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overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Architectural Theory and Design</h1><div class="u-tcGrayDark">14,322 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>Architectural Theory and Design</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Architectural_Theory_and_Design">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Architectural_Theory_and_Design/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Architectural_Theory_and_Design/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Architectural_Theory_and_Design/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/Architectural_Theory_and_Design">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44345481" data-work_id="44345481" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44345481/Building_Seagram_by_Phyllis_Lambert_book_review">Building Seagram by Phyllis Lambert, book review</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The Seagram Building in Manhattan (1954-58), by Ludwig Mies van der Rohe and Philip Johnson, is one of those rare pieces of architecture which has come to define an era. For Mies van der Rohe the achievement of the Seagram Building was... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44345481" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The Seagram Building in Manhattan (1954-58), by Ludwig Mies van der<br />Rohe and Philip Johnson, is one of those rare pieces of architecture<br />which has come to define an era. For Mies van der Rohe the achievement of the Seagram Building was the resolution of years of theoretical and exacting architectural investigation.<br />The influence of the Seagram Building stretches beyond that of a single work of a modernist master, however. Its significance is also felt in the way it changed planning legislation and became associated with the fragmentation of the urban realm, through the spread of the generic modernist combination of tower, plaza and artwork.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44345481" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="49fe87f06b7970da57af09acfc9e4d36" rel="nofollow" data-download="{"attachment_id":64738054,"asset_id":44345481,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64738054/download_file?st=MTczMjM5NTIzMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4590882" href="https://kean.academia.edu/ThomasWensing">Thomas Wensing</a><script data-card-contents-for-user="4590882" type="text/json">{"id":4590882,"first_name":"Thomas","last_name":"Wensing","domain_name":"kean","page_name":"ThomasWensing","display_name":"Thomas Wensing","profile_url":"https://kean.academia.edu/ThomasWensing?f_ri=509659","photo":"https://gravatar.com/avatar/6ef63b2b1670f4b3131985df85cb1b78?s=65"}</script></span></span></li><li class="js-paper-rank-work_44345481 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44345481"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44345481, container: ".js-paper-rank-work_44345481", }); 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$(".js-view-count[data-work-id=44345481]").text(description); $(".js-view-count-work_44345481").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44345481").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44345481"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6708" href="https://www.academia.edu/Documents/in/American_modernism">American modernism</a>, <script data-card-contents-for-ri="6708" type="text/json">{"id":6708,"name":"American modernism","url":"https://www.academia.edu/Documents/in/American_modernism?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7655" href="https://www.academia.edu/Documents/in/Architectural_History">Architectural History</a>, <script data-card-contents-for-ri="7655" type="text/json">{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8462" href="https://www.academia.edu/Documents/in/Modernist_Architecture_Architectural_Modernism_">Modernist Architecture (Architectural Modernism)</a><script data-card-contents-for-ri="8462" type="text/json">{"id":8462,"name":"Modernist Architecture (Architectural Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Architecture_Architectural_Modernism_?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44345481]'), work: {"id":44345481,"title":"Building Seagram by Phyllis Lambert, book review","created_at":"2020-10-21T19:16:21.958-07:00","url":"https://www.academia.edu/44345481/Building_Seagram_by_Phyllis_Lambert_book_review?f_ri=509659","dom_id":"work_44345481","summary":"The Seagram Building in Manhattan (1954-58), by Ludwig Mies van der\nRohe and Philip Johnson, is one of those rare pieces of architecture\nwhich has come to define an era. For Mies van der Rohe the achievement of the Seagram Building was the resolution of years of theoretical and exacting architectural investigation.\nThe influence of the Seagram Building stretches beyond that of a single work of a modernist master, however. Its significance is also felt in the way it changed planning legislation and became associated with the fragmentation of the urban realm, through the spread of the generic modernist combination of tower, plaza and artwork.","downloadable_attachments":[{"id":64738054,"asset_id":44345481,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4590882,"first_name":"Thomas","last_name":"Wensing","domain_name":"kean","page_name":"ThomasWensing","display_name":"Thomas Wensing","profile_url":"https://kean.academia.edu/ThomasWensing?f_ri=509659","photo":"https://gravatar.com/avatar/6ef63b2b1670f4b3131985df85cb1b78?s=65"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false},{"id":6708,"name":"American modernism","url":"https://www.academia.edu/Documents/in/American_modernism?f_ri=509659","nofollow":false},{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=509659","nofollow":false},{"id":8462,"name":"Modernist Architecture (Architectural Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Architecture_Architectural_Modernism_?f_ri=509659","nofollow":false},{"id":8464,"name":"Ludwig Mies van der Rohe","url":"https://www.academia.edu/Documents/in/Ludwig_Mies_van_der_Rohe?f_ri=509659"},{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=509659"},{"id":16767,"name":"Modernism","url":"https://www.academia.edu/Documents/in/Modernism?f_ri=509659"},{"id":21641,"name":"Architectural preservation","url":"https://www.academia.edu/Documents/in/Architectural_preservation?f_ri=509659"},{"id":25306,"name":"- Architecture history","url":"https://www.academia.edu/Documents/in/_Architecture_history?f_ri=509659"},{"id":45408,"name":"History of architecture","url":"https://www.academia.edu/Documents/in/History_of_architecture?f_ri=509659"},{"id":65397,"name":"ARCHITECTURAL HISTORY, THEORY AND CRITICISM","url":"https://www.academia.edu/Documents/in/ARCHITECTURAL_HISTORY_THEORY_AND_CRITICISM?f_ri=509659"},{"id":93143,"name":"Architectural history and theory","url":"https://www.academia.edu/Documents/in/Architectural_history_and_theory?f_ri=509659"},{"id":137921,"name":"Mies van der Rohe","url":"https://www.academia.edu/Documents/in/Mies_van_der_Rohe?f_ri=509659"},{"id":238589,"name":"Seagram Building","url":"https://www.academia.edu/Documents/in/Seagram_Building?f_ri=509659"},{"id":270341,"name":"Architecture and Urban Planning","url":"https://www.academia.edu/Documents/in/Architecture_and_Urban_Planning?f_ri=509659"},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":599334,"name":"Architecture and Public Spaces","url":"https://www.academia.edu/Documents/in/Architecture_and_Public_Spaces?f_ri=509659"},{"id":1019477,"name":"Architectural Heritage Conservation","url":"https://www.academia.edu/Documents/in/Architectural_Heritage_Conservation?f_ri=509659"},{"id":1441552,"name":"American Modernist Architecture","url":"https://www.academia.edu/Documents/in/American_Modernist_Architecture?f_ri=509659"},{"id":2768984,"name":"Phyllis Lambert","url":"https://www.academia.edu/Documents/in/Phyllis_Lambert?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_8633146" data-work_id="8633146" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8633146/NOX_Machining_Architecture">NOX: Machining Architecture</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">This small pdf sample of NOX: Machining Architecture contains the first 40 pages that include cover, contents page, introduction, the "Machining Architecture" essay, and the first two projects, among which HtwoOexpo.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8633146" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="cef9d16ca57ead44ca41ac3ca1082c84" rel="nofollow" data-download="{"attachment_id":93166093,"asset_id":8633146,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/93166093/download_file?st=MTczMjM5NTIzMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="17925850" href="https://gatech.academia.edu/LarsSpuybroek">Lars Spuybroek</a><script data-card-contents-for-user="17925850" 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work-percentile"></span></span><script>$(function () { var workId = 8633146; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_8633146"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_8633146 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="8633146"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8633146; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8633146]").text(description); $(".js-view-count-work_8633146").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_8633146").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="8633146"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="14640" href="https://www.academia.edu/Documents/in/Architectural_Theory">Architectural Theory</a>, <script data-card-contents-for-ri="14640" type="text/json">{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="22259" href="https://www.academia.edu/Documents/in/Parametric_Design_Architecture_">Parametric Design (Architecture)</a>, <script data-card-contents-for-ri="22259" type="text/json">{"id":22259,"name":"Parametric Design (Architecture)","url":"https://www.academia.edu/Documents/in/Parametric_Design_Architecture_?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="61738" href="https://www.academia.edu/Documents/in/Architectural_Design">Architectural Design</a>, <script data-card-contents-for-ri="61738" type="text/json">{"id":61738,"name":"Architectural Design","url":"https://www.academia.edu/Documents/in/Architectural_Design?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="74880" href="https://www.academia.edu/Documents/in/Digital_design">Digital design</a><script data-card-contents-for-ri="74880" type="text/json">{"id":74880,"name":"Digital design","url":"https://www.academia.edu/Documents/in/Digital_design?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=8633146]'), work: {"id":8633146,"title":"NOX: Machining Architecture","created_at":"2014-10-04T07:18:29.924-07:00","url":"https://www.academia.edu/8633146/NOX_Machining_Architecture?f_ri=509659","dom_id":"work_8633146","summary":"This small pdf sample of NOX: Machining Architecture contains the first 40 pages that include cover, contents page, introduction, the \"Machining Architecture\" essay, and the first two projects, among which HtwoOexpo.","downloadable_attachments":[{"id":93166093,"asset_id":8633146,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":17925850,"first_name":"Lars","last_name":"Spuybroek","domain_name":"gatech","page_name":"LarsSpuybroek","display_name":"Lars Spuybroek","profile_url":"https://gatech.academia.edu/LarsSpuybroek?f_ri=509659","photo":"https://0.academia-photos.com/17925850/5004907/5745566/s65_lars.spuybroek.jpg"}],"research_interests":[{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=509659","nofollow":false},{"id":22259,"name":"Parametric Design (Architecture)","url":"https://www.academia.edu/Documents/in/Parametric_Design_Architecture_?f_ri=509659","nofollow":false},{"id":61738,"name":"Architectural Design","url":"https://www.academia.edu/Documents/in/Architectural_Design?f_ri=509659","nofollow":false},{"id":74880,"name":"Digital design","url":"https://www.academia.edu/Documents/in/Digital_design?f_ri=509659","nofollow":false},{"id":78721,"name":"Parametric Modeling","url":"https://www.academia.edu/Documents/in/Parametric_Modeling?f_ri=509659"},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":976163,"name":"Form Finding","url":"https://www.academia.edu/Documents/in/Form_Finding?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_8254968" data-work_id="8254968" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8254968/Beyond_two_dimensions_architecture_through_three_dimensional_visibility_graph_analysis">Beyond two dimensions: architecture through three-dimensional visibility graph analysis</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Architecture consists of spatial relations that accommodate functions, afford social relations and create visual interest. Through openings and walls, architects manipulate continuities and discontinuities of visual fields in two and... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_8254968" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Architecture consists of spatial relations that accommodate functions, afford social relations and create visual interest. Through openings and walls, architects manipulate continuities and discontinuities of visual fields <br />in two and three dimensions. Analytical diagrams and models of these fields have been offered by space syntax, especially through visibility graph analysis (VGA), graphing visual relations in two dimensions. This <br />paper introduces a new approach to VGA that departs from planar restrictions. We show how a graph can be generated of inter-visible locations on a planar surface that incorporates relations among elements in three dimensions. Using this method, we extend the current space syntax analysis of architectural space to a new methodology for diagramming and modelling three-dimensional visual relationships in architecture. The paper is structured in three parts. The first section provides an overview of the principles of visibility analysis using graphs, and explains the method by which visibility relations of ‘accessible’ and ‘inaccessible’ space in two and three dimensions are computed. This leads to a graph representation, which uses a mix of ‘directed’ and ‘undirected’ visibility connections, and a new multi-variant spatial categorisation <br />analysis that informs the properties of multi-directional graphs. The second part of the paper tests the three-dimensional visibility model through the analysis of hypothetical and real spatial environments. The <br />third part analyses Giuseppe Terragni’s Casa del Fascio, describing architectural characteristics that are not captured by two-dimensional analysis, and allowing a comparative understanding of spatial configuration in two and three dimensions. The paper concludes with a discussion about the significance of this new model as an analytical and architectural tool.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8254968" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="18542f59c7287f7cec28f4ea03b0d9ce" rel="nofollow" data-download="{"attachment_id":34674790,"asset_id":8254968,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/34674790/download_file?st=MTczMjM5NTIzMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="225350" href="https://ucl.academia.edu/SophiaPsarra">Sophia Psarra</a><script data-card-contents-for-user="225350" type="text/json">{"id":225350,"first_name":"Sophia","last_name":"Psarra","domain_name":"ucl","page_name":"SophiaPsarra","display_name":"Sophia Psarra","profile_url":"https://ucl.academia.edu/SophiaPsarra?f_ri=509659","photo":"https://0.academia-photos.com/225350/62602/19130896/s65_sophia.psarra.jpg"}</script></span></span></li><li class="js-paper-rank-work_8254968 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="8254968"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 8254968, container: ".js-paper-rank-work_8254968", }); 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$(".js-view-count[data-work-id=8254968]").text(description); $(".js-view-count-work_8254968").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_8254968").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="8254968"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="101171" href="https://www.academia.edu/Documents/in/Computer_applications_in_architecture">Computer applications in architecture</a>, <script data-card-contents-for-ri="101171" type="text/json">{"id":101171,"name":"Computer applications in architecture","url":"https://www.academia.edu/Documents/in/Computer_applications_in_architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="509659" href="https://www.academia.edu/Documents/in/Architectural_Theory_and_Design">Architectural Theory and Design</a><script data-card-contents-for-ri="509659" type="text/json">{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=8254968]'), work: {"id":8254968,"title":"Beyond two dimensions: architecture through three-dimensional visibility graph analysis","created_at":"2014-09-09T02:00:25.787-07:00","url":"https://www.academia.edu/8254968/Beyond_two_dimensions_architecture_through_three_dimensional_visibility_graph_analysis?f_ri=509659","dom_id":"work_8254968","summary":"Architecture consists of spatial relations that accommodate functions, afford social relations and create visual interest. Through openings and walls, architects manipulate continuities and discontinuities of visual fields\r\nin two and three dimensions. Analytical diagrams and models of these fields have been offered by space syntax, especially through visibility graph analysis (VGA), graphing visual relations in two dimensions. This\r\npaper introduces a new approach to VGA that departs from planar restrictions. We show how a graph can be generated of inter-visible locations on a planar surface that incorporates relations among elements in three dimensions. Using this method, we extend the current space syntax analysis of architectural space to a new methodology for diagramming and modelling three-dimensional visual relationships in architecture. The paper is structured in three parts. The first section provides an overview of the principles of visibility analysis using graphs, and explains the method by which visibility relations of ‘accessible’ and ‘inaccessible’ space in two and three dimensions are computed. This leads to a graph representation, which uses a mix of ‘directed’ and ‘undirected’ visibility connections, and a new multi-variant spatial categorisation\r\nanalysis that informs the properties of multi-directional graphs. The second part of the paper tests the three-dimensional visibility model through the analysis of hypothetical and real spatial environments. The\r\nthird part analyses Giuseppe Terragni’s Casa del Fascio, describing architectural characteristics that are not captured by two-dimensional analysis, and allowing a comparative understanding of spatial configuration in two and three dimensions. The paper concludes with a discussion about the significance of this new model as an analytical and architectural tool.","downloadable_attachments":[{"id":34674790,"asset_id":8254968,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":225350,"first_name":"Sophia","last_name":"Psarra","domain_name":"ucl","page_name":"SophiaPsarra","display_name":"Sophia Psarra","profile_url":"https://ucl.academia.edu/SophiaPsarra?f_ri=509659","photo":"https://0.academia-photos.com/225350/62602/19130896/s65_sophia.psarra.jpg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false},{"id":101171,"name":"Computer applications in architecture","url":"https://www.academia.edu/Documents/in/Computer_applications_in_architecture?f_ri=509659","nofollow":false},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_14750168" data-work_id="14750168" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/14750168/Principles_of_Roman_Architecture_pp_270_xi_Yale_University_Press_2000_ISBN_0_300_08138_3">Principles of Roman Architecture, pp. 270. + xi; Yale University Press (2000); ISBN 0-300-08138-3.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Mark Wilson Jones explores how the architects of ancient Rome approached design. Drawing on new archaeological discoveries and his own analyses of Roman monuments, the author discusses how the ancient architects dealt with the principles... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_14750168" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Mark Wilson Jones explores how the architects of ancient Rome approached design. Drawing on new archaeological discoveries and his own analyses of Roman monuments, the author discusses how the ancient architects dealt with the principles of architecture and the practicalities of construction as they engaged in the creative process.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/14750168" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="913477c078343df9e4822caf77baea68" rel="nofollow" data-download="{"attachment_id":38418010,"asset_id":14750168,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38418010/download_file?st=MTczMjM5NTIzMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="13835164" href="https://cambridge.academia.edu/MarkWilsonJones">Mark Wilson Jones</a><script data-card-contents-for-user="13835164" type="text/json">{"id":13835164,"first_name":"Mark","last_name":"Wilson Jones","domain_name":"cambridge","page_name":"MarkWilsonJones","display_name":"Mark Wilson Jones","profile_url":"https://cambridge.academia.edu/MarkWilsonJones?f_ri=509659","photo":"https://0.academia-photos.com/13835164/9938128/11084172/s65_mark.wilson_jones.jpg"}</script></span></span></li><li class="js-paper-rank-work_14750168 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="14750168"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 14750168, container: ".js-paper-rank-work_14750168", }); 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$(".js-view-count[data-work-id=14750168]").text(description); $(".js-view-count-work_14750168").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_14750168").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="14750168"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="7655" href="https://www.academia.edu/Documents/in/Architectural_History">Architectural History</a>, <script data-card-contents-for-ri="7655" type="text/json">{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16799" href="https://www.academia.edu/Documents/in/Classical_Architecture">Classical Architecture</a>, <script data-card-contents-for-ri="16799" type="text/json">{"id":16799,"name":"Classical Architecture","url":"https://www.academia.edu/Documents/in/Classical_Architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="31140" href="https://www.academia.edu/Documents/in/Italian_Renaissance_Architectural_History">Italian Renaissance Architectural History</a>, <script data-card-contents-for-ri="31140" type="text/json">{"id":31140,"name":"Italian Renaissance Architectural History","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Architectural_History?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="99285" href="https://www.academia.edu/Documents/in/Roman_Architecture">Roman Architecture</a><script data-card-contents-for-ri="99285" type="text/json">{"id":99285,"name":"Roman Architecture","url":"https://www.academia.edu/Documents/in/Roman_Architecture?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=14750168]'), work: {"id":14750168,"title":"Principles of Roman Architecture, pp. 270. + xi; Yale University Press (2000); ISBN 0-300-08138-3.","created_at":"2015-08-07T14:58:51.676-07:00","url":"https://www.academia.edu/14750168/Principles_of_Roman_Architecture_pp_270_xi_Yale_University_Press_2000_ISBN_0_300_08138_3?f_ri=509659","dom_id":"work_14750168","summary":"Mark Wilson Jones explores how the architects of ancient Rome approached design. Drawing on new archaeological discoveries and his own analyses of Roman monuments, the author discusses how the ancient architects dealt with the principles of architecture and the practicalities of construction as they engaged in the creative process. ","downloadable_attachments":[{"id":38418010,"asset_id":14750168,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":13835164,"first_name":"Mark","last_name":"Wilson Jones","domain_name":"cambridge","page_name":"MarkWilsonJones","display_name":"Mark Wilson Jones","profile_url":"https://cambridge.academia.edu/MarkWilsonJones?f_ri=509659","photo":"https://0.academia-photos.com/13835164/9938128/11084172/s65_mark.wilson_jones.jpg"}],"research_interests":[{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=509659","nofollow":false},{"id":16799,"name":"Classical Architecture","url":"https://www.academia.edu/Documents/in/Classical_Architecture?f_ri=509659","nofollow":false},{"id":31140,"name":"Italian Renaissance Architectural History","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Architectural_History?f_ri=509659","nofollow":false},{"id":99285,"name":"Roman Architecture","url":"https://www.academia.edu/Documents/in/Roman_Architecture?f_ri=509659","nofollow":false},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=509659"},{"id":1686459,"name":"The Pantheon Rome","url":"https://www.academia.edu/Documents/in/The_Pantheon_Rome?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7439241" data-work_id="7439241" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7439241/%D0%9D%D0%9E%D0%92%D0%98_%D0%91%D0%95%D0%9E%D0%93%D0%A0%D0%90%D0%94_%D0%9E%D0%A1%D0%9F%D0%9E%D0%A0%D0%95%D0%9D%D0%98_%D0%9C%D0%9E%D0%94%D0%95%D0%A0%D0%9D%D0%98%D0%97%D0%90%D0%9C_NEW_BELGRADE_CONTESTED_MODERNISM">НОВИ БЕОГРАД: ОСПОРЕНИ МОДЕРНИЗАМ / NEW BELGRADE: CONTESTED MODERNISM</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7439241" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="51807099dc2fe2b5b22303e3fa649bfc" rel="nofollow" data-download="{"attachment_id":34021813,"asset_id":7439241,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/34021813/download_file?st=MTczMjM5NTIzMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="11140381" href="https://independent.academia.edu/LjiljanaBlagojevi%C4%87">Ljiljana Blagojević</a><script data-card-contents-for-user="11140381" type="text/json">{"id":11140381,"first_name":"Ljiljana","last_name":"Blagojević","domain_name":"independent","page_name":"LjiljanaBlagojević","display_name":"Ljiljana Blagojević","profile_url":"https://independent.academia.edu/LjiljanaBlagojevi%C4%87?f_ri=509659","photo":"https://0.academia-photos.com/11140381/3295856/45513550/s65_ljiljana.blagojevi_.jpeg"}</script></span></span></li><li class="js-paper-rank-work_7439241 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="7439241"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 7439241, container: ".js-paper-rank-work_7439241", }); 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Eva Guttmann replaces the currently predominating and simplistic account, in which... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44349976" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This is a review of the monograph on the work of the Austrian architects Riegler Riewe, situating the work in the local history and architectural context. Eva Guttmann replaces the currently predominating and simplistic account, in which Riegler Riewe’s work is mainly understood in opposition to the Graz School, for a more complex view in which the work is explained as the result of differing circumstances and a variety of ideas. After the introduction by Guttmann, the book starts off with an interview by Otto Kapfinger with Riegler and Riewe. 