Calenda - La transnationalisation du religieux par la musique

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href="search.html?primary=fdate&fyear=2014&fmonth=10">oct</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2014">2014</a></div> </td> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2014&fmonth=10&fday=17">17</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2014&fmonth=10">oct</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2014">2014</a></div> </td> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2014&fmonth=10&fday=18">18</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2014&fmonth=10">oct</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2014">2014</a></div> </td> </tr> </tbody> </table> </div> </div> <div id="listcategories"> <h2>Cat茅gories</h2> <ul> <li><a href="search?primary=fsubject&fsubject=261">Philosophie</a></li> <li><a href="search?primary=fsubject&fsubject=215">Anthropologie culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=300">Sociologie des religions</a></li> <li><a href="search?primary=fsubject&fsubject=211">Sociologie de la culture</a></li> <li><a href="search?primary=fsubject&fsubject=235">Histoire sociale</a></li> </ul> </div> </div> <div id="document" class="column"> <div id="main"> <div class="titles"> <h1 class="origt"><a href="300249">La transnationalisation du religieux par la musique</a></h1> <h2 class="origt">The Transnationalization of Religion through Music</h2> </div> <div class="mapuce2">*  *  *</div> <p id="pubdate"> Publi茅 le vendredi 19 septembre 2014 </p> <div id="texte"> <div id="resume"> <p class="intitule">R茅sum茅</p> <div class="tabMenu"><a href="#resume-300249-fr" hreflang="fr" class="active">Fran莽ais</a> <a href="#resume-300249-en" hreflang="en">English</a> </div> <div id="resume-300249-fr" class="tabContent" lang="fr" xml:lang="fr"> <p style="text-align: justify;">La transnationalisation du religieux se traduit par une délocalisation et une relocalisation des croyances, rituels et pratiques religieuses qui se réalise au-delà du cadre national étatique, dans des espaces réels ou symboliques, et le plus souvent au moyen de nouveaux imaginaires et récits identitaires (Capone, 2005). En étudiant la mobilité musicale et sa réception dans des contextes localisés, ce colloque se donne pour objectif de comprendre comment et sous quelle forme la musique « migre » conjointement aux cultes qu’elle accompagne, comment elle participe à la fabrique de sociétés plurielles et le rôle fondamental qu’elle joue dans l’invention et la réinvention des idées, des identités et des pratiques religieuses en contexte transnational.</p> </div> <div id="resume-300249-en" class="tabContent hidden" lang="en" xml:lang="en"> <p style="text-align: left;">The transnationalization of religion refers to the relocalization of beliefs, rituals and religious practices beyond state lines, in real or symbolic spaces, with the help of new imaginaries and narrative identities (Capone 2005). By studying musical mobility and its reception in local contexts, this conference aims at understanding how music "migrates" along with religions, how it contributes to the construction of plural societies, and the fundamental role it plays in the creation and recreation of ideas, identities, and religious practices in a transnational context.</p> </div> </div> <div id="annonce"> <p class="intitule">Annonce</p> <div class="tabMenu"><a href="#annonce-300249-fr" hreflang="fr" class="active">Fran莽ais</a> <a href="#annonce-300249-en" hreflang="en">English</a> </div> <div id="annonce-300249-fr" class="tabContent" lang="fr" xml:lang="fr"> <h1 style="text-align: justify;" align="center">Argumentaire</h1> <p style="text-align: justify;">La notion de « transnationalisation » a émergé au début des années 1990 dans le champ des études sur la migration. Cette notion, qui vise à dépasser les États-nations comme cadre d’analyse, a d’abord été définie comme un « processus par lequel les immigrés forgent et maintiennent des relations sociales multiples et imbriquées qui relient leurs sociétés d’origine et d’accueil » (Basch & al. 1994). Loin de se limiter à l’étude des phénomènes migratoires, l’approche transnationale s’est rapidement avérée féconde dans de nombreux domaines. Parmi les principaux travaux précurseurs, ceux de Slobin (1993) ont certainement apporté les premières pierres théoriques à l’approche transnationale de la musique.