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class="firstHeading mw-first-heading"><i>The Victorious Hannibal Seeing Italy from the Alps for the First Time</i></h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. 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data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E5%88%9D%E3%82%81%E3%81%A6%E3%82%A2%E3%83%AB%E3%83%97%E3%82%B9%E3%81%8B%E3%82%89%E3%82%A4%E3%82%BF%E3%83%AA%E3%82%A2%E3%82%92%E7%9C%BA%E3%82%81%E3%82%8B%E5%8B%9D%E5%88%A9%E3%81%97%E3%81%9F%E3%83%8F%E3%83%B3%E3%83%8B%E3%83%90%E3%83%AB" title="初めてアルプスからイタリアを眺める勝利したハンニバル – Japanese" lang="ja" hreflang="ja" data-title="初めてアルプスからイタリアを眺める勝利したハンニバル" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-pl badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://pl.wikipedia.org/wiki/Hannibal_zwyci%C4%99zca_po_raz_pierwszy_spogl%C4%85daj%C4%85cy_z_Alp_w_kierunku_Italii" title="Hannibal zwycięzca po raz pierwszy spoglądający z Alp w kierunku Italii – Polish" lang="pl" hreflang="pl" data-title="Hannibal zwycięzca po raz pierwszy spoglądający z Alp w kierunku Italii" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-vi badge-Q17437798 badge-goodarticle mw-list-item" title="good article badge"><a href="https://vi.wikipedia.org/wiki/Hannibal_%C4%90%E1%BA%AFc_Th%E1%BA%AFng_l%E1%BA%A7n_%C4%91%E1%BA%A7u_ti%C3%AAn_chi%C3%AAm_ng%C6%B0%E1%BB%A1ng_n%C6%B0%E1%BB%9Bc_%C3%9D_t%E1%BB%AB_d%C3%A3y_Anp%C6%A1" title="Hannibal Đắc Thắng lần đầu tiên chiêm ngưỡng nước Ý từ dãy Anpơ – Vietnamese" lang="vi" hreflang="vi" data-title="Hannibal Đắc Thắng lần đầu tiên chiêm ngưỡng nước Ý từ dãy Anpơ" data-language-autonym="Tiếng Việt" data-language-local-name="Vietnamese" class="interlanguage-link-target"><span>Tiếng Việt</span></a></li> </ul> <div class="after-portlet after-portlet-lang"><span class="wb-langlinks-edit wb-langlinks-link"><a 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<div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">1770–1771 painting by Francisco Goya</div> <p class="mw-empty-elt"> </p> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vevent" style="width: 22em; line-height: 1.4em; text-align: left;"><tbody><tr><th colspan="2" class="infobox-above summary" style="font-size: 125%; font-weight: bold; font-style: italic">The Victorious Hannibal Seeing Italy from the Alps for the First Time</th></tr><tr><td colspan="2" class="infobox-subheader">Spanish: <i>Aníbal vencedor que por primera vez mira Italia desde los Alpes</i></td></tr><tr><td colspan="2" class="infobox-image"><span typeof="mw:File"><a href="/wiki/File:An%C3%ADbal_vencedor_que_por_primera_vez_mira_Italia_desde_los_Alpes_-_Francisco_Goya.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cc/An%C3%ADbal_vencedor_que_por_primera_vez_mira_Italia_desde_los_Alpes_-_Francisco_Goya.jpg/400px-An%C3%ADbal_vencedor_que_por_primera_vez_mira_Italia_desde_los_Alpes_-_Francisco_Goya.jpg" decoding="async" width="400" height="264" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cc/An%C3%ADbal_vencedor_que_por_primera_vez_mira_Italia_desde_los_Alpes_-_Francisco_Goya.jpg/600px-An%C3%ADbal_vencedor_que_por_primera_vez_mira_Italia_desde_los_Alpes_-_Francisco_Goya.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cc/An%C3%ADbal_vencedor_que_por_primera_vez_mira_Italia_desde_los_Alpes_-_Francisco_Goya.jpg/800px-An%C3%ADbal_vencedor_que_por_primera_vez_mira_Italia_desde_los_Alpes_-_Francisco_Goya.jpg 2x" data-file-width="1871" data-file-height="1236" /></a></span></td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Artist</th><td class="infobox-data attendee"><a href="/wiki/Francisco_Goya" title="Francisco Goya">Francisco Goya</a></td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Completion date</th><td class="infobox-data">1770–1771</td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Medium</th><td class="infobox-data category"><a href="/wiki/Oil_painting" title="Oil painting">oil</a> on canvas</td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Dimensions</th><td class="infobox-data">88,3 × 133 cm</td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Location</th><td class="infobox-data"><a href="/wiki/Prado_Museum" class="mw-redirect" title="Prado Museum">Prado Museum</a>, <a href="/wiki/Madrid" title="Madrid">Madrid</a></td></tr></tbody></table> <p><i><b>The Victorious Hannibal Seeing Italy from the Alps for the First Time</b></i>,<sup id="cite_ref-:0_1-0" class="reference"><a href="#cite_note-:0-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> or <i>Hannibal the victor crossing the Alps</i>,<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> or <i>Hannibal the victorious from the heights of the Alps looks out over the plains of Italy</i><sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> (<a href="/wiki/Spanish_language" title="Spanish language">Spanish</a>: <i lang="es">Aníbal vencedor que por primera vez mira Italia desde los Alpes</i>) is an <a href="/wiki/Oil_painting" title="Oil painting">oil painting</a> by <a href="/wiki/Spanish_people" class="mw-redirect" title="Spanish people">Spanish</a> painter <a href="/wiki/Francisco_Goya" title="Francisco Goya">Francisco Goya</a>, dating from his early years. It is the oldest documented work by the painter. </p><p>The painting was created during Goya's stay in <a href="/wiki/Italy" title="Italy">Italy</a> in 1770–1771, for a competition announced by the Academy of Fine Arts in <a href="/wiki/Parma" title="Parma">Parma</a>. It takes up a historical theme related to the figure of <a href="/wiki/Hannibal" title="Hannibal">Hannibal</a> – the commander of the armies of ancient <a href="/wiki/Carthage" title="Carthage">Carthage</a>, who crossed the <a href="/wiki/Alps" title="Alps">Alps</a> with his army in the third century BC with the intention of conquering <a href="/wiki/Roman_Italy" title="Roman Italy">Roman Italy</a>. The artist carefully followed the rules given by the academy for depicting the subject, made numerous preparatory drawings and at least two oil sketches. The painting, located in the collection of the <a href="/w/index.php?title=Selgas-Fagalde_Foundation&action=edit&redlink=1" class="new" title="Selgas-Fagalde Foundation (page does not exist)"><i>Selgas-Fagalde</i> Foundation</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://pl.wikipedia.org/wiki/Fundacja_Selgas-Fagalde" class="extiw" title="pl:Fundacja Selgas-Fagalde">pl</a>]</span>, was wrongly attributed to <a href="/wiki/Corrado_Giaquinto" title="Corrado Giaquinto">Corrado Giaquinto</a>; Goya's <a href="/w/index.php?title=Attribution_(art)&action=edit&redlink=1" class="new" title="Attribution (art) (page does not exist)">attribution</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://pl.wikipedia.org/wiki/Atrybucja_(sztuka)" class="extiw" title="pl:Atrybucja (sztuka)">pl</a>]</span> was not confirmed until 1993. As of April 2021, the work is part of the <a href="/wiki/Museo_del_Prado" title="Museo del Prado">Prado</a> collection. A copy is in a private collection in <a href="/wiki/Barcelona" title="Barcelona">Barcelona</a>. Despite the availability of many sketches and <a href="/wiki/Radiography" title="Radiography">radiographic</a> studies made, not all art critics agree on the authenticity of this painting. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Circumstances_of_creation">Circumstances of creation</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Victorious_Hannibal_Seeing_Italy_from_the_Alps_for_the_First_Time&action=edit&section=1" title="Edit section: Circumstances of creation"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>During the years 1770–1771, Goya stayed in Italy, where he honed his painting skills. He was then a young and still unknown artist seeking validation of his talent and a path to fame. Before his departure to Italy, he attempted to gain entry into the <i><a href="/wiki/Real_Academia_de_Bellas_Artes_de_San_Fernando" title="Real Academia de Bellas Artes de San Fernando">Real Academia de Bellas Artes de San Fernando</a></i> in <a href="/wiki/Madrid" title="Madrid">Madrid</a>, but he faced failure in two consecutive competitions held by the academy. Probably due to the intervention of <a href="/wiki/Jos%C3%A9_Nicol%C3%A1s_de_Azara" title="José Nicolás de Azara">José Nicolás de Azara</a>, Goya was admitted to the prestigious competition for young artists announced by the Academy of Fine Arts in Parma in May 1770.<sup id="cite_ref-:1_4-0" class="reference"><a href="#cite_note-:1-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> It is also possible that he learned about the competition from Gesualdo di Giacomo, a Sicilian painter he met in Rome, who also participated in it.<sup id="cite_ref-:2_5-0" class="reference"><a href="#cite_note-:2-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Goya probably hoped that recognition from the Italian institution (especially the Parma academy, which enjoyed the patronage of <a href="/wiki/Philip,_Duke_of_Parma" title="Philip, Duke of Parma">Philip Bourbon</a>, brother of the Spanish king <a href="/wiki/Charles_III_of_Spain" title="Charles III of Spain">Charles III</a>)<sup id="cite_ref-:3_6-0" class="reference"><a href="#cite_note-:3-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> would help him in his career upon his return to his homeland, and perhaps even pave the way for work at the royal court.<sup id="cite_ref-:1_4-1" class="reference"><a href="#cite_note-:1-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Il_genio_della_guerra_guida_Annibale_attraverso_le_Alpi_-_Paolo_Borroni.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Il_genio_della_guerra_guida_Annibale_attraverso_le_Alpi_-_Paolo_Borroni.jpg/220px-Il_genio_della_guerra_guida_Annibale_attraverso_le_Alpi_-_Paolo_Borroni.jpg" decoding="async" width="220" height="175" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Il_genio_della_guerra_guida_Annibale_attraverso_le_Alpi_-_Paolo_Borroni.jpg/330px-Il_genio_della_guerra_guida_Annibale_attraverso_le_Alpi_-_Paolo_Borroni.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Il_genio_della_guerra_guida_Annibale_attraverso_le_Alpi_-_Paolo_Borroni.jpg/440px-Il_genio_della_guerra_guida_Annibale_attraverso_le_Alpi_-_Paolo_Borroni.jpg 2x" data-file-width="1280" data-file-height="1016" /></a><figcaption>The painting by <a href="/wiki/Paolo_Borroni" title="Paolo Borroni">Paolo Borroni</a> on the same subject, which won the competition at the Academy of Fine Arts in Parma</figcaption></figure> <p>The painting submitted for the competition was also supposed to be accompanied by an appropriate motto, and the artist was required to include in the letter their country of origin and the name of the master under whom they studied.<sup id="cite_ref-:4_7-0" class="reference"><a href="#cite_note-:4-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> While in Rome, on 20 April 1771, Goya wrote a letter to the new secretary of the academy, Count Rezzonico, informing him of the submission of his painting to the competition.<sup id="cite_ref-:5_8-0" class="reference"><a href="#cite_note-:5-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> In the letter, he embellished his origins and introduced himself as Francesco Goia, a Roman, and a pupil of the <a href="/wiki/Court_painter" title="Court painter">court painter</a> Francesco Vayeu (<a href="/wiki/Francisco_Bayeu_y_Sub%C3%ADas" title="Francisco Bayeu y Subías">Francisco Bayeu</a>).<sup id="cite_ref-:0_1-1" class="reference"><a href="#cite_note-:0-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> He adorned his submission with a motto taken from the <i><a href="/wiki/Aeneid" title="Aeneid">Aeneid</a></i>: <i>Iam tandem Italiae fugientis prendimus oras</i> (At last we seize the shores of Italy, which ever flee us, [...]).<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>a<span class="cite-bracket">]</span></a></sup> This was considered an apt choice of quotation for a painter whose journey to Italy also required many hardships and sacrifices,<sup id="cite_ref-:6_10-0" class="reference"><a href="#cite_note-:6-10"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> as well as a reference to Hannibal, who arrived in Italy ready to conquer it, just as Goya aimed to conquer it with his painting.<sup id="cite_ref-:2_5-1" class="reference"><a href="#cite_note-:2-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> The quote from <a href="/wiki/Virgil" title="Virgil">Virgil</a> and the flawlessly written letter in Italian suggest that he received assistance from José Nicolás de Azara. <a href="/w/index.php?title=Jos%C3%A9_Augustin_Llano_y_de_la_Quadra&action=edit&redlink=1" class="new" title="José Augustin Llano y de la Quadra (page does not exist)">José de la Quadra</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://pl.wikipedia.org/wiki/Jos%C3%A9_Augustin_Llano_y_de_la_Quadra" class="extiw" title="pl:José Augustin Llano y de la Quadra">pl</a>]</span>, ambassador of King Charles III in Parma, could also have provided him with support.<sup id="cite_ref-:6_10-1" class="reference"><a href="#cite_note-:6-10"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> </p><p>The mandatory theme of the competition was a historical scene depicting <a href="/wiki/Hannibal" title="Hannibal">Hannibal</a> gazing upon <a href="/wiki/Roman_Italy" title="Roman Italy">Roman Italy</a>, which he was soon to attack. Four paintings participated in the competition (besides Goya, Pierre du Hallas, Gesualdo di Giacomo, and <a href="/wiki/Paolo_Borroni" title="Paolo Borroni">Paolo Borroni</a> competed), which were exhibited in the academy's salon during June 1771. Goya's painting received six positive votes from the commission but did not win the competition. It received an honorable mention, praising Goya for his ease with the brush, the countenance and posture of Hannibal, and the majesty with which he portrayed the ancient leader. However, the commission was not satisfied with the color scheme and composition, noting that if the colors were more realistic and the composition closer to the requirements, Goya would have had a chance of winning. The first prize, in the form of a gold medal, was awarded to the Italian Paolo Borroni, who studied at the academy under the guidance of <a href="/wiki/Benigno_Bossi" title="Benigno Bossi">Benigno Bossi</a> (a member of the jury) and had received the second prize the previous year.<sup id="cite_ref-:6_10-2" class="reference"><a href="#cite_note-:6-10"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> According to <a href="/w/index.php?title=Arturo_Ans%C3%B3n_Navarro&action=edit&redlink=1" class="new" title="Arturo Ansón Navarro (page does not exist)">Arturo Ansón Navarro</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://pl.wikipedia.org/wiki/Arturo_Ans%C3%B3n_Navarro" class="extiw" title="pl:Arturo Ansón Navarro">pl</a>]</span>, the award was unjustly given to a local painter. Goya's painting surpassed the winning work in quality and better fulfilled the competition's conditions.<sup id="cite_ref-:5_8-1" class="reference"><a href="#cite_note-:5-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> Goya's name was mentioned in the <i>Diario Ordinario de Roma</i> on 3 August 1771, and in the prestigious literary magazine <i><a href="/wiki/Le_Mercure_de_France" class="mw-redirect" title="Le Mercure de France">Le Mercure de France</a></i> in January 1772 (where it was incorrectly stated that he had won the second prize).<sup id="cite_ref-:6_10-3" class="reference"><a href="#cite_note-:6-10"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Description">Description</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Victorious_Hannibal_Seeing_Italy_from_the_Alps_for_the_First_Time&action=edit&section=2" title="Edit section: Description"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In the Parma competition, in addition to the theme of the victorious Hannibal seeing Italy from the Alps for the first time, certain <a href="/wiki/Composition_(visual_arts)" title="Composition (visual arts)">compositional</a> elements were imposed: Hannibal was to be depicted raising the visor of his helmet and turning to the winged <a href="/wiki/Genius_(mythology)" title="Genius (mythology)">genius</a> who takes him by the hand; he sees from afar the beautiful landscape of distant Italy, and in his eyes and whole face there is revealed an inner joy and noble confidence in further victories.<sup id="cite_ref-:6_10-4" class="reference"><a href="#cite_note-:6-10"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> Such a depiction of the African chieftain can be found in the <a href="/wiki/Sonnet" title="Sonnet">sonnet</a> <i>Annibale</i> <i>vincitore</i><sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>b<span class="cite-bracket">]</span></a></sup> by Italian poet <a href="/wiki/Carlo_Innocenzo_Frugoni" title="Carlo Innocenzo Frugoni">Carlo Innocenzo Frugoni</a>, who was secretary of the academy until 1768.<sup id="cite_ref-:1_4-2" class="reference"><a href="#cite_note-:1-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> The theme of the competition was intended as a tribute to the late poet.<sup id="cite_ref-:7_12-0" class="reference"><a href="#cite_note-:7-12"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> Also the dimensions of the painting (88.3 × 133 cm) correspond exactly to the requirements from the competition.