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Calenda - L’expérience de la crise urbaine au Moyen Âge
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="fr" lang="fr"> <head> <meta http-equiv="Content-type" content="text/html; charset=utf-8" /> <meta http-equiv="Content-language" content="" /> <link rel="shortcut icon" type="image/x-icon" href="favicon.ico" /> <title>Calenda - L’expérience de la crise urbaine au Moyen Âge</title> <link rel="stylesheet" type="text/css" href="https://static-origin.openedition.org/openbarre_/styles/main.css?date=2018-11-06" /> <link rel="stylesheet" type="text/css" href="css/screen.css" media="screen, print" /> <link rel="stylesheet" type="text/css" href="css/print.css" media="print" /> <script type="text/javascript" src="js/jquery.js"></script> <script type="text/javascript" src="js/jquery-ui-1.8.17.custom.min.js"></script> <script type="text/javascript" src="js/jquery.form.js"></script> <script type="text/javascript" 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proposons d’étudier la crise urbaine au Moyen Âge comme une expérience sensible, forgée par des sensations..." /> <meta property="og:image" content="https://calenda.org/images/favicon_150x150.png" /> <meta name="DC.rights" content="https://creativecommons.org/publicdomain/zero/1.0/" /> <meta name="viewport" content="width=device-width, initial-scale=1, shrink-to-fit=no"></head> <body> <div id="ob-breadcrumb" class="ob-breadcrumb-calenda"> <div class="container"> <a href="search">Accueil</a><a href=""><span>L’expérience de la crise urbaine au Moyen Âge</span></a> </div> </div><!-- breadcrumb --> <div id="wrapper"> <div id="content"> <script type="text/javascript" src="js/jquery.js"></script> <script type="text/javascript" src="js/jquery-ui-1.8.17.custom.min.js"></script> <script type="text/javascript" src="js/jquery.form.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-fr.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-de.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-en.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-pt.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-es.js"></script> <script type="text/javascript" src="js/jquery.sprintf.js"></script> <script type="text/javascript" src="js/calenda.js"></script> <script type="text/javascript" src="js/common.js"></script> <h2 id="pageTitle" class="title_as_rss"><a href="search">Accueil</a><a href=""><span>L’expérience de la crise urbaine au Moyen Âge</span></a></h2> <div class="colwrapper"> <div id="icon" class="column"> <h2><a href="search?primary=ftype&ftype=40">Appel à contribution</a><span><a href="search?primary=fsubject&fsubject=309">Moyen Âge</a></span></h2> <div id="tabledates"> <h2>Dates</h2> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2023&fmonth=09&fday=20">20</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2023&fmonth=09">sep</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2023">2023</a></div> </td> </tr> </tbody> </table> </div> </div> <div id="listcategories"> <h2>Catégories</h2> <ul> <li><a href="search?primary=fsubject&fsubject=242">Sciences politiques</a></li> <li><a href="search?primary=fsubject&fsubject=310">Haut Moyen Âge</a></li> <li><a href="search?primary=fsubject&fsubject=311">Bas Moyen Âge</a></li> <li><a href="search?primary=fsubject&fsubject=232">Histoire urbaine</a></li> <li><a href="search?primary=fsubject&fsubject=235">Histoire sociale</a></li> <li><a href="search?primary=fsubject&fsubject=244">Guerres, conflits, violence</a></li> </ul> </div> </div> <div id="document" class="column"> <div id="main"> <div class="titles"> <h1 class="origt"><a href="1090144">L’expérience de la crise urbaine au Moyen Âge</a></h1> <h2 class="origt">Experiencing urban crisis in the Middle Ages</h2> </div> <div class="mapuce2">* * *</div> <p id="pubdate"> Publié le mardi 01 août 2023 </p> <div id="texte"> <div id="resume"> <p class="intitule">Résumé</p> <div class="tabMenu"><a href="#resume-1090144-fr" hreflang="fr" class="active">Français</a> <a href="#resume-1090144-en" hreflang="en">English</a> </div> <div id="resume-1090144-fr" class="tabContent" lang="fr" xml:lang="fr"> <p style="text-align: left;">Pour répondre au thème