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<span>General</span> </div> </a> <ul id="toc-General-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Technology_and_cyberculture" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Technology_and_cyberculture"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.2</span> <span>Technology and cyberculture</span> </div> </a> <ul id="toc-Technology_and_cyberculture-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Religion" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Religion"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.3</span> <span>Religion</span> </div> </a> <ul id="toc-Religion-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Currency" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Currency"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.4</span> <span>Currency</span> </div> </a> <ul id="toc-Currency-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Social_media" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Social_media"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.5</span> <span>Social media</span> </div> </a> <ul id="toc-Social_media-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Wealth_and_power" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Wealth_and_power"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.6</span> <span>Wealth and power</span> </div> </a> <ul id="toc-Wealth_and_power-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Bibliography" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Bibliography"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Bibliography</span> </div> </a> <button 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class="vector-toc-text"> <span class="vector-toc-numb">3.3</span> <span>Book chapters</span> </div> </a> <ul id="toc-Book_chapters-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Fiction_works" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Fiction_works"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.4</span> <span>Fiction works</span> </div> </a> <ul id="toc-Fiction_works-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Graphic_novels" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Graphic_novels"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.5</span> <span>Graphic novels</span> </div> </a> <ul id="toc-Graphic_novels-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Documentaries" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Documentaries"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.6</span> <span>Documentaries</span> </div> </a> <ul id="toc-Documentaries-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Radio" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Radio"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.7</span> <span>Radio</span> </div> </a> <ul id="toc-Radio-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>External links</span> </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" ><span class="vector-icon mw-ui-icon-listBullet mw-ui-icon-wikimedia-listBullet"></span> <span 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class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Douglas_Rushkoff" title="Douglas Rushkoff – Catalan" lang="ca" hreflang="ca" data-title="Douglas Rushkoff" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target"><span>Català</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Douglas_Rushkoff" title="Douglas Rushkoff – German" lang="de" hreflang="de" data-title="Douglas Rushkoff" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Douglas_Rushkoff" title="Douglas Rushkoff – Spanish" lang="es" hreflang="es" data-title="Douglas Rushkoff" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Douglas_Rushkoff" title="Douglas Rushkoff – Basque" lang="eu" hreflang="eu" data-title="Douglas Rushkoff" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target"><span>Euskara</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Douglas_Rushkoff" title="Douglas Rushkoff – French" lang="fr" hreflang="fr" data-title="Douglas Rushkoff" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D8%AF%D9%88%D8%AC%D9%84%D8%A7%D8%B3_%D8%B1%D9%88%D8%B4%D9%83%D9%88%D9%81" title="دوجلاس روشكوف – Egyptian Arabic" lang="arz" hreflang="arz" data-title="دوجلاس روشكوف" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target"><span>مصرى</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Douglas_Rushkoff" title="Douglas Rushkoff – Polish" lang="pl" hreflang="pl" data-title="Douglas Rushkoff" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%A0%D0%B0%D1%88%D0%BA%D0%BE%D1%84%D1%84,_%D0%94%D1%83%D0%B3%D0%BB%D0%B0%D1%81" title="Рашкофф, Дуглас – Russian" lang="ru" hreflang="ru" data-title="Рашкофф, Дуглас" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li> </ul> <div class="after-portlet after-portlet-lang"><span class="wb-langlinks-edit wb-langlinks-link"><a href="https://www.wikidata.org/wiki/Special:EntityPage/Q717884#sitelinks-wikipedia" title="Edit interlanguage 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id="mw-content-subtitle"><span class="mw-redirectedfrom">(Redirected from <a href="/w/index.php?title=Doug_Rushkoff&redirect=no" class="mw-redirect" title="Doug Rushkoff">Doug Rushkoff</a>)</span></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">American writer and media theorist</div> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div style="display:inline;" class="fn">Douglas Rushkoff</div></th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Sxsw-20230311-rushkoff-PORTRAIT.jpg" class="mw-file-description" title="Douglas Rushkoff at 2023 SXSW"><img alt="Douglas Rushkoff at 2023 SXSW" src="//upload.wikimedia.org/wikipedia/commons/thumb/6/6e/Sxsw-20230311-rushkoff-PORTRAIT.jpg/220px-Sxsw-20230311-rushkoff-PORTRAIT.jpg" decoding="async" width="220" height="292" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/6e/Sxsw-20230311-rushkoff-PORTRAIT.jpg/330px-Sxsw-20230311-rushkoff-PORTRAIT.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/6e/Sxsw-20230311-rushkoff-PORTRAIT.jpg/440px-Sxsw-20230311-rushkoff-PORTRAIT.jpg 2x" data-file-width="2807" data-file-height="3728" /></a></span><div class="infobox-caption" style="line-height:1.4em;">Douglas Rushkoff at 2023 SXSW</div></td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Born</th><td class="infobox-data" style="line-height:1.4em;"><span style="display:none"> (<span class="bday">1961-02-18</span>) </span>February 18, 1961<span class="noprint ForceAgeToShow"> (age 63)</span><br />New York City, US</td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Occupation</th><td class="infobox-data role" style="line-height:1.4em;">Media theorist, writer, columnist, lecturer, <a href="/wiki/Graphic_novelist" class="mw-redirect" title="Graphic novelist">graphic novelist</a>, documentarian</td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Education</th><td class="infobox-data" style="line-height:1.4em;"><a href="/wiki/Princeton_University" title="Princeton University">Princeton University</a> (<a href="/wiki/Bachelor_of_Arts" title="Bachelor of Arts">BA</a>)<br /><a href="/wiki/California_Institute_of_the_Arts" title="California Institute of the Arts">California Institute of the Arts</a> (<a href="/wiki/Master_of_Arts" title="Master of Arts">MA</a>)<br /><a href="/wiki/American_Film_Institute" title="American Film Institute">American Film Institute</a><br /><a href="/wiki/Utrecht_University" title="Utrecht University">Utrecht University</a> (<a href="/wiki/Doctor_of_Philosophy" title="Doctor of Philosophy">PhD</a>)</td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Subject</th><td class="infobox-data" style="line-height:1.4em;"><a href="/wiki/Media_of_the_United_States" class="mw-redirect" title="Media of the United States">American media</a></td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Spouse</th><td class="infobox-data" style="line-height:1.4em;">Barbara Kligman</td></tr><tr><th scope="row" class="infobox-label" style="line-height:1.2em; padding-right:0.65em;">Children</th><td class="infobox-data" style="line-height:1.4em;">1</td></tr><tr><th colspan="2" class="infobox-header">Website</th></tr><tr><td colspan="2" class="infobox-full-data" style="line-height:1.4em;"><span class="url"><a rel="nofollow" class="external text" href="http://rushkoff.com">rushkoff<wbr />.com</a></span></td></tr></tbody></table> <p><b>Douglas Mark Rushkoff</b> (born February 18, 1961) is an American <a href="/wiki/Media_theorist" class="mw-redirect" title="Media theorist">media theorist</a>, writer, columnist, lecturer, graphic novelist, and documentarian. He is best known for his association with the early <a href="/wiki/Cyberpunk" title="Cyberpunk">cyberpunk</a> culture and his advocacy of <a href="/wiki/Open-source_model" class="mw-redirect" title="Open-source model">open-source</a> solutions to social problems. </p><p>Rushkoff is most frequently regarded as a <a href="/wiki/Media_theory" class="mw-redirect" title="Media theory">media theorist</a> and is known for coining terms and concepts including <a href="/wiki/Viral_marketing" title="Viral marketing">viral media</a> (or media virus), <a href="/wiki/Digital_native" title="Digital native">digital native</a>, and <a href="/wiki/Social_currency" title="Social currency">social currency</a>. <sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="Has he coined these terms? The respective articles do not mention this. If someone finds sources both this article and the others should be updated. (January 2023)">citation needed</span></a></i>]</sup> He has written ten books on media, technology and culture. He wrote the first syndicated column on <a href="/wiki/Cyberculture" class="mw-redirect" title="Cyberculture">cyberculture</a> for <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times Syndicate</a></i>, as well as regular columns for <i><a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a></i> of London,<sup id="cite_ref-guardian2002_1-0" class="reference"><a href="#cite_note-guardian2002-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> <i><a href="/wiki/Arthur_(magazine)" title="Arthur (magazine)">Arthur</a></i>,<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> <i><a href="/wiki/Discover_(magazine)" title="Discover (magazine)">Discover</a></i>,<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> and the <a href="/wiki/Online_magazine" title="Online magazine">online magazines</a> <i><a href="/wiki/Daily_Beast" class="mw-redirect" title="Daily Beast">Daily Beast</a></i>,<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> and <i><a href="/wiki/TheFeature" title="TheFeature">TheFeature</a></i>. </p><p>Rushkoff is currently Professor of Media Theory and Digital Economics at the <a href="/wiki/City_University_of_New_York" title="City University of New York">City University of New York</a>, Queens College. He has previously lectured at <a href="/wiki/The_New_School" title="The New School">The New School University</a> in Manhattan<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> and the Interactive Telecommunications Program at <a href="/wiki/New_York_University" title="New York University">New York University</a>'s <a href="/wiki/Tisch_School_of_the_Arts" class="mw-redirect" title="Tisch School of the Arts">Tisch School of the Arts</a>, where he created the Narrative Lab.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> In 2012, Rushkoff was declared the sixth most influential <a href="/wiki/Intellectual" title="Intellectual">thinker</a> in the world by <i><a href="/wiki/MIT_Technology_Review" title="MIT Technology Review">MIT Technology Review</a></i>, following <a href="/wiki/Steven_Pinker" title="Steven Pinker">Steven Pinker</a>, <a href="/wiki/David_Graeber" title="David Graeber">David Graeber</a>, <a href="/wiki/Nobel_prize" class="mw-redirect" title="Nobel prize">Nobel prize</a>-winner <a href="/wiki/Daniel_Kahneman" title="Daniel Kahneman">Daniel Kahneman</a>, <a href="/wiki/Thilo_Sarrazin" title="Thilo Sarrazin">Thilo Sarrazin</a>, and <a href="/wiki/Richard_Florida" title="Richard Florida">Richard Florida</a>.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Biography">Biography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=1" title="Edit section: Biography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Background">Background</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=2" title="Edit section: Background"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Rushkoff was born in New York City, New York, and is the son of Sheila, a psychiatric social worker, and Marvin Rushkoff, a hospital administrator.<sup id="cite_ref-reff1_9-0" class="reference"><a href="#cite_note-reff1-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> His older brother, Bennett, has served as an administrative law judge in <a href="/wiki/Washington,_D.C." title="Washington, D.C.">Washington, D.C.</a> </p><p>Rushkoff graduated from <a href="/wiki/Princeton_University" title="Princeton University">Princeton University</a> in 1983.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> He moved to Los Angeles and completed a <a href="/wiki/Master_of_Fine_Arts" title="Master of Fine Arts">Master of Fine Arts</a> in Directing from the <a href="/wiki/California_Institute_of_the_Arts" title="California Institute of the Arts">California Institute of the Arts</a>. Later he took up a <a href="/wiki/Postgraduate_education" title="Postgraduate education">post-graduate</a> fellowship from the <a href="/wiki/American_Film_Institute" title="American Film Institute">American Film Institute</a>.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> He was a PhD candidate at <a href="/wiki/Utrecht_University" title="Utrecht University">Utrecht University</a>'s New Media Program, writing a dissertation on new media literacies,<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> which was approved in June, 2012.<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> </p><p>Rushkoff emerged in the early 1990s as an active member of the cyberpunk movement, developing friendships and collaborations with people including <a href="/wiki/Timothy_Leary" title="Timothy Leary">Timothy Leary</a>, <a href="/wiki/R._U._Sirius" title="R. U. Sirius">RU Sirius</a>, <a href="/wiki/Paul_Krassner" title="Paul Krassner">Paul Krassner</a>, <a href="/wiki/Robert_Anton_Wilson" title="Robert Anton Wilson">Robert Anton Wilson</a>, <a href="/wiki/Ralph_Abraham_(mathematician)" title="Ralph Abraham (mathematician)">Ralph Abraham</a>, <a href="/wiki/Terence_McKenna" title="Terence McKenna">Terence McKenna</a>, <a href="/wiki/Genesis_P-Orridge" title="Genesis P-Orridge">Genesis P-Orridge</a>, <a href="/wiki/Ralph_Metzner" title="Ralph Metzner">Ralph Metzner</a>, <a href="/wiki/Grant_Morrison" title="Grant Morrison">Grant Morrison</a>, <a href="/wiki/Mark_Pesce" title="Mark Pesce">Mark Pesce</a>, <a href="/wiki/Erik_Davis" title="Erik Davis">Erik Davis</a>, and other writers, artists and philosophers interested in the intersection of technology, society and culture.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> </p><p><i>Cyberia</i>, his first book on cyberculture, was inspired by the San Francisco <a href="/wiki/Rave" title="Rave">rave</a> scene of the early 1990s. The initially planned publication was scrapped, however; in Rushkoff's words, "in 1992 Bantam canceled the book because they thought by 1993 the internet would be over."<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> It was eventually published in 1994. </p><p>As his books became more accepted, and his concepts of the "media virus"<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> and "social contagion" became mainstream ideas, Rushkoff was invited to deliver commentaries on National Public Radio's <i><a href="/wiki/All_Things_Considered" title="All Things Considered">All Things Considered</a></i>,<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> and to make documentaries for the PBS series <i>Frontline</i>.<sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> </p><p>In 2002, Rushkoff was awarded the <a href="/wiki/Marshall_McLuhan" title="Marshall McLuhan">Marshall McLuhan</a> Award by the Media Ecology Association for his book <i>Coercion</i>, and became a member and sat on the <a href="/wiki/Board_of_directors" title="Board of directors">board of directors</a> of that organization.<sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> This allied him with the "media ecologists", a continuation of what is known as the Toronto School of media theorists including <a href="/wiki/Marshall_McLuhan" title="Marshall McLuhan">Marshall McLuhan</a>, <a href="/wiki/Walter_J._Ong" title="Walter J. Ong">Walter Ong</a>, and <a href="/wiki/Neil_Postman" title="Neil Postman">Neil Postman</a>. </p><p>Simultaneously, Rushkoff continued to develop his relationship with counterculture figures, collaborating with Genesis P-Orridge as a keyboardist for <a href="/wiki/Psychic_TV" title="Psychic TV">Psychic TV</a>, and credited with composing music for the album <i><a href="/wiki/Hell_Is_Invisible..._Heaven_Is_Her/e" title="Hell Is Invisible... Heaven Is Her/e">Hell Is Invisible... Heaven Is Her/e</a></i>.<sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> Rushkoff taught classes in media theory and in media subversion for New York University's Interactive Telecommunications Program,<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> participated in activist pranks with the <a href="/wiki/The_Yes_Men" title="The Yes Men">Yes Men</a><sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> and eToy,<sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> contributed to numerous books and documentaries on psychedelics, and spoke or appeared at many events sponsored by counterculture publisher Disinformation.<sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Influences">Influences</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=3" title="Edit section: Influences"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>References to media ecologist and Toronto School of Communication founder <a href="/wiki/Marshall_McLuhan" title="Marshall McLuhan">Marshall McLuhan</a> appear throughout Rushkoff's work as a focus on media over content, the effects of media on <a href="/wiki/Popular_culture" title="Popular culture">popular culture</a> and the level at which people participate when consuming media.<sup id="cite_ref-blogspot1_27-0" class="reference"><a href="#cite_note-blogspot1-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> </p><p>Rushkoff worked with both Robert Anton Wilson<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> and Timothy Leary on developing philosophical systems to explain consciousness, its interaction with technology, and <a href="/wiki/Sociocultural_evolution" title="Sociocultural evolution">social evolution</a> of the human species, and references both consistently in his work. Leary, along with <a href="/wiki/John_Perry_Barlow" title="John Perry Barlow">John Barlow</a> and Terence McKenna characterized the mid-1990s as techno-utopian, and saw the rapid acceleration of culture, emerging media and the unchecked advancement of technology as completely positive.<sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> Rushkoff's own unbridled enthusiasm for cyberculture was tempered by the dotcom boom, when the non-profit character of the Internet was rapidly overtaken by corporations and <a href="/wiki/Venture_capital" title="Venture capital">venture capital</a>. Rushkoff often cites two events in particular – the day Netscape became a <a href="/wiki/Public_company" title="Public company">public company</a> in 1995,<sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> and the day AOL bought <a href="/wiki/Time_Warner" class="mw-redirect" title="Time Warner">Time Warner</a> in 2000<sup id="cite_ref-guardian2002_1-1" class="reference"><a href="#cite_note-guardian2002-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> – as pivotal moments in his understanding of the forces at work in the evolution of new media. </p><p>Rushkoff spent several years exploring <a href="/wiki/Judaism" title="Judaism">Judaism</a> as a primer for <a href="/wiki/Media_literacy" title="Media literacy">media literacy</a>, going so far as to publish a book inviting Jews to restore the religion to its "open source" roots.<sup id="cite_ref-31" class="reference"><a href="#cite_note-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> He founded a movement for progressive Judaism called Reboot, but subsequently left when he felt its funders had become more concerned with marketing and publicity of Judaism than its actual improvement and evolution.<sup id="cite_ref-blogspot1_27-1" class="reference"><a href="#cite_note-blogspot1-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> Disillusioned by the failure of the open source model to challenge entrenched and institutional hierarchies from religion to finance, he became a colleague of <a href="/wiki/Mark_Crispin_Miller" title="Mark Crispin Miller">Mark Crispin Miller</a> and <a href="/wiki/Naomi_Klein" title="Naomi Klein">Naomi Klein</a>, appearing with them at <a href="/wiki/Smith_College" title="Smith College">Smith College</a><sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> as well as in numerous documentaries decrying the corporatization of public space and consciousness.<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> He has dedicated himself most recently to the issues of media literacy,<sup id="cite_ref-namle1_34-0" class="reference"><a href="#cite_note-namle1-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> participatory government, and the development of local and <a href="/wiki/Complementary_currencies" class="mw-redirect" title="Complementary currencies">complementary currencies</a>.<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> He wrote a book and film called <i>Life Inc.</i>,<sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> which traces the development of <a href="/wiki/Corporatism" title="Corporatism">corporatism</a> and centralized currency from the Renaissance to today, and hosted a <a href="/wiki/Radio_programming" title="Radio programming">radio show</a> called <i>The Media Squat</i> on WFMU from 2008 to 2009, concerned with reclaiming commerce and culture from corporate domination.<sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Influence">Influence</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=4" title="Edit section: Influence"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In September 2020, Rushkoff commented on the release of the documentary <i><a href="/wiki/The_Social_Dilemma" title="The Social Dilemma">The Social Dilemma</a></i>. This was partly based on the prompting from his fanbase that expressed that the ideas in the film were direct quotations from his books and films. Rushkoff speculated at the possibility that the programmers interviewed in the film have read something from himself, or other writers such as <a href="/wiki/Nicholas_G._Carr" title="Nicholas G. Carr">Nicholas Carr</a>, <a href="/wiki/Sherry_Turkle" title="Sherry Turkle">Sherry Turkle</a>, <a href="/wiki/Andrew_Keen" title="Andrew Keen">Andrew Keen</a>, <a href="/wiki/Howard_Rheingold" title="Howard Rheingold">Howard Rheingold</a>, <a href="/wiki/Richard_Barbrook" title="Richard Barbrook">Richard Barbrook</a>, <a href="/wiki/Tim_Wu" title="Tim Wu">Tim Wu</a>, or even the singer <a href="/wiki/Raffi" title="Raffi">Raffi</a>. He acknowledged that while their work and analogies are being quoted without acknowledgement of their source, that these quotations serve as memes themselves and are indicative of their sustaining value beyond their original authors. <a href="/wiki/Jaron_Lanier" title="Jaron Lanier">Jaron Lanier</a>, who was a subject in Rushkoff's <i>Cyberia</i> years before, is one of the people included in the documentary. Rushkoff also acknowledged he got a call from the Center for Humane Technology stating that they are starting a new organization called <i>Team Humanity</i>, which is a direct wordplay from Rushkoff's podcast <i>Team Human</i>. Rushkoff asked his fanbase to not act negatively toward this appropriation, and to be inclusive of this new community in order to open up a new dialogue between the groups.<sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Awards_and_appointments">Awards and appointments</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=5" title="Edit section: Awards and appointments"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Douglas Rushkoff has served on the board of directors of the Media Ecology Association,<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> The Center for Cognitive Liberty and Ethics,<sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> and is a founding member of Technorealism,<sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> as well as of the advisory board of The National Association for Media Literacy Education,<sup id="cite_ref-namle1_34-1" class="reference"><a href="#cite_note-namle1-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> MeetUp.com<sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> and HyperWords<sup id="cite_ref-43" class="reference"><a href="#cite_note-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> </p><p>He is the winner of the first Neil Postman Award for Career Achievement in Public Intellectual Activity, given by the Media Ecology Association, in 2004.