<sup id="cite_ref-:8_13-0" class="reference"><a href="#cite_note-:8-13"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> </p><p>Goya had limited access to sources describing the figure of Hannibal, and it is possible that he used the resources of the library of José Nicolas de Azara.<sup id="cite_ref-:5_8-2" class="reference"><a href="#cite_note-:5-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> He complied with the requirements of the academy and depicted the figure of the leader in a poetic manner, giving his person and actions a nobility. Hannibal stands upright on a rocky outcrop and, lifting his helmet slightly, looks confidently ahead. He had just traveled the long and hard road from <a href="/wiki/Spain" title="Spain">Spain</a> through the <a href="/wiki/Pyrenees" title="Pyrenees">Pyrenees</a>,<sup id="cite_ref-:3_6-1" class="reference"><a href="#cite_note-:3-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> where he had lost part of his army due to the low temperatures and difficult terrain.<sup id="cite_ref-:9_14-0" class="reference"><a href="#cite_note-:9-14"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> Now he has crossed the chain of the Alps and is looking at Italy for the first – his face expresses awe and amazement. He seems to have just realized his accomplishment and nothing can stop him from conquering <a href="/wiki/Rome" title="Rome">Rome</a>.<sup id="cite_ref-:3_6-2" class="reference"><a href="#cite_note-:3-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> His right hand is clenched in a gesture that indicates his will to win.<sup id="cite_ref-:4_7-1" class="reference"><a href="#cite_note-:4-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> Hannibal's helmet is decorated with the motif of <i>drac alat</i> – a winged dragon, the heraldic emblem of the kings of <a href="/wiki/Aragon" title="Aragon">Aragon</a>, which Goya knew from the coat of arms of <a href="/wiki/Zaragoza" title="Zaragoza">Zaragoza</a>.<sup id="cite_ref-:5_8-3" class="reference"><a href="#cite_note-:5-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> The winged figure of a <a href="/wiki/Genius_(mythology)" title="Genius (mythology)">genius</a>, in a theatrical gesture, wraps an arm around the leader and points him to the Italian landscape, invisible in the painting. A rider in a helmet adorned with feathers holds a giant wind-moved flag and leans toward him. A shield – an attribute of the victorious leader – can be seen behind the horse's legs. Part of Hannibal's cavalry is slowly making its way toward the valley, and the outline of the battle can be seen on the left.<sup id="cite_ref-:10_16-0" class="reference"><a href="#cite_note-:10-16"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p><p>Goya also introduced two <a href="/wiki/Allegory" title="Allegory">allegorical</a> figures that reflect the geography of the depicted scene and emphasize the outcome of the battles led by Hannibal. Against the cloudy sky, approaching in her chariot, is <a href="/wiki/Victoria_(mythology)" title="Victoria (mythology)">Victoria</a> – the goddess of victory and glory,<sup id="cite_ref-:10_16-1" class="reference"><a href="#cite_note-:10-16"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> also identified as <a href="/wiki/Fortuna" title="Fortuna">Fortuna</a>, who directs human destinies, accompanied by a <a href="/wiki/Putto" title="Putto">putto</a> carrying a sheaf of wheat.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:11_18-0" class="reference"><a href="#cite_note-:11-18"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> In her hands, she holds a <a href="/wiki/Laurel_wreath" title="Laurel wreath">laurel wreath</a>, which she intends to adorn the victorious leader with. One of her hands rests on a wheel, which may signify the fickleness of <a href="/wiki/Fortuna" title="Fortuna">fortune</a> and Hannibal's tragic end.<sup id="cite_ref-:10_16-2" class="reference"><a href="#cite_note-:10-16"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> This element was borrowed from the works of <a href="/wiki/Corrado_Giaquinto" title="Corrado Giaquinto">Corrado Giaquinto</a>.<sup id="cite_ref-:5_8-4" class="reference"><a href="#cite_note-:5-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> In the foreground, facing away from the viewer and closing the composition, is a figure representing the allegory of the longest river in Italy – the <a href="/wiki/Po_(river)" title="Po (river)">Po</a>.<sup id="cite_ref-:10_16-3" class="reference"><a href="#cite_note-:10-16"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> Presented according to the <a href="/wiki/Iconography" title="Iconography">iconography</a> of <a href="/wiki/Lombardy" title="Lombardy">Lombardy</a> by the Italian writer <a href="/wiki/Cesare_Ripa" title="Cesare Ripa">Cesare Ripa</a>, the figure, with a muscular male silhouette and a bull's head, pours water from a tilted <a href="/wiki/Amphora" title="Amphora">amphora</a>, symbolizing the valley of the river.<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Preparatory_sketches">Preparatory sketches</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Victorious_Hannibal_Seeing_Italy_from_the_Alps_for_the_First_Time&action=edit&section=3" title="Edit section: Preparatory sketches"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div><p> The work on the painting lasted about a year and was preceded by the creation of numerous preparatory sketches, which allow for a better understanding of Goya's creative process.<sup id="cite_ref-:1_4-3" class="reference"><a href="#cite_note-:1-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:12_20-0" class="reference"><a href="#cite_note-:12-20"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> In the collections of the Prado Museum, there is an Italian sketchbook of the painter, called <i><a href="/w/index.php?title=Cuaderno_italiano&action=edit&redlink=1" class="new" title="Cuaderno italiano (page does not exist)">Cuaderno italiano</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://pl.wikipedia.org/wiki/Cuaderno_italiano" class="extiw" title="pl:Cuaderno italiano">pl</a>]</span></i>, containing numerous drawings and notes by Goya from his trip to Italy. It includes five drawings considered sketches for various motifs of <i>The Victorious Hannibal</i>.... In addition to the general composition sketch in vertical format, it also contains sketches of Hannibal's silhouette, a genius, a bull's head, and ancient armor. A sanguine drawing depicting the competition composition horizontally is located below the <a href="/wiki/Mascaron_(architecture)" title="Mascaron (architecture)">mascaron</a> drawing.<sup id="cite_ref-:7_12-1" class="reference"><a href="#cite_note-:7-12"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> Initially, Goya sketched the genius leading Hannibal by the hand, according to the academy's description. However, in the final work, it is Hannibal who is at the center of attention, with the genius standing behind him, pointing out the landscape of Italy.<sup id="cite_ref-:4_7-2" class="reference"><a href="#cite_note-:4-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup></p><ul class="gallery mw-gallery-packed"> <li class="gallerycaption">Sketches from <i>Cuaderno italiano</i></li> <li class="gallerybox" style="width: 122.66666666667px"> <div class="thumb" style="width: 120.66666666667px;"><span typeof="mw:File"><a href="/wiki/File:Goya_-_Cuaderno_italiano,_p._37.jpg" class="mw-file-description" title="Composition sketch in vertical format (p. 37)"><img alt="Composition sketch in vertical format (p. 37)" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/26/Goya_-_Cuaderno_italiano%2C_p._37.jpg/181px-Goya_-_Cuaderno_italiano%2C_p._37.jpg" decoding="async" width="121" height="180" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/26/Goya_-_Cuaderno_italiano%2C_p._37.jpg/272px-Goya_-_Cuaderno_italiano%2C_p._37.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/26/Goya_-_Cuaderno_italiano%2C_p._37.jpg/363px-Goya_-_Cuaderno_italiano%2C_p._37.jpg 2x" data-file-width="1757" data-file-height="2614" /></a></span></div> <div class="gallerytext">Composition sketch in vertical format (p. 37)</div> </li> <li class="gallerybox" style="width: 131.33333333333px"> <div class="thumb" style="width: 129.33333333333px;"><span typeof="mw:File"><a href="/wiki/File:Goya_-_Cuaderno_italiano,_p._41.jpg" class="mw-file-description" title="Sketch of the head of the Po River's personification"><img alt="Sketch of the head of the Po River's personification" src="//upload.wikimedia.org/wikipedia/commons/thumb/8/88/Goya_-_Cuaderno_italiano%2C_p._41.jpg/194px-Goya_-_Cuaderno_italiano%2C_p._41.jpg" decoding="async" width="130" height="180" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/88/Goya_-_Cuaderno_italiano%2C_p._41.jpg/291px-Goya_-_Cuaderno_italiano%2C_p._41.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/88/Goya_-_Cuaderno_italiano%2C_p._41.jpg/388px-Goya_-_Cuaderno_italiano%2C_p._41.jpg 2x" data-file-width="1858" data-file-height="2582" /></a></span></div> <div class="gallerytext">Sketch of the head of the <a href="/wiki/Po_(river)" title="Po (river)">Po River</a>'s personification </div> </li> <li class="gallerybox" style="width: 132.66666666667px"> <div class="thumb" style="width: 130.66666666667px;"><span typeof="mw:File"><a href="/wiki/File:Goya_-_Cuaderno_italiano,_p._42.jpg" class="mw-file-description" title="Sketch of Victoria and an armor (p. 42)"><img alt="Sketch of Victoria and an armor (p. 42)" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/35/Goya_-_Cuaderno_italiano%2C_p._42.jpg/196px-Goya_-_Cuaderno_italiano%2C_p._42.jpg" decoding="async" width="131" height="180" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/35/Goya_-_Cuaderno_italiano%2C_p._42.jpg/293px-Goya_-_Cuaderno_italiano%2C_p._42.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/35/Goya_-_Cuaderno_italiano%2C_p._42.jpg/391px-Goya_-_Cuaderno_italiano%2C_p._42.jpg 2x" data-file-width="1866" data-file-height="2575" /></a></span></div> <div class="gallerytext">Sketch of <a href="/wiki/Victoria_(mythology)" title="Victoria (mythology)">Victoria</a> and an armor (p. 42)</div> </li> <li class="gallerybox" style="width: 135.33333333333px"> <div class="thumb" style="width: 133.33333333333px;"><span typeof="mw:File"><a href="/wiki/File:Goya_-_Cuaderno_italiano,_p._43.jpg" class="mw-file-description" title="Sketch of Hannibal and the genius (p. 43)"><img alt="Sketch of Hannibal and the genius (p. 43)" src="//upload.wikimedia.org/wikipedia/commons/thumb/6/69/Goya_-_Cuaderno_italiano%2C_p._43.jpg/200px-Goya_-_Cuaderno_italiano%2C_p._43.jpg" decoding="async" width="134" height="180" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/69/Goya_-_Cuaderno_italiano%2C_p._43.jpg/301px-Goya_-_Cuaderno_italiano%2C_p._43.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/69/Goya_-_Cuaderno_italiano%2C_p._43.jpg/401px-Goya_-_Cuaderno_italiano%2C_p._43.jpg 2x" data-file-width="1929" data-file-height="2596" /></a></span></div> <div class="gallerytext">Sketch of Hannibal and the genius (p. 43)</div> </li> <li class="gallerybox" style="width: 132px"> <div class="thumb" style="width: 130px;"><span typeof="mw:File"><a href="/wiki/File:Goya_-_Cuaderno_italiano,_p._45.jpg" class="mw-file-description" title="Sketch of a horizontal composition under the drawing of a mascaron (p. 45)"><img alt="Sketch of a horizontal composition under the drawing of a mascaron (p. 45)" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/31/Goya_-_Cuaderno_italiano%2C_p._45.jpg/195px-Goya_-_Cuaderno_italiano%2C_p._45.jpg" decoding="async" width="130" height="180" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/31/Goya_-_Cuaderno_italiano%2C_p._45.jpg/292px-Goya_-_Cuaderno_italiano%2C_p._45.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/31/Goya_-_Cuaderno_italiano%2C_p._45.jpg/389px-Goya_-_Cuaderno_italiano%2C_p._45.jpg 2x" data-file-width="1908" data-file-height="2645" /></a></span></div> <div class="gallerytext">Sketch of a horizontal composition under the drawing of a <a href="/wiki/Mascaron_(architecture)" title="Mascaron (architecture)">mascaron</a> (p. 45)</div> </li> </ul><p>Two oil preparatory sketches for the artwork have also survived, differing from the final version in several details. In both sketches, the fantastical figure extending its hand to Hannibal has delicate butterfly wings. Radiographic studies of the final version of the work revealed that Goya initially painted such wings but later replaced them with larger angel wings.<sup id="cite_ref-:10_16-4" class="reference"><a href="#cite_note-:10-16"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> The war attributes – shield and banners – lie on the ground in the foreground,<sup id="cite_ref-:6_10-5" class="reference"><a href="#cite_note-:6-10"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> while in the final work, they are more hidden behind the horse's legs.<sup id="cite_ref-:10_16-5" class="reference"><a href="#cite_note-:10-16"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> The first sketch, signed "Goya" in the center at the bottom, also featured a severed head among the attributes, which is visible in the radiograph of the painting.<sup id="cite_ref-:6_10-6" class="reference"><a href="#cite_note-:6-10"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> The soldier, dismounting from the horse while holding a huge banner, gazes in the same direction as Hannibal, as if wanting to see what his leader admires in the distance. The allegorical figure of the Po seems unaware of the scene unfolding before it.<sup id="cite_ref-:9_14-1" class="reference"><a href="#cite_note-:9-14"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> In the final version, the symbolic figures play a larger role,<sup id="cite_ref-:5_8-5" class="reference"><a href="#cite_note-:5-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> and Victoria/Fortuna is also added, appearing in the sonnet.<sup id="cite_ref-:2_5-2" class="reference"><a href="#cite_note-:2-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Removed is the figure next to the allegory of the Po. This figure is an old man with light hair wearing a <a href="/wiki/Laurel_wreath" title="Laurel wreath">laurel</a> crown, holding a leader's staff, identified as a defeated barbarian from Alpine peoples who looks up towards the victorious Hannibal, or personification of the <a href="/wiki/Alps" title="Alps">Alps</a>.<sup id="cite_ref-:4_7-3" class="reference"><a href="#cite_note-:4-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:13_21-0" class="reference"><a href="#cite_note-:13-21"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> The color palette of the first sketch is much brighter and warmer than that which Goya applied in the second and final work, where it becomes softer and takes on an unreal character.<sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-:13_21-1" class="reference"><a href="#cite_note-:13-21"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup></p><ul class="gallery mw-gallery-packed"> <li class="gallerycaption">Oil sketches</li> <li class="gallerybox" style="width: 236.66666666667px"> <div class="thumb" style="width: 234.66666666667px;"><span typeof="mw:File"><a href="/wiki/File:Anibal_vencedor_contempla_Italia_desde_los_Alpes_(boceto).jpg" class="mw-file-description" title="First preparatory sketch for the artwork, 30.5 × 38.5 cm, Zaragoza Museum"><img alt="First preparatory sketch for the artwork, 30.5 × 38.5 cm, Zaragoza Museum" src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b2/Anibal_vencedor_contempla_Italia_desde_los_Alpes_%28boceto%29.jpg/352px-Anibal_vencedor_contempla_Italia_desde_los_Alpes_%28boceto%29.jpg" decoding="async" width="235" height="180" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b2/Anibal_vencedor_contempla_Italia_desde_los_Alpes_%28boceto%29.jpg/528px-Anibal_vencedor_contempla_Italia_desde_los_Alpes_%28boceto%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b2/Anibal_vencedor_contempla_Italia_desde_los_Alpes_%28boceto%29.jpg/703px-Anibal_vencedor_contempla_Italia_desde_los_Alpes_%28boceto%29.jpg 2x" data-file-width="1964" data-file-height="1508" /></a></span></div> <div class="gallerytext">First preparatory sketch for the artwork, 30.5 × 38.5 cm, <a href="/wiki/Zaragoza_Museum" title="Zaragoza Museum">Zaragoza Museum</a></div> </li> <li class="gallerybox" style="width: 242.66666666667px"> <div class="thumb" style="width: 240.66666666667px;"><span typeof="mw:File"><a href="/wiki/File:Anibal_vencedor_contempla_Italia_desde_los_Alpes_(segundo_boceto).jpg" class="mw-file-description" title="Second preparatory sketch, private collection, United States"><img alt="Second preparatory sketch, private collection, United States" src="//upload.wikimedia.org/wikipedia/commons/thumb/0/01/Anibal_vencedor_contempla_Italia_desde_los_Alpes_%28segundo_boceto%29.jpg/361px-Anibal_vencedor_contempla_Italia_desde_los_Alpes_%28segundo_boceto%29.jpg" decoding="async" width="241" height="180" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/01/Anibal_vencedor_contempla_Italia_desde_los_Alpes_%28segundo_boceto%29.jpg/542px-Anibal_vencedor_contempla_Italia_desde_los_Alpes_%28segundo_boceto%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/01/Anibal_vencedor_contempla_Italia_desde_los_Alpes_%28segundo_boceto%29.jpg/722px-Anibal_vencedor_contempla_Italia_desde_los_Alpes_%28segundo_boceto%29.jpg 2x" data-file-width="1000" data-file-height="748" /></a></span></div> <div class="gallerytext">Second preparatory sketch, private collection, United States</div> </li> </ul><p>The initial composition may have been inspired by <a href="/w/index.php?title=Jos%C3%A9_Arias_(sculptor)&action=edit&redlink=1" class="new" title="José Arias (sculptor) (page does not exist)">José Arias'</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://pl.wikipedia.org/wiki/Jos%C3%A9_Arias" class="extiw" title="pl:José Arias">pl</a>]</span> <a href="/wiki/Relief" title="Relief">relief</a> titled <i>Construction of the Alcántara Bridge in Toledo.