New York Review Books

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During World War II, Malaparte reported from the Eastern Front, joined forces with the occupying Allies after Mussolini's fall, and secretly wrote the first of his two masterpieces, \u003c\/span\u003e\u003ci\u003eKaputt\u003c\/i\u003e\u003cspan\u003e, a record of wartime enormities and atrocities that is as stylish as it is hellish. With \u003c\/span\u003e\u003ci\u003eThe Skin\u003c\/i\u003e\u003cspan\u003e, a black comedy about the American Army in Naples, Malaparte cemented a reputation for daring and disturbing originality. A polymath and shapeshifter—fascist, communist, a converted Catholic on his deathbed—a self-mythologizer on the move between society salons, the corridors of power, and the frontlines, Malaparte is a complex and fascinating subject.\u003c\/span\u003e\u003c\/p\u003e"},{"id":8184148754600,"title":"Mysticism","handle":"mysticism","description":"\u003cp\u003e\u003cspan\u003e\u003cem\u003eMysticism \u003c\/em\u003ewill be back in stock soon.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhy mysticism? It has been called “experience in its most intense form,” and in his new book the philosopher Simon Critchley poses a simple question to the reader: Wouldn’t you like to taste this intensity? Wouldn’t you like to be lifted up and out of yourself into a sheer feeling of aliveness, both your life and those of the creatures that surround you? If so, it might be well worthwhile trying to learn what is meant by mysticism and how it can shift, elevate, and deepen the sense of our lives. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMysticism is not primarily a theoretical issue. It's not a question of religious belief but of felt experience and daily practice. A rough and ready definition of mysticism is that it is a way of systematically freeing yourself of your standard habits, your usual fancies and imaginings so as to see \u003c\/span\u003e\u003ci\u003ewhat is there\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eand stand with what is there \u003c\/span\u003e\u003ci\u003eecstatically\u003c\/i\u003e\u003cspan\u003e. 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It has been called “experience in its most intense form,” and in his new book the philosopher Simon Critchley poses a simple question to the reader: Wouldn’t you like to taste this intensity? Wouldn’t you like to be lifted up and out of yourself into a sheer feeling of aliveness, both your life and those of the creatures that surround you? If so, it might be well worthwhile trying to learn what is meant by mysticism and how it can shift, elevate, and deepen the sense of our lives. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMysticism is not primarily a theoretical issue. It's not a question of religious belief but of felt experience and daily practice. A rough and ready definition of mysticism is that it is a way of systematically freeing yourself of your standard habits, your usual fancies and imaginings so as to see \u003c\/span\u003e\u003ci\u003ewhat is there\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eand stand with what is there \u003c\/span\u003e\u003ci\u003eecstatically\u003c\/i\u003e\u003cspan\u003e. Mysticism is the practical possibility of the achievement of a fluid openness between thought and existence. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is a book about trying to get outside oneself, to lose oneself, while knowing that the self is not something that can ever be fully lost. It is also a book about Julian of Norwich, Anne Carson, Annie Dillard, T.S. Eliot, and Nick Cave. It shows how listening to music can be secular worship. It is a book full of learning, puzzlement, pleasure, and wonder. 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It is the fall of 1989. The communist government of the GDR is losing its grip on power. Carl Bischoff, a very young man, trained as a bricklayer, now a college student, is abruptly recalled by his parents to the small town in the middle of nowhere where he grew up. His hardworking unprotesting parents inform him, that with the border open, they intend to leave the country and check into a West German refugee camp. Will Carl to look after the house and take in the mail? They promise at some point to be in touch.\u003cbr\u003e \u003cbr\u003eDeserted by his parents, Carl has no idea what to do. Then he packs the family car and heads to Berlin, where he joins a group of squatters led by a shepherd with a goat. Carl participates in the anarchic life of an anarchist commune, and keeps his distance too. He has all sorts of things to learn about himself and others. He is hungry for sex and love and sometimes simply hungry. He worries about his parents. He wants to be a poet. \u003cbr\u003e \u003cbr\u003e\u003cem\u003eStar 111 \u003c\/em\u003eis a story about unforeseen ends and new beginnings, about different kinds of families, biological and improvised, and one innocent young aspiring poet in pursuit of experience at a moment in history when everything is about to change and nobody knows how. A tender, entrancing, and comic tale of youth and adventure, it is a book that looks back on the history of our time to ask the most fundamental of questions: what does it mean to lead a good life? \u003c\/p\u003e"},{"id":8184110481576,"title":"Seeing Further","handle":"seeing-further","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhile travelling through the Great Alföld, the vast plain in southeastern Hungary, the narrator of \u003c\/span\u003e\u003ci\u003eSeeing Further\u003c\/i\u003e\u003cspan\u003e stops in an all but vacant town near the Romanian border. There she happens upon a dilapidated movie theater. 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There she happens upon a dilapidated movie theater. Once the heart of the village, it has been boarded up for years. Entranced, she soon finds herself embarking on the colossal task of renovating it in order to preserve the cinematic experience.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eSeeing Further\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eilluminates the cinema's former role as a communal space for collective imagining. For Esther Kinsky and her narrator, it remains a place of wonder, a dark room that unfurls a vastness not beholden to the ordinary rules of time and space. \u003c\/span\u003e\u003ci\u003eSeeing Further\u003c\/i\u003e\u003cspan\u003e is an homage to cinema in words and pictures.\u003c\/span\u003e\u003c\/p\u003e"},{"id":8133568987304,"title":"All in Line","handle":"all-in-line","description":"\u003cp\u003eTo escape fascist Europe, the artist Saul Steinberg drew his way to America. 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He made it to New York in 1942 already in contract with \u003cem\u003eThe New Yorker\u003c\/em\u003e, but was soon called up to serve in the US Naval Reserve in World War II. This book, \u003cem\u003eAll In Line\u003c\/em\u003e, is a memoir-via-drawing of this key time in Steinberg’s life, when he began to find his line and his way as an American. \u003cbr\u003e \u003cbr\u003eIn works for \u003cem\u003eThe New Yorker\u003c\/em\u003e and others, Steinberg depicted delightful absurdities and quiet moments: a painter saws a long canvas into smaller, sellable portions; a child draws a gigantic face on the sidewalk to the confusion of passersby; American soldiers stroll through exquisitely detailed streets in China, India, North Africa, and Italy.\u003cbr\u003e \u003cbr\u003eBut Steinberg didn’t shy away from the grim realities of his era. 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A turning point in that legendary career came in 1959, when Rollins stepped back from performing and recording to begin a new regime of musical exploration, which saw him practicing for hours, sometimes all through the night, on the Williamsburg Bridge. This was also the moment when he started the notebook that would become a trusted companion in years to come—not a diary so much as a place to ponder art and life and his own search for meaning in words and in images.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAt once quotidian and aphoristic, the notebooks mingle lists of chores and rehearsal routines with ruminations on nightclub culture, racism, and the conundrums of the inner life. And always there is the music—questions of embouchure, fingering, and technique; of harmony and dissonance; of his own and others’ art and the art of jazz. “Any definition,” Rollins insists, “which seeks to separate Johann Sebastian Bach from Miles Davis is defeating its own purpose of clarification. . . .The Musings of Miles is then the Bouncing of Bach both played against each other.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdited and introduced by the critic and jazz scholar Sam V.H. Reese, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Notebooks of Sonny Rollins\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e provides an unequaled glimpse into the mind and workshop of a musical titan, as well as a wealth of insight and inspiration to readers.