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overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Zerocalcare</h1><div class="u-tcGrayDark">3 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>Zerocalcare</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Zerocalcare">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Zerocalcare/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Zerocalcare/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Zerocalcare/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/Zerocalcare">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38515706" data-work_id="38515706" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38515706/Murray_Bookchins_libertarian_approach_From_social_ecology_to_revolution_in_Rojava">Murray Bookchin's libertarian approach. From social ecology to revolution in Rojava</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The American thinker Murray Bookchin was an influential exponent of post-classical anarchism in the 20th-century and father of “social ecology”: his academic research is based on identifying the place in which building the alternative... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38515706" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The American thinker Murray Bookchin was an influential exponent of post-classical anarchism in the 20th-century and father of “social ecology”: his academic research is based on identifying the place in which building the alternative community. His utopia of an ecological society was able to combine Marxist criticism against capitalism along with the anarchist ideas of mutualism and community federations or communes: in the essay The Next Revolution he finally renamed his political theory of libertarian municipalism with the term “communalism”.<br />According to the critical analysis he developed, the infinite growth of neoliberal capitalism in a finite world like ours is untenable. The solution to the current ecological crisis depends above all on the dissolution of hierarchies, or rather on the end of the domination of human by human, so as to be able to recompose the rift between man and the natural environment. Subsequently, it’s investigated the elective affinity established over the years between the libertarian thought of Bookchin and the one of Abdullah Öcalan, both of them at the ground of the recent revolution in Rojava.<br />In this autonomous region, located in northern Syria, an innovative model of decentralized self-management has emerged, called “democratic confederalism”. It’s based on freedom, ecology and social equality, in opposition to the capitalist, nationalist and unitary nation-state so far present in the Middle East. In this way, it was created a new political sphere from the vacuum of Syrian state. <br />At the centre of cantonal municipalities with a Kurdish majority there is indeed a certain group of ethical values, an attention for the educational system and a utopian sensibility, which do not provide for any discrimination of gender, religion and ethnicity according to the “unity in diversity” philosophical principle.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38515706" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="461addee197d81a58c9eaadf4fe40054" rel="nofollow" data-download="{"attachment_id":92566422,"asset_id":38515706,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/92566422/download_file?st=MTczMzkxMDk2MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="59442293" href="https://unito.academia.edu/VittorioSabatini">Vittorio Sabatini</a><script data-card-contents-for-user="59442293" type="text/json">{"id":59442293,"first_name":"Vittorio","last_name":"Sabatini","domain_name":"unito","page_name":"VittorioSabatini","display_name":"Vittorio Sabatini","profile_url":"https://unito.academia.edu/VittorioSabatini?f_ri=1965337","photo":"https://0.academia-photos.com/59442293/18179089/20140190/s65_vittorio.sabatini.jpg"}</script></span></span></li><li class="js-paper-rank-work_38515706 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38515706"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38515706, container: ".js-paper-rank-work_38515706", }); 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$(".js-view-count[data-work-id=38515706]").text(description); $(".js-view-count-work_38515706").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38515706").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38515706"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="23199" href="https://www.academia.edu/Documents/in/Social_Ecology">Social Ecology</a>, <script data-card-contents-for-ri="23199" type="text/json">{"id":23199,"name":"Social Ecology","url":"https://www.academia.edu/Documents/in/Social_Ecology?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="46848" href="https://www.academia.edu/Documents/in/Murray_Bookchin">Murray Bookchin</a>, <script data-card-contents-for-ri="46848" type="text/json">{"id":46848,"name":"Murray Bookchin","url":"https://www.academia.edu/Documents/in/Murray_Bookchin?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="963328" href="https://www.academia.edu/Documents/in/Abdullah_%C3%96calan">Abdullah Öcalan</a>, <script data-card-contents-for-ri="963328" type="text/json">{"id":963328,"name":"Abdullah Öcalan","url":"https://www.academia.edu/Documents/in/Abdullah_%C3%96calan?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1174248" href="https://www.academia.edu/Documents/in/Libertarian_Municipalism">Libertarian Municipalism</a><script data-card-contents-for-ri="1174248" type="text/json">{"id":1174248,"name":"Libertarian Municipalism","url":"https://www.academia.edu/Documents/in/Libertarian_Municipalism?f_ri=1965337","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38515706]'), work: {"id":38515706,"title":"Murray Bookchin's libertarian approach. From social ecology to revolution in Rojava","created_at":"2019-03-08T14:21:50.630-08:00","url":"https://www.academia.edu/38515706/Murray_Bookchins_libertarian_approach_From_social_ecology_to_revolution_in_Rojava?f_ri=1965337","dom_id":"work_38515706","summary":"The American thinker Murray Bookchin was an influential exponent of post-classical anarchism in the 20th-century and father of “social ecology”: his academic research is based on identifying the place in which building the alternative community. His utopia of an ecological society was able to combine Marxist criticism against capitalism along with the anarchist ideas of mutualism and community federations or communes: in the essay The Next Revolution he finally renamed his political theory of libertarian municipalism with the term “communalism”.\nAccording to the critical analysis he developed, the infinite growth of neoliberal capitalism in a finite world like ours is untenable. The solution to the current ecological crisis depends above all on the dissolution of hierarchies, or rather on the end of the domination of human by human, so as to be able to recompose the rift between man and the natural environment. Subsequently, it’s investigated the elective affinity established over the years between the libertarian thought of Bookchin and the one of Abdullah Öcalan, both of them at the ground of the recent revolution in Rojava.\nIn this autonomous region, located in northern Syria, an innovative model of decentralized self-management has emerged, called “democratic confederalism”. It’s based on freedom, ecology and social equality, in opposition to the capitalist, nationalist and unitary nation-state so far present in the Middle East. In this way, it was created a new political sphere from the vacuum of Syrian state. \nAt the centre of cantonal municipalities with a Kurdish majority there is indeed a certain group of ethical values, an attention for the educational system and a utopian sensibility, which do not provide for any discrimination of gender, religion and ethnicity according to the “unity in diversity” philosophical principle.\n","downloadable_attachments":[{"id":92566422,"asset_id":38515706,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":59442293,"first_name":"Vittorio","last_name":"Sabatini","domain_name":"unito","page_name":"VittorioSabatini","display_name":"Vittorio Sabatini","profile_url":"https://unito.academia.edu/VittorioSabatini?f_ri=1965337","photo":"https://0.academia-photos.com/59442293/18179089/20140190/s65_vittorio.sabatini.jpg"}],"research_interests":[{"id":23199,"name":"Social Ecology","url":"https://www.academia.edu/Documents/in/Social_Ecology?f_ri=1965337","nofollow":false},{"id":46848,"name":"Murray Bookchin","url":"https://www.academia.edu/Documents/in/Murray_Bookchin?f_ri=1965337","nofollow":false},{"id":963328,"name":"Abdullah Öcalan","url":"https://www.academia.edu/Documents/in/Abdullah_%C3%96calan?f_ri=1965337","nofollow":false},{"id":1174248,"name":"Libertarian Municipalism","url":"https://www.academia.edu/Documents/in/Libertarian_Municipalism?f_ri=1965337","nofollow":false},{"id":1253337,"name":"Rojava","url":"https://www.academia.edu/Documents/in/Rojava?f_ri=1965337"},{"id":1633338,"name":"Guerra Civile Siriana","url":"https://www.academia.edu/Documents/in/Guerra_Civile_Siriana?f_ri=1965337"},{"id":1639987,"name":"Rojava Revolution","url":"https://www.academia.edu/Documents/in/Rojava_Revolution?f_ri=1965337"},{"id":1806238,"name":"Democratic Confederalism","url":"https://www.academia.edu/Documents/in/Democratic_Confederalism?f_ri=1965337"},{"id":1965337,"name":"Zerocalcare","url":"https://www.academia.edu/Documents/in/Zerocalcare?f_ri=1965337"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44682488" data-work_id="44682488" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44682488/Il_romanesco_ai_tempi_del_COVID_19_La_serie_Rebibbia_quarantine_in_Il_996_n_2_2020_pp_115_128">Il romanesco ai tempi del COVID-19. La serie Rebibbia quarantine, in Il 996, n. 2 (2020), pp. 115-128</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44682488" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="88e86cd8b33df6f9b9c7d6cee0276b49" rel="nofollow" data-download="{"attachment_id":65156498,"asset_id":44682488,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65156498/download_file?st=MTczMzkxMDk2MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="788512" href="https://vegajournal.academia.edu/GiulioVaccaro">Giulio Vaccaro</a><script data-card-contents-for-user="788512" type="text/json">{"id":788512,"first_name":"Giulio","last_name":"Vaccaro","domain_name":"vegajournal","page_name":"GiulioVaccaro","display_name":"Giulio Vaccaro","profile_url":"https://vegajournal.academia.edu/GiulioVaccaro?f_ri=1965337","photo":"https://0.academia-photos.com/788512/268087/316827/s65_giulio.vaccaro.jpg"}</script></span></span></li><li class="js-paper-rank-work_44682488 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44682488"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44682488, container: ".js-paper-rank-work_44682488", }); 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La serie Rebibbia quarantine, in Il 996, n. 2 (2020), pp. 115-128","created_at":"2020-12-11T06:44:15.091-08:00","url":"https://www.academia.edu/44682488/Il_romanesco_ai_tempi_del_COVID_19_La_serie_Rebibbia_quarantine_in_Il_996_n_2_2020_pp_115_128?f_ri=1965337","dom_id":"work_44682488","summary":null,"downloadable_attachments":[{"id":65156498,"asset_id":44682488,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":788512,"first_name":"Giulio","last_name":"Vaccaro","domain_name":"vegajournal","page_name":"GiulioVaccaro","display_name":"Giulio Vaccaro","profile_url":"https://vegajournal.academia.edu/GiulioVaccaro?f_ri=1965337","photo":"https://0.academia-photos.com/788512/268087/316827/s65_giulio.vaccaro.jpg"}],"research_interests":[{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=1965337","nofollow":false},{"id":96137,"name":"Italian Dialectology","url":"https://www.academia.edu/Documents/in/Italian_Dialectology?f_ri=1965337","nofollow":false},{"id":176443,"name":"Dialetti italiani","url":"https://www.academia.edu/Documents/in/Dialetti_italiani?f_ri=1965337","nofollow":false},{"id":279527,"name":"Fumetti","url":"https://www.academia.edu/Documents/in/Fumetti?f_ri=1965337","nofollow":false},{"id":571902,"name":"Dialetto romanesco","url":"https://www.academia.edu/Documents/in/Dialetto_romanesco?f_ri=1965337"},{"id":795073,"name":"Dialettologia italiana","url":"https://www.academia.edu/Documents/in/Dialettologia_italiana?f_ri=1965337"},{"id":1965337,"name":"Zerocalcare","url":"https://www.academia.edu/Documents/in/Zerocalcare?f_ri=1965337"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_61717728" data-work_id="61717728" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/61717728/G_Santaera_Intermedialit%C3%A0_e_viralit%C3%A0_in_Zerocalcare_tra_fumetti_media_e_racconti_seriali_animati_in_L_Torti_B_Della_Gala_a_cura_di_Pixel_Letteratura_e_nuove_forme_dell_audiovisivo_MucchiEditore_2021">G. Santaera, “Intermedialità e viralità in Zerocalcare tra fumetti, media e racconti seriali animati” in L. Torti, B. Della Gala (a cura di), Pixel. Letteratura e nuove forme dell’audiovisivo, MucchiEditore, 2021.