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(PDF) Italian Issue || Literature as the Experience of Boundary Crossing: Gadda's Descent to Hell and the Solution to \That Awful Mess of Via Merulana\ | Manuela Marchesini - Academia.edu

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{"work":{"id":104252457,"created_at":"2023-07-05T00:58:55.486-07:00","from_world_paper_id":236957743,"updated_at":"2024-11-25T06:37:33.223-08:00","_data":{"publisher":"MLN","grobid_abstract":"per un \"Gadda narratore (…) persino più temerario del Gadda stilista\" Gianfranco Contini, Quarant'anni di amicizia, 53.","publication_date":"2004,4,1","grobid_abstract_attachment_id":"104032026"},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"en","title":"Italian Issue || Literature as the Experience of Boundary Crossing: Gadda's Descent to Hell and the Solution to \\That Awful Mess of Via Merulana\\","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [15169648]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "control"; 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data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/78504335/Carlo_Emilio_Gadda_Quer_pasticciaccio_brutto_de_via_Merulana">Carlo Emilio Gadda, Quer pasticciaccio brutto de via Merulana</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="111796867" href="https://independent.academia.edu/BertoneManuela">Manuela Bertone</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2021</p><p class="ds-related-work--abstract ds2-5-body-sm">Giorgio Pinotti, a refined connoisseur of Carlo Emilio Gadda, offers again in the new edition of the works of the Milanese writer, which Adelphi has been publishing for a few years, a text of Quer pasticciaccio brutto de via Merulana [That Awful Mess on Via Merulana] which is identical to the text which we are already familiar with, being based on the second reprint, revised and amended by the 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The Descent to Hell in Varano’s Visioni sacre e morali</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="55435911" href="https://utoronto.academia.edu/SimonaDiMartino">Simona Di Martino</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2020</p><p class="ds-related-work--abstract ds2-5-body-sm">Visions of Italy Popular conceptions of Italy typically revolve around the visual: the beauty of its landscapes and its historic legacy of fine art and architecture. This dates back at least to the medieval period, and the innovations of artists such as Giotto and visionary writers like Dante. In the twentieth century, it is in the fields of cinema, photography, art, fashion and design that Italy has had the most marked impact around the world. Concurrently, Italy has also been a favoured subject of visual representation: from Grand Tour photographic albums to mainstream Hollywood films set in Italy, there is no lack of foreign representations of the country and its inhabitants. This conference will explore Italian visual culture, Italy’s relationship with the visual and the way in which Italy and Italians have been depicted. It aims to further a dialogue among scholars in the field of Italian studies who deal with visual culture in the broadest sense, from studies of visual arts and objects to literary works characterized by an emphasis on the visual. Papers and panels will address topics such as: Cinema and photography; Visual arts of all eras, from Medieval and Rennaissance to contemporary art; Fashion and design; Advertising and visual culture; Intermediality and cross-media representation; Visual representations of Italians and Italian culture abroad (e.g. Italian-Americans, the diaspora, etc); Visual representations of migration to and within Italy; Transcultural representations of Italy and Italians; Ekphrasis and visual culture in Italian literature; Visualisation within, and of, the work of medieval and early modern authors (e.g. Dante, Boccaccio, Petrarca). Keynote speaker: Prof Stephen Gundle.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;SIS Themed Conference \&quot;Visions of Italy\&quot;, University of Kent 10-11 September 2020 -\r\nVisions of the Hereafter in Italian literature (1789-1911) - Messina and the Plague. The Descent to Hell in Varano’s Visioni sacre e morali&quot;,&quot;attachmentId&quot;:65702231,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/45131770/SIS_Themed_Conference_Visions_of_Italy_University_of_Kent_10_11_September_2020_Visions_of_the_Hereafter_in_Italian_literature_1789_1911_Messina_and_the_Plague_The_Descent_to_Hell_in_Varano_s_Visioni_sacre_e_morali&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/45131770/SIS_Themed_Conference_Visions_of_Italy_University_of_Kent_10_11_September_2020_Visions_of_the_Hereafter_in_Italian_literature_1789_1911_Messina_and_the_Plague_The_Descent_to_Hell_in_Varano_s_Visioni_sacre_e_morali"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="93594915" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/93594915/THE_WORLD_AS_A_CONTINUUM_KANTIAN_AND_DANTEAN_ECHOES_IN_GADDAS_em_PASTICCIACCIO_em_">THE