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-08-01T11:22:14-04:00","created_at":"2023-07-14T10:51:40-04:00","vendor":"New York Review Books","type":"New York Review Books","tags":["American Literature","Available as E-Book","Biography \u0026 Memoir","Visual \u0026 Performing Arts"],"price":1795,"price_min":1795,"price_max":1795,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44283827683496,"title":"Paperback","option1":"Paperback","option2":null,"option3":null,"sku":"9781681378268","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Notebooks of Sonny Rollins - Paperback","public_title":"Paperback","options":["Paperback"],"price":1795,"weight":431,"compare_at_price":null,"inventory_quantity":8,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.nyrb.com\/cdn\/shop\/files\/TheNotebooksofSonnyRollinspreliminary.jpg?v=1696612311"],"featured_image":"\/\/www.nyrb.com\/cdn\/shop\/files\/TheNotebooksofSonnyRollinspreliminary.jpg?v=1696612311","options":["Cover"],"media":[{"alt":null,"id":29408214581416,"position":1,"preview_image":{"aspect_ratio":0.676,"height":2550,"width":1725,"src":"\/\/www.nyrb.com\/cdn\/shop\/files\/TheNotebooksofSonnyRollinspreliminary.jpg?v=1696612311"},"aspect_ratio":0.676,"height":2550,"media_type":"image","src":"\/\/www.nyrb.com\/cdn\/shop\/files\/TheNotebooksofSonnyRollinspreliminary.jpg?v=1696612311","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eSonny Rollins is one of the towering masters of American music, a virtuoso of the saxophone, and an unequaled improviser whose live performances are legendary and who has reshaped modern jazz time and time again over the course of a career lasting more than sixty years. A turning point in that legendary career came in 1959, when Rollins stepped back from performing and recording to begin a new regime of musical exploration, which saw him practicing for hours, sometimes all through the night, on the Williamsburg Bridge. This was also the moment when he started the notebook that would become a trusted companion in years to come—not a diary so much as a place to ponder art and life and his own search for meaning in words and in images.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAt once quotidian and aphoristic, the notebooks mingle lists of chores and rehearsal routines with ruminations on nightclub culture, racism, and the conundrums of the inner life. And always there is the music—questions of embouchure, fingering, and technique; of harmony and dissonance; of his own and others’ art and the art of jazz. “Any definition,” Rollins insists, “which seeks to separate Johann Sebastian Bach from Miles Davis is defeating its own purpose of clarification. . . .The Musings of Miles is then the Bouncing of Bach both played against each other.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdited and introduced by the critic and jazz scholar Sam V.H. Reese, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Notebooks of Sonny Rollins\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e provides an unequaled glimpse into the mind and workshop of a musical titan, as well as a wealth of insight and inspiration to readers.\u003c\/span\u003e\u003c\/p\u003e"},{"id":7892050313384,"title":"The Variations","handle":"the-variations","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSelda Heddle, a famously reclusive composer, is found dead in a snowy field near her Cornish home. She was educated at Agnes’s Hospice for Acoustically Gifted Children, which for centuries has offered its young wards a grounding in the gift—an inherited ability to tune into the voices and sounds of the past.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen she dies, Selda’s gift passes down to her grandson Wolf, who must make sense of her legacy, and learn to live with the newly unleashed voices in his head. Ambitious and exhilarating, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Variations\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a novel of startling originality about music and the difficulty—or impossibility—of living with the past.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-08-01T11:17:53-04:00","created_at":"2023-07-14T08:09:13-04:00","vendor":"New York Review Books","type":"New York Review Books","tags":["Available as E-Book","British \u0026 Irish Literature","Fiction"],"price":1995,"price_min":1995,"price_max":1995,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44282425049256,"title":"Paperback","option1":"Paperback","option2":null,"option3":null,"sku":"9781681378398","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Variations - Paperback","public_title":"Paperback","options":["Paperback"],"price":1995,"weight":726,"compare_at_price":null,"inventory_quantity":80,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.nyrb.com\/cdn\/shop\/files\/9781681378398.jpg?v=1693431957"],"featured_image":"\/\/www.nyrb.com\/cdn\/shop\/files\/9781681378398.jpg?v=1693431957","options":["Cover"],"media":[{"alt":null,"id":29242481279144,"position":1,"preview_image":{"aspect_ratio":0.676,"height":2550,"width":1725,"src":"\/\/www.nyrb.com\/cdn\/shop\/files\/9781681378398.jpg?v=1693431957"},"aspect_ratio":0.676,"height":2550,"media_type":"image","src":"\/\/www.nyrb.com\/cdn\/shop\/files\/9781681378398.jpg?v=1693431957","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSelda Heddle, a famously reclusive composer, is found dead in a snowy field near her Cornish home. She was educated at Agnes’s Hospice for Acoustically Gifted Children, which for centuries has offered its young wards a grounding in the gift—an inherited ability to tune into the voices and sounds of the past.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen she dies, Selda’s gift passes down to her grandson Wolf, who must make sense of her legacy, and learn to live with the newly unleashed voices in his head. Ambitious and exhilarating, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Variations\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a novel of startling originality about music and the difficulty—or impossibility—of living with the past.\u003c\/span\u003e\u003c\/p\u003e"},{"id":7770224197800,"title":"A Year and a Day","handle":"a-year-and-a-day","description":"\u003cp\u003eThe essay is the most pluckily pedestrian and blithely transgressive of literary genres, the one that is most at large and in need, picking through the leftovers of daily life and personal and social history to take what suits it and remake it as it sees fit. It is, at its lively best, quite indifferent to the claims of style, fashion, theory, and respectability, provoking and inspiring through the pleasure of surprise. In 2016, Phillip Lopate, who has been writing essays and thinking about the essay for decades now, turned his attention to one of the essay’s offshoots, the blog, a form by that time already thick with virtual dust. Lopate committed to writing a weekly blog about, really, \u003cem\u003ewhatever\u003c\/em\u003e over the course of a year.\u003c\/p\u003e\n\u003cp\u003eIt was an experiment, and what came out of it was \u003cem\u003eA Year and a Day\u003c\/em\u003e, a virtuosic (if never showy) demonstration of the essay’s range and reach, meandering, looping back, hitting reset, forging on. Lopate’s topics along the way include family, James Baldwin, going to China, Agnes Martin, Abbas Kiarostami, the resistible rise of Donald Trump, death, desire, and the tribulations, small and large, of daily life. What results is at once a self-portrait, a picture of the times, and a splendid book of essays.\u003c\/p\u003e","published_at":"2023-03-01T14:02:59-05:00","created_at":"2023-02-22T12:19:22-05:00","vendor":"New York Review Books","type":"New York Review Books","tags":["American Literature","Available as E-Book","Essays \u0026 Criticism"],"price":1795,"price_min":1795,"price_max":1795,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43223454711976,"title":"Paperback","option1":"Paperback","option2":null,"option3":null,"sku":"9781681377780","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"A Year and a Day - Paperback","public_title":"Paperback","options":["Paperback"],"price":1795,"weight":431,"compare_at_price":null,"inventory_quantity":41,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.nyrb.com\/cdn\/shop\/products\/AYearandaDay_b4a39545-4b11-453f-b726-5beb21853e44.jpg?v=1678399471"],"featured_image":"\/\/www.nyrb.com\/cdn\/shop\/products\/AYearandaDay_b4a39545-4b11-453f-b726-5beb21853e44.jpg?v=1678399471","options":["Cover"],"media":[{"alt":null,"id":28352253034664,"position":1,"preview_image":{"aspect_ratio":0.676,"height":2550,"width":1725,"src":"\/\/www.nyrb.com\/cdn\/shop\/products\/AYearandaDay_b4a39545-4b11-453f-b726-5beb21853e44.jpg?v=1678399471"},"aspect_ratio":0.676,"height":2550,"media_type":"image","src":"\/\/www.nyrb.com\/cdn\/shop\/products\/AYearandaDay_b4a39545-4b11-453f-b726-5beb21853e44.jpg?v=1678399471","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eThe essay is the most pluckily pedestrian and blithely transgressive of literary genres, the one that is most at large and in need, picking through the leftovers of daily life and personal and social history to take what suits it and remake it as it sees fit. It is, at its lively best, quite indifferent to the claims of style, fashion, theory, and respectability, provoking and inspiring through the pleasure of surprise. In 2016, Phillip Lopate, who has been writing essays and thinking about the essay for decades now, turned his attention to one of the essay’s offshoots, the blog, a form by that time already thick with virtual dust. Lopate committed to writing a weekly blog about, really, \u003cem\u003ewhatever\u003c\/em\u003e over the course of a year.\u003c\/p\u003e\n\u003cp\u003eIt was an experiment, and what came out of it was \u003cem\u003eA Year and a Day\u003c\/em\u003e, a virtuosic (if never showy) demonstration of the essay’s range and reach, meandering, looping back, hitting reset, forging on. Lopate’s topics along the way include family, James Baldwin, going to China, Agnes Martin, Abbas Kiarostami, the resistible rise of Donald Trump, death, desire, and the tribulations, small and large, of daily life. What results is at once a self-portrait, a picture of the times, and a splendid book of essays.