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He has been called "the Philip K. Dick of contemporary music".<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> Alexis is British and lives in Plymouth, in South West England. Alexis says he takes his inspiration from both the Arts and from Science/Technology – and has two doctorates – one from each of those Faculties at <a href="/wiki/Plymouth_University" class="mw-redirect" title="Plymouth University">Plymouth University</a>.<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> In particular, his highest profile work has been motivated by interests in <a href="/wiki/Quantum_mechanics" title="Quantum mechanics">quantum mechanics</a>, <a href="/wiki/Marine_science" class="mw-redirect" title="Marine science">marine science</a>, <a href="/wiki/Stock_markets" class="mw-redirect" title="Stock markets">stock markets</a>, and <a href="/wiki/Artificial_intelligence" title="Artificial intelligence">artificial intelligence</a>. Alexis is senior research fellow at the Interdisciplinary Centre for Computer Music Research at the Plymouth University, and is composer-in-residence for the Plymouth Marine Institute.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Sound_projects">Sound projects</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Alexis_Kirke&action=edit&section=1" title="Edit section: Sound projects"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Alexis' most recent musical projects have involved the use of controlled quantum dynamics to create quantum computer music. His first in this field was <i>Superposition</i>, a collaboration with the University of Southern California, a live duet between acclaimed Mezzo Soprano Juliette Pochin and the <a href="/wiki/D-Wave_Systems" title="D-Wave Systems">D-Wave</a> quantum annealer installed at USC.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> Alexis' follow-up performance using the D-Wave was <i>Entangled Brains</i><sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> - for which he developed a computer music system that entangled the brainwave data of two performers wearing <a href="/wiki/EEG" class="mw-redirect" title="EEG">EEG</a> headsets. The resulting data from the D-Wave's calculations on the pair's brainwaves was used to drive an electronic music performance. Kirke switched his attention to actual gate-based quantum computers, delivering <i>Teleporting from Westeros</i>, the first live performance<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> utilizing algorithms shown to have a <a href="/wiki/Quantum_advantage" class="mw-redirect" title="Quantum advantage">quantum advantage</a>: a teleportation-based multi-agent system where agents use <a href="/wiki/Grover%27s_algorithm" title="Grover's algorithm">Grover's algorithm</a> to interact with a human musician. </p><p>Alexis also celebrated the 60th Anniversary of Lennon and McCartney meeting with <i>Come Together</i>. Other projects in recent years include <i>Bat Wars: The Four Awaken</i>, in which a violinist and pianist duet with a live AI-generated script based on characters from iconic movies,<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> <i>Conducting Shakespeare</i>,<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> wherein he remixed Shakespeare live for two actors at the Victoria and Albert Museum, based on the real-time bio-signal readings of four audience members; and <i>Remember a Day</i>,<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> which was a collaboration with a lady with Alzheimer's setting her daily plan and medication reminders to music as an aid to memory, and performing the tunes as part of a piece for mezzo-soprano, cello and electronics. </p><p>Prior to that Alexis created <i>Sound-Wave</i>, wherein he turned a <a href="/wiki/Wave_tank" title="Wave tank">wave tank</a> into a giant musical instrument for the opening of the Plymouth Marine Institute building by the <a href="/wiki/Duke_of_Edinburgh" title="Duke of Edinburgh">Duke of Edinburgh</a>;<sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (June 2020)">citation needed</span></a></i>]</sup> and the financial "reality opera" <i>Open Outcry</i>,<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> in which performers trade real money by singing, sponsored by <a href="/wiki/Barclays" title="Barclays">Barclays</a>.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p><p>Alexis initially gained recognition for his performance <i>Sunlight Symphony</i>,<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> which turned the University of Plymouth's iconic <a href="/wiki/Roland_Levinsky_Building" title="Roland Levinsky Building">Roland Levinsky Building</a> into a musical instrument played by the rising sun. His first performance supported by Plymouth Marine Institute was <i>Fast Travel</i>,<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> in which a saxophonist interacted with live <a href="/wiki/Artificial_intelligence" title="Artificial intelligence">artificially-intelligent</a> whale schools. Other prominent works include <i>Cloud Chamber</i><sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> with a violinist playing a duet with <a href="/wiki/Subatomic_particle" title="Subatomic particle">subatomic particles</a> in real-time – and <i>Insight</i><sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> in which Alexis (who has the harmless visual condition <a href="/wiki/Palinopsia" title="Palinopsia">palinopsia</a>) simulated his hallucinations live on an <a href="/wiki/IPad" title="IPad">iPad</a>, which were turned into sound accompanied by a flautist.<sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (August 2013)">citation needed</span></a></i>]</sup> </p><p>Alexis has collaborated with composers and performers such as John Matthias, <a href="/wiki/Eduardo_Reck_Miranda" title="Eduardo Reck Miranda">Eduardo Reck Miranda</a>, DJ Pierre, <a href="/wiki/Lola_Perrin" title="Lola Perrin">Lola Perrin</a>, and <a href="/wiki/Martyn_Ware" title="Martyn Ware">Martyn Ware</a>.<sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Film_projects">Film projects</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Alexis_Kirke&action=edit&section=2" title="Edit section: Film projects"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Alexis' best known film project is the writing, directing, and soundtracking of the short film <i>Many Worlds</i> (2013)<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> – a 15-minute movie about a human version of a <a href="/w/index.php?title=Schrodinger%27s_Suicide&action=edit&redlink=1" class="new" title="Schrodinger's Suicide (page does not exist)">Schrodinger's Suicide</a> experiment. The movie has four possible scripts, with four possible endings. All four scripts were filmed, and then bio-signals are collected from a sample of the audience live during the screening; a computer used this data to select live which version of the film is shown at any moment, depending on how bored or interested the audience is at the time. The film has premiered at the <a href="/wiki/Peninsula_Arts_Contemporary_Music_Festival" class="mw-redirect" title="Peninsula Arts Contemporary Music Festival">Peninsula Arts Contemporary Music Festival</a> 2013,<sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> had invited showings in Israel<sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> and at BBC Research and Development,<sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> and won a Media Innovation Award in 2014.<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> </p><p>Alexis' second short film in 2017 was "Buddha of Superposition", an 11-minute short that uses innovative visual and sound techniques to take the viewer inside of the experience of psychosis. The film features actor Lois Meleri-Jones. </p> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Alexis_Kirke&action=edit&section=3" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://archive.today/20130814154816/http://www.thisisplymouth.co.uk/Plymouth-University-composer-Alexis-Kirke-turns/story-18231997-detail/story.html">"Plymouth University composer Alexis Kirke turns movie maker for a cinema revolution with Many Worlds"</a>. <i><a href="/wiki/Plymouth_Evening_Herald" class="mw-redirect" title="Plymouth Evening Herald">Plymouth Evening Herald</a></i>. 25 February 2013. 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href="https://www.bbc.co.uk/programmes/p00xf984">"Click Episode 04/09/2012"</a>. <i><a href="/wiki/BBC_World_Service" title="BBC World Service">BBC World Service</a></i>. 4 September 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=BBC+World+Service&rft.atitle=Click+Episode+04%2F09%2F2012&rft.date=2012-09-04&rft_id=http%3A%2F%2Fwww.bbc.co.uk%2Fprogrammes%2Fp00xf984&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAlexis+Kirke" class="Z3988"></span></span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.plymouth.ac.uk/staff/alexis-kirke">"Dr Alexis Kirke - University of Plymouth"</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Dr+Alexis+Kirke+-+University+of+Plymouth&rft_id=https%3A%2F%2Fwww.plymouth.ac.uk%2Fstaff%2Falexis-kirke&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAlexis+Kirke" class="Z3988"></span></span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="http://www.timeshighereducation.co.uk/421817.article">"The payoff of 'buy' or 'sell' will be harmony or discord"</a>. <i><a href="/wiki/Times_Higher_Education" title="Times Higher Education">Times Higher Education</a></i>. 15 November 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Times+Higher+Education&rft.atitle=The+payoff+of+%27buy%27+or+%27sell%27+will+be+harmony+or+discord&rft.date=2012-11-15&rft_id=http%3A%2F%2Fwww.timeshighereducation.co.uk%2F421817.article&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAlexis+Kirke" class="Z3988"></span></span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.wired.com/2016/07/quantum-computers-dont-make-sense-one-makes-music/">"Quantum Computers don't make sense, but this one makes music"</a>. <i><a href="/w/index.php?title=Wired_USA&action=edit&redlink=1" class="new" title="Wired USA (page does not exist)">Wired USA</a></i>. 