</p> <p style="text-align: justify;">Pour intéressante qu’elle soit, l’approche transnationale de la musique se livre rarement à une analyse musicale des processus à l’&oelig;uvre. Le plus souvent, elle porte un regard sociologique sur des musiques populaires et séculières ayant acquis une dimension transnationale, telles que le jazz, le rock, le rap, le reggae, le zouk et, évidemment, la World music. Plus rares sont les études visant à explorer les liens entre musique et religion dans une perspective à la fois musicale et transnationale. Or, la musique joue un rôle central dans les phénomènes de transnationalisation religieuse. La mobilité des musiques, musiciens et supports musicaux contribue à la dissémination des idées, identités et pratiques religieuses au-delà des frontières nationales. Les flux musicaux tissent des réseaux d’interconnexion religieuse qui transcendent les États-nations. Les processus de déterritorialisation et de reterritorialisation musicale conduisent à la formation de communautés religieuses transnationales qui se nourrissent de l’imaginaire d’une nation d’origine et d’un lieu d’ancrage (plus ou moins virtuel ou imaginé) pour se construire de nouvelles identités.</p> <p style="text-align: justify;">Loin d’être un phénomène nouveau, la transnationalisation musicale du religieux s’est accélérée et intensifiée au cours du XX<sup>e</sup> siècle. Grâce aux nouveaux moyens de transport et de communication, elle se réalise désormais à des échelles plus globales. Si la transnationalisation musicale du religieux est historiquement liée à l’entreprise missionnaire, la colonisation et l’esclavage, elle s’observe aussi dans le contexte de la migration et, plus largement, lors du déplacement des musiciens, la circulation des recueils de chants et la diffusion des enregistrements, sur des supports matériels (disques, cassettes, CDs, DVDs) et immatériels (radio, télévision, Internet). Dans tous ces contextes, les rythmes, mélodies, paroles des chants, répertoires, danses et instruments circulent et véhiculent des significations qui participent à la recomposition des univers de sens, des identités religieuses, des rituels, des prières et des modes d’incarnation du divin. En étudiant ainsi la mobilité musicale et sa réception dans des contextes localisés, ce colloque a pour ambition de comprendre comment la transnationalisation musicale contribue à l’homogénéisation des pratiques cultuelles à l’échelle globale tout en réaffirmant les identités locales par un processus d’indigénisation (Appadurai 2005).</p> <p style="text-align: justify;">À un niveau davantage épistémologique, l’objectif sera de parvenir à trouver un terrain commun entre des chercheurs qui ne parlent pas forcément le même langage scientifique. Ce colloque souhaite ainsi provoquer la mise en regard de différents horizons disciplinaires et de répertoires historiquement et géographiquement éloignés.</p> <h1 style="text-align: justify;" align="center">Programme</h1> <h2 style="text-align: justify;">Jeudi 16 octobre</h2> <p style="text-align: justify;">8h00-8h45 : Accueil et Inscription</p> <p style="text-align: justify;">8h45-9h00 : Mot de bienvenue :<strong> Michel Duchesneau</strong>, <strong>Nathalie Fernando</strong>, <strong>Hugo Ferran</strong></p> <p style="text-align: justify;">9h00-10h00 : Conférence plénière, <strong>Kay Kaufman Shelemay</strong>, Harvard University – <em>Musical Nostalgia and Newness in Mobile Religions: Insights from the Ethiopian Diaspora</em></p> <p style="text-align: justify;">10h00-10h20 : Pause – Foyer Claude-Champagne</p> <p style="text-align: justify;">10h20-12h20 : Panel : <em>Regards croisés sur les musiques religieuses afro-américaines </em></p> <p style="text-align: justify;">Président de séance : <strong>Hugo Ferran</strong></p> <ul style="text-align: justify;"> <li><strong>Clara Biermann</strong>, Université Paris Ouest Nanterre La Défense – <em>Chanter les Orishas. Sacralisation du </em>candombe<em> afro-uruguayen et construction d’afrodescendance</em></li> <li><strong>Élise Heinisch</strong>, Université Paris-Sorbonne – Analyse du processus rhizomatique de transnationalisation du culte brésilien <em>Umbanda</em> par son répertoire musical</li> <li><strong>Ryan Bazinet</strong>, John Jay College of Criminal Justice – <em>Afro-Trinidadian Religion and Music: Comparing Orisha and Rada</em></li> <li><strong>Amanda Villepastour</strong>, Cardiff University –  “<em>In the Land of the Blind, a One-Eyed Man Makes Himself King”: Big Musicians in the Making of London Santería</em></li> </ul> <p style="text-align: justify;">12h20-13h30 : Repas – Foyer Claude-Champagne</p> <p style="text-align: justify;">13h30-15h30 : Panel : <em>Transcender</em><em> les frontières, nations et minorités musicales</em></p> <p style="text-align: justify;">Président de séance : <strong>François Picard</strong></p> <ul style="text-align: justify;"> <li><strong>Diao Ying</strong>, University of Maryland – <em>Remolding Religious Practices through Music: The Transnational Musical Exchange among the Christian Lisu on the China-Burma Border</em></li> <li><strong>Dustin Wiebe</strong>, Wesleyan University – <em>The Island of </em>Whose<em> Gods?: Interreligious Network Formation and the Transnationalization of Gamelan Music in Bali</em></li> <li><strong>Bader Mousa Al-Saif</strong>, Georgetown University – <em>American Muslim Hip Hop & Islam in America: Intertwined Evolution & Exportation</em></li> <li><strong>Victor Randrianary</strong>, Université de Mayotte – <em>Une identité arrachée.