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Eva Guttmann replaces the currently predominating and simplistic account, in which Riegler Riewe’s work is mainly understood in opposition to the Graz School, for a more complex view in which the work is explained as the result of differing circumstances and a variety of ideas. After the introduction by Guttmann, the book starts off with an interview by Otto Kapfinger with Riegler and Riewe. The focus is on the early influences and impressions in their work, such as the post-war modernists surrounding Ferdinand Schuster, relatively unknown local architects such as Josef Klose, and the highly tectonic work of Heinz Bienefeld.","downloadable_attachments":[{"id":64743171,"asset_id":44349976,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4590882,"first_name":"Thomas","last_name":"Wensing","domain_name":"kean","page_name":"ThomasWensing","display_name":"Thomas Wensing","profile_url":"https://kean.academia.edu/ThomasWensing?f_ri=509659","photo":"https://gravatar.com/avatar/6ef63b2b1670f4b3131985df85cb1b78?s=65"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false},{"id":2726,"name":"Critical Regionalism (Architecture)","url":"https://www.academia.edu/Documents/in/Critical_Regionalism_Architecture_?f_ri=509659","nofollow":false},{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=509659","nofollow":false},{"id":8462,"name":"Modernist Architecture (Architectural Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Architecture_Architectural_Modernism_?f_ri=509659","nofollow":false},{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=509659"},{"id":16767,"name":"Modernism","url":"https://www.academia.edu/Documents/in/Modernism?f_ri=509659"},{"id":25306,"name":"- Architecture history","url":"https://www.academia.edu/Documents/in/_Architecture_history?f_ri=509659"},{"id":45408,"name":"History of architecture","url":"https://www.academia.edu/Documents/in/History_of_architecture?f_ri=509659"},{"id":65397,"name":"ARCHITECTURAL HISTORY, THEORY AND CRITICISM","url":"https://www.academia.edu/Documents/in/ARCHITECTURAL_HISTORY_THEORY_AND_CRITICISM?f_ri=509659"},{"id":93143,"name":"Architectural history and theory","url":"https://www.academia.edu/Documents/in/Architectural_history_and_theory?f_ri=509659"},{"id":212786,"name":"Austria","url":"https://www.academia.edu/Documents/in/Austria?f_ri=509659"},{"id":232981,"name":"Architectural Criticism","url":"https://www.academia.edu/Documents/in/Architectural_Criticism?f_ri=509659"},{"id":270341,"name":"Architecture and Urban Planning","url":"https://www.academia.edu/Documents/in/Architecture_and_Urban_Planning?f_ri=509659"},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":577744,"name":"Theory, Criticism and History of Architecture","url":"https://www.academia.edu/Documents/in/Theory_Criticism_and_History_of_Architecture?f_ri=509659"},{"id":599334,"name":"Architecture and Public Spaces","url":"https://www.academia.edu/Documents/in/Architecture_and_Public_Spaces?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31011857" data-work_id="31011857" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31011857/Mario_Bellini_italian_beauty_architecture_design_and_more_architettura_design_e_altro_A_portrait_of_Mario_Bellini_Francesco_Moschini">Mario Bellini italian beauty : architecture, design and more - architettura, design e altro ; A portrait of Mario Bellini / Francesco Moschini</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31011857" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8b8190cec686c6f5c85baa4a4f4e28d6" rel="nofollow" data-download="{"attachment_id":51445492,"asset_id":31011857,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51445492/download_file?st=MTczMjM5NTIzMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="28679478" href="https://poliba.academia.edu/FMoschini">Francesco Moschini</a><script data-card-contents-for-user="28679478" type="text/json">{"id":28679478,"first_name":"Francesco","last_name":"Moschini","domain_name":"poliba","page_name":"FMoschini","display_name":"Francesco Moschini","profile_url":"https://poliba.academia.edu/FMoschini?f_ri=509659","photo":"https://0.academia-photos.com/28679478/8134841/9104869/s65_francesco.moschini.jpg"}</script></span></span></li><li class="js-paper-rank-work_31011857 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31011857"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31011857, container: ".js-paper-rank-work_31011857", }); 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$(".js-view-count[data-work-id=31011857]").text(description); $(".js-view-count-work_31011857").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_31011857").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="31011857"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="808" href="https://www.academia.edu/Documents/in/Aesthetics">Aesthetics</a>, <script data-card-contents-for-ri="808" type="text/json">{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="988" href="https://www.academia.edu/Documents/in/Design">Design</a>, <script data-card-contents-for-ri="988" type="text/json">{"id":988,"name":"Design","url":"https://www.academia.edu/Documents/in/Design?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="509659" href="https://www.academia.edu/Documents/in/Architectural_Theory_and_Design">Architectural Theory and Design</a><script data-card-contents-for-ri="509659" type="text/json">{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=31011857]'), work: {"id":31011857,"title":"Mario Bellini italian beauty : architecture, design and more - architettura, design e altro ; 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Interrupted cities: l’interruzione come strumento compositivo,</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Interrupted cities è un progetto di ricerca internazionale che abbiamo avviato tre anni addietro insieme a Tom Rankin, Giorgio Verdiani e Paolo Pineschi. Il progetto è stato intitolato come evidente omaggio alla Roma Interrotta di Piero... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43829594" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Interrupted cities è un progetto di ricerca internazionale che abbiamo avviato tre anni addietro insieme a Tom Rankin, Giorgio Verdiani e Paolo Pineschi. Il progetto è stato intitolato come evidente omaggio alla Roma Interrotta di Piero Sartogo, ma - a partire da Nicosia, la città interrotta dalla divisione in due dell’isola di Cipro nel 1974 - interrupted city ha esplorato altre istanze di interruzione, quali la divisione tra centro e periferia, e anche l’interruzione della vita di una città che segue un evento sismico. È soprattutto qui il senso di questo seminario camerte. La Città di Camerino, a mio avviso, deve rinascere come era e dove era, e non può invece essere interrotta da una politica miope del ricostruire altro, altrove, incassando profitti. Nella città interrotta dal terremoto ci siamo riuniti durante il XXIX Seminario internazionale e Premio di Architettura e Cultura Urbana, coordinato da Giovanni Marucci, per indagare sull’interruzione come strumento compositivo. Per trattare l’argomento userò la figura retorica della metafora nascosta: dove una figura che rimanda ad altro, viene impiegata per suggerire il senso di un concetto, senza però delinearlo precisamente, ovvero interrompendone la definizione in modo da rafforzarne il significato.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43829594" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3071927b1242da05290f9251210a1b5c" rel="nofollow" data-download="{"attachment_id":64148977,"asset_id":43829594,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64148977/download_file?st=MTczMjM5NTIzMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="26879" href="https://unich-it.academia.edu/AlessandroCamiz">Alessandro Camiz, Ph.D.</a><script data-card-contents-for-user="26879" type="text/json">{"id":26879,"first_name":"Alessandro","last_name":"Camiz, Ph.D.","domain_name":"unich-it","page_name":"AlessandroCamiz","display_name":"Alessandro Camiz, Ph.D.","profile_url":"https://unich-it.academia.edu/AlessandroCamiz?f_ri=509659","photo":"https://0.academia-photos.com/26879/2624779/103243924/s65_alessandro.camiz_ph.d..jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-43829594">+1</span><div class="hidden js-additional-users-43829594"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unipa.academia.edu/AntonelloRusso">Antonello Russo</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-43829594'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-43829594').html(); 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Interrupted cities: l’interruzione come strumento compositivo,","created_at":"2020-08-11T03:59:09.397-07:00","url":"https://www.academia.edu/43829594/Alessandro_Camiz_Federica_Visconti_Antonello_Russo_Leopoldo_Russo_Ceccotti_2020_Interrupted_cities_l_interruzione_come_strumento_compositivo_?f_ri=509659","dom_id":"work_43829594","summary":"Interrupted cities è un progetto di ricerca internazionale che abbiamo avviato tre anni addietro insieme a Tom Rankin, Giorgio Verdiani e Paolo Pineschi. Il progetto è stato intitolato come evidente omaggio alla Roma Interrotta di Piero Sartogo, ma - a partire da Nicosia, la città interrotta dalla divisione in due dell’isola di Cipro nel 1974 - interrupted city ha esplorato altre istanze di interruzione, quali la divisione tra centro e periferia, e anche l’interruzione della vita di una città che segue un evento sismico. È soprattutto qui il senso di questo seminario camerte. La Città di Camerino, a mio avviso, deve rinascere come era e dove era, e non può invece essere interrotta da una politica miope del ricostruire altro, altrove, incassando profitti. Nella città interrotta dal terremoto ci siamo riuniti durante il XXIX Seminario internazionale e Premio di Architettura e Cultura Urbana, coordinato da Giovanni Marucci, per indagare sull’interruzione come strumento compositivo. Per trattare l’argomento userò la figura retorica della metafora nascosta: dove una figura che rimanda ad altro, viene impiegata per suggerire il senso di un concetto, senza però delinearlo precisamente, ovvero interrompendone la definizione in modo da rafforzarne il significato.","downloadable_attachments":[{"id":64148977,"asset_id":43829594,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":26879,"first_name":"Alessandro","last_name":"Camiz, Ph.D.","domain_name":"unich-it","page_name":"AlessandroCamiz","display_name":"Alessandro Camiz, Ph.D.","profile_url":"https://unich-it.academia.edu/AlessandroCamiz?f_ri=509659","photo":"https://0.academia-photos.com/26879/2624779/103243924/s65_alessandro.camiz_ph.d..jpg"},{"id":1035106,"first_name":"Antonello","last_name":"Russo","domain_name":"unipa","page_name":"AntonelloRusso","display_name":"Antonello Russo","profile_url":"https://unipa.academia.edu/AntonelloRusso?f_ri=509659","photo":"https://0.academia-photos.com/1035106/2849323/94751099/s65_antonello.russo.jpg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false},{"id":4808,"name":"Urban Planning","url":"https://www.academia.edu/Documents/in/Urban_Planning?f_ri=509659","nofollow":false},{"id":7628,"name":"Urban Morphology","url":"https://www.academia.edu/Documents/in/Urban_Morphology?f_ri=509659","nofollow":false},{"id":7725,"name":"Urban Studies","url":"https://www.academia.edu/Documents/in/Urban_Studies?f_ri=509659","nofollow":false},{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=509659"},{"id":61738,"name":"Architectural Design","url":"https://www.academia.edu/Documents/in/Architectural_Design?f_ri=509659"},{"id":61835,"name":"Urban Design","url":"https://www.academia.edu/Documents/in/Urban_Design?f_ri=509659"},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41508992" data-work_id="41508992" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41508992/Vortrag_bei_der_Tagung_%C3%84sthetik_des_Designs_an_der_abk_Stuttgart_03_02_05_02_2020">Vortrag bei der Tagung "Ästhetik des Designs" an der abk Stuttgart 03.02.-05.02.2020</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Design steht seit seinen Anfängen immer wieder in der Kritik, entweder einer kapitalistischen Warenästhetik Vorschub zu leisten oder dem Selbstmissverständnis der Autonomie zu verfallen. Als Abkömmling der Industrialisierung und Zögling... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41508992" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Design steht seit seinen Anfängen immer wieder in der Kritik, entweder einer kapitalistischen Warenästhetik Vorschub zu leisten oder dem Selbstmissverständnis der Autonomie zu verfallen. Als Abkömmling der Industrialisierung und Zögling der freien Künste scheint es zwischen den Extremen einer Drapierung von Ingenieursleistungen oder dem kommerziellen Missbrauch von Kunstpraktiken zu schwanken, selbst innerlich zerrissen und ohne eigene Orientierung. Wenn bei Design also von Ästhetik die Rede ist, entsteht schnell der Eindruck, es mit bloßem Styling zu tun zu haben, sei es im Dienst einer Absatzsteigerung oder des symbolischen Kapitals.<br />Die Tagung möchte demgegenüber ausloten, ob und inwieweit die Ästhetik des Designs – jenseits der Alternative von Warenförmigkeit bzw. Styling und Autonomie – als eigene Form des Ästhetischen verstanden werden kann. Gegenüber der in der ästhetischen Tradition vorherrschenden Ausrichtung an der Kunst geht es der Tagung insgesamt darum zu fragen, was es heißen könnte, die Grundfragen und die Grundbegriffe der Ästhetik noch einmal aus dem Geiste des Designs neu und erneut zu denken. Dabei steht ein solcher Versuch nicht allein angesichts der jüngsten Entgrenzungstendenzen zwischen Kunst<br />und Design vor der Herausforderung, dass eine Ästhetik des Designs in irgendeiner Weise auch zur Ästhetik der Kunst in Beziehung gesetzt werden muss. Nicht zuletzt stellt sich dabei die Frage, was „Kritik“ mit Blick auf Kunst und Design jeweils heißen kann.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41508992" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e04b2ff52c8455196fe08435786a92a6" rel="nofollow" data-download="{"attachment_id":61677414,"asset_id":41508992,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61677414/download_file?st=MTczMjM5NTIzMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="13971823" href="https://akbild.academia.edu/JudithFrederikePopp">Judith-Frederike Popp</a><script data-card-contents-for-user="13971823" type="text/json">{"id":13971823,"first_name":"Judith-Frederike","last_name":"Popp","domain_name":"akbild","page_name":"JudithFrederikePopp","display_name":"Judith-Frederike Popp","profile_url":"https://akbild.academia.edu/JudithFrederikePopp?f_ri=509659","photo":"https://0.academia-photos.com/13971823/20659675/149067974/s65_judith-frederike.popp.jpg"}</script></span></span></li><li class="js-paper-rank-work_41508992 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41508992"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41508992, container: ".js-paper-rank-work_41508992", }); 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$(".js-view-count[data-work-id=41508992]").text(description); $(".js-view-count-work_41508992").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_41508992").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="41508992"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">15</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="808" href="https://www.academia.edu/Documents/in/Aesthetics">Aesthetics</a>, <script data-card-contents-for-ri="808" type="text/json">{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="928" href="https://www.academia.edu/Documents/in/Media_Studies">Media Studies</a>, <script data-card-contents-for-ri="928" type="text/json">{"id":928,"name":"Media Studies","url":"https://www.academia.edu/Documents/in/Media_Studies?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="934" href="https://www.academia.edu/Documents/in/Media_and_Cultural_Studies">Media and Cultural Studies</a>, <script data-card-contents-for-ri="934" type="text/json">{"id":934,"name":"Media and Cultural Studies","url":"https://www.academia.edu/Documents/in/Media_and_Cultural_Studies?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="988" href="https://www.academia.edu/Documents/in/Design">Design</a><script data-card-contents-for-ri="988" type="text/json">{"id":988,"name":"Design","url":"https://www.academia.edu/Documents/in/Design?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=41508992]'), work: {"id":41508992,"title":"Vortrag bei der Tagung \"Ästhetik des Designs\" an der abk Stuttgart 03.02.-05.02.2020","created_at":"2020-01-04T03:35:05.755-08:00","url":"https://www.academia.edu/41508992/Vortrag_bei_der_Tagung_%C3%84sthetik_des_Designs_an_der_abk_Stuttgart_03_02_05_02_2020?f_ri=509659","dom_id":"work_41508992","summary":"Design steht seit seinen Anfängen immer wieder in der Kritik, entweder einer kapitalistischen Warenästhetik Vorschub zu leisten oder dem Selbstmissverständnis der Autonomie zu verfallen. Als Abkömmling der Industrialisierung und Zögling der freien Künste scheint es zwischen den Extremen einer Drapierung von Ingenieursleistungen oder dem kommerziellen Missbrauch von Kunstpraktiken zu schwanken, selbst innerlich zerrissen und ohne eigene Orientierung. Wenn bei Design also von Ästhetik die Rede ist, entsteht schnell der Eindruck, es mit bloßem Styling zu tun zu haben, sei es im Dienst einer Absatzsteigerung oder des symbolischen Kapitals.\nDie Tagung möchte demgegenüber ausloten, ob und inwieweit die Ästhetik des Designs – jenseits der Alternative von Warenförmigkeit bzw. Styling und Autonomie – als eigene Form des Ästhetischen verstanden werden kann. Gegenüber der in der ästhetischen Tradition vorherrschenden Ausrichtung an der Kunst geht es der Tagung insgesamt darum zu fragen, was es heißen könnte, die Grundfragen und die Grundbegriffe der Ästhetik noch einmal aus dem Geiste des Designs neu und erneut zu denken. Dabei steht ein solcher Versuch nicht allein angesichts der jüngsten Entgrenzungstendenzen zwischen Kunst\nund Design vor der Herausforderung, dass eine Ästhetik des Designs in irgendeiner Weise auch zur Ästhetik der Kunst in Beziehung gesetzt werden muss. Nicht zuletzt stellt sich dabei die Frage, was „Kritik“ mit Blick auf Kunst und Design jeweils heißen kann.","downloadable_attachments":[{"id":61677414,"asset_id":41508992,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":13971823,"first_name":"Judith-Frederike","last_name":"Popp","domain_name":"akbild","page_name":"JudithFrederikePopp","display_name":"Judith-Frederike Popp","profile_url":"https://akbild.academia.edu/JudithFrederikePopp?f_ri=509659","photo":"https://0.academia-photos.com/13971823/20659675/149067974/s65_judith-frederike.popp.jpg"}],"research_interests":[{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=509659","nofollow":false},{"id":928,"name":"Media Studies","url":"https://www.academia.edu/Documents/in/Media_Studies?f_ri=509659","nofollow":false},{"id":934,"name":"Media and Cultural 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href="https://www.academia.edu/8261540/Words_or_Shapes_the_Great_Debate">Words or Shapes - the Great Debate</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8261540" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="29a59785238a7101a8671ebeaba56d0e" rel="nofollow" data-download="{"attachment_id":34679738,"asset_id":8261540,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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type="text/json">{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=8261540]'), work: {"id":8261540,"title":"Words or Shapes - the Great Debate","created_at":"2014-09-09T12:54:50.400-07:00","url":"https://www.academia.edu/8261540/Words_or_Shapes_the_Great_Debate?f_ri=509659","dom_id":"work_8261540","summary":null,"downloadable_attachments":[{"id":34679738,"asset_id":8261540,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":16351973,"first_name":"Mark","last_name":"Brokenshire","domain_name":"unitec","page_name":"MarkBrokenshire","display_name":"Mark 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href="https://www.academia.edu/41583486/Christology_of_Small_Spaces_An_Architectural_Ode_to_Humility">Christology of Small Spaces : An Architectural Ode to Humility</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">How does theological Metaphysics view small space ? And what link could be found between theology, Christology and Small spaces ? The aim will be to start our investigation at the figure of the "little ones"(mikroi),central to the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41583486" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">How does theological Metaphysics view small space ? And what link could be found between theology, Christology and Small spaces ? The aim will be to start our investigation at the figure of the "little ones"(mikroi),central to the narrative and theological construction of the first gospel and then analogically extending it to spatial matter.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41583486" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6aec67e7197a11d8d43e769f5d51f36e" rel="nofollow" data-download="{"attachment_id":61740192,"asset_id":41583486,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61740192/download_file?st=MTczMjM5NTIzMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="25667076" href="https://usek.academia.edu/ZeinaAbouzeid">Zeina Abou Zeid</a><script data-card-contents-for-user="25667076" type="text/json">{"id":25667076,"first_name":"Zeina","last_name":"Abou Zeid","domain_name":"usek","page_name":"ZeinaAbouzeid","display_name":"Zeina Abou Zeid","profile_url":"https://usek.academia.edu/ZeinaAbouzeid?f_ri=509659","photo":"https://0.academia-photos.com/25667076/7012466/7906183/s65_zeina.abouzeid.jpg_oh_054035ba21c7663bf020540ca4df6828_oe_556b4a90___gda___1433141294_0b4d16d9cd84611cf6587971b8abd8a1"}</script></span></span></li><li class="js-paper-rank-work_41583486 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41583486"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41583486, container: ".js-paper-rank-work_41583486", }); 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The territorial logic traditionally used to underpin architecture and envision our built environment is being radically altered,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_51258441" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Due to globalization, cultural spaces are now developing with no tangible connection to geographical place. The territorial logic traditionally used to underpin architecture and envision our built environment is being radically altered, forcing the adoption of a new method of conceptualizing space/geography and what constitutes architectural practice. Construction techniques, design sensibilities, and cultural identities are being transformed as technology transports us to places that were previously unreachable. The resultant “globalized” architect must become more than just an artful visionary, but also a master of the art of the political nudge willing to act within multiple mediums and at the simultaneous scales of a chaotic new world disorder.Though fearless they must also be responsible, inherently understanding the necessity to align bold visions with the mundane details of the everyday in ways that are culturally flexible and accepting of change.The potential for what must be considered the legitimate practice of the architect must move from a purely material venue to one more directly engaged in the chaos of the larger economic, political, and social spheres of a globalizing world. The issues and possible interactions with globalization contained in this text exemplify ways that architecture is transforming into a more flexible and fluid interdisciplinary version of its traditional self in order to rise to challenges of this new international terrain. A theme runs throughout in the form of a call: that architects must conceptually reconstruct their frames of reference to better align with the demands of a rapidly globalizing world.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/51258441" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="16334506" href="https://edinburgh.academia.edu/MichaelJenson">Michael Jenson</a><script data-card-contents-for-user="16334506" type="text/json">{"id":16334506,"first_name":"Michael","last_name":"Jenson","domain_name":"edinburgh","page_name":"MichaelJenson","display_name":"Michael Jenson","profile_url":"https://edinburgh.academia.edu/MichaelJenson?f_ri=509659","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_51258441 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="51258441"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 51258441, container: ".js-paper-rank-work_51258441", }); 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u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="216117" href="https://www.academia.edu/Documents/in/Rem_Koolhaas">Rem Koolhaas</a>, <script data-card-contents-for-ri="216117" type="text/json">{"id":216117,"name":"Rem Koolhaas","url":"https://www.academia.edu/Documents/in/Rem_Koolhaas?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="272704" href="https://www.academia.edu/Documents/in/Bordeaux">Bordeaux</a>, <script data-card-contents-for-ri="272704" type="text/json">{"id":272704,"name":"Bordeaux","url":"https://www.academia.edu/Documents/in/Bordeaux?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="312560" href="https://www.academia.edu/Documents/in/Beatriz_Colomina">Beatriz Colomina</a><script data-card-contents-for-ri="312560" type="text/json">{"id":312560,"name":"Beatriz Colomina","url":"https://www.academia.edu/Documents/in/Beatriz_Colomina?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=52739970]'), work: {"id":52739970,"title":"Levitating Home_ Bordeaux 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Platsas","profile_url":"https://independent.academia.edu/NikolaosPlatsas?f_ri=509659","photo":"https://0.academia-photos.com/175050248/48542376/81064724/s65_nikolaos.platsas.jpg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false},{"id":216117,"name":"Rem Koolhaas","url":"https://www.academia.edu/Documents/in/Rem_Koolhaas?f_ri=509659","nofollow":false},{"id":272704,"name":"Bordeaux","url":"https://www.academia.edu/Documents/in/Bordeaux?f_ri=509659","nofollow":false},{"id":312560,"name":"Beatriz Colomina","url":"https://www.academia.edu/Documents/in/Beatriz_Colomina?f_ri=509659","nofollow":false},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":591891,"name":"Domes","url":"https://www.academia.edu/Documents/in/Domes?f_ri=509659"},{"id":1443902,"name":"Arup","url":"https://www.academia.edu/Documents/in/Arup?f_ri=509659"},{"id":1443903,"name":"Cecil Balmond","url":"https://www.academia.edu/Documents/in/Cecil_Balmond?f_ri=509659"},{"id":4045131,"name":" Blanca Lleo","url":"https://www.academia.edu/Documents/in/Blanca_Lleo?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44939329" data-work_id="44939329" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44939329/_Virtual_Architecture_in_the_Third_Machine_Age">(Virtual) Architecture in the Third Machine Age</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Using the oxymoron “virtual architecture”, this paper investigates some issues related to three levels of the contemporary projects: first, it refers to the design and conception of architecture in the age of digital data–The Third... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44939329" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Using the oxymoron “virtual architecture”, this paper investigates some issues related to three levels of the contemporary projects: first, it refers to the design and conception of architecture in the age of digital data–The Third Machine Age–where the digital control makes possible multiple solutions otherwise almost unconceivable; then, it addresses to the new meaning of the image of the project, which in the last decades has become an element autonomous from the project itself; finally, it points out the risks and the possibilities in the use of virtualization to<br />imagine future worlds.