du congrès international médiéval de Leeds 2024 (IMC), <em>Crisis</em>, nous proposons d’étudier la crise urbaine au Moyen Âge comme une expérience sensible, forgée par des sensations, émotions et gestes bien spécifiques. Dans une série de plusieurs sessions, nous proposons de réfléchir à ce qui permet de fabriquer l’expérience de crise et qui la rend si puissante. Nous réfléchirons aussi aux sources et aux méthodes mobilisées par le médiéviste, pour questionner la phénoménologie de cette expérience sensible partagée, vécue par tous mais décrite uniquement par les élites. </p> </div> <div id="resume-1090144-en" class="tabContent hidden" lang="en" xml:lang="en"> <p style="text-align: left;">To respond to the IMC Leed 2024 theme, <em>Crisis,</em> we propose to study urban crisis in the Middle Ages as a lived experience, which was made through specific sensations, emotions and actions. In a multi-sessions panel, we propose to examine what is needed to build an experience of crisis, and what makes it so powerful. We will also consider the sources and methods used by scholars, in order to question the phenomenology of this common lived-experience, which was lived by all but described only by the elite.</p> </div> </div> <div id="annonce"> <p class="intitule">Annonce</p> <div class="tabMenu"><a href="#annonce-1090144-fr" hreflang="fr" class="active">Français</a> <a href="#annonce-1090144-en" hreflang="en">English</a> </div> <div id="annonce-1090144-fr" class="tabContent" lang="fr" xml:lang="fr"> <p style="text-align: left;">Panel thématique du congrès international médiéval de Leeds 2024</p> <h1>Argumentaire</h1> <p style="text-align: left;">La ville médiévale est régulièrement la scène des crises populaires : le peuple se plaint d’une nouvelle taxe, s’inquiète du manque de blé, rejette une minorité locale, fulmine d’une innovation religieuse, frémit de l’imminence d’une attaque ou d’une catastrophe, dénonce une mesure officielle ou refuse carrément l’autorité en place... Ces crises peuvent être d’ampleur et de conséquences très variables mais la plupart de sources, tant de l’Occident que de l’Orient, confirment en général ce que disait déjà Platon : le peuple (la foule surtout) réagit toujours de façon intense, bruyante, agitée et « irraisonnée ». Ce corps social est un corps en mouvement, en sensation et en émotion. Ces mises en (ré)action de la population urbaine ont suscité de nombreuses études car elles jalonnent l’histoire de la ville tout en éclairant les dynamiques socio-politiques, les modes d’expression politique et les outils utilisés pour rétablir l’ordre. Néanmoins, la plupart de ces études restent concentrées autour de quelques événements et périodes particulièrement « turbulents ». La <em>fabrique</em> et l’<em>expérience</em> de la crise dans/de la ville restent encore assez inexplorées.</p> <p style="text-align: left;">Par essence une crise populaire est avant tout une expérience publique et du public dans la ville. À cette occasion, on crie, hurle des insultes, chante des chants parodiques et pousse des cris de bête ; on gesticule, applaudit, brandit le poing ou des armes ; on court, bouscule, moleste, frappe, casse et incendie, ou encore on panique, pleure à chaudes larmes, chante des hymnes sacrées et supplie Dieu d’accorder sa protection... Toute crise urbaine est caractérisée par un « paysage sensible » particulier, une expérience sensible partagée, forgée, alimentée et amplifiée par des émotions, des sensations, et des gestes intenses. En fait, on reconnaît la situation de crise, et on peut la situer dans le temps comme dans l’espace, précisément parce que l’on entend, voit et ressent ce « régime sensible » de violence, de colère ou de désespoir, de désordre, de pulsion et d’immodération qui impose à la ville une nouvelle façon d’être. On vit la crise publique bien plus que l’on peut l’expliquer, la raconter, la décrire. Elle peut spontanément s’étendre, enfler et s’intensifier par l’effet de foule, l’entraînement et l’excitation. Cette dimension sensible quasi-organique est d’ailleurs ce qui inquiète le plus les autorités et les élites : les chroniques, les archives urbaines et les textes de loi s’attardent bien plus longuement sur l’expérience publique ainsi créée que sur les causes et les revendications elles-mêmes. Nous proposons donc de réfléchir à ce qui construit cette expérience partagée et à ce qui la rend si puissante.