com/83218149/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/75457205/Communication_Booknotes_Quarterly_Review_of_Unwatchable_by_Ralph_Beliveau_">Communication Booknotes Quarterly, Review of Unwatchable (by Ralph Beliveau)</a></div><div class="wp-workCard_item"><span>Communication Booknotes Quarterly</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">, 412 pp, introduction, 3 parts, 54 chapters, acknowledgments, filmography, bibliography, notes o...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">, 412 pp, introduction, 3 parts, 54 chapters, acknowledgments, filmography, bibliography, notes on contributors, index, 51 images). Criticism of visual culture starts with one hand tied behind its back. Unless it has the ability to provide the visuals that are subject to critique, we are left with the challenge of how to think about objects in our visual environment, often faced with the limitations of language and argument. The visual needs to be rendered in the argument so that the reader gets a clear sense of the image or experience under investigation. The essay collection, Unwatchable, faces an additional obstacle because it carefully considers how to write about images and related visual experiences one deems, at the very least, visually problematic, and perhaps at worst unethical, harmful, or just bad. But in the intensely visual culture we live in, centered so strongly on the eye, much can be learned from thinking about what we do not want to see, what we are dissuaded from seeing, and how we judge the images that surround us when they are considered unwatchable. What do we mean when we say something is "unwatchable?" That is one of the initial ways this collection invites us to think carefully about the limits of our visual experience. Sometimes we use the term to describe something we find so dreadfully bad it can't be watched. More frequently, we use the term to describe what we cannot bear to watch, whether for ethical, political, or sensory reasons, as the Introduction points out. But perhaps there are reasons we ought to see what we might consider "unwatchable" for a variety of positive reasons, which is how many of the essays in this collection consider the subject. Structurally, Unwatchable, has a couple of elements that hint at the journey to follow, no matter how the reader pursues it. The pieces are intentionally short, responding to a prompt that sought 750-1500-word contributions. Several of the contributors would be familiar to scholars of visual culture, film studies, and literature. But there are also contributions from artists and curators, completing a substantial variety of approaches to the problems that the unwatchable presents. Accordingly, defining the term "unwatchable" is complicated because of the variety of perspectives present.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7fa9b50cba207561b138d6c918a90b39" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":83218149,"asset_id":75457205,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/83218149/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="75457205"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="75457205"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 75457205; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=75457205]").text(description); $(".js-view-count[data-work-id=75457205]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 75457205; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='75457205']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7fa9b50cba207561b138d6c918a90b39" } } $('.js-work-strip[data-work-id=75457205]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":75457205,"title":"Communication Booknotes Quarterly, Review of Unwatchable (by Ralph Beliveau)","translated_title":"","metadata":{"grobid_abstract":", 412 pp, introduction, 3 parts, 54 chapters, acknowledgments, filmography, bibliography, notes on contributors, index, 51 images). Criticism of visual culture starts with one hand tied behind its back. Unless it has the ability to provide the visuals that are subject to critique, we are left with the challenge of how to think about objects in our visual environment, often faced with the limitations of language and argument. The visual needs to be rendered in the argument so that the reader gets a clear sense of the image or experience under investigation. The essay collection, Unwatchable, faces an additional obstacle because it carefully considers how to write about images and related visual experiences one deems, at the very least, visually problematic, and perhaps at worst unethical, harmful, or just bad. But in the intensely visual culture we live in, centered so strongly on the eye, much can be learned from thinking about what we do not want to see, what we are dissuaded from seeing, and how we judge the images that surround us when they are considered unwatchable. What do we mean when we say something is \"unwatchable?\" That is one of the initial ways this collection invites us to think carefully about the limits of our visual experience. Sometimes we use the term to describe something we find so dreadfully bad it can't be watched. More frequently, we use the term to describe what we cannot bear to watch, whether for ethical, political, or sensory reasons, as the Introduction points out. But perhaps there are reasons we ought to see what we might consider \"unwatchable\" for a variety of positive reasons, which is how many of the essays in this collection consider the subject. Structurally, Unwatchable, has a couple of elements that hint at the journey to follow, no matter how the reader pursues it. The pieces are intentionally short, responding to a prompt that sought 750-1500-word contributions. Several of the contributors would be familiar to scholars of visual culture, film studies, and literature. But there are also contributions from artists and curators, completing a substantial variety of approaches to the problems that the unwatchable presents. 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Criticism of visual culture starts with one hand tied behind its back. Unless it has the ability to provide the visuals that are subject to critique, we are left with the challenge of how to think about objects in our visual environment, often faced with the limitations of language and argument. The visual needs to be rendered in the argument so that the reader gets a clear sense of the image or experience under investigation. The essay collection, Unwatchable, faces an additional obstacle because it carefully considers how to write about images and related visual experiences one deems, at the very least, visually problematic, and perhaps at worst unethical, harmful, or just bad. But in the intensely visual culture we live in, centered so strongly on the eye, much can be learned from thinking about what we do not want to see, what we are dissuaded from seeing, and how we judge the images that surround us when they are considered unwatchable. What do we mean when we say something is \"unwatchable?\" That is one of the initial ways this collection invites us to think carefully about the limits of our visual experience. Sometimes we use the term to describe something we find so dreadfully bad it can't be watched. More frequently, we use the term to describe what we cannot bear to watch, whether for ethical, political, or sensory reasons, as the Introduction points out. But perhaps there are reasons we ought to see what we might consider \"unwatchable\" for a variety of positive reasons, which is how many of the essays in this collection consider the subject. Structurally, Unwatchable, has a couple of elements that hint at the journey to follow, no matter how the reader pursues it. The pieces are intentionally short, responding to a prompt that sought 750-1500-word contributions. Several of the contributors would be familiar to scholars of visual culture, film studies, and literature. But there are also contributions from artists and curators, completing a substantial variety of approaches to the problems that the unwatchable presents. 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