</i> Arias received the first prize for this sculpture in 1766 at the competition organized by the <i><a href="/wiki/Real_Academia_de_Bellas_Artes_de_San_Fernando" title="Real Academia de Bellas Artes de San Fernando">Real Academia de Bellas Artes de San Fernando</a></i> in <a href="/wiki/Madrid" title="Madrid">Madrid</a>. Goya also participated in this competition (in the painting category), so it is highly likely that he saw Arias' relief. It is possible that Goya made a sketch of the sculpture at that time, which he later used when painting his work. The figure of Emperor <a href="/wiki/Trajan" title="Trajan">Trajan</a> from the relief and Goya's Hannibal show significant similarities.<sup id="cite_ref-:10_16-6" class="reference"><a href="#cite_note-:10-16"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> However, there are obvious differences in the position and presentation of both figures.<sup id="cite_ref-:7_12-2" class="reference"><a href="#cite_note-:7-12"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Juliet_Wilson%E2%80%93Bareau" title="Juliet Wilson–Bareau">Juliet Wilson–Bareau</a> points to a possible inspiration from the sculpture of <a href="/wiki/Apollo_Belvedere" title="Apollo Belvedere">Apollo Belvedere</a>, which was a frequently used academic model from classical antiquity.<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> Hannibal's posture, with the typical <a href="/wiki/Contrapposto" title="Contrapposto">contrapposto</a> and ancient stylization, was a common way of depicting mythical heroes and warriors in 18th-century painting.<sup id="cite_ref-:7_12-3" class="reference"><a href="#cite_note-:7-12"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> The allegory of the Po is probably inspired by the sculpture <i><a href="/wiki/Dying_Gaul" title="Dying Gaul">Dying Gaul</a></i> seen from behind, which Goya knew from the <a href="/wiki/Capitoline_Museums" title="Capitoline Museums">Capitoline Museums</a>. He used this model again a few years later when painting <a href="/wiki/Francisco_Goya%27s_tapestry_cartoons" title="Francisco Goya's tapestry cartoons">cartoons for tapestries</a>, demonstrating his ability to render anatomy and refer to classicism.<sup id="cite_ref-:4_7-4" class="reference"><a href="#cite_note-:4-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> The group of riders with the banner was reused in the painting <i><a href="/w/index.php?title=Saint_Barbara_(painting)&action=edit&redlink=1" class="new" title="Saint Barbara (painting) (page does not exist)">Saint Barbara</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://pl.wikipedia.org/wiki/%C5%9Awi%C4%99ta_Barbara_(obraz_Francisca_Goi)" class="extiw" title="pl:Święta Barbara (obraz Francisca Goi)">pl</a>]</span></i>, created shortly after the painter's return from Italy to Spain.<sup id="cite_ref-:12_20-1" class="reference"><a href="#cite_note-:12-20"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> Other possible sources of inspiration for the composition include the drawing by <a href="/wiki/Gregorio_Guglielmi" title="Gregorio Guglielmi">Gregorio Guglielmi</a> <i>Alexander at the Tomb of Achilles</i>, <i>Achille avvisato da Iride di tornare a combattere</i> by Pietro Pasquale Ciaramponi, works by <a href="/wiki/Tadeusz_Kuntze" title="Tadeusz Kuntze">Tadeusz Kuntze</a> for the arrangement of horse legs, and numerous works by <a href="/wiki/Corrado_Giaquinto" title="Corrado Giaquinto">Corrado Giaquinto</a>.<sup id="cite_ref-:4_7-5" class="reference"><a href="#cite_note-:4-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p><div class="mw-heading mw-heading2"><h2 id="Technique">Technique</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Victorious_Hannibal_Seeing_Italy_from_the_Alps_for_the_First_Time&action=edit&section=4" title="Edit section: Technique"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:La_construcci%C3%B3n_del_puente_de_Alc%C3%A1ntara.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/9/94/La_construcci%C3%B3n_del_puente_de_Alc%C3%A1ntara.jpg/220px-La_construcci%C3%B3n_del_puente_de_Alc%C3%A1ntara.jpg" decoding="async" width="220" height="243" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/94/La_construcci%C3%B3n_del_puente_de_Alc%C3%A1ntara.jpg/330px-La_construcci%C3%B3n_del_puente_de_Alc%C3%A1ntara.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/94/La_construcci%C3%B3n_del_puente_de_Alc%C3%A1ntara.jpg/440px-La_construcci%C3%B3n_del_puente_de_Alc%C3%A1ntara.jpg 2x" data-file-width="538" data-file-height="594" /></a><figcaption><i>The Construction of the Alcántara Bridge in Toledo</i> (1766), by <a href="/w/index.php?title=Jos%C3%A9_Arias_(sculptor)&action=edit&redlink=1" class="new" title="José Arias (sculptor) (page does not exist)">José Arias</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://pl.wikipedia.org/wiki/Jos%C3%A9_Arias" class="extiw" title="pl:José Arias">pl</a>]</span>. This work may have served as inspiration for Goya for the figure of Hannibal</figcaption></figure> <p>Numerous preparatory sketches testify to how much effort the artist put into preparing the painting for the competition and the high hopes he had for it. <i>The Victorious Hannibal</i>... is an example of the Italian <a href="/wiki/Rococo" title="Rococo">Rococo</a> style<sup id="cite_ref-:8_13-1" class="reference"><a href="#cite_note-:8-13"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> and a technically refined work, which is evident in its harmonious composition, excellent use of light and confident brushstrokes modeling the figures and colors.<sup id="cite_ref-:3_6-3" class="reference"><a href="#cite_note-:3-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> The color palette used is dominated by shades of blue, delicate pinks and pearly grays, which express the classical yet unreal character of the scene, giving it a heroic tone.<sup id="cite_ref-:10_16-7" class="reference"><a href="#cite_note-:10-16"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> The first oil sketch was painted with Goya's typical vigorous brushstrokes. In the final work, the painter smoothed and cemented the brushstrokes, knowing the tastes of the academic jury that was to judge him. The color palette is also cooler, in the style of <a href="/wiki/Corrado_Giaquinto" title="Corrado Giaquinto">Corrado Giaquinto</a>.<sup id="cite_ref-:5_8-6" class="reference"><a href="#cite_note-:5-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> According to <a href="/w/index.php?title=Jes%C3%BAs_Urrea&action=edit&redlink=1" class="new" title="Jesús Urrea (page does not exist)">Jesús Urrea</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://pl.wikipedia.org/wiki/Jes%C3%BAs_Urrea" class="extiw" title="pl:Jesús Urrea">pl</a>]</span>, the cool colors give the impression that the depicted scene is playing out in the pale morning light.<sup id="cite_ref-:11_18-1" class="reference"><a href="#cite_note-:11-18"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Provenance">Provenance</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Victorious_Hannibal_Seeing_Italy_from_the_Alps_for_the_First_Time&action=edit&section=5" title="Edit section: Provenance"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The first biographers of Goya, <a href="/wiki/Charles_Yriarte" title="Charles Yriarte">Charles Yriarte</a> and Laurent Matheron, noted his participation in the competition in Parma based on an article from <i>Mercure de France</i> from 1772, which was disseminated by the French art critic Paul Mantz in 1851. In 1928, Giovanni Copertini consulted the archives of the Academy of Fine Arts in Parma and described the competition in his work <i>Note sul Goya</i>. The academy typically retained only the work that won the competition. Based on correspondence from the <a href="/wiki/Guillaume_du_Tillot" title="Guillaume du Tillot">Marquis de Felino</a>, it is known that the painting <i>The Victorious Hannibal</i>... was rolled up and sent to Valencia in the second half of 1771, but at the painter's request, it was detained at the port in Genoa, and eventually sent to Zaragoza.<sup id="cite_ref-:5_8-7" class="reference"><a href="#cite_note-:5-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> For many years, it was considered a lost work. It did not appear in any sources until the mid-19th century when the historian and entrepreneur <a href="/w/index.php?title=Fortunato_de_Selgas_Albuerne&action=edit&redlink=1" class="new" title="Fortunato de Selgas Albuerne (page does not exist)">Fortunato de Selgas</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://pl.wikipedia.org/wiki/Fortunato_de_Selgas_Albuerne" class="extiw" title="pl:Fortunato de Selgas Albuerne">pl</a>]</span> (1839–1921) acquired it in Madrid as a work by an unknown Italian painter. The painting adorned the <i>Quinta de Selgas,</i> residence of the Selgas family in El Pito, <a href="/wiki/Asturias" title="Asturias">Asturias</a> (now the headquarters of the <a href="/w/index.php?title=Selgas-Fagalde_Foundation&action=edit&redlink=1" class="new" title="Selgas-Fagalde Foundation (page does not exist)"><i>Selgas-Fagalde</i> Foundation</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://pl.wikipedia.org/wiki/Fundacja_Selgas-Fagalde" class="extiw" title="pl:Fundacja Selgas-Fagalde">pl</a>]</span>). In 1993, <a href="/w/index.php?title=Jes%C3%BAs_Urrea&action=edit&redlink=1" class="new" title="Jesús Urrea (page does not exist)">Jesús Urrea</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://pl.wikipedia.org/wiki/Jes%C3%BAs_Urrea" class="extiw" title="pl:Jesús Urrea">pl</a>]</span>, then deputy director of the <a href="/wiki/Prado" class="mw-redirect" title="Prado">Prado</a>, identified the painting and attributed it to Goya. <i>The Victorious Hannibal</i>... was presented at an exhibition at the Prado the following year, and the museum officially confirmed the attribution of the work.<sup id="cite_ref-:10_16-8" class="reference"><a href="#cite_note-:10-16"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> The Selgas-Fagalde Foundation loaned the painting to the Prado in 2011, simultaneously committing the museum to its <a href="/wiki/Conservation_and_restoration_of_cultural_property" title="Conservation and restoration of cultural property">restoration</a>.<sup id="cite_ref-:3_6-4" class="reference"><a href="#cite_note-:3-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> In April 2021, the Friends of the Prado Museum Foundation acquired this painting for 3.3 million euros to commemorate the 40th anniversary of its founding and to honor <a href="/wiki/Francisco_Calvo_Serraller" title="Francisco Calvo Serraller">Francisco Calva Serraller</a>, one of its founding members.<sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Victorious_Hannibal_Seeing_Italy_from_the_Alps_for_the_First_Time&action=edit&section=6" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/List_of_works_by_Francisco_Goya" title="List of works by Francisco Goya">List of works by Francisco Goya</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Victorious_Hannibal_Seeing_Italy_from_the_Alps_for_the_First_Time&action=edit&section=7" title="Edit section: Notes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text"><a href="/wiki/Virgil" title="Virgil">Virgil</a>, <i><a href="/wiki/Aeneid" title="Aeneid">Aeneid</a></i>, Book VI, translated by Tadeusz Karyłowski.</span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><i>Ferocemente la visiera bruna / alzo sull’Alpe l’Affrican Guerriero / cui la vittrici militar fortuna / splendea negli atti del semblante altero</i> [...]. Carlo Innocenzo Frugoni, <i>Annibale vincitore</i>, Sonnet VIII.</span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Victorious_Hannibal_Seeing_Italy_from_the_Alps_for_the_First_Time&action=edit&section=8" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-:0-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-:0_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:0_1-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFHughes2006" class="citation book cs1"><a href="/wiki/Robert_Hughes_(critic)" title="Robert Hughes (critic)">Hughes, Robert</a> (2006). <i>Goya. Artysta i jego czas</i>. Warsaw: W.A.B. pp. 47–48. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/83-7414-248-0" title="Special:BookSources/83-7414-248-0"><bdi>83-7414-248-0</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/569990350">569990350</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Goya.+Artysta+i+jego+czas&rft.place=Warsaw&rft.pages=47-48&rft.pub=W.A.B.&rft.date=2006&rft_id=info%3Aoclcnum%2F569990350&rft.isbn=83-7414-248-0&rft.aulast=Hughes&rft.aufirst=Robert&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAleksandrowicz2012" class="citation book cs1">Aleksandrowicz, Joanna (2012). <i>Pomiędzy płótnem a ekranem: Inspiracje twórczością Goi w kinie hiszpańskim</i>. Katowice: Wydawnictwo Uniwersytetu Śląskiego. pp. 140, 339. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-83-226-2065-6" title="Special:BookSources/978-83-226-2065-6"><bdi>978-83-226-2065-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Pomi%C4%99dzy+p%C5%82%C3%B3tnem+a+ekranem%3A+Inspiracje+tw%C3%B3rczo%C5%9Bci%C4%85+Goi+w+kinie+hiszpa%C5%84skim&rft.place=Katowice&rft.pages=140%2C+339&rft.pub=Wydawnictwo+Uniwersytetu+%C5%9Al%C4%85skiego&rft.date=2012&rft.isbn=978-83-226-2065-6&rft.aulast=Aleksandrowicz&rft.aufirst=Joanna&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPeccatoriZuffi2006" class="citation book cs1">Peccatori, Stefano; Zuffi, Stefano (2006). <i>Goya</i>. Klasycy sztuki. Warsaw. pp. 12–13. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/83-60529-14-0" title="Special:BookSources/83-60529-14-0"><bdi>83-60529-14-0</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/749548628">749548628</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Goya&rft.place=Warsaw&rft.series=Klasycy+sztuki&rft.pages=12-13&rft.date=2006&rft_id=info%3Aoclcnum%2F749548628&rft.isbn=83-60529-14-0&rft.aulast=Peccatori&rft.aufirst=Stefano&rft.au=Zuffi%2C+Stefano&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span><span class="cs1-maint citation-comment"><code class="cs1-code">{{<a href="/wiki/Template:Cite_book" title="Template:Cite book">cite book</a>}}</code>: CS1 maint: location missing publisher (<a href="/wiki/Category:CS1_maint:_location_missing_publisher" title="Category:CS1 maint: location missing publisher">link</a>)</span></span> </li> <li id="cite_note-:1-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-:1_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:1_4-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:1_4-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:1_4-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSureda2008" class="citation book cs1">Sureda, Joan (2008). <i>Los mundos de Goya</i>. Madrid: Lunwerg Editores. pp. 53–58. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-84-9785-512-9" title="Special:BookSources/978-84-9785-512-9"><bdi>978-84-9785-512-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Los+mundos+de+Goya&rft.place=Madrid&rft.pages=53-58&rft.pub=Lunwerg+Editores&rft.date=2008&rft.isbn=978-84-9785-512-9&rft.aulast=Sureda&rft.aufirst=Joan&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-:2-5"><span class="mw-cite-backlink">^ <a href="#cite_ref-:2_5-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:2_5-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:2_5-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20220120234922/https://fundaciongoyaenaragon.es/obra/anibal-vencedor-que-por-primera-vez-miro-italia-desde-los-alpes/153">"Aníbal vencedor, que por primera vez miró Italia desde los Alpes"</a>. <i>Fundación Goya en Aragón</i> (in Spanish and English). Archived from <a rel="nofollow" class="external text" href="https://fundaciongoyaenaragon.es/obra/anibal-vencedor-que-por-primera-vez-miro-italia-desde-los-alpes/153">the original</a> on 20 January 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">13 November</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Fundaci%C3%B3n+Goya+en+Arag%C3%B3n&rft.atitle=An%C3%ADbal+vencedor%2C+que+por+primera+vez+mir%C3%B3+Italia+desde+los+Alpes&rft_id=https%3A%2F%2Ffundaciongoyaenaragon.es%2Fobra%2Fanibal-vencedor-que-por-primera-vez-miro-italia-desde-los-alpes%2F153&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-:3-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-:3_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:3_6-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:3_6-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:3_6-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:3_6-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="https://www.museodelprado.es/actualidad/noticia/el-museo-del-prado-exhibira-la-primera-pintura/a9c8d9f0-41c1-45cb-8055-6523de275152">"El Museo del Prado exhibirá la primera pintura documentada de Goya durante un período de seis años"</a>. <i>Museo Nacional del Prado</i> (in Spanish). 