</p> <p style="text-align: left;">Cependant, l’étude de l’expérience publique médiévale soulève un biais méthodologique car les sources utilisées émanent des lettrés qui méprisent la foule, notamment pour ses turbulences. La documentation disponible éclaire donc plus leur expérience étique de la crise que l’expérience émique de ceux qui y participent. En outre, ces textes révèlent la façon dont les élites se représentent et perçoivent la population urbaine. Par conséquent, si l’on s’intéresse à la nature, à l’intention et au contexte de fabrication des sources médiévales, il convient de questionner la phénoménologie de l’expérience de crise. Notre compréhension peut-elle être modelée par des descriptions <em>émiques</em>, fournies par les participants eux-mêmes, ou repose-t-elle uniquement sur des regards <em>étiques</em>, fournis par des élites lettrées qui regardent avec mépris cette foule agitée ? De fait, étudier l’expérience publique incite à réserver une des sessions de ce panel aux sources et aux méthodes.</p> <p style="text-align: left;">Pour répondre au thème annuel du congrès (« Crisis »), nous proposons d’étudier la crise urbaine pour elle-même, comme une expérience sensible — celle de ceux qui <em>font</em> la crise et celle de ceux qui l’<em>observent</em> et qui la <em>décrivent</em>. Nous étudierons les propositions explorant les thèmes suivants :</p> <ul> <li>Paysage sonore de la crise : insultes, chants contestataires/parodiques, obscénités, musiques...</li> <li>Émotions de et dans la crise (collectives et individuelles) : colère, mépris, peur, haine, douleur, désespoir...</li> <li>Corps en crise : vocalisation, gestes exaltés, jets de pierre, violences, lynchage, hooliganisme, larmes, arrachage de cheveux...</li> <li>Agentivité de la crise : mode d’action et de constitution des corps collectifs</li> <li>Genre de/dans la crise : présence et gestes des femmes, des enfants...</li> <li>Inducteurs de crise : rumeur, claque, agitateurs, prédicateur, « dialogue » public...</li> <li>Mise en récit de la crise : verbes, adverbes, adjectifs, topoi littéraires...</li> </ul> <p style="text-align: left;">Nous accueillons des contributions portant sur toutes les sociétés médiévales (Byzance, Islam, Nord et Occident), et encourageons vivement les perspectives comparatives, interdisciplinaires, ainsi que les réflexions méthodologiques.</p> <h1>Modalités de soumission</h1> <p style="text-align: left;">Les propositions de communication (15-20 min), contenant titre, résumé de 300 mots et mots-clefs, affiliation actuelle, adresses électronique et postale, équipement et accessibilité requis, et court cv, sont à envoyer à <strong>experiencecrisis@gmail.com</strong></p> <h3>d’ici le 20 septembre 2023.</h3> <h1>Organisation</h1> <ul> <li>Prof. Piroska Nagy — Université du Québec à Montréal (GRHS) & AMU (TELEMMe)</li> <li>Marie-Em. Torres — Aix-Marseille Université (LA3M)</li> </ul> <p style="text-align: left;">Contact <a href="mailto:experiencecrisis@gmail.com"><strong>experiencecrisis@gmail.com</strong></a></p> </div> <div id="annonce-1090144-en" class="tabContent hidden" lang="en" xml:lang="en"> <p style="text-align: left;">Thematic panel at International Medieval Congress Leeds 2024</p> <h1>Argument</h1> <p style="text-align: left;">Medieval cities, in East and West and beyond, were regularly the scene of popular crises: people complaining about a new tax, worrying about a shortage of grain, rejecting a local minority, raging against a religious reform, panicking by an imminent attack or a catastrophy, protesting against an official measure or simply rejecting current authority... Though the scale and consequences of such crises could vary a lot, most medieval sources generally confirm what Plato had stated: the “people” (ie, the mob) always react in an intense, noisy, agitated and “irrational way”. Their social-political body is one of movement, sensation and emotion. (Re)actions of urban populations have been studied extensively as part of the history of the cities and scholars shed light on the socio-political dynamics, the form of political expression and the methods used to re-establish order. However, most of these studies focus only on very specific and particularly “turbulent” events, times and places. Both the <em>making</em> and the <em>experience</em> of the urban crisis remain relatively unexplored.