30 July 2016.</cite><span 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This Artificially Intelligent Algorithm Could Help"</a>. <i><a href="/wiki/Creators_Project" class="mw-redirect" title="Creators Project">Creators Project</a></i>. 9 March 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Creators+Project&rft.atitle=Screenwriter%27s+Block%3F+This+Artificially+Intelligent+Algorithm+Could+Help&rft.date=2016-03-09&rft_id=http%3A%2F%2Fthecreatorsproject.vice.com%2Fblog%2Falgorithmic-movie-scripts-computer-aided-storytelling&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAlexis+Kirke" class="Z3988"></span></span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="http://blogs.scientificamerican.com/cocktail-party-physics/biofeedback-and-the-bard-alexis-kirke-debuts-e2809cconducting-shakespearee2809d/">"Biofeedback and the Bard: Alexis Kirke Debuts "Conducting Shakespeare"<span class="cs1-kern-right"></span>"</a>. <i><a href="/wiki/Scientific_American" title="Scientific American">Scientific American</a></i>. 2 May 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Scientific+American&rft.atitle=Biofeedback+and+the+Bard%3A+Alexis+Kirke+Debuts+%22Conducting+Shakespeare%22&rft.date=2014-05-02&rft_id=http%3A%2F%2Fblogs.scientificamerican.com%2Fcocktail-party-physics%2Fbiofeedback-and-the-bard-alexis-kirke-debuts-e2809cconducting-shakespearee2809d%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAlexis+Kirke" class="Z3988"></span></span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="http://www.classical-music.com/news/can-musical-jingles-help-dementia-sufferers">"Can musical jingles help dementia sufferers?"</a>. <i><a href="/wiki/BBC_Music_Magazine" title="BBC Music Magazine">BBC Music Magazine</a></i>. 13 February 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=BBC+Music+Magazine&rft.atitle=Can+musical+jingles+help+dementia+sufferers%3F&rft.date=2014-02-13&rft_id=http%3A%2F%2Fwww.classical-music.com%2Fnews%2Fcan-musical-jingles-help-dementia-sufferers&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAlexis+Kirke" class="Z3988"></span></span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.alexiskirke.com/#open-outcry">"Open Outcry Financial Reality Opera (full 8-minute video)"</a><span class="reference-accessdate">. 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Retrieved <span class="nowrap">24 August</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Wired+UK&rft.atitle=The+building+that+became+a+musical+instrument&rft.date=2010-03-02&rft.au=Geere%2C+Duncan&rft_id=https%3A%2F%2Fwww.wired.co.uk%2Fnews%2Farchive%2F2010-03%2F02%2Fthe-building-that-became-a-musical-instrument&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAlexis+Kirke" class="Z3988"></span></span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFColeman,_Nick2010" class="citation news cs1">Coleman, Nick (21 February 2010). <span class="id-lock-limited" title="Free access subject to limited trial, subscription normally required"><a rel="nofollow" class="external text" href="https://www.independent.co.uk/travel/uk/plymoutha-pearl-on-the-seashore-1905596.html">"Plymouth...a pearl on the seashore"</a></span>. <i><a href="/wiki/The_Independent_(UK)" class="mw-redirect" title="The Independent (UK)">The Independent (UK)</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20100223001354/http://www.independent.co.uk/travel/uk/plymoutha-pearl-on-the-seashore-1905596.html">Archived</a> from the original on 23 February 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Independent+%28UK%29&rft.atitle=Plymouth...a+pearl+on+the+seashore&rft.date=2010-02-21&rft.au=Coleman%2C+Nick&rft_id=https%3A%2F%2Fwww.independent.co.uk%2Ftravel%2Fuk%2Fplymoutha-pearl-on-the-seashore-1905596.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAlexis+Kirke" class="Z3988"></span></span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSolon,_Olivia2011" class="citation news cs1">Solon, Olivia (25 July 2011). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160304230030/http://www.wired.co.uk/news/archive/2011-07/25/whale-song-alex-kirke">"Virtual whales react to saxophonist in musical composition"</a>. <i><a href="/wiki/Wired_UK" title="Wired UK">Wired UK</a></i>. 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href="#cite_ref-25">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="http://www.newstatesman.com/culture/culture/2013/02/reviewed-sensing-memory-festival-university-plymouth">"Reviewed: Sensing Memory festival at the University of Plymouth"</a>. <i><a href="/wiki/New_Statesman" title="New Statesman">New Statesman</a></i>. 21 February 2013.