<sup id="cite_ref-44" class="reference"><a href="#cite_note-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Themes">Themes</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=6" title="Edit section: Themes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="General">General</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=7" title="Edit section: General"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Douglas Rushkoff's philosophy developed from a techno-utopian view of new media to a more nuanced critique of cyberculture discourse and the impact of media on society. Viewing everything except for intention as media, he frequently explores the themes of how to make media interactive, how to help people (especially children) effectively analyze and question the media they consume, as well as how to cultivate intention and agency. He has theorized on such media as religion, culture, politics, and money.<sup id="cite_ref-45" class="reference"><a href="#cite_note-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Technology_and_cyberculture">Technology and cyberculture</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=8" title="Edit section: Technology and cyberculture"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Up to the late-1990s, Douglas Rushkoff's philosophy towards technology could be characterized as media-deterministic. Cyberculture and new media were supposed to promote democracy and allow people to transcend the ordinary.<sup id="cite_ref-46" class="reference"><a href="#cite_note-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> </p><p>In <i>Cyberia</i>, Rushkoff states the essence of mid-1990s culture as being the fusion of rave psychedelia, <a href="/wiki/Chaos_theory" title="Chaos theory">chaos theory</a> and early <a href="/wiki/Computer_networking" class="mw-redirect" title="Computer networking">computer networks</a>. The promise of the resulting "counter culture" was that media would change from being passive to active, that we would embrace the social over content, and that empowers the masses to create and react.<sup id="cite_ref-47" class="reference"><a href="#cite_note-47"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup> </p><p>This idea also comes up in the concept of the media virus, which Rushkoff details in the 1994 publication of <i>Media Virus: Hidden Agendas in Popular Culture</i>. This significant work adopts organic metaphors to show that media, like viruses, are mobile, easily duplicated and presented as non-threatening.<sup id="cite_ref-48" class="reference"><a href="#cite_note-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> Technologies can make our interaction with media an empowering experience if we learn to decode the capabilities offered to us by our media. Unfortunately, people often stay one step behind our media capabilities. Ideally, emerging media and technologies have the potential to enlighten, to aid grassroots movements, to offer an alternative to the traditional "top-down" media, to connect diverse groups and to promote the sharing of information.<sup id="cite_ref-49" class="reference"><a href="#cite_note-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> </p><p>Rushkoff does not limit his writings to the effect of technology on adults, and in <i>Playing the Future</i> turns his attention to the generation of people growing up who understand the language of media like natives, guarded against coercion.<sup id="cite_ref-50" class="reference"><a href="#cite_note-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> These "screenagers", a term originated by Rushkoff,<sup id="cite_ref-51" class="reference"><a href="#cite_note-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> have the chance to mediate the changing landscape more effectively than digital immigrants. </p><p>With <i>Coercion</i> (1999), Rushkoff realistically examines the potential benefits and dangers inherent in cyberculture and analyzes market strategies that work to make people act on instinct (and buy!) rather than reflect rationally. The book wants readers to learn to "read" the media they consume and interpret what is really being communicated.<sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (October 2012)">citation needed</span></a></i>]</sup> </p> <div class="mw-heading mw-heading3"><h3 id="Religion">Religion</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=9" title="Edit section: Religion"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In <i>Nothing Sacred: The Truth About Judaism</i>, Rushkoff explores the medium of religion and intellectually deconstructs the Bible and the ways that he says religion fails to provide true connectivity and transformative experiences.<sup id="cite_ref-52" class="reference"><a href="#cite_note-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Currency">Currency</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=10" title="Edit section: Currency"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Most recently, Douglas Rushkoff has turned his critical lens to the medium of <a href="/wiki/Currency" title="Currency">currency</a>. One of the most important concepts that he creates and develops is the notion of <a href="/wiki/Social_currency" title="Social currency">social currency</a>, or the degree to which certain content and media can facilitate and/or promote relationships and interactions between members of a community. Rushkoff mentions jokes, scandals, blogs, ambiance, i.e. anything that would engender "water cooler" talk, as social currency. </p><p>In his book, <i>Life, Inc.</i> and his dissertation "Monopoly Moneys", Rushkoff takes a look at physical currency and the history of <a href="/wiki/Corporatism" title="Corporatism">corporatism</a>. Beginning with an overview of how <a href="/wiki/Money" title="Money">money</a> has been gradually centralized throughout time, and pondering the reasons and consequences of such a fact, he goes on to demonstrate how our society has become defined by and controlled by <a href="/wiki/Organizational_culture" title="Organizational culture">corporate culture</a>. </p> <div class="mw-heading mw-heading3"><h3 id="Social_media">Social media</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=11" title="Edit section: Social media"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Rushkoff has long been skeptical of social media.<sup id="cite_ref-53" class="reference"><a href="#cite_note-53"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup> On February 25, 2013, he announced in a CNN op-ed that he was leaving <a href="/wiki/Facebook" title="Facebook">Facebook</a>, citing concerns about the company's use of his personal data.<sup id="cite_ref-54" class="reference"><a href="#cite_note-54"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup> In 2023, he announced his departure from X and other social media platforms, explaining, "And Twitter has no tolerance for ambiguity. It's missing the moderated, the emotional, the poetic...the whole human experience."<sup id="cite_ref-55" class="reference"><a href="#cite_note-55"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Wealth_and_power">Wealth and power</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=12" title="Edit section: Wealth and power"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In his most recent work, <i>Survival of the Richest: Escape Fantasies of the Tech Billionaires</i> (2022), Rushkoff explored the calculus some of the extremely wealthy make in the recognition that their often single-minded pursuit of greater profits and better technology are creating an increasingly unstable world. In a 2022 talk for House of SpeakEasy's <i>Seriously Entertaining</i> program,<sup id="cite_ref-56" class="reference"><a href="#cite_note-56"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup> Rushkoff explained the billionaires' mindset as coming down to this essential question: "How much money and technology do I need to insulate myself from the reality I'm creating by earning money and using technology in this way?" He argues that treating people better in the present may be the most surefire way to avoid widespread catastrophe in the future. </p> <div class="mw-heading mw-heading2"><h2 id="Bibliography">Bibliography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=13" title="Edit section: Bibliography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Articles">Articles</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=14" title="Edit section: Articles"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>"<a rel="nofollow" class="external text" href="https://www.strategy-business.com/article/Team-Human-vs-Team-AI?gko=4d55d">Team Human vs. Team AI</a>," <i><a href="/wiki/Strategy%2BBusiness" title="Strategy+Business">Strategy+Business</a></i>, February 5, 2019.