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The success of this venture owed much to goodwill earned by the quirkily likeable persona he had created over the years across a wide range of media, cinema included.</p><p>Two highlights in a long career of character roles are in <cite class="party">David Lean</cite> films: his Petty Officer Hardy in <cite>In Which We Serve</cite> (1942) and his definitive Joe Gargery in <cite>Great Expectations</cite> (1946). To both, he brings a direct sincerity, a rich regional diction, and the ability to convey pain beneath a stoical exterior.</p><p>Though few of his roles have the same depth, these qualities were repeatedly and aptly used both by <cite class="party">Michael Powell</cite> (e.g. <cite>One of Our Aircraft is Missing</cite>, 1942) and by the <cite class="party">Boulting Brothers</cite>, for instance in the key 1940 short <cite>Dawn Guard</cite>, where he articulates the vision of a better postwar world, and later in <cite>Fame is the Spur</cite> (1947) and <cite>The Guinea Pig</cite> (1948, which he co-wrote). His heavy in the remake of <cite>The Man Who Knew Too Much</cite> (US, d. Alfred Hitchcock, 1956) was an effective casting against type.</p><p>Miles's two films as director are attractive fables of social harmony, the rural comedy <cite>Tawny Pipit</cite> (1944), and the factory-set <cite>Chance of a Lifetime</cite> (1950), which earned brief notoriety for its challenge to the conservative booking policies of the main circuits. It was typical of his modesty to give joint credit to his editors, <cite class="party">Charles Saunders</cite> and <cite class="party">Alan Osbiston</cite> respectively. He was married to actress <cite class="party">Josephine Wilson</cite>.</p><p class="bricksrc">Charles Barr, Encyclopedia of British Film</p> <img src="../../../images/spacer.gif" width="1" height="10" border="0" alt="" /> </td></tr> <tr><td colspan="2"></td></tr> </table></td>  <td width="1" class="verticaldots"><img src="../../../images/spacer.gif" alt="" width="1" height="1" border="0" /></td> <td width="312" valign="top"><table border="0" cellspacing="0" cellpadding="0"> <tr><td colspan="2"><img src="../../../images/spacer.gif" alt="" width="312" height="20" border="0" /></td></tr> <tr><td><img src="../../../images/spacer.gif" alt="" width="3" height="1" border="0" /></td><td><p class="smg">More information</p></td></tr> <tr><td class="underline" colspan="2"><img src="../../../images/spacer.gif" alt="" width="1" height="1" border="0" /></td></tr> <tr><td colspan="2"> <table border="0" cellspacing="0" cellpadding="0" class="rh-item"> <tr> <td valign="top" rowspan="10"><img src="../../../images/gt/GT_articles.jpg" class="rh-thumbpic" alt="" border="0" /></td> <td class="rh-headcell-people"><a href="credits.html" class="thumbheadlink-people"><img src="../../../images/icon_document.gif" alt="" vspace="2" class="clipmenu-icon-right" border="0" />FILM & TV CREDITS</a></td> </tr> <tr><td><p>From the BFI's filmographic database</p></td> </tr> </table></td></tr>  <tr><td><img src="../../../images/spacer.gif" alt="" width="3" height="1" border="0" /></td><td><p class="smg">Related media</p></td></tr> <tr><td><img src="../../../images/spacer.gif" alt="" width="3" height="1" border="0" /></td><td><p class="smg">Selected credits</p></td></tr> <tr><td class="underline" colspan="2"><img src="../../../images/spacer.gif" alt="" width="1" height="1" border="0" /></td></tr><tr><td colspan="2"><table border="0" cellspacing="0" cellpadding="0" class="rh-item"><tr><td valign="top" rowspan="10"><img src="http://www.screenonline.org.uk/files/1157291.jpg" class="rh-thumbpic" alt="Thumbnail image of ...One of Our Aircraft is Missing (1942)" border="0" /></td><td class="rh-headcell-people"><a href="../../../film/id/447446/index.html" class="thumbheadlink-people">...One of Our Aircraft is Missing (1942)</a></td></tr><tr><td><p>Documentary-style WWII drama about an air crew stranded in Holland</p></td></tr></table></td></tr><tr><td class="underline" colspan="2"><img src="../../../images/spacer.gif" alt="" width="1" height="1" border="0" /></td></tr><tr><td colspan="2"><table border="0" cellspacing="0" cellpadding="0" class="rh-item"><tr><td valign="top" rowspan="10"><img src="http://www.screenonline.org.uk/files/1352439.jpg" class="rh-thumbpic" alt="Thumbnail image of Chance of a Lifetime (1950)" border="0" /></td><td class="rh-headcell-people"><a href="../../../film/id/476987/index.html" class="thumbheadlink-people">Chance of a Lifetime (1950)</a></td></tr><tr><td><p>Fascinating industrial relations drama in which workers take over a factory</p></td></tr></table></td></tr><tr><td class="underline" colspan="2"><img src="../../../images/spacer.gif" alt="" width="1" height="1" border="0" /></td></tr><tr><td colspan="2"><table border="0" cellspacing="0" cellpadding="0" class="rh-item"><tr><td valign="top" rowspan="10"><img src="http://www.screenonline.org.uk/files/1393807.jpg" class="rh-thumbpic" alt="Thumbnail image of Common Touch, The (1941)" border="0" /></td><td class="rh-headcell-people"><a href="../../../film/id/1393271/index.html" class="thumbheadlink-people">Common Touch, The (1941)</a></td></tr><tr><td><p>A suddenly-orphaned 18-year-old finds himself in charge of a large business</p></td></tr></table></td></tr><tr><td class="underline" colspan="2"><img src="../../../images/spacer.gif" alt="" width="1" height="1" border="0" /></td></tr><tr><td colspan="2"><table border="0" cellspacing="0" cellpadding="0" class="rh-item"><tr><td valign="top" rowspan="10"><img 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