</em> Le debaa<em>, une pratique féminine soufie de Mayotte</em></li> </ul> <p style="text-align: justify;">15h30-15h50 : Pause – Foyer Claude-Champagne</p> <p style="text-align: justify;">15h50-17h50 : Panel : <em>Redéfinir les musiques profanes/sacrées et la place du chercheur</em></p> <p style="text-align: justify;">Présidente de séance : <strong>Kay Kaufman Shelemay</strong></p> <ul style="text-align: justify;"> <li><strong>Maisie Sum</strong>, University of Waterloo – <em>Constructing the Sacred, Negotiating the Secular: A Structural Analysis of Gnawa Music Performance</em></li> <li><strong>Yonatan Ge</strong>z, Institut des hautes études internationales et du développement – <em>Churching, clubbing and hopping: Rethinking church participation in Kenya in terms of entertainment and the appeal of music</em></li> <li><strong>Owen Coggins</strong>, The Open University – <em>Amplifier Worship: The Transnational Recombination of Religious Symbols in Drone Metal</em></li> <li><strong>Jean Pouchelon</strong>, Université de Nanterre / Université de Montréal – <em>Gnawa de Paris et de Montréal</em></li> </ul> <p style="text-align: justify;">17h50-18h30 : Cocktail d’ouverture – Foyer Claude-Champagne</p> <p style="text-align: justify;">18h30-19h30 : Concert de musique gnawa – B-484</p> <h2 style="text-align: justify;">Vendredi 17 octobre</h2> <p style="text-align: justify;">8h00-9h00 : Accueil et Inscription</p> <p style="text-align: justify;">9h00-10h00 : Panel : <em>Festivals de musiques religieuses et espaces sonores translocaux</em></p> <p style="text-align: justify;">Présidente de séance : <strong>Emmanuelle Olivier</strong></p> <ul style="text-align: justify;"> <li><strong>Jessica Roda</strong>, Université du Québec à Montréal – <em>Du réseau transnational au milieu local : l'artiste séfarade comme icône de la réussite juive marocaine à Montréal</em></li> <li><strong>Monika Salzbrunn</strong> et <strong>Raphaela von Weichs</strong>, Université de Lausanne – <em>Traverser des paysages sonores translocaux : Réflexions méthodologiques sur la transnationalisation du religieux à travers la musique et les événements</em></li> </ul> <p style="text-align: justify;">10h00-11h00 : Panel : <em>M&oelig;urs et moralisation musicale</em></p> <p style="text-align: justify;">Présidente de séance : <strong>Nathalie Fernando</strong></p> <ul style="text-align: justify;"> <li><strong>Gilles Holder</strong> et <strong>Emmanuelle Olivier</strong>, Centre national de la recherche scientifique – Islamic Pop Music<em> au Mali : Logiques et technologiques de l'économie morale</em></li> <li><strong>Emir Mahieddin</strong>, Université d’Aix-Marseille – <em>Ce que la musique dit des m&oelig;urs. Morale et poétique de la circulation musicale dans le pentecôtisme global</em></li> </ul> <p style="text-align: justify;">11h00-11h20 : Pause – Foyer Claude-Champagne</p> <p style="text-align: justify;">11h20-12h20 : Conférence plénière, <strong>David Irving</strong>, Australian National University –<em> David, the Psalms, and Ontologies of Music from Western Europe to Southeast Asia, 1550–1850</em></p> <p style="text-align: justify;">12h20-13h30 : Repas – Foyer Claude-Champagne</p> <p style="text-align: justify;">13h30-15h30 : Panel : <em>Évangéliser par la musique : hymnes, missions et missionnaire</em></p> <p style="text-align: justify;">Présidente de séance : <strong>Anne Damon-Guillot</strong></p> <ul style="text-align: justify;"> <li><strong>Enrique Pilco Paz</strong>, Université de Montréal – <em>Les péripéties du plain chant dans les Andes du XVI<sup>e</sup> au XX<sup>e</sup> siècle</em></li> <li><strong>François Picard</strong>, Université Paris-Sorbonne – <em>Les cahiers de musique, témoins de la mémoire des associations de musique catholiques de Pékin</em></li> <li><strong>Joanna Heath</strong>, Durham University –<em> Sankey's Sacred Songs and Solos and Mizo Christianity in Northeast India</em></li> <li><strong>Frances Wilkins</strong>, University