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In alcune tavole della graphic novel di Kobane Calling, pubblicata dalla casa editrice Bao nel 2015, il fumettista Michele Rech, in arte Zerocalcare, prova a spiegare il motivo più profondo della sua partenza per un racconto sul conflitto... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_61717728" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In alcune tavole della graphic novel di Kobane Calling, pubblicata dalla casa editrice Bao nel 2015, il fumettista Michele Rech, in arte Zerocalcare, prova a spiegare il motivo più profondo della sua partenza per un racconto sul conflitto in Siria. La difficoltà di dare a questo parola e immagine si traduce inizialmente in una vignetta pixellata. Una sgranatura, come dice l’autore, che trasmette la difficoltà di messa a fuoco che finisce per rivelare alla fine un cuore pieno di ferite, immagini e parole raccolte altrove. <br /><br />Questa, probabilmente, è la sequenza che incide quasi come una matrice il lavoro intermediale di Zerocalcare diviso fra l’azione creativa sui livelli di definizione materiale e immateriale dei linguaggi mediatici rispetto alla storia, alla società e agli immaginari e l’espressione sensibile dei chiaroscuri della realtà umana.<br /><br />Il contributo mira per questo a rileggere alcuni tratti di ibridazione tra pagine e schermi della produzione di Zerocalcare a partire soprattutto da Rebibbia Quarantine, esperimento di ‘sconfinamento’ tra fumetto, reportage e serialità sul web prodotto durante i mesi della pandemia da Covid-19. Più che un nuovo percorso dell’artista, che ha da poco lavorato alla produzione della serie animata per Netflix "Strappare Lungo i Bordi", la serie manifesta i tratti più tipici della rimediazione dei racconti in una prospettiva rigenerativa da parte di Zerocalcare rendendo però più visibili ed espliciti i meccanismi ‘virali’ di interfaccia tra autore, audience e contesto mediale che ‘animano’ la configurazione stessa dell’opera.<br /><br />In particolare, il saggio approfondisce in una prospettiva visuale opere, usi comunicativi e temi dell'artista che affrontano i dispositivi tecnologici, le esperienze e i media in relazione alle: dinamiche autoriali, fra autofiction e partecipazione collettiva della serie animata confrontandola con i fumetti e le graphic novel precedenti; i caratteri performativi della pratica intermediale dell’autore rispetto ai generi, ai linguaggi, ai piani e alle intersezioni fra parole, immagini e suoni; e la comunicazione social e web.<br /><br />Abstract del volume:<br /><br />Costantemente circondati da schermi composti di pixel, siamo oggi sempre più portati a concepire l'interfaccia digitale come naturale finestra sul mondo. Anche le scritture letterarie si sono ritrovate a fare i conti con questa evoluzione tecnologica: da una parte, il display può essere utilizzato per riprodurre la pagina cartacea, che acquisisce così uno statuto ipermediale; dall'altra, tecniche e procedimenti mimetici del display sono sperimentati sulla pagina stessa, per restituire a chi legge l'esperienza percettiva dello schermo. Di fronte alle molteplici e variegate intersezioni tra letteratura e media digitali che lo scenario odierno ci propone, questo volume prende corpo dall'esigenza di monitorare le esperienze recenti in cui autori e autrici si cimentano in produzioni sempre più interattive e performative, dando vita a reticoli testuali aperti e potenzialmente infiniti. Dalla letteratura alle serie tv, dalla poesia al fumetto, dai social network alla retorica visuale: i contributi qui raccolti mostrano la ricchezza di approcci disciplinari e metodologici che è possibile adottare per analizzare le scritture letterarie che continuano a mettersi in gioco nella costruzione di immaginari all'interno del panorama mediale contemporaneo.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/61717728" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a733a7dff8178d35615b98a7d555a08e" rel="nofollow" data-download="{"attachment_id":74684253,"asset_id":61717728,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/74684253/download_file?st=MTczMzkxMDk2MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9181438" href="https://unict.academia.edu/GiovannaSantaera">Giovanna Santaera</a><script data-card-contents-for-user="9181438" type="text/json">{"id":9181438,"first_name":"Giovanna","last_name":"Santaera","domain_name":"unict","page_name":"GiovannaSantaera","display_name":"Giovanna Santaera","profile_url":"https://unict.academia.edu/GiovannaSantaera?f_ri=1965337","photo":"https://0.academia-photos.com/9181438/10201640/149482445/s65_giovanna.santaera.jpg"}</script></span></span></li><li class="js-paper-rank-work_61717728 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="61717728"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 61717728, container: ".js-paper-rank-work_61717728", }); 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$(".js-view-count[data-work-id=61717728]").text(description); $(".js-view-count-work_61717728").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_61717728").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="61717728"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">19</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="928" href="https://www.academia.edu/Documents/in/Media_Studies">Media Studies</a>, <script data-card-contents-for-ri="928" type="text/json">{"id":928,"name":"Media Studies","url":"https://www.academia.edu/Documents/in/Media_Studies?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="934" href="https://www.academia.edu/Documents/in/Media_and_Cultural_Studies">Media and Cultural Studies</a>, <script data-card-contents-for-ri="934" type="text/json">{"id":934,"name":"Media and Cultural Studies","url":"https://www.academia.edu/Documents/in/Media_and_Cultural_Studies?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1575" href="https://www.academia.edu/Documents/in/Animation">Animation</a>, <script data-card-contents-for-ri="1575" type="text/json">{"id":1575,"name":"Animation","url":"https://www.academia.edu/Documents/in/Animation?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3225" href="https://www.academia.edu/Documents/in/Visual_Culture">Visual Culture</a><script data-card-contents-for-ri="3225" type="text/json">{"id":3225,"name":"Visual Culture","url":"https://www.academia.edu/Documents/in/Visual_Culture?f_ri=1965337","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=61717728]'), work: {"id":61717728,"title":"G. Santaera, “Intermedialità e viralità in Zerocalcare tra fumetti, media e racconti seriali animati” in L. Torti, B. Della Gala (a cura di), Pixel. Letteratura e nuove forme dell’audiovisivo, MucchiEditore, 2021.","created_at":"2021-11-15T09:39:48.576-08:00","url":"https://www.academia.edu/61717728/G_Santaera_Intermedialit%C3%A0_e_viralit%C3%A0_in_Zerocalcare_tra_fumetti_media_e_racconti_seriali_animati_in_L_Torti_B_Della_Gala_a_cura_di_Pixel_Letteratura_e_nuove_forme_dell_audiovisivo_MucchiEditore_2021?f_ri=1965337","dom_id":"work_61717728","summary":"In alcune tavole della graphic novel di Kobane Calling, pubblicata dalla casa editrice Bao nel 2015, il fumettista Michele Rech, in arte Zerocalcare, prova a spiegare il motivo più profondo della sua partenza per un racconto sul conflitto in Siria. La difficoltà di dare a questo parola e immagine si traduce inizialmente in una vignetta pixellata. Una sgranatura, come dice l’autore, che trasmette la difficoltà di messa a fuoco che finisce per rivelare alla fine un cuore pieno di ferite, immagini e parole raccolte altrove. \n\nQuesta, probabilmente, è la sequenza che incide quasi come una matrice il lavoro intermediale di Zerocalcare diviso fra l’azione creativa sui livelli di definizione materiale e immateriale dei linguaggi mediatici rispetto alla storia, alla società e agli immaginari e l’espressione sensibile dei chiaroscuri della realtà umana.\n\nIl contributo mira per questo a rileggere alcuni tratti di ibridazione tra pagine e schermi della produzione di Zerocalcare a partire soprattutto da Rebibbia Quarantine, esperimento di ‘sconfinamento’ tra fumetto, reportage e serialità sul web prodotto durante i mesi della pandemia da Covid-19. Più che un nuovo percorso dell’artista, che ha da poco lavorato alla produzione della serie animata per Netflix \"Strappare Lungo i Bordi\", la serie manifesta i tratti più tipici della rimediazione dei racconti in una prospettiva rigenerativa da parte di Zerocalcare rendendo però più visibili ed espliciti i meccanismi ‘virali’ di interfaccia tra autore, audience e contesto mediale che ‘animano’ la configurazione stessa dell’opera.\n\nIn particolare, il saggio approfondisce in una prospettiva visuale opere, usi comunicativi e temi dell'artista che affrontano i dispositivi tecnologici, le esperienze e i media in relazione alle: dinamiche autoriali, fra autofiction e partecipazione collettiva della serie animata confrontandola con i fumetti e le graphic novel precedenti; i caratteri performativi della pratica intermediale dell’autore rispetto ai generi, ai linguaggi, ai piani e alle intersezioni fra parole, immagini e suoni; e la comunicazione social e web.