WORLD AS A CONTINUUM: KANTIAN (AND DANTEAN) ECHOES IN GADDA&#39;S &lt;em&gt;PASTICCIACCIO&lt;/em&gt;</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="171550" href="https://rug.academia.edu/AlbertoGodioli">Alberto Godioli</a></div><p class="ds-related-work--metadata ds2-5-body-xs">The Modern Language Review, 2015</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;THE WORLD AS A CONTINUUM: KANTIAN (AND DANTEAN) ECHOES IN GADDA&#39;S \u003cem\u003ePASTICCIACCIO\u003c/em\u003e&quot;,&quot;attachmentId&quot;:96289907,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/93594915/THE_WORLD_AS_A_CONTINUUM_KANTIAN_AND_DANTEAN_ECHOES_IN_GADDAS_em_PASTICCIACCIO_em_&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/93594915/THE_WORLD_AS_A_CONTINUUM_KANTIAN_AND_DANTEAN_ECHOES_IN_GADDAS_em_PASTICCIACCIO_em_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="63041519" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/63041519/Olga_s_Journey_to_Hell_and_Back_Echoes_of_Dante_s_Commedia_in_Elena_Ferrante_s_I_giorni_dell_abbandono">Olga’s Journey to Hell and Back: Echoes of Dante’s Commedia in Elena Ferrante’s I giorni dell’abbandono</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="975143" href="https://percprogram.academia.edu/StefaniaPorcelli">Stefania Porcelli</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Annali d’Italianistica 39, 2021</p><p class="ds-related-work--abstract ds2-5-body-sm">This paper analyzes Elena Ferrante’s I giorni dell’abbandono (2002) as an infernal journey: the protagonist Olga moves from the dependency and timidity of her role as wife and mother to a position that Ferrante herself calls sorveglianza, i.e., vigilance. Arguably, this word is a gendered term in Ferrante. There exists a masculine—repressive—vigilance and a sorveglianza that is made of the desire to be awake and aware. In order to become vigilant, Olga needs to reach the bottom of abandonment before starting her voyage back. The fall and difficult ascent toward a regenerated self is not new in the Western literary canon, but this tradition denies a final regeneration to the figure of the abandoned woman. My analysis of the imagery and the language of the novel highlights the influence from Dante’s Commedia, especially from Inferno, on Ferrante’s novel. I also seek, as a second goal, to consider the question of atonement and salvation in Ferrante by addressing the absence of a Virgil-like figure in her novel. Besides textual echoes of Dante’s Commedia on several levels (imagery, emotions, atmosphere, and lexicon) the most compelling parallel concerns the authoritative transformations achieved by Dante and Ferrante. Both poet and writer invent a “new “literature” based on the profound reworking of inherited models.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Olga’s Journey to Hell and Back: Echoes of Dante’s Commedia in Elena Ferrante’s I giorni dell’abbandono&quot;,&quot;attachmentId&quot;:79083212,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/63041519/Olga_s_Journey_to_Hell_and_Back_Echoes_of_Dante_s_Commedia_in_Elena_Ferrante_s_I_giorni_dell_abbandono&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/63041519/Olga_s_Journey_to_Hell_and_Back_Echoes_of_Dante_s_Commedia_in_Elena_Ferrante_s_I_giorni_dell_abbandono"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="89417397" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/89417397/Review_of_Simone_Marchesi_Roberto_Abbiati_A_proposito_di_Dante_Cento_passi_nella_Commedia_con_disegni_Rovereto_Tn_Keller_editori_2020">Review of Simone Marchesi, Roberto Abbiati, A proposito di Dante. Cento passi nella Commedia con disegni. Rovereto (Tn): Keller editori, 2020.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="946558" href="https://conncoll.academia.edu/MatteoPace">Matteo Pace</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Annali d&#39;Italianistica, 2022</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Review of Simone Marchesi, Roberto Abbiati, A proposito di Dante. Cento passi nella Commedia con disegni. Rovereto (Tn): Keller editori, 2020.&quot;,&quot;attachmentId&quot;:93226070,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/89417397/Review_of_Simone_Marchesi_Roberto_Abbiati_A_proposito_di_Dante_Cento_passi_nella_Commedia_con_disegni_Rovereto_Tn_Keller_editori_2020&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/89417397/Review_of_Simone_Marchesi_Roberto_Abbiati_A_proposito_di_Dante_Cento_passi_nella_Commedia_con_disegni_Rovereto_Tn_Keller_editori_2020"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;continue-reading-button--sticky-ctas&quot;,&quot;attachmentId&quot;:104032026,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;workUrl&quot;:null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;download-pdf-button--sticky-ctas&quot;,&quot;attachmentId&quot;:104032026,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;workUrl&quot;:null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_104032026" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. 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