of Aberdeen – Southern Gospel in North-East Scotland: The Necessity for Change and the Lasting Impact of Moody and Sankey</li> </ul> <p style="text-align: justify;">15h30-15h50 : Pause  – Foyer Claude-Champagne</p> <p style="text-align: justify;">15h50-17h50 : Panel : <em>Analyser la diffusion et la transformation des musiques religieuses<br /></em></p> <p style="text-align: justify;">Présidente de séance : <strong>Serena Facci</strong></p> <ul style="text-align: justify;"> <li><strong>Thomas Hochradner</strong>, University of Music and Dramatic Arts Mozarteum Salzburg –<em> A Christmas Carol's Course into the World. "Silent Night" as an Example of Transnationalization</em></li> <li><strong>Susan Thomson</strong>, University of Massachusetts – <em>From </em>Chaitre Parve<em> to YouTube: Hinduism, Transnationalism, and Seraikela Chhau Dance</em></li> <li><strong>David Stowe</strong>, Michigan State University – <em>History, Memory, and Forgetting in Psalm 137</em></li> <li><strong>Salim Dada</strong>, Université Paris-Sorbonne – <em>Al-膩dhân </em>: une pluri-identité mouvante dans les sociétés musulmanes contemporaines</li> </ul> <h2 style="text-align: justify;">Samedi 18 octobre</h2> <p style="text-align: justify;">8h00-9h00 : Accueil et Inscription</p> <p style="text-align: justify;">9h00-10h30 : Panel : <em>Parcours de vie, événements et terrains musicaux</em></p> <p style="text-align: justify;">Présidente de séance :<strong> Monika Salzbrunn</strong></p> <ul style="text-align: justify;"> <li><strong>Alice Degorce</strong>, Institut de recherche pour le Développement – <em>Du rap à l'évangélisation : parole transnationale et parcours de vie d'un bishop de Ouagadougou, Burkina Faso</em></li> <li><strong>Jeanne Rey</strong>, University of Toronto Scarborough – <em>Répertoires musicaux et processus d'identification collective : réflexions à partir de trois événements religieux (Toronto, Genève, Accra)</em></li> <li><strong>Debora Baldelli</strong>, Universidade Nova de Lisboa – <em>Musical Practice of Hare Krishna devotees in Portugal: Transnational Religious Identity in the making</em></li> </ul> <p style="text-align: justify;">10h30-10h50 : Pause – Foyer Claude-Champagne</p> <p style="text-align: justify;">10h50-12h20 : Panel : <em>Inventions identitaires et communautés imaginées par la musique</em></p> <p style="text-align: justify;">Président de séance : <strong>Enrique Pilco</strong></p> <ul style="text-align: justify;"> <li><strong>Teresita Lozano</strong>, University of Colorado Boulder –<em> “It's A Coptic Thing”: Music, Liturgy, and Transnational Religious Identity in an American Coptic Community</em></li> <li><strong>Alice Aterianus-Owanga</strong>, Centre de Recherches et d’études anthropologiques –<em> Transnationaliser le </em>bwiti <em>au rythme du rap gabonais : invention de traditions et métaphorisation religieuse</em></li> <li><strong>Anne Damon-Guillot</strong>, Université Jean Monnet de Saint-Étienne – <em>Isolement et résistance du chant alla turca de l'Église apostolique arménienne d'Istanbul</em></li> </ul> <p style="text-align: justify;">12h20-13h30 : Repas – Foyer Claude-Champagne</p> <p style="text-align: justify;">13h30-14h30 : Panel : <em>Internet, cyber-terrains et réseaux musico-religieux</em></p> <p style="text-align: justify;">Président de séance : <strong>Frédéric Dejean</strong></p> <ul style="text-align: justify;"> <li><strong>Hugo Ferran,</strong> Université de Montréal – <em>“Rate This MezmuR”. Ethnographie d'un groupe de discussion Facebook sur les musiques évangéliques éthiopiennes</em></li> <li><strong>Kamran Hooshmand</strong>, University of Texas at Austin – <em>Digital Tears: Shajarian's Rabbena Prayer and its Virtual Transnationalization</em></li> </ul> <p style="text-align: justify;">14h30-14h50 : Pause – Foyer Claude-Champagne</p> <p style="text-align: justify;">14h50-16h20 : Panel : <em>Migration, diaspora et multiculturalisme musical</em></p> <p style="text-align: justify;">Président de séance : <strong>David Irving</strong></p> <ul style="text-align: justify;"> <li><strong>Stephen Muir</strong>, University of Leeds – <em>East European Synagogue Music in the Cape of Good Hope: Music, Memory and Migration in the Transnational Experiences of Two Jewish Cantor-Composers</em></li> <li><strong>Gabriella Djerrahian</strong>, McGill University – <em>Expanding the Shades of “Black Music”: Young Ethiopian Israelis and the Transnational Circulation of Ethiopian Music</em></li> <li><strong>Serena Facci</strong>, Università degli Studi di Roma “Tor Vergata” – <em>Voices from a holy city: Christian liturgical music in today’s Rome</em></li> </ul> <p