\n\nAbstract del volume:\n\nCostantemente circondati da schermi composti di pixel, siamo oggi sempre più portati a concepire l'interfaccia digitale come naturale finestra sul mondo. Anche le scritture letterarie si sono ritrovate a fare i conti con questa evoluzione tecnologica: da una parte, il display può essere utilizzato per riprodurre la pagina cartacea, che acquisisce così uno statuto ipermediale; dall'altra, tecniche e procedimenti mimetici del display sono sperimentati sulla pagina stessa, per restituire a chi legge l'esperienza percettiva dello schermo. Di fronte alle molteplici e variegate intersezioni tra letteratura e media digitali che lo scenario odierno ci propone, questo volume prende corpo dall'esigenza di monitorare le esperienze recenti in cui autori e autrici si cimentano in produzioni sempre più interattive e performative, dando vita a reticoli testuali aperti e potenzialmente infiniti. Dalla letteratura alle serie tv, dalla poesia al fumetto, dai social network alla retorica visuale: i contributi qui raccolti mostrano la ricchezza di approcci disciplinari e metodologici che è possibile adottare per analizzare le scritture letterarie che continuano a mettersi in gioco nella costruzione di immaginari all'interno del panorama mediale contemporaneo.","downloadable_attachments":[{"id":74684253,"asset_id":61717728,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9181438,"first_name":"Giovanna","last_name":"Santaera","domain_name":"unict","page_name":"GiovannaSantaera","display_name":"Giovanna Santaera","profile_url":"https://unict.academia.edu/GiovannaSantaera?f_ri=1965337","photo":"https://0.academia-photos.com/9181438/10201640/149482445/s65_giovanna.santaera.jpg"}],"research_interests":[{"id":928,"name":"Media Studies","url":"https://www.academia.edu/Documents/in/Media_Studies?f_ri=1965337","nofollow":false},{"id":934,"name":"Media and 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TV","url":"https://www.academia.edu/Documents/in/Series_TV?f_ri=1965337"},{"id":21863,"name":"Graphic Novels Study","url":"https://www.academia.edu/Documents/in/Graphic_Novels_Study?f_ri=1965337"},{"id":29963,"name":"Comics and Graphic Novels","url":"https://www.academia.edu/Documents/in/Comics_and_Graphic_Novels?f_ri=1965337"},{"id":47844,"name":"Intermedial Performance","url":"https://www.academia.edu/Documents/in/Intermedial_Performance?f_ri=1965337"},{"id":48628,"name":"Seriality","url":"https://www.academia.edu/Documents/in/Seriality?f_ri=1965337"},{"id":52745,"name":"Cinema Studies","url":"https://www.academia.edu/Documents/in/Cinema_Studies?f_ri=1965337"},{"id":274431,"name":"TV Series","url":"https://www.academia.edu/Documents/in/TV_Series?f_ri=1965337"},{"id":469636,"name":"Web Series","url":"https://www.academia.edu/Documents/in/Web_Series?f_ri=1965337"},{"id":981735,"name":"Performativity and Network Theories","url":"https://www.academia.edu/Documents/in/Performativity_and_Network_Theories?f_ri=1965337"},{"id":1965337,"name":"Zerocalcare","url":"https://www.academia.edu/Documents/in/Zerocalcare?f_ri=1965337"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38850219" data-work_id="38850219" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38850219/Captions_and_the_Narrator_s_Voice_in_Italian_Comics_Homodiegetic_and_Autodiegetic_Narration_in_Zerocalcare_s_Forget_my_Name">Captions and the Narrator’s Voice in Italian Comics: Homodiegetic and Autodiegetic Narration in Zerocalcare’s Forget my Name</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item 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class="js-view-count view-count u-mr2x" data-work-id="38850219"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38850219; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38850219]").text(description); $(".js-view-count-work_38850219").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38850219").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38850219"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="5513" href="https://www.academia.edu/Documents/in/Narratology">Narratology</a>, <script data-card-contents-for-ri="5513" type="text/json">{"id":5513,"name":"Narratology","url":"https://www.academia.edu/Documents/in/Narratology?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29963" href="https://www.academia.edu/Documents/in/Comics_and_Graphic_Novels">Comics and Graphic Novels</a>, <script data-card-contents-for-ri="29963" type="text/json">{"id":29963,"name":"Comics and Graphic Novels","url":"https://www.academia.edu/Documents/in/Comics_and_Graphic_Novels?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="488736" href="https://www.academia.edu/Documents/in/Captions">Captions</a>, <script data-card-contents-for-ri="488736" type="text/json">{"id":488736,"name":"Captions","url":"https://www.academia.edu/Documents/in/Captions?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1965337" href="https://www.academia.edu/Documents/in/Zerocalcare">Zerocalcare</a><script data-card-contents-for-ri="1965337" type="text/json">{"id":1965337,"name":"Zerocalcare","url":"https://www.academia.edu/Documents/in/Zerocalcare?f_ri=1965337","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38850219]'), work: {"id":38850219,"title":"Captions and the Narrator’s Voice in Italian Comics: Homodiegetic and Autodiegetic Narration in Zerocalcare’s Forget my 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Novels","url":"https://www.academia.edu/Documents/in/Comics_and_Graphic_Novels?f_ri=1965337","nofollow":false},{"id":488736,"name":"Captions","url":"https://www.academia.edu/Documents/in/Captions?f_ri=1965337","nofollow":false},{"id":1965337,"name":"Zerocalcare","url":"https://www.academia.edu/Documents/in/Zerocalcare?f_ri=1965337","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_53312272 coauthored" data-work_id="53312272" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/53312272/_Il_re_e_nudo_Beffa_dileggio_ridicolizzazione_del_potere_nelle_forme_letterarie_e_nelle_arti_1_">«Il re è nudo!». Beffa, dileggio, ridicolizzazione del potere nelle forme letterarie e nelle arti (1)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Nella cultura classica, medievale e moderna, è usuale la messa in discussione in chiave comica dei ‘potenti’: dai carmina triumphalia alle opere di Plauto, alle feste di Carnevale presenti nel folklore o descritte in narrazioni e... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_53312272" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Nella cultura classica, medievale e moderna, è usuale la messa in discussione in chiave comica dei ‘potenti’: dai carmina triumphalia alle opere di Plauto, alle feste di Carnevale presenti nel folklore o descritte in narrazioni e drammatizzazioni, i personaggi che esercitano un dominio sono sconfessati, l’esercizio del potere viene ribaltato e in alcuni casi affidato agli ‘ultimi’ della società. La categoria critica del rovesciamento carnevalesco bachtiniano (1979) permette però di evidenziare quanto tali sovversioni siano temporanee, limitate al momento festivo, e destinate di fatto a confermare l’esistenza e la legittimità di poli di potere non democratico all’interno del corpo sociale.<br /><br />Si intende proporre invece in questo panel l’indagine su opere letterarie o artistiche – comprendendo nell’insieme teatro, cinema, fumetto, videogiochi – dell’età contemporanea in cui l’immagine del dominatore sia polverizzata, poiché distrutta da un riso sanzionatorio che, riprendendo il discorso di Bergson ne Le rire (1900), punisce ciò che di mortuario e statico vi è nell’esistenza; la volontà assoluta di dominio rappresenta infatti la Morte per una società evoluta. Beffa come progetto architettato, dileggio come presa di distanza da forme di dominio inaccettabili, ridicolizzazione come ‘abbassamento’ parodico dell’immagine del potente. Lo smontaggio dell’immagine regale nel teatro dei miti pirandelliano, nel Gadda irriverente di Eros e Priapo (1945), nell’Ubu Roi- Ubu Bas (2002) di Dario Fo, riscrittura della celebre opera di Jarry,  sono solo alcuni fra i tanti esempi di un rovesciamento e annichilimento totale e irreversibile del discorso, e della facies, di un potere non democratico e dei suoi ‘attori’.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/53312272" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0da9dfc49583a9fa346a5773ef0f185f" rel="nofollow" data-download="{"attachment_id":70212795,"asset_id":53312272,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/70212795/download_file?st=MTczMzkxMDk2MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2568404" href="https://independentresearcher.academia.edu/danielabombara">daniela bombara</a><script data-card-contents-for-user="2568404" type="text/json">{"id":2568404,"first_name":"daniela","last_name":"bombara","domain_name":"independentresearcher","page_name":"danielabombara","display_name":"daniela bombara","profile_url":"https://independentresearcher.academia.edu/danielabombara?f_ri=1965337","photo":"https://0.academia-photos.com/2568404/803562/163077246/s65_daniela.bombara.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-53312272">+2</span><div class="hidden js-additional-users-53312272"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://wisc.academia.edu/DeboraBellinzani">Debora Bellinzani</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://uniroma1.academia.edu/Ceresi">Emiliano Ceresi</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-53312272'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-53312272').html(); 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Beffa, dileggio, ridicolizzazione del potere nelle forme letterarie e nelle arti (1)","created_at":"2021-09-25T02:32:27.097-07:00","url":"https://www.academia.edu/53312272/_Il_re_e_nudo_Beffa_dileggio_ridicolizzazione_del_potere_nelle_forme_letterarie_e_nelle_arti_1_?f_ri=1965337","dom_id":"work_53312272","summary":"\nNella cultura classica, medievale e moderna, è usuale la messa in discussione in chiave comica dei ‘potenti’: dai carmina triumphalia alle opere di Plauto, alle feste di Carnevale presenti nel folklore o descritte in narrazioni e drammatizzazioni, i personaggi che esercitano un dominio sono sconfessati, l’esercizio del potere viene ribaltato e in alcuni casi affidato agli ‘ultimi’ della società. La categoria critica del rovesciamento carnevalesco bachtiniano (1979) permette però di evidenziare quanto tali sovversioni siano temporanee, limitate al momento festivo, e destinate di fatto a confermare l’esistenza e la legittimità di poli di potere non democratico all’interno del corpo sociale.