26 September 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">13 November</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Museo+Nacional+del+Prado&rft.atitle=El+Museo+del+Prado+exhibir%C3%A1+la+primera+pintura+documentada+de+Goya+durante+un+per%C3%ADodo+de+seis+a%C3%B1os&rft.date=2011-09-26&rft_id=https%3A%2F%2Fwww.museodelprado.es%2Factualidad%2Fnoticia%2Fel-museo-del-prado-exhibira-la-primera-pintura%2Fa9c8d9f0-41c1-45cb-8055-6523de275152&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-:4-7"><span class="mw-cite-backlink">^ <a href="#cite_ref-:4_7-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:4_7-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:4_7-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:4_7-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:4_7-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:4_7-5"><sup><i><b>f</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMenaRúaOnaRuata2015" class="citation book cs1"><a href="/wiki/Manuela_Mena" title="Manuela Mena">Mena, Manuela</a>; Rúa, Regina Luis; Ona, José Luis; Ruata, José Ignacio Calvo; López, Juan Carlos Lozano; Utrilla, José María Enguita; Martín, Virginia Albarrán (2015). <i>Goya y Zaragoza. 1746-1775 Sus raíces aragonesas</i>. Zaragoza: Fundación Goya en Aragón. pp. 112–115. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-84-8380-322-6" title="Special:BookSources/978-84-8380-322-6"><bdi>978-84-8380-322-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Goya+y+Zaragoza.+1746-1775+Sus+ra%C3%ADces+aragonesas&rft.place=Zaragoza&rft.pages=112-115&rft.pub=Fundaci%C3%B3n+Goya+en+Arag%C3%B3n&rft.date=2015&rft.isbn=978-84-8380-322-6&rft.aulast=Mena&rft.aufirst=Manuela&rft.au=R%C3%BAa%2C+Regina+Luis&rft.au=Ona%2C+Jos%C3%A9+Luis&rft.au=Ruata%2C+Jos%C3%A9+Ignacio+Calvo&rft.au=L%C3%B3pez%2C+Juan+Carlos+Lozano&rft.au=Utrilla%2C+Jos%C3%A9+Mar%C3%ADa+Enguita&rft.au=Mart%C3%ADn%2C+Virginia+Albarr%C3%A1n&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-:5-8"><span class="mw-cite-backlink">^ <a href="#cite_ref-:5_8-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:5_8-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:5_8-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:5_8-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:5_8-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:5_8-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-:5_8-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-:5_8-7"><sup><i><b>h</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNavarro1995" class="citation book cs1">Navarro, Arturo Ansón (1995). <i>Goya y Aragón: familia, amistades y encargos artísticos</i>. Zaragoza: Caja de Ahorros de la Immaculada de Aragón. pp. 84–87. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-84-88305-32-9" title="Special:BookSources/978-84-88305-32-9"><bdi>978-84-88305-32-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Goya+y+Arag%C3%B3n%3A+familia%2C+amistades+y+encargos+art%C3%ADsticos&rft.place=Zaragoza&rft.pages=84-87&rft.pub=Caja+de+Ahorros+de+la+Immaculada+de+Arag%C3%B3n&rft.date=1995&rft.isbn=978-84-88305-32-9&rft.aulast=Navarro&rft.aufirst=Arturo+Ans%C3%B3n&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-:6-10"><span class="mw-cite-backlink">^ <a href="#cite_ref-:6_10-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:6_10-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:6_10-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:6_10-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:6_10-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:6_10-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-:6_10-6"><sup><i><b>g</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGarcía1992" class="citation book cs1">García, Wifredo Rincón (1992). "Aníbal contemplando Italia". In Gállego, Julián (ed.). <i>Goya (Catálogo Exposición Ayuntamiento de Zaragoza)</i>. Zaragoza: Electa España. pp. 30–31. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/84-88045-37-9" title="Special:BookSources/84-88045-37-9"><bdi>84-88045-37-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=An%C3%ADbal+contemplando+Italia&rft.btitle=Goya+%28Cat%C3%A1logo+Exposici%C3%B3n+Ayuntamiento+de+Zaragoza%29&rft.place=Zaragoza&rft.pages=30-31&rft.pub=Electa+Espa%C3%B1a&rft.date=1992&rft.isbn=84-88045-37-9&rft.aulast=Garc%C3%ADa&rft.aufirst=Wifredo+Rinc%C3%B3n&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-:7-12"><span class="mw-cite-backlink">^ <a href="#cite_ref-:7_12-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:7_12-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:7_12-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:7_12-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMena2013" class="citation book cs1">Mena, Manuela (2013). <i>Cuadernos italianos en el Museo del Prado: de Goya, José del Castillo, Mariano Salvador Maella</i>. Madrid: Museo Nacional del Prado. pp. 641–642. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-84-604-9246-7" title="Special:BookSources/978-84-604-9246-7"><bdi>978-84-604-9246-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Cuadernos+italianos+en+el+Museo+del+Prado%3A+de+Goya%2C+Jos%C3%A9+del+Castillo%2C+Mariano+Salvador+Maella&rft.place=Madrid&rft.pages=641-642&rft.pub=Museo+Nacional+del+Prado&rft.date=2013&rft.isbn=978-84-604-9246-7&rft.aulast=Mena&rft.aufirst=Manuela&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-:8-13"><span class="mw-cite-backlink">^ <a href="#cite_ref-:8_13-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:8_13-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBaticle2004" class="citation book cs1"><a href="/wiki/Jeannine_Baticle" title="Jeannine Baticle">Baticle, Jeannine</a> (2004). <i>Goya</i>. ABC S.L. p. 45.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Goya&rft.pages=45&rft.pub=ABC+S.L.&rft.date=2004&rft.aulast=Baticle&rft.aufirst=Jeannine&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-:9-14"><span class="mw-cite-backlink">^ <a href="#cite_ref-:9_14-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:9_14-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLuna1995" class="citation book cs1">Luna, Juan J. (1995). <i>Goya en las colecciones española</i>. Madrid: Banco Bilbao Vizcaya. pp. 54–55. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/84-86022-79-7" title="Special:BookSources/84-86022-79-7"><bdi>84-86022-79-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Goya+en+las+colecciones+espa%C3%B1ola&rft.place=Madrid&rft.pages=54-55&rft.pub=Banco+Bilbao+Vizcaya&rft.date=1995&rft.isbn=84-86022-79-7&rft.aulast=Luna&rft.aufirst=Juan+J.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFReyDieste2009" class="citation book cs1">Rey, Marisa Arguís; Dieste, Carmen Gómez (2009). <i>Goya. Museo de Zaragoza. Exposición permanente</i>. Zaragoza: Gobierno de Aragón. pp. 34–35. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-84-8380-178-9" title="Special:BookSources/978-84-8380-178-9"><bdi>978-84-8380-178-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Goya.+Museo+de+Zaragoza.+Exposici%C3%B3n+permanente&rft.place=Zaragoza&rft.pages=34-35&rft.pub=Gobierno+de+Arag%C3%B3n&rft.date=2009&rft.isbn=978-84-8380-178-9&rft.aulast=Rey&rft.aufirst=Marisa+Argu%C3%ADs&rft.au=Dieste%2C+Carmen+G%C3%B3mez&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-:10-16"><span class="mw-cite-backlink">^ <a href="#cite_ref-:10_16-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:10_16-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:10_16-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:10_16-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:10_16-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:10_16-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-:10_16-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-:10_16-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-:10_16-8"><sup><i><b>i</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBlanch1998" class="citation web cs1 cs1-prop-foreign-lang-source">Blanch, Santiago Alcolea (1998). <a rel="nofollow" class="external text" href="https://www.yumpu.com/es/document/view/15719308/anibal-mascaras-y-anamorfosis-en-el-cuaderno-italiano-de-goya1">"Aníbal, máscaras y anamorfosisen el Cuaderno italiano de Goya"</a>. <i>Instituto Amatller de Arte Hispánico</i> (in Spanish). Barcelona<span class="reference-accessdate">. Retrieved <span class="nowrap">13 November</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Instituto+Amatller+de+Arte+Hisp%C3%A1nico&rft.atitle=An%C3%ADbal%2C+m%C3%A1scaras+y+anamorfosisen+el+Cuaderno+italiano+de+Goya&rft.date=1998&rft.aulast=Blanch&rft.aufirst=Santiago+Alcolea&rft_id=https%3A%2F%2Fwww.yumpu.com%2Fes%2Fdocument%2Fview%2F15719308%2Fanibal-mascaras-y-anamorfosis-en-el-cuaderno-italiano-de-goya1&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBozal2005" class="citation book cs1"><a href="/wiki/Valeriano_Bozal" title="Valeriano Bozal">Bozal, Valeriano</a> (2005). <i>Francisco Goya. Vida y obra</i>. Vol. 1. Madrid: Tf. editores. pp. 28–30. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/84-96209-39-3" title="Special:BookSources/84-96209-39-3"><bdi>84-96209-39-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Francisco+Goya.+Vida+y+obra&rft.place=Madrid&rft.pages=28-30&rft.pub=Tf.+editores&rft.date=2005&rft.isbn=84-96209-39-3&rft.aulast=Bozal&rft.aufirst=Valeriano&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-:11-18"><span class="mw-cite-backlink">^ <a href="#cite_ref-:11_18-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:11_18-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFUrreaMenaSerraller1994" class="citation book cs1">Urrea, Jesús; <a href="/wiki/Manuela_Mena" title="Manuela Mena">Mena, Manuela</a>; <a href="/wiki/Francisco_Calvo_Serraller" title="Francisco Calvo Serraller">Serraller, Francisco Calvo</a> (1994). "El Aníbal de Goya reencontrado". <i>El cuaderno italiano 1770-1786: Los origines del arte de Goya</i>. Madrid: Museo del Prado. pp. 40–52.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=El+An%C3%ADbal+de+Goya+reencontrado&rft.btitle=El+cuaderno+italiano+1770-1786%3A+Los+origines+del+arte+de+Goya&rft.place=Madrid&rft.pages=40-52&rft.pub=Museo+del+Prado&rft.date=1994&rft.aulast=Urrea&rft.aufirst=Jes%C3%BAs&rft.au=Mena%2C+Manuela&rft.au=Serraller%2C+Francisco+Calvo&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDíaz2010" class="citation book cs1">Díaz, María Jesús, ed. (2010). <i>Goya</i>. Madrid: Susaeta Ediciones. p. 13. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-84-9928-021-9" title="Special:BookSources/978-84-9928-021-9"><bdi>978-84-9928-021-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Goya&rft.place=Madrid&rft.pages=13&rft.pub=Susaeta+Ediciones&rft.date=2010&rft.isbn=978-84-9928-021-9&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-:12-20"><span class="mw-cite-backlink">^ <a href="#cite_ref-:12_20-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:12_20-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSureda2008" class="citation book cs1">Sureda, Joan, ed. (2008). <i>Goya e Italia</i>. Vol. 2. Zaragoza: Turner / Fundación Goya en Aragón. pp. 254–256, 305. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-84-7506-807-7" title="Special:BookSources/978-84-7506-807-7"><bdi>978-84-7506-807-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Goya+e+Italia&rft.place=Zaragoza&rft.pages=254-256%2C+305&rft.pub=Turner+%2F+Fundaci%C3%B3n+Goya+en+Arag%C3%B3n&rft.date=2008&rft.isbn=978-84-7506-807-7&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-:13-21"><span class="mw-cite-backlink">^ <a href="#cite_ref-:13_21-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:13_21-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="https://fundaciongoyaenaragon.es/obra/anibal-vencedor-que-por-primera-vez-miro-italia-desde-los-alpes-boceto-2/155">"Aníbal vencedor, que por primera vez miró Italia desde los Alpes (boceto 2)"</a>. <i>Fundación Goya en Aragón</i> (in Spanish and English)<span class="reference-accessdate">. Retrieved <span class="nowrap">13 November</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Fundaci%C3%B3n+Goya+en+Arag%C3%B3n&rft.atitle=An%C3%ADbal+vencedor%2C+que+por+primera+vez+mir%C3%B3+Italia+desde+los+Alpes+%28boceto+2%29&rft_id=https%3A%2F%2Ffundaciongoyaenaragon.es%2Fobra%2Fanibal-vencedor-que-por-primera-vez-miro-italia-desde-los-alpes-boceto-2%2F155&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-22">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="https://fundaciongoyaenaragon.es/obra/anibal-vencedor-que-por-primera-vez-miro-italia-desde-los-alpes-boceto-1/154">"Aníbal vencedor, que por primera vez miró Italia desde los Alpes (boceto 1)"</a>. <i>Fundación Goya en Aragón</i> (in Spanish and English)<span class="reference-accessdate">. Retrieved <span class="nowrap">13 November</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Fundaci%C3%B3n+Goya+en+Arag%C3%B3n&rft.atitle=An%C3%ADbal+vencedor%2C+que+por+primera+vez+mir%C3%B3+Italia+desde+los+Alpes+%28boceto+1%29&rft_id=https%3A%2F%2Ffundaciongoyaenaragon.es%2Fobra%2Fanibal-vencedor-que-por-primera-vez-miro-italia-desde-los-alpes-boceto-1%2F154&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-23">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMenaWilson–Bareau1993" class="citation book cs1"><a href="/wiki/Manuela_Mena" title="Manuela Mena">Mena, Manuela</a>; <a href="/wiki/Juliet_Wilson%E2%80%93Bareau" title="Juliet Wilson–Bareau">Wilson–Bareau, Juliet</a> (1993). "Italia y España: años de juventud". <i>Goya. El Capricho y la Invención. Cuadros de gabinete, bocetos y miniaturas</i>. Madrid: Museo del Prado. p. 101.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Italia+y+Espa%C3%B1a%3A+a%C3%B1os+de+juventud&rft.btitle=Goya.+El+Capricho+y+la+Invenci%C3%B3n.+Cuadros+de+gabinete%2C+bocetos+y+miniaturas&rft.place=Madrid&rft.pages=101&rft.pub=Museo+del+Prado&rft.date=1993&rft.aulast=Mena&rft.aufirst=Manuela&rft.au=Wilson%E2%80%93Bareau%2C+Juliet&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-24">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJosé2021" class="citation journal cs1">José, Héctor San (14 April 2021). <a rel="nofollow" class="external text" href="https://arsmagazine.com/el-prado-recibe-un-goya-donado-por-la-fundacion-de-amigos-del-museo/">"El Prado recibe un Goya donado por la Fundación de Amigos del Museo"</a>. <i>Ars Magazine</i>. Madrid: Ars Revista de Arte y Coleccionismo S. L. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/1889-1462">1889-1462</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Ars+Magazine&rft.atitle=El+Prado+recibe+un+Goya+donado+por+la+Fundaci%C3%B3n+de+Amigos+del+Museo&rft.date=2021-04-14&rft.issn=1889-1462&rft.aulast=Jos%C3%A9&rft.aufirst=H%C3%A9ctor+San&rft_id=https%3A%2F%2Farsmagazine.com%2Fel-prado-recibe-un-goya-donado-por-la-fundacion-de-amigos-del-museo%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-25">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="https://www.museodelprado.es/actualidad/noticia/la-fundacion-amigos-del-museo-del-prado-dona-a-la/b4fc2f90-da4e-5cfa-2e41-e37150f4cb3c?searchMeta=anibal%20vencedor">"El Museo del La Fundación Amigos del Museo del Prado dona a la institución la primera obra documentada de Goya"</a>. <i>Museo Nacional del Prado</i> (in Spanish). 14 April 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">13 November</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Museo+Nacional+del+Prado&rft.atitle=El+Museo+del+La+Fundaci%C3%B3n+Amigos+del+Museo+del+Prado+dona+a+la+instituci%C3%B3n+la+primera+obra+documentada+de+Goya.&rft.date=2021-04-14&rft_id=https%3A%2F%2Fwww.museodelprado.es%2Factualidad%2Fnoticia%2Fla-fundacion-amigos-del-museo-del-prado-dona-a-la%2Fb4fc2f90-da4e-5cfa-2e41-e37150f4cb3c%3FsearchMeta%3Danibal%2520vencedor&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="Bibliography">Bibliography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Victorious_Hannibal_Seeing_Italy_from_the_Alps_for_the_First_Time&action=edit&section=9" title="Edit section: Bibliography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCopertini1928" class="citation book cs1">Copertini, Giovanni (1928). <i>Note sul Goya</i>. Parma: Estatto dall’Annuario per l’Anno Scolastico 1926-1927 del R. Liceo Gimnasio Gian Domenico Romagnosi. p. 8.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Note+sul+Goya&rft.place=Parma&rft.pages=8&rft.pub=Estatto+dall%E2%80%99Annuario+per+l%E2%80%99Anno+Scolastico+1926-1927+del+R.