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Arts - Actualités, vidéos et infos en direct - Page n°2
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href="/signataires/sylvie-kerviel/"> <span class="meta__author meta__author--page">Sylvie Kerviel</span> </a> <a class="article__author-link" href="/signataires/bruno-philip/"> <span class="meta__author meta__author--page">Bruno Philip</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/30/0/0/3524/2349/780/520/60/0/dfbfd4f_1735571549963-12-edgar-degas-la-toilette-mumaa-florian-kleinefenn.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/30/0/0/3524/2349/110/73/60/0/dfbfd4f_1735571549963-12-edgar-degas-la-toilette-mumaa-florian-kleinefenn.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/30/0/0/3524/2349/110/73/60/0/dfbfd4f_1735571549963-12-edgar-degas-la-toilette-mumaa-florian-kleinefenn.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/culture/article/2025/01/04/au-havre-l-art-est-une-histoire-de-famille-transatlantique_6481076_3246.html"> <span class="teaser__kicker teaser__kicker--premium">Critique</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">Au Havre, l’art est une histoire de famille transatlantique</h3> <p class="teaser__desc">Le Musée d’art moderne André-Malraux rend hommage aux Senn, dynastie de collectionneurs et de mécènes qui a enrichi les collections de ses dons.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 04 janvier 2025 à 11h00, modifié le 04 janvier 2025 à 18h25</span> <a class="article__author-link" href="/signataires/harry-bellet/"> <span 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De son véhicule, il saisit des scènes de rue et fait le portrait de ses passagers : fêtards à la sortie des boîtes de nuit ou petites familles endimanchées. Le Fotomuseum de Maastricht, aux Pays-Bas, consacre une rétrospective à la carrière du photographe documentaire de 73 ans.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 28 décembre 2024 à 16h00</span> <a class="article__author-link" href="/signataires/claire-guillot/"> <span class="meta__author meta__author--page">Claire Guillot</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/20/0/6/6036/4024/780/520/60/0/1b3218e_1734704145508-hl-rmilani-2410713.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/20/0/6/6036/4024/110/73/60/0/1b3218e_1734704145508-hl-rmilani-2410713.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/20/0/6/6036/4024/110/73/60/0/1b3218e_1734704145508-hl-rmilani-2410713.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/culture/article/2024/12/27/le-futur-musee-giacometti-a-paris-terrain-de-discorde-politique_6470211_3246.html"> <span class="teaser__kicker teaser__kicker--premium">Décryptage</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">Le futur Musée Giacometti, à Paris, terrain de discorde politique</h3> <p class="teaser__desc">Alors que le chantier a démarré sur le site des Invalides, une bataille oppose en coulisses la maire du 7ᵉ arrondissement, Rachida Dati, la maire de Paris, Anne Hidalgo, et l’homme d’affaires Xavier Niel, associé au projet.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 27 décembre 2024 à 17h30, modifié le 28 décembre 2024 à 00h30</span> <a class="article__author-link" href="/signataires/roxana-azimi/"> <span class="meta__author meta__author--page">Roxana Azimi</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/11/28/417/0/1000/666/780/520/60/0/401e0cb_360634-3399489.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/11/28/417/0/1000/666/110/73/60/0/401e0cb_360634-3399489.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/11/28/417/0/1000/666/110/73/60/0/401e0cb_360634-3399489.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/m-le-mag/article/2024/12/27/l-histoire-de-l-art-selon-thomas-hirschhorn_6469194_4500055.html"> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">L’histoire de l’art selon Thomas Hirschhorn</h3> <p class="teaser__desc">Le plasticien suisse installé en France construit une œuvre faite de carton et de collages où il affiche ses réflexions sur la culture, l’économie ou la politique. 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Si un tableau de René Magritte a tout de même atteint un prix record, la cote des œuvres de Jeff Koons ou de Jean-Michel Basquiat chute.