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44939329" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f3e9e1adbc1f3cf1b520bb2fb3b249f2" rel="nofollow" data-download="{"attachment_id":65466908,"asset_id":44939329,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen 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Zaffora","profile_url":"https://unipa.academia.edu/FlaviaZaffora?f_ri=509659","photo":"https://0.academia-photos.com/4626401/14105558/15110408/s65_flavia.zaffora.jpg"}</script></span></span></li><li class="js-paper-rank-work_44939329 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44939329"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44939329, container: ".js-paper-rank-work_44939329", }); });</script></li><li class="js-percentile-work_44939329 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44939329; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_44939329"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_44939329 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="44939329"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44939329; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44939329]").text(description); $(".js-view-count-work_44939329").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44939329").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44939329"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16693" href="https://www.academia.edu/Documents/in/Theory_Of_Architecture">Theory Of Architecture</a>, <script data-card-contents-for-ri="16693" type="text/json">{"id":16693,"name":"Theory Of Architecture","url":"https://www.academia.edu/Documents/in/Theory_Of_Architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="509659" href="https://www.academia.edu/Documents/in/Architectural_Theory_and_Design">Architectural Theory and Design</a><script data-card-contents-for-ri="509659" type="text/json">{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44939329]'), work: {"id":44939329,"title":"(Virtual) Architecture in the Third Machine Age","created_at":"2021-01-20T00:50:09.889-08:00","url":"https://www.academia.edu/44939329/_Virtual_Architecture_in_the_Third_Machine_Age?f_ri=509659","dom_id":"work_44939329","summary":"Using the oxymoron “virtual architecture”, this paper investigates some issues related to three levels of the contemporary projects: first, it refers to the design and conception of architecture in the age of digital data–The Third Machine Age–where the digital control makes possible multiple solutions otherwise almost unconceivable; then, it addresses to the new meaning of the image of the project, which in the last decades has become an element autonomous from the project itself; finally, it points out the risks and the possibilities in the use of virtualization to\nimagine future worlds.","downloadable_attachments":[{"id":65466908,"asset_id":44939329,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4626401,"first_name":"Flavia","last_name":"Zaffora","domain_name":"unipa","page_name":"FlaviaZaffora","display_name":"Flavia Zaffora","profile_url":"https://unipa.academia.edu/FlaviaZaffora?f_ri=509659","photo":"https://0.academia-photos.com/4626401/14105558/15110408/s65_flavia.zaffora.jpg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false},{"id":16693,"name":"Theory Of Architecture","url":"https://www.academia.edu/Documents/in/Theory_Of_Architecture?f_ri=509659","nofollow":false},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38506936" data-work_id="38506936" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38506936/Metodologias_projetuais_em_arquitetura">Metodologias projetuais em arquitetura</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Inserted on the questioning of visual sintax, studying architectural graphic representation through its means of production is an attempt to restrict the limits an abstraction imposes. The citation: “ the new possibilities offered with... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38506936" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Inserted on the questioning of visual sintax, studying architectural graphic<br />representation through its means of production is an attempt to restrict the limits an<br />abstraction imposes. The citation: “ the new possibilities offered with the use of<br />digital technologies”, constitutes the basis of this paper, in which the designing<br />method applied by different architects both on conception as well as on<br />presentation of Architectural Design, is analised.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38506936" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ba0ea9555773cfacc6d000779c4c512b" rel="nofollow" data-download="{"attachment_id":58574565,"asset_id":38506936,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58574565/download_file?st=MTczMjM5NTIzMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="104312240" href="https://mackenzie.academia.edu/AdrianaRighetto">Adriana Volpon Diogo Righetto</a><script data-card-contents-for-user="104312240" type="text/json">{"id":104312240,"first_name":"Adriana Volpon Diogo","last_name":"Righetto","domain_name":"mackenzie","page_name":"AdrianaRighetto","display_name":"Adriana Volpon Diogo Righetto","profile_url":"https://mackenzie.academia.edu/AdrianaRighetto?f_ri=509659","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_38506936 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38506936"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38506936, container: ".js-paper-rank-work_38506936", }); 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$(".js-view-count[data-work-id=38506936]").text(description); $(".js-view-count-work_38506936").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38506936").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38506936"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="61835" href="https://www.academia.edu/Documents/in/Urban_Design">Urban Design</a>, <script data-card-contents-for-ri="61835" type="text/json">{"id":61835,"name":"Urban Design","url":"https://www.academia.edu/Documents/in/Urban_Design?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="77904" href="https://www.academia.edu/Documents/in/Innovation_Design_Design_Thinking">Innovation, Design, Design Thinking</a>, <script data-card-contents-for-ri="77904" type="text/json">{"id":77904,"name":"Innovation, Design, Design Thinking","url":"https://www.academia.edu/Documents/in/Innovation_Design_Design_Thinking?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="111892" href="https://www.academia.edu/Documents/in/Generative_Architectural_Design">Generative Architectural Design</a>, <script data-card-contents-for-ri="111892" type="text/json">{"id":111892,"name":"Generative Architectural Design","url":"https://www.academia.edu/Documents/in/Generative_Architectural_Design?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="111894" href="https://www.academia.edu/Documents/in/Computer_Aided_Architectural_Design">Computer Aided Architectural Design</a><script data-card-contents-for-ri="111894" type="text/json">{"id":111894,"name":"Computer Aided Architectural Design","url":"https://www.academia.edu/Documents/in/Computer_Aided_Architectural_Design?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38506936]'), work: {"id":38506936,"title":"Metodologias projetuais em arquitetura","created_at":"2019-03-07T05:14:14.469-08:00","url":"https://www.academia.edu/38506936/Metodologias_projetuais_em_arquitetura?f_ri=509659","dom_id":"work_38506936","summary":"Inserted on the questioning of visual sintax, studying architectural graphic\nrepresentation through its means of production is an attempt to restrict the limits an\nabstraction imposes. The citation: “ the new possibilities offered with the use of\ndigital technologies”, constitutes the basis of this paper, in which the designing\nmethod applied by different architects both on conception as well as on\npresentation of Architectural Design, is analised.","downloadable_attachments":[{"id":58574565,"asset_id":38506936,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":104312240,"first_name":"Adriana Volpon Diogo","last_name":"Righetto","domain_name":"mackenzie","page_name":"AdrianaRighetto","display_name":"Adriana Volpon Diogo Righetto","profile_url":"https://mackenzie.academia.edu/AdrianaRighetto?f_ri=509659","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":61835,"name":"Urban Design","url":"https://www.academia.edu/Documents/in/Urban_Design?f_ri=509659","nofollow":false},{"id":77904,"name":"Innovation, Design, Design Thinking","url":"https://www.academia.edu/Documents/in/Innovation_Design_Design_Thinking?f_ri=509659","nofollow":false},{"id":111892,"name":"Generative Architectural Design","url":"https://www.academia.edu/Documents/in/Generative_Architectural_Design?f_ri=509659","nofollow":false},{"id":111894,"name":"Computer Aided Architectural Design","url":"https://www.academia.edu/Documents/in/Computer_Aided_Architectural_Design?f_ri=509659","nofollow":false},{"id":117804,"name":"Architectural Design Pedagogy","url":"https://www.academia.edu/Documents/in/Architectural_Design_Pedagogy?f_ri=509659"},{"id":300095,"name":"Project Based Learning (PBL)","url":"https://www.academia.edu/Documents/in/Project_Based_Learning_PBL_?f_ri=509659"},{"id":379530,"name":"Digital Architectural design","url":"https://www.academia.edu/Documents/in/Digital_Architectural_design?f_ri=509659"},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":512687,"name":"Design Thinking Practice","url":"https://www.academia.edu/Documents/in/Design_Thinking_Practice?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_29677137" data-work_id="29677137" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/29677137/collotti_paesaggi_fortificati_pdf">collotti_paesaggi_fortificati.pdf</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/29677137" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b4e9b8d6c53e7cb9b9d2d7cab3ce033f" rel="nofollow" data-download="{"attachment_id":50111527,"asset_id":29677137,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50111527/download_file?st=MTczMjM5NTIzMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7419218" href="https://unifi.academia.edu/FRANCESCOCOLLOTTI">FRANCESCO COLLOTTI</a><script data-card-contents-for-user="7419218" type="text/json">{"id":7419218,"first_name":"FRANCESCO","last_name":"COLLOTTI","domain_name":"unifi","page_name":"FRANCESCOCOLLOTTI","display_name":"FRANCESCO COLLOTTI","profile_url":"https://unifi.academia.edu/FRANCESCOCOLLOTTI?f_ri=509659","photo":"https://0.academia-photos.com/7419218/142717274/132222456/s65_francesco.collotti.png"}</script></span></span></li><li class="js-paper-rank-work_29677137 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="29677137"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 29677137, container: ".js-paper-rank-work_29677137", }); 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Accommodating the Public (OASE #77)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In the modern world, urban public space is used more intensively than ever, and is often organized specifically for consumption. For decades, this was seen as a negative development; it was said that these regimented spaces are not ‘open’... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_12655299" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In the modern world, urban public space is used more intensively than ever, and is often organized specifically for consumption. For decades, this was seen as a negative development; it was said that these regimented spaces are not ‘open’ spaces where people can spontaneously encounter the ‘other’, or where groups can congregate. They thus fail to meet the definition of the public sphere given by thinkers such as Hannah Arendt and Jurgen Habermas: a place for debate and democracy, for exchanging opinions. This issue of OASE shows that the tide is turning. The negative views of the past few decades should at least be qualified somewhat. Fears and concerns about the disappearance of the public domain seem to be giving way to a more positive and sophisticated point of view. This trend is particularly evident among architects and designers, not in large-scale ‘public’ projects, but in an approach to everyday assignments that strikes a balance between pragmatism and idealism. Such designers aim to create conditions in which the public can claim a space as its own. That requires a certain restraint, but there is no need for self-effacement; creating these conditions is an exciting design challenge. OASE 77 repositions the public sphere relative to contemporary social developments, offering critical reflection on a few key studies of the public sphere and the use of urban public space. This issue also discusses and presents positive design practices for urban public space, focusing on several projects from recent years.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12655299" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9acfae6631a528373ed56437cf8497f6" rel="nofollow" data-download="{"attachment_id":37763774,"asset_id":12655299,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37763774/download_file?st=MTczMjM5NTIzMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4182760" href="https://ethz.academia.edu/HansTeerds">Hans Teerds</a><script data-card-contents-for-user="4182760" type="text/json">{"id":4182760,"first_name":"Hans","last_name":"Teerds","domain_name":"ethz","page_name":"HansTeerds","display_name":"Hans Teerds","profile_url":"https://ethz.academia.edu/HansTeerds?f_ri=509659","photo":"https://0.academia-photos.com/4182760/18639497/18601282/s65_hans.teerds.jpg"}</script></span></span></li><li class="js-paper-rank-work_12655299 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12655299"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12655299, container: ".js-paper-rank-work_12655299", }); 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$(".js-view-count[data-work-id=12655299]").text(description); $(".js-view-count-work_12655299").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_12655299").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="12655299"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">14</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="813" href="https://www.academia.edu/Documents/in/Political_Philosophy">Political Philosophy</a>, <script data-card-contents-for-ri="813" type="text/json">{"id":813,"name":"Political Philosophy","url":"https://www.academia.edu/Documents/in/Political_Philosophy?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7594" href="https://www.academia.edu/Documents/in/Privatisation_Of_Public_Space">Privatisation Of Public Space</a>, <script data-card-contents-for-ri="7594" type="text/json">{"id":7594,"name":"Privatisation Of Public Space","url":"https://www.academia.edu/Documents/in/Privatisation_Of_Public_Space?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7725" href="https://www.academia.edu/Documents/in/Urban_Studies">Urban Studies</a><script data-card-contents-for-ri="7725" type="text/json">{"id":7725,"name":"Urban Studies","url":"https://www.academia.edu/Documents/in/Urban_Studies?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=12655299]'), work: {"id":12655299,"title":"Into The Open. 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Fears and concerns about the disappearance of the public domain seem to be giving way to a more positive and sophisticated point of view. This trend is particularly evident among architects and designers, not in large-scale ‘public’ projects, but in an approach to everyday assignments that strikes a balance between pragmatism and idealism. Such designers aim to create conditions in which the public can claim a space as its own. That requires a certain restraint, but there is no need for self-effacement; creating these conditions is an exciting design challenge. OASE 77 repositions the public sphere relative to contemporary social developments, offering critical reflection on a few key studies of the public sphere and the use of urban public space. This issue also discusses and presents positive design practices for urban public space, focusing on several projects from recent years.","downloadable_attachments":[{"id":37763774,"asset_id":12655299,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4182760,"first_name":"Hans","last_name":"Teerds","domain_name":"ethz","page_name":"HansTeerds","display_name":"Hans Teerds","profile_url":"https://ethz.academia.edu/HansTeerds?f_ri=509659","photo":"https://0.academia-photos.com/4182760/18639497/18601282/s65_hans.teerds.jpg"}],"research_interests":[{"id":813,"name":"Political Philosophy","url":"https://www.academia.edu/Documents/in/Political_Philosophy?f_ri=509659","nofollow":false},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false},{"id":7594,"name":"Privatisation Of Public 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href="https://www.academia.edu/934807/Riflessioni_per_unetica_del_progetto_la_doppia_metamorfosi_della_storia_e_della_vita">Riflessioni per un'etica del progetto: la doppia metamorfosi della storia e della vita</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">La critica condivisa da Paci e Sini alla concezione scientifico-matematica di spazio e tempo che sorregge la concezione tradizionale di storia e la concezione razionalistica dell’architettura si sostanzia dell’appello al mondo della vita,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_934807" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">La critica condivisa da Paci e Sini alla concezione scientifico-matematica di spazio e tempo che sorregge la concezione tradizionale di storia e la concezione razionalistica dell’architettura si sostanzia dell’appello al mondo della vita, alla spazialità e temporalità della vita vissuta, della durata e della relazione. <br />Nell'indagare il rapporto tra memoria e progetto tutto ciò ha un ruolo essenziale, così come l'apertura d'orizzonte offerto dalla genealogia e dalla sua costitutiva capacità di farsi carico di <br />quella circolarità delle estasi temporali per cui il passato necessita del futuro per acquistare il suo senso compiuto.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/934807" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="14e306cc4b4b1027fccf2e72a7ec81c8" rel="nofollow" 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Barcelona: Editorial Reverté, 2013. 483 páginas; 45<br />euros. Edición ampliada y actualizada en español.<br />Edición original: The architecture of community, 2009. Washington<br />D.C., Covelo y Londres: Island Press.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/19966098" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3244ec0d787ebaa1511cbe24c99f705d" rel="nofollow" data-download="{"attachment_id":40936243,"asset_id":19966098,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40936243/download_file?st=MTczMjM5NTIzMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4324421" href="https://upm-es.academia.edu/AlejandroGarc%C3%ADaHermida">Alejandro García Hermida</a><script data-card-contents-for-user="4324421" type="text/json">{"id":4324421,"first_name":"Alejandro","last_name":"García Hermida","domain_name":"upm-es","page_name":"AlejandroGarcíaHermida","display_name":"Alejandro García Hermida","profile_url":"https://upm-es.academia.edu/AlejandroGarc%C3%ADaHermida?f_ri=509659","photo":"https://0.academia-photos.com/4324421/1733635/50343285/s65_alejandro.garc_a_hermida.jpg"}</script></span></span></li><li class="js-paper-rank-work_19966098 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="19966098"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 19966098, container: ".js-paper-rank-work_19966098", }); 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Barcelona: Editorial Reverté, 2013. 483 páginas; 45\neuros. Edición ampliada y actualizada en español.\nEdición original: The architecture of community, 2009. Washington\nD.C., Covelo y Londres: Island Press.","downloadable_attachments":[{"id":40936243,"asset_id":19966098,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4324421,"first_name":"Alejandro","last_name":"García Hermida","domain_name":"upm-es","page_name":"AlejandroGarcíaHermida","display_name":"Alejandro García Hermida","profile_url":"https://upm-es.academia.edu/AlejandroGarc%C3%ADaHermida?f_ri=509659","photo":"https://0.academia-photos.com/4324421/1733635/50343285/s65_alejandro.garc_a_hermida.jpg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false},{"id":5281,"name":"Design Theory","url":"https://www.academia.edu/Documents/in/Design_Theory?f_ri=509659","nofollow":false},{"id":7654,"name":"Vernacular 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Architecture","url":"https://www.academia.edu/Documents/in/History_and_Theory_of_Modern_Architecture?f_ri=509659"},{"id":49836,"name":"Arquitectura","url":"https://www.academia.edu/Documents/in/Arquitectura?f_ri=509659"},{"id":51632,"name":"Historia de la Arquitectura","url":"https://www.academia.edu/Documents/in/Historia_de_la_Arquitectura?f_ri=509659"},{"id":79548,"name":"Arquitetura e Urbanismo","url":"https://www.academia.edu/Documents/in/Arquitetura_e_Urbanismo?f_ri=509659"},{"id":86542,"name":"History and theory of architecture","url":"https://www.academia.edu/Documents/in/History_and_theory_of_architecture?f_ri=509659"},{"id":96230,"name":"Urbanismo","url":"https://www.academia.edu/Documents/in/Urbanismo?f_ri=509659"},{"id":216691,"name":"Arquitectura y urbanismo","url":"https://www.academia.edu/Documents/in/Arquitectura_y_urbanismo?f_ri=509659"},{"id":241799,"name":"Historia y Teoria del Arte y la 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vernácula","url":"https://www.academia.edu/Documents/in/Arquitectura_vern%C3%A1cula?f_ri=509659"},{"id":740947,"name":"Theory and Philosophy in Architecture","url":"https://www.academia.edu/Documents/in/Theory_and_Philosophy_in_Architecture?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_26633446" data-work_id="26633446" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/26633446/Specific_Indeterminacy">Specific Indeterminacy</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Introductory essay that analyzes and frames the approach of Johnston Marklee architects.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/26633446" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="51cfbd9743c8394c3345d767433a8183" rel="nofollow" data-download="{"attachment_id":46917902,"asset_id":26633446,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/46917902/download_file?st=MTczMjM5NTIzMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6593120" href="https://rice.academia.edu/RetoGeiser">Reto Geiser</a><script data-card-contents-for-user="6593120" type="text/json">{"id":6593120,"first_name":"Reto","last_name":"Geiser","domain_name":"rice","page_name":"RetoGeiser","display_name":"Reto Geiser","profile_url":"https://rice.academia.edu/RetoGeiser?f_ri=509659","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_26633446 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="26633446"><i class="u-m1x fa fa-bar-chart"></i><strong 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data-card-contents-for-ri="988" type="text/json">{"id":988,"name":"Design","url":"https://www.academia.edu/Documents/in/Design?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7655" href="https://www.academia.edu/Documents/in/Architectural_History">Architectural History</a>, <script data-card-contents-for-ri="7655" type="text/json">{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8918" href="https://www.academia.edu/Documents/in/Contemporary_Arts">Contemporary Arts</a><script data-card-contents-for-ri="8918" type="text/json">{"id":8918,"name":"Contemporary Arts","url":"https://www.academia.edu/Documents/in/Contemporary_Arts?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=26633446]'), work: {"id":26633446,"title":"Specific Indeterminacy","created_at":"2016-06-30T08:23:04.724-07:00","url":"https://www.academia.edu/26633446/Specific_Indeterminacy?f_ri=509659","dom_id":"work_26633446","summary":"Introductory essay that analyzes and frames the approach of Johnston Marklee architects.","downloadable_attachments":[{"id":46917902,"asset_id":26633446,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6593120,"first_name":"Reto","last_name":"Geiser","domain_name":"rice","page_name":"RetoGeiser","display_name":"Reto 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Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_4020964" data-work_id="4020964" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/4020964/On_the_Architectural_Design_Parti">On the Architectural Design Parti</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This short text presents meditations on the nature and function of the "parti" in architectural design. I wrote it after having to respond to students' frequent requests for an explanation of what-it-is throughout my many years of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_4020964" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This short text presents meditations on the nature and function of the "parti" in architectural design. I wrote it after having to respond to students' frequent requests for an explanation of what-it-is throughout my many years of teaching design studios. I hope that my effort casts light on the matter without killing the magic and even esoteric quality of what the 'parti' stands for.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/4020964" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="dec386eed5bf7b704af0103b421c6897" rel="nofollow" data-download="{"attachment_id":32277868,"asset_id":4020964,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/32277868/download_file?st=MTczMjM5NTIzMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="690377" href="https://cua.academia.edu/JulioBermudez">Julio Bermudez</a><script data-card-contents-for-user="690377" type="text/json">{"id":690377,"first_name":"Julio","last_name":"Bermudez","domain_name":"cua","page_name":"JulioBermudez","display_name":"Julio Bermudez","profile_url":"https://cua.academia.edu/JulioBermudez?f_ri=509659","photo":"https://0.academia-photos.com/690377/626169/17338093/s65_julio.bermudez.jpg"}</script></span></span></li><li class="js-paper-rank-work_4020964 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="4020964"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 4020964, container: ".js-paper-rank-work_4020964", }); 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$(".js-view-count[data-work-id=4020964]").text(description); $(".js-view-count-work_4020964").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_4020964").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="4020964"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">16</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1599" href="https://www.academia.edu/Documents/in/Reflective_Practice">Reflective Practice</a>, <script data-card-contents-for-ri="1599" type="text/json">{"id":1599,"name":"Reflective Practice","url":"https://www.academia.edu/Documents/in/Reflective_Practice?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2915" href="https://www.academia.edu/Documents/in/Design_Methods">Design Methods</a>, <script data-card-contents-for-ri="2915" type="text/json">{"id":2915,"name":"Design Methods","url":"https://www.academia.edu/Documents/in/Design_Methods?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6800" href="https://www.academia.edu/Documents/in/Architectural_Education">Architectural Education</a><script data-card-contents-for-ri="6800" type="text/json">{"id":6800,"name":"Architectural Education","url":"https://www.academia.edu/Documents/in/Architectural_Education?