+Liceo+Gimnasio+Gian+Domenico+Romagnosi&rft.date=1928&rft.aulast=Copertini&rft.aufirst=Giovanni&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSorianoArnaiz1986" class="citation book cs1">Soriano, Federico Torralba; Arnaiz, José Manuel (1986). "Anníbal cruzando los Alpes". <i>Goya joven (1746–1776) y su entorno</i>. Zaragoza: Museo e Instituto Camón Aznar. pp. 82–84. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0295976037" title="Special:BookSources/978-0295976037"><bdi>978-0295976037</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Ann%C3%ADbal+cruzando+los+Alpes&rft.btitle=Goya+joven+%281746%E2%80%931776%29+y+su+entorno&rft.place=Zaragoza&rft.pages=82-84&rft.pub=Museo+e+Instituto+Cam%C3%B3n+Aznar&rft.date=1986&rft.isbn=978-0295976037&rft.aulast=Soriano&rft.aufirst=Federico+Torralba&rft.au=Arnaiz%2C+Jos%C3%A9+Manuel&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKaslStratton1997" class="citation book cs1">Kasl, Ronda; Stratton, Suzanne L. (1997). <i>Painting in Spain in the Age of Enlightenment: Goya and His Contemporaries</i>. Indianapolis Museum of Art. p. 102. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0295976037" title="Special:BookSources/978-0295976037"><bdi>978-0295976037</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Painting+in+Spain+in+the+Age+of+Enlightenment%3A+Goya+and+His+Contemporaries&rft.pages=102&rft.pub=Indianapolis+Museum+of+Art&rft.date=1997&rft.isbn=978-0295976037&rft.aulast=Kasl&rft.aufirst=Ronda&rft.au=Stratton%2C+Suzanne+L.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSerraller2012" class="citation book cs1"><a href="/wiki/Francisco_Calvo_Serraller" title="Francisco Calvo Serraller">Serraller, Francisco Calvo</a>, ed. (2012). <i>Goya y el infante don Luis: el exilio y el reino</i>. Madrid: Patrimonio Nacional. p. 171. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-8471204783" title="Special:BookSources/978-8471204783"><bdi>978-8471204783</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Goya+y+el+infante+don+Luis%3A+el+exilio+y+el+reino&rft.place=Madrid&rft.pages=171&rft.pub=Patrimonio+Nacional&rft.date=2012&rft.isbn=978-8471204783&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFStepanekIlchmanTomlinsonAckley2014" class="citation book cs1">Stepanek, Stephanie; Ilchman, Frederick; Tomlinson, Janis; Ackley, Clifford; Braun, Jane (2014). <i>Goya: Order & Disorder</i>. Boston: <a href="/wiki/Museum_of_Fine_Arts_in_Boston" class="mw-redirect" title="Museum of Fine Arts in Boston">Museum of Fine Arts in Boston</a>. pp. 274–275. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0878468089" title="Special:BookSources/978-0878468089"><bdi>978-0878468089</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Goya%3A+Order+%26+Disorder&rft.place=Boston&rft.pages=274-275&rft.pub=Museum+of+Fine+Arts+in+Boston&rft.date=2014&rft.isbn=978-0878468089&rft.aulast=Stepanek&rft.aufirst=Stephanie&rft.au=Ilchman%2C+Frederick&rft.au=Tomlinson%2C+Janis&rft.au=Ackley%2C+Clifford&rft.au=Braun%2C+Jane&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAribauRuideraAltafuyaCastillo2006" class="citation book cs1">Aribau, Ferrán; Ruidera, Francesc; Altafuya, Lluís; Castillo, Roberto; Costaneda, Xavier (2006). <i>Goya: su tiempo, su vida, su obra</i>. Madrid: LIBSA. pp. 24, 203. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/84-662-1405-4" title="Special:BookSources/84-662-1405-4"><bdi>84-662-1405-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Goya%3A+su+tiempo%2C+su+vida%2C+su+obra&rft.place=Madrid&rft.pages=24%2C+203&rft.pub=LIBSA&rft.date=2006&rft.isbn=84-662-1405-4&rft.aulast=Aribau&rft.aufirst=Ferr%C3%A1n&rft.au=Ruidera%2C+Francesc&rft.au=Altafuya%2C+Llu%C3%ADs&rft.au=Castillo%2C+Roberto&rft.au=Costaneda%2C+Xavier&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPancorbo2021" class="citation book cs1">Pancorbo, Alberto (2021). <i>Cuarenta años de amistad. Donaciones de la Fundación Amigos del Museo del Prado</i>. Madrid: Museo del Prado. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-84-8480-560-1" title="Special:BookSources/978-84-8480-560-1"><bdi>978-84-8480-560-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Cuarenta+a%C3%B1os+de+amistad.+Donaciones+de+la+Fundaci%C3%B3n+Amigos+del+Museo+del+Prado&rft.place=Madrid&rft.pub=Museo+del+Prado&rft.date=2021&rft.isbn=978-84-8480-560-1&rft.aulast=Pancorbo&rft.aufirst=Alberto&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Victorious+Hannibal+Seeing+Italy+from+the+Alps+for+the+First+Time" class="Z3988"></span></li></ul> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Victorious_Hannibal_Seeing_Italy_from_the_Alps_for_the_First_Time&action=edit&section=10" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="https://www.museodelprado.es/en/whats-on/multimedia/commented-works-new-goya-painting-in-the-museum/c10fe86c-0f20-4fdf-82f0-14f92b5f54d6">Video commentary on the painting</a> given by <a href="/wiki/Manuela_Mena" title="Manuela Mena">Manuela Mena</a>, art conservator at the Prado Museum (in Spanish).</li> <li><a rel="nofollow" class="external text" href="http://www.museodezaragoza.es/audiovisuales/"><i>Goya versus Aníbal</i></a>, directed by J.J. Beeme, <a href="/wiki/Zaragoza_Museum" title="Zaragoza Museum">Museo de Zaragoza</a>, 2021 (in Spanish.)</li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist 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.navbox-abovebelow{background-color:#e6e6ff}.mw-parser-output .navbox-even{background-color:#f7f7f7}.mw-parser-output .navbox-odd{background-color:transparent}.mw-parser-output .navbox .hlist td dl,.mw-parser-output .navbox .hlist td ol,.mw-parser-output .navbox .hlist td ul,.mw-parser-output .navbox td.hlist dl,.mw-parser-output .navbox td.hlist ol,.mw-parser-output .navbox td.hlist ul{padding:0.125em 0}.mw-parser-output .navbox .navbar{display:block;font-size:100%}.mw-parser-output .navbox-title .navbar{float:left;text-align:left;margin-right:0.5em}body.skin--responsive .mw-parser-output .navbox-image img{max-width:none!important}@media print{body.ns-0 .mw-parser-output .navbox{display:none!important}}</style></div><div role="navigation" class="navbox" aria-labelledby="Francisco_Goya" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background: #EAEAAE;background: #EEDD82"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1239400231">.mw-parser-output .navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output .navbar-boxtext{word-spacing:0}.mw-parser-output .navbar ul{display:inline-block;white-space:nowrap;line-height:inherit}.mw-parser-output .navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini abbr{font-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit}.mw-parser-output .navbar-ct-full{font-size:114%;margin:0 7em}.mw-parser-output .navbar-ct-mini{font-size:114%;margin:0 4em}html.skin-theme-clientpref-night .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Francisco_Goya" title="Template:Francisco Goya"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Francisco_Goya" title="Template talk:Francisco Goya"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Francisco_Goya" title="Special:EditPage/Template:Francisco Goya"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Francisco_Goya" style="font-size:114%;margin:0 4em"><a href="/wiki/Francisco_Goya" title="Francisco Goya">Francisco Goya</a></div></th></tr><tr><td class="navbox-abovebelow" colspan="2" style="background: #EAEAAE"><div><a href="/wiki/List_of_works_by_Francisco_Goya" title="List of works by Francisco Goya">List of works</a></div></td></tr><tr><th scope="row" class="navbox-group" style="background: #EAEAAE;width:1%">Paintings</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Consecration_of_Aloysius_Gonzaga_as_Patron_Saint_of_Youth" title="Consecration of Aloysius Gonzaga as Patron Saint of Youth">Consecration of Aloysius Gonzaga as Patron Saint of Youth</a></i> (<abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1763</span>)</li> <li><i><a href="/wiki/The_Holy_Family_with_Saint_Joachim_and_Saint_Anne_Before_the_Eternal_Glory" title="The Holy Family with Saint Joachim and Saint Anne Before the Eternal Glory">The Holy Family with Saints Joachim and Anne</a></i> (<abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1769</span>)</li> <li><i><a class="mw-selflink selflink">The Victorious Hannibal Seeing Italy from the Alps for the First Time</a></i> (1770–1771)</li> <li><i><a href="/wiki/The_Rape_of_Europa_(Goya)" title="The Rape of Europa (Goya)">The Rape of Europa</a></i> (1772)</li> <li><i><a href="/wiki/Christ_Crucified_(Goya)" title="Christ Crucified (Goya)">Christ Crucified</a></i> (1780)</li> <li><i><a href="/wiki/La_cuca%C3%B1a" title="La cucaña">The Greasy Pole</a></i> (1786–87)</li> <li><i><a href="/wiki/The_Drunk_Mason_(Goya)" title="The Drunk Mason (Goya)">The Drunk Mason</a></i> (1786–1787)</li> <li><a href="/wiki/Paintings_for_the_alameda_of_the_Dukes_of_Osuna" title="Paintings for the alameda of the Dukes of Osuna">Paintings for the alameda of the Dukes of Osuna</a> (1786–1787)</li> <li><i><a href="/wiki/Saint_Bernard_of_Clairvaux_Curing_a_Cripple" title="Saint Bernard of Clairvaux Curing a Cripple">Saint Bernard of Clairvaux Curing a Cripple</a></i> (1787)</li> <li><i><a href="/wiki/Yard_with_Lunatics" title="Yard with Lunatics">Yard with Lunatics</a></i> (1793–1794)</li> <li><i><a href="/wiki/Prison_Interior" title="Prison Interior">Prison Interior</a></i> (1793–1794)</li> <li><i><a href="/wiki/Assault_of_Thieves" title="Assault of Thieves">Assault of Thieves</a></i> (1793–1794)</li> <li><i><a href="/wiki/The_Duchess_of_Alba_and_la_Beata" title="The Duchess of Alba and la Beata">The Duchess of Alba and la Beata</a></i> (1795)</li> <li><i><a href="/wiki/Witches%27_Flight" title="Witches' Flight">Witches' Flight</a></i> (1797–1798)</li> <li><i><a href="/wiki/The_Bewitched_Man" title="The Bewitched Man">The Bewitched Man</a></i> (1797–1798)</li> <li><i><a href="/wiki/Witches%27_Sabbath_(Goya,_1798)" title="Witches' Sabbath (Goya, 1798)">Witches' Sabbath</a></i> (1798)</li> <li><i><a href="/wiki/La_maja_desnuda" title="La maja desnuda">La maja desnuda</a></i> (<abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1797–1800</span>)</li> <li><i><a href="/wiki/La_maja_vestida" title="La maja vestida">La maja vestida</a></i> (1800–1805)</li> <li><i><a href="/wiki/Allegory_of_Industry" title="Allegory of Industry">Allegory of Industry</a></i> (<abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1805</span>)</li> <li><i><a href="/wiki/Majas_on_a_Balcony" title="Majas on a Balcony">Majas on a Balcony</a></i> (<abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1808–1812</span>)</li> <li><i><a href="/wiki/The_Water_Bearer_(Goya)" title="The Water Bearer (Goya)">The Water Bearer</a></i> (1808–1812)</li> <li><i><a href="/wiki/The_Knifegrinder_(Goya)" title="The Knifegrinder (Goya)">The Knifegrinder</a></i> (1808–1812)</li> <li><i><a href="/wiki/Still_Life_of_a_Lamb%27s_Head_and_Flanks" title="Still Life of a Lamb's Head and Flanks">Still Life of a Lamb's Head and Flanks</a></i> (1808–1812)</li> <li><i><a href="/wiki/The_Colossus_(painting)" title="The Colossus (painting)">The Colossus</a></i> (after 1808)</li> <li><i><a href="/wiki/Truth,_Time_and_History" title="Truth, Time and History">Truth, Time and History</a></i> (1812–1814)</li> <li><i><a href="/wiki/The_Madhouse" title="The Madhouse">The Madhouse</a></i> (1812–1819)</li> <li><i><a href="/wiki/The_Inquisition_Tribunal" title="The Inquisition Tribunal">The Inquisition Tribunal</a></i> (1812–1819)</li> <li><i><a href="/wiki/The_Second_of_May_1808" title="The Second of May 1808">The Second of May 1808</a></i> (1814)</li> <li><i><a href="/wiki/The_Third_of_May_1808" title="The Third of May 1808">The Third of May 1808</a></i> (1814)</li> <li><i><a href="/wiki/The_Junta_of_the_Philippines" title="The Junta of the Philippines">The Junta of the Philippines</a></i> (1815)</li> <li><i><a href="/wiki/A_Village_Bullfight" title="A Village Bullfight">A Village Bullfight</a></i> (1815–1819)</li> <li><i><a href="/wiki/The_Burial_of_the_Sardine" title="The Burial of the Sardine">The Burial of the Sardine</a></i> (<abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1816</span>)</li> <li><i><a href="/wiki/A_Procession_of_Flagellants" title="A Procession of Flagellants">A Procession of Flagellants</a></i> (<abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1816</span>)</li> <li><i><a href="/wiki/The_Forge_(Goya)" title="The Forge (Goya)">The Forge</a></i> (<abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1817</span>)</li> <li><i><a href="/wiki/Bullfight_(Goya)" title="Bullfight (Goya)">Bullfight</a></i> (1824)</li></ul> </div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%;background:#EAEAAE; font-weight:normal;">Murals</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Adoration_of_the_Name_of_God" title="Adoration of the Name of God">Adoration of the Name of God</a></i> (1772)</li> <li><i><a href="/wiki/Life_of_the_Virgin_(Goya)" title="Life of the Virgin (Goya)">Life of the Virgin</a></i> (1774)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background:#EAEAAE; font-weight:normal;">Portraits</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Family_of_the_Infante_Don_Luis" title="The Family of the Infante Don Luis">The Family of the Infante Don Luis</a></i> (1783–84)</li> <li><i><a href="/wiki/The_Duke_and_Duchess_of_Osuna_and_their_Children" title="The Duke and Duchess of Osuna and their Children">The Duke and Duchess of Osuna and their Children</a></i> (1787–88)</li> <li><a href="/wiki/Manuel_Osorio_Manrique_de_Z%C3%BA%C3%B1iga" title="Manuel Osorio Manrique de Zúñiga"><i>Manuel Osorio Manrique de Zúñiga</i> (<i>The Red Boy</i>)</a> (<abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1788</span>)</li> <li><i><a href="/wiki/Self-Portrait_at_an_Easel" title="Self-Portrait at an Easel">Self-Portrait at an Easel</a></i> (c. 1790–1795)</li> <li><i><a href="/wiki/La_Tirana_(Goya,_1792)" title="La Tirana (Goya, 1792)">La Tirana</a></i> (1792)</li> <li><i><a href="/wiki/La_Tirana_(Goya,_1794)" title="La Tirana (Goya, 1794)">La Tirana</a></i> (1794)</li> <li><i><a href="/wiki/Portrait_of_the_Marquise_de_la_Solana" title="Portrait of the Marquise de la Solana">The Marquise de la Solana</a></i> (1795)</li> <li><i><a href="/wiki/The_White_Duchess" title="The White Duchess">The White Duchess</a></i> (1795)</li> <li><i><a href="/wiki/Portrait_of_Charles_IV_of_Spain" title="Portrait of Charles IV of Spain">Charles IV</a></i> (<abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1795</span>)</li> <li><i><a href="/wiki/The_Black_Duchess" title="The Black Duchess">The Black Duchess</a></i> (1797)</li> <li><i><a href="/wiki/Bernardo_de_Iriarte_(Goya)" title="Bernardo de Iriarte (Goya)">Bernardo de Iriarte</a></i> (1797)</li> <li><i><a href="/wiki/Portrait_of_Ferdinand_Guillemardet" title="Portrait of Ferdinand Guillemardet">Ferdinand Guillemardet</a></i> (1798–1799)</li> <li><i><a href="/wiki/Charles_IV_in_his_Hunting_Clothes" title="Charles IV in his Hunting Clothes">Charles IV in his Hunting Clothes</a></i> (1799)</li> <li><i><a href="/wiki/Portrait_of_Maria_Luisa_of_Parma" title="Portrait of Maria Luisa of Parma">Maria Luisa of Parma</a></i> (1799–1800)</li> <li><i><a href="/wiki/The_Countess_of_Chinchon" title="The Countess of Chinchon">The Countess of Chinchon</a></i> (1800)</li> <li><i><a href="/wiki/Charles_IV_of_Spain_and_His_Family" title="Charles IV of Spain and His Family">Charles IV of Spain and His Family</a></i> (1800–18)</li> <li><i><a href="/wiki/Portrait_of_Manuel_Godoy" title="Portrait of Manuel Godoy">Manuel Godoy</a></i> (1801)</li> <li><i><a href="/wiki/Portrait_of_Do%C3%B1a_Isabel_de_Porcel" title="Portrait of Doña Isabel de Porcel">Doña Isabel de Porcel</a></i> (1804–1805)</li> <li><i><a href="/wiki/Portrait_of_the_Marchioness_of_Santa_Cruz" title="Portrait of the Marchioness of Santa Cruz">The Marchioness of Santa Cruz</a></i> (1805)</li> <li><i><a href="/wiki/Portrait_of_Do%C3%B1a_Antonia_Z%C3%A1rate_(1805)" title="Portrait of Doña Antonia Zárate (1805)">Doña Antonia Zárate</a></i> (1805)</li> <li><i><a href="/wiki/Portrait_of_Do%C3%B1a_Antonia_Z%C3%A1rate_(1810%E2%80%931811)" title="Portrait of Doña Antonia Zárate (1810–1811)">Doña Antonia Zárate</a></i> (1810–1811)</li> <li><i><a href="/wiki/Portrait_of_the_Duke_of_Wellington_(Goya)" title="Portrait of the Duke of Wellington (Goya)">The Duke of Wellington</a></i> (1812)</li> <li><i><a href="/wiki/Josefa_Bayeu_(painting)" title="Josefa Bayeu (painting)">Josefa Bayeu</a></i> (1814–1816)</li> <li><i><a href="/wiki/Portrait_of_Ferdinand_VII" title="Portrait of Ferdinand VII">Ferdinand VII</a></i> (1815)</li> <li><i><a href="/wiki/Self-Portrait_at_69_years" title="Self-Portrait at 69 years">Self-Portrait at 69 years</a></i> (1815)</li> <li><i><a href="/wiki/Self-Portrait_with_Dr_Arrieta" title="Self-Portrait with Dr Arrieta">Self-Portrait with Dr Arrieta</a></i> (1820)</li> <li><i><a href="/wiki/Portrait_of_Don_Ram%C3%B3n_Satu%C3%A9" title="Portrait of Don Ramón Satué">Don Ramón Satué</a></i> (1823)</li> <li><i><a href="/wiki/The_Milkmaid_of_Bordeaux" title="The Milkmaid of Bordeaux">The Milkmaid of Bordeaux</a></i> (1825–1827)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background:#EAEAAE; font-weight:normal;"><a href="/wiki/Francisco_Goya%27s_tapestry_cartoons" title="Francisco Goya's tapestry cartoons">Tapestry<br />cartoons</a><br />(<a