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 27 décembre 2024 à 04h30, modifié le 28 décembre 2024 à 12h05</span> <a class="article__author-link" href="/signataires/roxana-azimi/"> <span class="meta__author meta__author--page">Roxana Azimi</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/26/1050/0/3662/2441/780/520/60/0/aa1151c_1735203810937-8-ribera-st-andrei-en-priei-re.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/26/1050/0/3662/2441/110/73/60/0/aa1151c_1735203810937-8-ribera-st-andrei-en-priei-re.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/26/1050/0/3662/2441/110/73/60/0/aa1151c_1735203810937-8-ribera-st-andrei-en-priei-re.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/culture/article/2024/12/26/ribera-tenebres-et-lumiere-au-petit-palais-un-peintre-chroniqueur-obsessionnel-du-mal_6468552_3246.html"> <span class="teaser__kicker teaser__kicker--premium">Critique</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">« Ribera. Ténèbres et lumière » au Petit Palais, un peintre chroniqueur obsessionnel du mal</h3> <p class="teaser__desc">L’artiste du XVIIᵉ siècle, influencé par le Caravage et qui sut mieux que personne saisir les états de l’âme, fait l’objet d’une riche exposition à Paris.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 26 décembre 2024 à 18h00, modifié le 28 décembre 2024 à 00h42</span> <a class="article__author-link" href="/signataires/philippe-dagen/"> <span class="meta__author meta__author--page">Philippe Dagen</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/24/0/0/2023/1348/780/520/60/0/424228c_1735043800554-history.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/24/0/0/2023/1348/110/73/60/0/424228c_1735043800554-history.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/24/0/0/2023/1348/110/73/60/0/424228c_1735043800554-history.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/culture/article/2024/12/25/la-maison-franco-japonaise-a-tokyo-ancrage-centenaire-de-la-politique-culturelle-francaise-au-japon_6466960_3246.html"> <span class="teaser__kicker teaser__kicker--premium">Récit</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">La Maison franco-japonaise, à Tokyo, ancrage centenaire de la politique culturelle française au Japon</h3> <p class="teaser__desc">Créée par Paul Claudel, alors ambassadeur de France au Japon, et Eiichi Shibusawa, la MFJ œuvre depuis 1924 à une meilleure connaissance réciproque.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 25 décembre 2024 à 16h00, modifié le 26 décembre 2024 à 08h25</span> <a class="article__author-link" href="/signataires/philippe-pons/"> <span class="meta__author meta__author--page">Philippe Pons</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/20/0/0/12500/8333/780/520/60/0/afa6e14_1734710002809-media-d-appel-v2.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/20/0/0/12500/8333/110/73/60/0/afa6e14_1734710002809-media-d-appel-v2.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/20/0/0/12500/8333/110/73/60/0/afa6e14_1734710002809-media-d-appel-v2.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/culture/article/2024/12/22/dans-les-musees-la-difficile-mission-de-management_6462332_3246.html"> <span class="teaser__kicker teaser__kicker--premium">Enquête</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">Dans les musées, la difficile mission de management</h3> <p class="teaser__desc">Le milieu de l’art n’est pas à l’abri du burn-out ou du harcèlement moral, comme en témoignent plusieurs cas récents qui ont secoué différentes institutions.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 22 décembre 2024 à 14h00, modifié le 23 décembre 2024 à 16h36</span> <a class="article__author-link" href="/signataires/roxana-azimi/"> <span class="meta__author meta__author--page">Roxana Azimi</span> </a> <a class="article__author-link" href="/signataires/nicole-vulser/"> <span class="meta__author meta__author--page">Nicole Vulser</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/11/21/374/0/2530/1686/780/520/60/0/05304fc_1732184415152-bildarchiv-2461-972-1967-20.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/11/21/374/0/2530/1686/110/73/60/0/05304fc_1732184415152-bildarchiv-2461-972-1967-20.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/11/21/374/0/2530/1686/110/73/60/0/05304fc_1732184415152-bildarchiv-2461-972-1967-20.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/m-perso/article/2024/12/22/vous-aimez-paula-modersohn-becker-vous-aimerez-breme_6462228_4497916.html"> <span class="teaser__kicker teaser__kicker--premium">Sélection</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">Vous aimez Paula Modersohn-Becker, vous aimerez Brême</h3> <p class="teaser__desc">L’artiste peintre vécut dans la lande brêmoise, inspirée par ses décors, ses couleurs et ses habitants. Un musée lui est consacré dans le centre de cette libre cité située au bord du fleuve Weser, non loin de la mer du Nord.