\u003c\/p\u003e"},{"id":7764998717608,"title":"Bresson on Bresson (Paperback)","handle":"bresson-on-bresson-1","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRobert Bresson, the director of such cinematic masterpieces as \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePickpocket\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eA Man Escaped\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMouchette\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eL’Argent\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: He insisted on the use of nonprofessional actors; he shunned the “advances” of Cinerama and CinemaScope (and the work of most of his predecessors and peers); and he minced no words about the damaging influence of capitalism and the studio system on the still-developing—in his view—art of film. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eBresson on Bresson\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSuccessive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the soundtrack, and to Bresson’s one book, the great aphoristic treatise \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNotes on the Cinematograph\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as “Sound...invented silence in cinema,” “It’s the film that...gives life to the characters—not the characters that give life to the film,” and (echoing the Bible) “Every idle word shall be counted.” \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBresson’s integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson’s movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: “It’s always ready to feel before it understands. And that’s how it should be.”\u003c\/span\u003e","published_at":"2023-02-16T11:13:19-05:00","created_at":"2023-02-13T10:53:42-05:00","vendor":"New York Review Books","type":"New York Review Books","tags":["Available as E-Book","Essays \u0026 Criticism","French Literature","Visual \u0026 Performing Arts"],"price":1995,"price_min":1995,"price_max":1995,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43203078422696,"title":"Paperback","option1":"Paperback","option2":null,"option3":null,"sku":"9781681377803","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bresson on Bresson (Paperback) - Paperback","public_title":"Paperback","options":["Paperback"],"price":1995,"weight":499,"compare_at_price":null,"inventory_quantity":58,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.nyrb.com\/cdn\/shop\/products\/BressononBresson_website.jpg?v=1676303624"],"featured_image":"\/\/www.nyrb.com\/cdn\/shop\/products\/BressononBresson_website.jpg?v=1676303624","options":["Cover"],"media":[{"alt":null,"id":28199473447080,"position":1,"preview_image":{"aspect_ratio":0.676,"height":2775,"width":1875,"src":"\/\/www.nyrb.com\/cdn\/shop\/products\/BressononBresson_website.jpg?v=1676303624"},"aspect_ratio":0.676,"height":2775,"media_type":"image","src":"\/\/www.nyrb.com\/cdn\/shop\/products\/BressononBresson_website.jpg?v=1676303624","width":1875}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRobert Bresson, the director of such cinematic masterpieces as \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePickpocket\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eA Man Escaped\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMouchette\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eL’Argent\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: He insisted on the use of nonprofessional actors; he shunned the “advances” of Cinerama and CinemaScope (and the work of most of his predecessors and peers); and he minced no words about the damaging influence of capitalism and the studio system on the still-developing—in his view—art of film. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eBresson on Bresson\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSuccessive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the soundtrack, and to Bresson’s one book, the great aphoristic treatise \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNotes on the Cinematograph\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as “Sound...invented silence in cinema,” “It’s the film that...gives life to the characters—not the characters that give life to the film,” and (echoing the Bible) “Every idle word shall be counted.” \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBresson’s integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson’s movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: “It’s always ready to feel before it understands. And that’s how it should be.”\u003c\/span\u003e"},{"id":7763414352040,"title":"About Ed","handle":"about-ed","description":"\u003cp\u003eBob Glück met Ed Aulerich-Sugai in 1970. Ed was an aspiring artist; Bob wanted to write. They were young men in San Francisco at the high tide of sexual liberation and soon, and for eight years, they were lovers, after which they were friends. Ed was an explorer in the realms of sex. He was beautiful, fragile, exasperating, serious, unassuaged. In 1994 he died of HIV. His dream notebooks became a touchstone for this book, which Glück has been working on for some two decades, while also making his name as a proponent of New Narrative writing and as one of America’s most unusual, venturesome, and lyrical authors. \u003cem\u003eAbout Ed\u003c\/em\u003e is about Ed, who remains, as our dead do, both familiar and unknowable, faraway and close. It is about Bob too.\u003c\/p\u003e\n\u003cp\u003eThe book is a hybrid, at once fiction and fact, like memory, and it takes in many things through tales of political activism and domestic comedy and fury to questions of art and love and experiences of longing and horror. The book also shifts in register, from the delicate to the analytic, to funny and explicit and heartbroken. It begins in the San Francisco of the early 1980s, when Ed and Bob have been broken up for a while. AIDS is spreading, but Ed has yet to receive his diagnosis. It follows him backward through his life with Bob in the 1970s and forward through the harrowing particulars of death. It holds on to him and explores his art. It ends in his dreams.\u003c\/p\u003e\n\u003cdiv id=\"highlighter--hover-tools\" style=\"display: none;\"\u003e\n\u003cdiv id=\"highlighter--hover-tools--container\"\u003e\n\u003cdiv class=\"highlighter--icon highlighter--icon-copy\" title=\"Copy\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"highlighter--icon highlighter--icon-change-color\" title=\"Change Color\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"highlighter--icon highlighter--icon-delete\" title=\"Delete\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2023-02-16T12:03:01-05:00","created_at":"2023-02-10T13:22:51-05:00","vendor":"New York Review Books","type":"New York Review Books","tags":["American Literature","Available as E-Book","Biography \u0026 Memoir","LGBTQ+"],"price":1895,"price_min":1895,"price_max":1895,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43193895583912,"title":"Paperback","option1":"Paperback","option2":null,"option3":null,"sku":"9781681377766","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"About Ed - Paperback","public_title":"Paperback","options":["Paperback"],"price":1895,"weight":431,"compare_at_price":null,"inventory_quantity":33,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.nyrb.com\/cdn\/shop\/files\/AboutEd_ruled.png?v=1697574413"],"featured_image":"\/\/www.nyrb.com\/cdn\/shop\/files\/AboutEd_ruled.png?v=1697574413","options":["Cover"],"media":[{"alt":null,"id":29470846484648,"position":1,"preview_image":{"aspect_ratio":0.676,"height":2550,"width":1725,"src":"\/\/www.nyrb.com\/cdn\/shop\/files\/AboutEd_ruled.png?v=1697574413"},"aspect_ratio":0.676,"height":2550,"media_type":"image","src":"\/\/www.nyrb.com\/cdn\/shop\/files\/AboutEd_ruled.png?v=1697574413","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eBob Glück met Ed Aulerich-Sugai in 1970. Ed was an aspiring artist; Bob wanted to write. They were young men in San Francisco at the high tide of sexual liberation and soon, and for eight years, they were lovers, after which they were friends. Ed was an explorer in the realms of sex. He was beautiful, fragile, exasperating, serious, unassuaged. In 1994 he died of HIV. His dream notebooks became a touchstone for this book, which Glück has been working on for some two decades, while also making his name as a proponent of New Narrative writing and as one of America’s most unusual, venturesome, and lyrical authors. \u003cem\u003eAbout Ed\u003c\/em\u003e is about Ed, who remains, as our dead do, both familiar and unknowable, faraway and close. It is about Bob too.\u003c\/p\u003e\n\u003cp\u003eThe book is a hybrid, at once fiction and fact, like memory, and it takes in many things through tales of political activism and domestic comedy and fury to questions of art and love and experiences of longing and horror. The book also shifts in register, from the delicate to the analytic, to funny and explicit and heartbroken. It begins in the San Francisco of the early 1980s, when Ed and Bob have been broken up for a while. AIDS is spreading, but Ed has yet to receive his diagnosis. It follows him backward through his life with Bob in the 1970s and forward through the harrowing particulars of death. It holds on to him and explores his art. It ends in his dreams.\u003c\/p\u003e\n\u003cdiv id=\"highlighter--hover-tools\" style=\"display: none;\"\u003e\n\u003cdiv id=\"highlighter--hover-tools--container\"\u003e\n\u003cdiv class=\"highlighter--icon highlighter--icon-copy\" title=\"Copy\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"highlighter--icon highlighter--icon-change-color\" title=\"Change Color\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"highlighter--icon highlighter--icon-delete\" title=\"Delete\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"},{"id":7756890636456,"title":"Loved and Missed","handle":"loved-and-missed","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003eRuth is a woman who believes in and despairs of the curative power of love. Her daughter, Eleanor, who is addicted to drugs, has just had a baby, Lily. Ruth adjusts herself in ways large and small to give to Eleanor what she thinks she may need—nourishment, distance, affection—but all her gifts fall short. After someone dies of an overdose in Eleanor's apartment, Ruth hands her daughter an envelope of cash and takes Lily home with her, and Lily, as she grows, proves a compensation for all of Ruth's past defeats and disappointment. Love without fear is a new feeling for her, almost unrecognizable. Will it last? \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLove and Missed\u003c\/em\u003e is a whip-smart, incisive, and mordantly witty novel about love's gains and missteps. British writer Susie Boyt's seventh novel, and the first to be published in the United States, is a pitch-perfect work of art.