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=4020964]'), work: {"id":4020964,"title":"On the Architectural Design Parti","created_at":"2013-07-13T04:42:55.066-07:00","url":"https://www.academia.edu/4020964/On_the_Architectural_Design_Parti?f_ri=509659","dom_id":"work_4020964","summary":"This short text presents meditations on the nature and function of the \"parti\" in architectural design. I wrote it after having to respond to students' frequent requests for an explanation of what-it-is throughout my many years of teaching design studios. I hope that my effort casts light on the matter without killing the magic and even esoteric quality of what the 'parti' stands for.","downloadable_attachments":[{"id":32277868,"asset_id":4020964,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":690377,"first_name":"Julio","last_name":"Bermudez","domain_name":"cua","page_name":"JulioBermudez","display_name":"Julio Bermudez","profile_url":"https://cua.academia.edu/JulioBermudez?f_ri=509659","photo":"https://0.academia-photos.com/690377/626169/17338093/s65_julio.bermudez.jpg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false},{"id":1599,"name":"Reflective Practice","url":"https://www.academia.edu/Documents/in/Reflective_Practice?f_ri=509659","nofollow":false},{"id":2915,"name":"Design Methods","url":"https://www.academia.edu/Documents/in/Design_Methods?f_ri=509659","nofollow":false},{"id":6800,"name":"Architectural Education","url":"https://www.academia.edu/Documents/in/Architectural_Education?f_ri=509659","nofollow":false},{"id":7264,"name":"Design Process (Architecture)","url":"https://www.academia.edu/Documents/in/Design_Process_Architecture_?f_ri=509659"},{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=509659"},{"id":19100,"name":"Design thinking","url":"https://www.academia.edu/Documents/in/Design_thinking?f_ri=509659"},{"id":23367,"name":"Philosophy of Architecture","url":"https://www.academia.edu/Documents/in/Philosophy_of_Architecture?f_ri=509659"},{"id":24995,"name":"Design Critical Thinking","url":"https://www.academia.edu/Documents/in/Design_Critical_Thinking?f_ri=509659"},{"id":61738,"name":"Architectural Design","url":"https://www.academia.edu/Documents/in/Architectural_Design?f_ri=509659"},{"id":65397,"name":"ARCHITECTURAL HISTORY, THEORY AND CRITICISM","url":"https://www.academia.edu/Documents/in/ARCHITECTURAL_HISTORY_THEORY_AND_CRITICISM?f_ri=509659"},{"id":83726,"name":"Psychology of Decision Making","url":"https://www.academia.edu/Documents/in/Psychology_of_Decision_Making?f_ri=509659"},{"id":117804,"name":"Architectural Design Pedagogy","url":"https://www.academia.edu/Documents/in/Architectural_Design_Pedagogy?f_ri=509659"},{"id":507387,"name":"Architectural Making","url":"https://www.academia.edu/Documents/in/Architectural_Making?f_ri=509659"},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":529470,"name":"Architectural Philosophy","url":"https://www.academia.edu/Documents/in/Architectural_Philosophy?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_10232140" data-work_id="10232140" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/10232140/The_Technical_Imagination_thoughts_on_the_relation_of_technique_and_design_in_architecture">The Technical Imagination:thoughts on the relation of technique and design in architecture.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This paper examines the question of the relation of technique and design in architecture. The aim is to show that decisions about material, structure, construction and services are not simply matters of objective analysis, but are rooted... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_10232140" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper examines the question of the relation of technique and design in architecture.  The aim is to show that decisions about material, structure, construction and services are not simply matters of objective analysis, but are rooted in the cultural and aesthetic assumptions of architects.  A comparison of theoretical positions proposed by Geoffrey Scott and Le Corbusier is elaborated by a comparative analysis of designs by Louis Kahn, {kano and Rogers, Robert Venturi and Carlo Scarpa.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10232140" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6bd9b7181c070a6524610f62a843fc32" rel="nofollow" data-download="{"attachment_id":36324531,"asset_id":10232140,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/36324531/download_file?st=MTczMjM5NTIzMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="8682576" href="https://cambridge.academia.edu/DeanHawkes">Dean Hawkes</a><script data-card-contents-for-user="8682576" type="text/json">{"id":8682576,"first_name":"Dean","last_name":"Hawkes","domain_name":"cambridge","page_name":"DeanHawkes","display_name":"Dean Hawkes","profile_url":"https://cambridge.academia.edu/DeanHawkes?f_ri=509659","photo":"https://0.academia-photos.com/8682576/6792460/7669093/s65_dean.hawkes.jpg"}</script></span></span></li><li class="js-paper-rank-work_10232140 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="10232140"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 10232140, container: ".js-paper-rank-work_10232140", }); 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A comparison of theoretical positions proposed by Geoffrey Scott and Le Corbusier is elaborated by a comparative analysis of designs by Louis Kahn, {kano and Rogers, Robert Venturi and Carlo Scarpa.","downloadable_attachments":[{"id":36324531,"asset_id":10232140,"asset_type":"Work","always_allow_download":false},{"id":36324638,"asset_id":10232140,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":8682576,"first_name":"Dean","last_name":"Hawkes","domain_name":"cambridge","page_name":"DeanHawkes","display_name":"Dean Hawkes","profile_url":"https://cambridge.academia.edu/DeanHawkes?f_ri=509659","photo":"https://0.academia-photos.com/8682576/6792460/7669093/s65_dean.hawkes.jpg"}],"research_interests":[{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 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data-card-contents-for-ri="18102" type="text/json">{"id":18102,"name":"Landscape Urbanism","url":"https://www.academia.edu/Documents/in/Landscape_Urbanism?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="20023" href="https://www.academia.edu/Documents/in/Design_Theory_Architecture_">Design Theory (Architecture)</a>, <script data-card-contents-for-ri="20023" type="text/json">{"id":20023,"name":"Design Theory (Architecture)","url":"https://www.academia.edu/Documents/in/Design_Theory_Architecture_?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="61835" href="https://www.academia.edu/Documents/in/Urban_Design">Urban Design</a><script data-card-contents-for-ri="61835" type="text/json">{"id":61835,"name":"Urban Design","url":"https://www.academia.edu/Documents/in/Urban_Design?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: 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Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":773147,"name":"Urban Life","url":"https://www.academia.edu/Documents/in/Urban_Life?f_ri=509659"},{"id":1299281,"name":"Urban Voids","url":"https://www.academia.edu/Documents/in/Urban_Voids?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_63968161" data-work_id="63968161" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/63968161/3D_Printable_Life_for_BioRemediating_Metabolic_Architectures_Dennis_Dollens_3D_Printable_Life_for_BioRemediating_Metabolic_Architectures">3D-Printable Life for BioRemediating, Metabolic Architectures • Dennis Dollens 3D-Printable Life for BioRemediating, Metabolic Architectures</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In this paper I track 3D printed bacterially-infused materials in which microbes live and reproduce — selected and nurtured — to carryout biochemically-controlled tasks intended to mitigate the ravages of climate change. As architecture... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_63968161" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In this paper I track 3D printed bacterially-infused materials in which microbes live and reproduce — selected and nurtured — to carryout biochemically-controlled tasks intended to mitigate the ravages of climate change. As architecture and urban designers we are existentially challenged to integrate nature, biology, and genetics with the built world we interpret through fablab/robotic production to tackle those ravages. That viewport reveals our need for multidisciplinary procedures arising in disciplines not usually associated with buildings or city design. Collaborating with science/technology we may take steps toward proof-of-concept materialization imbued with microbial life and intelligences that lend living environmental defenses to architecture and urban/environmental operations.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/63968161" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6acf92f387134191e38852100d88819f" rel="nofollow" data-download="{"attachment_id":76217296,"asset_id":63968161,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/76217296/download_file?st=MTczMjM5NTIzMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="80987698" href="https://uic-es.academia.edu/DennisDollens">Dennis Dollens</a><script data-card-contents-for-user="80987698" type="text/json">{"id":80987698,"first_name":"Dennis","last_name":"Dollens","domain_name":"uic-es","page_name":"DennisDollens","display_name":"Dennis Dollens","profile_url":"https://uic-es.academia.edu/DennisDollens?f_ri=509659","photo":"https://0.academia-photos.com/80987698/19605167/19492826/s65_dennis.dollens.jpg"}</script></span></span></li><li class="js-paper-rank-work_63968161 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="63968161"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 63968161, container: ".js-paper-rank-work_63968161", }); 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$(".js-view-count[data-work-id=63968161]").text(description); $(".js-view-count-work_63968161").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_63968161").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="63968161"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">19</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1512" href="https://www.academia.edu/Documents/in/Climate_Change">Climate Change</a>, <script data-card-contents-for-ri="1512" type="text/json">{"id":1512,"name":"Climate Change","url":"https://www.academia.edu/Documents/in/Climate_Change?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3629" href="https://www.academia.edu/Documents/in/Synthetic_Biology">Synthetic Biology</a>, <script data-card-contents-for-ri="3629" type="text/json">{"id":3629,"name":"Synthetic Biology","url":"https://www.academia.edu/Documents/in/Synthetic_Biology?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3659" href="https://www.academia.edu/Documents/in/Adaptation_to_Climate_Change">Adaptation to Climate Change</a><script data-card-contents-for-ri="3659" type="text/json">{"id":3659,"name":"Adaptation to Climate Change","url":"https://www.academia.edu/Documents/in/Adaptation_to_Climate_Change?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=63968161]'), work: {"id":63968161,"title":"3D-Printable Life for BioRemediating, Metabolic Architectures • Dennis Dollens 3D-Printable Life for BioRemediating, Metabolic Architectures","created_at":"2021-12-13T06:54:35.369-08:00","url":"https://www.academia.edu/63968161/3D_Printable_Life_for_BioRemediating_Metabolic_Architectures_Dennis_Dollens_3D_Printable_Life_for_BioRemediating_Metabolic_Architectures?f_ri=509659","dom_id":"work_63968161","summary":"In this paper I track 3D printed bacterially-infused materials in which microbes live and reproduce — selected and nurtured — to carryout biochemically-controlled tasks intended to mitigate the ravages of climate change. As architecture and urban designers we are existentially challenged to integrate nature, biology, and genetics with the built world we interpret through fablab/robotic production to tackle those ravages. That viewport reveals our need for multidisciplinary procedures arising in disciplines not usually associated with buildings or city design. Collaborating with science/technology we may take steps toward proof-of-concept materialization imbued with microbial life and intelligences that lend living environmental defenses to architecture and urban/environmental operations.","downloadable_attachments":[{"id":76217296,"asset_id":63968161,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":80987698,"first_name":"Dennis","last_name":"Dollens","domain_name":"uic-es","page_name":"DennisDollens","display_name":"Dennis Dollens","profile_url":"https://uic-es.academia.edu/DennisDollens?f_ri=509659","photo":"https://0.academia-photos.com/80987698/19605167/19492826/s65_dennis.dollens.jpg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false},{"id":1512,"name":"Climate Change","url":"https://www.academia.edu/Documents/in/Climate_Change?f_ri=509659","nofollow":false},{"id":3629,"name":"Synthetic 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Climate Change","url":"https://www.academia.edu/Documents/in/Renewable_Energy_and_Climate_Change?f_ri=509659"},{"id":3521582,"name":"Living Building Materials (LBMs)","url":"https://www.academia.edu/Documents/in/Living_Building_Materials_LBMs_?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44292098" data-work_id="44292098" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44292098/Herman_Hertzberger_Architecture_and_Structuralism_The_Ordering_of_Space_book_review">Herman Hertzberger Architecture and Structuralism — The Ordering of Space, book review</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The book Architecture and Structuralism — The Ordering of Space is intended as Hertzberger’s definitive text on structuralism, and is at once a synopsis of his earlier books, such as Lessons for Students in Architecture I & II, as well as... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44292098" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The book Architecture and Structuralism — The Ordering of Space is intended as Hertzberger’s definitive text on structuralism, and is at once a synopsis of his earlier books, such as Lessons for Students in Architecture I & II, as well as an effort to enrich and bring his theoretical framework up-to-date.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44292098" 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href="https://www.academia.edu/Documents/in/Modernist_Architecture_Architectural_Modernism_">Modernist Architecture (Architectural Modernism)</a><script data-card-contents-for-ri="8462" type="text/json">{"id":8462,"name":"Modernist Architecture (Architectural Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Architecture_Architectural_Modernism_?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44292098]'), work: {"id":44292098,"title":"Herman Hertzberger Architecture and Structuralism — The Ordering of Space, book review","created_at":"2020-10-13T20:32:29.795-07:00","url":"https://www.academia.edu/44292098/Herman_Hertzberger_Architecture_and_Structuralism_The_Ordering_of_Space_book_review?f_ri=509659","dom_id":"work_44292098","summary":"The book Architecture and Structuralism — The Ordering of Space is intended as Hertzberger’s definitive text on structuralism, and 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Historiography of Modern Architecture","url":"https://www.academia.edu/Documents/in/History_and_Historiography_of_Modern_Architecture?f_ri=509659"},{"id":148089,"name":"Team X","url":"https://www.academia.edu/Documents/in/Team_X?f_ri=509659"},{"id":210189,"name":"Architectural Theory and Criticism","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Criticism?f_ri=509659"},{"id":232981,"name":"Architectural Criticism","url":"https://www.academia.edu/Documents/in/Architectural_Criticism?f_ri=509659"},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":714085,"name":"Ciam","url":"https://www.academia.edu/Documents/in/Ciam?f_ri=509659"},{"id":3065760,"name":"herman hertzberger","url":"https://www.academia.edu/Documents/in/herman_hertzberger?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_64514766" data-work_id="64514766" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/64514766/Designing_Unstable_Landscapes">Designing Unstable Landscapes</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The concept of «unstable landscapes» refers to sections of territory produced by the contact/crash between different and conflicting morphological conditions. Contexts irrevocably exposed to the dynamics of the world, natural events and... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_64514766" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The concept of «unstable landscapes» refers to sections of territory produced by the contact/crash between different and conflicting morphological conditions. Contexts irrevocably exposed to the dynamics of the world, natural events and use way; processed, rejected, forgotten and recycled over the centuries; in-between lands grew up without a permanent order that however can be recovered. This condition is typical of the rivers, whose untamed nature, combined with the necessity to exploit their resources, has produced a particular condition of instability related to different conditions: the urgent requirement of infrastructural intervention due to a constant and increasing risk both for urban and rural areas; the request to reduce the marginality of these spaces whose landscape is impossible to recognize because fragmentary and dominated by the disorder; the necessity to find solution useful to readdress unsustainable ecological conditions. The urgency of intervention, combined wit...</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/64514766" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a7aff62ff6848e0a165932efc5ed6065" rel="nofollow" data-download="{"attachment_id":76516810,"asset_id":64514766,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/76516810/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7012662" href="https://polimi.academia.edu/andreaoldani">andrea oldani</a><script data-card-contents-for-user="7012662" type="text/json">{"id":7012662,"first_name":"andrea","last_name":"oldani","domain_name":"polimi","page_name":"andreaoldani","display_name":"andrea oldani","profile_url":"https://polimi.academia.edu/andreaoldani?f_ri=509659","photo":"https://0.academia-photos.com/7012662/35364690/35521834/s65_andrea.oldani.jpg"}</script></span></span></li><li class="js-paper-rank-work_64514766 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="64514766"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 64514766, container: ".js-paper-rank-work_64514766", }); 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$(".js-view-count[data-work-id=64514766]").text(description); $(".js-view-count-work_64514766").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_64514766").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="64514766"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="261" href="https://www.academia.edu/Documents/in/Geography">Geography</a>, <script data-card-contents-for-ri="261" type="text/json">{"id":261,"name":"Geography","url":"https://www.academia.edu/Documents/in/Geography?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3183" href="https://www.academia.edu/Documents/in/Landscape_Architecture">Landscape Architecture</a>, <script data-card-contents-for-ri="3183" type="text/json">{"id":3183,"name":"Landscape Architecture","url":"https://www.academia.edu/Documents/in/Landscape_Architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="66749" href="https://www.academia.edu/Documents/in/Landscape_Design">Landscape Design</a>, <script data-card-contents-for-ri="66749" type="text/json">{"id":66749,"name":"Landscape Design","url":"https://www.academia.edu/Documents/in/Landscape_Design?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="77342" href="https://www.academia.edu/Documents/in/Infrastructure">Infrastructure</a><script data-card-contents-for-ri="77342" type="text/json">{"id":77342,"name":"Infrastructure","url":"https://www.academia.edu/Documents/in/Infrastructure?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=64514766]'), work: {"id":64514766,"title":"Designing Unstable Landscapes","created_at":"2021-12-16T04:56:44.572-08:00","url":"https://www.academia.edu/64514766/Designing_Unstable_Landscapes?f_ri=509659","dom_id":"work_64514766","summary":"The concept of «unstable landscapes» refers to sections of territory produced by the contact/crash between different and conflicting morphological conditions. Contexts irrevocably exposed to the dynamics of the world, natural events and use way; processed, rejected, forgotten and recycled over the centuries; in-between lands grew up without a permanent order that however can be recovered. This condition is typical of the rivers, whose untamed nature, combined with the necessity to exploit their resources, has produced a particular condition of instability related to different conditions: the urgent requirement of infrastructural intervention due to a constant and increasing risk both for urban and rural areas; the request to reduce the marginality of these spaces whose landscape is impossible to recognize because fragmentary and dominated by the disorder; the necessity to find solution useful to readdress unsustainable ecological conditions. The urgency of intervention, combined wit...","downloadable_attachments":[{"id":76516810,"asset_id":64514766,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":7012662,"first_name":"andrea","last_name":"oldani","domain_name":"polimi","page_name":"andreaoldani","display_name":"andrea oldani","profile_url":"https://polimi.academia.edu/andreaoldani?f_ri=509659","photo":"https://0.academia-photos.com/7012662/35364690/35521834/s65_andrea.oldani.jpg"}],"research_interests":[{"id":261,"name":"Geography","url":"https://www.academia.edu/Documents/in/Geography?f_ri=509659","nofollow":false},{"id":3183,"name":"Landscape Architecture","url":"https://www.academia.edu/Documents/in/Landscape_Architecture?f_ri=509659","nofollow":false},{"id":66749,"name":"Landscape Design","url":"https://www.academia.edu/Documents/in/Landscape_Design?f_ri=509659","nofollow":false},{"id":77342,"name":"Infrastructure","url":"https://www.academia.edu/Documents/in/Infrastructure?f_ri=509659","nofollow":false},{"id":192721,"name":"Risk factors","url":"https://www.academia.edu/Documents/in/Risk_factors?f_ri=509659"},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":620049,"name":"Risk Factors","url":"https://www.academia.edu/Documents/in/Risk_Factors-1?f_ri=509659"},{"id":1274025,"name":"Riverscapes","url":"https://www.academia.edu/Documents/in/Riverscapes?f_ri=509659"},{"id":3416323,"name":"architecture of large infrastructures","url":"https://www.academia.edu/Documents/in/architecture_of_large_infrastructures?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39969051" data-work_id="39969051" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39969051/Emine_G%C3%B6rg%C3%BCl_2012_The_in_corporeal_architecture_Dematerialization_and_intangibility_of_space_in_early_modern_architecture_Barcelona_Pavilion_case_in_A_Z_ITU_Journal_of_Architecture">Emine Görgül, (2012), "The (in)corporeal architecture: Dematerialization and intangibility of space in early modern architecture, Barcelona Pavilion case", in A|Z ITU Journal of Architecture.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Being attributed as one of the most significant examples of Modern Architecture, Barcelona Pavilion emerged as a prototype in terms of immateriality and the virtual dimension of space, as well as a distinguished case that juxtaposes the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39969051" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Being attributed as one of the most significant examples of Modern Architecture, Barcelona Pavilion emerged as a prototype in terms of immateriality and the virtual dimension of space, as well as a distinguished case that juxtaposes the discourse and praxis of its epoch, which still remains as an inspiring example in today's debates. However, the pavilion was constructed in the glowing years of Modern Period, with its outstanding affiliation to International Style, this paper focuses on the pavilion as a milestone in which the intangible characteristics of the spatiality have influenced the constitution of architectural space. While declining the closed-box ideology of the conventional spatiality, this paper aims to discuss the emergence of an architectural embodiment through corporeal and incorporeal becomings (the transitive existence of architectural space as well as the interaction of subjects). This paper also interacts with spatio-temporal multiplicities, and appraises their transforming capacities in space, that enable the proliferation of the spatial relations by constituting the multiple actualization processes of endless potentials of the virtual. Besides the processes of deterritorailization and reterritorialization appear within the procedure of territorial shifts in the transition of architectural becoming and the immaterialization of the embodiment. Moreover, this paper also brings inside and outside relations into debate as well as notions of floating space and spatial continuity; visual continuity, reflection and surveillance, and furthermore the imperative affect of the image in spatial relations. In addition to all, this work is also keen at discussing these cited conceptions resonating with the concepts of contemporary theory, while speculating on the significant effect of the pavilion in contemporary architecture.