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 22 décembre 2024 à 12h00</span> <a class="article__author-link" href="/signataires/julien-theves/"> <span class="meta__author meta__author--page">Julien Thèves</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/17/1402/0/6862/4574/780/520/60/0/334c122_1734445897377-n-037-176.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/17/1402/0/6862/4574/110/73/60/0/334c122_1734445897377-n-037-176.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/17/1402/0/6862/4574/110/73/60/0/334c122_1734445897377-n-037-176.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/culture/article/2024/12/22/au-centre-pompidou-l-algerie-sous-l-il-d-un-photographe-nomme-pierre-bourdieu_6462125_3246.html"> <span class="teaser__kicker teaser__kicker--premium">Critique</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">Au Centre Pompidou, l’Algérie sous l’œil d’un photographe nommé Pierre Bourdieu</h3> <p class="teaser__desc">En 1955, alors qu’il est appelé en Algérie, le sociologue prend près de 3 000 photos du pays, des images du quotidien, femmes, hommes et enfants, travaux des champs, etc.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 22 décembre 2024 à 10h00, modifié le 02 janvier 2025 à 16h29</span> <a class="article__author-link" href="/signataires/philippe-dagen/"> <span class="meta__author meta__author--page">Philippe Dagen</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/20/0/0/12500/8333/780/520/60/0/45702f6_1734709950494-media-d-appel-v1.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/20/0/0/12500/8333/110/73/60/0/45702f6_1734709950494-media-d-appel-v1.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/20/0/0/12500/8333/110/73/60/0/45702f6_1734709950494-media-d-appel-v1.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/culture/article/2024/12/22/le-grand-mal-etre-dans-les-musees-entre-le-sous-effectif-la-precarite-et-le-surmenage_6461884_3246.html"> <span class="teaser__kicker teaser__kicker--premium">Enquête</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">Grand mal-être dans les musées, entre sous-effectif, précarité et surmenage</h3> <p class="teaser__desc">Les institutions font de plus en plus appel à des sous-traitants pour les services de sécurité, le prêt d’Audioguide, l’accueil et la médiation, suscitant des tensions dans les équipes.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 22 décembre 2024 à 06h00, modifié le 23 décembre 2024 à 07h11</span> <a class="article__author-link" href="/signataires/roxana-azimi/"> <span class="meta__author meta__author--page">Roxana Azimi</span> </a> <a class="article__author-link" href="/signataires/nicole-vulser/"> <span class="meta__author meta__author--page">Nicole Vulser</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/18/204/0/2943/1962/780/520/60/0/6a7f6f3_1734534149780-seven-santas.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/18/204/0/2943/1962/110/73/60/0/6a7f6f3_1734534149780-seven-santas.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/18/204/0/2943/1962/110/73/60/0/6a7f6f3_1734534149780-seven-santas.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/m-le-mag/article/2024/12/21/la-photo-de-groupe-selon-neal-slavin-une-parabole-de-l-amerique_6461069_4500055.html"> <span class="teaser__kicker teaser__kicker--premium">En images</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">La photo de groupe selon Neal Slavin, une parabole de l’Amérique</h3> <p class="teaser__desc">A l’heure des réseaux sociaux qui isolent et de l’actualité qui inquiète, le photographe américain, 83 ans, célèbre le vivre-ensemble. Depuis plus de cinquante ans, il compose avec les membres d’associations de toutes sortes des photos de groupes, en lien avec leur hobby. Des clichés piquants et bienveillants. Une version enrichie de son livre publié en 1976 « When Two or More Are Gathered Together » paraît aujourd’hui.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 21 décembre 2024 à 15h00</span> <a class="article__author-link" href="/signataires/emmanuelle-lequeux/"> <span class="meta__author meta__author--page">Emmanuelle Lequeux</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/16/2/0/1500/1000/780/520/60/0/c580138_362235-3402276.