</li></ul> <div class="mw-heading mw-heading3"><h3 id="Books">Books</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=15" title="Edit section: Books"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>2024. <i>Program or Be Programmed: Eleven Commands for the AI Future</i> Paperback <a href="/wiki/Special:BookSources/6816821943" title="Special:BookSources/6816821943">ISBN 978-1-68219-435-5</a> Ebook <a href="/wiki/Special:BookSources/9781682194362" title="Special:BookSources/9781682194362">ISBN 978-1-68219-436-2</a></li> <li>2022. <i>Survival of the Richest</i> <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-393-88106-6" title="Special:BookSources/978-0-393-88106-6">978-0-393-88106-6</a></li> <li>2019. <i>Team Human</i> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-393-65169-0" title="Special:BookSources/978-0-393-65169-0">978-0-393-65169-0</a></li> <li>2016. <i>Throwing Rocks at the Google Bus</i> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-61723-017-2" title="Special:BookSources/978-1-61723-017-2">978-1-61723-017-2</a></li> <li>2013. <i>Present Shock: When Everything Happens Now</i> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-59184-476-1" title="Special:BookSources/978-1-59184-476-1">978-1-59184-476-1</a></li> <li>2010. <i>Program or be Programmed: Ten Commands for a Digital Age</i> Paperback <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-935928-15-7" title="Special:BookSources/978-1-935928-15-7">978-1-935928-15-7</a> Ebook <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-935928-16-4" title="Special:BookSources/978-1-935928-16-4">978-1-935928-16-4</a></li> <li>2009. <i>Life, Inc.: How the World Became A Corporation and How To Take It Back</i> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4000-6689-6" title="Special:BookSources/978-1-4000-6689-6">978-1-4000-6689-6</a></li> <li>2009. <i>Foreword: The Opportunity for Renaissance</i>, pp. 273–281, in <i>Be The Media</i>, <a href="/wiki/David_Mathison" title="David Mathison">David Mathison</a>, editor</li> <li>2005. <i>Get Back in the Box: Innovation from the Inside Out</i> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-06-075869-1" title="Special:BookSources/978-0-06-075869-1">978-0-06-075869-1</a></li> <li>2003. <i>Open Source Democracy</i> A Demos Essay</li> <li>2003. <i>Nothing Sacred: The Truth About Judaism</i> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4000-5139-7" title="Special:BookSources/978-1-4000-5139-7">978-1-4000-5139-7</a></li> <li>1999. <i>Coercion: Why We Listen to What "They" Say</i> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-57322-829-9" title="Special:BookSources/978-1-57322-829-9">978-1-57322-829-9</a></li> <li>1996. <i>Playing the Future: What We Can Learn From Digital Kids</i> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-57322-764-3" title="Special:BookSources/978-1-57322-764-3">978-1-57322-764-3</a> (Published in the UK in 1997 as "Children of Chaos: Surviving the End of the World as We Know it" <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-00-654879-2" title="Special:BookSources/0-00-654879-2">0-00-654879-2</a>)</li> <li>1995. <i>Media Virus: Hidden Agendas in Popular Culture</i> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-345-39774-4" title="Special:BookSources/978-0-345-39774-4">978-0-345-39774-4</a></li> <li>1994. <i>The GenX Reader</i> (Editor, contributor) <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-345-39046-2" title="Special:BookSources/978-0-345-39046-2">978-0-345-39046-2</a></li> <li>1994. <i><a href="/wiki/Cyberia_(book)" title="Cyberia (book)">Cyberia: Life in the Trenches of Cyberspace</a></i> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-903083-24-6" title="Special:BookSources/978-1-903083-24-6">978-1-903083-24-6</a></li> <li>1991. <i>Free Rides: How To Get High Without Drugs</i> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-385-30331-6" title="Special:BookSources/978-0-385-30331-6">978-0-385-30331-6</a></li></ul> <div class="mw-heading mw-heading3"><h3 id="Book_chapters">Book chapters</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=16" title="Edit section: Book chapters"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDouglas_Rushkoff2019" class="citation book cs1">Douglas Rushkoff (2019). "Chapter 8: Survival of the richest". In <a href="/wiki/Extinction_Rebellion" title="Extinction Rebellion">Extinction Rebellion</a> (ed.). <i>This Is Not a Drill: An Extinction Rebellion Handbook</i>. Penguin Books. pp. 58–64. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-14-199144-3" title="Special:BookSources/978-0-14-199144-3"><bdi>978-0-14-199144-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Chapter+8%3A+Survival+of+the+richest&rft.btitle=This+Is+Not+a+Drill%3A+An+Extinction+Rebellion+Handbook&rft.pages=58-64&rft.pub=Penguin+Books&rft.date=2019&rft.isbn=978-0-14-199144-3&rft.au=Douglas+Rushkoff&rfr_id=info%3Asid%2Fen.wikipedia.org%3ADouglas+Rushkoff" class="Z3988"></span></li></ul> <div class="mw-heading mw-heading3"><h3 id="Fiction_works">Fiction works</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=17" title="Edit section: Fiction works"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>2002. <i>Exit Strategy</i> (aka Bull) <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-887128-90-2" title="Special:BookSources/978-1-887128-90-2">978-1-887128-90-2</a></li> <li>1997. <i>Ecstasy Club</i> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-57322-702-5" title="Special:BookSources/978-1-57322-702-5">978-1-57322-702-5</a></li></ul> <div class="mw-heading mw-heading3"><h3 id="Graphic_novels">Graphic novels</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=18" title="Edit section: Graphic novels"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>2016. <i>Aleister and Adolf</i> with <a href="/wiki/Michael_Avon_Oeming" title="Michael Avon Oeming">Michael Avon Oeming</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-5067-0104-2" title="Special:BookSources/978-1-5067-0104-2">978-1-5067-0104-2</a></li> <li>2012. <i>A.D.D. – Adolescent Demo Division</i> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-78116-019-0" title="Special:BookSources/978-1-78116-019-0">978-1-78116-019-0</a></li> <li>2005–2008. <i><a href="/wiki/Testament_(comics)" title="Testament (comics)">Testament</a></i> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4012-1063-2" title="Special:BookSources/978-1-4012-1063-2">978-1-4012-1063-2</a></li> <li>2004. <i>Club Zero-G</i> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-9729529-3-4" title="Special:BookSources/978-0-9729529-3-4">978-0-9729529-3-4</a></li></ul> <div class="mw-heading mw-heading3"><h3 id="Documentaries">Documentaries</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=19" title="Edit section: Documentaries"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>2014. <i>Generation Like</i>. PBS Frontline.</li> <li>2008. <i>American Music: OFF THE RECORD</i> Dir. Benjamin Meade, Cosmic Cowboy Studio.</li> <li>2009–2010. <i><a href="/wiki/Digital_Nation" title="Digital Nation">Digital Nation, Life on the Virtual Frontier</a></i>. Web site and documentary, PBS Frontline.</li> <li>2009. <i>Life Inc. The Movie</i></li> <li>2004. <i>The Persuaders</i>. This <a href="/wiki/Frontline_(U.S._TV_series)" class="mw-redirect" title="Frontline (U.S. TV series)">Frontline</a> documentary examines the psychological techniques behind popular marketing and advertising trends, determines how these methods influence how we view ourselves and desires, and postulates on the future implications of these persuasive approaches at work.</li> <li>2001. <i>Merchants of Cool</i>, a groundbreaking, award-winning <a href="/wiki/Frontline_(U.S._TV_series)" class="mw-redirect" title="Frontline (U.S. TV series)">Frontline</a> documentary which explores the people, marketing techniques and ideologies behind popular culture for teenagers. This video attempts to answer whether or not teen popular culture is reflective of its population or manufactured by big business and related groups.