style="text-align: justify;">16h20-16h40 : Pause – Foyer Claude-Champagne</p> <p style="text-align: justify;">16h40-17h40 : Concert-conférence – B-484</p> <p style="text-align: justify;"><strong>Judith Cohen</strong>, York University – <em>Singing over Time and Space: Music in Sephardic and Crypto-Jewish Life</em></p> <p style="text-align: justify;">19h00-22h00 : Banquet / Dinner</p> <p style="text-align: justify;">Le Café des beaux-arts (1384 Sherbrooke Ouest)</p> </div> <div id="annonce-300249-en" class="tabContent hidden" lang="en" xml:lang="en"> <h1 style="text-align: left;">Argument</h1> <p style="text-align: left;">The concept of “transnationalism” emerged in the early 1990s in the field of migration studies. Seeking to go beyond the nation-state as the frame of analysis, transnationalism was initially defined as the “process by which immigrants forge and sustain multi-stranded social relations that link together their societies of origin and settlement” (Basch et al., 1994). Rather than being confined to studies of migration, however, the concept was rapidly taken up in many different fields. The work of Slobin (1993), which figures among the main pioneering studies on the concept, provided important foundations for theorizing the issue of music and transnationalism.</p> <p style="text-align: left;">Although the concept is certainly interesting, the application of transnational theory to music rarely engages in musical analysis of the processes at work. Instead, research using this theoretical approach tends to examine music from a sociological perspective, focusing particularly on popular and secular music that has acquired a transnational dimension, such as jazz, rock, rap, reggae, zouk, and, of course, world music. Studies seeking to explore the connections between music and religion from a perspective that considers both issues of music and transnationalism are few and far between. Yet music plays a central role in religious transnationalization. The mobility of music, musicians, and musical media contributes to the dissemination of religious ideas, identities, and practices beyond national borders. The flow of music weaves together religious networks that transcend the nation-state. Musical deterritorialization and reterritorialization promotes the creation of transnational religious communities that cultivate the imagination of a country of origin and a place of settlement (more or less virtual or imagined) in order to construct new identities.</p> <p style="text-align: left;">While far from being a new concept, musical transnationalization of religion has accelerated and intensified over the course of the 20<sup>th</sup> century: with new means of transportation and communication, the phenomenon now occurs on a more global scale. If the musical transnationalization of religion was historically associated with missionary activities, colonialism, and slavery, it also occurs within the context of migration and, more broadly, with the movement of musicians, the circulation of songbooks, and the dissemination of recordings in various media, both tangible (LPs, cassette tapes, CDs, and DVDs) and intangible (radio, television, and the Internet). In each of these contexts, the rhythms, melodies, lyrics, repertoires, dances, and instruments circulate and promote significations that contribute to the reshaping of worldviews, religious identities, rituals, prayers, and modes of divine presence. By studying musical mobility and its reception in local contexts, this conference seeks to understand how musical transnationalization contributes to the homogenization of worship practices on a global scale while at the same time reaffirming local identities through a process of indigenization (Appadurai 2005).</p> <p style="text-align: left;">Another particular ambition, on a higher epistemological level, is to find some common ground for researchers who do not necessarily speak the same academic language. This conference thus endeavours to promote the juxtaposition of different disciplinary backgrounds as well as musical repertoires that are historically and geographically distant.