\n\nSi intende proporre invece in questo panel l’indagine su opere letterarie o artistiche – comprendendo nell’insieme teatro, cinema, fumetto, videogiochi – dell’età contemporanea in cui l’immagine del dominatore sia polverizzata, poiché distrutta da un riso sanzionatorio che, riprendendo il discorso di Bergson ne Le rire (1900), punisce ciò che di mortuario e statico vi è nell’esistenza; la volontà assoluta di dominio rappresenta infatti la Morte per una società evoluta. Beffa come progetto architettato, dileggio come presa di distanza da forme di dominio inaccettabili, ridicolizzazione come ‘abbassamento’ parodico dell’immagine del potente. Lo smontaggio dell’immagine regale nel teatro dei miti pirandelliano, nel Gadda irriverente di Eros e Priapo (1945), nell’Ubu Roi- Ubu Bas (2002) di Dario Fo, riscrittura della celebre opera di Jarry, sono solo alcuni fra i tanti esempi di un rovesciamento e annichilimento totale e irreversibile del discorso, e della facies, di un potere non democratico e dei suoi ‘attori’.","downloadable_attachments":[{"id":70212795,"asset_id":53312272,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2568404,"first_name":"daniela","last_name":"bombara","domain_name":"independentresearcher","page_name":"danielabombara","display_name":"daniela bombara","profile_url":"https://independentresearcher.academia.edu/danielabombara?f_ri=1965337","photo":"https://0.academia-photos.com/2568404/803562/163077246/s65_daniela.bombara.jpg"},{"id":14568154,"first_name":"Debora","last_name":"Bellinzani","domain_name":"wisc","page_name":"DeboraBellinzani","display_name":"Debora Bellinzani","profile_url":"https://wisc.academia.edu/DeboraBellinzani?f_ri=1965337","photo":"https://0.academia-photos.com/14568154/3968711/36805172/s65_debora.bellinzani.jpeg"},{"id":82460470,"first_name":"Emiliano","last_name":"Ceresi","domain_name":"uniroma1","page_name":"Ceresi","display_name":"Emiliano Ceresi","profile_url":"https://uniroma1.academia.edu/Ceresi?f_ri=1965337","photo":"https://0.academia-photos.com/82460470/26888276/34687116/s65_emiliano.ceresi.jpg"}],"research_interests":[{"id":108687,"name":"Dario Fo","url":"https://www.academia.edu/Documents/in/Dario_Fo?f_ri=1965337","nofollow":false},{"id":197171,"name":"Giorgio Manganelli","url":"https://www.academia.edu/Documents/in/Giorgio_Manganelli?f_ri=1965337","nofollow":false},{"id":229030,"name":"Letteratura italiana","url":"https://www.academia.edu/Documents/in/Letteratura_italiana?f_ri=1965337","nofollow":false},{"id":354698,"name":"Carlo Dossi","url":"https://www.academia.edu/Documents/in/Carlo_Dossi?f_ri=1965337","nofollow":false},{"id":437780,"name":"Forme Del Potere","url":"https://www.academia.edu/Documents/in/Forme_Del_Potere?f_ri=1965337"},{"id":445728,"name":"Domenico Tempio","url":"https://www.academia.edu/Documents/in/Domenico_Tempio?f_ri=1965337"},{"id":446252,"name":"Massa e potere","url":"https://www.academia.edu/Documents/in/Massa_e_potere?f_ri=1965337"},{"id":741312,"name":"Gianni Rodari","url":"https://www.academia.edu/Documents/in/Gianni_Rodari?f_ri=1965337"},{"id":814341,"name":"Estetica Del Potere","url":"https://www.academia.edu/Documents/in/Estetica_Del_Potere?f_ri=1965337"},{"id":1290474,"name":"Aldo Palazzeschi","url":"https://www.academia.edu/Documents/in/Aldo_Palazzeschi?f_ri=1965337"},{"id":1807621,"name":"Letteratura e politica","url":"https://www.academia.edu/Documents/in/Letteratura_e_politica?f_ri=1965337"},{"id":1895300,"name":"Annibale Ruccello","url":"https://www.academia.edu/Documents/in/Annibale_Ruccello?f_ri=1965337"},{"id":1965337,"name":"Zerocalcare","url":"https://www.academia.edu/Documents/in/Zerocalcare?f_ri=1965337"},{"id":3511353,"name":"Cancel Culture","url":"https://www.academia.edu/Documents/in/Cancel_Culture?f_ri=1965337"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_72215290" data-work_id="72215290" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/72215290/Diarismo_e_giornalismo_nella_serie_animata_Rebibbia_Quarantine_di_Zerocalcare">Diarismo e giornalismo nella serie animata "Rebibbia Quarantine" di Zerocalcare</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">[ENGLISH] The essay examines Rebibbia Quarantine, a series of animated shorts released by renowned Italian comic artist Zerocalcare (Michele Rech) both on his social network channels and via television broadcast in the Spring of 2020. The... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_72215290" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">[ENGLISH] The essay examines Rebibbia Quarantine, a series of animated shorts released by renowned Italian comic artist Zerocalcare (Michele Rech) both on his social network channels and via television broadcast in the Spring of 2020. The series chronicles the consequences of the lockdown on the author himself and the people of his neighbourhood, Rebibbia (a suburban district of Rome). While these shorts are comedic in tone, I argue they can actually be considered as an example of 'graphic journalism', albeit combined with a semi-autobiographical, diaristic narrative. This paper engages in a close reading of Zerocalcare's pandemic related shorts, exploring their peculiarities as regards to content, style and format, and underlining their importance in the Italian media covering of the Covid-19 crisis.<br /><br />[ITALIANO] Il saggio esamina Rebibbia Quarantine, una serie di cortometraggi animati pubblicata dal noto fumettista italiano Zerocalcare (Michele Rech) sui suoi canali social e in televisione nella primavera del 2020. La serie documenta le conseguenze del lockdown sia sull'autore in prima persona che sugli abitanti del suo quartiere, Rebibbia. Sebbene i corti siano di tono comico, si propone qui di considerarli un esempio di graphic journalism, per quanto ibridato con una narrativa semi-autobiografica e diaristica. Attraverso un close reading dei corti di Zerocalcare sul tema della pandemia, questo contributo ne esplora le peculiarità relative ai contenuti, allo stile e al mezzo espressivo, sottolineandone l'importanza nella narrazione mediatica italiana della crisi generata dal Covid-19.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/72215290" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b2f75c61ed0fcf4d311ecae0b4df53a6" rel="nofollow" data-download="{"attachment_id":90814841,"asset_id":72215290,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/90814841/download_file?st=MTczMzkxMDk2MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6690058" href="https://utoronto.academia.edu/AlessioAletta">Alessio Aletta</a><script data-card-contents-for-user="6690058" type="text/json">{"id":6690058,"first_name":"Alessio","last_name":"Aletta","domain_name":"utoronto","page_name":"AlessioAletta","display_name":"Alessio Aletta","profile_url":"https://utoronto.academia.edu/AlessioAletta?f_ri=1965337","photo":"https://0.academia-photos.com/6690058/16575276/119873802/s65_alessio.aletta.jpeg"}</script></span></span></li><li class="js-paper-rank-work_72215290 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="72215290"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 72215290, container: ".js-paper-rank-work_72215290", }); });</script></li><li class="js-percentile-work_72215290 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 72215290; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_72215290"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_72215290 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="72215290"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72215290; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=72215290]").text(description); $(".js-view-count-work_72215290").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_72215290").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="72215290"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="88090" href="https://www.academia.edu/Documents/in/Cartoons_and_Animation">Cartoons and Animation</a>, <script data-card-contents-for-ri="88090" type="text/json">{"id":88090,"name":"Cartoons and Animation","url":"https://www.academia.edu/Documents/in/Cartoons_and_Animation?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="279527" href="https://www.academia.edu/Documents/in/Fumetti">Fumetti</a>, <script data-card-contents-for-ri="279527" type="text/json">{"id":279527,"name":"Fumetti","url":"https://www.academia.edu/Documents/in/Fumetti?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="663294" href="https://www.academia.edu/Documents/in/Graphic_Journalism">Graphic Journalism</a>, <script data-card-contents-for-ri="663294" type="text/json">{"id":663294,"name":"Graphic Journalism","url":"https://www.academia.edu/Documents/in/Graphic_Journalism?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1965337" href="https://www.academia.edu/Documents/in/Zerocalcare">Zerocalcare</a><script data-card-contents-for-ri="1965337" type="text/json">{"id":1965337,"name":"Zerocalcare","url":"https://www.academia.edu/Documents/in/Zerocalcare?f_ri=1965337","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=72215290]'), work: {"id":72215290,"title":"Diarismo e giornalismo nella serie animata \"Rebibbia Quarantine\" di Zerocalcare","created_at":"2022-02-22T04:31:50.967-08:00","url":"https://www.academia.edu/72215290/Diarismo_e_giornalismo_nella_serie_animata_Rebibbia_Quarantine_di_Zerocalcare?f_ri=1965337","dom_id":"work_72215290","summary":"[ENGLISH] The essay examines Rebibbia Quarantine, a series of animated shorts released by renowned Italian comic artist Zerocalcare (Michele Rech) both on his social network channels and via television broadcast in the Spring of 2020. The series chronicles the consequences of the lockdown on the author himself and the people of his neighbourhood, Rebibbia (a suburban district of Rome). While these shorts are comedic in tone, I argue they can actually be considered as an example of 'graphic journalism', albeit combined with a semi-autobiographical, diaristic narrative. This paper engages in a close reading of Zerocalcare's pandemic related shorts, exploring their peculiarities as regards to content, style and format, and underlining their importance in the Italian media covering of the Covid-19 crisis.\n\n[ITALIANO] Il saggio esamina Rebibbia Quarantine, una serie di cortometraggi animati pubblicata dal noto fumettista italiano Zerocalcare (Michele Rech) sui suoi canali social e in televisione nella primavera del 2020. La serie documenta le conseguenze del lockdown sia sull'autore in prima persona che sugli abitanti del suo quartiere, Rebibbia. Sebbene i corti siano di tono comico, si propone qui di considerarli un esempio di graphic journalism, per quanto ibridato con una narrativa semi-autobiografica e diaristica. Attraverso un close reading dei corti di Zerocalcare sul tema della pandemia, questo contributo ne esplora le peculiarità relative ai contenuti, allo stile e al mezzo espressivo, sottolineandone l'importanza nella narrazione mediatica italiana della crisi generata dal Covid-19.","downloadable_attachments":[{"id":90814841,"asset_id":72215290,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6690058,"first_name":"Alessio","last_name":"Aletta","domain_name":"utoronto","page_name":"AlessioAletta","display_name":"Alessio Aletta","profile_url":"https://utoronto.academia.edu/AlessioAletta?f_ri=1965337","photo":"https://0.academia-photos.com/6690058/16575276/119873802/s65_alessio.aletta.jpeg"}],"research_interests":[{"id":88090,"name":"Cartoons and Animation","url":"https://www.academia.edu/Documents/in/Cartoons_and_Animation?f_ri=1965337","nofollow":false},{"id":279527,"name":"Fumetti","url":"https://www.academia.edu/Documents/in/Fumetti?f_ri=1965337","nofollow":false},{"id":663294,"name":"Graphic Journalism","url":"https://www.academia.edu/Documents/in/Graphic_Journalism?f_ri=1965337","nofollow":false},{"id":1965337,"name":"Zerocalcare","url":"https://www.academia.edu/Documents/in/Zerocalcare?f_ri=1965337","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_53260673" data-work_id="53260673" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/53260673/Jin_Jiyan_Azadi_La_rivoluzione_delle_donne_in_Rojava">Jin, Jiyan, Azadi: La rivoluzione delle donne in Rojava</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">The women-led revolution in Rojava, Eastern Syrian Kurdistan, against ISIS's islamic fundamentalism, narrated in the reportage “Kobane Calling” by the italian cartoonist Zerocalcare</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/53260673" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c14af1071db2da4840b0a33a603407e6" rel="nofollow" data-download="{"attachment_id":70139352,"asset_id":53260673,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/70139352/download_file?st=MTczMzkxMDk2MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="62026782" href="https://unical.academia.edu/LuisaSacc%C3%A0">Luisa Saccà</a><script data-card-contents-for-user="62026782" type="text/json">{"id":62026782,"first_name":"Luisa","last_name":"Saccà","domain_name":"unical","page_name":"LuisaSaccà","display_name":"Luisa Saccà","profile_url":"https://unical.academia.edu/LuisaSacc%C3%A0?f_ri=1965337","photo":"https://0.academia-photos.com/62026782/18305430/38821871/s65_luisa.sacc_.jpg"}</script></span></span></li><li class="js-paper-rank-work_53260673 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="53260673"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 53260673, container: ".js-paper-rank-work_53260673", }); });</script></li><li class="js-percentile-work_53260673 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 53260673; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_53260673"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_53260673 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="53260673"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 53260673; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=53260673]").text(description); $(".js-view-count-work_53260673").