</li></ul> <div class="mw-heading mw-heading3"><h3 id="Radio">Radio</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=20" title="Edit section: Radio"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i>The Media Squat</i> (creator and host): freeform, <a href="/wiki/Top-down_and_bottom-up_design#Management_and_organization" class="mw-redirect" title="Top-down and bottom-up design">bottom-up</a>, open source WFMU radio which examines similarly open source, bottom-up solutions to some of the problems engendered by our relentlessly top-down society.</li> <li><i>Team Human Podcast</i> (creator and host): a weekly interview show focused on themes of inspecting and subverting technology's effect on human behaviour. The format of the show is typically started with a monologue from Rushkoff and then an interview with a guest.</li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=21" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-guardian2002-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-guardian2002_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-guardian2002_1-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRushkoff2002" class="citation news cs1">Rushkoff, Douglas (2002-07-25). <a rel="nofollow" class="external text" href="https://www.theguardian.com/technology/2002/jul/25/onlinesupplement.newmedia">"Signs of the times | Technology"</a>. <i>The Guardian</i>. London<span class="reference-accessdate">. Retrieved <span class="nowrap">2009-07-25</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Guardian&rft.atitle=Signs+of+the+times+%26%23124%3B+Technology&rft.date=2002-07-25&rft.aulast=Rushkoff&rft.aufirst=Douglas&rft_id=https%3A%2F%2Fwww.theguardian.com%2Ftechnology%2F2002%2Fjul%2F25%2Fonlinesupplement.newmedia&rfr_id=info%3Asid%2Fen.wikipedia.org%3ADouglas+Rushkoff" class="Z3988"></span></span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRushkoff2009" class="citation web cs1">Rushkoff, Douglas (2009-03-30). <a rel="nofollow" class="external text" href="http://www.arthurmag.com/2009/03/30/crowdsourcing-the-bank-recovery-by-douglas-rushkoff/">"Crowdsourcing The Bank Recovery"</a>. <i>Arthur Magazine</i><span class="reference-accessdate">. Retrieved <span class="nowrap">2009-07-25</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Arthur+Magazine&rft.atitle=Crowdsourcing+The+Bank+Recovery&rft.date=2009-03-30&rft.aulast=Rushkoff&rft.aufirst=Douglas&rft_id=http%3A%2F%2Fwww.arthurmag.com%2F2009%2F03%2F30%2Fcrowdsourcing-the-bank-recovery-by-douglas-rushkoff%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ADouglas+Rushkoff" class="Z3988"></span></span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://discovermagazine.com/search?SearchableText=rushkoff&Submit.x=0&Submit.y=0">"Science and Technology News, Science Articles"</a>. Discover Magazine. 2007-01-21<span class="reference-accessdate">. Retrieved <span class="nowrap">2009-07-25</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Science+and+Technology+News%2C+Science+Articles&rft.pub=Discover+Magazine&rft.date=2007-01-21&rft_id=http%3A%2F%2Fdiscovermagazine.com%2Fsearch%3FSearchableText%3Drushkoff%26Submit.x%3D0%26Submit.y%3D0&rfr_id=info%3Asid%2Fen.wikipedia.org%3ADouglas+Rushkoff" class="Z3988"></span></span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.thedailybeast.com/author/douglas-rushkoff/">"Douglas Rushkoff"</a>. The Daily Beast<span class="reference-accessdate">. Retrieved <span class="nowrap">2009-07-25</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Douglas+Rushkoff&rft.pub=The+Daily+Beast&rft_id=http%3A%2F%2Fwww.thedailybeast.com%2Fauthor%2Fdouglas-rushkoff%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ADouglas+Rushkoff" class="Z3988"></span></span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110530045337/http://www.newschool.edu/mediastudies/courses.aspx?id=29211">"Media Studies :: Academics :: All Courses"</a>. Newschool.edu. Archived from <a rel="nofollow" class="external text" href="http://www.newschool.edu/mediastudies/courses.aspx?id=29211">the original</a> on 2011-05-30<span class="reference-accessdate">. Retrieved <span class="nowrap">2009-07-25</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Media+Studies+%3A%3A+Academics+%3A%3A+All+Courses&rft.pub=Newschool.edu&rft_id=http%3A%2F%2Fwww.newschool.edu%2Fmediastudies%2Fcourses.aspx%3Fid%3D29211&rfr_id=info%3Asid%2Fen.wikipedia.org%3ADouglas+Rushkoff" class="Z3988"></span></span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://archive.today/20120712151223/http://itp.nyu.edu/research/areas/narrative-lab/">"ITP Research 2005 » Narrative Lab"</a>. Interactive Telecommunications Program. Archived from <a rel="nofollow" class="external text" href="http://itp.nyu.edu/research/areas/narrative-lab/">the original</a> on 2012-07-12<span class="reference-accessdate">. Retrieved <span class="nowrap">2009-07-25</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=ITP+Research+2005+%C2%BB+Narrative+Lab&rft.pub=Interactive+Telecommunications+Program&rft_id=http%3A%2F%2Fitp.nyu.edu%2Fresearch%2Fareas%2Fnarrative-lab%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ADouglas+Rushkoff" class="Z3988"></span></span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEmerging_Technology_from_the_arXiv" class="citation web cs1">Emerging Technology from the arXiv. <a rel="nofollow" class="external text" href="https://www.technologyreview.com/2013/08/09/177043/network-analysis-reveals-worlds-most-influential-thinkers/">"World's Most Influential Thinkers Revealed"</a>. <i>MIT Technology Review</i><span class="reference-accessdate">. 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Retrieved on May 3, 2009.</span> </li> <li id="cite_note-49"><span class="mw-cite-backlink"><b><a href="#cite_ref-49">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20091016092948/http://firstmonday.org/htbin/cgiwrap/bin/ojs/index.php/fm/article/view/1517/1432">"Barbrook"</a>. Firstmonday.org. Archived from <a rel="nofollow" class="external text" href="http://firstmonday.org/htbin/cgiwrap/bin/ojs/index.php/fm/article/view/1517/1432">the original</a> on 2009-10-16<span class="reference-accessdate">. Retrieved <span class="nowrap">2009-07-25</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Barbrook&rft.pub=Firstmonday.org&rft_id=http%3A%2F%2Ffirstmonday.org%2Fhtbin%2Fcgiwrap%2Fbin%2Fojs%2Findex.php%2Ffm%2Farticle%2Fview%2F1517%2F1432&rfr_id=info%3Asid%2Fen.wikipedia.org%3ADouglas+Rushkoff" class="Z3988"></span></span> </li> <li id="cite_note-50"><span class="mw-cite-backlink"><b><a href="#cite_ref-50">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.spikemagazine.com/0297rush.php">"Douglas Rushkoff : Children Of Chaos (Playing The Future) : Lost In Translation"</a>. Spikemagazine.com. 1999-02-22<span class="reference-accessdate">. Retrieved <span class="nowrap">2009-07-25</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Douglas+Rushkoff+%3A+Children+Of+Chaos+%28Playing+The+Future%29+%3A+Lost+In+Translation&rft.pub=Spikemagazine.com&rft.date=1999-02-22&rft_id=http%3A%2F%2Fwww.spikemagazine.com%2F0297rush.php&rfr_id=info%3Asid%2Fen.wikipedia.org%3ADouglas+Rushkoff" class="Z3988"></span></span> </li> <li id="cite_note-51"><span class="mw-cite-backlink"><b><a href="#cite_ref-51">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.worldwidewords.org/turnsofphrase/tp-scr1.htm">"Screenager"</a>. World Wide Words. 1998-01-10<span class="reference-accessdate">. Retrieved <span class="nowrap">2009-07-25</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Screenager&rft.pub=World+Wide+Words&rft.date=1998-01-10&rft_id=http%3A%2F%2Fwww.worldwidewords.org%2Fturnsofphrase%2Ftp-scr1.