href="/wiki/List_of_Francisco_Goya%27s_tapestry_cartoons" title="List of Francisco Goya's tapestry cartoons">list</a>)</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Boar_Hunt" title="The Boar Hunt">The Boar Hunt</a></i> (1775)</li> <li><i><a href="/wiki/The_Parasol" title="The Parasol">The Parasol</a></i> (<abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1777</span>)</li> <li><i><a href="/wiki/Boys_Playing_Soldiers" title="Boys Playing Soldiers">Boys Playing Soldiers</a></i> (1778–79)</li> <li><i><a href="/wiki/Children_in_a_Chariot" title="Children in a Chariot">Children in a Chariot</a></i> (1779)</li> <li><i><a href="/wiki/The_Swing_(Goya)" title="The Swing (Goya)">The Swing</a></i> (1779)</li> <li><i><a href="/wiki/La_novillada" title="La novillada">La novillada</a></i> (1780)</li> <li><i>The Grape Harvest</i> (1786)</li> <li><i><a href="/wiki/The_Threshing_Floor" title="The Threshing Floor">The Threshing Floor</a></i> (1786)</li> <li><i><a href="/wiki/Summer_(Goya)" title="Summer (Goya)">Summer</a></i> (1786–87)</li> <li><i><a href="/wiki/The_Drunk_Mason_(Goya)" title="The Drunk Mason (Goya)">The Drunk Mason</a></i> (1786–1787)</li> <li><i><a href="/wiki/Blind_Man%27s_Bluff_(Goya)" title="Blind Man's Bluff (Goya)">Blind Man's Bluff</a></i> (1789)</li> <li><i>The Wedding</i> (1791–92)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background:#EAEAAE; font-weight:normal;"><a href="/wiki/Black_Paintings" title="Black Paintings">Black Paintings</a><br />(<abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1819–1823</span>)</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Saturn_Devouring_His_Son" title="Saturn Devouring His Son">Saturn Devouring His Son</a></i></li> <li><i><a href="/wiki/Judith_and_Holofernes_(Goya)" title="Judith and Holofernes (Goya)">Judith and Holofernes</a></i></li> <li><i><a href="/wiki/Witches%27_Sabbath_(The_Great_He-Goat)" title="Witches' Sabbath (The Great He-Goat)">Witches' Sabbath (The Great He-Goat)</a></i></li> <li><i><a href="/wiki/A_Pilgrimage_to_San_Isidro" title="A Pilgrimage to San Isidro">A Pilgrimage to San Isidro</a></i></li> <li><i><a href="/wiki/La_Leocadia" title="La Leocadia">La Leocadia</a></i></li> <li><i><a href="/wiki/Two_Old_Men" title="Two Old Men">Two Old Men</a></i></li> <li><i><a href="/wiki/Men_Reading" title="Men Reading">Men Reading</a></i></li> <li><i><a href="/wiki/Man_Mocked_by_Two_Women" title="Man Mocked by Two Women">Man Mocked by Two Women</a></i></li> <li><i><a href="/wiki/Fight_with_Cudgels" title="Fight with Cudgels">Fight with Cudgels</a></i></li> <li><i><a href="/wiki/Pilgrimage_to_the_Fountain_of_San_Isidro" title="Pilgrimage to the Fountain of San Isidro">Pilgrimage to the Fountain of San Isidro</a></i></li> <li><i><a href="/wiki/Atropos_(Goya)" title="Atropos (Goya)">Atropos</a></i></li> <li><i><a href="/wiki/Asmodea" title="Asmodea">Asmodea</a></i></li> <li><i><a href="/wiki/Two_Old_Ones_Eating_Soup" title="Two Old Ones Eating Soup">Two Old Ones Eating Soup</a></i></li> <li><i><a href="/wiki/The_Dog_(Goya)" title="The Dog (Goya)">The Dog</a></i></li></ul> </div></td></tr></tbody></table><div> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #EAEAAE;width:1%">Print series</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%;background:#EAEAAE; font-weight:normal;"><i><a href="/wiki/Los_caprichos" title="Los caprichos">Los Caprichos</a></i> (1797–98)</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/And_So_Was_His_Grandfather" title="And So Was His Grandfather">And So Was His Grandfather</a></i></li> <li><i><a href="/wiki/The_Sleep_of_Reason_Produces_Monsters" title="The Sleep of Reason Produces Monsters">The Sleep of Reason Produces Monsters</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background:#EAEAAE; font-weight:normal;"><i><a href="/wiki/The_Prisoners_(Goya)" title="The Prisoners (Goya)">The Prisoners</a></i> (1810–1815)</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li class="mw-empty-elt"></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background:#EAEAAE; font-weight:normal;"><i><a href="/wiki/The_Disasters_of_War" title="The Disasters of War">The Disasters of War</a></i> (1810–1820)</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/This_is_worse" title="This is worse">This is worse</a></i> (<abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1812–13</span>)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background:#EAEAAE; font-weight:normal;"><i><a href="/wiki/La_Tauromaquia" title="La Tauromaquia">La Tauromaquia</a></i> (1815–16)</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><span class="wraplinks"><a href="/wiki/Unfortunate_events_in_the_front_seats_of_the_ring_of_Madrid,_and_the_death_of_the_mayor_of_Torrej%C3%B3n" title="Unfortunate events in the front seats of the ring of Madrid, and the death of the mayor of Torrejón">Unfortunate events in the front seats of the ring of Madrid, and the death of the mayor of Torrejón</a></span></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background:#EAEAAE; font-weight:normal;"><i><a href="/wiki/Los_disparates" title="Los disparates">Los Disparates</a></i> (1815–1823)</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/A_way_of_flying" title="A way of flying">A way of flying</a></i> (<abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1815–16</span>)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background:#EAEAAE; font-weight:normal;"><i><a href="/wiki/The_Bulls_of_Bordeaux" title="The Bulls of Bordeaux">The Bulls of Bordeaux</a></i> (1824–25)</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li class="mw-empty-elt"></li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="background: #EAEAAE;width:1%">Museums</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Casa_natal_de_Goya" title="Casa natal de Goya">Casa natal de Goya</a> (<a href="/wiki/Fuendetodos" title="Fuendetodos">Fuendetodos</a>)</li> <li><a href="/wiki/Museo_del_Grabado_de_Goya" title="Museo del Grabado de Goya">Museo del Grabado de Goya</a> (<a href="/wiki/Fuendetodos" title="Fuendetodos">Fuendetodos</a>)</li> <li><a href="/wiki/Museo_Goya_-_Colecci%C3%B3n_Ibercaja_-_Museo_Cam%C3%B3n_Aznar" title="Museo Goya - Colección Ibercaja - Museo Camón Aznar">Museo Goya</a> (<a href="/wiki/Zaragoza" title="Zaragoza">Zaragoza</a>)</li> <li><a href="/wiki/Goya_Museum" title="Goya Museum">Goya Museum</a> (<a href="/wiki/Castres" title="Castres">Castres</a>)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #EAEAAE;width:1%">Depictions</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Naked_Maja_(film)" title="The Naked Maja (film)">The Naked Maja</a></i> (1958 film)</li> <li><i><a href="/wiki/Goya,_a_Story_of_Solitude" title="Goya, a Story of Solitude">Goya, a Story of Solitude</a></i> (1971 film)</li> <li><i><a href="/wiki/Goya_or_the_Hard_Way_to_Enlightenment" title="Goya or the Hard Way to Enlightenment">Goya or the Hard Way to Enlightenment</a></i> (1971 film)</li> <li><i><a href="/wiki/Goya:_A_Life_in_Song" title="Goya: A Life in Song">Goya: A Life in Song</a></i> (1989 album)</li> <li><i><a href="/wiki/Goya_in_Bordeaux" title="Goya in Bordeaux">Goya in Bordeaux</a></i> (1999 film)</li> <li><i><a href="/wiki/Volav%C3%A9runt" title="Volavérunt">Volavérunt</a></i> (1999 film)</li> <li><i><a href="/wiki/Goya%27s_Ghosts" title="Goya's Ghosts">Goya's Ghosts</a></i> (2006 film)</li> <li><i><a href="/wiki/El_ministerio_del_tiempo" title="El ministerio del tiempo">The Ministry of Time – Episode 25: Time of the Enlightened</a></i> (2017)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #EAEAAE;width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Josefa_Bayeu" class="mw-redirect" title="Josefa Bayeu">Josefa Bayeu</a> (wife)</li> <li><a href="/wiki/Quinta_del_Sordo" title="Quinta del Sordo">Quinta del Sordo</a></li> <li><a href="/wiki/Leocadia_Zorrilla" title="Leocadia Zorrilla">Leocadia Zorrilla</a></li> <li><a href="/wiki/Rosario_Weiss_Zorrilla" title="Rosario Weiss Zorrilla">Rosario Weiss Zorrilla</a></li> <li><a href="/wiki/Goya_Awards" title="Goya Awards">Goya Awards</a></li> <li><i><a href="/wiki/Goyescas_(opera)" title="Goyescas (opera)">Goyescas</a></i> (1915 opera)</li> <li><i><a href="/wiki/Goyescas_(film)" title="Goyescas (film)">Goyescas</a></i> (1942 film)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Museo_del_Prado" style="padding:3px"><table class="nowraplinks hlist mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Museo_del_Prado" title="Template:Museo del Prado"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Museo_del_Prado" title="Template talk:Museo del Prado"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Museo_del_Prado" title="Special:EditPage/Template:Museo del Prado"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Museo_del_Prado" style="font-size:114%;margin:0 4em"><a href="/wiki/Museo_del_Prado" title="Museo del Prado">Museo del Prado</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks mw-collapsible uncollapsed navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="text-align: center;"><div id="Buildings" style="font-size:114%;margin:0 4em">Buildings</div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>Villanueva building</li> <li><a href="/wiki/Cas%C3%B3n_del_Buen_Retiro" title="Casón del Buen Retiro">Casón del Buen Retiro</a></li> <li><a href="/wiki/Hall_of_Realms" title="Hall of Realms">Hall of Realms</a></li> <li><a href="/wiki/Church_of_Saint_Jerome_the_Royal" title="Church of Saint Jerome the Royal">Cloister of Saint Jerome</a></li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks mw-collapsible uncollapsed navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="text-align: center;"><div id="Paintings" style="font-size:114%;margin:0 4em">Paintings</div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">Spanish</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Esquivel</b></span>: <i><a href="/wiki/El_escritor_Jos%C3%A9_de_Espronceda" title="El escritor José de Espronceda">José de Espronceda</a></i></li> <li><span class="smallcaps"><b>Gisbert</b></span>: <i><a href="/wiki/Execution_of_Torrijos_and_his_Companions_on_the_Beach_at_M%C3%A1laga" title="Execution of Torrijos and his Companions on the Beach at Málaga">Execution of Torrijos and his Companions on the Beach at Málaga</a></i></li> <li><span class="smallcaps"><b>Goya</b></span>: <i><a href="/wiki/Allegory_of_Industry" title="Allegory of Industry">Allegory of Industry</a></i> – <i><a href="/wiki/Asmodea" title="Asmodea">Asmodea</a></i> – <i><a href="/wiki/Atropos_(Goya)" title="Atropos (Goya)">Atropos</a></i> – <i><a href="/wiki/Blind_Man%27s_Bluff_(Goya)" title="Blind Man's Bluff (Goya)">Blind Man's Bluff</a></i> – <i><a href="/wiki/Boys_playing_soldiers" class="mw-redirect" title="Boys playing soldiers">Boys playing soldiers</a></i> – <i><a href="/wiki/Charles_IV_of_Spain_and_His_Family" title="Charles IV of Spain and His Family">Charles IV of Spain and His Family</a></i> – <i><a href="/wiki/Los_caprichos" title="Los caprichos">Los caprichos</a></i> – <i><a href="/wiki/Christ_Crucified_(Goya)" title="Christ Crucified (Goya)">Christ Crucified</a></i> – <i><a href="/wiki/La_maja_vestida" title="La maja vestida">The Clothed Maja</a></i> – <i><a href="/wiki/The_Colossus_(painting)" title="The Colossus (painting)">The Colossus</a></i> – <i><a href="/wiki/The_Countess_of_Chinchon" title="The Countess of Chinchon">The Countess of Chinchon</a></i> – <i><a href="/wiki/Los_disparates" title="Los disparates">Los disparates</a></i> – <i><a href="/wiki/The_Dog_(Goya)" title="The Dog (Goya)">The Dog</a></i> – <i><a href="/wiki/The_Drunk_Mason_(Goya)" title="The Drunk Mason (Goya)">The Drunk Mason</a></i> – <i><a href="/wiki/The_Duchess_of_Alba_and_la_Beata" title="The Duchess of Alba and la Beata">The Duchess of Alba and la Beata</a></i> – <i><a href="/wiki/Fight_with_Cudgels" title="Fight with Cudgels">Fight with Cudgels</a></i> – <i><a href="/wiki/Judith_and_Holofernes_(Goya)" title="Judith and Holofernes (Goya)">Judith and Holofernes</a></i> – <i><a href="/wiki/La_Leocadia" title="La Leocadia">La Leocadia</a></i> – <i><a href="/wiki/Man_Mocked_by_Two_Women" title="Man Mocked by Two Women">Man Mocked by Two Women</a></i> – <i><a href="/wiki/La_novillada" title="La novillada">La novillada</a></i> – <i><a href="/wiki/Portrait_of_the_Marchioness_of_Santa_Cruz" title="Portrait of the Marchioness of Santa Cruz">Portrait of the Marchioness of Santa Cruz</a></i> – <i><a href="/wiki/Men_Reading" title="Men Reading">Men Reading</a></i> – <i><a href="/wiki/The_Milkmaid_of_Bordeaux" title="The Milkmaid of Bordeaux">The Milkmaid of Bordeaux</a></i> – <i><a href="/wiki/La_maja_desnuda" title="La maja desnuda">The Naked Maja</a></i> – <i><a href="/wiki/The_Parasol" title="The Parasol">The Parasol</a></i> – <i><a href="/wiki/A_Pilgrimage_to_San_Isidro" title="A Pilgrimage to San Isidro">A Pilgrimage to San Isidro</a></i> – <i><a href="/wiki/Pilgrimage_to_the_Fountain_of_San_Isidro" title="Pilgrimage to the Fountain of San Isidro">Pilgrimage to the Fountain of San Isidro</a></i> – <i><a href="/wiki/Saturn_Devouring_His_Son" title="Saturn Devouring His Son">Saturn Devouring His Son</a></i> – <i><a href="/wiki/The_Second_of_May_1808" title="The Second of May 1808">The Second of May 1808</a></i> – <i><a href="/wiki/Self-portrait_at_69_years" class="mw-redirect" title="Self-portrait at 69 years">Self-portrait at 69 years</a></i> – <i><a href="/wiki/Summer_(Goya)" title="Summer (Goya)">Summer</a></i> – <i><a href="/wiki/The_Third_of_May_1808" title="The Third of May 1808">The Third of May 1808</a></i> – <i><a href="/wiki/Two_Old_Men" title="Two Old Men">Two Old Men</a></i> – <i><a href="/wiki/Two_Old_Ones_Eating_Soup" title="Two Old Ones Eating Soup">Two Old Ones Eating Soup</a></i> – <i><a class="mw-selflink selflink">The Victorious Hannibal Seeing Italy from the Alps for the First Time</a></i> – <i><a href="/wiki/Witches%27_Flight" title="Witches' Flight">Witches' Flight</a></i> – <i><a href="/wiki/Witches%27_Sabbath_(The_Great_He-Goat)" title="Witches' Sabbath (The Great He-Goat)">Witches' Sabbath (The Great He-Goat)</a></i></li> <li><span class="smallcaps"><b>El Greco</b></span>: <i><a href="/wiki/The_Nobleman_with_his_Hand_on_his_Chest" title="The Nobleman with his Hand on his Chest">The Nobleman with his Hand on his Chest</a></i> – <i><a href="/wiki/Adoration_of_the_Shepherds_(El_Greco,_Madrid)" title="Adoration of the Shepherds (El Greco, Madrid)">Adoration of the Shepherds</a></i> – <i><a href="/wiki/Do%C3%B1a_Mar%C3%ADa_de_Arag%C3%B3n_Altarpiece" title="Doña María de Aragón Altarpiece">Doña María de Aragón Altarpiece</a></i> – <i><a href="/wiki/Annunciation_(El_Greco,_Prado,_1570)" title="Annunciation (El Greco, Prado, 1570)">Annunciation</a></i> – <i><a href="/wiki/Christ_Carrying_the_Cross_(El_Greco,_Madrid)" title="Christ Carrying the Cross (El Greco, Madrid)">Christ Carrying the Cross</a></i> – <i><a href="/wiki/The_Fable_(El_Greco)" title="The Fable (El Greco)">The Fable</a></i> – <i><a href="/wiki/The_Flight_into_Egypt_(El_Greco)" title="The Flight into Egypt (El Greco)">The Flight into Egypt</a></i> – <i><a href="/wiki/Holy_Face_of_Jesus_(El_Greco)" title="Holy Face of Jesus (El Greco)">Holy Face of Jesus</a></i> – <i><a href="/wiki/Holy_Trinity_(El_Greco)" title="Holy Trinity (El Greco)">Holy Trinity</a></i> – <i><a href="/wiki/Juli%C3%A1n_Romero_and_Saint_Julian" title="Julián Romero and Saint Julian">Julián Romero and Saint Julian</a></i> – <i><a href="/wiki/Portrait_of_a_Doctor" title="Portrait of a Doctor">Portrait of a Doctor</a></i> – <i><a href="/wiki/Portrait_of_a_Gentleman_(El_Greco)" title="Portrait of a Gentleman (El Greco)">Portrait of a Gentleman</a></i> – <i><a href="/wiki/Portrait_of_a_Young_Nobleman" title="Portrait of a Young Nobleman">Portrait of a Young Nobleman</a></i> – <i><a href="/wiki/Portrait_of_an_Elderly_Man" title="Portrait of an Elderly Man">Portrait of an Elderly Man</a></i> – <i><a href="/wiki/Portrait_of_an_Unknown_Gentleman" title="Portrait of an Unknown Gentleman">Portrait of an Unknown Gentleman</a></i> – <i><a href="/wiki/Portrait_of_Jer%C3%B3nimo_de_Cevallos" title="Portrait of Jerónimo de Cevallos">Portrait of Jerónimo de Cevallos</a></i> – <i><a href="/wiki/Portrait_of_Rodrigo_V%C3%A1zquez_de_Arce" title="Portrait of Rodrigo Vázquez de Arce">Portrait of Rodrigo Vázquez de Arce</a></i> – <i><a href="/wiki/Saint_Andrew_and_Saint_Francis" title="Saint Andrew and Saint Francis">Saint Andrew and Saint Francis</a></i> – <i><a href="/wiki/Saint_Anthony_of_Padua_(El_Greco)" title="Saint Anthony of Padua (El Greco)">Saint Anthony of Padua</a></i> – <i><a href="/wiki/Saint_Bernardino_of_Siena_(El_Greco)" title="Saint Bernardino of Siena (El Greco)">Saint Bernardino of Siena</a></i> <sup>[1]</sup> – <i><a href="/wiki/Saint_James_the_Great_(El_Greco)" title="Saint James the Great (El Greco)">Saint James the Great</a></i> – <i><a href="/wiki/Saint_John_the_Evangelist_(El_Greco,_Madrid)" title="Saint John the Evangelist (El Greco, Madrid)">Saint John the Evangelist</a></i> – <i><a href="/wiki/Saint_Paul_(El_Greco)" title="Saint Paul (El Greco)">Saint Paul</a></i> – <i><a href="/wiki/Saint_Sebastian_(El_Greco,_1610%E2%80%931614)" title="Saint Sebastian (El Greco, 1610–1614)">Saint Sebastian</a></i> – <i><a