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39969051" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="db712d85407ac31ed4097fc18a93e242" rel="nofollow" data-download="{"attachment_id":60158348,"asset_id":39969051,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60158348/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5270228" href="https://istanbultek.academia.edu/EmineGorgul">Emine Gorgul</a><script data-card-contents-for-user="5270228" type="text/json">{"id":5270228,"first_name":"Emine","last_name":"Gorgul","domain_name":"istanbultek","page_name":"EmineGorgul","display_name":"Emine Gorgul","profile_url":"https://istanbultek.academia.edu/EmineGorgul?f_ri=509659","photo":"https://0.academia-photos.com/5270228/2318494/28364276/s65_emine.gorgul.jpg"}</script></span></span></li><li class="js-paper-rank-work_39969051 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39969051"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39969051, container: ".js-paper-rank-work_39969051", }); 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However, the pavilion was constructed in the glowing years of Modern Period, with its outstanding affiliation to International Style, this paper focuses on the pavilion as a milestone in which the intangible characteristics of the spatiality have influenced the constitution of architectural space. While declining the closed-box ideology of the conventional spatiality, this paper aims to discuss the emergence of an architectural embodiment through corporeal and incorporeal becomings (the transitive existence of architectural space as well as the interaction of subjects). This paper also interacts with spatio-temporal multiplicities, and appraises their transforming capacities in space, that enable the proliferation of the spatial relations by constituting the multiple actualization processes of endless potentials of the virtual. Besides the processes of deterritorailization and reterritorialization appear within the procedure of territorial shifts in the transition of architectural becoming and the immaterialization of the embodiment. Moreover, this paper also brings inside and outside relations into debate as well as notions of floating space and spatial continuity; visual continuity, reflection and surveillance, and furthermore the imperative affect of the image in spatial relations. In addition to all, this work is also keen at discussing these cited conceptions resonating with the concepts of contemporary theory, while speculating on the significant effect of the pavilion in contemporary architecture.","downloadable_attachments":[{"id":60158348,"asset_id":39969051,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5270228,"first_name":"Emine","last_name":"Gorgul","domain_name":"istanbultek","page_name":"EmineGorgul","display_name":"Emine Gorgul","profile_url":"https://istanbultek.academia.edu/EmineGorgul?f_ri=509659","photo":"https://0.academia-photos.com/5270228/2318494/28364276/s65_emine.gorgul.jpg"}],"research_interests":[{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy?f_ri=509659","nofollow":false},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false},{"id":8302,"name":"Gilles 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Architecture","url":"https://www.academia.edu/Documents/in/History_and_Theory_of_Modern_Architecture?f_ri=509659"},{"id":59662,"name":"BARCELONA PAVILION","url":"https://www.academia.edu/Documents/in/BARCELONA_PAVILION?f_ri=509659"},{"id":65397,"name":"ARCHITECTURAL HISTORY, THEORY AND CRITICISM","url":"https://www.academia.edu/Documents/in/ARCHITECTURAL_HISTORY_THEORY_AND_CRITICISM?f_ri=509659"},{"id":87195,"name":"Sapce and Time","url":"https://www.academia.edu/Documents/in/Sapce_and_Time?f_ri=509659"},{"id":118091,"name":"Augmented Space","url":"https://www.academia.edu/Documents/in/Augmented_Space?f_ri=509659"},{"id":137921,"name":"Mies van der Rohe","url":"https://www.academia.edu/Documents/in/Mies_van_der_Rohe?f_ri=509659"},{"id":183119,"name":"Deleuze and Architecture","url":"https://www.academia.edu/Documents/in/Deleuze_and_Architecture?f_ri=509659"},{"id":210189,"name":"Architectural Theory and Criticism","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Criticism?f_ri=509659"},{"id":301008,"name":"Deleuze Studies","url":"https://www.academia.edu/Documents/in/Deleuze_Studies?f_ri=509659"},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":750388,"name":"Incorporeal","url":"https://www.academia.edu/Documents/in/Incorporeal?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_48856661" data-work_id="48856661" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/48856661/%E5%A4%A7%E5%94%90%E8%8A%99%E8%93%89%E5%9C%92_%E8%A8%AD%E8%A8%88%E5%AD%B8%E5%A0%B1_">大唐芙蓉園(設計學報)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">1980 年代起，改革開放的中國，積極追求經濟發展的腳步與國內各地的文化旅遊發展，及建立城市競爭力的關係密不可分。「文物保護」工作因經濟條件改善獲得關注，「歷史名城」在文物保護政策實踐下，同時，具備了改善城市居住環境條件、城市景觀與進步意涵、推動觀光與促進投資等特性，藉由販售文化觀光之體驗經濟，「歷史名城」既渴望具備現代化都市的進步意涵，亦欲建構其文化自明性的表徵，故整體都市空間結構與建築形式，儼然成為爭逐都市空間意義的主要戰場。... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_48856661" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">1980 年代起，改革開放的中國，積極追求經濟發展的腳步與國內各地的文化旅遊發展，及建立城市競爭力的關係密不可分。「文物保護」工作因經濟條件改善獲得關注，「歷史名城」在文物保護政策實踐下，同時，具備了改善城市居住環境條件、城市景觀與進步意涵、推動觀光與促進投資等特性，藉由販售文化觀光之體驗經濟，「歷史名城」既渴望具備現代化都市的進步意涵，亦欲建構其文化自明性的表徵，故整體都市空間結構與建築形式，儼然成為爭逐都市空間意義的主要戰場。<br />本文以中國歷史名城西安之文化觀光開發重點「曲江新區」的發展經驗為經，其開發區內主題公園「大唐芙蓉園」為緯，探討在文化全球化的趨勢下，意圖藉由深厚歷史文化資源，以觀光產業為發展策略，同時取得區域經濟成長與城市開發的中國，如何操弄建築空間表徵與大唐皇城之文化象徵符號，以期在文化觀光與文化資產保護均能取得文化霸權的發展模式。<br />關鍵字:西安、文化觀光、文化資產、文化霸權、大唐芙蓉園</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/48856661" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2ee0356fdc76816f94f463d58641f313" rel="nofollow" data-download="{"attachment_id":67270738,"asset_id":48856661,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67270738/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase 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Management","url":"https://www.academia.edu/Documents/in/Cultural_Heritage_Management?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="509659" href="https://www.academia.edu/Documents/in/Architectural_Theory_and_Design">Architectural Theory and Design</a><script data-card-contents-for-ri="509659" type="text/json">{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=48856661]'), work: {"id":48856661,"title":"大唐芙蓉園(設計學報)","created_at":"2021-05-09T08:58:45.458-07:00","url":"https://www.academia.edu/48856661/%E5%A4%A7%E5%94%90%E8%8A%99%E8%93%89%E5%9C%92_%E8%A8%AD%E8%A8%88%E5%AD%B8%E5%A0%B1_?f_ri=509659","dom_id":"work_48856661","summary":"1980 年代起，改革開放的中國，積極追求經濟發展的腳步與國內各地的文化旅遊發展，及建立城市競爭力的關係密不可分。「文物保護」工作因經濟條件改善獲得關注，「歷史名城」在文物保護政策實踐下，同時，具備了改善城市居住環境條件、城市景觀與進步意涵、推動觀光與促進投資等特性，藉由販售文化觀光之體驗經濟，「歷史名城」既渴望具備現代化都市的進步意涵，亦欲建構其文化自明性的表徵，故整體都市空間結構與建築形式，儼然成為爭逐都市空間意義的主要戰場。\n本文以中國歷史名城西安之文化觀光開發重點「曲江新區」的發展經驗為經，其開發區內主題公園「大唐芙蓉園」為緯，探討在文化全球化的趨勢下，意圖藉由深厚歷史文化資源，以觀光產業為發展策略，同時取得區域經濟成長與城市開發的中國，如何操弄建築空間表徵與大唐皇城之文化象徵符號，以期在文化觀光與文化資產保護均能取得文化霸權的發展模式。\n關鍵字:西安、文化觀光、文化資產、文化霸權、大唐芙蓉園","downloadable_attachments":[{"id":67270738,"asset_id":48856661,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":21990044,"first_name":"寶寧","last_name":"殷","domain_name":"au","page_name":"寶寧殷","display_name":"寶寧殷","profile_url":"https://au.academia.edu/%E5%AF%B6%E5%AF%A7%E6%AE%B7?f_ri=509659","photo":"https://0.academia-photos.com/21990044/37472192/31695808/s65__._.jpg"}],"research_interests":[{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=509659","nofollow":false},{"id":2132,"name":"Cultural 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being replaced by digital simulation models in architectural practice. This will have profound effects on how architects work and think.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31412062" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b7d0f5fe33ce90b93023dfc7ec2e3bc8" rel="nofollow" data-download="{"attachment_id":51778823,"asset_id":31412062,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51778823/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="14280208" href="https://utah.academia.edu/DavidScheer">David R Scheer</a><script data-card-contents-for-user="14280208" type="text/json">{"id":14280208,"first_name":"David","last_name":"Scheer","domain_name":"utah","page_name":"DavidScheer","display_name":"David R Scheer","profile_url":"https://utah.academia.edu/DavidScheer?f_ri=509659","photo":"https://0.academia-photos.com/14280208/34823488/30447730/s65_david.scheer.jpeg"}</script></span></span></li><li class="js-paper-rank-work_31412062 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31412062"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31412062, container: ".js-paper-rank-work_31412062", }); 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Throughout this review, Plato and Aristotle [are] shown to consistently present... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_19807251" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">"This study gathers and interprets the earliest extant references to architects in ancient Greek philosophy, as found in select works of Plato and Aristotle.  Throughout this review, Plato and Aristotle [are] shown to consistently present architectonic agents as exemplary civic and intellectual leaders, acting in awareness of their own (and others’) limits, with knowledge of the most appropriate archē, and with a view to the most comprehensive aims—the common good. This discloses an alternative and more accurate etymology of architects: not as master-builders but as leaders and makers of beginnings (archai). The aim of this essay has been not only to rediscover the discursive beginnings for a renewed philosophy of architecture, but to suggest how these philosophical 'archai' might help present-day architects reimagine the full relevance of their still contested role."</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/19807251" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7fa781f2af3b50e85d64b3723099b861" rel="nofollow" data-download="{"attachment_id":40856001,"asset_id":19807251,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40856001/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3363697" href="https://torontomu.academia.edu/LisaLandrum">Lisa Landrum</a><script data-card-contents-for-user="3363697" type="text/json">{"id":3363697,"first_name":"Lisa","last_name":"Landrum","domain_name":"torontomu","page_name":"LisaLandrum","display_name":"Lisa Landrum","profile_url":"https://torontomu.academia.edu/LisaLandrum?f_ri=509659","photo":"https://0.academia-photos.com/3363697/1130063/113794300/s65_lisa.landrum.jpg"}</script></span></span></li><li class="js-paper-rank-work_19807251 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="19807251"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 19807251, container: ".js-paper-rank-work_19807251", }); 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itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44345363/MVRDV_buildings_by_Ilka_and_Andreas_Ruby_eds_book_review">MVRDV buildings, by Ilka and Andreas Ruby, eds. book review</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This is a review of the first monograph of the Dutch architecture practice MVRDV; it is a reflection on the practice’s built work from the 1990s up to 2012. The book is edited by Ilka and Andreas Ruby, two self-confessed admirers of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44345363" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This is a review of the first monograph of the Dutch architecture practice MVRDV; it is a reflection on the practice’s built work from the 1990s up to 2012. The book is edited by Ilka and Andreas Ruby, two self-confessed admirers of MVRDV, and it offers a mainly image-based tome and relaxed read. 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Un viaggio lungo quarant'anni, in: «Arte e Critica», n. 88/89, primavera 2017, p. 156-157</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/32814949" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="bb56c8e08f7ebc6c512160cb8e1cdafe" rel="nofollow" data-download="{"attachment_id":52965143,"asset_id":32814949,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/52965143/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="26511338" href="https://poliba.academia.edu/LorenzoPietropaolo">Lorenzo Pietropaolo</a><script data-card-contents-for-user="26511338" type="text/json">{"id":26511338,"first_name":"Lorenzo","last_name":"Pietropaolo","domain_name":"poliba","page_name":"LorenzoPietropaolo","display_name":"Lorenzo Pietropaolo","profile_url":"https://poliba.academia.edu/LorenzoPietropaolo?f_ri=509659","photo":"https://0.academia-photos.com/26511338/7366153/8281597/s65_lorenzo.pietropaolo.jpg"}</script></span></span></li><li class="js-paper-rank-work_32814949 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="32814949"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 32814949, container: ".js-paper-rank-work_32814949", }); 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$(".js-view-count[data-work-id=32814949]").text(description); $(".js-view-count-work_32814949").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_32814949").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="32814949"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="7655" href="https://www.academia.edu/Documents/in/Architectural_History">Architectural History</a>, <script data-card-contents-for-ri="7655" type="text/json">{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14640" href="https://www.academia.edu/Documents/in/Architectural_Theory">Architectural Theory</a>, <script data-card-contents-for-ri="14640" type="text/json">{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="59849" href="https://www.academia.edu/Documents/in/Contemporary_Architecture">Contemporary Architecture</a>, <script data-card-contents-for-ri="59849" type="text/json">{"id":59849,"name":"Contemporary Architecture","url":"https://www.academia.edu/Documents/in/Contemporary_Architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="65397" href="https://www.academia.edu/Documents/in/ARCHITECTURAL_HISTORY_THEORY_AND_CRITICISM">ARCHITECTURAL HISTORY, THEORY AND CRITICISM</a><script data-card-contents-for-ri="65397" type="text/json">{"id":65397,"name":"ARCHITECTURAL HISTORY, THEORY AND CRITICISM","url":"https://www.academia.edu/Documents/in/ARCHITECTURAL_HISTORY_THEORY_AND_CRITICISM?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=32814949]'), work: {"id":32814949,"title":"Progetti e opere di Álvaro SIza in Italia. 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In that context, this article aims to explain the process and products of the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30928260" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Physical environment should improve new startegies which are adaptive and give reference to the natural context in order to protect the environmental integrity. In that context, this article aims to explain the process and products of the researchers in Beykent University.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30928260" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="17a87bd381c6111c1a2e74e0d6fb8535" rel="nofollow" data-download="{"attachment_id":51354248,"asset_id":30928260,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51354248/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="34650299" href="https://gtu-tr.academia.edu/LeventAridag">Levent Arıdağ</a><script data-card-contents-for-user="34650299" type="text/json">{"id":34650299,"first_name":"Levent","last_name":"Arıdağ","domain_name":"gtu-tr","page_name":"LeventAridag","display_name":"Levent Arıdağ","profile_url":"https://gtu-tr.academia.edu/LeventAridag?f_ri=509659","photo":"https://0.academia-photos.com/34650299/14616368/15467871/s65_levent.aridag.jpg"}</script></span></span></li><li class="js-paper-rank-work_30928260 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30928260"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30928260, container: ".js-paper-rank-work_30928260", }); 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$(".js-view-count[data-work-id=30928260]").text(description); $(".js-view-count-work_30928260").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_30928260").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="30928260"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="27225" href="https://www.academia.edu/Documents/in/Ecodesign">Ecodesign</a>, <script data-card-contents-for-ri="27225" type="text/json">{"id":27225,"name":"Ecodesign","url":"https://www.academia.edu/Documents/in/Ecodesign?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="61738" href="https://www.academia.edu/Documents/in/Architectural_Design">Architectural Design</a>, <script data-card-contents-for-ri="61738" type="text/json">{"id":61738,"name":"Architectural Design","url":"https://www.academia.edu/Documents/in/Architectural_Design?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="509659" href="https://www.academia.edu/Documents/in/Architectural_Theory_and_Design">Architectural Theory and Design</a>, <script data-card-contents-for-ri="509659" type="text/json">{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1571120" href="https://www.academia.edu/Documents/in/Creative_Tectonics_Architectural_Design">Creative Tectonics Architectural Design</a><script data-card-contents-for-ri="1571120" type="text/json">{"id":1571120,"name":"Creative Tectonics Architectural Design","url":"https://www.academia.edu/Documents/in/Creative_Tectonics_Architectural_Design?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30928260]'), work: {"id":30928260,"title":"Mimari Tasarımda Eko-Topolojik Yaklaşımlar","created_at":"2017-01-14T12:25:08.553-08:00","url":"https://www.academia.edu/30928260/Mimari_Tasar%C4%B1mda_Eko_Topolojik_Yakla%C5%9F%C4%B1mlar?f_ri=509659","dom_id":"work_30928260","summary":"Physical environment should improve new startegies which are adaptive and give reference to the natural context in order to protect the environmental integrity. In that context, this article aims to explain the process and products of the researchers in Beykent University.","downloadable_attachments":[{"id":51354248,"asset_id":30928260,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":34650299,"first_name":"Levent","last_name":"Arıdağ","domain_name":"gtu-tr","page_name":"LeventAridag","display_name":"Levent Arıdağ","profile_url":"https://gtu-tr.academia.edu/LeventAridag?f_ri=509659","photo":"https://0.academia-photos.com/34650299/14616368/15467871/s65_levent.aridag.jpg"}],"research_interests":[{"id":27225,"name":"Ecodesign","url":"https://www.academia.edu/Documents/in/Ecodesign?f_ri=509659","nofollow":false},{"id":61738,"name":"Architectural Design","url":"https://www.academia.edu/Documents/in/Architectural_Design?f_ri=509659","nofollow":false},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659","nofollow":false},{"id":1571120,"name":"Creative Tectonics Architectural Design","url":"https://www.academia.edu/Documents/in/Creative_Tectonics_Architectural_Design?f_ri=509659","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_11211174" data-work_id="11211174" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/11211174/In_Praise_of_Shadows_and_Light">In Praise of Shadows and Light</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/11211174" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="901c28f46b451bfc034cd53aea79f96d" rel="nofollow" data-download="{"attachment_id":36832112,"asset_id":11211174,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/36832112/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="10294077" href="https://gsa.academia.edu/SallyStewart">Sally Stewart</a><script data-card-contents-for-user="10294077" type="text/json">{"id":10294077,"first_name":"Sally","last_name":"Stewart","domain_name":"gsa","page_name":"SallyStewart","display_name":"Sally Stewart","profile_url":"https://gsa.academia.edu/SallyStewart?f_ri=509659","photo":"https://0.academia-photos.com/10294077/5550755/6321354/s65_sally.stewart.jpg_oh_7368b8a2a12f7942453f709dd1c928c4_oe_54b62b05___gda___1425378662_50b9b7b9bdc3466c3bc6be2367b29c25"}</script></span></span></li><li class="js-paper-rank-work_11211174 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="11211174"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 11211174, container: ".js-paper-rank-work_11211174", }); 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The book... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44357809" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In ‘Urban Literacy’, Delft University associate professor Klaske Havik interrogates the relationship between literature and architecture, arguing<br />for a literary approach to architectural education, research and design<br />practice. The book sits firmly in the phenomenological discourse, framing itself in the context of the philosophy of Merleau-Ponty, Heidegger and Bachelard, yet it is mostly based on a particular reading of Henri Lefebvre. Havik takes Lefebvre’s triad of social space: the conceived’, the ‘perceived’ and the ‘lived’ to argue that architecture should appeal not just to our visual senses but to the full complexity of our multi-sensory experience of space. Architects don’t usually design with the ‘lived’ experience in mind, Havik contends, whereas literature abounds with rich descriptions of architectural space, sensory experiences, time and memory. This poetic potential, she argues, should be applied to architectural design to fill this lacuna.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44357809" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="616b6d9988293f6b5670d1e140a3641f" rel="nofollow" data-download="{"attachment_id":64752918,"asset_id":44357809,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64752918/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4590882" href="https://kean.academia.edu/ThomasWensing">Thomas Wensing</a><script data-card-contents-for-user="4590882" type="text/json">{"id":4590882,"first_name":"Thomas","last_name":"Wensing","domain_name":"kean","page_name":"ThomasWensing","display_name":"Thomas Wensing","profile_url":"https://kean.academia.edu/ThomasWensing?f_ri=509659","photo":"https://gravatar.com/avatar/6ef63b2b1670f4b3131985df85cb1b78?s=65"}</script></span></span></li><li class="js-paper-rank-work_44357809 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44357809"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44357809, container: ".js-paper-rank-work_44357809", }); 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$(".js-view-count[data-work-id=44357809]").text(description); $(".js-view-count-work_44357809").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44357809").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44357809"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">15</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5178" href="https://www.academia.edu/Documents/in/Phenomenology">Phenomenology</a>, <script data-card-contents-for-ri="5178" type="text/json">{"id":5178,"name":"Phenomenology","url":"https://www.academia.edu/Documents/in/Phenomenology?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7655" href="https://www.academia.edu/Documents/in/Architectural_History">Architectural History</a>, <script data-card-contents-for-ri="7655" type="text/json">{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14640" href="https://www.academia.edu/Documents/in/Architectural_Theory">Architectural Theory</a><script data-card-contents-for-ri="14640" type="text/json">{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44357809]'), work: {"id":44357809,"title":"Powers of Description - Urban Literacy: Reading and Writing Architecture by Klaske Havik, book review","created_at":"2020-10-23T10:40:26.906-07:00","url":"https://www.academia.edu/44357809/Powers_of_Description_Urban_Literacy_Reading_and_Writing_Architecture_by_Klaske_Havik_book_review?f_ri=509659","dom_id":"work_44357809","summary":"In ‘Urban Literacy’, Delft University associate professor Klaske Havik interrogates the relationship between literature and architecture, arguing\nfor a literary approach to architectural education, research and design\npractice. The book sits firmly in the phenomenological discourse, framing itself in the context of the philosophy of Merleau-Ponty, Heidegger and Bachelard, yet it is mostly based on a particular reading of Henri Lefebvre. Havik takes Lefebvre’s triad of social space: the conceived’, the ‘perceived’ and the ‘lived’ to argue that architecture should appeal not just to our visual senses but to the full complexity of our multi-sensory experience of space. Architects don’t usually design with the ‘lived’ experience in mind, Havik contends, whereas literature abounds with rich descriptions of architectural space, sensory experiences, time and memory. This poetic potential, she argues, should be applied to architectural design to fill this lacuna.","downloadable_attachments":[{"id":64752918,"asset_id":44357809,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4590882,"first_name":"Thomas","last_name":"Wensing","domain_name":"kean","page_name":"ThomasWensing","display_name":"Thomas Wensing","profile_url":"https://kean.academia.edu/ThomasWensing?f_ri=509659","photo":"https://gravatar.com/avatar/6ef63b2b1670f4b3131985df85cb1b78?s=65"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false},{"id":5178,"name":"Phenomenology","url":"https://www.academia.edu/Documents/in/Phenomenology?f_ri=509659","nofollow":false},{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=509659","nofollow":false},{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=509659","nofollow":false},{"id":23367,"name":"Philosophy of Architecture","url":"https://www.academia.edu/Documents/in/Philosophy_of_Architecture?f_ri=509659"},{"id":25618,"name":"Phenomenology of Space and Place","url":"https://www.academia.edu/Documents/in/Phenomenology_of_Space_and_Place?f_ri=509659"},{"id":45408,"name":"History of architecture","url":"https://www.academia.edu/Documents/in/History_of_architecture?f_ri=509659"},{"id":48193,"name":"History and Theory of Modern Architecture","url":"https://www.academia.edu/Documents/in/History_and_Theory_of_Modern_Architecture?f_ri=509659"},{"id":65397,"name":"ARCHITECTURAL HISTORY, THEORY AND CRITICISM","url":"https://www.academia.edu/Documents/in/ARCHITECTURAL_HISTORY_THEORY_AND_CRITICISM?f_ri=509659"},{"id":93143,"name":"Architectural history and theory","url":"https://www.academia.edu/Documents/in/Architectural_history_and_theory?f_ri=509659"},{"id":190986,"name":"Sensory Experience","url":"https://www.academia.edu/Documents/in/Sensory_Experience?f_ri=509659"},{"id":232981,"name":"Architectural Criticism","url":"https://www.academia.edu/Documents/in/Architectural_Criticism?f_ri=509659"},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":526463,"name":"Literature and Architecture","url":"https://www.academia.edu/Documents/in/Literature_and_Architecture?f_ri=509659"},{"id":740947,"name":"Theory and Philosophy in Architecture","url":"https://www.academia.edu/Documents/in/Theory_and_Philosophy_in_Architecture?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43565905" data-work_id="43565905" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43565905/Archetypal_Concept_and_Contemporary_Architectural_Criticism">Archetypal Concept and Contemporary Architectural Criticism</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The article implies a critical review of the use of the term in contemporary architectural theory and criticism after its transmission from psychology. The term was introduced by C. G. Jung in 1919 to designate universal patterns that... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43565905" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The article implies a critical review of the use of the term in contemporary architectural theory and criticism after its transmission from psychology. The term was introduced by C. G. Jung in 1919 to designate universal patterns that emanate from the unconscious, but only during the 1960s gained relative popularity within the field of architectural criticism. However, it was never particular school of Jungean architectural theoreticians but various authors that somehow applied the term, suggesting its free interpretation. The main goal of the article is not to provide an ultimate proof of existence of architectural archetypes but to trace the concept discourse within the Western perspective of architectural theory. To do so, several texts referring to C. G. Jung are analysed, mostly from the 1950s to the present day. Having analyzed the texts of several postwar architectural critics, it was concluded that different authors posited discrepant interpretations of architectural archetypes , which partly stems from the uncertainty of the very term "arche-type", for C. Jung himself fell short of providing a concrete definition for it. Yet, the question of existence of architectural archetypes still remains open.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43565905" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d34de69a3ac84b94567539aea88dc6b5" rel="nofollow" data-download="{"attachment_id":63872452,"asset_id":43565905,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63872452/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="39126286" href="https://tu-berlin.academia.edu/MedeyaMargoshvili">Medeya Margoshvili</a><script data-card-contents-for-user="39126286" type="text/json">{"id":39126286,"first_name":"Medeya","last_name":"Margoshvili","domain_name":"tu-berlin","page_name":"MedeyaMargoshvili","display_name":"Medeya Margoshvili","profile_url":"https://tu-berlin.academia.edu/MedeyaMargoshvili?f_ri=509659","photo":"https://0.academia-photos.com/39126286/14856623/15638455/s65_medeya.margoshvili.jpg"}</script></span></span></li><li class="js-paper-rank-work_43565905 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43565905"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43565905, container: ".js-paper-rank-work_43565905", }); });</script></li><li class="js-percentile-work_43565905 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43565905; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_43565905"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43565905 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43565905"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43565905; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43565905]").text(description); $(".js-view-count-work_43565905").