</p> <p style="text-align: left;">By its very nature, an urban crisis is first and foremost <em>a public experience</em> and <em>an experience of the people</em> in town. In such specific moment, the people yell and scream insults, sing parodic songs, and shout like beasts; they gesticulate, jump, dance, applaud, raise their hands or their weapons; they run, shove, mug, hit, break and set fire to the buildings; or they panic, cry out loud, sing hymns and beg God for mercy... Every urban crisis is tagged by a specific “sensescape”, a lived experience which is made, stimulated and amplified by combined strong sensations, emotions and gestures. In fact, one can recognize a crisis and locate it in place and time by hearing, seeing and feeling its specific “sensory regime” of violence, disorder, anger or dispair, drive and immoderation that suddenly impose a new way of being, feeling and behaving in the city. In this sense, a public crisis is to be lived more than to be explained, narrated or described. It can spontaneously spread, grow and intensify because of the “crowd effect”, excitement and buzz. The authorities and elites are most concerned by this almost-organic sensory dimension, since history-writing, city records and legislation focus more on the public experience created by the crisis than on its reasons and revendications. Therefore, we propose to investigate what builds this lived experience and what makes it so powerful.</p> <p style="text-align: left;">However, investigating medieval public experience of the crisis enlightens a methodological bias, since all the sources were written by the elites, who despised the turmoil of the crowd. Medieval documentation reveals more the elite’s etic experience of the crisis than the emic experience of its participants. It do also shed light on how the elites perceived the people in/of the city. Considering the nature, intention and context of production of the historical evidence leads us to question the phenomenology of the crisis experience: Is our understanding of that experience shaped by emic descriptions, formulated by people actually involved in the crisis? Or is it only built on the etic views provided by the literate elites who look down on the crowd with despise? As a consequence, focusing on the issues of lived experience makes it necessary to dedicate one of the sessions to the questions of sources and methods.</p> <p style="text-align: left;">Therefore, to answer the main strand of IMC Leeds 2024 (“crisis”), this CFP propose to study urban crisis as a lived experience — both that of those who are <em>making</em> the crisis and who are <em>witnessing</em> and <em>describing</em> it. We shall consider proposals exploring the following topics:</p> <ul> <li>The soundscape of the crisis: insults, protest songs, obscenities, parody, sacred music...</li> <li>Emotions in and of the crisis (collective & individual): anger, contempt, fear, pain, despair...</li> <li>Bodies in crisis: vocalisation, enthusiastic gestures, stone-throwing, violence, lynching, hooliganism, crying, pulling the hair out...</li> <li>Agentivity of the crisis: modes of action and of constitution of collective groups...</li> <li>Gender in/of crisis: feminine and childlike presence, actions and gestures...</li> <li>Triggers of crisis: rumours, claque, agitators, preacher, public “dialogue”...</li> <li>Narratives of crisis: verbs, adverbs, adjectives, literary <em>topoi</em>...</li> </ul> <p style="text-align: left;">Papers focusing on all medieval societies (Byzantium, Islam, North, West and beyond) are welcome. Comparative and interdisciplinary perspectives are strongly promoted, as well as methodological reflections.