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3ADouglas+Rushkoff" class="Z3988"></span></span> </li> <li id="cite_note-52"><span class="mw-cite-backlink"><b><a href="#cite_ref-52">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://archive.today/20080526122741/http://www.wishtank.org/magazine/commons/douglas_rushkoff_interview">"Douglas Rushkoff Interview // wishtank magazine"</a>. Wishtank.org. Archived from <a rel="nofollow" class="external text" href="http://www.wishtank.org/magazine/commons/douglas_rushkoff_interview">the original</a> on 2008-05-26<span class="reference-accessdate">. Retrieved <span class="nowrap">2009-07-25</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Douglas+Rushkoff+Interview+%2F%2F+wishtank+magazine&rft.pub=Wishtank.org&rft_id=http%3A%2F%2Fwww.wishtank.org%2Fmagazine%2Fcommons%2Fdouglas_rushkoff_interview&rfr_id=info%3Asid%2Fen.wikipedia.org%3ADouglas+Rushkoff" class="Z3988"></span></span> </li> <li id="cite_note-53"><span class="mw-cite-backlink"><b><a href="#cite_ref-53">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.wired.co.uk/news/archive/2011-09/21/doug-rushkoff-hello-etsy">"You are Facebook's product, not its customer // Wired"</a>. wired.com. 2011-09-11<span class="reference-accessdate">. Retrieved <span class="nowrap">2011-09-11</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=You+are+Facebook%27s+product%2C+not+its+customer+%2F%2F+Wired&rft.pub=wired.com&rft.date=2011-09-11&rft_id=https%3A%2F%2Fwww.wired.co.uk%2Fnews%2Farchive%2F2011-09%2F21%2Fdoug-rushkoff-hello-etsy&rfr_id=info%3Asid%2Fen.wikipedia.org%3ADouglas+Rushkoff" class="Z3988"></span></span> </li> <li id="cite_note-54"><span class="mw-cite-backlink"><b><a href="#cite_ref-54">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.cnn.com/2013/02/25/opinion/rushkoff-why-im-quitting-facebook">"Why I'm quitting Facebook // CNN"</a>. CNN.com. 2013-02-25<span class="reference-accessdate">. Retrieved <span class="nowrap">2013-02-25</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Why+I%27m+quitting+Facebook+%2F%2F+CNN&rft.pub=CNN.com&rft.date=2013-02-25&rft_id=http%3A%2F%2Fwww.cnn.com%2F2013%2F02%2F25%2Fopinion%2Frushkoff-why-im-quitting-facebook&rfr_id=info%3Asid%2Fen.wikipedia.org%3ADouglas+Rushkoff" class="Z3988"></span></span> </li> <li id="cite_note-55"><span class="mw-cite-backlink"><b><a href="#cite_ref-55">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://rushkoff.medium.com/why-im-finally-leaving-x-and-probably-all-social-media-5ded6b78ce33">"Why I'm Finally Leaving X And Probably All Social Media // Medium"</a>. Medium.com. 2023-10-28<span class="reference-accessdate">. Retrieved <span class="nowrap">2023-10-31</span></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Why+I%27m+Finally+Leaving+X+And+Probably+All+Social+Media+%2F%2F+Medium&rft.pub=Medium.com&rft.date=2023-10-28&rft_id=https%3A%2F%2Frushkoff.medium.com%2Fwhy-im-finally-leaving-x-and-probably-all-social-media-5ded6b78ce33&rfr_id=info%3Asid%2Fen.wikipedia.org%3ADouglas+Rushkoff" class="Z3988"></span></span> </li> <li id="cite_note-56"><span class="mw-cite-backlink"><b><a href="#cite_ref-56">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation cs2"><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=r2w_CRGmWhA"><i>Seriously Entertaining: Douglas Rushkoff on "Life, Liberty & Other Pursuits"</i></a>, 18 October 2022<span class="reference-accessdate">, retrieved <span class="nowrap">2023-02-15</span></span></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Seriously+Entertaining%3A+Douglas+Rushkoff+on+%22Life%2C+Liberty+%26+Other+Pursuits%22&rft.date=2022-10-18&rft_id=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3Dr2w_CRGmWhA&rfr_id=info%3Asid%2Fen.wikipedia.org%3ADouglas+Rushkoff" class="Z3988"></span></span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Douglas_Rushkoff&action=edit&section=22" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><span class="official-website"><span class="url"><a rel="nofollow" class="external text" href="http://www.rushkoff.com">Official website</a></span></span></li> <li><a rel="nofollow" class="external text" href="https://www.c-span.org/person/?9277742">Appearances</a> on <a href="/wiki/C-SPAN" title="C-SPAN">C-SPAN</a></li> <li><a rel="nofollow" class="external text" href="https://www.gutenberg.org/ebooks/author/3665">Works by Douglas Rushkoff</a> at <a href="/wiki/Project_Gutenberg" title="Project Gutenberg">Project Gutenberg</a></li> <li><a rel="nofollow" class="external text" href="https://archive.org/search.php?query=%28%28subject%3A%22Rushkoff%2C%20Douglas%22%20OR%20subject%3A%22Douglas%20Rushkoff%22%20OR%20creator%3A%22Rushkoff%2C%20Douglas%22%20OR%20creator%3A%22Douglas%20Rushkoff%22%20OR%20creator%3A%22Rushkoff%2C%20D%2E%22%20OR%20title%3A%22Douglas%20Rushkoff%22%20OR%20description%3A%22Rushkoff%2C%20Douglas%22%20OR%20description%3A%22Douglas%20Rushkoff%22%29%29%20AND%20%28-mediatype:software%29">Works by or about Douglas Rushkoff</a> at the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a></li> <li><a rel="nofollow" class="external text" href="https://openlibrary.org/authors/OL21774A">Works by Douglas Rushkoff</a> at <a href="/wiki/Open_Library" title="Open Library">Open Library</a> <span class="mw-valign-text-top noprint" typeof="mw:File/Frameless"><a href="https://www.wikidata.org/wiki/Q717884#P648" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></span></li> <li><a rel="nofollow" class="external text" href="https://twit.tv/shows/triangulation/episodes/105/">Douglas Rushkoff</a> interviewed on the TV show <i>Triangulation</i> on the <a href="/wiki/TWiT.tv" title="TWiT.tv">TWiT.tv</a> network</li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist 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template">e</abbr></a></li></ul></div><div id="Psychic_TV" class="fn org" style="font-size:114%;margin:0 4em"><a href="/wiki/Psychic_TV" title="Psychic TV">Psychic TV</a></div></th></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><b><a href="/wiki/Genesis_P-Orridge" title="Genesis P-Orridge">Genesis P-Orridge</a></b></li></ul> <ul><li><a href="/wiki/Alex_Fergusson_(musician)" title="Alex Fergusson (musician)">Alex Fergusson</a></li> <li><a href="/wiki/Fred_Giannelli" title="Fred Giannelli">Fred Giannelli</a></li> <li><a href="/wiki/Bobby_Bones_(musician)" title="Bobby Bones (musician)">Bobby Bones</a></li> <li><a href="/wiki/John_Balance" title="John Balance">John Balance</a></li> <li><a href="/wiki/David_Ball_(electronic_musician)" title="David Ball (electronic musician)">Dave Ball</a></li> <li><a href="/wiki/David_Tibet" title="David Tibet">David Tibet</a></li> <li><a class="mw-selflink selflink">Douglas Rushkoff</a></li> <li><a href="/wiki/Drew_McDowall" title="Drew McDowall">Drew McDowall</a></li> <li><a href="/wiki/Rose_McDowall" title="Rose McDowall">Rose McDowall</a></li> <li><a href="/wiki/Hilmar_%C3%96rn_Hilmarsson" title="Hilmar Örn Hilmarsson">Hilmar Örn Hilmarsson</a></li> <li><a href="/wiki/Larry_Thrasher" title="Larry Thrasher">Larry Thrasher</a></li> <li><a href="/wiki/Monte_Cazazza" title="Monte Cazazza">Monte Cazazza</a></li> <li><a href="/wiki/Peter_Christopherson" title="Peter Christopherson">Peter Christopherson</a></li> <li><a href="/wiki/William_Breeze" title="William Breeze">William Breeze</a></li> <li><a href="/wiki/Paula_P-Orridge" title="Paula P-Orridge">Paula P-Orridge</a></li> <li><a href="/wiki/Lady_Jaye_Breyer_P-Orridge" class="mw-redirect" title="Lady Jaye Breyer P-Orridge">Lady Jaye Breyer P-Orridge</a></li> <li><a href="/wiki/Marc_Almond" title="Marc Almond">Marc Almond</a></li> <li><a href="/wiki/Andy_Chatterley" title="Andy Chatterley">Andy Chatterley</a></li> <li><a href="/wiki/Danny_Hyde" title="Danny Hyde">Danny Hyde</a></li> <li><a href="/wiki/Richard_Norris_(musician)" title="Richard Norris (musician)">Richard Norris</a></li> <li>Conrad Black</li> <li><a href="/wiki/Stephen_Kent_(musician)" title="Stephen Kent (musician)">Stephen Kent</a></li> <li><a href="/wiki/Daniel_Ash" title="Daniel Ash">Daniel Ash</a></li> <li><a href="/wiki/Z%27EV" title="Z'EV">Z'EV</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Studio albums</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Force_the_Hand_of_Chance" title="Force the Hand of Chance">Force the Hand of Chance</a></i> (1982)</li> <li><i><a href="/wiki/Dreams_Less_Sweet" title="Dreams Less Sweet">Dreams Less Sweet</a></i> (1983)</li> <li><i><a href="/wiki/A_Pagan_Day" class="mw-redirect" title="A Pagan Day">A Pagan Day</a></i> (1984)</li> <li><i><a href="/wiki/Those_Who_Do_Not" class="mw-redirect" title="Those Who Do Not">Those Who Do Not</a></i> (1984)</li> <li><i><a href="/wiki/Mouth_of_the_Night" class="mw-redirect" title="Mouth of the Night">Mouth of the Night</a></i> (1985)</li> <li><i><a href="/wiki/The_Magickal_Mystery_D_Tour_EP" title="The Magickal Mystery D Tour EP">The Magickal Mystery D Tour EP</a></i> (1986)</li> <li><i><a href="/wiki/Allegory_and_Self" title="Allegory and Self">Allegory and Self</a></i> (1988)</li> <li><i><a href="/wiki/At_Stockholm" class="mw-redirect" title="At Stockholm">At Stockholm</a> (1990)</i></li> <li><i><a