\u003cbr\u003e\u003c\/p\u003e","published_at":"2023-02-16T11:50:43-05:00","created_at":"2023-02-01T14:30:14-05:00","vendor":"New York Review Books","type":"New York Review Books","tags":["Available as E-Book","British \u0026 Irish Literature","Fiction"],"price":1795,"price_min":1795,"price_max":1795,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43161594986664,"title":"Paperback","option1":"Paperback","option2":null,"option3":null,"sku":"9781681377810","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Loved and Missed - Paperback","public_title":"Paperback","options":["Paperback"],"price":1795,"weight":386,"compare_at_price":null,"inventory_quantity":27,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.nyrb.com\/cdn\/shop\/products\/LovedandMissed_3b425625-dc94-4125-aab3-20abd243396f.jpg?v=1680193951"],"featured_image":"\/\/www.nyrb.com\/cdn\/shop\/products\/LovedandMissed_3b425625-dc94-4125-aab3-20abd243396f.jpg?v=1680193951","options":["Cover"],"media":[{"alt":null,"id":28484889673896,"position":1,"preview_image":{"aspect_ratio":0.676,"height":2550,"width":1725,"src":"\/\/www.nyrb.com\/cdn\/shop\/products\/LovedandMissed_3b425625-dc94-4125-aab3-20abd243396f.jpg?v=1680193951"},"aspect_ratio":0.676,"height":2550,"media_type":"image","src":"\/\/www.nyrb.com\/cdn\/shop\/products\/LovedandMissed_3b425625-dc94-4125-aab3-20abd243396f.jpg?v=1680193951","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003eRuth is a woman who believes in and despairs of the curative power of love. Her daughter, Eleanor, who is addicted to drugs, has just had a baby, Lily. Ruth adjusts herself in ways large and small to give to Eleanor what she thinks she may need—nourishment, distance, affection—but all her gifts fall short. After someone dies of an overdose in Eleanor's apartment, Ruth hands her daughter an envelope of cash and takes Lily home with her, and Lily, as she grows, proves a compensation for all of Ruth's past defeats and disappointment. Love without fear is a new feeling for her, almost unrecognizable. Will it last? \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLove and Missed\u003c\/em\u003e is a whip-smart, incisive, and mordantly witty novel about love's gains and missteps. British writer Susie Boyt's seventh novel, and the first to be published in the United States, is a pitch-perfect work of art.\u003cbr\u003e\u003c\/p\u003e"},{"id":7481293308072,"title":"Rombo","handle":"rombo","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIl rombo\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e is an Italian term for the subterranean rumble before an earthquake. In May and September 1976, two severe earthquakes ripped through the Friuli region in northeastern Italy, causing extensive damage. About a thousand people died under the rubble, tens of thousands were left without shelter, and many ended up leaving their homes forever.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eRombo\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a record of this disaster and its aftermath, as told by seven men and women who were children at the time: Anselmo, Mara, Olga, Gigi, Silvia, Lina, and Toni. They speak of portents that preceded the earthquakes and of the complete disorder that followed, the obliteration of all that was familiar and known by heart. Their memories, like the earth, are subject to rifts and abysses. Esther Kinsky splices these indelible, incomplete recollections with exacting descriptions of the alpine region, forgoing a linear narrative for a deftly layered collage that reaches back and forth in time. The brilliantly original book that emerges is both memorial and purgatorial mount.\u003c\/span\u003e\u003cbr\u003e","published_at":"2022-07-21T18:20:43-04:00","created_at":"2022-06-28T11:11:24-04:00","vendor":"New York Review Books","type":"New York Review Books","tags":["Available as E-Book","Fiction","German Literature"],"price":1695,"price_min":1695,"price_max":1695,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42442901848232,"title":"Paperback","option1":"Paperback","option2":null,"option3":null,"sku":"9781681377247","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rombo - Paperback","public_title":"Paperback","options":["Paperback"],"price":1695,"weight":340,"compare_at_price":null,"inventory_quantity":120,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.nyrb.com\/cdn\/shop\/products\/Rombo.jpg?v=1658761814"],"featured_image":"\/\/www.nyrb.com\/cdn\/shop\/products\/Rombo.jpg?v=1658761814","options":["Cover"],"media":[{"alt":null,"id":26436876599464,"position":1,"preview_image":{"aspect_ratio":0.676,"height":2550,"width":1725,"src":"\/\/www.nyrb.com\/cdn\/shop\/products\/Rombo.jpg?v=1658761814"},"aspect_ratio":0.676,"height":2550,"media_type":"image","src":"\/\/www.nyrb.com\/cdn\/shop\/products\/Rombo.jpg?v=1658761814","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIl rombo\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e is an Italian term for the subterranean rumble before an earthquake. In May and September 1976, two severe earthquakes ripped through the Friuli region in northeastern Italy, causing extensive damage. About a thousand people died under the rubble, tens of thousands were left without shelter, and many ended up leaving their homes forever.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eRombo\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a record of this disaster and its aftermath, as told by seven men and women who were children at the time: Anselmo, Mara, Olga, Gigi, Silvia, Lina, and Toni. They speak of portents that preceded the earthquakes and of the complete disorder that followed, the obliteration of all that was familiar and known by heart. Their memories, like the earth, are subject to rifts and abysses. Esther Kinsky splices these indelible, incomplete recollections with exacting descriptions of the alpine region, forgoing a linear narrative for a deftly layered collage that reaches back and forth in time. The brilliantly original book that emerges is both memorial and purgatorial mount.\u003c\/span\u003e\u003cbr\u003e"},{"id":7481209094312,"title":"My Stupid Intentions","handle":"my-stupid-intentions","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eMy Stupid Intentions\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the autobiography of a beech marten named Archy. Born into poverty, maimed by an accident, he is sold into servitude by his mother and taught to read and write by Solomon—a pawnbroking fox whose knowledge derives from a Bible that fell on his head while he was busy feeding on a hanged man.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEven as Archy’s life is transformed by his discovery of the written word and his grappling with the entity called God, he longs for an existence guided by instinct. He longs to be “a real animal.” But there is no way of unlearning what he has learned. Caught between his natural urges and his acquired knowledge, he seeks the meaning of his story by writing it.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eThis debut novel by the young Italian author Bernardo Zannoni is set in a primordial landscape where animals talk and tend their hearths but are never free from the struggle for survival. A picaresque fable, it has drawn comparisons to\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePinocchio\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWatership Down\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Wind in the Willows\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Stranger\u003c\/i\u003e.\u003c\/p\u003e","published_at":"2022-07-21T18:34:30-04:00","created_at":"2022-06-28T10:22:59-04:00","vendor":"New York Review Books","type":"New York Review Books","tags":["Available as E-Book","Fiction","Italian Literature"],"price":1795,"price_min":1795,"price_max":1795,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42442712940712,"title":"Paperback","option1":"Paperback","option2":null,"option3":null,"sku":"9781681377285","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"My Stupid Intentions - Paperback","public_title":"Paperback","options":["Paperback"],"price":1795,"weight":408,"compare_at_price":null,"inventory_quantity":51,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.nyrb.com\/cdn\/shop\/products\/MyStupidIntentions.jpg?v=1663080852"],"featured_image":"\/\/www.nyrb.com\/cdn\/shop\/products\/MyStupidIntentions.jpg?v=1663080852","options":["Cover"],"media":[{"alt":null,"id":26885087002792,"position":1,"preview_image":{"aspect_ratio":0.676,"height":2550,"width":1725,"src":"\/\/www.nyrb.com\/cdn\/shop\/products\/MyStupidIntentions.jpg?v=1663080852"},"aspect_ratio":0.676,"height":2550,"media_type":"image","src":"\/\/www.nyrb.com\/cdn\/shop\/products\/MyStupidIntentions.jpg?v=1663080852","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eMy Stupid Intentions\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the autobiography of a beech marten named Archy. Born into poverty, maimed by an accident, he is sold into servitude by his mother and taught to read and write by Solomon—a pawnbroking fox whose knowledge derives from a Bible that fell on his head while he was busy feeding on a hanged man.