</p> <h1 style="text-align: left;">Program</h1> <h2 style="text-align: left;">Thursday, October 16<sup>th</sup></h2> <p style="text-align: left;">8:00-8:45 : Welcome and Registration</p> <p style="text-align: left;">8:45-9:00 : Word of Welcome: <strong>Michel Duchesneau</strong>, <strong>Nathalie Fernando</strong>,<strong> Hugo Ferran</strong></p> <p style="text-align: left;">9:00-10:00 : Keynote Lecture : <strong>Kay Kaufman Shelemay</strong>, Harvard University – <em>Musical Nostalgia and Newness in Mobile Religions: Insights from the Ethiopian Diaspora</em></p> <p style="text-align: left;">10:00-10:20 : Break – Foyer Claude-Champagne</p> <p style="text-align: left;">10:20-12:20 : Panel : <em>Perspectives on African-American religious music</em></p> <p style="text-align: left;">Session chair:<strong> Hugo Ferran</strong></p> <ul style="text-align: left;"> <li><strong>Clara Biermann</strong>, Université Paris Ouest Nanterre La Défense – <em>Chanter les Orishas. Sacralisation du </em>candombe<em> afro-uruguayen et construction d’afrodescendance</em></li> <li><strong>Élise Heinisch</strong>, Université Paris-Sorbonne –<em> Analyse du processus rhizomatique de transnationalisation du culte brésilien Umbanda par son répertoire musical</em></li> <li><strong>Ryan Bazinet</strong>, John Jay College of Criminal Justice – <em>Afro-Trinidadian Religion and Music: Comparing Orisha and Rada</em></li> <li><strong>Amanda Villepastour</strong>, Cardiff University –  <em>“In the Land of the Blind, a One-Eyed Man Makes Himself King”: Big Musicians in the Making of London Santería</em></li> </ul> <p style="text-align: left;">12:20-1:30 : Lunch – Foyer Claude-Champagne</p> <p style="text-align: left;">1:30-3:30 : Panel : <em>Transcending borders, nations, and minority groups through music</em></p> <p style="text-align: left;">Session chair: <strong>François Picard</strong></p> <ul style="text-align: left;"> <li><strong>Diao Ying</strong>, University of Maryland – <em>Remolding Religious Practices through Music: The Transnational Musical Exchange among the Christian Lisu on the China-Burma Border</em></li> <li><strong>Dustin Wiebe</strong>, Wesleyan University – <em>The Island of </em>Whose<em> Gods?: Interreligious Network Formation and the Transnationalization of Gamelan Music in Bali</em></li> <li><strong>Bader Mousa Al-Saif,</strong> Georgetown University – <em>American Muslim Hip Hop & Islam in America: Intertwined Evolution & Exportation</em></li> <li><strong>Victor Randrianary</strong>, Université de Mayotte – <em>Une identité arrachée. Le </em>debaa<em>, une pratique féminine soufie de Mayotte</em></li> </ul> <p style="text-align: left;">3:30-3:50 : Break – Foyer Claude-Champagne</p> <p style="text-align: left;">3:50-5:50 : Panel : <em>Redefining sacred/secular music and the role of the researcher</em></p> <p style="text-align: left;">Session chair: <strong>Kay Kaufman Shelemay</strong></p> <ul style="text-align: left;"> <li><strong>Maisie Sum</strong>, University of Waterloo – <em>Constructing the Sacred, Negotiating the Secular: A Structural Analysis of Gnawa Music Performance</em></li> <li><strong>Yonatan Gez</strong>, Institut des hautes études internationales et du développement – <em>Churching, clubbing and hopping: Rethinking church participation in Kenya in terms of entertainment and the appeal of music</em></li> <li><strong>Owen Coggins</strong>, The Open University –<em> Amplifier Worship: The Transnational Recombination of Religious Symbols in Drone Metal</em></li> <li><strong>Jean Pouchelon</strong>, Université de Nanterre / Université de Montréal – <em>Gnawa de Paris et de Montréal</em></li> </ul> <p style="text-align: left;">5:50-6:30 : Cocktail reception – Foyer Claude-Champagne</p> <p style="text-align: left;">6:30-7:30 : Concert of Gnawa Music – B-484</p> <h2 style="text-align: left;">Friday, October 17<sup>th</sup></h2> <p style="text-align: left;">8:00-9:00: Welcome and Registration</p> <p style="text-align: left;">9:00-10:00 Panel : <em>Religious music festivals and translocal soundscapes</em></p> <p style="text-align: left;">Session chair: <strong>Emmanuelle Olivier</strong></p> <ul style="text-align: left;"> <li><strong>Jessica Roda,</strong> Université du Québec à Montréal – Du réseau transnational au milieu local : l'artiste séfarade comme icône de la réussite juive marocaine à Montréal</li> <li><strong>Monika Salzbrunn</strong> et <strong>Raphaela von Weichs</strong>, Université de Lausanne – <em>Traverser des paysages sonores translocaux : Réflexions méthodologiques sur la transnationalisation du religieux à travers la musique et les événements</em></li> </ul> <p style="text-align: left;">10:00-11:00 : Panel : <em>Mores and ethical standards in music</em></p> <p style="text-align: left;">Session chair: <strong>Nathalie Fernando</strong></p> <ul style="text-align: left;"> <li><strong>Gilles Holder</strong> et <strong>Emmanuelle Olivier</strong>, Centre national de la recherche scientifique – Islamic Pop Music au Mali : Logiques et technologiques de l'économie morale</li> <li><strong>Emir Mahieddin</strong>, Université d’Aix-Marseille – <em>Ce que la musique dit