</p> <h1>Submission</h1> <p style="text-align: left;">Proposals comprising an abstract of 300-words and keywords, for a 15-20 min presentation, including paper title, full contact information and affiliation, equipment and accessibility requirements and a short cv, should be sent to <strong>experiencecrisis@gmail.com</strong></p> <h3>by September 20, 2023.</h3> <h1>Organisers </h1> <ul> <li>Prof. Piroska Nagy — Université du Québec à Montréal (GRHS) & AMU (TELEMMe)</li> <li>Marie-Em. Torres — Aix-Marseille Université (LA3M)</li> </ul> <p style="text-align: left;">Contact <a href="mailto:experiencecrisis@gmail.com"><strong>experiencecrisis@gmail.com</strong></a></p> </div> </div> <div id="categories" class="cat"> <p class="intitule">Catégories</p> <ul> <li><a href="search?primary=fsubject&fsubject=309">Moyen Âge</a> (Catégorie principale)</li> <li><a href="search?primary=fsubject&fsubject=200">Sociétés</a> > <a href="search?primary=fsubject&fsubject=241">Études du politique</a> > <a href="search?primary=fsubject&fsubject=242">Sciences politiques</a></li> <li><a href="search?primary=fsubject&fsubject=302">Périodes</a> > <a href="search?primary=fsubject&fsubject=309">Moyen Âge</a> > <a href="search?primary=fsubject&fsubject=310">Haut Moyen Âge</a></li> <li><a href="search?primary=fsubject&fsubject=302">Périodes</a> > <a href="search?primary=fsubject&fsubject=309">Moyen Âge</a> > <a href="search?primary=fsubject&fsubject=311">Bas Moyen Âge</a></li> <li><a href="search?primary=fsubject&fsubject=200">Sociétés</a> > <a href="search?primary=fsubject&fsubject=228">Histoire</a> > <a href="search?primary=fsubject&fsubject=232">Histoire urbaine</a></li> <li><a href="search?primary=fsubject&fsubject=200">Sociétés</a> > <a href="search?primary=fsubject&fsubject=228">Histoire</a> > <a href="search?primary=fsubject&fsubject=235">Histoire sociale</a></li> <li><a href="search?primary=fsubject&fsubject=200">Sociétés</a> > <a href="search?primary=fsubject&fsubject=241">Études du politique</a> > <a href="search?primary=fsubject&fsubject=244">Guerres, conflits, violence</a></li> </ul> </div> <div id="lieux"> <p class="intitule">Lieux</p> <ul> <li class="location"> Parkinson Building 1.03 - International Medieval Congress — Institute for Medieval Studies, University of Leeds, Woodhouse Lane <br/> Leeds, Grande-Bretagne (LS2 9JT) </li> </ul> </div> <div id="eventformats"> <h2 class="intitule">Format de l'événement</h2> <p>Événement uniquement sur site</p><br></div> <div id="dates"> <p class="intitule">Dates</p> <ul> <li>mercredi 20 septembre 2023</li> </ul> </div> <div id="attachments"> <p class="intitule">Fichiers attachés</p> <ul> <li><a href="1090158?file=1" target="_blank">CFP IMC Leeds 2024-Experiencing urban crisis (FR).pdf</a></li> <li><a href="1090159?file=1" target="_blank">CFP IMC Leeds 2024-Experiencing urban crisis (ENG).pdf</a></li> </ul> </div> <div id="motscles"> <p class="intitule">Mots-clés</p> <ul> <li>crise, ville, expérience, sensorialité, émotion, politique</li> </ul> </div> <div id="contacts"> <p class="intitule">Contacts</p> <ul> <li>Piroska Nagy<br/><em>courriel :</em> experiencecrisis [at] gmail [dot] com<br/></li> <li>Marie-Em. Torres<br/><em>courriel :</em> experiencecrisis [at] gmail [dot] com<br/></li> </ul> </div> <div id="source"> <p class="intitule">Source de l'information</p> <ul> <li>Marie-Em. Torres<br/><em>courriel :</em> experiencecrisis [at] gmail [dot] com</li> </ul> </div> <div id="license"> <p class="intitule">Licence</p> <p><a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/"><img alt="CC0-1.0" class="cc" src="images/cc0-88x31.png" /></a> Cette annonce est mise à disposition selon les termes de la <a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/">Creative Commons CC0 1.0 Universel</a>.</p> </div> <div id="citation"> <p class="intitule">Pour citer cette annonce</p> <p>« L’expérience de la crise urbaine au Moyen Âge », <span class="category">Appel à contribution</span>, <em>Calenda</em>, Publié le mardi 01 août 2023, <a class="url" href="https://doi.org/10.58079/1bno">https://doi.org/10.58079/1bno</a></p> </div> </div> </div> </div> <div id="news" class="column last"> <div id="imprimable"> <a id="impression" onclick="javascript:window.open('1090144?formatage=print', '', 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