<?xml version="1.0" encoding="utf-8"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:media="http://search.yahoo.com/mrss/" version="2.0"><channel><title>Photo Booth</title><description>A look at the world through the creative lens of The New Yorker's favorite photographers.</description><link>https://www.newyorker.com</link><atom:link href="https://www.newyorker.com/feed/culture/photo-booth/rss" rel="self" type="application/atom+xml"/><copyright>© Condé Nast 2024</copyright><language>en-US</language><lastBuildDate>Sun, 24 Nov 2024 18:52:17 +0000</lastBuildDate><item><title>Bearing Witness to American Exploits</title><link>https://www.newyorker.com/culture/photo-booth/bearing-witness-to-american-exploits</link><guid isPermaLink="false">66c66181c6b63ab74c4a9e18</guid><pubDate>Sat, 16 Nov 2024 11:00:00 +0000</pubDate><media:content/><description>Peter van Agtmael’s images of war and domestic strife are arresting and almost cinematically spare, but it is the careful narrative arc of his new book, “Look at the U.S.A.,” that deepens the viewer’s experience.</description><category>Culture / Photo Booth</category><media:keywords>Photography, Iraq, War on Terror</media:keywords><dc:creator>Clare Malone</dc:creator><dc:publisher>Condé Nast</dc:publisher><media:thumbnail url="https://media.newyorker.com/photos/67363f934d66ed1782c62df5/master/pass/Malone-Pva-NYC104441.jpg" width="2560" height="1708"/></item><item><title>A Grandson’s Urgent Chronicle of Family Life in Small-Town Ohio</title><link>https://www.newyorker.com/culture/photo-booth/a-grandsons-urgent-chronicle-of-family-life-in-small-town-ohio</link><guid isPermaLink="false">672e85bdcebd13795cd1ff74</guid><pubDate>Tue, 12 Nov 2024 11:00:00 +0000</pubDate><media:content/><description>In Adali Schell’s “New Paris,” which documents his family in the aftermath of death and divorce, individuals are more complicated than the worst thing happening to them.</description><category>Culture / Photo Booth</category><media:keywords>Photography, Photographers, Ohio</media:keywords><dc:creator>Casey Cep</dc:creator><dc:publisher>Condé Nast</dc:publisher><media:thumbnail url="https://media.newyorker.com/photos/6718143c859cb800ae447f82/master/pass/Adali-PB-14.jpg" width="2560" height="1707"/></item><item><title>The End of Kamala Harris’s Campaign</title><link>https://www.newyorker.com/news/dispatch/the-end-of-kamala-harriss-campaign</link><guid isPermaLink="false">672bb297061c7f31ad362107</guid><pubDate>Thu, 07 Nov 2024 18:47:29 +0000</pubDate><media:content/><description>At Howard University, a sombre crowd came out to support their candidate and witness history.</description><category>News / Dispatch</category><category>Culture / Photo Booth</category><media:keywords>2024 Presidential Election, Kamala Harris, Howard University, Audio</media:keywords><dc:creator>Emily Witt</dc:creator><dc:publisher>Condé Nast</dc:publisher><media:thumbnail url="https://media.newyorker.com/photos/672cf0e377f87e5ffe6c243c/master/pass/witt-natalie-keyssar-kamala-harris-1.JPG" width="2560" height="1706"/></item><item><title>Donald Trump’s West Palm Beach Victory Celebration</title><link>https://www.newyorker.com/news/dispatch/donald-trumps-west-palm-beach-victory-celebration</link><guid isPermaLink="false">672bb2762d5093bbdc05d845</guid><pubDate>Wed, 06 Nov 2024 23:25:08 +0000</pubDate><media:content/><description>Surrounded by an ever-expanding cast of MAGA characters, the perpetual candidate becomes President-elect again.</description><category>News / Dispatch</category><category>Culture / Photo Booth</category><media:keywords>2024 Presidential Election, Donald Trump, Election Night, Election 2024</media:keywords><dc:creator>Antonia Hitchens</dc:creator><dc:publisher>Condé Nast</dc:publisher><media:thumbnail url="https://media.newyorker.com/photos/672bd806f0e60d764be35bd2/master/pass/hitchens-west-palm-beach-sinna-nasseri-01.jpg" width="1829" height="2560"/></item><item><title>A Forgotten Eyewitness to Civil-Rights-Era Mississippi</title><link>https://www.newyorker.com/culture/photo-booth/florence-mars-a-forgotten-eyewitness-to-civil-rights-era-mississippi</link><guid isPermaLink="false">671dbbe95bba296234e190c7</guid><pubDate>Sun, 03 Nov 2024 11:00:00 +0000</pubDate><media:content/><description>As resistance to integration mounted, Florence Mars bought a camera and began to photograph thousands of subjects, including the trial of the killers of Emmett Till.