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEven as Archy’s life is transformed by his discovery of the written word and his grappling with the entity called God, he longs for an existence guided by instinct. He longs to be “a real animal.” But there is no way of unlearning what he has learned. Caught between his natural urges and his acquired knowledge, he seeks the meaning of his story by writing it.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eThis debut novel by the young Italian author Bernardo Zannoni is set in a primordial landscape where animals talk and tend their hearths but are never free from the struggle for survival. A picaresque fable, it has drawn comparisons to\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePinocchio\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWatership Down\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Wind in the Willows\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Stranger\u003c\/i\u003e.\u003c\/p\u003e"},{"id":7475144196264,"title":"Affinities","handle":"affinities","description":"\u003cp class=\"p1\"\u003eIn \u003ci\u003eAffinities\u003c\/i\u003e, Brian Dillon, who Joyce Carol Oates has said writes “fascinating prose . . . on virtually any subject,” explores images and artists he is drawn to and analyzes the attraction. What does it mean to claim affinity with a picture? What do feelings of affinity imply about the experience of art and of the world? \u003ci\u003eAffinities\u003c\/i\u003e is a critical and personal study of a sensation that is not exactly taste, desire, or solidarity, but has aspects of all three. Approaching this subject via discrete examples, Dillon examines works by artists such as Dora Maar and Andy Warhol, Rinko Kawauchi and Susan Hiller, as well as scientific or vernacular images of sea creatures and migraine auras. Written as a series of linked essays, \u003ci\u003eAffinities\u003c\/i\u003e completes a trilogy, with \u003ci\u003eEssayism\u003c\/i\u003e and \u003ci\u003eSuppose a Sentence\u003c\/i\u003e, about the intimate and abstract pleasures of reading and looking.\u003c\/p\u003e","published_at":"2022-07-21T18:33:01-04:00","created_at":"2022-06-23T15:57:53-04:00","vendor":"New York Review Books","type":"New York Review Books","tags":["Available as E-Book","Biography \u0026 Memoir","British \u0026 Irish Literature","Essays \u0026 Criticism"],"price":1895,"price_min":1895,"price_max":1895,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42424711250088,"title":"Paperback","option1":"Paperback","option2":null,"option3":null,"sku":"9781681377261","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Affinities - Paperback","public_title":"Paperback","options":["Paperback"],"price":1895,"weight":499,"compare_at_price":null,"inventory_quantity":60,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.nyrb.com\/cdn\/shop\/products\/Affinities_final.jpg?v=1658761363","\/\/www.nyrb.com\/cdn\/shop\/products\/Affinitiesspread1.png?v=1680633643","\/\/www.nyrb.com\/cdn\/shop\/products\/Affinitiesspread2.png?v=1680633644","\/\/www.nyrb.com\/cdn\/shop\/products\/Affinitiesspread3.png?v=1680633643"],"featured_image":"\/\/www.nyrb.com\/cdn\/shop\/products\/Affinities_final.jpg?v=1658761363","options":["Cover"],"media":[{"alt":null,"id":26436824826024,"position":1,"preview_image":{"aspect_ratio":0.676,"height":2550,"width":1725,"src":"\/\/www.nyrb.com\/cdn\/shop\/products\/Affinities_final.jpg?v=1658761363"},"aspect_ratio":0.676,"height":2550,"media_type":"image","src":"\/\/www.nyrb.com\/cdn\/shop\/products\/Affinities_final.jpg?v=1658761363","width":1725},{"alt":null,"id":28513781350568,"position":2,"preview_image":{"aspect_ratio":1.353,"height":739,"width":1000,"src":"\/\/www.nyrb.com\/cdn\/shop\/products\/Affinitiesspread1.png?v=1680633643"},"aspect_ratio":1.353,"height":739,"media_type":"image","src":"\/\/www.nyrb.com\/cdn\/shop\/products\/Affinitiesspread1.png?v=1680633643","width":1000},{"alt":null,"id":28513781383336,"position":3,"preview_image":{"aspect_ratio":1.353,"height":739,"width":1000,"src":"\/\/www.nyrb.com\/cdn\/shop\/products\/Affinitiesspread2.png?v=1680633644"},"aspect_ratio":1.353,"height":739,"media_type":"image","src":"\/\/www.nyrb.com\/cdn\/shop\/products\/Affinitiesspread2.png?v=1680633644","width":1000},{"alt":null,"id":28513781416104,"position":4,"preview_image":{"aspect_ratio":1.353,"height":739,"width":1000,"src":"\/\/www.nyrb.com\/cdn\/shop\/products\/Affinitiesspread3.png?v=1680633643"},"aspect_ratio":1.353,"height":739,"media_type":"image","src":"\/\/www.nyrb.com\/cdn\/shop\/products\/Affinitiesspread3.png?v=1680633643","width":1000}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp class=\"p1\"\u003eIn \u003ci\u003eAffinities\u003c\/i\u003e, Brian Dillon, who Joyce Carol Oates has said writes “fascinating prose . . . on virtually any subject,” explores images and artists he is drawn to and analyzes the attraction. What does it mean to claim affinity with a picture? What do feelings of affinity imply about the experience of art and of the world? \u003ci\u003eAffinities\u003c\/i\u003e is a critical and personal study of a sensation that is not exactly taste, desire, or solidarity, but has aspects of all three. Approaching this subject via discrete examples, Dillon examines works by artists such as Dora Maar and Andy Warhol, Rinko Kawauchi and Susan Hiller, as well as scientific or vernacular images of sea creatures and migraine auras. Written as a series of linked essays, \u003ci\u003eAffinities\u003c\/i\u003e completes a trilogy, with \u003ci\u003eEssayism\u003c\/i\u003e and \u003ci\u003eSuppose a Sentence\u003c\/i\u003e, about the intimate and abstract pleasures of reading and looking.\u003c\/p\u003e"},{"id":7317203583144,"title":"Sojourn","handle":"sojourn","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eAn Indian writer has come to Berlin as a visiting professor. This is his second sojourn in the city, which seems strange, and also strangely familiar, to him. He is disoriented by its names, its immensity, and its history; he is worried that something may happen to him there. Faqrul, a friendly Bangladeshi poet living in exile, takes him up—then disappears. The visiting writer is increasingly adrift in a city that not long ago was two cities, each cut off from the other, much as the new unified city is cut off from the divided one of the past. It is the fall of 2005; every day it grows colder. The visitor is beginning to feel his middle age. To him, the new world of the twenty-first century, with its endless commodities from all over the place and no prospect of any sort of historical transformation, appears to exist in a state of amnesiac suspense. He gets involved with a woman, Birgit. He begins to miss his classes. He blacks out in the street. People are worried. “I’ve lost my bearings—not in the city; in its history,” he thinks. “The less sure I become of it, the more I know my way.” But does he?\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eAmit Chaudhuri’s \u003ci data-mce-fragment=\"1\"\u003eSojourn\u003c\/i\u003e is a dramatic and disconcerting work of fiction, a book about the present as it slips into the past, a picture of a city and of a troubled mind, a historical novel about an ostensibly post-historical time, a story of haunting. 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1066w,//www.nyrb.com/cdn/shop/files/ThePictureNotTaken.jpg?v=1712775659 1725w" src="//www.nyrb.com/cdn/shop/files/ThePictureNotTaken.jpg?v=1712775659&width=533" sizes="(min-width: 1200px) 267px, (min-width: 990px) calc((100vw - 130px) / 4), (min-width: 750px) calc((100vw - 120px) / 3), calc((100vw - 35px) / 2)" alt="The Picture Not Taken" class="motion-reduce" loading="lazy" width="1725" height="2550" > </div> </div><div class="card__content"> <div class="card__information"> <span class="card__heading"> <a href="/products/the-picture-not-taken" id="StandardCardNoMediaLink-template--16181747876008__product-grid-8184185127080" class="full-unstyled-link" aria-labelledby="StandardCardNoMediaLink-template--16181747876008__product-grid-8184185127080 NoMediaStandardBadge-template--16181747876008__product-grid-8184185127080"> The Picture Not Taken </a> </span> </div> <div class="card__badge bottom right"></div> </div> </div> <div class="card__content"> <div class="card__information"> <div class="card-information"> <span class="card__heading"> <a href="/products/the-picture-not-taken" id="CardLink-template--16181747876008__product-grid-8184185127080" class="full-unstyled-link" aria-labelledby="CardLink-template--16181747876008__product-grid-8184185127080 Badge-template--16181747876008__product-grid-8184185127080"> The Picture Not Taken </a> </span><span class="caption-large light"></span>   <span class="author author-size h5 " id="title-template--16181747876008__product-grid-8184185127080"">    Benjamin Swett    </span>   <div class="publication publication-size h5 " id="title-template--16181747876008__product-grid-8184185127080""> </div> </div> </div><div class="card__badge bottom right"></div> </div> </div> </div> </li> <script> var todaysDate = new Date().toISOString().slice(0, 10), publishDate = '2024-10-29'; </script> <li class="grid__item product hidden" data-publish-date="2025-02-25"> <link href="//www.nyrb.com/cdn/shop/t/13/assets/component-rating.css?v=24573085263941240431677682403" rel="stylesheet" type="text/css" media="all" /> <div class="card-wrapper underline-links-hover"> <div class="card card--standard card--media " style="--ratio-percent: 147.82608695652172%;" > <div class="card__inner color-background-1 gradient ratio" style="--ratio-percent: 147.82608695652172%;"><div class="card__media"> <div class="media media--transparent media--hover-effect"> <img srcset="//www.nyrb.com/cdn/shop/files/Malaparte_preliminary.jpg?v=1710778518&width=165 165w,//www.nyrb.com/cdn/shop/files/Malaparte_preliminary.jpg?v=1710778518&width=360 