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_53260673").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="53260673"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1192" href="https://www.academia.edu/Documents/in/Feminist_Theory">Feminist Theory</a>, <script data-card-contents-for-ri="1192" type="text/json">{"id":1192,"name":"Feminist Theory","url":"https://www.academia.edu/Documents/in/Feminist_Theory?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7508" href="https://www.academia.edu/Documents/in/Comics">Comics</a>, <script data-card-contents-for-ri="7508" type="text/json">{"id":7508,"name":"Comics","url":"https://www.academia.edu/Documents/in/Comics?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19134" href="https://www.academia.edu/Documents/in/Feminist_history">Feminist history</a>, <script data-card-contents-for-ri="19134" type="text/json">{"id":19134,"name":"Feminist history","url":"https://www.academia.edu/Documents/in/Feminist_history?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="39474" href="https://www.academia.edu/Documents/in/Kurdistan">Kurdistan</a><script data-card-contents-for-ri="39474" type="text/json">{"id":39474,"name":"Kurdistan","url":"https://www.academia.edu/Documents/in/Kurdistan?f_ri=1965337","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=53260673]'), work: {"id":53260673,"title":"Jin, Jiyan, Azadi: La rivoluzione delle donne in Rojava","created_at":"2021-09-23T06:23:35.151-07:00","url":"https://www.academia.edu/53260673/Jin_Jiyan_Azadi_La_rivoluzione_delle_donne_in_Rojava?f_ri=1965337","dom_id":"work_53260673","summary":"The women-led revolution in Rojava, Eastern Syrian Kurdistan, against ISIS's islamic fundamentalism, narrated in the reportage “Kobane Calling” by the italian cartoonist Zerocalcare","downloadable_attachments":[{"id":70139352,"asset_id":53260673,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":62026782,"first_name":"Luisa","last_name":"Saccà","domain_name":"unical","page_name":"LuisaSaccà","display_name":"Luisa Saccà","profile_url":"https://unical.academia.edu/LuisaSacc%C3%A0?f_ri=1965337","photo":"https://0.academia-photos.com/62026782/18305430/38821871/s65_luisa.sacc_.jpg"}],"research_interests":[{"id":1192,"name":"Feminist Theory","url":"https://www.academia.edu/Documents/in/Feminist_Theory?f_ri=1965337","nofollow":false},{"id":7508,"name":"Comics","url":"https://www.academia.edu/Documents/in/Comics?f_ri=1965337","nofollow":false},{"id":19134,"name":"Feminist history","url":"https://www.academia.edu/Documents/in/Feminist_history?f_ri=1965337","nofollow":false},{"id":39474,"name":"Kurdistan","url":"https://www.academia.edu/Documents/in/Kurdistan?f_ri=1965337","nofollow":false},{"id":963328,"name":"Abdullah Öcalan","url":"https://www.academia.edu/Documents/in/Abdullah_%C3%96calan?f_ri=1965337"},{"id":1253337,"name":"Rojava","url":"https://www.academia.edu/Documents/in/Rojava?f_ri=1965337"},{"id":1639987,"name":"Rojava Revolution","url":"https://www.academia.edu/Documents/in/Rojava_Revolution?f_ri=1965337"},{"id":1965337,"name":"Zerocalcare","url":"https://www.academia.edu/Documents/in/Zerocalcare?f_ri=1965337"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_64231842" data-work_id="64231842" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/64231842/Il_cojone_di_Strappare_lungo_i_bordi_">Il "cojone" di "Strappare lungo i bordi"</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Articolo-recensione su "Strappare lungo i bordi" di Zerocalcare (Netflix, 2021). Pubblicato su Quaerere (quaerere.it) il 13/12/2021.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/64231842" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="633891edb4538142be860ceb0abdcdca" rel="nofollow" data-download="{"attachment_id":76361187,"asset_id":64231842,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/76361187/download_file?st=MTczMzkxMDk2MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="57244350" href="https://unisi.academia.edu/MirkoMondillo">Mirko Mondillo</a><script data-card-contents-for-user="57244350" type="text/json">{"id":57244350,"first_name":"Mirko","last_name":"Mondillo","domain_name":"unisi","page_name":"MirkoMondillo","display_name":"Mirko Mondillo","profile_url":"https://unisi.academia.edu/MirkoMondillo?f_ri=1965337","photo":"https://0.academia-photos.com/57244350/16472697/17429678/s65_mirko.mondillo.jpg"}</script></span></span></li><li class="js-paper-rank-work_64231842 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="64231842"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 64231842, container: ".js-paper-rank-work_64231842", }); });</script></li><li class="js-percentile-work_64231842 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 64231842; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_64231842"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_64231842 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="64231842"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 64231842; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=64231842]").text(description); $(".js-view-count-work_64231842").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_64231842").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="64231842"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="274431" href="https://www.academia.edu/Documents/in/TV_Series">TV Series</a>, <script data-card-contents-for-ri="274431" type="text/json">{"id":274431,"name":"TV Series","url":"https://www.academia.edu/Documents/in/TV_Series?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="347268" href="https://www.academia.edu/Documents/in/Netflix">Netflix</a>, <script data-card-contents-for-ri="347268" type="text/json">{"id":347268,"name":"Netflix","url":"https://www.academia.edu/Documents/in/Netflix?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1965337" href="https://www.academia.edu/Documents/in/Zerocalcare">Zerocalcare</a><script data-card-contents-for-ri="1965337" type="text/json">{"id":1965337,"name":"Zerocalcare","url":"https://www.academia.edu/Documents/in/Zerocalcare?f_ri=1965337","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=64231842]'), work: {"id":64231842,"title":"Il \"cojone\" di \"Strappare lungo i bordi\"","created_at":"2021-12-15T01:46:38.791-08:00","url":"https://www.academia.edu/64231842/Il_cojone_di_Strappare_lungo_i_bordi_?f_ri=1965337","dom_id":"work_64231842","summary":"Articolo-recensione su \"Strappare lungo i bordi\" di Zerocalcare (Netflix, 2021). Pubblicato su Quaerere (quaerere.it) il 13/12/2021.","downloadable_attachments":[{"id":76361187,"asset_id":64231842,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":57244350,"first_name":"Mirko","last_name":"Mondillo","domain_name":"unisi","page_name":"MirkoMondillo","display_name":"Mirko Mondillo","profile_url":"https://unisi.academia.edu/MirkoMondillo?f_ri=1965337","photo":"https://0.academia-photos.com/57244350/16472697/17429678/s65_mirko.mondillo.jpg"}],"research_interests":[{"id":274431,"name":"TV Series","url":"https://www.academia.edu/Documents/in/TV_Series?f_ri=1965337","nofollow":false},{"id":347268,"name":"Netflix","url":"https://www.academia.edu/Documents/in/Netflix?f_ri=1965337","nofollow":false},{"id":1965337,"name":"Zerocalcare","url":"https://www.academia.edu/Documents/in/Zerocalcare?f_ri=1965337","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_62662574" data-work_id="62662574" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/62662574/_Chopsticks_and_Class_Consciousness_Zerocalcare_Michela_Murgia_Paolo_Virz%C3%AC_and_the_Generational_Di_Visions_of_Italy_s_Precariat_Image_and_Narrative_22_3_22_35">“Chopsticks and Class Consciousness: Zerocalcare, Michela Murgia, Paolo Virzì, and the Generational (Di)Visions of Italy’s Precariat”, Image & Narrative, 22 (3): 22-35</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Mobilizing the perspective of a Millennial author of comic books (Zerocalcare), a Gen-Xer author (Murgia) and the Boomer filmmaker who adapted her debut book into a film (Virzì), this essay invites to look at the poetics of precarity in... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_62662574" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Mobilizing the perspective of a Millennial author of comic books (Zerocalcare), a Gen-Xer author (Murgia) and the Boomer filmmaker who adapted her debut book into a film (Virzì), this essay invites to look at the poetics of precarity in 21st century Italian culture through the lens of generational divides. Its main argument is that one of the most generative (and nefarious) shifts of paradigms produced by precarization was an unprecedented overlapping of class and generation. Its main focus is on Murgia's 2006 book Il mondo deve sapere, and on the rhetorical and ideological shifts with which its 2008 adaptation, Tutta la vita davanti, subverted and appropriated its first-hand take on precarity. Articulated from the position of a Millennial Italian who was trained as a literary historian in the late years of Berlusconian hegemony, the essay concludes on an episode from Murgia's 2015 novel Chirù. It interprets its symbolism and power dynamics as a comment on the generational struggle produced by the emergence of precarity in the economic and poetic dimension of Italian art.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/62662574" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d812eb1d78a94ee5044085fda282160b" rel="nofollow" data-download="{"attachment_id":75350149,"asset_id":62662574,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/75350149/download_file?st=MTczMzkxMDk2MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1178603" href="https://yale.academia.edu/AlessandroGiammei">Alessandro Giammei</a><script data-card-contents-for-user="1178603" type="text/json">{"id":1178603,"first_name":"Alessandro","last_name":"Giammei","domain_name":"yale","page_name":"AlessandroGiammei","display_name":"Alessandro Giammei","profile_url":"https://yale.academia.edu/AlessandroGiammei?f_ri=1965337","photo":"https://0.academia-photos.com/1178603/421124/35794931/s65_alessandro.giammei.jpg"}</script></span></span></li><li class="js-paper-rank-work_62662574 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="62662574"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 62662574, container: ".js-paper-rank-work_62662574", }); 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$(".js-view-count[data-work-id=62662574]").text(description); $(".js-view-count-work_62662574").