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/16/2/0/1500/1000/110/73/60/0/c580138_362235-3402276.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/16/2/0/1500/1000/110/73/60/0/c580138_362235-3402276.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/m-le-mag/article/2024/12/18/les-portraits-en-direct-de-l-artiste-jean-philippe-delhomme_6456120_4500055.html"> <h3 class="teaser__title">Les portraits en direct de l’artiste Jean-Philippe Delhomme</h3> <p class="teaser__desc">Le peintre expose une vingtaine de portraits de femmes à la galerie Perrotin, à Paris, jusqu’au 18 janvier 2025. 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Il prépare pour 2025 la célébration des 40 ans de l’emballage du Pont-Neuf, les 30 ans de celui du Reichstag, à Berlin, et les 20 ans de l’installation « The Gates », à New York.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 13 décembre 2024 à 06h00, modifié le 13 décembre 2024 à 11h13</span> <a class="article__author-link" href="/signataires/roxana-azimi/"> <span class="meta__author meta__author--page">Roxana Azimi</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/11/390/0/4990/3326/780/520/60/0/80b3498_1733926590094-csharrock-afabrebeauxarts-21.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/11/390/0/4990/3326/110/73/60/0/80b3498_1733926590094-csharrock-afabrebeauxarts-21.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/11/390/0/4990/3326/110/73/60/0/80b3498_1733926590094-csharrock-afabrebeauxarts-21.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/culture/article/2024/12/12/les-beaux-arts-de-paris-et-l-ecole-d-architecture-se-querellent-sur-leur-union_6443505_3246.html"> <span class="teaser__kicker teaser__kicker--premium">Enquête</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">Les Beaux-Arts de Paris et l’Ecole d’architecture se querellent sur leur union</h3> <p class="teaser__desc">Réunies sur le même site, les deux institutions d’enseignement, dont les bâtiments sont dégradés et doivent être rénovés, renâclent à l’idée d’un projet de fusion.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 12 décembre 2024 à 07h00, modifié le 24 janvier 2025 à 16h34</span> <a class="article__author-link" href="/signataires/harry-bellet/"> <span class="meta__author meta__author--page">Harry Bellet</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/06/0/83/7950/5300/780/520/60/0/ab401f8_1733503201844-khaled-dawwa-u-u-o-u-u-o-u-voici-mon-ca-ur-2018-2022-marseille-mucem-a-khaled-dawwa-a-mucem-marianne-kuhn.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/06/0/83/7950/5300/110/73/60/0/ab401f8_1733503201844-khaled-dawwa-u-u-o-u-u-o-u-voici-mon-ca-ur-2018-2022-marseille-mucem-a-khaled-dawwa-a-mucem-marianne-kuhn.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/06/0/83/7950/5300/110/73/60/0/ab401f8_1733503201844-khaled-dawwa-u-u-o-u-u-o-u-voici-mon-ca-ur-2018-2022-marseille-mucem-a-khaled-dawwa-a-mucem-marianne-kuhn.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/culture/article/2024/12/12/au-louvre-lens-l-exil-de-l-antiquite-a-nos-jours_6443428_3246.html"> <span class="teaser__kicker teaser__kicker--premium">Critique</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">Au Louvre-Lens, l’exil, de l’Antiquité à nos jours</h3> <p class="teaser__desc">Le musée accueille une exposition à large spectre qui vient illustrer mille et un récits de fuites forcées à travers le monde et les âges.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 12 décembre 2024 à 06h00, modifié le 12 décembre 2024 à 11h44</span> <a class="article__author-link" href="/signataires/philippe-dagen/"> <span class="meta__author meta__author--page">Philippe Dagen</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/07/29/0/4890/3260/780/520/60/0/b14965d_1733558932786-000-par7712588.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/07/29/0/4890/3260/110/73/60/0/b14965d_1733558932786-000-par7712588.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/07/29/0/4890/3260/110/73/60/0/b14965d_1733558932786-000-par7712588.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/culture/article/2024/12/10/fin-de-partie-pour-le-musee-art-ludique_6440266_3246.html"> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">Fin de partie pour le musée Art ludique</h3> <p class="teaser__desc">La société montée à Paris pour exposer l’art du cinéma d’animation et du jeu vidéo a été placée en liquidation judiciaire. Ses dirigeants ne désespèrent pas de recréer un musée, mais l’accord pour l’installer dans les locaux de la gare Saint-Lazare est tombé à l’eau.