360w,//www.nyrb.com/cdn/shop/files/Malaparte_preliminary.jpg?v=1710778518&width=533 533w,//www.nyrb.com/cdn/shop/files/Malaparte_preliminary.jpg?v=1710778518&width=720 720w,//www.nyrb.com/cdn/shop/files/Malaparte_preliminary.jpg?v=1710778518&width=940 940w,//www.nyrb.com/cdn/shop/files/Malaparte_preliminary.jpg?v=1710778518&width=1066 1066w,//www.nyrb.com/cdn/shop/files/Malaparte_preliminary.jpg?v=1710778518 1725w" src="//www.nyrb.com/cdn/shop/files/Malaparte_preliminary.jpg?v=1710778518&width=533" sizes="(min-width: 1200px) 267px, (min-width: 990px) calc((100vw - 130px) / 4), (min-width: 750px) calc((100vw - 120px) / 3), calc((100vw - 35px) / 2)" alt="Malaparte: A Biography" class="motion-reduce" loading="lazy" width="1725" height="2550" > </div> </div><div class="card__content"> <div class="card__information"> <span class="card__heading"> <a href="/products/malaparte-a-biography" id="StandardCardNoMediaLink-template--16181747876008__product-grid-8184168218792" class="full-unstyled-link" aria-labelledby="StandardCardNoMediaLink-template--16181747876008__product-grid-8184168218792 NoMediaStandardBadge-template--16181747876008__product-grid-8184168218792"> Malaparte: A Biography </a> </span> </div> <div class="card__badge bottom right"></div> </div> </div> <div class="card__content"> <div class="card__information"> <div class="card-information"> <span class="card__heading"> <a href="/products/malaparte-a-biography" id="CardLink-template--16181747876008__product-grid-8184168218792" class="full-unstyled-link" aria-labelledby="CardLink-template--16181747876008__product-grid-8184168218792 Badge-template--16181747876008__product-grid-8184168218792"> Malaparte: A Biography </a> </span><span class="caption-large light"></span>   <span class="author author-size h5 " id="title-template--16181747876008__product-grid-8184168218792"">     Maurizio Serra    </span>   <div class="publication publication-size h5 " id="title-template--16181747876008__product-grid-8184168218792""> Publication Date: Feb 25, 2025 </div> </div> </div><div class="card__badge bottom right"><span id="Badge-template--16181747876008__product-grid-8184168218792" class="badge badge--bottom-left color-inverse">Currently Unavailable</span></div> </div> </div> </div> </li> <script> var todaysDate = new Date().toISOString().slice(0, 10), publishDate = '2025-02-25'; </script> <li class="grid__item product " data-publish-date="2024-10-29"> <link href="//www.nyrb.com/cdn/shop/t/13/assets/component-rating.css?v=24573085263941240431677682403" rel="stylesheet" type="text/css" media="all" /> <div class="card-wrapper underline-links-hover"> <div class="card card--standard card--media " style="--ratio-percent: 147.82608695652172%;" > <div class="card__inner color-background-1 gradient ratio" style="--ratio-percent: 147.82608695652172%;"><div class="card__media"> <div class="media media--transparent media--hover-effect"> <img srcset="//www.nyrb.com/cdn/shop/files/Mysticism_hires.jpg?v=1712246519&width=165 165w,//www.nyrb.com/cdn/shop/files/Mysticism_hires.jpg?v=1712246519&width=360 360w,//www.nyrb.com/cdn/shop/files/Mysticism_hires.jpg?v=1712246519&width=533 533w,//www.nyrb.com/cdn/shop/files/Mysticism_hires.jpg?v=1712246519&width=720 720w,//www.nyrb.com/cdn/shop/files/Mysticism_hires.jpg?v=1712246519&width=940 940w,//www.nyrb.com/cdn/shop/files/Mysticism_hires.jpg?v=1712246519&width=1066 1066w,//www.nyrb.com/cdn/shop/files/Mysticism_hires.jpg?v=1712246519 1725w" src="//www.nyrb.com/cdn/shop/files/Mysticism_hires.jpg?v=1712246519&width=533" sizes="(min-width: 1200px) 267px, (min-width: 990px) calc((100vw - 130px) / 4), (min-width: 750px) calc((100vw - 120px) / 3), calc((100vw - 35px) / 2)" alt="Mysticism" class="motion-reduce" loading="lazy" width="1725" height="2550" > </div> </div><div class="card__content"> <div class="card__information"> <span class="card__heading"> <a href="/products/mysticism" id="StandardCardNoMediaLink-template--16181747876008__product-grid-8184148754600" class="full-unstyled-link" aria-labelledby="StandardCardNoMediaLink-template--16181747876008__product-grid-8184148754600 NoMediaStandardBadge-template--16181747876008__product-grid-8184148754600"> Mysticism </a> </span> </div> <div class="card__badge bottom right"></div> </div> </div> <div class="card__content"> <div class="card__information"> <div class="card-information"> <span class="card__heading"> <a href="/products/mysticism" id="CardLink-template--16181747876008__product-grid-8184148754600" class="full-unstyled-link" aria-labelledby="CardLink-template--16181747876008__product-grid-8184148754600 Badge-template--16181747876008__product-grid-8184148754600"> Mysticism </a> </span><span class="caption-large light"></span>   <span class="author author-size h5 " id="title-template--16181747876008__product-grid-8184148754600"">       Simon Critchley </span>   <div class="publication publication-size h5 " id="title-template--16181747876008__product-grid-8184148754600""> </div> </div> </div><div class="card__badge bottom right"></div> </div> </div> </div> </li> <script> var todaysDate = new Date().toISOString().slice(0, 10), publishDate = '2024-10-29'; </script> <li class="grid__item product " data-publish-date="2024-10-01"> <link href="//www.nyrb.com/cdn/shop/t/13/assets/component-rating.css?v=24573085263941240431677682403" rel="stylesheet" type="text/css" media="all" /> <div class="card-wrapper underline-links-hover"> <div class="card card--standard card--media " style="--ratio-percent: 147.82608695652172%;" > <div class="card__inner color-background-1 gradient ratio" style="--ratio-percent: 147.82608695652172%;"><div class="card__media"> <div class="media media--transparent media--hover-effect"> <img srcset="//www.nyrb.com/cdn/shop/files/Star111hi-res.jpg?v=1712162926&width=165 165w,//www.nyrb.com/cdn/shop/files/Star111hi-res.jpg?v=1712162926&width=360 360w,//www.nyrb.com/cdn/shop/files/Star111hi-res.jpg?v=1712162926&width=533 533w,//www.nyrb.com/cdn/shop/files/Star111hi-res.jpg?v=1712162926&width=720 720w,//www.nyrb.com/cdn/shop/files/Star111hi-res.jpg?v=1712162926&width=940 940w,//www.nyrb.com/cdn/shop/files/Star111hi-res.jpg?v=1712162926&width=1066 1066w,//www.nyrb.com/cdn/shop/files/Star111hi-res.jpg?v=1712162926 1725w" src="//www.nyrb.com/cdn/shop/files/Star111hi-res.jpg?v=1712162926&width=533" sizes="(min-width: 1200px) 267px, (min-width: 990px) calc((100vw - 130px) / 4), (min-width: 750px) calc((100vw - 120px) / 3), calc((100vw - 35px) / 2)" alt="Star 111" class="motion-reduce" loading="lazy" width="1725" height="2550" > </div> </div><div class="card__content"> <div class="card__information"> <span class="card__heading"> <a href="/products/star-111" id="StandardCardNoMediaLink-template--16181747876008__product-grid-8184133681320" class="full-unstyled-link" aria-labelledby="StandardCardNoMediaLink-template--16181747876008__product-grid-8184133681320 NoMediaStandardBadge-template--16181747876008__product-grid-8184133681320"> Star 111 </a> </span> </div> <div class="card__badge bottom right"></div> </div> </div> <div class="card__content"> <div class="card__information"> <div class="card-information"> <span 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/> <div class="card-wrapper underline-links-hover"> <div class="card card--standard card--media " style="--ratio-percent: 147.82608695652172%;" > <div class="card__inner color-background-1 gradient ratio" style="--ratio-percent: 147.82608695652172%;"><div class="card__media"> <div class="media media--transparent media--hover-effect"> <img srcset="//www.nyrb.com/cdn/shop/files/SeeingFurther_preliminary.jpg?v=1710358717&width=165 165w,//www.nyrb.com/cdn/shop/files/SeeingFurther_preliminary.jpg?v=1710358717&width=360 360w,//www.nyrb.com/cdn/shop/files/SeeingFurther_preliminary.jpg?v=1710358717&width=533 533w,//www.nyrb.com/cdn/shop/files/SeeingFurther_preliminary.jpg?v=1710358717&width=720 720w,//www.nyrb.com/cdn/shop/files/SeeingFurther_preliminary.jpg?v=1710358717&width=940 940w,//www.nyrb.com/cdn/shop/files/SeeingFurther_preliminary.jpg?v=1710358717&width=1066 1066w,//www.nyrb.com/cdn/shop/files/SeeingFurther_preliminary.jpg?v=1710358717 1725w" 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id="CardLink-template--16181747876008__product-grid-8184110481576" class="full-unstyled-link" aria-labelledby="CardLink-template--16181747876008__product-grid-8184110481576 Badge-template--16181747876008__product-grid-8184110481576"> Seeing Further </a> </span><span class="caption-large light"></span>   <span class="author author-size h5 " id="title-template--16181747876008__product-grid-8184110481576"">     Esther Kinsky    </span>   <div class="publication publication-size h5 " id="title-template--16181747876008__product-grid-8184110481576""> </div> </div> </div><div class="card__badge bottom right"></div> </div> </div> </div> </li> <script> var todaysDate = new Date().toISOString().slice(0, 10), publishDate = '2024-11-12'; </script> <li class="grid__item product " data-publish-date="2024-11-19"> <link href="//www.nyrb.com/cdn/shop/t/13/assets/component-rating.css?v=24573085263941240431677682403" rel="stylesheet" type="text/css" media="all" /> <div class="card-wrapper 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style="--ratio-percent: 147.82608695652172%;"><div class="card__media"> <div class="media media--transparent media--hover-effect"> <img srcset="//www.nyrb.com/cdn/shop/files/TheNotebooksofSonnyRollinspreliminary.jpg?v=1696612311&width=165 165w,//www.nyrb.com/cdn/shop/files/TheNotebooksofSonnyRollinspreliminary.jpg?v=1696612311&width=360 360w,//www.nyrb.com/cdn/shop/files/TheNotebooksofSonnyRollinspreliminary.jpg?v=1696612311&width=533 533w,//www.nyrb.com/cdn/shop/files/TheNotebooksofSonnyRollinspreliminary.jpg?v=1696612311&width=720 720w,//www.nyrb.com/cdn/shop/files/TheNotebooksofSonnyRollinspreliminary.jpg?v=1696612311&width=940 