href="/wiki/Saint_Thomas_the_Apostle_(El_Greco)" title="Saint Thomas the Apostle (El Greco)">Saint Thomas the Apostle</a></i> – <i><a href="/wiki/Santo_Domingo_el_Antiguo_Altarpiece" title="Santo Domingo el Antiguo Altarpiece">Holy Trinity</a></i> – <i><a href="/wiki/The_Saviour_(El_Greco)" title="The Saviour (El Greco)">The Saviour</a></i> – <i><a href="/wiki/Virgin_Mary_(El_Greco,_Madrid)" title="Virgin Mary (El Greco, Madrid)">Virgin Mary</a></i></li> <li><span class="smallcaps"><b>Luna</b></span>: <i><a href="/wiki/The_Death_of_Cleopatra" title="The Death of Cleopatra">The Death of Cleopatra</a></i></li> <li><span class="smallcaps"><b>Maíno</b></span>: <i><a href="/wiki/Adoration_of_the_Magi_(Maino)" title="Adoration of the Magi (Maino)">Adoration of the Magi</a></i> – <i><a href="/wiki/Portrait_of_a_Gentleman_(Ma%C3%ADno)" title="Portrait of a Gentleman (Maíno)">Portrait of a Gentleman</a></i> – <i><a href="/wiki/The_Recovery_of_Bah%C3%ADa_de_Todos_los_Santos" title="The Recovery of Bahía de Todos los Santos">The Recovery of Bahía de Todos los Santos</a></i></li> <li><span class="smallcaps"><b>Murillo</b></span>: <i><a href="/wiki/Adoration_of_the_Shepherds_(Murillo,_Madrid)" title="Adoration of the Shepherds (Murillo, Madrid)">Adoration of the Shepherds</a></i> <span style="font-size:85%;">(1650)</span> – <i><a href="/wiki/Aranjuez_Immaculate_Conception" title="Aranjuez Immaculate Conception">Aranjuez Immaculate Conception</a></i> – <i><a href="/wiki/The_Christ_Child_and_the_Infant_John_the_Baptist_with_a_Shell" title="The Christ Child and the Infant John the Baptist with a Shell">The Christ Child and the Infant John the Baptist with a Shell</a></i> – <i><a href="/wiki/Christ_on_the_Cross_(Murillo)" title="Christ on the Cross (Murillo)">Christ on the Cross</a></i> <span style="font-size:85%;">(1675, 1677)</span> – <i><a href="/wiki/The_Conversion_of_Saint_Paul_(Murillo)" title="The Conversion of Saint Paul (Murillo)">The Conversion of Saint Paul</a></i> – <i><a href="/wiki/The_Good_Shepherd_(Murillo)" title="The Good Shepherd (Murillo)">The Good Shepherd</a></i> – <i><a href="/wiki/The_Holy_Family_with_a_Little_Bird" title="The Holy Family with a Little Bird">The Holy Family with a Little Bird</a></i> – <i><a href="/wiki/The_Immaculate_Conception_of_El_Escorial" title="The Immaculate Conception of El Escorial">The Immaculate Conception of El Escorial</a></i> – <i><a href="/wiki/The_Immaculate_Conception_of_Los_Venerables" title="The Immaculate Conception of Los Venerables">The Immaculate Conception of Los Venerables</a></i> – <i><a href="/wiki/The_Martyrdom_of_Saint_Andrew_(Murillo)" title="The Martyrdom of Saint Andrew (Murillo)">The Martyrdom of Saint Andrew</a></i> – <i><a href="/wiki/Our_Lady_of_the_Rosary_(Murillo,_Madrid)" title="Our Lady of the Rosary (Murillo, Madrid)">Our Lady of the Rosary</a></i> – <i><a href="/wiki/The_Patrician%27s_Dream" title="The Patrician's Dream">The Patrician's Dream</a></i> – <i><a href="/wiki/Rebecca_and_Eleazar" title="Rebecca and Eleazar">Rebecca and Eleazar</a></i></li> <li><span class="smallcaps"><b>Pradilla</b></span>: <i><a href="/wiki/Do%C3%B1a_Joanna_the_Mad" title="Doña Joanna the Mad">Doña Joanna the Mad</a></i></li> <li><span class="smallcaps"><b>Ribera</b></span>: <i><a href="/wiki/Jacob%27s_Dream" title="Jacob's Dream">Jacob's Dream</a></i> – <i><a href="/wiki/Democritus_(Ribera)" title="Democritus (Ribera)">Democritus</a></i> – <i><a href="/wiki/Isaac_and_Jacob" title="Isaac and Jacob">Isaac and Jacob</a></i> – <i><a href="/wiki/Ixion_(Ribera)" title="Ixion (Ribera)">Ixion</a></i> – <i><a href="/wiki/Tityos_(Ribera)" title="Tityos (Ribera)">Tityos</a></i> – <i><a href="/wiki/The_Martyrdom_of_Saint_Philip" title="The Martyrdom of Saint Philip">The Martyrdom of Saint Philip</a></i> – <i><a href="/wiki/The_Blind_Sculptor" title="The Blind Sculptor">The Blind Sculptor</a></i></li> <li><span class="smallcaps"><b>Sánchez Gallque</b></span>: <i><a href="/wiki/The_Mulattos_of_Esmeraldas" title="The Mulattos of Esmeraldas">The Mulattos of Esmeraldas</a></i> <sup>[2]</sup></li> <li><span class="smallcaps"><b>Velázquez</b></span>: <span title="Spanish-language text"><i lang="es"><a href="/wiki/Las_Meninas" title="Las Meninas">Las Meninas</a></i></span> – <i><a href="/wiki/The_Triumph_of_Bacchus" title="The Triumph of Bacchus">The Triumph of Bacchus</a></i> – <span title="Spanish-language text"><i lang="es"><a href="/wiki/Las_Hilanderas" title="Las Hilanderas">Las Hilanderas</a></i></span> – <i><a href="/wiki/The_Surrender_of_Breda" title="The Surrender of Breda">The Surrender of Breda</a></i> – <i><a href="/wiki/Mars_Resting" title="Mars Resting">Mars Resting</a></i> – <i><a href="/wiki/Equestrian_Portrait_of_Philip_IV" title="Equestrian Portrait of Philip IV">Equestrian Portrait of Philip IV</a></i> – <i><a href="/wiki/Equestrian_Portrait_of_Elisabeth_of_France" title="Equestrian Portrait of Elisabeth of France">Equestrian Portrait of Elisabeth of France</a></i> – <i><a href="/wiki/Equestrian_Portrait_of_Prince_Balthasar_Charles" title="Equestrian Portrait of Prince Balthasar Charles">Equestrian Portrait of Prince Balthasar Charles</a></i> – <i><a href="/wiki/Equestrian_Portrait_of_Philip_III" title="Equestrian Portrait of Philip III">Equestrian Portrait of Philip III</a></i> – <i><a href="/wiki/Equestrian_Portrait_of_Margarita_of_Austria" title="Equestrian Portrait of Margarita of Austria">Equestrian Portrait of Margarita of Austria</a></i> – <i><a href="/wiki/Equestrian_Portrait_of_the_Count-Duke_of_Olivares" title="Equestrian Portrait of the Count-Duke of Olivares">Equestrian Portrait of the Count-Duke of Olivares</a></i> – <i><a href="/wiki/Adoration_of_the_Magi_(Vel%C3%A1zquez)" title="Adoration of the Magi (Velázquez)">Adoration of the Magi</a></i> – <i><a href="/wiki/Apollo_in_the_Forge_of_Vulcan" title="Apollo in the Forge of Vulcan">Apollo in the Forge of Vulcan</a></i> – <i><a href="/wiki/Christ_Crucified_(Vel%C3%A1zquez)" title="Christ Crucified (Velázquez)">Christ Crucified</a></i> – <i><a href="/wiki/Coronation_of_the_Virgin_(Vel%C3%A1zquez)" title="Coronation of the Virgin (Velázquez)">Coronation of the Virgin</a></i> – <i><a href="/wiki/View_of_the_Garden_of_the_Villa_Medici" title="View of the Garden of the Villa Medici">View of the Garden of the Villa Medici</a></i> – <i><a href="/wiki/Prince_Balthasar_Charles_as_a_Hunter" title="Prince Balthasar Charles as a Hunter">Prince Balthasar Charles as a Hunter</a></i> – <i><a href="/wiki/Portrait_of_the_Infante_Don_Carlos" title="Portrait of the Infante Don Carlos">Portrait of the Infante Don Carlos</a></i> – <i><a href="/wiki/Do%C3%B1a_Antonia_de_Ipe%C3%B1arrieta_y_Gald%C3%B3s_and_Her_Son_Don_Luis" title="Doña Antonia de Ipeñarrieta y Galdós and Her Son Don Luis">Doña Antonia de Ipeñarrieta y Galdós and Her Son Don Luis</a></i> – <i><a href="/wiki/The_Jester_Barbarroja" title="The Jester Barbarroja">The Jester Barbarroja</a></i> – <i><a href="/wiki/The_Jester_Calabacillas_(Madrid)" title="The Jester Calabacillas (Madrid)">The Jester Calabacillas</a></i> – <i><a href="/wiki/The_Jester_Don_Diego_de_Acedo" title="The Jester Don Diego de Acedo">The Jester Don Diego de Acedo</a></i> – <i><a href="/wiki/The_Jester_Don_John_of_Austria" title="The Jester Don John of Austria">The Jester Don John of Austria</a></i> – <i><a href="/wiki/Portrait_of_Francisco_Lezcano" title="Portrait of Francisco Lezcano">Portrait of Francisco Lezcano</a></i> – <i><a href="/wiki/Infanta_Margarita_Teresa_in_a_Pink_Dress" title="Infanta Margarita Teresa in a Pink Dress">Infanta Margarita Teresa in a Pink Dress</a></i> – <i><a href="/wiki/Portrait_of_Maria_Anna" title="Portrait of Maria Anna">Portrait of Maria Anna</a></i> – <i><a href="/wiki/Portrait_of_Juan_Mart%C3%ADnez_Monta%C3%B1%C3%A9s" title="Portrait of Juan Martínez Montañés">Portrait of Juan Martínez Montañés</a></i> – <i><a href="/wiki/The_Nun_Jer%C3%B3nima_de_la_Fuente" title="The Nun Jerónima de la Fuente">The Nun Jerónima de la Fuente</a></i> – <i><a href="/wiki/Portrait_of_Pablo_de_Valladolid" title="Portrait of Pablo de Valladolid">Portrait of Pablo de Valladolid</a></i> – <i><a href="/wiki/Portrait_of_Philip_IV_in_Armour" title="Portrait of Philip IV in Armour">Portrait of Philip IV in Armour</a></i> – <i><a href="/wiki/Portrait_of_Mariana_of_Austria" title="Portrait of Mariana of Austria">Portrait of Mariana of Austria</a></i> – <i><a href="/wiki/Portrait_of_Sebasti%C3%A1n_de_Morra" title="Portrait of Sebastián de Morra">Portrait of Sebastián de Morra</a></i></li> <li><span class="smallcaps"><b>Zurbarán</b></span>: <i><a href="/wiki/Agnus_Dei_(Zurbar%C3%A1n)" title="Agnus Dei (Zurbarán)">Agnus Dei</a></i> – <i><a href="/wiki/The_Death_of_Hercules" title="The Death of Hercules">The Death of Hercules</a></i> – <i><a href="/wiki/The_Defence_of_C%C3%A1diz_Against_the_English" title="The Defence of Cádiz Against the English">The Defence of Cádiz Against the English</a></i> – <i><a href="/wiki/Hercules_and_the_Hydra_(Zurbar%C3%A1n)" title="Hercules and the Hydra (Zurbarán)">Hercules and the Hydra</a></i> – <i><a href="/wiki/Hercules_Separates_Mounts_Calpe_and_Abylla" title="Hercules Separates Mounts Calpe and Abylla">Hercules Separates Mounts Calpe and Abylla</a></i> – <i><a href="/wiki/Hercules_Fighting_the_Nemean_Lion_(Zurbar%C3%A1n)" title="Hercules Fighting the Nemean Lion (Zurbarán)">Hercules Fighting the Nemean Lion</a></i> – <i><a href="/wiki/Saint_Elizabeth_of_Portugal_(Zurbar%C3%A1n)" title="Saint Elizabeth of Portugal (Zurbarán)">Saint Elizabeth of Portugal</a></i> – <i><a href="/wiki/Saint_Luke_Painting_the_Crucifixion" title="Saint Luke Painting the Crucifixion">Saint Luke Painting the Crucifixion</a></i> – <i><a href="/wiki/Saint_Peter_Nolasco%27s_Vision_of_Saint_Peter_the_Apostle" title="Saint Peter Nolasco's Vision of Saint Peter the Apostle">Saint Peter Nolasco's Vision of Saint Peter the Apostle</a></i> – <i><a href="/wiki/Still_Life_with_Pots" title="Still Life with Pots">Still Life with Pots</a></i> – <i><a href="/wiki/The_Vision_of_Saint_Peter_Nolasco" title="The Vision of Saint Peter Nolasco">The Vision of Saint Peter Nolasco</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">Dutch,<br />Flemish,<br />German</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Anonymous</b></span>: <i><a href="/wiki/The_Fountain_of_Life_(painting)" title="The Fountain of Life (painting)">The Fountain of Life</a></i></li> <li><span class="smallcaps"><b>Baldung</b></span>: <i><a href="/wiki/The_Ages_and_Death" title="The Ages and Death">The Ages and Death</a></i></li> <li><span class="smallcaps"><b>Bosch</b></span>: <i><a href="/wiki/The_Garden_of_Earthly_Delights" title="The Garden of Earthly Delights">The Garden of Earthly Delights</a></i> – <i><a href="/wiki/Adoration_of_the_Magi_(Bosch,_Madrid)" title="Adoration of the Magi (Bosch, Madrid)">Adoration of the Magi</a></i> – <i><a href="/wiki/Cutting_the_Stone" title="Cutting the Stone">Cutting the Stone</a></i> – <i><a href="/wiki/The_Haywain_Triptych" title="The Haywain Triptych">The Haywain Triptych</a></i> – <i><a href="/wiki/Head_of_a_Halberdier" title="Head of a Halberdier">Head of a Halberdier</a></i> – <i><a href="/wiki/The_Seven_Deadly_Sins_and_the_Four_Last_Things" title="The Seven Deadly Sins and the Four Last Things">The Seven Deadly Sins and the Four Last Things</a></i> – <i><a href="/wiki/The_Temptation_of_St_Anthony_(Bosch)" title="The Temptation of St Anthony (Bosch)">The Temptation of St Anthony</a></i></li> <li><span class="smallcaps"><b>Bouts</b></span>: <i><a href="/wiki/Triptych_with_Scenes_from_the_Life_of_the_Virgin" title="Triptych with Scenes from the Life of the Virgin">Triptych with Scenes from the Life of the Virgin</a></i></li> <li><span class="smallcaps"><b>Bruegel the Elder</b></span>: <i><a href="/wiki/The_Triumph_of_Death" title="The Triumph of Death">The Triumph of Death</a></i> – <i><a href="/wiki/The_Wine_of_Saint_Martin%27s_Day" title="The Wine of Saint Martin's Day">The Wine of Saint Martin's Day</a></i> – <i><a href="/wiki/Excursion_in_the_Countryside_of_Infanta_Isabel_Clara_Eugenia" title="Excursion in the Countryside of Infanta Isabel Clara Eugenia">Excursion in the Countryside of Infanta Isabel Clara Eugenia</a></i> – <i><a href="/wiki/Life_in_the_Countryside" title="Life in the Countryside">Life in the Countryside</a></i> – <i><a href="/wiki/The_Infanta_Isabel_Clara_Eugenia_in_the_Mariemont_Park" title="The Infanta Isabel Clara Eugenia in the Mariemont Park">The Infanta Isabel Clara Eugenia in the Mariemont Park</a></i> <span style="font-size:85%;">(with de Momper)</span> – <i><a href="/wiki/Landscape_(Jan_Brueghel_the_Elder_and_de_Momper)" title="Landscape (Jan Brueghel the Elder and de Momper)">Landscape</a></i> <span style="font-size:85%;">(with de Momper)</span> – <i><a href="/wiki/The_Five_Senses_(series)" title="The Five Senses (series)">The Five Senses</a></i> <span style="font-size:85%;">(with Rubens)</span></li> <li><span class="smallcaps"><b>Campin</b></span>: <i><a href="/wiki/Marriage_of_the_Virgin_(Campin)" title="Marriage of the Virgin (Campin)">Marriage of the Virgin</a></i> – <i><a href="/wiki/Werl_Triptych" title="Werl Triptych">Werl Triptych</a></i></li> <li><span class="smallcaps"><b>de Crayer</b></span>: <i><a href="/wiki/Caritas_Romana_(de_Crayer)" title="Caritas Romana (de Crayer)">Caritas Romana</a></i> <span style="font-size:85%;">(1625)</span></li> <li><span class="smallcaps"><b>David</b></span>: <i><a href="/wiki/Rest_on_the_Flight_into_Egypt_(David,_Madrid)" title="Rest on the Flight into Egypt (David, Madrid)">Rest on the Flight into Egypt</a></i></li> <li><span class="smallcaps"><b>Dürer</b></span>: <i><a href="/wiki/Adam_and_Eve_(D%C3%BCrer)" title="Adam and Eve (Dürer)">Adam and Eve</a></i> – <i><a href="/wiki/Self-Portrait_(D%C3%BCrer,_Madrid)" title="Self-Portrait (Dürer, Madrid)">Self-Portrait</a></i></li> <li><span class="smallcaps"><b>van Dyck</b></span>: <i><a href="/wiki/Self-portrait_with_Sir_Endymion_Porter" title="Self-portrait with Sir Endymion Porter">Self-portrait with Sir Endymion Porter</a></i> – <i><a href="/wiki/The_Betrayal_of_Christ_(van_Dyck,_Madrid)" title="The Betrayal of Christ (van Dyck, Madrid)">The Betrayal of Christ</a></i> – <i><a href="/wiki/The_Brazen_Serpent_(van_Dyck)" title="The Brazen Serpent (van Dyck)">The Brazen Serpent</a></i> – <i><a href="/wiki/Diana_and_a_Nymph_Surprised_by_a_Satyr" title="Diana and a Nymph Surprised by a Satyr">Diana and a Nymph Surprised by a Satyr</a></i> – <i><a href="/wiki/Saint_Rosalia_(Anthony_van_Dyck)" title="Saint Rosalia (Anthony van Dyck)">Saint Rosalia</a></i> – <i><a href="/wiki/The_Crowning_with_Thorns_(van_Dyck)" title="The Crowning with Thorns (van Dyck)">The Crowning with Thorns</a></i></li> <li><span class="smallcaps"><b>van Hemessen</b></span>: <i><a href="/wiki/The_Surgeon_(painting)" title="The Surgeon (painting)">The Surgeon</a></i></li> <li><span class="smallcaps"><b>Francken the Younger</b></span>: <i><a href="/wiki/The_Sciences_and_the_Arts_(Prado)" title="The Sciences and the Arts (Prado)">The Sciences and the Arts</a></i></li> <li><span class="smallcaps"><b>Jordaens</b></span>: <i><a href="/wiki/Apollo_as_Victor_over_Pan" title="Apollo as Victor over Pan">Apollo as Victor over Pan</a></i> – <i><a href="/wiki/Meleager_and_Atalanta_(Jordaens,_1620%E2%80%931650)" title="Meleager and Atalanta (Jordaens, 1620–1650)">Meleager and Atalanta</a></i> – <i><a href="/wiki/The_Painter%27s_Family" title="The Painter's Family">The Painter's Family</a></i></li> <li><span class="smallcaps"><b>Memling</b></span>: <i><a href="/wiki/Adoration_of_the_Magi_(Memling)" title="Adoration of the Magi (Memling)">Adoration of the Magi</a></i></li> <li><span class="smallcaps"><b>Mengs</b></span>: <i><a href="/wiki/Portrait_of_Jos%C3%A9_Nicol%C3%A1s_de_Azara" title="Portrait of José Nicolás de Azara">Portrait of José Nicolás de Azara</a></i></li> <li><span class="smallcaps"><b>de Momper</b></span>: <i><a href="/wiki/Landscape_with_Sea_and_Mountains" title="Landscape with Sea and Mountains">Landscape with Sea and Mountains</a></i> – <i><a href="/wiki/A_Farm" title="A Farm">A Farm</a></i> – <i><a href="/wiki/Flemish_Market_and_Washing_Place" title="Flemish Market and Washing Place">Flemish Market and Washing Place</a></i> – <i><a href="/wiki/Landscape_with_Skaters" title="Landscape with Skaters">Landscape with Skaters</a></i> – <i><a href="/wiki/The_Infanta_Isabel_Clara_Eugenia_in_the_Mariemont_Park" title="The Infanta Isabel Clara Eugenia in the Mariemont Park">The Infanta Isabel Clara Eugenia in the Mariemont Park</a></i> <span style="font-size:85%;">(with Brueghel the Elder)</span> – <i><a href="/wiki/Landscape_(Jan_Brueghel_the_Elder_and_de_Momper)" title="Landscape (Jan Brueghel the Elder and de Momper)">Landscape</a></i> <span style="font-size:85%;">(with Brueghel the Elder)</span></li> <li><span class="smallcaps"><b>Patinir</b></span>: <i><a href="/wiki/Landscape_with_Charon_Crossing_the_Styx" title="Landscape with Charon Crossing the Styx">Landscape with Charon Crossing the Styx</a></i></li> <li><span class="smallcaps"><b>Rembrandt</b></span>: <i><a href="/wiki/Judith_at_the_Banquet_of_Holofernes" title="Judith at the Banquet of Holofernes">Judith at the Banquet of Holofernes</a></i></li> <li><span class="smallcaps"><b>Rubens</b></span>: <i><a