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43565905").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43565905"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">12</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="221" href="https://www.academia.edu/Documents/in/Psychology">Psychology</a>, <script data-card-contents-for-ri="221" type="text/json">{"id":221,"name":"Psychology","url":"https://www.academia.edu/Documents/in/Psychology?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5472" href="https://www.academia.edu/Documents/in/Jungian_psychology">Jungian psychology</a>, <script data-card-contents-for-ri="5472" type="text/json">{"id":5472,"name":"Jungian psychology","url":"https://www.academia.edu/Documents/in/Jungian_psychology?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14640" href="https://www.academia.edu/Documents/in/Architectural_Theory">Architectural Theory</a><script data-card-contents-for-ri="14640" type="text/json">{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43565905]'), work: {"id":43565905,"title":"Archetypal Concept and Contemporary Architectural Criticism","created_at":"2020-07-09T05:44:48.923-07:00","url":"https://www.academia.edu/43565905/Archetypal_Concept_and_Contemporary_Architectural_Criticism?f_ri=509659","dom_id":"work_43565905","summary":"The article implies a critical review of the use of the term in contemporary architectural theory and criticism after its transmission from psychology. The term was introduced by C. G. Jung in 1919 to designate universal patterns that emanate from the unconscious, but only during the 1960s gained relative popularity within the field of architectural criticism. However, it was never particular school of Jungean architectural theoreticians but various authors that somehow applied the term, suggesting its free interpretation. The main goal of the article is not to provide an ultimate proof of existence of architectural archetypes but to trace the concept discourse within the Western perspective of architectural theory. To do so, several texts referring to C. G. Jung are analysed, mostly from the 1950s to the present day. Having analyzed the texts of several postwar architectural critics, it was concluded that different authors posited discrepant interpretations of architectural archetypes , which partly stems from the uncertainty of the very term \"arche-type\", for C. Jung himself fell short of providing a concrete definition for it. Yet, the question of existence of architectural archetypes still remains open.","downloadable_attachments":[{"id":63872452,"asset_id":43565905,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":39126286,"first_name":"Medeya","last_name":"Margoshvili","domain_name":"tu-berlin","page_name":"MedeyaMargoshvili","display_name":"Medeya Margoshvili","profile_url":"https://tu-berlin.academia.edu/MedeyaMargoshvili?f_ri=509659","photo":"https://0.academia-photos.com/39126286/14856623/15638455/s65_medeya.margoshvili.jpg"}],"research_interests":[{"id":221,"name":"Psychology","url":"https://www.academia.edu/Documents/in/Psychology?f_ri=509659","nofollow":false},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false},{"id":5472,"name":"Jungian psychology","url":"https://www.academia.edu/Documents/in/Jungian_psychology?f_ri=509659","nofollow":false},{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=509659","nofollow":false},{"id":18867,"name":"Carl G. Jung","url":"https://www.academia.edu/Documents/in/Carl_G_Jung?f_ri=509659"},{"id":26540,"name":"Archetypes and Patterns","url":"https://www.academia.edu/Documents/in/Archetypes_and_Patterns?f_ri=509659"},{"id":187277,"name":"Understanding Architectural Space","url":"https://www.academia.edu/Documents/in/Understanding_Architectural_Space?f_ri=509659"},{"id":318163,"name":"Psychology of Perception in Architecture","url":"https://www.academia.edu/Documents/in/Psychology_of_Perception_in_Architecture?f_ri=509659"},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":573540,"name":"Archetypes in Architecture","url":"https://www.academia.edu/Documents/in/Archetypes_in_Architecture?f_ri=509659"},{"id":573541,"name":"Architectural Archetypes","url":"https://www.academia.edu/Documents/in/Architectural_Archetypes?f_ri=509659"},{"id":1833066,"name":"Architectural design and psychology of spaces","url":"https://www.academia.edu/Documents/in/Architectural_design_and_psychology_of_spaces?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31383738" data-work_id="31383738" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31383738/Sancaklar_Mosque_Displacing_the_Familiar">Sancaklar Mosque: Displacing the Familiar</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Studying contemporary mosque architecture necessitates dealing concurrently with both the past and the present. Burdens of the past cause a crisis at a point when architects attempt to design prayer spaces that avoid historicist... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_31383738" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Studying contemporary mosque architecture necessitates dealing concurrently with both the past and the present. Burdens of the past cause a crisis at a point when architects attempt to design prayer spaces that avoid historicist references while attending to the religion’s liturgical requirements. This crisis indicates the moment at which architects are forced to become critical of what is preceding, and thus creates a challenging situation in the evolution of mosque architecture. This article takes the Sancaklar Mosque, designed by Emre Arolat Architecture (EAA), as its main object of research in order to assess this challenge. The Sancaklar Mosque presents a significant attempt to free mosque design from the prevailing formal practices observed in the majority of current mosques, by rejecting any clear reference to the historical mosque type and the use of any conventional mosque elements. However, I argue that while Sancaklar Mosque displays a clear break with the past, it is not ahistorical. The mosque suggests both a suspension of discussions on mosque architecture reduced to formal significations and historical prototypes, but also a different way of dealing with the past, which is, in this article, conceptualized as ‘defamiliarization’. The Sancaklar Mosque provides a significant example for a project in which familiar codified formal elements are displaced as a particular response to the challenge that architects face when designing religious buildings.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31383738" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9815f616678bb1054d83ed3cc3c31ad5" rel="nofollow" data-download="{"attachment_id":57746619,"asset_id":31383738,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57746619/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6040277" href="https://tedu.academia.edu/BerinGur">Berin Gur</a><script data-card-contents-for-user="6040277" type="text/json">{"id":6040277,"first_name":"Berin","last_name":"Gur","domain_name":"tedu","page_name":"BerinGur","display_name":"Berin Gur","profile_url":"https://tedu.academia.edu/BerinGur?f_ri=509659","photo":"https://0.academia-photos.com/6040277/2544057/19680487/s65_berin.gur.jpg"}</script></span></span></li><li class="js-paper-rank-work_31383738 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31383738"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31383738, container: ".js-paper-rank-work_31383738", }); });</script></li><li class="js-percentile-work_31383738 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31383738; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_31383738"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_31383738 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="31383738"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31383738; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31383738]").text(description); $(".js-view-count-work_31383738").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_31383738").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="31383738"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">12</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="19242" href="https://www.academia.edu/Documents/in/Religious_architecture">Religious architecture</a>, <script data-card-contents-for-ri="19242" type="text/json">{"id":19242,"name":"Religious architecture","url":"https://www.academia.edu/Documents/in/Religious_architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="48938" href="https://www.academia.edu/Documents/in/Mosque_Architecture">Mosque Architecture</a>, <script data-card-contents-for-ri="48938" type="text/json">{"id":48938,"name":"Mosque Architecture","url":"https://www.academia.edu/Documents/in/Mosque_Architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="61738" href="https://www.academia.edu/Documents/in/Architectural_Design">Architectural Design</a>, <script data-card-contents-for-ri="61738" type="text/json">{"id":61738,"name":"Architectural Design","url":"https://www.academia.edu/Documents/in/Architectural_Design?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="161968" href="https://www.academia.edu/Documents/in/Displacement">Displacement</a><script data-card-contents-for-ri="161968" type="text/json">{"id":161968,"name":"Displacement","url":"https://www.academia.edu/Documents/in/Displacement?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=31383738]'), work: {"id":31383738,"title":"Sancaklar Mosque: Displacing the Familiar","created_at":"2017-02-12T05:29:45.154-08:00","url":"https://www.academia.edu/31383738/Sancaklar_Mosque_Displacing_the_Familiar?f_ri=509659","dom_id":"work_31383738","summary":"Studying contemporary mosque architecture necessitates dealing concurrently with both the past and the present. Burdens of the past cause a crisis at a point when architects attempt to design prayer spaces that avoid historicist references while attending to the religion’s liturgical requirements. This crisis indicates the moment at which architects are forced to become critical of what is preceding, and thus creates a challenging situation in the evolution of mosque architecture. This article takes the Sancaklar Mosque, designed by Emre Arolat Architecture (EAA), as its main object of research in order to assess this challenge. The Sancaklar Mosque presents a significant attempt to free mosque design from the prevailing formal practices observed in the majority of current mosques, by rejecting any clear reference to the historical mosque type and the use of any conventional mosque elements. However, I argue that while Sancaklar Mosque displays a clear break with the past, it is not ahistorical. The mosque suggests both a suspension of discussions on mosque architecture reduced to formal significations and historical prototypes, but also a different way of dealing with the past, which is, in this article, conceptualized as ‘defamiliarization’. The Sancaklar Mosque provides a significant example for a project in which familiar codified formal elements are displaced as a particular response to the challenge that architects face when designing religious buildings.","downloadable_attachments":[{"id":57746619,"asset_id":31383738,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6040277,"first_name":"Berin","last_name":"Gur","domain_name":"tedu","page_name":"BerinGur","display_name":"Berin Gur","profile_url":"https://tedu.academia.edu/BerinGur?f_ri=509659","photo":"https://0.academia-photos.com/6040277/2544057/19680487/s65_berin.gur.jpg"}],"research_interests":[{"id":19242,"name":"Religious architecture","url":"https://www.academia.edu/Documents/in/Religious_architecture?f_ri=509659","nofollow":false},{"id":48938,"name":"Mosque Architecture","url":"https://www.academia.edu/Documents/in/Mosque_Architecture?f_ri=509659","nofollow":false},{"id":61738,"name":"Architectural Design","url":"https://www.academia.edu/Documents/in/Architectural_Design?f_ri=509659","nofollow":false},{"id":161968,"name":"Displacement","url":"https://www.academia.edu/Documents/in/Displacement?f_ri=509659","nofollow":false},{"id":209605,"name":"Contemporary Mosque Architecture","url":"https://www.academia.edu/Documents/in/Contemporary_Mosque_Architecture?f_ri=509659"},{"id":232981,"name":"Architectural Criticism","url":"https://www.academia.edu/Documents/in/Architectural_Criticism?f_ri=509659"},{"id":346076,"name":"Cami Mimarisi","url":"https://www.academia.edu/Documents/in/Cami_Mimarisi?f_ri=509659"},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":581883,"name":"Defamiliarization","url":"https://www.academia.edu/Documents/in/Defamiliarization?f_ri=509659"},{"id":2637086,"name":"Architecture of Prayer Space","url":"https://www.academia.edu/Documents/in/Architecture_of_Prayer_Space?f_ri=509659"},{"id":2637087,"name":"Sancaklar Mosque","url":"https://www.academia.edu/Documents/in/Sancaklar_Mosque?f_ri=509659"},{"id":2642124,"name":"Sancaklar Cami","url":"https://www.academia.edu/Documents/in/Sancaklar_Cami?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_17288089" data-work_id="17288089" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/17288089/Sketching_with_Robots">Sketching with Robots</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Today, human activities constitute the primary environmental impact on the planet. In this context, commitments to sustainability, or minimization of damage, prove insufficient. To develop regenerative, futuring capabilities,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_17288089" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Today, human activities constitute the primary environmental impact on the planet. In this context, commitments to sustainability, or minimization of damage, prove insufficient. To develop regenerative, futuring capabilities, architectural design needs to extend beyond the form and function of things and engage with the management of complex systems. Such systems involve multiple types of dynamic phenomena—biotic and abiotic, technical and cultural—and can be understood as living. Engagement with such living systems implies manipulation of pervasive and unceasing change, irrespective of whether it is valued by design stakeholders or actively managed towards homeostatic or homeorhetic conditions. On one hand, such manipulation of continuity requires holistic and persistent design involvements that are beyond natural capabilities of human designers. On the other hand, practical, political, or creative implications of reliance on automated systems capable of tackling such tasks are as yet underexplored. In response to this challenge, this paper considers an experimental approach that utilized methods of critical making and speculative designing to explore potentials of autonomous architecture. Presented experiments combined knowledge of animal architecture with intelligent behaviors of robotic devices.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/17288089" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3fd0986372f1037fe2494facf41d52e5" rel="nofollow" data-download="{"attachment_id":39417621,"asset_id":17288089,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/39417621/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="117298" href="https://unimelb.academia.edu/StanislavRoudavski">Stanislav Roudavski</a><script data-card-contents-for-user="117298" type="text/json">{"id":117298,"first_name":"Stanislav","last_name":"Roudavski","domain_name":"unimelb","page_name":"StanislavRoudavski","display_name":"Stanislav Roudavski","profile_url":"https://unimelb.academia.edu/StanislavRoudavski?f_ri=509659","photo":"https://0.academia-photos.com/117298/31536/28984/s65_stanislav.roudavski.jpg"}</script></span></span></li><li class="js-paper-rank-work_17288089 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="17288089"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 17288089, container: ".js-paper-rank-work_17288089", }); });</script></li><li class="js-percentile-work_17288089 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 17288089; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_17288089"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_17288089 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="17288089"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 17288089; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=17288089]").text(description); $(".js-view-count-work_17288089").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_17288089").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="17288089"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">54</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="67" href="https://www.academia.edu/Documents/in/Architectural_Engineering">Architectural Engineering</a>, <script data-card-contents-for-ri="67" type="text/json">{"id":67,"name":"Architectural Engineering","url":"https://www.academia.edu/Documents/in/Architectural_Engineering?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="77" href="https://www.academia.edu/Documents/in/Robotics">Robotics</a>, <script data-card-contents-for-ri="77" type="text/json">{"id":77,"name":"Robotics","url":"https://www.academia.edu/Documents/in/Robotics?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="471" href="https://www.academia.edu/Documents/in/Robotics_Computer_Science_">Robotics (Computer Science)</a>, <script data-card-contents-for-ri="471" type="text/json">{"id":471,"name":"Robotics (Computer Science)","url":"https://www.academia.edu/Documents/in/Robotics_Computer_Science_?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="988" href="https://www.academia.edu/Documents/in/Design">Design</a><script data-card-contents-for-ri="988" type="text/json">{"id":988,"name":"Design","url":"https://www.academia.edu/Documents/in/Design?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=17288089]'), work: {"id":17288089,"title":"Sketching with Robots","created_at":"2015-10-25T17:55:12.667-07:00","url":"https://www.academia.edu/17288089/Sketching_with_Robots?f_ri=509659","dom_id":"work_17288089","summary":"Today, human activities constitute the primary environmental impact on the planet. In this context, commitments to sustainability, or minimization of damage, prove insufficient. To develop regenerative, futuring capabilities, architectural design needs to extend beyond the form and function of things and engage with the management of complex systems. Such systems involve multiple types of dynamic phenomena—biotic and abiotic, technical and cultural—and can be understood as living. Engagement with such living systems implies manipulation of pervasive and unceasing change, irrespective of whether it is valued by design stakeholders or actively managed towards homeostatic or homeorhetic conditions. On one hand, such manipulation of continuity requires holistic and persistent design involvements that are beyond natural capabilities of human designers. On the other hand, practical, political, or creative implications of reliance on automated systems capable of tackling such tasks are as yet underexplored. In response to this challenge, this paper considers an experimental approach that utilized methods of critical making and speculative designing to explore potentials of autonomous architecture. Presented experiments combined knowledge of animal architecture with intelligent behaviors of robotic devices.","downloadable_attachments":[{"id":39417621,"asset_id":17288089,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":117298,"first_name":"Stanislav","last_name":"Roudavski","domain_name":"unimelb","page_name":"StanislavRoudavski","display_name":"Stanislav Roudavski","profile_url":"https://unimelb.academia.edu/StanislavRoudavski?f_ri=509659","photo":"https://0.academia-photos.com/117298/31536/28984/s65_stanislav.roudavski.jpg"}],"research_interests":[{"id":67,"name":"Architectural Engineering","url":"https://www.academia.edu/Documents/in/Architectural_Engineering?f_ri=509659","nofollow":false},{"id":77,"name":"Robotics","url":"https://www.academia.edu/Documents/in/Robotics?f_ri=509659","nofollow":false},{"id":471,"name":"Robotics (Computer Science)","url":"https://www.academia.edu/Documents/in/Robotics_Computer_Science_?f_ri=509659","nofollow":false},{"id":988,"name":"Design","url":"https://www.academia.edu/Documents/in/Design?f_ri=509659","nofollow":false},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659"},{"id":2043,"name":"Mobile Robotics","url":"https://www.academia.edu/Documents/in/Mobile_Robotics?f_ri=509659"},{"id":3183,"name":"Landscape Architecture","url":"https://www.academia.edu/Documents/in/Landscape_Architecture?f_ri=509659"},{"id":4181,"name":"Cybernetics","url":"https://www.academia.edu/Documents/in/Cybernetics?f_ri=509659"},{"id":4524,"name":"Sustainable Development","url":"https://www.academia.edu/Documents/in/Sustainable_Development?f_ri=509659"},{"id":4808,"name":"Urban Planning","url":"https://www.academia.edu/Documents/in/Urban_Planning?f_ri=509659"},{"id":4892,"name":"Autonomous Robotics","url":"https://www.academia.edu/Documents/in/Autonomous_Robotics?f_ri=509659"},{"id":5282,"name":"Design Research","url":"https://www.academia.edu/Documents/in/Design_Research?f_ri=509659"},{"id":5467,"name":"Biomimetics","url":"https://www.academia.edu/Documents/in/Biomimetics?f_ri=509659"},{"id":5806,"name":"Sustainable Building Design","url":"https://www.academia.edu/Documents/in/Sustainable_Building_Design?f_ri=509659"},{"id":6422,"name":"Urban Regeneration","url":"https://www.academia.edu/Documents/in/Urban_Regeneration?f_ri=509659"},{"id":7616,"name":"Sustainable Urban Environments","url":"https://www.academia.edu/Documents/in/Sustainable_Urban_Environments?f_ri=509659"},{"id":7748,"name":"Sustainability (Organisational Strategy)","url":"https://www.academia.edu/Documents/in/Sustainability_Organisational_Strategy_?f_ri=509659"},{"id":9271,"name":"Digital Architecture","url":"https://www.academia.edu/Documents/in/Digital_Architecture?f_ri=509659"},{"id":9363,"name":"Design Innovation","url":"https://www.academia.edu/Documents/in/Design_Innovation?f_ri=509659"},{"id":9437,"name":"Urbanism","url":"https://www.academia.edu/Documents/in/Urbanism?f_ri=509659"},{"id":12059,"name":"Human-Robot Interaction","url":"https://www.academia.edu/Documents/in/Human-Robot_Interaction?f_ri=509659"},{"id":14418,"name":"Mechatronics \u0026 Robotics","url":"https://www.academia.edu/Documents/in/Mechatronics_and_Robotics?f_ri=509659"},{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=509659"},{"id":15282,"name":"Technological Innovation","url":"https://www.academia.edu/Documents/in/Technological_Innovation?f_ri=509659"},{"id":16323,"name":"Biopolitics","url":"https://www.academia.edu/Documents/in/Biopolitics?f_ri=509659"},{"id":16794,"name":"Green architecture","url":"https://www.academia.edu/Documents/in/Green_architecture?f_ri=509659"},{"id":18102,"name":"Landscape Urbanism","url":"https://www.academia.edu/Documents/in/Landscape_Urbanism?f_ri=509659"},{"id":18845,"name":"Environmental Sustainability","url":"https://www.academia.edu/Documents/in/Environmental_Sustainability?f_ri=509659"},{"id":19522,"name":"Remote sensing and GIS applications in Landscape Research","url":"https://www.academia.edu/Documents/in/Remote_sensing_and_GIS_applications_in_Landscape_Research?f_ri=509659"},{"id":21327,"name":"Sustainable Architecture","url":"https://www.academia.edu/Documents/in/Sustainable_Architecture?f_ri=509659"},{"id":22377,"name":"Generative design","url":"https://www.academia.edu/Documents/in/Generative_design?f_ri=509659"},{"id":24061,"name":"Sustainable Design","url":"https://www.academia.edu/Documents/in/Sustainable_Design?f_ri=509659"},{"id":28553,"name":"Biomimetic Robotics","url":"https://www.academia.edu/Documents/in/Biomimetic_Robotics?f_ri=509659"},{"id":30883,"name":"Irrigation Systems Design","url":"https://www.academia.edu/Documents/in/Irrigation_Systems_Design?f_ri=509659"},{"id":36781,"name":"Biomimicry","url":"https://www.academia.edu/Documents/in/Biomimicry?f_ri=509659"},{"id":39595,"name":"Mechatronics and Robotics","url":"https://www.academia.edu/Documents/in/Mechatronics_and_Robotics-2?f_ri=509659"},{"id":39738,"name":"Anthropocene studies","url":"https://www.academia.edu/Documents/in/Anthropocene_studies?f_ri=509659"},{"id":52421,"name":"Green Technology","url":"https://www.academia.edu/Documents/in/Green_Technology?f_ri=509659"},{"id":61738,"name":"Architectural Design","url":"https://www.academia.edu/Documents/in/Architectural_Design?f_ri=509659"},{"id":61835,"name":"Urban Design","url":"https://www.academia.edu/Documents/in/Urban_Design?f_ri=509659"},{"id":66379,"name":"Automation","url":"https://www.academia.edu/Documents/in/Automation?f_ri=509659"},{"id":69204,"name":"Green Architecture and Environmental Design","url":"https://www.academia.edu/Documents/in/Green_Architecture_and_Environmental_Design?f_ri=509659"},{"id":89919,"name":"Robots","url":"https://www.academia.edu/Documents/in/Robots?f_ri=509659"},{"id":110322,"name":"Biomimicry - Sustainable Design - Environmental Design","url":"https://www.academia.edu/Documents/in/Biomimicry_-_Sustainable_Design_-_Environmental_Design?f_ri=509659"},{"id":111892,"name":"Generative Architectural Design","url":"https://www.academia.edu/Documents/in/Generative_Architectural_Design?f_ri=509659"},{"id":113706,"name":"Autonomous Mobile Robots","url":"https://www.academia.edu/Documents/in/Autonomous_Mobile_Robots?f_ri=509659"},{"id":118842,"name":"Social Studies of Science and Technology","url":"https://www.academia.edu/Documents/in/Social_Studies_of_Science_and_Technology?f_ri=509659"},{"id":125214,"name":"Ecologically sustainable design and biomimicry","url":"https://www.academia.edu/Documents/in/Ecologically_sustainable_design_and_biomimicry?f_ri=509659"},{"id":149474,"name":"Anthropocene","url":"https://www.academia.edu/Documents/in/Anthropocene?f_ri=509659"},{"id":257258,"name":"Biomimicry and Architecture","url":"https://www.academia.edu/Documents/in/Biomimicry_and_Architecture?f_ri=509659"},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":599334,"name":"Architecture and Public Spaces","url":"https://www.academia.edu/Documents/in/Architecture_and_Public_Spaces?f_ri=509659"},{"id":781620,"name":"Culture and the Anthropocene","url":"https://www.academia.edu/Documents/in/Culture_and_the_Anthropocene?f_ri=509659"},{"id":803989,"name":"The Anthropocene","url":"https://www.academia.edu/Documents/in/The_Anthropocene?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39879544" data-work_id="39879544" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39879544/POEMAS_DE_LUZ_Reflexiones_en_torno_a_la_obra_de_Alberto_Campo_Baeza_">POEMAS DE LUZ (Reflexiones en torno a la obra de Alberto Campo Baeza).</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Análisis de la obra del arquitecto Alberto Campo Baeza a partir de la idea arquitectónica de su "pensar con las manos" tomando como casos de estudio la Casa Gaspar y la Casa De Blas: la primera, como interpretación del tipo de... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39879544" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Análisis de la obra del arquitecto Alberto Campo Baeza a partir de la idea arquitectónica de su "pensar con las manos" tomando como casos de estudio la Casa Gaspar y la Casa De Blas: la primera, como interpretación del tipo de "casa-patio", con la mano en posición de guillotina; y la segunda, que sigue el modelo de "pabellón" como "belvedere" apoyado sobre podium, con la mano en posición de visera. Dos posturas que son dos ideas construidas casi antitéticas en su relación con la luz y el paisaje circundante.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39879544" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0a9042f9699d46594ca9ccf2dfead702" rel="nofollow" data-download="{"attachment_id":60063811,"asset_id":39879544,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60063811/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="35735474" href="https://uva-es.academia.edu/rodrigoalmonacidc">Rodrigo Almonacid</a><script data-card-contents-for-user="35735474" type="text/json">{"id":35735474,"first_name":"Rodrigo","last_name":"Almonacid","domain_name":"uva-es","page_name":"rodrigoalmonacidc","display_name":"Rodrigo Almonacid","profile_url":"https://uva-es.academia.edu/rodrigoalmonacidc?f_ri=509659","photo":"https://0.academia-photos.com/35735474/10351094/42974225/s65_rodrigo.almonacid.jpg"}</script></span></span></li><li class="js-paper-rank-work_39879544 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39879544"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39879544, container: ".js-paper-rank-work_39879544", }); 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$(".js-view-count[data-work-id=39879544]").text(description); $(".js-view-count-work_39879544").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39879544").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39879544"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">17</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8462" href="https://www.academia.edu/Documents/in/Modernist_Architecture_Architectural_Modernism_">Modernist Architecture (Architectural Modernism)</a>, <script data-card-contents-for-ri="8462" type="text/json">{"id":8462,"name":"Modernist Architecture (Architectural Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Architecture_Architectural_Modernism_?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14640" href="https://www.academia.edu/Documents/in/Architectural_Theory">Architectural Theory</a>, <script data-card-contents-for-ri="14640" type="text/json">{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14647" href="https://www.academia.edu/Documents/in/Modern_Architecture">Modern Architecture</a><script data-card-contents-for-ri="14647" type="text/json">{"id":14647,"name":"Modern Architecture","url":"https://www.academia.edu/Documents/in/Modern_Architecture?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39879544]'), work: {"id":39879544,"title":"POEMAS DE LUZ (Reflexiones en torno a la obra de Alberto Campo Baeza).","created_at":"2019-07-20T03:45:56.623-07:00","url":"https://www.academia.edu/39879544/POEMAS_DE_LUZ_Reflexiones_en_torno_a_la_obra_de_Alberto_Campo_Baeza_?f_ri=509659","dom_id":"work_39879544","summary":"Análisis de la obra del arquitecto Alberto Campo Baeza a partir de la idea arquitectónica de su \"pensar con las manos\" tomando como casos de estudio la Casa Gaspar y la Casa De Blas: la primera, como interpretación del tipo de \"casa-patio\", con la mano en posición de guillotina; y la segunda, que sigue el modelo de \"pabellón\" como \"belvedere\" apoyado sobre podium, con la mano en posición de visera. Dos posturas que son dos ideas construidas casi antitéticas en su relación con la luz y el paisaje circundante.","downloadable_attachments":[{"id":60063811,"asset_id":39879544,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":35735474,"first_name":"Rodrigo","last_name":"Almonacid","domain_name":"uva-es","page_name":"rodrigoalmonacidc","display_name":"Rodrigo Almonacid","profile_url":"https://uva-es.academia.edu/rodrigoalmonacidc?f_ri=509659","photo":"https://0.academia-photos.com/35735474/10351094/42974225/s65_rodrigo.almonacid.jpg"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false},{"id":8462,"name":"Modernist Architecture (Architectural Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Architecture_Architectural_Modernism_?f_ri=509659","nofollow":false},{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=509659","nofollow":false},{"id":14647,"name":"Modern Architecture","url":"https://www.academia.edu/Documents/in/Modern_Architecture?f_ri=509659","nofollow":false},{"id":49836,"name":"Arquitectura","url":"https://www.academia.edu/Documents/in/Arquitectura?f_ri=509659"},{"id":59849,"name":"Contemporary Architecture","url":"https://www.academia.edu/Documents/in/Contemporary_Architecture?f_ri=509659"},{"id":61738,"name":"Architectural Design","url":"https://www.academia.edu/Documents/in/Architectural_Design?f_ri=509659"},{"id":232981,"name":"Architectural Criticism","url":"https://www.academia.edu/Documents/in/Architectural_Criticism?f_ri=509659"},{"id":241799,"name":"Historia y Teoria del Arte y la Arquitectura","url":"https://www.academia.edu/Documents/in/Historia_y_Teoria_del_Arte_y_la_Arquitectura?f_ri=509659"},{"id":245171,"name":"Arquitectura contemporanea","url":"https://www.academia.edu/Documents/in/Arquitectura_contemporanea?f_ri=509659"},{"id":359261,"name":"Teoria de la Arquitectura","url":"https://www.academia.edu/Documents/in/Teoria_de_la_Arquitectura?f_ri=509659"},{"id":397115,"name":"Arquitectura Española","url":"https://www.academia.edu/Documents/in/Arquitectura_Espanola?f_ri=509659"},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":616442,"name":"Spanish Architecture (XXth Century)","url":"https://www.academia.edu/Documents/in/Spanish_Architecture_XXth_Century_?f_ri=509659"},{"id":665684,"name":"Arquitectura Moderna","url":"https://www.academia.edu/Documents/in/Arquitectura_Moderna?f_ri=509659"},{"id":1423075,"name":"Alberto Campo Baeza","url":"https://www.academia.edu/Documents/in/Alberto_Campo_Baeza?f_ri=509659"},{"id":1501034,"name":"Teoria Historia Y Critica De La Arquitectura","url":"https://www.academia.edu/Documents/in/Teoria_Historia_Y_Critica_De_La_Arquitectura?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_28639510" data-work_id="28639510" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/28639510/Morphosis_Drawings_and_Models_in_the_Mid_1980s_Graphic_Description_of_Graphic_Thinking">Morphosis Drawings and Models in the Mid 1980s: Graphic Description of Graphic Thinking</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Thom Mayne (1944) and Michael Rotondi (1949), the founding partners of the California studio Morphosis, have set out the principles of generative design processes through graphic representation so as to create a coherent, recurrent formal... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_28639510" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Thom Mayne (1944) and Michael Rotondi (1949), the founding partners of the California studio Morphosis, have set out the principles of generative design processes through graphic representation so as to create a coherent, recurrent formal vocabulary and compositional grammar. They generated extremely complex objects, creating a global and abstract realm of architectural geometry rather than a specific and potential built reality. The usefulness had moved back for symbols, fiction had replaced function, the architectural object was now referring to its design process and to its associated graphic objects. Every project was described by a set of figurative documents – plans and models – and by several conceptual documents. Those documents, even if intended to represent a single aspect of a project, conveyed symbols referring to a poetical wholeness, surpassing the architectural object they were likely to describe. This architectural speculative thought, existing mainly by means of graphic representation, became an end in itself, an autonomous mode of existence of architecture.<br /><br />This essay explores the characteristics of the Morphosis architectural realm through the examination of a corpus of conceptual documents related to four projects (Fig. 1): Malibu House (1986), 6th Street House (1987), Reno House (1987), and Was House (1988). Those projects are some of the last of the pre-computer era. They were still engendered by conventional graphic means, even if those means were transgressed and used in an unconventional manner. Methodologically, in this essay the original graphic representations of the corpus are analyzed precisely by graphic means; after being deconstructed, the representations are reconstructed following an analytical point of view, within another medium or within a combination of medias. The transcription of the geometry embedded in the original artifacts into new graphic spaces (linked to contemporary graphic devices like digital 3D modeling, laser cutting, and 3D printing) helps enlighten the projects, making explicit some of their complex geometrical mechanisms. However, this transcription necessarily prompts interpretation, especially because it blurs the boundaries between media. This interpretation stresses the generative potential of architectural analysis. It creates new graphic objects that describe the project they refer to, but it also creates new documents that diverge from the object they represent, even if they come from the same architectural principles.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/28639510" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a7abe231228f4ce485f9fe5dbaa9b08f" rel="nofollow" data-download="{"attachment_id":49007751,"asset_id":28639510,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/49007751/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="38774363" href="https://ulb.academia.edu/DenisDerycke">Denis Derycke</a><script data-card-contents-for-user="38774363" type="text/json">{"id":38774363,"first_name":"Denis","last_name":"Derycke","domain_name":"ulb","page_name":"DenisDerycke","display_name":"Denis Derycke","profile_url":"https://ulb.academia.edu/DenisDerycke?f_ri=509659","photo":"https://0.academia-photos.com/38774363/14185973/15166561/s65_denis.derycke.png"}</script></span></span></li><li class="js-paper-rank-work_28639510 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="28639510"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 28639510, container: ".js-paper-rank-work_28639510", }); 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They generated extremely complex objects, creating a global and abstract realm of architectural geometry rather than a specific and potential built reality. The usefulness had moved back for symbols, fiction had replaced function, the architectural object was now referring to its design process and to its associated graphic objects. Every project was described by a set of figurative documents – plans and models – and by several conceptual documents. Those documents, even if intended to represent a single aspect of a project, conveyed symbols referring to a poetical wholeness, surpassing the architectural object they were likely to describe. This architectural speculative thought, existing mainly by means of graphic representation, became an end in itself, an autonomous mode of existence of architecture.\n\nThis essay explores the characteristics of the Morphosis architectural realm through the examination of a corpus of conceptual documents related to four projects (Fig. 1): Malibu House (1986), 6th Street House (1987), Reno House (1987), and Was House (1988). Those projects are some of the last of the pre-computer era. They were still engendered by conventional graphic means, even if those means were transgressed and used in an unconventional manner. Methodologically, in this essay the original graphic representations of the corpus are analyzed precisely by graphic means; after being deconstructed, the representations are reconstructed following an analytical point of view, within another medium or within a combination of medias. The transcription of the geometry embedded in the original artifacts into new graphic spaces (linked to contemporary graphic devices like digital 3D modeling, laser cutting, and 3D printing) helps enlighten the projects, making explicit some of their complex geometrical mechanisms. However, this transcription necessarily prompts interpretation, especially because it blurs the boundaries between media. This interpretation stresses the generative potential of architectural analysis. It creates new graphic objects that describe the project they refer to, but it also creates new documents that diverge from the object they represent, even if they come from the same architectural principles. ","downloadable_attachments":[{"id":49007751,"asset_id":28639510,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":38774363,"first_name":"Denis","last_name":"Derycke","domain_name":"ulb","page_name":"DenisDerycke","display_name":"Denis Derycke","profile_url":"https://ulb.academia.edu/DenisDerycke?f_ri=509659","photo":"https://0.academia-photos.com/38774363/14185973/15166561/s65_denis.derycke.png"}],"research_interests":[{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=509659","nofollow":false},{"id":23091,"name":"3D printing","url":"https://www.academia.edu/Documents/in/3D_printing?f_ri=509659","nofollow":false},{"id":48193,"name":"History and Theory of Modern Architecture","url":"https://www.academia.edu/Documents/in/History_and_Theory_of_Modern_Architecture?f_ri=509659","nofollow":false},{"id":304782,"name":"Architectural Drawing","url":"https://www.academia.edu/Documents/in/Architectural_Drawing?f_ri=509659","nofollow":false},{"id":309207,"name":"Thom Mayne","url":"https://www.academia.edu/Documents/in/Thom_Mayne?f_ri=509659"},{"id":309208,"name":"Morphosis","url":"https://www.academia.edu/Documents/in/Morphosis?f_ri=509659"},{"id":410960,"name":"Drawing, Modeling, Diagramming and the Process of Architectural Design","url":"https://www.academia.edu/Documents/in/Drawing_Modeling_Diagramming_and_the_Process_of_Architectural_Design?f_ri=509659"},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":1569909,"name":"Graphical Representation in Architecture","url":"https://www.academia.edu/Documents/in/Graphical_Representation_in_Architecture?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36267883" data-work_id="36267883" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36267883/The_interior_as_interiority">The interior as interiority</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The essay introduces the conception of the interior as interiority. It is also the introduction to the collection "Interiorities: artistic, conceptual and historical reassessments of the interior". To consult or download the entire... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36267883" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The essay introduces the conception of the interior as interiority. It is also the introduction to the collection "Interiorities: artistic, conceptual and historical reassessments of the interior". To consult or download the entire collection: <a href="https://www.nature.com/collections/kzvpjcgckf" rel="nofollow">https://www.nature.com/collections/kzvpjcgckf</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36267883" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7c0620952c56278e06e61fbdc0ab8f4a" rel="nofollow" data-download="{"attachment_id":56173204,"asset_id":36267883,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56173204/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4166122" href="https://uhasselt.academia.edu/VladIonescu">Vlad Ionescu</a><script data-card-contents-for-user="4166122" type="text/json">{"id":4166122,"first_name":"Vlad","last_name":"Ionescu","domain_name":"uhasselt","page_name":"VladIonescu","display_name":"Vlad Ionescu","profile_url":"https://uhasselt.academia.edu/VladIonescu?f_ri=509659","photo":"https://0.academia-photos.com/4166122/2290420/102161127/s65_vlad.ionescu.jpg"}</script></span></span></li><li class="js-paper-rank-work_36267883 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36267883"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36267883, container: ".js-paper-rank-work_36267883", }); 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KUNSTHAL A ROTTERDAM</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">La scheda riguarda l'opera di Rem Koolhaas, in cui la costruzione diviene occasione di dare forma alla critica architettonica.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31069655" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e7f413a3bc7c92906240fc5247d1b691" rel="nofollow" data-download="{"attachment_id":51503802,"asset_id":31069655,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51503802/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4489372" href="https://independent.academia.edu/EnricoLain">Enrico Lain</a><script data-card-contents-for-user="4489372" type="text/json">{"id":4489372,"first_name":"Enrico","last_name":"Lain","domain_name":"independent","page_name":"EnricoLain","display_name":"Enrico Lain","profile_url":"https://independent.academia.edu/EnricoLain?f_ri=509659","photo":"https://0.academia-photos.com/4489372/1844847/37206419/s65_enrico.lain.jpg"}</script></span></span></li><li class="js-paper-rank-work_31069655 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31069655"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31069655, container: ".js-paper-rank-work_31069655", }); });</script></li><li class="js-percentile-work_31069655 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31069655; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_31069655"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_31069655 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="31069655"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31069655; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31069655]").text(description); $(".js-view-count-work_31069655").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_31069655").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="31069655"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="509659" href="https://www.academia.edu/Documents/in/Architectural_Theory_and_Design">Architectural Theory and Design</a><script data-card-contents-for-ri="509659" type="text/json">{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=31069655]'), work: {"id":31069655,"title":"FORMA E MONUMENTO Lain PhD Thesis - KUNSTHAL A ROTTERDAM","created_at":"2017-01-25T01:59:48.472-08:00","url":"https://www.academia.edu/31069655/FORMA_E_MONUMENTO_Lain_PhD_Thesis_KUNSTHAL_A_ROTTERDAM?f_ri=509659","dom_id":"work_31069655","summary":"La scheda riguarda l'opera di Rem Koolhaas, in cui la costruzione diviene occasione di dare forma alla critica architettonica.","downloadable_attachments":[{"id":51503802,"asset_id":31069655,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4489372,"first_name":"Enrico","last_name":"Lain","domain_name":"independent","page_name":"EnricoLain","display_name":"Enrico Lain","profile_url":"https://independent.academia.edu/EnricoLain?f_ri=509659","photo":"https://0.academia-photos.com/4489372/1844847/37206419/s65_enrico.lain.jpg"}],"research_interests":[{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35379054" data-work_id="35379054" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35379054/Hannes_Meyer_y_la_Escuela_Federal_ADGB_La_serie_como_estrategia_formal">Hannes Meyer y la Escuela Federal ADGB: La serie como estrategia formal</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Hannes Meyer fue uno de los arquitectos más comprometidos con las ideas del ala radical del racionalismo, que él mismo y otros grandes arquitectos, como Mart Stam, Hans Wittwer, Karel Teige, Ludwig Hilberseimer o Ernst May, desarrollaron... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35379054" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Hannes Meyer fue uno de los arquitectos más comprometidos con las ideas del ala radical del racionalismo, que él mismo y otros grandes arquitectos, como Mart Stam, Hans Wittwer, Karel Teige, Ludwig Hilberseimer o Ernst May, desarrollaron durante la década de los años veinte. Su voluntad de desvincular la arquitectura del “high–art” burgués y de todo simbolismo propio del pasado, de producir construcciones de carácter objetivo y social, quedó patente en proyectos y obras firmadas por todos ellos: en el caso de Meyer, probablemente, la construcción que mejor expresa tales postulados y aquel nuevo modo de hacer arquitectura sea la Escuela Federal ADGB; construida en Bernau entre 1928 y 1930.El presente artículo estudia la citada obra, a la luz del ideario arquitectónico y social de arquitecto suizo, y trata de exponer la estrategia que se encuentra detrás de su formalización: la serie. En efecto, a partir de este mecanismo de proyecto, basado en la repetición o reproducción casi infinita de sistemas constructivos o de unidades del programa–o de ambas al mismo tiempo–aquellos arquitectos descubrieron un nuevo modo de generar la forma arquitectónica, moderno y muy poco explorado hasta entonces. Una vía donde valores como la horizontalidad, la ausencia de centro o jerarquía, la igualdad y la objetividad se erigían como el nuevo relato de la arquitectura</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35379054" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="66e30e5779180c0219fb196fdf1bf11a" rel="nofollow" data-download="{"attachment_id":55238798,"asset_id":35379054,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55238798/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="10222295" href="https://unav.academia.edu/V%C3%ADctorLarripaArtieda">Víctor Larripa Artieda</a><script data-card-contents-for-user="10222295" type="text/json">{"id":10222295,"first_name":"Víctor","last_name":"Larripa Artieda","domain_name":"unav","page_name":"VíctorLarripaArtieda","display_name":"Víctor Larripa Artieda","profile_url":"https://unav.academia.edu/V%C3%ADctorLarripaArtieda?f_ri=509659","photo":"https://0.academia-photos.com/10222295/3135178/73638482/s65_v_ctor.larripa_artieda.jpeg"}</script></span></span></li><li class="js-paper-rank-work_35379054 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35379054"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35379054, container: ".js-paper-rank-work_35379054", }); 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$(".js-view-count[data-work-id=35379054]").text(description); $(".js-view-count-work_35379054").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35379054").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35379054"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="7655" href="https://www.academia.edu/Documents/in/Architectural_History">Architectural History</a>, <script data-card-contents-for-ri="7655" type="text/json">{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14640" href="https://www.academia.edu/Documents/in/Architectural_Theory">Architectural Theory</a>, <script data-card-contents-for-ri="14640" type="text/json">{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14647" href="https://www.academia.edu/Documents/in/Modern_Architecture">Modern Architecture</a>, <script data-card-contents-for-ri="14647" type="text/json">{"id":14647,"name":"Modern Architecture","url":"https://www.academia.edu/Documents/in/Modern_Architecture?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="173835" href="https://www.academia.edu/Documents/in/German_architecture">German architecture</a><script data-card-contents-for-ri="173835" type="text/json">{"id":173835,"name":"German architecture","url":"https://www.academia.edu/Documents/in/German_architecture?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35379054]'), work: {"id":35379054,"title":"Hannes Meyer y la Escuela Federal ADGB: La serie como estrategia formal","created_at":"2017-12-08T07:21:15.263-08:00","url":"https://www.academia.edu/35379054/Hannes_Meyer_y_la_Escuela_Federal_ADGB_La_serie_como_estrategia_formal?f_ri=509659","dom_id":"work_35379054","summary":"Hannes Meyer fue uno de los arquitectos más comprometidos con las ideas del ala radical del racionalismo, que él mismo y otros grandes arquitectos, como Mart Stam, Hans Wittwer, Karel Teige, Ludwig Hilberseimer o Ernst May, desarrollaron durante la década de los años veinte. Su voluntad de desvincular la arquitectura del “high–art” burgués y de todo simbolismo propio del pasado, de producir construcciones de carácter objetivo y social, quedó patente en proyectos y obras firmadas por todos ellos: en el caso de Meyer, probablemente, la construcción que mejor expresa tales postulados y aquel nuevo modo de hacer arquitectura sea la Escuela Federal ADGB; construida en Bernau entre 1928 y 1930.El presente artículo estudia la citada obra, a la luz del ideario arquitectónico y social de arquitecto suizo, y trata de exponer la estrategia que se encuentra detrás de su formalización: la serie. En efecto, a partir de este mecanismo de proyecto, basado en la repetición o reproducción casi infinita de sistemas constructivos o de unidades del programa–o de ambas al mismo tiempo–aquellos arquitectos descubrieron un nuevo modo de generar la forma arquitectónica, moderno y muy poco explorado hasta entonces. Una vía donde valores como la horizontalidad, la ausencia de centro o jerarquía, la igualdad y la objetividad se erigían como el nuevo relato de la arquitectura","downloadable_attachments":[{"id":55238798,"asset_id":35379054,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":10222295,"first_name":"Víctor","last_name":"Larripa Artieda","domain_name":"unav","page_name":"VíctorLarripaArtieda","display_name":"Víctor Larripa Artieda","profile_url":"https://unav.academia.edu/V%C3%ADctorLarripaArtieda?f_ri=509659","photo":"https://0.academia-photos.com/10222295/3135178/73638482/s65_v_ctor.larripa_artieda.jpeg"}],"research_interests":[{"id":7655,"name":"Architectural History","url":"https://www.academia.edu/Documents/in/Architectural_History?f_ri=509659","nofollow":false},{"id":14640,"name":"Architectural Theory","url":"https://www.academia.edu/Documents/in/Architectural_Theory?f_ri=509659","nofollow":false},{"id":14647,"name":"Modern Architecture","url":"https://www.academia.edu/Documents/in/Modern_Architecture?f_ri=509659","nofollow":false},{"id":173835,"name":"German architecture","url":"https://www.academia.edu/Documents/in/German_architecture?f_ri=509659","nofollow":false},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":665684,"name":"Arquitectura Moderna","url":"https://www.academia.edu/Documents/in/Arquitectura_Moderna?f_ri=509659"},{"id":710087,"name":"Hannes Meyer","url":"https://www.academia.edu/Documents/in/Hannes_Meyer?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43035375" data-work_id="43035375" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43035375/The_Line_and_the_Dot_ELEMENTS_OF_DESIGN_Srishti_Dokras_Dr_UDAY_DOKRAS">The Line and the Dot ELEMENTS OF DESIGN " Srishti Dokras Dr. UDAY DOKRAS</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">These are the building blocks of art. They are the things that make up a painting, drawing, sketch, design, photography etc. Good or bad - all artwork contains these basic building blocks of art. In general there are 6 Elements of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43035375" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">These are the building blocks of art.  They are the things that make up a painting, drawing, sketch, design, photography etc.  Good or bad - all artwork contains these basic building blocks of art. In general there are 6 Elements of Design: line, color, shape, texture, space, and value.  