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 10 décembre 2024 à 14h00</span> <a class="article__author-link" href="/signataires/denis-cosnard/"> <span class="meta__author meta__author--page">Denis Cosnard</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/11/29/0/315/3402/2268/780/520/60/0/515d271_1732885027362-ancien-palais-de-justice-dakar.JPG" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/11/29/0/315/3402/2268/110/73/60/0/515d271_1732885027362-ancien-palais-de-justice-dakar.JPG" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/11/29/0/315/3402/2268/110/73/60/0/515d271_1732885027362-ancien-palais-de-justice-dakar.JPG" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/afrique/article/2024/12/09/senegal-la-biennale-d-art-contemporain-de-dakar-victime-de-son-succes-populaire_6438479_3212.html"> <h3 class="teaser__title">Sénégal : la Biennale d’art contemporain de Dakar victime de son succès populaire</h3> <p class="teaser__desc">Pour sa 15e édition, Dak’Art a suscité un engouement inédit, notamment auprès d’un public souvent novice, mais qui n’hésitait pas à se photographier sur certaines œuvres quitte à les abîmer voire en voler un morceau.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 09 décembre 2024 à 16h30</span> <a class="article__author-link" href="/signataires/abbas-asamaan/"> <span class="meta__author meta__author--page">Abbas Asamaan</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/09/25/0/3844/2562/780/520/60/0/db850fa_1733737632916-opaleplus-boxpa241205a-02.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/09/25/0/3844/2562/110/73/60/0/db850fa_1733737632916-opaleplus-boxpa241205a-02.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/09/25/0/3844/2562/110/73/60/0/db850fa_1733737632916-opaleplus-boxpa241205a-02.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/disparitions/article/2024/12/09/la-mort-de-denis-brihat-ermite-photographe_6438092_3382.html"> <span class="teaser__kicker teaser__kicker--premium">Nécrologie</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">La mort de Denis Brihat, ermite photographe</h3> <p class="teaser__desc">Défenseur d’une photographie formelle et picturale, ce photographe et technicien hors pair s’est fait connaître pour son travail sur les natures mortes de fruits et de fleurs de son jardin du Luberon. Il est mort le 3 décembre, à 96 ans.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 09 décembre 2024 à 11h45, modifié le 09 décembre 2024 à 12h03</span> <a class="article__author-link" href="/signataires/claire-guillot/"> <span class="meta__author meta__author--page">Claire Guillot</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/06/0/56/5179/3453/780/520/60/0/61dc8ed_1733488397194-h-matisse-jazz-les-codomas-1.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/06/0/56/5179/3453/110/73/60/0/61dc8ed_1733488397194-h-matisse-jazz-les-codomas-1.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/06/0/56/5179/3453/110/73/60/0/61dc8ed_1733488397194-h-matisse-jazz-les-codomas-1.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/culture/article/2024/12/08/au-cateau-cambresis-le-musee-matisse-deploie-ses-collections_6436971_3246.html"> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">Au Cateau-Cambrésis, le musée Matisse déploie ses collections</h3> <p class="teaser__desc">Après dix-huit mois de travaux, l’établissement nordiste, rénové et agrandi, a rouvert ses portes au public.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 08 décembre 2024 à 15h00, modifié le 09 décembre 2024 à 11h29</span> <a class="article__author-link" href="/signataires/florence-traulle/"> <span class="meta__author meta__author--page">Florence Traullé</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/03/64/0/1500/1000/780/520/60/0/0e32aef_361081-3400723.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/03/64/0/1500/1000/110/73/60/0/0e32aef_361081-3400723.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/03/64/0/1500/1000/110/73/60/0/0e32aef_361081-3400723.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/m-le-mag/article/2024/12/07/la-musee-reservee-aux-femmes-d-eugenie-dubreuil_6435735_4500055.html"> <span class="teaser__kicker teaser__kicker--premium">Portrait</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">« La Musée » réservée aux femmes d’Eugénie Dubreuil</h3> <p class="teaser__desc">Depuis 1999, l’artiste a rassemblé une grande collection d’œuvres créées par des anonymes ou des femmes reconnues : Rosa Bonheur, Marie Laurencin, Niki de Saint Phalle… A 87 ans, elle fait don de 300 pièces au Musée Sainte-Croix, à Poitiers, qui les expose jusqu’en mai prochain.