href="/wiki/Jack_the_Tab/Tekno_Acid_Beat" title="Jack the Tab/Tekno Acid Beat">Jack the Tab/Tekno Acid Beat</a></i> (1990) <ul><li><i><a href="/wiki/Jack_the_Tab/Tekno_Acid_Beat" title="Jack the Tab/Tekno Acid Beat">Jack the Tab – Acid Tablets Volume One</a></i> [1988]</li> <li><i><a href="/wiki/Jack_the_Tab/Tekno_Acid_Beat" title="Jack the Tab/Tekno Acid Beat">Tekno Acid Beat</a></i> [1988]</li></ul></li> <li><i><a href="/wiki/Towards_Thee_Infinite_Beat" title="Towards Thee Infinite Beat">Towards Thee Infinite Beat</a></i> (1990)</li> <li><i><a href="/wiki/Beyond_Thee_Infinite_Beat" title="Beyond Thee Infinite Beat">Beyond Thee Infinite Beat</a></i> (1990)</li> <li><i><a href="/wiki/Direction_ov_Travel" class="mw-redirect" title="Direction ov Travel">Direction ov Travel</a></i> (1991)</li> <li><i><a href="/wiki/Ultrahouse_The_L.A._Connection" class="mw-redirect" title="Ultrahouse The L.A. Connection">Ultrahouse The L.A. Connection</a></i> (1991)</li> <li><i><a href="/wiki/Cold_Dark_Matter_(Psychic_TV_album)" class="mw-redirect" title="Cold Dark Matter (Psychic TV album)">Cold Dark Matter</a></i> (1992)</li> <li><i><a href="/wiki/Peak_Hour_(album)" title="Peak Hour (album)">Peak Hour</a></i> (1993)</li> <li><i><a href="/wiki/A_Hollow_Cost" class="mw-redirect" title="A Hollow Cost">A Hollow Cost</a></i> (1994)</li> <li><i><a href="/wiki/AL_%E2%80%93_OR_%E2%80%93_AL" class="mw-redirect" title="AL – OR – AL">AL – OR – AL</a></i> (1994)</li> <li><i><a href="/wiki/Cathedral_Engine" class="mw-redirect" title="Cathedral Engine">Cathedral Engine</a></i> (1994)</li> <li><i><a href="/wiki/Sugarmorphoses" class="mw-redirect" title="Sugarmorphoses">Sugarmorphoses</a></i> (1994)</li> <li><i><a href="/wiki/Ultradrug" class="mw-redirect" title="Ultradrug">Ultradrug</a></i> (1994)</li> <li><i><a href="/wiki/Sirens_(Ultradrug_%E2%80%93_Thee_Sequel)" class="mw-redirect" title="Sirens (Ultradrug – Thee Sequel)">Sirens (Ultradrug – Thee Sequel)</a></i> (1995)</li> <li><i><a href="/wiki/Breathe_(Psychic_TV_album)" class="mw-redirect" title="Breathe (Psychic TV album)">Breathe</a></i> (1995)</li> <li><i><a href="/wiki/Trip/Reset" class="mw-redirect" title="Trip/Reset">Trip/Reset</a></i> (1996)</li> <li><i><a href="/wiki/Cold_Blue_Torch" class="mw-redirect" title="Cold Blue Torch">Cold Blue Torch</a></i> (1996)</li> <li><i><a href="/wiki/Hell_Is_Invisible..._Heaven_Is_Her/e" title="Hell Is Invisible... Heaven Is Her/e">Hell Is Invisible... Heaven Is Her/e</a></i> (2007)</li> <li><i><a href="/wiki/Snakes_(Psychic_TV_album)" title="Snakes (Psychic TV album)">Snakes</a></i> (2014)</li> <li><i><a href="/wiki/Alienist_(album)" title="Alienist (album)">Alienist</a></i> (2016)</li></ul> </div><table class="nowraplinks vcard navbox-subgroup" style="border-spacing:0"><tbody><tr><th id="Themes_series" scope="row" class="navbox-group" style="width:1%"><i>Themes</i> series</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Force_the_Hand_of_Chance" title="Force the Hand of Chance">Themes</a></i> (1982)</li> <li><i><a href="/wiki/Themes_2" title="Themes 2">Themes 2</a></i> (1985)</li></ul> </div></td></tr></tbody></table><div> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Video</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Time%27s_Up_Live" class="mw-redirect" title="Time's Up Live">Time's Up Live</a></i> (2001)</li> <li><i><a href="/wiki/Black_Joy_(album)" title="Black Joy (album)">Black Joy</a></i> (2004)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Songs</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/wiki/Just_Drifting" class="mw-redirect" title="Just Drifting">Just Drifting</a>"</li> <li>"<a href="/wiki/Roman_P" title="Roman P">Roman P</a>"</li> <li>"<a href="/wiki/Godstar_(song)" title="Godstar (song)">Godstar</a>"</li> <li>"<a href="/wiki/Magick_Defends_Itself" class="mw-redirect" title="Magick Defends Itself">Magick Defends Itself</a>"</li> <li>"<a href="/wiki/Tune_In_(Turn_On_The_Acid_House)" class="mw-redirect" title="Tune In (Turn On The Acid House)">Tune In (Turn On The Acid House)</a>"</li> <li>"<a href="/wiki/Ultrahouse_The_Twelve_Inch_Mixes" class="mw-redirect" title="Ultrahouse The Twelve Inch Mixes">Ultrahouse The Twelve Inch Mixes</a>"</li> <li>"<a href="/wiki/Re-Mind" class="mw-redirect" title="Re-Mind">Re-Mind</a>"</li> <li>"<a href="/wiki/E-Lusive" class="mw-redirect" title="E-Lusive">E-Lusive</a>"</li> <li>"<a href="/wiki/Snowflake/Illusive" class="mw-redirect" title="Snowflake/Illusive">Snowflake/Illusive</a>"</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Psychic_TV_discography" title="Psychic TV discography">Discography</a></li> <li><a href="/wiki/Thee_Temple_ov_Psychick_Youth" title="Thee Temple ov Psychick Youth">Thee Temple ov Psychick Youth</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"><style data-mw-deduplicate="TemplateStyles:r1038841319">.mw-parser-output .tooltip-dotted{border-bottom:1px dotted;cursor:help}</style></div><div role="navigation" class="navbox authority-control" aria-labelledby="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q717884#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q717884#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata" style="font-size:114%;margin:0 4em"><a href="/wiki/Help:Authority_control" title="Help:Authority control">Authority control databases</a> <span class="mw-valign-text-top noprint" typeof="mw:File/Frameless"><a href="https://www.wikidata.org/wiki/Q717884#identifiers" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></span></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">International</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://isni.org/isni/0000000108992428">ISNI</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/49369627">VIAF</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://id.worldcat.org/fast/274527/">FAST</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.oclc.org/worldcat/entity/E39PBJrm4dgdKJWjWrW8cwwt8C">WorldCat</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/114027676">Germany</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n90687093">United States</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb13330370q">France</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb13330370q">BnF data</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.ndl.go.jp/auth/ndlna/00515923">Japan</a></span></li><li><span class="uid"><span class="rt-commentedText tooltip tooltip-dotted" title="Rushkoff, Douglas"><a rel="nofollow" class="external text" href="https://opac.sbn.it/nome/CFIV147578">Italy</a></span></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://aleph.nkp.cz/F/?func=find-c&local_base=aut&ccl_term=ica=xx0004004&CON_LNG=ENG">Czech Republic</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX1063916">Spain</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://data.bibliotheken.nl/id/thes/p149392311">Netherlands</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://kopkatalogs.lv/F?func=direct&local_base=lnc10&doc_number=000045565&P_CON_LNG=ENG">Latvia</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://catalogue.nlg.gr/cgi-bin/koha/opac-authoritiesdetail.pl?authid=71936">Greece</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://lod.nl.go.kr/resource/KAC200006431">Korea</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://dbn.bn.org.pl/descriptor-details/9810623755005606">Poland</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://olduli.nli.org.il/F/?func=find-b&local_base=NLX10&find_code=UID&request=987007267336805171">Israel</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://opac.kbr.be/LIBRARY/doc/AUTHORITY/14350120">Belgium</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Academics</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://ci.nii.ac.jp/author/DA0947147X?l=en">CiNii</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artists</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://musicbrainz.org/artist/7c7cf847-8d44-4550-948c-a41ae3cf3287">MusicBrainz</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">People</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://trove.nla.gov.au/people/1105495">Trove</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.deutsche-digitale-bibliothek.de/person/gnd/114027676">DDB</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.idref.fr/074170570">IdRef</a></span></li></ul></div></td></tr></tbody></table></div>    </div><noscript><img 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