href="/wiki/The_Judgement_of_Paris_(Rubens)" title="The Judgement of Paris (Rubens)">The Judgement of Paris</a></i> <span style="font-size:85%;">(1638)</span> – <i><a href="/wiki/The_Three_Graces_(Rubens,_Madrid)" title="The Three Graces (Rubens, Madrid)">The Three Graces</a></i> – <i><a href="/wiki/Adoration_of_the_Magi_(Rubens,_Madrid)" title="Adoration of the Magi (Rubens, Madrid)">Adoration of the Magi</a></i> – <i><a href="/wiki/The_Dance_of_the_Villagers" title="The Dance of the Villagers">The Dance of the Villagers</a></i> – <i><a href="/wiki/Diana_and_Callisto_(Rubens)" title="Diana and Callisto (Rubens)">Diana and Callisto</a></i> – <i><a href="/wiki/Equestrian_Portrait_of_the_Duke_of_Lerma" title="Equestrian Portrait of the Duke of Lerma">Equestrian Portrait of the Duke of Lerma</a></i> – <i><a href="/wiki/The_Fall_of_Man_(Rubens)" title="The Fall of Man (Rubens)">The Fall of Man</a></i> – <i><a href="/wiki/The_Garden_of_Love_(Rubens)" title="The Garden of Love (Rubens)">The Garden of Love</a></i> – <i><a href="/wiki/The_Birth_of_the_Milky_Way" title="The Birth of the Milky Way">The Birth of the Milky Way</a></i> – <i><a href="/wiki/The_Rape_of_Europa_(Rubens)" class="mw-redirect" title="The Rape of Europa (Rubens)">The Rape of Europa</a></i> – <i><a href="/wiki/The_Rape_of_Ganymede_(Rubens)" title="The Rape of Ganymede (Rubens)">The Rape of Ganymede</a></i> – <i><a href="/wiki/Saint_George_and_the_Dragon_(Rubens)" title="Saint George and the Dragon (Rubens)">Saint George and the Dragon</a></i> – <i><a href="/wiki/Saturn_(Rubens)" title="Saturn (Rubens)">Saturn</a></i> – <i><a href="/wiki/The_Triumph_of_the_Church_(Rubens)" title="The Triumph of the Church (Rubens)">The Triumph of the Church</a></i> – <i><a href="/wiki/Deucalion_and_Pyrrha_(Rubens)" title="Deucalion and Pyrrha (Rubens)">Deucalion and Pyrrha</a></i> – <i><a href="/wiki/The_Five_Senses_(series)" title="The Five Senses (series)">The Five Senses</a></i> <span style="font-size:85%;">(with Brueghel the Elder)</span></li> <li><span class="smallcaps"><b>Stom</b></span>: <i><a href="/wiki/The_Incredulity_of_Saint_Thomas_(Stom)" title="The Incredulity of Saint Thomas (Stom)">The Incredulity of Saint Thomas</a></i></li> <li><span class="smallcaps"><b>Strobel</b></span>: <i><a href="/wiki/Feast_of_Herod_with_the_Beheading_of_St_John_the_Baptist" title="Feast of Herod with the Beheading of St John the Baptist">Feast of Herod with the Beheading of St John the Baptist</a></i></li> <li><span class="smallcaps"><b>Teniers the Younger</b></span>: <i><a href="/wiki/Archduke_Leopold_Wilhelm_in_his_Painting_Gallery_in_Brussels_(Prado)" title="Archduke Leopold Wilhelm in his Painting Gallery in Brussels (Prado)">Archduke Leopold Wilhelm in his Painting Gallery in Brussels</a></i> <span style="font-size:85%;">(1651)</span></li> <li><span class="smallcaps"><b>Verhaecht</b></span>: <i><a href="/wiki/Alpine_Landscape" title="Alpine Landscape">Alpine Landscape</a></i></li> <li><span class="smallcaps"><b>van der Weyden</b></span>: <i><a href="/wiki/The_Descent_from_the_Cross_(van_der_Weyden)" title="The Descent from the Cross (van der Weyden)">The Descent from the Cross</a></i> – <i><a href="/wiki/Dur%C3%A1n_Madonna" title="Durán Madonna">Durán Madonna</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">Italian</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Fra Angelico</b></span>: <i><a href="/wiki/Annunciation_(Fra_Angelico,_Madrid)" title="Annunciation (Fra Angelico, Madrid)">Annunciation</a></i></li> <li><span class="smallcaps"><b>Anguissola</b></span>: <i><a href="/wiki/Portrait_of_Elisabeth_of_Valois" title="Portrait of Elisabeth of Valois">Portrait of Elisabeth of Valois</a></i> – <i><a href="/wiki/Portrait_of_Infanta_Isabella_Clara_Eugenia_(Anguissola)" title="Portrait of Infanta Isabella Clara Eugenia (Anguissola)">Portrait of Infanta Isabella Clara Eugenia</a></i> <sup>[3]</sup> – <i><a href="/wiki/Portrait_of_Giovanni_Battista_Caselli" title="Portrait of Giovanni Battista Caselli">Portrait of Giovanni Battista Caselli</a></i></li> <li><span class="smallcaps"><b>Barocci</b></span>: <i><a href="/wiki/Nativity_(Barocci)" title="Nativity (Barocci)">Nativity</a></i></li> <li><span class="smallcaps"><b>Bellini</b></span>: <i><a href="/wiki/Madonna_and_Child_with_Saint_Mary_Magdalene_and_Saint_Ursula" title="Madonna and Child with Saint Mary Magdalene and Saint Ursula">Madonna and Child with Saint Mary Magdalene and Saint Ursula</a></i></li> <li><span class="smallcaps"><b>Botticelli</b></span>: <i><a href="/wiki/The_Story_of_Nastagio_Degli_Onesti,_part_one" title="The Story of Nastagio Degli Onesti, part one">The Story of Nastagio Degli Onesti, part one</a></i></li> <li><span class="smallcaps"><b>Caravaggio</b></span>: <i><a href="/wiki/David_and_Goliath_(Caravaggio)" title="David and Goliath (Caravaggio)">David and Goliath</a></i></li> <li><span class="smallcaps"><b>Carracci</b></span>: <i><a href="/wiki/Assumption_of_the_Virgin_(Annibale_Carracci,_Madrid)" title="Assumption of the Virgin (Annibale Carracci, Madrid)">Assumption of the Virgin</a></i> – <i><a href="/wiki/Mural_Paintings_from_the_Herrera_Chapel" title="Mural Paintings from the Herrera Chapel">Mural Paintings from the Herrera Chapel</a></i> – <i><a href="/wiki/Venus,_Adonis_and_Cupid" title="Venus, Adonis and Cupid">Venus, Adonis and Cupid</a></i></li> <li><span class="smallcaps"><b>Correggio</b></span>: <i><a href="/wiki/Noli_me_tangere_(Correggio)" title="Noli me tangere (Correggio)">Noli me tangere</a></i> – <i><a href="/wiki/Madonna_and_Child_with_the_Infant_John_the_Baptist_(Correggio,_Madrid)" title="Madonna and Child with the Infant John the Baptist (Correggio, Madrid)">Madonna and Child with the Infant John the Baptist</a></i></li> <li><span class="smallcaps"><b>A. Gentileschi</b></span>: <i><a href="/wiki/The_Birth_of_Saint_John_the_Baptist_(Artemisia_Gentileschi)" title="The Birth of Saint John the Baptist (Artemisia Gentileschi)">The Birth of Saint John the Baptist</a></i></li> <li><span class="smallcaps"><b>O. Gentileschi</b></span>: <i><a href="/wiki/The_Finding_of_Moses_(Orazio_Gentileschi)" title="The Finding of Moses (Orazio Gentileschi)">The Finding of Moses</a></i> <span style="font-size:85%;">(1633)</span></li> <li><span class="smallcaps"><b>Leonardo</b></span>: <i><a href="/wiki/Mona_Lisa_(Prado)" title="Mona Lisa (Prado)">Mona Lisa</a></i> <span style="font-size:85%;">(by his studio)</span></li> <li><span class="smallcaps"><b>Lotto</b></span>: <i><a href="/wiki/Portrait_of_Marsilio_Cassotti_and_His_Bride_Faustina" title="Portrait of Marsilio Cassotti and His Bride Faustina">Portrait of Marsilio Cassotti and His Bride Faustina</a></i></li> <li><span class="smallcaps"><b>Mantegna</b></span>: <i><a href="/wiki/Death_of_the_Virgin_(Mantegna)" title="Death of the Virgin (Mantegna)">Death of the Virgin</a></i></li> <li><span class="smallcaps"><b>Parmigianino</b></span>: <i><a href="/wiki/Holy_Family_with_Angels_(Parmigianino)" title="Holy Family with Angels (Parmigianino)">Holy Family with Angels</a></i> – <i><a href="/wiki/Portrait_of_Camilla_Gonzaga_and_Her_Three_Sons" title="Portrait of Camilla Gonzaga and Her Three Sons">Portrait of Camilla Gonzaga and Her Three Sons</a></i> – <i><a href="/wiki/Portrait_of_Pier_Maria_Rossi_di_San_Secondo" title="Portrait of Pier Maria Rossi di San Secondo">Portrait of Pier Maria Rossi di San Secondo</a></i> – <i><a href="/wiki/Saint_Barbara_(Parmigianino)" title="Saint Barbara (Parmigianino)">Saint Barbara</a></i></li> <li><span class="smallcaps"><b>Raphael</b></span>: <i><a href="/wiki/Portrait_of_a_Cardinal_(Raphael)" title="Portrait of a Cardinal (Raphael)">Portrait of a Cardinal</a></i> – <i><a href="/wiki/Christ_Falling_on_the_Way_to_Calvary" title="Christ Falling on the Way to Calvary">Christ Falling on the Way to Calvary</a></i> – <i><a href="/wiki/Madonna_of_the_Rose_(Raphael)" title="Madonna of the Rose (Raphael)">Madonna of the Rose</a></i> – <i><a href="/wiki/Visitation_(Raphael)" title="Visitation (Raphael)">Visitation</a></i> – <i><a href="/wiki/La_Perla_(painting)" title="La Perla (painting)">La Perla</a></i> <span style="font-size:85%;">(with Romano)</span></li> <li><span class="smallcaps"><b>Romano</b></span>: <i><a href="/wiki/Holy_Family_under_an_Oak_Tree" title="Holy Family under an Oak Tree">Holy Family under an Oak Tree</a></i></li> <li><span class="smallcaps"><b>Andrea del Sarto</b></span>: <i><a href="/wiki/Sacrifice_of_Isaac_(Andrea_del_Sarto)" title="Sacrifice of Isaac (Andrea del Sarto)">Sacrifice of Isaac</a></i></li> <li><span class="smallcaps"><b>Tintoretto</b></span>: <i><a href="/wiki/Christ_Washing_the_Disciples%27_Feet_(Tintoretto)" title="Christ Washing the Disciples' Feet (Tintoretto)">Christ Washing the Disciples' Feet</a></i> – <i><a href="/wiki/Joseph_and_Potiphar%27s_Wife_(Tintoretto)" title="Joseph and Potiphar's Wife (Tintoretto)">Joseph and Potiphar's Wife</a></i> – <i><a href="/wiki/Judith_and_Holofernes_(studio_of_Tintoretto)" title="Judith and Holofernes (studio of Tintoretto)">Judith and Holofernes</a></i> <span style="font-size:85%;">(by his studio)</span> – <i><a href="/wiki/The_Washing_of_the_Feet" title="The Washing of the Feet">The Washing of the Feet</a></i></li> <li><span class="smallcaps"><b>Tiepolo</b></span>: <i><a href="/wiki/The_Immaculate_Conception_(Tiepolo)" title="The Immaculate Conception (Tiepolo)">The Immaculate Conception</a></i></li> <li><span class="smallcaps"><b>Titian</b></span>: <i><a href="/wiki/The_Bacchanal_of_the_Andrians" title="The Bacchanal of the Andrians">The Bacchanal of the Andrians</a></i> – <i><a href="/wiki/Equestrian_Portrait_of_Charles_V" title="Equestrian Portrait of Charles V">Equestrian Portrait of Charles V</a></i> – <i><a href="/wiki/The_Fall_of_Man_(Titian)" title="The Fall of Man (Titian)">The Fall of Man</a></i> – <i><a href="/wiki/Alfonso_d%27Avalos_Addressing_his_Troops" title="Alfonso d'Avalos Addressing his Troops">Alfonso d'Avalos Addressing his Troops</a></i> – <i><a href="/wiki/Dana%C3%AB_(Titian_paintings)" title="Danaë (Titian paintings)">Danaë Receiving the Golden Rain</a></i> <span style="font-size:85%;">(1565)</span> – <i><a href="/wiki/The_Entombment_(Titian,_1559)" title="The Entombment (Titian, 1559)">The Entombment</a></i> – <i><a href="/wiki/La_Gloria_(Titian)" title="La Gloria (Titian)">La Gloria</a></i> – <i><a href="/wiki/Virgin_and_Child_Between_Saints_Anthony_of_Padua_and_Roch" title="Virgin and Child Between Saints Anthony of Padua and Roch">Virgin and Child Between Saints Anthony of Padua and Roch</a></i> – <i><a href="/wiki/Mater_Dolorosa_with_Clasped_Hands" title="Mater Dolorosa with Clasped Hands">Mater Dolorosa with Clasped Hands</a></i> – <i><a href="/wiki/Philip_II_in_Armour" title="Philip II in Armour">Philip II in Armour</a></i> – <i><a href="/wiki/Portrait_of_Charles_V_with_a_Dog" title="Portrait of Charles V with a Dog">Portrait of Charles V with a Dog</a></i> – <i><a href="/wiki/Portrait_of_Federico_II_Gonzaga" title="Portrait of Federico II Gonzaga">Portrait of Federico II Gonzaga</a></i> – <i><a href="/wiki/Portrait_of_Isabella_of_Portugal" title="Portrait of Isabella of Portugal">Portrait of Isabella of Portugal</a></i> – <i><a href="/wiki/Sisyphus_(Titian)" title="Sisyphus (Titian)">Sisyphus</a></i> – <i><a href="/wiki/Tityus_(Titian)" title="Tityus (Titian)">Tityus</a></i> – <i><a href="/wiki/Religion_saved_by_Spain" title="Religion saved by Spain">Religion saved by Spain</a></i> – <i><a href="/wiki/Salome_(Titian,_Madrid)" title="Salome (Titian, Madrid)">Salome</a></i> - <i><a href="/wiki/Self-Portrait_(Titian,_Madrid)" title="Self-Portrait (Titian, Madrid)">Self-Portrait</a></i> <span style="font-size:85%;">(1567)</span> – <i><a href="/wiki/Saint_Margaret_and_the_Dragon_(Titian)" title="Saint Margaret and the Dragon (Titian)">Saint Margaret and the Dragon</a></i> – <i><a href="/wiki/Venus_and_Adonis_(Titian)" title="Venus and Adonis (Titian)">Venus and Adonis</a></i> <span style="font-size:85%;">(1554)</span> – <i><a href="/wiki/Venus_and_Musician" title="Venus and Musician">Venus and Musician</a></i> <span style="font-size:85%;">(1550, 1555)</span> – <i><a href="/wiki/The_Virgin_and_Child_with_Saint_George_and_Saint_Dorothy" title="The Virgin and Child with Saint George and Saint Dorothy">The Virgin and Child with Saint George and Saint Dorothy</a></i> – <i><a href="/wiki/The_Worship_of_Venus" title="The Worship of Venus">The Worship of Venus</a></i></li> <li><span class="smallcaps"><b>Veronese</b></span>: <i><a href="/wiki/Venus_and_Adonis_(Veronese,_Madrid)" title="Venus and Adonis (Veronese, Madrid)">Venus and Adonis</a></i> – <i><a href="/wiki/Christ_Among_the_Doctors_(Veronese)" title="Christ Among the Doctors (Veronese)">Christ Among the Doctors</a></i> – <i><a href="/wiki/The_Finding_of_Moses_(Veronese,_Madrid)" title="The Finding of Moses (Veronese, Madrid)">The Finding of Moses</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">French</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="smallcaps"><b>Anonymous</b></span>: <i><a href="/wiki/Agony_in_the_Garden_(anonymous)" title="Agony in the Garden (anonymous)">Agony in the Garden</a></i></li> <li><span class="smallcaps"><b>Baudry</b></span>: <i><a href="/wiki/The_Pearl_and_the_Wave" title="The Pearl and the Wave">The Pearl and the Wave</a></i></li> <li><span class="smallcaps"><b>van Loo</b></span>: <i><a href="/wiki/The_Family_of_Philip_V_(1743)" title="The Family of Philip V (1743)">The Family of Philip V</a></i> <span style="font-size:85%;">(1743)</span></li> <li><span class="smallcaps"><b>Lorrain</b></span>: <i><a href="/wiki/Landscape_with_St_Paula_of_Rome_Embarking_at_Ostia" title="Landscape with St Paula of Rome Embarking at Ostia">Landscape with St Paula of Rome Embarking at Ostia</a></i> – <i><a href="/wiki/The_Ford_(painting)" title="The Ford (painting)">The Ford</a></i> – <i><a href="/wiki/Landscape_with_St_Mar%C3%ADa_de_Cervell%C3%B3" title="Landscape with St María de Cervelló">Landscape with St María de Cervelló</a></i> – <i><a href="/wiki/Landscape_with_the_Burial_of_St_Serapia" title="Landscape with the Burial of St Serapia">Landscape with the Burial of St Serapia</a></i> – <i><a href="/wiki/Landscape_with_the_Finding_of_Moses" title="Landscape with the Finding of Moses">Landscape with the Finding of Moses</a></i> – <i><a href="/wiki/Landscape_with_the_Temptation_of_St_Anthony_(Lorrain)" title="Landscape with the Temptation of St Anthony (Lorrain)">Landscape with the Temptation of St Anthony</a></i> – <i><a href="/wiki/Landscape_with_Tobias_and_Raphael" title="Landscape with Tobias and Raphael">Landscape with Tobias and Raphael</a></i></li> <li><span class="smallcaps"><b>Poussin</b></span>: <i><a href="/wiki/Parnassus_(Poussin)" title="Parnassus (Poussin)">Parnassus</a></i> – <i><a href="/wiki/Landscape_with_Three_Figures" title="Landscape with Three Figures">Landscape with Three Figures</a></i> – <i><a href="/wiki/Saint_Cecilia_(Poussin)" title="Saint Cecilia (Poussin)">Saint Cecilia</a></i></li> <li><span class="smallcaps"><b>Ranc</b></span>: <i><a href="/wiki/The_Family_of_Philip_V_(1723)" title="The Family of Philip V (1723)">The Family of Philip V</a></i> <span style="font-size:85%;">(1723)</span> – <i><a href="/wiki/Portrait_of_Ferdinand_VI_as_a_Boy" title="Portrait of Ferdinand VI as a Boy">Portrait of Ferdinand VI as a Boy</a></i></li> <li><span class="smallcaps"><b>Watteau</b></span>: <i><a href="/wiki/Marriage_Contract_and_Country_Dancing" title="Marriage Contract and Country Dancing">Marriage Contract and Country Dancing</a></i></li> <li><span class="smallcaps"><b>Vouet</b></span>: <i><a href="/wiki/Time_Defeated_by_Love,_Beauty_and_Hope" title="Time Defeated by Love, Beauty and Hope">Time Defeated by Love, Beauty and Hope</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">Other</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/British_paintings_in_the_Museo_del_Prado" title="British paintings in the Museo del Prado">British paintings</a></li></ul> </div></td></tr></tbody></table><div></div></td></tr></tbody></table><div></div></td></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks mw-collapsible uncollapsed navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="text-align: center;"><div id="Sculptures" style="font-size:114%;margin:0 4em">Sculptures</div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%;text-align: left;background-color: #eee;">Rome</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Apotheosis_of_Claudius" title="The Apotheosis of Claudius">The Apotheosis of Claudius</a></i></li> <li><i><a href="/wiki/Castor_and_Pollux_(Prado)" title="Castor and Pollux (Prado)">Castor and Pollux</a></i></li></ul> </div></td></tr></tbody></table><div></div></td></tr></tbody></table><div></div></td></tr><tr><td class="navbox-abovebelow hlist" colspan="2"><div> <ul><li><sup>[1]</sup> On display at El Greco Museum in Toledo</li> <li><sup>[2]</sup> On display at Museo de América in Madrid</li> <li><sup>[3]</sup> On display at the Spanish Embassy in Paris</li></ul> <ul><li><span class="noviewer" typeof="mw:File"><span title="Category"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/16px-Symbol_category_class.svg.png" decoding="async" width="16" height="16" class="mw-file-element" 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