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 07 décembre 2024 à 17h00</span> <a class="article__author-link" href="/signataires/zineb-dryef/"> <span class="meta__author meta__author--page">Zineb Dryef</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/06/1432/0/3975/2650/780/520/60/0/4021103_1733482003109-mw-hbu-098-image.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/06/1432/0/3975/2650/110/73/60/0/4021103_1733482003109-mw-hbu-098-image.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/06/1432/0/3975/2650/110/73/60/0/4021103_1733482003109-mw-hbu-098-image.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/culture/article/2024/12/07/selection-galerie-heidi-bucher-chez-mendes-wood-dm_6435190_3246.html"> <span class="teaser__kicker teaser__kicker--premium">Sélection</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">Sélection galerie : Heidi Bucher chez Mendes Wood DM</h3> <p class="teaser__desc">A voir cette semaine : les lambeaux monumentaux, à une échelle architecturale, réalisés en latex par l’artiste et performeuse féministe d’avant-garde suisse.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 07 décembre 2024 à 11h00</span> <a class="article__author-link" href="/signataires/emmanuelle-jardonnet/"> <span class="meta__author meta__author--page">Emmanuelle Jardonnet</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/04/215/0/2558/1705/780/520/60/0/e60539b_1733325586922-a50.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/04/215/0/2558/1705/110/73/60/0/e60539b_1733325586922-a50.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/04/215/0/2558/1705/110/73/60/0/e60539b_1733325586922-a50.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/livres/article/2024/12/07/les-beaux-livres-de-litterature-selectionnes-par-le-monde-alexandre-dumas-amadou-hampate-ba-et-omar-ba_6434943_3260.html"> <span class="teaser__kicker teaser__kicker--premium">Sélection</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">Les beaux livres de littérature sélectionnés par « Le Monde » : Alexandre Dumas, Amadou Hampâté Bâ et Omar Ba…</h3> <p class="teaser__desc">L’auteur des « Trois Mousquetaires » en guide touristique du Musée des Offices, à Florence, un conte traditionnel d’Afrique de l’Ouest magnifié par deux grands artistes, un jeu de fiches Kafka, des Parisiens de fictions : quatre beaux livres à offrir.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 07 décembre 2024 à 08h00, modifié le 08 décembre 2024 à 15h35</span> <a class="article__author-link" href="/signataires/florence-noiville/"> <span class="meta__author meta__author--page">Florence Noiville</span> </a> <a class="article__author-link" href="/signataires/nicolas-weill/"> <span class="meta__author meta__author--page">Nicolas Weill</span> </a> <a class="article__author-link" href="/signataires/denis-cosnard/"> <span class="meta__author meta__author--page">Denis Cosnard</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/11/27/300/0/1500/1000/780/520/60/0/55f6822_360399-3399326.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/11/27/300/0/1500/1000/110/73/60/0/55f6822_360399-3399326.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/11/27/300/0/1500/1000/110/73/60/0/55f6822_360399-3399326.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/m-le-mag/article/2024/12/06/le-pays-basque-deuxieme-patrie-de-la-photographe-americaine-anne-rearick_6434287_4500055.html"> <span class="teaser__kicker teaser__kicker--premium">En images</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">Le Pays basque, deuxième patrie de la photographe américaine Anne Rearick</h3> <p class="teaser__desc">Séduite par les paysages montagneux du Sud-Ouest, qui lui rappellent les reliefs de son Idaho natal, touchée par l’hospitalité de ses habitants, la photographe de 64 ans explore depuis les années 1990 l’intimité de ce territoire, en quête d’un enracinement et d’une humanité qu’elle ne trouve plus aux Etats-Unis. Une relation tendre, scellée à travers un livre et une exposition.