Good design is effective design. Everything made by humankind has involved some level of design decisions. Look around. Computers, desks, chairs, coffee mugs, sweaters, shoes. Everything has been touched by a designer who made decisions about the visual and physical nature of that product based on its intended use and desired visual style.A to Z and Philosophy behind Lines and Dots</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43035375" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1d17dd37f908bfda8aa30f83a18c5e64" rel="nofollow" data-download="{"attachment_id":63296463,"asset_id":43035375,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63296463/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="51406646" href="https://su-se.academia.edu/DrUdayDokras">Dr. Uday Dokras</a><script data-card-contents-for-user="51406646" type="text/json">{"id":51406646,"first_name":"Dr. Uday","last_name":"Dokras","domain_name":"su-se","page_name":"DrUdayDokras","display_name":"Dr. Uday Dokras","profile_url":"https://su-se.academia.edu/DrUdayDokras?f_ri=509659","photo":"https://0.academia-photos.com/51406646/13620232/143803547/s65_dr._uday.dokras.jpg"}</script></span></span></li><li class="js-paper-rank-work_43035375 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43035375"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43035375, container: ".js-paper-rank-work_43035375", }); 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$(".js-view-count[data-work-id=43035375]").text(description); $(".js-view-count-work_43035375").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43035375").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43035375"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="5281" href="https://www.academia.edu/Documents/in/Design_Theory">Design Theory</a>, <script data-card-contents-for-ri="5281" type="text/json">{"id":5281,"name":"Design Theory","url":"https://www.academia.edu/Documents/in/Design_Theory?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="146033" href="https://www.academia.edu/Documents/in/Lines">Lines</a>, <script data-card-contents-for-ri="146033" type="text/json">{"id":146033,"name":"Lines","url":"https://www.academia.edu/Documents/in/Lines?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="509659" href="https://www.academia.edu/Documents/in/Architectural_Theory_and_Design">Architectural Theory and Design</a>, <script data-card-contents-for-ri="509659" type="text/json">{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="854836" href="https://www.academia.edu/Documents/in/Dot">Dot</a><script data-card-contents-for-ri="854836" type="text/json">{"id":854836,"name":"Dot","url":"https://www.academia.edu/Documents/in/Dot?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43035375]'), work: {"id":43035375,"title":"The Line and the Dot ELEMENTS OF DESIGN \" Srishti Dokras Dr. UDAY DOKRAS","created_at":"2020-05-13T06:21:02.990-07:00","url":"https://www.academia.edu/43035375/The_Line_and_the_Dot_ELEMENTS_OF_DESIGN_Srishti_Dokras_Dr_UDAY_DOKRAS?f_ri=509659","dom_id":"work_43035375","summary":"These are the building blocks of art. They are the things that make up a painting, drawing, sketch, design, photography etc. Good or bad - all artwork contains these basic building blocks of art. In general there are 6 Elements of Design: line, color, shape, texture, space, and value. Good design is effective design. Everything made by humankind has involved some level of design decisions. Look around. Computers, desks, chairs, coffee mugs, sweaters, shoes. Everything has been touched by a designer who made decisions about the visual and physical nature of that product based on its intended use and desired visual style.A to Z and Philosophy behind Lines and Dots","downloadable_attachments":[{"id":63296463,"asset_id":43035375,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":51406646,"first_name":"Dr. Uday","last_name":"Dokras","domain_name":"su-se","page_name":"DrUdayDokras","display_name":"Dr. Uday Dokras","profile_url":"https://su-se.academia.edu/DrUdayDokras?f_ri=509659","photo":"https://0.academia-photos.com/51406646/13620232/143803547/s65_dr._uday.dokras.jpg"}],"research_interests":[{"id":5281,"name":"Design Theory","url":"https://www.academia.edu/Documents/in/Design_Theory?f_ri=509659","nofollow":false},{"id":146033,"name":"Lines","url":"https://www.academia.edu/Documents/in/Lines?f_ri=509659","nofollow":false},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659","nofollow":false},{"id":854836,"name":"Dot","url":"https://www.academia.edu/Documents/in/Dot?f_ri=509659","nofollow":false},{"id":3654458,"name":"Bindi","url":"https://www.academia.edu/Documents/in/Bindi?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44543277" data-work_id="44543277" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44543277/Teor%C3%ADa_del_Color_Dise%C3%B1o_B%C3%A1sico_Universidad_Aut%C3%B3noma_de_Guadalajara">Teoría del Color - Diseño Básico - Universidad Autónoma de Guadalajara</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Teoría y Fundamentos físicos y biológicos del color y su percepción. Modelos de color RGB y CMYT. Modelo de Color de Munsell. Psicología del Color.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44543277" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3685dd6d40429be8de78eeb88b8fd239" rel="nofollow" data-download="{"attachment_id":64992029,"asset_id":44543277,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64992029/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="62705467" href="https://independent.academia.edu/AlfredoAmbriz">Alfredo Ambriz</a><script data-card-contents-for-user="62705467" type="text/json">{"id":62705467,"first_name":"Alfredo","last_name":"Ambriz","domain_name":"independent","page_name":"AlfredoAmbriz","display_name":"Alfredo Ambriz","profile_url":"https://independent.academia.edu/AlfredoAmbriz?f_ri=509659","photo":"https://gravatar.com/avatar/dffe9ff54bcbbadcb2e4b24fd01052ef?s=65"}</script></span></span></li><li class="js-paper-rank-work_44543277 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44543277"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44543277, container: ".js-paper-rank-work_44543277", }); 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Modelos de color RGB y CMYT. Modelo de Color de Munsell. Psicología del Color.","downloadable_attachments":[{"id":64992029,"asset_id":44543277,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":62705467,"first_name":"Alfredo","last_name":"Ambriz","domain_name":"independent","page_name":"AlfredoAmbriz","display_name":"Alfredo Ambriz","profile_url":"https://independent.academia.edu/AlfredoAmbriz?f_ri=509659","photo":"https://gravatar.com/avatar/dffe9ff54bcbbadcb2e4b24fd01052ef?s=65"}],"research_interests":[{"id":54460,"name":"Basic Design Education","url":"https://www.academia.edu/Documents/in/Basic_Design_Education?f_ri=509659","nofollow":false},{"id":111768,"name":"Color Theory","url":"https://www.academia.edu/Documents/in/Color_Theory?f_ri=509659","nofollow":false},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44765620" data-work_id="44765620" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44765620/General_Schemas_Theory_A_New_Basis_for_Systems_Engineering_Theory">General Schemas Theory: A New Basis for Systems Engineering Theory</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">-- Abstract: The basis of Schemas Theory in the structure of the Western Worldview, Kinds of Being, the Divided Line, Semiotics and the Circulation of Projection. Companion for a complementary paper published by Springer Systems Science... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44765620" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">-- Abstract: The basis of Schemas Theory in the structure of the Western Worldview, Kinds of Being, the Divided Line, Semiotics and the Circulation of Projection. Companion for a complementary paper published by Springer Systems Science Handbook.<br /><br />-- Keywords: Schemas, General Schemas Theory, Systems Engineering, Systems Theory, Synergistic Engineering, Philosophy of Science, Plato, Kant, Heidegger, Derrida, Deleuze<br /><br />-- Original Paper <a href="https://www.academia.edu/34831626/General_Schemas_Theory" rel="nofollow">https://www.academia.edu/34831626/General_Schemas_Theory</a> basically rewritten for publication by Springer as the first paper in this pair. The rewritten paper became too complex and so I pulled out the excess material and present it here as the second paper of the pair.<br /><br />-- Companion paper:<br />Palmer K.D. (2021) General Schemas Theory. A New Basis for Systems Engineering Practice. In: Metcalf G.S., Kijima K., Deguchi H. (eds) Handbook of Systems Sciences. Springer, Singapore. <a href="https://doi.org/10.1007/978-981-13-0370-8_73-1" rel="nofollow">https://doi.org/10.1007/978-981-13-0370-8_73-1</a><br /><a href="https://link.springer.com/referenceworkentry/10.1007%2F978-981-13-0370-8_73-1" rel="nofollow">https://link.springer.com/referenceworkentry/10.1007%2F978-981-13-0370-8_73-1</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44765620" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8a605dcbf9ba5623cf8dfb608f439aad" rel="nofollow" data-download="{"attachment_id":65255891,"asset_id":44765620,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65255891/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2549727" href="https://independent.academia.edu/KentPalmer">Kent Palmer</a><script data-card-contents-for-user="2549727" type="text/json">{"id":2549727,"first_name":"Kent","last_name":"Palmer","domain_name":"independent","page_name":"KentPalmer","display_name":"Kent Palmer","profile_url":"https://independent.academia.edu/KentPalmer?f_ri=509659","photo":"https://0.academia-photos.com/2549727/15463188/16080127/s65_kent.palmer.jpeg"}</script></span></span></li><li class="js-paper-rank-work_44765620 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44765620"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44765620, container: ".js-paper-rank-work_44765620", }); 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$(".js-view-count[data-work-id=44765620]").text(description); $(".js-view-count-work_44765620").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44765620").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44765620"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="98" href="https://www.academia.edu/Documents/in/Semiotics">Semiotics</a>, <script data-card-contents-for-ri="98" type="text/json">{"id":98,"name":"Semiotics","url":"https://www.academia.edu/Documents/in/Semiotics?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="803" href="https://www.academia.edu/Documents/in/Philosophy">Philosophy</a>, <script data-card-contents-for-ri="803" type="text/json">{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="805" href="https://www.academia.edu/Documents/in/Ontology">Ontology</a>, <script data-card-contents-for-ri="805" type="text/json">{"id":805,"name":"Ontology","url":"https://www.academia.edu/Documents/in/Ontology?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="821" href="https://www.academia.edu/Documents/in/Philosophy_of_Science">Philosophy of Science</a><script data-card-contents-for-ri="821" type="text/json">{"id":821,"name":"Philosophy of Science","url":"https://www.academia.edu/Documents/in/Philosophy_of_Science?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44765620]'), work: {"id":44765620,"title":"General Schemas Theory: A New Basis for Systems Engineering Theory","created_at":"2020-12-23T21:06:43.381-08:00","url":"https://www.academia.edu/44765620/General_Schemas_Theory_A_New_Basis_for_Systems_Engineering_Theory?f_ri=509659","dom_id":"work_44765620","summary":"-- Abstract: The basis of Schemas Theory in the structure of the Western Worldview, Kinds of Being, the Divided Line, Semiotics and the Circulation of Projection. Companion for a complementary paper published by Springer Systems Science Handbook.\n\n-- Keywords: Schemas, General Schemas Theory, Systems Engineering, Systems Theory, Synergistic Engineering, Philosophy of Science, Plato, Kant, Heidegger, Derrida, Deleuze\n\n-- Original Paper https://www.academia.edu/34831626/General_Schemas_Theory basically rewritten for publication by Springer as the first paper in this pair. The rewritten paper became too complex and so I pulled out the excess material and present it here as the second paper of the pair.\n\n-- Companion paper:\nPalmer K.D. (2021) General Schemas Theory. A New Basis for Systems Engineering Practice. In: Metcalf G.S., Kijima K., Deguchi H. (eds) Handbook of Systems Sciences. Springer, Singapore. https://doi.org/10.1007/978-981-13-0370-8_73-1\nhttps://link.springer.com/referenceworkentry/10.1007%2F978-981-13-0370-8_73-1\n","downloadable_attachments":[{"id":65255891,"asset_id":44765620,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2549727,"first_name":"Kent","last_name":"Palmer","domain_name":"independent","page_name":"KentPalmer","display_name":"Kent Palmer","profile_url":"https://independent.academia.edu/KentPalmer?f_ri=509659","photo":"https://0.academia-photos.com/2549727/15463188/16080127/s65_kent.palmer.jpeg"}],"research_interests":[{"id":98,"name":"Semiotics","url":"https://www.academia.edu/Documents/in/Semiotics?f_ri=509659","nofollow":false},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy?f_ri=509659","nofollow":false},{"id":805,"name":"Ontology","url":"https://www.academia.edu/Documents/in/Ontology?f_ri=509659","nofollow":false},{"id":821,"name":"Philosophy of Science","url":"https://www.academia.edu/Documents/in/Philosophy_of_Science?f_ri=509659","nofollow":false},{"id":851,"name":"Complex Systems Science","url":"https://www.academia.edu/Documents/in/Complex_Systems_Science?f_ri=509659"},{"id":988,"name":"Design","url":"https://www.academia.edu/Documents/in/Design?f_ri=509659"},{"id":1294,"name":"Design Science","url":"https://www.academia.edu/Documents/in/Design_Science?f_ri=509659"},{"id":3391,"name":"Systems Engineering","url":"https://www.academia.edu/Documents/in/Systems_Engineering?f_ri=509659"},{"id":5281,"name":"Design Theory","url":"https://www.academia.edu/Documents/in/Design_Theory?f_ri=509659"},{"id":5336,"name":"Systems Science","url":"https://www.academia.edu/Documents/in/Systems_Science?f_ri=509659"},{"id":11510,"name":"Deleuze","url":"https://www.academia.edu/Documents/in/Deleuze?f_ri=509659"},{"id":13110,"name":"Charles S. Peirce","url":"https://www.academia.edu/Documents/in/Charles_S._Peirce?f_ri=509659"},{"id":14692,"name":"Design Science research","url":"https://www.academia.edu/Documents/in/Design_Science_research?f_ri=509659"},{"id":61738,"name":"Architectural Design","url":"https://www.academia.edu/Documents/in/Architectural_Design?f_ri=509659"},{"id":112722,"name":"General Systems Theory","url":"https://www.academia.edu/Documents/in/General_Systems_Theory?f_ri=509659"},{"id":143316,"name":"Pascal triangle","url":"https://www.academia.edu/Documents/in/Pascal_triangle?f_ri=509659"},{"id":352555,"name":"Engineering Systems Design","url":"https://www.academia.edu/Documents/in/Engineering_Systems_Design?f_ri=509659"},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":1737695,"name":"Schemas Theory","url":"https://www.academia.edu/Documents/in/Schemas_Theory?f_ri=509659"},{"id":2319231,"name":"Pascal's triangle","url":"https://www.academia.edu/Documents/in/Pascals_triangle?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44644076" data-work_id="44644076" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44644076/Die_Wurzeln_der_Stadt_Praktischer_Umgang_mit_arch%C3%A4ologischen_%C3%9Cberlieferungen_in_der_Moderne">Die Wurzeln der Stadt. Praktischer Umgang mit archäologischen Überlieferungen in der Moderne</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Das archäologische Feld ist ein modernes Phänomen, aber meist kein praktischer Beitrag zur Stadt. So kommt regelmäßig die Frage auf: Wie sollen wir weiter damit umgehen? Welche Rolle können archäologische Relikte in der heutigen Stadt... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44644076" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Das archäologische Feld ist ein modernes Phänomen, aber meist kein praktischer Beitrag zur Stadt. So kommt regelmäßig die Frage auf: Wie sollen wir weiter damit umgehen? Welche Rolle können archäologische Relikte in der heutigen Stadt spielen? Kommt diesen Resten, ungeachtet ihres verlo-renen Gebrauchswertes, kulturelle Bedeutung zu, die beim Weiterbauen als Potential dienen kann? Ich möchte hier keinen archäologischen oder spezifisch denkmalpflegerischen, sondern einen ar-chitektonisch-städtebaulichen Blick auf den durch die Archäologie erschlossenen Grund der Stadt richten.<br />Diese älteren, freigelegten Stadtschichten stellen uns heute vor ein Dilemma: Unsere Reaktion da-rauf kann kein vor-bewusstes, traditionelles Arbeiten mehr sein im Sinne konventionellen Weiter-bauens. In den archäologischen Resten ist jede Kontinuität gebrochen, in unserer Praxis mit ihren konstruktiven und ökonomischen Normen lassen sich diese Überlieferungen nicht mehr selbstver-ständlich weiterverwenden. Man kann sie dokumentieren und dann aufgeben, oder aber als kultu-relle Werte neu interpretieren, um damit die oft erheblichen Anstrengungen zu ihrem Erhalt und Schutz rechtfertigen zu können. Das setzt konkrete Vorstellungen von der möglichen Bedeutung dieser Reste für die heutige Stadt voraus: Sine es anschauliche Erinnerungsfragmente? Können sie als strukturbildende Planungsvorgaben dienen, oder als Museum? Als Geschichtslehrpfad? Identi-tätsträger? <br />Bauen auf den Resten der Vorgängerbauten ist ein konstantes Thema der Stadtarchitektur. Alle vor-industriellen Epochen haben dafür charakteristische Methoden und Motive entwickelt: pragmati-sche, symbolische, künstlerische, wissenschaftliche. Erst mit dem Aufkommen der theoretisch-mathematischen Baustatik werden die baulichen Reste der Vorgänger im Untergrund prinzipiell zum Problem. Aus technischen Gründen müssen sie fortan bei Neubebauungen weichen. Gleichzei-tig führt das archäologische Interesse gelegentlich zum umgekehrten Vorgang: zur Beseitigung jün-gerer, oberirdischer Bauten im Interesse der Freilegung unterirdischer Reste.<br />Mit der Entwicklung der Archäologie wurde die historische Stadt in ein Museum ihrer selbst ver-wandelt. Von Schutt und späteren Zutaten befreite Reste erlangten den Status von Denkmalen und nahmen einen vorderen Platz im Stadtraum ein. Wenn wir die geschichtlichen Sedimente der Stadt aber aus dem Blickwinkel des modernen Städtebaus betrachten, erleben wir eine Umdrehung der Perspektive: Bei den Stadtprojekten der Avantgarde standen die historischen Relikte regelmäßig im Hintergrund. Vor einer düsteren Kulisse konnte die neue Stadt umso strahlender auftreten.<br />Die Städtebauer vor hundert Jahren sahen sich genötigt, die alte Stadt buchstäblich von Grund auf zu reformieren. Anhand einiger Stichworte und Beispiele soll geprüft werden, welche Rolle der geschichtlich geprägte "Grund" in städtebaulichen Unternehmungen und Visionen des 20. Jahrhun-derts spielt: Evakuierung, Abschied vom Untergrund, Tabula rasa als Postulat der modernen Met-ropole, Archäologie als Aufklärungs-Metapher, Objet trouvé: Surrealistische Reliquien, Trophäen – Indienstnahme der Relikte, Praktische Aneignung und symbolische Inszenierung, Wiederaufbau und Denkmalpflege, Didaktische Präsentation: die Stadt als Geschichtsbuch.<br />Wertkategorien und Handlungsoptionen: Ein stadtarchäologisches Areal geht mit Abschluss der Dokumentation vom Zuständigkeitsbereich der Archäologie zurück in denjenigen der Stadtbevölke-rung und ihrer Planer, Architekten, Denkmalpfleger etc.. Dabei wechseln die Wertkategorien, denn in der städtischen Praxis spielt ein etwaiger Nutzwert eine entscheidende Rolle. An dieser Schnitt-stelle gilt es deshalb, die unterschiedlichen Maßstäbe und Interessen (didaktisch – ästhetisch – pragmatisch) zu bestimmen und daraus resultierende Konzepte auszuhandeln. Einige Möglichkeiten hierfür sollen an Beispielen verdeutlicht werden.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44644076" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b6de3ece3f3788255f1884b40c413163" rel="nofollow" data-download="{"attachment_id":65114702,"asset_id":44644076,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65114702/download_file?st=MTczMjM5NTIzMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7955013" href="https://tu-dresden.academia.edu/ThomasWill">Thomas Will</a><script data-card-contents-for-user="7955013" type="text/json">{"id":7955013,"first_name":"Thomas","last_name":"Will","domain_name":"tu-dresden","page_name":"ThomasWill","display_name":"Thomas Will","profile_url":"https://tu-dresden.academia.edu/ThomasWill?f_ri=509659","photo":"https://0.academia-photos.com/7955013/49615981/37597134/s65_thomas.will.jpg"}</script></span></span></li><li class="js-paper-rank-work_44644076 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44644076"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44644076, container: ".js-paper-rank-work_44644076", }); 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$(".js-view-count[data-work-id=44644076]").text(description); $(".js-view-count-work_44644076").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44644076").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44644076"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="392" href="https://www.academia.edu/Documents/in/Archaeology">Archaeology</a>, <script data-card-contents-for-ri="392" type="text/json">{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="25991" href="https://www.academia.edu/Documents/in/Urban_archaeology">Urban archaeology</a>, <script data-card-contents-for-ri="25991" type="text/json">{"id":25991,"name":"Urban archaeology","url":"https://www.academia.edu/Documents/in/Urban_archaeology?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="61835" href="https://www.academia.edu/Documents/in/Urban_Design">Urban Design</a>, <script data-card-contents-for-ri="61835" type="text/json">{"id":61835,"name":"Urban Design","url":"https://www.academia.edu/Documents/in/Urban_Design?f_ri=509659","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="65079" href="https://www.academia.edu/Documents/in/Urban_Design_and_Heritage_Conservation">Urban Design and Heritage Conservation</a><script data-card-contents-for-ri="65079" type="text/json">{"id":65079,"name":"Urban Design and Heritage Conservation","url":"https://www.academia.edu/Documents/in/Urban_Design_and_Heritage_Conservation?f_ri=509659","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44644076]'), work: {"id":44644076,"title":"Die Wurzeln der Stadt. Praktischer Umgang mit archäologischen Überlieferungen in der Moderne","created_at":"2020-12-05T12:58:55.785-08:00","url":"https://www.academia.edu/44644076/Die_Wurzeln_der_Stadt_Praktischer_Umgang_mit_arch%C3%A4ologischen_%C3%9Cberlieferungen_in_der_Moderne?f_ri=509659","dom_id":"work_44644076","summary":"Das archäologische Feld ist ein modernes Phänomen, aber meist kein praktischer Beitrag zur Stadt. So kommt regelmäßig die Frage auf: Wie sollen wir weiter damit umgehen? Welche Rolle können archäologische Relikte in der heutigen Stadt spielen? Kommt diesen Resten, ungeachtet ihres verlo-renen Gebrauchswertes, kulturelle Bedeutung zu, die beim Weiterbauen als Potential dienen kann? Ich möchte hier keinen archäologischen oder spezifisch denkmalpflegerischen, sondern einen ar-chitektonisch-städtebaulichen Blick auf den durch die Archäologie erschlossenen Grund der Stadt richten.\nDiese älteren, freigelegten Stadtschichten stellen uns heute vor ein Dilemma: Unsere Reaktion da-rauf kann kein vor-bewusstes, traditionelles Arbeiten mehr sein im Sinne konventionellen Weiter-bauens. In den archäologischen Resten ist jede Kontinuität gebrochen, in unserer Praxis mit ihren konstruktiven und ökonomischen Normen lassen sich diese Überlieferungen nicht mehr selbstver-ständlich weiterverwenden. Man kann sie dokumentieren und dann aufgeben, oder aber als kultu-relle Werte neu interpretieren, um damit die oft erheblichen Anstrengungen zu ihrem Erhalt und Schutz rechtfertigen zu können. Das setzt konkrete Vorstellungen von der möglichen Bedeutung dieser Reste für die heutige Stadt voraus: Sine es anschauliche Erinnerungsfragmente? Können sie als strukturbildende Planungsvorgaben dienen, oder als Museum? Als Geschichtslehrpfad? Identi-tätsträger? \nBauen auf den Resten der Vorgängerbauten ist ein konstantes Thema der Stadtarchitektur. Alle vor-industriellen Epochen haben dafür charakteristische Methoden und Motive entwickelt: pragmati-sche, symbolische, künstlerische, wissenschaftliche. Erst mit dem Aufkommen der theoretisch-mathematischen Baustatik werden die baulichen Reste der Vorgänger im Untergrund prinzipiell zum Problem. Aus technischen Gründen müssen sie fortan bei Neubebauungen weichen. Gleichzei-tig führt das archäologische Interesse gelegentlich zum umgekehrten Vorgang: zur Beseitigung jün-gerer, oberirdischer Bauten im Interesse der Freilegung unterirdischer Reste.\nMit der Entwicklung der Archäologie wurde die historische Stadt in ein Museum ihrer selbst ver-wandelt. Von Schutt und späteren Zutaten befreite Reste erlangten den Status von Denkmalen und nahmen einen vorderen Platz im Stadtraum ein. Wenn wir die geschichtlichen Sedimente der Stadt aber aus dem Blickwinkel des modernen Städtebaus betrachten, erleben wir eine Umdrehung der Perspektive: Bei den Stadtprojekten der Avantgarde standen die historischen Relikte regelmäßig im Hintergrund. Vor einer düsteren Kulisse konnte die neue Stadt umso strahlender auftreten.\nDie Städtebauer vor hundert Jahren sahen sich genötigt, die alte Stadt buchstäblich von Grund auf zu reformieren. Anhand einiger Stichworte und Beispiele soll geprüft werden, welche Rolle der geschichtlich geprägte \"Grund\" in städtebaulichen Unternehmungen und Visionen des 20. Jahrhun-derts spielt: Evakuierung, Abschied vom Untergrund, Tabula rasa als Postulat der modernen Met-ropole, Archäologie als Aufklärungs-Metapher, Objet trouvé: Surrealistische Reliquien, Trophäen – Indienstnahme der Relikte, Praktische Aneignung und symbolische Inszenierung, Wiederaufbau und Denkmalpflege, Didaktische Präsentation: die Stadt als Geschichtsbuch.\nWertkategorien und Handlungsoptionen: Ein stadtarchäologisches Areal geht mit Abschluss der Dokumentation vom Zuständigkeitsbereich der Archäologie zurück in denjenigen der Stadtbevölke-rung und ihrer Planer, Architekten, Denkmalpfleger etc.. Dabei wechseln die Wertkategorien, denn in der städtischen Praxis spielt ein etwaiger Nutzwert eine entscheidende Rolle. An dieser Schnitt-stelle gilt es deshalb, die unterschiedlichen Maßstäbe und Interessen (didaktisch – ästhetisch – pragmatisch) zu bestimmen und daraus resultierende Konzepte auszuhandeln. 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Conservation","url":"https://www.academia.edu/Documents/in/Urban_Design_and_Heritage_Conservation?f_ri=509659","nofollow":false},{"id":509659,"name":"Architectural Theory and Design","url":"https://www.academia.edu/Documents/in/Architectural_Theory_and_Design?f_ri=509659"},{"id":2651084,"name":"architectural design and history","url":"https://www.academia.edu/Documents/in/architectural_design_and_history?f_ri=509659"}]}, }) } })();</script></ul></li></ul></div></div></div><div class="u-taCenter Pagination"><ul class="pagination"><li class="next_page"><a href="/Documents/in/Architectural_Theory_and_Design?after=50%2C44644076" rel="next">Next</a></li><li class="last next"><a href="/Documents/in/Architectural_Theory_and_Design?page=last">Last »</a></li></ul></div></div><div class="hidden-xs hidden-sm"><div class="u-pl6x"><div style="width: 300px;"><div class="panel panel-flat u-mt7x"><div class="panel-heading u-p5x"><div class="u-tcGrayDark u-taCenter u-fw700 u-textUppercase">Related 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