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_62662574").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="62662574"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="14776" href="https://www.academia.edu/Documents/in/Precarity">Precarity</a>, <script data-card-contents-for-ri="14776" type="text/json">{"id":14776,"name":"Precarity","url":"https://www.academia.edu/Documents/in/Precarity?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="22419" href="https://www.academia.edu/Documents/in/Adaptation_Literature_">Adaptation (Literature)</a>, <script data-card-contents-for-ri="22419" type="text/json">{"id":22419,"name":"Adaptation (Literature)","url":"https://www.academia.edu/Documents/in/Adaptation_Literature_?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29383" href="https://www.academia.edu/Documents/in/Contemporary_Italian_Literature">Contemporary Italian Literature</a>, <script data-card-contents-for-ri="29383" type="text/json">{"id":29383,"name":"Contemporary Italian Literature","url":"https://www.academia.edu/Documents/in/Contemporary_Italian_Literature?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="46529" href="https://www.academia.edu/Documents/in/Generational_Differences">Generational Differences</a><script data-card-contents-for-ri="46529" type="text/json">{"id":46529,"name":"Generational Differences","url":"https://www.academia.edu/Documents/in/Generational_Differences?f_ri=1965337","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=62662574]'), work: {"id":62662574,"title":"“Chopsticks and Class Consciousness: Zerocalcare, Michela Murgia, Paolo Virzì, and the Generational (Di)Visions of Italy’s Precariat”, Image \u0026 Narrative, 22 (3): 22-35","created_at":"2021-11-28T18:35:56.627-08:00","url":"https://www.academia.edu/62662574/_Chopsticks_and_Class_Consciousness_Zerocalcare_Michela_Murgia_Paolo_Virz%C3%AC_and_the_Generational_Di_Visions_of_Italy_s_Precariat_Image_and_Narrative_22_3_22_35?f_ri=1965337","dom_id":"work_62662574","summary":"Mobilizing the perspective of a Millennial author of comic books (Zerocalcare), a Gen-Xer author (Murgia) and the Boomer filmmaker who adapted her debut book into a film (Virzì), this essay invites to look at the poetics of precarity in 21st century Italian culture through the lens of generational divides. Its main argument is that one of the most generative (and nefarious) shifts of paradigms produced by precarization was an unprecedented overlapping of class and generation. Its main focus is on Murgia's 2006 book Il mondo deve sapere, and on the rhetorical and ideological shifts with which its 2008 adaptation, Tutta la vita davanti, subverted and appropriated its first-hand take on precarity. Articulated from the position of a Millennial Italian who was trained as a literary historian in the late years of Berlusconian hegemony, the essay concludes on an episode from Murgia's 2015 novel Chirù. It interprets its symbolism and power dynamics as a comment on the generational struggle produced by the emergence of precarity in the economic and poetic dimension of Italian art.","downloadable_attachments":[{"id":75350149,"asset_id":62662574,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1178603,"first_name":"Alessandro","last_name":"Giammei","domain_name":"yale","page_name":"AlessandroGiammei","display_name":"Alessandro Giammei","profile_url":"https://yale.academia.edu/AlessandroGiammei?f_ri=1965337","photo":"https://0.academia-photos.com/1178603/421124/35794931/s65_alessandro.giammei.jpg"}],"research_interests":[{"id":14776,"name":"Precarity","url":"https://www.academia.edu/Documents/in/Precarity?f_ri=1965337","nofollow":false},{"id":22419,"name":"Adaptation (Literature)","url":"https://www.academia.edu/Documents/in/Adaptation_Literature_?f_ri=1965337","nofollow":false},{"id":29383,"name":"Contemporary Italian Literature","url":"https://www.academia.edu/Documents/in/Contemporary_Italian_Literature?f_ri=1965337","nofollow":false},{"id":46529,"name":"Generational Differences","url":"https://www.academia.edu/Documents/in/Generational_Differences?f_ri=1965337","nofollow":false},{"id":223363,"name":"Precariato","url":"https://www.academia.edu/Documents/in/Precariato?f_ri=1965337"},{"id":261198,"name":"Precarity and culture","url":"https://www.academia.edu/Documents/in/Precarity_and_culture?f_ri=1965337"},{"id":697046,"name":"Paolo Virzì","url":"https://www.academia.edu/Documents/in/Paolo_Virzi?f_ri=1965337"},{"id":1002650,"name":"21st Century Italian Literature","url":"https://www.academia.edu/Documents/in/21st_Century_Italian_Literature?f_ri=1965337"},{"id":1965337,"name":"Zerocalcare","url":"https://www.academia.edu/Documents/in/Zerocalcare?f_ri=1965337"},{"id":2285377,"name":"Michela Murgia","url":"https://www.academia.edu/Documents/in/Michela_Murgia?f_ri=1965337"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_13022451" data-work_id="13022451" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/13022451/From_Genoa_s_G8_summit_to_Kobane_Zerocalcare_s_experience_in_the_graphic_novel_and_in_the_social_media">From Genoa’s G8 summit to Kobane Zerocalcare’s experience in the graphic novel and in the social media</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This paper analyses the importance of new reform movements and social media, and the construction of a new global citizenship, in the production of Zerocalcare. This young artist’s works are deeply connected with everyday life and, at the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_13022451" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper analyses the importance of new reform movements and social media, and the construction of a new global citizenship, in the production of Zerocalcare. This young artist’s works are deeply connected with everyday life and, at the same time, with international political problems. Social media are the real responsibles of his national success, particulary his own blog (<a href="http://www.zerocalcare.it" rel="nofollow">www.zerocalcare.it</a>)  which has become the most widespread vehicle of his works. This article investigates the role played by Zerocalcare’s blog in the creation of a new sense of global cultural citizenship among his audience, mainly belonging to the eighties generation.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/13022451" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3082abbdabdc82444364b0e58a8be36c" rel="nofollow" data-download="{"attachment_id":37921181,"asset_id":13022451,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37921181/download_file?st=MTczMzkxMDk2MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="10560234" href="https://urbinoc.academia.edu/EmanuelaMorganti">Emanuela Morganti</a><script data-card-contents-for-user="10560234" type="text/json">{"id":10560234,"first_name":"Emanuela","last_name":"Morganti","domain_name":"urbinoc","page_name":"EmanuelaMorganti","display_name":"Emanuela Morganti","profile_url":"https://urbinoc.academia.edu/EmanuelaMorganti?f_ri=1965337","photo":"https://0.academia-photos.com/10560234/3870897/4527876/s65_emanuela.morganti.jpg"}</script></span></span></li><li class="js-paper-rank-work_13022451 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="13022451"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 13022451, container: ".js-paper-rank-work_13022451", }); 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$(".js-view-count[data-work-id=13022451]").text(description); $(".js-view-count-work_13022451").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_13022451").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="13022451"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">15</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="3893" href="https://www.academia.edu/Documents/in/Comics_Studies">Comics Studies</a>, <script data-card-contents-for-ri="3893" type="text/json">{"id":3893,"name":"Comics Studies","url":"https://www.academia.edu/Documents/in/Comics_Studies?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5080" href="https://www.academia.edu/Documents/in/Illustration">Illustration</a>, <script data-card-contents-for-ri="5080" type="text/json">{"id":5080,"name":"Illustration","url":"https://www.academia.edu/Documents/in/Illustration?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7508" href="https://www.academia.edu/Documents/in/Comics">Comics</a>, <script data-card-contents-for-ri="7508" type="text/json">{"id":7508,"name":"Comics","url":"https://www.academia.edu/Documents/in/Comics?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15899" href="https://www.academia.edu/Documents/in/Kurdish_Question_in_Turkey">Kurdish Question in Turkey</a><script data-card-contents-for-ri="15899" type="text/json">{"id":15899,"name":"Kurdish Question in Turkey","url":"https://www.academia.edu/Documents/in/Kurdish_Question_in_Turkey?f_ri=1965337","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=13022451]'), work: {"id":13022451,"title":"From Genoa’s G8 summit to Kobane Zerocalcare’s experience in the graphic novel and in the social media","created_at":"2015-06-16T08:51:07.196-07:00","url":"https://www.academia.edu/13022451/From_Genoa_s_G8_summit_to_Kobane_Zerocalcare_s_experience_in_the_graphic_novel_and_in_the_social_media?f_ri=1965337","dom_id":"work_13022451","summary":"This paper analyses the importance of new reform movements and social media, and the construction of a new global citizenship, in the production of Zerocalcare. This young artist’s works are deeply connected with everyday life and, at the same time, with international political problems. Social media are the real responsibles of his national success, particulary his own blog (www.zerocalcare.it) which has become the most widespread vehicle of his works. This article investigates the role played by Zerocalcare’s blog in the creation of a new sense of global cultural citizenship among his audience, mainly belonging to the eighties generation. ","downloadable_attachments":[{"id":37921181,"asset_id":13022451,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":10560234,"first_name":"Emanuela","last_name":"Morganti","domain_name":"urbinoc","page_name":"EmanuelaMorganti","display_name":"Emanuela Morganti","profile_url":"https://urbinoc.academia.edu/EmanuelaMorganti?f_ri=1965337","photo":"https://0.academia-photos.com/10560234/3870897/4527876/s65_emanuela.morganti.jpg"}],"research_interests":[{"id":3893,"name":"Comics Studies","url":"https://www.academia.edu/Documents/in/Comics_Studies?f_ri=1965337","nofollow":false},{"id":5080,"name":"Illustration","url":"https://www.academia.edu/Documents/in/Illustration?f_ri=1965337","nofollow":false},{"id":7508,"name":"Comics","url":"https://www.academia.edu/Documents/in/Comics?f_ri=1965337","nofollow":false},{"id":15899,"name":"Kurdish Question in Turkey","url":"https://www.academia.edu/Documents/in/Kurdish_Question_in_Turkey?f_ri=1965337","nofollow":false},{"id":29963,"name":"Comics and Graphic Novels","url":"https://www.academia.edu/Documents/in/Comics_and_Graphic_Novels?f_ri=1965337"},{"id":40556,"name":"Critical Theory, Deconstruction, Graphic Narrative, Comics, Latin American Literature, Film Studies, Cultural Studies, Ethnic Studies","url":"https://www.academia.edu/Documents/in/Critical_Theory_Deconstruction_Graphic_Narrative_Comics_Latin_American_Literature_Film_Studies_?f_ri=1965337"},{"id":49356,"name":"Theory of Comics","url":"https://www.academia.edu/Documents/in/Theory_of_Comics?f_ri=1965337"},{"id":66979,"name":"Cartoons","url":"https://www.academia.edu/Documents/in/Cartoons?f_ri=1965337"},{"id":131698,"name":"Comics Journalism","url":"https://www.academia.edu/Documents/in/Comics_Journalism?f_ri=1965337"},{"id":177390,"name":"Media representation, Political cartoons, comics","url":"https://www.academia.edu/Documents/in/Media_representation_Political_cartoons_comics?f_ri=1965337"},{"id":466540,"name":"Editorial cartoons","url":"https://www.academia.edu/Documents/in/Editorial_cartoons?f_ri=1965337"},{"id":650565,"name":"Italian Comics","url":"https://www.academia.edu/Documents/in/Italian_Comics?f_ri=1965337"},{"id":952657,"name":"Modern Kurdish History","url":"https://www.academia.edu/Documents/in/Modern_Kurdish_History?f_ri=1965337"},{"id":1610159,"name":"Kobane","url":"https://www.academia.edu/Documents/in/Kobane?f_ri=1965337"},{"id":1965337,"name":"Zerocalcare","url":"https://www.academia.edu/Documents/in/Zerocalcare?f_ri=1965337"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_63442437" data-work_id="63442437" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/63442437/_Fino_allultimo_granello_Precariet%C3%A0_e_frammentazione_in_Macerie_prime_e_Macerie_prime_Sei_mesi_dopo_di_Zerocalcare">«Fino all'ultimo granello». Precarietà e frammentazione in Macerie prime e Macerie prime. Sei mesi dopo di Zerocalcare</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In Italy, following the 2008 global financial crisis, the economic wealth and social stability that younger generations relied on went from being a certainty to a major source of concern. The increasing precariousness of a neoliberal... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_63442437" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In Italy, following the 2008 global financial crisis, the economic wealth and social stability that younger generations relied on went from being a certainty to a major source of concern. The increasing precariousness of a neoliberal economy has led to a shift in youths’ ability to project themselves into the future, creating a problematic existential impasse and the increasing necessity for individual stability and security, promoting aggressive attitudes towards the Other. Furthermore, the focus on the individual undermined social and affective relationships, pushing subjects to fight alone, rather than collectively, against the intrinsic risks of life itself. Focusing on Italian youth, the article aims to investigate the economic and affective consequences of precarization through a formal and theoretical analysis of Macerie prime (2017) and Macerie prime. Sei mesi dopo (2018), two autobiographically inspired comic books by Italian comic artist Zerocalcare. Ultimately, the article will examine Zerocalcare’s call for ontological precariousness as the unifying aspect of human existence and a means to re-evaluate the affective relations in times of increasing socio-economic precarity and individualization</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/63442437" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="af20b1b555e575d838af5daa924ffb30" rel="nofollow" data-download="{"attachment_id":87188363,"asset_id":63442437,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/87188363/download_file?st=MTczMzkxMDk2MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="105021011" href="https://warwick.academia.edu/SilviaVari">Silvia Vari</a><script data-card-contents-for-user="105021011" type="text/json">{"id":105021011,"first_name":"Silvia","last_name":"Vari","domain_name":"warwick","page_name":"SilviaVari","display_name":"Silvia Vari","profile_url":"https://warwick.academia.edu/SilviaVari?f_ri=1965337","photo":"https://0.academia-photos.com/105021011/23937741/52722262/s65_silvia.vari.jpg"}</script></span></span></li><li class="js-paper-rank-work_63442437 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="63442437"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 63442437, container: ".js-paper-rank-work_63442437", }); });</script></li><li class="js-percentile-work_63442437 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 63442437; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_63442437"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_63442437 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="63442437"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 63442437; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=63442437]").text(description); $(".js-view-count-work_63442437").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_63442437").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="63442437"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1557" href="https://www.academia.edu/Documents/in/Youth_Studies">Youth Studies</a>, <script data-card-contents-for-ri="1557" type="text/json">{"id":1557,"name":"Youth Studies","url":"https://www.academia.edu/Documents/in/Youth_Studies?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12420" href="https://www.academia.edu/Documents/in/Neoliberalism">Neoliberalism</a>, <script data-card-contents-for-ri="12420" type="text/json">{"id":12420,"name":"Neoliberalism","url":"https://www.academia.edu/Documents/in/Neoliberalism?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14776" href="https://www.academia.edu/Documents/in/Precarity">Precarity</a>, <script data-card-contents-for-ri="14776" type="text/json">{"id":14776,"name":"Precarity","url":"https://www.academia.edu/Documents/in/Precarity?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29963" href="https://www.academia.edu/Documents/in/Comics_and_Graphic_Novels">Comics and Graphic Novels</a><script data-card-contents-for-ri="29963" type="text/json">{"id":29963,"name":"Comics and Graphic Novels","url":"https://www.academia.edu/Documents/in/Comics_and_Graphic_Novels?f_ri=1965337","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=63442437]'), work: {"id":63442437,"title":"«Fino all'ultimo granello». Precarietà e frammentazione in Macerie prime e Macerie prime. Sei mesi dopo di Zerocalcare","created_at":"2021-12-07T05:04:42.424-08:00","url":"https://www.academia.edu/63442437/_Fino_allultimo_granello_Precariet%C3%A0_e_frammentazione_in_Macerie_prime_e_Macerie_prime_Sei_mesi_dopo_di_Zerocalcare?f_ri=1965337","dom_id":"work_63442437","summary":"In Italy, following the 2008 global financial crisis, the economic wealth and social stability that younger generations relied on went from being a certainty to a major source of concern. The increasing precariousness of a neoliberal economy has led to a shift in youths’ ability to project themselves into the future, creating a problematic existential impasse and the increasing necessity for individual stability and security, promoting aggressive attitudes towards the Other. Furthermore, the focus on the individual undermined social and affective relationships, pushing subjects to fight alone, rather than collectively, against the intrinsic risks of life itself. Focusing on Italian youth, the article aims to investigate the economic and affective consequences of precarization through a formal and theoretical analysis of Macerie prime (2017) and Macerie prime. Sei mesi dopo (2018), two autobiographically inspired comic books by Italian comic artist Zerocalcare. Ultimately, the article will examine Zerocalcare’s call for ontological precariousness as the unifying aspect of human existence and a means to re-evaluate the affective relations in times of increasing socio-economic precarity and individualization","downloadable_attachments":[{"id":87188363,"asset_id":63442437,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":105021011,"first_name":"Silvia","last_name":"Vari","domain_name":"warwick","page_name":"SilviaVari","display_name":"Silvia Vari","profile_url":"https://warwick.academia.edu/SilviaVari?f_ri=1965337","photo":"https://0.academia-photos.com/105021011/23937741/52722262/s65_silvia.vari.jpg"}],"research_interests":[{"id":1557,"name":"Youth Studies","url":"https://www.academia.edu/Documents/in/Youth_Studies?f_ri=1965337","nofollow":false},{"id":12420,"name":"Neoliberalism","url":"https://www.academia.edu/Documents/in/Neoliberalism?f_ri=1965337","nofollow":false},{"id":14776,"name":"Precarity","url":"https://www.academia.edu/Documents/in/Precarity?f_ri=1965337","nofollow":false},{"id":29963,"name":"Comics and Graphic Novels","url":"https://www.academia.edu/Documents/in/Comics_and_Graphic_Novels?f_ri=1965337","nofollow":false},{"id":499676,"name":"Fumetto","url":"https://www.academia.edu/Documents/in/Fumetto?f_ri=1965337"},{"id":1965337,"name":"Zerocalcare","url":"https://www.academia.edu/Documents/in/Zerocalcare?f_ri=1965337"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_80952384" data-work_id="80952384" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/80952384/Travelogue_a_fumetti_il_caso_Zerocalcare">Travelogue a fumetti il caso Zerocalcare</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">L'industria culturale italiana è progressivamente investita da fenomeni di transculturazione, circolazione mediale, espansione narrativa e cultura partecipativa, propri dell'età globale, entro i quali hanno maggiore successo le tipologie... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_80952384" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">L'industria culturale italiana è progressivamente investita da fenomeni di transculturazione, circolazione mediale, espansione narrativa e cultura partecipativa, propri dell'età globale, entro i quali hanno maggiore successo le tipologie testuali che si configurano come spreadable, ovvero adatte ad essere diffuse, ma anche trasformate e riformulate entro l'ambiente mediale nel quale si diramano, in un dialogo costante con la comunità dei fruitori 1. All'interno di tali rapide trasformazioni il fumetto occupa un posto di rilievo, costituisce, in altri termini, uno dei centri gravitazionali della narrazione contemporanea, uno dei luoghi della riconfigurazione degli equilibri tra media e arti. Le relazioni tra letteratura, giornalismo e fumetto risultano essere, pertanto, un buon osservatorio per misurare le trasformazioni dei rapporti tra arti, tecniche e media che stanno ridisegnando le modalità della narrazione. Se riguardiamo al secondo Novecento dal punto di vista delle contaminazioni tra romanzo e fumetto, ci accorgiamo che la sperimentazione odierna, per quanto attiene l'intersezione tra i media, ha avuto precedenti rilevanti che costituiscono il terreno su cui convergono i nuovi spaccati di cultura visuale e mediatica. Il che non impedisce che si possano segnare delle discontinuità, se è vero che, come ha affermato recentemente Stefanelli: Il fumetto, oggi, non è più lo stesso di venti anni fa. Il suo ruolo e le sue forme evolvono e, nell'epoca della transmedialità e della ipermediazione, ci offrono un panorama che presenta alcune caratteristiche peculiari, proprie di una fase "nuova" 2 .