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 06 décembre 2024 à 19h00</span> <a class="article__author-link" href="/signataires/guillaume-delacroix/"> <span class="meta__author meta__author--page">Guillaume Delacroix</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/03/0/0/1771/1180/780/520/60/0/0154d32_1733236308517-father-10-copie.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/03/0/0/1771/1180/110/73/60/0/0154d32_1733236308517-father-10-copie.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/03/0/0/1771/1180/110/73/60/0/0154d32_1733236308517-father-10-copie.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/livres/article/2024/12/06/les-beaux-livres-de-photographie-selectionnes-par-le-monde-diana-markosian-jean-michel-andre-raphael-dallaporta-issei-suda_6433046_3260.html"> <span class="teaser__kicker teaser__kicker--premium">Critique</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">Les beaux livres de photographie sélectionnés par « Le Monde » : Diana Markosian, Jean-Michel André, Raphaël Dallaporta, Issei Suda…</h3> <p class="teaser__desc"></p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 06 décembre 2024 à 08h00, modifié le 19 décembre 2024 à 14h47</span> <a class="article__author-link" href="/signataires/claire-guillot/"> <span class="meta__author meta__author--page">Claire Guillot</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/02/556/0/8268/5512/780/520/60/0/941b8ba_1733151132356-visuels-galerie-du-temps-2-a-manuel-cohen.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/02/556/0/8268/5512/110/73/60/0/941b8ba_1733151132356-visuels-galerie-du-temps-2-a-manuel-cohen.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/02/556/0/8268/5512/110/73/60/0/941b8ba_1733151132356-visuels-galerie-du-temps-2-a-manuel-cohen.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/culture/article/2024/12/05/au-louvre-lens-la-galerie-du-temps-fait-peau-neuve_6432288_3246.html"> <span class="teaser__kicker teaser__kicker--premium">Reportage</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">Au Louvre-Lens, la galerie du Temps fait peau neuve</h3> <p class="teaser__desc">Douze ans après son inauguration dans le musée nordiste, le vaste espace couvrant cinq mille ans d’histoire et mélangeant les époques a été entièrement renouvelé.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 05 décembre 2024 à 20h00, modifié le 06 décembre 2024 à 01h13</span> <a class="article__author-link" href="/signataires/roxana-azimi/"> <span class="meta__author meta__author--page">Roxana Azimi</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/04/0/1/5587/3725/780/520/60/0/848f55d_1733308290337-romei-o-mivekannin-le-radeau-de-la-mei-duse-a-louvre-lens-a-romei-o-mivekannin-adagp-2024.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/12/04/0/1/5587/3725/110/73/60/0/848f55d_1733308290337-romei-o-mivekannin-le-radeau-de-la-mei-duse-a-louvre-lens-a-romei-o-mivekannin-adagp-2024.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/12/04/0/1/5587/3725/110/73/60/0/848f55d_1733308290337-romei-o-mivekannin-le-radeau-de-la-mei-duse-a-louvre-lens-a-romei-o-mivekannin-adagp-2024.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/culture/article/2024/12/05/a-lens-voir-le-louvre-par-les-yeux-de-romeo-mivekannin_6432252_3246.html"> <span class="teaser__kicker teaser__kicker--premium">Critique</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">A Lens, voir le Louvre par les yeux de Roméo Mivekannin</h3> <p class="teaser__desc">Dans le Pavillon de verre du musée nordiste, l’artiste béninois, installé en France, se saisit d’œuvres célèbres et les interprète à sa manière.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 05 décembre 2024 à 19h45</span> <a class="article__author-link" href="/signataires/philippe-dagen/"> <span class="meta__author meta__author--page">Philippe Dagen</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/12/03/28/43/4367/2911/780/520/60/0/16a0ded_1733235002709-p172-173-a-bnf-paris-ms-fr-2695-fol-66v-67r.jpg" media="(min-width: 576px)"> <img 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src="https://img.lemde.fr/2024/12/02/985/0/2206/1470/110/73/60/0/e0e72d7_1733150586488-portrait-duyanhnhanduc-lescimesalsphaltea-clemencedanonboileau.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/culture/article/2024/12/03/a-versailles-duy-anh-nhan-duc-et-l-art-au-c-ur-du-vegetal_6428126_3246.html"> <span class="teaser__kicker teaser__kicker--premium">Critique</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">A Versailles, Duy Anh Nhan Duc et l’art au cœur du végétal</h3> <p class="teaser__desc">Le plasticien vietnamien, installé en France, expose son œuvre, réalisée à partir de différentes essences d’arbre, à l’Espace Richaud, jusqu’au 26 janvier 2025.