</description><category>Culture / Photo Booth</category><media:keywords>Photography, Civil Rights, Mississippi, Emmett Till</media:keywords><dc:creator>Paige Williams</dc:creator><dc:publisher>Condé Nast</dc:publisher><media:thumbnail url="https://media.newyorker.com/photos/672535886960db36f5246547/master/pass/Williams-Z-1770-157691-photonegative-0313.jpg" width="2560" height="2560"/></item><item><title>The Joy of New Americans</title><link>https://www.newyorker.com/culture/photo-booth/the-joy-of-new-americans</link><guid isPermaLink="false">67197273a0041c79300cb240</guid><pubDate>Thu, 31 Oct 2024 15:31:21 +0000</pubDate><media:content/><description>At ceremonies in Arizona, hundreds of people were naturalized, and many prepared to vote.</description><category>Culture / Photo Booth</category><media:keywords>Arizona, Citizenship, Immigrants, Immigration</media:keywords><dc:creator>Rachel Monroe</dc:creator><dc:publisher>Condé Nast</dc:publisher><media:thumbnail url="https://media.newyorker.com/photos/671feef90ba3b246a75a4b5e/master/pass/CJ-PB-1.jpg" width="2560" height="2048"/></item><item><title>Living in the Shadow of an American Election</title><link>https://www.newyorker.com/culture/photo-booth/living-in-the-shadow-of-an-american-election</link><guid isPermaLink="false">6719499313626ae2f863d060</guid><pubDate>Sat, 26 Oct 2024 10:00:00 +0000</pubDate><media:content/><description>A photographer took a road trip across the country during the Presidential race. What did he see?</description><category>Culture / Photo Booth</category><category>Culture / Critic’s Notebook</category><media:keywords>Election 2024, Photographer, Presidential Campaigns, Roadtrip, 2024 Presidential Election, Audio</media:keywords><dc:creator>Naomi Fry</dc:creator><dc:publisher>Condé Nast</dc:publisher><media:thumbnail url="https://media.newyorker.com/photos/671945c6ae3d7e3ddd6ab87c/master/pass/Nasseri-PB-1.jpg" width="2560" height="1707"/></item><item><title>The Frightening Familiarity of Late-Nineties Office Photos</title><link>https://www.newyorker.com/culture/photo-booth/the-frightening-familiarity-of-late-nineties-office-photos</link><guid isPermaLink="false">66e1f7ae42b1a7ef50cd58d8</guid><pubDate>Wed, 23 Oct 2024 10:00:00 +0000</pubDate><media:content/><description>Lars Tunbjörk documented the rise of alienating online work. His images should remind us that it didn’t have to be this way.</description><category>Culture / Photo Booth</category><media:keywords>Offices, Photography, Office Buildings, Cubicles, Work</media:keywords><dc:creator>Cal Newport</dc:creator><dc:publisher>Condé Nast</dc:publisher><media:thumbnail url="https://media.newyorker.com/photos/6717b60210db171553ce293b/master/pass/Newport-LT_LJ_TNY_03.jpg" width="2800" height="2250"/></item><item><title>A Bronx “Family Album” from Hip-Hop’s Early Days</title><link>https://www.newyorker.com/culture/photo-booth/a-bronx-family-album-from-hip-hops-early-days</link><guid isPermaLink="false">670411376a42843b566b032f</guid><pubDate>Sat, 12 Oct 2024 10:00:00 +0000</pubDate><media:content/><description>In the eighties, the Puerto Rican photographer Ricky Flores captured the parties and the people that shaped his teen-age years.</description><category>Culture / Photo Booth</category><media:keywords>Bronx, Photography, Hip-Hop, New York City</media:keywords><dc:creator>Geraldo Cadava</dc:creator><dc:publisher>Condé Nast</dc:publisher><media:thumbnail url="https://media.newyorker.com/photos/670996e06bd495bd0929f396/master/pass/new-updated-Cadava-05n90n2023-05-30-0013.jpg" width="3000" height="1994"/></item><item><title>The Enduring Power of Peter Hujar’s “Portraits in Life and Death”</title><link>https://www.newyorker.com/culture/photo-booth/the-enduring-power-of-peter-hujars-portraits-in-life-and-death</link><guid isPermaLink="false">66fbff8261f5a5b92e1a8444</guid><pubDate>Tue, 08 Oct 2024 19:41:44 +0000</pubDate><media:content/><description>Since the photographer’s death, in 1987, the only book he published in his lifetime has attained the status of a classic.</description><category>Culture / Photo Booth</category><media:keywords>Photography, Photographers, Art, Artists, L.G.B.T., Disable Midgallery Ads</media:keywords><dc:creator>Benjamin Moser</dc:creator><dc:publisher>Condé Nast</dc:publisher><media:thumbnail url="https://media.newyorker.com/photos/67040f8367ee660006383488/master/pass/Moser-PortraitsInLifeAndDeath_Interiror_Image_Page_19.jpg" width="2475" height="2475"/></item></channel></rss>