940w,//www.nyrb.com/cdn/shop/files/TheNotebooksofSonnyRollinspreliminary.jpg?v=1696612311&width=1066 1066w,//www.nyrb.com/cdn/shop/files/TheNotebooksofSonnyRollinspreliminary.jpg?v=1696612311 1725w" src="//www.nyrb.com/cdn/shop/files/TheNotebooksofSonnyRollinspreliminary.jpg?v=1696612311&width=533" sizes="(min-width: 1200px) 267px, (min-width: 990px) 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" style="--ratio-percent: 147.82608695652172%;" > <div class="card__inner color-background-1 gradient ratio" style="--ratio-percent: 147.82608695652172%;"><div class="card__media"> <div class="media media--transparent media--hover-effect"> <img srcset="//www.nyrb.com/cdn/shop/files/9781681378398.jpg?v=1693431957&width=165 165w,//www.nyrb.com/cdn/shop/files/9781681378398.jpg?v=1693431957&width=360 360w,//www.nyrb.com/cdn/shop/files/9781681378398.jpg?v=1693431957&width=533 533w,//www.nyrb.com/cdn/shop/files/9781681378398.jpg?v=1693431957&width=720 720w,//www.nyrb.com/cdn/shop/files/9781681378398.jpg?v=1693431957&width=940 940w,//www.nyrb.com/cdn/shop/files/9781681378398.jpg?v=1693431957&width=1066 1066w,//www.nyrb.com/cdn/shop/files/9781681378398.jpg?v=1693431957 1725w" src="//www.nyrb.com/cdn/shop/files/9781681378398.jpg?v=1693431957&width=533" sizes="(min-width: 1200px) 267px, (min-width: 990px) calc((100vw - 130px) / 4), (min-width: 750px) calc((100vw - 120px) / 3), calc((100vw - 35px) / 2)" alt="The Variations" class="motion-reduce" loading="lazy" width="1725" height="2550" > </div> </div><div class="card__content"> <div class="card__information"> <span class="card__heading"> <a href="/products/the-variations" id="StandardCardNoMediaLink-template--16181747876008__product-grid-7892050313384" class="full-unstyled-link" aria-labelledby="StandardCardNoMediaLink-template--16181747876008__product-grid-7892050313384 NoMediaStandardBadge-template--16181747876008__product-grid-7892050313384"> The Variations </a> </span> </div> <div class="card__badge bottom right"></div> </div> </div> <div class="card__content"> <div class="card__information"> <div class="card-information"> <span class="card__heading"> <a href="/products/the-variations" id="CardLink-template--16181747876008__product-grid-7892050313384" class="full-unstyled-link" aria-labelledby="CardLink-template--16181747876008__product-grid-7892050313384 Badge-template--16181747876008__product-grid-7892050313384"> 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class="full-unstyled-link" aria-labelledby="CardLink-template--16181747876008__product-grid-7770224197800 Badge-template--16181747876008__product-grid-7770224197800"> A Year and a Day </a> </span><span class="caption-large light"></span>   <span class="author author-size h5 " id="title-template--16181747876008__product-grid-7770224197800"">      Phillip Lopate </span>   <div class="publication publication-size h5 " id="title-template--16181747876008__product-grid-7770224197800""> </div> </div> </div><div class="card__badge bottom right"></div> </div> </div> </div> </li> <script> var todaysDate = new Date().toISOString().slice(0, 10), publishDate = '2023-10-10'; </script> <li class="grid__item product " data-publish-date="2023-09-26"> <link href="//www.nyrb.com/cdn/shop/t/13/assets/component-rating.css?v=24573085263941240431677682403" rel="stylesheet" type="text/css" media="all" /> <div class="card-wrapper underline-links-hover"> <div class="card card--standard card--media " style="--ratio-percent: 148.0%;" > <div class="card__inner color-background-1 gradient ratio" style="--ratio-percent: 148.0%;"><div class="card__media"> <div class="media media--transparent media--hover-effect"> <img srcset="//www.nyrb.com/cdn/shop/products/BressononBresson_website.jpg?v=1676303624&width=165 165w,//www.nyrb.com/cdn/shop/products/BressononBresson_website.jpg?v=1676303624&width=360 360w,//www.nyrb.com/cdn/shop/products/BressononBresson_website.jpg?v=1676303624&width=533 533w,//www.nyrb.com/cdn/shop/products/BressononBresson_website.jpg?v=1676303624&width=720 720w,//www.nyrb.com/cdn/shop/products/BressononBresson_website.jpg?v=1676303624&width=940 940w,//www.nyrb.com/cdn/shop/products/BressononBresson_website.jpg?v=1676303624&width=1066 1066w,//www.nyrb.com/cdn/shop/products/BressononBresson_website.jpg?v=1676303624 1875w" src="//www.nyrb.com/cdn/shop/products/BressononBresson_website.jpg?v=1676303624&width=533" sizes="(min-width: 1200px) 267px, (min-width: 990px) 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aria-labelledby="CardLink-template--16181747876008__product-grid-7764998717608 Badge-template--16181747876008__product-grid-7764998717608"> Bresson on Bresson (Paperback) </a> </span><span class="caption-large light"></span>   <span class="author author-size h5 " id="title-template--16181747876008__product-grid-7764998717608"">       Robert Bresson </span>   <div class="publication publication-size h5 " id="title-template--16181747876008__product-grid-7764998717608""> </div> </div> </div><div class="card__badge bottom right"></div> </div> </div> </div> </li> <script> var todaysDate = new Date().toISOString().slice(0, 10), publishDate = '2023-09-26'; </script> <li class="grid__item product " data-publish-date="2023-11-14"> <link href="//www.nyrb.com/cdn/shop/t/13/assets/component-rating.css?v=24573085263941240431677682403" rel="stylesheet" type="text/css" media="all" /> <div class="card-wrapper underline-links-hover"> <div class="card card--standard card--media " style="--ratio-percent: 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light"></span>   <span class="author author-size h5 " id="title-template--16181747876008__product-grid-7763414352040"">       Robert Glück </span>   <div class="publication publication-size h5 " id="title-template--16181747876008__product-grid-7763414352040""> </div> </div> </div><div class="card__badge bottom right"></div> </div> </div> </div> </li> <script> var todaysDate = new Date().toISOString().slice(0, 10), publishDate = '2023-11-14'; </script> <li class="grid__item product " data-publish-date="2023-09-19"> <link href="//www.nyrb.com/cdn/shop/t/13/assets/component-rating.css?v=24573085263941240431677682403" rel="stylesheet" type="text/css" media="all" /> <div class="card-wrapper underline-links-hover"> <div class="card card--standard card--media " style="--ratio-percent: 147.82608695652172%;" > <div class="card__inner color-background-1 gradient ratio" style="--ratio-percent: 147.82608695652172%;"><div class="card__media"> <div class="media media--transparent 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srcset="//www.nyrb.com/cdn/shop/products/MyStupidIntentions.jpg?v=1663080852&width=165 165w,//www.nyrb.com/cdn/shop/products/MyStupidIntentions.jpg?v=1663080852&width=360 360w,//www.nyrb.com/cdn/shop/products/MyStupidIntentions.jpg?v=1663080852&width=533 533w,//www.nyrb.com/cdn/shop/products/MyStupidIntentions.jpg?v=1663080852&width=720 720w,//www.nyrb.com/cdn/shop/products/MyStupidIntentions.jpg?v=1663080852&width=940 940w,//www.nyrb.com/cdn/shop/products/MyStupidIntentions.jpg?v=1663080852&width=1066 1066w,//www.nyrb.com/cdn/shop/products/MyStupidIntentions.jpg?v=1663080852 1725w" src="//www.nyrb.com/cdn/shop/products/MyStupidIntentions.jpg?v=1663080852&width=533" sizes="(min-width: 1200px) 267px, (min-width: 990px) calc((100vw - 130px) / 4), (min-width: 750px) calc((100vw - 120px) / 3), calc((100vw - 35px) / 2)" alt="My Stupid Intentions" class="motion-reduce" loading="lazy" width="1725" height="2550" > </div> </div><div class="card__content"> <div class="card__information"> <span 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id="title-template--16181747876008__product-grid-7481209094312"">     Bernardo Zannoni   </span>   <div class="publication publication-size h5 " id="title-template--16181747876008__product-grid-7481209094312""> </div> </div> </div><div class="card__badge bottom right"></div> </div> </div> </div> </li> <script> var todaysDate = new Date().toISOString().slice(0, 10), publishDate = '2023-06-13'; </script> <li class="grid__item product " data-publish-date="2023-04-25"> <link href="//www.nyrb.com/cdn/shop/t/13/assets/component-rating.css?v=24573085263941240431677682403" rel="stylesheet" type="text/css" media="all" /> <div class="card-wrapper underline-links-hover"> <div class="card card--standard card--media " style="--ratio-percent: 147.82608695652172%;" > <div class="card__inner color-background-1 gradient ratio" style="--ratio-percent: 147.82608695652172%;"><div class="card__media"> <div class="media media--transparent media--hover-effect"> <img srcset="//www.nyrb.com/cdn/shop/products/Affinities_final.jpg?v=1658761363&width=165 165w,//www.nyrb.com/cdn/shop/products/Affinities_final.jpg?v=1658761363&width=360 360w,//www.nyrb.com/cdn/shop/products/Affinities_final.jpg?v=1658761363&width=533 533w,//www.nyrb.com/cdn/shop/products/Affinities_final.jpg?v=1658761363&width=720 720w,//www.nyrb.com/cdn/shop/products/Affinities_final.jpg?v=1658761363&width=940 940w,//www.nyrb.com/cdn/shop/products/Affinities_final.jpg?v=1658761363&width=1066 1066w,//www.nyrb.com/cdn/shop/products/Affinities_final.jpg?v=1658761363 1725w" src="//www.nyrb.com/cdn/shop/products/Affinities_final.jpg?v=1658761363&width=533" sizes="(min-width: 1200px) 267px, (min-width: 990px) calc((100vw - 130px) / 4), (min-width: 750px) calc((100vw - 120px) / 3), calc((100vw - 35px) / 2)" alt="Affinities" class="motion-reduce" loading="lazy" width="1725" height="2550" > </div> </div><div class="card__content"> <div class="card__information"> <span class="card__heading"> <a href="/products/affinities" id="StandardCardNoMediaLink-template--16181747876008__product-grid-7475144196264" class="full-unstyled-link" aria-labelledby="StandardCardNoMediaLink-template--16181747876008__product-grid-7475144196264 NoMediaStandardBadge-template--16181747876008__product-grid-7475144196264"> Affinities </a> </span> </div> <div class="card__badge bottom