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 03 décembre 2024 à 20h00, modifié le 04 décembre 2024 à 14h00</span> <a class="article__author-link" href="/signataires/sylvie-kerviel/"> <span class="meta__author meta__author--page">Sylvie Kerviel</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/11/28/912/0/1600/1066/780/520/60/0/943e66a_1732809290567-2024-10-03-il-canto-delle-sirene-a-daniele-molajoli-204.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/11/28/912/0/1600/1066/110/73/60/0/943e66a_1732809290567-2024-10-03-il-canto-delle-sirene-a-daniele-molajoli-204.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/11/28/912/0/1600/1066/110/73/60/0/943e66a_1732809290567-2024-10-03-il-canto-delle-sirene-a-daniele-molajoli-204.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/culture/article/2024/12/01/des-mers-aux-larmes-l-eau-racontee-par-les-artistes-a-la-villa-medicis_6423664_3246.html"> <span class="teaser__kicker teaser__kicker--premium">Critique</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">Des mers aux larmes, l’eau racontée par les artistes à la Villa Médicis</h3> <p class="teaser__desc">L’exposition « Le Chant des sirènes », à l’Académie de France à Rome, offre un voyage au fil de l’eau, élément porteur d’histoire(s), d’enjeux politiques ou de dimensions sacrées, à travers le travail d’une trentaine d’artistes internationaux.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 01 décembre 2024 à 14h00, modifié le 01 décembre 2024 à 14h49</span> <a class="article__author-link" href="/signataires/emmanuelle-jardonnet/"> <span class="meta__author meta__author--page">Emmanuelle Jardonnet</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/11/25/211/0/1500/1000/780/520/60/0/20bf071_359926-3398690.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/11/25/211/0/1500/1000/110/73/60/0/20bf071_359926-3398690.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/11/25/211/0/1500/1000/110/73/60/0/20bf071_359926-3398690.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/m-le-mag/article/2024/11/30/gisele-freund-au-dela-du-portrait-elle-a-ete-a-la-fois-actrice-et-penseuse-de-la-photographie-ce-qui-est-exceptionnel_6422304_4500055.html"> <span class="teaser__kicker teaser__kicker--premium">En images</span> <span 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Temps forts avec cinq femmes puissantes et résilientes.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 30 novembre 2024 à 09h00, modifié le 30 novembre 2024 à 10h26</span> <a class="article__author-link" href="/signataires/abbas-asamaan/"> <span class="meta__author meta__author--page">Abbas Asamaan</span> </a> </p> </section> </div> <div class="thread"> <section class="teaser teaser--inline-picture "> <figure class="teaser__figure teaser__figure--page"> <picture class="teaser__picture teaser__picture--3-2"> <source data-srcset="https://img.lemde.fr/2024/11/27/93/0/2000/1333/780/520/60/0/bc6e833_1732706559337-5-corita-kent-1965-corita-art-center-2.jpg" media="(min-width: 576px)"> <img class="teaser__media" width="110" height="74" data-src="https://img.lemde.fr/2024/11/27/93/0/2000/1333/110/73/60/0/bc6e833_1732706559337-5-corita-kent-1965-corita-art-center-2.jpg" alt=""> <noscript> <img class="teaser__media" width="110" height="74" src="https://img.lemde.fr/2024/11/27/93/0/2000/1333/110/73/60/0/bc6e833_1732706559337-5-corita-kent-1965-corita-art-center-2.jpg" alt=""> </noscript> </picture> </figure> <a class="teaser__link" href="https://www.lemonde.fr/le-monde-des-religions/article/2024/11/30/corita-kent-la-nonne-et-artiste-pop-art-qui-a-imprime-l-amerique_6421648_6038514.html"> <span class="teaser__kicker teaser__kicker--premium">Portrait</span> <span class="icon__premium"><span class="sr-only">Article réservé à nos abonnés </span></span> <h3 class="teaser__title">Corita Kent, la nonne et artiste pop art qui a imprimé l’Amérique</h3> <p class="teaser__desc">Artiste non conformiste, adepte de la sérigraphie, militante pacifiste, proche des hippies et religieuse catholique, Corita Kent, dont les œuvres sont actuellement exposées au Collège des Bernardins, a marqué la société américaine jusqu’à sa mort, en 1986.</p> </a> <p class="meta__publisher meta--page"> <span class="meta__date">Publié le 30 novembre 2024 à 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