des m&oelig;urs. Morale et poétique de la circulation musicale dans le pentecôtisme global</em></li> </ul> <p style="text-align: left;">11:00-11:20 : Break – Foyer Claude-Champagne</p> <p style="text-align: left;">11:20-12:20 : Keynote Lecture</p> <p style="text-align: left;"><strong>David Irving</strong>, Australian National University – <em>David, the Psalms, and Ontologies of Music from Western Europe to Southeast Asia, 1550–1850</em></p> <p style="text-align: left;">12:20-1:30 : Lunch – Foyer Claude-Champagne</p> <p style="text-align: left;">1:30-3:30 : Panel : <em>Evangelizing through music: </em><em>hymns, missions, and missionaries</em></p> <p style="text-align: left;">Session chair: <strong>Anne Damon-Guillot</strong></p> <ul style="text-align: left;"> <li><strong>Enrique Pilco Paz</strong>, Université de Montréal – <em>Les péripéties du plain chant dans les Andes du XVI<sup>e</sup> au XX<sup>e</sup> siècle</em></li> <li><strong>François Picard</strong>, Université Paris-Sorbonne – <em>Les cahiers de musique, témoins de la mémoire des associations de musique catholiques de Pékin</em></li> <li><strong>Joanna Heath</strong>, Durham University – <em>Sankey's Sacred Songs and Solos and Mizo Christianity in Northeast India</em></li> <li><strong>Frances Wilkins</strong>, University of Aberdeen – <em>Southern Gospel in North-East Scotland: The Necessity for Change and the Lasting Impact of Moody and Sankey</em></li> </ul> <p style="text-align: left;">3:30-3:50 : Break – Foyer Claude-Champagne</p> <p style="text-align: left;">3:50-5:50 : Panel : <em>Analyzing the circulation and the transformation of religious music</em></p> <p style="text-align: left;">Session chair: <strong>Serena Facci</strong></p> <ul style="text-align: left;"> <li><strong>Thomas Hochradner</strong>, University of Music and Dramatic Arts Mozarteum Salzburg – <em>A Christmas Carol's Course into the World. "Silent Night" as an Example of Transnationalization</em></li> <li><strong>Susan Thomson</strong>, University of Massachusetts – <em>From </em>Chaitre Parve<em> to YouTube: Hinduism, Transnationalism, and Seraikela Chhau Dance</em></li> <li><strong>David Stowe</strong>, Michigan State University – <em>History, Memory, and Forgetting in Psalm 137</em></li> <li><strong>Salim Dada</strong>, Université Paris-Sorbonne – Al-膩dhân <em>: une pluri-identité mouvante dans les sociétés musulmanes contemporaines</em></li> </ul> <h2 style="text-align: left;">Saturday, October 18<sup>th</sup></h2> <p style="text-align: left;">8:00-9:00 : Welcome and Registration</p> <p style="text-align: left;">9:00-10:30 : Panel : <em>Musical life journeys, events, and fieldwork</em></p> <p style="text-align: left;">Session chair: <strong>Monika Salzbrunn</strong></p> <ul style="text-align: left;"> <li><strong>Alice Degorce</strong>, Institut de recherche pour le Développement – <em>Du rap à l'évangélisation : parole transnationale et parcours de vie d'un bishop de Ouagadougou, Burkina Faso</em></li> <li><strong>Jeanne Rey</strong>, University of Toronto Scarborough – <em>Répertoires musicaux et processus d'identification collective : réflexions à partir de trois événements religieux (Toronto, Genève, Accra)</em></li> <li><strong>Debora Baldelli</strong>, Universidade Nova de Lisboa – <em>Musical Practice of Hare Krishna devotees in Portugal: Transnational Religious Identity in the making</em></li> </ul> <p style="text-align: left;">10:30-10:50 : Break – Foyer Claude-Champagne</p> <p style="text-align: left;">10:50-12:20 : Panel : <em>The invention of identities</em> <em>and imagined communities </em><em>through music</em></p> <p style="text-align: left;">Session chair: <strong>Enrique Pilco</strong></p> <ul style="text-align: left;"> <li><strong>Teresita Lozano</strong>, University of Colorado Boulder – <em>“It's A Coptic Thing”: Music, Liturgy, and Transnational Religious Identity in an American Coptic Community</em></li> <li><strong>Alice Aterianus-Owanga</strong>, Centre de Recherches et d’études anthropologiques –<em> Transnationaliser le </em>bwiti<em> au rythme du rap gabonais : invention de traditions et métaphorisation religieuse</em></li> <li><strong>Anne Damon-Guillot,</strong> Université Jean Monnet de Saint-Étienne – <em>Isolement et résistance du chant alla turca de l'Église apostolique arménienne d'Istanbul</em></li> </ul> <p style="text-align: left;">12:20-1:30 : Lunch – Foyer Claude-Champagne</p> <p style="text-align: left;">1:30-2:30 : Panel : <em>The Internet, cyber-fieldwork, and musico-religious networks</em></p> <p style="text-align: left;">Session chair: <strong>Frédéric Dejean</strong></p> <p style="text-align: left;">Hugo Ferran, Université de Montréal – “Rate This MezmuR”. Ethnographie d'un groupe de discussion Facebook sur les musiques évangéliques éthiopiennes</p> <p style="text-align: left;">Kamran Hooshmand, University of Texas at Austin – Digital Tears: Shajarian's <em>Rabbena</em> Prayer and its Virtual Transnationalization</p> <p style="text-align: left;">2:30-2:50 : Break – Foyer Claude-Champagne</p> <p style="text-align: left;">2:50-4:20 : Panel : <em>Musical migration, diaspora, and multiculturalism</em></p> <p style="text-align: left;">Session chair: <strong>David Irving</strong></p> <ul style="text-align: left;"> <li><strong>Stephen Muir</strong>, University of Leeds – <em>East European Synagogue Music in the Cape of Good Hope: Music, Memory and Migration in the Transnational Experiences of Two Jewish Cantor-Composers</em></li> <li><strong>Gabriella Djerrahian</strong>, McGill University – <em>Expanding the Shades of “Black Music”: Young Ethiopian Israelis and the Transnational Circulation of Ethiopian Music</em></li> <li><strong>Serena Facci</strong>, Università degli Studi di Roma “Tor Vergata” – <em>Voices from a holy city: Christian liturgical music in today’s Rome</em></li> </ul> <p style="text-align: left;">4:20-4:40 : Break – Foyer Claude-Champagne</p> <p style="text-align: left;">4:40-5:40 : Recital-talk – B-484</p> <p style="text-align: left;"><strong>Judith Cohen</strong>, York University –<em>Singing over Time and Space: Music in Sephardic and Crypto-Jewish Life</em></p> <p style="text-align: left;">7:00-10:00 : Dinner</p> <p style="text-align: left;">Le Café des beaux-arts (1384 Sherbrooke Ouest)</p> </div> </div> <div id="categories" class="cat"> <p class="intitule">Cat茅gories</p> <ul> <li><a href="search?primary=fsubject&fsubject=213">Ethnologie, anthropologie</a> (Cat茅gorie principale)</li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=260">Pens茅e</a> > <a href="search?primary=fsubject&fsubject=261">Philosophie</a></li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=213">Ethnologie, anthropologie</a> > <a href="search?primary=fsubject&fsubject=215">Anthropologie culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=299">Religions</a> > <a href="search?primary=fsubject&fsubject=300">Sociologie des religions</a></li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=201">Sociologie</a> > <a href="search?primary=fsubject&fsubject=211">Sociologie de la culture</a></li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=228">Histoire</a> > <a href="search?primary=fsubject&fsubject=235">Histoire sociale</a></li> </ul> </div> <div id="lieux"> <p class="intitule">Lieux</p> <ul> <li class="location"> Facult茅 de musique de Montr茅al - 200, Vincent-d鈥橧ndy <br/> Montr茅al, Canada </li> </ul> </div> <div id="eventformats"><br></div> <div id="dates"> <p class="intitule">Dates</p> <ul> <li>jeudi 16 octobre 2014</li> <li>vendredi 17 octobre 2014</li> <li>samedi 18 octobre 2014</li> </ul> </div> <div id="motscles"> <p class="intitule">Mots-cl茅s</p> <ul> <li>transnationalisation, religion, musique,</li> </ul> </div> <div id="contacts"> <p class="intitule">Contacts</p> <ul> <li>Caroline Marcoux-Gendron<br/><em>courriel :</em> Chaire [dot] Fernand-Dumont [at] inrs [dot] ca<br/></li> </ul> </div> <div id="refurl"> <p class="intitule">URLS de r茅f茅rence</p> <ul> <li><a href="http://www.transnationalisation.oicrm.org">La transnationalisation du religieux par la musique</a></li> </ul> </div> <div id="source"> <p class="intitule">Source de l'information</p> <ul> <li>Caroline Marcoux-Gendron<br/><em>courriel :</em> Chaire [dot] Fernand-Dumont [at] inrs [dot] ca</li> </ul> </div> <div id="license"> <p class="intitule">Licence</p> <p><a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/"><img alt="CC0-1.0" class="cc" src="images/cc0-88x31.png" /></a> Cette annonce est mise 脿 disposition selon les termes de la <a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/">Creative Commons CC0 1.0 Universel</a>.</p> </div> <div id="citation"> <p class="intitule">Pour citer cette annonce</p> <p>芦 La transnationalisation du religieux par la musique 禄, <span class="category">Colloque</span>, <em>Calenda</em>, Publi茅 le vendredi 19 septembre 2014, <a class="url" href="https://doi.org/10.58079/qwm">https://doi.org/10.58079/qwm</a></p> </div> </div> </div> </div> <div id="news" class="column last"> <div id="imprimable"> <a id="impression" onclick="javascript:window.open('300249?formatage=print', '', 'menubar=yes,toolbar=no,scrollbars=yes,width=800,height=600');return false;" href="300249?formatage=print">Imprimer</a> <a id="signaler" 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