right"></div> </div> </div> <div class="card__content"> <div class="card__information"> <div class="card-information"> <span class="card__heading"> <a href="/products/affinities" id="CardLink-template--16181747876008__product-grid-7475144196264" class="full-unstyled-link" aria-labelledby="CardLink-template--16181747876008__product-grid-7475144196264 Badge-template--16181747876008__product-grid-7475144196264"> Affinities </a> </span><span class="caption-large light"></span>   <span class="author author-size h5 " id="title-template--16181747876008__product-grid-7475144196264"">     Brian Dillon   </span>   <div class="publication publication-size h5 " id="title-template--16181747876008__product-grid-7475144196264""> </div> </div> </div><div class="card__badge bottom right"></div> </div> </div> </div> </li> <script> var todaysDate = new Date().toISOString().slice(0, 10), publishDate = '2023-04-25'; </script> <li class="grid__item product " data-publish-date="2022-09-06"> <link href="//www.nyrb.com/cdn/shop/t/13/assets/component-rating.css?v=24573085263941240431677682403" rel="stylesheet" type="text/css" media="all" /> <div class="card-wrapper underline-links-hover"> <div class="card card--standard card--media " style="--ratio-percent: 148.34205933682375%;" > <div class="card__inner color-background-1 gradient ratio" style="--ratio-percent: 148.34205933682375%;"><div class="card__media"> <div class="media media--transparent media--hover-effect"> <img srcset="//www.nyrb.com/cdn/shop/products/Sojournfinalcvr.jpg?v=1662586447&width=165 165w,//www.nyrb.com/cdn/shop/products/Sojournfinalcvr.jpg?v=1662586447&width=360 360w,//www.nyrb.com/cdn/shop/products/Sojournfinalcvr.jpg?v=1662586447&width=533 533w,//www.nyrb.com/cdn/shop/products/Sojournfinalcvr.jpg?v=1662586447&width=720 720w,//www.nyrb.com/cdn/shop/products/Sojournfinalcvr.jpg?v=1662586447&width=940 940w,//www.nyrb.com/cdn/shop/products/Sojournfinalcvr.jpg?v=1662586447&width=1066 1066w,//www.nyrb.com/cdn/shop/products/Sojournfinalcvr.jpg?v=1662586447 1719w" src="//www.nyrb.com/cdn/shop/products/Sojournfinalcvr.jpg?v=1662586447&width=533" sizes="(min-width: 1200px) 267px, (min-width: 990px) calc((100vw - 130px) / 4), (min-width: 750px) calc((100vw - 120px) / 3), calc((100vw - 35px) / 2)" alt="Sojourn" class="motion-reduce" loading="lazy" width="1719" height="2550" > </div> </div><div class="card__content"> <div class="card__information"> <span class="card__heading"> <a href="/products/sojourn" id="StandardCardNoMediaLink-template--16181747876008__product-grid-7317203583144" class="full-unstyled-link" aria-labelledby="StandardCardNoMediaLink-template--16181747876008__product-grid-7317203583144 NoMediaStandardBadge-template--16181747876008__product-grid-7317203583144"> Sojourn </a> </span> </div> <div class="card__badge bottom right"></div> </div> </div> <div class="card__content"> <div class="card__information"> <div class="card-information"> <span class="card__heading"> <a href="/products/sojourn" id="CardLink-template--16181747876008__product-grid-7317203583144" class="full-unstyled-link" aria-labelledby="CardLink-template--16181747876008__product-grid-7317203583144 Badge-template--16181747876008__product-grid-7317203583144"> Sojourn </a> </span><span class="caption-large light"></span>   <span class="author author-size h5 " id="title-template--16181747876008__product-grid-7317203583144"">    Amit Chaudhuri    </span>   <div class="publication publication-size h5 " 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360w,//www.nyrb.com/cdn/shop/products/MyPhantoms.jpg?v=1648505408&width=533 533w,//www.nyrb.com/cdn/shop/products/MyPhantoms.jpg?v=1648505408&width=720 720w,//www.nyrb.com/cdn/shop/products/MyPhantoms.jpg?v=1648505408&width=940 940w,//www.nyrb.com/cdn/shop/products/MyPhantoms.jpg?v=1648505408&width=1066 1066w,//www.nyrb.com/cdn/shop/products/MyPhantoms.jpg?v=1648505408 1650w" src="//www.nyrb.com/cdn/shop/products/MyPhantoms.jpg?v=1648505408&width=533" sizes="(min-width: 1200px) 267px, (min-width: 990px) calc((100vw - 130px) / 4), (min-width: 750px) calc((100vw - 120px) / 3), calc((100vw - 35px) / 2)" alt="My Phantoms" class="motion-reduce" loading="lazy" width="1650" height="2550" > </div> </div><div class="card__content"> <div class="card__information"> <span class="card__heading"> <a href="/products/my-phantoms" id="StandardCardNoMediaLink-template--16181747876008__product-grid-7317079687336" class="full-unstyled-link" 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Please try again.`, quantityError: `You can only add [quantity] of this item to your cart.` } window.variantStrings = { addToCart: `Add to cart`, soldOut: `Currently Unavailable`, unavailable: `Unavailable`, } window.accessibilityStrings = { imageAvailable: `Image [index] is now available in gallery view`, shareSuccess: `Link copied to clipboard`, pauseSlideshow: `Pause slideshow`, playSlideshow: `Play slideshow`, } </script><script src="//www.nyrb.com/cdn/shop/t/13/assets/predictive-search.js?v=31278710863581584031677682404" defer="defer"></script><link rel="stylesheet" href="//www.nyrb.com/cdn/shop/t/13/assets/app_wishlist-king_templates.css?v=20269004198478631331680088249" /> <style> .wk-link {} .wk-link__icon { margin-right: 0; } .wk-link__label { display: none; } .wk-link__count { display: none; } .wk-button {} .wk-button__icon {} .wk-button__label {} .wk-button.wk-button--floating {} .wk-product-form__submit {} :root { --wk-icon--stroke-width: 1px; --wk-link--color: currentColor; --wk-link__icon--size: 20px; --wk-button--color: currentColor; --wk-button__icon--color: currentColor; --wk-button__icon--size: 16px; --wk-product-form__submit--color: currentColor; --wk-product-form__submit--background: white; --wk-share-button--color: white; --wk-share-button--background: #3d3d3d; --wk-share-button--size: 26px; --wk-page__image--aspect-ratio: 1 / 1; --wk-page__grid--max-columns: 4; } </style> <script type="module" async> import WishlistKing from "//www.nyrb.com/cdn/shop/t/13/assets/app_wishlist-king_sdk.js?v=126727069270349650291680088248"; import templates from "//www.nyrb.com/cdn/shop/t/13/assets/app_wishlist-king_templates.js?v=50661411512044047111680088246"; import settings from "//www.nyrb.com/cdn/shop/t/13/assets/app_wishlist-king_settings.js?v=32058614577102675781680346882"; WishlistKing.toolkit.init({ templates, settings, events: { ready() { // App is ready and WishlistKing.toolkit can be used }, addedToCart(cart) { // This is a good place to trigger AJAX cart update window.scrollTo(0, 0); location.reload(); }, loginRequired(intent) { window.location = [ "/account/login?wk-redirect=", encodeURIComponent( JSON.stringify({ path: window.location.pathname, intent: intent, }) ), ].join(""); }, }, shop: { name: "New York Review Books", domain: "www.nyrb.com", permanent_domain: "nyrb.myshopify.com", currency: "USD", money_format: "${{amount}}", root_url: "", }, session: { customer: null, customer_email: null, }, wishlist: { filter: function (product) { return !product.hidden; }, share: { title: "My Wishlist", description: "Check out some of my favorite things from New York Review Books.", }, fallbackImage: "https://cdn.shopify.com/s/images/themes/product-1.png", }, theme: { locale: { wishlist: "Wishlist", wishlist_empty_note: "Your wishlist is empty", add_to_wishlist: "Add to Wishlist", remove_from_wishlist: "Remove from Wishlist", clear_wishlist: "Clear Wishlist", in_wishlist: "In Wishlist", share_wishlist: "Share Wishlist", copy_share_link: "Copy Link", share_link_copied: "Link Copied", share_by_email_body: "Here is the link to my list:", login_or_signup_note: "To save your wishlist please \u003ca href='https:\/\/www.nyrb.com\/customer_authentication\/redirect?locale=en\u0026region_country=US'\u003elogin\u003c\/a\u003e or \u003ca href='https:\/\/account.nyrb.com?locale=en'\u003esign up\u003c\/a\u003e.", add_to_cart: "Add to Cart", sold_out: "Sold Out", quantity: "Quantity", view_product: "View product", view_wishlist: "View Wishlist", share_on_facebook: "Share on Facebook", share_on_twitter: "Share on Twitter", share_on_pinterest: "Share on Pinterest", share_with_whatsapp: "Share with WhatsApp", share_by_email: "Share with Email", get_link: "Get link", send_to_customer_service: "Send to customer service", add_all_to_cart: "Add wishlist to cart", }, customer: null, customer_accounts_enabled: true, }, }); // Header link /* WishlistKing.observe( { selector: "header a[href='/cart']", }, (target) => { target.insertBefore(WishlistKing.createComponent("wishlist-link")); } ); */ // Wishlist button on product page /* WishlistKing.observe( { selector: "form[action='/cart/add']", template: "product", }, (target) => { target.append( WishlistKing.createComponent("wishlist-button", { id: "", }) ); } ); */ // Wishlist button on collection page /* WishlistKing.observe( { selector: "[data-product-id]", template: "collection", }, (target) => { target.append( WishlistKing.createComponent("wishlist-button-floating", { id: target.container.getAttribute("data-product-id"), }) ); } ); */ // Wishlist page /* WishlistKing.observe( { selector: "main .rte", template: "wishlist", }, (target) => { target.insertAfter(WishlistKing.createComponent("wishlist-page")); } ); // Shared wishlist page WishlistKing.observe( { selector: "main .rte", template: "shared-wishlist", }, (target) => { target.insertAfter(WishlistKing.createComponent("wishlist-page-shared")); } ); */ </script> <div id="blp-container" class="blp-container"></div> <script> var BOLD = BOLD || {}; BOLD.loyalties = BOLD.loyalties || {}; BOLD.loyalties.widget = BOLD.loyalties.widget || {}; BOLD.loyalties.widget.state = BOLD.loyalties.widget.state || { customer: {shopifyCustomerId:0}, context: {}, cart: {} }; BOLD.loyalties.widget.state.context.collection = {}; BOLD.loyalties.widget.state.context.collection.id = 28737605; </script> </body> </html>

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