</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/80952384" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c82a41e8df00dc5550b6c0b84187c0dd" rel="nofollow" data-download="{"attachment_id":87162535,"asset_id":80952384,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/87162535/download_file?st=MTczMzkxMDk2MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7925963" href="https://unibo.academia.edu/GiulianaBenvenuti">Giuliana Benvenuti</a><script data-card-contents-for-user="7925963" type="text/json">{"id":7925963,"first_name":"Giuliana","last_name":"Benvenuti","domain_name":"unibo","page_name":"GiulianaBenvenuti","display_name":"Giuliana Benvenuti","profile_url":"https://unibo.academia.edu/GiulianaBenvenuti?f_ri=1965337","photo":"https://0.academia-photos.com/7925963/20996342/20497948/s65_giuliana.benvenuti.jpg"}</script></span></span></li><li class="js-paper-rank-work_80952384 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="80952384"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 80952384, container: ".js-paper-rank-work_80952384", }); 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$(".js-view-count[data-work-id=80952384]").text(description); $(".js-view-count-work_80952384").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_80952384").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="80952384"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="29963" href="https://www.academia.edu/Documents/in/Comics_and_Graphic_Novels">Comics and Graphic Novels</a>, <script data-card-contents-for-ri="29963" type="text/json">{"id":29963,"name":"Comics and Graphic Novels","url":"https://www.academia.edu/Documents/in/Comics_and_Graphic_Novels?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="437786" href="https://www.academia.edu/Documents/in/Letteratura_Di_Viaggio">Letteratura Di Viaggio</a>, <script data-card-contents-for-ri="437786" type="text/json">{"id":437786,"name":"Letteratura Di Viaggio","url":"https://www.academia.edu/Documents/in/Letteratura_Di_Viaggio?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="499676" href="https://www.academia.edu/Documents/in/Fumetto">Fumetto</a>, <script data-card-contents-for-ri="499676" type="text/json">{"id":499676,"name":"Fumetto","url":"https://www.academia.edu/Documents/in/Fumetto?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1965337" href="https://www.academia.edu/Documents/in/Zerocalcare">Zerocalcare</a><script data-card-contents-for-ri="1965337" type="text/json">{"id":1965337,"name":"Zerocalcare","url":"https://www.academia.edu/Documents/in/Zerocalcare?f_ri=1965337","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=80952384]'), work: {"id":80952384,"title":"Travelogue a fumetti il caso Zerocalcare","created_at":"2022-06-07T13:39:31.956-07:00","url":"https://www.academia.edu/80952384/Travelogue_a_fumetti_il_caso_Zerocalcare?f_ri=1965337","dom_id":"work_80952384","summary":"L'industria culturale italiana è progressivamente investita da fenomeni di transculturazione, circolazione mediale, espansione narrativa e cultura partecipativa, propri dell'età globale, entro i quali hanno maggiore successo le tipologie testuali che si configurano come spreadable, ovvero adatte ad essere diffuse, ma anche trasformate e riformulate entro l'ambiente mediale nel quale si diramano, in un dialogo costante con la comunità dei fruitori 1. All'interno di tali rapide trasformazioni il fumetto occupa un posto di rilievo, costituisce, in altri termini, uno dei centri gravitazionali della narrazione contemporanea, uno dei luoghi della riconfigurazione degli equilibri tra media e arti. Le relazioni tra letteratura, giornalismo e fumetto risultano essere, pertanto, un buon osservatorio per misurare le trasformazioni dei rapporti tra arti, tecniche e media che stanno ridisegnando le modalità della narrazione. Se riguardiamo al secondo Novecento dal punto di vista delle contaminazioni tra romanzo e fumetto, ci accorgiamo che la sperimentazione odierna, per quanto attiene l'intersezione tra i media, ha avuto precedenti rilevanti che costituiscono il terreno su cui convergono i nuovi spaccati di cultura visuale e mediatica. Il che non impedisce che si possano segnare delle discontinuità, se è vero che, come ha affermato recentemente Stefanelli: Il fumetto, oggi, non è più lo stesso di venti anni fa. Il suo ruolo e le sue forme evolvono e, nell'epoca della transmedialità e della ipermediazione, ci offrono un panorama che presenta alcune caratteristiche peculiari, proprie di una fase \"nuova\" 2 .","downloadable_attachments":[{"id":87162535,"asset_id":80952384,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":7925963,"first_name":"Giuliana","last_name":"Benvenuti","domain_name":"unibo","page_name":"GiulianaBenvenuti","display_name":"Giuliana Benvenuti","profile_url":"https://unibo.academia.edu/GiulianaBenvenuti?f_ri=1965337","photo":"https://0.academia-photos.com/7925963/20996342/20497948/s65_giuliana.benvenuti.jpg"}],"research_interests":[{"id":29963,"name":"Comics and Graphic Novels","url":"https://www.academia.edu/Documents/in/Comics_and_Graphic_Novels?f_ri=1965337","nofollow":false},{"id":437786,"name":"Letteratura Di Viaggio","url":"https://www.academia.edu/Documents/in/Letteratura_Di_Viaggio?f_ri=1965337","nofollow":false},{"id":499676,"name":"Fumetto","url":"https://www.academia.edu/Documents/in/Fumetto?f_ri=1965337","nofollow":false},{"id":1965337,"name":"Zerocalcare","url":"https://www.academia.edu/Documents/in/Zerocalcare?f_ri=1965337","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38498991" data-work_id="38498991" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38498991/Cartooning_Resistance_Irony_and_Authentication_in_Zerocalcares_Kobane_Calling">Cartooning Resistance: Irony and Authentication in Zerocalcare's Kobane Calling</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38498991" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2633a2832032c54ac8f97bd76c171741" rel="nofollow" data-download="{"attachment_id":58565923,"asset_id":38498991,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58565923/download_file?st=MTczMzkxMDk2MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3336562" href="https://europeanstudies.academia.edu/JohannesCPSchmid">Johannes C. P. Schmid</a><script data-card-contents-for-user="3336562" type="text/json">{"id":3336562,"first_name":"Johannes C. P.","last_name":"Schmid","domain_name":"europeanstudies","page_name":"JohannesCPSchmid","display_name":"Johannes C. P. Schmid","profile_url":"https://europeanstudies.academia.edu/JohannesCPSchmid?f_ri=1965337","photo":"https://0.academia-photos.com/3336562/1117428/23157033/s65_johannes_c._p..schmid.png"}</script></span></span></li><li class="js-paper-rank-work_38498991 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38498991"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38498991, container: ".js-paper-rank-work_38498991", }); });</script></li><li class="js-percentile-work_38498991 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38498991; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_38498991"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_38498991 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="38498991"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38498991; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38498991]").text(description); $(".js-view-count-work_38498991").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38498991").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38498991"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2793" href="https://www.academia.edu/Documents/in/Transnationalism">Transnationalism</a>, <script data-card-contents-for-ri="2793" type="text/json">{"id":2793,"name":"Transnationalism","url":"https://www.academia.edu/Documents/in/Transnationalism?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3893" href="https://www.academia.edu/Documents/in/Comics_Studies">Comics Studies</a>, <script data-card-contents-for-ri="3893" type="text/json">{"id":3893,"name":"Comics Studies","url":"https://www.academia.edu/Documents/in/Comics_Studies?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5579" href="https://www.academia.edu/Documents/in/Authenticity">Authenticity</a>, <script data-card-contents-for-ri="5579" type="text/json">{"id":5579,"name":"Authenticity","url":"https://www.academia.edu/Documents/in/Authenticity?f_ri=1965337","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29963" href="https://www.academia.edu/Documents/in/Comics_and_Graphic_Novels">Comics and Graphic Novels</a><script data-card-contents-for-ri="29963" type="text/json">{"id":29963,"name":"Comics and Graphic Novels","url":"https://www.academia.edu/Documents/in/Comics_and_Graphic_Novels?f_ri=1965337","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38498991]'), work: {"id":38498991,"title":"Cartooning Resistance: Irony and Authentication in Zerocalcare's Kobane Calling","created_at":"2019-03-06T02:51:39.795-08:00","url":"https://www.academia.edu/38498991/Cartooning_Resistance_Irony_and_Authentication_in_Zerocalcares_Kobane_Calling?f_ri=1965337","dom_id":"work_38498991","summary":null,"downloadable_attachments":[{"id":58565923,"asset_id":38498991,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3336562,"first_name":"Johannes C. P.","last_name":"Schmid","domain_name":"europeanstudies","page_name":"JohannesCPSchmid","display_name":"Johannes C. P. Schmid","profile_url":"https://europeanstudies.academia.edu/JohannesCPSchmid?f_ri=1965337","photo":"https://0.academia-photos.com/3336562/1117428/23157033/s65_johannes_c._p..schmid.png"}],"research_interests":[{"id":2793,"name":"Transnationalism","url":"https://www.academia.edu/Documents/in/Transnationalism?f_ri=1965337","nofollow":false},{"id":3893,"name":"Comics Studies","url":"https://www.academia.edu/Documents/in/Comics_Studies?f_ri=1965337","nofollow":false},{"id":5579,"name":"Authenticity","url":"https://www.academia.edu/Documents/in/Authenticity?f_ri=1965337","nofollow":false},{"id":29963,"name":"Comics and Graphic Novels","url":"https://www.academia.edu/Documents/in/Comics_and_Graphic_Novels?f_ri=1965337","nofollow":false},{"id":33361,"name":"Authentication","url":"https://www.academia.edu/Documents/in/Authentication?f_ri=1965337"},{"id":44811,"name":"Documentary","url":"https://www.academia.edu/Documents/in/Documentary?f_ri=1965337"},{"id":131698,"name":"Comics Journalism","url":"https://www.academia.edu/Documents/in/Comics_Journalism?f_ri=1965337"},{"id":131700,"name":"Joe Sacco","url":"https://www.academia.edu/Documents/in/Joe_Sacco?f_ri=1965337"},{"id":444509,"name":"Transnational Graphic Narratives","url":"https://www.academia.edu/Documents/in/Transnational_Graphic_Narratives?f_ri=1965337"},{"id":1965337,"name":"Zerocalcare","url":"https://www.academia.edu/Documents/in/Zerocalcare?f_ri=1965337"},{"id":2908210,"name":"Documentary Comics","url":"https://www.academia.edu/Documents/in/Documentary_Comics?f_ri=1965337"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_23493002" data-work_id="23493002" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/23493002/Zerocalcare_e_la_profezia_di_Malefix">Zerocalcare e la profezia di Malefix</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/23493002" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1101797" href="https://unimi.academia.edu/LucaGallarini">Luca Gallarini</a><script data-card-contents-for-user="1101797" type="text/json">{"id":1101797,"first_name":"Luca","last_name":"Gallarini","domain_name":"unimi","page_name":"LucaGallarini","display_name":"Luca Gallarini","profile_url":"https://unimi.academia.edu/LucaGallarini?f_ri=1965337","photo":"https://0.academia-photos.com/1101797/411305/504693/s65_luca.gallarini.jpg"}</script></span></span></li><li class="js-paper-rank-work_23493002 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="23493002"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 23493002, container: ".js-paper-rank-work_23493002", }); 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