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=New+Statesman&rft.atitle=Reviewed%3A+Sensing+Memory+festival+at+the+University+of+Plymouth&rft.date=2013-02-21&rft_id=http%3A%2F%2Fwww.newstatesman.com%2Fculture%2Fculture%2F2013%2F02%2Freviewed-sensing-memory-festival-university-plymouth&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAlexis+Kirke" class="Z3988"></span></span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-26">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="http://www.jpost.com/Arts-and-Culture/Arts/Lest-we-forget-350821">"Lest we forget"</a>. <i><a href="/wiki/The_Jerusalem_Post" title="The Jerusalem Post">The Jerusalem Post</a></i>. 30 April 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Jerusalem+Post&rft.atitle=Lest+we+forget&rft.date=2014-04-30&rft_id=http%3A%2F%2Fwww.jpost.com%2FArts-and-Culture%2FArts%2FLest-we-forget-350821&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAlexis+Kirke" class="Z3988"></span></span> </li> <li id="cite_note-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-27">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" 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href="https://web.archive.org/web/20150503095204/http://www.mediainnovationawards.com/News/Media-Innovation-Awards---The-Results.aspx">"2014 - the Results!"</a>. Archived from <a rel="nofollow" class="external text" href="http://www.mediainnovationawards.com/News/Media-Innovation-Awards---The-Results.aspx">the original</a> on 3 May 2015<span class="reference-accessdate">. Retrieved <span class="nowrap">1 June</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=2014+-+the+Results%21&rft_id=http%3A%2F%2Fwww.mediainnovationawards.com%2FNews%2FMedia-Innovation-Awards---The-Results.aspx&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAlexis+Kirke" class="Z3988"></span></span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Alexis_Kirke&action=edit&section=4" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/Digital_poetry" title="Digital poetry">Digital poetry</a></li> <li><a href="/wiki/Experimental_musical_instrument" title="Experimental musical instrument">Experimental musical instrument</a></li></ul>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Alexis_Kirke&oldid=1192623796">https://en.wikipedia.org/w/index.php?title=Alexis_Kirke&oldid=1192623796</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Help:Category" title="Help:Category">Categories</a>: <ul><li><a href="/wiki/Category:British_composers" title="Category:British composers">British composers</a></li><li><a href="/wiki/Category:British_filmmakers" title="Category:British filmmakers">British filmmakers</a></li><li><a href="/wiki/Category:Living_people" title="Category:Living people">Living people</a></li><li><a href="/wiki/Category:Academics_of_the_University_of_Plymouth" title="Category:Academics of the University of Plymouth">Academics of the University of Plymouth</a></li><li><a href="/wiki/Category:Alumni_of_the_University_of_Plymouth" title="Category:Alumni of the University of Plymouth">Alumni of the University of Plymouth</a></li></ul></div><div id="mw-hidden-catlinks" class="mw-hidden-catlinks mw-hidden-cats-hidden">Hidden categories: <ul><li><a href="/wiki/Category:Articles_with_short_description" title="Category:Articles with short description">Articles with short description</a></li><li><a href="/wiki/Category:Short_description_is_different_from_Wikidata" title="Category:Short description is different from Wikidata">Short description is different from Wikidata</a></li><li><a href="/wiki/Category:EngvarB_from_December_2017" title="Category:EngvarB from December 2017">EngvarB from December 2017</a></li><li><a href="/wiki/Category:Use_dmy_dates_from_December_2017" title="Category:Use dmy dates from December 2017">Use dmy dates from December 2017</a></li><li><a href="/wiki/Category:All_articles_with_unsourced_statements" title="Category:All articles with unsourced statements">All articles with unsourced statements</a></li><li><a href="/wiki/Category:Articles_with_unsourced_statements_from_June_2020" title="Category:Articles with unsourced statements from June 2020">Articles with unsourced statements from June 2020</a></li><li><a href="/wiki/Category:Articles_with_unsourced_statements_from_August_2013" title="Category:Articles with unsourced statements from August 2013">Articles with unsourced statements from August 2013</a></li><li><a href="/wiki/Category:Year_of_birth_missing_(living_people)" title="Category:Year of birth missing (living people)">Year of birth missing (living people)</a></li></ul></div></div> </div> </main> </div> <div class="mw-footer-container"> <footer id="footer" class="mw-footer" > <ul id="footer-info"> <li id="footer-info-lastmod"> This page was last edited on 30 December 2023, at 11:49<span class="anonymous-show"> (UTC)</span>.</li> <li id="footer-info-copyright">Text is available under the <a href="/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License" title="Wikipedia:Text of the Creative Commons Attribution-ShareAlike 4.0 International License">Creative Commons Attribution-ShareAlike 4.0 License</a>; additional terms may apply. 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